All Episodes

March 23, 2025 • 15 mins

🎙 Episode 41 – Pianos and Keyboards
G’day, and welcome back to Piano, Finally – the podcast by an old bloke, finally learning piano. In this episode, we take a look at a curious music theory making the rounds on YouTube, dip a toe into the world of electronic keyboards, and review a more contemporary collection of piano pieces from AMEB’s Rock School.

🎵 A Conspiracy in Classical Music?
It started with a video about using a metronome and ended with a full-blown theory claiming we’re all playing classical music twice as fast as intended. This “Whole Beat Theory” suggests tempo markings were meant for both ticks and tocks of a metronome, not just ticks. It’s an interesting idea… but does it hold up to scrutiny?

Turns out, not really. Performances by pianists like Ashkenazy and Yunchan Lim show that Chopin’s intended tempo for the Revolutionary Etude is quite playable the conventional way. We also get into why this theory falls apart when applied to opera or examined historically. You won’t find a link to the video here, but if you're curious, a quick search for “Whole Beat Conspiracy” should do the trick.

🎹 Essay – Getting Curious About Keyboards
Thanks to a few YouTube suggestions (and maybe a recent headphone search), I’ve found myself watching videos about electronic keyboards. Turns out, there's a whole universe of buttons, knobs and sliders up there beyond the keys.

A couple of videos worth checking out:

It’s fascinating stuff – especially how a traditional piano performance can be shaped by modern tech. I’m definitely intrigued, and a stage piano might be on the wishlist now.

🎧 Review – AMEB Rock School Grade 1
If you’re looking for graded music that’s a bit more modern, the Rock School syllabus might be worth a look. I picked up the Grade One book and found pieces by the likes of Taylor Swift, The Beatles, and Sir Elton John. The pieces are short, approachable, and well within reach after a year of playing.

You can hear them before you buy too:

🎼 Progress & Practice
This week, I was a bit out of sorts with my routine – left my practice notes at work – but still made some headway. Working on Blackout Blues by Andrew Craggs and a Mozart piece (Die Zauberflöte arrangement) with a focus on hands separately. Played on the Kawai

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You can contact me:

  • via email at david@pianofinally.show; this is probably the best option
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Some of the links to books and other items mentioned in the podcast are affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link.
All reviews of products, websites and services are unpaid, and no sponsorship has been received for any conte

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