Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Mike (00:00):
Good morning students and
faculty of Lynbrook University.
As you know, each week you arerequired to watch an episode
of Everybody Loves Raymond.
This week's episode is Season 4, Episode15, Robert's Rodeo, in which Robert gets
gored in the rear by a bull and has tostay with Marie and Frank for a while.
We recommend watching the showas soon as possible to prepare
for what you are about to hear.
And celebrating our annual Christmascelebration, the boys basketball
(00:24):
team will be dunking childrenthrough hoops starting at 4.
30. Come on by to get your seats.
Can I
Adam (00:50):
be right there?
Leaving now.
And this is to Oop, wrong Mike.
Move that.
That was Mike H. Uh, there's MikeI. Mike There, Michael B. Jordan.
Okay.
Send.
Oh, hello?
(01:10):
Hey Adam,
Alex (01:10):
can you let me in?
I forgot my keys.
Adam (01:13):
Oh, sure.
Here you go.
Alex (01:15):
Ah, thanks man.
Are you ready to go?
Adam (01:18):
Uh, yeah.
I'm on my way out.
You just got here though.
I mean, I'm going out.
Alex (01:26):
Yeah, it's, it's the, it's, you
know, the, the bimonthly Renaissance Fair.
You said you'd go withme two bi monthlies ago.
Adam (01:33):
Oh yeah.
Oh my God.
Yeah, you're right.
And I was so excited for it.
But unfortunately, I, I've gotta go tothe, um, to work, I have to go to work at,
you know, I got that job at the hospital.
What hospital?
Uh, Queens Hospital Center.
(01:54):
Oh yeah, that is a real place.
I got that job, um,changing the seepage pads.
They need me to come in.
Thank you for asking.
They need me to come in becausesome fucking dumbass janitor spilled
coffee all over the seepage pads.
And of course the padsseeped them right up.
(02:16):
So I gotta go.
To the hospital, gotta goget the new seepage pads.
It's a whole thing.
So that's why I can't go.
It's gonna be hours ofswapping out seepage pads.
Alex (02:29):
So I mean, you're gonna
miss It's gonna be a great time.
There's mutton, there's I know.
There's dancing, there's a swordswallower, but instead of the
mouth, they Do it the other way?
Adam (02:41):
I know, I was really looking forward
to that and I totally remembered that.
But I just gotta go.
They're gonna fire me if I don't go.
I gotta go.
Oh,
Alex (02:49):
okay.
I guess I could just go alone.
We'll do it next
Adam (02:52):
by month.
I promise.
Yeah,
Alex (02:55):
okay.
Yeah, you're right.
You're right.
It comes by all the time.
Okay.
Do you need to use my phone?
Why?
Adam (03:05):
I don't know.
Just felt right to ask.
Alex (03:07):
No, I mean, I'll just, uh, you
know, Um, I haven't talked to Mike
yet, But he's, you know, two and fivemonths ago, We planned to all go, so
I'll just hang out with him there.
Adam (03:18):
I'll just go find him there.
I think Mike's, um, dead.
I think Mike died again.
So I wouldn't try toget in touch with him.
Definitely not.
at Cold Stone Creamery.
I definitely wouldn't look for him there.
Where he's not one half of a teamthat's gonna try to do the ice
(03:40):
cream trough challenge where youeat an entire trough of all the
different ice creams, the leftovers.
Definitely don't look for him.
He's not gonna be doing that,and definitely not with me, so.
Do not worry, he's dead and it's fine.
Okay, I really have to go.
Alex (03:56):
Do you still have God's
Mike (03:57):
number?
Adam's, Adam's phone, thanks.
Uh, the little thing is like,love it of Oreo overload?
Adam (04:05):
No.
Okay, I really gotta go.
Who was that?
Nothing.
It was, um, the IRS.
Again?
Yeah, they thanked me for paying too muchtaxes, uh, you know, they're so thirsty.
Mike (04:18):
Peanut butter perfection?
Adam (04:21):
I, it's them again, I, so
they asked for nudes, you know,
it's a whole thing with them.
Alex (04:27):
I mean, you are very
tasteful in that regard, yes.
Nudes?
Okay.
Adam (04:32):
I really have to go.
Alex (04:34):
Okay, I, that's fine, I will,
uh, I'll tell you all about it later.
Adam (04:38):
Okay,
Alex (04:39):
yeah, no, have fun,
what, uh, yeah, have fun.
I mean, goodbye.
Not too much.
Oh, okay, you're already leaving.
Okay, bye.
I live here.
Can I come in?
Adam (04:50):
Oh, sorry.
I thought you would step through.
I'm not really looking at you.
I'm just, I'm texting with the IRS.
No, you were the one who was going to
Alex (04:59):
work, yeah.
Yeah,
Adam (05:00):
yeah, I gotta go.
Oh, don't
Alex (05:01):
you need your scrubs?
You left them on the couch.
I don't want no scrubs.
Okay, don't you need your cleaning brush?
You left it On the couch.
That,
Adam (05:10):
I
Alex (05:10):
do need actually.
I'm
Adam (05:11):
gonna grab that and I
Alex (05:13):
Yeah and here's Definitely
not gonna hide this in the closet.
Don't you need your giant spoonlabeled ice cream monster?
No, why would I need that?!
That's ridiculous.
Okay good.
That's gonna, I'm gonna Yeah, I'mbringing that to the renaissance fair
then if you don't need it for thenext three hours, which why would you
Adam (05:32):
have fun?
Um going to that by yourselfand i'm definitely not gonna be
stopping at the spoon store on myway to uh, Work, why would you?
Goodbye,
Mike (05:44):
okay, you said okay to
nudes but like you didn't send a
picture what the hell's going on?
Adam (05:49):
Hold on alex.
I gotta unzip really quick and we cut
To Alex at the Renaissance Fair.
Alex (05:59):
Well, it would be more fun
with my friends here to humiliate,
but it's still nice to be alonehere at the Renaissance Fair.
Hark, you there!
Who, me?
You right there, yes, with the big spoon.
That's me, I, spoon!
I have a spoon.
Mike (06:18):
Mance walks up with a gigantic fork.
Alex (06:21):
Oh
Mike (06:22):
shit.
We've been looking for
Adam (06:28):
you.
Alex (06:30):
The jousting show is about to start.
I feel like, uh, I feel like forkversus spoon isn't a great idea here.
I will
Mike (06:38):
skewer you where you stand.
Adam (06:41):
Dude, none of this is, not talking
to you, I'm talking to the new guy, none
of this is real, you're not gonna actuallyget hurt, don't worry, he's just gonna
like slap you around with it, the thingis not even, like, that's work, right?
I do
Mike (06:54):
not slap, I stab!
Adam (06:57):
Yeah, he's methods, so he's
not gonna talk to you on this level,
but you and I, what's your name?
Alex.
Alex!
Okay, but let's come up with something alittle more, like, character y, though.
Yes, that's lame.
Because it's the renaissancefair, like, Right.
Alexander the, you know, some,whatever you feel, Spoonie.
(07:17):
Describes you.
I like Alexander the Spoonie.
Alexander the Spoonie.
Alright, fine.
That's fine with me, I mean.
Alex (07:24):
I get spooned all the time by my
Adam (07:26):
friend Mike.
And you signed Yousigned the waiver, right?
Uh, yeah, yeah.
Of course I
Alex (07:32):
signed the waiver.
Adam (07:32):
So Hark, ladies and um, lords.
Hark!
Tua!
Alex (07:47):
Isn't that what they say?
That's my line, right?
That's
Adam (07:52):
really good, Alex.
That's really good.
You have a bright future here.
Thanks.
Hark!
The jousting between Alexanderthe Spoony and the Mother Forker.
Will be taking place at 2pm, it's 1.
55pm now, so we are seating at thejousting, uh, what do you call it?
(08:18):
Stadium, at the jousting stadium.
Please form a single file line and haveyour fast pass, people in the fast pass
lane, you're going to want to have yourfast pass band visible, or you will
not be admitted and you'll have to goback to the general admission line.
Mike (08:34):
You wouldn't want to fast
pass to this thing where I did,
I'm sorry, the Harktua really threwme, threw me off there for a bit.
That was really, that was reallyquiet, that was really quite quality.
Adam (08:47):
Hey Dale, can you screen
print a couple of t shirts
real quick for the merch stand?
Uh, Harktua.
Already on it.
Okay, thank you.
These walkie talkies are great.
Alright!
To the joust.
Alex (08:59):
Yeah, so I see like I have one
of like the, like the little like
little, little, little tricycle andhe has like an actual motorcycle.
Adam (09:06):
Yeah.
The joust is kind of, it's renaissance,but it's also kind of evil Knievel kind
of monster truck jam kind of extreme.
And that's why the school buses,that's why the school buses are in
between you guys and you're gonna.
Take the ramp, you're gonna take the rampand then just, you know, thrust and, you
(09:28):
know, try to knock him off his motorcycle.
Mike (09:30):
I am the champion, so the
motherfucker gets a Harkley Davidson.
A
Adam (09:35):
Harkley Davidson.
Harkley Davidson.
Dale, how are the HarkleyDavidson shirts selling?
Doing as well.
Go Har ua.
Has that already sold out?
I got the notificationthat already sold out.
No,
Mike (09:50):
I'm fighting them
off with that stick.
They want the Har
Adam (09:53):
TOAs.
Okay.
And is anyone settling for HarleyDavidson or are they mostly
still using them as napkins?
Alex (10:01):
Uh, we've been using them
to, to as, uh, uh, as, as seepage.
Yeah.
Mike (10:09):
Yeah.
Hawk 2 is current, but the Davidson'sgot staying power, just you
wait, just you wait, you'll see.
Adam (10:17):
In the sense that they're
made out of a non biodegradable
material, yeah, those Of course.
Gwen, I saw that thing, did you guyssee that Did you guys see that thing
on PBS about how when the Earthdies from global warming, the only
thing that'll still exist are these,you know Gildan beefy tees that we
(10:37):
printed all the Harkley Davidsons on.
I
Mike (10:39):
told you,
Adam (10:40):
I told you it was a good idea.
Can you, when you're on the walkietalkie, you don't have to do the voice.
I know Yes, I do.
Your method.
I method, I know you're alwaystalking about Christian Bale and
how you want to be like him, you're,A, you're not gonna be Batman.
Mike (10:56):
He knows.
You don't know that, you don't know that.
Alex (11:00):
Uh, excuse me, sir. Yes, while
you while you guys were on your
walkie talkie that Alex guy trippedon a rock and bashed his head in.
Oh
Adam (11:10):
No, okay Yeah, that looks like we're
gonna want the actual ambulance Dale.
We're gonna want The actualambulance to come down, not
the pretend horse drawn one.
Bring a couple of Harkley Davidsonsbecause there's a lot of blood
and we are gonna need to see.
Eugh!
Oh!
(11:31):
Sorry I threw up into the trough.
Does that, do we still have to eat it?
Mike (11:36):
Yeah, um, it, nobody was looking
and technically if you vomit you lose.
So I need you to actually scoop that up.
Yeah,
Alex (11:43):
dog rules.
Dog rules.
Dog rules.
Mike (11:45):
Oh,
Alex (11:46):
come
Mike (11:46):
on man.
It's gotta
Alex (11:47):
go down and stay down.
Dude, you're fucking, you'refucking Okay, alright, I know
how important this is to you.
Mike (11:52):
You're embarrassing me.
Adam (11:53):
I know, I know, you're
trying to impress the girl
behind the counter, I know.
Mike (11:58):
Dude, I gotta Listen, that
girl only goes out with people that
can finish a good gotta have it.
I have never finisheda gotta have it, okay?
I've only gotten to love it.
And that's it.
I, I can't, I can't finish the trifecta.
Mike, we all know that
Adam (12:11):
you've never gotten to love it.
Have sex.
He's
Mike (12:15):
also never finished.
Maybe, but you're a judge,you're supposed to be
Adam (12:19):
impartial.
Believe me, I've seen, uh, his wallpaper.
He's definitely finished.
Mike, you should take the blacklightout of your room, by the way.
Mike (12:28):
You, you're not
supposed to turn it on.
That's for me.
What?
To like, check your
Adam (12:34):
work?
Mike (12:35):
Yeah, I need to know.
I need to know if I'm covered, you know?
arghh oh that's another one out.
That guy's out.
That guy's out.
We did it.
We did
Adam (12:44):
it.
Okay.
So it's just you and me at the Trough.
We've got the ice cream, uh, mixture.
Al, Adam,
Mike (12:54):
Adam.
I'm here too.
I can see this all.
I don't know what you're,what you're telling me about.
I'm just, I'm psyching
Adam (12:59):
myself up to eat my own
vomit from the ice cream trough.
Mike (13:03):
Yeah.
Don't worry about it.
Adam (13:04):
Don't worry about it?
Mike (13:05):
Don't worry about it.
Just don't think
Adam (13:06):
about it.
A little.
All right.
Shut up.
Mike (13:09):
Who are you?
Alex (13:11):
Jackson.
Adam (13:12):
He's running the, he's
wearing the referee shirt.
I assumed he was running it.
Does he, do you just work at FootLocker or you're running this, right?
Alex (13:20):
I'm not affiliated with this,
but they saw my shirt and just put
me here next to you guys to judge.
So I guess I'm in charge now.
Adam (13:28):
Okay.
Do I have to eat my vomit?
Alex (13:31):
Yes.
Adam (13:33):
Alright.
And Mike, you seemed pretty sure thatthis was a love at first sight situation
with the young woman behind the counterand you said, you turned to me and
said one of those classic moments,you turned to me and said, I'm gonna,
I'm gonna marry that girl.
Mike (13:52):
I don't know what's
so funny about that.
That's my real, that'smy, that's my feelings.
Just
Adam (13:57):
because that's happened on a daily
basis pretty much every time we walk past
a woman for the past couple of years.
So, are you sure about this one?
Yes.
Because you've been wrong thus far.
Except for, you were marriedback in the 80s, right?
Mike (14:14):
I was married, I was married
a lot back in the 80s, actually.
Yeah, it was, um, I had my, my, my mostrecent, that's right, I've been married
multiple times, but I'm still a virgin.
I, I, I did, I, I've beenmarried four times, to be clear.
Okay.
And yeah, but listen, I know whatlove doesn't feel like, and this is
(14:35):
different, this has gotta be real love.
Okay.
Alex (14:39):
Seems like your life
Mike (14:40):
sucks.
Hey, shut up, Jackson.
And why don't you go getme your manager's number?
That'd be pretty good.
I don't work here.
Adam (14:49):
Hey, Mike, why don't I just This
is kind of an individual thing, right?
Like, if I drop out and youfinish, you'll still win, right?
Mike (14:59):
Yeah, that's how it works.
Adam (15:00):
Okay, so I'm not gonna eat my vomit.
I'm gonna go walk up to the counter.
I'm, I'm dropping out, everyone.
Jackson, please process that I'mdrop Stamp whatever form you need to.
I mean, you're already
Alex (15:11):
disqualified because
you didn't eat your vomit.
Adam (15:15):
That wasn't in the rules.
And the rules were short, so theremight be some bylaws somewhere
I don't know about, but thatwasn't advertised as a feature.
Anyway, I'm out.
I'm gonna go talk to her at thecounter and see, kinda gauge the
vibe wingman a little bit for you.
Mike (15:33):
That's, uh, that's, that's, psh,
fucking sucker, are you kidding me?
Uh, that's, I'm still on the Oreo,I'm still on, I just finished
the Oreo Overload, I'm goinginto the Birthday Cake Remix.
Okay, you seem to
Adam (15:44):
be missing that
I'm trying to help you.
Mike (15:46):
No, I, you don't understand,
talking to women doesn't win them, what
wins them is winning weird challengesdealing with them eating as much ice
cream from a pig trowel as possible.
Alex (15:59):
Well, as a virgin, I can see
you're clearly the expert on the subject.
I know this!
I know this!
Adam (16:04):
Alright.
Mike (16:06):
Regardless,
Adam (16:07):
I'm gonna go, I'm
gonna go talk to her.
Mike (16:09):
Jackson, eat Adam's vomit.
Adam (16:12):
Excuse me, uh, Marie, is it?
Alex (16:16):
Of course it's
Marie, how can I help you?
Adam (16:27):
This must be a pretty, pretty,
like Crazy day for you, right?
All these guys on the, on the flooreating out of the, eating the ice
cream runoff out of the trough.
Um, pretty crazy, huh?
Alex (16:40):
Well, that's how I like my man.
I like to watch him eat the ice cream.
Oh, really?
Adam (16:45):
Yeah, well, what do you think
about that guy right there number seven?
Alex (16:50):
He
Adam (16:51):
looks like a virgin.
Wow, what if I told you he is?
Wow, he's definitelynot an ice cream virgin.
Alex (16:59):
He's eating a lot of ice cream.
Adam (17:00):
Yeah, look at how
he eats the ice cream
Yeah, a lot of tongue action there, huh?
Anyway, see
Mike (17:12):
Jackson the trick
is to do the alphabet.
I'm not asking
Adam (17:20):
anyway He's single.
I mean, would you beinterested in a guy like that?
Mike (17:28):
Hmm.
Alex (17:29):
Well, I do like men that are so
preoccupied to eat ice cream that they
don't even have time to come talk to me.
Adam (17:36):
Yeah, well, can
I tell you something?
Alex (17:39):
Yeah.
Adam (17:39):
He told me that he's
just doing this to impress you.
Alex (17:44):
Uh, I think that's sweet, I guess.
Haha,
Adam (17:47):
cause ice cream.
Alex (17:48):
Yeah.
What would you
Adam (17:50):
say to, um, after all this is over,
maybe you and Mike go out on a date?
I know the manager at Del Domino's.
I can get you a table.
Alex (18:05):
Del Domino's?
Adam (18:07):
Yeah.
Alex (18:08):
I suppose I could try.
Why ain't I?
Hell
Mike (18:13):
yeah.
Alex (18:13):
Adam, Adam, Adam.
Yeah, what's up Mike?
Mike (18:16):
I'm rounding the trough
off of the birthday cake remix.
I'm going into the dirt one.
Alex (18:24):
Oh my god, he's such a virgin.
I am so into him.
Adam (18:29):
Mike, this is Marie.
What was that
Mike (18:30):
ma'am?
This is Marie.
Hey Marie, hey.
How's it going, babe?
Alex (18:38):
Nice spoon.
I don't suppose you wrestlewith anything bigger.
Mike (18:45):
I sometimes use bigger spoons.
Alex (18:48):
How big are we talking?
Mike (18:50):
Sometimes they're
like, tablespoon size.
Adam (18:54):
I'm gonna Oh my god.
leave.
Mike (18:57):
Mike and Marie start
making out in the trough.
Adam (19:00):
Whoa, whoa, hold
on, my phone's buzzing.
What?
Hello?
Oh my god, Queens Hospital Center?
Yes?
Oh my god.
Mike!
Mike.
Mike.
Mike.
(19:21):
Not
Mike (19:22):
now.
Adam (19:22):
Alex is in the hospital.
Mike (19:25):
Oh, good for
Adam (19:25):
him.
No, not, I know he's majoring inpre-med now, but he's not a doctor.
He's a patient.
He cut to the hospital.
Hey Alex.
How you doing buddy?
Alex (19:42):
That was great practice,
sir, but, uh, like I said,
uh, he's in the other room.
Adam (19:47):
Okay, but did it seem believable,
like, that I am concerned, and
I don't know the nature of hisinjury, so I'm trying to find a
balance between, like, you know,weeping, and just being flippant.
I mean, I felt pretty comfortable.
Okay.
And what are you in for?
Uh Does it have something todo with the cast on your penis?
Alex (20:10):
Yeah, I met this girl Marie It
did not end well, let me tell you.
Adam (20:16):
Oh, man, that's funny.
I better go.
I'm Back out to the waiting room withmy friend Mike and actually he's here
with a girl named Marie It's reallycoming back into style, isn't it?
Okay.
Goodbye Apparently that was thewrong room so I think it's this one.
Mike (20:32):
Yes.
Okay, okay.
Just wait, babe.
We'll find him.
She can come in.
I don't care.
Adam (20:36):
I truly don't care.
Okay.
Hey, buddy.
How you doing?
Alex (20:46):
Oh, hey, guys.
Adam (20:49):
Hey, Alex.
Oh my god, look at thatbandage on your head.
Are you all right?
What happened?
Alex (20:55):
No, Adam, I am not all right.
I made a fool of myself infront of two men who I just met.
They weren't even you guys.
Listen,
Mike (21:07):
if it makes you feel any better, I
got you some berry, berry blue ice cream.
Adam (21:12):
I wouldn't eat that.
It's from the trough.
I mean, we didn't go, wedidn't go to the, nothing.
Eat it.
Alex (21:20):
Sure.
Mmm.
I like that like weird metallic vomityaftertaste that Cold Stone usually has.
Mike (21:28):
It's a special.
Alex (21:30):
Yeah, it's good.
Um, yeah, no, I, I, see, I, I made themistake of bringing the giant spoon.
If I didn't bring the giant spoon,I wouldn't have been mistaken for a
worker and then talked into doing the,the, the utensil jousting with the
guy with the big fork and, uh, well,you know, obviously how that ended.
Adam (21:49):
Oh yeah, I do remember when you
were talking about the, the fork and
spoon jousting at the Renaissance Fair.
Sorry, Mike, go ahead.
Mike (21:58):
I was going to ask the Did
you get stabbed by a giant pork?
Alex (22:02):
No, I would have kicked
his ass, but I tripped on a rock
on the way out to the field.
Mike (22:06):
Is that always the way?
That's, that's what happens,that's what happens.
Are you
Alex (22:10):
kidding me?
I would have, I would havefucking annihilated him.
Adam (22:13):
So you busted your skull, huh?
Yeah.
Yeah, and that probablywould have happened if I had
been there anyway, right?
Alex (22:24):
Well, no if you were there I would
have gone into the to the to the two
person ride Where it's like a it's likea mechanical bull But it's only you
only can ride it if you're two peopleand like you face each other and you
gotta hold on to each Other for support.
It's meant for couples.
Yeah, but I thoughtit'd be fun if we did it
Adam (22:42):
tandem mechanical
bull Yeah, Matandamalbowl.
Matandamal Matandamalbowl.
It's
Alex (22:52):
hot.
Adam (22:53):
Babe, we should do that.
Alex, this is Marie from the,uh, I didn't catch your Oh, from
Alex (23:00):
Cold Stone.
Yeah, no, I, we had athing a few months ago.
You had a what?
Yeah.
Yeah, hi, Alex.
Adam (23:06):
I'm just looking at
her name tag, Marie E, not to
be confused with any other.
Alex (23:11):
Yeah, Mike, remember that, like,
weekend where my dick was broken?
Mike (23:16):
Yeah, what about it?
Alex (23:17):
Meet the Dick Breaker.
Mike (23:19):
Oh, oh, no.
Marie, I didn't, Marie, I thoughtyou were just into spoons.
I didn't, what are you,what'd you do to, what?
He's
Adam (23:27):
so
Alex (23:27):
innocent, you know, he's, he's
never, I don't bash with the spoon.
I don't, I don't scoop with the spoons.
I bash with the spoons.
Mike (23:34):
Oh, no.
Okay, uh,
Alex (23:37):
Marie takes Mike's hand
and starts dragging him away.
Mike (23:39):
Nope, no, babe, no, we
don't have to, uh, don't, young
Alex (23:43):
love, I, I don't know, Mike
told me, feel a little better.
Mike told me that it was
Adam (23:47):
love at first sight, when
there they go, out the door.
Alex (23:53):
You're never ready Mike, but you
gotta take that gotta do it sometime.
Yeah, of course he does.
Well,
Adam (24:01):
you're sure that this is my fault
Alex (24:04):
Who's saying it's your fault?
No one work.
No one.
Yeah, you're right.
I I had to work here.
I'm not blaming you I'm amazed youmanaged to not only visit me, um, you
know, even when you're so busy, butyou also managed to, you also took
the time to change out of your workclothes to appear more approachable.
Adam (24:24):
Yes.
While my shift is over now, I'vechanged all the, uh, what did I say?
Changed all the seepage pads.
So, I, yeah, I changed back into mycivilian clothes, um, and I wasn't lying.
Yeah, of course.
(24:44):
Right.
I know, because you're my friend.
I'm your friend, and if I'm feelingbad about this, it's just sympathy,
and I don't feel any personalresponsibility for what happened to you.
And I'm saying you shouldn'tfeel personally responsible.
This is
Alex (25:00):
just Like, you know, we just
had to, you know, you were busy and
because you were busy, I just, youknow, I, I, you know, different events
happened, but you know, it's not likeit was your fault that you were busy.
You had work.
Mike (25:15):
Hmm.
Alex (25:16):
If anything, I blame your boss.
Ha.
I'm just kidding.
I'm sure your boss is a fine person.
Adam (25:21):
Oh yeah.
No, my boss is a real hard ass.
Let me tell you.
That m motherfucking guy who runsthe hospital, uh, a nurse comes in.
That guy who runs the hospitalis such a dick to those of
us who are employed by him.
Mike (25:39):
I don't know, he gave us
a Christmas bonus last year.
It was like two hundredthousand dollars a piece.
It was it was actuallyQuite generous, I like him.
Adam (25:48):
Oh, yeah, well, besides that, and
I don't think we've had a chance to meet
yet, I've met everyone on the, uh, seventhfloor, but not this one, certainly.
What's your name?
Mike (25:59):
I'm Angie, I'm based
on the seventh floor.
Adam (26:02):
Oh, I must have just missed you.
I'm Adam, I am in charge ofthe seepage pads, which, as
you know, is a real job here.
Mike (26:12):
Yeah, yeah, no, I was just,
that was my rotation last, last week.
Adam (26:16):
Yeah, so you know and
yeah, you know how hard our
boss is on seepage pad changers.
Actually,
Mike (26:25):
I really wish he was a bit stricter.
They just kind of let anything go thereThere's so much that they last week.
I'll tell you what.
Listen, I'm just hey, I hope you'refeeling good I gotta sit down for a
second my boss last week Just sits
Adam (26:38):
down on the bed on top of
Alex's legs and she sort of sinks
down it In between his legs.
Mike (26:46):
Yeah, I just, I don't get it.
He brought in, like, just pool towelsand he said, yeah, that's good enough.
I really wish he wouldn't.
I wish he, you know, thatseems deeply unhygienic.
I
Alex (26:57):
need a clean seepage
pad for my brain hole.
Mike (27:00):
Oh, we can get you one of those.
Alex (27:02):
Great.
I don't know where they are, right?
Adam just cleaned them all,so he can go get me one.
Mike (27:06):
Well Remember, we want
one of the brain variety, okay?
We can't have the gut ones.
Alex (27:11):
Yes, I'd ask Mike to do it, but he's
busy with, uh You know, the dick breaker.
Mike (27:15):
A yelp of pain comes
down the, uh, the corridor.
Adam (27:20):
And they, um, they're, I know
where they are on the seventh floor,
obviously, but they're in a clearlymarked and labeled place on this
floor as well, and not locked, right?
Luckily,
Alex (27:35):
this is a pretty small
hospital, so it won't take you long.
Mike (27:38):
Yeah, there are seven
floors to this hospital.
All right, look.
Alex,
Adam (27:42):
am
Mike (27:42):
I confusing?
Adam (27:42):
I need to talk to you for a second.
Look.
Sure.
Angie,
come with me.
Let's walk and talk, um.
Oh,
Mike (27:52):
okay.
Let's do a Sorkin.
Yeah, he didn't need much help anyway.
Adam (27:55):
Has Sorkin ever done a medical?
Or is it all politics and news with him?
Mike (28:00):
He's, oh, he did
sports that one time.
That was it.
Adam (28:03):
That's true.
And sketch comedy.
Mike (28:05):
He did sketch comedy.
He did the one about the,about the, the Facebook.
Adam (28:10):
The Facebook?
Mike (28:11):
Yeah, yeah, the one
with, uh, Jesse Eisenberg.
Oh, he
Adam (28:15):
did that?
I don't know if that's Yeah,he wrote Social Network.
He did.
Really?
Yeah, yeah.
Wow.
But he's never done a hospital.
Let's do our own little fun, like, Sorkinesque walk and talk through the hospital.
Yeah, that's fun.
We walk through the halls ofthe hospital very quickly.
Um, listen, I don't actually work here.
(28:37):
I don't know if you could tell.
What?
I don't know if you couldtell, but I don't work here.
My friend Alex You
Mike (28:42):
look like someone that does.
Thank
Adam (28:44):
you.
Mike (28:45):
Yeah.
Adam (28:46):
That's very kind of you to say.
Mike (28:48):
No, like it's, it's uncanny.
Yeah.
Adam (28:51):
Who?
Mike (28:53):
Mata.
Adam (28:54):
Mata?
Who's
Mike (28:56):
that?
He, he's my boss.
Adam (28:59):
The guy who runs the hospital?
Yeah.
He looks like you.
And what is that position called?
The director of the hospital.
Ah.
Are you telling me Yeah.
that I have a twin?
Yeah, kinda.
Okay, you gotta take meto this guy right now.
Forget what I was about toconfess about not working here,
(29:21):
my friend being a, um, you know,me feeling guilt about my friend.
I'm over that.
I don't care about that anymore.
Oh, I
Mike (29:28):
mean, we could talk about that.
Adam (29:28):
No, it was my fault.
I have a therapy certification.
Oh, really?
That's good for Congratulations.
But No.
I got that first.
You were a therapist andthen you became a nurse?
Yeah!
Wow.
You just couldn't get enoughof helping people, could you?
Mike (29:44):
I love it.
Adam (29:45):
You're a s You know what it
Mike (29:46):
was?
Saint Andy.
You know what?
Therapists don't work on the weekends.
So I had to, I had to findsomething the whole time.
You needed a weekend
Adam (29:53):
job?
Mike (29:54):
Yeah.
So
Adam (29:55):
you're a nurse on the weekend
and a therapist during the week.
What do you do at night?
You sing?
You, you strike me as a jazz singer.
Mike (30:01):
Oh, do I?
No, I put
Adam (30:03):
out fires.
Really?
Yeah.
But you sing.
Yeah, I sing!
Yeah, I thought I s Yeah!
I've seen your album!
Yeah!
Mike (30:11):
You know it!
Yeah!
Adam (30:12):
What's it called again?
Mike (30:14):
Angie the Nurse.
Self titled.
Adam (30:18):
Eponymous.
Yeah!
Listen, I set in motion the chain ofevents that caused my friend to break
open his brainhole, but I'm over it.
I wanna meet my I wannameet my long lost twin.
Okay.
Take me to him.
But let's be sneaky about it.
Let's slow down our walk and talk and getinto more of a Scooby Doo creeping with
(30:40):
the arms up and the big steps, you know.
Yeah, like that.
Perfect.
Mike (30:46):
Yeah, I've done this once or twice.
Adam (30:47):
Angie, have you ever done mocap?
You know, with the pingpong balls on your head?
Mike (30:53):
Oh,
Adam (30:53):
all
Mike (30:53):
the time.
Adam (30:54):
I was,
Mike (30:54):
I was one of the models for Avatar.
Adam (30:56):
I thought you looked familiar.
Mike (30:59):
Yeah, I looked like the blue people.
Adam (31:01):
Yeah.
The Na'vi.
Mike (31:03):
Yeah.
Adam (31:05):
Have you met Andy Serkis?
Andy Serkis.
Mike (31:11):
Who's Andy?
Is he the guy that did the social network?
Adam (31:17):
Alright, we sneak up to the
7th floor of the hospital, which
is completely unlike what I hadgiven the impression that it was.
It's executive suites.
Mike (31:28):
Yeah, it's, you see, as
we get off the elevator, there's
a foosball table to the left.
There's, you know, there'sbeanbag chairs all around.
Adam (31:38):
Nap pods.
Mike (31:39):
Bottled.
Bottled.
Google modeled their break room off ofthe 7th floor of the Queen's Hospital.
Adam (31:44):
Yes.
Ding!
Oh my god, look at allthese fun young people.
He's right back here.
Yeah, it's great.
He's right back
Mike (31:52):
here.
Adam (31:53):
Back here in this, uh,
completely glass walled office.
Is that him?
Mike (31:57):
Yep, that's him.
We see it's Adam.
It's a guy that looks exactly like Adam.
So once again, uh, beard, mustache.
Uh, no glasses, this guy's got, doesnot have glasses, but he is wearing a
funky hat, he's wearing flannel, he lookslike, he's too small to be a lumberjack,
but clearly inspired to have thataesthetic, he, uh, he's, he, you can see I
Adam (32:22):
could be a lumberjack.
There's no way you
Mike (32:25):
could be a lumberjack.
Adam (32:26):
I could run like the admin
in the office or something.
That's not a
Mike (32:30):
lumberjack, that's not a lumberjack.
Adam (32:33):
It's all part of the industry.
Go on.
Mike (32:38):
He's got a, um, He's got
a Starbucks cup on his desk.
Uh, and you can see that thespecificities on the Starbucks cup
are so long that the sticker goes offthe cup and reaches down to the floor.
And you see him just typing away on hisuh, standing desk as he's walking, uh,
to, uh, to get some, get some exercise in.
Adam (33:01):
On a little
treadmill under the desk?
On a little, yeah,
Mike (33:03):
standing desk, yeah,
treadmill desk, I'm sorry.
Understood.
Yeah, yeah.
Adam (33:07):
Oh my god.
He looks exactly like
Mike (33:11):
me.
Yeah, just you wait.
He, uh, opens, she opens the door.
Oh no, I'm not ready.
Hey, Director Mata?
Yes, that's me.
Hey, Director Mata, uh, we havesomeone that I'd like you to meet.
He, uh, he He's been workingon the seventh floor for
about, uh, oh, oh, oh, sorry.
He lied about that.
He lied about working on the seventhfloor for a few weeks because he, he
(33:34):
wants to, you know, lie to his friendbecause he was a dick and got him hurt.
Alex (33:39):
Lying about working here?
That's a fireable offense.
Mike (33:42):
Yeah, I know, but I thought
you wanted to be the one to do it.
Anyway, Adam, if youwould like to come in.
Adam (33:48):
Hello, I step into the room and we
do a little bit of a Marx Brothers mirror
gag where I'm waving my hand and he'swaving his hand the same way and I, you
know, I'm looking down my, looking aroundthe corner of the doorframe at him and
he's looking at, it's, it's one of those.
(34:10):
My god, we're
Alex (34:12):
twins.
Am I really that fat?
Excuse
Adam (34:16):
you, we're exactly
the same weight, look.
Alex (34:20):
Yes, that's why I'm asking, yeah.
Yeah, but
Adam (34:24):
we're not fat.
We're Oh,
Alex (34:26):
thank god.
Average.
Yeah.
Average.
And like, sexy mini lumberjack style.
Below
Adam (34:33):
average height, but average BMI.
We're right in the middle.
And you obviously as a medicalprofessional know all about BMI.
TMI is what I call it.
I agree.
I don't like to share that with people.
We're really hitting it off.
Almost like
Alex (34:50):
brothers.
I agree.
Almost.
Come, why don't you sit downwhile I lecture you about
random things for an hour.
Mike (34:57):
I'll leave you,
I'll leave you guys to it.
Uh, Director Mata, do you wantthe NPR on or off as I leave?
Alex (35:03):
Haha, you know
there's no off switch.
Mike (35:06):
Yeah, I know, I just
thought I'd mess with you.
Do you
Alex (35:14):
have any feeling left?
Mike (35:15):
I lost feeling a long
time ago, I told you that.
It's not, it's not going well for me.
Alex (35:20):
Okay, let's start
on the other kidney.
Mike (35:22):
No, I, okay, hold up,
hold up, wait, wait, wait.
Look, this is just going really fast.
And, you know, I'm not excited about that.
I'm not excited.
I, I want, I don't letpeople get too close to me.
Um, I, so I just want to, youknow, not do this right now.
(35:43):
I think that, I think thatthis is a little much at
this, at this present moment.
Okay.
Consent's important and I respect that.
Oh, thank you.
I, I appreciate that.
I mean, I didn't think that you'd say no.
I just, I didn't expect youto be this cool about it.
Alex (35:55):
Yeah, no, no.
I, I get it.
And she gets up and shelike, walks out the door.
Ayo, who wants their dick smashed?
And like 10 guys startrunning towards her.
Mike (36:03):
Wait, I thought
that, okay, I, I mean.
So see, I'm like, wait, you just.
I thought we were, like, starting a thing?
I thought, like, we were going places?
She leaves the I want my dick
Adam (36:15):
smashed.
anti room of the hospitalthat this is taking place in.
We're already in theemergency room, so perfect.
Pull the curtain aside.
Hey, I couldn't help over here.
I Oh,
Mike (36:28):
shit, this is occupied.
Yeah, no,
Adam (36:30):
I was I used to have a
roommate, but he died this morning.
So that's the bed that you and themissus were screwing around on.
Um, don't worry, they changed the sheets.
Actually, what time is it?
They haven't changed the sheets yet.
I, um You want some advice, son?
Mike (36:49):
Um, who are you?
Adam (36:52):
Man, if I knew
that, I wouldn't be here.
I have amnesia.
I got hit on the head.
Uh,
Mike (36:58):
with a rock.
I don't know if you have a great Yeah,sure, I I don't know if you have a ton
of advice to offer me, but yeah, okay.
Adam (37:07):
If you turn away everyone
who tries to smash your dick,
you're never gonna know, love.
Mike (37:16):
How many people
are I don't remember.
Okay, so again, I feel like I'mallowed to have a line that I don't
wanna cross on the first date.
Here's what I
Adam (37:28):
know.
When I woke up in thishospital, I had two things.
A wedding ring on my finger,and a smashed dick in my pants.
Now, I put two and two together.
Can you?
Mike (37:45):
No!
We're losing him.
What?
Alex (37:53):
I don't I'll start
the dick compressions.
One, two, three, four.
His dick is smashed!
His
Adam (37:58):
dick is smashed!
Oh my god, you saved my life.
Alex (38:04):
How?
Get the little dick stretcher, thatlittle, little version of the stretcher
that you put the dick on, hurry!
Oh,
Mike (38:11):
oh, I thought it was one that like,
made, I was almost, I was almost excited.
No, we
Alex (38:15):
call that the taffy puller.
Mike (38:18):
That's a thing?
Alex (38:20):
Oh, so that's the taffy puller.
Good thing I don't have to use that.
Adam (38:24):
Do you want to use it, Alex?
Oh, sorry.
Nope.
I, uh I didn't know thatyou had visitors today.
Hi, I'm, uh, Nurse Marie.
Marie D uh, F. Marie F. Um, we don'tuse last names at the hospital.
Mike (38:40):
Gotcha.
Adam (38:41):
What's your name?
Mike (38:41):
Hi, I'm Mike.
Um, I'm just here to visit my friend.
I, uh I saw he was in a bitof a condition, so I just
decided to check him out.
Adam (38:49):
He's doing great.
He just had a sponge bath,and he should be good to leave
the hospital before too long.
Oh, great!
The hole in his brain hasalmost completely healed.
Or at least, it seeped.
We've we've seeped it.
Mike (39:06):
Well, hey, Alex is used to,
you know, growing up with a few, uh,
a few pieces of his brain missing.
So, you know, it shouldn'tbe too difficult.
Adam (39:13):
I didn't really get that.
It's funny because
Mike (39:17):
he's dumb.
He's dumb and he's missingparts of his brain.
I'm right.
Alex (39:22):
You are so funny, Mike.
Yeah, I know.
You're on both sides of me right now.
Adam (39:26):
Yeah.
Do you mind if I reach over you, Alex,just to that bicep is pretty impressive.
Mike (39:33):
Yeah, I did a curl once.
Adam (39:35):
Really?
Mike (39:37):
Yeah.
Adam (39:38):
Are
Mike (39:38):
you
Adam (39:39):
here with anyone?
Uh,
Mike (39:41):
I guess my friend Adam.
Oh, I'm sorry, uh, Alec, doyou want to say something?
Alex (39:45):
Mike, did you and Adam
ditch me to go eat ice cream?
What are you talking about?
Over like the walkie talkies.
The three of us alwayshave and never talk about.
And you guys were Oh yeah.
It was on.
Mike (40:00):
Okay.
Yeah.
Um, Marie, do you mind giving us a minute?
Adam (40:03):
Sure.
Hey, when you're done here,come up to the seventh floor and
we'll have a drink at the bar.
I thought we
Alex (40:10):
were above the seventh floor.
Not weird.
See ya,
Adam (40:14):
wink.
She slinks out of the room.
Alex (40:18):
Man, all the marines in this
hospital are really horny, so, but not me.
Alex . Alex, I
Mike (40:25):
know you're upset.
I'm not
Alex (40:28):
that
Mike (40:28):
upset that I ditched you earlier.
Kind of wanna ditch you again tosee that, that seventh floor though.
I think, uh, I'm sorry.
No, I'm being a bathroom.
Being a bathroom.
Mike,
Alex (40:38):
you'd be a bad friend not to
because then you can hold it over me
That I, I, that I cock blocked you.
Mike (40:44):
No, but we cock blocked you, Mike.
You wanted to spoon at the renaissancefair, and we weren't able to do it.
I wasn't even aware that this was a thing,but Adam was really torn up about it, and
so he was telling me all about it later.
Uh, and, or earlier, I should say.
And, uh, you know, I just, look.
I, you're Hopes and dreams matter too.
(41:05):
It's not just me, my, andmy trough of ice cream.
We should, we shouldhave supported you too.
Alex (41:11):
Mike, let me talk.
When, when it was your graduationday and I didn't show up,
do you remember where I was?
Uh, we
Adam (41:25):
flashback to Alex as a sperm in
his father's testicles because, like,
famously graduated from Sarah Lawrencein the 80s, so Alex wasn't born yet.
We flashback.
Great, thanks for ruining
Alex (41:40):
my story with your continuity.
Pick a
Adam (41:42):
different event.
Well, no, I
Mike (41:43):
graduated multiple times.
Remember
Alex (41:45):
when you graduated the fifth time?
Mike (41:48):
Yeah, yeah, I do.
Yeah, the degree and stuff.
Alex (41:52):
And I didn't show up
because I was getting laid.
Mike (41:55):
Yeah, I remember that.
Alex (41:56):
Yeah.
What about your birthday last year?
And I threw you a surprise party butforgot to invite you because the surprise
party was at a strip club and I gotdistracted with all the strippers.
Mike (42:08):
I remember that.
I remember I was at BarnesNoble waiting for my birthday
party and nobody showed up.
Flashback
Adam (42:14):
to that, sorry.
Sir, we're closing.
Mike (42:18):
No, they're gonna be here.
They promised me that they'd be here sothat we could read the first five chapters
of Harry Potter and the Sorcerer'sStone together in the fantasy section.
Adam (42:33):
Are you the guy
who blew up the bathroom?
Mike (42:36):
Of course I am!
Who else is here?
Adam (42:38):
Okay, yeah, you're banned.
It's Barnes and Noble.
You have to leave now and you're banned.
Mike (42:42):
You don't make enough money
to ban me, I'm your best customer.
Adam (42:44):
I'm Barnes.
Mike (42:47):
I'm so sorry.
Adam (42:48):
You should be,
because you're banned.
Goodbye.
That wasn't very noble of him.
Ha, good one Noble.
Alex (42:54):
Here we go back.
I'm Noble.
Mike (42:56):
Yeah, I remember that.
That was a, that was a tough day.
Alex (42:59):
And what about the time you
broke your leg and then I stole your
cast in the midst of the night to useas a sex toy with the cute waitress?
What?
The point is, uh, I feel like I wouldbe a bad friend to stand in your
way Uh, considering all the timesyou've helped me out by not being
around when I wanted to get laid.
(43:25):
I'm not sad that you ditched me.
I'm sad that you ditchedme and didn't get laid.
So go solve that.
Mike (43:33):
I was with a very violent woman.
I wanna, I feel like thatshould be Doesn't count.
Alex (43:38):
That's not sex.
Mike (43:41):
Getting your dicks I've been there.
Sex?
Alex (43:43):
No.
Mike (43:44):
Oh, okay.
So it wasn't, I wasn't mis Okay.
I'm gonna go see what Marie F is doing.
You appreciate that.
Alex (43:52):
All right.
Good talk.
Mike (43:53):
Mike leaves and as Mike leaves
there is a lair of trumpets Hello, it
is I The mother fucker and I am hereto challenge again Because my previous
challenge wasn't wasn't enough and Ifelt bad that my My challenge was needed.
Yeah,
Adam (44:12):
Alex, he kind of insisted.
He had this whole, he did somuch backstory for his character.
He, he, he insists that the MotherForker wouldn't fail to avenge.
Would never back down from a challenge.
Never back down, you know.
I don't even have the spoon anymore.
Oh, I brought a spoon.
Oh, okay.
I got one from the storage.
(44:32):
And here is a check for you.
This is residuals fromthe Harktua t shirt.
Um, great work.
Alex (44:40):
Whoa, 17 million dollars?
Adam (44:42):
Yeah, it really sold.
That's like half of
Alex (44:44):
my medical bills right there.
It
Adam (44:45):
really sold.
What do you say?
You wanna go up to I hear they havea jousting pit on the 7th floor.
I do, I've been there before.
Alex (44:56):
I wouldn't be Alex
if I learned something.
Let's do this.
Mike (44:59):
Alex strips out all the IVs,
all the everything, takes out the
feeding tube, which all of this youreally should not do in the hospital.
But he does because he's seen moviesand they walk up to the 7th floor.
Adam (45:11):
Mike, uh, walks across
the 7th floor to the bar.
It's kind of a, um Smoky, kind of highend, fine dining type, uh, oak bar.
There's a, uh, bartender with a vestand a bow tie behind the counter.
Uh, Marie F. is sittingon one of the stools.
(45:32):
Oh, Mike, over here!
Oh, hey Marie!
So, how did it go with Alex?
Mike (45:38):
Uh, surprisingly great.
He, uh, he understood really well.
Adam (45:43):
That's great.
I, I I knew you were an empathetic,understanding, emotionally
intelligent guy, that's why,well, you didn't hear this.
Because I was standing outside thehospital room door, looking through the
little window at you and your friend.
I turned to one of the nurses andI said, see that guy right there?
(46:09):
I'm gonna marry
Mike (46:11):
You're gonna what?
Adam (46:14):
I'm gonna marry that guy.
Mike (46:17):
Oh,
Adam (46:17):
wow!
I, that's So what do you say, Mike?
Marie F gets down on one knee.
Oh, Jesus.
She, uh, takes out a massive diamond ring.
Will you marry me?
Mike (46:35):
I don't even know what F stands for.
Adam (46:39):
Guess.
forever if you want it to be they embrace
Mike (46:48):
a blare of trumpets as the elevator
doors open again the mother porker has
challenged a member of this hospitalto a duel that's me he shall be fucked
Adam (47:04):
so Alex.
Yeah.
Now that we're here,you are kinda locked in.
And by the way, I looked at the filesand you did not sign the waiver.
I'm gonna need you to sign the waiver
Alex (47:15):
right now before, and backdate it.
Why?
Can I, can I sue you if I don't sign it?
Adam (47:21):
Yeah,
Alex (47:22):
you could sue me.
Alright.
Sounds fair.
Let's get rid of this.
I'm doing it!
Waiver free!
Oh,
Adam (47:29):
shit.
Alex (47:30):
I'm passing my
medical bills on to you!
Come on, Mother Forker.
Stab me.
Give me a reason to sue.
Aim for the ass.
Adam (47:39):
Cletus.
Cletus.
Mike (47:42):
How's Cletus?
I am the mother
Adam (47:45):
Drop the character.
Mike (47:46):
Where
Adam (47:50):
have you been?
You are still Supposed to be at work.
No, I'm, I'm, I'm at the hospital.
You need to come back here.
You need to come back here.
Alex (48:01):
I'm gonna take a tiny plastic
spoon and hit the mother forker on
Mike (48:05):
the head a little bit.
Oh no!
I have been thwarted!
My fork has been spooned!
He's overacting
Adam (48:12):
again, isn't he?
A little bit.
Mike (48:15):
Lena starts to actually
melt into a puddle of goop.
What?
Those spoons are my enemy!
And he dissolves.
Adam (48:25):
The fuck just happened?
Now he's soup, for
Alex (48:29):
spoon.
Brother,
Adam (48:30):
what
Alex (48:31):
happened?
Uh, he melted.
Adam (48:34):
Yeah, but
Alex (48:35):
how?
He got hit with a spoon.
Were you not paying attention?
Adam (48:40):
I was, I just don't
understand the mechanics of it.
God, you're not very
Alex (48:43):
smart, are you, brother?
Adam (48:44):
Well, no, I'm pretty smart.
I know a lot about, like,uh, the corporate ownership
structure of TV networks, but
Alex (48:54):
But you don't know that you melt
if you get hit in the head with a spoon?
It's never happened to me.
Jesus fucking Christ.
Yes, because you're still alive.
Adam (49:01):
No, but I've been
hit with a spoon before.
Alex (49:03):
Sir, I, I, I work
in a hospital, trust me.
I understand.
You know what?
Adam (49:10):
I don't think
this is gonna work out.
Alex (49:12):
Yeah, okay, bye.
Adam (49:15):
I was bluffing.
Shit.
Mike, I'm gonna need you to takeme to Cold Stone after this.
I gotta drown my sorrows in the trough.
Mike (49:25):
Marie, do you like Cold Stone?
Adam (49:27):
Yeah, I, I love, well, actually
To be honest, I prefer Baskin Robbins.
You take that back.
Uh, why?
Baskin Robbins is great.
Mike (49:37):
No, it's not.
It sucks.
It's only got 31 flavors.
Cold Stone has over 100.
Adam (49:42):
Well, I mean, I don't,
I'll go to Cold Stone.
I don't have any, you know,strong feelings about it.
It's just my preference.
This doesn't have to break us up, Mike.
Mike (49:52):
I think it does.
I think that's it.
I think I'm a Cold Stone boy for life.
Adam (49:57):
Okay, can I have the ring back?
Give me the fucking ring back.
Mike (50:02):
Hey,
Adam (50:03):
hey, hey!
She, uh, pretty womans him with thering box and, uh, closes it on his
hand and then pulls it back to sort of,like, scoop the ring off of his hand.
Marie, what the fuck?
And, I hope you don't mind,I'm gonna smash your dick.
She knees him right in the dick.
(50:26):
And it's, the sound is of a bonebreaking, which is not supposed
to happen, but She storms off.
Mike (50:33):
Marie!
Marie, that Now that I know you, Ithink that F stands for Fuck you!
Adam (50:39):
She's already gone.
Wow.
Uh,
Alex (50:42):
Did you hear that snap?
It means you had a boner.
Adam (50:45):
For the last time, Mike.
Hey, Alex, can you comeover here to the to the bar?
Alex (50:51):
I'm already sitting
right next to you, Adam.
Oh, sorry I didn't see you there.
Here are your glasses, by the way.
Adam (50:55):
Thank you.
Yeah, I took them off to look coolto my twin brother, but I can't see.
Turns out he was wearing contacts anyway.
Alex, I've learned something overthe course of this day, which
is It doesn't feel good to lie.
In fact, it feels bad.
Alex (51:12):
No, it doesn't.
Alex.
Feels really good to
Adam (51:14):
lie.
Stop.
You don't have to put on this facade.
I'm just kidding.
I was lying and now I feel bad.
I know I hurt you by not goingto the Renaissance Fair with you.
To think that something I did Almostended with us losing you forever,
well, I'm really sorry about that.
(51:36):
Will you
Alex (51:36):
forgive me?
I'll forgive you, Adam, on one condition.
What?
You know how at the end of the, of,uh, the podcasts, we leave our viewers
with a little word of inspiration?
Yeah, I think so.
Adam (51:51):
That's been a
really successful segment.
Alex (51:54):
How about we, we
go with mine this week?
You can even tell me what to say.
Deal.
Sweet.
Can't wait for you to followthrough on that in 20 minutes.
Adam (52:03):
So why don't we go, they
have a podcast studio over there.
Just for the nurses to do podcastswhile they're on their break.
Why don't we go in thereand record the podcast?
Absolutely.
Mike, is your dick okay?
Can you sit?
Okay, why don't you stand?
(52:24):
At that, um, standing, uh, microphone.
With the treadmill under it.
Yeah, do that.
Okay.
Ready?
Mike (52:34):
Oh God, it moves.
Adam (52:35):
Yeah, no, you're
gonna have to keep up.
Ready?
Yeah.
Welcome back to the Barone Zone.
We're here talking about season 4,episode 15 of Everybody Loves Raymond.
Robert's rodeo.
Robert gets bored in the rearby a bull and has to stay with
Marie and Frank for a while.
A classic episode.
(52:55):
A touch point in theEverybody Loves Raymond lore.
Robert getting gored by the bull, I feel,is a turning point for his character.
I mean, obviously we'll seethis play out, but we were
already getting inklings of it.
You know, back with Marie andFrank, Amy's back in his life.
What did we think of this
Alex (53:16):
episode?
This is like the Harambe shootingof Everybody Loves Raymond episodes.
Where like, everything can be tracedback to this point going forward.
Like it's like Is that a thing?
Is that a, um Oh yeah, you don't know?
The timeline got fucked upright after Harambe got shot.
Mike (53:35):
It is an internet meme.
It's an internet meme.
That was the margin of the modern age.
Adam (53:41):
Really?
I'll have to look into that.
Do you have like a cork board withred string on it that I can check out?
Alex (53:47):
Well,
Adam (53:48):
okay.
Alex (53:48):
Maybe, I'll tell you later.
But it was good, and when I knew it wasthis one, I was like, oh, hell yeah.
I'm excited to watch this.
And then I watched it, andI was like, that was good.
And then I, then I came here.
Nice.
Mike?
Mike (54:01):
This is both a very strong episode
from a comedy perspective, and also is
great from the character work perspective.
There were a few moments that Idid not realize and did not like.
Think deeply about until this particularrewatch and I was pleasantly surprised
to find out that I enjoyed it evenmore than I typically Remember myself.
Enjoy.
Mm
Adam (54:20):
hmm.
It's a great episode I feel likefrom those perspectives that you just
mentioned from character developmentsheer joke writing it's really strong
and I think this is borne out inhow popular this episode is with the
everybody loves Raymond fans We startwith, uh, our cold open, Ray is going
(54:45):
go karting with Andy and Robert comesover all excited to watch the big game.
It's not, it doesn't seem to beTHE big game as in the Super Bowl
because he says we'll do it next week.
Uh, it's just a game.
Mike (54:59):
just like, it's gotta be just be
like a football game or something, right?
Yeah.
Like, yeah.
Could
Adam (55:03):
be a playoff or something?
You would know better than me.
Mike (55:07):
No, if it was a playoff game, I'm
dropping everything to watch that chick
because that could be the last, thatcould be the last game of the season.
So no, I think this is justlike, it's, it's a Sunday.
It's good.
There's a, you know, the Giants orJets, I don't know who they root for.
Um, but the Giants or Jets are playingand you, you, you watch that game
because that's, that's the thing.
So that's the sense that I got.
Adam (55:29):
I assumed, well, I don't, I
don't think I assumed it was the
Super Bowl if it's just Robert.
Um, anyway, Robert had, came in, he'sall excited to watch the big game, he got
the Meat Lovers special, which is, uh,you get, you buy one Meat Lovers pizza
and you get another Meat Lovers for free.
Um, But Ray, instead of just saying,I forgot I made other plans with
(55:53):
Andy, lies, tells Robert that, uh,he has to work because some janitor
spilled coffee on the motherboard,and all the articles got deleted.
Which, um, that's Ra and I know there's anepisode coming up where Ray, like, talks
shit about janitors, but this is an earlyinkling of Ray's, like, classism, where he
(56:15):
sees himself as Ray doesn't like janitors.
Loves to blame the worker.
Has this ever happened to you?
Have you ever been in a situationwhere you've had to cover
for double booking yourself?
Mike (56:28):
Oh, sure.
I mean, I feel like I feel likeI tell white lies occasionally
on this circumstance.
I think that, listen, if it wasjust a thing of, um, like, Oh
no, Raymond told a white lie.
That'd be one thing.
I think that we've all done that.
I think we can all understand that.
The thing is, Deborah brings upa really good point that I didn't
(56:50):
consider in the next thing, which isjust like, invite Robert Gocarting.
He's also friends with Andy.
And I just, I don't understand.
He didn't get a good answer.
Or why not?
Besides, I don't want to, which, hey,fucking deal with it, you invited him
out, so I, yeah, I don't know, that wasmy, that was my takeaway, it's like,
there was an easy out to this situation,and I don't know why I didn't take it.
Adam (57:15):
The fact that he then
feels guilty about what happens
to Robert is predictable.
Um, we've seen this pattern before,we, we knew, I think, from the moment
that he learned that Robert had beengored by a bull, that we were gonna
get that same sort of beat of, fromlike the golf episode, from other
(57:36):
times, of Ray feels guilty and he'sgonna try ineptly to make up for it.
So Robert.
Dejected, rejected,goes to use Ray's phone.
We find out later he's calling Judy,I guess, or his sergeant or something,
to pick up an extra shift at work.
So you see then Ray andDebra in bed, getting it on.
(57:57):
Debra is like, ready to go.
For once!
She's like, that book was boring.
And she's about to get to boning.
Um, and then Frank barges in to tellthem that Robert's In the hospital, Mrs.
Scarpula is coming over to watch the kids.
The last time I think we heard about herwas season 2, episode 23, the yard sale or
(58:18):
the garage sale, whatever that's called.
Um,
Mike (58:21):
I just want to throw out there, this
is the first time in a while that we've
seen the kids needing care acknowledged.
So I kind of was like, oh, that's nice,they actually thought of somebody to
Adam (58:33):
watch the kids.
Kids weren't in the episode, but atleast we know that they're not being,
you know, forced to fend for themselves.
Yeah, they threw in a line.
Yeah.
Apparently.
This is the only time I've seen thisin the IMDb trivia, but obviously,
it was probably in the earlier ones.
Uh, apparently, Scarpula is Ray's realwife, Ray Romano's wife, her maiden name.
(59:00):
So, Mrs. Scarpula is probably a referenceto his mother in law, I would imagine.
Don't you think?
Mike (59:07):
Probably.
That's moderately interesting.
Adam (59:10):
Thanks.
It's, I think it got zerohelpful, zero not helpful on IMDb.
A pure shrug.
Queen's Hospital Centeris where Robert is.
Queen's Hospital Center is thathospital right down the street
from St. John's University, Mike.
Mike (59:28):
That's kind of cool.
I know it.
Adam (59:30):
Yes.
You've been there?
Mike (59:33):
I, yeah, once,
someone broke my dick.
So I'll probably have to, they havethat on record, I'll have to go there
Adam (59:39):
again.
Alex (59:39):
Ha ha, ha ha.
Mike (59:42):
I don't know why you're
laughing, I'm in agonizing pain.
Alex (59:44):
It's funny, that's why.
Adam (59:46):
Judy is there.
That's our first inklingthat Robert was on duty.
Robert's in the hospital bed.
They asked him, what happened?
Were you shot?
Did switchblade?
Alex (59:56):
So now, I, I feel like I remember
this episode being a bait and switch
where it was like Robert playing it offlike he was hurt in the line of duty
in a more traditional way and then thefamily finds out later what happened.
I totally forgot that, uh, No,they just played it straight
right from the beginning.
He fesses up immediately, yeah.
Adam (01:00:16):
They were shutting down an
illegal rodeo in Queens, which
Alex (01:00:20):
Which I'm sure actually does happen.
Mike (01:00:22):
Fucking awesome concept.
Oh my god, I love that idea.
Adam (01:00:26):
Yeah, some of the animals
were running down Queens Boulevard.
Robert chased the horses.
Marie's line I thought was really funny.
You always wanted a pony.
But then a big ol bull brokeloose, started heading for Judy,
Robert saves her, um, and thenthe bull started coming for him.
So, Robert says it was like thatWall Street ad, and Frank says,
(01:00:47):
or that malt liquor commercial.
Those are two real commercials from the70s, one of which is for Merrill Lynch.
It's a bull running down an emptycity street, kind of leisurely.
Um, and the other is a reference toSchlitz malt liquor, which had a series of
commercials where a bull would run throughthe set, basically, to, to show how much
(01:01:08):
better Schlitz malt liquor was than beer.
Don't say beer, say bull, was the tagline.
So, that's mildly interesting.
Um.
But probably more so like the Schlitzscenario than the Merrill Lynch scenario.
Robert got gored by the bull inthe adductor magnus, which, uh,
(01:01:31):
he refers to as the upper thigh.
Uh, Ray calls it the ass.
It actually is sort ofthe upper inside thigh.
I looked it up.
Alex (01:01:40):
Yeah, but you wouldn't be a brother
if you didn't refer to it as the ass.
It's basically the ass.
Adam (01:01:45):
When it's that
Alex (01:01:46):
close, it's the ass.
Adam (01:01:47):
Ray starts to make fun of him.
Debra's Understandably annoyed, like,she says he's being more inconsiderate
than Frank is, which is saying something.
Alex (01:01:59):
And then I liked Ray's response
where I was like, I guess he's
having an off night or he's tired.
Yeah.
Yeah, that is funny.
Adam (01:02:05):
The nurse who comes in to
check his IV is Christy L. Medrano.
Uh, she was a stand up comedianand appeared on Friends and ER
and a couple of other things.
Unfortunately, she is no longer with us.
But, uh, she did a great jobin this episode, I thought.
Yes, she did.
Yes.
So, Judy says goodbye, uh, and, um,says this will teach you to pick up an
(01:02:31):
extra shift, uh, and then tells Ray,he said you had to work, so he came in.
Ray realizes it's his fault.
Mike (01:02:38):
I have a general thought.
Of a trend, which is going to kind ofspoil where the episode is going, but I
think our listeners have listened to itat this point, so I'm gonna, is that okay
if I kind of jump ahead a little bit?
Yes,
Adam (01:02:49):
please do.
Okay,
Mike (01:02:50):
so my thought is yes, Ray's a bit
of an asshole for, you know, making fun of
his brother so quick after the accident.
You know, comedy is tragedyplus time, slash with approval.
But I also think that, you know, dayone, yeah, you don't make any jokes.
Day two, day three Alright, maybe,maybe, if I'm Robert, maybe you
(01:03:10):
start to tell Robert to, you know,you gotta lighten up a little
bit, you gotta laugh a little bit.
Um, especially, like, cause, let'sbe real, sometimes laughing at
tragedy is a way to make sense.
Right?
I know a, uh, I know a guy that, um,unfortunately had colon cancer and all
his friends Throughout it, throughout theentire time, made fun of his killer ass,
which I think is just like what the, whatthe, what the bros are supposed to be, and
(01:03:34):
he's better now, so thank God, but thatmakes sense of it, a little bit, um, and
so I was thinking, you know, well maybeRobert's gotta, gotta lighten up, and
then when we found out that the reason whyRobert was not okay with it was because
he wasn't sure if Ray was coming from aplace of caring, and it wasn't until after
(01:03:54):
at the end of the episode when Ray changesthe bandages, Uh, that Robert realizes.
That he cares about him andthen immediately he starts
laughing at his prediction.
He immediately is like, yeah Oh,yeah, you left your keys in there.
Ha ha ha and I just I don't know I thoughtthat was a really nice touch that like
yeah, he's able to you know Processthis in a mature way after he has his
(01:04:17):
first thing of his brother came in Ithought I I miss at the first few times.
I watched this episode.
I thought this was that wasa really Really well done.
Uh, little, little tidbit.
Adam (01:04:27):
Um, yeah, and we'll get to that
scene at the end because that, I feel,
is the point where it switches fromjust Rays being a dick to kind of
a very, not a very special episode.
It's not about like thedangers of spending time at
illegal rodeos, but like a.
You know, one of those beats, whichwe've seen in like Frank the Writer
(01:04:47):
and The Ball and stuff, wherethere's like, and Mozart, like, these
emotional beats between the characters.
They play it
Alex (01:04:55):
super seriously.
Adam (01:04:56):
Yeah.
Silence from the audience.
They joke around
Alex (01:04:59):
a little bit in it, but like,
you know, as a tension breaker.
Which I thought, I didn't thinkthat was horribly inappropriate.
No.
You know, just Ray being Ray.
Ray being Ray.
But I liked that scene a lot.
Adam (01:05:11):
The next scene with the nurse, uh,
helping Robert get back to bed and Robert
is sort of bent over the bed as, uh,Ray shows up with balloons and a bear.
So Ray has a surprise beyondjust the balloons and the bear.
He brought Amy.
And I thought it was very funnythat that was the moment where the
(01:05:32):
nurse gets the line, You know what?
I'm gonna get you a bigger seepage pad.
I thought that was funny.
Mike (01:05:38):
Mhm.
It is.
It was a good, it wasa good writing choice.
Also, Ray's such an assfor bringing Amy around.
I think just generally, don'tbring your ex girlfriend, the
boy's ex girlfriend around, yourbrother's ex girlfriend around.
But, yeah.
Alex (01:05:52):
The boys.
Like, that was a bad choice all around.
Like, Ray obviously, or Robert obviouslycaught Ray for exactly what he was doing.
Like, you know, just tryingto make himself feel better
because he feels guilty.
About, uh, you know, messingup with Robert, or just, you
(01:06:12):
know, turning away Robert.
Uh, and then Robert subsequently got hurt.
And again, I don't think it'sparticularly Ray's fault, per se.
Because, you know, shit happens.
And like, you know, like you can't, youknow, control or predict that stuff.
But, I think it just like, itgives to a deeper meaning of just
(01:06:34):
Ray feeling shitty about himself.
And, uh.
Going about making himselffeel better in the wrong ways.
Adam (01:06:41):
Yeah, a bad move to bring Amy.
Um, I did like the line, and youknow, I, him being in this vulnerable
position obviously is ripe forcomedy, um, the nurse tells him that
he's on a soft diet so he shouldchoose his meals with that in mind.
I liked Ray's little riff aboutsounds to me like someone can
(01:07:03):
have all the soup he wants.
Just funny, I like that.
Trying to find the bright side.
Yeah, there's nothing like soup.
Well, stew.
Um, but other than that, uh, Robertmakes Amy leave, tells Ray he has to
move back in with Marie and Frank.
That's when Ray admits thathe lied about having to work.
Robert calls him out for onlymaking himself feel better.
(01:07:25):
And then we get that bit ofRobert Making Ray leave by
putting the sheet over his head.
Now we get the line.
You can't do that here from Ray.
You'll end up in the basementwith a tag on your toe.
Also another good I feel like the hospitalsetting is giving them a lot to work with.
I appreciate that.
And then,
Alex (01:07:42):
you know, you got the big,
uh, the big status quo change from
moving forward where Robert's movingback in with, uh, Mom and Pop.
Yeah.
For a little bit.
Adam (01:07:52):
The scene with Ray and Debra
in the bed where Ray is venting about
Robert not seeming to appreciate him,uh, coming and telling him the truth,
Debra telling him to tell Robert that heactually cares about him, that it's not,
he doesn't only feel bad about Robert'spredicament because it was his fault,
(01:08:13):
but because he cares about Robert, um,quick little scene, no sex in this one.
No good old sex.
Big sad.
Unless off screen, but we'll see.
Uh, Robert is in Ray's old bedroom,and there's an IMDb trivia item.
The remote boat!
is on the nightstand.
Oh, I didn't pick up on
Mike (01:08:34):
that.
That's cute.
Adam (01:08:36):
But apparently it's a goof
because Frank buried the fish in the
remote boat in season 2 episode 9,
Mike (01:08:43):
The Gift.
Oh, shit, that's right.
Never mind.
Adam (01:08:47):
The only explanation is Robert was
so hurt by that he went out into the yard
and dug up the remote boat and droppedthe fish corpse back in the hole, I guess.
So Ray comes in, then Frank comes in withall the papers that Robert's been in.
Runaway Bull, Cop Gets Horny.
(01:09:07):
Can you put horny in the newspaper?
Mike (01:09:10):
No, you, well, maybe.
I feel like the post gets a play on words?
Adam (01:09:14):
Absolutely.
When it's a play on words,
Alex (01:09:16):
absolutely?
Well yeah, cause then a kid who readsit's like, Oh, cause it's a horn.
Adam (01:09:23):
So, there was never
a headline like, JFK horny
Mike (01:09:28):
question mark.
I doubt that.
I don't think they could get awaywith doing that to a president.
Adam (01:09:35):
What about Adlai Stevenson horny
Mike (01:09:40):
vice
Adam (01:09:40):
president.
Mike (01:09:40):
Okay, I feel like you're
not even going for a pun here
You're not even going for funny.
You're just listing various peopleand saying horny question mark.
Adam (01:09:49):
It's not a pun.
It's not a joke I'm asking do youthink they would ever print that?
Mike (01:09:53):
Bill Clinton Or any
Adam (01:09:55):
probably that I bet that's somewhere
Mike (01:09:58):
that would be an exclamation
point not a question mark
Adam (01:10:02):
That was his 92 campaign slogan
Horny horny not the full thumb.
Just the tip That was his 96campaigns looking Just the
tip, uh, that guy's Uh hmm.
(01:10:24):
Marie is going to the store.
So we have this walkie-talkie bit whereRay just talks into the walkie-talkie,
not expecting anyone to be on theother end asking for apple juice.
Marie is on the other end of thewalkie-talkie ready to receive
orders from Robert, which I thoughtwas a funny little touch that.
You know, she is clearly thrilled to haveRobert back and wants to take care of him
(01:10:48):
and be in that, uh, maternal role again.
Mike (01:10:52):
I, yeah, I thought, I thought that
Marie in this episode was very funny.
I liked the drop of yodels in thelittle bit in, in the next scene where
she comes in and is like, I'm gonnago to the store to get some yodels.
Such a specific Uh, 90sto 2000s reference for me.
I, I,
Alex (01:11:08):
It really, it
really brought me back.
I haven't had a yodelprobably since I was 10.
Yeah.
Mike (01:11:13):
Yeah, same.
I didn't know
Alex (01:11:13):
what
Adam (01:11:14):
it was, but apparently
it's similar to ho hos.
Kind of.
Uh, which I do know what that is.
It's
Alex (01:11:19):
kind of like, yeah, like they
roll up a, like, It's a Swiss cake roll.
Like chocolate dough withlike a, like a fluff.
Adam (01:11:25):
Mm
Alex (01:11:25):
hmm.
And like, apparently you're supposedto like break off little pieces.
I just I just eat the whole thing.
Yeah, I was assuming youjust eat it straight.
Most people do, did I think.
But
Adam (01:11:35):
these two
Alex (01:11:36):
have an art to it.
Now I want to find one, buy one,and try eating it like that.
I bet you could find one.
Mike (01:11:44):
Marie comes in, drops
the line about the yodels.
She goes to the store to get yodelsimmediately before Robert needs it.
At first I was like, oh, is thislike a she didn't know thing?
But no!
Three o'clock was her time.
Do we think that Marie was just like, Idon't want to change the bandage again?
Adam (01:12:02):
Yeah, it seems like an odd
time for Marie to be in the room.
And we did we see Robert look at awatch like either I don't know what
happened there, but yeah, he did not tellMarie at what we have to assume is 2.
59 that he's gonna need his bandagechanged at 3, which apparently is a
(01:12:23):
strict schedule provided to him by themedical professionals who helped him.
Yeah, maybe, but it seems like it'ssomething that Marie would enjoy doing.
Yeah, at least from acaregiving perspective.
Um, and definitely not somethingthat he wants Ray's help with.
Um, and something that it seems likehe can't do himself, especially once
(01:12:45):
we see the actual mechanics of it.
So it is an interesting thingthat he didn't tell her that.
Maybe that's just a, a little goof.
A little logical hole there.
Oh,
Mike (01:12:54):
it's because it forces
the, the very touching moment.
We're about
Adam (01:12:58):
to find.
Yeah, yeah, yeah.
Uh, so Robert has to changehis bandage, and Ray of course,
doesn't want to help him.
He says he is not comfortable withthe body, um, just in general.
Um, but he fi he's about to leaveactually, as Robert is struggling
with this bandage, and then hefinally does something unselfish.
Which is big for Ray, and helps him.
(01:13:20):
Takes off Robert's old bandage, hehas to lift open like a plastic flap,
and um, he says this is kind of likeChristmas morning, if I was really bad.
So still making jokes, and still kindof like, trying to lighten it, but he
doesn't have the sort of, you know,like Mike was saying, good intention
of busting balls, kind of, aboutthis, to sort of, Help Robert cope.
(01:13:45):
He's just making fun of itbecause he's uncomfortable.
Yeah, I liked,
Alex (01:13:48):
I liked, like, uh, when Ray
saw Robert's injury, kind of like,
he kind of realized how, like,seriously injured Robert was.
Adam (01:13:55):
Yeah.
It
Alex (01:13:56):
was like that, that I thought
was a cool little moment where I was
like, oh wow, you really got hurt.
Adam (01:14:00):
Yeah, that moment of shock
when he actually sees the goring.
Um.
And yeah, that's where it becomes,like, the moment where the audience
is silent and we're gonna learnsomething about brotherhood.
Um, and it's a nice moment wherethey, you know, Ray steps up and shows
that he cares about Robert and thatkind of breaks the ice between them.
(01:14:22):
And then they can joke, likewe mentioned, Ray's line of,
oh, but left my keys in there.
And Robert really finding that very funny.
So then, yeah, yodels in the hot clothes,they're watching TV together in a room.
What was Ray's old bedroom.
And, uh, turns out the news hasgotten a hold of the video of
(01:14:43):
Robert being chased by a bull.
Probably the most expensiveshot of the episode?
Uh, for sure.
Um, maybe of the better part of theseason, but Robert on a city street
being chased by an actual bull.
Alex (01:15:01):
Yeah, it was really that was that
Mike (01:15:03):
was I was impressed by the
production value on that that
looked like an act that that's
Alex (01:15:07):
the one thing I remembered
from the episode was Robert
getting chased by the bull.
I thought I wasn't sure if it wasin this episode or like if they
brought it back in a future episode.
Adam (01:15:18):
Yeah, no, definitely
for a two second shot.
Really great.
Like, I appreciate that they did that.
It obviously heightens, like, theepisode, and just a great It brings
me back to the bully on the bus, wherewe got an on location shot on the bus.
(01:15:40):
Yeah.
How thrilling that was.
And now here we are seeing, they're reallyspreading their wings in season four.
The newscaster is Dana Tyler.
And she actually was the newsanchor for CBS 2 in New York
from 1990 to March 27th of 2024.
That's
Alex (01:15:58):
cool!
So it probably felt very real.
You know what's cool?
Adam (01:16:03):
You know what's fucking cool?
What's fucking cool?
She was in a relationship withPhil Collins from 2006 to 2015.
They met when he was doingpress for Tarzan on Broadway.
Hell yeah.
Mike (01:16:17):
Good for Phil, good for her.
Adam (01:16:19):
Good for Phil, yeah.
Marrying up.
Didn't say what the natureof their relationship was.
Alex (01:16:26):
Probably bromantic.
Mike (01:16:27):
I would imagine
Adam (01:16:27):
so.
Otherwise she has to be like,
Mike (01:16:30):
she was friends with Phil Collins.
That would be a little, yeah.
Adam (01:16:34):
She was platonic life
partners with Phil Collins.
She helped him load and unload his drums.
But I found that veryfascinating, uh, she was a very
successful, beloved news anchor.
CBS 2 is the CBS affiliate for New York.
Yes it is.
(01:16:54):
Which you hope that a show that films inLA would get that right, and they did.
And they
Mike (01:16:59):
did.
Adam (01:17:00):
And we're proud of them.
I am.
CBS 2 might have been where Isaw the miracle on the Hudson,
or it might have been PIX11.
For me it was ABC.
ABC 7, Fox 5, NBC 4.
Big yawn right at meas I'm speaking to you.
Alex (01:17:21):
I was trying to force
it, but I missed it that time.
Adam (01:17:24):
So let's turn, anything else
you want to say about this episode?
Alex (01:17:28):
It was good.
Very funny.
Great.
Adam (01:17:30):
The, then let's go ahead and turn
our attention to our classic barometer.
It's our scale from one to ten onwhich we rate Rhea's performance
as a husband, son, father, brother,principally in this episode.
Um, Patch Adams type hospital jokester.
Uh, with ten being the great dads ofsitcom history, Danny Tanner, Uncle
(01:17:50):
Phil, Carl Winslow, one being the badmen who actively harm their families,
Don Draper, Walter White, Alex.
Where's Ray coming infor you on this episode?
Alex (01:18:02):
Um, well, he started out, well, I
mean, lying to get out of an obligation
that you forgot about is somethingI can't get particularly mad at Ray
about because I do that all the time.
Like, I get why he felt guilty, butgoing about, like, like, Ray's more
dangerous when he's trying to make amendsthan when he's just trying to bullshit.
(01:18:22):
Um, cause like, I think he just, like,he made Two big misses at the hospital,
and then a big miss when he talked toRobert in the bedroom when it was clear
that Debra just told him to say that.
Um, I mean he, he rapped it outwith, while being very sincere right
at the end, which I appreciated.
(01:18:43):
It was a pretty non impactful,like, Ray being, you know, stupid.
I'm not, like, blaming himfor Robert getting gored.
Um, you know, obviously Ray feels badabout it, but it wasn't his fault.
He didn't, you know, givethe bull twenty bucks.
(01:19:04):
Um, I'd give him like, I'd give himlike a five, five and a half probably.
Cause, again, he didn't do anythingremotely, like, Damaging, he was
just kind of a shitty brother andjust failed to make amends and
then made up for it in the end.
Pretty typical Ray.
Mike.
Mike (01:19:22):
I'm gonna be lower than Alex, but
I do agree with his general assessment.
He was just kind of a shitty brother.
I really don't think the firstsin of not inviting Robert places.
It was a bit of a dick move,but it wasn't that big a deal.
Uh, it's more that, like, he didn't readthe room in the, uh, hospital scene.
Funny.
I'm glad as a viewer that he was a dick.
(01:19:44):
But he was a dick.
So I gotta knock hima few points for that.
Um, that last scene was genuinelyheartfelt and touching, saving him
from having an egregiously bad thing.
Uh, but I think that he brought his exgirlfriend to witness his exposed New
asshole, it was, it was a whole, big,
Adam (01:20:03):
Upper thigh, his
Mike (01:20:04):
whole big, sorry, his new exposed
upper thigh, and I just, I don't know,
I, there's very little, up until thelast scene, that Raid did, that was
good, and I can't give him a positivescore, for a, 23 minute, Asshole.
Session.
So I'm going to give him a very Which
Adam (01:20:23):
you auditioned for that, right?
The 23 minute asshole session?
Mike (01:20:28):
Yeah, I did.
They didn't think thatmine was perky enough.
Thank you for bringing that up.
Mike, they don't do that at this salon.
Your asshole
Adam (01:20:34):
wasn't perky enough.
Mike (01:20:35):
Yeah, that's what they said.
Okay?
Do you want, do you want more notes?
Cause I have them, I havethem scarred into my body.
They sent
Adam (01:20:43):
you the notes?
They
Mike (01:20:43):
sent me the notes.
They were like, we don'ttypically do this, but you
look like you need some help.
So they sent me Porncasting is brutal.
It really is.
It's really bad.
Really mean.
And what studio was this at?
It was 20th Century Fox.
Okay.
Adam (01:20:59):
Oh, not Come Lumbia Pictures.
No, it was
Mike (01:21:01):
not Come Lumbia Pictures.
They have a terrible reputation, soI didn't accept anything with them.
Uh,
Adam (01:21:06):
yeah,
Mike (01:21:07):
four.
Giving Ray a four for this episode.
Adam (01:21:14):
I, uh, think I do.
Thank you for reminding me about Amy.
Cause at first I was like,Oh, it wasn't that bad.
He kind of made it up at the end,but no, he didn't read the room.
You're right.
Um, made Robert, I'm sure, feel selfconscious, um, in his vulnerable moment
and then bringing Amy to see him.
(01:21:36):
in this vulnerable state, uh, is not cool.
Credit to Robert for calling him out at,you know, the times where he is clearly
just saying it because he thinks that'sthe right thing to do, not because he's
actually showing any concern for Robert.
Um, the fact that he actuallydoes help him does save him a
(01:21:59):
little bit, you're right, Mike.
But the, yeah, the, the Amy thingis, is really starting to bother
me, so I'm gonna go down to three.
Three.
Totally there.
Yeah.
I'm gonna go three.
So we got three, 5.5, and four.
Mike (01:22:14):
That puts us at
a 4.2 for this episode.
All right.
Adam (01:22:18):
That I like.
Mike (01:22:20):
I think that's, I
think that's generous.
I think that that just speaks tohow much the last scene touched us.
Adam (01:22:26):
Yeah.
I think that helped him out a lot.
Yeah.
Um, okay.
I mean, I agree with that.
So.
Anything else you want to say onthis episode, or should we, uh, move
on to our closing, uh, thoughts?
Let's do our closing thoughts.
Let's do our closing sentiments.
Okay.
All right, Alex, why don'tyou go first this time?
And here's what I want you to say.
(01:22:47):
This, I'm going to tell you, thisis what's tested really well, is
sincerity, letting the listener knowthat you care about them, and How
concerned you are for their well being.
So just say something like that.
Just say, I care about you.
I'm concerned for your well being.
I want you to get better, youknow, cause a lot of our listeners,
(01:23:08):
most of our listeners are sick.
They're ill in a bad way.
We, I will say
Mike (01:23:15):
we did get a new, new thing.
We do crush in the demographicof died while listening.
I just absolutely
Adam (01:23:24):
demolished that.
Because they die and they can't hit pause.
That's right.
Alright, well.
So something like this.
Message received.
We're gonna, we're gonna close out likewe always do with our closing sentiment.
Just something to take into your week.
And.
Alex, is there anything youwant to leave the listener with?
Alex (01:23:43):
Well, I'm going to
go right off what you said.
Listen, you sick fucks.
I'm thinking about you.
I'm watching you.
I am looking over your shoulder.
I will be in your thoughtsand you will be in mine.
I am going to be absorbing your verybeing and becoming larger into the world.
(01:24:03):
Um, and you should feelbetter because I'm great.
Adam (01:24:08):
Wow, that was really nice, actually.
It kind of had like a religiouskind of overtone to it.
Thanks, Adam.
You know, the Holy Spirit almost.
That was really nice.
But I think just to be fair,you know, we like to A, B these.
I think let's just let Mikedo one, and I think we're
probably going to go with yours.
But let's just see.
Mike, is there anything that you wantto leave the listener with this week?
Mike (01:24:31):
Yeah, actually, I was,
um, I experienced something
that really changed my life.
I was listening.
And I was, I was reading and I cameacross this product that was, uh,
specifically geared towards the absolutestupidest members of our society.
The utter, utter idiots thatdon't propose anything useful
to, uh, the world around us.
(01:24:51):
Um, it's called the Baroness Zonus.
It's a one time fee, uh, that you pay toget extra content from the Baron Boys.
An extra episode a month.
Uh, you pay it once, pay what you want,and it's not even a specific price.
It's pay what you want andyou get lifetime access.
So it's not even, not even a subscription.
But yeah, it was, this was recommendedto the bottom feeder, uh, uh,
(01:25:14):
useless, uh, pointless human beings.
And, uh, I know that that's primarily ourlisteners, so I wanted to, uh, throw them.
Adam (01:25:23):
Hmm, both good.
Alex, I know what I said earlier.
I think we've gotta go with Mike's.
I think we've gotta go with Mike's justbecause I think it's that honesty that.
People really need tohear when they're down.
You can't sugarcoat things for them.
You gotta let them know.
Alex (01:25:39):
Can't even blame them.
I get it.
That there
Adam (01:25:41):
is a light at the end of the
tunnel, but they are well into the tunnel.
It's gonna take a while to get out of that
Alex (01:25:47):
tunnel.
I completely agree with you.
Adam (01:25:48):
Yeah, I'm glad that you, cause a
lot of times you seem hurt when we go
with Mikes, but I think in this instanceI mean you admit it's it's better.
It's pretty good.
Mike (01:25:56):
It's pretty good.
Adam (01:25:58):
Okay, so we'll cut yours
out Alex and delete it So no
one will ever ever hear it Burnit from the earth and I got it.
Mike will put yours in the show.
Well, that's so great Mike Thanks forsharing that Um, then I guess there's
only one last thing for us to say.
It's our classic sign off, of course.
(01:26:18):
Everybody loves Raymond.
And we love you.