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March 3, 2025 86 mins

A powerful remembrance episode reflecting on the life and legacy of Angie Stone. We share personal stories and the influence her music has had on us and our listeners. The conversation highlights the resilience inherent in both Angie’s art and our individual journeys. 

• Tribute to Angie Stone’s musical legacy  
• Personal reflections on life changes  
• Discussion on healing through music  
• Evolution of Angie’s musical impact  
• Engaging listener responses and stories  
• Final thoughts on resilience and legacy  

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Email: dodyandreggie@gmail.com

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Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
bada, boom, bada bing yo.
Are we good?
We'll start off with a littlefirst and piece of angie stone

(00:36):
out of nowhere.
Yesterday I could have let thatplay a little bit longer.
Rest in peace to Angie Stone.
Yesterday we lost a legend, Ithink it said she was 63.

Speaker 2 (00:49):
Dang was she.

Speaker 1 (00:50):
Yeah, she still look good.
She still look good.
Still was out performing.
I think it was a car accident18-wheeler hit her sprinter, so
you know, it was crazy too.

Speaker 4 (01:01):
You seen it.

Speaker 1 (01:03):
I am not.
I seen on Twitter that was, youknow they posting pictures and
you know that's what they do.
But I didn't, I didn't, Ididn't see anything but welcome
to another episode of Late tothe Party with Dodie and Reggie.
I am Reggie, I'm Dodie.
Hey, wake up man.
I know that was somber, youknow you can sit, you better

(01:24):
start crying.

Speaker 4 (01:25):
We're reminiscing, right.

Speaker 1 (01:26):
We're going to hang on to it.
We're going to hang on to that.
Welcome to another episode.
We're here for another week.
We are on episode 40.
Oh, this is episode 40.
Damn, welcome, party goers,welcome, uh-huh yeah.
So what's up, man?
Everything good, everythingstraight.

Speaker 4 (01:45):
Yeah, how was the week?
Everything Straight for themost part, yeah.

Speaker 1 (01:49):
You didn't get no haircut.

Speaker 4 (01:51):
Yeah, my barber was out.

Speaker 1 (01:53):
Canceled on everybody .

Speaker 4 (01:55):
Appointments.

Speaker 1 (01:56):
Hey, I had a bunch of people Hit me.
Hey, fam, I tried to book, itsaid you out.

Speaker 4 (02:01):
Yeah, so you don't pay attention To none of the
announcements?
None On the bulletin board.
Three weeks ago it's beeneverywhere.

Speaker 1 (02:07):
Say hey, bro, I'm down for two weeks.
I've been good though I'm.
I'm a lot better Than I thoughtI was gonna be, though yeah.

Speaker 4 (02:14):
I mean For the people that don't know.
My man said surgery, yeah, hadto sit down for a sec.

Speaker 1 (02:20):
I still gotta be out of work.
Yeah, I still got to be out ofwork.
Yeah, well, I still got to missa couple of dollars.

Speaker 4 (02:24):
I came to check on my mans.
I'm expecting them to be undera cover on the couch A whole
night training.
So I knock on the door, comethrough.
My mans hop up.
Damn near, did a cartwheel.
I was like nigga, why youcancel my appointment, Nigga?

Speaker 1 (02:45):
you could have cut my hair.
Look, look, look I.
I was like nigga, why youcancel my appointment?
Nigga, you could've cut my hair.
Look, look, look.
I thought I was gonna be downand I still can't do what I want
.
You know what I'm saying?
Sitting in the house ain't forme.
So I've been sitting in thehouse for it's only been four
days.
I still got two weeks.

Speaker 4 (02:59):
It felt like eternity , nigga, especially when you
used to but you used to likeinteracting with people though,
yeah, and outside of your three.

Speaker 1 (03:07):
I'm about to say outside of the three in the crib
, you, like nigga, I done calledmy mama.
Hey, what you doing?
I see y'all too much Like damn,go to work and I got two weeks,
but I'm good though.
Side, we have you been walkingaround yeah.

(03:27):
Yeah, I'm moving okay and Igotta uh.
Yeah, I'm meeting new neighbors.
They talking about somethingyou can't drive for a week.
We'll see about that.
Well, usually because the paintolerance of different people,
they usually give you the.
I ain't felt no pain, I ain'ttook no pain meal.
It's like no pain meds at all.
So I've been good.
I've been chilling but.

Speaker 2 (03:47):
What that refill looking like how did you find?

Speaker 4 (03:54):
it.

Speaker 1 (03:54):
Oh, hit me up in the comments, yeah no, I'm good
though Shit where we starting attoday.
Like I said, I've been tryingto keep my eye on shit going on,
yeah, but I have been.
It ain't really been nothinggoing on though it's the
beginning of the year, man Ain'tnothing really popping.

Speaker 4 (04:10):
I guess we start here .
The DLC and Dr Dre yeah, hownew was that?
Because remember, I think itwas about sometime last year.
I was telling you about it.

Speaker 1 (04:18):
Yeah, Is that like the same Well so this was an
interview done after the SuperBowl, okay, and I was trying to
find a clip I don't evenremember where I seen the clip
at where it's DOC saying thatafter he heard some shit, that
he saw what was going on, he gotinspired to hit.
He said he recorded some shitthat night.
You know what?

(04:39):
I'm saying so and, if y'all doknow, we have talked about him
using AI for his voice and shitand he was like he got some shit
going.

Speaker 4 (04:47):
If it's anything or anywhere close to what Beans had
you know showed us, yeah, yeah.

Speaker 1 (04:56):
But?
But You're probably about tosay exactly what I'm about to
say.

Speaker 4 (05:06):
Is it?
Is it up to date?

Speaker 2 (05:08):
you know, because I, and I say it like that because I
didn't want to be desperateyeah, yeah like the formula.

Speaker 4 (05:12):
We we we reviewed the formula yeah, awesome album,
great album.
Um, and we know the wordsbehind jury or you what I'm
saying.
So, yeah, um, if it's up todate, I'm for it, like I.

Speaker 1 (05:27):
I I thoroughly enjoy, like I, chatterbox I bring up
chatterbox he was bringing up uh, if you like it, you like it,
and that's, and that's how itmatters.

Speaker 4 (05:35):
So if it's, if it's anywhere close to that level of
rap.

Speaker 1 (05:42):
yeah, and see what I like?
Because, because they wasasking about his pen work and
he's like he been writing, likehe ain't never stopped writing.
So if he has been still astudent of the game and been
keeping up with flows and theway things train because you
hear Melly Mel when he didEminem and that nigga was

(06:03):
rapping like it was 1982.

Speaker 4 (06:05):
And that's what I'm saying.
I mean, Cube writes all thetime.

Speaker 1 (06:09):
Yeah, yeah, yeah, Cube is Cube.
You see what I'm saying.

Speaker 4 (06:12):
So it's like but in Cube's defense, if you're an Ice
Cube fan, none of that shitmatters, because you know what
you expected from.

Speaker 1 (06:18):
Cube.
One thing I did think about wasthe AI being used.
We have a lot of BeanieSiegel's voice for the AI to
pull from.
Okay, yeah, yeah.
So I wonder, with the limit, Imean of course we still, I mean
we got some.
Is that how that happen, to myknowledge now?

(06:39):
But I think they have to havesomewhat of your voice to pull
from, to match it and make ityours.
You know what I'm sayingBecause the way Bean sound, that
sounded like Bean you know whatI'm saying.
That's what I'm saying so what Iam thinking about is how much
do they have to pull from theoriginal voice of the DOC?
You know what I'm saying.

Speaker 4 (07:00):
I mean there's probably plenty just from that
first album.
I mean he was like plenty justfrom that first album because I
mean he was like Rakim, hedidn't even curse, yeah.
So outside of him saying acurse word, I mean shit, I don't
want it to be like watching aBET movie, what?
You mean when you're like theactual line is like you know how

(07:23):
they add shit, Like somebodythrow that voice over them, like
fuck, and it don't match.
It don't match at all, nigga nah, nah, nah, nah, shit Nigga nah,
nah, nah, nah bullshit yeah butyou know what?

Speaker 1 (07:35):
I'm saying that type of I do want to hear like a
michael jackson ai or tupac ai.

Speaker 4 (07:51):
I don't want to hear anything from somebody that's
not here, exactly, yeah, and wetalked about.
I don't want to hear fromanybody who's capable to produce
their own works.
So if it's somebody, kanye,yeah, no, no.
But if it's somebody like youknow, somebody who actually lost
their voice like a beansans,like a DOC hell yeah, I'm here
for it.

Speaker 1 (08:07):
It say he working with an AI company called Suno,
make any song.
You can imagine that's on theirwebsite.
That's the first thing that popup Make any song.
So I mean I don't know how itwork on there, but if that's who
he working with, I mean I ifthat's who he working with, and

(08:30):
yeah, I mean I guess we'll see.
I don't know, I don't know if Idon't know who beans is working
with, because I didn't seeanything about it.

Speaker 4 (08:32):
So, but if that's the same company, then yeah, they
at least know what they're doinganywhere near that yeah yeah,
yeah, what about the, since youalready mentioned?
Yay, what about the?
Uh, tina knows, so I got thatpulled up.
I ain't going to lie, I reallydidn't see, like the whole.
Well, I did see the DM and Iain't really outside of you.

(08:55):
just mentioning to me and I seenlike the little DM of him like
Paul send them banana.
Yeah, yeah, yeah, yeah, yeah.
I was like okay.
And then when I seen him likerapping the lyrics, I was like
damn, all right.
But then when I heard the songand seen the visual I was like I
like this shit, do you?
Yeah, nigga, it's better thanthat Drake song that you played

(09:17):
to me.

Speaker 2 (09:19):
J-Hut from Chicago, he in Louisiana.
You miss that J-Hut with thatfemale From Chicago to Louisiana
.
You can't stop your hair withthem.
You know you can't stop yourhair with them.

Speaker 1 (09:30):
That beat crazy, kanye ain't never lost.
That's why I was like Kanyeproduction is always like top
tier.
That's why I was letting yousay what you was saying, bro.

Speaker 4 (09:41):
I was like soon to be John.
He might not fuck with thelyrics.

Speaker 2 (09:48):
That shit hard, bro, it's better than the drinks that
you play.

Speaker 1 (09:55):
It's the beat, though .
That's all you need to move anigga.

Speaker 4 (10:01):
And then that's what I want to know when this gonna
be at know where this is goingto be at Like, where is it going
?

Speaker 1 (10:07):
Well, I don't know if those are the real business, it
said, direct to face.

Speaker 2 (10:14):
I didn't know they had no, yeah, yeah.

Speaker 1 (10:20):
Why they put Jim Jones on here hey.

Speaker 2 (10:21):
Jim Jones on here hey .

Speaker 4 (10:25):
Jim.

Speaker 3 (10:25):
Jones in the news right now.

Speaker 4 (10:32):
I guess man Is that him.
Huh, is that him?
Like he didn't say it wasfeatured.

Speaker 1 (10:37):
Just like the Eagles be balling.
It sounded like him.
No, it's probably him.
They could have AI'd him onthere.
So if y'all don't know, that isa new song from the gang NY.
It's called Tina.
It's from documentary 3 man andthen Tina Knowles is Beyonce's

(10:57):
mom.
Kanye posted the DM that thegame sent to Tina.

Speaker 4 (11:04):
That's crazy work.

Speaker 1 (11:06):
And it was just a banana.
I don't know how it intertwineswith the song, because I
thought when I heard the song itwas going to be some like him
hollering at her type.
I mean it kind of, I guess, ifyou put it together like that,
but it just seemed weird to me.
Game is with Kanye a lot rightnow and it just he gifted him

(11:31):
two chrome A-bags.

Speaker 4 (11:34):
You're my friend for the next year, you remember.

Speaker 1 (11:39):
Game said Ye has done more for me than Dre or anybody
else has ever done, but didn'the, didn't he start Backpedaling
on that?
Yeah, he had to, because hewent home and said oh damn.

Speaker 4 (11:50):
He looked at them.
Wait a minute.

Speaker 1 (11:52):
He looked at them numbers and shit.
Shut your door, man.
But yeah, I mean, I did hearthat, but I don't know how I
felt about that song.

Speaker 4 (12:03):
They did and that beat drop you like the.
I don't know how I felt aboutthat song.

Speaker 1 (12:06):
Oh, they did and that beat, drop you like the b-hole.
Kanye, kanye when it be.
When it comes to production manand I know we ain't supposed to
fuck with yay right now, butwho don't?

Speaker 4 (12:14):
I don't know, uh, listen to tp2 I do too.

Speaker 1 (12:20):
Yeah, I do too everybody.

Speaker 4 (12:22):
Dude, I do too, I do too.
Rob Markman 2 Chainz.
Yeah, I know, everybody do.
They look Close that door.

Speaker 3 (12:26):
Rob Markman 2 Chainz.

Speaker 1 (12:26):
Place it right there.
You see your boy, black Sam.
Yeah, you know, I did RobMarkman.
2 Chainz.

Speaker 4 (12:31):
Standing tall.
You hear me?

Speaker 1 (12:33):
Yeah, bro, don't come over with a rock star whatever
his name is, yeah yeah no, no,that's what I'm saying yeah,
yeah yeah, he said go back, goout and get cracking and come
back don't get it cracking, comeback, because you ain't gonna.

Speaker 4 (12:53):
Why is he with that nigga bro?
And then when you, when heleave that situation and he was
like I basically use dude forcontent purposes and shit, that
shit not matter bro, not when wemove a certain way, how we do
things, how the marathon is,fuck your content type shit, bro

(13:15):
, you knew how he was movingExactly, so we ain't even what
you talking about man?
Get your ass from right here.
Go on cuz.

Speaker 1 (13:22):
Nah, fuck you and your fries, not today.

Speaker 4 (13:23):
Hey, it's Nah.
Fuck you and your fries Nottoday.
Hey, it's free fries foranybody who want them.

Speaker 3 (13:29):
We had an order that wasn't picked up.

Speaker 4 (13:32):
What you talking about, bro, Like no.

Speaker 1 (13:34):
What you say.
We had something that wasn'tpicked up.
Go on about your business.
Come on, man.
That nigga's pushed him acrossthe street.
Go on cuz.

Speaker 4 (13:40):
Go out there and get it cracking and then come back
and show me what you're talkingabout and for the people that's
like man Black Sam ain't even,he ain't even bro, you don't
have to be no affiliated niggato just stand on morals and
principles bro, not when youjust stand, especially when
that's my brother too.

Speaker 1 (13:55):
No, but there's, yeah , yeah.

Speaker 4 (13:57):
Even without that being his brother.
Bro, if this is what I believein, bro, I I don't care what you
talking about Move around, yeah, you see what I'm saying.
Yeah, everybody don't play thehomeboy role, right?

Speaker 1 (14:12):
Everybody ain't trying to be cool with everybody
Because you don't have to be.
I don't, and this is a sidenote.
But in the same vein ofeverything, I tell my kids that
Because me and my wife we watchreality TV, right, but reality
TV is TV for a reason though,right.
So you will see these women,excuse me always arguing with

(14:36):
each other, always at the samefunctions.
And I tell my y'all don't, thisis just TV Like.
If you really don't likesomebody, you don't have to ever
see them again.
No, unless you work with themin a business that matter and
all that shit.
Fuck all that shit.

Speaker 4 (14:52):
Yeah, because I better say you can make money
with people you don't like.
Oh, 1,000%.
It's like a certain level ofperson, but it's possible, it
can be done.

Speaker 1 (15:02):
Yeah, but I'm just talking about in the sense of
nigga, if I really don't fuckwith you, you don't fuck with me
.
That's why I like what Kendrickdid on the Whacked Out Murals
right, yeah, it was fuck him.
Now it's fuck everybody.
Because, just because we, inthe same industry of this music
shit, the fans want to seecertain people work together.
Yeah, but if we don't have towork together, we don't got to

(15:25):
work together.

Speaker 4 (15:25):
What did you say on Chatterbox?
You said you want to seeKendrick, or you want to hear
Kendrick and Starlito, starlitoman.
Sometimes that'll be likewhat's the word?
I'm looking for Not a fantasy,but like a I guess it would be.

Speaker 1 (15:43):
I'm about to say pretty much.

Speaker 4 (15:45):
They'd be like oh man , like a genie, wish Like man.
If you get any two people towork together, they probably
would never ever work together,even if they were on the same
level, because it don't makesense.

Speaker 1 (15:55):
Because it really don't fit.
It really don't fit.
But as a fan you see a lot ofpeople like man I want Future
and Drake to make up.
As a fan, you might want to,but if it don't fit, it just
don't fit, dude.

Speaker 2 (16:14):
Dude, nah, because that's how it made me feel when
I seen it.

Speaker 4 (16:17):
Did you see on my story when I posted the Too Sexy
video?
Yeah, and I was like dude Drake.
Had him in that bag, the wholething I see that they said we
know who our deal this was, bruhniggas was really like.
That's why, when they try tolike slay drake in the in the

(16:40):
industry street, it's funny atthe same time, because it was
like, bro, he had y'all niggasacting outside of y'all selves.
Doing some shit that don'treally fit.
Y'all Didn't have no businessdoing.
Bro In the sand.
My dude was like man, I ain'treally with you.
You can see in the video.

Speaker 1 (16:59):
He ain't fucking with you.

Speaker 4 (17:01):
I'm too sexy.
Is this it?
I'm too sexy for it.
Is this it he say?
Is this it Am?

Speaker 1 (17:05):
I doing it right.

Speaker 4 (17:08):
Am I doing it right?
And it's the same man, bro.
And I love future music, bro.
Beast Mode and Monster got methrough A whole summer, bro.
But this is the same man whowas like man, I don't dance.
That's why I hired dancers.

Speaker 1 (17:24):
But got him in that bag.

Speaker 4 (17:26):
Drake said you know what would be fly?
Look at this.

Speaker 1 (17:29):
He didn't say fly, he said you know what would be fun
, you know what would be cool.

Speaker 4 (17:33):
What would be awesome it would be so rad.
I know you won't do it.
You get the ice tips, you won'tget the frost tips.
But I mean All white Linen SandA little button up under there,
oh man.
I think people like it, put thepearls on the young thug pearls
.

Speaker 1 (17:54):
They got a whole thing going on With that
motherfucker boy.
I seen it.

Speaker 4 (17:57):
Cause I totally forgot.

Speaker 1 (18:00):
I hate that song, by the way.

Speaker 4 (18:02):
All I see is future.
I was like what is this?

Speaker 2 (18:07):
And then I looked at it, I was like oh my god.

Speaker 4 (18:10):
Yeah, them niggas was crazy bro.

Speaker 1 (18:12):
Hey, that's part of it though.
You want this, so sorry.
I have an idea.
It'll give all of us a numberone hit.
Come on, round them up.
Who want a number one hit?
Scooter you in.
No, okay, sit down.
One hit, come on Round them up.

Speaker 4 (18:25):
Who want a number one ?
Hit, I got one.
Scooter, you in.
No, okay, sit down.
Scooter, probably like niggawhat Nigga?
No I better go to my son'sbasketball game.

Speaker 1 (18:37):
Talks of Gunna and Offset is going around, that
they're working on a.
I'm for it.

Speaker 4 (18:43):
You for it.
Yes, now why?
Because I ain't been listeningto nothing but Gunner here
lately.
I ain't going to lie that himwith the him all along.

Speaker 1 (18:52):
Yeah.

Speaker 4 (18:52):
Back in the A yeah, goddamn yeah, come on bro.

Speaker 1 (18:57):
So I was thinking about that, because Offset had.
I mean, they don't put out shittogether anyway, even after
everything.
Yeah okay.
So I was thinking though,because Gunna's still Gunna,
he's still doing what he do.
Do you think, some of theseniggas?

Speaker 4 (19:20):
backtrack a little bit.
They gonna have to, because yousee what's going on with Baby
right now.

Speaker 1 (19:24):
Some folks is losing steam boy and that's crazy.

Speaker 4 (19:28):
You seen what's going on with Baby.

Speaker 1 (19:29):
Yeah, I seen it, that's wild.

Speaker 4 (19:31):
Yeah, even if I do.
A man has the right to goanywhere he so choose.
I don't care if you feel likeit's the wrong place for him or
not, right, but if he's notactually the one, you know
pulling triggers or you knowpointing, really doing yeah yeah

(19:52):
, yeah yeah, you should not be.
The finger should not bepointed at you because you're
the bigger name, right?

Speaker 1 (19:57):
That's crazy, but you know how shit go.
Yeah, I just want to throw thatout there.
Yeah, yeah.

Speaker 4 (20:05):
Alleg.
I just want to throw that outthere.
Yeah, yeah, allegedly,allegedly.
But back to this gunnersituation.
Without the gun, this nigga'shigh fire, this nigga fire.

Speaker 1 (20:08):
Guy line, guy line guy line nigga Bruh and Atlanta.

Speaker 4 (20:12):
right now he's probably carrying the A bruh,
like he's-.

Speaker 1 (20:17):
I say so and everybody's still waiting on
Thug Nigga.

Speaker 4 (20:19):
he in the HOV right now nigga Ain't nobody in front?

Speaker 1 (20:22):
of them bro.

Speaker 4 (20:23):
Future.
Allem is over to the right,yeah, they already.

Speaker 1 (20:27):
They over to the right bro.

Speaker 4 (20:28):
This nigga is running up them numbers, bro, and if
I'm thug I wouldn't even speakout against him, bro.
I would literally go the Eazy-Eroute without any disses, even
if.

Speaker 1 (20:41):
I don't fuck with him like that yeah.

Speaker 4 (20:42):
I'm still getting paid off, even if I don't fuck
with them like that.
Yeah, I'm still getting paidoff.

Speaker 1 (20:45):
That shit, run that shit up, young nigga, I'm not
going to come out and talkagainst them, for them, whatever
, not say shit.
I'm just going to let it bewhat it be If they ask Because
you still YSL.

Speaker 4 (20:54):
If they ask you know what's the situation with you
and Gunna, oh, he's a thrivingartist on the label and we want
that to happen.
That's it.
That's where niggas fuck up.
They always get tricked intogoing into deeper waters.
It's like, bro, why I'm goingout there with the socks?
Bro, I can feed the dust righthere, but sometimes people, they

(21:19):
have to say something.

Speaker 1 (21:21):
Yeah, I do get that you know what I'm saying.
Some people, they just.

Speaker 4 (21:24):
Just like that burning itch, it's like.

Speaker 2 (21:26):
Fuck you nigga, fuck you nigga.

Speaker 1 (21:31):
It just jump out of them.
You know what I'm saying.
So I think the way Thug isplaying it when it comes to him
right now, I think he's doingthe right thing.
Just stay out the way, man.
But when do we get new Thugmusic?
I mean, we had the one versefrom Thug on Lil Baby album, the

(21:52):
Wham album, but outside of thatI want people to just forget
about me right now.

Speaker 4 (21:57):
Why I mean Because you got Gunna on your album.

Speaker 1 (22:02):
I mean on your label, but that's all you have on your
album.

Speaker 4 (22:05):
But this is what I'm saying, not necessarily forget
about me.
Those are the wrong words.
Those are the wrong words Iwish people would allow me if I
was in that situation.
Allow me time to regroup.
I just went through hell forthe last two years, they trying
to take my life away.
Let me go out and experiencesome things, whether that takes

(22:28):
six months to a year, let meexperience some things.
Now, within that time, I'llsprinkle some shit out to keep
people like, oh man, yeah,what's coming, what's coming?
What's coming?
Anticipation, anticipating itand let the anticipation build.
Anticipation, no, anticipatingit and let the anticipation
build.
But it's like, bro, I don'twanna rush into it, cause I
already gotta figure out how Ican move In the music and

(22:50):
actually get into it.
You see what I'm saying andthat's what a lot of people Well
, I speak for myself, I was at,I was one of them People that
was like man, when he when hedropping, when he dropping, when
he dropped my job, but it waslike, damn bro, how is he gonna
drop if he can't do, he can'tslap, he can't, he can't talk,
no street shit, yeah.
Or if he does, he has to do itin the most covert way, to where

(23:12):
it's like damn bro, is he, isthat, is that?
Yeah, you gotta go back towhere niggas like uh, so bridgie
.
Uh, you said four and a baby.
Now what does that?

Speaker 1 (23:25):
mean?
What is that?
You see what I'm saying.

Speaker 4 (23:27):
As opposed to a nigga going on Instagram like oh okay
, yeah, we got him.

Speaker 1 (23:31):
We fucking got him.
You know, folks got shortattention spans though.

Speaker 4 (23:37):
No, they don't.

Speaker 1 (23:38):
Shitting me.

Speaker 4 (23:39):
Not when you got a cold following bro.

Speaker 1 (23:41):
I mean yeah, I mean in a sense, so I get that If
you're not worried about what itdoes and you just really want
to feed your base, then yeah,you good, you know what I'm
saying.

Speaker 4 (23:52):
Especially with.
I wouldn't worry about it somuch if I'm one of the
motherfuckers that move NATOwhen it comes to when something
does happen.
Yeah, yeah, so think about it.
They went from uh, young thugwas not white boy.
Uh, ah, what was uh?
I better say risky kid schoolieand all them yeah, yeah yeah,

(24:16):
uh, the white boy, black boyyeah, he was a part of that too,
and then that he went to thatrock star and then that niggas.
He went to that rock star shitand then they started
transitioning into that designerwearing pearls like oh, white
women, shit.

Speaker 1 (24:30):
You see what I'm saying dog who the future migos,
some of these niggas beenaround for a minute Been like 14
, 15 years I was listening tothe Dungeon Family 2.0.
Mm-hmm and Future was in thegroup, yeah, and I mean I knew

(24:54):
he was part of Dungeon Family,but when I'm listening to that
I'm like oh this nigga was inthe group and he was with Scott
too.
Yeah, he was on some other shit, yeah.

Speaker 4 (25:04):
He wasn't on the shit .
He was on now Not at all, notat all, he's like.
So, andre we rock the turbanthis way Counterclockwise.

Speaker 1 (25:18):
What the Do you think ?
Do you think?
How, I wonder?
Do you think he rocked withDrake?
I mean like when dropping music, I mean cause we see Drake just
dropped another.

Speaker 4 (25:33):
I think he.

Speaker 1 (25:35):
Drake dropped another lawsuit, if y'all didn't know,
because Kendrick performed atthe Superbowl, does that?
I mean everybody is putting itas like he's fighting against
the label, right?
So, on the other hand, it'sstill fighting against a man
using lyrics which, again, thugwas just fighting against.

(25:57):
You know what I'm saying?
I mean, of course, thug wasfighting against some other shit
.

Speaker 4 (26:01):
I don't think that they're going to look at it
anyway.
I don't think Thug looking atit like that.
Bro, I was fighting real street, you on some, you on some, some
.
Your mama would be young yeahif you can catch my drill.

Speaker 1 (26:17):
Yeah, you see what I'm saying, that's what.

Speaker 4 (26:19):
That's what would make me, as the street, look at
that like do I really need dudenow, though, though Comes from a
different time, I mean heprobably do too, but still, it's
like he know how that shit worknow.

Speaker 1 (26:35):
We're going to see Drake did file another lawsuit.

Speaker 4 (26:37):
He probably just trying, bro.
He probably trying to dowhatever he can to get it
dropped from the label, bro, oryou know what I'm saying Just.
Drake Bro.
He's essentially essentiallylike in a slave deal.

Speaker 1 (26:49):
UMG.
This was posted from Drake'sattorney.
It said Drake's attorney citesKendrick Lamar performing Not
Like Us at the Super Bowl in anew response to UMG's request to
delay the rapper's defamationlawsuit.
Delaying discovery wouldunfairly prejudiced a bunch of

(27:11):
shit.

Speaker 4 (27:11):
Come on, man.
A bunch of shit Word in hisheart Shots out to Tahir Moore.

Speaker 1 (27:19):
Unfairly prejudiced plaintiff who is continuing to
suffer the consequences of UMG'sdefamatory comment.
I mean campaign.
It says he's continued tosuffer the consequences of UMG's
defamatory comment.
I mean campaign.
It says he's continued tosuffer.
He's continued to suffer.
He just canceled his last showsin Australia.
Why he said now get this.

(27:44):
He said it was schedulingconflict.
Nigga, this is a tour.
It was already Scheduled.
It was already scheduled.

Speaker 4 (27:53):
What do you have to do?

Speaker 1 (27:54):
What else came up for you to cancel for?

Speaker 4 (27:55):
a show.

Speaker 1 (27:56):
Where do you have to go?
It was already set.

Speaker 4 (28:00):
Maybe he going on tour with a party.

Speaker 1 (28:04):
My son said that, but I don't think so.

Speaker 4 (28:08):
But if he cancelled, wouldn't he have to like
reimburse them?

Speaker 1 (28:11):
So they said that they are Looking to find new
dates and then If you want arefund, you can get a refund,
but you can just keep your moneyfor the new dates as well.

Speaker 4 (28:27):
I want my shit back.
I want my money back.
You don't even know when youcoming back.

Speaker 1 (28:31):
That fucked me up, though Me and my wife got fucked
up doing that.
We was wanting to go see EltonJohn when he was here, right.
So it was during the pandemic,elton John, we bought the
tickets.
We had a parking pass.
They canceled it.
They said Elton John will beback whenever you can keep your
money.
I mean you can keep your ticketor you get your money back.

(28:53):
It's during the pandemic.
We like shit, we need that.

Speaker 3 (28:57):
We need that money.

Speaker 1 (28:57):
You feel me.
And then I love Elton, but hewas older.
This is his last tour.
I'm like what if he don't makeit to come back, though?
Just give me my money back.
And they booked that shit thenext year.
I tried to buy a ticket.
Couldn't even get anotherticket.
Rocket man.

Speaker 2 (29:15):
I was fucking sick, I was sick.

Speaker 4 (29:19):
Man you working.
I said, motherfucker, youworking in an area where you
would have seen some folks thatwent yeah, hey, reggie, you love
music, don't you, motherfucker?
You work in an area where youwould have seen some folks that
went yeah, yeah, hey, reggie,you love music, don't you?
Did you get a chance to seeElton?
Oh man, it was amazing.

Speaker 1 (29:35):
I waited too late.

Speaker 4 (29:36):
That is piano.

Speaker 1 (29:41):
It's killing me, man.
But yeah, that's what theydoing with Drake.
They trying to.
They saying get your money back, they trying to get your money
back.
I just don't understand what'sthe scheduling conflict with
something that's already beenbooked for at least a year.
I don't know he was just at WWE, though that's probably why,
Him and.
Yachty, yachty can't give youno swag, neither I don't give a

(30:04):
fuck who you hanging with.
Oh, that was together.
Yeah, dude, that is crazy, thatYachty can't give you no swag,
neither I don't give a fuck whoyou hanging with.
Oh, that was together.

Speaker 4 (30:13):
Yeah, Dude, that is crazy that Yachty stole Jaboz
bro, what you mean?

Speaker 1 (30:15):
stole Jaboz.
You ain't seen his new concreteboys?
No, that's his own style cuz,with the way he got the logo and
shit across.
That's his own style.
Big pants, that's his shit cuz.
That was, that was, that was,that was, that was, that was,
that was, that was that was.

Speaker 4 (30:27):
That was that was.
That was.
That was.
That was that was that was.
That was.
That was.
That was.
That was.
That was that was that was.
That was.
That was.
That was, that was that wasthat.
It's like nigga, I'm a 90s baby.
I was born in the 90s.

Speaker 1 (30:45):
It's like Central City.
He made niggas start wearingthe fucking Nike Techs and shit
what you likey Alec, and thenthat butt cheek.
You hear Big Sean do something.
Nah, nah, nah, nah, nah.

Speaker 4 (31:03):
I heard the one with him in Gunna though.

Speaker 3 (31:08):
I heard the one with him in a gunner, though, as long
as you keep your head in thesky, hey, straight up.
Blackness like cash.
This is my life.
For backstage pay.

Speaker 4 (31:22):
Meaning everybody can't have all that, can't have
a few.
Did you put that anti-skip onStraight up blackness?
It's like cash this stage of mylife for the backstage pay.
You remember that game youplayed.
You had a city player with thelittle anti-skip.
As long as you keep.

Speaker 3 (31:38):
I don't know why the fuck, that's doing that.

Speaker 1 (31:45):
Hey, I'm just pissing myself off.

Speaker 2 (31:46):
You ain't got no skill, you stage and push out of
back.

Speaker 1 (31:49):
Detect, shut up, I can't even hear it.
Anyway, he got a new songcalled Head to the Sky.
That pissed me off.
This is good.
I don't know what it is About,big Sean man, it just.

Speaker 4 (32:09):
It just don't.
Have it no more.
I have not heard all of it.

Speaker 1 (32:12):
Yeah.

Speaker 4 (32:13):
But Cordae knew that one oh yeah, oh yeah, cuz he
should still not be able to getLil Wayne verses.
But he can go In the generationhe in yeah, yeah, cuz he should
still not be able to get.

Speaker 1 (32:28):
Lil Wayne versus, but he can go.

Speaker 4 (32:30):
In the generation he in.
Yeah, yeah, yeah, oh yeah.
Shout out to my brother on theone.
He probably DJ Cole, hisgeneration.

Speaker 1 (32:41):
Yeah.

Speaker 4 (32:42):
But he should not be able.

Speaker 1 (32:45):
He got three features from Wayne on that motherfucker
.

Speaker 2 (32:49):
I didn't even make it to him.

Speaker 4 (32:53):
I was like bro, my brother was like hey, man,
you're a Cordae.
I said nah, man, nigga know.
Yeah, he said you might want tolisten to that, cordae.
I said, nigga, you're not goingto keep trying to tell me to
listen to Cordae Boy.
I went and played that Cordae.
I'm playing 2K.

(33:13):
Put that shit on.

Speaker 1 (33:15):
Wasn't bad, wasn't bad, hey man.

Speaker 2 (33:18):
Shut up, stop talking .
I'm trying to hear this.

Speaker 4 (33:24):
Hey, shout out to the Cordae man, but yeah.

Speaker 1 (33:29):
Yeah, everybody likes them, but I ain't shot to the
court man.
But yeah, everybody likes himbut you.
I didn't say anything.
Everybody likes him.

Speaker 4 (33:32):
I'm just not understanding why Wayne is
climbing down the ladder sooften.
Yeah, all the time.
Hey, you know what?
The air is getting thicker.

Speaker 1 (33:43):
Let me go see what's going on down there, let me go
see what's going on.
Hey, so Before we get into Let,me go see what's going on down
there.
Let me go see what's going on,hey, so before we get into
whatever we get into, right,there's a new beef a-brewing,
right, bad Baby.
And Alabama Barker right, Idon't even know them.

(34:05):
So, first off, I didn't knowwho Alabama Barker, right, I
don't even know them.
So, first off, I didn't knowwho Alabama Barker was.
It's Travis Barker's daughter,so she raps, right, oh?
And Bad Baby you know Bad Baby.

Speaker 4 (34:20):
Is that the one?
Catch Me Outside.
Catch Me Outside, right.

Speaker 1 (34:23):
She raps as well.
Right, just hear me out.
I'm well Right, just hear meout.

Speaker 4 (34:29):
I'm listening.
Just hear me out.
I'm listening.

Speaker 1 (34:32):
I don't know why the fuck they beefing Right.
I think one of them slept withanother Other man or whatever.

Speaker 4 (34:39):
Whatever, Sounds like some Alabama shit.

Speaker 1 (34:42):
I heard Alabama Barker verse I mean song Dissing
Bad Baby Alright, and it soundslike she sounds like Lotto.
She can rap, but you can tellshe's heavily influenced from
Lotto and Drake.
That's her sound.
This right here.

(35:02):
Nah, I'm going to find thissong.
I'm going gonna find this song.
I'm gonna find this song.

Speaker 3 (35:10):
We about to listen to this.
Oh, we about to listen to this.

Speaker 1 (35:15):
Nah, we gonna, we gonna.

Speaker 4 (35:17):
Now, who is this, bro ?
Why you find this?

Speaker 1 (35:20):
This is Bad Baby.

Speaker 4 (35:26):
Oh, man see, you got some tabs up bro, see Tabs.

Speaker 1 (35:31):
There's only four tabs.

Speaker 4 (35:32):
I don't know.
We need a stage tech crew.

Speaker 1 (35:37):
Yeah, we need somebody.
Hey, pull that up for me realquick.
Pull that up for me real quick.
We're going to Hold on.
We're going to see if we canplay this motherfucker.

Speaker 4 (35:47):
Some work, play that for me real quick, cuz, we gonna
hold on, we gonna see if we canplay this motherfucker
Somewhere Got the two dope boys,bro, that's still a Zix, I
don't know.
I come from that era though,man, you seen them?
Shoes on Karmaloo.
Unobtainable man.
I didn't know I was boo-jum,I'm boo jumping bro now you know

(36:12):
what?

Speaker 1 (36:13):
uh say something to the people.
Why say something?
I don't got apple music on mycomputer see, say something to
the people why I find this?
Because now we're gonna lookcrazy.
Because why, shit, I don't know.

Speaker 4 (36:25):
Top ten songs you cried to.

Speaker 1 (36:27):
I tell you number one I cried to is what Come to Life
from Kanye West On Donda.
First time I heard that Got meAlright.

Speaker 2 (36:42):
What the fuck is the sound like?

Speaker 4 (36:46):
That sound matrix.

Speaker 1 (36:47):
Why the fuck does it sound like here?
Now, I got close, you know what.
Totally it's your fault, thoughFacts, though we're just going
to say it's your fault.

Speaker 4 (36:56):
It's my fault, bro Nigga.
I don't touch none of thesoundboard or the computer bro.

Speaker 1 (37:02):
I was going to come from where you died.
This was gonna come from whereyou died.

Speaker 4 (37:09):
This is it's really, uh see, it's really pissing me
off it's really pissing me offall this extra time on your hand
it's really pissing me off,because I had it all set up
before everybody got here.

Speaker 1 (37:17):
Now it's fucking with me.
See when you.
Dj events events, everythingall off, but anyway, now
everything I said about thatdon't matter, because we can't
hear the song we'll go listen toit.

Speaker 4 (37:36):
Links in the uh, it's not gonna be there, it's not
gonna be there, I'm not.

Speaker 1 (37:39):
It's not that, not that important, oh man dude.

Speaker 4 (37:43):
You know what I fell into this weekend on YouTube
Pause, if that sound weird ScottLaRock, the first murderer of
hip-hop, that's what they say,but I always thought this was
like a, because it's his nameand I really didn't know.

(38:10):
Outside of him being a part ofKarras 1 and D-Nice, you know
they say his murder was likedamn near an assassination.
No, I didn't know that.
Yes, bro, and I always thoughtit was like a drug deal gone bad
.
But this dude was an actualsocial worker that was working
at a homeless shelter.

Speaker 1 (38:27):
I've never been so pissed off my bad.

Speaker 4 (38:30):
I just tried to fill her up.
I just tried to fill her up.

Speaker 3 (38:36):
I ain't wearing this face.

Speaker 4 (38:38):
Damn I don't need the money.

Speaker 2 (38:43):
Come on man.

Speaker 4 (38:44):
Pull it up on your.
My phone is what's this song?
I got no phone.

Speaker 1 (38:52):
Oh shit, it's killing me.

Speaker 4 (38:55):
What's this song?
Bad Bunny, bad Bunny.
Let's see Bad Baby, bad Bunny,what's it called?

Speaker 1 (39:06):
Miss.

Speaker 4 (39:07):
Whitman, miss Whitman , miss Whitman.
Let's see what this shit Hitand fall.

Speaker 1 (39:16):
Shoot Damn.
I wonder why it ain't oh.

Speaker 4 (39:20):
I do got ass and shit I do, bro.
Oh, you got YouTube and it'sstill skipped.
That's why I ain't paid for it.
Ha miss.

Speaker 2 (39:27):
I'll fuck you, man.
You stepped my bird out whileshe took a second.

(39:51):
I know you're out.
You're reaching out.
You need my name, pal.
That stanky pussy got youkicked out the foundation.
You hit my DM like no more.
This song's you tapping out.
I go rehab with this flow,bitch, I'm blacking out.
No, you're not a model.
Get that flow right, baby Okay.

Speaker 3 (40:16):
Okay.

Speaker 4 (40:22):
She said you said the .

Speaker 1 (40:25):
Right up there you got the upper hand, good grief.
Now there's one part, thoughit's later on in the song.
She said I let this Drake hangout the window.
This guy's playing Alabama.
I don't know who wrote it,maybe she did, I don't know.
But she, going fucking crazy, Iwas at Alabama.

(40:45):
Yeah, see how she flow likeLotto, like she.

Speaker 4 (41:21):
Why they waste beats on them people.
Somebody could've came in this.

Speaker 1 (41:30):
And killed that motherfucker.
That's a fact.
That's a fact.
But she paid for the beat.
She got the beat.

Speaker 4 (41:40):
You probably leased the fuck out of that hoe
Somebody.
Isaiah told him the shit out ofher.

Speaker 1 (41:45):
And get it out there again.

Speaker 4 (41:46):
Her daddy is the famous one.
Fuck out of her and get it outthere again.
Her daddy is the famous one,fuck her.

Speaker 1 (41:51):
Fuck her.
I cleared it.
I just was.
I got caught up.
I seen it.
I seen it on Twitter, scrollingthrough Twitter, and I seen Bad
Baby's song first.
So I was like damn okay, let mehear it.
I said, damn okay, that soundpretty straight.
You know, I was like let me seewhat the fuck they beefing for.
And then I got in my WendyWilliams bag, and you sure did.

(42:12):
I got in my Wendy Williams bagand started researching what the
hell was going on.

Speaker 4 (42:21):
I ain't going to lie, though.
They probably turned somelittle ratchets up at the little
kickback.

Speaker 1 (42:25):
I'm trying to tell you.
Bitch you heard what she said.
There's also a beef party nextdoor in Tory Lanez man.
I'm just saying that's what theword on the street is.

Speaker 4 (42:42):
He better stop talking to that man, because as
soon as he get out he got to goto Canada.

Speaker 1 (42:48):
I mean true, True.

Speaker 4 (42:50):
Aight, mike Ain't even what they said.
I'm thinking about Australia,because Drake, because he got
that Australia.

Speaker 1 (43:02):
Nigga retarded.

Speaker 4 (43:02):
What'd they say up front, bro?

Speaker 1 (43:04):
I don't know man, I don't fuck with them, niggas, I
mean.

Speaker 4 (43:07):
I said it wrong, Something like it.

Speaker 1 (43:11):
You ate McDonald's right Six guys gonna come for
your ass, cuz who you Pause.

Speaker 4 (43:21):
The Somalian dude.
Is that what you're talkingabout?
Oh no, that's top five, ain'tit?

Speaker 1 (43:27):
Yeah, top five, that's that one man.
You better quit playing withthem niggas.
Them niggas is gangsters.
Them niggas is gangsters.

Speaker 4 (43:39):
Top five.

Speaker 1 (43:43):
Six guy, that's Drake .
They got no money to come downhere.

Speaker 4 (43:45):
Yeah, you know the he down to kill a nigga.
They got no money to come downhere.
Yeah, you know the laws downhere.
Yeah, yeah.

Speaker 1 (43:52):
Yeah, a little different, a little different.

Speaker 4 (43:58):
And I keep me on me A little different.

Speaker 1 (44:02):
Anyway, I got caught up in that I was really going to
talk about that bad baby shit.
But what name is?

Speaker 4 (44:07):
top five, top five Dylone, dylone.

Speaker 1 (44:11):
Dylone, Dylone and Dylone nigga, yeah, that nigga
tight.

Speaker 3 (44:14):
What else, man, I ain't going to lie.

Speaker 4 (44:21):
Motherfucker pulled a machete out on me.
Bro, I'd be scared, though Idon't think I would Shit.

Speaker 1 (44:27):
What you going gonna do with a machete.

Speaker 4 (44:28):
Nigga, you seen those Jamaicans fight?
Oh, I gotta send you the video.
Man, I seen two Jamaicans.
They were motherfuckers.
This nigga got his hand cut off.
I don't want to see that.
Don't send it to me Hisadrenaline was pushing so much,
bro.
The nigga picked his own handup and was still cussing dude
and he said I don't see thatshit.

Speaker 1 (44:46):
Nah, don't see that shit.
Like I don't see that shit.

Speaker 4 (44:48):
I didn't either, but I was like I gotta see it.

Speaker 1 (44:50):
You know what's funny ?
Cause I be on.
I be on Twitter scrolling andyou see nigga get popped and all
that shit and I don't likeseeing that shit.
But I tell my kids I be on thatshit, but now I'm getting older
, I don't like seeing that.
I seen a video Nigga was in a Idon't know if it was a jewelry

(45:12):
store or something like that anda dude was at the counter.

Speaker 4 (45:15):
Oh, the two dudes, yeah, oh yeah them two young
dudes in a vape shop.
In a vape shop, they survivedtoo.

Speaker 1 (45:21):
Did they man that nigga said man.

Speaker 3 (45:24):
I ain't want to see it.
I think he got arrested, that'scrazy.

Speaker 1 (45:27):
Cause he was like 19.

Speaker 4 (45:28):
You can't have a handgun at 19.
It's crazy.
You can't have a handgun at 19.

Speaker 1 (45:33):
But you can have a rifle.

Speaker 4 (45:35):
At 12.

Speaker 1 (45:35):
Yeah, it's a hunting gun, it is.
We know it's a hunting gun, butthe other one's a hunting gun
too.

Speaker 3 (45:48):
That's right, that's right.

Speaker 4 (45:51):
This for hand to hand combat.
Alright, bro, you can't Stopfucking with people.
Man Like it.
Look, look, y'all Look.
It might not be cool To theseyoung niggas, yeah, but working
Is okay.
It is okay, bro, yeah.

Speaker 1 (46:11):
It definitely is, but you don't understand that Until
you been through Other shit,cause me People we know.
Yeah, it definitely is, but youdon't understand that until
you've been through other shit,because me people we know have
not always been working.

Speaker 4 (46:23):
But I know some niggas that did some real time
and when they get out themniggas be the happiest to be a
fucking gentleman.
Yeah, I know a few and they belike all right man.

Speaker 1 (46:32):
I know one with a food truck right now Killing the
shit down here.

Speaker 4 (46:39):
Man shout out to my man what's up, Soul, I'm killing
shit down here.

Speaker 3 (46:44):
You hear me, that's my dog.

Speaker 4 (46:46):
I remember I called that one day.
It was like he said oh, what'sup Soul?

Speaker 3 (46:51):
As soon as I pulled up.

Speaker 4 (46:52):
He was like, excuse me.

Speaker 1 (46:55):
Excuse me, excuse me, this me right here.

Speaker 4 (46:58):
Hold on, you've been waiting.
It don't matter.

Speaker 1 (47:02):
Say it don't matter, mine's done.

Speaker 3 (47:05):
I got to be in and out Boy.

Speaker 4 (47:06):
I can't wait to have one of them?
Birds I sent you when he wasrapping, like before he was
like,7.
Nothing for him.
I don't think I watched.
I don't think I watched.
Go, you can look at it.

Speaker 1 (47:18):
Yeah, oh, he could.

Speaker 4 (47:20):
No no.
But you can see like he figuredit out.
He was like I can play dumb.

Speaker 1 (47:26):
And get some shit going yeah.

Speaker 4 (47:28):
Just talk shit.

Speaker 1 (47:29):
Yeah, we done talked about it.
That's all you need Just be acharacter.
I couldn't do it, though.
Shout out to my nigga Adam, ifwe can put Bean on TV and let
Bean be real Bean, let him behim.
Nigga, we be poppin' on TikTokright now.
Yeah, if we had a big enoughstudio and some money when I
could pay Bean To be the thirdguy on our podcast, oh, we be

(47:50):
out here, hey man go over there.

Speaker 4 (47:54):
We be out here, we'll be, out here To the moon.
You heard me Dude man.

Speaker 1 (48:04):
What's up?
Yes, sir.

Speaker 4 (48:06):
Are we talking about something?
Cause I'm thinking yeah.

Speaker 1 (48:12):
Yeah.

Speaker 2 (48:16):
To the moon, nigga yeah.

Speaker 4 (48:23):
Hey, my man gonna pull his phone out like it when
he ready to All right, well, Igot to run on down.

Speaker 2 (48:33):
He's like nigga, hold on.
We got you for another 30minutes.
Yeah, yeah, you got to stayhere.
I'm trying to tell you Well, Igot to run on down.
He's like nigga, hold on.
We got you for another 30minutes.
Yeah, yeah, you got to stayhere.

Speaker 4 (48:37):
I'm trying to tell you Well, I already did what?
No, I ain't Dude, that would beso funny.
Just have him out there.

Speaker 1 (48:43):
He ain't got to be on screen, just give him a mic.
That'd be hilarious bro Sayjust Just join in.
Just join in when you feelcomfortable.

Speaker 4 (48:57):
I don't think we can tell I don't know.
I don't think we can say it oncamera because I don't know who
watching?

Speaker 1 (48:59):
Who watching us right ?

Speaker 4 (48:59):
now or at all.
But that conversation last timewe was at the shop, bro, about
the support of children, Ah yeah.

Speaker 1 (49:11):
That was crazy.
Yeah To the moon.

Speaker 2 (49:14):
I'm trying to tell you To the moon.
I'm trying to tell you To themoon hey, man, take Curly, it
kills you.

Speaker 4 (49:19):
Man, by any means necessary, and don't let them
dollars that the people takefrom you Be the only Support.
Yeah, bro, yeah, oh man.

Speaker 1 (49:31):
Sorry, I missed this shot man.

Speaker 4 (49:33):
Me too, I need to go bro.
Me too, I don't be having notime.
If I wasn't off the books, onthe books with your ass
motherfucker, I'd be around thismotherfucker looking like
Looking crazy Boy.

Speaker 1 (49:46):
It sometimes be like that.

Speaker 4 (49:48):
Yeah, that's up to them folks, though.
Whoever they are, what else wegot man?
Whoever they are, what else wegot man?

Speaker 1 (49:54):
That's all I got on my list, man.

Speaker 4 (49:57):
Damn.
I thought it was something Iwanted to talk about.

Speaker 2 (50:00):
Did we?

Speaker 4 (50:01):
talk about Jim Jones.

Speaker 1 (50:03):
What about him?

Speaker 4 (50:04):
Okay, nevermind you talking about Camelot.

Speaker 1 (50:07):
Javante Davis.

Speaker 4 (50:08):
Oh, did you watch the fight?

Speaker 1 (50:09):
No, I did not you seen the highlights?

Speaker 4 (50:11):
I did see the highlights.
What you think?

Speaker 1 (50:14):
Should've went the other way.
Should've went.
It was way.
Should've went.
It was a draw.
It was a draw.
That's why I said it Should'vewent, my man's way why you say
that?

Speaker 4 (50:19):
Because he landed more punches.

Speaker 1 (50:22):
Now I'm speaking from a person that didn't watch the
fight, so the highlights that Igot could've just been leaning
towards, but it looked like,dude put, he gave him some work.

Speaker 4 (50:31):
I mean he was doing his thing.
He looked like he gave him somework, but I mean you have to
beat the champion.

Speaker 1 (50:37):
And I know that and I understand that in boxing I
mean it was a moral win inRoach's favor.

Speaker 3 (50:45):
I would say yeah, yeah, yeah.

Speaker 4 (50:49):
Because he was giving Tank some work.

Speaker 1 (50:50):
That's what I'm saying.

Speaker 4 (50:51):
It looked like he— it was like the announcers was
like hey, man you might drop himfor the first time in his
career.

Speaker 1 (50:57):
Did they call it when he took a knee?
Did they call it a knockdown,or they?

Speaker 4 (51:00):
didn't.
I don't think so, I don't thinkso.
But when he stumbled backthough but it was like, bro, you
could tell the power behindTank, because I think he opened
him up he busted his nose up andI was like, damn think he
opened them up.
He like busted his nose up andI was like, damn, this
motherfucker eating them.
Yeah, yeah, yeah, yeah, yeah,because I think I think towards,

(51:22):
like, uh, I think towards nine,maybe the end of eighth, going
into nine and on through thefight.
I think your boy was winning.
Tank had his spots, but I thinkRoach was like, I think he
jumped two weight classes.

(51:43):
So Tank might have some, hemight have some little and I
don't think Tank had any clausesin his fight.
Normally he'll have hydrationclauses where you can't like
bulk up To bulk up after theweigh-in, because most people
that want to fight Taint.
They'll have to drop like 15,20 pounds yeah.
And then they have to keep that15, 20 pounds.

(52:04):
You damn near starving yourselfat that point if that ain't your
normal weight, because you know, I think, who is it?
Who was trying to fight Canelo?
I think it was Bud Crawford.
He was jumping weights but itwasn't no hydration clouds in
there.
Canelo, you're going to jump Atone side of the weigh-in.

(52:25):
That motherfucker is going togo.
I think the weigh-in was likeonce don't quote me on this
y'all I think it was like 165,man 165, 165 around there, but
that nigga walk around weight islike 181, 185, 190.

Speaker 1 (52:37):
Yeah, so it'll come down like that Nigga what.

Speaker 4 (52:39):
But no, no, no, no, canelo can balloon back up.

Speaker 1 (52:42):
I think that's why they got rid of the fight After
the weigh-in shit.

Speaker 4 (52:45):
Yeah, yeah yeah, once I weigh in and step off it.

Speaker 1 (52:48):
I'm back going.

Speaker 4 (52:51):
I'm doing everything, but you're that buster After
the fight.
You hear?

Speaker 1 (52:56):
me.

Speaker 4 (52:57):
That's a lie.

Speaker 1 (52:59):
Nah, niggas ain't.
Mike Tyson, said he you knowwhat I mean.
He said what happened?

Speaker 3 (53:04):
to him True A few times.

Speaker 4 (53:05):
True who I'm fighting .

Speaker 1 (53:08):
Reggie Smith Got stumbled Goddamn motherfucker.

Speaker 4 (53:12):
Reggie was like catch that shit.

Speaker 1 (53:13):
Legs was wobbly.
What happened?

Speaker 2 (53:17):
I'm just saying I was eating too much Pussy.

Speaker 1 (53:19):
Legs a little wobbly Lay off the pussy.
It's your favorite snack.

Speaker 4 (53:27):
It's magically delicious.

Speaker 1 (53:34):
Stupid.
I'm saying, though you knowwhat I'm saying, hey, what else
we got, bro?
That's what I'm saying, thoughyou know what I'm saying, hey,
what else we got bro.
That's what I'm saying.
That's a lot.

Speaker 4 (53:39):
We just you know I'm trying to think of something man
Ain't got nothing.

Speaker 1 (53:44):
Pause, nah, nah, for real it's slow week, slow news
week.

Speaker 4 (53:49):
Aye Slow news week.
It's looking scary in that westthough.
I know you.
I know we gonna be talkingsports all the time, but them
Lakers looking crazy.
I was about to say.

Speaker 1 (53:58):
Lakers looking like something now, ain't they?
Looking like Contenders outthis bitch Ain't they?

Speaker 4 (54:03):
Everybody else Ain't looking so hot.
Yeah the Spurs.
I think they said Wimby wasLike hurt, hurt.

Speaker 2 (54:11):
And he out for the season.
They and he out for the season.

Speaker 4 (54:12):
They said he out for the season.
No, no, no, no, no, I thinkthat's like one of them things.

Speaker 1 (54:16):
Trying to throw you off a little bit.

Speaker 4 (54:18):
Hey bro, just going to shut it down.
We ain't nowhere near high.
Ankle sprain, grade three, Goahead and sit down you see what
I'm saying, that type of shit.

Speaker 1 (54:29):
But man, I ain't been watching no bad.
I've been watching collegebasketball a little bit, but I
haven't been really watching noNBA at all.

Speaker 4 (54:38):
I ain't watch college at all.
I seen only college games Iwatch.
Lately I seen your boy hit thatbuzzer beater, for it was
beautiful, that was crazy, itwas beautiful.
Shout out to my man, cash man,my homeboy Curtis.
He was right behind like theannouncer's table floor.
It just so happened to berecording.

Speaker 1 (54:56):
Alabama defense on that play was terrible.
They played off of them.
They didn't hold them in thebackcourt for no.
But they was down too, why not?
They was tied.

Speaker 3 (55:08):
It was tied, it would have went into overtime.

Speaker 4 (55:09):
I didn't watch the game.

Speaker 1 (55:11):
It would have went into overtime, and when
Tennessee threw the ball in,it's like Alabama started
backing up rather than trying totrap them.
You only got three seconds onthe clock.
Hold that nigga back here forsomething.

Speaker 3 (55:23):
You know what I'm saying?
Make it all the time out thatnigga.

Speaker 1 (55:26):
they literally let him go straight, get standpoint
and shoot.

Speaker 4 (55:31):
That's crazy.

Speaker 1 (55:32):
Wide open shot.

Speaker 4 (55:33):
Yeah, I seen it.
On his story I said damn, yeah,motherfucker erupted.
Yeah, all that orange and white.

Speaker 2 (55:39):
I said good.

Speaker 1 (55:40):
Look good out there, boy.
Yeah, Alabama, their defensewas terrible on that last play.
You know what I'm saying.
The game was a good game, butthat last three seconds and the
coach was trying to call atimeout Our trying to call a
timeout.

Speaker 4 (55:52):
Our coach was Did they get their ticket points?

Speaker 3 (55:54):
Who.

Speaker 4 (55:55):
UT.

Speaker 1 (55:56):
Are they going to the ?
That I haven't looked in, Ihaven't seen.
I know with that win Auburn isthe SEC champions.
Bruce Pearl posted up VFL andWard you know because he the
coach down there now, yeah, yeah, yeah, I ain't going to lie.

Speaker 4 (56:12):
Bruce been doing his thing.

Speaker 1 (56:13):
Yeah.

Speaker 4 (56:14):
Yeah.

Speaker 1 (56:15):
Yeah, they number one too, ain't they?
Yeah, okay, I believe.
So Now don't.
No, I think they are.

Speaker 4 (56:20):
I think they are, because I think everybody was
screaming.
The team was beat Obviouslyearly on.
They was talking about Duke,because Cooper Flagg but, now
they screaming Cooper, flagg andAuburn.

Speaker 1 (56:33):
Okay, yeah.
Yeah, we're going to see.
I thought I was going to be,since I'm out for two weeks.
I thought I was going to be athome while the March Madness was
happening, but nah, it's laterin the month.
You're going to have it on atthe.
Oh, it's going to be on at theshop, but I thought I was going
to be able to.

Speaker 4 (56:48):
I know what you see.
Watch the game.
You hear me my parlay is close.

Speaker 1 (56:55):
I got to go up to Diamond Cousin and get me a
bracket.
You feel me?
I got a bracket.

Speaker 3 (56:59):
How they doing.

Speaker 1 (57:00):
We usually do up there.
So I'm going to go see.
I'm going to holler at Gloveand see what's going on.
Okay, see if he got something.

Speaker 4 (57:07):
He still doing the truck.
The food truck yeah, he yeah,yeah, mm-hmm, hey, man keep
pressing.
Man, that's the thing.
Them food trucks is the thingkeep pressing man.

Speaker 1 (57:21):
Yeah, if they good, true, true, you gotta be, I
don't.
I don't hit a food, a few foodtrucks where it's like it's good
.
Today you come back for thesame thing.
That's just off.
Yeah, it's like some of themain't consistent, you know I'm
saying.

Speaker 4 (57:34):
My mans had pointed out, we left out some groups and
a few people when we wasshouting out some of the locals.

Speaker 3 (57:41):
Who.

Speaker 4 (57:43):
How they shot at, because I was actually a part of
Sleaze.
F-a-b bro.

Speaker 1 (57:48):
And you left them out .
Yeah, yeah, that's a shame.
Because I wasn't trying to be arapper, that's crazy shame
Cause I wasn't trying to be arapper.

Speaker 4 (57:56):
That's crazy, though.
Nah, I'm just.
I wasn't trying to be a rapper.
All them niggas, I wouldn't saythey was Better than me, but
they wanted it more than me.

Speaker 3 (58:02):
Yeah.

Speaker 4 (58:04):
Shout out my nigga ODB.
He the one call me out thatnigga text me.

Speaker 2 (58:08):
He said hey bro, great episode, you insane.
But how about you?
He's like, how the fuck youforget about us bro.

Speaker 3 (58:16):
The niggas.

Speaker 4 (58:17):
I said, bro, and I did think about it.
I said, bro, I thought about itas soon as we got off the top.
He was like niggas, you waswith us Part of the crew I
remember we went to one show,bro, remember the not La Rumba
but Copa La.

Speaker 1 (58:33):
Rumba South, but Copa La Rumba Southside.
Yeah, bro.

Speaker 4 (58:35):
We had a show.
I had a whole verse.
We had this that night.
I did not like my verse.

Speaker 1 (58:38):
You was done.

Speaker 4 (58:39):
I didn't get up for it.
Them niggas was like oh shit.

Speaker 2 (58:47):
I think, matter of fact, I think my nigga Oshu did
it.

Speaker 4 (58:48):
I think Oshu was like nigga.
Because that was like nigga.
You don't like it.
It's over with.
All right, I was like nah.

Speaker 1 (58:53):
That was, I think, my last performance was out there
too.
It was me and Status and we didtwo songs off of our mixtape.
We're Not the Same.
You still got that.
Yeah, I got all our music.
Yeah, I got all.

Speaker 4 (59:09):
Matter of fact, bro, we need to find us a little song
bro, a little, A little songbro.

Speaker 1 (59:14):
A little intro, yeah, so I ain't gotta be picking
From everywhere all the time,yeah.

Speaker 4 (59:19):
Nah, nah, nah, nah.
What you do is fine.
I'm just saying, like, while we, like you know, Getting
everything together.
It be like and then you know wefade in.

Speaker 1 (59:27):
So how we, how we gonna, we'll figure it out.
Yeah, but say that I don't rapanymore that dude did who Lil' B
.
He don't rap no more.

Speaker 2 (59:38):
Call that nigga.

Speaker 4 (59:42):
See what he doing.
Hold on, dude.
What you want to do, man, lookin the mirror and be like what
you want to do, I don't know.

Speaker 1 (59:50):
I ain't rapping, but that was our last performance.

Speaker 4 (59:53):
We had one mic going back and forth with me and D.
If y'all would have took off,that would have been man.
I remember me and my dog yeah.
Last big performance, before wetook off, man Signed an epic.
You know everybody signed anepic.
I was here, nah, y'all got oldschool.

Speaker 1 (01:00:11):
Yeah, man, we signed an epic, and that's crazy,
because that's exactly what Iwas about to say, you know, and
they called us up, so it madesense.

Speaker 4 (01:00:19):
You know what I'm saying.
Like I was in the mountains,they called us up.

Speaker 1 (01:00:23):
It made sense, and we was passing that mic back and
forth, doing we are not the same.
Through the storm, I come onhome.
You want to be the team, andthat's the shit that I rely on
Y'all can't fuck with me, man.

Speaker 4 (01:00:36):
Nah, they can't fuck with a little bit.

Speaker 1 (01:00:38):
Y'all can't fuck with that nigga boy.
You ready to remember?
Yeah, I don't rap no more.
I don't do that no more.

Speaker 4 (01:00:46):
Bring it back, come on.

Speaker 1 (01:00:48):
Come on, bro, let's get on this young and thuggy.
Go ahead, go ahead.
I don't do none of the.

Speaker 4 (01:00:51):
Bring up the Wi-Fi, the wiki.

Speaker 1 (01:01:04):
All right.
So this week album review, wewill be reviewing Turk Young and
Thuggin'.
It was his solo album, his onlysolo album on Cash Money.
It was released in 2001,.
Of course, under Cash MoneyWrong, that wasn't under.

Speaker 3 (01:01:16):
Cash Money Mm-mm.

Speaker 1 (01:01:18):
I think this is the only one under Cash Money
Produced by.
It was fully produced by MannyFresh.
Shout out to Manny Fresh, whodid all Cash Money beats for the
longest time.
It debuted at number 9 on theBillboard Hot 200.
It hit number 2 on the R&B andHip Hop Billboard Awards.
I mean awards.

(01:01:39):
This is a win 82,000 copies thefirst week.
So that was good.
Definitely for him.
And if y'all don't know, turkTurk is one of the members from
the Hot Boys.
That was I mean shit.
Young and thuggy For the four.
What was that?
98, 99, 2000 was really likecash money was cash money.

(01:02:01):
Of course, y'all know cashmoney now because Lil Wayne has
continued that legacy, butbefore that there were other
members.
This is the year where I think,if I'm not mistaken, juvie left
the year before this, or thisyear, or in 2001, and then I
think that's when they signedMack 10 and they started booing.

(01:02:24):
Was this the year booing Gotticame or no?
Ooh.
I don't I it might have been alittle, I just remember Mickey.

Speaker 4 (01:02:33):
Mack 10.
And who was the?
No, I'm thinking my bad, my bad, it might have been a little.
I just remember Mickey Mac-10and, um, who was the?
Uh, no, I'm thinking my bad, mybad, my bad.
I'm thinking of CharlieBaltimore, cause she had, she
had moved.
I was like who was the redhead?
Shit, yeah.

Speaker 1 (01:02:46):
But um 82,000 first week.
Like again, all produced by Um.

Speaker 4 (01:02:52):
And these are hard copies, hard copies, these hard
copies.

Speaker 1 (01:02:54):
Like Definitely before streaming At like $12.99.
Yeah, $19.99.
21 songs.
The single was it's in me.
I do remember it's in me as thesingle.
I do not remember Freak theGirls being like a single.

Speaker 4 (01:03:11):
Freak the Hoes?
I don't either.
I just remember that being oneof my favorites.

Speaker 1 (01:03:15):
That was the cut though.
Yeah, but uh, yeah.
So that's that.
That's what we here for.
Shout out to Turk Turk does doPodcasting now.

Speaker 4 (01:03:24):
Yeah, shout out to Turk and uh Beehive Radio.

Speaker 1 (01:03:27):
Yeah.

Speaker 4 (01:03:27):
And uh.
Galaxy Wiki.
That's where Galaxy Wiki,excuse me, that's where he's at.
Uh, mostly Wicked, excuse me,that's where he's at mostly, and
I do follow them.
I picked this album.
My man gave us a rundown of allthe stats.
This was actually one of myfavorite albums around that time

(01:03:48):
when I was younger.
I was like 12.
11, 12.
Like I told you earlier, thismight be you know what's the
word.
I'm looking for An uncommonopinion, but at this time I

(01:04:11):
thought he had a quality body ofwork compared to, like, bg.
You see what I'm saying and Ifeel that way because, like I
told you earlier off camera,juvie was so seasoned.
When 400 Degrees dropped Mannydidn't have to do anything but
supply the beat and supply likethe skit work or whatever.
Juvie already knew what hewanted to do and how he wanted
to execute it you know what I'msaying.

(01:04:32):
This is just outside looking inand just listening through the
music.
You see, I'm saying so.
Um, like I said, like, and weagreed on this earlier uh wayne
was young enough to look ateverybody else's project ahead
of him and take and fromdifferent pieces he wanted in
different situations and moldhis shit to where many, all many

(01:04:53):
had to do was bare minimum asfar as helping him maybe arrange
it or whatever he had thelyrics, he carried the work.
You see what I'm saying.
I think BG was just the niggato where he was like hey, nigga,
I don't give a fuck what you'retalking about, give me some
beats.

Speaker 3 (01:05:08):
And I'm going to rap, let's just go.

Speaker 4 (01:05:09):
That's it.
Yeah, with Turk.
I feel like Turk was so out ofthe loop as far as not having
all the charisma the other threemembers had, because, if you
ask anybody, turk is the leastfavorite out of the group Out of
the group yeah, out of all fourof them.
You see what I'm saying.
But in this I feel like Mannytook it upon himself to be like

(01:05:32):
hey, man, I can really showmyself on your project and I can
really bring you out on yourproject.
You see what I'm saying.
It's 21 songs and, like I toldyou earlier, it should have not
been 21 songs.

Speaker 1 (01:05:43):
Definitely not.

Speaker 4 (01:05:44):
A lot of these, a lot of them that he did by himself.
I feel like those tracks werefor other people Like.
I feel like Hallways and Cooksthat last track, I feel like
that should have been like a BGtrack.
You see what I'm saying,because I was like man, you did
all this and now you're talkingabout I see kids pissing in the
hallways and cucks.
I see this.

(01:06:05):
I'm like, especially going fromwhat's the song, what Would you
Do?
I'm like, bro, you went fromgoddamn storytelling to just
doing this Like and that's onething I did like about this Like
growing up.
I can literally sit in my roomlistening to this on my
motherfucking CD player andenvision what would you do, like

(01:06:27):
the whole play by play.

Speaker 1 (01:06:28):
Going through it.

Speaker 4 (01:06:29):
Him fucking with girl meet her big brother, because
he got the word.
You know what I'm saying Turnit up, and that's one thing I
did like about Cash Money.

Speaker 1 (01:06:41):
All of them had stories that you can put
yourself in them shoes and justenvision.
And they was good at putting itto like just talking it out
rather than trying to make itall intertwined with some other
shit.
It was just really and itwasn't even.

Speaker 4 (01:06:51):
It wasn't so bravado.
It was like hey, nigga, thisshit happened yesterday.
You see what I'm saying.
It wasn't like yeah, my bigbrother did this.

Speaker 2 (01:07:02):
And then he had gold rims and a gold steering wheel.
You see what?

Speaker 3 (01:07:05):
I'm saying it wasn't that it was like nah, nigga, I
was fucking with this bitch.

Speaker 4 (01:07:09):
Her brother had to work he was really getting on on
me like charged me busting myhead for it.
I'm holding all the work at thecrib, nigga.
So guess what I did?

Speaker 1 (01:07:19):
I took all that shit.

Speaker 4 (01:07:20):
Now that nigga looking for me.
I fucked up, gave my mama thecall, now they shooting at my
mama, god damn.
You know what I'm saying?
I'm looking at all that, bro.
And then the whole the skitswith the public service
announcement, seattle Slew allthat.
I enjoyed it.
It was like a good breakthroughto music.

Speaker 1 (01:07:35):
But, like I said, it was a lot.

Speaker 4 (01:07:37):
It just adds a lot to the runtime, but it was just a
lot to get through as far aslike, once you get past, maybe
Freak the Hoes, it get choppy.

Speaker 1 (01:07:52):
Yeah.

Speaker 4 (01:07:53):
Because Wanna Be Down could have did without that.
It get choppy.
Yeah, cause wanna be down,could have did without that.
Uh, hallways and cuts.
I feel like that should havebeen on a BG album.
Um, soldier red.
You know what I'm saying?
The beat maybe yeah.
But it was like the song.

(01:08:14):
I was like nah, bro, youcould've picked a better lady
song to to to appease the ladiesbro, but they wasn't ladies.
Nah, I feel that.
But if you're gonna go go thatroute, if you're gonna go into
it.
I mean, I understand like theconcept we, we hot boys, we
camouflage that yeah soldierette.
Okay, cause Hot Boys, we cancamouflage that.

(01:08:34):
Yeah, Soldier Red.
Okay, because we soldiers.
Yeah, we ain't no limitsoldiers, but we soldiers in
these motherfucking projects.
Right, Soldier Red?
Okay, cool, we can do that.
No, nigga Should have left thatshit off.
Mm-hmm.
Somebody should have told himlike ah, nah, bro, let's save
that one.
Not necessarily say it wastrash, but nigga, let's save
that.

Speaker 1 (01:08:51):
Yeah.
For something else that's nevergonna come.
You know what I'm saying.

Speaker 4 (01:08:55):
But yeah, I enjoyed it bro.
Like, like I said, this was oneof my, this was one of my
favorite CDs coming up bro and,like I said, and I'm gonna
compare it to, like the Boosieand Webby situation I was saying
earlier, unpopular opinion Evenwith Webby and Boosie, I felt

(01:09:16):
like Webby had better musiccoming up Facts and I felt like
Boosie had he had them smashtracks to where he had so much
charisma, niggas was fuckingwith him.
He was giving you that,especially in the teen party At
that time.
It was a teen party for me.
He giving you that motherfucker.
He amping you up to do whateveryou want to G.
You want to dance?
Do your dance.
You want to fight a nigga?

(01:09:37):
Hell yeah.
But then when I'm riding aroundin my car, I'm listening to
Webby Savage.
You know, what I'm saying.

Speaker 3 (01:09:42):
That G shit, you see what I'm saying.

Speaker 4 (01:09:46):
Yeah, yeah, that type of shit, yeah, and that's how I
felt about Right right, right.
You see what I'm saying.
I never compared him to Wayneor Juvie out of the group.
Now, if you want to compare him, bg, manny, fresh and Birdman
and Mickey and them niggas, I'ddo that.

Speaker 3 (01:10:02):
You see what I'm saying.

Speaker 4 (01:10:05):
But I wouldn't go anywhere close to putting them
up there with the other two, butfor this to be his only one on
there.
If they would have trimmed somefat, I think it would have been
a little bit better.
Yeah, like I said, if he wouldhave had eight would have been
too short.

(01:10:25):
If he would have cut it offaround what would Freak them
Holes be?
What?

Speaker 1 (01:10:30):
About 14 tracks.

Speaker 4 (01:10:31):
Yeah, if he cut it out, freak them Holes and that'd
be the end one, yeah.
Boom, that was straight.
Well, what you think, go aheadcut it out bro.
I already know how you do.

Speaker 1 (01:10:43):
So listening to it to me.

Speaker 4 (01:10:44):
Where your checks at.

Speaker 1 (01:10:47):
Listening to it, to me, how you was talking about
the production for Manny Fresh.
To me, I heard two things FromManny Fresh.
To me, I heard two things fromManny Fresh.
What's that I heard trying toprove I'm still Manny Fresh.
And then, like I'm trying togive you 400 degrees type beats

(01:11:11):
and like when you saying some ofthem songs should have been
like on bg album, stuff like it,I feel like some of those beats
were either made for somebodyelse or like they had some shit
just laying around.

Speaker 4 (01:11:24):
It was just like from some same file.

Speaker 1 (01:11:26):
Yeah, yeah, yeah like , or he heard like.
You know it's like manny, I waslistening to 400 and I was like
I can make another one of themoh you know what I'm saying.
That's how I was kind of here,because also and I know all this
is like hindsight but also atthis time, that's when Birdman
was trying to start messing withother producers and that's why

(01:11:47):
I feel bad about the way Turk islooked at and all this because
there is no collective like.
It don't seem like a collectiveeffort on this album, like it
would with a, a chopper city or400 degrees or uh hell, the
block is hot.
You know what I'm saying.

(01:12:07):
It feel it felt like everybodywanted to be more involved.
Then, like the, even the skitson here there's no birdman skit
like, there's just Manny Freshskits.
You know what I'm saying.
So it's almost like Birdman,like y'all go in there, studio B
, y'all go do that.
Me and Wayne, since Juvie left,we're going to go work on this
500 Degrees and we're going tobring in Jazzy Faye and we're

(01:12:31):
going to bring in so and so andso, and then we're going to
bring in so-and-so and so-and-soand then we're going to work
over here, we're going to moveon from the old.
Yeah, you know what I'm saying.
And it just kind of seemed likebeats I hadn't heard before
from Manny and I think it wasjust kind of like I love Manny
Fresh, don't get me wrong, but Ifelt like it was reaching its
end of the Manny style.

Speaker 4 (01:12:56):
So when does Manny and Jay-Z take take place?
Is that in 02?

Speaker 1 (01:13:00):
cause the black album come out in 03 yeah, it's 03,
so it's it's around 02, andthat's why I said because that
was one of Birdman and MannyFresh falling outs of when they
was trying to start fucking withManny Fresh, I mean with Jazzy
Faye, so that was like 02, 01,02.

Speaker 4 (01:13:16):
That's why I'm asking , I'm like damn bro, Because I
do remember that, Because Iremember he was about to sign
Manny at one point right, andthen he tried to sign Wayne and
he tried to get Wayne.

Speaker 1 (01:13:26):
So okay, yeah, yeah, yeah.
And then just listening to thisNow, growing up on this album,
and it's because of the twofeature verses.
I don't know who the hellChristina is.

Speaker 4 (01:13:38):
Oh, that's Growing Up .
What's Hard.

Speaker 1 (01:13:42):
I like that song.
I like that song, but it's moredue to those features Like
Mickey killed it on there.
I like the.
I mean it's still Mani Freshbeats, so the beats are still
they good beats.
You know what I'm saying.
I mean it's still Manny Freshbeats, so the beats are still
they good beats.
You know what I'm saying?
But I just feel like I feellike Turk works better in a

(01:14:03):
group, oh yeah yeah, yeah, hejust works better in a group.
So I didn't find too many.
Like you was asking where mychecks at, I didn't find a lot
that stood out.
Yeah, I didn't find a lot thatjust like oh God, I got to go
back to that, like you know whatI'm saying.
So it just it's long as fuckthe album.

(01:14:23):
Long as hell.

Speaker 4 (01:14:25):
I told you like after Freak the Holes, I'm like oh my
God, this is fucking crazy man.

Speaker 3 (01:14:37):
Yeah, yeah, Because you know, what it is.

Speaker 4 (01:14:39):
After.
Freak the Holes bro, it kind oflose the aesthetic of what they
was going for.
Yeah, like with the whole start, the intro, through the skits
and all that, and it was justlike, damn bro.
It's like were y'all justtrying to find something to fill
it up, right, because what,what is it?
It's an hour and 14 minutes, sowhat classifies the album as an

(01:15:02):
album?

Speaker 1 (01:15:03):
an hour, uh well, I think it was.
I don't know how they do it nowbut I think back then it was 60
minutes like something like it.
Yes, lp full length album yeahso I think it's once it's past
30 minutes, honestly somethinglike that, let me see that's 4

(01:15:23):
minutes.

Speaker 4 (01:15:26):
I like track.

Speaker 1 (01:15:30):
That's 12 this is dedication you like all night.
That's 12.

Speaker 4 (01:15:38):
14.

Speaker 1 (01:15:42):
You like All Night.
I honestly don't even rememberAll Night to tell you the truth?

Speaker 2 (01:15:46):
No, you don't like this.

Speaker 4 (01:15:49):
No.

Speaker 1 (01:15:57):
This beat hard as fuck for me, this is squad up
Wayne.
That's a different Wayne.
There's multiple Waynes outthere and this is squad up Wayne
.

Speaker 4 (01:16:15):
It's cool what you give it man.

Speaker 1 (01:16:20):
Turk Young and Thuggin'.
I really feel bad for Turk man,because it's like it's the
little brother that like didn'tget the attention.
He, the Marlin of the crew yeah, you know what I'm saying.
And he just it's like, when youfigure it out, he just want
wanna be a part of.

Speaker 4 (01:16:35):
He just wanna be a part of.

Speaker 1 (01:16:36):
Part of the team the bigger piece bro.
But and I wish Mac 10 Was nevera part of Cash money.

Speaker 4 (01:16:46):
I thought that was weird, bro, because wasn't he?
Wasn't he in About it?

Speaker 1 (01:16:52):
Mac 10.

Speaker 4 (01:16:53):
Yes.

Speaker 1 (01:16:54):
I believe so I thought that, yes, I believe so.

Speaker 4 (01:16:56):
I thought that was so weird.

Speaker 1 (01:16:58):
I believe so.
Turk Young and Thuggin, I'mgoing to give it a 1.5.

Speaker 4 (01:17:03):
Damn.
Maybe a 2.
Maybe a 2.
I didn't have it that higheither, but it's still one of my
favorites.
I gave it a solid 3.
Right Middle of the road.
Yeah, I can't give it no highand.

Speaker 1 (01:17:14):
I want it a solid three Right Middle of the road.

Speaker 4 (01:17:15):
I can't yeah, I can't give it no high and I want it
to so bad because I love it, bro, I always tell you I'll be like
man.
You don't like Young and Thuggy.
This, my shit.
Yeah, I got cuts off of this,bro, I guess because I grew up
with it.

Speaker 1 (01:17:29):
But it's here is be fair and unbiased.
We can still like an album morethan a month.

Speaker 4 (01:17:36):
No, that's what I'm saying.
I couldn't give it no more.
I gave it a three because it'sso.

Speaker 2 (01:17:44):
I love it so much.

Speaker 4 (01:17:46):
But I mean, bro, after listening to it it's a few
songs early on that I wouldtake off and keep like all night
, I would keep on, but it's likeyeah, but it's like dude, it's
like trim the fucking it was.

Speaker 1 (01:18:01):
It was also missing um, especially to complete the
the hot boy solo albums.

Speaker 4 (01:18:08):
It was missing a juvie verse, but that's what I
was going to ask, because I knewyou was going there.

Speaker 3 (01:18:14):
Do you think it?

Speaker 4 (01:18:15):
needed one Needed, no , no, no, I don't want to use
this word, but I'm going to useit Sonically.
Do you think Juvie would havesounded good on her?

Speaker 1 (01:18:27):
I was about to say the way it sound.
I don't think he would have fit.
I don't think he would have fit.
That's why I asked, because I'mlike bro, I don't hear a song
on here when he would have putJuvie on there.

Speaker 4 (01:18:38):
You could just automatically stick them in Nah,
bro yeah.
But yeah, I give it a three,like I said, just because I was
a huge fan of Turk.

Speaker 1 (01:18:45):
Yeah, I give it a two man, I just.

Speaker 4 (01:18:49):
Nah, you gave it a 1.5.
You gave it a 1.5.

Speaker 1 (01:18:54):
Keep it, 1.5 it just.
That's her first one, bro.

Speaker 4 (01:18:57):
I think it just wasn't for me.
Out of 40, I think that's herfirst one.

Speaker 1 (01:19:03):
It wasn't anything, i'ma go.
I'ma go a little bit, we'll see, but I think you might be right
, damn Turk.

Speaker 4 (01:19:12):
Damn.
We ain't definitely Gonna getnothing new, so this is the best
You're going to get.

Speaker 1 (01:19:18):
Well, he been putting out, he been putting out.

Speaker 4 (01:19:21):
I love your podcast though.
Yeah, yeah, yeah, I want y'allto see he got seasonings and
shit too, like barbecue.

Speaker 1 (01:19:28):
Like the yeah, yeah, I seen them on.
I been on the support.

Speaker 4 (01:19:31):
I got to figure out what his actual Website is.
I don't wantite is.

Speaker 1 (01:19:36):
From somewhere else.

Speaker 4 (01:19:38):
Yo Cash at my home.

Speaker 1 (01:19:40):
Cash at me.

Speaker 4 (01:19:41):
We not in the same city.

Speaker 1 (01:19:42):
Well, for my album for next week we gonna go Camp
Low Uptown Saturday night.
That's where we gonna go.
We gonna kinda shake it up alittle bit.
Yeah, uptown Saturday night,that's where we're going to go.
We're going to kind of shake itup a little bit.
Yeah, we're going to kind ofshake it up a little bit.

Speaker 4 (01:20:03):
We're going to go Camp.

Speaker 2 (01:20:06):
Low Uptown.

Speaker 4 (01:20:06):
Saturday night.
Huh, you know what I'm talkingabout.
Yeah, okay, yeah, let's get lit.
What?
Luchini, california City, what?

Speaker 2 (01:20:17):
Come on man.

Speaker 1 (01:20:18):
Yeah, nigga, yeah, of course, and we're going to talk
about that next week when wereview the album Indeed.

Speaker 4 (01:20:30):
The fuck that we might tap in that on Chatterbox
dude.
That's crazy bro.
I'm just saying that's crazyman.
I know we got to end, but Iseen that video.
I was like nigga, what happenedWith what?
Because some of these niggas beso much better Than what we are

(01:20:55):
presented with, bro.

Speaker 1 (01:20:56):
Yeah yeah.
Some people don't like to movethe way that the label Want
niggas to move.
Some niggas gonna come in andpay a little bit of money To get
a song from somebody.
Hey, what you playing overthere in the studio.
Give me that.
It happened to Camp Lo, fromone of y'all greatest rappers.

(01:21:18):
He came in the studio and saidgive me that.

Speaker 4 (01:21:28):
Yeah, it was a song when we were like go, but I
can't do it, I don't know.
I got fun, I don't know that'sprobably one.
I don't really like too manysongs.
Do you like Pharrell Jay-Zbetter or you like JD Jay-Z

(01:21:51):
better?

Speaker 1 (01:21:58):
I think I like Pharrell.
Okay, I think I like PharrellDJ Jay-Z better.
Hmm, I think I like For Real.

Speaker 4 (01:22:02):
Okay, I think I like For Real.
Yeah, who did them beats forRush Hour?
What was the song on Rush Hour?
You know what I'm talking about?

Speaker 1 (01:22:11):
I know what you're talking about, but I don't
remember who was the productionon that.
Let's see, shout out toTimberland.
I watched the.
I watched the video of somebodybreaking down how he sampled
one of them beats and it wasjust like nigga, how'd you even
pull that from there to make awhole fucking beat around?

Speaker 4 (01:22:29):
that shit.

Speaker 1 (01:22:30):
You seen that from me my dude be sending me videos
and I sometimes I see them,sometimes I don't.
Then I forget where the fuck Iseen them.

Speaker 3 (01:22:40):
That's crazy bro.

Speaker 1 (01:22:42):
Then I forget where I see.
Shit bro.

Speaker 4 (01:22:45):
Who you think did it.

Speaker 1 (01:22:49):
Can I get a?
Oh, that's Timbaland.
No, that's Swiss Beats, that's.

Speaker 4 (01:22:54):
Irv Gotti.

Speaker 1 (01:22:55):
That's Irv Gotti that's.

Speaker 4 (01:22:56):
Irv Gotti, yes, irv Gotti.
Lil Rob Shout out to Irv manIrv got some, irv got some.
Irv was hey, that niggaprobably was in there Goon, goon
.

Speaker 1 (01:23:11):
Goon, goon, goon.

Speaker 4 (01:23:13):
Shout out to Irv man Rest in peace man Legend Roo roo
roo, all I need you to say.
Can I get up?

Speaker 1 (01:23:21):
And then we're going to make it work.
We're going to talk about someshit next week on Luciano.
Hey man.

Speaker 4 (01:23:36):
I know we bent over, but YFN Lucci got released.
I'm looking forward to YFN.
Whenever he decides to drop,I'll be looking forward to
listening.
That's all I want to say, man.
And when you end this pot, yougot to end it with that Lucci

(01:23:57):
man.
Who was that?
Uh-huh, uh-huh, uh-huh.
Buy my hoe a brand new pair ofheels, my music don't work, man.
I got to figure out what thehell happened.
You know what I'm talking about.
It was I can't think of thename of the song.

Speaker 1 (01:24:10):
She pissed me off.

Speaker 4 (01:24:10):
Him Migos Trouble, yeah, yeah, 16.
Y'all been living man Trouble,you Trouble was nice.

Speaker 1 (01:24:21):
Trouble was nice, get a scoop.
Let me see if my shit Give meone second.
Let me see if my shit wannaplay now.

Speaker 4 (01:24:31):
Put my whole and brand new pair of heels.
I got the key to the seat.
I got the key to the street.

Speaker 3 (01:24:43):
There you go.

Speaker 4 (01:24:47):
That's my shit bro, this summer brown's riding,
that's my full runner.

Speaker 2 (01:24:54):
Back and forth to the now.

Speaker 4 (01:24:57):
Hey bro, can you rent me this car real quick?

Speaker 1 (01:25:03):
I don't know why it's doing that.
Today I got to see what's goingon with my computer and shit
You're talking about.

Speaker 4 (01:25:11):
Got me already.

Speaker 1 (01:25:15):
Thank y'all for listening to another episode of
Late to the Party with Dodie andReggie.
I am Reggie.

Speaker 4 (01:25:20):
I'm D-O-D-Y.

Speaker 1 (01:25:24):
That's going to be in the intro song.

Speaker 4 (01:25:26):
Oh, my baby mama.

Speaker 2 (01:25:34):
Hands high.
Anyway, yeah, was that Tasia,hands high anyway, was that
Tasia?

Speaker 4 (01:25:41):
what was that Fantasia?
I never listened to no Fantasiababy mama, you don't remember
that song B-A-B-Y.

Speaker 1 (01:25:50):
I really don't A-M-A.

Speaker 4 (01:25:53):
This goes out to all my baby mama.

Speaker 3 (01:26:02):
Hey yo we out cuz we out.

Speaker 2 (01:26:04):
Oh, my God.
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