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Speaker 2 (00:01):
Oh for the trip.
Cool One, two, One, two I'dlike to introduce myself.
This is what we starting withtoday.
He got me cuz who's callingthat shit?

Speaker 3 (00:18):
Who's calling that?
I ain't gonna lie to y'all.

Speaker 1 (00:24):
I'm telling you oh at the who, I ain't going to lie
to y'all.

Speaker 2 (00:26):
I'm telling you oh, at the skate rink it's going
down, Is it?
Hey, that motherfucker got me.
Look, I listened to it and Iwasn't fucking with it, but I've
been seeing people, I've beenscrolling and I've been seeing
people using their videos andit's got me.

Speaker 1 (00:48):
It got me.
That's how it is.
Most times, though, you got towatch the video.

Speaker 2 (00:52):
Man me and my wife was up there.
You know, once we find a song,we find a song, I think, we in
view.
If not, it'll just be audio.
Welcome to another episode.
Episode what's up?
Welcome to another episode ofLate to the Party with Doty and
Reggie.
I am Reggie, I'm Doty, andwelcome to we at episode.

(01:15):
I think it's 39, right now, hey, hold it.

Speaker 1 (01:21):
Big balloons and everything.
Party City out a business.
We had to go to Publix.

Speaker 2 (01:27):
But we got it right though.
We got it right.
So we steady moving thatepisode.
We on like 30?
I think it's 39.
Okay, I think.
So we don't say our episodesevery episode.
We hit 40?
We almost I'm almost that'sgoing to be an audio.
I'm about to be 40.
I know, old ass nigga, I'm notold yet, I'm up.

Speaker 1 (01:46):
You old ass nigga.
I'm old ass, nigga.
I ain't 607, though, but man,that dude is hilarious bro.

Speaker 2 (01:52):
Is that the dude with the dreads and shit?
I'm GD Vice Lord.

Speaker 3 (01:56):
Yeah, yeah, yeah.

Speaker 2 (01:58):
My mama be sending me videos of that shit.
I'm on my mom, I'm on my mom,I'm on my mom.
But what he?
But anyway.

Speaker 1 (02:05):
I'm from St.

Speaker 2 (02:06):
Louis.

Speaker 1 (02:07):
I'm from St Louis.

Speaker 2 (02:09):
That's all you need.
You need to have somebody Infront of a camera.
I'm half Illuminati.
Half street and just let him go.
You see that Now we on him.
Now you see that video of himwhen he was drinking and dude
said Pick up your cup Right.
So your cup right.
So he picked up his cup and hestarted drinking.
He said now put your cup down.
He said don't try to control me, man.
You can't control me I was goingto do that anyway.

(02:29):
He said now I'm going to keepmy cup, now I'm going to move it
.
That nigga, yeah, I'll berunning across.
I don't know where he come from, I'll just be running across
his clips and shit.

Speaker 1 (02:45):
Dang.
Where did I first notice him?
I can't even remember where Ifirst noticed him, bro, but I
just know he just keeps sayinghe from St Louis.

Speaker 2 (02:52):
I just seen him start popping up, and now I see him
all the time, and once you start.

Speaker 1 (02:56):
Oh, that's where he had popped up.
I first noticed him because hekept saying that he wrote
Country Grammar Finale, ah.
And then he said somehow,someway, he was tied in to Sexy
Red.

Speaker 2 (03:10):
I don't know how true that is I forgot Sexy Red from
St Louis too, yeah.

Speaker 1 (03:15):
Yeah, yeah, yeah, yeah.
But now he going on the wholeBig Meech Cuffy snitch
allegations.

Speaker 2 (03:21):
Oh, that's his new thing.
Yeah, didn't he have, it wasone video.
I allegations oh, that's hisnew thing.
Yeah, didn't he have.
It was one video.
It was one video.
He had an artist or somethingand like he was trying to
promote.

Speaker 5 (03:28):
Oh, yeah, yeah, yeah.

Speaker 2 (03:29):
But he was like ain't nobody even listen to your shit
.

Speaker 1 (03:33):
He's still running with him too.
Yeah, yeah, like two Z's orsomething like that.

Speaker 2 (03:36):
Yeah, so she's like he's like nigga, nobody even
listen to it.
Go and Go kill something.
Go kill something.
Hey boy, once you find acharacter, put him in front of a
camera.

Speaker 1 (03:46):
Hey bro, let him go and turns against the Williams
bro.
It's funny, bro, because youknow he they was calling him a
snitch or whatever.
And that's how he got out.
He was like I don't give a fuck, nigga, I ain't behind that
wall and I put in that work.
So it's kind of Talk, craig.
I don't really want to donothing, but come for it when

(04:08):
you want to.

Speaker 2 (04:10):
But if you putting in , never mind, I was going to go.

Speaker 1 (04:15):
Did you watch, since we Already On that, did you
watch Bob's Talk?

Speaker 2 (04:19):
No.

Speaker 1 (04:19):
Okay, what's that?
I don't know.
I think he in Houston or Dallas.
He down there in Texas.
Who's that?
I don't know.
I think he in Houston or Dallas.

Speaker 4 (04:27):
He down there in Texas, he in Texas.

Speaker 1 (04:28):
But him and his wife.
Boss Talk 101,.
He had an interview with BG andthey were talking about I seen
the clip where he was talkingabout like Soldier Slim.

Speaker 2 (04:38):
Okay, I think I cause I think I came across the BG,
some of the BG clips then,because I'm going to say it
sound, sound familiar, but Iyeah, I like it.

Speaker 1 (04:46):
Shout out to Boss Tart.

Speaker 2 (04:47):
Shout out to y'all.

Speaker 1 (04:48):
Yeah.

Speaker 2 (04:49):
And we trying to be.

Speaker 1 (04:51):
I'm trying to get noted like that.

Speaker 2 (04:52):
You know you know the two dudes One light skin, one
light skin, the big dudes thebig dudes.
Yeah, I'm going to be like thatwe on our way, we on our way,
we on the episode 39.
Appreciate y'all, man.

Speaker 1 (05:04):
I think Appreciate y'all, if not we, somewhere
around there I start taking offwhen I start wearing all them
different hoodies like ish.

Speaker 2 (05:15):
And I'm going to come in with a chain like that, a
big ass fucking shit with aneagle on my arm.
Nigga, how y'all doing.

Speaker 1 (05:24):
Yeah, hey, touch the wing Dodie.
Hey, bro, what?
Hey, Touch it, hey, and giveyou that Shaq, uh-huh, uh-huh.
You say your name, bro, that ishilarious that Shaq gets you
know who Trey Young is, don'tyou?
Yeah, bro, he be like.
Don't do me like that.
He be like me like that.
Don't do me like that, cuz,don't do me like that.

(05:44):
One Spike Lee joint.
Come on, bro, it's like niggaCrooklyn.

Speaker 2 (05:50):
I heard the soundtrack of Crooklyn though my
brother

Speaker 5 (05:54):
took me to see the preview.

Speaker 2 (05:56):
I seen it in the beginning of the Lion King.
I'm telling you my brother donecalled me a couple times, so
you don't remember nothing.
Brother, I love you.
My brother done called me acouple times, so you don't
remember nothing.
That's what.
I'm saying Brother, I love you,but no.

Speaker 1 (06:08):
Nigga, I was hitting stop and record on the radio.

Speaker 2 (06:13):
Trying to get it.

Speaker 1 (06:15):
I'm on some music shit, the Hot 888 without the
commercials.

Speaker 2 (06:19):
Boy, you miss them times.
Boy Got to record on tape.

Speaker 1 (06:24):
Do you remember how hard it was to get like you
could get an MP3 player but forsomebody to download the songs
on your MP3 player?

Speaker 2 (06:31):
But I was a nigga who know how to do that, though.
No, I'm just saying that, yeah,I could do that it was one of
them times where.

Speaker 5 (06:39):
Motherfuckers would come Don't worry about all that.

Speaker 2 (06:42):
I don't even know if I was real.

Speaker 1 (06:44):
Come on, man, I'm about to stun on this one, you
know.

Speaker 2 (06:48):
I'd do 100 for you if you want that many songs.
50 a playlist?
Yeah, nah, probably five.

Speaker 5 (06:53):
How many on the playlist Just 10.

Speaker 6 (06:55):
Like damn, Give it to me, cuz.

Speaker 1 (06:59):
You got to do it, cuz you got to do it right.
How much for the CD?
Yeah, five dollars.

Speaker 2 (07:04):
I just going to get that yeah five dollars.

Speaker 1 (07:07):
Well, what's the difference?
Well, I, got to hook it up tothe computer.

Speaker 2 (07:10):
I'm about to say there's a lot with them old.
I got Charger MP3 player Cameto me dead.
I got to hook this motherfuckerup now.

Speaker 1 (07:18):
My mama asking why the KUB going up.

Speaker 2 (07:21):
I got 18.
I got 18 Chargers Just all inone Across the wall.
Who phones are these?
Don't worry about that.
Please don't touch them.
In the middle of uploading, mymama unhooked one, fucked
everything up.
Mama, get off the phone.

Speaker 1 (07:39):
And dial up With a motherfucker.

Speaker 2 (07:42):
It's still.
Just give it a second, give it,we'll get there, hey, so she
pick up the phone, everythingshut with a motherfucker.

Speaker 1 (07:46):
It's still.
Just give it a second, we'llget there as soon as you pick up
the phone, everything's set.

Speaker 2 (07:54):
Reggie, get the fuck off that computer, Nigga sick.
I was talking to my kids, Holdon.
I was talking to my kids theother day because they be on the
phone a lot.
They got their cell phones withthem.
In high school we didn't haveno cell phones.
Everybody just didn't have aphone right.
I used to tell them we woulduse my mama phone, but you had
to wait until 7 o'clock becausethe minutes was free after 7

(08:16):
o'clock.

Speaker 1 (08:16):
They don't even know what minutes is.

Speaker 2 (08:19):
Who buying minutes right now?
Well, I know some people buyingminutes.

Speaker 1 (08:24):
Yeah, you got to be behind certain restrictions.

Speaker 2 (08:29):
I know some people behind minutes.
Yeah, hold it down.

Speaker 1 (08:34):
Damn.
That is crazy, bro.
You remember the text messagesyou scouts like 45 cents to send
yeah, to send a text message.

Speaker 2 (08:40):
10 cents to receive To receive a motherfucker.
I'd be like look, I'm going tosend you something, Don't text
me back.
Look, look, I'm going to sendyou something.

Speaker 1 (08:46):
Don't text me back.
Look, nigga, I got 30 centsleft.

Speaker 2 (08:48):
I'm waiting on her to text me back.
Don't text me back.
It was free after 7 o'clock forcalls and it was free on the
weekend.

Speaker 1 (08:54):
And then you had to have at least 50 cents for them.
Late night minutes.
You remember at one time youhad to have the money on your
phone at everyday cost.
Yeah, that shit.

Speaker 2 (09:06):
And then that's when who started doing it first on
rollover minutes.

Speaker 4 (09:10):
Was it.

Speaker 2 (09:11):
AT&T it was probably AT&T.
It was either AT&T or Verizonhad them rollover minutes.
Motherfucker hey, you ain't usethem all that month.
They go to the next month.

Speaker 1 (09:20):
Nigga, I got a little behind it.
Oh, I'm getting nervous.
Yeah, you hear me.
What you saying?
No, hell, no, I'm on my rollover a minute.
I'm good.
I didn't touch this much, I'mstraight.
I'm good.
My first time I fucked upbecause you remember the Virgin
Moguls, what?

Speaker 3 (09:37):
you talking about.
It was like the prepaid.

Speaker 1 (09:39):
Yeah, I got one for Christmas, bro.
My I got one for Christmas bro.
My boss got me $50.
I didn't know at the time, Iain't got no phone I just ran
the streets.
Man.
I did not know, bro, that wassupposed to last you the whole
month.

Speaker 2 (09:52):
The whole month.

Speaker 1 (09:53):
Nigga, I'm buying games, I'm buying polyphonic
games, all kinds of shit.
Yeah, the ringtones and shitman my brother tell you this man
, that motherfucker used to playthat bitch like a radio.
I was like He'd play on thatmotherfucker.

Speaker 2 (10:09):
But you got some music.
Yeah, this is like hey, if someof y'all had to live on minutes
on the phone right now, golly.

Speaker 1 (10:17):
No Wi-Fi.

Speaker 2 (10:18):
Golly Terrible.

Speaker 1 (10:20):
You can't do it for free.

Speaker 2 (10:24):
Y'all die for real, right now, boy, it'd be sick.

Speaker 1 (10:26):
Hell.
Nah, I made my boys choose thismorning.

Speaker 2 (10:30):
What'd you mean?

Speaker 1 (10:31):
The phone or the game Boy, them niggas was like.

Speaker 2 (10:39):
I would go game though.

Speaker 1 (10:41):
Nah, my oldest did.
Yeah, my youngest.
He was like well, let me tellyou.
I said, nah, don't touch myoldest did.
Yeah, my youngest.
He was like well, let me tellyou.
I said nah, don't touch him.
Yeah, yeah, because I'm likebruh, y'all doing the same thing
, yeah, you on a headset, or youFaceTiming, yeah, and then they
be like well, you can see youknow everybody try to justify

(11:01):
and then they be like well, youcan see.
You know everybody try tojustify.
Well, we can see each otherwhen we on face.

Speaker 2 (11:06):
I'm like bro, most of y'all niggas don't even got the
camera on so that's only funnybecause that's crazy, cause my
son was up till like 6 o'clockthis morning on the game, right,
but it's only funny cause I'llcome in the room and they
playing the game, but he all ofthem on video.
Nobody camera on.
That's what I'm saying.
What's the point?

(11:26):
Nobody camera on?
What's the point, bro?
Because they can partyconversation though.

Speaker 1 (11:32):
Nigga, it's the same thing, y'all not even looking at
each other.

Speaker 2 (11:36):
I know it is, but I don't get it.
Bro, John don't got a mic onhis game and you know what?

Speaker 1 (11:44):
That's what they be trying to tell me, I'm like
nigga.
He got a PS5.
The controller isn't, the micis there Some people going
through.

Speaker 2 (11:54):
you know they work through some things.

Speaker 1 (11:55):
I don't know.
We had to knock onmotherfuckers' doors, bro, when
I was coming up.
Like I was in that queen stage,like where you didn't have
technology and when that shitwas coming when it started
happening.
So I guess this was like whenmotherfuckers how motherfuckers
felt when microwaves was firstintroduced.
You see what I'm saying.

Speaker 2 (12:14):
We was in that stage that's crazy, because it's like
that's right, like definitely wewas in the middle, like bro,
think about it, cause we had theyears of like.
We had the years of like we hadlike Sega and Nintendo and all
that shit, but that wasn't themain thing we would do.

Speaker 1 (12:30):
Nah, you know what I'm saying?
That was like a luxury.
They're like hey, bro, you got,dude you got a PlayStation.

Speaker 2 (12:36):
Now, if you don't have a PlayStation, it is bro.
Nigga ain't got no money.

Speaker 5 (12:45):
Dude, Nigga ain't got no money.
Dude, mama don't love him, youknow.
Baby now you know.

Speaker 1 (12:48):
Nigga's like hey bro, hey bro, reggie got the cake
bro, yeah, they got twocontrollers, nigga, two
controllers is a big deal.

Speaker 3 (12:58):
That's a big deal.

Speaker 1 (12:59):
Hey, bro, you getting a controller that come with
that motherfucker.

Speaker 3 (13:02):
That's it.

Speaker 1 (13:03):
Hey, bro, you coming over tonight, hell yeah, hey,
don't forget the controller, bro.

Speaker 2 (13:07):
Gotta bring it.
Don't forget the controller andwe old cuz, we having
reminiscent conversations andshit, niggas, is old.

Speaker 1 (13:14):
I told y'all about that memory card, bro, and it
took me back to the days where Ididn't have a memory card.

Speaker 2 (13:19):
Well, you had to just leave that motherfucker on.

Speaker 1 (13:22):
Yes.

Speaker 2 (13:22):
Never could I, my mama, would walk past that bitch
Done.

Speaker 1 (13:26):
Hey, listen to me, bro Over with I cut that floor
model TV off.
Come on, man, that motherfuckercut.
I had tape I had took a littletiny piece of duct tape bro On
the PlayStation Because I usedto get hand-me-downs from my
uncle.
Yeah, he'd get the new shit.
He'd be like hey, bro.
I'd be like nigga, I got theplace, man Running with it, yeah

(13:47):
.
I put that duct tape over thatlittle green light.

Speaker 2 (13:50):
Ain't nobody see shit .
Ain't nobody see shit.

Speaker 1 (13:53):
Because I put that motherfucker by the vent so it
seemed like the vent running.
It's like I be hearing thisnoise in your room.
My daddy look at me like bitch.
You better cut thatmotherfucker out.

Speaker 2 (14:05):
Yeah.

Speaker 1 (14:06):
You know a nigga be doing like that, bro.
Yeah, hell yeah.

Speaker 2 (14:09):
But one of them got to be the yeah, you know what
I'm saying my daddy be like hey,bro, I'll whoop your ass from
this curfew and not taking thetrash out.

Speaker 1 (14:16):
But this right here yeah bro yeah, come on how you
punish your kids right now.
You know what I'm more so likenow, as I know I'm getting older
, bro, cause I be like man,don't make me have to whoop your
ass.

Speaker 2 (14:36):
I don't wanna do that shit cause I was thinking about
we would get in trouble.
Say we get suspended fromschool, and shit your mama say,
look, you gotta be in your room,that's your punishment, right.
What's thinking about we wouldget in trouble.
Say we get suspended fromschool and shit your mama say,
look, you got to be in your room, that's your punishment, right?
We didn't all have TVs, therewas no phone.
It was jail Like nigga.

(14:57):
You was literally.
I swear.
I remember Christenburg, right,we living in Christenburg Sonny
, it's like a TV show, sonny'sfuck.
Outside.
It's like a TV show, sunny asfuck.
Outside.
I'm in a room, I'm looking outthe window like everybody
running by.
In my mind, everybody got kites.

Speaker 6 (15:19):
It's the best day of the project.

Speaker 2 (15:20):
It's the best day ever, dude.
All of a sudden I was about tosay ice cream man giving free
ice cream.
Everything up in the windowlike that, Reggie, come out.
The ice cream man giving outfree ice cream and it's crazy
because Christenburg one level,we were living in the park one
level.
So niggas, walk by your window,you ain't coming out today.
Mama said I got to stay in theday.

Speaker 1 (15:42):
Bro that is crazy.

Speaker 2 (15:44):
You know, one time I got in trouble man we living in
Christmas.
One time I got in trouble.
So I'm into music, right, mymama is also into music, she
watching 106 and Park right.
And they said you know they hadthe jam of the week, right?
So the new jam of the weektmoney featuring uh, I forgot who

(16:07):
the was on the song was it solike so late?
yeah, jt money.
Who that?
Come on, and I heard it.
That's crazy and I'm notthinking my mama out there.
I start creeping down thehallway.
I can look around my mama onthe couch like yes, I skirt.
I run back to the room.

(16:28):
It's like.
It's like my mama had to finishthe song, but after that, well,
she can't.
Did I see your face?
Didn't I tell you to stay here?
Hey, shout out to JT Money forgetting me a whoopie.
Hey, man.

Speaker 1 (16:46):
That was.
I'm making sure we good, Idon't know bro, I just trying to
find alternative ways.
Bro, it's like Because I hadthe dumbest punishments, bro.
Yeah, because this is like Ican have the game in my room and
then, when computers came and Idon't know how we well, I

(17:12):
remember how we got it, but wegot a computer, I don't remember
how.

Speaker 2 (17:25):
You know what.
You know what.

Speaker 1 (17:26):
You know what?
Fuck that shit.
And the motherfucker like nigga.
You remember, man?
But nah, like my mama.
Never be like, because my daddywas one of them niggas.
He was like once you startpaying bills and you make money,
then you can.
So once I figured out how to doit and I didn't have to ask for
shit, he be like.

Speaker 2 (17:46):
You can't say, say oh , you need to ride nigga.
How you get there?

Speaker 1 (17:52):
yeah nigga, I'm on the schedule.
I gotta cut his ass off, Igotta get, but he be like get
your ass in, chris.
I'm like damn bro.
I can do everything in thismotherfucker but make money.
But make money, cause that waslike get your ass in the crib.
I'm like damn bro.

Speaker 2 (18:05):
I can do everything in this motherfucker, but make
money, but make money, Becausethat was like hey he figured it
out.
Yeah.

Speaker 4 (18:13):
So now I got to figure out how to hold this down
.

Speaker 6 (18:15):
Cut this shit down a little bit.
As soon as the nigga break meout, way down I be like dang it.

Speaker 1 (18:21):
He's like hey, man, you want to make it a little?

Speaker 4 (18:24):
50?

Speaker 2 (18:24):
Yeah, yeah yeah yeah, yeah, yeah, yes, sir, yes sir.

Speaker 1 (18:31):
But when I got older I was like damn, he was really
trying to show me Like bro, itdon't matter, Of course.

Speaker 2 (18:35):
It's under my rule.
You understand that later, butin the midst of it.

Speaker 1 (18:45):
Nah, it'd be like how you don't want me to make money
, you don't want to see me grow,do you that?
Nigga don't want me to win andyou know what?
It's always this black niggaholding the nigga down Always
another nigga holding the niggadown and it was like I guess it
was like for my pops, it waslike damn, I fucked up Because
it was like he laid you.
You know, once a nigga say hey,bruh, this don't happen unless

(19:06):
this happen, and I ain't lettingshit happen until this shit
happen.
But then, when I saw, once itstart happening them
prerequisites.

Speaker 2 (19:12):
He like god damn he moving, but you doing it wrong
though.

Speaker 1 (19:16):
You doing it wrong though you ain't put the diagos
in the line.
Yeah, you just going up anddown, nigga.

Speaker 2 (19:23):
That's where you fucked up.
See, I knew you didn't listen.
Damn nigga.

Speaker 1 (19:27):
See you waiting, eating first, I told you nigga?

Speaker 2 (19:31):
Is that your coat, nigga?
Yeah, you had a coat on top ofa hoodie, yeah it's cold.
It's not that cold outside.
Hold on first off.
No, no, no, no, no.
I just now seen that it.
I just now seen that it's notthat cold outside.
I don't want to be in that Lookbro, we brother we in two

(19:54):
different white clans bro.

Speaker 1 (19:54):
Hey Phil, no, that's what I said we brother.

Speaker 2 (19:56):
Hey, phil, don't do that.

Speaker 1 (19:56):
Don't do that, because we are.

Speaker 2 (19:58):
It still ain't that cold outside.

Speaker 1 (19:59):
You ain't going to say nothing to your wife when
she's walking around with ahoodie in this moment.

Speaker 2 (20:03):
My wife.
Yeah, she do what she want to.
You know what I mean?
She got to run shit.

Speaker 1 (20:07):
She look at your ass and be like nigga.
You not cold, you're like babe,I'm barefoot, Bare chest.

Speaker 2 (20:12):
Nah, she'll say that to me.
I'll say you know what?

Speaker 1 (20:21):
I am a little chubby.

Speaker 2 (20:24):
Yeah, she turned her head.
You were like I just bought mea new robe.
Pause, this has nothing to dowith nothing.
I just bought a new robe.

Speaker 1 (20:28):
I probably got low iron, Nigga vitamin D, Nigga
pause Pause.

Speaker 2 (20:34):
I don't know.
I was about to say I gotvitamin D over there, but pause.

Speaker 1 (20:40):
I ain't malnutrition, we 3,000.
Hey boy, I ain't malnutrition.

Speaker 2 (20:47):
We 3,000.
Hey boy, we ain't started onshit, nah we.
That's how it go bro, it belike that, I like this Niggas
once you start.
I used to, you know, when Iworked in the Diamond Cousin
shit right, I used to be likethese old niggas is really
Reminiscing over shit, but onceyou get Caught up in that, shit,
yeah, cause it be like Shitain't gonna be the same.

(21:08):
It's not the same and time,just keep going Cause niggas,
don't even we going back.

Speaker 1 (21:17):
Well, I'm going back, but just I remember having to
walk Like three or four blocksCause a nigga didn't Answer the
phone, just to see if they wasgoing to be there.

Speaker 3 (21:30):
And then you got to walk all the way home.

Speaker 2 (21:32):
Right now you can text, you can call, you can
Instagram.
I'm going to get into it.
Y'all got your phones on, y'allwe got our.
Not like I don't have my phone.
Everybody got their phones onthem at all times.
That's part of the part of thereason I took my boy's phone
that's a huge problem in generalyou gotta get detached
sometimes you gotta you have to.
That's why I go through.

(21:54):
Sometimes I delete all mysocial media apps and just put
the phone and I don't understand.

Speaker 1 (21:59):
I take a break sometimes niggas, just don't get
on it.
That's hard, I got a brotherbro.
He put his shit on like hisscreen time man that nigga put
his shit on like 10 minutes likefor a day, yeah.

Speaker 2 (22:15):
That nigga said he like.

Speaker 1 (22:17):
Instagram.

Speaker 2 (22:19):
Going through that motherfucker.
Going through that motherfucker, my through that motherfucker.
My wife be having that on herphone.
She got certain apps.
It's like a time limit.
I do it for my kids.
So once you hit that time limit, go down.
You know what I mean.

Speaker 1 (22:33):
Shit, my baby girl be like she be sick Sunday night
come 730.
She be like oh my God, I don'twant to watch TV.

Speaker 2 (22:44):
I was like shit, you better read your book.
Yeah, sit down and do something.

Speaker 1 (22:47):
My son, he was like I'll go sleep, just laying there
.
He tried to get the day over.

Speaker 2 (22:53):
That's what my youngest son would do that nigga
, just be like I can't do Niggagone, Knocked out nigga.

Speaker 1 (23:02):
When they ain't got no school they hate.
When I come home, I wasfortunate enough to have my
great Rob Markman, the RobMarkman, the Rob Markman, the
Rob Markman, the Rob Markman,the Rob Markman, the Rob Markman
, the Rob Markman, the RobMarkman, the Rob Markman, the
Rob Markman, the Rob Markman,the Rob Markman, the Rob Markman
, the Rob Markman, the RobMarkman, the Rob Markman, the
Rob Markman the Rob.
A fucking bed, or throw me abucket of cold water, get your

(23:23):
stupid ass up, fuck you, sleepon these dishes and everything I
did 12 hours Shout out to mymom, I didn't have my father.

Speaker 2 (23:36):
I had a strong black, independent woman.
That was pretty rough.
That was pretty rough, yeah, mymom, because you see, so, now
that I see that my kids live ina two-parent household, right,
so, one of them soft, one ofthem a little rough my mama got
confusing sometimes, because shewould be soft, yeah, but then
she would also be.

Speaker 1 (23:59):
Baby you hungry, Get your stupid ass in that kitchen
and do them dishes.

Speaker 2 (24:01):
And that's all crazy because she I'll get suspended
from school.
And that's all crazy becauseshe I'll get suspended from
school.
My mama will come get me, beatmy ass, yell at me and say come
on, let's go get some ice cream,okay, okay, okay.

Speaker 1 (24:18):
What's your favorite flavor?
Superman, get my baby Superman.
Hey well, hey, shout out to mymama, hey man.
I used to out to my mama hey,man, I used to miss school, bro,
just sick and my mama used tobabysit kids.
That was her hustle.
Listen to me.
She was like you, don't getyour ass on the game nothing.

(24:39):
You know how it go Boy,lunchtime comes, she ain't want
to cook.
Hey, help me, put these kids inthe van.
Let's go get some.
We'll go to a buffet somewhere.
Yeah, yeah, and, bro, andthey'll probably be like.
You know, my mama wasn't a bigcook when we was coming up, so
it was like that was how sheshowed love, like individually,

(24:59):
to us four.
And she was like but I'm goingto need you to do better now,
but.
And she was like but I'm goingto need you to do better now,
but here you go.

Speaker 5 (25:06):
He like green beans, he's going to give us some green
beans, she's going to put yourass to work.

Speaker 1 (25:11):
My daddy, just get your ass hard.
He's like look, I'm going tobeat your ass, it's consequences
.
But then, once he beat your assand you, he's like oh, you
think you talk, go ahead, gothrough this shit.
And then, when you go throughit, I'm like God damn, I need
help, nah, nah you don't, nah,nah, you don't Get back in there
.

Speaker 2 (25:30):
My day one.
Them niggas get back in there,Get right back to it.

Speaker 1 (25:33):
That's why, when I got you know when Like one thing
I never had coming up like mydaddy we ain't friends,
motherfucker.
But when I got older it waslike hey, my name.
Yeah, hell, yeah, nigga, yeah,yeah, yeah, yeah, that my dog.

(25:54):
But when I was coming up I waslike man, I gave you damn, this
motherfucker.

Speaker 2 (25:58):
That's part of it.
Though that's part of it If Icould knock his ass out, I would
.

Speaker 1 (26:06):
That's part of it, man, what we talking about,
though.

Speaker 2 (26:08):
Damn niggas, we owe.

Speaker 1 (26:10):
Well, yeah, I got to get out of memory lane, bro, I'm
going to start crying.

Speaker 2 (26:13):
This will be the whole thing.
I'm going to sit there like see, that's how that nigga get.

Speaker 1 (26:17):
That's how he get.
When he Nigga get, no comments.
See when Dodie got that red cup.

Speaker 2 (26:21):
It's going to be good , it's going to be a good show.

Speaker 1 (26:23):
That nigga might cry today, hey bro.
That's why, hey, listen to me.
I told you my girl, her mama,turning 60.

Speaker 6 (26:31):
I don't know what that was.

Speaker 1 (26:32):
Happy birthday.
She turned 60 on the 24th.
We had her at a party yesterdayand everybody went and they was
talking.
They was like Mike, you goingto say something.
I was like hell nah, my girlknew he's going to cry.
If he start really getting yeahwhen I was going through it
with my mama.

Speaker 5 (26:52):
Yeah, yeah, yeah yeah .

Speaker 3 (26:53):
You know what I'm saying?
It wasn't him.

Speaker 1 (26:54):
but man, hell yeah, I got drunk.
You know how I be.
I heard that music, that niggaplayed that vibe.

Speaker 2 (27:02):
And what party was y'all at?
Well, she turned 16, so, yeah,yeah, I'm thinking like man.
All I heard was Vod.
Oh shit, you on the floor, youon the floor.

Speaker 1 (27:12):
You like that?
Yeah, bro, yeah, that's my er.
No, bro, if I was growing upback then.

Speaker 2 (27:18):
It's not your er.
Oh, and that's a differentstory story.
I tell my wife that all thetime.

Speaker 1 (27:28):
If I was growing up like that Boy Boy.
Won't you let these?

Speaker 2 (27:30):
ladies, eat first.
There's no R&B like that, nomore, not.
With a good mix of a good dance, a good songwriting ability,
what's the potential of itcoming back?
I think it can happen.
I think what has to happen israppers and R&B artists got to

(27:50):
split again.
It has to be you got to be R&Band you got to be rap.
Yeah, you know what I'm saying.
There's too many.
Michael Jackson wasn't rap.
Michael Jackson was not rap.
Prince wasn't rap.
R Kelly did not rap.
He didn't rap.
He wasn't rapping.
Michael Jackson was not rapping.
R Kelly did not rap.
He didn't rap.

Speaker 1 (28:08):
He wasn't a rapper.
He wasn't a rapper Later in hiscareer he started to do Even
before him, Bobby Brown.

Speaker 2 (28:15):
It wasn't rap though he can't rap versus.
It was hip-hop.

Speaker 3 (28:21):
Oh my God, Good one Nah, but yeah, my God.

Speaker 1 (28:25):
Good one Nah, but yeah, nah, he did Good one coach
.
He did, though he did though,who else did it with Bobby
Before Bobby?

Speaker 2 (28:36):
Nah, I think Bobby was the first one to give that
good blend of.
This is what I'm going to do.
Or it was like an R&B personwith a rapper on the song yeah,
but nah, bobby was like nigga,i'ma do.
Or it was like an R&B personwith a rapper on the song, but
nah, bobby was like nigga, I'mdoing it all it's my prerogative
.

Speaker 5 (28:51):
I think so but I'm not.

Speaker 1 (28:53):
I would have to ooh, that girl so scandalous.
You know what I'm talking about.
Hey, rub you the right way.
Is that what that song was?
Yeah?

Speaker 2 (29:06):
Yeah, he did it a little bit, and he couldn't, he
still can't do this.
I'm about to say but not all ofthem that nigga big there,
nigga you seen, bobby?

Speaker 1 (29:13):
Nah, but he, you know , bobby, don't move like that.
Johnny Gill still be Trying todo it all.

Speaker 2 (29:20):
He can't move the same way.

Speaker 1 (29:22):
I know they still be Getting it in on the road.
Yeah, you can't move the sameway.
I know they still be getting itin on the road.

Speaker 2 (29:26):
Yeah, we still new edition dude, I was about to say
that's who it be themotherfuckers.
I got my chance.
Now, no matter what's going on,it is what it is.
I'm taking what I'm getting andthat bitch can go home.
Excuse my language, but she cango home and say I slept with
Bobby Brown.

Speaker 5 (29:43):
Woo.

Speaker 2 (29:45):
My, my, my.
It don't matter what they looklike, which Bobby, Don't worry
about that, it was Bobby Brown,that's all that matters.
Hey, we 30 minutes here andthey ain't started our list at
all.
Let's start with it wasn't alot, but A$AP Rocky got found

(30:09):
not guilty.
That's not even a big.
I just it happened.

Speaker 1 (30:14):
Dude fumbled a bag and he said really, Is that his
name?

Speaker 2 (30:20):
Hey, you see that clip where they was in the court
and they was asking him whatsomething mean.
And then A$AP Rocky was likedon't say nothing, but like the
lawyer, like Rob Markman, thehey, you see that clip where
they was in the court and theywas asking them what something
mean.
And then A$AP Rocky was likedon't say nothing, but like the
lawyer, like hey, fam why youjump out like that.

Speaker 1 (30:31):
I seen the video where dude was like hey man, I
answer that man.
I mean, what are we talkingabout?
What are we talking about?
I seen that boy, shit.
I was like, and he was in courtin a hoodie, bro.
I was like, oh yeah you lost,bro, you didn't even come for
them.

Speaker 2 (30:47):
You ain't ready for this.
The judge was like nigga.
You were there yesterday.
He got found not guilty.
Part of the story.
Also in court news, jay-z issuing the lawyer and going after
the I guess whoever did thefiling and everything in texas

(31:10):
for the lawsuit and shit.
Okay, yeah, but I think youshould have something.
If you get found innocent forsome accusations like this, you
should be able to.
They about to smack that nigga.
I don't know how much they'regoing to get from him.
I don't think they looking forsomething to get.
I think they just looking toshut that nigga down, because

(31:31):
this shit happens a lot.

Speaker 1 (31:35):
My thing is like the what is it?
It was shut down with prejudice, so they can't foul, no more Is
that he can't foul it or nobodythat they can't file.
No more.

Speaker 2 (31:47):
Is that he can't file it or nobody.
That woman can't file?
Oh, okay, yeah, she can't, ifit's that.
Now I don't know everything, sodon't, hey, hey, but yeah, so
since she was the one suing,even though he the lawyer, she
was the one suing.
Yeah, yeah, yeah.
So you know what I'm saying.
So with prejudice means shecan't, you can't come back after
, yeah it's like double jeopardy, yeah, that type shit.

Speaker 1 (32:07):
So you see where I seen where Diddy was, like man I
told basically, like I toldy'all man, this shit crazy, you
know, basically saying like thisis a ghost.
You know a ghost or a witch, Ishould say.

Speaker 2 (32:18):
But then you see where his lawyer I.

Speaker 1 (32:20):
His lawyer was like I can't do this shit.

Speaker 2 (32:22):
But did you see what he said?
Though he was like under nocircumstance can I finish the
light.
I wonder why, though it soundlike.

Speaker 1 (32:31):
You think it's that crazy?
Like the evidence.

Speaker 2 (32:32):
The way it sounded, the way it came out.
It make it seem like thatlawyer saw something and was
like my heart won't let me dothis.

Speaker 1 (32:46):
But my heart won't let me do this.
But it ain't the main lawyer,though.
It's just one of the lawyers, Ithink it's more so one of the
people that's trying to cleanshit up.
You see what I'm saying, andI'm not talking about as far as
what he's accused of.
I'm talking about what he'sdoing now, because you see where
they were saying he basicallywent into prison and shit.
Yeah, yeah, yeah, I see thatshit, it's more so one of them
things like man I'm tired ofdoing this shit.

(33:08):
Why you just can't sit the fuckdown and let us do our job?
Why do you keep trying to bethis big man?

Speaker 2 (33:12):
Trying to be the best for shit, yeah.

Speaker 1 (33:19):
Why you keep trying to pay this guy, and I can see
that too, think it's.

Speaker 2 (33:21):
But Diddy is Diddy, so I can't.
You've been doing this for solong.
Just because you in jail don'tmean it's going to stop you from
being who you are.
You know what I'm saying.

Speaker 1 (33:30):
I mean you hear stories of like kingpins and
mafia bosses that go to jail andstill run shit.
That's what I'm saying, butthat out that they were saying,
like cassie was in the videosand enjoying herself allegedly,
I don't want to say a word.

(33:51):
But uh, you know she enjoyingherself in the video, so it's
one of the things, like you knowyou wouldn't be like I don't
want to deal with this, becauseyou know we're trying to get him
off and she's enjoying it.
It's making look bad.
I don't know that would helpour case, wouldn't it?

Speaker 2 (34:06):
I don't think so.
Why not?
Just because you saw her in avideo enjoying something don't
mean he's not on trial forbeating her.
He's on trial for making her docertain stuff.
Yeah, but just because you looklike you're enjoying it doesn't
mean you can't still be beingforced into doing something.

Speaker 1 (34:21):
No, I'm not saying that.
Yeah, yeah, yeah, okay, okay,if he's watching, clean it up.
No, I'm not into shit, I'm notyeah yeah, yeah, yeah yeah, yeah
.

Speaker 2 (34:30):
I ain't been in no trouble.

Speaker 1 (34:33):
You know what I'm saying, so I'll find my tables.
You know that's how mostmotherfuckers don't?
That's how motherfuckers getcaught when they like in the
streets, bro.
Like hold on bro.
I can get this wash Any file.
Nobody takes it.
And you riding around like you,Nigga, you can do simple shit.

(34:56):
Nigga.
I watch cars.
I don't know.
I'm a sole proprietor.
Here's my receipt.

Speaker 2 (35:02):
Here's my receipt, indeed.

Speaker 1 (35:05):
Yeah, come on, man, niggas is done, but Go ahead
Just to get off of that.
But it's one of the things Likejust to finish, I just think it
was one of them.
He didn't want to, he didn'twant to deal with what's going
on now, like I don't want toclean up your shit, bro, and we
already trying to get you out ofshit.
Yeah, because, like I said,they said he already made a

(35:26):
little move to where, uh, he gotmoved to like a hospital unit
or whatever.

Speaker 6 (35:32):
Just like he did certain movements, but you know,
it is what it is, man you don'twant to work.

Speaker 2 (35:38):
You don't want to work I about to say yeah, and
with it not being like one ofthe main, it's just you know
them.
When you, at that that level,you got a team.
You know what I mean.
It ain't just one.
So one of the niggas droppedout, so it's not like it ain't
the main dude, yeah it don'teven matter.

Speaker 1 (35:53):
Don't worry about it, diddy, he's a paralegal.

Speaker 2 (36:00):
He does all on shit.
You know the green highlightedparts.

Speaker 1 (36:03):
We tell you to read that's him.

Speaker 2 (36:05):
Whenever you see the X that put your initials, that's
his X's.

Speaker 1 (36:09):
All the tabs on the papers he puts them on.

Speaker 2 (36:12):
Yeah, he does that part.
It's all right.

Speaker 3 (36:17):
Who's cutting it?
Who's cutting it?

Speaker 2 (36:20):
I'm sorry, the jerk Did that really do 250?

Speaker 1 (36:25):
That's exactly what I was about Drake.
Did they really do 250?

Speaker 2 (36:26):
That's exactly what I was about to say.
They did 249.
First week, Again.
We are not the people fornumbers, but it is part of the
argument.

Speaker 1 (36:34):
It just blows my mind that it's a Party Next Door
album and it's really Drakethrowaways.

Speaker 2 (36:40):
Nigga.
That album is 75% Drake.
The songs that's on the chartsare the songs that's Drake by
himself.
That's what.

Speaker 1 (36:48):
I'm saying it's like Drake always, like I agree with
what T-Pain said, Like these aresongs that didn't make the cut,
but they are still good.
They're still Drake, they'restill of now.

Speaker 2 (37:03):
How do?
You but if I'm party next door,right, I don't know, because
you might not you been in thesystem of OVO for so long, but
if I've been wanting to do acollab album, hey, this is not a
collab it is.
This is like I was in thestudio and Drake was like he

(37:24):
going to take your hat.

Speaker 1 (37:24):
This is not a collab album.
It is.

Speaker 2 (37:26):
This is like the.

Speaker 1 (37:26):
I was in the studio and Drake was like 40, play it.

Speaker 2 (37:30):
This is like the Her Loss album.
The Her Loss with 21 Savagewasn't a fuller collab album, it
was mostly Drake.
The only collab album thatDrake has for real is the one
with Future.
What a Time to Be Alive.
That was like a 50-50.

Speaker 1 (37:48):
Is 21 on the same level as Future.

Speaker 2 (37:54):
No, okay then I mean, I guess yeah.

Speaker 1 (37:58):
I mean you said yes, I mean yeah, I mean I guess, but
I'm just saying in the sense oftalking Party next door is
below 21's average.
Okay, no, no, this is what I'msaying.
You said the.
I forgot the fucking title.
All I see is the fuckingFreddie Gills money songs.

Speaker 2 (38:15):
Some sexy songs for you.

Speaker 1 (38:17):
Yeah.

Speaker 2 (38:17):
Yeah.

Speaker 1 (38:22):
If you said it's all 75% Drake.
What is the Drake in 21?

Speaker 2 (38:27):
It's about the same.
Who did I hear that from?
I think I was watching JoeBudden and Ice said that he said
he took all of 21 Savage off ofher loss and it was only 15
minutes of the album gone.

Speaker 1 (38:43):
That guy did that.

Speaker 3 (38:45):
Yeah.

Speaker 1 (38:45):
Oh, did that.
Yeah, oh, you can do that youknow what I'm saying, how you do
Like he went and ate it everytime.
Yeah, on the computer.
Yeah, that's not hard, I knowit ain't.
You just take them out, I'msaying like bro, the ice is like
parks.

Speaker 2 (39:01):
No, not in that sense .
Rob Markman, the boss of thehouse, rob.

Speaker 1 (39:03):
Markman, the boss of the house.
Rob Markman, the boss of thehouse.

Speaker 2 (39:04):
Rob Markman, the boss of the house.

Speaker 4 (39:07):
Rob Markman, the boss of the house.

Speaker 1 (39:18):
Rob Markman, the boss of the house Rob Markman the
boss of, because his homeboy iswho he is, please.

Speaker 2 (39:29):
But anyway, yeah, Drake did do 250, but I had him
at 185 to 220.

Speaker 1 (39:37):
Do you think that he hit those numbers?
Like I hate it that people aresaying that Kendrick needed
Drake and he needed the stuntfor it to actually take off.
But I'm like, do you think theyhit them numbers just to see,
or were those genuine numberswhere people just wanted that
album?

Speaker 2 (39:55):
I think it's a mix of both.
I think a lot of people Ilisten to it.

Speaker 1 (40:01):
I mean I like Drake After the first listen.
I wouldn't have.
After the first listen, Iwouldn't assume 250.

Speaker 2 (40:05):
No, I wouldn't either .
That's why, after I listened toit and after I seen some of the
talk, I was thinking 185, 200,something like that.
But I mean, if 250 is thenumber, I don't know what they
was looking to hit, but that'snot a bad number.

Speaker 1 (40:23):
I mean this is listed on the party, right?
Yeah, okay, yeah, yeah.

Speaker 2 (40:28):
I mean, it's party's first number one.

Speaker 1 (40:30):
Then your boy I mean your boy really won then, cause
I mean, if he don't, if he'sgetting a cut Off of this, yeah,
and he's the boss of what'sgoing on.
I mean shit, and I don't haveto really Give no kick back to
them.

Speaker 2 (40:43):
But they still, they still got a portion of it.

Speaker 1 (40:46):
I don't know how much , but they still got a portion
of it, if the portion go fromgoddamn 83 to now 38, I'm still
winning, yeah.

Speaker 2 (40:55):
I mean, that's the main thing that when I be trying
to talk to people, like, nomatter what I say about how I
feel about the battle, drake isstill Drake.

Speaker 1 (41:02):
Nah he going to do it .

Speaker 2 (41:03):
And Drake going to still be fine, Like I didn't get
into.

Speaker 1 (41:06):
Okay, let me, let me go ahead, go ahead, nah, nah, I
was just going to say like,without the whole, let's say
this came out before the MetroBoomer future.

Speaker 2 (41:18):
Okay.

Speaker 1 (41:18):
Before anything started yeah.
Like it's been started.

Speaker 2 (41:25):
Yeah, before it got to where it's at, yeah, where it
just.

Speaker 1 (41:27):
Hey, kirsten and Gasoline.

Speaker 5 (41:28):
You see what I'm saying Before that happened.

Speaker 2 (41:31):
Do we?
Do he get 250 off of this?
I think he still gets 250.
I think he might get a littlebit more.
Okay, yeah, you know what I'msaying.
I think he might get a littlebit more first week.
But I don think he might get alittle bit more first week.

(41:51):
You know I'm saying, but Idon't think it's gonna.
I don't think the the collabalbum of him and party next door
would do the numbers of us asolo album of drake by himself.
You don't know, because nobodybecause nobody's looking to hear
party.
A lot of people don't fuck withparty next door.
Yeah, because I heard that alot too.
I think a lot of people if theywould have have known Drake
would have been so much of thealbum, they would have went into
it with more open.

(42:12):
I don't like Party Next Doorand all his albums.
He might got like four songs.

Speaker 1 (42:18):
You like what he write.
Of course I like what he write.
But I don't like you.
Don't like him as an artist, Idon't like him as an artist yeah
, except for Savage Anthem.

Speaker 2 (42:25):
Savage Anthem might be his best home ever.
Yeah.
And then, once you find outthat it's true, it's even better
.
Hold on.
We got two seconds.
Hold on.
You got to hear this.
Hold on.
Then, when you find out thatit's true, and then the girl

(42:46):
that he talking about Come outand say, yeah, that's, that's
what he did.
Hold on, bitch, don't even holdyour breath.

(43:06):
I'm going to do what the fuckI'm going to do.

Speaker 3 (43:11):
Don't wait on my love .

Speaker 1 (43:16):
That's what you play when you mad.

Speaker 2 (43:18):
I go in my room.
I put my headphones on.
Swear, i'ma do something.
Look, look, look.
This my shit, don't wait on mylove.

Speaker 1 (43:31):
Hold on you.
Gotta listen, Listen.

Speaker 2 (43:32):
Yeah.

Speaker 1 (43:33):
I'm waiting.
Listen to it, listen to itlisten.

Speaker 2 (43:43):
Yes, don't wait on my repotting your takes.

Speaker 3 (43:47):
Don't wait on my enough from your sex.
Don't trust me to capture themoment, but leave me.
It just was a moment.
Oh shit, nigga, let's do it,let's do it, let's do it.
Don't lay up, I'd rather standup.
I heard number two is your mannow.
Don't mind me being number twonow, I'm a man up, ain't no man
down.
You see, I don't give no fucksnow.

(44:08):
Is this something we discussnow?
Thought you got you in disgustnow.

Speaker 2 (44:21):
Cause, I'd rather we just now.

Speaker 3 (44:23):
Don't hold your breath, get one every now and
then though look let's do it.
Let's do it.
Indeed, still got your jacketin my bag.
Indeed, I stood you, stood youup.
That was my bad Gave me.
Your watchman break that.
Many different bitches in thecoop.
This is how low that a Macstoop.
Me being faithful's, the issue.

(44:44):
Trying to clean up.
Cause you coming soon.
I broke off in the living room.
There's a smell in the livingroom.
No, that's up.
That's what pimping do, nothat's up.

Speaker 1 (45:09):
That's what pimping do.
I'm going to skip this song.
Don't wait on my love.

Speaker 3 (45:14):
Don't wait on that.

Speaker 2 (45:17):
Don't wait on that, we're going to get back.
Hold on, don't hold your breath, don't suffocate.
He told that bitch he mightsuffocate.
Waiting for me to be loved.
Nigga, don't wait on my love.
He held this from Drake BecauseDrake would have.

(45:39):
He would have took this.

Speaker 3 (45:41):
Let's do it.
Wash my dick off before I gethome.
Measure my jello on me, thoughthis nigga sound like.
I'm the opposite of hero, theopposite of your hero.
The makeup.
The breakup was see throughwhen I did the do is illegal.
Hold on, hold on, hold on, holdon.
You should believe in yourpeople.
Tucked you and went to thestrip club VIP.

Speaker 2 (46:03):
I got my dicks up, came back to home.

Speaker 3 (46:05):
Then I kissed you, then left the fucking on the
tour bus, packed up and wentback to Oakland.
Finally, it's out of the open.
You dig it up, you dig it up.

Speaker 1 (46:17):
You missed that last circle.

Speaker 4 (46:22):
Fucked up, I was so close.

Speaker 2 (46:30):
I was so close.
I was so close.
That's my shit, though, anyway.
Oh, you see T-Pain selling hismasters, or sold his masters For
how?

Speaker 1 (46:42):
much.

Speaker 2 (46:43):
There's no number.
That's what I've been lookingfor.
There's no number.
They said he sold it to acompany.
Harborview Equity Partners haspurchased publishing catalog and
select master rights of T-Pain,but when you look through it,
there's no.
There's no.
At least I ain't seen nothing.

Speaker 1 (47:05):
Nobody say anything to you.
He gave up buying you a jersey.

Speaker 2 (47:10):
They don't even now that it would be interesting to
see how much like exactly whatsongs.
You know what I'm saying, butyeah, so I don't know what the
number is, but I would beinterested to see what comes
from this.
I mean, t-pain obviously beensitting good right now with the
gaming and shit, so to make anextra bag real quick.

Speaker 1 (47:33):
I think that's a win.
I mean I forget who I seen saidreal quick, I think that's a
win.
I mean I forget who I seen saidthat was like do your masters
are supposed to be like your?
I guess, like your 401k.

Speaker 2 (47:45):
I about to say something like that.

Speaker 6 (47:47):
Or your retirement, yeah.

Speaker 1 (47:48):
So I mean, if somebody's trying to pay me
upwards of 250, 300 milliondollars for my Masters?

Speaker 2 (48:03):
and I'm already like 40 plus.
I can see there's no number,but I can see Payne getting at
least $200.
I mean, maybe he getting morethan that.
I know he getting more, but I'mjust saying on the just at
least $200.

Speaker 1 (48:14):
Yeah, I'm assuming.

Speaker 2 (48:14):

Speaker 1 (48:16):
I think T-Pain right now, like anybody who has any
business sense or has anythingalready going on.
Bro, $200, $250 million clearedon their books in their bank
accounts liquid cash.
I mean what more.
I mean, what more.
I heard the question asked onanother podcast and they were

(48:41):
asking, like you know, thesituation with 50 and meeting
them.
Yeah, yeah, yeah, I got y'all$5 million legit money or
whatever.
And on the pod they asked likehow long would $5 million last
you?
And someone was like man, acouple years, I'm like what the
fuck.
And then one of them was likeand it surprised me, she was

(49:05):
like it was like the rest of mylife.
And I'm one of them type ofpeople because I'm like nigga, I
don't live off of bare minimums.
It's not much more I want inlife.

Speaker 2 (49:14):
5 million is still working, or 5 million, that's it
.

Speaker 1 (49:19):
Nigga you couldn't make 5 million dollars Right now
Like, but no no, no, that'swhat I'm saying.
After taxes, however, it cameAfter they take the taxes out
you have 5 million dollars.
You wouldn't be able to livethe way you wanted to for the
rest of your life.

Speaker 6 (49:40):
Yeah.

Speaker 1 (49:41):
Yeah, that's what I'm saying Like $5 million when
people say no-.

Speaker 2 (49:45):
Because I haven't been I haven't Especially if I
stayed within what the fuck Iknow I need and not try to do
extra shit yeah.

Speaker 1 (49:53):
Are you going to splurge?

Speaker 2 (49:54):
Yeah, are you going to splurge?

Speaker 1 (49:55):
Of course, yeah, but you know what type of splurge?

Speaker 2 (49:58):
I could live with five million.
Yeah, that's an easy go.

Speaker 1 (50:02):
Now are you going to sell yourself short of what you
think you're worth?

Speaker 3 (50:05):
No, I'm not saying that yeah, yeah, yeah, yeah,
yeah, yeah.

Speaker 1 (50:07):
But if the opportunity arises and say,
motherfucker like, hey, man,here's five million dollars,
make sure you live.
You know the way you want tolive for the rest of your life,
dude.

Speaker 4 (50:20):
This is you.

Speaker 5 (50:20):
Do your thing.
Five million you going to gothrough five million dollars In
a couple years.

Speaker 2 (50:27):
A few years Go through five million.
I mean depending on yourlifestyle.
I don't know some of y'alllifestyle, some people probably
couldn't live on five million.
A lot of people, a lot of us.
No, that's what I'm saying, butI definitely could.

Speaker 1 (50:41):
I definitely could People want you to know they got
$5 million.

Speaker 2 (50:43):
You know what's crazy and I might change if I get
some money and I might buy acertain car or whatever right.

Speaker 1 (50:49):
You're going to be Uncle Elroy.

Speaker 2 (50:52):
Oh yeah, I'm out of this bitch yeah, I oh yeah.
I'm out of this bitch.

Speaker 1 (50:54):
Yeah, I told her I love the hood, I love the
streets.

Speaker 2 (50:56):
When I got my money, I'm gone.
I was riding around the otherday and I was looking at a.
Somebody was in a Tesla truck,which, first off, those
motherfuckers are ugly as shit.
But if you want one cool, right.

Speaker 1 (51:22):
I was thinking though , why do we need those luxury
cars?
Cars you don't need none ofthat shit.
You want it?
Yeah, it's a status thing.
I got it.
You want it.

Speaker 2 (51:26):
You'll never have it I remember listening to ocho
cinco and he was like he boughtfake jewelry because it's like
y'all already know, I do havethe money.
It looked good in the club, sowhy do I need to buy the?
Real jewelry.
A lot of real rich people dothat though.

Speaker 1 (51:42):
Yeah, like I go out because it makes me look good,
it makes me feel good.
This shit I didn't spend$10,000 for this.
Now, the shit that I did spend$10,000 on, I'd be going to
galas and different things ofthat nature with people of you

(52:04):
know, I don't want to say butpeople of a different class.

Speaker 2 (52:07):
A different.

Speaker 1 (52:08):
yeah, yeah, yeah, you know what I'm saying but you
know, bro, niggas, that shit bea status tag, because, nigga I
done, everybody want themtrophies, bro, and ain't nothing
wrong With having them Right.

Speaker 2 (52:21):
Shout out to T-Pain, though I don't know how much you
got, but I'm pretty sure You'regood.

Speaker 1 (52:25):
He had that big ass chain, that chain.

Speaker 2 (52:28):
That big ass chain.

Speaker 1 (52:31):
He said he spent A ridiculous amount of money on it
.

Speaker 3 (52:34):
I bet, but that's what I'm saying.

Speaker 1 (52:36):
Big ass chinese.
He did things like that becausethat was his character like I
just want to do something.
Nobody does.
I want to come on, let's dosome stupid.
Yeah, I want to pick a rickcard.
You better pick a record,that'll be crazy.

Speaker 2 (52:49):
Now I want to write no, he did now oh, he did now he
got a drifting yeah, I said,but now he he on to some other
shit.

Speaker 3 (52:56):
He got some shit coming.
Yeah, yeah, yeah, yeah, I wanta Pickle.

Speaker 1 (52:59):
Rick car.
I want a Pickle Rick car.
You know what Pickle Rick?
Can I make money off thisPickle Rick?
I want a drifting.

Speaker 2 (53:06):
You know what I'm saying so.

Speaker 1 (53:17):
The name of this episode Pick.
We didn't see that.
I'm gonna get shriveled in here.
You watch that shit.
That's my shit, bro.

Speaker 2 (53:22):
It fell off after a while, but that's a good show.
Boy, that's a good show, yeah,you see that LA Reid interview,
yeah, yeah.

Speaker 1 (53:32):
I feel him.

Speaker 2 (53:36):
I do, but there's some they just start selling,
they shit off.
Yeah, but I mean that's part ofit.
Because, QC sold that shit thefuck out of here.

Speaker 1 (53:48):
People in business tell you all the time the goal
is to build a business to wheresomebody wants to buy it for
more profit.
Shout out to my brother.

Speaker 2 (54:00):
My brother is of course it's on a smaller scale
than some of the record labels.
My brother has had a sockcompany so that he started the
staffing service.
So that my brother's a genius.

Speaker 1 (54:16):
I love that nigga Well don't sprinkle some of that
shit over here, nah.

Speaker 2 (54:20):
We need it, not yet.
I'm going to tell him we'regoing to have a sit down when
the time is right.

Speaker 1 (54:25):
Yeah, because I got a little brother Shout out baby
bro, yeah this nigga like he inmarketing.
Like hey, nigga he be like heybro Consultations gals.

Speaker 2 (54:37):
We're going to talk, though he don't really say that
shit.

Speaker 1 (54:41):
But I don't want, you know, that's my brother.
I don't want to just be likehey, bro.

Speaker 2 (54:45):
Do this for me, but that's what I'm saying, how much
you got.
So if my brother do want to,we're going to.
Let's wait till the time, right, because I don't want nothing
to jump off of them that niggamight ask for like 12% 12?
That nigga might change theirwhole name.
Late to the party with them,niggas.

Speaker 1 (55:05):
Nah, I can't say what I'm about to say bro.
Let me say bro, we ain't tryingto be rappers, bro.
Nah, my brother wouldn't bro.

Speaker 2 (55:14):
But yeah, the boutique shit.
But it was one part that Iwanted to touch on pause, and it
was singles we put out a singleArista our potential partners
put out a single pushing abutton at the record label it
was doing okay.

Speaker 5 (55:28):
So I went to Clive Davidson and I said, clive, like
I need you to push the buttonon this thing, man, you know.
He said what's the button.
I said you know, like you didfor Whitney Houston, I need you
to push the button on this thing, man, you know.
He said what's the button.
I said you know, like you didfor whitney houston, like I need
you to push the button, yo, man.
And we were at a conference.
When I said this to him, hesaid the button.
Huh, he said sit right here.

(55:48):
I sat down beside him, right.
We had a conference and, um, Iforgot where we were.
I thought we were in florida, Ican't remember.
Maybe, maybe Miami, orsomething.
Anyway, whitney Houston comeson stage and Whitney Houston
sings and he looks at me and hesaid that's the button.
He said do they sound like thatShit?

Speaker 4 (56:14):
And I was like oh, so what you're telling?

Speaker 5 (56:17):
me is my shit is not hot oh.

Speaker 2 (56:22):
But that's the thing, folks.
When y'all say, oh, theyputting money behind, and it is
what it is, they putting moneybehind the not like us and they
push the button to make it go,you have to have and my brother
said this on one of them lastepisodes you got to have

(56:44):
something that's still going tocross over after they push that
button.
Yeah, whether it is a button ornot, if you have nothing to
catch on to, not.

Speaker 1 (56:54):
If you have nothing to catch on to, I think the
button is like the commercialsand shit, Like when Pepsi grab
you and just that's how you'rehearing.

Speaker 3 (57:11):
Yeah, you see what I'm saying.

Speaker 1 (57:12):
That type of shit, I think that's the button, but I
agree, but I disagree because Ithink like there's the button.
I agree, but I disagree BecauseI think there is a button.
Let's use Jay-Z.
He Def Jam right, mm-hmm, whathappened to DMX?
You was able to sell from himand push yourself right.

(57:35):
If somebody's in a position,they can put people, they can
shelf you, they can put you onice.

Speaker 2 (57:44):
I think that's easier to do to stop somebody than it
is to press a button to make itgo.

Speaker 1 (57:51):
Nah, but it's also programming, yeah but what I'm
saying?
How many times do you not likebro, but somebody?
You hear them.
If we go back to radio days, Ican't think of a song right now,
but think of a song that youdid not like but it just played
all the time on the fuckingradio.

Speaker 3 (58:12):
Yeah.

Speaker 1 (58:13):
All the time, until one moment you hear it.
You hear you like damn right,you know what with this song?

Speaker 2 (58:19):
yeah, would that not be the?
But no, not.
I wouldn't think so, becausethat could be, because I could
just not like a song.
But that don't mean they don'thave his place.
Yeah, who's that?
Who let the dogs out?
To me is a terrible song, butit have its place and it's a lot
of places it be in.
So maybe they did press thebutton for that, but it still

(58:52):
had its place for it to work.
Let's go to the Angelo Ballsong right now.
I think they trying to pressthe button and it caught for a
second.

Speaker 1 (59:02):
I think it's already been pressed.

Speaker 2 (59:04):
Okay, but it's not as good assome of these other songs to
actually take off, because itain't took off yet.
No, it ain't took off yet.
No, it ain't took off.
What's taken off?
The remix.
Got Wayne on it and peopledon't even know that a remix

(59:24):
exists.
I'm just saying he made it to2K Now.
But see, those are the buttonsthat you speaking, that he
speaking of.
But I still don't think thatthat song that ain't the one, it
ain't the million dollar babyso you don't think the button
could be pushed and it justdon't work for that person but

(59:47):
that's what I'm saying.

Speaker 1 (59:47):
Even if you press the button, you gotta have
something that's gonna but Idon't necessarily think it's
just all about tellingmotherfuckers you just gotta be
fucking with you, I guess itcould be a mix of both, but I
feel like I think if we don'tsee LiAngelo Ball as a
basketball player first and hecome out and he's just a regular

(01:00:08):
rapper, soundcloud rapperthat's doing this shit I think
he'd take off.

Speaker 2 (01:00:16):
I don't know because you more into sports than me
what happened to your butt, butI don't.

Speaker 1 (01:00:20):
Whoop did Other than the man in the coupe.
Did you know what I'm talking?

Speaker 2 (01:00:24):
about.
Is that Fabio?
Nah, who's that?

Speaker 1 (01:00:27):
The dude that was.
He was wearing red.

Speaker 2 (01:00:32):
Oh, because.

Speaker 1 (01:00:35):
Because he was fake.

Speaker 2 (01:00:38):
That was how I press the button and that worked until
they found out that that wasthe nepotism shit working.
No, I'm, the button worked, butthat wasn't a bad song either.
Though that wasn't a bad songeither it wasn't a hit song
either.

Speaker 1 (01:00:58):
It wasn't a hit, it was a little banger.

Speaker 2 (01:01:01):
Yeah, but then let's say, even if you press the
button on the first song, youstill got to have a follow-up
Speak up, Talk about it.

Speaker 1 (01:01:10):
You see Drewski Young Ma, and is it Young Blue?

Speaker 2 (01:01:17):
What about him?
They got a song, drewski got asong.

Speaker 1 (01:01:20):
Yeah, bro, I think it's for a show His love show on
YouTube.
I ain't listen to it, I justseen it.
Come on, I would have thoughtyou listen to it.

Speaker 5 (01:01:29):
I didn't know, Drewski had a.

Speaker 1 (01:01:30):
She ain't drinking.

Speaker 2 (01:01:32):
Go to YouTube first.
Come on, drewski bro.

Speaker 1 (01:01:36):
Drewski on the whole.

Speaker 2 (01:01:38):
Oh yeah, he moving some shit right now.
Somebody said you know he wearsshorts all the time.

Speaker 1 (01:01:44):
Somebody said that nigga always in summertime, cold
as hell, birkenstocks on thisman.

Speaker 5 (01:01:51):
Could have been love yeah.

Speaker 2 (01:01:53):
I even look up a Drewski song Of course.

Speaker 3 (01:01:56):
Could have been love.

Speaker 2 (01:01:58):
You could have been loved.
I got my girl Young MA.
I know you said it, but until I, yeah.

Speaker 5 (01:02:04):
I'm going to just leave you a voicemail.

Speaker 4 (01:02:06):
You know I thought I was in love, but and you know he
like.

Speaker 2 (01:02:11):
Yeah, he like yeah, yeah, yeah yeah, that.
Thing crazy man he be sayingsome Let me show you how to do
it right here.
Blue, I ain't saying what hewas, but he could've been.
Oh, I love it when you walklike that.

Speaker 3 (01:02:23):
I can't lie.
I don't think, I don't think, Idon't think, I don't think, I
don't think, I don't think, Idon't think, I don't think, I
don't think, I don't think, Idon't think, I don't think, I
don't think, I don't think,boosie, I didn't know Boosie was
suing this nigga Young.

Speaker 1 (01:02:38):
Blue.

Speaker 2 (01:02:40):
Oh, young Blue, I thought you were talking about
Drewski.
No, nah, I don't know.
I wanna hear Is Drewski rappingLike, do he?
I don't know bro, oh, you ain'theard the song at all.
Who told you that it don't meannothing?

Speaker 3 (01:02:54):
He just a goof, A young MA.
I miss these guys be choosingSoon as you turn your head.
You, just a goof.
I heard you been in bed with aloser.
Are you looking for a man toget you Shopping?
Screw you, you got me lookingto the future.
Cause baby, I, oh I love itwhen you walk like that.
I can't help it.
Asian persuasion she fancy Skintone bandy.
I see chocolate, real eye candy.

Speaker 1 (01:03:15):
So he don't say nothing.
Look at all that ass.
How you carrying the meatballs.
It's hard to take her jeans off, cutie with the booty, but I
had to leave her alone.
She was trying to get withjuice.
Never been a goofy, always beena demon, and it could've been
love.
But you out here creeping.
It could've been love.

Speaker 2 (01:03:34):
It could've been that nigga silly, Huh.
What you think.
It could have been love.
It could have been that niggasilly bro, Huh what you think.
Yeah, that's what's up dog,that's what's up dog, I mean
it's all right.

Speaker 1 (01:03:46):
I get a two and a half, that's what's up dog.
Hey, I misspoke on that.
What's got a two.
I was faded.

Speaker 2 (01:03:53):
What.

Speaker 1 (01:03:53):
I went back and listened to the truth, bro.

Speaker 4 (01:03:59):
That what the Truth.

Speaker 2 (01:04:00):
I told you I was faded bro I was like hey, bro,
why did I say that for Stupid?
Luckily we don't get monetizedanyway, because there's been a
lot of music being played today.
Hey man, so you said threemusic been played today.

Speaker 1 (01:04:16):
Hey, man.
So you said three Yo man knowwho bought you chicken for this,
oh shit.

Speaker 2 (01:04:28):
Oh my God, you hear J Cole's new song.
No One more song to be played.
Can I say something about thisnigga?
He is the best rapper atrapping.
About how good he is at rapping.
The nigga ain't talking aboutshit, but he's so good.

Speaker 3 (01:04:49):
My niggas be smoking on something loud.
Head to the clouds.

Speaker 2 (01:04:53):
J Cole ain't never smoked a crack about smoking,
true, true, head to the cloudsand we stepping out, and we
stepping out in the crowd.
This world is changing rightnow.
I'm listening.

Speaker 3 (01:05:02):
I'm listening quicker than I thought I'd be.

Speaker 6 (01:05:06):
I'm listening, I'm listening, I'm listening, I'm
listening, I'm listening, I'mlistening, I'm listening, I'm
listening, I'm listening, I'mlistening, I'm listening, I'm
listening, I'm listening, I'mlistening, I'm listening.
I'm laughing this to my niggaLook how good he rap about

(01:05:30):
rapping.
Go Ooh, what's your problem?
I work smarter and harder.
My style got a restrainingorder.
Don't bother, I charter unseen.

Speaker 1 (01:05:37):
Go Ooh, what's your comment?
Somebody came out and saidsomething against this.

Speaker 2 (01:05:46):
Oh, I don't know, but I'm going to say one thing you
good Like J Cole rapping-wise.
He's fucking amazing.
This type of shit, this type ofshit, though, when you had time
to prove how good you are atrapping.

Speaker 1 (01:06:02):
That's why I came off the way I did when you was like
you heard J Cole new song Nah,bro, I know he's a good rapper,
he's a great, I just don't wannahear it.

Speaker 6 (01:06:20):
It's like Big Sean.

Speaker 2 (01:06:21):
The whole first verse is talking about how good he is
at rapping and how if a niggatested him he would put these
niggas in the fucking car.
But when the nigga if you wouldhave just lost the battle, it
would have been one thing yougot on stage and said I
apologize for even rappingagainst you.

(01:06:42):
Do you respect a?

Speaker 1 (01:06:43):
man who prepares a funeral service and picks out a
coffin, the plot, the cemeterypays for the opening and closing
and goes through the wholeservice.
Or do you respect a man whojust like shoot a motherfucker
in the back of the head and pushhim over into the river?

(01:07:04):
What?
Because at this point I'm like,bro, you're doing all this
preparation for somebody'sfuneral and it's like somebody
literally was like, hey, yo,shut the fuck up, you see what
I'm saying.

Speaker 5 (01:07:16):
Like you're doing all this for somebody's funeral and
it's like somebody literallywas like, ayo, shut the fuck up.
Yeah, you see what I'm saying.

Speaker 2 (01:07:21):
Like you doing all this.
Okay, now I get what you said.
It's like you doing too much,nigga.

Speaker 1 (01:07:25):
Let's just get to it, you doing all this prepping to
kill him.

Speaker 2 (01:07:27):
Look the second verse though the nigga go crazy Cole.
This song is fucking insane,but it don't matter.
It don't matter.
Listen to it, listen to it.

Speaker 6 (01:07:56):
This verse, he on some other and caramelized for
richness and served on a platewith sirloin steak to
billionaires who don't care.
The world's gonna break long asthey make money off it.
Pain brings profit.
One man gains it soon as thenext man lost it.
There's a bridge.
You can walk to hear god talk.
But there were real slim eyesof rich man.

Speaker 1 (01:08:11):
This is like stephen king bro, Stephen King bro.

Speaker 2 (01:08:14):
What you mean.

Speaker 1 (01:08:15):
Like how you can write all these fictional books
and stories bro.

Speaker 2 (01:08:23):
Yeah.

Speaker 1 (01:08:23):
But you would never commit these crimes.

Speaker 2 (01:08:25):
You wouldn't do it you wouldn't even do it, that
second verse, because he on someother shit.
I like what he's saying, but Iwish that first verse wasn't
there, because the whole firstverse is like and it's so fresh,
like it just happened.

Speaker 1 (01:08:41):
You just don't want to hear it from him.

Speaker 2 (01:08:43):
It don't sound right.
It's like listening to Draketalk about some of the shit he
talk about at times.
How does he get out of that?
Out of what?

Speaker 1 (01:08:55):
Like can you go against Kendrick right now?
No, no no that's what I'msaying.

Speaker 2 (01:09:01):
Now I say this and I've heard a lot of people say
it wouldn't change.
But you all right, freddieGibbs was speaking out, right,
okay?
Okay, let's say he go atanother rapper, right, because
now to some niggas like somebodylike me, you going in somebody
else when you already startedwith somebody else.

(01:09:22):
But I think some people look atit different.
If you go against a freddiegibbs or a joey badass, I'm just
saying, because those are somerapping niggas, I don't think it
changes as much, but I think itcould help.
The only thing is I think Coleneed to get back into the what's

(01:09:46):
his album?
Forest Hills Drive, just rap.
Don't tell me how good you areat rapping, because now when you
talk about I was slaying theseniggas that did it no, you won't
, we know you won't.
Anybody that come to theseniggas that did it no, you won't
, we know you won't.
Anybody that come to me I'mgoing to kill.

Speaker 1 (01:10:00):
No, you won't.

Speaker 2 (01:10:01):
We know you would turn the other cheek you
literally on stage say Iapologize, I was moving wrong,
it's on record.
It's on record and he did it athis own festival.

Speaker 1 (01:10:14):
And wasn't it the last festival?
No, this year the last one,Like you said.
I just want Cole to get back torapping.

Speaker 2 (01:10:22):
Don't, don't, don't.

Speaker 1 (01:10:26):
I don't mind hearing the tough talk, but it's like,
bro, all this shit is likenon-fiction.
Yeah because you're not goingto do nothing.
Yeah.

Speaker 2 (01:10:35):
But it's only thing you had to do was not apologize
Like, let's say he did put outthat song, Even if Now, first
step, yeah, just don't enter thebattle.
But let's say you do enter thebattle with that song, 7-Minute
Drill that you put out.
If you say in your head, youdone with the beef, just don't,

(01:10:57):
Just leave it as is at that onesong, and people won't even look
at it as bad as they look at itnow.
They would just be like, oh,you didn't even reply With the
apology.
It looks crazy.

Speaker 1 (01:11:11):
Yeah, because it's like a motherfucker looking from
the outside in like, oh okay,they cool.
He really didn't want no smoke.

Speaker 5 (01:11:17):
Yeah.

Speaker 1 (01:11:18):
Now did it like that.
But then when a nigga talktough, it's like hold on bro,
yeah, just don't hit the sack.
We just seen you apologize andsay you didn't want to fight the
nigga.
Now you talking all crazy.
Yeah, Go home.

Speaker 2 (01:11:32):
Go home AFM.

Speaker 1 (01:11:37):
It don't even Go home .
Go home, afl.
It's all right, bro.
Go home, roger.

Speaker 2 (01:11:38):
You can't play on that court, no more.
Yeah, this section is a lot.
Drake can still do what Drakecan do.

Speaker 1 (01:11:45):
He still can play on that court.
He can still do what he can doWin, lose or draw Like your mama
, your brother your daddy,whoever you was in the house
with they teach you Win, lose ordrive.
You're going to have to fightthat nigga.

Speaker 2 (01:11:54):
Yeah, he didn't back down.
He came in, he lost.
It is what it is.

Speaker 1 (01:11:58):
Because even if J Cole would have never backed
down, let's be realistic who onKendrick's side would have been
able to compete with that nigga?

Speaker 2 (01:12:06):
With Cole?

Speaker 1 (01:12:07):
Yeah, nobody, but that's what I'm saying yeah,
nobody.

Speaker 2 (01:12:12):
Even with— but nobody outside of that.

Speaker 1 (01:12:13):
But I'm saying do we automatically assume?

Speaker 2 (01:12:16):
Abso my bad.

Speaker 1 (01:12:17):
Yes, but Abso don't have the popularity.

Speaker 2 (01:12:20):
That's true.
To jump on that same stage,that's true.

Speaker 1 (01:12:24):
Like so.

Speaker 2 (01:12:25):
It wouldn't be looked at the same.

Speaker 1 (01:12:26):
So can write that nigga into afucking graveyard and people be
like well, shit, I'm still fullof cold.
Yeah, Just because of cold.
Yeah, just because the cold'spopular Because cold is cold and
they not knowing that thisnigga's one of the coldest pens
in the game.

Speaker 4 (01:12:39):
Facts you see what I'm saying.

Speaker 1 (01:12:40):
Facts.
Who on Kendrick's side If theseniggas?
If he would have never backeddown?
I think that's why King notKendrick, excuse me.
That's why Drake was like nigga.
What the fuck are you Steve?

Speaker 2 (01:12:52):
Austin in the rock against the fucking Undertaker.
He can't beat us both, you seewhat I'm saying.
I think he could've, but that'show you could've.

Speaker 1 (01:13:02):
I don't give a fuck what y'all niggas talking about.
I'm about to throw my fuckingring in the head and if I gotta
do it with this nigga againstthis one person, cool, what is
it?
The friend of my?
The enemy of my?
The enemy of my?
The enemy of my, what is it?

Speaker 2 (01:13:16):
The enemy of my Enemy is my friend.

Speaker 1 (01:13:18):
Boom.
And after y'all Look Whatevery'all would've did to him and he
would've bowed out, or y'allwould've took him out.
Now y'all gonna be like Alright, now, nigga, what's up?
Now you can really Drake versusJ Cole.
Do you think that's a reallyrical battle?
Nah, now your boy got to pullout all the tricks.

Speaker 2 (01:13:42):
He got to do every fucking thing.
He got to do some extra shit.

Speaker 1 (01:13:43):
yeah, I don't have no tricks in my bag outside of me,
having this feathery tip pen.
I write from the ink of myancestors, type shit.

Speaker 2 (01:13:53):

Speaker 1 (01:13:55):
He no longer has it.
So it's like, bro.
I mean I feel like if he wouldhave never bowed out and he
would have went at that approach, it would have been way tougher
for Kendrick to pull off whathe pulled off, because he
already knew how he was going toattack this one person.

Speaker 2 (01:14:10):
I've been on the I was about to say, because with
him, I already knew what I wasgoing to do.
Even if I just wrote this songtoday, I already knew what I was
going to input into this.

Speaker 1 (01:14:20):
See what I'm saying but yeah, man.

Speaker 2 (01:14:24):
Excuse me, long story short great music still.

Speaker 1 (01:14:28):
I just don't want to hear it.

Speaker 2 (01:14:29):
That's the thing I heard.
That I said this nigga, he israpping, but that's what you're
doing.

Speaker 1 (01:14:37):
It's like Cassidy, bro.
It's like it's like listeningto Cassidy, like man, this nigga
spitting Style trash.

Speaker 2 (01:14:42):
But it just don't connect.
It don't connect.
Yo, yo, yo, yo.

Speaker 1 (01:14:48):
It's just like what you're talking about, don't
connect to who you're trying toget the message to.

Speaker 2 (01:14:54):
You know what I'm saying, right right, speaking of
while we on the battle.
You hear what Reason said whylove this machine, paz?

Speaker 4 (01:15:03):
I said don't fuck with you, it's just how it works
.

Speaker 2 (01:15:05):
But the fans have been pretty the only fans I
really lost were fans that Ishot myself in the foot.
Podcast.

Speaker 4 (01:15:11):
But I had to do that to get out of the label deal.
When to get out of the labeldeal?
When the Drake beef started, Ifelt like Top and them were kind
of like dragging their feet alittle bit.
I don't think purposely, I justthink they had a lot of shit
going on and I knew that if Ikind of like sparked a fire a
little bit, that they'd be likewe got to separate from this.
So I kind of like startedtweeting shit on the side of
Drake purposely because I sawhow, yeah, so there's fans that

(01:15:33):
hate me for that.

Speaker 6 (01:15:34):
Wait, wait.
What was the main tweet thatfans hated you for they hated?

Speaker 4 (01:15:39):
me when.

Speaker 6 (01:15:41):
I do remember you saying shit.

Speaker 4 (01:15:42):
I was just like you were just like, yeah, this is
crazy, but I was purposely doingit.
So I was talking to my boy, LT,and he was like bro, you got to
turn it up if you want to getout of here in this year.
Like this is going to drag.
He's the lawyer, he doescontracts.
He's like I know how this shitworks, but it should have taken
two and a half years, unless youturn it up.
So I tweeted it was right afterPush-Ups dropped, I tweeted
like y'all hating this beatswitch up is fire.

(01:16:03):
And then I like let it sit forlike 10 minutes and deleted it.
It went crazy.
And then you know what I Likesuper crazy.
So I tweeted that.
And then I also had a rap radarthat I did.
I mean not a rap radar.

Speaker 1 (01:16:26):
But that's the gist of it.
I got to assume, bro, like,reasons, he's okay bro, he's
decent bro.
But I got to assume, like,coming from TDE bro, you don't
have nothing worth pushing atthe moment, bro.
But I got to assume, like,coming from TDE bro, you don't
have nothing worth pushing atthe moment, bro, especially
while we got this fire.

Speaker 2 (01:16:42):
Yeah, that's it.

Speaker 1 (01:16:44):
Like Dolce, came out in the midst of all this.

Speaker 2 (01:16:46):
But the thing is, when you sign a TDE and we've
seen this you got to be willingto just sit down for a second
and let us make sure you gotsome shit to push.
But I got to see, I got tofigure behind the scenes some
niggas was moving funny, becausefor you to do that publicly

(01:17:09):
behind the scenes, you got to belike a weirdo.

Speaker 1 (01:17:14):
Listen, my bro, weirdo listen.
First and foremost I would Iwould have to say you are man.
Now everybody know TD is likedon't, I don't give a fuck who
is in the group outside of themain four, in the middle one
which is now turning into themain two mm-hmm and what I mean

(01:17:36):
by that.
If just to let the people know,like SZA and Dolce.

Speaker 2 (01:17:40):
And.

Speaker 1 (01:17:40):
Dolce, outside of those main four J-Rock, soul Q
and Kendrick Kendrick gone now.

Speaker 2 (01:17:46):
Yeah.

Speaker 1 (01:17:47):
Nigga, you just shot yourself in the foot, but most
of them other three aren't wherethey need to be to push or keep
TD where it need to be you, orkeep TD where they need to be.
You see, what I'm saying, sofor you to do all this shit and
not wait your turn.
Bro, who else is going to takea chance on you like?

Speaker 2 (01:18:04):
that Exactly.

Speaker 1 (01:18:05):
You see what I'm saying so it's like bro, you did
all this shit just to get outof your deal.
Now look at you.
You're going to have to reallyput in some little Russell work
on the independent side to evenmake any traction.
Now, people only knew youbecause it was Reason TDE.

Speaker 2 (01:18:21):
Exactly.
But then it looked funnybecause a nigga like me, I look
at that as a corny move Because,as we see how TDE move, even
after Kendrick gone, they stillgot that family.
Like we tight, we fucking witheverybody, like, like it don't
matter what's going on, likethese, my niggas type shit.
So for you to put that out atthe height of some shit like

(01:18:43):
this, and then, like he said, Istill had the TDE in my name.
Yeah, now you looking like overhere we kind of split on where
we at.

Speaker 1 (01:18:53):
All these artists have trouble getting music out.

Speaker 3 (01:18:55):
Yeah, Look at SZA.

Speaker 1 (01:18:56):
Sza has yeah, Nigga nobody over there outside of.
If what they say is true,Kendrick, not even hitting them
numbers.

Speaker 2 (01:19:04):
Yeah.

Speaker 1 (01:19:04):
You see what I'm saying so if she gets pushed
back from the label, who thefuck do you think?

Speaker 2 (01:19:11):
you are, but I don't understand.
I mean, I won't say I don'tunderstand that because I do,
because once you're an artist,you do want to put your shit out
, but also when you undersomething that you can, you got
to be able to see that this ismoving, though it's moving in
the correct.
These niggas look like theyknow what they doing by putting

(01:19:37):
because when TDE move, ace Abso,dropping we all behind Abso
school boy dropping we all.
You know what I'm saying, soget in line, look what.
And Reason isn't a good rapper,but you also not that?

Speaker 1 (01:19:51):
did you have something lined up for when Abso
dropped all that with Problemright, and then, right after
that, dolce was ushered in.
Dolce caught fucking fire.

Speaker 2 (01:20:04):
I'm talking about took off, took off.

Speaker 1 (01:20:06):
Did you have something for that?
No, I don't even think they hadanything lined up on the books
on the board for Kendrick untilthat shit took off with Metro
and them.
Yeah, yeah, yeah, yeah, yeah.
Once that came, I think theywas like hey bro, this shit is

(01:20:26):
hot, we haven't seen it.
It's like maybe that's a badthing because they just went
through it, but it's like amotherfucker catching rain who's
been in the drought for a month.
And it's been raining for aweek.
Nigga, I got what you was aboutto say too, you something.

Speaker 5 (01:20:46):
Yeah.

Speaker 1 (01:20:46):
Nigga, we got to plant this shit while it's going
on right now and go.
We can't.
We don't know when we're goingto get this rain.
We got to start.
Stop p.
We don't know when we're goingto get this right.
We got to start stockpilingwater.

Speaker 2 (01:20:56):
I like what they did with it because, even though
Kendrick not TDE, we shot outSchoolboy, we shot out Abso, we
got Dolce and we got.

Speaker 1 (01:21:12):
SZA connected with the hot nigga right now.
Bro, listen, I'm ahead of thepack.
Now Grab the rubber band, let'sgo, because as soon as I stop
guess what you out of here, nowyou sling shot up.

Speaker 2 (01:21:25):
Bro, come on man.

Speaker 1 (01:21:26):
Yeah, some niggas got to learn to sit.
That was super corny bro yeahWith that, though.

Speaker 2 (01:21:31):
So I heard something somewhere that made me think In
the world of like, let's just doNBA right.
Lebron, 40 years old, who's thenext NBA superstar?

Speaker 1 (01:21:47):
Shit who they wanted to be, or who?

Speaker 2 (01:21:54):
like who, who, you, who do you see could be?
I don't even who could be.
Who could be shit?
Anthony Edwards, that's mynumber one he could be he could
be that next guy he could havebeen Jai until he got right in
hip hop Drake, kendrick Cole, 40years old, close.

(01:22:17):
Who's the next superstar in rapSuperstar?
Who's the next?
When Jay-Z was falling, nomatter what they did at Def Jam
and this, it seemed like whenthe biggest ones started to not
fall off but fall back, we hadanother Behind who from who?

(01:22:38):
Right now you can see like Damn, in 10 years they Cause.
Right now it seem like the, the, the industry Is still on the
back Of two 40 year olds.

Speaker 1 (01:22:48):
Drake and Kendrick.
Yeah, cause I better say, bro,I can't, I don't, I don't know.

Speaker 2 (01:22:55):
That's that, even though hip-hop is still kind of
young I don't, I couldn't tellyou bro like I.
I I try to look through peoplethat, okay, that's good, they
got it right now.
They got it right now.
I don't see nobody that's goingto be, maybe don't baby.

Speaker 1 (01:23:12):
Baby wouldn't be able to maintain it.
No, the baby wouldn't be ableto maintain that no.
Duh baby wouldn't be able tomaintain that.
Neither Quavo or Offset.

Speaker 2 (01:23:20):
But Quavo and Offset, they had they time type shit.

Speaker 1 (01:23:23):
No, no, no.
I'm just throwing rappers outthere.
That's coming to mind.
Like Freddie Wouldn't be able.
Wiz, he part of the 40 club, Idon't know anybody.
Young Baby King don't releasenothing.
Ytb Fat, he wouldn't be able todo it.
I don't see them niggas getting.

(01:23:44):
What about Moneybag?

Speaker 2 (01:23:46):
see, I thought about a Moneybag, a big extra plug,
but I don't think they haveenough to sustain the industry
like Drake, kendrick and Colehave.
I don't know they have enoughto sustain the industry like
Drake, kendrick and Cole have.
I don't know.

Speaker 1 (01:23:57):
If he keep robbing and running back to the past,
bro, he'll always have something.

Speaker 2 (01:24:02):
Who Big X?
Because he got the music that'salways going to catch, it's
always going to resonate, bro.

Speaker 1 (01:24:08):
Because even if your granny don't like rap music, if
she hear that-.

Speaker 2 (01:24:11):
She hear that song yeah.

Speaker 1 (01:24:12):
Yeah, you say what If she hear that?
She hear that song.
Yeah, yeah, you say what?
Is that Daz fan?

Speaker 2 (01:24:16):
I thought about that because, man, I mean I like
Dolce right now, but I don't seeit.

Speaker 1 (01:24:27):
I mean it's too early with Dolce anyway, if she don't
move if her career don't move,like Tyler the Creator nah.

Speaker 2 (01:24:32):
Yeah, yeah, yeah.

Speaker 1 (01:24:35):
You just can't have these alligator bites and then
that be it, and you go tosomething regular like me and my
homegirls doing her in my room.
You can't do that shit likethat.

Speaker 2 (01:24:48):
I think TDE doing a good job with her.
She just got on a song with oneof the K-pop stars.
They dropped a video.
I don't know the girl's name,but she just dropped a song, a
little video and shit.

Speaker 1 (01:24:59):
See, it don't matter bro, it's K-pop.

Speaker 2 (01:25:01):
Yeah, that's what I'm saying.

Speaker 1 (01:25:02):
The numbers over there are different.
It's crazy, you don't evencompare numbers over there.
To over there, yeah, but to bein american pop culture.
So it's like we are the creamof the crowd when it comes to
like, so that don't matter,that's why we're like man I

(01:25:24):
gotta, I got a trillion streamsin ghana.
I appreciate it, but yeah, yeah, but it's like, bro, you still
trying to pop over here and gotdown motown detroit yeah, you're
trying to pop in Des Moines.

Speaker 2 (01:25:33):
Iowa.
That's what I was thinking.
I might look into it a littlebit more and see who is popping
right now, but I just couldn'tsee nobody for the next 10 years
.

Speaker 1 (01:25:48):
I would have been able to say NLE.
Yeah, NLE until he got on thatandrogynous shit.

Speaker 2 (01:25:57):
I think that might help him.
I don't think it's going tohelp him carry the industry, but
I think that it helped hiscareer.

Speaker 1 (01:26:05):
The movies and shit be kind of weird.
They off with it, yeah.

Speaker 2 (01:26:08):
You see that he did the car wash.
That shit is crazy.
Yeah, yeah, he did the car wash.
Yeah, that shit is crazy.
Yeah, yeah, um, yeah.
Shout out to my nigga Doty Boy,that's my nigga Cause.
I swear, I swear.

Speaker 5 (01:26:26):
You can't say what you want I swear, that's my
nigga.

Speaker 1 (01:26:30):
Hey, you know, the first time your nigga was like.

Speaker 3 (01:26:32):
Hey bro that's what you think for real.
Hey, that's what was presentedto me.
I don you know.
The first time your nigga waslike hey, bro, that's what you
think for real.

Speaker 2 (01:26:36):
Hey, that's what was presented to me dog, I don't
know.
I've been knowing this niggafor a while.
Kind of you know what I mean.

Speaker 1 (01:26:41):
I know my nigga yeah bro, I just be like I'm confused
.
All we on we, but yeah.

Speaker 2 (01:26:49):
I'm ready.
There you go.
So we gonna move away from it.
So we're gonna get to our uh,our album review this week.
It is from don trip memphisartist.
This is his uh albumchristopher season four.
If y'all don't know which mostpeople probably don't don trip,

(01:27:10):
for the last 24 months, has beendropping an album every month.
This was album number 24.
And then in January he put thegreatest hits of the year
together.
I don't know if he's going tokeep going, but-.

Speaker 1 (01:27:27):
That's a lot of work, man.

Speaker 2 (01:27:28):
Man.
I heard him on an interview.
It was him Starlito.
They was on an interview and hewas like he wanted to just see
if he can do 12 months of analbum every month.
Once he hit that 12 month mark,he's like shit, let's do it
again.
It's easier when you got astudio in your crib and you can
just grab the beats and shit,but for him to release the music

(01:27:50):
that he's been releasing andit's still hit, I think it's
been very interesting.
With him releasing so manyalbums and shit, though, and him
being independent, I can't findno producers.
I can't find too much ofnothing.
You just White folks.

Speaker 1 (01:28:14):
You know who white folks is?
No, look him up, he fromMemphis.

Speaker 2 (01:28:19):
Never heard of him.

Speaker 1 (01:28:20):
Look him up.

Speaker 2 (01:28:21):
Okay.

Speaker 1 (01:28:22):
They gonna look him up on.
They be like I ain't that nigga.
No, the curse White folks.

Speaker 2 (01:28:26):
But so this was Christopher season four.
It was 12 songs.
You see how many check marks Igot.

Speaker 1 (01:28:40):
Oh yeah, that shit blow.

Speaker 2 (01:28:44):
So out of 12 songs, like I said, I can't find any
credits or anything to it, buthe did release this in December
of 2024.
Out of the 12 songs, there'sonly four that are okay to me,
and everything else is like awin.

Speaker 1 (01:29:05):
What was that?

Speaker 2 (01:29:05):
for Triple Sevenths.
No, I like Triple Sevenths.
Okay, whatever the four that Ireally didn't care for was
Statues, caps Lock, what?
Hold on, Hold on, wait a minute.
I'm about to get to it though.
Okay, go ahead.
Man, me versus Everybody, andthen Bouncing Off the Walls,
which was the last two Okay,yeah.
Now Caps Lock.

(01:29:28):
When I first listened to it I'mlike it's cool.
I listened to it the other dayin the whip you know what I mean
?

Speaker 1 (01:29:38):
It's Chevy.

Speaker 2 (01:29:42):
My favorite song is Rescue.

Speaker 1 (01:29:47):
So Piff is his brother, Piff is his brother,
the one that passed, yeah, yeahyeah, man Rescue.
Damn Damn, was itAccountability.

Speaker 2 (01:30:02):
That's one of mine.

Speaker 1 (01:30:03):
When he was talking about his homeboy and his mama.

Speaker 2 (01:30:07):
Nah, that's Rescue.

Speaker 1 (01:30:08):
That's Rescue yeah that's Rescue.

Speaker 2 (01:30:10):
Oh, yeah, that's Rescue.
Yeah, that's Rescue.
It took me off because in thebeginning of rescue he talking
about.

Speaker 1 (01:30:17):
You know his sister, and I'm thinking like dang what
happened to his sister, but hetransitioned off of that like
yeah so I just couldn't take youwith me, type of shit.
Then he was like, yeah, thisnigga over here, yeah, yeah,
yeah, yeah yeah, that's one ofmy favorites.

Speaker 2 (01:30:26):
That's a crazy, I and him talking about his sister
and talking about like um,because I can understand that
nigga, I'm trying to be in thesestreets.
I mean we brother and sister,we both young, I'm not worried
about you, I'm just trying to dowhat I can do.
You get older, you understandthat we was all in a fucked up
situation.
So now you look back like damn,I should have, could have done

(01:30:48):
some other shit, you know whatyou don't know.
That's what I'm saying and howhe ended he like.
Now I'm trying to be a betterbig brother.
You know what I'm saying, sothat makes sense.
But then, once he get into thestory of his mama and his
homeboy, or what he thought washis homeboy or who he thought
was his homeboy, because thatdefinitely ain't your mans in

(01:31:09):
them.

Speaker 1 (01:31:09):
You know what I'm saying, but that just bro,
through that song it made melike Don Tripp even more,
because I'm like bro, mostniggas wouldn't expose they like
that bro.
So that gave me moreappreciation of Don Tripp bro
what he?
Do.
The only thing I didn't likeabout this album and this was
probably the first one outsideof Step Brothers that I listened

(01:31:30):
to full is like this nigga'stelling the same story over and
over.

Speaker 2 (01:31:35):
It's like the Bible.
I can understand that.
I can understand that Different.

Speaker 1 (01:31:40):
POVs at whatever time it occurred.
But the way he do it though no,I'm not saying it's wrong.
The way he do it, I'm notsaying it's wrong.

Speaker 2 (01:31:45):
And that's the thing For him, and I listen to Don
Tripp a lot.
So you understand what I'msaying, then yeah, I do
understand what you're saying,but also, on the other end,
listen to the like I said.
He's dropped 24 projects.
They all.
Now, some of them might be thesame stories little flip, little
, yeah, but by the way, he putthat shit together it's like Rod

(01:32:08):
Wave how many times can youtell a sad?
Story.
The other track on here thoughbedtime stories.
Yeah, I like that.
God nigga that motherfuckertough.

Speaker 1 (01:32:20):
Only thing that threw me for this, threw me on this
one, was like Baba Yaga, Like Iknow that to be from John Wick.

Speaker 2 (01:32:28):
What you yeah, yeah.

Speaker 1 (01:32:29):
John Wick.
So I'm like, damn Okay, maybethis would be like a not
necessarily a John Wick themedtape.
But more of a themed album yeah, yeah, yeah.
And when I didn't hear that Iwas like oh so this is a Piff
album, you know what I'm sayingyeah, yeah, all I kept hearing
was Long Live.

Speaker 4 (01:32:48):
Piff.

Speaker 1 (01:32:49):
And I'm like, okay, cool, he trying to, you know,
keep his brother name alive,cool.
But it was throwing me when itsaid and Piff, I was looking for
another rapper.

Speaker 3 (01:32:58):
Oh, okay, I got you, I got you, yeah, yeah yeah.

Speaker 1 (01:33:00):
And then when I would look at it, I'm like nigga,
he's just trying to give hisbrother some money for the kids.

Speaker 2 (01:33:07):
You know what I'm saying but he got Piff on one of
his own, but I'm not knowingthe difference between, and I'm
just letting it run.

Speaker 4 (01:33:16):
I'm like.

Speaker 1 (01:33:17):
I'll let shit start blending after a while so I'm
just thinking this nigga, I'mlike bro, I ain't heard no other
.
Nigga, I'm telling you bro.
And then it's so and, like Itold you, listening to it, I
understand, like the him andStarlito collaborations.
Because it's like damn bro,these niggas is eerily similar,
bro.
Like even when, excuse me, I'mlistening to Step Brothers, I'm

(01:33:39):
like I like them together, butwhen you separate, you're like,
oh I understand, why theytogether, yeah, yeah, yeah, yeah
yeah, you know, when it's like,nah, nah, nah, nah, nah, you
got to dip the garlic bread inthe marinara.
Yeah, yeah, yeah, yeah, yeah,that's how you eat it.
But then when you're eating italone, you're like this is good.
But then when you do ittogether, you're like, oh, it's

(01:34:01):
supposed to go together.
Yeah, yeah, yeah.

Speaker 2 (01:34:02):
That's what it needs to be.
You see what I'm saying yeah,yeah, yeah, I get that, yeah.

Speaker 1 (01:34:15):
Like I don't they collaborating now and then, bro,
it's like damn bro.
When you get to the end of this, it's like all right now I want
to listen to both of them Now.

Speaker 2 (01:34:19):
you need yeah.

Speaker 1 (01:34:19):
Or I want to go to paternity issues after this you
see what I'm saying Because I'mlike bro, I got to listen to
Lito.

Speaker 2 (01:34:24):
Yeah, yeah, I need to hear Lito.

Speaker 1 (01:34:27):
But this right here, bro.
I really enjoy this album, bro.
I think the only two that Ididn't like are the ones that
you didn't like.
I seen the video of the statues.
But, Bouncing Off the Walls andMe Versus Everybody.
Yeah, I didn't really I feellike well, I really feel like Me
Versus Everybody could havebeen off of this.

Speaker 2 (01:34:47):
Yeah.

Speaker 1 (01:34:48):
It could have been like 11 tracks, I can't remember
which one it was.
That nigga said something crazy7-7.

Speaker 3 (01:35:02):
See, I got to bring my opinion yeah, I liked it.

Speaker 1 (01:35:04):
Was it 7-7-7 when he was talking about his old lady?

Speaker 2 (01:35:06):
Yeah, that's his Boom .
That's why I like thatmotherfucker.

Speaker 5 (01:35:09):
Okay yeah, now you know, I was listening for real.

Speaker 1 (01:35:12):
I was like nigga it's one of these songs Because he
kept telling me I don't knowwhat you see in me, but I see
self-self, I see self-selfmotherfucker, I see lucky.
Nigga we good I was like, hey,y'all be quiet, hey, listen to
me.
I hit that motherfucker and putthat motherfucking Turtle
Beach's on.
Hey, Turtle Beach, fuck with usfuck with us.

(01:35:33):
I put the motherfuckers on andyou know you can change the mode
on there.
And man, I put it where it justlike boosted everything up.
Oh my god, it was in therethat's why I was like you ain't
like Caps Lock, bro.

Speaker 2 (01:35:44):
Caps Lock was good after I went to it and that's
why I said, when I was listeningto it in the whip, it like,
okay, it sounds a littledifferent.
I see what Parks be talkingabout.
Yeah, you got to change it up,but nah, man.
But like you were saying aboutthe rescue song, that's part of

(01:36:05):
the reason I like a Starlito.
But I really like Don Trippbecause when I used to rap, I
used to want to put certain shitout, but I didn't know how I
could do that without some of myfamily members feeling a
certain way.
Feeling a certain way when youlisten to Don Tripp, everything
is out there.

Speaker 1 (01:36:21):
He said nigga fuck that he did hit me with that gun
.

Speaker 2 (01:36:23):
I'm saying everything is out there and it made me
even go back to so.
Do you remember his song Letterto my Son?
Yeah, that's what like it'slike that's what.

Speaker 4 (01:36:34):
That's probably one of my favorite songs about you,
bro, I love that song that'sprobably one of my favorite
songs.

Speaker 2 (01:36:38):
I was talking to my kids about it because when that
song came out, not that me andthey mama was going through
nothing, but like just having mybaby, like and listening to
that type of shit, like yeah,bro.

Speaker 5 (01:36:49):
You know, what.

Speaker 1 (01:36:50):
I'm saying it just hits you, man.

Speaker 3 (01:36:53):
Listen, my first time with my son.

Speaker 1 (01:37:03):
Bro, it made me listen to that song made me feel
how I felt right before I wentinto the Abber Raid, one before
he was born, bro, that's howmuch I like that song, Because
it's just like, damn, bro, thisnigga.
He laid it out how I feel aboutmy son.
Nigga, I got you to the worldand beyond nigga.

Speaker 2 (01:37:17):
I will go to the depths, come get you, you know
what I'm saying, that type ofshit I'ma make sure you good,
and that's what I like about him, cause he just he put it all in
the music.
So I love that.
So again, out of 12 songs, 8 ofthem maybe 9 songs, eight of
them, maybe nine, are like I'mlocked in with them.

Speaker 1 (01:37:40):
You heard Ain't Goin' .
Yeah, that's my favorite.

Speaker 3 (01:37:43):
Yeah.

Speaker 1 (01:37:44):
Because he say a line in there about his daughter and
then he show like the littlevideo I told you.
I see this nigga at my sister,he be at the birthday parties
and shit.
But I ain't no jackass nigga, Ijust be like what's up.
But I ain't no jock-nass nigga,I just be like what's up, I
don't want to be like hey manthat fraternity is just amazing,
you know what I'm saying.

(01:38:06):
I don't be wanting to be thatnigga, but just to interact.

Speaker 6 (01:38:11):
When he say that?

Speaker 1 (01:38:12):
no, I'm being for real, though.
No, I got you though.
But when I see the interactionof him and his daughter in the
video I'm like damn bro, thisshit is real because I've
actually seen it.

Speaker 2 (01:38:21):
Oh, yeah, yeah.

Speaker 1 (01:38:22):
And then it be like that's why I fuck with you, dog.

Speaker 2 (01:38:27):
Have you ever seen a Stoleto interview?
Yeah, he like everyone, likebro, but have you ever Heard how
much he, when he doescomparison, he does sports
breakdowns?
It remind me of you.
Everybody gonna do that, bro.
It remind me of you.
So think about.
Think about if it's EmmittSmith and motherfucking Troy

(01:38:47):
Aitman.

Speaker 1 (01:38:48):
I'ma help you out.
I'ma help you out.

Speaker 4 (01:38:50):
I'ma help you out.

Speaker 1 (01:38:53):
I'ma help you out, bro.
Think about it as a.
You got Mike Marvin.
I'm going to help you out.
I'm going to help you out, bro,and you got Mike Irvin, why you
know what I'm saying.
I'm going to help you out, bro,and he's the only new in the
team.

Speaker 2 (01:39:01):
He's being a student, he had my last name.
That's up good.

Speaker 1 (01:39:09):
So you don't know about Isaac Bruce.
Who is that?

Speaker 2 (01:39:13):
That's Buffalo Bills fam.

Speaker 3 (01:39:15):
Hold on a second.
Don't about Osbroose.
Who is that?
That's Buffalo Bills fam.
Come on now.
I do know sports.

Speaker 2 (01:39:18):
He don't know no movies, though.
I do not know movies though.

Speaker 1 (01:39:24):
I know some.
What's the last Samuel LJackson movie you watched?
Have you ever seen Mr Burning?
No.
You ever seen Beloved?
No.

Speaker 2 (01:39:35):
Nigga he wasn't even in that movie I said no, though
I haven't seen it.

Speaker 5 (01:39:39):
I haven't fucking seen it.
I'm trying to catch you Likenigga.
I ain't seen it, you can't tripme up.

Speaker 2 (01:39:46):
So, when it comes to this Don Tripp album, what you
giving it, man?

Speaker 1 (01:39:49):
Like I said, bro, I had to go back and listen to the
truth.
That's a four.
This right here, for me, is afour, bro.

Speaker 2 (01:39:56):
I'll give it a four.

Speaker 1 (01:39:58):
I'll give it a four, Like I said like If you take
them last two off, you just-.

Speaker 2 (01:40:03):
It's a perfect album.
Yeah bro, it's a perfect album.

Speaker 1 (01:40:05):
Outside of that Baba Yaga-.

Speaker 2 (01:40:07):
Because you was expecting something.
Yeah, bro, outside of that clip.

Speaker 1 (01:40:10):
That clip, even if he would have left the song the
same, because what he wastalking about and how he was
putting it together.
Yeah, I was like, yeah, yeah, hereally coming to show y'all, he
the boogeyman.
I'll kill anybody with one ofthese rap bars, but outside of
them, last two songs, Me VersusEverybody and Bouncing Off the
Walls.
It's a four, bro.
It could have been a five.

(01:40:30):
And one thing I do appreciateDon Tripp for bro is him being a
Memphis nigga, not soundinglike a Memphis nigga Not
sounding like a Memphis nigga.
I really appreciate that abouthim, bro.
Like I don't want to say, heremind me of 2 Chainz, but just
how he approached the track.
Like he give me 2 Chainzcurrency, Like I'm doing it at

(01:40:51):
my speed, no.

Speaker 2 (01:40:52):
I can't yeah for sure .
You see what I'm saying Forsure, like I'm doing it at my
speed I don't give a damn.

Speaker 1 (01:40:55):
You see what I'm saying and that's what I
appreciate about it.
But like I said, this being myfirst dime trip, I've always
listened to songs you know,that's crazy to me.

Speaker 2 (01:41:04):
I listen to songs, but I never listen to an actual
whole album this right here isgoing to force me to go back it
got plenty, but it got at least24 you can go listen to.
I listen to them 24.

Speaker 1 (01:41:15):
I listen to every last one I wanna listen to.

Speaker 2 (01:41:17):
Matter of fact, listen to the one he put out in
January.
It's like a compilation Of yeah, okay.
It's like a compilation Of thepast 24 months beforehand Cause
what I wanted to do Was go backto which one.

Speaker 1 (01:41:33):
Is it Gladiator or King of Hearts?

Speaker 2 (01:41:36):
Gladiator.
So Gladiator is the King ofHearts, so they both are
compilation albums.
I believe Gladiator is more thethe nigga tracks and then the
King of Hearts is more like theShit about his wife and shit
Songs like that that he don'tput together.
That's what I like too about.

Speaker 1 (01:41:58):
Was that Rescue 2?
When he said I was running hometo tell you about my engagement
and his mama told him how can.
I be happy for you.

Speaker 2 (01:42:06):
My shit didn't work.
Then we lost Piff and shedidn't give a shit.
Yeah, shout out to Tripp.

Speaker 1 (01:42:14):
I appreciate that, bro.
I do Because that let me knowback in the day, like you, when
I was going to be a rapper bro Iwould try to put shit in there.
I would have the same, but Iwas like man fuck it.

Speaker 4 (01:42:27):
We already on bad terms.

Speaker 1 (01:42:28):
Yeah, yeah yeah, yeah , yeah, you, I heard it one time
and he was like he was a rapperand he was my uncle and I was
like it is like man, it's likeyou need to rap, do something
else.
I was like, but in my head I'mlike I'm better than you.

(01:42:48):
And I let that dictate how youmove.
So you know, I was like man, Iwant to try to make beats.
And then I got to the pointwhere I'm like man, I suck at
making beats.
And then I got to the pointwhere I'm like man, I suck at
making beats.
And then I was like shit Idon't know what sounds good,
motherfucker.

Speaker 2 (01:43:00):
Hey, you remember that song.
I'm about to hit the 50-yardline and jam with the band.
Jared and them did?
Was LaMetri on it?
I don't remember who was on it,I just remember hearing it at
Twin and them house.
I'm about to hit the 50-yardline and jam with the band Jam
with the band Twin in them.

Speaker 1 (01:43:20):
They had some shots out to beat Twin in them.

Speaker 2 (01:43:25):
Yeah, that was a random, but it just made me
think about it for some reason.

Speaker 1 (01:43:30):
When we was in the band they had a song A by MJG.
They got a beat to them.

Speaker 2 (01:43:36):
Oh yeah.

Speaker 1 (01:43:36):
Yeah, and something happened when they couldn't use
it.
I think they took the beat orsomething like Soulja Boy did
yeah, yeah, yeah.

Speaker 2 (01:43:44):
I think that happened so.
Shout out to 7 Heaven Y'all.

Speaker 1 (01:43:48):
Man shout out.

Speaker 2 (01:43:49):
What a time.

Speaker 1 (01:43:50):
Shout out to 7 Heaven , king of Clubs, kug.
Who else out there Mills andDung Shit that nigga Lil' B.

Speaker 5 (01:44:00):
Young.

Speaker 2 (01:44:00):
Smell Status Status.
Come on, bro, mr Matt.
Yes, sir, who else got outthere?
Who's moving boy 420.

Speaker 1 (01:44:11):
Come on, bro Coast Blue Cheese and Mills Blue.

Speaker 2 (01:44:12):
Cheese.

Speaker 1 (01:44:13):
Date Jesus.
I gotta forget my nigga DateJesus.
I'm the Date Jesus.
That's my nigga.

Speaker 2 (01:44:19):
Hey boy that was a time boy.

Speaker 1 (01:44:20):
Shout out to my nigga BT and them bro.

Speaker 2 (01:44:22):
Yeah, shout out to BT and the radio station they got
going on man.

Speaker 1 (01:44:26):
Then shout out to my nigga T Ant Black Label.

Speaker 2 (01:44:35):
I mean Black Friends, black Frames, the game.

Speaker 1 (01:44:35):
Yeah, yeah, yeah yeah , come on, bro.
We was moving Hourglass.
Captain T, come on, bro.
We had some shit.
Who else had time, bro?
We had some niggas, bro.
I'm trying to tell you, I'mtrying to tell you 48-82, nigga,
Some niggas, bro.

Speaker 2 (01:44:45):
Oh shit, yeah, we could have done something if we
would have just came.
Rob Markman.

Speaker 1 (01:44:50):
Jr.
Hey, man, listen to me whenthem niggas was doing that snap
movement, shit King of Clubs hadcranked that Lion King.
I was a part of KUG.
My little cousin, tyrone themniggas, was moving Zaylon.
Dustin them niggas had one lead, dougie.
Them niggas bro listen to me,Rob Markman Jr.
I know.
Rob Markman Jr On that damnthing, man, listen to me If

(01:45:13):
anybody follow us that got anyof them songs on CD bro.

Speaker 2 (01:45:17):
Oh man, please, Please, bro, send them all the
way.
Anything, anything.

Speaker 1 (01:45:22):
Man shout out Jeremy Wakefield.
Ass.
That motherfucker used to singChris Blue.
He from the city.

Speaker 2 (01:45:28):
Who else hey?

Speaker 1 (01:45:30):
There's a lot of niggas out here bro.

Speaker 2 (01:45:32):
Chris Blue.

Speaker 1 (01:45:34):
I only said his name to my brother.

Speaker 2 (01:45:35):
I know he from the city, but shout out to him.

Speaker 1 (01:45:37):
My brother is his choreographer.

Speaker 2 (01:45:39):
Hey, shout out to Chris Blue.
Hey, brother.
Hey, he put money in thefucking pocket man, come on man,
but yeah, so Don Drew, we giveit a four.
Yeah, I give it a four, we bothgive it a four, so that's a.

Speaker 1 (01:45:53):
That's a good one.
That's something what we got onour Untouchable list, bro.

Speaker 2 (01:45:58):
So if y'all don't know For y'all, for y'all that's
listening, there's a few albumsthat we just Won't review,
cause you don't have to review,you know what it is.
So 400 Degrees yeah, you gotthe Chronic on there?

Speaker 1 (01:46:17):
Yeah, chronic is definitely on there, I got.

Speaker 4 (01:46:18):
Marshall Mathis.

Speaker 2 (01:46:19):
LP2 Get Rich or Die.
Trying damn, we had a few wouldyou put the documentary on
there no you wouldn't.
I don't know no, be for realdocumentary on there,
documentary on the list.
That's untouchable.
We got it.
Hold on, man.

Speaker 1 (01:46:42):
Hey, the game was coming out.

Speaker 2 (01:46:45):
The game was nasty.

Speaker 1 (01:46:49):
Even the second one now.
Yeah, because even without 50.

Speaker 2 (01:46:53):
Because he can rap.
And then he had you know he hada little giddy up already that
nigga just be having word cases.

Speaker 1 (01:47:00):
Why is he around?

Speaker 2 (01:47:06):
That is hilarious bro Marsha Mathers LP.

Speaker 1 (01:47:12):
Ooh, what'd you put Damn near every OutKast album.

Speaker 2 (01:47:15):
Yeah, I was about to say which one you putting.
What Damn near every OutKastalbum.

Speaker 1 (01:47:16):
Yeah, I was about to say which one you putting on
that.

Speaker 2 (01:47:19):
Every OutKast album.
Oh yeah, Even that one.
That's my shit.
That's not an OutKast album.
We've talked about this beforethey going to Nigga what you got
for next week.
Nigga, what you got for nextweek.
Damn, we approaching two hourson this bitch.

Speaker 1 (01:47:37):
I don't think we reviewed it, but since 400
Degrees is definitely on there.

Speaker 2 (01:47:42):
Oh, hell, yeah, 400 Degrees will not be reviewed by
us, because it's 400 Degrees yougot to take my man first off of
that, because it's not thatgood.

Speaker 1 (01:47:51):
Anyway since my man is on tour right now, they all
on tour.

Speaker 2 (01:47:56):
Yeah, I seen that.

Speaker 1 (01:47:57):
Boy, you sent me that clip.
I was cracking up.
Hey man, listen to me.
Wayne said.

Speaker 5 (01:48:02):
Wayne said okay, Cutting that nigga off men's
speech.

Speaker 2 (01:48:06):
If y'all haven't seen the video, my dude sent it to
me.
Birdman giving his shout out.
Turk did not.
Da da da.
Wayne said Wayne jump in likeall right, all right, let's go.

Speaker 1 (01:48:20):
He said Turk did not.
Yes, manny did.
All right.
All right, let's talk about.

Speaker 2 (01:48:28):
Dude.
I was like, hey, Shut that shitdown, nigga, we're here to
perform.
I got to go.

Speaker 1 (01:48:35):
I said nigga you didn't even remember your bling,
bling verse Shut up, we got togo.

Speaker 2 (01:48:42):
It's over with.

Speaker 1 (01:48:42):
Go ahead, though, go ahead though Stay on tour man
Young and Thuggy by Tariq.
I knew this nigga was here Onemore time.
Come on, bro.

Speaker 2 (01:48:52):
It's been so long he had a boomer kumtosh, let me put
that in Young and thugging.
Come on, shout out to Turk,though I know he be on that
what's that podcast he be on?
Be High Radio.

Speaker 1 (01:49:04):
Be High Radio.
Yeah, yeah, yeah, yeah, Him BeHigh and Galaxy Wicked, yeah,
bro 2001.

Speaker 2 (01:49:16):
I Galaxy Wicked yeah bro 2001.

Speaker 5 (01:49:19):
I was 12 years old, 2001?

Speaker 1 (01:49:21):
Yeah, I didn't know.
Your girl with Mercedes was theone that was singing that song.
That's why I sent that to youSing which song On True?

Speaker 2 (01:49:28):
Oh yeah, you did send that to me.

Speaker 1 (01:49:30):
I did not know that was Mercedes bro.
I knew that I did.
I just had the CD.
This nigga know movies,mercedes bro.
I knew that I did Nigga, I justhad the CD.

Speaker 2 (01:49:37):
This nigga know movies, though, but he don't
know music.

Speaker 4 (01:49:43):
You ain't got no music.

Speaker 1 (01:49:45):
I didn't know that, though, bro.
I swear to God when I seen himin the studio cut that you had
that shit.
Oh, I got it.

Speaker 5 (01:49:51):
I said hold on, that's Mercedes no wonder they
didn't drop Mercedes.

Speaker 2 (01:49:56):
Hey, before we get out of here, we're doing Young
and Thuggy next week.
Before we get out of here, didyou see Kanye West?
He posted, saying after furtherreflection, I've come to the
realization I'm not a Nazi.

Speaker 1 (01:50:16):
Hey man, I love Kanye West bro, this nigga said.

Speaker 2 (01:50:19):
after further reflection I have realized.

Speaker 1 (01:50:24):
I'm not a Nazi.
We gotta get that soundbite.
You see, martin, bro, when hewas like he was in the
unemployment office, he saidwhat's your name?
He was like I'm paying what'sup.
I said what's up and nobodysaid nothing.
Everybody know more than momand old dude said shit, your ass

(01:50:47):
.

Speaker 2 (01:50:51):
Everybody know more than mom, that nigga said after
further reflection.
Everybody know more than mom,that nigga said After further.
Yeah, he crazy Reflection.
I'm not a Nazi, guys.

Speaker 1 (01:51:00):
Hey man, run the views up on my dude Page, man
Cause it's about Reggie.

Speaker 2 (01:51:05):
Nah, fam, we focusing on Late to the party.

Speaker 1 (01:51:08):
Nah, nah, nah, my man be getting down On his views,
man Putting hard work, youputting work out here In these
streets.

Speaker 2 (01:51:14):
They know that, though I won Barber of the Year
last year Awards baby.

Speaker 1 (01:51:21):
I would take my toboggan off.
Let y'all see that.

Speaker 2 (01:51:24):
Cut, never mind, I got a bump on my forehead.
This nigga retarded.
Now bring that word back.
This nigga retarded.

Speaker 1 (01:51:37):
Now bring that word back.
This nigga silly, this guy'sunknowing.
He just say shit.
This nigga stupid Bird brain.
Ah, this even worse.

Speaker 2 (01:51:51):
Um Well, yeah, that's it, bro.
What else we?

Speaker 1 (01:51:53):
good, yeah, shit Damn .
What else happened, nah thiseven worse.

Speaker 2 (01:51:55):
Well, yeah, that's it bro what else we good yeah?
Shit Damn what else happened?
Shit, I don't know.
We need to look something upreal quick.
Nah, what they say, save it forPatreon.
We don't have a Patreon yet, sobut y'all can subscribe and
donate.
Y'all can donate, thoughWe're're gonna set us up A
motherfucking A PayPal orsomething, a cash app.

(01:52:17):
Hey niggas, you know, you neverknow.

Speaker 1 (01:52:20):
Hey, you know what they do it on 5150.
I be like Damn nigga Be sellinga hundred dollars.

Speaker 2 (01:52:25):
And just put the.
You just put it on the screenOf the video and just hey my
nigga Corey Be like hey who isthat.

Speaker 1 (01:52:32):
Shout out to my brother with the yard.
Who is that?
I love big bazookas man.
Shout out to my good brotherSitting in that yard.

Speaker 2 (01:52:41):
You got to know.

Speaker 1 (01:52:44):
But yeah, man, I ain't got too much going on.

Speaker 2 (01:52:48):
We'll be back next week.
Man, any plans this week?
No, this week I do my, you know.

Speaker 1 (01:52:52):
Yeah, I go down for a day you say yo I'm on my Kumo D
I go to work.

Speaker 2 (01:52:59):
I'm off for three weeks, damn yeah.
Nah, don't see.
I'm glad the mic didn't pickthat up.
They can say, nah, that ain'twhat I told you to cut out.
I told you to cut out the othershit I got to remember that too
, Make sure you do.

Speaker 1 (01:53:17):
He can be down three weeks.

Speaker 2 (01:53:20):
A whole month I got to go find a new shot, but we
appreciate y'all for listeningto another episode of Late to
the Party with Dodie and Reggie.
I am Reggie.

Speaker 1 (01:53:32):
I'm D-O-D-Y.
I stay fly.
I don't know why I did that.
I'm Doty man, I'm out.
Knock over the mic.
That's stupid.

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