The Wizard of Oz

Wizards have a long history, not just in movies, but in fiction generally. Whether they’re running a class action lawsuit just waiting to happen in the form of a deathtrap boarding school, going on road trips to return some seriously defective jewelry, or burning things at random to punctuate each sentence, audiences everywhere delight in sorcerers of screen, page, and stage. Fictional wizards (as opposed to real wizards, of course) could also come in the form of a de facto monarch lording over an enclave of green structures erected in his own selfish image, exchanging favors for the assassination of his geopolitical enemies with random strangers. I’m talking, of course, about the titular magic man of The Wizard of Oz, a 1939 family musical directed by Victor Fleming and based on The Wonderful Wizard of Oz by L. Frank Baum. The Wizard of Oz is beloved, that’s plain to see from its frequent top honors on best-of movie lists, and has dazzled millions of children the world over, but can it withstand the modern cynicism of two men brought up in the torrid fires of the 21st century? Load your squirt gun and wave Kansas goodbye as we join cynics Nathan and Elliot on Magellans at the Movies to find out! Contact us/Requests/Questions: [e-mail]

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