The antagonist drives the middle of a story, so what happens when the antagonist is a really weak character? Well, if you're a filmmaker and can cast Emilio Estevez, you might get away with it. If you're a novelist, you're in trouble. This week, Melanie and I take a look at The Mighty Ducks where the story is thin but the ice is thick. While this movie doesn't offer up the best example of the villain's monologue, thankfully, it's got lots to teach us about turning points. -V.
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For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
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