Ep. 157 - Music Milestones and Epic Showdowns: Celebrating 30, 40, and 50-Year Hits - Milk Crates and Turntables. A Music Discussion Podcast

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Scott (00:08):
Well, here we are, episode 157 of the Milk Crates
and Turntables podcast.
Yeah, I thought I'd change itup a little bit, right, a little
intro music change-up.
That'll probably get me pulleddown from YouTube, but I don't
care.
On this episode, well, we'regoing to be talking about songs

(00:29):
that turn 30, 40, and 50.
Yeah, and we have 45 Poker.
We have you Make the Call.
We have actually, we have a.
What do you call it when peoplethey talk about something?
A review?
Yeah, we have a review onactually this album, the Tubes,

(00:51):
side two of their debut album.
So, sit back, relax, enjoy itand, by the way, the Wrecking
Tour here tonight again the kofbstudio presents milk crates and

(01:19):
turntables.

Lou (01:21):
a music discussion podcast hosted by sc McClain Now let's
talk music.

Mark (01:29):
Enjoy the show.

Scott (01:35):
Thank you, amanda, for that wonderful introduction as
usual.
Welcome to the podcast, welcomeback, my friends, to the show
that never ends.
I'm so glad you could attend.
Come inside, come inside.
We're streaming live right nowover a lot of platforms.
I got I'll just eliminate sayingall that stuff.
It's been too long.
You know, if you're watching,you know, you know what it is.
Yeah, young amanda's back up atschool after spending half the

(01:56):
three quarters of the summerover in valencia, spain.
So good for her living thatlife that I never lived for kids
, fuck kids, you know what Igotta do.
Let me see, I, I just got usedto this for some.
I don't know, I just like this.
Yeah, you know this little, uh,come on, come on, there we go.

(02:18):
Yeah, a little background music, I like a little background
music.
I like a little backgroundmusic.
Yeah, all right, yeah, so whereare we?
Yeah, yeah, yeah, we were offlast week.
We had to see young Amanda offto school.

(02:40):
So we had dinner and missed anepisode and Lou called me and he
chastised me.
He chastised me while I was atthe restaurant.
He was he.
He called me a non-committerthat I'm lacking, I'm losing it,
I'm slacking.
He degraded me, berated me.
Yeah, I think if he was infront of me he would have raped.

(03:04):
I can't say that and I can'tsay that.
That can't say that word.
Youtube will definitely take itdown.
So, with that said, let's, uh,let's, bring on the one, the

(03:27):
only Hello.

Mark (03:29):
I'm not done yet.
Come at you.
What's up, buddy?
Hey man, how you doing.

Scott (03:37):
I'm doing all right and I'm sorry about that.

Mark (03:40):
I'm sorry but I had to do it, you know.
Well you did.
I felt it was incumbent upon meto say, like you've been
spreading yourself out prettydamn thin lately, I really have.

Scott (03:51):
Really, really.

Mark (03:52):
I understand my friend.
I understand Really this hasbeen.
I got on some.
You're talking about thepodcast.

Scott (03:59):
Yeah, I got on some sort of bus and I'm driving it now.

Mark (04:02):
It's crazy but it's all good man.

Scott (04:05):
It's good yeah.

Mark (04:06):
One.

Scott (04:07):
Man One Mic Foundation.

Mark (04:08):
There you go.

Scott (04:09):
Yep it's my foundation helping veterans impacted with
PTSD and traumatic brain injury,teaching them the craft and art
of storytelling and podcasting,and it's a great course and
it's a great cause and a lot ofpeople are uh, uh, uh, latching
onto it and I think I'm ontosomething.

(04:30):
Uh, and now that we have thegood news, then we got to bring
on Mark Smith.

Lou (04:48):
I'm not taking a shit.

Scott (04:48):
Scott, what's up, buddy?
How you doing Good, good, goodgood, I love the new intro.

Lou (04:54):
I love it.
You like that, huh, but I missLou's song.
I do miss Lou's song.

Scott (04:58):
Well, his is at the end.
Evidently he didn't listen allthe way Lou.

Mark (05:01):
Evidently, Once again, he's not paying attention.

Lou (05:06):
I was smoking a cigarette.
What can I say?

Mark (05:09):
So, Scott, what happened before we even went on here?
What do we have to do to Markwhat happened?

Scott (05:14):
Mark got put in the penalty box before the show.
Yeah, before the show.
Yes, that's a first and it wasas usual.
It was Lou giving the thumbs up, thumbs down thing and, yeah,
it started early it startedearly Someone's got hair, that's
all it is.
Allison Lundy.
Welcome to the show.

(05:34):
We're glad to be back, hi Patty, hey Patty.

Lou (05:37):
Patty missed us she missed us yeah.

Scott (05:40):
Yeah, well, we're going to make you laugh tonight week.
Yeah, we're going to make youlaugh tonight.
It's going to be a good show.
It's like coming back from Letme see.
I got to answer the presidentof my board, the president of
the One man, one Mic Foundation.
When she texts me, I have toanswer.

Mark (05:56):
Excuse the people here, yes absolutely by the way.

Lou (06:01):
another first for Lou.
He went.
Hey ladies, hey ladies, heyladies.
Yeah hey, hey.

Mark (06:09):
I didn't know that was a first.
Hey, you don't see me 24-7either.

Lou (06:16):
I've seen you on LinkedIn, jesus Christ.

Mark (06:20):
You guys know I was banned from there a year ago.
Yeah, we heard the story.
I didn't mean it.
It heard the story.

Lou (06:24):
We heard it.

Mark (06:26):
I didn't mean it.

Lou (06:27):
It's the stuff of internet legends.

Mark (06:30):
It's this music.
It's this music.
It just brings out the Latin inyou.

Scott (06:34):
I got the music in me.
I got the music in me.
I got the music in me, yeah.

Mark (06:41):
Who was that?
Kiki D, kiki D.
That's Kiki D, kiki D.
Who was that with Elton John?
What's that?
Was that with Elton John?

Scott (06:49):
No, no, that was don't go breaking my heart, right right,
I sing a lot now because mybrother, colin McLean, hates it.

Lou (06:59):
But he's not on, so please don't sing.
He's going to listen to it,though he's going to listen to
it and he called me up last week.

Scott (07:04):
He goes what the fuck's up with the singing lately?
I said what you don't like it,he goes.
Come on man.
You know it's a show, I'm justgoing to do it more now.

Lou (07:15):
Maybe that's reverse psychology, Scott.

Scott (07:23):
He might be liking your singing.

Lou (07:24):
He's your older brother he's not smarter than me.

Scott (07:26):
I'll tell him.
I can say that because he's notwatching right now.
He will be.
He's very well-read.
He's a very well-read guy.
I'll give him that.
I think in college he tookGreek history or something like
that.
Oh boy, yeah.

Mark (07:41):
You're saying Brother Colin's very erudite.

Scott (07:45):
Yeah, yeah's.
You're saying Brother Colin'svery erudite.
Yeah, yeah, yeah, yeah, he's amafidite, he's a hamafidite.
Yeah, he's very hamafidites.

Lou (07:50):
Is he sanguine?

Mark (07:52):
He's sanguine, he's very sanguine, and he'll come on with
a mangling of the show name too.

Scott (07:56):
Yeah, yeah, yeah.
Speaking of sanguine, let'ssanguine way right into 45 poker
.
Let's get this game started.
I've got 545s, lou got 545s Isthat, what time it is.
Yeah, bad jokes, bad jokes.
All right, so I'm going tostart off.

(08:19):
Yeah, I'll start off doing it,and then Lou will go last, since
he's new, so, and Mark'swriting something down.

Lou (08:30):
I'm writing down what we're getting.

Scott (08:32):
Oh okay, all right, you have no complaints about that,
right, Mark?
No, that Lou gets to go last.
No, all right, he doesn't likeit.
Fuck him I assumed you weregoing to bitch and moan about it
.
No, I was always last.
Now Lou's last.
No, Lou's bringing up the rearyou like Lou better than you
like me, no the drummer alwaysbrings up the rear.

Mark (08:52):
So there you go I mean yeah, the more there's love.
I get to look like a lot ofbadasses in my life.

Lou (09:00):
Don't ever get the drummer mad again, I mean truly badass,
not like a badass, but like badasses.

Scott (09:06):
All right, there we go, there we go.
Here's the first draw.
So each one of us is going todraw one, and I'm pulling from
Patty's stash Patchouli stashhere we go.
Smells like incense.

Lou (09:22):
That's the smell Smells like incense.

Scott (09:23):
Patchouli.
No, it's not.
It's actually, it's an incense.
That's what it's.
She must have been smoking weedin her room and then she would
put incense because you knowwhat parent's gonna believe that
you know I had a customer.

Mark (09:39):
We used to call her patty patchouli.
It's on the gas station but sheused to come and smell like
patchouli, so ah okay.

Scott (09:46):
Dave phillips says is this the free karen reed podcast
?
I don't know if you're familiarwith that story.
It's fucking insane.
Look up the karen reed story.
It's in massachusettsboyfriend's cop run over by a
car.
There's a house full of copsand it just gets insane after

(10:08):
that.
This is going to be a movie.
It's going to be a movie.
They're just waiting for theverdict.
It's fucking insane.
It's so corrupt that it'sblatant, but they're all in on
it.
Yeah, all right, here we go.
Epic Records.
Epic Records.
This is for you, mark, morethan I feel.

(10:29):
Uh-oh, you might be starting offstrong, let me see, here you go
, epic Records, right here yougo, and we have Ooh Sly and the
Family Stone.
If you Want Me to Stay, that'sa tough one.
That's a tough one.

(10:54):
That's a tough one.
Just say I won.
Yeah, that's, that's gonna betough to beat.
Is that kind of a b-level hitfor him?

Mark (10:57):
though you want me to stay , I'll be around today yeah, I
know it ain't no hot fun in thesummertime, I'm just saying no,
but number one gonna be numberone when you know that you're
never number two dave philliplived in canton, north carolina,
for 27 years evidently,according to him.

Scott (11:22):
oh, now he says evening he comes in with whatever
ramblings.

Lou (11:27):
Then he says good evening Okay.

Scott (11:30):
All right, Mark, pull 45.

Lou (11:31):
Okay, all right, and I'm picking, for who?
Me?

Scott (11:39):
Oh, all right.
How are we doing this?

Lou (11:40):
Are we each taking a pick?

Scott (11:41):
I'm going to do three, and then you do three, Okay.

Lou (11:43):
All right, we'll do it that way.

Mark (11:45):
My bad, see, we take a week off and I lose my whole
cadence.
That's because you're spreadout when there's other podcasts.
I can't help you with that.
What.

Scott (11:54):
What the fuck was that all your?
Computer's getting tired of you, hey Siri off.

Lou (12:02):
I can't help with that.

Scott (12:08):
I think it's Siri's going to get thrown out the window.
Hey Siri, I love you.

Lou (12:11):
You are the wind beneath my wings.

Scott (12:13):
Yes, I am hey Siri, do you like me?

Lou (12:18):
I could say yes, but instead I'll say yes, yes,
absolutely yes, boy oh boy.
But there's no emotion in that.

Scott (12:25):
Hey Siri, am I the best podcaster in the world?

Lou (12:30):
Okay, I found this on the web, for am I the best podcaster
in the world?
Check it out.

Scott (12:36):
Hey Siri, am I on that list?

Mark (12:39):
You don't have any reminders on your list.

Scott (12:42):
Okay, go back to bed.
She's telling you to fuck off.
She basically just did.
Yeah, let me get rid of herwitch.
She started off good too,really.
Alright here we go, here we go,lou Lou, we got Avco Records
Again.
Avco Records, avco Purple.

(13:05):
They were into the purple thing, the Stylistics, you Are
Everything Nice.
Yeah, I still got to go withSly and the Family Stone on that
one I disagree.

Lou (13:22):
I disagree with you, Lou.

Scott (13:25):
Well, we'll all decide at the end, that's fine.

Lou (13:27):
It's rancorous tonight, very rancorous.

Mark (13:30):
I go Dave Phillips on his judgments, though I think Dave
Phillips judgments are verysound.
He can't argue with the 45 king, he can't argue with the king
of the 45s alright, here we go.

Scott (13:40):
Oh, bell Records, this is you, scott, right?
Yeah, this is me, bell Records.
Bell Records, it's you, scott,right?
Yeah?
Yeah, this is me, bell Records.
Oh boy, you're out.
Well, it was a hit.
It was a hit, tony Orlando andDon or Don, featuring Tony
Orlando Stay.
Has anybody seen my sweet gypsyrose?

Mark (14:04):
That was a big hit, man, it was a hit.
Rose, that was a big hit, man,it was a hit that was a big hit.

Scott (14:08):
I think it was a big hit.
Oh, there he is.
Speak of the devil incarnate,colin McClane.
My brother is the buttermilk inend tables with the dictator,
little Scotty, are you?
Are you?
What is that?
He could have come out withsomething better than that.
I kind of like buttermilk.
And what Don't agree with him?

Lou (14:31):
You know what?
Come on man.

Scott (14:34):
No, you can't agree with him.

Lou (14:36):
So you know what.

Scott (14:36):
We got a double minor.
Both of them.
Both of them Penalty box.
Yeah, both of them.
Do not go against me, that'sall I'm saying.
I'm a dictator, yeah, I'm adictator.
So what?
What's mark doing?
Mark's blowing his nose I haveallergies.
I got allergies.

Lou (14:56):
Let's bring lou back yeah, all I can say is growing up,
there were many times where Ididn't agree with an older
brother.
I got the shit beat out ofmyself, just habit.

Scott (15:05):
Yeah well, I got used to that.
I fought my older brothers.
Alright, mark, you're up threerounds of 45 poker.

Lou (15:13):
Alright, so the first is me Pick it for me.

Mark (15:16):
Wait, who's taking the early lead?
Me, I think.

Scott (15:20):
I got the biggest hit.
Has anybody seen my?
We can look them up on thecharts.

Mark (15:27):
I think I do.
That's why we finished the game.

Scott (15:31):
Let's finish the game, don't you hate a cocky drummer.
Drummers need to just drum.

Lou (15:37):
Okay, this is me London.
Records.

Scott (15:41):
Lou, you know anybody from?

Lou (15:42):
London Records Lou.

Mark (15:43):
Nope, get off my cloud.

Lou (15:46):
Get off my cloud Get off my cloud.

Scott (15:49):
The fix is in on that one .
Wow, that's a biggie.
Yeah, he's got Sly and theFamily Stone and the Rolling
Stones.
He's got a little theme goinghere.

Mark (16:00):
And that proves that Charlie Watts was not just some
simple-minded drummer either.
Like people say, that song,that song, that song,
motherfucker good play.

Lou (16:09):
This is Lou.
Yeah, all right, okay.
Oh, it's one of the picturesleeves.
It's MCA Records.
It's Elton John Lucy in the Skywith Diamonds.
Ooh, wow, that was Diamonds,wow.

Mark (16:27):
That was a hit.

Lou (16:28):
Yeah.

Mark (16:31):
Was that live or was that from?

Lou (16:34):
It doesn't say, but it's got a nice picture of the band
on the back.

Scott (16:37):
Yeah, it was a studio recording.

Mark (16:39):
Was it a single or was it on the?
Yeah, it was off of the.

Scott (16:43):
After the Sgt Pepper's thing right.

Mark (16:46):
Yeah, I didn't think he was even involved with that
debacle then he did the cover.

Scott (16:51):
I don't know he was yeah, it was interesting.

Lou (16:54):
And here we go for scott garbage.
Uh I, imperial records.
Imperial Records, the Classics,what's IV?

Mark (17:05):
Classics 4.

Lou (17:09):
This label is so shit printed I can't read it.
Hold on.

Scott (17:12):
I say throw it away.
Nope Redraw If you can't readit.

Mark (17:15):
It needs to be a redraw, scott, you may not want it to.
The Classics 4 had some bigfucking hits, man Okay.

Lou (17:20):
Okay, here we go Trust me.
I knew you said it's either.
It's either mary mary, row yourboat fucking lou or traces, do
you?

Mark (17:34):
know, traces, you know traces fucking lou.

Scott (17:37):
No, I probably I'm rolling with 70s hits there.
These AM gold hits.
That was a big charting hit.
I guess I'm in the race.
I got two big number ones.

Mark (17:58):
I think Altair has got strong hands here.
We're rolling here.

Scott (18:00):
It's up to Lou in the end .

Mark (18:03):
Is it my pitch?

Scott (18:03):
now See, Patty said Traceaces is a big hit there you
go.

Mark (18:08):
Yeah, what about Dave?
What the hell is he going to do?

Scott (18:10):
He says Jacoby Brissett just threw a pick in the end
zone.
Jeez, it's going to be a longseason.

Lou (18:15):
Oh, by the way thanks for paying attention to the show.
The Premier League starts thistomorrow, the longest season in
sports.

Scott (18:22):
With your Christmas scarf , I know.

Lou (18:24):
And it'll go all the way until next May.
That's a long season.

Mark (18:28):
All right, lou.
Okay, I'm excited.
This is my first time actuallyplaying the game.
There you go, you're picking itfor Mark.

Scott (18:33):
There you go, pick up some garbage.
Pick up some garbage, lou.
Do you know how to pick arecord?

Mark (18:38):
Are you sure this is on Geffen Records?
Okay, you can see it.

Lou (18:44):
I won.
There you go.
Anything on Geffen was good.

Mark (18:46):
The song is called Kiss Kiss Kiss by Yoko Ono.

Lou (18:51):
Wait, what's the other side ?
What's the other side?

Mark (18:53):
The other side is just like starting over.

Lou (18:56):
Oh you fucker.
That's the song.

Scott (19:00):
What'd you say, Mark you?

Lou (19:02):
fuck, I think.

Mark (19:08):
I won this Okay.

Scott (19:16):
You did it.

Mark (19:24):
Why is my voice stuck in here?

Scott (19:26):
Get rid of that I don't know what the fuck happened
there.
All right, so, mark, just shitthe bed.
This is up in the air now.
This is up in the air.
We may have to have a mediatoron this.

Lou (19:37):
Pick your own, pick yours.

Mark (19:39):
Yeah, yeah, and it is also on Geffen Records, uh-oh, and
the song is called Woman.

Lou (19:49):
John Lennon by John Lennon.

Mark (19:51):
Okay, starting over with bigger Of the 545s I found.
I shuffled them.
I did shovel them.
This is random, Scott.

Scott (20:02):
This is the big one right here.
I hope you had some good 45s.
I got two big hits.
All right, let's see if yourecognize this label Asylum.

Mark (20:12):
And the song is, if this is a studio version, the Eagles
Hotel California.

Scott (20:17):
For the win.
That's it For the win.
That's the win right there.
Yeah, hotel California, I gottwo big hits.
Yeah, I pulled it out in theend.

Lou (20:28):
Yeah, they get all seven minutes on one side of that
let's see.

Scott (20:33):
No, that's got to be the radio edit there was an edit.

Lou (20:36):
I never heard the edit uh, let's see uh it's gotta be does
this uh time?
Six minutes and eight secondsoh, oh, so it is Well, that
could be an edit.

Mark (20:46):
Do you know what the B-side was?
What?

Lou (20:49):
Hi there, how are ya Pretty maids all in a row?
I like Budweiser.
He just was an alpha.

Scott (21:06):
Congratulations, Scott.
Yes, I win for the win.
I don't know why my shit ain'tworking.

Lou (21:12):
Let me see I had a winning hand and I lost when I saw the
five, when I saw the five.

Mark (21:16):
I think California is going to win the whole thing.
I know.

Scott (21:24):
There we go.
Hey, that was a quick applause.
All right, all right, all right.
Congratulations.
Yeah, yeah, yeah.
So we're going to jump rightinto now.
We're going to keep the showmoving, roll it along, rolling,
rolling, rolling.
Let's go into.
You make the call Awesome.

Mark (21:43):
Nice yeah.

Scott (21:44):
You make the call, I got some.
Soon as you make the call, Igot some good ones, got some
good ones.
All right, these are uh 70ssongs.
All right, the battle of the70s.
Right here, the battle of the70s battles of the 70s.
There's some good battles inhere, I think.
I think so mark was a baby in 70yeah, um, and these, these were

(22:06):
randomly put together by chatgpt.
Okay, I, I went for it today.
I said, you know, let's see howthis goes right, and it it kind
of shuffled some things around.
It didn't get it.
I had to kind of word it, justright.
Yeah, and this is what chat gptcame out with.
By way, I'm becoming a big AIfan.

Lou (22:26):
Don't get lazy, use your brain.
No, no, you know what You'revery right with that.

Scott (22:29):
You're absolutely right.
You have to be conscious of thefact that you still have to
write stuff.
Yeah, right, so I'm a prettygood writer.
But now that I'm doing what I'mdoing, oh, this fucking guy
jumps right in doing.
Oh, this fucking guy jumpsright in big head, todd the way
sprocket decides to show up thisweek.
I'm here entertain me.
I'm still pissed.
There was no show that.
Well, stay pissed.

(22:50):
Why don't you just just justnot even listen anymore?
That do us all that.
No, he won't, though I know hewon't.
But now that I'm doing you knowthis foundation you have to
kind of word shit correctly.
Yes, but I know now if youposted something that was
written by AI, I'll notice it.

(23:11):
Okay, ai uses different typesof words that usually, like Mark
, would not use the word likeyeah, some shit like.

Mark (23:26):
He's not as erudite as me, so that's true.
What you do, what you do, isyou take?

Lou (23:31):
what it?

Scott (23:31):
gives you, and then you kind of put your words in like
you kind of do it in your ways.
Okay, I'm gone.
Bye lou, bye, mark.
Wow, you want us to talk.

Lou (23:40):
No, no, this is what he wants.

Scott (23:42):
Oh no, big Head Todd the Witsprocket, Please, I was only
kidding.
Please don't leave.
We need your view and yourdownload, or whatever the fuck
you do he's watching live?

Mark (23:55):
He was disappointed.
We weren't on last week.

Scott (23:58):
He's a fan.
He's a fanboy.
Big Head Todd the Witsprocket'sa fanboy.
Alright, here we go.
I'm an excellent writer driver.

Mark (24:09):
I'm an excellent writer driver, okay there we go.

Scott (24:15):
You make the call 70s big hits of the 70s edition Mark.
You make the call, yeah,bohemian Rhapsody or Stairway to
Heaven.

Lou (24:28):
I never got sick of Stairway, but I got sick of
Bohemian Rhapsody Stairway toHeaven, all right.

Scott (24:34):
Two kind of alike songs too Big, yeah, big production
songs.

Mark (24:41):
Luke, I concur with Mark.

Scott (24:44):
I would have to say also Stairway to Heaven.
Yeah, okay, all right, here wego.
Mark, you make the call.
Big 70s Hits Edition Okay, chatGPT Edition, hotel California,
as we just heard.
Yeah, or Dream On.

Lou (25:03):
I got to go with Hotel California.
Sorry to Aerosmith, but I gotsick of that song.
Okay.

Mark (25:09):
Lou Hotel, california.
All right, there are some niceversions of that.
The Gypsy Kings do a reallycool version.
Yes, yeah.

Scott (25:17):
All right.
Well, I guess I have to go withHotel California also.
Dream On, it's still a greatsong.

Lou (25:23):
I want to say it sure is, it's also Dream On.

Scott (25:26):
It's like it's still a great song.
I want to say it's an epic song.
They're both epics, but I guesswe'll go with that.

Lou (25:30):
Isn't it crazy it didn't hit when it first came out.
That's crazy.

Mark (25:35):
I like that song.
I think that's a great song.

Scott (25:37):
Dave Phillips King of the 45 says it's overplayed.
Both of them Overplayed.
I agree he's right.
Yeah, sure, Mark, you make thecall.
Big 70s hits editionSuperstition Stevie Wonder or
Lean on Me by Bill Withers.

Lou (25:56):
I'm going to go with Superstition.
Can't resist that groove.

Scott (26:01):
Alright, luke Ooh.

Mark (26:04):
Ooh.

Scott (26:14):
Lean on me, lean on me, huh yeah, I don't like either
one of them, really, if I canlean on me when that club
nouveau came out with it in 87oh, yeah, yeah oh no fucking all
I heard.
And then I, you know, look at, Iwas in the military and I love
my, my brothers and sisters inarms, and we'd go in the
philippines, we'd go down andwe'd be downtown and you know
they would all get all of us,we're all drunk, and then they'd

(26:35):
get all fucking wishy-washy andthey, you know like, you know,
like all that, and I was, I'mnot that guy, I was never that
guy.
Really, I'm so surprised I'mnot that guy.

Lou (26:46):
I was never that guy.

Scott (26:46):
Really I'm so surprised I'm not that guy, Like I'm not
getting in that fucking armsover the shoulders and doing
this shit, leaning, rocking back.
Get the fuck out of here.
No.

Lou (26:56):
Kick your brother's leg out from under him.

Scott (26:58):
I would do that before.
Yeah, yeah.
So just because I got sick ofthat fucking version of that
song.
I got to go with Superstition.

Mark (27:13):
Was that all around the time they had the cover of Baby.
I Love your Way, yeah, yeah.

Scott (27:15):
I think there was all that.
You know, you see how it cyclesthrough, Like the 80s.
They're back.
I see girls wearing big rimmedglasses, like you know,
eyeglasses, and it's just thestyles I see.
All of a sudden you get kidsthat went from fucking 10 years
ago the baggy shorts below theirknees, to now they're wearing
like 80s fucking gym shorts.

Lou (27:35):
I'll wait till the 70s gym shorts are back.

Mark (27:38):
I'll be like oh Tube, socks.

Scott (27:43):
As long as a 70-year-old woman isn't wearing them, it's
all good.
All right, here you go.
Mark, big 70s hits edition.
You make the call.
Got a little disco stuff goingon here.
Little disco, cool, I willsurvive.
Gloria Gaynor.
Or Dancing Queen ABBA.

Lou (28:03):
I got to go with ABBA Dancing Queen.

Mark (28:08):
It's epic.
Alright, luke, I go with AbbaBecause I really like the drums
On that song.
I didn't like that Glory Gainersong.
It's.

Scott (28:16):
Abba, by the way.

Mark (28:19):
Not Abba.

Scott (28:20):
Abba, abba.
You called it Abba, I did it'sAbba.

Mark (28:24):
No, maybe it's not Coffee Coffee, okay, I do.
I don't know, man, maybe it is.
It's your Herba Abba.

Scott (28:34):
Let's come back Like a 12-year-old.
Maybe it's not, maybe it's not.
Prove it Prove it.

Mark (28:44):
Prove it what you got, tell me what you got, what you
really do.

Scott (28:49):
There you go.
I'll go with Because I lovedisco music.
They're both great.
I guess Dancing Queen's a lotlighter.
It's just got a great grooveand you can dance to it.

Lou (29:11):
Yeah, the kids love it, the kids love it.
And that chorus is epic.

Mark (29:16):
I'm sorry, it really is yeah, it's hard to go against
that All right, here you go.

Scott (29:22):
Here you go, mark you make the call.
Big hit 70s edition.
Any Donna Summer song is better.
Yeah, dave Phillips, king ofthe 45s.
All right, here you go.
Big 70s edition.
Thank you, chatgpt.
Imagine by John Lennon, becauseI don't think anybody else has
really sang that song, have they?

Lou (29:42):
Yeah, yeah, or Let it sang that song, have they not?
Yeah, yeah, or is he let it beby the beatles?
I'm gonna go with, imagine I, I, I hate to say it.

Scott (29:54):
let it be was a good song , but again I'm sick of it.
Bob suessett pumps in withtramps.

Lou (29:58):
Yeah, the tramps yeah I saw them.

Scott (30:01):
I saw them about 10 years ago at a club in Saugus
Massachusetts.
They were great, they werefucking great.

Mark (30:08):
If you say you don't like disco, if you don't tap your
foot to that song, you're a deadperson.
Yeah, you have no feeling.

Scott (30:14):
All right.
So Mark said Imagine.

Mark (30:17):
right, lou, I'll say Imagine too.
Let it be, that's one Beatlessong.
I just don't need to hear again.
Well, you know where I'm going,hey Jude.

Scott (30:25):
You know where I'm going.
Where are you going.
I know where you're going.
Imagine is the most fuckingoverrated, over fucking played
song in the history of music sofucking overrated Did I say it's
overrated?
Growing up in a strictreligious household.

Lou (30:39):
Have I told you lately that it's fucking overrated, growing
up in a strict religioushousehold, to hear Imagine
there's no Heaven?
I just loved it the rebellion,it's rebellious.

Scott (30:47):
It's just a fucking horrible song.
It's just because everybodywants to be, they want to like
it, they want to be this.
So it's John Lennon.
Oh my God, fuck John Lennon,fuck, imagine.
I think you got somethingagainst John Lennon.
I get that feeling.
I was never a big fan of JohnLennon.
I think he's fucking.
He was a Paul McCartney protege, if you ask me.

Mark (31:10):
I'd say he put out his Beatles stuff.

Scott (31:13):
I think His Beatles stuff is great, but his solo shit
showed that he's shit.

Mark (31:18):
Okay, I love Mind.

Scott (31:19):
Games.
I love Mind Games.
Right, the singles are good,Scott.

Mark (31:23):
The singles are good yeah, revolution mind games.

Scott (31:26):
Right, it's, the singles are good.
Scott, it's, the singles aregood.
Yeah, yeah, uh, revolutionnumber nine.
I love that song.
You know he had some good dayin the life but he wasn't as far
as on his own.
He wasn't fucking fantastic, hewasn't fabulous.
Paul mccartney was like fuckingboom, you know, like hit after
hit after hit, and we, we talkedabout that a few weeks ago, I
think.

Mark (31:47):
And if they weren't hits, just his music alone.
I mean, like he did, pauldidn't really need the Beatles
in a lot of ways.
No Well he proved that, didn'the?
Yeah, yeah, I mean I think heloved the Beatles.
Obviously, paul loved being aBeatle, but I think Lennon's
moments, like I said, lennon'sLennon without McCartney, like I
think it's been proven but I'mgoing to go.

(32:07):
If you look at Lennon'shighlights, so strawberry fields
a day in the life, but he waswith the Beatles.
I mean some of that stuff is isup there with everything the
best of McCartney did was butlike after the Beatles, like.
I think In Sink Calm is a muchbetter song than Imagine.
I mean Right.

Lou (32:24):
And then when he did Double Fantasy, he had Jack Douglas to
help produce, which he was areally good producer, and that's
how he put out some qualitywork with that album.

Mark (32:31):
Yeah, he was also writing the kind of songs he made fun of
.
Paul for five or so years.
Yeah, yeah true, good point.

Scott (32:39):
Bob Dissen says might as well listen to Yoko hey Perry
Denovich, the AI, speaking of AIPerry is no chat GPT.
I'll just tell you that.
You know that now he's got justa leg up.
Chat GPT has just a leg up onhim.
But he says, let it be.
There's multiple versions ofthe song.

(33:00):
I agree, let it be.
And I'm not a big fan of thatsong either.
Scott, people know here that youwere on Music Relish show
recently no, they did not knowthat I hacked into the Music
Relish show one Sunday night andyou tried to take it over as
usual.

Lou (33:18):
First thing you said put me on top, put me on top.

Scott (33:21):
I did not like the square that I was in.
I have a phobia against thatnow and I didn't like the way
that lou and mark treated me,because it was like now you're
on our home court and we cantell you, and we can put you,
and they, they, again, they,they made me feel unwanted and I
and perry was the only one thatstuck up for me, it's true your

(33:43):
chair was getting lower throughthe whole segment.

Lou (33:45):
You were just going lower and lower and lower.

Mark (33:46):
There was a conspiracy about you getting on.
All of a sudden, boom, you popin.

Scott (33:50):
I just popped in right at the time for trivia and I
proved that I know stuff.
I know things.

Mark (33:56):
I think you and Perry set those questions up beforehand,
but you acquitted yourself realwell, okay.

Scott (34:07):
All right yourself real well, okay all right back to the
show.

Lou (34:09):
Back to the show.

Scott (34:09):
Yeah, I was on the music relation.
Go listen to it, you shouldcome back.
There'll be times.
I'll try to.
I'll try to break in you know,I'm a busy now.
I'm a busy man now running theone man, one mic foundation.
I am killing it and uh yeah,and my vets connectionion
podcast which is keeping me busy.
I got interviews and I gotstill working with Herd

(34:31):
Foundation and I'm just a busyguy.
That's my regular life.
But you know what never gets inthe way, it doesn't get in the
way of this.

Lou (34:39):
That's true, I was the late one tonight, yeah never gets in
the way of milk crates.

Scott (34:43):
Nothing gets in the way of milk crates and turntables
Nothing.
And I'm teaching a course Lastweek something got in the way.

Lou (34:54):
Yeah, yeah, kids what?

Scott (34:55):
the fuck was that?
Your balls just fell off, mynuts just fell out.
Get this thing.
It's important.
This is one of those littleadapters when you're changing
the microphones out.

Lou (35:10):
Yeah, I don't want to lose that when you need it.

Scott (35:14):
You'll be like Alright, back to the show.
Mark, you make the callAmerican Pie, american Pie.
Or my brother says big ego,scott, bob Doucette, you're
welcome.
He says congrats, man so proudof you.
Take care of our vets.
I'm doing my best, my friend.

(35:34):
I'm doing my best.
Let me see, perry, did it's theAIs?
And Scott, you're good right,because I broke in.
I broke in.
Alright, mark, american Pie orTake it Easy by the Eagles.

Lou (35:51):
Kind of tired of both of them.
I'm going to go with AmericanPie only on the lyrics, great
lyrics.
But if I never hear Take itEasy by the Eagles again, I
won't be sad.
I like it by Jackson Brown.
Yeah, I'm going with AmericanPie.

Mark (36:08):
Lou, I'm going to go with the Eagles.
I do think it's a verywell-written song.
I like Jackson Brown's versiontoo.
In fact that's the only JacksonBrown album.
I like the second album Rightnow, but I think they coined a
phrase.
That song I remember in theseventies older siblings they
take it easy, take it easy.
I mean it, it, it's part of thelexicon.

(36:29):
Yeah, and I also, I, I, youknow, it's oddly enough, I.

Scott (36:32):
I think I should be tired of hearing it, but I'm not so
right, that's me list of of, youknow of competition songs that
I don't like.
Because that I'm not fond of, Ican't say I don't like them,
I'm not.
I'm not fond of a lot of thesesongs.
It's just because and I have toagree with lou, I gotta go with

(36:54):
, take it easy.
Uh, american pie, a great song,but just way I lost my taste
for american pie, you know,decades ago it's a long song and
you get tired of it Cause it'slike you got to listen to the
whole thing.

Lou (37:08):
You know, yeah, my, my, my stepdaughter.

Scott (37:11):
Amanda went on this kick of you know they just you know
kids discover this music likeand we'd be driving somewhere
and she'd be like can you put onAmerican pie?

Mark (37:19):
I'm like fuck, but you got to do it right yeah, well, I
think, also because you know myson the same thing they heard
about it.
They've heard it.
You know it's a long song.
It's known for something.
Um yeah, but I think it's morestuck in its time than for me.
Then take it easy, yeah itseems kind of timeless to me.
I don't know.

(37:39):
Yep, I'm not.
I'm not an eaglesater, no, no.

Scott (37:44):
No, all right, mark, you make the call.
Yeah, big 70s hits, editionRoxanne or Boston.
More Than a Feeling.

Lou (37:57):
You know what?
This is a different time in mylife.
I'm going to go with More Thana Feeling, because I am loving
that song again.
It's a summer song.
I can smell the leaded gas.

Scott (38:10):
I can hear the Corvette screeching down the street more
than the feeling gooddescriptions, good descriptions.

Mark (38:16):
Yeah, lou roxanne eddie murphy version um good, a good
version, a good version.
I like things.
Uh, what's it with the?
What was that show they did inEngland?
He did the acoustic.

Scott (38:28):
The Secret.

Mark (38:28):
Policeman's Other Ball.
Yes, thank you, scott.
Also, I love the police.
See, I know stuff.

Scott (38:34):
I know things.

Mark (38:35):
God knows things, I know things, he knows things, you
guys aren't that dominant overme.

Scott (38:40):
You don't, I don't know, I know stuff, you know stuff,
yes, ah, this is a tough one forme because I actually I had a
rebirth with more than a feelinglike years ago, and it's all of
a sudden I just, growing up inBoston, it's like really.
Because growing up in Boston,it's like really, you guys
listen to it a lot, but welisten to it way too much.

Lou (38:59):
And it straddled AM and FM.
It was on both.

Scott (39:02):
You'd hear it on AM radio and FM radio.
Oof, and I have fond memoriesof both songs.

Lou (39:10):
Me too.

Scott (39:14):
Me too, gotta go with Roxanne Better drumming.
I ate by the width of a dime orthe thickness of a dime.
It's like Now you, mark, yougot in my head about pegging a
memory to a song.
It was just a really good time,roxanne was just a really

(39:35):
fucking great time.

Lou (39:36):
Wait a second.
It's about a prostitute.
What kind of memory does itgive you?

Mark (39:40):
I a friend of the working girl.

Scott (39:41):
I was I was in the philippines not in the 70s
though no, in the 80s, but youknow just.
But I didn't indulge, I was agood boy, I was a good watch,
and we'll leave it at that.
Next, next one.
Did you hear what Lou said?
What did he say?
You just watched, yeah.

Lou (40:00):
Oh, that's so disturbing, oh boy.

Scott (40:05):
You know certain things, my brain tells me don't bring it
up.
But I'm turboed coffee, it justtakes over and I can't.
No, this one is kind of easy.
This might be an easy.
I think this is the easiest onewe've ever done.
Chatgpt decided to match thesetwo songs against each other.
Don't Stop Till you Get Enough.
Michael Jackson or the All theRage Kung Fu Fighting by Kyle

(40:32):
Douglas.
How could they think that thatwas even a match?
MJ, baby, I was going to changeit but I said, no, I'm going to
leave it there because it's sostupid.

Mark (40:45):
It's not human.

Scott (40:46):
We can't even argue over that.
I'm just going to go around andsay you're all picking, don't?

Lou (40:50):
stop.
You know what Next week go backto you.
You do better.

Scott (40:53):
You do much better yeah well, that was a bad one.
That much better.
Yeah, well, that was a bad one,that was a bad one.
Okay, let's see Number nine.
Big 76 edition what's Going On?
By Marvin Gaye or Me and Mrs,mrs Jones, mrs Jones, mrs Jones,

(41:16):
mrs Jones, gotta do that.

Mark (41:23):
Mrs Jones Mrs.
Mrs Mrs Jones Mrs.

Scott (41:27):
Jones.

Mark (41:28):
Mrs Jones Mrs.

Scott (41:29):
Jones.

Mark (41:33):
He was Billy Paul.
Billy Paul, that's Billy Paul.

Lou (41:37):
Ma Mark, what's going on?
By a mile.

Mark (41:41):
Lou Marvin, marvin, marvin , marvin, say what you're doing
now.

Lou (41:50):
It seems like yesterday.
What's going on?
Ah, yeah, yeah, yeah I mean,what's going on?

Scott (41:57):
I love me, ah, yeah, yeah , yeah, I mean what's going on?
I love me.
And Mrs.

Lou (42:04):
Mrs.

Scott (42:04):
Joe.

Mark (42:05):
Mrs Joe, at the same time, at the same cafe, at the same
we got a thing going on Yep,same place, same time, same cafe
.

Lou (42:18):
Same cheap, hourly rate hotel.
Alright, here we go.
Let's finish this Yep.
Same place, same time, samecafe I'm going to pull my
earbuds out Same cheap, hourlyrate hotel.

Scott (42:21):
All right, here we go.
Let's finish this up.
We got a good one here.
I think this is a good one.
Same backseat of a taxi cab.
Hourly rate hotel.
Yeah, All right, here we go.
Mark, you make the call Number10, paranoid Black Sabbath or
Smoke on the Water, Deep Purple.

Lou (42:43):
My heart's in it.
Smoke on the Water Tells abetter story too.
Smoke on the Water.
I don't know if.

Scott (42:49):
Ozzy ever told a story about.

Lou (42:52):
Paranoid man.

Scott (42:52):
No More Tears is kind of a dark story.
I've talked about that in thepast.
That's a dark story Yeah'vetalked about that in the past
Shampoo, isn't it?

Mark (43:00):
That's a doc story.
Yeah, he was using Neil Peart.
That's Johnson's baby shampoo.
No more tears.
Yeah, that orange, the clearwith the orange.

Scott (43:08):
Everybody had that fucking orange shit.
Smoke on the water Tough, butsmoke on the water.
Patty says okay.

Mark (43:15):
Lou.

Scott (43:22):
Just for the hi-hat work alone.
Smoke on the water.
Yeah, I gotta go with smoke onthe water just because it's the
greatest live song ever recorded.
Yes, and I want someone toargue with me about that that.

Mark (43:29):
That is a great point I never thought about that
greatest live song ever recorded.

Lou (43:33):
Yes, yes, they captured lightning in a bottle.

Scott (43:35):
It's the greatest live album ever.
Is it better than Baby?
I Love your Way.
It's way better than that, butthat was studio.
Remember Smokin'?
I mean Made in Japan was notstudio.

Lou (43:46):
Totally wrong.

Scott (43:47):
There was no overdubs, there was no studio shit.
Nope, and Frampton's was highlyoverdubbed.

Mark (43:52):
What was it?
They all worked actually, Mostof them were, but Deep Purple
managed to not have to be live.

Scott (43:57):
They were like 50% live.
That's about it, those albums.
Because, of the attitudenessAll right, good ones.
That was an okay one.
That was an okay match, allright.

Lou (44:08):
But we had too many easy ones.
That's why, when you do it,it's really hard.

Scott (44:13):
Yeah, I'll shake it up again next week.
The AI is still flawed at thispoint.
It has not replaced us.
It has not replaced my.
You make the calls.
All right, mark, you're justgoing to start off, we're going
to just give the top 10, andthen we'll pick it up after that
.
Top 10 songs that are turning30 years old this year.

Lou (44:35):
Do you want me to go top 10 by my opinion?

Scott (44:37):
Whatever you have on your list, there's no Holy shit.

Lou (44:38):
Scott old this year Do you want me to go top 10 by my
opinion, whatever you have onyour list?
Holy shit, scott, I looked.

Scott (44:43):
This is what I got.
I got like 194, man I didbecause mine had turned to 40.
I just did 40.
Okay.

Lou (44:51):
I got to divide it up because there was some really
good R&B that year Really goodR&B.
I'll make love to you boys, tomen, and what year was it?

Scott (45:01):
You got to tell us what year it was.
It was 94.

Mark (45:03):
That was 94.

Scott (45:05):
My brother's watching.
He doesn't.
He sucks at math.
He's horrible.
I do too.
He can't count to 10 on hisfingers, let alone figure out
what three decades ago was.

Lou (45:16):
I went like this 2024 to 2014.
2004.

Scott (45:21):
Big Head, todd the Wet Sprocket.
He counts on his knucklesBecause he walks around with his
knuckles like a monkey, like agorilla, his fingers are
constantly curled in, they justhang down by his side and he's
this dude that walks.
You ever see someone walk withthe backs of their hands facing
forward?

Lou (45:43):
I'm thinking of a gorilla's video right now.
That's Big Head.

Scott (45:45):
Todd the Wet Sprocket.
He's a big red-headed gorilla.
That's what he is, and he walkslike a red-headed gorilla.
You know what he is?
He's a cross between a gorillaand an orangutan.
Oh, yeah, yeah, a gorilla andan orangutan had and it was big
head, todd the Wet Sprocket.

Mark (46:04):
His arms are longer than his legs.

Scott (46:06):
His arms go down to like the sides of his knees.

Mark (46:08):
So you're saying Todd Sockman was either born in
Sumatra or Borneo?
Yeah, was he born in a tree?

Scott (46:18):
I don't know If he was, was he fell out of it because
that that dude's fucking braindamaged.
Yeah, yeah, he's a braindamaged.
Red-headed, half orangutan,half gorilla, functioning human
being.
Gorilla tan.
He's a gorilla tan, he's anorangarilla, he's an orangarilla

(46:38):
.
Yeah, that's what he is Allright, go ahead All right.

Lou (46:45):
So I had, I'll make love to you.
My second is Black Hole Sun.

Mark (46:49):
Oh yeah, classic rock, classic.

Lou (46:52):
Yeah, yeah, I'm going to go back to the R&B.

Scott (46:56):
That sounds like light.
My fire levels.
Mark Mark, are we doing apodcast?
Yeah, so why the fuck are youtalking into your notebook?

Mark (47:06):
He's got to focus.
What did I say aboutprofessionalism, Mark?
What did?

Scott (47:09):
I say about professionalism.
So what I think is Mikeplacement?
It's.

Lou (47:14):
Mike placement.
My Habakkuk says six plus twoequals Habakkuk.
I got bad eyes.
I can't fucking read, so thisis what I'm going to do.

Scott (47:25):
That's much better.
Look at the fucking yellownicotine on the fucking edges.
Really.

Lou (47:33):
Nah, it's a camera.
Oh this shit, mark.

Mark (47:38):
Can I show you guys something?
Look, I got a camera.
Oh, this shit, mark.
Mark, I'm sorry, can I show youguys something?

Lou (47:40):
Look, I got a newspaper article.

Scott (47:42):
This is a notebook, that's right.

Mark (47:44):
It's got a cover on it Since Lou's been doing the show.

Scott (47:47):
We're almost at 100 episodes of you guys, or 100
episodes you made yourappearance.
Lou has a stack of notebooksthat he's leaving me.

Mark (47:55):
I do yes, that's right notebooks that he's leaving me.
I do that's right.
This is notebook number four.

Scott (48:00):
You see that this is why he's the fucking professor, can
I quote Indiana Jones?

Lou (48:06):
They belong in a museum.

Scott (48:08):
Can we get back to the show?

Lou (48:10):
Belong in a museum.
Okay, it's going to be a longsegment Breathe.

Scott (48:16):
Again he put his chin in his hand.
Both of us are like boom.

Lou (48:17):
Okay, it's going to be a long segment.
Breathe again, tony.

Scott (48:18):
Braxton.
He put his chin in his hand.
Both of us are like fuck, thiswas a mistake.
You asked me.

Mark (48:27):
You asked me, I did.
You drank coffee too.

Lou (48:30):
Breathe again Tony Braxton.

Scott (48:33):
Breathe again was a good song.
I like Tony Braxton.

Lou (48:36):
I love Tony Braxton yeah, she's from Boston.

Scott (48:38):
I believe Really Okay.

Lou (48:45):
Gotta keep them separated.
Yeah, yeah.

Mark (48:49):
What were they called the Offspring?

Scott (48:53):
They were like the original of that whole 90s thing
.

Mark (49:01):
What genre do they belong to?

Scott (49:03):
That's what the thing was .
They broke in California.
There's that SouthernCalifornia punk pop thing going
on.

Lou (49:11):
Lit all those bands, you know, okay, and I'm speaking
into my mic, what a man.
Salt and Pepper, and then Vogue.
No, no, no, no, no.
Okay, and I'm speaking into mymic.
Good, what a man.
Salt-n-pepa, and then Vogue.

Scott (49:21):
What a man, what a man, what a man.
It's infectious.

Lou (49:25):
You'll never unsee it in that movie, the Rock, when they
show him as a kid dancing in theshower to it and he's
overweight.
That was hilarious.

Scott (49:33):
I'm sorry I missed that one.
Oh man, I'm sorry I missed thatone.

Lou (49:36):
You'll never unsee it.

Scott (49:38):
I'll never see it.
How's that?

Lou (49:41):
Are we ready?
Move on, fall into you, mazzyStar.

Mark (49:49):
Fade into you, isn't it Fade into you?

Lou (49:52):
My eyes are shot.
Just talk into the fucking hole.

Mark (49:56):
He just says Watch this 55 years old.

Scott (49:58):
You need some bifocals, yeah you're going to get with
the times, man.

Mark (50:03):
I'm not wearing fucking bifocals.

Lou (50:04):
I'm never wearing bifocals.

Mark (50:05):
You don't even see the line.
We can't even tell.

Lou (50:08):
Look, I just tried to do this.

Mark (50:11):
Now you look like you're 85 years old.
When you do that Looks like anold lesbian.

Lou (50:16):
I'm David Coverdale.
Like an old lesbian, I'm davidcoverdale.
God damn it, leave me alone.
Nothing is anything wrong withthat.

Mark (50:21):
No, he's out there with al franken and another renowned
figure, yeah yeah, yeah.

Scott (50:27):
Oh.
Patty assi said she lovedred-headed men oof.
What's that got to do withanything with gorilla arms?

Mark (50:33):
Oh, okay, that's right.

Scott (50:38):
Orang-a-rilla An orang-a-rilla.

Mark (50:41):
Go ahead, old man there's a big foot in your future.

Lou (50:44):
Come on, am I going.

Scott (50:47):
Am I going?

Lou (50:48):
I'm just letting you guys talk, he's being temperamental
now.

Scott (50:50):
Okay, let's move on.

Lou (50:52):
Okay, long segment.
I had trouble with the MariahCareys, but what was that big
cover she did in 94?
Only one for christmas withoutyou?
That's a biggie.
Yeah, that was huge, that was areally rocks you, you know

(51:17):
scott's eyes are darting back.

Scott (51:20):
These are the songs he chose.
Oh my god.

Lou (51:24):
Hey, I'm a well-rounded man all right, uh number eight
sabotage possibly, possibly.

Scott (51:34):
Well, I'd say it's in the top three greatest videos ever
made yes, really yeah thatfucking video was amazing.

Mark (51:43):
I gotta have to see it, I'm sure mike jones did it, it's
fucking amazing video there's along version, so fucking retro
70s cop fucking show.

Scott (51:53):
Like you know, at the beginning of the show, like uh,
when you saw stosky and Hutch,it was all action shots, right.
Yeah, you got to watch thatvideo.
Sabotage Top three greatestvideos ever made.

Mark (52:04):
Oh, okay, yeah.

Scott (52:07):
The best is Prodigy.
Smack my Bitch Up.
That's the greatest video evermade.

Mark (52:12):
You think they're a little better than Billy Squires?
Rock Me Tonight.

Scott (52:14):
Yeah, okay, okay, move on , mark.
Gin and juice by snoop dog,sitting sipping on gin and juice
, laid back with my mind on mymoney and my money on my mind
and my 10th is hey, it's yourtom petty or melissa etheridge?

Lou (52:32):
I'm gonna go with tom petty .

Scott (52:33):
Mary jane's last dance, ah melissa etheridge was uh't,
tell Me, don't Tell Me.
It was that she had two singlesthat year.

Lou (52:41):
Not Come to my Window.
That was one of them.

Mark (52:44):
The other one was Because I'm the only one.

Scott (52:53):
That's a good song actually.

Lou (52:54):
That was, yeah, she was okay with me.

Scott (52:57):
I never had any beef with her.
She was cool.

Lou (52:59):
And now I am done with my family, thank God.

Mark (53:03):
Then she had David Crosby's In Detail.

Scott (53:09):
Great segment Mark.

Lou (53:10):
Yeah, I worked at it, Great segment I rehearsed.

Scott (53:13):
Yeah, that's going to be up for a Milky Award.

Lou (53:19):
I'd also like to say Is that a?

Scott (53:21):
podcasting awards.

Lou (53:22):
No, it's ours.

Scott (53:23):
We're going to have awards at the end of the year,
by the way.

Lou (53:25):
Selling drama live.

Scott (53:27):
The Milky Awards.
The Milky Awards.
I can't wait.
Remember this night.
Remember episode 157.
Mark might be up for a Milky.

Mark (53:39):
I'd like to thank Jesus, Buddha, Muhammad.

Scott (53:44):
I'd like to thank Perry Dinovich.
I'd like to thank Perry.
Everybody thanks Perry.
So someone tunes in and they'relistening to it for the first
time.
Like the fuck's, this guy,perry.
We'll just praise Perry onevery award.

Lou (54:02):
That's like those stickers all over New Jersey I'm somebody
and I have a big posse.
I'm Vinny, something and I havea big posse.
They're on every toll boothevery ATM.
And he just walks around andgives these things out all over,
everywhere.

Mark (54:16):
I don't miss living there.
No, you don't.

Lou (54:19):
You're better off in.

Mark (54:20):
Nashville.
I know, I really, you know, Ihave nostalgic, heartfelt, fond
memories, but I don't miss it,really I don't.

Scott (54:27):
yeah, I stopped missing Boston a long time ago.
Yeah, I hear you, man.
All right, songs that turned 40this year, from 1984.
Good year, good year, 1984,that was my beginning of Let me
see, get on with it.
Well, I don't know, I can't.
I was 23.

(54:50):
Yeah, let's calm him down alittle bit.
Penalty box.
Yeah, let's calm him down alittle bit.
Penalty box, let's calm himdown.
Wasn't Milky the guy, me myselfand Irene?
I don't know, I don't rememberthat movie.
I didn't see that alright, herewe go, my first pick for some of

(55:16):
the best songs of 1984.
When doves cry yes, smash,smash, smash it totally.
Then, like a virgin, came outin 1984 another smash.
You look at these you're like,why is music not like this today
?
Like it's just fucking amazing.

Mark (55:35):
But no, are you picking your favorite?

Scott (55:37):
no, I just.
I just picked 40 songs there'sso many good songs, okay, you
know.
So I'm just like they're allgood they were.
All you get to list 40 songs uh, we're gonna do 10, 10, 10, and
then until I get sick of it,and then oh yeah I didn't know.
I thought it was just 10 each.
Now you know, okay, I justthank God, I didn't have you do

(55:59):
20.

Mark (56:01):
We'd still be fucking Jesus.
Bob Doucette said this was fun,but those last five minutes.
All right yeah that's right,alive in it up jump came out in
1984 right, the album 1984.

Scott (56:24):
Yeah, the point is uh, this is.
This is one of those songs I'm50 50 on.
Uh, I want to know what love iscame out in 1984 I like that
song.

Mark (56:40):
Yeah, I'm not a sucker.
I'm not a sucker for powerbalance.
Yeah, I do.

Scott (56:44):
I do like that one it's yeah, I mean it's it's foreigner
right it is foreigner, but it'salso.
It's not unsoleful it'sforeigners, a hard band to not
like.
I don't have to not like all.
I mean I might not like all thesongs.
Sure I don't dislike foreigner.
You know I don't either.
I don't have to not like all.
I mean I might not like all thesongs.

Mark (56:59):
Sure I don't dislike foreigner you know, I don't
either, I don't they're prettyconsistent.

Scott (57:03):
Yeah, they stay right in that that area of they.
They know their lane and theystay in it.

Lou (57:09):
Yes, yes, they never really risk, they never know, no,
they're good, just good, solidmusic across the board.

Scott (57:14):
Great, of course, great vocalists.

Mark (57:16):
So yeah, that always goes.
They never did anything thatwasn't inappropriate to them.
But even like that song, IWonder what Love Is.
And Urgent, those weredepartures for them.
Yeah.

Scott (57:27):
Jukebox Hero was kind of a.
That whole little beginning ofthe 80s thing.
They really did a kind of a.
They went for broke to get sold.

Lou (57:36):
Yeah.

Scott (57:37):
Makeover.
Let's see Ghostbusters, theabsolute total rip-off of Huey
Lewis and the News I want a newdrug.
You know what they do.
I swear this is.
They just do it.
They're like we're going to getthe money anyways.
Let's get the fucking money.
We're going to make money.

Mark (57:57):
There was a settlement.

Scott (57:58):
Yeah, but they got to keep a lot of that money too.

Mark (58:01):
I'm pretty sure, oh sure, I think Ray Parker Jr.
That's the second time thathappened to him.
Ray Parker Jr got a cut.
I think that one song by LeoSerre you Make Me Feel Like
Dancing.
Maybe Ray Parker Jr goes.
I was in there writing the songwith him and he said he got
iced out of it.

Scott (58:19):
I wouldn't be surprised.
But I don't think he hadanything to do with Huey Lewis
and the News, did he?
No, he wrote Ghostbusters.
He wrote Ghostbusters, but itwas after.

Mark (58:27):
Huey Lewis and the News.
I think Ghostbusters came first.

Scott (58:31):
Huey Lewis and the News sued him.
I thought it was the other wayaround.

Lou (58:35):
No, I Wanted a Drug came out on January 3rd 1984, right
at the beginning of the year,yeah, yeah.

Scott (58:42):
And I knew they were told don't do it.
I believe they were told don'tdo it, but they went ahead and
said fuck it, and the movie tookit to another level of money.

Mark (58:53):
Who are you going to call?

Scott (58:55):
Well, there's this 80s classic and you can't deny it.
I don't care who you are, youcannot deny this fucking song is
not an 80s absolute classic.
Wake me up before you go-go.
I don't care if you like it ornot, you cannot deny it.
Do the jitterbug, do thejitterbug, jitterbug Right?
Whoever made that video is likethis is going to be so over the

(59:21):
top, like gay, that people it'speople are going to hate it so
much they're going to love it.
I think billy squire should,you can't stop watching it type
thing.
When you you first watch, youlike am I really watching this?

Mark (59:29):
this is your face but yeah , I, I understand the fact that,
the fact that the song itselfmade it okay.
Then, you know, like you know,we talked, talked about some and
the only we were young men inthe early 80s and stuff like
that.
You know, we've changed, thingshave changed since then but a
song like that you know you'rewatching guys in shorts, you
know what I mean but like, yeah,it didn't matter because the

(59:49):
song was that actually thatcatchy and so, and if you're not
too uptight about yourself andother things, did you ever did
you ever get to watch the?

Scott (59:56):
did you ever watch the documentary?
I have, no, I have not.
I don't watch it.
Man, I'm telling you I will,you'll have a whole new
perspective.
Yeah, on that whole thing, it's, it's a, it's a.
It's not a documentary.
In a sense it's a uh, adocudrama about those.
You know those right right, butit's all.
You know true stories, but whatis?

Mark (01:00:17):
that it's on killer's whisper.
The is the song Killer'sWhisper.
The minute I heard that songI'm like smash hit, smash hit,
yeah.
And if something's well-writtenand well-played it doesn't
matter what's what.

Scott (01:00:29):
Yeah, ask AI to have Jim Morrison sing.
Wake Me Up Before you Go-Go,wake me up before you go.
I don't think they can changesongs up yet, but that's
probably in the future.
Uh, let's see, I hated thissong.
Well, you know it wasn't theirworst song together.
But um, say, say, say.

(01:00:51):
Paul mccartney and michaeljackson yeah, lame what?
Yeah, it was lame, but itwasn't their worst song together
.
It's better than Ebony andIvory.
It's better than Ebony andIvory.

Mark (01:01:01):
Yeah, and the Dogon Girl is mine.

Scott (01:01:04):
Yeah, way better than that.
Yep and Casey Kasem will callup and say God damn, girl is
mine, she's mine, michael.
All right, dave Phillips, kingof the 45s, nice show boys.
Time to watch Drake.
Man, go get him buddy.
I'll watch the highlights,because nothing gets in the way
of milk crates.
All right, let me see, I gotnumber nine.

(01:01:24):
I hate this fucking song.
I never even saw the movieFootloose, but it was a huge hit
.
Good move.

Mark (01:01:34):
The song and the big fucking hits.

Lou (01:01:36):
Big hits.
John Lithgow is the pastor ofthat small town.
He was very good in that role.
All right, this one.

Scott (01:01:43):
I saw a meme and it was the funniest, one of the
funniest things I've ever seen.
It's a picture on a telephonepole, stapled to a telephone
pole, right, you know, with thatwhen they lost Kat, right, and
it has the little cutouts rightat the bottom where you just
tear it off and it's a pictureof lionel richie and it says

(01:02:07):
hello, is it me you're lookingfor?
It was the funniest fuckingthing, probably.
I was like this is fucking great, that is genius and he's got
that look with the big eyes,like you know yeah hello, is it
me you're looking, stapled to atelephone pole and he's wearing

(01:02:29):
a nice sweater.
Yeah, with the little tear offthings, the little tabs at the
bottom, the little fringe thingsthat cut them, they cut it and
you just tear one off With aphone number on it.
Yeah, Then I saw another one.
I saw another one and it sayshave you seen this man?
And it's a picture of a ninjain black.

(01:02:51):
And it says you probablyhaven't, because if you did,
you'd be dead right now.

Mark (01:02:56):
I was in a grocery store and the coffee tl.
There's a picture of londonhill that says hello, is it tea
you're looking for?

Scott (01:03:03):
great, that's great.
Yeah, that's my 10.
All right, let's see, let's hit10 songs that have turned in 50
this year from the year 1974.

Mark (01:03:11):
Wow, okay, so I went.
I went with the uh, thebillboard top 100.
These weren't necessarily thenumber one.

Scott (01:03:18):
It's whatever they are, yeah.

Mark (01:03:20):
So the number one song of the year was the Way we Were by
Barbra Streisand.
Oh yeah, now when I read thatthis was Johnny Yoko's favorite
song.

Scott (01:03:32):
I kind of lost respect for him.

Mark (01:03:34):
He was a pussy.
I was like, wow, he's the kingof the beta males that
motherfucker.
Maybe that's why was it MarkDavid Chapman?
He felt inspired to kill himunjustly, of course, because he
felt he became this sellout.
Yeah.

Scott (01:03:50):
I'm the king of the beta males.
I'm not going to comment onthat.
Mark is the king of the betamales.
No, he's not.
He's no.
John Lennon, mark's no.

Mark (01:03:57):
John Lennon, mark's, no, john Lennon.
Okay, the number two song ofthe year and this is appalling.
This offends everything.
It's horrible.
Seasons in the Sun by TerryJackson.

Lou (01:04:08):
You can't deny it, though.

Mark (01:04:09):
You can't deny it no because it was a huge hit.
That was taken from the 1961French song Les Morts Bondes,
which means the Dying man, andthis is how depressing that
fucking song is Down, down, down, down.

Lou (01:04:24):
Brunch has nothing on this.

Mark (01:04:25):
No, down, down, down, down .
Here we go.
The third big song of the yearwas Love's Theme by Love
Unlimited Orchestra.
Yeah, yep, yep.

Scott (01:04:36):
Yep Barry White.

Mark (01:04:37):
Barry White, the number four song of the year come and
get your love by redbone.

Scott (01:04:43):
Nice, yeah, you know how to notice how that song never
got canceled.
Can't cancel the indiansthey've already been canceled
and they were in full regalia.
I mean the guitar player right,they were right in on it, yeah,
we played that video on uh onour show and we did and it's to
see them.

Lou (01:04:58):
they're so into it At the beginning.

Scott (01:05:00):
They're doing the whole Native American dance.

Lou (01:05:03):
And then they go into this hot number Bam bam bam, bam bam
bam.

Scott (01:05:06):
Bam, bam bam.
They do a pretty good Indian,don't?

Mark (01:05:11):
they, yeah you do.
First Native American band toreach the top five.
Yes, they are.

Scott (01:05:19):
The number five was dancing machine by the jackson
five dancing, dancing, dancing.
Dude, she's a dancing machine,watch you get down, oh baby.
Oh yeah, she's automatic,systematic.
That's just that's all you needto know.
Yeah, that's all you know.
She's automatic, systematic.
Yeah, what else you got that?

Mark (01:05:37):
was before they came to jackson the jackson's.
That was systematic.
Yeah, that was before theybecame the Jacksons the Jacksons
.
The sixth song of the year wasthe Locomotion by Grand Funk
Railroad.

Scott (01:05:45):
That was a hit.
I had that 45.

Mark (01:05:47):
Sure, sure, Yep Number seven the Sound of Philadelphia
by MFSB.
Do you guys know what MFSBstands for?

Scott (01:05:56):
Son of a bitch?
No, it's M?
M.
What is it?
Mfsb?

Mark (01:06:12):
so um, I did know this, I can't what I can't think of it,
mother, father sister brother.
Wow, oh, that's pretty cool.
Yeah, yeah, all right, and fromthe bottom of the barrel, the
number eight song of the yearwas the streak by ray stevens so
let's go back to the last one.

Scott (01:06:22):
Yeah, you know that that was the theme for soul train,
right?
Yes, yes, don cornelius.
I saw a documentary on him andhe said the one regret he had
was not buying the rights tothat song he was was like, yeah,
it's good but he bought therights to everything but that

(01:06:44):
song it's so related to.
It is Soul Train right.

Mark (01:06:47):
It is Soul Train.

Scott (01:06:49):
But he never bought the rights to it.
He was like he didn't think itwas going to be that big.
Well, huge.

Mark (01:06:56):
It was.
It's a signature Totalsignature yeah.
Total signature.
Yeah, cool, now you know theStreak I mentioned.
The Streak was the eighth songof the year, ray Stevens.
I mean that was a bigger hitthan Everything is Beautiful.
Right, the Streak hit numberone, but you know it was a
novelty song.
And people were actuallystreaking, so yeah, my brother

(01:07:16):
did it on the R1 News News,Don't look Ethel.
And it's got that.
Is that your Asheville?

Scott (01:07:25):
accent Lou.
Was that your Asheville accent?

Mark (01:07:27):
I'm below the Manson-Nixon line here.
Now you know the.

Scott (01:07:33):
Manson-Nixon line.

Mark (01:07:35):
Andy, I've picked up a twang.
Okay so the number nine song ofthe year was Benny and the Jets
.
Love that song.
You do love that song.

Scott (01:07:45):
I never get sick of that song.
That's one of my least favoriteElton John songs.
Yeah, I never get sick of thatsong.
I don't know why it just hasthis great memories attached to
it, I guess.

Mark (01:07:53):
Cool, cool.
And the ten song of the year,one I've never heard of, it's
One Hell of a Woman by Mac Davis.

Scott (01:08:03):
That was.
I think that was it.
Yeah, that was a hit.

Mark (01:08:06):
I can't recall it, cannot recall it.

Lou (01:08:10):
Yeah, I can't believe you don't recall it.
No, I really can't believe it.

Mark (01:08:14):
Hey, you know I didn't get a chance to YouTube it, but I'm
going to because I know, likeBaby, don't Get Hooked on Me.
That was his big hit.
One other thing about 1974 wasthat Jim Stafford put out his
debut album.
You know who Jim Stafford is,yeah.
He had his own show actually hehad his own variety show.
He had a summer replacementshow.
Yeah, mark, he was like a kindof a country singer songwriter

(01:08:37):
from the 70s.
Uh, okay, um, but he on hisdebut album he had I don't like
spiders and snakes.
Yes, yes, he had four.
That's off his debut album.
He had four top 40 hits off hisdebut.
Yeah, um, spiders and snakes,that was a number three, scott.
Yeah, um, that was co-producedme.
You know who lobo is or was?
Yeah, lobo's the band lobo.

Scott (01:08:57):
No, lobo was a singer songwriter oh, I thought it was
the band.
Who am I thinking of?
You know?

Mark (01:09:02):
you're thinking of poco yeah, yeah, that's okay, that's
it me and you and a dog namedblue.

Scott (01:09:08):
Yeah um, I actually had a dog named blue old blue.
His name was old blue.
No, this was boo.
Oh, oh, yeah, that's right.
That's like hang on Sloopy.
Everyone says Snoopy yeah.

Mark (01:09:21):
And then there was Sloopy and the Red Baron.
People are fucked up, yeah.

Scott (01:09:27):
I interrupt you.
What were you saying, Lou?

Mark (01:09:29):
Okay, so my Girl Bill was a number 12.
That was the same album, andWildwood Weed was a number seven
hit yeah.

Scott (01:09:37):
Well then, he never did anything after that.
No he probably made enoughmoney to be comfortable.

Mark (01:09:43):
He actually ended up owning a theater in Branson
Missouri.
Well, there you go.
That's where you go, right,there yeah, the Scott McClain
Theater in Branson Missouri.
There you go.

Scott (01:09:55):
What do we got Fly with the touch?
That's his back.
Walter's missouri.
There you go.
What do we got fly with thetouch?
Walter's back.
Yeah, hold on.
Actually, mark is a boy amongstmen.
Yes, I'm right there.

Lou (01:10:04):
Whenever you want to learn about stuff, walter, you call me
I won't answer the phone.
There we go, walter, you cancall me buddy.
Oh, you guys got to connectbecause he's into your podcast.
There you go, your vets connectthere you go.

Scott (01:10:16):
Oh, that's excellent, good, yeah, thank you, thank you
.
Now support the one man, onemike foundation.
Another podcast there you go.
Gear Vets Connect.
There you go.
Oh, that's excellent Good,thank you, thank you.
Now support the One man, oneMic Foundation Another veteran
foundation that I'm, it's mine,mine, alright, that was good,
thank you, luke.
Mark, give us 10 more songsfrom 1994.

Lou (01:10:33):
Tootsie Roll.
This show's moving slow.
Alright, I'm going to go quick.
I'm fired to go quick.
I'm not going to let you go.

Mark (01:10:38):
You started off on fire.
I know All right, tootsie Roll,I'm off the bus Tootsie Roll 69
boys, I hate that fucking song.

Lou (01:10:46):
It had that Miami sound.

Scott (01:10:47):
I hate that whole genre of that dance music.

Mark (01:10:50):
Was that M2, man?

Lou (01:10:53):
No 69.
But they sounded like two livecrews.

Mark (01:10:55):
I'm going to put a.

Lou (01:10:56):
Juicy Fruit.
No, they sounded like two livecrews.
They had the Miami Basin.

Scott (01:10:58):
Yeah, I hate all that type of music.

Lou (01:11:00):
See when you're in a mastering studio with big Do the
duck and do the roll, everybodytouchy roll.
When you're in a masteringstudio with the big speakers,
it's ground shaking.
I guess yeah, well, I'll neverbe that so song that I wasn't
crazy of aerosmith in the 90sbut crazy that came out.

Scott (01:11:18):
That was a good ballad well, I think, uh, alicia
silverstone in those videosreally gave it a big boost,
because, oh yeah, he was not badto look at back then with his
daughter good looking woman Isuppose she's like kissing his
daughter live in it.
Yeah, yeah, yeah, I think thevideos carried that a little bit
.
A lot maybe.
Loser Beck yeah, good song.

(01:11:42):
I don't like the direction hewent in after that, but that's a
good song I like Sea.

Lou (01:11:48):
Change.
I like that record, sea Change.
Yeah, that was a good album.
Very mellow, very mellow.
An album that Blue Note Records, a jazz label, made a ton of
money off of Candleoupe fromFlip Fantasia, remember that I
just downloaded that and addedto my finely manicured playlist.

Scott (01:12:06):
I added just the, not the vocals, the instrumental Ah,
that's nice, it is, it's good,it's fucking nice.

Lou (01:12:16):
And think about it.
Cantaloupe Island by by herbiehancock was on blue note records
.
I'm sure they sold to payherbie no but the original song
they sample is cantaloupe islandoh, there you go.
I stand corrected, my friend,and it was a blue note recording
, so I'm sure herbie got moneyout of it.
But blue note reaped the realrewards.
That's why their own releases.

Scott (01:12:36):
Don't ever correct me again, by the way.

Lou (01:12:39):
You're wrong.

Scott (01:12:41):
Who's there?

Mark (01:12:42):
Cantaloupe, cantaloupe, who Cantaloupe?
Tonight Dad's got the car.

Scott (01:12:49):
Are you fucking kidding me?

Lou (01:12:50):
Can I do it to Lou?

Scott (01:12:52):
Did he just fucking say that?

Mark (01:12:54):
Don't do it.

Scott (01:12:57):
Lou, you were doing so good.
Penalty box Fucking Lou Wentand ruined a perfect show.
He was in the groove and he dida knock-knock joke.
What the fuck Lou.

Lou (01:13:10):
Well, I got to give him a thumbs down.
I'm happy.

Scott (01:13:12):
That's like going down in a plane crash.
The plane doesn't glide down,it goes straight down.
That was epic crash, a planecrash.
The plane doesn't glide down,it goes straight down.

Lou (01:13:18):
That was epic crash, that plane that crashed in Brazil
last week.

Scott (01:13:24):
Mach says it with joke.
Did you see that plane?
It crashed in Brazil, lou'sbeing defiant, ooh wow, lou's
being defiant.
It was like a helicopter.
It was a helicopter going.

Mark (01:13:38):
Let's keep defiant.
Ooh wow, Lou's being defiant.
It was like a helicopter going.

Scott (01:13:41):
All right, where are we?
Let's keep this moving.
Come on, All right.

Lou (01:13:43):
I'm up to number five.
Yep Lou's song.

Scott (01:13:50):
Oh yeah, the Campbell Soup song.

Mark (01:13:53):
Scott knows all the words.

Scott (01:13:54):
Once there was a boy who Once there was a boy who.
Once there was a boy, all right.
Once there was a girl whoWouldn't change with all the
other girls in the change room,but when they finally made her,

(01:14:19):
she had birthmarks all over herbody she said, they had always
been there.
She never knew.

Mark (01:14:33):
Oh Jesus.

Scott (01:14:43):
Lou's going to sleep.
It's so disturbing when yousing it with those lyrics.
All right, go on.
Go on the Campbell Soup song.

Lou (01:14:53):
Okay, another Salt-N-Pepa song.
Good, that's right Got anotherSalt-N-Pepa song.
Good, that's right.
Got another Salt-N-Pepa song,shoop, came out.
Yep, shoop's a good song.

Scott (01:15:03):
That's a great song.
Shoop baby, shoop the ShoopShoop song.
No, it's Shoop oh.

Lou (01:15:10):
Salt-N-Pepa.
That was a great album.

Scott (01:15:11):
Don't make me sing it.

Lou (01:15:13):
Don Don't make him sing it Lou.

Mark (01:15:14):
Shoop of the day Shoop du jour.

Scott (01:15:19):
Oh, oh oh.
Dutch Mantis says I'm chasinglisteners away.
Once there was a boy who.

Mark (01:15:28):
You're scaring the kids so you still, oh, dutchman has
still you sound like buffalobill for crying the dutch master
.

Scott (01:15:34):
I'm just gonna call him the dutch master cigar.
It's a lot easier than that's along name, by the way, flying
with the dutch mentor, it's long.

Lou (01:15:41):
You know.
You know he has a helicopterlicense and a pilot's license
that's pretty damn.

Scott (01:15:47):
It shall be capital though let me guess he's fucking
dutch.

Mark (01:15:52):
Yeah, see, see, I know things I know things see all
right specter clusso, that wasgreat, yeah, and he's somebody's
mentor.

Lou (01:16:02):
I'm guessing, but I think I'm right he taught me how to
tie my shoes.

Scott (01:16:06):
He's your mentor yeah, there you go, yeah tell me how
to wake up.
Still a long fucking namethough, hey he.

Lou (01:16:13):
Hey, he gets the hits man.
He puts his flights up onYouTube.
All right, the love fest isover, let's move on.
I got to have breakfast, mark'shaving the worst segments.
You're definitely going tomilky at the end of the year, I
got to eat breakfast with thisguy.

Scott (01:16:26):
Worst back-to-back segments in the history of See
what he said and 100,000followers on IG.
And 100,000 followers on IGyeah, great, but what have you
done for me?
That's what I want to know.

Lou (01:16:37):
Yeah, walter, that's what it means really.
I'm not a follower.
All right, let's keep going.

Scott (01:16:46):
Did he just social media brag Did?

Lou (01:16:48):
he just social media brag.

Scott (01:16:54):
He's proud of himself.
Is he poaching viewers frommilk crates?

Lou (01:16:59):
If.

Scott (01:16:59):
I could put him in the penalty box he'd be in right now
Come on Milk crates andturntables.
The legendary milk crates andturntables podcast in social
media brag.
What?

Lou (01:17:13):
All 20 viewers.

Scott (01:17:15):
Hey, hey.

Lou (01:17:16):
You said it the one week.

Mark (01:17:18):
But they're loyal.

Lou (01:17:21):
Why are you forcing me to take sides?

Mark (01:17:23):
I just heard a pair of gloves drop and hit the ground.

Lou (01:17:26):
All I gotta say if he doesn't hear from me for two
weeks, he calls me up and saysoh wait, you do that too, scott.
See, there you go.
All right, just move on allright fantastic voyage coolio
come along, yeah, yeah and whatsong?

Scott (01:17:42):
what song is that sampled from?
Tell me, fantastic voyage.
Why don't?

Lou (01:17:52):
I just go to sleep now, okay, number eight.

Scott (01:17:57):
Now he's leaving.
See, I think I insulted doingthat tonight.

Lou (01:18:01):
I guess he enjoys the show.
I know he does um thanks forchecking in man.
Yeah, see you walt fucker.
Um, okay, again, janet jacksonballad.
That was number nine and number10 would be Supersonic Oasis.
That was a single yeah.
Their first album came out in94.

(01:18:23):
Think about it.

Scott (01:18:25):
Yep, great album.
Yep, I'm feeling supersonic.
I need a gin and tonic.

Lou (01:18:32):
I'm done with my second round.
There you go, all right, mysecond round.
We're a gin and tonic.
I'm done with my second round.

Scott (01:18:35):
There you go, all right, my second round we're going to
start off with?
Well, of course started offwith Dove's Cry, so why not?
Purple Rain Came out in 84,naturally Owner of the Lonely
Heart, yes's little voyeur intothe 80s.
Yep, all right, let me see Ican dream about you.

(01:18:59):
Oh God, Do you ever see Streetsof Fire?
Do you ever see the movie DianeLane?
Right, yeah, and Willem Dafoe,michael Perry, and the acting is
so bad that you can't stopwatching the movies.
Yeah, I hated it.
But then when I saw it in thetheater, I'm like this is a

(01:19:19):
horrible movie.
Right, just the acting and thewriting and the way it was
directed.
But it's got that dark overtoneto it.
Yeah, like a comic then as timewent on, I'd watch it.
I go, you know what?
This is really one of those sobad, it's good movies.
It's like wake me up before yougo, go.
Yeah, it's just so bad, it'sgood movies.
It's like Wake Me Up Before youGo-Go.
Yeah, it's just so bad, it'sgood.
Let's see, I'll Wait.

(01:19:39):
By Van Halen.
That was a good song, yep, yep.
One of the little less played.

Lou (01:19:47):
It's more of an album rock, but it was a single.
And.

Mark (01:19:51):
I think a pretty shitty recording.
Oh, the keyboards are alldistorted on it.

Scott (01:19:55):
Yeah, why do you think that was?
Why do you think that?

Mark (01:20:02):
I don't think it was well produced or recorded.

Lou (01:20:03):
That was the first album to be recorded at 5150.
Were they ready to?

Scott (01:20:08):
just let it go, and they were on their way after that.
It was just like let's just getthis done.

Mark (01:20:14):
And ride the wave out that's that really you think so?
They toured behind that record,but that was the last thing.
And that tour my brother sawhim on that tour and it was shit
.
They saw a shit show because ofDavid Lee Roth yeah it was a
shit show.

Scott (01:20:32):
I hate this fucking song Red Red Wine UB40, but it was a
big.
It was a shit show.
I hate this fucking song RedRed Wine UB40, but it was a big
hit.
It was a big hit.
Yeah, yep, this song, I didn'tknow, I thought this was for
some reason.
I thought this was like alittle earlier.
Love is a Battlefield, patBenatar.

Lou (01:20:49):
Yeah.

Scott (01:20:50):
I thought it was earlier than 84, but no, 84, it was
Duran Duran the Wild Boys, wildBoys, yep, probably I don't know
one of the worst people to evercome out of Hollywood to try to
make music.
Eddie, oh no, that's EddieMoney.

(01:21:11):
I was thinking Eddie Murphy.
Did Eddie Money sing Romancingthe Stone?

Mark (01:21:18):
No, no, that was Eddie Grant yeah it was Eddie Grant.

Scott (01:21:21):
Yeah, that's fucking.
Stop using chat.
Gtv.
What the?

Mark (01:21:24):
fuck Wow you got to tell your research staff to get with
it.
I know Pay them good money.
Sit out the bottom of the bed.
It was Eddie Kendricks.

Scott (01:21:35):
Keep on talking, baby, it's in the stone.
Eddie Kendricks See, onlypeople that really know music
get that joke.
That's one of those.
Only people that really knowmusic, get that joke.

Lou (01:21:47):
It's not a joke.

Scott (01:21:48):
He's the last person that would sing that fucking song
Rock you Like a Hurricane, oneof the classic 80s heavy.

Mark (01:22:00):
I thought that was earlier , that was 84.
Wow, I was a freshman when thatalbum came out.
I like the Scorpions.
I thought they were a goodheavy metal, pop, hard rock band
.

Lou (01:22:10):
I saw them on that tour Wow Joe.

Scott (01:22:13):
Alright, that's my ten.
Let's get Lou and then we'llkind of maybe, if we get time,
we'll do another one.
Oh, we still got to review theTubes album.

Lou (01:22:23):
Oh yeah, lou better have done his homework.

Mark (01:22:26):
I did some.

Lou (01:22:28):
I did.

Mark (01:22:28):
I was in the second song.
It's all you had to listen toOther songs from 1974.
Jungle Boogie by colin the gangwhen they were funky rock on by
david essex hey kids, that wasa good, that's still a good song
there's a good song.
That was a big song too.
James dean um hooked on aFeeling by Blue Swede.

Scott (01:22:56):
I'm Hooked on a feeling.

Lou (01:23:00):
Right, didn't know who that was.

Mark (01:23:03):
Blue Swede, blue Swede.
Let's say something here.
That's not working.
They were Swedish.
I thought they were Dutch.
No, he left.

Lou (01:23:14):
That's not working.
They were Swedish, I thoughtthey were Dutch, I thought they
were no he left.

Mark (01:23:18):
Who would have thought they were no he left.
I always thought they werecalled Blue Suede, but they
weren't.
It was Blue Suede.
So if you're from Sweden,you're a Swede, right, okay?
So how about Billy Don't Be aHero by Bo bo donaldson and the
haywoods?

Scott (01:23:35):
yeah, didn't we just have that song came up in an episode
recently, I think, like on somebad cheese probably.

Mark (01:23:40):
Uh, charlie rich, the most beautiful girl.
Hey, I like that song.
Have you, here's a silver fox,uh, sundown by gordon lightfoot
I'm surprised.

Scott (01:23:52):
I'm surprised that a hip hop band or rapper didn't this
hip hop group they don't have aman Didn't try to take that that
rhythm and do something.
Yeah.

Lou (01:24:08):
You know, you never know.
There's a lot of rap that wehave that we haven't heard.

Mark (01:24:12):
Yeah, and speaking of eddie kendrick's boogie down,
boogie down, baby, yeah, yeah,good year good year uh, nothing
from nothing.
By billy preston.
Yeah, rock your baby.
By george mccray.
John lennon said he wish hecould write a song like that he
goes, I can't write song.
He goes, I'm too into.
He said he wished he couldwrite a song like that he goes,

(01:24:34):
I can't write songs.
He said he was too intellectual, which is probably why a lot of
his solo stuff sounded like itsucked Lou Lou Lou.

Lou (01:24:39):
Don't make Scott hate him even more, just stop Stop.

Mark (01:24:42):
No, I agree.
I'm just saying, after allthese years and all these
retrospectives, I mean we're allof a certain age and all being
bombarded with that music.
When you look back I'm likeI've listened to those albums.
I'm like even the productionphil specter is 70s stuff for me
.

Lou (01:24:57):
What makes his stuff the most unlistenable of all their
solo stuff is the production.
For me, even imagine thosedrums sound like shit yeah, that
all.

Mark (01:25:05):
It doesn't sound good yeah but yeah, the joker, steve
miller man, that was the 40thbiggest song over here.
Yeah, the puppets is a love.
I rocked the boat by hughescorporations.
There were a lot of disco songslike yeah, it's kind of the
beginning of it, right, thebeginning of it, yeah, you know
kind of those beats and rhythms,so yeah.

(01:25:25):
And living for the city bystevie wonder, so ah, yeah oh,
that's right there, man, that'sthe gem.

Scott (01:25:32):
Yeah, yeah, that is the gem right there.
That's his.
I think that's his greatest.
That's the jam.
Yeah, yeah, that is the jamright there.
I think that's his greatest.
That's my favorite, stevieWonder song.

Mark (01:25:39):
What a drum track.
Okay, okay, yeah.

Scott (01:25:42):
It's one of my favorite songs of all time actually it's
so great.

Mark (01:25:45):
The lyrics are just I mean , it's a, it's like two
different songs.

Scott (01:25:49):
Once that break happens in the middle with the, you know
, wow, New York City.
Just Once that break happens inthe middle with the, you know,
wow, New York City.
Just like I pictured it.

Mark (01:25:59):
Skyscrapers and everything , yeah, and the WNEW and the
radio station in New York usedto sample that.
They did all these New Yorkthings.
They used to do a que paso NewYork, oh yeah.
But, then that voiceover camein from New York City, just like
I pictured it Skyscrapers andeverything.
Then I say the city's so niceyou had to flush it twice.

Lou (01:26:20):
They still didn't get rid of all this shit, that was a
late seven.
I disagree.
It's a beautiful.
I drove my ass down there twoweeks ago see a show.
I walked around by myself, notone gunshot not one drunk
throwing up in the sidewalks.

Mark (01:26:35):
It was good.
Do you guys remember in thelate 70s New York City with the
garbage strike?

Lou (01:26:39):
Oh yeah, All you smelled was piss.

Scott (01:26:42):
It's never smelled the same since there was rats in the
eyes of dachshunds.
Will you just shut up now?
Anyway, anyway, let's move on.
Okay, I've been touting thissince the first episode of let's
move on.
Okay, I've been touting thissince the first episode of Milk,
crates and Turntables.
One of the greatest side twosin the history of music is the
Tubes debut album.
It's so different than thefirst, than side one.

(01:27:04):
Yes, it's five songs on it, butthey're all.
It's just such a dynamic sound.
It's so different.
Even today.
I mean, I don't think they wereever as good as they were on
their first album.
You know they had those hits inthe 80s.
She's a Beauty and you knowwhat was the other one.

(01:27:25):
Talk to you later.
Talk to you later.
Yeah, I actually love that song.
Yeah.

Lou (01:27:32):
Old Stone with Steve.

Mark (01:27:32):
Lucas, it's a great song, that's right, that's right.

Scott (01:27:37):
So what are your thoughts ?
Mark, we'll start with you Onside two of the Tubes, which,
first of all, one of the bestalbum covers too, oh yeah.

Lou (01:27:46):
So A&M had Rick Wakeman on their label so I used to play my
A&M, my Rick Wakeman albums andthe Intersleeves would always
have pictures of albums on A&M,my Rick Wakeman albums.
And you know, the Intersleeveswould always have like pictures
of albums on A&M and I alwayssaw those Tubes album covers.
I'm like what the hell?
It's so weird looking, you know, yeah, yeah.
So anyway, I listened to it andI'm going to say for me it's
prog, it really is progressiveto me and if you don't mind, can

(01:28:09):
I just play you 10 seconds orsomething?
This to me predates Kansas.
Listen, wait, didn't turn outthat's Journey from Mariobron,

(01:28:31):
kansas.
Like that same, like it's.
It's great, right keyboards gotme um, it sounds fresh, it
sounds new, it doesn't soundlike something from 74 and the
kids can dance to it.
I danced I danced to mondobondage yeah, mondo bondage yeah
it's a little fucked up, yeahsure um, I I still can't believe

(01:28:54):
that that's vince welnick onkeyboard, who played with the
grateful dead their final years.
That's amazing like he's areally versatile player.
He did all those keyboardsounds and he became jerry's
best friend, you know what?

Mark (01:29:06):
the tubes of bay area ben.

Lou (01:29:08):
Yeah, yeah, yeah there we go yeah, yeah, there you go,
it's a outrageous stage show too, by the way.

Scott (01:29:13):
From what I, I didn't get to see them, but I've seen a um
what's his name?

Lou (01:29:17):
with the high heels Quay Lude, oh shit.

Scott (01:29:20):
Quay Lude Fucking.
The high is going to be.
Those are going to be like twofeet tall those things and he
walked on those things.

Mark (01:29:27):
And you can have a good back later on in life if you do
that, yeah.

Scott (01:29:31):
If you want to know what we're talking about to the
listeners, even the people thatare watching, just go to Google
or go to DuckDuckGo I don'treally use Google and type in
the tubes Quay, Q-U-A-Y, Lude,L-U-D-E.
It's this character that FeeWabel created.
Do it under Google Images.
Yeah, I mean, I don't know howhe moved around on those things,

(01:29:53):
man.

Lou (01:29:55):
What I like, though, is each song was distinct from each
other.
Yeah, so you have fourdistinctly separate songs.
I enjoyed them all the firsttime I heard them.
What Do you Want From Life?
Great lyrics, I love the endpart.
You know, I did know WhitePunk's on dope, yeah, boy Crazy,
all those songs, it's just yeah, yeah, I see what you mean it's

(01:30:15):
a debut album and they werefresh in a way that I've
listened to all the other albumsand they I was.
I went and did a deep dive andthey had good albums after that,
but nothing beats that.

Scott (01:30:25):
But it's so, it's so different from side one.
Yeah, that's what I noticed.
I'm like this is like twodifferent albums.
Right, that was heavy, likeside two, they're heavy and it's
just got just more to it.
Yeah, side one.

Lou (01:30:38):
You know, I don't know I agree with you when you kept
telling me that the best sidetwo.
I agree with you.

Scott (01:30:43):
It's a great side too, if you take it like per album, not
like it's better than a ledzeppelin album, right, but it's
one of those songs where it'sjust the side two is the only
thing I listen to.
Yeah, yeah lou after.

Mark (01:30:59):
Upon listening to it, I I realized I'd heard quite a few
of the songs before, especiallythe part a gucci shoot you.
Maybe you are holding an appleyou know, um, I I started.
There's eight songs on thealbum so I started halfway
through.
So the first song, thespanish-speaking song, I'm like
okay, like I have, I have acertain arm's length that I call
art rock, so I thought thatsong had a lot of art rock

(01:31:21):
pretensions yeah um, but not notuncatchy, not unlistenable, but
the rest of it I really liked.
I was saying the same thing,mark.
I said a point.
I said this is kind of proggysounding because they were known
for playing with accomplisheddrummers Prairie Prince, prairie
Prince, you know, and I'm PatMussolato from.
He's a session guy, but he wasin Mr Mr, but that don't define

(01:31:43):
him King.
Crimson, of course, yeah, but Ialso.
When I looked at it, it wasthat album was produced by Al
Cooper, that's weird so.
Al Cooper.
Now, this guy, this guy, he'san extremely musical man.
If you know his wholebackground, you know Scott, you
know a lot about him, right?

Scott (01:32:00):
Not a lot, but I know about him.

Mark (01:32:05):
His first thing was he's the guy that bullshit his way
onto the Dylan session for likea Rolling Stone.

Scott (01:32:08):
And he didn't know how to play the keyboard.

Mark (01:32:09):
He played the keyboard, he didn't know how.
No, he fucked his way throughand he became a keyboard player
of of sound.
He, he invented a sound.
Well, they discovered it anddylan was like I like it and he
said the reason he got throughif you listen to it, he goes.
The keyboard is a little bitbehind the music because he was
watching dylan's hands going a,d, b, flat, whatever.

(01:32:31):
So he's an extremely musicalguy.
So the guy has ears, like guyslike that, his ears, so he, you
know he also.
He started blood, sweat andtears.
That was his band.
He's an extremely musical guy.
The guy has ears.
He started Blood, sweat andTears.
That was his band.
After one album they threw himout of the band and got David
Clayton Thomas the rest of hishistory.
He also produced the firstthree Leonard Skinner records.

Lou (01:32:49):
He discovered them.

Mark (01:32:50):
He discovered them.
Upon listening, I said themusicianship is good.
It's interesting.
I'll have to listen to side oneif I've not already heard it
through the years and notknowing what it was, to compare
the two sides.
But I thought it wasinteresting.
I like it.
There's nothing on side onethat I like to compare it to.
Yeah, but I got a good few fewway little story yeah, go ahead

(01:33:14):
okay, sometime in the mid 90s Iwas working someplace and one of
my district managers was a bigtubes fan and not long before
that he went to see them at somecasino.
He goes, him and his wiferandomly pull into a parking
spot.
They get out, they're parkednext to some car.
Oh, like a right average car,nothing special, it's fee,
weebill sitting in it passed outnice the, the tubes are playing

(01:33:36):
at this casino and he gets outlike.

Lou (01:33:39):
What year?

Mark (01:33:40):
was this.
Well, he told me the story like95.
Oh shit, so it was sometimeafter the 80s hit heyday, but it
was like, wow, it's a rock androll story, yeah, but basically
squinting in the sunlight typeof thing With the windows rolled
up, it's probably hot as hellin that car.

(01:34:00):
Rock and roll man.

Scott (01:34:02):
Play in the casinos right Early on too.

Mark (01:34:05):
That was before.
It was like kind of a.
You know, Elvis played casinos,so it wasn't hip up until
certain bands did it.
You know, going to Vegas, LenoxCity, yeah.
You got the sphere.

Scott (01:34:19):
Fee Wable 73.
Wow, Wow.

Lou (01:34:23):
Jesus.
He had a good career as asongwriter after the Tubes broke
up.
He helped write a bunch ofRichard Mark songs.
You know he was successful.

Mark (01:34:32):
Yeah, so he wrote some crap after the Tubes.

Lou (01:34:35):
Yeah.

Mark (01:34:37):
He got some checks.

Scott (01:34:38):
Good for him, man he's net worth is six million dollars
that's not a whole lotconsidering and it's good you
know.

Mark (01:34:45):
Think about it.

Scott (01:34:47):
Music is not something most people are the tubes didn't
age well, like they didn'tcarry over into the next, like
the 90s or the aughts you know.
Yeah, it's just.
You know she's a beauty andthose are 80s songs.
They didn't have that.
So you know he gets royaltiesand I'm sure you know these
Spotify, because just the factside two starts off.

Lou (01:35:12):
Let's see Lando Bondage.
Yeah, but I don't know why it'snot One of my favorite songs.
It's become one of my favoritesongs.
I blasted it on the way to work, let's see, do you want me to?
Play it for you.

Scott (01:35:25):
I got it.
I got it right here.

Mark (01:35:29):
I listened to the last song of Side 1.

Lou (01:35:31):
Then it's Malaguena, yeah that was the last of Side 1.
It's aaguena Salorosa.
Yeah, that was the last todecide one.
It's a traditional song.

Mark (01:35:37):
I thought that was.
I thought it was a Spotify.
Yeah, why?

Lou (01:35:40):
is he?

Scott (01:35:40):
singing.
All right, play it, Monty.

Lou (01:35:45):
That's it.
Yeah, what's that?
Yeah, we heard it.
We could hear it.
You could hear it on mine.
Yeah, we heard the MondoBondage.
You played the beginning of it.
How come?

Scott (01:35:58):
I'm not hearing it.
That's strange.
Oh, you know why?
Probably because of this Tellyour tech over there to continue
on.

Lou (01:36:04):
Let's see.

Scott (01:36:04):
Let me try this again.
Okay, yeah, there you go.
Yeah, my tech's not.
That's such a great groove man.
I texted on it.
That's such a great groove man.

Lou (01:36:20):
Yeah Right, such a great groove and you know what that
little thing I played you.
That sounded like Kansas.
That's from the same song.
The song changes.
It's like total time signatures.
It's heavy yeah.

Scott (01:36:36):
It's heavy, yeah, yeah, and then it gets light, right,
yeah.
What do you want from life?

Lou (01:36:43):
a little light.

Scott (01:36:44):
Right, it's a music song.
It's, you know, still good,though probably one of the
reasons I like this because it'sheavy like synth organ.

Lou (01:36:57):
You know what the beginning reminded me of?
What's that.
That Beastie Boys song Wow, wow, wow, wow, wow, wow, wow, wow.

Scott (01:37:02):
Oh yeah, yeah.
Yeah, I know what you'retalking about.
It kind of reminded me of that,and then it kicks into Gets a
little heavier.

Lou (01:37:24):
Boy Crazy, yep gets a little heavier boy crazy.

Scott (01:37:28):
Yep, this episode is definitely getting tagged all
that work for nothing, I don't,we care, but it finishes strong
yeah, finishes strong with how Iopened the show welcome to milk

(01:37:55):
crates and Turntables.

Lou (01:38:01):
I believe this was their closing song for pretty much
their entire career.

Scott (01:38:06):
I love this part.
He says where'd you get it?
And the kids go you gave it tous.

Lou (01:38:13):
Is that the song he sang as Quaalude yeah, okay, yeah, okay
yeah.

Mark (01:38:17):
I think this stuff is the reason why XTC hired Prairie
Prince to do their first studioalbums.

Scott (01:38:24):
Why?
What do you?

Mark (01:38:25):
mean the guy's a great drummer.

Lou (01:38:27):
Yeah yeah.
In Utopia, Todd Rundgren usedhim.

Mark (01:38:29):
Yeah, I'm reading where Prairie Prince was also the
drummer in Jefferson Starship.
Yeah, from like 1992 to like2005 or something.
Jesus, really.

Scott (01:38:39):
Anything for a check?

Mark (01:38:41):
Yeah, they paid him well.

Scott (01:38:42):
Yeah.

Lou (01:38:44):
Yeah, there were other things on that side too that to
me reminded me of, like, whereJim Steinman was going to go
with Meatloaf.
There was some of that pianodramatic and I said, jim
Steinman, I don't know if hetook it from them, but it did
sound like a precursor tomeatloaf, that's a good point.

Scott (01:39:01):
Yeah, that's a good point .
I never, uh never, thought ofthat, never it's like hints here
and there, you know yeah, yeah,but the kansas thing, that's
interesting too.
Now I'll hear that and I'll belike, oh, that that vinyl?

Lou (01:39:11):
that I think then.
And then if you listen tojourney from mary Brown or
anything off their first twoalbums, they do a lot of runs
like that.
Yeah, very similar.

Scott (01:39:19):
So I was just like wow this is great.
That's great that we did this,because now I'll listen to it a
little differently.

Mark (01:39:26):
Yeah, do you guys know who produced the album called the
Completion Backward Principle?

Lou (01:39:34):
I know 1981 with Talk to.

Mark (01:39:36):
You Later.
I was surprised.

Lou (01:39:40):
David foster.
David foster, the, the king ofwhat do you want to?

Mark (01:39:42):
call him 80 schlock production oh, wow uh.

Scott (01:39:49):
Susan haskell had coffee with the king today.
That means she had my king offacebook coffee mug ah I still
have some of those left.
I'll have to mail them to you.
Give you a king of facebookcoffee.
I would love that dude thatshow cost me so much money I

(01:40:09):
still have a few koozie, likeyou know, cheap like koozie
things left over.

Lou (01:40:14):
You put your bear in it.

Scott (01:40:15):
It's not the heavy round ones, it's like the flat ones,
just a little bit of rubber, butthey got my image, the King of
Facebook image on it.
You know that with the crown onit Fucking hilarious.
That show cost me fuckingpodcast equipment.
I kept doing cameras, likeeverything upgraded during that

(01:40:36):
show, like that's where I mademy bones right oh okay, that's
where I made my bones is on that.
and uh, yeah, yeah, it's prettyfunny.
And then I I was buying allthese mugs and my wife's like,
uh, darling, she calls medarling man, that's what she
calls me, darling man.
Oh, um, the king of Facebookshow isn't really in our budget.

(01:40:57):
Thank you, baby, I get it.
She said it very nicely.
So after two cases of coffeemugs, I kind of stopped giving
them away.
I should have done t-shirts.
I know it's never too late,it's never too late.

Lou (01:41:13):
You can tell me yourself Do we have to pay for our?

Mark (01:41:15):
coffee mugs.

Scott (01:41:16):
Huh Do we have to pay for our coffee mugs.
No, those are on me, guys.
That's my gift to you guys forthe 100th episode.
100 episodes next week.
I don't know if you're going toget the mugs this week, don't
fucking get your hopes up.
I got to dig them out frombehind the green monster.
How's that?

Mark (01:41:36):
What episode is this again ?

Scott (01:41:37):
This is one 57.
Yeah.

Mark (01:41:40):
So we're one episode away from from your a hundred yeah.
From you guys Episodes ago.

Scott (01:41:46):
Wow.

Mark (01:41:46):
Is that insane?
Well, we're going to save that.

Scott (01:41:48):
We're going to save that for next week.
Let's do like if you find someepisodes and talk about whatever
.

Mark (01:41:56):
Two years.
Imagine that.
That's flipping me out, it'scrazy, right?

Scott (01:42:02):
Yeah, it is crazy and there's no end in sight.
No, there's no end in sight.
I actually referred to thispodcast when I'm teaching the
veterans in the One man, one MicFoundation.
I'll be sending out a friendraiser soon.
What's that?
It's another shameless plug.
Yeah, yeah, well, it's for agood cause.

Mark (01:42:24):
That's a good plug.
That's a good plug.

Scott (01:42:26):
But I referred to this last night and I said to the
veterans in the class and I didit virtual.
The thing about One man, OneMic Foundation is I can do the
pod lab anywhere in the country.
One guy's in Utah, the otherguy's in Maryland, that's the
beauty of it.
I can reach anybody.
Like there's no, I'm not stuckin South Florida.
But I said, well, am I aprofessional podcaster?

(01:42:51):
I said I think 157 episodes ofa podcast kind of gives me the
right to say I'm a professionalpodcaster True, I think 150,
where the average podcast runssix to eight episodes.

Mark (01:43:08):
Is that all?

Scott (01:43:09):
That's it.
That's when they hit that walland they're like this isn't fun,
it's a lot of work.
They don't realize.

Mark (01:43:15):
Yeah, it turns into a little bit of work.
Gratification, yeah, but that'stoo bad, and they're not
getting downloads.

Scott (01:43:20):
But yeah, there's all the metrics.
I know all the metrics aboutwhat the average is for this and
that.
Yeah, and I think 157 episodesgives me the right to say I kind
of know what I'm doing.
Yeah, to say I kind of knowwhat I'm doing.
Yeah, right, kind of know whatI'm doing.
Well, look, I brought you guyson.
That was the greatest move Iever made.
Oh, thanks man.

(01:43:40):
Yeah, yeah, yeah, yeah, wait,wait, wait, fucking blew it.
There we go.
My buttons are all messed uptonight.

Lou (01:43:50):
I cried Enough of that.

Scott (01:43:54):
All right, let's get into this day of music.
Let's get this over there we go.
Yeah, uh, on this day in 2020,taylor swift.
I don't give a shit uh, on thisday in 2009, u2.
U2's first uk gig on the currenttour broke the attendance
record for wendley stadium over88 000 people attended the show.
That's too too many.
So in November, the day afterVeterans Day, so we're going to

(01:44:20):
finish Veterans Day weekend.
That's my first fundraiser.
It's called the Story Lab, part1.
And I have veterans and one ortwo people on my board of
directors.
It's going to be a story slam.
They're going to tell real,first person, unscripted stories
, right, and they got a longtime to kind of get it right,

(01:44:42):
and it's in a 275 seat venueright here in boca, and so I'm
going to be, of course, hostingit, which I'll do great at,
because I don't that shitdoesn't scare me.
But, like, what story am Igoing to tell?
I have a lot of stories, right,and I decided today and I've
been running some great storieshow I met my wife, right?

(01:45:03):
That's a great story, right?
Yeah, I got some stories frombeing out on post in the
philippines crazy shit, right?
I think the story I'm gonnatell is the U2 story, that's
great, I'm going to tell the U2story.
And then I'm going to say, andI'm going to end it, I'm tipping
it, but you guys, I don't thinkyou're flying down for my

(01:45:26):
fundraisers.
I'm going to end it with I'lltell the story on my shoulders,
I put them down, I jump backinto the crowd and I'm going to
say now I can say that I am oneof the very few, very, very few
people on this planet that hadbono's testicles on the back of
my neck and you're definitelythe only one.

Lou (01:45:47):
I'm just gonna drop the mic do it, and then I'm gonna drop
the mic.

Scott (01:45:54):
That's how I I'm going to do it.
Yeah, so you two All right.
On this day in 2008, us recordproducer Jerry Wexler died at
his home in Sarasota, florida,at 91.
He produced Aretha Franklin,wilson Pickett, bob Dylan yeah,

(01:46:16):
let's see.
On this day in 2007, 16 soloJohn Lennon albums were made
available to download on iTunes.
On this day in 2005, lennonCohen.

Lou (01:46:25):
Don't bother, don't bother.

Scott (01:46:27):
Yeah, lennon, I know I didn't.
Lennon Cohen filed a lawsuit inLos Angeles Superior Court
alleging his former manager,kelly Lynch, mismanaged his
retirement funds to the tune of$5 million.

Mark (01:46:40):
He had to go back on tour as an old man.
Yeah, yeah.

Scott (01:46:45):
Ah, it was a sad day Not so sad, but the beginning of a
sad role.
In 2004, charlie Watts wasbeing treated for throat cancer.
Ah, yeah, and he was just yeah.
On this day in 2002, a memorialfor John Lennon, I don't care.

(01:47:05):
On this day in 2000, davidBowie and his wife Iman
celebrated the birth of theirfirst child in 2000.
Baby girl named Alexandria ZaraJones Jones.
On this day in 1995, vinceNeal's daughter, skylar Neal,
died of cancer at the age offour.

Lou (01:47:25):
Oh, I didn't know that.

Scott (01:47:26):
Yeah, on this day in 1995 , the Dublin hotel owned by U2,
the Clarence, was damaged byfire which took over three hours
to control.
On this day in 1992, jamaicansinger-songwriter Jackie Edwards
died.
Keep on running.
Somebody help me?
Oh yeah, let's see.

(01:47:47):
On this day in 1992, inxs wentto number one on the UK chart
with their eighth studio album,welcome to Whoever you Are,
their first UK number one album.
On this day in 1991, nirvanaplayed a concert at the Roxy
Theater in Los Angeles wherethey invited fans to attend the
shoot for their first videoSmells Like Teen Spirit, which

(01:48:09):
was filmed two days later.
On this day in 1991, paul Simonplayed a free concert at New
York City's Central Park.
On this day in 1987, michaelJackson had his third number one
UK number one with the single IJust Can't Stop Loving you.
On this day in 1981, diana Rossand Lionel Richie started their
nine-week run at number onewith Endless Love.

(01:48:29):
And well, mark, you broughtthem up earlier.
It always seems to happen.
On this day in 1979, thebrought them up earlier.
It always seems to happen.
On this day in 1979, thefuturistic satire film
americathon premiered in losangeles, featuring meatloaf.
The soundtrack included songsby the beach boys, nick lowe and
elvis costello.
You ever see that movie?
No, nope, I might have to checkthat.

(01:48:50):
It's probably horrible.
I'm assuming it's horrible.
Oh, meatloaf, senate, americathon.
Well, hey, hey, meatloaf wasalso in rocky horror picture
show.
So true, true, you're right.
Yeah, oh my meatloaf again.
That was the, that was the cuewhen they said dinner is served
and they pick it up and it'smeatloaf's head on the on the

(01:49:11):
plat, on the tray and everybodyyells out oh my Meatloaf again.
You ever go to Rocky Horror?

Lou (01:49:18):
Yeah, nope, no, I did once.

Scott (01:49:20):
I did it once.
It's all you had to see wasonce.
It's crazy, let's see.
On this day in 1969, during aNorth American tour, led
Zeppelin appeared at theHemisphere Arena in San Antonio.
Jethro Tull and Sweet Smokewere also on the bill.
During the show, zeppelinrevived abuse, received abuse

(01:49:44):
from locals due to the length oftheir hair.
On this day in 1969, woodstockFestival was held on Max.

Mark (01:49:51):
Jaeger's 600-acre farm Wow .

Scott (01:49:52):
Today's Woodstock On 69,.
Yeah, on this day in 67, jimiHendrix Experience played a
one-night-only show at the FifthDimension Club in Michigan.
On the stay in 66, the Beatlesduring a US tour.
Who cares On the stay in 65,?

(01:50:12):
The Beatles, who cares On thestay in 62,?
The Beatles, who cares On thestay in 65, the Beatles, who
cares On this day in 62,.
The Beatles, who cares On thisday in 1960,.

Mark (01:50:23):
Elvis.

Scott (01:50:23):
Who cares?
On this day in 55, elvis, whofucking cares?
He died tomorrow.

Mark (01:50:26):
Jesus, did he die tomorrow August?

Scott (01:50:27):
16th there you go.

Mark (01:50:28):
Okay, that's the anniversary date.

Scott (01:50:30):
Let's see who was born on this day Nipsey Hussle.
Rest in peace, russell, it'sHussle, it's Hussle.
The rapper oh, okay, not thecomedian poet Jesus.
Let's see who was born on thisday.

(01:50:50):
No, so no, mike Graham fromBoys in the Hope, max Schofield,
marshall Schofield, mattJohnson, brendan.
No, mike Graham from Boys inthe Hope, matt Schofield,
marshall Schofield, matt Johnson, brendan Croker.
Bobby Caldwell Bobby Caldwell,he was born on this day in 1951.

Mark (01:51:05):
Is Bobby Caldwell from Marshall Tucker.

Scott (01:51:09):
Let me see.
I think so, american songwriter, musician Bobby Caldwell.
I don't think so, no.

Mark (01:51:16):
Marshall Tucker are playing.
I was driving through the townof Canton, north Carolina, today
.
Marshall Tucker are playingsome barbecue thing.

Lou (01:51:24):
It's probably no original members.

Scott (01:51:27):
Probably not.
You know who Tommy Aldridge is.

Lou (01:51:30):
Yeah, drummer, ozzy Osbourne, pat Travers, white
Snake.

Scott (01:51:35):
He was born in this day, in 1950.
Let me see Billy Griffin.
No, nope.
He replaced Smokey Robinson asthe lead singer in the Miracles
in 1972.

Lou (01:51:47):
And it went on to legendary .
He co-wrote the.

Scott (01:51:50):
Miracles' most successful single, the number one hit Love
Machine.
Oh, wow, yeah, let's see TomJohnston.
We know who that is.
Doobie Brothers, born in 1948on this day.
Born on this day in 1946, jimmyWebb, ah.

Lou (01:52:09):
American treasure.

Scott (01:52:11):
Yep Born on this day in 1942, pete York, spence and
Davis group.

Lou (01:52:20):
Not the guy that sings for.

Scott (01:52:23):
The only monkey that's still alive.
No I was Peter Tork.
I learned that on the MusicRelish show.
I still got it wrong.
Fuck, stuck in my head.
Let's see Born on this day in1938, styx, nesbitt, hooper.
Ooh, wow, from the Crusaders,oh Great band.

(01:52:48):
Great band Born on this day in1933, Bobby Helms.
Who's Bobby Helms?
That sounds very familiar.
I forgot Best known for his1957 hit Jingle Bell Rock.

Lou (01:53:04):
Oh wow, I like Hall and Oates' version.
Daryl Hall in his onesiepajamas dancing around the
Christmas tree.
That video is very.

Scott (01:53:16):
Watch it tonight.

Lou (01:53:17):
It's there.
Wake me up before I go-go.

Scott (01:53:19):
Yep, yep, ah, let's see.
And finally, born on this dayin 1896, Leo Theremin.
Leo Theremin, russian inventormost famous for his invention of
the Theremin Theremin, whichhelped him.

Mark (01:53:35):
One of the first electronic.

Lou (01:53:36):
One of the first electronic musical instruments.

Scott (01:53:38):
He first performed the theremin with the New York
Philharmonic in 1928.
He died in 1993.

Mark (01:53:46):
I have a used theremin for sale.
It's never been touched.
I'll buy it.

Scott (01:53:52):
I can't do it, Lou, that actually it's not a bad joke.
It's not a bad joke.

Lou (01:53:58):
All right, gentlemen, hey, real quick, Scott.
Yeah, the Americathon movie inaddition to who?
You mentioned John Ritter,Harvey Korman, Fred Willard, Jay
Leno, oh man Chief, Dan George,you know him right.
He was in a couple of ClintEastwood movies.

Mark (01:54:14):
Yeah, Howard Heston Dan George, you know him right.
He was in a couple of ClintEastwood movies.
Howard Heston Dan George was inwhat Flew Over the Cougar's
Nest.

Scott (01:54:18):
Yeah, it's about a marathon.
It's about like a telethon,isn't it?
It's about a telethon.

Lou (01:54:23):
The narrator is George Carlin.
That looks good, I think.

Scott (01:54:26):
Yeah, you're right, we got to see this, yeah yeah Well,
gentlemen, as always, say thankyou for your time, thank you
for your knowledge, but most ofall, thank you for your
friendship.
I appreciate the both of you.
I appreciate what you did forthis, for this, uh, this podcast
.
You brought it to another level, and next week will be the

(01:54:46):
100th episode since you appearedon milk crates and turn a
hundred fucking episodes.
I better buy a suit, like you.
Guys have already left Jack inthe dust.
No one even mentions Jackanymore.
No, everybody does.

Mark (01:55:02):
Stop that.
No, they don't.

Lou (01:55:06):
I see occasionally in the comments where Jack, no, they do
that to bother me, that's whatthey do.

Scott (01:55:11):
They do that on purpose and, as I always say, thank you
for watching, thank you forlistening.
Patty Yossi, great show guys.
See you next week, yes, youwill Thanks.
Patty, Thank you for watching.
Thank you for listening.
If you liked it, share it Ifyou didn't.
Well, thanks for watching forone hour and 55 minutes.

Lou (01:55:27):
I still don't get Lou's theremin joke.

Mark (01:55:31):
The thing is, it's a field of energy.

Scott (01:55:38):
I know what the fuck?
Well, lou assumes I'm stupid,and he's rightfully so.

Mark (01:55:45):
I've known you for a while , mark doing this show for you
guys.

Scott (01:55:49):
To quote my favorite artist, morrissey, the pleasure,
the privilege is mine and wewill be back next Thursday night
to celebrate Mark and lose100th episode since they
appeared on the world famous theworld famous.
I gotta get my mouses at workand oh, you know, when we stuck
on the air fucked man the way.

(01:56:10):
Where is there?
It is the world famous.
I get it.
Lou Patty got the joke.
We're gonna end up.
I see you next week.

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Ep. 157 - Music Milestones and Epic Showdowns: Celebrating 30, 40, and 50-Year Hits

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Ep. 157 - Music Milestones and Epic Showdowns: Celebrating 30, 40, and 50-Year Hits