There's No Community

Episode Transcript
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Speaker 1 (00:00):
You got to do what you got to do, though.
Yeah, we good today.
We in here, yo Yo, yeah, okay,feedback nigga.
Oh, my bad, I didn't know wewas here.

Speaker 4 (00:12):
Let me know we here, baby we on stage today.

Speaker 1 (00:16):
We got to do it all.
It's a two-man show right there, Until they start coming to us.
It's a two-man show.
You know what I'm saying?
Welcome to See what I mean.

Speaker 4 (00:28):
I'll be forgetting.
We already recorded, bro.
We talked before.

Speaker 1 (00:32):
That kind of loosened everybody up.
You know what I mean.
Welcome to another episode.
Welcome to another episode ofLate to the Party with Dodie and
Reggie.
I am Reggie, I'm Dodie.
I don't know what kind of moody'all in, but I like to start
with a little.

Speaker 2 (00:45):
It's good.
It's good, it's what I've beenon lately.

Speaker 3 (00:48):
It's me His name is Scrooge Brody said the whole
summer he just snatched his soul.
Huh, damn.

Speaker 2 (00:54):
That's my whole life goal.

Speaker 3 (00:56):
I just popped a perk.
I popped a blue, just gasolineand coal.
Fire in the hole.
This, what it, what it soundlike in the stove.
Shut the fuck up if you sayanother lies with a guy that you
won't die.
Well, are you got an IV andchange your mind?
Your brother died and you justlet your mama cry.

(01:16):
Ask a Martian, one by one, chopit to the stem Chain.
We cut that body.
Now we got that quality For youto be so cool, yeah.

Speaker 4 (01:31):
Comic collector.
Outside of this, the music youlike.

Speaker 2 (01:35):
Fail.

Speaker 1 (02:02):
It be crazy, Yo, but that's the mood I've been on All
week.
Cuz, Shout out to Skrilla Again.
I don't know where he from.

Speaker 4 (02:12):
Skrilla His name's Skrilla.
Is that the dude with thedreads?
He got dreads, I think so.
I've never seen him.

Speaker 1 (02:18):
I don't know.
Let me tell you what happenedright.

Speaker 4 (02:20):
Is that the dude that was on?
He do like whippings and shit.
Yeah, yeah, I think he's fromPhilly, or somewhere.

Speaker 1 (02:26):
Yeah.
So what happened is I'mlistening to Baby Kia's radio
because I've been on Baby Kiathis week, that's my dude and
then Skrilla pop up.
I said, huh.

Speaker 4 (02:36):
Oh, this your first time.

Speaker 1 (02:37):
Yeah, this week was my first time hearing.

Speaker 4 (02:42):
Skrilla and Skrilla Baby.
The same person, that's SkillaBaby.
Oh, skilla Baby.

Speaker 1 (02:46):
Okay, okay, okay.
So this is my first time on CUDand I've been on him my whole
week.
Okay, yeah, that's my type ofshit.

Speaker 4 (02:55):
I like dude.

Speaker 2 (02:59):
What made me like?

Speaker 4 (03:00):
him even more.
Was he really like a streetnigga?
If it's the same person I'mthinking about, he was literally
doing an interview, bro,walking around in his hood, bro,
just with the whip With thewhip.

Speaker 3 (03:07):
And.

Speaker 4 (03:08):
I was like dude, that's a crazy drug to do.
But it was like he fucking withthe pig, but he doing what he
do.
You feel me he was like no, whyyou got to take him.
He talking crazy to the police.

Speaker 1 (03:17):
I've been listening to him and all his beats sound
so, sounds so fucking dark, likethey just sound.
And you know me from rapping,yeah, so that's.

Speaker 4 (03:25):
That's why I said it.
That's my type of shit.
Is that the machete you justsliced?
Okay, put that right there.

Speaker 1 (03:32):
That's my shit, though.
Cut the lights out.
Yeah, yeah, yeah, now let's go.
Yeah, welcome to anotherepisode.
Get the Tomb.

Speaker 4 (03:38):
Raider sample.
Bring up the Tomb Raider song.
Hey, if you could put it in.
Hey Bro, that's crazy.
I love that shit.
That's why I'm saying it'scrazy, my son be saying that my
oldest.

Speaker 1 (03:47):
He said it's just crazy the stuff that you
listening to, because on theother side I've been listening
to Mumford Sons this week.

Speaker 4 (04:07):
And so Mumford Sons dropped another album right, and
we're going to get into ourlist.
What's the most obscure song inyour phone right now?

Speaker 1 (04:12):
What you like on a playlist right now?
Yeah, I don't know, becausenone of them sound.
None of them is crazy to me.
World's Smallest Violin Hold onthis, my shit.

Speaker 4 (04:30):
That's crazy, this here.
I found this dude on um.
I found this dude on downinstagram just scrolling it's a
white dude with an afro and hejust like performing on the
street.
He Got a whole band, bro, thisnigga, this shit called the Frog
Song or something like that.
What the hell?
And you already Talking aboutme?

(04:50):
No, that's why I asked, causeI'm like bro, hold on, let me
find this shit.
Bro, it's I be liking A wholebunch of shit, so Well, that's
what happened.

Speaker 1 (04:59):
I don't know, cause nothing's Obscure to me.
You know what I'm saying.

Speaker 4 (05:03):
And it might not be obscure, but it's like his name
is Gus Glasser, Gus Glasser.

Speaker 1 (05:12):
I don't think I heard it.
It's dope though, but my kidswould be like dude, we was just
listening to that A niggashooting switches and shit, and
then you would switch it up onsome other shit, like I want
this shit, I want to know whereelse to go, at least if I can be

(05:36):
there for the night, see, yeah.
And you were talking about meand seeing dick.
But, niggas, look at me and belike what the fuck is your list?
Because you got to switch it upsometime.

Speaker 4 (05:49):
Hey, shots out the Gus Glasson bro.
But I listen to shit like thatall the time.
But you listen to shit likethis and I be like why y'all
can't be funny.

Speaker 2 (06:01):
Grandpa fought in World War II.

Speaker 1 (06:03):
He was such a I can't remember.
Grandpa fought in World War II.
He was so good.

Speaker 2 (06:05):
I can't even finish school.
That's my mom and dad too soon.

Speaker 4 (06:09):
That's how I know.

Speaker 1 (06:09):
I love music.
Sometimes, you got to get outof there.
You got to switch it up.
I don't want to hear Trapped inDay I'm going to give my quick
review on Mumford Sons.
Real quick, you ain't heard newMumford Sons album, right, and
I'm just going to play a littlebit.
It's an alternative folk band,right.

(06:30):
I've been listening to them foryears, right, right.

Speaker 4 (06:33):
But this is just a little bit, I like shit like
this.

Speaker 1 (06:38):
But my only thing about this album and it's like
it's like the new 21 Savagealbum, the newest 21 Savage,
it's like the new 21 Savagealbum, the newest 21 Savage,
it's the new 21 Savage is toopolished right.
This album.
They a folk band, so on theolder albums you can hear the
banjo, you can just hear a realband playing their own

(06:59):
instruments and shit.
On this one it just sounds.
It sounds like they producingrather than just actually
playing their instruments.
Not a bad album, but just itjust sounds too polished.

Speaker 4 (07:13):
It just sounds.
It's like bro, why don't y'alljust go back to recording at
your mama's house?

Speaker 1 (07:20):
Like, bro, we love this, Like this right here, and
we ain't got to hear the wholething.
Nah, man, we love this Likethis right here and we ain't got
again.
We ain't got here the wholething.
Nah, hell, nah, man, fuck it.
But this they first album, rawvocals type shit.
You can hear the music.

Speaker 4 (07:39):
Nah, keep playing.

Speaker 1 (07:42):
But you can hear the music and shit.
I'm sorry that's my shit boy,but yeah, that new album.
It just sounds too pop.
It sounds like on this album.
On the first two albums you canhear it's only four people in
the band and when you listen toit it sounds like it's only four

(08:03):
people in the band Play Dijon.
Who.

Speaker 4 (08:06):
Many times by Dijon D-I-J-O-N.
It's my shit.

Speaker 1 (08:14):
See.
It's my shit, that's what we dowe play, we listen to music.
This my cup.

Speaker 3 (08:21):
There you go again, Head low, Putting on a show.
Again it's the holidays.
How come it always ends thisway?
You can't take that pressureoff.
You just submit on me Talkingto your friends on the phone,
airing our dirty laundryStrawberry, raspberry,
candlelight, satellitetelevision and, by the way, this
shit was on fucking crazy,though.
What's he gonna say?

(08:41):
I'm on this.

Speaker 4 (08:50):
This is added to the playlist now you cut it off at
the wrong part.
But Damn what.
Where that nigga?
Where that?

Speaker 1 (08:55):
nigga when that nigga ?
This my street bro.
See, I'm with y'all.
Bitch, so many times you hurtme so much when you go do your
thing.

Speaker 4 (09:14):
Oh, my God, you killed it.
Thank you, thank you, thank you.
What are we going to do?

Speaker 1 (09:19):
We're going to I'll play one more thing.
Hold on, this is what my kidshate.

Speaker 4 (09:28):
When I get to, though , damn hey, when my kids hear
that me playing shit like this,they're like oh yeah, you know
how back in the day, your mamain a good mood and you know when
to ask her something.
Mm-hmm yeah, when they hearthat shit in the house.

Speaker 1 (09:41):
They're like Daddy and her children.

Speaker 4 (09:43):
Hey daddy, you still going to take us to jump jacks?
Hell yeah, hold on, let me getdone, let's go.
Let me get done doing thesedishes.

Speaker 1 (09:49):
This is what my kids hate, like when we in the car
and we going to get to a list,but hold up when we in the car
and this come on they put theheadphones on.
They don't want nothing nothingto do with it, it's my shit.
Watch that drop, watch thatdrop.

(10:12):
That's on the last of the bass.

Speaker 3 (10:24):
Everybody off rhythm you don't have your glow sticks,
though.

Speaker 4 (10:29):
What?
The?
Oh my god, what is this?
What's this considered?

Speaker 1 (10:37):
It's so.
It's a sub-genre.
It's a sub-genre of EDM Okay,edm and Electronical or
electronic music yeah, but it'scalled Trap genre of EDM.

Speaker 4 (10:49):
Edm and electronical or electronic music, but it's
called Trap, what's?

Speaker 1 (10:51):
your dude name Aoki.
Yeah, so he a version of that.
But when you get into this dudenamed Smith and then you got
Space, jesus and people likethat, but we gotta go to one of
them shows, bro, but we gotta goto one in Vegas or somewhere.
And really well out.

Speaker 4 (11:07):
Bro, I just found out some asses I've never had it
before.

Speaker 1 (11:10):
And that's the thing when I'm at Bonnaroo, everybody
off on something and I just divein with them niggas, I just
partake in the naturals.

Speaker 4 (11:18):
I don't do none of them otherstuff.

Speaker 1 (11:22):
But yeah so.

Speaker 4 (11:23):
That'd be the time I'd be like fuck, yeah, yeah,
yeah, that's what I'm saying.
You could just go, but I don'twant to get lost in the South,
though that shit probably dosomething.

Speaker 1 (11:33):
When you walk in Bonnaroo they giving you packs
of Narcan for free.
Here you go, Just be safe.
They get it.

Speaker 4 (11:47):
They got stations where, when you walk in, they be
like hey, if you, they rightthere, it's like a nigga passing
out that dog food, hey youpartake, not that, not that.

Speaker 1 (11:54):
Yeah, it's right over there, cuz, but you got more
needles.
Now y'all have some of what welistened to.

Speaker 4 (12:00):
That's crazy, oh yeah , they give it.
It's out there this is not thewire.
This is now Amsterdam, just incase you know what I'm saying
Just in case what are you doingwith long sleeves on fella?

Speaker 1 (12:15):
You're cool here, no one cares.

Speaker 2 (12:19):
No judgment, no one cares.

Speaker 1 (12:23):
But yeah, so we are just not rap niggas Hell.
Nah, we also listen to a littlebit of everything else.

Speaker 4 (12:34):
What's that song?
I don't know if it's Bluegrassor Folk Alternative like you
said but it's on the end of youever seen damn, never mind.
It's one of the most famousAmish songs out there.

Speaker 1 (12:55):
You know I ain't seen the movie though.

Speaker 2 (12:57):
Yeah, I know, yeah, I don't know.

Speaker 1 (13:00):
I would look it up.
You know what's crazy aboutthis beginning of this episode?
I've been telling myself rightthat I'm going to start editing
out the music on the YouTubepart so we can start getting and
I done played all kinds ofmusic in the beginning.

Speaker 4 (13:17):
I don't give a damn.

Speaker 1 (13:18):
One more episode, and then I'm going to start marking
out the music While my man findthe song he looking for.

Speaker 4 (13:28):
Yeah, because, everybody going to know it,
they're going to be like man.
I knew what the fuck you wassaying.

Speaker 1 (13:32):
Is it off of Hold on?

Speaker 4 (13:36):
You do what you do.
Yeah, let's say, pull the song.
You do what you do Damn, it'scalled Kingpin.
It's the name of the movie.

Speaker 1 (13:43):
Oh no, it might not be the song I'm thinking about
then, because but while he dopull up his music, we do want to
.
I ain't going to do that justyet.

Speaker 4 (14:04):
Might throw everything off Chop or go on one
Rah rah, rah, chop, chop, manchop.
I know you know this song.

Speaker 2 (14:18):
It ain't this, oh, okay.

Speaker 4 (14:23):
I almost had it In my head, but anyway.

Speaker 1 (14:27):
Well, we are on music .
And while we are on music, wedo want to give a rest in peace
to Young Scooter from Atlanta.

Speaker 4 (14:41):
Jug King what they had.

Speaker 1 (14:42):
Oh, we're going to talk about something.
Jug came what they had, oh, wegonna talk about something.
But what they was saying Atfirst is Police had shot him,
then Somebody shot him.
They had people Talking about,they heard gunshots and stuff.
Now they can't find who saidthey was Hearing gunshots.
So After all of that, then thepolice From down there had, I

(15:04):
guess, like a press conference,yeah, and said that they was
chasing him and he jumped over afence, two fence.

Speaker 3 (15:10):
Huh, two fence.

Speaker 1 (15:12):
Jumped over a fence.

Speaker 3 (15:13):
Two fence.

Speaker 1 (15:14):
And cut his femur and bled out.

Speaker 4 (15:23):
Nothing to say nothing to say, well, after
seeing, yeah, I did, but I did.
But I seen like he, vaguely, Iseen his son had posted
something like he was at thescene or whatever and it sound.

(15:47):
You know a lot of people hadjokes.
You know online.
You know you 39, you runningfrom the police.
I don't give a fuck how old youare.
If I got to get away.

Speaker 1 (15:55):
I got to get away.
It is what it is.
You see what?

Speaker 4 (15:56):
I'm saying I'm not going to go see them people,
especially not on my birthday.

Speaker 2 (16:00):
Right, right right right.

Speaker 4 (16:03):
Is it a freak accident?

Speaker 2 (16:05):
Yes, you see what.

Speaker 4 (16:06):
I'm saying Are people , can people make jokes of it?
Yes, but it just goes to one ofthem, things to where them
people don't give a fuck aboutyou.

Speaker 1 (16:16):
So my thought was how far was he in front of the cops
to jump a fence?
And I know shit can happen fast.

Speaker 4 (16:26):
Nah, bro, they pursuing you.
Bro, let's just use cops.
For example, if a motherfuckersee that you running on foot,
they're gonna give chase.
Ain't nobody gonna say God damn, stop, we'll get the one that
double back to the crib.

Speaker 2 (16:40):
No.

Speaker 4 (16:42):
With everything that's come out, bro, and what
his son was saying, bro, like hewas at the scene and they
wasn't allowed to let him seehim.
It's one of them things where,if he bled out, y'all didn't
give.

Speaker 1 (16:52):
That was my.
Thing.

Speaker 4 (16:53):
You see what I'm saying.

Speaker 1 (16:53):
Because he couldn't have been if he was so far in
front of you first in the scenethat he jumped the fence and
this had happened.
But when y'all got up with him,because obviously y'all could
see him when y'all got up withhim what would, what did y'all
do?

Speaker 4 (17:09):
they didn't do anything.
Yeah, they probably like oh,this is what you get man, I can
guarantee it was one of them.

Speaker 1 (17:16):
Right when you feel knee to the back handcuff, not
even paying attention, or if youare paying attention, you ain't
you know I'm saying.
You ain't you know what I'msaying.
You ain't moving forward withyour aid like you supposed to be
.

Speaker 4 (17:28):
Just go back to and we can get off of it.

Speaker 1 (17:31):
Yeah, yeah, yeah your RP to a scooter.

Speaker 4 (17:34):
And just to close it off, man, like I said, man, if
that's how it happened, theyprobably didn't render any aid.

Speaker 2 (17:45):
Yeah.

Speaker 4 (17:45):
But RP, the Young Scooter man, happy birthday RP.

Speaker 1 (17:50):
On your birthday.
So with that cause there was a.
There was a, a hip hop pagesaying rest in peace to legend
Young Scooter right.
So I reposted it on Facebook.
Somebody commented and said whywould they call him a legend?

(18:10):

Speaker 4 (18:12):
He's a legend from where he's from.

Speaker 1 (18:13):
So my question was when do we start to consider
someone a legend?
Because maybe in the wholescheme of hip hop he might not
seem it, but in Atlanta and inthat time that he was doing his
thing.

Speaker 4 (18:31):
Well, in my mind, I'm not even thinking about the
music per se when they'respeaking about him yeah, yeah,
yeah.
Because where he from, he's astreet legend.

Speaker 1 (18:43):
Nobody ever went against him when he was claiming
Jug King.

Speaker 4 (18:44):
Yeah he's a street legend.
Nobody ever went against himwhen he was claiming Jug King.

Speaker 2 (18:48):
Yeah, yeah, yeah, yeah.

Speaker 4 (18:49):
You see what I'm saying Nobody ever questioned
his respect on the street, hisstreet career, yeah.
So I mean, what are we talkingabout now?
If you're saying like, how's hea legend in music?
That's something different, nowI wouldn't say that Did he make
good?
Mixtapes yeah does he have analbum?

(19:10):
You see, I'm saying yeah, hell,yeah, I listened to him, but I
wouldn't say he's a legend inthe game, because now we just
disrespecting who was in thegame but now on that street
level yeah so I got into I gotinto the question because it's
usually older people who likebecause it's okay to.

Speaker 1 (19:28):
It's okay to a point to be like because right now
some of us don't understand theplayboy cardi heightness.
Just like, at that time maybethe older people didn't
understand the, the migos, thegucci's, and so I'm asking the
dude who said something which isan older cat.

Speaker 4 (19:46):
And I was like Excuse me, there's people older than
us that didn't understand boneExactly.

Speaker 1 (19:51):
So, and I was asking the dude, I said well, and this
one, I like I didn't evenrespond.
I was like, okay, I see whereyou're coming, I see what you
about to do.
Yeah, because I was like wouldyou consider gucci man a legend?
He said no, what would make hima legend?
I was all right, yeah, we can'thave a conversation.

(20:12):
You know, I'm saying because he, he older cat, that's obviously
gonna be like the legends aremillie mill, ll, koo jay, which
those are, yeah, but there's,there's just like lebron is
lebron and Jordan is Jordan andMagic Johnson.
There are generations of whatwe would consider.

Speaker 4 (20:30):
The best version of this, bro, is like okay, let's
use like the Hall of Fame debate.

Speaker 2 (20:41):
A lot of these Hall of Famers use.

Speaker 4 (20:43):
Yeah, you might have a Hall of Fame jacket.
You might be in this building.

Speaker 1 (20:49):
But it's more floors to this building.

Speaker 4 (20:51):
Not everybody get to the first floor.
I mean the second floor.
Not everybody make it to thetop.
You see what?
I'm saying so just be happyyou're in the fucking building,
because not everybody make it tothe building.

Speaker 1 (21:02):
Not everybody get to that point.

Speaker 4 (21:03):
But going back to the Gucci point man, I feel like
Gucci is back on sport.
He's like a grunt.
I say grunt, Stunning growth.
You ever seen him on YouTube?
Stunning growth.
Shout out to stunning growth,like he'll give a breakdown of
basically what if?
Of this particular ball player,a breakdown of basically what

(21:25):
if of this particular yeah, yeah, okay, that's like gucci bro,
he dropped state virgin rogerdrake yeah and he don't go to
jail.
How big is gucci?
you see what I'm saying becauseyeah he was literally
transitioning from that, that,that mixtape and going into that
about to spring load and jumpup.

Speaker 1 (21:46):
But even other than his own music, I mean, what he
brought to us anyway, like theimprint that he had in the
beginning is insane.

Speaker 4 (21:56):
Nigga, look, look at the fight from the beginning.
He had to go through broFighting Jeezy and the machine
bro Off the rip Off in thebeginning.
This nigga already behind twoeight balls, paul, and it's just
like nigga for him to likeliterally get to that point.

(22:16):
To where now the fuckingindustry?

Speaker 2 (22:19):
is taking heat the way he got going on.

Speaker 1 (22:22):
Come on bro.

Speaker 4 (22:23):
Yeah, man.
I just thought about thatbecause I feel like In the
region we at hell yeah, gucci isthere, it's a fact, gucci might
be on the fucking.

Speaker 1 (22:34):
Mount.

Speaker 4 (22:34):
Rushmore in the South bro.

Speaker 1 (22:35):
Fact.
No doubt about that.
The South is and everybody gottheir regency bias.
You know is and everybody gottheir Regency bias, or whatever.
But I feel like Gucci getoverlooked.
People don't mention Master PFor you when they be talking
about hip-hop legends.
Nobody mentions P.

Speaker 4 (22:54):
Nobody mentions P because the way he out here
hustling it's like, yeah, we seeyou hustling, bro, but we don't
you know.
I feel like for the youngerpeople, a lot of people see Pete
talking but don't see theresult.

Speaker 1 (23:12):
Yeah, yeah, yeah, yeah, so they like nigga.

Speaker 4 (23:14):
What the fuck is you talking about, bro?

Speaker 1 (23:17):
Well, I guess that because I was about to say but
the results was yeah for us, weseen it, that's what I was about
to say, but they not lookinginto, they just going off of
this right here.

Speaker 4 (23:26):
Yeah, ain't nobody eating your cereal, bro.
You see what I'm saying?

Speaker 2 (23:29):
That's how they looking at it, they getting them
chips, though I'm just saying,though you see what I'm saying,
a lot of people be like bro,come on man.

Speaker 4 (23:40):
We don't see nothing.
Then you got people like FatTrill that come out and say what
they say about you what?

Speaker 1 (23:44):
they say about yeah, See what I'm saying.

Speaker 2 (23:46):
So it's one of them things like nigga how about?

Speaker 4 (23:50):
all that faking the flies and shit.

Speaker 2 (23:51):
You see what I'm saying, yeah.

Speaker 4 (23:52):
So I don't know A lot of young people.
Now, bro, it's like showingproof.
It's like when we said they hadit, but we never seen it.
So we're like nigga, who thefuck is you Not knowing that
this?

Speaker 1 (24:08):
nigga really did have it.

Speaker 4 (24:10):
And just had a couple missteps and lost it all and
you know don't want tonecessarily go through that same
path to gain it back.
You see what I'm saying andhe's like man, I'm trying to
tell y'all little niggas I usedto do this, do that, just switch
it up, do this.
And they're like bro, how thefuck are you telling me?
And I just made $10,000.

Speaker 3 (24:28):
And he like bro $10,000 was my birthday.

Speaker 1 (24:30):
That's cute.

Speaker 4 (24:32):
Yeah, that's cute.

Speaker 1 (24:34):
I'm trying to help you.

Speaker 4 (24:36):
You know, it's just a lot of it.
Go back to you know how theyouth is raised bro, how the
youth is raised bro, and that'sa whole, totally different thing
.

Speaker 2 (24:45):
Yeah.

Speaker 4 (24:49):
You know, just staying on music.
It's like, bro, if nobody hasshown you that or pouring that
into you, you don't really.
You don't get that.
You got to find your own way.
You see what I'm saying BecauseI was fortunate enough, like my
daddy was young enough to wherehe was catching all this shit
when it was brand new so.
I'm listening to what he I'm.
My daddy was one of them.
Men that nigga fuck that youain't here with me, you know.

(25:14):
Fuck what your mom and themdoing.
Get your ass in the car.
Yeah, I'm like, hey, lock thedoor.
When I come back, I'm going tounlock my door, you see what I'm
saying, that type of shit.
So whatever he's playing andlistening to my uncles, whatever
they're playing and listeningto, that's what I'm listening to
.
So I might not like it at thetime but it grow on you.
You see what I'm saying Towhere you're like.

Speaker 1 (25:36):
Hey bro this ain't the same shit, bro.
They not talking about nothing.
That now I think it was easierto, and this kind of going into
a different, but I think it waseasier to impose the music that
they grew up on to us, becauseit was only CDs.
You get what I'm saying.
You can only listen to what Igot, yep, okay, but now with

(25:59):
Apple Music and everything shit,it's a lot Okay.

Speaker 4 (26:04):
So why do you think this song is totally different?
Why do you think your music,your musical palette is so
eclectic?
Why do you think it's?

Speaker 2 (26:13):
so.

Speaker 4 (26:13):
It varies.
What made her?
What made her want to jump indifferent genres?

Speaker 1 (26:22):
I guess just to hear different shit.

Speaker 4 (26:26):
Because I feel like me, like my daddy, grew up in
the 80s, so you know a lot ofthat hip-hop was brand new so
before hip-hop my dad, you knowwhere we at yo, yo, yo there's
only one real black school andthat was the high school.
So you know, when you were inmiddle school it's a good mix,
you know, depending on what partof town you in.
But you know he grew uplistening to like rock and roll

(26:48):
and alternative rock and allthis other shit, yacht music and
all this other shit.
And then when hip hop startedcoming in, now that's the new
thing, like now we finally gotsomething.

Speaker 2 (26:57):
You know what?

Speaker 4 (26:57):
I'm saying, but he ended up going to the Navy on
the West Coast or to the Navyand moved to the West Coast.
So, being from the South, he'slike nigga, this shit cool.

Speaker 1 (27:12):
But I listen to Scarface and this that and the
third.

Speaker 4 (27:14):
So, growing up out there and being born out there.
Growing up out there, you knowI'm hearing everything because
my daddy's like bro, I'm notjust about to listen to Snoop
and Dre all day like y'allniggas and got them Spice One
and them.
You know what?

Speaker 1 (27:24):
I'm hearing everything because my daddy's
like bro, I'm not just about tolisten to Snoop and Dre all day
like y'all niggas and got themSpice One and them.

Speaker 4 (27:28):
You know what I'm saying, JO Felony.
Yeah, you know what I'm saying.
I'm naming all the niggas that.
I grew up listening to, butthen my daddy's like nigga fuck
that.
I know about Scarface and theGhetto Boys.

Speaker 1 (27:38):
I know about but that's from one region moving to
another region.

Speaker 4 (27:42):
That's what made me so eclectic when it came to
music.
That's what I'm saying Becausemost motherfuckers don't be like
nigga I don't listen to nothingbut drill.

Speaker 1 (27:50):
Yeah, which is crazy.

Speaker 4 (27:51):
I don't listen to nothing but gangsta rap.

Speaker 1 (27:53):
Yeah.

Speaker 4 (27:54):
I ain't talking about trap nigga.

Speaker 1 (27:55):
I'm talking about gangsta rap Just gangsta shit.

Speaker 2 (27:57):

Speaker 4 (28:05):
That type of been in that episode.
It's like, bro, I listen toeverything.
I'm one of them.
Niggas like music bring out theemotion and feelings in me.
I could be mad as fuck.
And then I hear a certain song.
I can hear Gladys Knight, bro,the Makings of you.

Speaker 1 (28:14):
And.

Speaker 4 (28:14):
I be like God damn bro, that motherfucker.

Speaker 2 (28:17):
Yeah.

Speaker 4 (28:18):
That motherfucking nerd Baby we're about to move?

Speaker 1 (28:22):
Yeah, but that's you also listening to more than just
the sound of it and wanting tohear words.
Yeah, I do, because I thinkthat's why a lot of people get
stuck in one genre because ofthe sound of it.

Speaker 4 (28:35):
See, they go into shit that we be talking about
offline, you know.
That's why I tell my babieswatch what you say.
Yeah, because, but when we waslittle and your granny or
somebody older than you caughtyou listening to 360, they'd be
like what the hey cut that?
You would cut that out beforethey jump into you.

Speaker 2 (28:56):
Yeah.

Speaker 4 (28:56):
Because my great granny used to be like you.
Better stop watching that shitbefore they jump into you.

Speaker 1 (28:59):
You know what's crazy I guess I had.
I mean, I had people outside ofmy family that really would say
that, but my mama and my granny.
It's only funny.
I have a situation in my mindthat I'm not going to tip.
But when 3-6 Mafia brought out,where Is the bud?

(29:21):
I remember where we was mygranny, my mama, we all vibing
the fucking Three 6 Mafia.
Where is the bud?

Speaker 4 (29:32):
That's crazy.

Speaker 1 (29:34):
And I still ain't going to give the whole
situation but to a point wherewe was acting out like looking
for it, like in the house, typeshit, my mama is older.

Speaker 4 (29:44):
Y'all was in the trench then, and I love.

Speaker 1 (29:48):
I always tell my boys there's two things that we had
growing up.
We had comedy and music.
We was broke Like I'm talkingabout knock on the next door
neighbor, ask for bread, typeshit.
So when it came to music andcomedy, that's what we my mama
was like.
I remember my mama introducingme to Mystical like hey go sit
down and listen to that.

Speaker 4 (30:10):
Okay let me go.
All right, boy, you think soconstantly.
That's why he your favorite.

Speaker 1 (30:15):
Because she turned.
No, I know why.
And plus, I remember 96,hearing Mystical and wanting to
rap myself.
That's like the mind ofMystical.
And Wantin' to Rap Myself,that's like huh.
Yeah, the Mind of Mystical cameout in 95.

Speaker 2 (30:32):
Oh shit.

Speaker 1 (30:34):
We was living in Sea Hills.
I remember, yeah, and we waslistening to Misk.
I wrote my first rap, trying torap.

Speaker 4 (30:42):
You seen your old hood?
Yeah, gentrification of motherfuckers.
It's a mother fucker.

Speaker 1 (30:50):
Did you hear Jim Jones and them talk about where
down south people don't have,and I'm I'm a paraphrase, but he
was saying in the south thereare no such thing as hoods and
an apartment type shit.
He said the only.
He said everybody in the southor people in it.

(31:11):
I won't say he said everybody.
He said people in the southhave an advantage over New York,
niggas, because we're allpassed down houses from our
grandparents.

Speaker 4 (31:23):
Lies.

Speaker 1 (31:26):
There is no Section 8 type upbringing Lies.
I don't know what part of theSouth y'all been in and who in
the south y'all know, but Ipromise you I ain't been passed
down, no house nigga what I canguarantee that's what I'm saying

(31:47):
.

Speaker 4 (31:47):
What the fuck I can guarantee the.

Speaker 1 (31:50):
And I'm Rob Markman the.

Speaker 4 (31:55):
Okay, I would have probably halfway agreed with the
nigga if he would have saidthat about some West Coast
niggas.
Rob Markman, the.
Because there's houses.
Rob Markman, the.
And they are passed down houses.
Rob Markman, the.
Houses, rob Markman, the.
What the fuck are we talkingabout in the South nigga?
Right before them, bitches wastore down.
One of the biggest projects inNashville Was right by the

(32:16):
stadium bro.

Speaker 1 (32:18):
They all threw it.
I just thought it was funny.
Now, not you alone, bro.
Some of them are gone now.
Most of them are gone, althoughthere are still not no houses
Been passed down, as much asY'all think, I guess.
But the hoods I've moved arounda lot, but the spots that I

(32:38):
grew up, yeah, they changing,yeah, nigga they got balconies
on the back of them, bitches,nigga, what.

Speaker 4 (32:47):
Y'all white folks running with their dolls and
shit Niggas was scared of thewall.

Speaker 1 (32:52):
Hey, I told you and y'all don't know some of y'all
might know the story if y'alllistening but I told you about
that drone shot video of theWeigels over there.

Speaker 4 (33:02):
Oh yeah, that's crazy Bam.

Speaker 1 (33:04):
It's market.
They making that bitch lookbeautiful over there.

Speaker 4 (33:11):
And it's dusty as fuck.

Speaker 1 (33:12):
But the stadium right there though.
The stadium right there.

Speaker 4 (33:14):
So they're going to have to.
That just comes from.
I don't want to call a man outhis name.
I don't know him.
You know he going to talk dirtyto you.

Speaker 3 (33:22):
Nigga get your masters back.

Speaker 4 (33:24):
And that's crazy For them thatwondering what's going on?
Stop, what is it?
Live studio.
We got the studio, we gotproducers and shit walking,
making sure we're doing what thefuck we're supposed to be doing

(33:44):
.

Speaker 1 (33:44):
Hey, stay on task, Stay on task.

Speaker 4 (33:47):
Hurry up.

Speaker 1 (33:47):
It's a time limit today, but no, that's crazy,
yeah, I just thought that whenwe was talking about it I
thought it was funny.
That's crazy bro.

Speaker 4 (33:57):
Who the fuck is getting passed down the house?
I missed something.
A motherfucker?
If your mama, I'm 36.
If a motherfucker got mama orgranny on they house the way
it's set up nowadays with Trumpand everything else, bitch she
done, got them.

(34:17):
What's the shoe called?

Speaker 1 (34:20):
Reverse mortgage.
Come on, man.

Speaker 4 (34:22):
How much equity I got .
You said it was worth what oh?

Speaker 1 (34:26):
yeah, fuck them kids.
And ain't nobody going nowhere,ain't nobody moving out of the
house to pass down the house, totry to get another house.

Speaker 4 (34:33):
Nigga, if you sell your house for $800, you got to
go and spend another $890.

Speaker 1 (34:39):
Just to get something decent right now, yeah that's a
two-bedroom, it's not happening.
It's not sweet.

Speaker 2 (34:45):
It's not sweet.
Down south no more.

Speaker 4 (34:48):
Them niggas working remote jobs, bringing them
California wages down south.
Bro is not no bro Killing thegame.
Stop Niggas be wanting to talk.
Trust me, I was one of them.
I be trying to catch vibrantmoments for us without doing
stupid shit.
Come on.

Speaker 1 (35:04):
I'll take one for the team.
Hey, I posted that clip rightand I'm thinking, oh, they're
going to be on this nigga right,I posted it on TikTok.
Guess what the conversationbecame.
The Thriller is not one of thebest albums.
You have to talk about songs ina Goddamn it is.

Speaker 4 (35:23):
I told my brother about that shit too, but then
the conversation became what isthe best album.
He said hey, bro, why'd youjump off the edge of that?
I said nah, he sent my ass up,bro, and clipped that
motherfucker.
I said, nah, he sent my ass up,bro, and clipped that
motherfucker up.
I said because we talked beforewe even got on the fire.

Speaker 1 (35:46):
He barely knew I had my red cup with me.
Now, let it settle.

Speaker 3 (35:48):
Let him simmer for a little bit, let him simmer for a
bit.
He said it didn't nigga.
He said he doubled back.

Speaker 4 (35:52):
He said but nah, nah, nah, nah, nah nah, fuck all
that Ain't Mike, let him simmerfor a bit, he said.
He said but no, no, no, fuckall that ain't Mike, one of your
favorite, that's the center.
He said nah, bro, how dare youtalk about?

Speaker 1 (36:06):
that's all I was saying, not that you was
comparing, but what even madeyou bring it up at that time?

Speaker 4 (36:14):
and that's what he said bad time, bad time, bad
time.

Speaker 1 (36:20):
But then I'm in the comments.
They like for you to say thatThriller is the best album.
What about this from StevieWonder?
I'm like no, let's go.
I know Now, that's a wholenother conversation.
That's a whole notherconversation.

Speaker 4 (36:34):
Is Stevie Wonder.
No, I'm saying like you knowhow they say, mike and Prince.

Speaker 2 (36:42):
Yeah, now Stevie one of them.

Speaker 4 (36:43):
I don't think you know how theysay Mike and LeBron and then
they always leave out Kobe.

Speaker 1 (36:50):
They leave out Kobe yeah.

Speaker 4 (36:52):
Okay, hey, my man, I seen a clip where it said some
of your siblings and correct mein the comments, but it was like
this is sibling based, but someof your siblings will see all
of the funerals.
One of them will see none ofthe funerals and then I forgot

(37:14):
the other one, but that's StevieWonder.

Speaker 1 (37:16):
Bro, stevie Wonder performs that all the time, but
he don't see none of them.

Speaker 4 (37:24):
I wasn't even talking about that, bro.
Oh, that's bullshit.
You better quit that.
That's crazy, bro.
I wasn't even saying that.
That's when you hit the, but hedon't see.

(37:45):
Nah, but it's like who gonnaperform at Stevie's bro?

Speaker 1 (37:52):
Usher nigga, Usher Usher gonna be the new guy.

Speaker 4 (38:01):
He too busy out here Passing cherries around Paul.

Speaker 1 (38:06):
Hey, you see, my dude , we still ain't got the shit on
the list.
It's fine, bro.

Speaker 4 (38:12):
It's feeling.

Speaker 1 (38:13):
You see my dude in the church cuz hey, marvin,
what's up?
Nigga it's feeling.
You see my dude in the churchcuz hey, Marvin, what's up?

Speaker 4 (38:19):
He hit the motherfucker with Joe Clark.
The enemy is here.
Change the doors.

Speaker 1 (38:24):
He said shut the doors.
They, looking at him, like shutthe doors.

Speaker 4 (38:29):
Shut the doors.
They're like that's crazy,Nigga, get the chains around
back, Shut the door.

Speaker 1 (38:36):
That nigga said I don't want to see he said he
held him hostage for 40 bands.
And then he said if you'regiving it electronically, come
up here so I can see you give itelectronically.

Speaker 4 (38:46):
Start the line on the left side.

Speaker 1 (38:49):
Cash app over here.
Venmo in the middle.

Speaker 4 (38:52):
And if your Apple pay first?
Lady is in the room.

Speaker 1 (38:55):
That's it, everybody talking about something he's
just asking for $20.
Nah, fam, he not just askingfor $20.
He asked for 40 bands.

Speaker 4 (39:04):
The motherfucker who said that, excuse my language.
The person who said that didyou give 20?
Did you send them 20?
And if your neighbor didn'thave 20, did you lend them 20?

Speaker 1 (39:14):
To send 40.
Come on, man.
I'm just saying, though.
And then somebody in thecomments I seen a video of a
motherfucker talking about some.
Y'all will pay this much to seeBeyonce, but if the pastor
asked for 20, you can't sell 20?
.
Bitch, first of all, what am I?
20 going to?
Bitch first of all, this niggacan't kidnap me for $20.

Speaker 4 (39:35):
I don't give a if I want to go but that shows you
know how a lot of black folksare.
You know, I never let thishappen to me.
Yeah yeah, these grown-ass menwasn't on what hold on now I
gotta go to work at one third.
If you don't get the out, myface, bernard.
You would just have my barbecuelast week.
My face, nigga, bernard.
You was just at my barbecuelast week.

(39:56):
If you don't get the fuck upout there, I'd shoot one of
y'all niggas.
If you don't get the fuck upout the way, the hell wrong with
you.
Diggy Smith, you better.
Hey, nigga.
Hey, what's?

Speaker 1 (40:05):
all that we out of here.

Speaker 4 (40:06):
I already gave offering.
You want to see it again?
That's the craziest part.
Hold on, bro.
I'm paying Tide for folk whoreally do it.
You're paying Tide offering,then you give a love offering,
depending on if it's ananniversary, special pass of the

(40:29):
day when they talk about thatbuilding fund.

Speaker 1 (40:31):
Come on, bro, stop playing with me.
Yeah, but I need that, though.
I still need that though.
Hey, now, before y'all clickoff of this video, it's just
twenty dollars I'm gonna needy'all to send me twenty dollars.
It's just twenty dollars youseen the video?

Speaker 4 (40:47):
uh, the old living color clip with damon wayans and
jim curry he said, I said, andJim Curry, he said, I said and
he pulled a gun.

Speaker 1 (40:58):
Did you see me there?
I ran across it, but I did seethat shit, jim.

Speaker 4 (41:01):
Curry got the revolver.
He, like you're not giving itup.

Speaker 1 (41:04):
That nigga say shut the door.
Hey bro, come on man.
Speaking of scams.
The enemy is here.
Speaking of scams.

Speaker 4 (41:12):
You got to bring it up, dude.

Speaker 1 (41:13):
There Speaking of scams, there's a woman who
thought Listen to me.
She started following A page onInstagram.
She thought it was Brad Pitt.
Brad Pitt Then emailed her andsaid hey, I'm in a hospital,

(41:33):
can't afford to pay these bills.
He said he can't afford to paythese bills, right?
He said he can't afford to paythem because he's going through
a divorce right now and hisaccounts are frozen.
So I need you to send me somemoney.
The woman first say no, this isstupid.
This is not really Brad Pitt.
He hit her with the.
It is.

(41:55):
Look at these pictures, right.
He sent her some pictures thatwas photoshopped of his head on
a hospital patient.
How stupid.
Clearly, fucking photoshopped.
He sent her multiple picturesover days.
One picture is him younger,with a fucking haircut.

(42:17):
Another one is him with thelonger hair.
She married, right.
So now she's starting to thinkthat she dating brad pitt
fucking up her marriage sheleaves, she divorces, her
husband leaves her kids, whileat the same time sending, quote

(42:38):
unquote, brad Pitt, $850,000.
I know, I know we supposed to.
Some people do get caught, somepeople do get, Some people do
get hey boy, she thought she hada.

Speaker 4 (43:01):
He's my husband.
We been dating online, but Iknow.

Speaker 1 (43:11):
But it's crazy though , because you married kids and
then, when I'm reading the story, it said her husband Was a
millionaire.
I said Was like she stole hismoney To send to Brad Pitt, or
he was a millionaire Becausethey not together no more, and
like she took half type shit.
I don't know they just focusedon.

Speaker 4 (43:34):
Nigga Indeed have type shit.

Speaker 1 (43:35):
I don't know they just focused on nigga Indeed.

Speaker 4 (43:40):
Oh, that's all me, baby, that's all me.
Listen, you be be light on meso so um, there's a list.

Speaker 1 (44:01):
Look man, there's a.
There's a list.
There's a list going around,right, and if y'all know, bb dot
got this thing that he calledunlisted, right, where he makes
up list of different things,right?
So this list is the top 10 bestguest rap verses of all time

(44:25):
and I'm gonna read y'all his 10.
Then, if dodie have a few, I'mgonna give y'all a few that I
think he was missing, all right.
All right, he got az on Life'sa Bitch Cool.
Andre 3000 on InternationalPlayers Anthem Gotta be Kendrick
on Like that.
Nicki Minaj on Monster, whichLil' Kim on Quiet Storm, which

(44:48):
it's probably one of Kim's.
Okay, yeah, okay.

Speaker 2 (44:52):
Yeah, because I didn't look at the list for real
.

Speaker 1 (44:54):
You got Drake on Stay Scheming.
All right, you know what I'msaying.
That's what I said you knowwhat?
I'm saying, I wonder but yeah,you got Jadakiss on the Major
Look remix, which I ain't mad at.
You got Jay-Z on Diamonds, theDiamonds remix.
Do you agree with that?
No, I don't think that's top 10.

(45:15):
I don't think it's top 10.
Nas on Live at the Barbecue.
Live at Barbecue.

Speaker 4 (45:21):
Is that the little mixtape thing everybody
rediscovered?

Speaker 1 (45:25):
Which one I?

Speaker 4 (45:27):
mean not mixtapes, All right, never mind, never
mind.
And then, you got Busta Rhymeson the Scenario remix from back
in the day, which I ain't mad atthat.
I'm not mad at that.
I ain't thinking that.
I ain't thinking that.
Okay, yeah, yeah.
Now, although I instantlythought about the video.

Speaker 1 (45:42):
Yeah, it just popped in your mind, Although I'm not
mad at that list.
Right, these are a few that Ifeel like could have or should
have been included.
I'm going to give y'all onethat y'all probably don't know.
Shout out to Mr Mack, who is aTennessee legend to us I won't
say legend in hip hop, but to us.
He had a little movement goingbut he put out a song called

(46:05):
when you From, back in the dayand he had Yo Gotti on it.

Speaker 4 (46:13):
Yo Gotti's remix verse on that song is this
headband Yo Gotti too, ain't it.

Speaker 1 (46:15):
Yeah, this was Yo Gotti.
This is when he sound like hewas from Memphis for real.
He done kind of lost that hardMemphis accent.

Speaker 4 (46:21):
It's nigga traveling.

Speaker 1 (46:22):
But he around you know what I'm saying.
But that's one I think shouldhave been on there, I think
Tupac on Smile the Scarface.

Speaker 4 (46:30):
But see, that's why I was confused, bro, from when
you said that to me, becausethat's his song, but it's not.
That's why, when you saidfeatures, I'm like all right,
let me find features, got you?
But okay, no, no, no, no, no,but that's a good.
You heard, with Faces, yeah, sothat's undeniable.

Speaker 1 (46:52):
So I got that on there.
I got Eminem on Dead Wrong.
If y'all remember the song fromback in the day From Sway and
Tech.
It was a song called Anthem andit had a bunch of verses on
there.
I got Tech N9ne from on theAnthem and Ferromance from on
there.
They didn't have the impact.

Speaker 4 (47:14):
I didn't know he don't get shit from that song.

Speaker 1 (47:21):
Who.

Speaker 4 (47:22):
For a month.

Speaker 1 (47:23):
From the.

Speaker 4 (47:25):
The Godzilla.

Speaker 1 (47:26):
Damn for real.

Speaker 4 (47:27):
Don't get a motherfucking thing bro.

Speaker 1 (47:32):
Industry is a fucking bitch boy.

Speaker 4 (47:34):
Don't get a motherfucking thing, bro.
They didn't even let his albumcome out Because of that.

Speaker 1 (47:43):
I got.
I got Tech N9ne from the Anthemand Furlmunch.
I got Biggie from the NotoriousThugs that was with Bone Thug
Song.
And then Gunplay From Cartoonsand Cereal with Kendrick Lamar
Dude, because on that songGunplay sounds like being on

(48:06):
that song with Kendrick.
I don't know what it was, butit made Gunplay sound like oh
this nigga.

Speaker 4 (48:11):
That made me feel like Gunplay was going to do
something, but then it also mademe feel like if somebody would
direct him, because I feel likethat was, and I might be wrong,
but I feel like Kendrick waslike hey, man, if you do this,
Hone in on this part of it.
Yeah, oh, for real, okay cool,because that don't sound like

(48:34):
the rest of what Gunplay wouldhave At all, at all.
Even after that.

Speaker 1 (48:39):
But Gunplay on cartoons and serial is fucking
insane.

Speaker 4 (48:43):
I had a whole bunch of verses I could have put on
here that I thought about.
But, like I said, I was tryingto find features but I had Life
of the Party.

Speaker 1 (48:53):
Microphone cuz.

Speaker 4 (48:56):
I had a 3K from Life of the Party Microphone cuz,
excuse me.
I had 3K from Life of the Partyverse.
They already said Nicki.
They said Kendrick liked itSaid 3K from International
Players.
I had J-Rock from Money Trees,I had M from Renegade and it's

(49:17):
just a few that I thought ofRick Ross, devil in a Blue Dress
.
I did have somebody verse onhere because I was like this is
one of the greatest verses I'veever heard.
I don't give a fuck.
And this is not the greatest,this is not a top 10 verse,
these are just some of the bestverses I ever heard.

(49:37):
3k from McQueen and I yeah, yeahand then the last one I just
thought before we came in herewas Dolph off of Drip Like this
yeah, bankroll.
Freddie Dude, dolph got a lot,2 Chainz got a lot of verses.

Speaker 2 (49:49):
Chainz got a lot.

Speaker 4 (49:50):
Everybody been saying , and I have seen, after you
sent me that I seen everybodywas putting his Mercy verse up,
nigga his Gale and Oprah verse.
Ooh, you see what I'm saying.
Yeah, a lot of motherfuckerssleep on Change bro.

Speaker 3 (50:04):
Yeah.

Speaker 1 (50:08):
Like he might not be the greatest, but he's one of
the best, right, but he wantedhim cuz.
Yeah, he wanted him.

Speaker 4 (50:11):
So putting that shit together.
Change will put that shittogether If you get on the verse
with Change, bro you can'tout-stunt him.
Facts Facts I don't give a fuckhow much money you got.
He just going to make it soundlike something.
His swag and just the demeanorhe has bro, he not going to

(50:31):
allow it.
So he got a lot of verses outhere.
I thought a lot of Joel versesfrom Can't Feel my Face.

Speaker 1 (50:44):
Joel's had a lot of verses on there.
Now the one thing that standout on here because he did in
the post he was like one verseskill and impact.
So I do feel like some of theverses that we might feel like
no, but that's what I'm sayingMight not have the impact.
So I do feel like some of theverses that we might feel like
might not have the impact.

Speaker 4 (50:57):
That's why a lot of verses that I picked.
I was like, did it change shit?

Speaker 1 (51:01):
Yeah.

Speaker 4 (51:04):
He had motherfuckers feeling and thinking he's better
than Jay-Z.

Speaker 1 (51:08):
That should have been .
Yeah, oh, even though what wedo is for beans, oh, even though
what we do is wrong Beans,beans If beans don't Stun it
Grows.

Speaker 4 (51:23):
Go right back to my mans.

Speaker 2 (51:24):
Yeah.

Speaker 4 (51:24):
If he don't get that charge bro.

Speaker 1 (51:28):
Everything changes.
The conversation is differentBecause and I know it's been a
debate in the hip hop communityand we still on this, but
there's not I know we stuck onJay, so Jay is always going to
be, jay is always going to bethat name.
But if you go back and listento every song that Jay and Beans

(51:51):
is on, it's not a wash everlike.

Speaker 4 (51:55):
Beanie is on.
It's not a wash ever no.

Speaker 1 (51:56):
Like Beany is.
Every time you hear them twotogether.
Beany is like, because when wewas talking about Beany's first
album, the songs that Jay was onlike, oh, I can kind of tell
why he didn't really want to,because he would have, but Beenz
got into some situations.
He didn't have the businesssavvy, mind you know what I mean

(52:18):
.

Speaker 4 (52:19):
Is Jay putting out the work because he just that
damn good?
Or is he putting out the workso he can bury niggas up under
the soil?
That's another conversation.

Speaker 1 (52:28):
That's a whole different conversation.
I kind of feel like that's whyhe was like what they say in
court.
They was like do you, can he beunder your wing?
So when we need to check on him, we come to you.

Speaker 4 (52:42):
Nah fam.

Speaker 2 (52:43):
They asked him.

Speaker 4 (52:43):
Mm-mm.

Speaker 1 (52:45):
Would you be, can you be Be responsible, right, right
, mm-mm, lock him up, cuz.
Go ahead and lock him up.

Speaker 4 (53:01):
You know what I would have said to you in that
courtroom fuck you thatbarbershop, them clippers, the
mother.
I would have went crazy.
Nigga, how the fuck you.

Speaker 1 (53:04):
Supposed to be my man .
Nah, I can't keep an eye on him.
Put me in a studio.
I'm on tour with you.
It's only for a little bit oftime.

Speaker 2 (53:14):
What we do is wrong yeah.

Speaker 1 (53:17):
But shout out to BDot , though, for putting out that
list.
There he is, I love theconversation starters, bro Big.

Speaker 4 (53:23):
Crit.
Oh my God, I can't believe Ileft my man's house, bro.

Speaker 1 (53:27):
Which song, though?
Big Crit on one train witheverybody who was on that?
Was it Matt Miller?
Was Matt Miller on there?
I think Danny Brown, kendrickAbso, it was a few folks on
there.
Hey, shout out to Crit, a Southlegend, because I know y'all
going to start the conversationthat he's not a legend.

(53:49):
But Crit is Crit.
Crit was here, you hear me.

Speaker 4 (53:53):
Hold on, man, my nigga fucked up bro.

Speaker 1 (54:01):
Even though what we do is wrong Bro on that song.

Speaker 2 (54:09):
Mm-hmm, mm-hmm, mm-hmm.

Speaker 4 (54:15):
You got A$AP Action Bronson, danny Brown, joey
Badass, kendrick Lamar, yellowWolf and Big KRIT.
Bro, y'all not about to sit andlisten to me and KRIT, just
don't get that.

Speaker 1 (54:33):
And he was there, it's because KRIT is his self
KRIT, do his own thing.
Same thing with Killer Mike.
Killer Mike don't get that andhe was there.
It's because Crit is his self.
Crit do his own thing.
Same thing with Killer Mike.

Speaker 4 (54:38):
Killer Mike, don't jump into all this shit, oh my
God.
Three states on Killer Mike.

Speaker 1 (54:43):
Oh, the science isn't but the impact.
It ain't got the impact.
Nah, it ain't got the impact,but that might be one of the
best verses.

Speaker 4 (54:53):
I like badass on wrong idea.
But that might be one of thebest verses.

Speaker 1 (54:57):
I like badass on wrong idea.
I ain't mad at that.

Speaker 2 (54:58):
You know, what.

Speaker 1 (55:00):
I'm talking about.

Speaker 4 (55:00):
Yeah, I ain't mad at that, am I Not you, okay, no,
because you know whatmotherfuckers like.
Nigga you a jerk Bro.
Oh my God.
Corrupt on doggy dog world,corrupt on.
Ain't no Fun.

Speaker 1 (55:18):
Snoop on.

Speaker 4 (55:20):
Number G Thing.
If corrupt ever give a fuckabout a bitch.
I hope he be broke.
I never had no motherfuckingendo smoke.
I get smoked and loony Bitch.
You can't do me BBD Yohuchi,groupie.
I got no love for hoes.
That's something that I learnedin groupie.
I got no love for hoes.
That's something that I learnedin the past.
I had a fucking monster post topay these hoes Just the latest

(55:40):
hoes.
I know the pussy's mine.
I'm a fucking off time and I'mthrough with it.

Speaker 1 (55:46):
Pass it to the homies , man, come on bro the nigga we
said it when we was talkingabout Corrupt If he wasn't a
West Coast rapper, he'd be oneof the greatest niggas to ever
rap, Because that nigga's nice.

Speaker 4 (56:00):
Yo Boyliss, I love Wayne Liss, bro.
I can't remember his top fivewhen he was asked by Skip
Bayless, but he had Missy in it,bro, Of what though?

Speaker 1 (56:13):
His top five influences.
Okay, yo, yo, yo, yo, yo yo,missy, don't get missy, don't
she?

Speaker 4 (56:15):
don't say a lot of shit like I can't stand the rain
.

Speaker 1 (56:20):
But missy is one of them.
One of them, ones that if shereally wanted to stun on
motherfuckers, oh no no, no, shegave me whimsical raps, though
she was like it's not hard whenthe rain hits my window Five,
six, ten and that yeah.
She could come out and say oh,y'all want to talk about what.

(56:40):
Who did what?
Lay it out Producing, writing,rapping, singing.
My girl Shout out to sisterBeep beep who got the keys?

Speaker 4 (56:50):
to the Jeep.
I'm driving to the beach, butI'm driving to the beach.
But uh, she had motherfuckingphone books In her driving seat
in a video Bruh.

Speaker 1 (57:09):
Have you seen her lately?
I love Miss you.
She done lost some weight.
What was that song that?

Speaker 4 (57:15):
This shit came out when I was like 8th grade.
I love Missy she done, lostsome weight.

Speaker 2 (57:19):
What was that song that that?

Speaker 4 (57:19):
shit came out when I was like eighth grade.

Speaker 1 (57:23):
She had us going fucking crazy.
I know the song, but I can't.

Speaker 4 (57:26):
She had that double dutch sample in her, yeah.

Speaker 1 (57:30):
Shout out to Jade too , who just disappeared.
She was on Missy's album andjust In the classroom.
Yeah, and just disappeared.

Speaker 4 (57:35):
She was on missy's album and just in the classroom,
yeah, yeah it just disappearedbro, her little, that whole
little wave like tweeting them,that followed.

Speaker 1 (57:43):
Yeah, oh my god and you know before, before it was
that it was, uh, it was, it wasmissy Tessie Aaliyah, Timbaland
Magoo Gene Wine, that wholelittle yeah.

Speaker 4 (57:57):
Nigga.
Come on, bro, we come from goodmusic.

Speaker 1 (58:00):
We grew up on some good music boy.
We come from good music.

Speaker 4 (58:02):
I'm trying to tell you Even when we start finding
ourselves bro and start gettinginto that crunk trap.

Speaker 2 (58:07):
Yeah, yeah yeah.

Speaker 1 (58:08):
That was different, that was different.

Speaker 4 (58:09):
A nigga say golden era.
Everybody golden era Isdifferent, though yeah.

Speaker 1 (58:18):
Go back to our first episode.
We talked about what would youconsider your generation of?

Speaker 4 (58:22):
music, my golden era, from like 96 to my shit, from
like 96 to 2009.

Speaker 1 (58:31):
I was about to say I will put in my mind 98 to like
2010.
I understand that.

Speaker 4 (58:41):
I understand that I ain't going to sit here and be
like man nigga, that, that, thatand when we go back and deep
dive I'll be like goddamn.
I wish I was a little olderthen.

Speaker 1 (58:48):
Facts there's a lot of music that I've thought that
boy if I was like 19-somethingwhen this dropped.

Speaker 4 (58:56):
That's why I understand when my daddy and
them was in high school and thatRakim dropped bro.

Speaker 2 (59:01):
Mm-hmm.

Speaker 1 (59:03):
And them niggas seeing that shit for the first
time I understand thatEverything changing, because
it's like, first off, it's awhole new sound really hitting
and them niggas is talking Aboutsome shit, but that's what I'm
saying.

Speaker 4 (59:12):
Yeah, and then niggas saying like, hold on, bro,
that's achievable.

Speaker 2 (59:16):
I can get a donkey round.
How you get that.
Not too many people had themmotherfuckers.

Speaker 3 (59:22):
How you get that.

Speaker 2 (59:24):
Hell yeah, bro.

Speaker 1 (59:28):
Alright, let's talk about Some new music that
dropped Okay who.
All right, let's talk aboutsome new music that dropped.
Okay, who do you want to start?
Let's start with Will Smith.
Will Smith dropped a new albumbased on a true story.
It's trash.

(59:48):
Is it too many writers on it?
I didn't even want to look atthe writers to see hold on, hold
on, hold on.
Okay, go ahead I didn't want tolook at the writers because I
wanted to think let me just gointo it and see who did what.
But you can tell, listening toit, the songs that will smith
wrote versus a big shine asked.

(01:00:09):
Versus.
What's the dude's name?
Joyner Joyner Lucas, you cantell.
Even if I won't say they wrotewhole verses, I'm going to say
it was a lot of input, Fuck theverses.

Speaker 4 (01:00:21):
He wrote the whole song.

Speaker 1 (01:00:22):
It was a lot of input .

Speaker 4 (01:00:24):
I ain't looking for, I'm look.
I understand people are in aplace where they're like, let me
get back to my first love.
Let me get back to what kickedit all off of me.
But sometimes you just don'twant to tarnish what you have,
bro.
Yeah, so with Let me speak formyself, I would Right.

(01:00:44):
If I'm the first Grammy Awardwinner, if I'm you let that
legacy just be.

Speaker 1 (01:00:51):
Yeah, Like.

Speaker 4 (01:00:52):
I'm not like.

Speaker 1 (01:00:53):
Like.

Speaker 4 (01:00:53):
LL, I understand you could do it.
You want to prove to people,these youngins.
I have nothing to prove.
Go and look at my track record.

Speaker 1 (01:01:02):
The difference between LL and Will Smith though
Will Smith can't rap like LLthat LL album, and I get what
you're saying, but that LL albumis a good album they come from.

Speaker 4 (01:01:17):
but that's LL doing LL things.
That's what I'm saying.
It's not LL going to Jay-Z toget a track.
It's not him going to TrickDaddy to sound like Miami you
know what.
I'm saying it's not that it'sLL showing to Trick Daddy to
sound like Miami.

Speaker 1 (01:01:35):
It's not that it's LL showing you ain't shit change,
he can still do it.
I'm just older.

Speaker 4 (01:01:38):
Yeah, you see what I'm saying.

Speaker 1 (01:01:38):
Because he was gone.

Speaker 4 (01:01:40):
But it's LL.
Just like when we said aboutCube it's Cube.
It might be outdated, butthat's Cube.
Yeah, he's not giving younothing but himself.
Yeah, the times may have wentpast his sound.
Yeah, sure enough, but nigga,I'm not doing nothing different
from what the fuck I know to dothis is what got me here.

(01:02:00):
I'm gonna stay on that track.
And what happened?
I don't have to do it, but I, Ijust want to do it.
The nigga probably hit 500.
And then look what him andMount Rushmore did All them
niggas tapping that damn near 60.

Speaker 1 (01:02:19):
Are you talking about with Cube now?

Speaker 4 (01:02:20):
Yeah, cube, yeah Cube , snoop.

Speaker 1 (01:02:22):
E-40.

Speaker 4 (01:02:24):
Look what they did.
And them niggas, bro.
At that time they still put outa quality project, bro.
They probably didn't do thenumbers, but, nigga, they still
hit numbers.
They still got a fucking fanbase, bro.
That Will Smith shit, bro.
If you're going to do WillSmith, give us.

Speaker 1 (01:02:40):
Will Smith, get in jiggy with him and you know what
?
I wouldn't have been mad atthat if you was just like, oh,
I'm going to give him a man inblack tie Not really that.
But you know what we're lookingfor you, looking at you to do.
That's Will Smith.
You don't have to come in herewith the fuck you he doing all

(01:03:02):
that.

Speaker 4 (01:03:03):
We know that's not you.

Speaker 1 (01:03:04):
We know that's not you, and even if it is, we ain't
used to it you don't even giveus that On your Instagram, bro.

Speaker 4 (01:03:10):
And what were you going Off on Jada about?
Don't do that this is how.
I get my money Come on.

Speaker 2 (01:03:16):
You don't do that.

Speaker 1 (01:03:19):
Well, it's out there If y'all want to listen to it.
It's available on your DSP andwe know you tough, we know you
from.
Philly, yeah, but ain't nobodyfucking with you when you got
Charlie Mack, the, the, factthat one thing I didn't like
about it is so he starts offwith a song and it's like people
having conversations.
He's all the voices, but it'slike conversations about why he

(01:03:41):
did this.
Why him?
I think because you done beenin all the platforms and talking
about why you smacked Chris.
What's going on with you andJada?
So this conversation songsounds like it just sounds corny
, okay.
And then throughout the albumthere's just other songs of like
oh my God, I'm the victim.

(01:04:02):
Why are y'all treating me likethis?
It just sounds like you tryingto say Sounds like he playing
give me a hug in the back.
It's like he's like hey, blackpeople.
Sound like he playing give me ahug in the back.
It's like he's like hey, blackpeople, I miss you.
Come give me a hug, give me ahug.
Give me a hug.
I mean it's cool, but it ain't,for me, the best thing about it

(01:04:25):
, though, like he said on thealbum, I don't need to do this
for money.
I'm doing it because I want to.
So that's cool Because it's ahobby.
It's a hobby, it's somethingyou want to do.
You know what you should do.

Speaker 4 (01:04:38):
Get behind one of these black film studios.

Speaker 1 (01:04:41):

Speaker 4 (01:04:43):
And start putting out your movies.

Speaker 1 (01:04:45):
That's what he should do.

Speaker 4 (01:04:52):
I wouldn't be mad at that.
And then, when you put themmovies out, record a song for
the soundtrack.
Pop off those always do goodfor you.

Speaker 1 (01:04:59):
Even the.
Wild Wild West song and thenstart a podcast, a company, and
sign some underground potters.
I think that'd be good Withyour name behind it.
My name's Smith too.

Speaker 4 (01:05:16):
Your cousin Somewhere down there At least your folks
was on the same.
You know what I'm saying Facts.

Speaker 1 (01:05:26):
Dirk also dropped an album called Deep Thoughts.
Oh, my goodness, dirk, I don'twant to say too much because I'm
a civilian now.

Speaker 4 (01:05:38):
You've always been a civilian.

Speaker 1 (01:05:39):
Thank you.
There's a few songs wherethey're blanking out certain
shit and you can tell it's namesthat he would say back in the
day or certain things that hewould say on his older shit that
on this album they are choosingto blank out.

(01:06:00):
Who is he signed to?

Speaker 4 (01:06:02):
That I don't know.
Okay, if I'm not signed toanybody, I'm holding this album
Because I don't know what'sgoing to happen.
My life is in limbo right nowas far as the court system right
.
I can control my money.
As far as I know, he cancontrol his money right.

Speaker 1 (01:06:26):
He signed to Sony.

Speaker 4 (01:06:28):
Okay, yeah, I'm not releasing any music because at
this point I don't know what'sgoing to happen.
I don't know if I'm going to begoing away for a long time or
forever.
This is the only trump card Ihave to save me and my family as

(01:06:51):
far as financially, if I dohave to do something yeah, I'm
saying yeah like I'm not, I'mnot, I'm not just about to put
this out and then I don't know.
I guess you can look at it twoways, because if he still has
access to the money and he givesthe the album to him, yeah, and
he gets money back from it andmy family can move that money

(01:07:15):
and do what they need to dobefore everything gets shut down
that's a different thing.
But if all the money is shutdown right now and then I'm
dropping this and that money ishitting a fucking brick wall.

Speaker 1 (01:07:25):
It's just there going bouncing back to the people.

Speaker 4 (01:07:28):
And I don't have access to it.
What are we doing?
Because if I get, I'm sayingthis no go ahead.
If I get locked up and now Ican use that album as some type
of To send back to my folks.
Or some type of you know BarterTo.

(01:07:48):
You know, just set my people upand you can have this shit.

Speaker 3 (01:07:52):
You know what I'm saying yeah.

Speaker 4 (01:07:54):
We don't know the logistics of the contract you
know what I'm saying.
Right, it just seems weird, bro, because the shit that you're
talking about in this fuckingalbum is not going to help your
case.

Speaker 2 (01:08:05):
At all.

Speaker 4 (01:08:06):
Why am I dropping shit that might be incriminating
?

Speaker 1 (01:08:09):
That can still be used.

Speaker 4 (01:08:11):
This shit was recorded before or around the
time all this went down.
Excuse me, so it's just badtiming bro.

Speaker 1 (01:08:23):
I think it's bad timing.
And then, when you listen tothe album, there's some songs
where he sounds like hey, yo, itjust sounds like I know yo.

Speaker 4 (01:08:33):
It just sounds like I know what you're getting.
It sounds like you don't haveany remorse for anything that
you've done.

Speaker 1 (01:08:37):
So there are some songs where he sound like
because we talked about himchanging and being so.
It's a couple songs where itsound like he like this is my
new life that I want to lead,but then when you listen to it a
little bit more, you still gotthem same type of songs.

Speaker 4 (01:08:54):
But you said it, this is the type of life that I want
to lead, but this is the typeof life that I'm still living.

Speaker 1 (01:08:58):
Yeah, yeah, yeah yeah , the mix of it just don't sound
right.

Speaker 4 (01:09:02):
I would have not put this shit out and I'm going
through what I'm going through.

Speaker 1 (01:09:04):
Yeah.

Speaker 4 (01:09:05):
Now, if this would have happened, if If I would
have dropped this and then two,three months later, shit fall
down, then that's different,that's something different.
That's something different.
But I'm not about to drop thisshit because you don't have
anything different than whatyou've already been talking
about you still sliding.
The only difference is we knowyou took your shahada, we know
you got married, we know youdoing different shit or trying

(01:09:27):
to do different shit.

Speaker 1 (01:09:32):
But in the midst of that, you're still doing the
same shit, you're still aroundthe same thing and even if
you're not doing quote unquote,you're still talking.
So once you get in trouble forthis certain shit and then the
album come out and you talkingabout this certain shit, I mean,
I'm not for using lyrics, butif it lines up to what we're

(01:09:52):
seeing.
You see what?

Speaker 4 (01:09:53):
they're doing.
Yeah, niggas, what's happeningis in my mind.
In my opinion, they're forcingyou to figure out a different
way.
We're not going to allow you toexploit your life if we can't
exploit yours Right right, rightright.

Speaker 2 (01:10:11):
You see what I'm saying, right.

Speaker 4 (01:10:12):
So now niggas is going to have to get back to
that kid in play mode, that twolive crew mode.
You're going to have to startdoing shit like that, just so a
motherfucker is out of sight,out of mind, type shit.

Speaker 1 (01:10:24):
Right right, right, right right.

Speaker 4 (01:10:25):
And then just sprinkle it in, bro.

Speaker 1 (01:10:27):
We know what it is, but I was about to say, the
problem with the new peopletoday, and the same thing with
certain podcast folks.
People don't know how to talk,they just know how to speak,
what they doing.

Speaker 4 (01:10:37):
No, no, no, no, no, no.
Well, OK, ok, I feel whatyou're saying, but a lot of it
not even that.
They don't know how to talk.
Niggas is scared to bedifferent.

Speaker 1 (01:10:47):
Yeah, but that's what I'm saying.
That goes into the same thing,because when it come to rapping,
these niggas not even artists.

Speaker 4 (01:10:58):
They only doing it to make money, so they can only
talk about what they thinkeverybody want to hear.
Let's say bro, let's use bro,for example you know what I'm
talking about, right I'm gonnasay yeah shiny head yeah, yeah,
yeah, yeah, yeah, yeah yeah helived the life that he lived

Speaker 2 (01:11:11):
right.

Speaker 4 (01:11:11):
Mm-hmm, he claimed what he claimed, right.

Speaker 2 (01:11:14):
Mm-hmm.

Speaker 4 (01:11:15):
I was with this nigga a lot, right, mm-hmm.

Speaker 1 (01:11:20):
Yeah.

Speaker 4 (01:11:20):
What?
What are we talking about?
Dog Nigga, but you can beda-da-da-da, you up under me,
da-da-da.
I feel that Mm-hmm up under me.
I feel that I do.
That ain't happening, becausethe moment I do that, I'm not.
I'm labeled, yeah, I'm expectednot to fuck with certain people

(01:11:44):
that I already gotrelationships with.
I'm not Nigga, no.
And then if I wanted to takeInstruction From a random nigga
you know what I'm saying Iwould've went to the army.

Speaker 1 (01:12:03):
Like no nigga.

Speaker 4 (01:12:05):
The fuck is we talking about?

Speaker 1 (01:12:07):
But For the niggas that have entered into that
world, you gotta know how tomove now though, but this is my
thing and not get on a podcastand then call into the podcast
while you locked up and say, hey, this is what's going on.
What the fuck is wrong withy'all, what the fuck is wrong

(01:12:28):
with y'all.

Speaker 4 (01:12:28):
First off, don't get on the podcast and tell on
yourself.

Speaker 1 (01:12:31):
So yeah, so they want the nigga that shot the nigga
on East right and I know thatnigga.
I know the nigga Like hisfavorite color blue.
He always wearing blue.
He even brought me the weapon.
What's that car that he driveall the time the Regal.

Speaker 4 (01:12:47):
What the fuck that nigga drive a.

Speaker 1 (01:12:48):
Nigga start talking about games or something.
Nigga talk about fucking GrandTheft Auto and shit.
Nigga.
No, bro, listen to me.

Speaker 4 (01:12:55):
You can talk about what the fuck you want to talk
about, but don't talk about thepresent.
Don't talk about shit that'sopen.
That's what kills me aboutniggas who say they street
Everybody want to be.
Look, man, I don't give a fuckNigga.
You see it.
Nine out of Fuck that.
You see it?
Yeah, I give a little leeway.
You see it nine out of tentimes.
It's only one out of ten niggasthat's going to keep it solid

(01:13:17):
and not say nothing.
Yeah, you see what I'm saying.

Speaker 2 (01:13:20):
Mm-hmm.

Speaker 4 (01:13:22):
Everybody else Nigga they.

Speaker 2 (01:13:25):
Yeah.

Speaker 1 (01:13:26):
Because niggas ready to say something he said what?

Speaker 4 (01:13:28):
Because niggas ready to say something.
He said what.

Speaker 2 (01:13:30):
Oh my God.

Speaker 4 (01:13:30):
No, this is what really happened and the
motherfucker ain't even sayingshit, ain't said nothing.

Speaker 1 (01:13:34):
Ain't said nothing.

Speaker 4 (01:13:35):
The biker boys.
They got in that big ass brawl.
It was probably 170 to 210motherfuckers, bro.
Ain't not one of themmotherfuckers saying shit?
And guess what happened?
All of them motherfuckers gotto walk him Because none of them
broke Bitch.
I ain't seeing shit.

Speaker 2 (01:13:51):
Ain't nothing happening.

Speaker 4 (01:13:53):
You're bleeding from your skull.

Speaker 1 (01:13:54):
Darnell.
But that's all, yeah, that'snothing.
I mean, shit, shit washappening, shit happened.
But that's what I say If youcan't, if you ain't about that,
ain't no real gangsters bro.

Speaker 4 (01:14:06):
Not like.
Ain't no real gangsters, bro.
A nigga might come out here andcrash out and blow a
motherfucker's brains out, butas soon as they get the chance
to tell on a motherfucker to gofree, they gonna do it.
Oh, facts, facts.
Ain't no gangsters out here,bro?
Because real gangsters do whatthe fuck they supposed to do.
If I'm getting money in thiscommunity, bitch, I'm putting

(01:14:27):
money in the community.
When we was little, it wasniggas that was getting money,
bro, and when they seen youdoing shit hey, lamar, what that
report card looking?

Speaker 2 (01:14:37):
like you see what I'm saying.

Speaker 4 (01:14:39):
I wasn't who I am now , so they seen a nigga what that
report card looking like.

Speaker 1 (01:14:42):
But that's because those type of niggas don't exist
.
No more period.
You know why?
Because everybody want to runon their own right, so you got
all these niggas in the street.
You got all these niggas in thestreet, just like you saying
but even if they come to youlet's say I wanted to be in the
streets Niggas could say hey,fam, this ain't for you, this

(01:15:06):
ain't for you, we gonna be back.
But those type of niggas don'texist, because none of them
niggas are really bout itanymore.
Rob.

Speaker 4 (01:15:14):
Markman, Not even that.

Speaker 1 (01:15:15):
Rob Markman no nigga in the street right now.
I'm not going to say you notbout it, but you bout something.
But you ain't, there's no creedanymore.

Speaker 4 (01:15:24):
Rob Markman.
A lot of men don't I ain't evengoing to say men A lot of dudes
don't fucking care, no more.
What the fuck can I get out ofthis Exactly?
That's all it is, bro.
Don't nobody want to?
Hey man, let's fuck with Lil'JJ bro.
Mama fucked up Lights on andoff, bro.
All he doing is going to schooltrying to hoop.

(01:15:46):
The nigga got down.
He got the talent, bro, but hestressing about.
This, that and the other.
Right bro, man Cup on it.
Man, make sure you go to school, just make sure you straight,
bro.
We going to get you up out ofhere.
Then come back, bro.
I don't want nothing from you,bro, but help out with about it,

(01:16:09):
bro.
I wish it was people like BumpyJohnson.
I'm a dude, I'm a dude.
What the fuck I'm supposed to?
I'm out here thugging, butain't nobody fucking with this
community, though, right, ain'tno bullshit coming?

Speaker 1 (01:16:22):
in.

Speaker 4 (01:16:22):
There is no community .
No, but that's what I'm saying.

Speaker 1 (01:16:24):
There's no community.

Speaker 4 (01:16:25):
No, more it, but it start with you, though.
I can only change what's in myfacet.

Speaker 1 (01:16:33):
Right right.

Speaker 4 (01:16:34):
So when my son come in with his people hey, bro,
come in.
Hey, we don't do that aroundhere.
Switch that shit up, bro.
If you, speaking to her, thisis yes ma'am, no ma'am, that
type of shit.
Like, bro, you got to givethese babies respect.

Speaker 1 (01:16:52):
But that goes into now.
We just on some street.

Speaker 4 (01:16:54):
Yeah, yeah.

Speaker 1 (01:16:55):
But there's no rules.
There was old Ernestine on thestreet down the corner.
Don't fuck around with her crib.
That's Ernestine now she beenaround here for a while.
Oh cuz, got his kids with him,don't hit him with his kids with
him.
We just seen that dude at thecar wash got hit and his

(01:17:16):
daughter died too.
You ain't even spoke.
That's not even.
There's none of them type ofrules.
No more.
If, if, uh, if, where we wasfrom, if somebody was doing some
shit on my mama porch, my, mymama could come out and say hey,
don't do that around here.
Them niggas who are the niggasin the street will say my bad,

(01:17:40):
yes, ma'am, you say that to oneof these YNs right now.
Hey, fam, get off my porch withthat.
Who the fuck you talking to?
They're going to blow yourfucking brains out.

Speaker 4 (01:17:52):
That depends on who poured you on.

Speaker 1 (01:17:55):
But I know it depends on who poured you on, but I'm
just talking about the old ladywho's been here.
That woman should be able tocome out and say baby, get off
my porch.
Y'all do that down there.

Speaker 4 (01:18:07):
Not even on her porch .
Hey, baby, y'all mind goingdown the street with that?

Speaker 1 (01:18:11):
But that type of shit don'texist, no more.
Different life, different life.
We old now hey bitch ass, nigga, didn't?

Speaker 4 (01:18:20):
I see you and Miss Johnson taking the motherfucking
groceries in there and you waswatching her.
Fuck out of here, nigga.
I don't fuck with you no more,nigga.

Speaker 1 (01:18:27):
It don't exist, it, it don't exist, it don't exist.

Speaker 4 (01:18:31):
Take Miss Johnson groceries in.
If you see her with hergroceries, I got you Shouts out
to my man's uncle man, mybrother Landon man.
I don't talk to him all thetime, I need to reach out to him
, but his uncle Doty, bro, hewas Doty before I was Doty, Way
before nigga man, I wake up overhis career stage and I always

(01:18:54):
wanted to be this type of uncleor this type of person.
Bro man Doty would wake up whenthem J's drop.
Bro, I'm like man, I'm gettinga J's drop, you know what I'm
saying Just as a kid in my mind.
I'm like everybody getting them.
J's from me.
He's like man.
Come on, we all got some mom.

Speaker 2 (01:19:08):
He be like man come on, we all got to the mile.

Speaker 4 (01:19:11):
I'm like he be like hey man, what size you were Yo
Me, you know what I'm saying.
And then the motherfucker belike nigga, what size do you
wear?
Six, they get them on six, bro.
My dude was like I told you Iain't like a punk bro.
It got you, but even that don'texist.

(01:19:32):
I always want to be that nigga,my son's friends.
I ain't gonna buy you no, james, everything 200, nah.

Speaker 1 (01:19:40):
You got six friends.

Speaker 4 (01:19:42):
I'll be damned if I'm spending $750 on some other kid
.

Speaker 1 (01:19:44):
I'll pay for everybody to go to Jump.

Speaker 4 (01:19:46):
Jam, though Y'all go to Jump Jam.

Speaker 1 (01:19:49):
I got it cuz Don't worry about that we're about to
go.

Speaker 4 (01:19:51):
man, who your mama?
You want to call her when y'alllive, because my uncle used to
do that to my homeboys.
Excuse me, rest in peace.
Captain Marcus, ray, alfred, sr.
Man, my man flew helicopters,bro, for the US Army man.
But growing up, anybody whoreally know me, bro, and was
coming up around me man Marcus,would be like hey, bro, we about

(01:20:14):
to go eat.
He don't say do you want to goeat?
Yeah, we about to go eat.
Who your mama?
Who your daddy?
Yeah, where you live.
He'll pull up on her.
Is they home?

Speaker 2 (01:20:23):
Is they?

Speaker 4 (01:20:23):
yeah, hey, my name is Marcus Ray Alford, captain,
marcus Ray Alford.
Boom, I'm Doty's uncle, he withme.
I'm just letting y'all knowwe'll be here.
I bring him back da-da-da-da,that type of shit to where it's
like bro, y'all ain't never.
That's a real man to me, yeah,and that's how I try to be like

(01:20:44):
hey, bro, we not doing it.

Speaker 1 (01:20:53):
Hey man, what's your mama name?
Because how you look and I'veseen it, I've seen it.
But how you look, taking yourkids and their friends out to
eat and don't feed the friends.
Like a motherfucking buster,and I've seen it Like a buster
With my own eyes.
Hey, fam, you ain't going toget a little cuddled now, you?
Nah bro, that ain't my kid.

Speaker 4 (01:21:08):
That's some hoe, ass shit.

Speaker 1 (01:21:08):
That's some bitch ass shit.

Speaker 4 (01:21:11):
Why the fuck did you bring one?
Hey man, shout out to my niggaD and David man, they daddy, bro
Boom, if you walked up on theymotherfucking on they porch and
the niggas were on thebasketball practice, get your
ass in the truck, nigga, wherewe going.

Speaker 1 (01:21:31):
You show up, you're on the team out of America
because you're pulling now let'sgo, but that's community.

Speaker 4 (01:21:33):
There is no community .
There's no community.

Speaker 1 (01:21:36):
Y'all know, you know how I am when it comes to food.
I can't eat how I used to.
But one thing me and my wifegonna do they gonna feed you.

Speaker 4 (01:21:45):
We gonna make sure niggas eat, ain't no sharing.

Speaker 1 (01:21:49):
Get what the fuck you want.
We gonna make sure niggas eat,but that's just Bro that's one
of my.

Speaker 3 (01:21:54):
Finest memories bro.

Speaker 4 (01:21:57):
First time going to this man's Studio Way off of the
door no shirt, no socks, noshoes.
Niggas, you hungry?
Yeah, what pizza you eat?
What kind you eating, bro,nigga?
I eat meat lovers.
I eat with him.
This nigga ordered everybody inthe motherfucking house.

Speaker 1 (01:22:18):
Everybody going to get their own pizza girl.

Speaker 4 (01:22:20):
If you was in, there ain't no mediums or no smalls
Nigga.
I went home and fed me and mygirl, my newborn baby Nigga
everybody going to eat, nigga.

Speaker 1 (01:22:32):
I don't even want to talk about it like that, but
when we go out to eat the wholediamond cup, what you mean, you
got, eric, come on your kidshere.
You got your kids with you,nigga, everybody gonna eat.

Speaker 4 (01:22:42):
But see, you know what I do because I know what
type of person you are.
I'll go back to the waitressand be like hey, man, take all
the kids off, I'll put them onmy.
I appreciate you.

Speaker 1 (01:22:53):
The only thing I don't do.
I take your whole family out toeat.
You buy drinks, that's boom.
That's what I'm about to say,the only thing I don't do is buy
drinks, no.

Speaker 4 (01:23:01):
But If you're drinking alcohol, no.
But see that If a niggacomplained about that, bro he a
bitch ass nigga.

Speaker 1 (01:23:10):
Facts he's a bitch ass, nigga.
I'll make sure your wholefamily, but I'm not buying no
alcohol for nobody, you know Ipartake.
Of course.

Speaker 4 (01:23:17):
I'm partake Any and everywhere I go.

Speaker 2 (01:23:20):
Mm-hmm.

Speaker 4 (01:23:20):
What I can't deal with is when they go hey, bro,
you ain't manic on my familyBitch, I'll take a walk around
the block.
It's cold, but don't tell me Ican't.
I can't do my thing it wasfreezing cold when we first
started.

Speaker 2 (01:23:34):
Yeah.

Speaker 4 (01:23:35):
And what I saw you was like Bro, you can, I don't
know, nah, nah, nah, yeah, causeyou're, it's cold, your baby's
here.
Yo, yo yo yo, yo he was likeNigga, last time you almost
Called my mom.
I seen you, you, you see whatI'm saying, but that's just me.
I'm going to do what I got todo, even if you don't you know
what I'm saying, because I gotsome people in North Carolina.
They don't really you know.

Speaker 1 (01:23:55):
Yeah, yeah, but I be like shit.
I don't either, but you know.

Speaker 2 (01:23:59):
But no, they like, they like.

Speaker 4 (01:24:01):
They just yeah, yeah, yeah, you know what I'm saying.
Different life.

Speaker 1 (01:24:05):
I ain't used to Febreze since high school, guy
hey it'd be funny because my manwould come in, my son would
text me and say it's Doty downthere.

Speaker 4 (01:24:19):
I'm trying to keep that five man.

Speaker 1 (01:24:21):
Doty downstairs yeah, that nigga here.
Y'all be quiet.
We about to do a podcast.

Speaker 4 (01:24:26):
When nigga hit me with hey bro, you can't smoke no
more.
I know there's some bad shit,you know what I'm saying, but
you know what.
I do appreciate that becauseyou do cater to your boy, you're
like hey, bro, I need to makeyou.
Hey, bro, is you comfortable?

Speaker 1 (01:24:46):
I'm going to tell y'all a truth.
I don't have a lot of friends.
So the few that I keep, the fewthat I got, I got to make sure
we good.
I talk to my friends, shout outto my Dami Cuts, family, cuz,
and they brothers.

Speaker 4 (01:24:58):
Them ain't even my friends.
If you my friend, nigga, Idon't got to be my friend.

Speaker 1 (01:25:01):
Yeah, yeah, that's my bro, yeah, yeah, yeah, yeah,
yeah, yeah, love.

Speaker 4 (01:25:09):
When we partake, bro, we just cool, All right bro If.
I hit you with man love.
Be safe you be like don't befucking with me.
Yeah, that's my nigga rightthere.
I'm one of them, niggas bro forcollege.
You know I don't go out of myway, but if you call me and be
like, hey, bro, I'm tired whenyou at Mile marker 17.

(01:25:33):
Out of my way, mm-hmm.
But if you call me, be like,hey, bro, I'm tired when you at
Mm-hmm, mile marker 17.
Whew, nigga, what the.

Speaker 3 (01:25:37):
Yeah, I'm outside of chat.

Speaker 4 (01:25:39):
Hey bro, I'm on my way, yeah, but but nigga just
know you owe me big time.
I'm one of them, niggas.
I'll come and get you but myfavor, gonna be a favor.

Speaker 1 (01:25:50):
Hey, my bro.
Bro, we was talking aboutearlier.
That nigga used to hit me up,that nigga be on the highway
passing me.
Hey, fam, I just seen you.
You got five dollars.
Wait a minute when you at firstoff you didn't hear that honk.

Speaker 4 (01:26:07):
That was me, that was me.

Speaker 1 (01:26:08):
Nigga, I thought that was the 18-year-old Nigga Busta
.
I'm right behind you now.

Speaker 4 (01:26:15):
You want to meet me too, X.

Speaker 1 (01:26:17):
Shout out to my nigga , though, boy.

Speaker 4 (01:26:19):
I love that nigga boy .
I ain't gonna lie that niggaused to get too good bro.

Speaker 1 (01:26:24):
I don't look, yeah, I see, I see.

Speaker 4 (01:26:27):
Nigga.
Look, I understand.
You know I'm becoming a man.
I'm becoming a man where I go.
What?

Speaker 1 (01:26:35):
was we at?
We was talking about Dirk.

Speaker 4 (01:26:38):
Yeah, bro, it's only a couple cuts on there for me.

Speaker 1 (01:26:41):
It's a few on there that I'll just do.

Speaker 4 (01:26:43):
Without looking at my phone, maybe Vanish Mode one
where he was talking about hewas married.
And that's crazy, bro.
If you're married, just sayyou're married, Just say it.
Yeah, you already showed yourfirst baby mama.
But yeah, man like Bad Tommy,maybe a good album to his actual

(01:27:03):
fans.

Speaker 1 (01:27:08):
If I had to rate it on our scale, I'm giving it like
a two and a half three.

Speaker 4 (01:27:10):
I'm down there with a two with you.
Yeah, I'm like two and a halfthree, because it's like maybe
you know you're going to push itup, but I wonder he got a
future.
He got a future feature onthere it's pretty straight.
But, like I said, like outsideof the like the little cuts that
for the whole Drake situation.

Speaker 1 (01:27:29):
I do want to see what the.
Of course we don't focus onnumbers, but I do want to see
what the first week do, justbased off because it's being
quiet.

Speaker 4 (01:27:37):
They're going to jump .

Speaker 1 (01:27:37):
It's being quiet.
There was no single per se, Imean, of course, with his
situation.

Speaker 4 (01:27:43):
So I mean I'd like to see what it do, though.
We review albums and stuff.
I'm just really trying to keepgoing.
So I'm going to have to reviewTrippie Redd.
I ain't really listening to it.
I'm going to keep it real withour fans.
It was just so much going on.
And then the feature verse.
They threw me out, bro, becauseI was really thinking about how

(01:28:03):
many verses out there that youget overlooked.

Speaker 3 (01:28:06):
I feel like Devin the .

Speaker 4 (01:28:06):
Dude outshined a lot of dudes out there.
But just to get back to it.

Speaker 1 (01:28:13):
Oh yeah, I want to put it all in there, sorry.

Speaker 2 (01:28:18):
Sorry, fuck it.

Speaker 4 (01:28:20):
But then what else?
Are we going to touch on him.
Before we pause, before we goand get out of here, you want to
touch on the Big U shit Mm-mm,you don't Mm-mm, I ain't a
villian.

Speaker 1 (01:28:36):
I'm not either, but I don't really know a lot about
it.
I know better.

Speaker 4 (01:28:42):
You can't catch me south of Wilshire, I know better
.
I'm calling all comedians whenI get out there and I blow up.
Bro, when we blow up.
Yeah, yeah, yeah yeah, you canbe like hey, bro, why are you
fucking with this?
Hey, we talk about that all thetime.

Speaker 1 (01:28:59):
What's the first comedian you would hit up if you
could?
Oh, man, because I'm callingGodfrey.

Speaker 2 (01:29:04):
I love Godfrey.
That's who I'm calling.

Speaker 4 (01:29:06):
That's who I'm calling, calling and godfrey out
.
You know I always talk aboutgodfrey and um his co-host.
Uh, I'm I'm kind of faded rightnow you're kind of going.
I don't want to be on therewith certain people on there,
but if it's him and uh uh, myman, it's okay I know I know I

(01:29:30):
love god.
I know good, I listen to itevery day when I'm at work.
But, god, the first comedianthat I I I probably tap in with,
I don't know, uh, craig fax, um, it's a lot, tony Baker.
I like.
Tony Kevin on stage.

(01:29:53):
I fuck with, but I used toreally fuck with Kevin on stage.

Speaker 1 (01:29:57):
It's just you know that nigga said Stephen A, after
I talked about putting hands onLeBron.
He said you said that you wouldput hands on LeBron if he put
hands on you.
Kevin on stage said no IfLeBron put hands.
K-1 State said no, if LeBronput hands on you, you would just
have LeBron's hands on you,like that's the thing Nigga.

Speaker 4 (01:30:17):
We seen how you put hands on the mix.
What?

Speaker 3 (01:30:22):
are we talking about that, nigga?

Speaker 1 (01:30:23):
said you would just have LeBron's hands on you.

Speaker 4 (01:30:25):
That's it by the time you wind up for your hook,
you're already going back.
It's over with.
It's over with I don't know,all the comedians outside of the
major comedians, yeah yeah,yeah, yeah.
Because I can name all the majorcomedians and I don't want to
disrespect them by not sayingthey're major, but any

(01:30:47):
motherfucking body that camethrough ADD all deaf dizzle,
yeah, yeah, Like to hear more.
Tony Baker, Craig, uh, Craig,facts um shit, even book upon
bro.
Like just to hear it, to heartheir stories, bro.
But I would hang around peoplelike that, bro.

Speaker 1 (01:31:06):
Like, and I would call Corey Hogan just so I can
talk shit and he could talk shitwith me.

Speaker 4 (01:31:11):
I just want to be around, corey, like just to see,
like I just want to be able tofly on the wall, like, hey,
what's up, corey, I want to hangwith you.

Speaker 2 (01:31:17):
You're cool, nigga.

Speaker 1 (01:31:18):
You're a cool little nigga.
Yeah, yeah, yeah, come on.

Speaker 4 (01:31:21):
I ain't going to say shit, but you know how I'm
raised.
If I'm going to look at themlike nigga, if you're a pop-off
bitch, I'm flying off.
You better have my bail readyYo yo, but yeah, I just bruh,
like all the big people that Iwant to meet.
Like people that I want to meetare like comedians bruh Cat
Williams, ali Sadiq Shit.

(01:31:43):
Shout out to Ali Sadiq man.
He came to Knoxville.

Speaker 1 (01:31:47):
I missed that show too at the Bijou Theater.

Speaker 4 (01:31:49):
This motherfucker did not miss bruh it was not a dead
moment in that motherfucker.
I don't know if it was sold outor not, but it looked jam
packed yeah the comedian, Igetting drinks and getting merch
, so I kind of missed, like thebeginning of the the opening act
or the opening act, but he wasoutstanding.

Speaker 1 (01:32:10):
Yeah, the opening act , but he was outstanding, bro,
and it was just two.

Speaker 4 (01:32:13):
Ali Sadiq man.
If you ever catch one of theseman, you gotta be in the top ten
, if not top five right now bro.
Like he.
That nigga just sat down andwas speaking.
He just be cool with it.
Funny from beginning to end,bro, it was not one dead moment,
bro.
Ali Sadiq Cat Williamsobviously funny from beginning
to end.
It's not one day moment.
Uh.
Alice adate kat williams, uh,obviously, um, it's it's a lot.

Speaker 3 (01:32:38):
Yeah, I got you yeah, I got you.

Speaker 1 (01:32:40):
I wouldn't want to meet your boy, though I would oh
, no, no, no, no, I don't, Idon't want it I wouldn't really
care, I do.

Speaker 4 (01:32:52):
I mean, I went on some business but, I, would
automatically have my girl.
You know I got my girl.

Speaker 1 (01:32:57):
Yeah, yeah, I already know, you know nigga be like
hey, bro, why you so fuckingmean?
I have to be.
But I'm not mean that's my dude, don't worry about it.
I'm not going for no bullshit.
Before we move into reviewingthe album.
I was thinking about this when,do you think so?

(01:33:18):
Wayne put out that commercialduring the Super Bowl that the
album was.
Yeah, I'm still waiting.

Speaker 4 (01:33:25):
The album was going to come.

Speaker 1 (01:33:27):
June 6th right, but there's no.

Speaker 4 (01:33:34):
Go ahead.
No, no, no, because I thoughtabout another verse that I was
going to put on there.

Speaker 2 (01:33:39):
Go ahead.

Speaker 4 (01:33:40):
Boosie, wipe me down.
Ooh, I pull up at the club VIPgas tank on me, but all drinks
on me, wipe me down.

Speaker 1 (01:33:50):
Man listen to me that might be one.
Oh, my God.

Speaker 4 (01:33:56):
Yeah.

Speaker 1 (01:33:57):
My bad, my bad.

Speaker 4 (01:33:58):
Impact, impact, yeah, yeah, yeah.

Speaker 1 (01:34:02):
But Wayne did put out a commercial Commercial.

Speaker 3 (01:34:05):
Super Bowl commercial .

Speaker 1 (01:34:05):
Super Bowl commercial Saying it was coming out June
6th and I know we're not in June, we're about three months away,
but it's getting close.
There's no I mean Indy's ontour right now.

Speaker 4 (01:34:17):
When do we start seeing the trailers?

Speaker 1 (01:34:19):
When do you believe that we're going to start seeing
something?
Because for you to put out thatdate so far in advance, I would
think something, a single orsomething, should be coming
right.

Speaker 4 (01:34:37):
What a fool believe Shots at Tony.

Speaker 1 (01:34:39):
Baker, but I would think something.
I mean he's on tour right now,so so I don't know.
I don't even know what toexpect from this album with him
being on tour.
Do you think some hot boys, doyou think many fresh production
might be on there?

Speaker 4 (01:34:54):
I will be disappointed if I don't if you
don't hear nothing because you,you, you, really riding the wave
of it.

Speaker 1 (01:35:00):
So you might as well.

Speaker 4 (01:35:02):
It's not a might as well bro.

Speaker 1 (01:35:04):
You know what would be good on that album?
A song produced by Manny,without a hot boy Like I would
want to hear at least one ofthem.

Speaker 4 (01:35:14):
Nah, I wouldn't want to do something people wouldn't
think of.
I want a song.
I would want a song with Mannybut, not with everybody.
I want to hear everybody onsomething else.
Can y'all do this, can y'allproduce that hot boy shit on a

(01:35:35):
London on a beat London on thetracks?

Speaker 1 (01:35:38):
Yeah, yeah, yeah yeah .
Or Metro Boomin' or somethinglike that yeah, yeah, yeah, yeah
, or Metro Boomin' or somethinglike that.
Or Metro Boomin', yeah, yeah,yeah, or Zayn.

Speaker 4 (01:35:43):
Toteman, can y'all do that outside of that New
Orleans sound?
Now, if you give me somethinglike that, I'm all for it,
whether it's good or bad.

Speaker 1 (01:35:52):
I just want y'all to do it, yeah.

Speaker 4 (01:35:57):
It's just something to do course.

Speaker 1 (01:36:00):
Are y'all hot Of?

Speaker 4 (01:36:01):
course.
Oh no, no, no, no, no.
Was Project English Manny FreshSome of Did he do rodeo?

Speaker 1 (01:36:10):
I don't think so.

Speaker 4 (01:36:12):
Is he not?
I need him in my life.
He did that Okay yeah, no, no,no, yeah, he did that.

Speaker 3 (01:36:18):
Yeah, that sound like like yeah, he did that.

Speaker 1 (01:36:21):
Oh, he didn't do rodeo.

Speaker 4 (01:36:23):
I don't think so did that bro speaking of uh rodeo,
um, why you looking that up?
Did you see where biggie versewas taken off of uh the r kelly
and he used it for his own?

Speaker 1 (01:36:35):
yeah, I seen, okay, yeah, I said this nigga new
Biggie got one.
Kool and Dre did Rodeo.

Speaker 4 (01:36:43):
For real.
I never known that.
Come on and do the Rodeo.
I didn't know about Kool andDre until motherfucking Push it
To the Limit.

Speaker 1 (01:36:54):
I didn't bro, but yeah, kool and Dre did that.
But the Wayne album do youthink it's coming out in June?

Speaker 4 (01:37:08):
Y'all crucify me or whatever.
I'm a huge Wayne fan.
I think he's one of the bestever.
South, worldwide, otherwise.
But I'm not expecting shit.
I'm not, I'm not, I'm not Likeyou know how people are saying
are we done with the 90s?

Speaker 3 (01:37:27):
when it comes to basketball.

Speaker 4 (01:37:29):
I'm not saying I'm done with Wayne, but I'm done
with what Wayne been giving me.
If you're not going to give me,we know you can put words
together.
We know you can give us a ghostface.
Yeah, like you know, ghostfacejust came out and said uh, I
can't remember what verse it was, but he was like.

Speaker 1 (01:37:48):
I just want to do a style where I'm putting words
together don't mean shit waynebeen giving us that for a long
time, very long time, but itsound good no, I'm not
discrediting it but what?

Speaker 4 (01:37:55):
I'm saying man shots, shots out to my classmate tim
anderson.
Tim Anderson said this shitback in fucking 04.
Wayne is the best rapper aboutnothing.

Speaker 1 (01:38:05):
That's a fact, tim said that back in 03, 04.

Speaker 4 (01:38:10):
Listen to me.
I want to hear, I want to hearrapping Wayne.
I want to hear Wayne give usthat introspective Wayne.
I want to hear Wayne give usthat introspective Wayne.
I want to hear early on Wayne,not early on as far as sound,
but give us them visualstorytelling, wayne.

Speaker 1 (01:38:29):
Yeah.

Speaker 4 (01:38:30):
I want to hear that I'm stunting on you.
My house bigger than yours.

Speaker 1 (01:38:34):
But you know what's crazy?
I don't think he have an albumof that.

Speaker 4 (01:38:41):
If Wayne tell you about how he really fathered his
kids, I bet you'd be here forit.

Speaker 1 (01:38:46):
No, no, no, I would.
I just don't think he have analbum of that.

Speaker 4 (01:38:52):
No, that's true.

Speaker 1 (01:38:52):
I don't think he could give us a 4-4-4.

Speaker 4 (01:38:55):
That'd probably be hard for me, but if he give you
four or five songs like Miss myDogs, would that be the better
album.

Speaker 1 (01:39:06):
Just give us some of thatSomething.
Yeah, give us some of that.
What's your favorite?
Wayne song.

Speaker 4 (01:39:18):
I got too many bro.

Speaker 1 (01:39:20):
Get involved and I got them playing dodgeball with
bullets.

Speaker 4 (01:39:25):
I don't know, because what's the Hustle music?
Sky's the limit.
See, I ride for mymotherfucking niggas.
Most likely I'ma die with myfinger on the trigger.
Golly bro, that's a lot, youcan't.

Speaker 1 (01:39:50):
BMJR is my favorite song.
That's from Carter 1.
That's my favorite Wayne song.
For real, I love it.

Speaker 4 (01:39:59):
I would've said the younger me would've been like
man, something like Go DJ.
But when I found out it was aremake took a.

Speaker 1 (01:40:06):
He still took off on that thing though, yeah, but he
took off on that motherfuckerthe other one was.
Yeah, yeah, yeah, yeah.
Yeah, Some of it was yeah.

Speaker 4 (01:40:12):
Oh, he won't sell, yeah, but when would he be if he
don't get killed?

Speaker 1 (01:40:23):
Because he was carrying them niggas for a
minute.
No disrespect, I think it endsonce Juvenile come in.
Okay, no, no no, no, no, yeah,yeah, yeah, no no.

Speaker 4 (01:40:28):
And I'm just asking because, I'm not saying he was
going to be the next.
No, I understand, but I thinkit was going against some giants
at the time, at the time.

Speaker 1 (01:40:33):
Yeah, I mean the fucking.

Speaker 4 (01:40:40):
Is that one of the greatest diss songs?

Speaker 1 (01:40:42):
To me.
Yes, but that one you knowwhat's funny I was telling my
son about that song Because wewas listening to it and we was
talking about diss songs,because he done got into battle
rap lately and I was like I'mgoing to tell you one of the
best rap battle songs like disssongs.
And I played that.
It's just a time frame and whatit did at that time and it was

(01:41:06):
in the South it just hitdifferent From the boot on ease.
Yeah, I just think it hitdifferent.
You know what I'm saying and Idon't think nobody will put that
.

Speaker 4 (01:41:17):
But yeah, that's one of them, yeah that's one of them
.

Speaker 1 (01:41:23):
God, he said.
I leave a note around your neckreading Badass yellow boy, oh,
you want some?

Speaker 4 (01:41:30):
You a hoe.

Speaker 1 (01:41:33):
Here we go.
Yeah, that's one of them,though what else Do you?

Speaker 4 (01:41:38):
like.
What version you like?

Speaker 2 (01:41:41):
Better.

Speaker 4 (01:41:41):
Project Pat, choose you or.
What else Do you like?
What version you like better?
Project Pat, choose you, or.

Speaker 1 (01:41:45):
The International Players Anthem.

Speaker 2 (01:41:47):
Okay, yeah.

Speaker 1 (01:41:49):
Only because Andre said that Andre and Pimp C.

Speaker 4 (01:41:54):
Would you take anybody verse off to put a
Project Pat verse on there?
No, I would.
Who Taking Bum B?
You crazy.

Speaker 3 (01:42:03):
You crazy Hell.
No, you crazy, you crazy Hell,nah.

Speaker 1 (01:42:05):
You crazy.
Now I wouldn't, but I'm not madat it.

Speaker 4 (01:42:17):
Don't you be mad at me, Cause your hoe no chose.
I'm glad to see.
What the fuck is this talkingabout?
I ain be mad at me, cuz yourhoe no chose.
I'm glad to see.
No, no, no, no, no.
What the fuck is we talkingabout?
I ain't mad at it.
I'm taking Bun out of the bookproject Hold on hold on guys we
going to hold on.
The only reason Bun B owner isbecause it's two duos bruh.
Because it's.
Yeah, I'm putting Pat ownerover Bun B.

(01:42:40):
Crucify me if you want to,nigga, but I'm from the South.
I was raised out West but I wasborn out West but I'm raised
down here, bro.
I'm putting Project on there.
Bro, he come on too tough,Don't you be glad I type?

Speaker 1 (01:42:56):
a text to a girl I used to see.
Don't say that, hold on, holdon.

Speaker 4 (01:43:01):
Read some letter, you sure On the subject, you sure
Like it.
On top of the cover, money onthe dresser.

Speaker 1 (01:43:08):
Drive a compressor Top notch holes.
Get the most, not the lesserTrash like the puffer for the
dollar.

Speaker 3 (01:43:14):
That nigga go.
You can't take him off.

(01:43:56):
You can't take him off, okay,and I love this man.

Speaker 4 (01:43:59):
I I can't move Now.
Hold on, hold on, hold on.
Okay, now keep this and takebig boy off.

Speaker 1 (01:44:03):
That's what I'm about to say Let me hear big boy.
Let me hear big boy.

Speaker 4 (01:44:07):
Here you go, hold on.
Don't you be mad to see Withyour?
Hoes and toes.

Speaker 1 (01:44:12):
I'm glad to see.

Speaker 2 (01:44:14):
I think I take big boy off, but I'm just saying I
think I take big boy off this ismy nigga Willie Hood the way he
did with the Mac.

Speaker 4 (01:44:22):
Oh my God, and it's Big Better.

Speaker 3 (01:44:35):
I take Big Boy off.
What'd he say?

Speaker 1 (01:44:42):
I know that's your baby mama.

Speaker 3 (01:44:43):
I know that it hurts.

Speaker 4 (01:44:46):
Come on, bro, man Juicy J bro.

Speaker 1 (01:44:52):
I take Big Boy off.

Speaker 4 (01:44:54):
I can't take Bum B.
Bum B got a nice verse.

Speaker 1 (01:44:56):
Yeah, bum B killed that shit.
I think my.
Yeah, I take Big, a big boy off.
Play your position or?
Tie to a rocket, which still isnot a bad verse, but I wish a
nigga would say but I'm justsaying I wish somebody would say
they'd take Andre or Pimp C off.
We can't be friends no more.

Speaker 4 (01:45:17):
You can't Get out of the room.

Speaker 1 (01:45:19):
Unsubscribe.
I would never talk to you.
Please unsubscribe to me.
Obviously, we don't see thesame.

Speaker 4 (01:45:25):
We don't see out of our brother.

Speaker 2 (01:45:29):
Oh.

Speaker 4 (01:45:31):
Yeah, that's all I want.
Yeah, bro, that's a good one.
Come on, man, that's a good one.
I know a little bit about music.
I ain't say play a fly.

Speaker 1 (01:45:41):
Andre, Andre on Walk it Out.

Speaker 4 (01:45:45):
Listen to me.
No, no, no, no, no, no, no, no,I didn't want to have it.
Andre on, walk it Out.
Andre on Hold, on, hold, on,hold on.
Don't say nothing.
This is my shit.
What's the boy name?
Goddamn he redid, switch Himand Polo the D name?

(01:46:05):
Goddamn he redid, switch Himand Polo the Don Rich boy, rich
boy, him on that rich boy.
Oh my fucking God.

Speaker 1 (01:46:10):
Everybody was down on my mans.

Speaker 4 (01:46:11):
Remember they was down on them.

Speaker 1 (01:46:12):
There was a time where Andre would hop on
anything and do whatever he didand kill it.
The nigga got on that song ittalked about y'all niggas
wearing big t-shirts and dowhatever he did and kill it.
The nigga got on that song.
It talked about y'all niggaswearing big t-shirts.

Speaker 4 (01:46:29):
Y'all look stupid.
Take your shirt.
3,000, what he say 3,000 down.

Speaker 1 (01:46:35):
And you listening to it like I know he talking about
us, but it's so good I'm goingto leave it on there.
I walk it out like an usher.
If you say real talk, Iprobably don't trust you.
If you want to go to war withguns, my pleasure.
Even Jesus had 12 disciples onthe level Trigger whatever.

Speaker 4 (01:46:55):
You don't want to.
What he say you don't want to,without danger of your death.
You're like Jerry Doody.

Speaker 1 (01:47:00):
You're like Jerry Doody you're a dude in this part
of town.
Your white tee well to me looklike a nightgown.
Make your mama proud.
Take your thing two sizes down,Then you look like the man that
you are, or what you could be.

Speaker 3 (01:47:13):
Come on, god damn it.

Speaker 4 (01:47:17):
Hey, who got the best verse on Ain't I?

Speaker 1 (01:47:19):
Dro, dro Okay.
Yeah, that's not a question yousee that song popping off again
.
Yeah, because your boy got thatthing, Bro.

Speaker 4 (01:47:34):
he found his 607 on.

Speaker 1 (01:47:36):
Yeah, and he out there doing it.

Speaker 4 (01:47:38):
His mama used to say use both of your eyes.
Now he like no mama.
I got to look as crazy as canbe.

Speaker 2 (01:47:48):
Yeah.

Speaker 4 (01:47:49):
But I'm glad he doing that because that Elroy Jessen
wasn't there.

Speaker 1 (01:47:53):
Well, you know everybody.

Speaker 4 (01:47:55):
I hate that your boy.

Speaker 1 (01:47:56):
I wish I had one here , if your boy come out and start
hating on him again.

Speaker 4 (01:47:59):
I'm going to hate it.
Who?
Your boy, j-money man, I'mresurgence.
Shout out to OJ the juice man.

Speaker 1 (01:48:12):
Oh, shout out to OJ.
Come on, Whose song is that?
Is that his song?
I don't know.
Oj sound good man, but he 36.

Speaker 4 (01:48:20):
Oh, and I like that he still OJ the juice man, but
he's 36.

Speaker 1 (01:48:22):
Oh, and I like that.
He's still OJ, the Juice man.
He's still OJ, the Juice man.

Speaker 4 (01:48:27):
It's trademark, baby.
Hey, hey, come on.

Speaker 1 (01:48:30):
Bring it on back.
Okay, bring it on back, come onbro I ain't bad at it hey.

Speaker 4 (01:48:34):
Hey, him and Gucci as a duo they ain't top nothing.

Speaker 1 (01:48:42):
But I'm saying like no, no, no, no, but yeah, yeah,
no, they had some of them.

Speaker 2 (01:48:46):
Yeah, hell yeah yeah.

Speaker 1 (01:48:49):
Hey, y'all got to get the South some more More credit
.
Some more credit, man, Becauseespecially in the early 2000s,
nigga the South was the.

Speaker 4 (01:48:57):
Start this episode.
I fucked my money up was theStart this episode.
I fucked my money up.
Damn, now I can't re-up Re-ingin my spot Just to get my racks
up.
Now I'm back on deck, so showthem what the fuck you want.
Heard he talking shit.

Speaker 1 (01:49:12):
But this ain't what the fuck you want.
Lock the CEO up.
Now it's back to coke up.
Come on, yeah, we might, man,we might have to talk about some
of the down south legends.

Speaker 4 (01:49:25):
How about Hagen's thought?
Damn if you wouldn't be awhat'd he say?

Speaker 1 (01:49:33):
Who am I?
Bo Hagen, be a me Represent aHatterson, a nigga who entered
this cold in the winter, andstep away from the and step away
from the car and step away fromthe top and step away from
shooting or getting shot.

Speaker 4 (01:49:46):
Nigga, fuck it, we're hopping the fuck in and haul
ass and I seen you was creepingthem hit and talk.

Speaker 1 (01:49:53):
I bust them all fads repeatedly and heatedly trying
to make that motherfucker leaveimmediately.
I'm a p, I'm a gangster, allthe above and on Worldwide.
Baby girl, show me some love.
We gon' drink real good andblow decent butt.
Bo Hagen, you don't give a damn.

Speaker 4 (01:50:09):
We don't give a fuck, come on, brother, it's this
shit, man.

Speaker 1 (01:50:13):
We ain't even gonna review that album.
It is what it is.
He did it, it worked, it worked, it worked it worked, it worked
.

Speaker 4 (01:50:24):
What's crazy is, this is the album we're going to
review next week.

Speaker 1 (01:50:28):
We back next week with a review though he got to
listen to it, but it worked thisweek.

Speaker 4 (01:50:34):
I ain't think we missed a good time.
Hold on.

Speaker 1 (01:50:37):
I got one more song, and then we out, oh my.

Speaker 4 (01:50:39):
God, I got one more song and then we out.

Speaker 2 (01:50:40):
What are you saying?
I had a start Hold up.

Speaker 4 (01:50:41):
I got one more song, and then we out oh my God, I got
one more song.
And then we out who, what hesaying oh Head Start Scrappy,
you don't want no problem.

Speaker 1 (01:50:50):
Mm-mm, we don't even care about that right now Okay,
my bad.

Speaker 3 (01:50:54):
Mm yeah, trill Entertainment, y'all savage.

Speaker 1 (01:50:58):
I'm all the way, gangster Tell me what you know
about me.
I told you I felt like he wasbetter than Boogie.
Look, tell me what you knowabout me.
W-e-b-b-i-e, a-k-a, trill,e-n-t.
Young, s-a-v-a-g-e nigga In thestreet.

(01:51:18):
That's where I be.
That's where I'm at cuz.
That's where I was way beforethis fucking'm at cuz.
That's why I was way beforethis fucking rock cuz try to log
cap, get your ass capped or ina motherfucking trunk behind the
speaker.
I pack dance like them oldschool heaters.
Bitch, you got that work, butyou working with them people,
yeah, talking shit like a hoeabout me.
Huh, so like a man I'm a murky,when I sing, you, catch your

(01:51:41):
bitch on that cell phone, shoother for no kill.
You ain't stupid.
You got ears, bitch.
You know I'm for real.
Get that chainsaw and let youfeel this pain that I feel.
Slice your ass all the way downfrom your brain to your ears.
You won't cheat shit, shit.

Speaker 4 (01:51:55):
You won't cheat shit, shit.
That's when the nigga had themarm tattoos like that, when they
fall.

Speaker 1 (01:51:58):
Thank you for listening to another episode of
Late to the Party with Dodie andReggie.
I am Reggie.

Speaker 4 (01:52:04):
And I'm turnt up.

Speaker 1 (01:52:06):
I'm crumped up and down south got some fucking
legends.
Watch your mouth, boy, we doman.

Speaker 4 (01:52:10):
Stop playing with us, bro.
And we got projects, bro, justbecause our shit ain't
skyscrapers, motherf talk aboutNigga.
Our shit was built on land.

Speaker 1 (01:52:19):
And we got, and we got steps.

Speaker 4 (01:52:21):
Ask your folks, bro, it's plantation land down here.
Bro, we ain't got to build upon top of each other.

Speaker 1 (01:52:26):
It's a lot of.
That's what happened.
It's a lot of land.

Speaker 4 (01:52:28):
Yeah, nigga ain't nobody.
I wish my granny would pass medown to Creole Nig Motherfuckers
.

Speaker 2 (01:52:37):
What the fuck is you talking about.

Speaker 4 (01:52:39):
I hate when niggas I wish my motherfucker Ernie Wood
I know her house when it's atright now.
That bitch gotta be worth Eighthundred yeah.

Speaker 2 (01:52:47):
I'll refinance.

Speaker 1 (01:52:48):
I can take two fifty, we can do some things and know
what to do.

Speaker 4 (01:52:50):
Come on, bro, stop playing with me Different time,
different time.
Man you worried about.
You worried about the contractissue you got and I said it
Motherfucker, I used to have thesame braids you had.
Motherfucker, stop playing withme.
Everybody.
They know the real me.
I ain't one of these Money betalking shit Like bruh.

(01:53:11):
Let's go look at your house.
But.

Speaker 1 (01:53:14):
You ain't been in the projects.
They just don't know you hangin the projects.

Speaker 2 (01:53:18):
We out and I'm a real nigga, I never lived in the
projects.

Speaker 4 (01:53:21):
But I'm I'm a real nigga bro.
I never lived in the projects,but I'm Project Adjacent.
I've always been the hood, I'vealways been there, I've always
been there.

Speaker 1 (01:53:26):
I'm not there no more , though, so fuck with me.

Speaker 4 (01:53:28):
But Section 8, I for damn sure know about that, Mama.
I remember them days.
I don't understand.
Can we get?

Speaker 1 (01:53:36):
an extension, but I don't understand where that even
come from.
That's, but I don't understandwhere that even come from when
y'all not even let's not eventalk about Knoxville, where we
from, or Tennessee, where wefrom.
Y'all used to fuck with Wayne.
Y'all used to go to the CaliOak Pride, like.
How do you say that?

Speaker 4 (01:53:52):
He know better, bro, and I ain't saying that
disrespectful, but you know,you've been there, you've been
around.

Speaker 1 (01:53:57):
Thank you for listening to another episode of
Late to the.

Speaker 4 (01:53:59):
Party with Dodie and Reggie.
This is my big dog, Reggie.

Speaker 1 (01:54:01):
I'm Reggie.

Speaker 4 (01:54:01):
Next time play the motherfucking song again.
Yeah, let these niggas know bro.

Speaker 1 (01:54:07):
This is Dodie.
Yeah, I'm Dodie how y'all doingand we out.

Speaker 4 (01:54:12):
Peace.
What they used to say Littlepiece of chicken grease.

Speaker 1 (01:54:19):
Diggum.

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