When Ernest Hemingway was interviewed by George Plimpton in 1958, he listed Johann Sebastian Bach fourth among those forebears he learned the most from. “I should think,” he told Plimpton, “what one learns from composers and from the study of harmony and counterpoint would be obvious.” It isn’t.
So, to help us understand how Bach influenced Hemingway's writing – in particular the first page of A Farewell to Arms – we welcome organist and Bach scholar, David Yearsley.
With an expert to guide us, we explore Bach's biography and connections between these two artistic titans, discussing which of Bach's works Hemingway responded to most powerfully and how the music of “Mr. Johann” finds its way into Hemingway’s WWI novel as well as other writings, such as To Have and Have Not.
We are also privileged that David Yearsley agreed to play some Bach for us to illustrate counterpoint and other related ideas, so we hope you enjoy this special show!
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