March 3, 2025 • 50 mins
Send a Priority One Message to M.A.S.K. HQ!
Matt takes his adopted son Scott and robot T-Bob to visit a Parisian art gallery.
Knowing that he needs a chauffeur for his kid, Matt also takes Buddy Hawks, the long suffering M.A.S.K. agent who constantly watches his paramilitary friends go on cool adventures while he replaces windshield wiper fluid for old people.
What seems like an innocent prank of turning precious art pieces around suddenly transforms into a deadly game of explosive consequences for all of Paris!
With no time to call in the rest of the M.A.S.K., Matt Trakker has no choice but to rely on himself and Buddy to stop V.E.N.O.M. from activating a trap set by former Germany occupiers of Parisc(yep…THOSE guys).
(Again, Buddy is the guy Matt brought along to chauffeur his kid, only to follow in Matt’s example of abandoning Scott to the streets of Paris).
Matt and Buddy have to perform the desperate acts of following V.E.N.O.M. into the Parisian sewer, preventing Scott from entering same said sewers, and endangering Scott life while he is on the Eiffel Tower (which is where Matt told to Scott to go to be “safe”).
All in the name of saving Paris.
What’s not to love in this latest, greatest episode?!?
Join Adam Moore and PJ McNerney for artistic culture and refinement in the heart of Gaul on the Mobile Armored Podcast Show!!!
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
PJ (00:00):
One of the things you kind of learn living in the mountains
is you just got to kind of havestuff ready to go.
Get your jack, get your, treadplates that you have, a little
Adam (00:09):
hmm.
PJ (00:09):
And you're fine.
We actually had everything weneeded and with two tries, we
got her unstuck.
Adam (00:14):
Well done.
Sometimes I get stuck on theside of the road, but it's
because there's roaming gangsBut I'm prepared for that, too
PJ (00:23):
yeah we watched Kurt Russell We know how to escape from New
York and L.
A.
Adam (00:27):
indeed.
Welcome to the Mobile Armoredpodcast show.
The podcast that transforms intoa Nazi doomsday bunker.
(00:50):
My name is Adam Mohr, alongsidemy co host and best friend, BJ
McNerney.
How's it going, BJ?
PJ (00:58):
Did we ever think that we would be talking about Nazi
doomsday bunkers in an episodeof a children's cartoon show
Adam (01:08):
No.
PJ (01:09):
it's like to say it, it's almost like, oh, like we're
offending a lot of people.
It's like, no folks, go look atthe episode, this is what you
got.
Adam (01:19):
We're not making any of this up.
I know that you hear us walkthrough the plot of each episode
and it sounds crazy sometimes,but we are not making anything
up.
Just watch the episode alongsidelistening to the podcast.
PJ (01:34):
If anything, I think we're trying to make these people in
the best light possible.
We married Matt and Gloriabecause it was the sort of best,
most logical, and probably thekindest thing we could have done
in Vegas.
Adam (01:46):
Yeah
PJ (01:46):
we didn't say they're shacking up together.
We're like, no, they went thereto get married because they're
in love, which is clearly whatthey've been projecting.
And so, no, now we've got Hitlerin bunkers.
Adam (01:56):
exactly.
It's episode 34, Peril in Paris.
Buddy Hawks disguises himself asVenom Agent Dagger in order to
infiltrate Venom's secret basein Paris.
There he uncovers Venom's planto find a Nazi doomsday machine.
PJ (02:15):
It's not a doomsday machine.
They're
Adam (02:17):
Mm mm.
Mm mm.
PJ (02:17):
We can State they're bombs.
Okay?
Like, it's not like there's likea giant robot underneath Paris.
Adam (02:23):
No, no, it's like, it's like whoever wrote that didn't
actually watch the episode ordidn't watch it all the way
through.
but let's dive into episode 34.
Shall we?
We open on Paris.
Ah, gay Paris.
The Eiffel Tower, the Louvre,and lots of smog, apparently.
It's covered like a light cloudeverywhere you look.
PJ (02:45):
It was the 80s, Adam.
Adam (02:47):
meanwhile, we're in the Egyptian wing of the Louvre.
Matt, Scott, T Bob.
Buddy Hogs is with them, and avery French curator from the
museum are just walking through.
Scott and T Bob are complainingabout how early it is.
And T Bob says, before your dadgave them that painting, we
could look at it anytime wewanted to.
(03:08):
And I was thinking, wow, theentitlement of great wealth.
PJ (03:14):
I love this idea of like a painting that's just sitting
there in the tractor mansion andlike Gloria is like tired of it.
and all of all the mask agents,why invite buddy on a trip?
did he feel left out?
I think this is the first timewe've seen buddy on vacation
with Matt.
Adam (03:32):
It is.
PJ (03:32):
of just got the feeling he was just being, a chauffeur for
Scott and T Bob.
Adam (03:37):
they have both Thunderhawk and Hurricane with them.
maybe they're going on a drivingtrip through Europe, but we've
never established that Matt andBuddy are pals.
However, in a few episodes back,we theorized how Buddy feels
left out on missions all thetime.
So maybe Matt.
caught on to it and said, yeah,why don't I bring buddy with me
to Paris?
PJ (03:57):
Also, he can watch T Bob and Scott, which is what he's going
to do.
Like
Adam (04:03):
Yep.
Yeah.
PJ (04:04):
a glorified babysitter.
Adam (04:05):
Well, The curator of the museum says the least we could
do to thank him is give you alla special tour.
PJ (04:12):
wonder about whatever conversation happened ahead of
time between Matt and thecurator?
Which was like, Matt volunteerslike, Well, I really look
forward to that special touryou're going to give me and my
son.
And the, it's like, curator'slike, Uh, what the?
know, the special tour that I'mgetting, because I lent you that
painting.
We don't really do that sort ofthing right here.
My boy's going to be verydisappointed.
(04:33):
It would be a shame to have totell the prime minister about
why my boy is crying when we seehim.
What time works best, Mr.
Tracker?
Adam (04:41):
Well, They turn a corner on this special tour and they
come into a room and they findthat all the paintings have been
flipped around, right?
So we're only seeing the backsof the paintings, not the
fronts.
And Scott says, this is evenbetter than the Eiffel tower.
PJ (04:55):
Is it,
Adam (04:57):
Buddy says, Like Whoever the perpetrators are who did
this, I'm just trying to figureout how they got in.
PJ (05:02):
says the man whose mask lets him pass through the walls
effortlessly.
Adam (05:05):
Right.
PJ (05:07):
It's like this technology doesn't exist anywhere else,
buddy.
Adam (05:11):
Speaking of babysitting uh, and Buddy, Matt asks Buddy
to take Scott and T Bob to theEiffel Tower in case there's
trouble.
And Buddy says to Matt, the onlyway you can guarantee to keep
them out of trouble is to putthem in a cage.
And Matt's probably thinking,that's not a bad idea.
Alex has got some cages.
Maybe that's what I should donext time.
PJ (05:32):
Leave him at home in a cage.
The line reading for the actoron this one was awesome because
it's like, the only way you canguarantee them to keep it at
trouble is to put them in acage.
Just there's a lot of disdain inthat.
it's like, Scott and T Bob canclearly hear you, asshole.
Like they're right there.
You're not even pretending towhisper.
(05:54):
And the other way to do it ismaybe stop leaving them to their
own devices every single timethat you go on international
adventures.
Adam (06:02):
The only way you can guarantee to keep them out of
trouble is to leave them at homein the care of a responsible
adult.
PJ (06:08):
Matt doesn't know any, all the
Adam (06:10):
True.
PJ (06:10):
hangs out with are part of his paramilitary group,
Adam (06:14):
Fair point.
Well, Once getting Buddy and thekid and the robot out of the
picture, Matt is investigating,and I'd like to take a moment to
note here that all the paintingsbeing turned around is curious,
and it's Definitely a securityviolation, but it feels more
like a prank than anything else.
And so the thing is Matt isinvestigating because as usual,
(06:37):
the crime involves his stuff.
There's no crime.
It's like B and E and I don'tknow, what would you call it?
When you flip paintings aroundvandalism.
PJ (06:46):
Maybe, I mean, but they didn't wreck the paintings.
It's like, yeah, the B and E isa crime and 100 percent Matt
investigating.
It's like, you don't fuckingtouch my stuff.
That's a through line for all ofhis petulance the entire time.
Adam (07:00):
Well, Matt sees an open door, which leads to a storage
room, which leads to someunderground rooms, possibly the
catacombs of Paris.
It's really hard to tell, butI'd like to point out like
there's no dialogue for a goodminute of screen time here.
PJ (07:14):
you are 100 percent right because like we switch from
there we get we have a lot ofcuts basically in there as you
go through the various rooms andthen you go through some
exterior shots to the chateauwhere we find out venom is and I
when I looked at the sequence ofshots, I felt like the director
was going for.
Something like three days of thecondor or day of the jackal in
terms of the setup shots withoutany
Adam (07:36):
Okay.
PJ (07:36):
and just music.
So it was like them trying toexpress themselves artistically.
Adam (07:40):
good job, showing not telling.
PJ (07:43):
All the eight year olds caught it.
Adam (07:44):
Meanwhile, in that ornate French chateau, Miles and Cliff
are putting the pieces of alarge map together on a wall.
And Cliff is having a hard time,and it turns out that's because
he has his piece of the puzzleupside down.
And Miles says, you cretin!Again, Miles, you really need to
be mindful of how you treat youremployees.
PJ (08:04):
The brutality Cliff is going to endure in this episode it's
not okay.
Adam (08:09):
No, it's not.
PJ (08:13):
And then they have this shot of Miles's face, like where it's
hyper close up.
And I was like, kids, can youplay the game of count the
number of miles's nose hairs?
Adam (08:22):
well, Vanessa and slide come in with the final pieces of
the map and Vanessa is wearing alab coat, which is.
Odd.
And also, what have Vanessa andSly been off doing, and was the
lab coat involved?
PJ (08:35):
kids, what's wrong with this picture?
One is.
Sly's not wearing hissunglasses.
Adam (08:41):
Yep.
True.
PJ (08:42):
Vanessa's holding on to some sort of strap.
Adam (08:45):
Yes.
PJ (08:46):
know what exactly what that is.
Adam (08:48):
No.
PJ (08:49):
she's wearing a lab coat.
And finally, the crankiest, mostornery member, has a very
pleased look on her face.
she's got a little afterglowright there.
We could take some guesses atwhat Sly and Vanessa were doing
back there.
Know if Sly's going to put thoseglasses back on because he's
going to cry.
But whatever it is, Vanessa'spretty happy.
Adam (09:09):
Clearly their relationship is progressing.
PJ (09:13):
Possibly not voluntarily on Sly's part.
Adam (09:16):
So what we learned is that they were in the Louvre last
night, and Sly is confused aboutwhy they didn't just steal the
paintings.
Now, Miles smartly points out,That they would have been hunted
down as art thieves.
And my point is unlike now, werethere surely being hunted down
as a terrorist organization?
PJ (09:34):
Yeah I agree.
It would have actually been funway to throw people off the
scent if they'd stolen onepainting.
to try and like, you know, do amisdirect, but no, we're going
to turn all the paintings around
Adam (09:46):
they could have gotten away with this scot free if they
just turned the paintings backaround and there would be no
mask mission whatsoever.
And they would have gotten awaywith their plan to blackmail.
The city of Paris, but instead,out of either laziness or spite,
they just left it the way it wasand ran away.
As it turns out, the map pointsto a triggering device.
(10:09):
Now, whatever that is, itpromises to make them all
wealthy enough to buy everypainting in the Louvre, says
Miles.
We cut to uh, exterior shot ofParis again.
Ah, Gay Paris again.
Buddy is driving Scott and T Bobto the Eiffel Tower.
And Buddy says, Wow, it'scertainly nice to be driving
Hondo's Hurricane.
(10:30):
Three questions for you.
One, do you think Hondo knows?
Two, do you think he'll everfind out?
Three, what do you think Hondowould do if he found out?
PJ (10:40):
thing that came to mind with the first question was the scene
in Return of the Jedi where HanSolo is saying, I got your
promise, not a scratch.
And Lando says back to him,would you just get going?
You pirate?
You pirate?
With the exception here thatBuddy will never be as smooth as
Lando and Hondo would not be astimid as Han in this scene.
(11:04):
I think there'd be like a realthreat if like, Hondo knew.
It's like, look, was fine withthe F 150 if you dented it.
But this is a, 57 Chevy Bel Air?
Don't scratch it.
And, in terms of what wouldHondo do if it did get
scratched?
buddies in the ravine.
Adam (11:20):
you are dead on.
Buddy's in the ravine.
If Hurricane comes back damagedin any way.
PJ (11:25):
I've wondered about this as a general concept because I
wonder if buddy ever complainsthat he basically has to, and
Honda for that matter, that theyhave to share a vehicle.
And like, if Matt's kind of likecome back is like, buddy, your
vehicle is all of Boulder Hill.
Like you get all of this andtries to like pass it off in
some way that, makes it okay.
(11:47):
As he sees his friendsconstantly streaming out on
exciting missions without him,
Adam (11:52):
you repair all the vehicles.
So in many ways, all thevehicles are yours.
Except they're not at all,buddy.
So do not drive any of themwithout my permission.
Well, They're driving along, andScott asks Buddy to pull over at
a bakery for some food.
Buddy says, it's not like youdidn't have breakfast.
Scott says, but that was half anhour ago.
(12:13):
Now, first of all, doesn't knowif Scott had breakfast, because
maybe he didn't.
But also, Scott doesn't knowwhen his next meal is.
Or where it'll come from.
So it's a smart move by Scott tojust, intake calories whenever
he can.
PJ (12:25):
100%.
And I love this shot herebecause it really felt like,
Sir, may I have some more?
Adam (12:33):
While uh, Scott's buying some baguettes buddy Scott's
jackhammer peeling out of thechateau near the bakery.
And then he goes to a payphoneto call Matt.
Who answers the call on somerandom phone in the midst of a
huge crowd at the Louvre.
PJ (12:49):
but I also love the idea of Buddy having to go through the
phone chain to actually get toMatt at the gala.
Adam (12:57):
did Buddy call collect or did he have some coins to put in
there?
He's like looking for anything.
Like I didn't even go tocurrency exchange.
How do I,
PJ (13:06):
Oh,
Adam (13:07):
I don't have to make a collect call.
Where are you calling sir?
The loom?
Yeah.
Excusez moi.
PJ (13:15):
Got a little book with him to try and translate to the
operator.
Louvre.
Collect.
I kind of like the idea thatVenom chose a hideout right next
to a great As
Adam (13:27):
That's great.
PJ (13:28):
And it also is like, Hey, Venom's not slumming it anymore.
it kind of
Adam (13:32):
Uh huh.
PJ (13:32):
if it's like, Oh, maybe this is a Chateau that was owned by
that German finance minister.
And they're just taking it overwhile he's in jail.
Adam (13:40):
It's a great question.
How do they end up in thisplace?
Because it's not their typicalshanty in the woods.
Anyways, back to Matt at theparty.
He tells Buddy, I foundsomething too, and then Buddy
cuts him off.
Turns out Buddy wants to go intothe Chateau to investigate, but
Matt tells him that he'll joinBuddy as soon as he can.
(14:01):
And to make sure Scott and T Bobare safely out of there first.
PJ (14:04):
A couple things when you go to the shot of Matt at this
party, I'm like, who the fuckare these people in the
background?
it's like the weirdest set oflosers that they got at this
gala.
Adam (14:15):
you know, uh, everyone, PJ makes all the awesome social
media content for the show.
Will you please make somethingout of this?
Because this is a, first of all,there's twins.
If you look to the left and tothe right, like they have the
same exact face profile.
Only one of them's wearing somesort of a spiffy hat.
But other than that, yeah, it'sa bunch of weirdos at this
party.
PJ (14:35):
Although my other thought was that's checking in to make
sure Scott and T Bob are okay.
Who is this guy?
We haven't
Adam (14:41):
Yeah,
PJ (14:41):
guy before.
Adam (14:42):
I know, right?
Who are you and what have youdone with Matt?
Well, uh, After they end thephone call remember, Buddy's job
is to make sure that Scott and TBob are somewhere safe.
Buddy asks Scott, You guys thinkyou can find the Eiffel Tower by
yourselves?
Let's track the blame chainhere.
Okay.
In case we need it later.
One, Matt entrusted Scott tobuddy.
(15:04):
Two, buddy told them to go tothe Eiffel tower by themselves.
Good check.
PJ (15:10):
I, here's the thing, like I'm a little hard pressed to
blame buddy on this one, sinceMatt has established a very
strong pattern of this being anokay Like, can you guys go back
to the hotel or maybe that timewhen Brad left Scott on a cliff
in South America, like get downby himself back to the city.
Adam (15:30):
Yeah, it's true.
None of them seem to catch anyflack for it.
Or, Or Scott never tells Mattabout it.
Buddy rushes into what appearsto be a very dirty alleyway with
his disguise briefcase, and hesays, I almost can't stand to
cover up such a handsome dude.
Wow Buddy, vain much?
PJ (15:47):
You're supposed to be a master of disguise, sir.
Like This is part of your job.
of wondered if this was part ofhis morning affirmations is
Adam (15:55):
Mm hmm.
PJ (15:56):
In the mirror and be like, you're handsome.
Don't forget that.
Adam (16:00):
It's okay if Matt doesn't choose you to go on missions.
You're good enough and you'rehandsome enough.
Turns out Buddy disguiseshimself as Cliff Dagger.
He climbs up onto the roof of aneighboring building, then zip
lines across to the roof of theChateau.
It was a very mission impossiblesequence here.
PJ (16:18):
It really was.
I thought it was fun.
I enjoyed this.
Adam (16:21):
Now he spots the map on the wall.
Inside the chateau, and he looksshocked.
PJ (16:27):
Okay.
I had a question, Adam, have youever gone into a room and maybe
it has a map of a town or Like aski slope, and just look shocked
at it.
I was really confused at why helooked shocked at a map with no
context in it whatsoever.
Adam (16:46):
no, agreed, unless it said, Map to Bombs Underneath
Paris.
Which maybe it does, I don'tknow.
PJ (16:55):
it does.
Cliff put that on there becausehe just needs the labeling.
Adam (16:59):
Well, uh, Cliff encounters Buddy in disguise in the map
room, and Cliff says, Hey, whatam I doing here?
And a chase ensues, and I justwanted to ask you, did you
notice how bad the Foley soundis for the running?
It's like a pair of tap shoes,but not even really, it's like a
pair of like plastic tap shoeson a, like a kitchen counter or
something.
PJ (17:19):
Yeah, it was awful.
Adam (17:20):
Buddy attempts to uh, crash through the window.
PJ (17:23):
so, but he attempts to crash through the window like, you
know, like, with a shouldergoing into
Adam (17:28):
Yeah,
PJ (17:29):
budge at all.
And then somehow he is swingingon a rope, Spider Man style, to
leap over the real Cliff.
It is the biggest non sequiturscene.
Adam (17:40):
like where'd the rope come from?
PJ (17:42):
Why is it swinging there?
Should we be concerned forCliff's health, mental health?
Adam (17:49):
Maybe that was left over from Sly and Vanessa.
PJ (17:52):
Oh no! Oh,
Adam (17:54):
well, Miles says, after him, he's a spy, he saw the map.
And uh, buddies just haul an asstowards the front gate.
Sly uses stiletto, fires at thegate, causing this big metal
spiked gate to slowly startcoming down.
Now Buddy would get out withouta problem, except he trips on a
rock and falls, and he's aboutto get crushed by the gate.
PJ (18:16):
Given that Sly had enough time to get his mask, this would
be a great time for Viper andWhip if you're trying to stop
this guy.
Adam (18:22):
True, and I found it funny that they didn't aim at Buddy,
they aimed at the gate.
PJ (18:27):
Which is a harder target,
Adam (18:29):
which ended up being a very kind of Austin Powers As
it's slowly coming down, butanyways, it does lead me to ask
the question, what's going tohappen?
PJ (18:40):
I don't know, I think Buddy's in real trouble
Adam (18:43):
Well,
PJ (18:44):
Moves at, a snail's pace.
Lot of
Adam (18:47):
well, a
Mask will be right back, and sowill Venom.
Now back to math.
And we're back.
When we left you, we were aboutto see the final moments of
Agent Buddy Hawks.
Thing is, he really has a lot oftime, as we pointed out, so he
could have gotten up and ranaway, right?
PJ (19:05):
I didn't really have any idea why I decided just to lay
there and take it.
And I wondered if he had a deathwish.
If he was like, he was tired ofwatching the masked vehicles
constantly go on cool adventureswhile he's left behind.
Adam (19:19):
this will teach Matt to forget about me, I'll get badly
injured, and then he'll careabout me, and then he'll notice.
Well, Matt pulls up inThunderhawk, and instead of
blowing up the gate, he ejectsthe tire weapon from Hurricane,
which magically lodges itselfbetween the ground and the
bottom of the gate, savingBuddy.
And I thought, at least itwasn't a deus ex helmet moment.
PJ (19:41):
It's true.
It's a Deus Ex tire.
Adam (19:44):
Right.
PJ (19:45):
I thought it was great.
did you notice that the buttonto launch the rear tire is
actually disguised as part ofthe radio?
Adam (19:52):
Yeah.
PJ (19:53):
Do you want to place it there?
What if Scott wants to changethe radio and listen to some
Devo?
Adam (19:58):
Yeah.
Exactly.
I mean, How often is it thattire gets accidentally ejected?
Well, Miles says they're on tous.
We have to put the plan intoaction now.
they were just having some, somefun.
Unscheduled downtime.
Well, All right.
They're onto us.
I guess we better start working.
Buddy tells Matt, you're nevergoing to guess what I saw in
there.
And Matt replies, you mean this?
(20:20):
And Matt shows him a picture ofthe map.
So Buddy's entire gambit insidethe Chateau was for nothing?
PJ (20:26):
Yeah it makes you wonder, buddy, what if you hadn't cut
Matt off earlier and let Mattfinish his sentence about I
found something
Adam (20:34):
Right.
PJ (20:35):
You've been a little bit better off and could have tailed
venom secretly.
Adam (20:39):
So it turns out that Matt took the map off the back of 20
paintings in the museum.
So it truly was idiotic of Milesnot to turn the paintings back
over after he got the maps andalso.
While they're driving, Matt hasthe computer play Buddy a video
explainer, but remember Buddy'sdriving, and this does not seem
(21:00):
like a good idea, does it?
For Buddy to be driving whilealso watching a video explainer
of what's actually going onhere.
PJ (21:07):
This is distracted driving at its best.
Um, Matt doesn't care.
He's just going to play thisvideo and hope that, buddy is
capable enough to drive, as wellas listen to this, like
historical monologue.
We're about to get to.
Adam (21:20):
Yeah, and it is a monologue.
The computer goes into one ofthose exhausting monologues.
Computer (21:26):
During World War II, the French Resistance hid those
paintings so that Hitler wouldnot take them.
During the German occupation ofParis, Hitler planted a network
of bombs under the city in thesewers.
He planned to blow up Paris ifthe Allies should try to march
into the city.
The bombs were to be triggeredfrom a distance by this device.
A shortwave radio trigger hiddenin a sealed bunker.
(21:47):
A member of the resistancelearned of the locations of the
bombs and wrote them down on thebacks of the hidden paintings.
PJ (21:53):
I mean, It's kind of like, all right, eight year olds.
I hope you caught all of thatand are up on your war to
history to understand this.
it did make me wonder, like inthe universe of mask.
The Allies did end up enteringParis, why weren't the bombs
detonated?
Adam (22:12):
exactly.
PJ (22:13):
If you're going to go this deep into it, like where it's
like, hey, we've just given youlike a history lesson, you might
as well say that the reason whythey need this trigger is
because It's like, the bombsignal uses something like the
Enigma encryption code toactually transmit the signal,
which justifies the uniquenessof the trigger.
and where did the computer getall this information from?
Adam (22:33):
that's the question I have.
No one's ever heard about thisbefore.
No one knows about the bombs oranything like this.
Matt gets a map from the back of20 paintings and suddenly the
computer says, Has the computerknown all this?
Somehow for all this time, andit's just been holding back
PJ (22:52):
Way to be proactive computer.
Adam (22:53):
The computer wraps up its monologue by saying a member of
the resistance learned of thelocations of the bombs and wrote
them down on the backs of thepaintings.
So why didn't he just disarm thebombs?
If they knew about them afterthe war, why weren't the bombs
Disarmed.
PJ (23:10):
Yeah.
I had a pet theory to try andsuture this.
What if the member of theresistance actually, when he
discovered this, figured out howmuch power he could have.
So he wrote them down so hecould have threaten Paris, then
died like before he was able to,so he actually intentionally was
going to use this as some kindof power play after the war.
(23:32):
it also made me wonder, though,because we've wondered so much
about Miles in the past, did hefind out of the connection of
these paintings, the maps, thebombs?
Again, say what you will aboutMiles, he has a knack for
finding lost shit.
Adam (23:44):
It could be safe to say that miles has the same access
to this computer knowledge,seeing as he stole the mask
technology, maybe the AI is apart of that somehow, again,
writer's defense fund nomineehere, but maybe, and that's how
it helps them find this stuff.
PJ (24:01):
it's a really good point, because imagine again, in a pre
murdering Andy Tracker world,Miles knows, and we'll get into
at Pandapoo my theory on this,
Adam (24:12):
Yeah,
PJ (24:14):
knows about all this weird shit he's put it into the
computer to try and go afterthese things.
And so you're right.
It is basically the computerlatently has this stuff.
And it's only when it comes upin a venom context that it's
actually utilized.
Adam (24:29):
well, buddy, like me, by the way, wonders why they would
put these maps on the back ofpriceless paintings and match
explanation is it was probablythe only thing available to make
notes on at the time.
Really?
They didn't have any paper atall.
PJ (24:45):
Look, all the paper was being used as toilet paper.
And the only thing that wasn'tbeing used as toilet paper were
these paintings.
Adam (24:54):
Great, let's desecrate priceless pieces of art by
putting maps on the back ofthem.
Well, Anyway, Venom is now afterthe trigger device.
And Matt says, if they find itfirst, they'll have the city of
Paris in the palm of their dirtyhands.
So here we go.
Matt setting the stakes of themission for the win.
PJ (25:14):
Yeah.
I had this question.
Like, If you know, the bombs areout there.
Why not alert the authoritiesParis to just start the
disarming process?
Start throwing some people, somebodies out there just to start
disarming these bombs.
Adam (25:28):
Yeah, they know it's in the sewer, so just start
looking.
PJ (25:31):
They know they have the map.
Like Matt's
Adam (25:33):
That's right, they have the map now.
PJ (25:35):
You can hand it to the Parisian authorities and say Hey
guys, I'll try and stop theseguys.
Why don't you start disarmingthese things under your city?
Adam (25:45):
Great point.
PJ (25:46):
the other thought I had is if you're venom and you know
where the bombs are, want tooverstate this, it's actually.
Decently easy to createsomething to blow up a bomb.
You could create a wholedifferent triggering mechanism.
Adam (25:57):
Yeah.
The thing was designed in worldwar two.
So I would assume 40 yearslater, they have the capability
of developing something betterto trigger those bombs.
notably there has been no agentselection scene as of yet.
and I will point out that we donot get an agent selection scene
in this episode at all.
PJ (26:16):
We don't.
And you and I have talked aboutthis in a theoretical sense of
wanting to have an episode whereit's Matt and one other agent
against the world.
we've talked about this it couldhave been Hondo with A Matter of
Gravity.
It'd have been even better if itwas Gloria and Matt in Vegas.
Adam (26:35):
Yep.
PJ (26:36):
like honeymoon adventure, but we don't, we get buddy and
Matt in Paris.
Adam (26:44):
Yeah, it would have been great to have Matt and Gloria in
Paris, right?
They're on a little getaway,romantic getaway, and then
suddenly something happens.
Yeah, the Pandora's box thatopens is if they weren't
prepared for mission.
we know why Thunderhawks there,but why do they have hurricane
there?
And in that case, why was buddyeven there anyways?
generally speaking, it's MattScott and T Bob on a family trip
(27:05):
with many exceptions to that,
PJ (27:07):
Yeah.
Adam (27:08):
course.
Doesn't matter to the maskwriters.
We're just going to go ahead andplow forward here.
Thunder hawk and hurricane.
They drive into the sewers ofParis and they go down a perfect
ramp into a perfectly sizedarchway.
And I was just wondering, doesParis have a lot of easy to
access?
Sewer tunnels that a car candrive through.
PJ (27:28):
I'm sorry, Adam.
We have to do a commercial breakhere and just thank Tracker
Infrastructure for theirsponsorship of this show and all
the great, they work, they do.
Throughout every cityinternationally, including
creating giant size entrywaysinto sewers.
Adam (27:44):
That's right.
If you need a giant entrywayinto your local sewer, the only
place to call trackerinfrastructure.
And we thank you for yoursponsorship of this episode.
PJ (27:54):
Now, back to the show.
Adam (27:56):
Suddenly they encounter Jack Cameron Piranha in the
sewers.
And Matt says where there'srats.
You're gonna find the cheese.
And Buddy says, I think you'vebeen hanging around Bruce too
long.
So I'm gonna go ahead andnominate Buddy for his own award
for that jab.
PJ (28:13):
It's 100%.
Buddy, that was unnecessary,man.
Truly.
It's you just decided to take anopportunity to shit on Bruce
when he wasn't around.
Adam (28:21):
We have a great masked venom battle in the sewers.
Lots of laser rays firing away,some solid wall driving happens
there.
We have Hurricane doing a 180,splashing water into Cliff's
face, causing him to losecontrol of Jackhammer.
But Cliff is wearing a mask, soI'm not sure how that happened.
PJ (28:41):
I don't know, man.
It's just like, it, like the mudcovered up the optical sensor
for a second.
Cliff only has one eye.
Adam (28:48):
Meanwhile, Scott and T Bob are wandering Paris, unable to
find the Eiffel Tower.
Hard to miss.
But anyways, they come upon thegiant archway that leads into
the sewers.
And Scott is psyched.
We can go exploring.
And this is exactly why Iworried about the giant inviting
archway that leads into thesewers, because it seems to me
(29:10):
like similar to Scott.
A lot of people would be like,Oh, cool.
Let me go walking into thisinviting archway and see what's
in the sewers.
PJ (29:17):
I probably wouldn't, without a flashlight, go wandering into
a random sewer.
Scott has a penchant for playingin trash heaps, apparently
sewers.
Which begs the question, why,Adam?
Why does he do this?
Adam (29:30):
He needs just any kind of stimulus.
And so he like Gloria goes tothe extremes, right?
He's not an adrenaline junkie.
He just needs to push things tothe extreme because he is so
over stimulated by everythingthat happens in his life.
So junkyards, trash heaps,sewers.
(29:51):
Those are the places Scott wantsto play or other children just
want to sit on a swing set.
PJ (29:55):
That's a good point, man.
The shot that it's involved withScott standing before the sewer
entry.
Like I tried to do a littlefiguring out by doing a
screenshot and then takingguesses at the relative size of
like Scott and this entryway.
I took a guess if Scott's fourfeet tall, maybe five, actually,
let's say he's four feet tall.
The opening is 20 feet tall.
(30:16):
If he's five feet, he's like,it's like a 25, it's like two
and a half stories.
Is it?
an opening to a sewer?
Why?
Adam (30:25):
So that people and vehicles can enter.
We all know the stories aboutParis and the famous sewers.
Have you not been on a sewertour of Paris, PJ?
I'm shocked.
It's the Eiffel Tower, theLouvre, and the giant sewer
tunnels.
Boy.
I know you live in the mountainsof Colorado, but I didn't think
you were that uncultured.
PJ (30:46):
I'm sorry, apparently, I will do a better job next time I
go to a major city of asking fortheir finest sewer tour.
Adam (30:54):
T Bob outside the tunnel entrance stumbled into something
covered in a tarp and the tarpfalls off revealing switchblade.
And I feel that's a terribleplace to hide a multi million
dollar weapon of massdestruction.
PJ (31:06):
Yeah, it really is
Adam (31:08):
but anyways, we're back with Miles and Venom and he uses
Viper to break his way into thesecret Nazi bunker.
And now he's got his hands onthe trigger device.
And he says, now I can destroyParis at the a button.
But do you think this devicestill works after 40 years?
PJ (31:25):
I definitely had the thought you might want to replace the
batteries in there, Miles.
Like it's there because I like,and truthfully, like if the
batteries had corroded, causethey honestly, if there were
batteries, cause there's novisible electrical connection,
they would have been lead acid.
So they
Adam (31:43):
Mm hmm.
PJ (31:44):
Would have eaten through.
And if it was circuitry, it'sdone.
But I'll say this much on theother side of it, though, on the
bombs themselves, the explosivesare a credible threat, and the
material in there can last acentury or longer.
And I did a little researchunexploded ordinance from World
(32:04):
War Two is still a problem tothis day.
the last event that happened wasfrom December 3rd of 2024.
We still have to contend withthese unexploded bombs years
later.
Adam (32:19):
Well, Scott radios Matt to tell him that he found
Switchblade at the entrance tothe sewers.
Matt orders Scott to go to theEiffel Tower where it's safe.
PJ (32:30):
To the most notable landmark in the city, which is under a
terrorist threat.
Father of the year moment.
Adam (32:37):
Agreed.
That's up for nomination forsure.
Well, Miles takes off atSwitchblade and makes an
announcement to the people ofParis.
But he's in Switchblade, ahelicopter slash jet.
I guess Switchblade has aloudspeaker with enough oomph
behind it to be heard by theentire city?
PJ (32:55):
So again, this is writer's defense fund award.
But I was wondering if he wasalso tapping into the television
radio network signals as well.
Because what he's about to sayotherwise could get garbled, and
no one might actually notactually hear him.
Adam (33:10):
Yeah, okay let's give Miles that.
He says, You have one hour topay me one billion dollars or
the city will be reduced torubble.
That's a very solid threat,Miles.
Well done.
If I can point one thing outthough, generally you want to
prove you have the capability ofdoing something before making
(33:30):
the threat, so blowing up alittle something just to prove,
because I could go out rightnow, PJ, and I could say city of
Los Angeles, give me a billiondollars or else the city will be
reduced to rubble and peoplewould just look at me and then
continue on with their lives.
PJ (33:47):
A really excellent point.
You need to give a little tastethere the other question I had
Adam is how many people areactually able to understand him
given that.
He's speaking in English andmany of them might not, there
might be
Adam (33:59):
Right.
PJ (33:59):
Speaking, like they just French speakers, like what,
Adam (34:02):
Yeah.
So a madman is shouting to themin a foreign language.
They don't understand aboutmoney that isn't in their
currency or else a threat thathas not been demonstrated will
be carried out.
So in theory, a very solidthreat by miles in execution,
(34:22):
very poor indeed.
No,
PJ (34:25):
done this before, like Tokyo with the magma mole.
He showed off the threat first
Adam (34:32):
Well, scott and T Bob, they watch from atop the Eiffel
Tower.
I'm curious how they got theresince they were lost for the
whole episode, but anyways.
And they're watching asThunderhawk faces off against
Switchblade and Manta in a skybattle.
PJ (34:45):
So Matt very intentionally is going towards the Eiffel
Tower.
And I had a question.
Why was he doing that when hetold Scott to go there?
Adam (34:55):
he has a very short memory.
PJ (34:57):
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Adam (34:58):
To your point, a straight laser blast from Manta hits one
of the Eiffel Tower's legs andthe tower begins to fall with
Scott and T Bob atop it.
But Buddy pulls up and usesHurricane's laser cannon to
somehow fuse the leg backtogether again.
And this is the second timewe've seen masked lasers do
(35:20):
something like this.
Like, how is this possible?
PJ (35:22):
So we're going to have to do a mini science corner here.
Adam (35:27):
Yeah.
PJ (35:28):
when you want to weld things together, you have something
that is incredibly hot.
you know, Whether it be a butanetorch or an arc welder it's
something sufficient to meltmetal.
So you have to start off withthis belief that the lasers are
sufficiently hot enough to meltthe steel, to fuse it together.
(35:48):
When that they fire over adistance, they don't lose so
much power that they're notsufficient.
And Again, so people know power,Goes down as the square of the
distance.
So if you get what X, the powerover some distance if you
increase that distance by two X,you actually get one fourth the
power.
Adam (36:08):
Mm hmm.
PJ (36:09):
To actually be firing an incredibly hot beam to melt
that.
And it has to be sufficientlystrong metal at the source of
the cannon that it doesn't getmelted as well.
So whatever space materialthey've got there, like it is.
they're firing a fucking hotlaser.
that is able to, fuse steel fromlike a kilometer away, half a
(36:32):
kilometer.
I don't know, but it's immenselytough like pull all of that off.
Adam (36:38):
Yeah.
Okay.
Granted.
PJ (36:40):
Now, if you accept that, let's also consider that fixing
the Eiffel Tower afterwards isgoing to be really expensive.
Adam (36:46):
Indeed.
Who could do it?
PJ (36:48):
We just want to take a moment and thank Tracker
Construction for theirsponsorship of this show.
Tracker Construction, when yourmassively large metal landmark,
precious to your city, getswrecked, we're there to help you
out.
Dun
Adam (37:02):
Yeah, that's right, PJ.
In this day and age whenmonuments around the world are
threatened by Any combination ofnatural disasters or
multinational terroristorganizations.
It's good to know that TrackerConstruction is there to help
with the cleanup.
And thank you, TrackerConstruction for your
sponsorship of this episode.
Well, Mask is outnumbered two toone during the battle.
(37:23):
Thunderhawk takes a direct hitfrom Switchblade and is forced
to land, but somehow it's okaybecause it takes off a second
later with Buddy on board.
Now we have a very interestinguse of a mask power here.
Buddy uses Penetrator, allowing.
Them and Thunderhawk to phasethrough switchblade and grab the
trigger device.
But here's my question.
(37:43):
So if they're phasing throughswitchblade, how are they able
to grab a solid object at thesame time?
So is there even like a magicscience corner that can explain
this?
PJ (37:58):
so let's jump back to science corner and we're going
to, I'm going to try my bestbecause
Adam (38:03):
Okay.
PJ (38:04):
Let's talk about how penetrator might work in the
first place.
Okay.
Okay.
Buckle up, folks.
So thanks to quantum physics.
And so people know quantumphysics is this fucked up, non
intuitive subject that makes upthe universe.
And Newtonian physics exists inthis very small island where
humans live that kind ofapproximates.
(38:28):
Everything else.
And if you get too small or toobig or too fast or too slow,
you're in quantum physics land.
Adam (38:36):
Mm hmm.
PJ (38:37):
Of the universe.
We live again in this reallytiny island here.
Regardless, quantum physicstells us that atoms are the
building block of matter.
made up mostly of empty space.
Okay.
There really isn't very much toatoms.
And so if you, if that's true,why don't atoms just pass
through each other all the time,penetrator style?
(38:58):
There's this concept called thePauli exclusion principle, which
states that no two fermions.
So like an electron, actuallyprotons and neutrons fall under
that as well, occupy the samequantum state.
And it means that they createthe repulsive force when the
atoms get too close.
Adam (39:15):
Silence.
Silence.
Silence.
Silence.
Silence.
Silence.
Silence.
Silence.
Silence.
Silence.
Silence.
Silence.
(39:36):
Silence.
Silence.
Silence.
PJ (39:41):
of the fermions.
So the electrons, neutrons, sothat no two fermions have the
same spin at the same time andtherefore can occupy the same.
and you're just fucking with thewave functions in a really
hardcore way and you
Adam (39:56):
Silence.
PJ (39:56):
to do it in such a way you don't accidentally create
antiparticles like or positronswhere they would just annihilate
the thing they're actuallyencountering.
so if you believe all of this.
how it actually works.
Adam (40:10):
And if you understand and have followed along
PJ (40:13):
Yeah, if you've followed along on my really shitty
explanation of this corner ofspace magic and going through
switch blade, buddy has to beable to phase and then unphase
and rephase his hand at just theright time to snag the trigger
device.
And not accidentally hit miles'scrotch.
So this is a really likeexquisitely time maneuver.
(40:35):
Otherwise basically miles isgoing to have a whole lot of
other problems at the same time,to just grab this trigger
device.
So
Adam (40:42):
not to mention potentially some sort of quantum explosion
above the city,
PJ (40:48):
this goes wrong, basically like the switchblade and
Thunderhawk explode and
Adam (40:54):
yeah.
PJ (40:54):
leaders are dead, which might be not a bad thing.
Adam (40:57):
Well, Scott's watching all this from the top of the Eiffel
Tower but the Eiffel Towerstarts falling again, and Scott
actually, Wait.
tells Mask to go after Venom.
He says, don't let them getaway.
And Scott at least has the rightidea here.
And he's actually saying itwhile atop a structurally
unstable Eiffel tower.
So he's got some cojones aswell.
PJ (41:19):
He does.
Maybe he's tired of this maskvenom battle.
And it's look, dad, just get itover with.
Adam (41:25):
Yeah.
Matt decides to save his son andlet Venom get away.
And so he jumps out ofThunderhawk and uses Spectrum
Hang Glider to rescue Scott andT Bob, while Buddy lands
Thunderhawk.
And uh, once they're on theground, Scott tells Matt that he
should have gone after Venom.
And again, Scott Right on themoney.
PJ (41:44):
It's true.
And I really wonder, it makesyou wonder what kind of death
wish Scott has at this point intime, where he's he'd rather see
his father go after Venom thanrescue himself.
Do
Adam (41:53):
Yeah.
He's getting a lot of Gloria inhim now.
He's really starting to feel theadrenaline junkie nature of
life.
It's okay, Dad.
Oh, we're fine.
We'll take stairs.
Ah,
PJ (42:05):
seen a few times now that when Scott's about to fall,
Matt's first instinct is to firelasers at the thing that's about
to fall.
Adam (42:16):
well, Matt, Scott, T Bob, and Buddy are sitting at a cafe.
Turns out the bombs have beendefused and all is well.
And T Bob says that he wants togo see the Kasbah.
It turns out that his map was ofAlgiers this whole time, which
is why they couldn't find theEiffel Tower.
And everyone laughs.
So, kind of a Roy Batty momenthere?
PJ (42:36):
I thought so I wasn't sure if this applied that T Bob
actually doesn't know how toread And like how sad it would
be if he wasn't programmed to dothat.
And how angry would be that hewasn't programmed to do that.
Did mass diffuse those bombsthemselves?
Do they actually finally tellthe authorities about them?
Adam (42:51):
Yeah, who defused the bomb?
PJ (42:53):
finally turn over to the authorities and say, Oh, go
defuse these or did Matt do ithimself?
Adam (42:57):
Or did Matt say, yeah, they're defused, don't worry
about it.
yeah, Tracker Demolition mightneed them in the future.
So, uh, We got to the, we got tothe more you know.
We're at the Tracker Mansion atnight.
And Scott is soldering the bomb.
T Bob's head, for some reason.
T Bob kind of jumps, causing thesoldering iron to land on a
(43:21):
piece of paper, which starts afire.
Scott picks up the phone, andthe next thing we know, there's
three fire trucks outside,putting out the fire.
And uh, the lesson Scott revealsto us is to make sure that you
have the fire department numbernearby.
I'd like to point out threethings here.
PJ (43:38):
Yes.
Adam (43:39):
we learned that Scott has his own lab.
Which must be very nice.
He lives in a big mansion, hashis own lab, 10 year old.
Great.
Second three fire trucks show upto put out a piece of paper that
caught on fire.
So Matt does not mess aroundwith his property.
And finally three, Scott couldhave easily put that fire out by
(44:01):
himself.
I mean, There's a piece of paperthat caught on fire, which even
if Scott didn't put it onhimself, probably would have
just, you Extinguished on itsown because it's a piece of
paper, right?
PJ (44:11):
Yeah, a hundred percent.
Adam (44:13):
Okay.
PJ (44:14):
Here's a, actually just something I just realized.
Do you think this is a privatefire department that Matt keeps
on retainer on his
Adam (44:20):
I, yes, I think it is a private fire department that
Matt keeps on his property.
And that's why they all show upto put out a piece of paper.
That's burning.
PJ (44:28):
So the number Scott needed to remember was three.
Like
Adam (44:36):
fire department.
How can I help you?
It's Scott.
Say no more.
We're on our way.
PJ (44:42):
You know, look it's a good lesson.
I know what they're trying to gofor but it's a really poor
demonstration of it here's animportant thing.
Why doesn't his lab, whichcontains electrical equipment,
have at least a fireextinguisher or a fire blanket
inside of it,
Adam (44:56):
Or sprinklers.
PJ (44:56):
or sprinklers?
In my garage, I've got likethree fire extinguishers, two
fire blankets, Just in case.
Adam (45:03):
You do some unusual things in your garage and I'll just
leave the audience to wonderwhat PJ does in his garage up
there in the mountains.
But anyways, folks, let's lookat our, our awards for the
episode.
The Buddy Hawks award.
PJ (45:17):
He wins his own award pretty handily with the
Adam (45:20):
Yeah.
PJ (45:21):
I don't
Adam (45:21):
Yeah,
PJ (45:21):
like,
Adam (45:21):
I agree.
There is no need to diss Brucein that moment.
And yet he chose to, so anunabashed Buddy Hawks award.
Congratulations, sir.
Father of the year.
PJ (45:32):
I think there's a few.
Nominees for this Matt trusting,Scott and T Bob to buddy right
after
Adam (45:39):
Huh.
PJ (45:39):
the comment that he should be put into a cage like that's
a, that would be a solid one anda winner in every episode, but I
really thought Matt orderingScott to the Eiffel Tower.
While the city was underterrorist threat, because he
said it's safe really was thething that takes it away for
father of the year for me.
Adam (45:56):
sure.
You just opened up a newdimension for me though.
And I think I'm going to gowith.
Matt entrusting Scott and T Bobto Buddy after having said the
cage comment because Matt'slike, This man wants to put my
son in a cage.
He's perfect for watching overmy son.
So I'm going to go with thatone.
I don't think we had a SlyraxRagdoll award here in this
(46:17):
episode.
PJ (46:17):
think so.
There's a near miss for Scott.
Had he fallen, it's an easySlyrax, but he didn't.
He's just hanging off the sidewith T Bob at the Eiffel Tower.
Adam (46:25):
And finally uh, Roy Batty award.
What do you think?
PJ (46:28):
I think it's that tail end bit where it's making fun of T
Bob's inability to read.
Adam (46:31):
I could understand someone afraid of a robot uprising,
would not want robots, know howto read.
but I agree with you there.
So let's figure it out.
Is this episode pandapu or not?
PJ (46:42):
I'm going to tell you so I'm going to give a weird analogy.
I really liked the movie, DavidLynch's Dune,
Adam (46:46):
Yeah.
Yeah.
PJ (46:49):
but it's almost great.
and there's a few places whereit just kind of misses.
And honestly, there's a lot ofintriguing stuff in this
episode.
They do the fun mission,impossible bit.
We've got this like weirddiscussion to be had about The
Nazi bombs, which honestly waslike, if you're not going to
deepen the lore in that case,like venom could have just
planted bombs and you'd haveeffectively the same result.
(47:12):
So there's a lot of places whereyou could take it somewhere
interesting and it doesn't go.
There's a credible threat fromvenom.
we get a great use of penetratorwith the quantum magic that
we've got there.
But outside of that, like.
so many different ways I wishthis episode of could have gone.
So for me, it is a panda poo.
Adam (47:31):
I want to agree with you on that one and just say it's
not the worst we've ever had,It's wasted potential.
So yeah, another PandaPooepisode.
PJ (47:39):
I do have a meta discussion though, around miles, because
like like so many times whereit's miles.
Maps and ancient civilizationsartifacts something hidden what
is miles hiding about his pasteither explicitly now or
implicitly we've got this Nazistrain that is just infused in
these episodes and so like Ikind of wondered myself like.
(48:03):
All right who else was obsessedwith ancient civilizations like
you can see in book of power orchariot of the star chariot or
what we have here like his milessomehow connected to Himmler,
Adam (48:17):
it's a great question.
Miles, what do you think?
He probably would have been inhis twenties or very early
twenties, late teens, earlytwenties during the second world
war, especially near the end ofthe second world war, right?
So yeah, there's a possibility.
He doesn't have a German accent.
Doesn't mean that.
He's not German.
So possibly I'd like to followthis thread
PJ (48:35):
yeah, I
Adam (48:36):
future episodes.
PJ (48:36):
know about the map to find the Nazi gold when they were in
South America?
You don't stumble upon thataccidentally and then you don't
stumble upon this accidentally.
You don't stumble upon, the StarChariot accidentally or every
ancient civilization like thatwe've seen.
It's like.
what body of research did hehave available to him that makes
(48:57):
all this possible?
I feel like this is the, again,part of that, that missing bit
just like, who is this MilesMayhem?
Why does he have access to allthis stuff?
Adam (49:06):
Yeah.
The other thing about, you know,with Venom, compare him to Cobra
is I feel like Venom doesn'thave a core goal overall in the
series.
They're just kind of like everyepisode, it's kind of a
different thing.
They're it's like, Venoms aretrying to, Make ends meet.
Like that's,
PJ (49:23):
true.
Adam (49:24):
that's their goal, just to survive to the next day.
PJ (49:26):
I mean, one thing we've seen a lot is Venom's after, I mean,
Miles is after money.
And maybe if Matt paid him off,that would be the end of it.
Adam (49:35):
Yeah.
Matt should just cut him in onthe money.
Well, Let's see what Venom's upto in episode 35 next week.
The episode is called In Dutch.
A madman hires Venom to destroythe flood dykes in the
Netherlands if their parliamentdoesn't allow him a political
position.
Oh boy.
PJ (49:54):
I'm looking forward to this.
I have not watched this episodeyet.
I love the mechanics alreadyfrom the tagline.
And I
Adam (50:03):
Yeah,
PJ (50:04):
to say there.
We're staying on our Europeanvacation though.
Adam (50:07):
we are.
Yeah.
It's, I have not seen theNetherlands yet, so I'm looking
forward to uh, to seeing thecanals and uh, whoever this
politician is.
We will see you in Holland nextweek, but for now this podcast
has to transform and head backto HQ.
I am Adam Moore.
PJ (50:25):
And I am PJ McNerney.
Adam (50:27):
Bye bye.
PJ (50:29):
Bye bye.
The mobile armored podcast showis written, produced and edited.
Bye Adam Moore.
And PJ McNerney.
One of the things you kind of learn living in the mountains
is you just got to kind of havestuff ready to go.
Get your jack, get your, treadplates that you have, a little
Adam (00:09):
hmm.
PJ (00:09):
And you're fine.
We actually had everything weneeded and with two tries, we
got her unstuck.
Adam (00:14):
Well done.
Sometimes I get stuck on theside of the road, but it's
because there's roaming gangsBut I'm prepared for that, too
PJ (00:23):
yeah we watched Kurt Russell We know how to escape from New
York and L.
A.
Adam (00:27):
indeed.
Welcome to the Mobile Armoredpodcast show.
The podcast that transforms intoa Nazi doomsday bunker.
(00:50):
My name is Adam Mohr, alongsidemy co host and best friend, BJ
McNerney.
How's it going, BJ?
PJ (00:58):
Did we ever think that we would be talking about Nazi
doomsday bunkers in an episodeof a children's cartoon show
Adam (01:08):
No.
PJ (01:09):
it's like to say it, it's almost like, oh, like we're
offending a lot of people.
It's like, no folks, go look atthe episode, this is what you
got.
Adam (01:19):
We're not making any of this up.
I know that you hear us walkthrough the plot of each episode
and it sounds crazy sometimes,but we are not making anything
up.
Just watch the episode alongsidelistening to the podcast.
PJ (01:34):
If anything, I think we're trying to make these people in
the best light possible.
We married Matt and Gloriabecause it was the sort of best,
most logical, and probably thekindest thing we could have done
in Vegas.
Adam (01:46):
Yeah
PJ (01:46):
we didn't say they're shacking up together.
We're like, no, they went thereto get married because they're
in love, which is clearly whatthey've been projecting.
And so, no, now we've got Hitlerin bunkers.
Adam (01:56):
exactly.
It's episode 34, Peril in Paris.
Buddy Hawks disguises himself asVenom Agent Dagger in order to
infiltrate Venom's secret basein Paris.
There he uncovers Venom's planto find a Nazi doomsday machine.
PJ (02:15):
It's not a doomsday machine.
They're
Adam (02:17):
Mm mm.
Mm mm.
PJ (02:17):
We can State they're bombs.
Okay?
Like, it's not like there's likea giant robot underneath Paris.
Adam (02:23):
No, no, it's like, it's like whoever wrote that didn't
actually watch the episode ordidn't watch it all the way
through.
but let's dive into episode 34.
Shall we?
We open on Paris.
Ah, gay Paris.
The Eiffel Tower, the Louvre,and lots of smog, apparently.
It's covered like a light cloudeverywhere you look.
PJ (02:45):
It was the 80s, Adam.
Adam (02:47):
meanwhile, we're in the Egyptian wing of the Louvre.
Matt, Scott, T Bob.
Buddy Hogs is with them, and avery French curator from the
museum are just walking through.
Scott and T Bob are complainingabout how early it is.
And T Bob says, before your dadgave them that painting, we
could look at it anytime wewanted to.
(03:08):
And I was thinking, wow, theentitlement of great wealth.
PJ (03:14):
I love this idea of like a painting that's just sitting
there in the tractor mansion andlike Gloria is like tired of it.
and all of all the mask agents,why invite buddy on a trip?
did he feel left out?
I think this is the first timewe've seen buddy on vacation
with Matt.
Adam (03:32):
It is.
PJ (03:32):
of just got the feeling he was just being, a chauffeur for
Scott and T Bob.
Adam (03:37):
they have both Thunderhawk and Hurricane with them.
maybe they're going on a drivingtrip through Europe, but we've
never established that Matt andBuddy are pals.
However, in a few episodes back,we theorized how Buddy feels
left out on missions all thetime.
So maybe Matt.
caught on to it and said, yeah,why don't I bring buddy with me
to Paris?
PJ (03:57):
Also, he can watch T Bob and Scott, which is what he's going
to do.
Like
Adam (04:03):
Yep.
Yeah.
PJ (04:04):
a glorified babysitter.
Adam (04:05):
Well, The curator of the museum says the least we could
do to thank him is give you alla special tour.
PJ (04:12):
wonder about whatever conversation happened ahead of
time between Matt and thecurator?
Which was like, Matt volunteerslike, Well, I really look
forward to that special touryou're going to give me and my
son.
And the, it's like, curator'slike, Uh, what the?
know, the special tour that I'mgetting, because I lent you that
painting.
We don't really do that sort ofthing right here.
My boy's going to be verydisappointed.
(04:33):
It would be a shame to have totell the prime minister about
why my boy is crying when we seehim.
What time works best, Mr.
Tracker?
Adam (04:41):
Well, They turn a corner on this special tour and they
come into a room and they findthat all the paintings have been
flipped around, right?
So we're only seeing the backsof the paintings, not the
fronts.
And Scott says, this is evenbetter than the Eiffel tower.
PJ (04:55):
Is it,
Adam (04:57):
Buddy says, Like Whoever the perpetrators are who did
this, I'm just trying to figureout how they got in.
PJ (05:02):
says the man whose mask lets him pass through the walls
effortlessly.
Adam (05:05):
Right.
PJ (05:07):
It's like this technology doesn't exist anywhere else,
buddy.
Adam (05:11):
Speaking of babysitting uh, and Buddy, Matt asks Buddy
to take Scott and T Bob to theEiffel Tower in case there's
trouble.
And Buddy says to Matt, the onlyway you can guarantee to keep
them out of trouble is to putthem in a cage.
And Matt's probably thinking,that's not a bad idea.
Alex has got some cages.
Maybe that's what I should donext time.
PJ (05:32):
Leave him at home in a cage.
The line reading for the actoron this one was awesome because
it's like, the only way you canguarantee them to keep it at
trouble is to put them in acage.
Just there's a lot of disdain inthat.
it's like, Scott and T Bob canclearly hear you, asshole.
Like they're right there.
You're not even pretending towhisper.
(05:54):
And the other way to do it ismaybe stop leaving them to their
own devices every single timethat you go on international
adventures.
Adam (06:02):
The only way you can guarantee to keep them out of
trouble is to leave them at homein the care of a responsible
adult.
PJ (06:08):
Matt doesn't know any, all the
Adam (06:10):
True.
PJ (06:10):
hangs out with are part of his paramilitary group,
Adam (06:14):
Fair point.
Well, Once getting Buddy and thekid and the robot out of the
picture, Matt is investigating,and I'd like to take a moment to
note here that all the paintingsbeing turned around is curious,
and it's Definitely a securityviolation, but it feels more
like a prank than anything else.
And so the thing is Matt isinvestigating because as usual,
(06:37):
the crime involves his stuff.
There's no crime.
It's like B and E and I don'tknow, what would you call it?
When you flip paintings aroundvandalism.
PJ (06:46):
Maybe, I mean, but they didn't wreck the paintings.
It's like, yeah, the B and E isa crime and 100 percent Matt
investigating.
It's like, you don't fuckingtouch my stuff.
That's a through line for all ofhis petulance the entire time.
Adam (07:00):
Well, Matt sees an open door, which leads to a storage
room, which leads to someunderground rooms, possibly the
catacombs of Paris.
It's really hard to tell, butI'd like to point out like
there's no dialogue for a goodminute of screen time here.
PJ (07:14):
you are 100 percent right because like we switch from
there we get we have a lot ofcuts basically in there as you
go through the various rooms andthen you go through some
exterior shots to the chateauwhere we find out venom is and I
when I looked at the sequence ofshots, I felt like the director
was going for.
Something like three days of thecondor or day of the jackal in
terms of the setup shots withoutany
Adam (07:36):
Okay.
PJ (07:36):
and just music.
So it was like them trying toexpress themselves artistically.
Adam (07:40):
good job, showing not telling.
PJ (07:43):
All the eight year olds caught it.
Adam (07:44):
Meanwhile, in that ornate French chateau, Miles and Cliff
are putting the pieces of alarge map together on a wall.
And Cliff is having a hard time,and it turns out that's because
he has his piece of the puzzleupside down.
And Miles says, you cretin!Again, Miles, you really need to
be mindful of how you treat youremployees.
PJ (08:04):
The brutality Cliff is going to endure in this episode it's
not okay.
Adam (08:09):
No, it's not.
PJ (08:13):
And then they have this shot of Miles's face, like where it's
hyper close up.
And I was like, kids, can youplay the game of count the
number of miles's nose hairs?
Adam (08:22):
well, Vanessa and slide come in with the final pieces of
the map and Vanessa is wearing alab coat, which is.
Odd.
And also, what have Vanessa andSly been off doing, and was the
lab coat involved?
PJ (08:35):
kids, what's wrong with this picture?
One is.
Sly's not wearing hissunglasses.
Adam (08:41):
Yep.
True.
PJ (08:42):
Vanessa's holding on to some sort of strap.
Adam (08:45):
Yes.
PJ (08:46):
know what exactly what that is.
Adam (08:48):
No.
PJ (08:49):
she's wearing a lab coat.
And finally, the crankiest, mostornery member, has a very
pleased look on her face.
she's got a little afterglowright there.
We could take some guesses atwhat Sly and Vanessa were doing
back there.
Know if Sly's going to put thoseglasses back on because he's
going to cry.
But whatever it is, Vanessa'spretty happy.
Adam (09:09):
Clearly their relationship is progressing.
PJ (09:13):
Possibly not voluntarily on Sly's part.
Adam (09:16):
So what we learned is that they were in the Louvre last
night, and Sly is confused aboutwhy they didn't just steal the
paintings.
Now, Miles smartly points out,That they would have been hunted
down as art thieves.
And my point is unlike now, werethere surely being hunted down
as a terrorist organization?
PJ (09:34):
Yeah I agree.
It would have actually been funway to throw people off the
scent if they'd stolen onepainting.
to try and like, you know, do amisdirect, but no, we're going
to turn all the paintings around
Adam (09:46):
they could have gotten away with this scot free if they
just turned the paintings backaround and there would be no
mask mission whatsoever.
And they would have gotten awaywith their plan to blackmail.
The city of Paris, but instead,out of either laziness or spite,
they just left it the way it wasand ran away.
As it turns out, the map pointsto a triggering device.
(10:09):
Now, whatever that is, itpromises to make them all
wealthy enough to buy everypainting in the Louvre, says
Miles.
We cut to uh, exterior shot ofParis again.
Ah, Gay Paris again.
Buddy is driving Scott and T Bobto the Eiffel Tower.
And Buddy says, Wow, it'scertainly nice to be driving
Hondo's Hurricane.
(10:30):
Three questions for you.
One, do you think Hondo knows?
Two, do you think he'll everfind out?
Three, what do you think Hondowould do if he found out?
PJ (10:40):
thing that came to mind with the first question was the scene
in Return of the Jedi where HanSolo is saying, I got your
promise, not a scratch.
And Lando says back to him,would you just get going?
You pirate?
You pirate?
With the exception here thatBuddy will never be as smooth as
Lando and Hondo would not be astimid as Han in this scene.
(11:04):
I think there'd be like a realthreat if like, Hondo knew.
It's like, look, was fine withthe F 150 if you dented it.
But this is a, 57 Chevy Bel Air?
Don't scratch it.
And, in terms of what wouldHondo do if it did get
scratched?
buddies in the ravine.
Adam (11:20):
you are dead on.
Buddy's in the ravine.
If Hurricane comes back damagedin any way.
PJ (11:25):
I've wondered about this as a general concept because I
wonder if buddy ever complainsthat he basically has to, and
Honda for that matter, that theyhave to share a vehicle.
And like, if Matt's kind of likecome back is like, buddy, your
vehicle is all of Boulder Hill.
Like you get all of this andtries to like pass it off in
some way that, makes it okay.
(11:47):
As he sees his friendsconstantly streaming out on
exciting missions without him,
Adam (11:52):
you repair all the vehicles.
So in many ways, all thevehicles are yours.
Except they're not at all,buddy.
So do not drive any of themwithout my permission.
Well, They're driving along, andScott asks Buddy to pull over at
a bakery for some food.
Buddy says, it's not like youdidn't have breakfast.
Scott says, but that was half anhour ago.
(12:13):
Now, first of all, doesn't knowif Scott had breakfast, because
maybe he didn't.
But also, Scott doesn't knowwhen his next meal is.
Or where it'll come from.
So it's a smart move by Scott tojust, intake calories whenever
he can.
PJ (12:25):
100%.
And I love this shot herebecause it really felt like,
Sir, may I have some more?
Adam (12:33):
While uh, Scott's buying some baguettes buddy Scott's
jackhammer peeling out of thechateau near the bakery.
And then he goes to a payphoneto call Matt.
Who answers the call on somerandom phone in the midst of a
huge crowd at the Louvre.
PJ (12:49):
but I also love the idea of Buddy having to go through the
phone chain to actually get toMatt at the gala.
Adam (12:57):
did Buddy call collect or did he have some coins to put in
there?
He's like looking for anything.
Like I didn't even go tocurrency exchange.
How do I,
PJ (13:06):
Oh,
Adam (13:07):
I don't have to make a collect call.
Where are you calling sir?
The loom?
Yeah.
Excusez moi.
PJ (13:15):
Got a little book with him to try and translate to the
operator.
Louvre.
Collect.
I kind of like the idea thatVenom chose a hideout right next
to a great As
Adam (13:27):
That's great.
PJ (13:28):
And it also is like, Hey, Venom's not slumming it anymore.
it kind of
Adam (13:32):
Uh huh.
PJ (13:32):
if it's like, Oh, maybe this is a Chateau that was owned by
that German finance minister.
And they're just taking it overwhile he's in jail.
Adam (13:40):
It's a great question.
How do they end up in thisplace?
Because it's not their typicalshanty in the woods.
Anyways, back to Matt at theparty.
He tells Buddy, I foundsomething too, and then Buddy
cuts him off.
Turns out Buddy wants to go intothe Chateau to investigate, but
Matt tells him that he'll joinBuddy as soon as he can.
(14:01):
And to make sure Scott and T Bobare safely out of there first.
PJ (14:04):
A couple things when you go to the shot of Matt at this
party, I'm like, who the fuckare these people in the
background?
it's like the weirdest set oflosers that they got at this
gala.
Adam (14:15):
you know, uh, everyone, PJ makes all the awesome social
media content for the show.
Will you please make somethingout of this?
Because this is a, first of all,there's twins.
If you look to the left and tothe right, like they have the
same exact face profile.
Only one of them's wearing somesort of a spiffy hat.
But other than that, yeah, it'sa bunch of weirdos at this
party.
PJ (14:35):
Although my other thought was that's checking in to make
sure Scott and T Bob are okay.
Who is this guy?
We haven't
Adam (14:41):
Yeah,
PJ (14:41):
guy before.
Adam (14:42):
I know, right?
Who are you and what have youdone with Matt?
Well, uh, After they end thephone call remember, Buddy's job
is to make sure that Scott and TBob are somewhere safe.
Buddy asks Scott, You guys thinkyou can find the Eiffel Tower by
yourselves?
Let's track the blame chainhere.
Okay.
In case we need it later.
One, Matt entrusted Scott tobuddy.
(15:04):
Two, buddy told them to go tothe Eiffel tower by themselves.
Good check.
PJ (15:10):
I, here's the thing, like I'm a little hard pressed to
blame buddy on this one, sinceMatt has established a very
strong pattern of this being anokay Like, can you guys go back
to the hotel or maybe that timewhen Brad left Scott on a cliff
in South America, like get downby himself back to the city.
Adam (15:30):
Yeah, it's true.
None of them seem to catch anyflack for it.
Or, Or Scott never tells Mattabout it.
Buddy rushes into what appearsto be a very dirty alleyway with
his disguise briefcase, and hesays, I almost can't stand to
cover up such a handsome dude.
Wow Buddy, vain much?
PJ (15:47):
You're supposed to be a master of disguise, sir.
Like This is part of your job.
of wondered if this was part ofhis morning affirmations is
Adam (15:55):
Mm hmm.
PJ (15:56):
In the mirror and be like, you're handsome.
Don't forget that.
Adam (16:00):
It's okay if Matt doesn't choose you to go on missions.
You're good enough and you'rehandsome enough.
Turns out Buddy disguiseshimself as Cliff Dagger.
He climbs up onto the roof of aneighboring building, then zip
lines across to the roof of theChateau.
It was a very mission impossiblesequence here.
PJ (16:18):
It really was.
I thought it was fun.
I enjoyed this.
Adam (16:21):
Now he spots the map on the wall.
Inside the chateau, and he looksshocked.
PJ (16:27):
Okay.
I had a question, Adam, have youever gone into a room and maybe
it has a map of a town or Like aski slope, and just look shocked
at it.
I was really confused at why helooked shocked at a map with no
context in it whatsoever.
Adam (16:46):
no, agreed, unless it said, Map to Bombs Underneath
Paris.
Which maybe it does, I don'tknow.
PJ (16:55):
it does.
Cliff put that on there becausehe just needs the labeling.
Adam (16:59):
Well, uh, Cliff encounters Buddy in disguise in the map
room, and Cliff says, Hey, whatam I doing here?
And a chase ensues, and I justwanted to ask you, did you
notice how bad the Foley soundis for the running?
It's like a pair of tap shoes,but not even really, it's like a
pair of like plastic tap shoeson a, like a kitchen counter or
something.
PJ (17:19):
Yeah, it was awful.
Adam (17:20):
Buddy attempts to uh, crash through the window.
PJ (17:23):
so, but he attempts to crash through the window like, you
know, like, with a shouldergoing into
Adam (17:28):
Yeah,
PJ (17:29):
budge at all.
And then somehow he is swingingon a rope, Spider Man style, to
leap over the real Cliff.
It is the biggest non sequiturscene.
Adam (17:40):
like where'd the rope come from?
PJ (17:42):
Why is it swinging there?
Should we be concerned forCliff's health, mental health?
Adam (17:49):
Maybe that was left over from Sly and Vanessa.
PJ (17:52):
Oh no! Oh,
Adam (17:54):
well, Miles says, after him, he's a spy, he saw the map.
And uh, buddies just haul an asstowards the front gate.
Sly uses stiletto, fires at thegate, causing this big metal
spiked gate to slowly startcoming down.
Now Buddy would get out withouta problem, except he trips on a
rock and falls, and he's aboutto get crushed by the gate.
PJ (18:16):
Given that Sly had enough time to get his mask, this would
be a great time for Viper andWhip if you're trying to stop
this guy.
Adam (18:22):
True, and I found it funny that they didn't aim at Buddy,
they aimed at the gate.
PJ (18:27):
Which is a harder target,
Adam (18:29):
which ended up being a very kind of Austin Powers As
it's slowly coming down, butanyways, it does lead me to ask
the question, what's going tohappen?
PJ (18:40):
I don't know, I think Buddy's in real trouble
Adam (18:43):
Well,
PJ (18:44):
Moves at, a snail's pace.
Lot of
Adam (18:47):
well, a
Mask will be right back, and sowill Venom.
Now back to math.
And we're back.
When we left you, we were aboutto see the final moments of
Agent Buddy Hawks.
Thing is, he really has a lot oftime, as we pointed out, so he
could have gotten up and ranaway, right?
PJ (19:05):
I didn't really have any idea why I decided just to lay
there and take it.
And I wondered if he had a deathwish.
If he was like, he was tired ofwatching the masked vehicles
constantly go on cool adventureswhile he's left behind.
Adam (19:19):
this will teach Matt to forget about me, I'll get badly
injured, and then he'll careabout me, and then he'll notice.
Well, Matt pulls up inThunderhawk, and instead of
blowing up the gate, he ejectsthe tire weapon from Hurricane,
which magically lodges itselfbetween the ground and the
bottom of the gate, savingBuddy.
And I thought, at least itwasn't a deus ex helmet moment.
PJ (19:41):
It's true.
It's a Deus Ex tire.
Adam (19:44):
Right.
PJ (19:45):
I thought it was great.
did you notice that the buttonto launch the rear tire is
actually disguised as part ofthe radio?
Adam (19:52):
Yeah.
PJ (19:53):
Do you want to place it there?
What if Scott wants to changethe radio and listen to some
Devo?
Adam (19:58):
Yeah.
Exactly.
I mean, How often is it thattire gets accidentally ejected?
Well, Miles says they're on tous.
We have to put the plan intoaction now.
they were just having some, somefun.
Unscheduled downtime.
Well, All right.
They're onto us.
I guess we better start working.
Buddy tells Matt, you're nevergoing to guess what I saw in
there.
And Matt replies, you mean this?
(20:20):
And Matt shows him a picture ofthe map.
So Buddy's entire gambit insidethe Chateau was for nothing?
PJ (20:26):
Yeah it makes you wonder, buddy, what if you hadn't cut
Matt off earlier and let Mattfinish his sentence about I
found something
Adam (20:34):
Right.
PJ (20:35):
You've been a little bit better off and could have tailed
venom secretly.
Adam (20:39):
So it turns out that Matt took the map off the back of 20
paintings in the museum.
So it truly was idiotic of Milesnot to turn the paintings back
over after he got the maps andalso.
While they're driving, Matt hasthe computer play Buddy a video
explainer, but remember Buddy'sdriving, and this does not seem
(21:00):
like a good idea, does it?
For Buddy to be driving whilealso watching a video explainer
of what's actually going onhere.
PJ (21:07):
This is distracted driving at its best.
Um, Matt doesn't care.
He's just going to play thisvideo and hope that, buddy is
capable enough to drive, as wellas listen to this, like
historical monologue.
We're about to get to.
Adam (21:20):
Yeah, and it is a monologue.
The computer goes into one ofthose exhausting monologues.
Computer (21:26):
During World War II, the French Resistance hid those
paintings so that Hitler wouldnot take them.
During the German occupation ofParis, Hitler planted a network
of bombs under the city in thesewers.
He planned to blow up Paris ifthe Allies should try to march
into the city.
The bombs were to be triggeredfrom a distance by this device.
A shortwave radio trigger hiddenin a sealed bunker.
(21:47):
A member of the resistancelearned of the locations of the
bombs and wrote them down on thebacks of the hidden paintings.
PJ (21:53):
I mean, It's kind of like, all right, eight year olds.
I hope you caught all of thatand are up on your war to
history to understand this.
it did make me wonder, like inthe universe of mask.
The Allies did end up enteringParis, why weren't the bombs
detonated?
Adam (22:12):
exactly.
PJ (22:13):
If you're going to go this deep into it, like where it's
like, hey, we've just given youlike a history lesson, you might
as well say that the reason whythey need this trigger is
because It's like, the bombsignal uses something like the
Enigma encryption code toactually transmit the signal,
which justifies the uniquenessof the trigger.
and where did the computer getall this information from?
Adam (22:33):
that's the question I have.
No one's ever heard about thisbefore.
No one knows about the bombs oranything like this.
Matt gets a map from the back of20 paintings and suddenly the
computer says, Has the computerknown all this?
Somehow for all this time, andit's just been holding back
PJ (22:52):
Way to be proactive computer.
Adam (22:53):
The computer wraps up its monologue by saying a member of
the resistance learned of thelocations of the bombs and wrote
them down on the backs of thepaintings.
So why didn't he just disarm thebombs?
If they knew about them afterthe war, why weren't the bombs
Disarmed.
PJ (23:10):
Yeah.
I had a pet theory to try andsuture this.
What if the member of theresistance actually, when he
discovered this, figured out howmuch power he could have.
So he wrote them down so hecould have threaten Paris, then
died like before he was able to,so he actually intentionally was
going to use this as some kindof power play after the war.
(23:32):
it also made me wonder, though,because we've wondered so much
about Miles in the past, did hefind out of the connection of
these paintings, the maps, thebombs?
Again, say what you will aboutMiles, he has a knack for
finding lost shit.
Adam (23:44):
It could be safe to say that miles has the same access
to this computer knowledge,seeing as he stole the mask
technology, maybe the AI is apart of that somehow, again,
writer's defense fund nomineehere, but maybe, and that's how
it helps them find this stuff.
PJ (24:01):
it's a really good point, because imagine again, in a pre
murdering Andy Tracker world,Miles knows, and we'll get into
at Pandapoo my theory on this,
Adam (24:12):
Yeah,
PJ (24:14):
knows about all this weird shit he's put it into the
computer to try and go afterthese things.
And so you're right.
It is basically the computerlatently has this stuff.
And it's only when it comes upin a venom context that it's
actually utilized.
Adam (24:29):
well, buddy, like me, by the way, wonders why they would
put these maps on the back ofpriceless paintings and match
explanation is it was probablythe only thing available to make
notes on at the time.
Really?
They didn't have any paper atall.
PJ (24:45):
Look, all the paper was being used as toilet paper.
And the only thing that wasn'tbeing used as toilet paper were
these paintings.
Adam (24:54):
Great, let's desecrate priceless pieces of art by
putting maps on the back ofthem.
Well, Anyway, Venom is now afterthe trigger device.
And Matt says, if they find itfirst, they'll have the city of
Paris in the palm of their dirtyhands.
So here we go.
Matt setting the stakes of themission for the win.
PJ (25:14):
Yeah.
I had this question.
Like, If you know, the bombs areout there.
Why not alert the authoritiesParis to just start the
disarming process?
Start throwing some people, somebodies out there just to start
disarming these bombs.
Adam (25:28):
Yeah, they know it's in the sewer, so just start
looking.
PJ (25:31):
They know they have the map.
Like Matt's
Adam (25:33):
That's right, they have the map now.
PJ (25:35):
You can hand it to the Parisian authorities and say Hey
guys, I'll try and stop theseguys.
Why don't you start disarmingthese things under your city?
Adam (25:45):
Great point.
PJ (25:46):
the other thought I had is if you're venom and you know
where the bombs are, want tooverstate this, it's actually.
Decently easy to createsomething to blow up a bomb.
You could create a wholedifferent triggering mechanism.
Adam (25:57):
Yeah.
The thing was designed in worldwar two.
So I would assume 40 yearslater, they have the capability
of developing something betterto trigger those bombs.
notably there has been no agentselection scene as of yet.
and I will point out that we donot get an agent selection scene
in this episode at all.
PJ (26:16):
We don't.
And you and I have talked aboutthis in a theoretical sense of
wanting to have an episode whereit's Matt and one other agent
against the world.
we've talked about this it couldhave been Hondo with A Matter of
Gravity.
It'd have been even better if itwas Gloria and Matt in Vegas.
Adam (26:35):
Yep.
PJ (26:36):
like honeymoon adventure, but we don't, we get buddy and
Matt in Paris.
Adam (26:44):
Yeah, it would have been great to have Matt and Gloria in
Paris, right?
They're on a little getaway,romantic getaway, and then
suddenly something happens.
Yeah, the Pandora's box thatopens is if they weren't
prepared for mission.
we know why Thunderhawks there,but why do they have hurricane
there?
And in that case, why was buddyeven there anyways?
generally speaking, it's MattScott and T Bob on a family trip
(27:05):
with many exceptions to that,
PJ (27:07):
Yeah.
Adam (27:08):
course.
Doesn't matter to the maskwriters.
We're just going to go ahead andplow forward here.
Thunder hawk and hurricane.
They drive into the sewers ofParis and they go down a perfect
ramp into a perfectly sizedarchway.
And I was just wondering, doesParis have a lot of easy to
access?
Sewer tunnels that a car candrive through.
PJ (27:28):
I'm sorry, Adam.
We have to do a commercial breakhere and just thank Tracker
Infrastructure for theirsponsorship of this show and all
the great, they work, they do.
Throughout every cityinternationally, including
creating giant size entrywaysinto sewers.
Adam (27:44):
That's right.
If you need a giant entrywayinto your local sewer, the only
place to call trackerinfrastructure.
And we thank you for yoursponsorship of this episode.
PJ (27:54):
Now, back to the show.
Adam (27:56):
Suddenly they encounter Jack Cameron Piranha in the
sewers.
And Matt says where there'srats.
You're gonna find the cheese.
And Buddy says, I think you'vebeen hanging around Bruce too
long.
So I'm gonna go ahead andnominate Buddy for his own award
for that jab.
PJ (28:13):
It's 100%.
Buddy, that was unnecessary,man.
Truly.
It's you just decided to take anopportunity to shit on Bruce
when he wasn't around.
Adam (28:21):
We have a great masked venom battle in the sewers.
Lots of laser rays firing away,some solid wall driving happens
there.
We have Hurricane doing a 180,splashing water into Cliff's
face, causing him to losecontrol of Jackhammer.
But Cliff is wearing a mask, soI'm not sure how that happened.
PJ (28:41):
I don't know, man.
It's just like, it, like the mudcovered up the optical sensor
for a second.
Cliff only has one eye.
Adam (28:48):
Meanwhile, Scott and T Bob are wandering Paris, unable to
find the Eiffel Tower.
Hard to miss.
But anyways, they come upon thegiant archway that leads into
the sewers.
And Scott is psyched.
We can go exploring.
And this is exactly why Iworried about the giant inviting
archway that leads into thesewers, because it seems to me
(29:10):
like similar to Scott.
A lot of people would be like,Oh, cool.
Let me go walking into thisinviting archway and see what's
in the sewers.
PJ (29:17):
I probably wouldn't, without a flashlight, go wandering into
a random sewer.
Scott has a penchant for playingin trash heaps, apparently
sewers.
Which begs the question, why,Adam?
Why does he do this?
Adam (29:30):
He needs just any kind of stimulus.
And so he like Gloria goes tothe extremes, right?
He's not an adrenaline junkie.
He just needs to push things tothe extreme because he is so
over stimulated by everythingthat happens in his life.
So junkyards, trash heaps,sewers.
(29:51):
Those are the places Scott wantsto play or other children just
want to sit on a swing set.
PJ (29:55):
That's a good point, man.
The shot that it's involved withScott standing before the sewer
entry.
Like I tried to do a littlefiguring out by doing a
screenshot and then takingguesses at the relative size of
like Scott and this entryway.
I took a guess if Scott's fourfeet tall, maybe five, actually,
let's say he's four feet tall.
The opening is 20 feet tall.
(30:16):
If he's five feet, he's like,it's like a 25, it's like two
and a half stories.
Is it?
an opening to a sewer?
Why?
Adam (30:25):
So that people and vehicles can enter.
We all know the stories aboutParis and the famous sewers.
Have you not been on a sewertour of Paris, PJ?
I'm shocked.
It's the Eiffel Tower, theLouvre, and the giant sewer
tunnels.
Boy.
I know you live in the mountainsof Colorado, but I didn't think
you were that uncultured.
PJ (30:46):
I'm sorry, apparently, I will do a better job next time I
go to a major city of asking fortheir finest sewer tour.
Adam (30:54):
T Bob outside the tunnel entrance stumbled into something
covered in a tarp and the tarpfalls off revealing switchblade.
And I feel that's a terribleplace to hide a multi million
dollar weapon of massdestruction.
PJ (31:06):
Yeah, it really is
Adam (31:08):
but anyways, we're back with Miles and Venom and he uses
Viper to break his way into thesecret Nazi bunker.
And now he's got his hands onthe trigger device.
And he says, now I can destroyParis at the a button.
But do you think this devicestill works after 40 years?
PJ (31:25):
I definitely had the thought you might want to replace the
batteries in there, Miles.
Like it's there because I like,and truthfully, like if the
batteries had corroded, causethey honestly, if there were
batteries, cause there's novisible electrical connection,
they would have been lead acid.
So they
Adam (31:43):
Mm hmm.
PJ (31:44):
Would have eaten through.
And if it was circuitry, it'sdone.
But I'll say this much on theother side of it, though, on the
bombs themselves, the explosivesare a credible threat, and the
material in there can last acentury or longer.
And I did a little researchunexploded ordinance from World
(32:04):
War Two is still a problem tothis day.
the last event that happened wasfrom December 3rd of 2024.
We still have to contend withthese unexploded bombs years
later.
Adam (32:19):
Well, Scott radios Matt to tell him that he found
Switchblade at the entrance tothe sewers.
Matt orders Scott to go to theEiffel Tower where it's safe.
PJ (32:30):
To the most notable landmark in the city, which is under a
terrorist threat.
Father of the year moment.
Adam (32:37):
Agreed.
That's up for nomination forsure.
Well, Miles takes off atSwitchblade and makes an
announcement to the people ofParis.
But he's in Switchblade, ahelicopter slash jet.
I guess Switchblade has aloudspeaker with enough oomph
behind it to be heard by theentire city?
PJ (32:55):
So again, this is writer's defense fund award.
But I was wondering if he wasalso tapping into the television
radio network signals as well.
Because what he's about to sayotherwise could get garbled, and
no one might actually notactually hear him.
Adam (33:10):
Yeah, okay let's give Miles that.
He says, You have one hour topay me one billion dollars or
the city will be reduced torubble.
That's a very solid threat,Miles.
Well done.
If I can point one thing outthough, generally you want to
prove you have the capability ofdoing something before making
(33:30):
the threat, so blowing up alittle something just to prove,
because I could go out rightnow, PJ, and I could say city of
Los Angeles, give me a billiondollars or else the city will be
reduced to rubble and peoplewould just look at me and then
continue on with their lives.
PJ (33:47):
A really excellent point.
You need to give a little tastethere the other question I had
Adam is how many people areactually able to understand him
given that.
He's speaking in English andmany of them might not, there
might be
Adam (33:59):
Right.
PJ (33:59):
Speaking, like they just French speakers, like what,
Adam (34:02):
Yeah.
So a madman is shouting to themin a foreign language.
They don't understand aboutmoney that isn't in their
currency or else a threat thathas not been demonstrated will
be carried out.
So in theory, a very solidthreat by miles in execution,
(34:22):
very poor indeed.
No,
PJ (34:25):
done this before, like Tokyo with the magma mole.
He showed off the threat first
Adam (34:32):
Well, scott and T Bob, they watch from atop the Eiffel
Tower.
I'm curious how they got theresince they were lost for the
whole episode, but anyways.
And they're watching asThunderhawk faces off against
Switchblade and Manta in a skybattle.
PJ (34:45):
So Matt very intentionally is going towards the Eiffel
Tower.
And I had a question.
Why was he doing that when hetold Scott to go there?
Adam (34:55):
he has a very short memory.
PJ (34:57):
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Adam (34:58):
To your point, a straight laser blast from Manta hits one
of the Eiffel Tower's legs andthe tower begins to fall with
Scott and T Bob atop it.
But Buddy pulls up and usesHurricane's laser cannon to
somehow fuse the leg backtogether again.
And this is the second timewe've seen masked lasers do
(35:20):
something like this.
Like, how is this possible?
PJ (35:22):
So we're going to have to do a mini science corner here.
Adam (35:27):
Yeah.
PJ (35:28):
when you want to weld things together, you have something
that is incredibly hot.
you know, Whether it be a butanetorch or an arc welder it's
something sufficient to meltmetal.
So you have to start off withthis belief that the lasers are
sufficiently hot enough to meltthe steel, to fuse it together.
(35:48):
When that they fire over adistance, they don't lose so
much power that they're notsufficient.
And Again, so people know power,Goes down as the square of the
distance.
So if you get what X, the powerover some distance if you
increase that distance by two X,you actually get one fourth the
power.
Adam (36:08):
Mm hmm.
PJ (36:09):
To actually be firing an incredibly hot beam to melt
that.
And it has to be sufficientlystrong metal at the source of
the cannon that it doesn't getmelted as well.
So whatever space materialthey've got there, like it is.
they're firing a fucking hotlaser.
that is able to, fuse steel fromlike a kilometer away, half a
(36:32):
kilometer.
I don't know, but it's immenselytough like pull all of that off.
Adam (36:38):
Yeah.
Okay.
Granted.
PJ (36:40):
Now, if you accept that, let's also consider that fixing
the Eiffel Tower afterwards isgoing to be really expensive.
Adam (36:46):
Indeed.
Who could do it?
PJ (36:48):
We just want to take a moment and thank Tracker
Construction for theirsponsorship of this show.
Tracker Construction, when yourmassively large metal landmark,
precious to your city, getswrecked, we're there to help you
out.
Dun
Adam (37:02):
Yeah, that's right, PJ.
In this day and age whenmonuments around the world are
threatened by Any combination ofnatural disasters or
multinational terroristorganizations.
It's good to know that TrackerConstruction is there to help
with the cleanup.
And thank you, TrackerConstruction for your
sponsorship of this episode.
Well, Mask is outnumbered two toone during the battle.
(37:23):
Thunderhawk takes a direct hitfrom Switchblade and is forced
to land, but somehow it's okaybecause it takes off a second
later with Buddy on board.
Now we have a very interestinguse of a mask power here.
Buddy uses Penetrator, allowing.
Them and Thunderhawk to phasethrough switchblade and grab the
trigger device.
But here's my question.
(37:43):
So if they're phasing throughswitchblade, how are they able
to grab a solid object at thesame time?
So is there even like a magicscience corner that can explain
this?
PJ (37:58):
so let's jump back to science corner and we're going
to, I'm going to try my bestbecause
Adam (38:03):
Okay.
PJ (38:04):
Let's talk about how penetrator might work in the
first place.
Okay.
Okay.
Buckle up, folks.
So thanks to quantum physics.
And so people know quantumphysics is this fucked up, non
intuitive subject that makes upthe universe.
And Newtonian physics exists inthis very small island where
humans live that kind ofapproximates.
(38:28):
Everything else.
And if you get too small or toobig or too fast or too slow,
you're in quantum physics land.
Adam (38:36):
Mm hmm.
PJ (38:37):
Of the universe.
We live again in this reallytiny island here.
Regardless, quantum physicstells us that atoms are the
building block of matter.
made up mostly of empty space.
Okay.
There really isn't very much toatoms.
And so if you, if that's true,why don't atoms just pass
through each other all the time,penetrator style?
(38:58):
There's this concept called thePauli exclusion principle, which
states that no two fermions.
So like an electron, actuallyprotons and neutrons fall under
that as well, occupy the samequantum state.
And it means that they createthe repulsive force when the
atoms get too close.
Adam (39:15):
Silence.
Silence.
Silence.
Silence.
Silence.
Silence.
Silence.
Silence.
Silence.
Silence.
Silence.
Silence.
(39:36):
Silence.
Silence.
Silence.
PJ (39:41):
of the fermions.
So the electrons, neutrons, sothat no two fermions have the
same spin at the same time andtherefore can occupy the same.
and you're just fucking with thewave functions in a really
hardcore way and you
Adam (39:56):
Silence.
PJ (39:56):
to do it in such a way you don't accidentally create
antiparticles like or positronswhere they would just annihilate
the thing they're actuallyencountering.
so if you believe all of this.
how it actually works.
Adam (40:10):
And if you understand and have followed along
PJ (40:13):
Yeah, if you've followed along on my really shitty
explanation of this corner ofspace magic and going through
switch blade, buddy has to beable to phase and then unphase
and rephase his hand at just theright time to snag the trigger
device.
And not accidentally hit miles'scrotch.
So this is a really likeexquisitely time maneuver.
(40:35):
Otherwise basically miles isgoing to have a whole lot of
other problems at the same time,to just grab this trigger
device.
So
Adam (40:42):
not to mention potentially some sort of quantum explosion
above the city,
PJ (40:48):
this goes wrong, basically like the switchblade and
Thunderhawk explode and
Adam (40:54):
yeah.
PJ (40:54):
leaders are dead, which might be not a bad thing.
Adam (40:57):
Well, Scott's watching all this from the top of the Eiffel
Tower but the Eiffel Towerstarts falling again, and Scott
actually, Wait.
tells Mask to go after Venom.
He says, don't let them getaway.
And Scott at least has the rightidea here.
And he's actually saying itwhile atop a structurally
unstable Eiffel tower.
So he's got some cojones aswell.
PJ (41:19):
He does.
Maybe he's tired of this maskvenom battle.
And it's look, dad, just get itover with.
Adam (41:25):
Yeah.
Matt decides to save his son andlet Venom get away.
And so he jumps out ofThunderhawk and uses Spectrum
Hang Glider to rescue Scott andT Bob, while Buddy lands
Thunderhawk.
And uh, once they're on theground, Scott tells Matt that he
should have gone after Venom.
And again, Scott Right on themoney.
PJ (41:44):
It's true.
And I really wonder, it makesyou wonder what kind of death
wish Scott has at this point intime, where he's he'd rather see
his father go after Venom thanrescue himself.
Do
Adam (41:53):
Yeah.
He's getting a lot of Gloria inhim now.
He's really starting to feel theadrenaline junkie nature of
life.
It's okay, Dad.
Oh, we're fine.
We'll take stairs.
Ah,
PJ (42:05):
seen a few times now that when Scott's about to fall,
Matt's first instinct is to firelasers at the thing that's about
to fall.
Adam (42:16):
well, Matt, Scott, T Bob, and Buddy are sitting at a cafe.
Turns out the bombs have beendefused and all is well.
And T Bob says that he wants togo see the Kasbah.
It turns out that his map was ofAlgiers this whole time, which
is why they couldn't find theEiffel Tower.
And everyone laughs.
So, kind of a Roy Batty momenthere?
PJ (42:36):
I thought so I wasn't sure if this applied that T Bob
actually doesn't know how toread And like how sad it would
be if he wasn't programmed to dothat.
And how angry would be that hewasn't programmed to do that.
Did mass diffuse those bombsthemselves?
Do they actually finally tellthe authorities about them?
Adam (42:51):
Yeah, who defused the bomb?
PJ (42:53):
finally turn over to the authorities and say, Oh, go
defuse these or did Matt do ithimself?
Adam (42:57):
Or did Matt say, yeah, they're defused, don't worry
about it.
yeah, Tracker Demolition mightneed them in the future.
So, uh, We got to the, we got tothe more you know.
We're at the Tracker Mansion atnight.
And Scott is soldering the bomb.
T Bob's head, for some reason.
T Bob kind of jumps, causing thesoldering iron to land on a
(43:21):
piece of paper, which starts afire.
Scott picks up the phone, andthe next thing we know, there's
three fire trucks outside,putting out the fire.
And uh, the lesson Scott revealsto us is to make sure that you
have the fire department numbernearby.
I'd like to point out threethings here.
PJ (43:38):
Yes.
Adam (43:39):
we learned that Scott has his own lab.
Which must be very nice.
He lives in a big mansion, hashis own lab, 10 year old.
Great.
Second three fire trucks show upto put out a piece of paper that
caught on fire.
So Matt does not mess aroundwith his property.
And finally three, Scott couldhave easily put that fire out by
(44:01):
himself.
I mean, There's a piece of paperthat caught on fire, which even
if Scott didn't put it onhimself, probably would have
just, you Extinguished on itsown because it's a piece of
paper, right?
PJ (44:11):
Yeah, a hundred percent.
Adam (44:13):
Okay.
PJ (44:14):
Here's a, actually just something I just realized.
Do you think this is a privatefire department that Matt keeps
on retainer on his
Adam (44:20):
I, yes, I think it is a private fire department that
Matt keeps on his property.
And that's why they all show upto put out a piece of paper.
That's burning.
PJ (44:28):
So the number Scott needed to remember was three.
Like
Adam (44:36):
fire department.
How can I help you?
It's Scott.
Say no more.
We're on our way.
PJ (44:42):
You know, look it's a good lesson.
I know what they're trying to gofor but it's a really poor
demonstration of it here's animportant thing.
Why doesn't his lab, whichcontains electrical equipment,
have at least a fireextinguisher or a fire blanket
inside of it,
Adam (44:56):
Or sprinklers.
PJ (44:56):
or sprinklers?
In my garage, I've got likethree fire extinguishers, two
fire blankets, Just in case.
Adam (45:03):
You do some unusual things in your garage and I'll just
leave the audience to wonderwhat PJ does in his garage up
there in the mountains.
But anyways, folks, let's lookat our, our awards for the
episode.
The Buddy Hawks award.
PJ (45:17):
He wins his own award pretty handily with the
Adam (45:20):
Yeah.
PJ (45:21):
I don't
Adam (45:21):
Yeah,
PJ (45:21):
like,
Adam (45:21):
I agree.
There is no need to diss Brucein that moment.
And yet he chose to, so anunabashed Buddy Hawks award.
Congratulations, sir.
Father of the year.
PJ (45:32):
I think there's a few.
Nominees for this Matt trusting,Scott and T Bob to buddy right
after
Adam (45:39):
Huh.
PJ (45:39):
the comment that he should be put into a cage like that's
a, that would be a solid one anda winner in every episode, but I
really thought Matt orderingScott to the Eiffel Tower.
While the city was underterrorist threat, because he
said it's safe really was thething that takes it away for
father of the year for me.
Adam (45:56):
sure.
You just opened up a newdimension for me though.
And I think I'm going to gowith.
Matt entrusting Scott and T Bobto Buddy after having said the
cage comment because Matt'slike, This man wants to put my
son in a cage.
He's perfect for watching overmy son.
So I'm going to go with thatone.
I don't think we had a SlyraxRagdoll award here in this
(46:17):
episode.
PJ (46:17):
think so.
There's a near miss for Scott.
Had he fallen, it's an easySlyrax, but he didn't.
He's just hanging off the sidewith T Bob at the Eiffel Tower.
Adam (46:25):
And finally uh, Roy Batty award.
What do you think?
PJ (46:28):
I think it's that tail end bit where it's making fun of T
Bob's inability to read.
Adam (46:31):
I could understand someone afraid of a robot uprising,
would not want robots, know howto read.
but I agree with you there.
So let's figure it out.
Is this episode pandapu or not?
PJ (46:42):
I'm going to tell you so I'm going to give a weird analogy.
I really liked the movie, DavidLynch's Dune,
Adam (46:46):
Yeah.
Yeah.
PJ (46:49):
but it's almost great.
and there's a few places whereit just kind of misses.
And honestly, there's a lot ofintriguing stuff in this
episode.
They do the fun mission,impossible bit.
We've got this like weirddiscussion to be had about The
Nazi bombs, which honestly waslike, if you're not going to
deepen the lore in that case,like venom could have just
planted bombs and you'd haveeffectively the same result.
(47:12):
So there's a lot of places whereyou could take it somewhere
interesting and it doesn't go.
There's a credible threat fromvenom.
we get a great use of penetratorwith the quantum magic that
we've got there.
But outside of that, like.
so many different ways I wishthis episode of could have gone.
So for me, it is a panda poo.
Adam (47:31):
I want to agree with you on that one and just say it's
not the worst we've ever had,It's wasted potential.
So yeah, another PandaPooepisode.
PJ (47:39):
I do have a meta discussion though, around miles, because
like like so many times whereit's miles.
Maps and ancient civilizationsartifacts something hidden what
is miles hiding about his pasteither explicitly now or
implicitly we've got this Nazistrain that is just infused in
these episodes and so like Ikind of wondered myself like.
(48:03):
All right who else was obsessedwith ancient civilizations like
you can see in book of power orchariot of the star chariot or
what we have here like his milessomehow connected to Himmler,
Adam (48:17):
it's a great question.
Miles, what do you think?
He probably would have been inhis twenties or very early
twenties, late teens, earlytwenties during the second world
war, especially near the end ofthe second world war, right?
So yeah, there's a possibility.
He doesn't have a German accent.
Doesn't mean that.
He's not German.
So possibly I'd like to followthis thread
PJ (48:35):
yeah, I
Adam (48:36):
future episodes.
PJ (48:36):
know about the map to find the Nazi gold when they were in
South America?
You don't stumble upon thataccidentally and then you don't
stumble upon this accidentally.
You don't stumble upon, the StarChariot accidentally or every
ancient civilization like thatwe've seen.
It's like.
what body of research did hehave available to him that makes
(48:57):
all this possible?
I feel like this is the, again,part of that, that missing bit
just like, who is this MilesMayhem?
Why does he have access to allthis stuff?
Adam (49:06):
Yeah.
The other thing about, you know,with Venom, compare him to Cobra
is I feel like Venom doesn'thave a core goal overall in the
series.
They're just kind of like everyepisode, it's kind of a
different thing.
They're it's like, Venoms aretrying to, Make ends meet.
Like that's,
PJ (49:23):
true.
Adam (49:24):
that's their goal, just to survive to the next day.
PJ (49:26):
I mean, one thing we've seen a lot is Venom's after, I mean,
Miles is after money.
And maybe if Matt paid him off,that would be the end of it.
Adam (49:35):
Yeah.
Matt should just cut him in onthe money.
Well, Let's see what Venom's upto in episode 35 next week.
The episode is called In Dutch.
A madman hires Venom to destroythe flood dykes in the
Netherlands if their parliamentdoesn't allow him a political
position.
Oh boy.
PJ (49:54):
I'm looking forward to this.
I have not watched this episodeyet.
I love the mechanics alreadyfrom the tagline.
And I
Adam (50:03):
Yeah,
PJ (50:04):
to say there.
We're staying on our Europeanvacation though.
Adam (50:07):
we are.
Yeah.
It's, I have not seen theNetherlands yet, so I'm looking
forward to uh, to seeing thecanals and uh, whoever this
politician is.
We will see you in Holland nextweek, but for now this podcast
has to transform and head backto HQ.
I am Adam Moore.
PJ (50:25):
And I am PJ McNerney.
Adam (50:27):
Bye bye.
PJ (50:29):
Bye bye.
The mobile armored podcast showis written, produced and edited.
Bye Adam Moore.
And PJ McNerney.
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