Before The Grammys

Episode Transcript
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Speaker 1 (00:02):
We recording, and I would like to Start with this.

Speaker 2 (00:08):
Alright, minding my business, drinking water, doing
crunches, getting paid fordiscussions Over Alchemist
production, use of roses forseduction.
Wear a rollie when I'm fucking.
You need to put a condom on,cause you may not be that lucky.
They got deadbeat moms.
Now Nobody knows where her nosegoes.
When the sun down, caught himwalking to his car, gave his ass

(00:31):
the rundown, getting hot on thejet trying to calm down welcome
to another episode of uh lateto the party with doty and
reggie.

Speaker 1 (00:41):
I am reggie I'm doty.
We and this is more my faultI'm kind of stumbling getting
everything together right now,so we're trying to get
everything prepared.
I do apologize, I just wantedyou to hear that.
I heard it this morning so Iwas like it's not on the list,
but let me just throw it inthere.

(01:02):
2 Chainz on, uh, alchemist beat.
Oh yeah, yeah, so.

Speaker 3 (01:09):
I think him and um.
Is the project already out orthey just been released?
I think they just been droppingshit.

Speaker 1 (01:13):
Yeah, I think they uh 2 Chainz trying to get in his
rap rap bag.
Now 2 Chainz.
Yeah, he didn't start with the2 Chainz.
You know what I'm saying, sobut might be a different, you
know.
I mean hearing them on themtype of beats.
Yeah, there's a light off.
Actually, I don't even know whyit's backwards.
It's backwards Even if it's on.
It's not turned this way.

Speaker 3 (01:33):
It's a, but just now, like listening to it and
putting two and two together, itit Gale and Oprah, Cause he was
snapping on that, yeah Twochains Holly Grove too.
Yeah, the Holly Grove shit.

Speaker 1 (01:46):
Yeah, and we don't need Another one of them.
I don't know if y'all Plannedon doing another one, but it's
probably gonna.

Speaker 3 (01:57):
Why you didn't like?

Speaker 1 (01:58):
Wayne.
Nah, I'm just these days Idon't know how I feel about
Wayne.
Sometimes, okay, like I don'tknow how I feel about Wayne.
Sometimes, okay, like I don'tknow how he's going to come
pause, like what we going to getfrom him, like you can have our
high anticipation for Wayne,but then when you hear it, it's
like Damn, we waited Swing and a, miss Swing and a, and not

(02:20):
everything's going to be theperfect.
You know tempo and flow andeverything.
So welcome to the episode.
I know you know we just gettingit together.

Speaker 3 (02:31):
Chatting it up.
Go ahead, go ahead, let's getit Now.
Is that?
Would this be a case of himcatering to, like, a younger
audience, like the Yeats and allthem who?
2 Chainz?

Speaker 1 (02:42):
No him, oh, I was about to say Wayne the Yeats and
all them who 2 Chainz?
No, oh, I was about to sayWayne, um, so I think I think
the problem with Wayne Is hebeen doing it for so long.

Speaker 2 (02:51):
Yeah.

Speaker 1 (02:52):
And Everybody is his son, really.
Okay, you know what I'm saying.
So when he do stuff, it's kindof like you sound like the young
folks, so it still sound likeyou trying to cater to them.
Yeah, but I don't think he isyou sound like the young folks,
so it still sound like youtrying to cater to them.
Yeah, but I don't think he is,I think he just.
It's just him naturally.
I think he just being Wayne.
You know what I'm saying.
So I know when people be sayinglike, when you hear people talk

(03:15):
about Drake, they be like I'msorry bro.
Go ahead.

Speaker 3 (03:24):
I still don't know what to do with my hands.

Speaker 1 (03:29):
You just gotta, you gotta find your way.
What was I saying?

Speaker 4 (03:36):
Wayne just.

Speaker 1 (03:37):
Yeah, wayne, just he just being Wayne.
And then he fall into this,this trap of you still being you
.
Oh, that's what I was saying.
People be like Drake, need togrow up in his lyrics and shit.
Or, if they say that about thebaby, need to change his flow
and stuff.
Wayne is Wayne, so we don'tthink about it sometimes.

(04:01):
He need to grow up in hislyrics too.
Now he give us some shit Likethat Mona Lisa track.
That's a good littlestorytelling track, you know
what I'm saying.
But a lot of the shit is justWayne rapping.

Speaker 3 (04:16):
I feel like, depending on when you watch,
this breaking news happened lastnight.
Today is February 2nd.
Yeah, the LeBron, the Luka andADT.

Speaker 1 (04:28):
Yeah, yeah, yeah.

Speaker 3 (04:29):
I mean, a lot of shit sound good on paper, but it's
like until you see what happensor what comes from it, we don't
know.

Speaker 1 (04:40):
As we grow in this podcast.
I need somebody to do somethingfor me.
As we grow in this podcast, Ineed somebody to do something
for me.
I need y'all to keep up withhow many times he equate sports,
Because he sports.
That's his thing.

Speaker 3 (04:53):
Dude, I don't want casual.

Speaker 1 (04:55):
He'll be like, so think about Jordan, right Like
nigga, we talking about badbitches, but everybody know
about that bro.

Speaker 3 (05:06):
Right, right, right, right right.
But if you said, man, I don'tknow what Karuchi E look like,
bro, or what's her status, youknow where you like god damn
nigga.
She the Michael Jackson Lord,you know what I'm saying.
She the Michael Jordan.

Speaker 1 (05:17):
This is what she is.
Yo, yo, yo, yo.
She gotta be the best If shethe Michael.

Speaker 3 (05:20):
Jordan, jordan, you see what I'm saying.
It's one of them things.

Speaker 1 (05:23):
Yeah, go ahead though , my bad.

Speaker 3 (05:24):
But that's I mean, that's it, bro, that's your
thing, sports is your thing,though.
Well, I can't be like.
Well, you know, it's like howLuke Kane took over the Mortal
Kombat, you know you can'tthough.
Nah bro, nigga be like hey bro,I'm tired of watching them.
They don't even think we like amusic podcast.

(05:48):
No more, we just a pod, bro, wejust talk.

Speaker 1 (05:50):
We just a podcast.
We be chopping it up.

Speaker 3 (05:52):
Hey, bro, you free on Sunday.

Speaker 1 (05:54):
We're going to record our conversation.
I need somebody to talk to.
But we start as a pod, as amusic pod.
I think now we just yeah, justgo bro, I'm about to say so what
did Trump do today?

Speaker 3 (06:09):

Speaker 1 (06:12):
But I think we're going to get to what we got on
our list.
But I think that's what podcastis.
You start with an idea, butthen you start, it just rolls.
Our plan wasn't even to talkabout new music all the time.
Hell, no, bro.
Our plan was to be late to theparty based off of going
backwards on music and it wassupposed to be like 30 minutes.

Speaker 3 (06:34):
This shit roll into like an hour and a half.

Speaker 1 (06:36):
We be just the problem when we started is the
fucking.
We had one week of an oldschool, yeah, and then the next
week, drake and Kendrick dissedeach other.

Speaker 3 (06:48):
Well, yeah, and then we just wrote.
I think that happened toeverybody, though.

Speaker 1 (06:51):
That's what I'm saying.
A lot of people.
I mean, if you talking, this isthe hot topic.

Speaker 3 (06:57):
Why they didn't say nothing about that.
Right, I mean, but yeah, bro,damn, what was he talking about?

Speaker 1 (07:03):
We started with Kendrick, I mean with Wayne,
okay, yeah, but we was talkingabout him Catering to the young
folks and shit.

Speaker 3 (07:12):
He does tracks with Cordae.

Speaker 1 (07:15):
That gotta be, that gotta be a sound boy.

Speaker 3 (07:19):
And Cordae is good, but it's like bro Wayne should
not be.

Speaker 1 (07:23):
Focusing on.

Speaker 3 (07:24):
You a 20 year vet, bro, why you going back to
college To hoop?
So I think the but it's likebro Wayne should not be focusing
on.

Speaker 1 (07:29):
You're a 20-year vet, bro.
Why are you going back tocollege to hoop?
So I think another problem iswe fall into, we don't want our
superstars.
Like we would hate for Jay-Z tobe all over a fucking Lil Uzi
track, but I'm just talkingabout in the sense of age and
young people.
But then it's like we want tosee y'all on something.

Speaker 3 (07:49):
If we ever heard that bro.
I would lose my mind, you wouldget the thing and like, damn
bro, how far has he fallen?

Speaker 1 (07:56):
You know what Jay has yet to do?
A song with 2 Chainz.
Speaking of 2 Chainz, I thinkno, he should've At least
already did A song.

Speaker 3 (08:07):
You think he afraid?
You think so.

Speaker 1 (08:10):
Chainz be rapping we.
That's one thing.
People gotta stop OverlookingChainz be rapping.

Speaker 3 (08:16):
I give it to him.
I give it to him.
He can rap, rap.
But it's like the way y'allniggas Talk about.
Jay Z Bruh G5G.

Speaker 1 (08:24):
Nigga, god bless you.
What do you say If having a badbitch was a crime, be arrested?
Shut the fuck up.
Shut the fuck up, bro.

Speaker 3 (08:36):
Dude it be the craziest lines niggas pulled out
, but it's just how you deliverit.

Speaker 1 (08:44):
The way you deliver it can change a lot of shit.

Speaker 3 (08:47):
No, I'm not saying that.
It's just like when somebodytried to prove a point about how
well somebody can rap they goand get the most.

Speaker 1 (08:54):
Like nigga.
That's the one you pulled outof everything G5, cheat Nigga.
God bless you.

Speaker 3 (09:01):
He didn't say I chew, you know what I'm saying.
But I like change, though,because quite a skill.
Conan Cowboy is probably one ofmy favorite mixtapes, bro.

Speaker 4 (09:13):
Yeah.

Speaker 1 (09:14):
He had a little run too.
I wouldn't put him up therewith the elite run, yeah, boy,
but he had a little run too.
A little mixtapes and shit.

Speaker 3 (09:21):
What you mean.
Elite Like back to back to back.

Speaker 1 (09:24):
No, just in a sense of like.

Speaker 3 (09:25):
Because that Cody and Cowboy was a haymaker, bro.

Speaker 1 (09:28):
No, but he didn't have a run like a Future or 2
Chainz or 50 Cent or Nah, hedon't.
He just didn't he like up underthem, that's crazy.

Speaker 3 (09:37):
Everybody say 50 Cent bro, and I'm like, hey, you got
anything else.

Speaker 1 (09:49):
Play me something else, play me something.

Speaker 3 (09:52):
I don't know what it is, bro, and I know 50 can wrap
his ass off.

Speaker 1 (09:58):
I'm not taking that away.
Sometimes he do surprise likeoh, okay, Okay.
Then he give you stuff likeclickety clank clickety clank,
clickety clank, the money goesinto my piggy bank.
That was a diss song too, whichis crazy.
Um, how you feel about thattrade?

(10:18):
Now we're going into our sportslittle segment.

Speaker 3 (10:24):
I mean the trade is the trade, bro?
I mean the Lakers alreadyfighting for a big man bro, like
you, don't have a big man.
So now, like you, gave awayprobably your best big man on
the team for Luka.

Speaker 1 (10:38):
Who ain't played since like a month or two ago?
I?

Speaker 3 (10:44):
mean with a talent like Luka, though, bro the nigga
don't, he don't jump when heshoots.
I mean it ain't like he's superathletic.
Right, right, right, right,right he's just been playing
against grown-ass men since hewas like 14, 15.

Speaker 1 (10:55):
Yeah, yeah, yeah, yeah so it's like easy to him.

Speaker 3 (10:57):
I'm not intimidated by your game, bro, Like it gets
you a little ass-hole.

Speaker 1 (11:01):
Yeah, you see what I'm saying, yeah.

Speaker 3 (11:02):
I mean then, in that same breath, Anthony Davis, how
long he going to stay healthy?

Speaker 1 (11:08):
I'm about to say he ain't played in a month or a few
weeks.

Speaker 3 (11:10):
You see what I'm saying.

Speaker 1 (11:11):
So it's like it's just that it was an interesting
trade to see right before Iguess, the All-Star break.
Two All-Stars like that Betraded for each other.
So why you think the Mavs giveup Luka, though, For AD.

Speaker 3 (11:34):
That I don't know.

Speaker 1 (11:35):
Yeah.

Speaker 3 (11:36):
Cause I thought he was Gonna be the new Dirt.
Not necessarily like the newDirt.

Speaker 1 (11:41):
But you know, dirt Curry the franchise yeah.

Speaker 3 (11:44):
But I don't know bro.

Speaker 1 (11:47):
It got to be something on them front offices.
Boy who they got down there.

Speaker 3 (11:49):
Max Cleveland AD probably get to play more of the
four.

Speaker 1 (11:53):
Yeah.

Speaker 3 (11:53):
But, man, I doubt if any of these motherfuckers knew
they was getting traded bro.

Speaker 1 (11:58):
So there's an interview.
I don't know when the interviewis, but the dude who asking AD
questions, he like so how do youfeel about your time in LA?
What do you think you cancontribute while you still here?
Ad, like, why you ask me that?
Like that you know what I'msaying, what you know, yeah, you
know what I'm saying.
It's like, oh, we thought youknew, hey, who you been talking

(12:22):
to, right, but my son, I told myson and I said shit, some of
these all-stars, thesesuperstars, or these players,
and shit, they'll walk to their,they'll come in the next day
and not know they traded untilthey fucking their key don't
work you know what I'm saying.

Speaker 3 (12:38):
Listen, if a motherfucker ain't got that, no
trade cards.
I mean everything for sale.

Speaker 1 (12:41):
You wake up one day and just oh yeah, you and your
family moving to fucking Dallas.

Speaker 3 (12:46):
Or just you.
I mean a lot of times you mightnot be able to uproot.
I mean shit, this the middle ofthe season, bro.

Speaker 1 (12:54):
Yeah, school, that's crazy though that's.

Speaker 3 (12:58):
Especially if there was no, hey, jeannie, my key
card not working.
Rob didn't tell you yeah.

Speaker 1 (13:07):
Tell me what.
Now they on the phone like whois this?
Who is this?

Speaker 5 (13:11):
Jeannie, it's me AD AD who.

Speaker 1 (13:15):
Yeah, we done, deleted your number and
everything.

Speaker 3 (13:17):
Number three on the basketball team.

Speaker 1 (13:19):
He don't even pop up, no more.

Speaker 3 (13:21):
Oh that guy, yeah, mark Cuban.
Here's his number.
Pop up, no more.
Oh that guy, yeah, mark Cuban.
Yeah, here's his number, youknow what I'm saying.
I'm going to direct you over tothe Mavericks, but yeah, I mean
like I said, everything lookgood on paper, don't look good
on paper, but I mean you don'tknow until you.

Speaker 1 (13:36):
I was about to say, but you got to see how it work
out.

Speaker 3 (13:39):
You and Klay Thompson .
They're going to be lookinglike motherfucker.
I can't give you the ball.
I'm trying to get my shot to it.
I need it.
It's mine.
Nigga said I couldn't hoop lastyear.

Speaker 1 (13:52):
Well, this is before the Super Bowl, so we don't even
really got to get into that Iwant to get into the not like us
shit later, but yeah, right,they was color, though
Everybody's saying he not goingto Look.

Speaker 3 (14:03):
Man, he's going to perform that song, whether it's
three seconds of it.
Yeah, a fucking instrumental,it's going to get played
somewhere, bro.

Speaker 1 (14:14):
That's Well shit.
We're here now.
That's what I was.
So you see that the video I putup on our Instagram when I was
like, is he in a lose-losesituation.

Speaker 3 (14:26):
I've just been getting the other shit.
Bro, what the Lil' Lousey shit.

Speaker 1 (14:32):
We won't get to that too.
Yeah, that shit crazy.
But him performing not like usat the Super Bowl.
It's like, if he perform it,you're going to have that group
of people that's like you needDrake, you connected to Drake.
I'm just saying you're going tohave that group of people
that's like you need Drake, youconnected to Drake.
I'm just saying you're going tohave people who say that you
can't let it go.
You still on this.
But then, if he don't performit, you're going to have a group

(14:54):
of people that's like oh, yousoft, you ain't standing on
business.
So I'm just saying like, wheredo you?
Where do you?
Because me part of me is likeI'm petty, so I'm going to dance
on your grave on our biggeststage.
But then the other side is likeI don't want to give you no

(15:14):
shine or say your name on thisbig stage.

Speaker 3 (15:19):
Man, listen to me, bro.
Fuck all that I mean.
Even if you didn't want to sayhis name, he's still there.
Look at all the crime he did.
And then he got thecollaboration line with OVO and
NFL, yeah, yeah, so he going tobe there regardless.

Speaker 1 (15:35):
Right, right right.

Speaker 3 (15:37):
You want to insert yourself here?
Well, guess what?

Speaker 1 (15:40):
This is how we going to do it.

Speaker 3 (15:41):
I'm going to do what you just said Dance on.

Speaker 1 (15:42):
this is how we going to do it.
I'm going to do what you justsaid dance on your girl and this
.
At first, before the lawsuit, Iwas like man, it's over with,
don't even perform it.

Speaker 3 (15:52):
Now I'm more or less like oh you still want to be mad
at the shit, here you go andit's a lot of people saying like
, you haven't heard it on like,because you did hear it on TNT.

Speaker 1 (16:00):
You heard it on the little commercials.
Yeah.

Speaker 3 (16:02):
And then all of a sudden it had died down a little
bit.
But for me, I'm agreeing with alot of people that's saying
this out there.
They're not playing it onpurpose.

Speaker 1 (16:15):
So when they do play it motherfuckers like man, you
still get that feeling again.

Speaker 3 (16:18):
It might not be the same high, but you're going to
be down or up.

Speaker 1 (16:20):
The song has just reentered into the top 10 on
Apple Music and Spotify and shit.

Speaker 3 (16:26):
So come on.
This is motherfuckers knowingthat the game is coming up.
So when we at our motherfuckingSuper Bowl party or I'm at the
Super Bowl.

Speaker 1 (16:33):
I'm going to know every fucking word, how many
Dude it's going to be.
First of all, it's going at theSuper Bowl.
It's performed at the SuperBowl, right?
Not only that, how many morefolks going to be recording when
it come on?
And then the videos that nightor the next morning?
Yeah, it's going to resurge thesong again.

Speaker 3 (16:56):
But this is the thing , bro.
Isn't Drake performing at theFIFA thing?
Supposedly, supposedly so whatis it?
This is my Supposedly so.
What is this is my whole thing,bro.
This how I'm playing it out inmy head.
I'm like dude, he doing allthis crying about not performing
this song, not performing thatsong, but as soon as he get his
way, he gonna go and perform.

Speaker 1 (17:17):
It's gonna be family matters, type shit, yeah, yeah,
yeah.

Speaker 3 (17:20):
Like I don't know're, just Leave this shit alone.

Speaker 1 (17:24):
That's my only thing.
Cause him with this Lawsuit.
Right now you can't performFamily matters.
Family matters, yeah, becauseyou suing, because Defamation,
basically.

Speaker 3 (17:34):
Defamation yeah.

Speaker 1 (17:36):
You can't go around Defaming niggas.
You know what?

Speaker 3 (17:39):
I'm saying you can't, but I can I can do it.
I'm doing it.
Lucian Grange is my daddy.
Didn't you hear, kanye?
He got a rich baby daddy, digit, yeah.
So I mean I really at thispoint if he do, he do, if he
don't, he don't.

Speaker 1 (17:56):
I understand that, and this is before the Grammys,
because the Grammys is tonight,the day that we're recording
this.
So, with the Grammys coming,he's nominated for shit.
Kendrick, he gonna grabsomething, he not performing.
I don't see him performing theweek before the Super Bowl.

(18:17):
They probably got a clausewhere nah, fam, that's ours.

Speaker 3 (18:20):
What do you think of that?
What are you?

Speaker 1 (18:22):
doing so he not performing, but I'm pretty sure
he gonna Walk away with someawards.
That's gonna Re-enact the song.
If he wins Song of the year,boom, the next day, the song is
up, point blank, period.

Speaker 3 (18:37):
Man.
Just Get over it, bro.
The song's not going anywhere.
It's not Like, that's what.
That's what gets on my nerveswhen we got to talk about it,
because it's like, bro, y'allact like.
This shit is just going to beswept under the rug.

Speaker 1 (18:52):
And the crazy thing is, drake has dragged it out
more than anything With everyantic that he has done.

Speaker 3 (19:00):
So does he need this more than Kendrick.
Maybe you see what I'm saying.
Regardless of, let's say, hedon't issue the lawsuit, or
what's the word, I'm looking forthe petition.

Speaker 1 (19:17):
Yeah, yeah, yeah, yeah yeah.

Speaker 3 (19:19):
He don't issue that.
But you still dragging it on,bro, because anywhere, any and
everywhere you go with, like theAiden Rosses or anybody else
that you stream with- yeah.
You seeing subliminal shots,bro?
Which is, oh shoe size.
I'm in a ten and a half.
Everybody wears an eight.
You know what I'm saying?

(19:39):
You say shit like that.

Speaker 4 (19:40):
Yeah, yeah, yeah, yeah, then you be like why'd you
do that?

Speaker 1 (19:45):
What's the point of that anyway?

Speaker 3 (19:46):
Like you throwing rocks and then you get mad when
a motherfucker comes back at yousome shit and you're like oh,
you want to throw rocks.
Well bitch, I got boulders onthe top of you.

Speaker 1 (19:54):
And they going to hit your ass.

Speaker 3 (19:55):
So it's like bro, why do this?
And then, when motherfuckers isturning and pointing out facts
and are now in your fucking face, you're like but I didn't do it
yeah.
Why is everybody mad at me?

Speaker 1 (20:07):
You see, you see UMG for Black History Month right,
they put up a celebration of allblack artists, songwriters.
They did not put Drake in there, nigga.
They got Dolce, kendrick, ellaFish.

(20:28):
They got everybody that's crazy, but not Kendrick.

Speaker 3 (20:33):
I'm not drinking that motherfucker.
And last week we were talkingabout oh shit, the case just got
dropped.

Speaker 1 (20:48):
Wait a minute.

Speaker 3 (20:49):
I'm sorry, I'm not doing a thing, man, this is real
time, we're real time, hold onWait a minute.
Wait a minute.
Breaking news Twitter.

Speaker 4 (20:57):
Damn, wait a minute.

Speaker 1 (21:02):
Hold on, Because that was about to be my next thing.
Oh shit, man.

Speaker 3 (21:09):
I told you bro it says so.

Speaker 1 (21:12):
One of the victim is one of the victims in a tde
lawsuit.
Has an ovo sound.
Has an ovo sound artist anddrake's father as a as a client
insert nini leaks damn well.
I don't even want to talk aboutit now, because now I'm fully as
the details come, as moredetails come about.

(21:34):
Regarding the TDE lawsuit,chick, all I can hear is In my
head is Kendrick's, if the moneygot in the hands of a crash
dummy, damn Well.
I'm sorry, guys, we was talkingabout something, but then I
wanted to look up Some stuffabout the lawsuit.

Speaker 3 (21:54):
And there Now there is no lawsuit.

Speaker 1 (21:55):
None, there may not even be A lawsuit.

Speaker 3 (21:58):
See, that's what I'm saying, though, bro, that goes
back to what we were just saying.
Like you're trying to stop himFrom performing these songs,
which, in Turn, you have to stopperforming your songs.

Speaker 1 (22:14):
Okay.
So, my bad, I'm going to try to.
Sometimes I be saying I'm goingto put this on the screen, but
I be so quick to put this shitout, I'm going to just put it on
my Twitter account.
But look, that's the chick withDrake's dad.
Hold on.
And then so that's the chickwith Drake's dad, right there.

(22:36):
Okay, damn.
So if y'all didn't know, therewere two women, that was.
They had a lawsuit against twoTDE folks, which one being
Brandon Tilft yeah, brandonTilft and somebody else, anyway.

(23:03):
And then Musa Anthony, fromwhich is I think that's the son.
And then Musa, from which is Ithink that's the son.
And then Musa, I know, he from.
Yeah, I think so.
I think so bro look.
I tried at one point.

Speaker 3 (23:20):
To look up top, all I seen was top dog head of TD.
I was like, well, I guess thatit closed my research.
It closed my research.
It closed my research laptop.

Speaker 1 (23:34):
Don't look up no more .
Well, there was there was twowomen Accusing some folks At TDE
Of Misconduct, I don't evenSome hellacious yeah some things
.
But now it just seemed like thelawsuit is falling apart and we
just found out about it acouple days ago.
They said this was actuallyfiled in December.

Speaker 3 (23:55):
Okay.

Speaker 1 (23:56):
So I guess now that everybody getting shit out there
, one of the women done droppedout and start looking up shit.

Speaker 3 (24:02):
Hey, hey, hey, you didn't tell us about this text
message God.

Speaker 5 (24:06):
All this money, so the main thing.

Speaker 1 (24:08):
I even wanted to talk about it Because I didn't
really Want to talk about thelawsuit, because I didn't know
Much about it.
The one thing I wanted To talkabout was the way they have been
Saying Kendrick Name, like somuch In this.

Speaker 3 (24:22):
In.
I don't know if I was Readingright, but they had Kendrick
Sizzler and Schoolboy Q readingright.
But they had kendrick sizzleand, uh, schoolboy q they just
been putting their names inthere, but then in the same
paragraph it also said they'renot listed in the uh they're not
nowhere in it, but they justespecially now.

Speaker 1 (24:45):
Now I'm not saying this is allegedly if drake got
something or somebody gotsomething to do with it, but it
do look a way when the womanthat is is she withdrawn?
But the woman that withdrawnalso has connections to OVO and
all this shit.
So it do look a way you knowwhat I'm saying how Kendrick's

(25:07):
face is everywhere plasteredabout this because it seemed
like a oh, you call me this, butyou are.
But they trying to make it seemlike Kendrick is one.

Speaker 3 (25:17):
Yeah, it's like, but no, no, no, no, no, no.
No no, it's these guys.

Speaker 1 (25:21):
Yeah, yeah, I'm the most notable face and they just
throwing me out there you knowwhat I'm saying I'm saying, I'm
around these guys, and if theseniggas is doing some shit, they
some foul niggas, but that don'tseem like nobody.

Speaker 3 (25:37):
That's crazy dude.
Sometimes people are just whothey are, bro.
Yeah, and that's in both cases,like in Kendrick's case.
Maybe he just is a guy who justwant to be with his family
close friends.

Speaker 1 (25:50):
And that's it.

Speaker 3 (25:51):
Stay out the way, like I don't, I don't want to do
the parties, I don't want to dothe strip club.

Speaker 1 (25:55):
Yeah, I mean shit.

Speaker 3 (25:57):
Who's to say you know what I'm saying?
He does, he just does itprivately, bro.
We they come.
We come from a different town,in fact To where motherfuckers
and especially them.
We, we ain't taking bitches.

Speaker 1 (26:07):
Yeah, you said you looked up Top dog.
We not taking bitches.

Speaker 4 (26:12):
Yeah, yeah.

Speaker 3 (26:13):
Just cause that motherfucker Told you I robbed a
KFC.
Don't mean that bitch could'vebeen A bank for real.

Speaker 2 (26:18):
That's music you know what I'm saying, hey facts.

Speaker 3 (26:20):
Don't get it fucked up bro.
You don't know Facts, you don'tknow shit, you know.

Speaker 1 (26:25):
You heard my name a little bit.
That's it.
But yeah, so that's interestingshit.
Well, that's one of our topics.
Work it off, off the books, I'mgoing to shoot.

Speaker 3 (26:43):
Hey, my doobie is certain sales and I don't even
be knowing.

Speaker 1 (26:47):
Hey, well, you know the crazy is now let's get to
our list, All right, All right.
So have you heard the TommyRichmond?
I heard the snippet you sent meJust a few For the people who
have it.
Yeah, yeah.

Speaker 4 (27:04):
I said I'm sick and tired of these people saying
names.

Speaker 1 (27:08):
I don't want to die.

Speaker 3 (27:09):
I'm not accepting prostration.
Yeah, cut that out.

Speaker 1 (27:11):
Can I say something, though?
Can I say something, though?

Speaker 5 (27:14):
Hear me, and hear me, good nigga, I'm here to double
down.
That shit is a two pack of ass.

Speaker 2 (27:22):
Look, look fam.

Speaker 1 (27:26):
The crazy thing is, if you wouldn't have sent that
tweet out.

Speaker 3 (27:31):
He would have been straight, you cool.

Speaker 1 (27:33):
Now it's still not for me, because it's the same
formula from Michael Moore.
No, I'm just talking about, ina sense, a million dollar baby.
It sounds just like it in asense, but now you just Nobody
cares, nobody gives.
Oh, and I heard some of y'allup north folks Trying to figure
out where is that sample from?
Where did that come from?

(27:54):
Is that a Soulja Boy song?
Nigga, no, nigga, no.
Y'all wasn't riding in shit.
We was riding in.
Y'all wasn't riding in theChevys that we was riding in.
Guess what?
Nigga.
Inside peanut butter, outsidejelly.
Seven days of the week, sevendifferent Chevys, nigga Black SS

(28:17):
with the top blown off Fuckingwith them.
boys, get your top blown off.
Nigga Inside peanut butter.

Speaker 3 (28:24):
I ain't heard that, shit Bam.

Speaker 1 (28:27):
Hey, that's crazy.
So I'm listening to the podcast.
Everybody got podcasts, guesswhat?
We're music people as well, butno, it's not Soulja Boy,
because that's the sound thatgoes straight to y'all mind,
anyway.

Speaker 3 (28:42):
It's the little Jamaican Steel drum.

Speaker 1 (28:44):
Yeah, the.

Speaker 3 (28:45):
It's the steel drum.
Break it to any time.

Speaker 1 (28:48):
But yeah.
So, tommy Richmond, for you toput out that Tweet and say Shame
on you, buddy, I'm not hip hop,but then to clearly Drop a new
song that is Hip hop.

Speaker 3 (29:03):
Or Hip hop Influenced Nigga no that's hip hop, Nigga.

Speaker 1 (29:09):
No, that's hip-hop.
Like I don't understand.
Like I think Don't they weardo-rags and Sunglasses, yeah,
and Velour suits.

Speaker 2 (29:21):
Yeah.

Speaker 1 (29:22):
Can't get no more hip-hop than that I mean
Everything is really hip-hop,though Everything is influenced
from hip-hop.
Listen to I know you don'tlisten to country, but listen to
some new country songs niggathem, 808s and shit that they
got in there.

Speaker 3 (29:35):
You can go back 10, 12 years and hear them in
country music.

Speaker 1 (29:39):
Nigga, we is, but Everywhere man.
Anyway, that's the snippet fromTommy Richmond.
I don't know the title of it,but I did want to bring that up
because without that tweet, Ithink that song, I think it
blows up, I think it hits.

Speaker 3 (29:57):
It probably still will.

Speaker 1 (29:58):
And it probably still will.
You press the right button.
You know what I'm saying, but Ijust don't see it getting close
to what Million Dollar Baby did, because I see a lot of people
see a lot of talk online likesee a lot of talk online like we
just we just off of them, basedoff of that tweet that you sent
out, yeah, yeah, yeah, becauseit's like, bro, you alienated
the people.

Speaker 3 (30:16):
That was really fucking with you.

Speaker 1 (30:18):
I mean, you got DJs playing your shit because it
sound Million Dollar Baby andall that shit.
It sound hip hop influenced tous, we vibing with it and you
want a drink, you know what I'msaying and then in the video or
the little clip that you post up, you got the black girls right
in front.

Speaker 3 (30:39):
It's like you want to pander but you don't want us to
.

Speaker 1 (30:41):
Yeah, they can be in a video, just not near me.
I don't get what he trying todo with it and he signed to.
I think he said they said AkonBrothers or something like that.
He signed with Boo.

Speaker 2 (30:54):
I think so.

Speaker 3 (30:55):
Hmm, I know your brother.
Oh, speaking of Boo bro, didyou see them?
I don't know how old they are.

Speaker 1 (30:59):
No, no, no, he signed with Bryson Tiller.
Damn it.
Wait a minute.
What's the other dude, notBryson Tiller?
That's going to drive me crazytoo, jeremiah.

Speaker 3 (31:15):
I don't know them, the only niggas I think about.

Speaker 1 (31:18):
Nah, go ahead, say what you about to say.
Good I forgot.

Speaker 3 (31:20):
I'm trying to think who that nigga sound to.
Nah, I seen a clip Of Sahatalking about, like you know,
his industry troubles.
Oh yeah, man, that's fucked upNiggas.
Try, like you know, hisindustry troubles oh yeah, man,
that's fucked up Niggas.
Try to double back when you geta little something.

Speaker 1 (31:33):
Once you start, yeah.

Speaker 3 (31:35):
That's fucked up.
Yeah, we got a $500,000 checkfor you, bro, but Booth said we
can't give it to you.
Brent Fires, the fuck is that?
You don't know, brent Fires.

Speaker 1 (31:46):
Yeah, he signed with Brent Fires.

Speaker 3 (31:50):
I, you don't know Brent Fires.
Yeah, he signed with BrentFires' label.
I don't know why I was sayingBryson Tiller.
I don't understand that, bro.
I'm not in the music industry.
I'm not in the industry rightnow.
But it's like why are you stillsigning to a motherfucker who
signed to a motherfucker whosigned to a motherfucker who
ain't popping?
I don't get that, but that'sjust how.
I would rather for you to justbe like hey, bro, I don't want

(32:14):
to sign with you, but you knowwe could work something out.
Yeah, you, you, you help mealong the way, type, but I ain't
like.

Speaker 1 (32:19):
You can be like a some type of active manager, but
I don't want to sign to menowadays, if you can, if you can
get the internet pop popping, Idon't understand why you would
sign with anybody anyway.
But I don't think his pop wasorganic either.

Speaker 3 (32:35):
I think I understand why like People would sign, like
when you sign, because One it'smoney.

Speaker 4 (32:47):
I get that.

Speaker 3 (32:48):
You don't have to do a lot of leg work Now if you
take the the only one I canthink of right now.
One it's money, upfront money.
I get that.
Two you don't have to do a lotof the legwork Now if you take
the only one I can think ofright now out back is LaRussell,
larussell, that's exactly whatI was about to say LaRussell who
really take his time tounderstand the game and take the
situations and opportunitiesthat he get in these rooms and
have conversations aboutdifferent numbers in this, that

(33:08):
and the third and start to havean understanding of damn bro.
If they willing to give me thisbased off of what I'm doing, I
can do this.
I would just have to put moreof myself into the business you
know, what I'm saying or moreliquid, into the business.
Now I got to take from my ownpot to put back into.

(33:28):
You know what I'm saying myshit.

Speaker 1 (33:31):
Yeah, I mean, I understand that.

Speaker 3 (33:33):
Because a lot of times, a lot of people don't
want to do that.
They don't want to go out andfind like you know, like bro,
you had to go out and find thesemotherfuckers that was allowing
you to pay until motherfuckerswas paying you yeah how hard was
that.

Speaker 1 (33:47):

Speaker 3 (33:49):
Yeah.

Speaker 1 (33:52):
But you got to.
And then in 10 years, we'regoing to hear you arguing and
being mad at your label.

Speaker 3 (33:58):
But you be mad with everything.
Let's go back to sports.
A nigga can get a fucking let'ssay, your rookie contract $50
million.

Speaker 5 (34:09):
Go ahead, come on, bro, go ahead, go ahead, come on
, bro, go ahead.

Speaker 3 (34:12):
Go ahead.

Speaker 4 (34:12):
Yeah, yeah, yeah, yeah yeah.

Speaker 3 (34:14):
Just to go back to your point after 10 years you
mad because you owe three morealbums.
But it's like a nigga that likeJimmy Butler.

Speaker 4 (34:20):
Yeah.

Speaker 3 (34:21):
He want the extension , but it's like, bro, you not
doing shit.

Speaker 1 (34:25):
He want the extension with Max too, though.

Speaker 3 (34:27):
But that's what I'm saying.
You're not doing anything todeserve it.
Yeah, you're good, you're great.
You get us to a certain point,but we ain't winning with you.
You get me to a certain point,and then that's it.

Speaker 1 (34:39):
And then we fall apart.
I mean, I get it, but you wantme to give you all this money.

Speaker 3 (34:42):
Now I got to take it away from a motherfucker that
now I can't go out into into themarket and find somebody to
help us, because you got all themoney.

Speaker 1 (34:49):
Yeah, that is crazy, though, like do you want to win?
You arguing about not winning,but and it's like Drake.

Speaker 3 (34:56):
Yeah, yeah, it's like Drake, bro you winning, you
winning, you winning, youwinning, you winning.
Yes, we going to give you thisTurn means the franchise is
winning.

Speaker 1 (35:07):
Right.

Speaker 3 (35:07):
Everything you fucking touch, we doubling and
tripling Right, If notquadrupling.
Now, when you figure out whatwe making and you like, hold on
now.
This ain't what I asked for.
I mean, y'all making $20billion.
You only giving me $400 million.
Hold on player.

Speaker 4 (35:23):
Yeah.

Speaker 3 (35:25):
This what we agreed on.
Don't look over here wheneverything is in front of your
fucking face and you only takingwhat we putting on the plate,
right, right, right.
And then, when we put enough onthere, you're like, okay, good,
I'm good.
But now when we go back to themotherfucking kitchen, you start
seeing us open up themotherfucking ovens and shit.

Speaker 5 (35:43):
Now you're like I didn't know they had cheesecake.
I didn't know they hadcheesecakes.

Speaker 1 (35:50):
But if you building up your shit just a little bit
you can in the beginning, youcan have that added up where you
can ask for certain shit in thebeginning rather than you
getting fucked up in thebeginning.
Yeah, but I mean, I get whatyou're saying but even at that

(36:18):
point, why not just take apartnership?

Speaker 3 (36:21):
Because in the beginning, if you're not showing
no, no, no, I'm just using theexample of them already having
motion.
Oh well, then yeah.

Speaker 1 (36:27):
Now, in that case, if we're going partnership, okay,
cool yeah, but a lot of theseniggas not signing partnerships
no, well then, yeah.
Now, in that case, if we goingpartnership, okay, cool yeah,
but a lot of these niggas notsigning partnerships?

Speaker 3 (36:33):
No, but that's what I'm saying.
Why not just do that if youalready in motion?
If you doing it yeah, yeah,yeah, but I'm just saying, like
you said, if I got the internetpopping for me, why am ownership
deal to where?
However it work out, I'm stillowner of this, rob Markman, of
what I got going.
Yeah, yeah, yeah.

Speaker 1 (36:54):
Rob Markman hey, did you know?
And I know we did.
You know, weekend owned all hisshit.
Yeah, rob Markman, I didn'tknow that.
Yes, rob Markman, that's crazy,I found out Rob.
Markman, Not crazy, that'sgreat.

Speaker 3 (37:06):
I found out that when they was doing the little talk,
the differences between him andBruno Like who was better
between him and Bruno?
Yeah, I said God damn dude onevery fucking thing Dude on all
his shit.
That's why your boy mad, that'swhy he sick.

Speaker 1 (37:19):
Oh yeah, that's yeah.

Speaker 3 (37:21):
Nigga, you didn't have a, you never.
And now bro that's the smartestthing Go.
You want me to sign to you andI got a deal to where I own
everything I fucking do.
All I got to do is make sureI'm at the top.

Speaker 1 (37:33):
Yeah.

Speaker 3 (37:33):
That's it.

Speaker 1 (37:34):
That's crazy.
I mean that's good, butsomebody at that level you don't
hear that too much.
You hear them arguing later toget they shit back.
But he done owned his shit fromthe real.

Speaker 3 (37:47):
But think about it, think about it.
Okay, like I keep saying, bro,we don't know the deals.
What if the deal is when it'stime for you to, we'll let you
own every fucking thing.
Yeah, right, yeah.
But when it's time for you, orif you want to sell, you got to
sell to us first.
You see, what I'm saying,mm-hmm, if it's in right and
break and you can get amotherfucker degree to it, if

(38:09):
you can get them a degree toanything, it's locked in.
You see what I'm saying Oncethey sign on that dotted line,
it's locked in.
So who's to say we'll let youhave everything?
Boom, boom, boom.
This nigga got 500 million.
He's like shit Cattelard.
I want a billion dollars More500 million Get that
motherfucker.

(38:30):
Hey, hey, I don't give a whosaid they want it For 500.

Speaker 4 (38:33):
For that.

Speaker 3 (38:34):
You said we can get it For 375.
That is true.
Whatever and it don't even haveto be A number- on it.

Speaker 1 (38:40):
But nigga you said we can come get it first.
We got first bid, you see whatI'm saying.

Speaker 3 (38:43):
Yeah, come on, I'll take that too, so I'll take that
too.
That's why your boy wasn'taround with the flute.
They've been owning everythingtoo.

Speaker 1 (38:51):
Who.

Speaker 3 (38:52):
OutKast.
They own all of them.

Speaker 1 (38:56):
OutKast.
Still owe an album To who?

Speaker 3 (39:01):
Rico Gone.

Speaker 1 (39:03):
Yeah, rest in peace, rico.

Speaker 3 (39:04):
Yeah.

Speaker 1 (39:05):
But the label that, however, it's in the works.

Speaker 3 (39:10):
Yeah, is that why they said we getting that album
this year?
Maybe, Because they did say hisdidn't count.
That's what I was about to say.

Speaker 1 (39:19):
They said he brought that flute album.
They looked at him like that'scool, you can put it out.
But no, no, we can't.
No, no, no, no.
You still owe us some shit.
We signed you as a rapper.

Speaker 3 (39:30):
Yeah, not as a motherfucking, instrumentalist.

Speaker 1 (39:33):
Yeah, we signed you as a rapper.
So what do you think of thisTommy Richmond song Going
Backwards?

Speaker 3 (39:39):
Going Backwards.

Speaker 1 (39:40):
I'm saying, like going back to the conversation
that we started in, I didn'tthink nothing of it, bro.

Speaker 3 (39:44):
Like for one, I didn't even care when I heard it
.
I didn't care that you didn'tsay it wasn't hip-hop, but when
I heard the sample I was like,yeah, cut this shit off.

Speaker 1 (39:55):
Yeah, yeah, yeah yeah , Like I didn't want to hear it
no more and we might not neverknow this.
Do you think he found thatsample Like?
He know who that is?
No, or he just heard the beat.

Speaker 3 (40:06):
I think not even that .
I think somebody brought himthe beat.
Oh, I'm saying yeah, and waslike hey, that song that you
said.

Speaker 1 (40:11):
Do that on this yeah, shout out to Tommy Richmond.
I guess, quick, we ain't got tostay on it long.
6ix9ine is broke.
They, they raided his shit.
All his shit is on auction forfrom the IRS.

Speaker 3 (40:27):
When he was selling like meth or something, huh.
He got caught with meth that.

Speaker 1 (40:32):
and then he got caught because you know he
wasn't supposed to be leavingthe States and shit.
So he got caught moving backand forth doing shit yeah.

Speaker 3 (40:40):
I seen his chains and stuff, though that was let's
say like 42,000.

Speaker 1 (40:43):
They said ain't nobody bidded on them shit it's
crazy because Jimmy Boy made allthat.

Speaker 3 (40:48):
Jimmy Boy I don't know if he Korean or Asian.

Speaker 1 (40:52):
Got you, he got the podcast.
Yeah, yeah, yeah, oh, he didall that shit.
He did all that.

Speaker 3 (40:57):
Well, and after that I didn't see nobody else.

Speaker 1 (40:59):
Buying jewelry bro.
When he was running with I waslike damn, he killed himself.
Yeah, nobody want to be In thatshit.
They got his plaques On thereand everything.

Speaker 3 (41:08):
Y'all like bro, nobody want them.
Nobody want them.
Who cares?
They ain't worth nothing.

Speaker 1 (41:12):
We didn't even know the song existed.
Some of us, some of us.

Speaker 3 (41:16):
I don't even know the name of the song, but I just
know that the one where they inthey probably all in fucking New
York.

Speaker 4 (41:23):
Yeah.

Speaker 3 (41:24):
But I'm just saying, like I don't know Tours this
year.

Speaker 1 (41:31):
Everybody seems to be on tour this year.
Hey bro, Beyonce just announcedher tour.

Speaker 3 (41:38):
At Cowboy Garden.
Yeah man, I looked at theKendrick tickets.
Yeah, resale bro.
Yeah, it's like $7.95 a piece.

Speaker 1 (41:47):
Yeah, we was trying to look and see if we was going
to be able to make it, but weain't going to make it.

Speaker 3 (41:52):
Oh man, Joe Bud said it, though.
Those are luxury ticket items,bro.

Speaker 1 (41:57):
Yeah, because you don't.
I mean the price can be theprice because you don't need it.
It's fucking ridiculous.
But it is crazy because y'allresale shit, Y'all doing the
shoes and shit.
My daddy got to see Michael.

Speaker 3 (42:08):
Jackson bro At his prime.
That's crazy With the Boys inthe Earth.
Look for free.

Speaker 1 (42:14):
That's MJ nigga.
We got to pay fucking first andlast month rent, nigga think
about what these?
That's one ticket, bro Thinkabout what these Beyoncé resale
tickets about to be.
The start ticket's going to befirst off Beyoncé and start
ticket's going to be first offBeyonce is now a star tourer.
Is that good enough for that?

Speaker 3 (42:32):
Not to me, but I'm not.
No, no, no, no, no, no.
I'm just saying like for thefans, like for, was it, or is it
just like the support system?

Speaker 1 (42:41):
It's just the, it's Beyonce.
Like my wife said that thismorning.
Like I said, do you want to go?
She was like I said, do youwant to go?
She was like I mean I wouldn'tcare to go.
It's just Beyonce.
Like, if we can go, she has amarket Facts they will sell.
Then the Weeknd announced hisstadium tour with Playboy Cardi.

Speaker 3 (43:05):
How is he, Bro?
I don't get it, bro.
Look at this.

Speaker 2 (43:10):
Somebody come and look at this.

Speaker 3 (43:12):
I do not get it, bro.
It's going to be a hover.

Speaker 1 (43:15):
I don't want to, she don't want to, but the thing is
though because the Weeknd can doa stadium tour by himself he
have done it by himself and thenplay Bort Cardi.
His fan base is crazy.
I just don't they about to sellout.
Is they going to be good?

Speaker 3 (43:33):
I don't know, she don't know, I don't know, I
don't know, I don't get it, bro,for the longest time I keep it
1,000.
Y'all can say whatever in thecomments.
I thought him and Rich the Kidwas the same person for the
longest time.

Speaker 1 (43:48):
I could understand that, especially when they first
.

Speaker 3 (43:50):
I thought it was like , like your boy, humpty, hump,
and yeah, yeah, yeah, shock G.

Speaker 1 (43:58):
I promise you, bro, they just playing the same shit.

Speaker 3 (44:02):
I was like, oh dude, he getting money all around the
board.
I was like honestly, what thefuck?
It blew my fucking mind At onepoint.

Speaker 4 (44:11):
I thought honestly what the fuck Blew my?

Speaker 3 (44:12):
fucking mind, because at one point I thought your
dude, what's his name?

Speaker 1 (44:14):
Anime, or yeah, I mean whatever his name is, I
thought he was one of themniggas too, bro.

Speaker 3 (44:20):
I was like damn, they keep changing their name.
Everybody doing shit.

Speaker 1 (44:24):
Big Sean need to change his name to Sean B.
Have you heard of a rappernamed Mike?
Well, my son be listening tohim, right?
He just dropped an album, right?
And on the thing it say Mike,new album produced by DJ
Blackwood or whatever, orsomething like that, right?
So I look up who it is it'sMike.

Speaker 3 (44:44):
DJ Blackwood is.
It's the.

Speaker 1 (44:48):
He produced his whole album under a different name.

Speaker 3 (44:51):
Hey, that's smart, though I got a production.
Yeah, I got a production deal.
I got a fucking artist deal.

Speaker 1 (44:59):
I said I look it up.
I told my son.
I said hey, have you everlooked up and seen who produced
this shit?
Yeah, he's like, nah, let melook it up.
Look at this mic, I know M up.

Speaker 3 (45:08):
Look at this mic.
I know MF Doom the rapper, butthe producer's Doom motherfucker
.

Speaker 1 (45:14):
All over the board.
Hey, you gotta do what yougotta do.

Speaker 3 (45:18):
Your boy did that, though A lot of people don't
realize, but Parliament,funkadelics and Parliament and
George Clinton bro, he had threeor four different bands.
He was on All, all the bands.

Speaker 1 (45:32):
That's crazy, I didn't know that, and they was
all Signed to different labels,bruh.
That's wild.
He was fucking.
I'ma get around Bruh.

Speaker 3 (45:38):
He was fucking the game up.

Speaker 1 (45:40):
That's how you do it, if you can do it.

Speaker 3 (45:41):
That's how you do it.
You don't know me when I changemy hair.
Yeah, it was a whole differentperson.
Hey, george, my name's Jorge.

Speaker 1 (45:54):
Hey that's how you do it, boy.
You heard your boy Central.
You know who Central C is.

Speaker 4 (46:00):
Yeah, I'm humble, isn't it?
But at the same time, I like tothink that man put a lot of man
onto the night tech thing.
You see the influence, even inlike america, and that number
people be rocking the text likeit's, like they're us.
It's perfect timing as well.
Really, like you can't, it'sthe same, like it's the same
thing.

Speaker 1 (46:17):
I feel gotta stop he put the he put the us on to nike
text.
We wasn't even rocking themuntil central c came in.
Like what two years, threeyears ago?
And I'm not Arguing what he didor what he think, I just think

(46:38):
it's funny, cause niggas havebeen rocking Nike Checks for a
while.

Speaker 3 (46:47):
Hey bro, it's like a nigga telling me, bro, I put, I
put the east on forces, bro,black forces.

Speaker 1 (46:56):
Yeah.

Speaker 3 (46:56):
And this nigga 13.

Speaker 1 (46:59):
And that's crazy, I think, since you see like 24, 25
years old nigga hey bro was heout Before Pooh Shiesty.

Speaker 3 (47:07):
No, pooh Shiesty had him on.
I'm just bringing up and I wasabout to say I'm bringing up
newer niggas out before Pooh.

Speaker 5 (47:11):
Shiesty, no, pooh, shiesty had it on.

Speaker 3 (47:13):
I'm just bringing up newer niggas.

Speaker 1 (47:14):
I think niggas had it on before that.
But if he said it I'd be likethese young niggas is wilding
now I'm on Pooh Shiesty.

Speaker 3 (47:20):
I've been rocking the Nike tits and the Shiestys.

Speaker 1 (47:28):
I thought that shit was crazy the internet, twitter
going crazy, the niggas arguing.
But I'm not going to argue withthat statement Because that's
just.
That's not, that's just crazy,that's funny bro, For you to say
.
You know what?
I don't think they was doingthis before me.

Speaker 3 (47:46):
You know what are we not wearing in the UK Nike t.
You know what are we notwearing in the UK Nike tags.

Speaker 1 (47:52):
Nike tags, what?
But yeah, either way, I thoughtthat shit was funny.
So I'm online and I don't knowwhat page it come from, but I
see this list of Great hip-hopgroups of all time.

(48:15):
Now, this is based on votesfrom this page.
I don't know if they had namesto choose from or people just
put the names up therethemselves.
And then they calculated howmany you know got.
So you got Outkast at numberone, which which all right.
Wu-tang at number two and,depending on who you are, I can

(48:36):
see wu-tang and outcast swappingyeah, I better say a lot of
times.
They interchange, yeah, they,they can change at number three
you got three, six mafia not asmad at that, uh.
Number four you got Migos.

Speaker 2 (48:51):
Mm-hmm.

Speaker 1 (48:52):
A lot of suns out here.
Mm-hmm Uh.
Number five, you got TribeCalled Quest.
Mm-hmm, number six, de La Soul.
Seven, you got Mobb Deep.
Number eight you got the LoxBone, thugs-n-harmony, and then
the clips.

Speaker 3 (49:12):
All right, mike, did you have to be together for a
certain time?
Did it have to?

Speaker 1 (49:18):
be more than one album.
This is me just finding thislist and I don't even know what
page started it.
I just seen it NWA not on here,NWA.
There's no UGK.

Speaker 3 (49:29):
No UGK, no Fugees Groups.
Yeah, I was going to say Fugees, that's what I'm saying.

Speaker 1 (49:42):
And when I was thinking about it, I didn't even
think of NWA, nwa, beastie BoysRun.

Speaker 3 (49:49):
DMC.
Outkast is two.
Two individuals Run.
Dmc is two individuals.
They not on there, salt-n-pepanot on there.
It's a lot of groups, so what?

Speaker 1 (50:05):
is the criteria so, like I said, this is based on
people Going to the page andvoting and quick question Is a
rapper and DJ considered a group?
Because at one point they wasright.
Yeah because then you haveJazzy Fierce.

Speaker 3 (50:22):
Fresh Prince and DJ Jazzy.

Speaker 1 (50:23):
Fierce.

Speaker 3 (50:24):
Eric B and Rakim, you got Public.

Speaker 1 (50:26):
Enemy.

Speaker 3 (50:26):
I was about to say you got Public Enemy.

Speaker 1 (50:26):
Who else you got Public Enemy?
I was about to say you got.

Speaker 3 (50:28):
Public Enemy.
Who else?

Speaker 1 (50:31):
So with the names in the top 10, I know the few
groups I see that I wouldn't putin the top 10.
I wouldn't have clips at top 10.
No, Me personally.
I like the locks.
I wouldn't have locks in top 10.
Not above some of the otherones.
We have Bone Thugs-N-Harmony.

(50:51):
I don't have locks in top 10.
Not above some of the otherones.
We have Bone Thugs and Harmony.
I don't they hit, but I don'tthink they would go over a UGK
to me.
You get what I'm saying, yeah.

Speaker 3 (51:03):
Would 2 Live Crew be considered a group?

Speaker 1 (51:05):
Definitely Very impactful group and we talked
about that when we was talkingabout the Mount Rushmore of Luke
and that's a collective.
Two Live Crew is a collectivethat should be part of.
So the problem I get into, or Ithink people get into, online

(51:28):
is because everybody who'svoting are at different age
groups.
So you getting people that'sgoing off of name.
Oh, I know 3-6 Mafia.
You get what I'm saying.
Or I know, and not the actualwork and not knowing what some
other groups have done as well,you get what I'm saying.
I just wanted to show you andsee what you thought, because
you my music guy.

Speaker 3 (51:52):
I'm just thinking of groups now.

Speaker 1 (51:53):
I'm not mad at De La Soul.

Speaker 3 (51:56):
I think they should be up there.

Speaker 1 (51:59):
Try.

Speaker 3 (51:59):
De La Soul, I don't think my group is up there.

Speaker 1 (52:01):
I was about to say, honestly, I'm going to go from
number seven to number ten.
Should be.

Speaker 3 (52:06):
They Interchangeable they.

Speaker 1 (52:07):
Interchangeable, and I could think of other groups
that should be before them.

Speaker 3 (52:11):
The only new group that should be in here and it's
the only new group is the Migos.

Speaker 1 (52:16):
It's Migos yeah.

Speaker 3 (52:17):
Just because of their run.

Speaker 1 (52:18):
Their run and their impact.
Okay, yeah, yeah, yeah, yeahthey had a strong and still you
can hear Migos and new shit, thenew rappers that's coming out
now.

Speaker 3 (52:31):
Oh damn, it'd be so mean From the south bro.
I mean a lot of people Wouldn'tthink like they had a good
Career or whatever.
But like I mean, if you gotlike the locks on her and bone
thugs Nigga, my mindAutomatically would put like
Like the Goody Mobs Phil.

Speaker 4 (52:50):
Mobs.

Speaker 1 (52:50):
Phil Mom.

Speaker 3 (52:51):
Youngbloods, I would go.
I would go, goody Mob.
No, I'm just saying that'swhere?

Speaker 1 (52:56):
But you just some names you can think of.
Yeah, yeah, yeah.

Speaker 3 (52:59):
Groups you can think of, to where Now they really
have to Fight it out.

Speaker 1 (53:03):
You know what I'm saying and really, and I seen
this and again I'm gonna go backand find the page, because I
think it's just people who wasputting names up there.

Speaker 3 (53:11):
Yeah, but motherfucker that put Crucial
Conflict up there, bro, or theDayton family If I ever see
Crucial Conflict.

Speaker 1 (53:16):
No, I'm just saying like when you do, I know I get
what you're saying, but if anigga ever put Crucial Conflict,
how about the Country Boys withthe grills on the side?

Speaker 3 (53:33):
Birdie Cal grills.
Oh, nappy Roots.
Matter of fact, the roots YepLil Bruh.

Speaker 5 (53:36):
Come on, bruh.
Yeah, yeah, yeah, it's a lot ofpeople, it's a lot of people.

Speaker 3 (53:40):
Shit.
Your boy stole some of they.
Fucking flows who, Jerry?

Speaker 1 (53:44):
Yeah, Some of Damn it .
I forgot to show you something.

Speaker 4 (53:48):
What.

Speaker 3 (53:51):
Damn, I forgot to show you something what, damn, I
ain't going to, is it the Big?

Speaker 2 (53:52):
Sean Nah.

Speaker 3 (53:55):
Boy.
If you did not.
I keep telling you, bro, if youdid not know who Drake got in
front of me, you'd be like dude.
Big Sean, bro, why you comeback sounding like Drake?

Speaker 1 (54:05):
Hey, shout out to fucking Quentin Miller, because
I love that song that you gotout, but boy, you is stuck in a.
If you're reading this, it'stoo late stage.

Speaker 3 (54:18):
But you know what's crazy?
Let your boy double back onsome of them writings.
Niggas will be like Ah Poodie.

Speaker 5 (54:28):
Poodie, you did it again, poodie.
Oh my God, shout out to QueenBillie.
He's like oh yeah, hey, hey,poodie J might be the best
in-movie artist that niggapassed out on my bra bro.

Speaker 4 (54:49):
He might be the best in-movie artist.

Speaker 1 (54:51):
I've ever seen in my life.
What is it?

Speaker 3 (54:56):
Say your name on a ring.
That's the only movie my dudedone seen Pootie Town Out of all
the movies he's talking about.

Speaker 1 (55:06):
Out of all the movies .
This nigga be breaking up.
I hate you, Pootie.

Speaker 3 (55:11):
Pootie come back.
I hate you Poodie.
Poodie, come back, I love youPoodie, oh shit.

Speaker 1 (55:17):
Oh man.

Speaker 3 (55:17):
All right, what about New Christmas?
I say man, it's so packed inthis party At the door like, hey
, I'm oxygen, Let me in.
You need me to breathe?
Yeah, it is packed in here.

Speaker 1 (55:29):
Hey boy Damn, I got to look up something real quick.
Man.
Now it's pissing me off.
I wish I would have saved it.

Speaker 3 (55:38):
He's looking up the naked photos of Biggie Shorty,
who is.

Speaker 1 (55:42):
Biggie Shorty Because I might need to look up.

Speaker 3 (55:43):
Wanda Sykes.

Speaker 1 (55:44):
Oh for Pete's sake, oh for Pete's sake, oh for
Pete's sake.
I was like God, wait a minute.
Look, my brain went off of that.

Speaker 3 (55:52):
Now I'm like hold on who we looking at.
Cuz they wanted.
Sykes was in there with theheadphones at the bus stop.

Speaker 1 (55:59):
Oh shit, man, I ain't going to be able to find it
Naughty by Nature.
Another group, Damn.
I definitely would put Naughtyon there.
Come on, bro, Whoever did thislist.
You only got the first tworight.
You only Now the other onescould be on there, some of them,
but the first two is the onlyone.
That's like Solidified, likeAin't nobody ever gonna argue

(56:23):
about Outkast or Wu-Tang.

Speaker 3 (56:27):
Is their second album as good as their their first?

Speaker 1 (56:31):
Wu-Tang, yeah no, their second album as good as
their first Wu-Tang yeah.
No, okay, I thought I wastripping.
I like Wu-Tang, but Wu-Tang, dothat kiss to me.

Speaker 3 (56:38):
After the first album After the first album.
They just the only time LikeWu-Tang as a whole.
Hey, say what the fuck you want.
After 36 Chambers it, after 36Chambers.
It's pretty much downhill untilyou start getting Liquid Swords
and Only Built for Cuban Linksand all that other shit.

Speaker 1 (56:54):
Purple Tape and all that.
Who's your favorite out of?
If you can remember all theartists in that motherfucking
group?

Speaker 3 (56:59):
Out of who?

Speaker 1 (57:00):
Ty yeah, who's your favorite?
Mine would be Ghostface.
I love Ghostface.

Speaker 3 (57:04):
Outside of Memphis, because he's the-.

Speaker 1 (57:06):
The leader.
I mean, I know he's not, no,he's the default.
Yeah, he's the go-to.

Speaker 3 (57:17):
But if I had to pick somebody, it'd probably be ODB
or It'd probably have to be ODB.
I say ODB, yeah, odb, or who'son.
Who's on Cream, who's on creambro?

Speaker 1 (57:32):
Method man.

Speaker 3 (57:33):
Method man, ghostface Raekwon, and what's his name?
Capadonna.

Speaker 4 (57:42):
Yeah.

Speaker 1 (57:44):
I like.

Speaker 3 (57:44):
Cap too.
It'd probably be Ghostface.
But like Ghostface is mine thatnigga said something crazy as
fuck at the end of the song Oohbaby, I love you like I love my
dick sauce.

Speaker 5 (57:52):
I was like whoa, hold up, wait a minute.
What are you talking about?

Speaker 1 (58:01):
My, bad, I was trying to.
I'm over here looking, I wastrying to find.

Speaker 3 (58:04):
They said hey man, shout out to Jonathan Majors.

Speaker 1 (58:08):
Hey my black man, keep going brother, that movie
look good as fuck.

Speaker 3 (58:13):
Even though it's two three years old.

Speaker 1 (58:15):
I hope it gets you back.
I will be there.
I'm going to go see it.
Did you hear?

Speaker 3 (58:20):
Did you see the video ?

Speaker 1 (58:22):
It's okay, it's part of it.
Did you see the video with BigSean and Will Smith Did?

Speaker 3 (58:30):
you hear the song.
I seen the picture.

Speaker 1 (58:31):
Nah, did you.
I didn't wanna hear that Playit.
I don't know who wrote WillSmith.
You know what I'm not gonna saythat yes, you do?

Speaker 3 (58:39):
I'm not gonna say that he needed to get dude to
stop writing for him.

Speaker 1 (58:44):
This ain't bad, though no dude, this one ain't
bad.

Speaker 3 (58:47):
I wonder how much he paying for them verses For them,
verses, sheesh.

Speaker 1 (58:51):
I know he didn't, he didn't.

Speaker 3 (58:54):
He didn't write it though.

Speaker 1 (58:55):
Lucas is like he's sitting there.
Oh, you need another one,mister Will.

Speaker 3 (59:00):
He probably call him fresh.

Speaker 1 (59:05):
My bad, I got ads on this.
I'm not signed in.
Guys, leave me alone.

Speaker 5 (59:10):
It's hilarious.
My bad, I got ads on this.
I'm not signed in.
Guys, Leave me alone.

Speaker 1 (59:16):
It's hilarious man.

Speaker 5 (59:31):
This is Beautiful Scars from Will Smith that you
should place your sights on.
Shot on cannons and Nikons,turn the cameras and lights on.
I've been about to action.
Master actor, I still rap.
Feel like Mike when they turnthe mic on and I got will Until
the wheels fall off.
That's just the will I am mywill.
Power got these cowards sayingGod damn, he just won't quit,
won't fold and won't switch.

Speaker 4 (59:47):
I don't care how good the shit goes.

Speaker 5 (59:52):
I'ma skip, skip it every time.
I'm going to skip it every time.

Speaker 1 (59:57):
Will Smith.
First off, I like this song.
No, I'm never going to listento it.
It's just something abouthearing Will rap now.

Speaker 3 (01:00:05):
I don't want to hear this type of Will.

Speaker 1 (01:00:08):
That motherfucker hard though.

Speaker 3 (01:00:09):
This.
Right here the heat is on, I'mnot going to hear this type of
Will, that motherfucker, hardthough this, right here the heat
is on, my night gonna To thebreak of dawn, that's the Will
Just be the party Will.
Yeah, I want to hear that Will.
That's the only Will I want tohear.

Speaker 1 (01:00:20):
Oh shit, I done.
Closed out what I was about todo.
Son of a bitch.
That's the only one bro and Iwas trying to find.
They said there was a song thatthey pulled up that Drake was
Stealing lyrics.

Speaker 3 (01:00:32):
Oh yeah, I seen it.

Speaker 1 (01:00:33):
Yeah, okay you seen it?
But I was.
I was trying to play it, butBar for bar, bar for bar, like,
like, literally Flow Everything,took that shit.
Who's that?
Again, it don't matter, it'smine.
Give him $25 and tell him Iwant it.

Speaker 3 (01:00:49):
DM him, tell him First class fight.
On the OVO plane To the embassy.
He ain't do nothing but signthat nigga and kick his ass Down
to the basement.

Speaker 1 (01:01:01):
But that's what they do.
That's what he do.
Boy, that nigga Find somebody.
He like the flow, he like thesong.
Hey, sit over here for me Now,you with me, you OVO.

Speaker 3 (01:01:11):
You know what?
I would take that deal if thenigga was paying me though.

Speaker 1 (01:01:14):
I wouldn't want to be On the other side.
I would too People be sayingman, he done left Party Next
Door, just in the back Nigga, Iwrite he pay.

Speaker 3 (01:01:22):
I don't want to be a Sean Garrett, I'm cool.
Keep me in the writer's room asMe in the writer's room, as
long as I'm getting my writer'scredit and my publishing.

Speaker 1 (01:01:30):
Because once you step out and you sound like you've
been Quentin Miller, they cansay hey bro, just give it to
Drake, Just give it to.
Drake, you know what I mean,but I'm not mad at it at all.

Speaker 3 (01:01:46):
But that's what motherfuckers.
People just be wanting the fame, bro.

Speaker 1 (01:01:49):
They want to know the writing bro.

Speaker 3 (01:01:51):
Ain't nothing wrong with it.
No, they want to be, they wantthe notoriety.
Ain't nothing wrong with it IfI can walk into a building With
that same motherfucker that'sfamous and by the same shit he
got two and three times over.
I'm good, I just hey drink.
I don't get it.
I tell my sons that all thetime being in the in crowd, you
create your own crowd.

Speaker 1 (01:02:12):
But that's getting older, some of us getting older
and understanding certain shit.
You gotta go through that.
I wanted to be a rapper, butyou were a rapper A good one too
.
Don't forget that.
Don't forget I was the fucking.
Anybody want it.
You can get it.
I don't have it, no more.

(01:02:33):
I'm just.
He's talking about rapping.
I'm fucking with you and Idon't have the skills to rap
anymore.
Oh man, I'll be trying to.
I'll be in front of somebodytrying to remember my old shit.
What'd I say?
What'd I say?

Speaker 3 (01:02:50):
Damn You're going to be looking like.
And then I said once again Holdthat down, y'all Hold that down
.
And then I said once again Ayyo yo yo Ay, I'll be watching
Battle Rap.

Speaker 1 (01:03:01):
You know that's my shit.
And you see, niggas, even theyliterally be like hey yo, hey,
yo, calm it down.
Hey yo, hey yo, let me rap.
Go ahead, you're good.

Speaker 3 (01:03:21):
Hey yo, everybody's in the parking lot Say your
verse.

Speaker 1 (01:03:25):
Hey yo, hey, I'm watching and I ain't even gonna
say what I was gonna say.
So I was watching a battle theother day, right, it was a
female battle, right, the femalewrote her raps and she was
rapping against somebody else.
She got the girl's name wrong.
She said your name ain't.
She said this whole shit don'teven make sense.

(01:03:48):
Now they said so what you goingto do?
She's like I know this ain'teven going to make sense, but
I'm going to go ahead and rap.
It looks crazy Because now youspitting all these bars and shit
to somebody who, not her?
Yeah, because you got the namemixed up with somebody else's.

Speaker 3 (01:04:08):
Hold on.
So your name, not Gina God damnNigga.
So your name not Gina God damnNigga.
Your mama named you Gina.

Speaker 1 (01:04:18):
She have name flips and all kind of shit you just
rapping now.

Speaker 3 (01:04:22):
Now we like Ay.
That's crazy.
Yo Teresa Ay, who she talkingto?
Who she talking to?

Speaker 1 (01:04:29):
Your name not Terrible T.
The girl started rapping andit's like who you hey?

Speaker 3 (01:04:34):
fam, tell me how, who you talking to and she like ayo
smack why she keep calling methat.

Speaker 1 (01:04:41):
She said your name ain't.
I got it mixed up, bitch nowyou look dumb as fuck.

Speaker 5 (01:04:49):
She's in that page, though.

Speaker 1 (01:04:50):
She got, whatever it wasn't on URLs.
I don't know how it was.
It was one of them lower tierbattles.
Man did you see where?

Speaker 3 (01:04:58):
Who was that Gigi Gotti that was rapping against
Remy Manil?

Speaker 1 (01:05:05):
Which one Shotgun shoot yeah?

Speaker 3 (01:05:08):
Dude is terrible, who Not?

Speaker 1 (01:05:08):
shotgun shoot.

Speaker 3 (01:05:09):
Oh, easy to block captain.
Yeah, bro, shotgun shoot.
Yeah, dude is terrible, who Not?

Speaker 1 (01:05:12):
shotgun shoot.
Oh Easy to Block, captain.

Speaker 3 (01:05:13):
Yeah, bro, cause you remember he did the, he did, he
basically did the whole thingwhen I don't know this old For
the people that actually watch.

Speaker 2 (01:05:20):
Yeah, yeah, yeah, but when?

Speaker 3 (01:05:22):
I can't remember who Hitman was saying Rapping
against, and dude Kept his ass.
He said Ayo, big Gerald.

Speaker 4 (01:05:29):
Yeah, now that's how you talk to your son.

Speaker 3 (01:05:31):
Dude, he did that.
Yeah With Remy.

Speaker 1 (01:05:34):
Ma With.

Speaker 5 (01:05:34):
Remy Ma, and she said I said yes, I would have booed
the fuck out of them, bro.

Speaker 1 (01:05:40):
The thing is he did that same scheme with another
chick that he was with back inthe day.
Sorry, you know, what I don'tlike about that is because now
they going online saying thatbecause that was Remy Ma's
battle league.
So now she's saying that y'allcan't rap her name.

(01:06:04):
If y'all come to her league,y'all can't say her name.

Speaker 3 (01:06:07):
That's why I like what dude did.
Oh Shotgun, yeah Her leaguey'all can't say her name.

Speaker 1 (01:06:10):
That's why I like what dude did, oh Shotgun.
Yeah, yeah, nigga, I don't givea fuck what you're talking
about.
I'm here now.
I paid for it.
I'm here now.
This is paid for and I'm here.
I don't got to come back tothis league.
I'm good, but I don't like thatfor the simple fact that this
is what Rap Battle Reminds ofBattle Rap.
Yeah, you know what it is.
You can't shy away from whatthe fuck is out there now.

(01:06:32):
You did Pap dirty, you did.

Speaker 3 (01:06:35):
Yeah, I ain't do, pap God, I'm a motherfucking fuck.
Shoot Bitch.
I'm about to knock your ass,you see her walk out.
Her shit.

Speaker 1 (01:06:47):
Yeah, I'm talking about her.
Did up makeup and everythingBitch came out with a fur on.
Yeah she rapping now Lookinglike I know at anybody and I can
afford to call me hey, what.
So yeah, what's up.

Speaker 3 (01:07:06):
Did you listen to ESTG?

Speaker 1 (01:07:08):
I did not listen to ESTG.
You see his Breakfast Clubinterview.

Speaker 2 (01:07:12):
Mm-mm.

Speaker 3 (01:07:13):
Damn.
Well, that was Charlamagneasked him.
He was like man, what's up withyou?
And Yo Gotti, you know y'all onthe house.
He was like dude, fuck, no,nigga, I thought they were
married today.
Hey, we be laughing at thesemotherfuckers.
Yeah, yeah, yeah yeah, he wastalking about some dude.
That being a, I automaticallywent to eggs and grits dude
because he said this is a niggain the back of an 18 wheeler,

(01:07:34):
bro Saying shit.

Speaker 2 (01:07:35):
Talking about in between loads, yeah, chopping up
.

Speaker 5 (01:07:39):
Chopping up and picking up.
I said dude that is fucked up.

Speaker 1 (01:07:43):
Hey, somebody commented on one of our videos
and I know that's like a go-tothing when people got podcasts.
They be like get a job or putthe burger in the bag, put the
fries in the bag, type shit.

Speaker 3 (01:07:58):
Bitch.
I work, I got two jobs and afew hustles.

Speaker 1 (01:08:02):
This is just something on the side this is my
way time for the family.
I just think it's funny.
That's what people's go-to Geta job.

Speaker 3 (01:08:10):
Bro, but the niggas that be just perusing in the
comments, nigga you doing thesame shit.

Speaker 1 (01:08:16):
You do the same shit and that's what I said in one of
my videos.
We're on a podcast giving ouropinions.
You just come to the page andgive your opinions.

Speaker 3 (01:08:31):
Everybody get their opinions outside of the
motherfuckers like journalistswho doing in-depth research, bro
, like I'm not going and givingyou lebron averaging 28 right,
right, right right this year,you know saying no shit like
that I'm not giving you theactual numbers of kentuckian
lamar rundown of gnx on the 43rdweek.
We're just talking bro I'm justbro, like fuck with me, fuck
with us bro, we not bro, we notbad folks.

Speaker 1 (01:08:54):
I am.

Speaker 3 (01:08:55):
I'm not.

Speaker 1 (01:08:56):
Fuck around.
Beat the fuck out of one ofy'all niggas.

Speaker 3 (01:08:58):
I went to church today and it was the first
Sunday.
And I ain't been in church in10 years nigga, I beat the
bricks off one of y'all niggas.
I know, bro, don't do that,don't do that.

Speaker 1 (01:09:13):
My bad.
Come on, I love you all.

Speaker 3 (01:09:16):
Hey, man, we did have a review, but my man couldn't
find half of it.
So look so look right, no no,no, no.
But before you get into that,yeah, man, to you older artists,
bro, please put your music outthere.

Speaker 1 (01:09:32):
You got to man, please you got to.
The DSPs is out there, even ifit's available to buy somewhere,
because I couldn't not to playa fly album, but I was looking
for a Mr Servo album, so I canbuy, because it's some of his
music, not on DSP, but I alsocan't find it nowhere.

Speaker 3 (01:09:50):
Your boy just got on Spotify, not too DSP.
But I also can't find itnowhere.
Your boy just got on Spotifynot too long ago.
Who the Fiend?

Speaker 1 (01:09:56):
Like he was saying but do they?

Speaker 3 (01:09:58):
own the music though, because your boy might want too
much for that music.

Speaker 4 (01:10:03):
Who he?

Speaker 3 (01:10:06):
Especially now.

Speaker 1 (01:10:07):
Put the music out there.
Oh, but just put the music outthere.
Oh, but just put the music outthere, if you are able to, the
DSPs or have them available forsale somewhere, so people like
us can go back and where wedon't have to search around
because we were supposed toreview the Play or Fly album,

(01:10:28):
rob Markman, the way you betalking about it.
Yeah, rob Markman, the way wewere supposed to review the Play
or Fly album.
It ain't on DSPs, no more.
I went on YouTube, nigga, Idon't even use Spotify.
I downloaded Spotify to see ifit was on there.
Pandora, it's on YouTube butPlay or Fly?

Speaker 3 (01:10:42):
I don't think Play or Fly.
Do you remember when Play orFly resurfaced with the man in
the Mirror rendition?
He was in his car.
He was like I'm snorting.
Oh, yeah, yeah, yeah yeah, whenthat had resurfaced, he put his
music out, but it was only thenew music from like.

Speaker 1 (01:11:02):
I was about to say no , I can see the new music.
No, that's what I'm saying.

Speaker 3 (01:11:05):
I don't think he owns thatmusic bro.

Speaker 1 (01:11:09):
But is there nobody that you can?
I don't know how that works, Imean.

Speaker 3 (01:11:16):
I put like his If the music was under 36, which it
probably wasn't it was underwhatever regularity.

Speaker 1 (01:11:27):
Yeah, yeah, yeah yeah .

Speaker 3 (01:11:31):
Let's say they on the music.
I'm not fucking with you.
I'm not putting that music out.
Don't get fucked if I makemoney off of it or not.

Speaker 4 (01:11:37):
I'm about to say but you're going to eat too.
I still got to give you money.

Speaker 1 (01:11:40):
That's crazy.

Speaker 3 (01:11:42):
But you just said earlier in the pod nigga, you're
petty, you would dance on anigga grave.
That is true so if I'm as pettyas you and I don't want to feed
a nigga?

Speaker 1 (01:11:52):
nothing, nothing.
That's crazy.

Speaker 3 (01:11:55):
Come on, because even on YouTube, when I listen to it
on YouTube, it's not evenuploaded through him, right,
right right, right.

Speaker 1 (01:12:03):
So you got to know somebody, do you not know how
many no Limit albums is notavailable anywhere?

Speaker 3 (01:12:11):
Yeah, lil Soldiers, little Italy one of the Mercedes
you just said Servo, it's onlyone Mercedes.
That was her only album, bro,and she didn't have no single
off of it.
Mm-hmm, that's crazy, thoughThink about how many
motherfuckers he had on thelabel that got pushed with no
singles.

(01:12:31):
That's what I'm.

Speaker 2 (01:12:31):
Niggas was buying that shit because it was love
and love.
Do you remember Little Italy?
I know the name.

Speaker 1 (01:12:35):
It's so many artists.
Did you know he had a?
You remember that white boyband he had?
Uh-uh, ah, shit, my bad, this Pyeah.

Speaker 3 (01:12:48):
During no, I don't remember that.
I ain't gonna Look.
Bruh, I'm not one of themNiggas that are just live.
Be like yeah, fam, no, let me.

Speaker 2 (01:12:57):
No.

Speaker 3 (01:12:57):
I don't remember that shit, bruh.

Speaker 1 (01:13:02):
There it go.
Look, you don't remember Sixpiece cuz Six piece.
Yeah, what the fuck.
You don't remember them cuz.

Speaker 3 (01:13:10):
No, bruh Nigga.
Yeah, they look like OneDirection or somebody yeah.

Speaker 1 (01:13:16):
But I guarantee you can't find this shit nowhere
either I never, heard of them.
That's crazy.
What the fuck.

Speaker 5 (01:13:25):
Shout out to.

Speaker 1 (01:13:25):
Six Piece, wherever y'all may be.

Speaker 3 (01:13:28):
They look like One Direction bro.

Speaker 1 (01:13:33):
But that's so much.
No Limit Music.

Speaker 3 (01:13:35):
Them look like all the niggas that didn't make NC.
All the other bands they waslike hey y'all Terry you're out.

Speaker 1 (01:13:42):
Look, they said y'all done with these six.

Speaker 3 (01:13:44):
You'll take them.
Come here, come here, bring.
Come here, bring it in.
That's crazy, bro.
No, I don't remember that.
Yeah, remember Lil' Corey.
He was sounding like P Lil'Corey.
He was that version of Lil'Sammy, I do.

Speaker 1 (01:13:58):
Yo, yo, yo, yo, yo yo .
It was the first time Cheek,hey P, I know you watching right
, Because we're awesome in yourmasterpiece.

Speaker 3 (01:14:12):
Put this music on motherfucker.
Oh man, what was the singer'sname from True True?
Remember the nigga?
Ooh, I like that candle.

Speaker 2 (01:14:20):
Touching places like one show.

Speaker 3 (01:14:22):
I give it to you, mama, mama, what the hell.
I do my tongue exercises rightbetween your thighs.

Speaker 2 (01:14:29):
It's always incredible.
What do you say?
Hold on, cuz I'll go places.
He won't go.

Speaker 4 (01:14:35):
I'll give it to you my love, it's love.

Speaker 3 (01:14:41):
Dude, we wasn't fucking.

Speaker 1 (01:14:43):
Young as hell singing that shit, cuz you ain't gotta
say too much.

Speaker 3 (01:14:53):
Hey motherfucker daddy, look at you like say the
rest of that shit, I dare you.

Speaker 1 (01:14:58):
I don't even know which one.

Speaker 3 (01:15:00):
I want to see it's so many members Look at this song,
bro.
It's on True.
True to the Game, yup, true tothe Game.
It's on this Two, this Two,this.

Speaker 1 (01:15:17):
It had all kinds of songs.
Swamp Nigga, that's my shit,that's one of the Bowls bro.

Speaker 3 (01:15:21):
What was it Go down bro.

Speaker 1 (01:15:24):
That wasn't on, it wasn't on.

Speaker 3 (01:15:28):
What was it?
It ain't Free.
Code Dude, I'm just trying to.
What was it?

Speaker 2 (01:15:33):
It ain't free cause, dude, I'm just trying to.

Speaker 3 (01:15:35):
What he say.
I'm just trying to look at youand see how deep in you I'm
trying to go.

Speaker 5 (01:15:40):
Hey man, oh, what the fuck is this song.

Speaker 1 (01:15:46):
No, let me ask some shit cuz.

Speaker 3 (01:15:49):
Oh, bro, I can't remember the name of the song.

Speaker 1 (01:15:53):
He won't go.
Oh no cuz, oh no cuz.
Look, now we done, got caughtup in some nostalgia, shit, oh
my God bro.

Speaker 5 (01:16:04):
My bad, my bad.
We're sorry to the listeners Inthe comments.

Speaker 3 (01:16:09):
Y'all remember this, If you know the song though put
it down there Pause.
Hey, they had a nigga namedMoby.

Speaker 1 (01:16:21):
Dick, moby Dick, cuz Skullduggery shit not on Magic,
some of Magic albums.
Not on DSPs either.
Rest in Peace, magic Womp womp.

Speaker 3 (01:16:34):
Fiend, fiend some of that Fiend.
Was that dude bro?

Speaker 1 (01:16:37):
Oh they got some shit boy.

Speaker 3 (01:16:40):
I'm going to walk it like I talk it Talk it like I'm
walking Womp.

Speaker 1 (01:16:48):
So yeah, man, we was supposed to review.

Speaker 3 (01:16:51):
So next week we gonna have two.
Now man.

Speaker 1 (01:16:55):
Yeah, we can do that.
We can do that.
So for next week I got BennySiegel the Truth.
Oh my gosh, I think, I think Ithink we should go back To Benny
Siegel, the Truth.

Speaker 3 (01:17:04):
Is that the Um, um?
No, that's what's called it.

Speaker 1 (01:17:09):
I don't know what it is.
That's what we gonna listen to,og.

Speaker 3 (01:17:12):
Yes, I is Nigga.
Don't test us kid.
That's the second one, isn't it?

Speaker 1 (01:17:17):
I don't even know what song you talking about that
sound like Some biggie shit.
Isn't it?

Speaker 3 (01:17:22):
I don't know it was on.
State Prop.

Speaker 1 (01:17:27):
We'll figure it out.
Oh man, it's okay, but Don'ttalk to me like that.
We'll figure it out.
Oh man, it's okay, but Don'ttalk to me like that, we'll get
through this addiction.

Speaker 5 (01:17:37):
We'll work on this together.

Speaker 1 (01:17:39):
Hey.

Speaker 3 (01:17:40):
What is?
Oh shit, no, he ain't the OGgangster.
Yes, I is, nigga, don't test uskid.
Oh, what the fuck is that song?
I don't know.
When I'm rapping that verse, I,I keep thinking of Freeway, get
peppy, my man.
Oh, you know what I'm saying.
Nigga, you seen you Got Served.

(01:18:02):
I was just going to let youwork it out.
You seen, you Got Served.

Speaker 1 (01:18:04):
I have.
I know that song.
I know that song.

Speaker 3 (01:18:07):
You see how he leave me after the drop.
Nigga, I can't be the only onegetting bad comments.

Speaker 1 (01:18:12):
I was going to try to help you.
I was going to.
I was going to wait until youstruggle a little bit.
I'm telling you that's fuckedup.
Once I learn when to push thesebuttons and shit, I'm going to
be able to.

Speaker 3 (01:18:27):
You got to put that in the middle, bro.
You got to put that In themiddle, bro, you gotta put that
In the middle.
I don't wanna reach Over yourdoor, dude.

Speaker 5 (01:18:35):
No, that was a.

Speaker 2 (01:18:36):
Learned lesson.

Speaker 1 (01:18:40):
But Get up, get up, hey, meek hey.

Speaker 3 (01:18:43):
Hey bro, meek bro, fight back bro, fuck hey.

Speaker 1 (01:18:47):
So next week we will be reviewing Beanie Siegel, the
Truth.
That's for next week, and thenwe'll kind of touch on Pause.
We'll touch on Play or Fly,cause I did find it, end up
finding it on YouTube.
But we'll talk about BeanieSiegel.

Speaker 4 (01:19:09):
Did y'all ever review Play or Fly.

Speaker 1 (01:19:12):
Y'all talked about it for two episodes.
Oh my God, bro, nobody eversaid anything about him, Was it
good?

Speaker 3 (01:19:19):
Hey was Benny Segal.
Did you know Heavy D producedFeeling in the Air.

Speaker 1 (01:19:28):
No, that wasn't Heavy D.
Who was it Nah matter of fact,because I just seen who that was
and I was like that wasn'theavy D.
Who was it Nah matter of fact,because I just seen who that was
and I was like I didn't knowthat was.
I thought that was heavy.

Speaker 3 (01:19:34):
D Feeling in the air.
I thought that was heavy D bro.

Speaker 1 (01:19:40):
Well, we're doing a lot of searching at the end of
this episode, ain't we?

Speaker 3 (01:19:46):
Who was produced by her.
Oh, nah, you right.
Yeah, nigga, Come on bro.

Speaker 1 (01:19:52):
Damn.
I can feel it in me, y'all.
That's one of them.
Ones that's not on his firstalbum, though it's not.

Speaker 3 (01:20:03):
Yeah, so we?
I just wanted to throw that outthere.
Yeah, shout out to Heavy D whatthey call tidbits.

Speaker 1 (01:20:10):
So you know a little something, but and I'm the next
Monifa you seen.
Babs, bro, they ran up on HeavyD.
I hate that movie.
I love that movie.
I'm going to give you a hottopic.
I'm going to give you a hotlittle.

Speaker 3 (01:20:23):
It's a Before you get into it though though it's a
remake of disorderly's.

Speaker 1 (01:20:37):
Yeah, yeah, yes, there's not a movie with holly
berry in it.
That's good, besides monstersball.
Oh you will, she is not good.

Speaker 3 (01:20:42):
This is his opinion in anything you didn't like her.
Uh, you ain't never seen to meyouosing Isaiah.

Speaker 1 (01:20:50):
No.

Speaker 3 (01:20:51):
You seen Gothica Terrible movie what.

Speaker 1 (01:20:55):
Holly Berry Is not that great of an actress.

Speaker 3 (01:20:58):
Nigga, have you seen her?

Speaker 1 (01:21:01):
I just no, I don't want to see her In some
superhero.

Speaker 3 (01:21:07):
You can't take his man in this shit.
Cause you getting me upset now.

Speaker 5 (01:21:13):
It's like you said Holly Farrier ain't good at
nothing.

Speaker 1 (01:21:16):
Nothing.

Speaker 3 (01:21:17):
So the only thing you like is her sex scene.

Speaker 1 (01:21:21):
What sex scene?
You said Monster's Ball.
Oh, it's not because of that.
I like my dude who, the dudeBilly Bob.
Yeah, why?
Because I like my dude who,billy.

Speaker 3 (01:21:30):
Why?
Because he knocked her down.

Speaker 1 (01:21:32):
No, you ain't shit, bro.
Also, let me tell you somethingelse.
She ain't that good looking.
All right, man, end this man.
She not as bad as y'all niggasbe trying to make her out to be.

Speaker 3 (01:21:46):
You ain't seen Swordfish.

Speaker 1 (01:21:49):
Oh, Swordfish.
Yes, I have no, you ain't seenSwordfish.
Swordfish, yes, I have.
No, she is Not good.

Speaker 3 (01:21:56):
Man.
If you wouldn't Married, I'dask you what type of women you
into Thickums, I mean that.
That explains a lot.
So Tyra Banks Ain't on yourlist.
Nobody slim.

Speaker 1 (01:22:07):
I won't say nobody slim Cause Kelly Rowland Is one
of them.
Well, she wouldn't want them.

Speaker 3 (01:22:10):
You can say nobody Slim, because Kelly Rowland is
one of them.
Well, she's one of them, kelly.
You can't even bring her up.
Say somebody else out of her.

Speaker 1 (01:22:14):
Kelly Rowland is one of them.

Speaker 2 (01:22:15):
Say somebody else out of her.

Speaker 1 (01:22:15):
What you mean Slim.

Speaker 2 (01:22:17):
Yeah.

Speaker 1 (01:22:19):
Shit.
Yeah, you have to give me somenames.
He biased, I like some bigbitches, he biased he biased.

Speaker 3 (01:22:26):
You're going to have to start Giving me some Takaras,
some Kim Whitleys, some KimWhitley, nah, nah.

Speaker 1 (01:22:35):
Mr Ogilvy, I don't know why you wasn't Knocking her
down.
Cause, oh, pam.

Speaker 4 (01:22:44):
Yes, Lord.

Speaker 1 (01:22:48):
Thank you for listening To another episode Of
Late to the Party With Dodie andReggie.
I'm Reggie, I'm Doty, that'sDoty, and we'll be, back, and
we'll be back next week.

Speaker 3 (01:23:02):
Shout out to mine, nevermind Shout out.

Speaker 1 (01:23:07):
Y'all have a good one hey.

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