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This week we’re talking about the music that shaped our lives. From first albums to skipped tracks, we reflect on the playlists that told the truth about who we were and who we were becoming. We also unpack the rise of AI in creative spaces and what’s at risk when convenience starts to replace connection.

Along the way, we debate favorite albums, swap stories about music memories, and share the artists who raised us. Whether you’re all about hip-hop classics, gospel deep cuts, or R&B anthems, this one will have you thinking about the soundtrack to your own

Thanks for tapping in with The Heavyweight Podcast.
Make sure you follow, subscribe, and share with someone who needs this convo. Catch us on all socials for clips, updates, and more behind the mic. https://linktr.ee/TheHeavyweightPodcast

Episode Transcript

SPEAKER_03 (00:00):
Welcome to the Heavyweight Podcast.

SPEAKER_02 (00:04):
The message behind saying the title of the
Heavyweight Podcast is to beable to say that we can we can
weigh in some heavy shit.
What we're talking about isimportant from every aspect of
it.
It's a heavy weight.
It's not just about physicalweight, but the weight of things
that that can weigh our minds.
So I think it's dope that we canhave this conversation.

SPEAKER_01 (00:26):
People want to know you more musically.
So it gives a nigga.
This nigga who does the music.
The nigga whose music theyactually listen to.
I got bars too.
I doubt it.
They're just at the gym.

SPEAKER_04 (00:38):
They're barbells, dumbbells.

SPEAKER_02 (00:41):
I hear bear bells.

SPEAKER_04 (00:44):
I think I'm I'm gonna have I'm gonna have AI RB
a fire at 16.
I looked at it last night,nigga.
There's gonna be a lot of those.
AI 16?

SPEAKER_02 (00:52):
I looked at it last night, nigga, because I was
curious.
It works.
I know, but that's the scarypart, man.
It just disturbs.
How you gonna compete?

SPEAKER_03 (00:59):
Like, I hate that shit.

SPEAKER_02 (01:01):
And the thing is it pulls from everything.
So you can say in the style of,and it'll be like say less, and
it'll come back to you like, howthe fuck did you come up with a
punch?

SPEAKER_03 (01:09):
There's gonna be some niggas, comedians out there
where you're like, that joke istoo good.
Yeah, like there's no way youwrote that motherfucker.

SPEAKER_04 (01:16):
Hey, nigga, hey, if I say send me some beats, nigga,
don't worry.
Just send me just send thebeats.

SPEAKER_01 (01:20):
Nah, finna do it.

SPEAKER_03 (01:23):
Uh oh, what did the game do?
64?
I think we're gonna have to outyou.
Wait.
Just as artists, we have to outyou.
Game did 64.

SPEAKER_04 (01:33):
I'm doing a I'm doing a 128.

SPEAKER_02 (01:35):
And then I was curious to um if you like if,
for example, if our rightlyrics, I put lyrics that I that
were unfinished, and I said,Finish these.
Make this more tight, yeah, orthis, and it or technical and do
it.
It did it.
It literally said it gave it, itanalyzed it and said you have a
strong base to da da da da da dada.
And then it gave you another.
I was like, who the fuck iscrazy?

SPEAKER_04 (01:56):
Oh, I'm finna be a rapper, nigga.
We on 220.
You still gotta perform it,nigga.
Like no, I don't.
No, I don't, nigga.
You see these niggas that doback end tracks all the time?
I just gotta stand on stage andyeah.
Yeah.

SPEAKER_03 (02:12):
Oh.
That's true.
This is true.
That's sad.
That's true.
That's you okay?
Sorry.
You just wrong, Desk.

SPEAKER_01 (02:21):
Nothing.

SPEAKER_04 (02:23):
I'm gonna be, you know, I'm gonna start treating
you like a lady.

SPEAKER_01 (02:25):
I'm good.

SPEAKER_04 (02:25):
I'm gonna be softer with you.

SPEAKER_01 (02:26):
No, you're not.

SPEAKER_04 (02:27):
And it's okay.

SPEAKER_01 (02:28):
That's all right.

SPEAKER_04 (02:29):
I know you.
When you said you was a nigga,so I treated you like one.

SPEAKER_01 (02:33):
I'm a whole ass nigga.
It's it's it's it's difficult tounderstand.
Like, I'm a lady and I'ma dresslike a girl and I'm gonna do
girly things, but I'm still likea whole ass nigga.
And I think it's because I thinkmore logically than emotionally.

SPEAKER_04 (02:47):
Hold on, hold on.
I can't, I I can't say it toyou, but I want you to say it.
Like the dude from the um, likelike Drew C.
Oh, you one of them.

SPEAKER_01 (02:54):
Oh, oh, what'd he call that damn girl?
Nigga bitch.
You one of them nigga bitches.
I love Drewski.

SPEAKER_04 (03:01):
Shout out to Drewski, he's hilarious to me.
Then he walked away, he said, Ikind of want to give it to a
little nigga.

SPEAKER_01 (03:08):
He's hilarious.
That nigga is funny.
He's a tech.

SPEAKER_02 (03:11):
That that is the feedback I get from about you.
What?
Is that she's she's like, sheshe balances the line.
So it's like a lot of times youwe looking for the female
perspective, but it's kind oflike four niggas.

SPEAKER_01 (03:25):
She don't rhyme for the ladies.

SPEAKER_04 (03:27):
I I did hear you didn't rhyme for the ladies.

SPEAKER_01 (03:28):
I don't be it's not that I don't be trying to ride
for y'all girls, but it's justthat I just think more logically
than I think with my emotions.
And I just it also makes it hardfor me dating because you not
finna put no bullshit on me,nigga, because I'm already up on
the bullshit.
So you gotta just keep itstraight with me, because

(03:48):
otherwise.
Yeah, it makes it very hard forme because niggas be mad because
I've because I don't fall forthe hooky though.
Go get me a nigga bitch.
I dated somebody at the house,then niggas is that's what I'm
saying.

SPEAKER_04 (04:01):
I'm like, this nigga just be talking.
Ain't that the point of thepodcast to talk to me?
Like we gotta hang out or likelike like Ain't that the point
of the podcast to talk, nigga?

SPEAKER_01 (04:14):
I I get that.
We in us looking for anotherfemale, we probably need a girl
that's softer than me.

SPEAKER_02 (04:19):
That's what they're saying.
It's like you play off of thatbetter than he's like, because
when you're with us, you justkind of be like, that's four
niggas up there.
It's like, oh damn, like youprobably need like a singer.
We need to get Maya up here.

SPEAKER_01 (04:30):
Like the singer?

SPEAKER_02 (04:31):
Yeah.

SPEAKER_01 (04:32):
I mean, yeah, absolutely.

SPEAKER_02 (04:33):
Yeah, but I don't think we'll be doing much
talking though.
Like, I everybody's staring,like staring at.

SPEAKER_01 (04:38):
I I wouldn't talk at all.
What'd you say?
That's gonna be that's gonna bethe day I'm my most nigga-ish,
because I'm a hit on her.
I'm not gonna lie to you.

SPEAKER_03 (04:44):
I'm just like this.

SPEAKER_01 (04:47):
So you comfy you want some you want some water or
I'm gonna be like, so you saidyour love was like, whoa, huh?
Let me see.

SPEAKER_02 (04:53):
I've never been a vegan.
40 minutes of shooting theirshot.

SPEAKER_01 (04:56):
Let me let me see.

SPEAKER_02 (04:58):
It's like that.
We don't even know what theepisode was about.
They were just shooting theirshot.

SPEAKER_01 (05:02):
You said, take me there, I want to go there, let's
go.
Shit.

unknown (05:05):
Yeah.

SPEAKER_02 (05:05):
She can change my type of thing.
So when you did that song withSoak the Shocker, how offbeat
was it?
Yeah, I was gonna say.

SPEAKER_04 (05:11):
How did you like record?
Wait, wait, wait.

SPEAKER_03 (05:15):
We should go live and watch the no limit and cash
money versus on Sunday?
Is this week?
It's already coming.
I don't know what it is, butthat's just gonna be hilarious.
It's not gonna be good.
It's gonna be hilarious.
Ain't nobody gonna be there.

SPEAKER_04 (05:31):
It's gonna be the new, new, new no limit.
And then they and and they saidit's supposed to be no limit
versus cash money, not youngmoney.
So they said they won't beplaying no Drake, no Nikki.
Yeah.
So just I mean, just kind of winoff for that alone.
Just Hot Boys and Young Wayne.
Did Wayne show up?
Yeah, I'm I mean, I meanprobably still in the contract.

SPEAKER_01 (05:52):
He's coming with all four.

SPEAKER_02 (05:54):
It ain't like he had he's recovering from the Super
Bowl.

SPEAKER_01 (05:58):
He might be.
Bad bunny couldn't be there,though.
What about uh now he's mad ashell because Bad Bunny gonna be
there?
I love Bad Bunny.

SPEAKER_04 (06:09):
I don't know Bad Bunny's music, but I don't I
didn't I never understood the Isaid, nigga, it's a lot of
Hispanic people who like BadBunny and listen.

SPEAKER_03 (06:17):
This listen to the music weekend before that, the
nigga sold about 800 milliondollars worth of tickets and
shit like that.
Of course he's doing thesupermarket.
What the fuck are you talkingabout?

SPEAKER_01 (06:30):
My husband speaks Spanish, so I be knowing what
Bad Money is saying because Iget he translates it for me.

SPEAKER_04 (06:35):
But the thing is that people don't understand.
I thought I thought very Ithought about this.
I said, there is no becausethey're talking about the
country stars, right?
I don't think there's a countrystar that will sell that could
sell out a football stadium.
The only the only Caucasianperson I feel like could sell
out a football stadium is TaylorSwift.
And she's not true.

SPEAKER_03 (06:53):
Apparently she turned it down.
That ain't true.
They've they've they've donetours.
It's just Kidney Chesney,fucking football stadiums?

unknown (07:00):
Yeah, yeah.

SPEAKER_01 (07:01):
But the people that the people that and I'm gonna
say this, and I'm gonna get it.
Let me be clear.
The statements that I'm about tomake are mine alone, and they're
not the reflection of thepodcast.
The people that could probablybuy those tickets, that they
would the fan base couldn'tafford those tickets.

SPEAKER_03 (07:17):
They don't give a fuck about who's there.
They want to sell to the world.

SPEAKER_04 (07:21):
But I'm saying if you put country artists up
there, the fan base Most peopletake the time to they have time
to talk to Super Bowl, take ashit anyway.
Yeah.

SPEAKER_03 (07:28):
You know, so it's like no matter what you do, if
you put up a country person,there's gonna be another bunch
of niggas.
Yeah, sorry, we went on a wholething.
I don't think we started.

SPEAKER_01 (07:35):
So we just off track because music is actually really
speaking about today.
Um, you know, they say that youare whatever you consume.
And in this case, we're nottalking about food or pussy.
In this case, we're speakingabout music.
Um, they said the things thatyou listen to are a reflection
of who you are.
Today we're gonna dive deep onif that's the truth.

(07:56):
Is is what you're listening to areflection of who you are as we
drive through episode 220.
We driving?
We're driving through this.
We're gonna drive a boat onthis.

SPEAKER_04 (08:07):
Are we rocking the boat?

SPEAKER_01 (08:08):
We're driving the boat on this.

SPEAKER_03 (08:09):
Child, I miss Aaliyah.
Nigga.

SPEAKER_01 (08:10):
We driving it.

SPEAKER_03 (08:12):
A bunch of niggas on boats?
Yeah.

SPEAKER_02 (08:13):
You saw slicker on.
I was that one night with theLark, I was I went down memory
lane.
There was Aaliyah, genuine, etc.
I was just showing Alark and hewas just vibing out with me.
That's dope.

SPEAKER_01 (08:25):
He seems like he's your musically inclined child.
You can tell.
I I seen him a video you postedto him and he was he was
grooving.
You can tell.

SPEAKER_04 (08:33):
I may I may or may not be preparing to have AI
write a disc track for one ofMcFox kids so that there is a
Robinson.
Are you gonna do the Joe Buttonthing?

SPEAKER_03 (08:44):
The Joe Butt with his son dist.
And he's over there like, hey,if that nigga do it, we have to
eat these books.

SPEAKER_01 (08:54):
This is episode 220.
Okay, I'm Daz the Diva, yourhost.
Why you fuck why you got Twainin your voice today?

SPEAKER_04 (09:00):
220.

SPEAKER_01 (09:01):
We're talking about country, we're back.
That was my uh Beyonce uh uhtinfoil voice, my country.
Um back with these three amazinggentlemen.
Introduce yourself to the peoplewho don't know.

SPEAKER_03 (09:16):
Oh, I'm I'm I'm gonna be silk the shocker today.
Fuck it.
We talk your music.
Hell yeah.
We staying off beat off beat,baby.

SPEAKER_01 (09:23):
So he won't be on one beat this whole episode.

SPEAKER_03 (09:26):
I ain't gonna talk about none of the topics.
I'm gonna just be on somethingelse.

SPEAKER_01 (09:30):
Sorry.

SPEAKER_04 (09:31):
Oh, it's your boy Molito.

SPEAKER_02 (09:33):
Positive.
I'm stutter.
I'm stutter murc McFly.

SPEAKER_04 (09:37):
Merck Merck.
Are you murking all the discrecords against you from from
them from them uh children ofyours?

SPEAKER_02 (09:43):
I don't know.
I'm just I'm just in murk mode.

SPEAKER_04 (09:45):
Oh I think everyone's gonna have some fire
ass bars.

SPEAKER_02 (09:49):
Yeah, the way she be looking at me anytime something
don't go her way.

SPEAKER_04 (09:54):
I think she's writing them in her diary, you
don't know about them.
She she she she preparedherself.

SPEAKER_02 (09:58):
She got smoke for me.
I was like, yeah.

SPEAKER_03 (10:01):
This is all because I said no.

SPEAKER_04 (10:05):
You didn't pick me up that day.
Now you gonna see what it feelslike.

SPEAKER_01 (10:10):
I'm not finna play with y'all.
How are y'all weeks?

SPEAKER_03 (10:15):
Jamming.
Go birds.
Jamming.

SPEAKER_01 (10:17):
Fuck the motherfucking birds, nigga.

SPEAKER_03 (10:19):
I love I love birds.

SPEAKER_01 (10:21):
Fuck the birds.

SPEAKER_03 (10:21):
And I hope you like jamming too.

SPEAKER_01 (10:23):
Cowboys, nigga.

SPEAKER_03 (10:27):
Oh, he can't.
Never mind.
My week was good until you saidthat shit.

SPEAKER_01 (10:31):
Give a fuck.
Cowboys, nigga.
Cowboys, nigga.

SPEAKER_03 (10:33):
Dick Prescott.

SPEAKER_01 (10:35):
Shut the fuck up, nigga.

SPEAKER_03 (10:36):
Dakota.
Yeah.
I call that nigga Dakota.

SPEAKER_04 (10:39):
His whole name.
Yeah.
That's his name.

SPEAKER_01 (10:43):
I don't know that's a nigga name with it.
I don't give a fuck.
You niggas.
Y'all I I I hate when y'alldouble team me.
That's what really be gettingme.

SPEAKER_04 (10:55):
Whoa, there is no trains in here.
Um somebody said, somebody saidDak Presto is like Whataburger.
Everyone in Texas thinks he'sgreat.

SPEAKER_03 (11:06):
That's funny as fuck.
Because that's the truth.
Whataburger is never mind.
Off yeah.
How was your week?

SPEAKER_04 (11:16):
How's your week, McFly?

SPEAKER_03 (11:19):
This is your week.
Did you skip skip you?

SPEAKER_04 (11:21):
Yeah, he skipped us.

SPEAKER_01 (11:23):
We definitely skipping him because the nigga
put some fucking go birds.
Nigga, how was your week?
Go birds.

SPEAKER_02 (11:27):
I always chill.
Um, you know, uh went to workand uh uh achieved the
unachievable and uh progress andmade a lot of people upset and
probably have like 20 moreenemies, you know.
In the words of Cat Williams, ifyou know get more haters.

SPEAKER_03 (11:44):
You got a lot of audacity in my video I said a
lot of audacity some of the shityou say people be saying, I'm
like, that's like a lot ofaudacity to just say that to me.

SPEAKER_04 (11:55):
But niggas, but the thing is niggas never say shit
to the face.
Yeah, it's always it's always uha lot of niggas feel
comfortable.

SPEAKER_03 (12:01):
Yeah, let me tell so-and-so.

SPEAKER_04 (12:05):
I I got I have so many people talk shit about me
every week, I just be laughingat them.
I be like, I appreciate it.

SPEAKER_03 (12:11):
Is this what these niggas do at work?

SPEAKER_01 (12:13):
No, I'm the online.
Oh, because I'm like, damn,y'all niggas' job is hot.
Y'all need y'all need hazardouspay.
They at the fucking job talkingshit.
Are they fucking with you atwork?

SPEAKER_02 (12:23):
At work, no, I it's I've explained I explained this
to Zuli the other day.
Um the thing that I I I'velearned, and maybe it's it's a
uh a growth as a person becauseI'm so used to dealing with
certain things and aspects, isthat I started to understand and
I was explaining to her.

(12:46):
When you're dealing withconstant things, it's even if it
bothers you in private, anytimeyou're presented with the
situation in public, don't givethe other side the energy or to
let them know that you theyaffected you in some way.
So, like, even at work, whenthey look to get rises out of

(13:09):
me, I can't operate in the inthe energy or space to let you
know that you affect me.
Even if that's the case, I'mstill gonna approach it as if I
didn't I wasn't phased or Ididn't see it.

SPEAKER_00 (13:20):
Oh, yeah.
You can rise above.

SPEAKER_02 (13:22):
Yeah, because at the end of the day, even if it is a
bothering me, you're not gonnaknow it because I'm not gonna
allow you to affect me publicly.
That's what they want to see.
Yeah.

SPEAKER_01 (13:31):
So I wish I had that type of maturity.
I'm not I don't.
I feel like I'm not I'm I'm II'm not gonna stab you.
I just I really do be mycomebacks be so quick that you
really I I'd be excited to tellyou the shit that just popped in
my head.
So I think I but but I do needto work on that.
Nigga, did you just snap withyour middle finger?

SPEAKER_04 (13:51):
Yeah, you can't, but it's like she was like doing a
whole fucking hand type shit.
I'm like, I'm like, nigga, I Idon't think she was using her
thumb at all, nigga.
I was like, what the fuck?

SPEAKER_02 (14:02):
I said maybe she was maybe that backpack, she don't
need it.
So in Des energy, my brain wentto when you said my comebacks be
so quick, I was like, Yeah, mycome be quick too.

SPEAKER_01 (14:10):
It just Oh my gosh.

SPEAKER_02 (14:12):
Foss it just flap, flap, right in her face.
That shit was good.

SPEAKER_03 (14:17):
Well, shit was good.
Yeah, it was good.
Apparently, my YouTube is allabout that.
That's what every account, everycommercial is busting quick.
Premature ejaculation.
I'm like, what the fuck?
Are we still in the weeks?

SPEAKER_01 (14:31):
Oh my god, my week was great.
Um too eventful.
Um, you know.
Go birds.
Fuck the birds.

SPEAKER_03 (14:43):
Um we're gonna slide right into music.

SPEAKER_01 (14:48):
Yeah.
I'm gonna go ahead and uh andand and we're gonna start with
the rapid fire.
And this time we're gonnaactually rapidly as possible.
Answer the question.

SPEAKER_02 (14:59):
You say rapidly or rapidly?

SPEAKER_01 (15:02):
If you feel like you wanna music while you feel like
you want to throw a rap outthere, you have bars.

SPEAKER_03 (15:08):
I don't have bars chat GPT.
Whenever it is.

SPEAKER_02 (15:11):
Can I redo the the verse that I did on Instagram?

SPEAKER_04 (15:13):
Sure.
Sure.

unknown (15:15):
Go ahead.

SPEAKER_02 (15:15):
Do I rate right now?

SPEAKER_04 (15:16):
Go ahead.
I mean, if you want to.

SPEAKER_03 (15:18):
I thought that's what you meant.

SPEAKER_02 (15:19):
Oh.

SPEAKER_04 (15:20):
So do are we snapping?

SPEAKER_02 (15:22):
You can snap.

SPEAKER_04 (15:24):
Poetry.

SPEAKER_02 (15:24):
But uh, as I said, lyrically, I ain't even
scratched the surface yet.
Cats putting up money to see me,and they ain't worth the bet.
I'll flow a combo of PapaMolly's on Percocets,
stranglehold on the globe, and Iain't gotta hurt your neck.
Problem with the scene, it's allthe same thing.
Two million rappers pushing forthe same dream.
I would switch to RB, but Ican't sing.
Not addicted to drugs, no, Inever did fiend.

(15:45):
But these punch lines got yourbody on lean.
Removing vital organs first fromstarting with your spleen.
Would castrate the masses of therappers, but when it came to
balls, none of y'all ever hadthem.
Splitting open chest, justexposing that you're heartless.
If y'all not real, then wherethe fuck are the artists?
This is my motherfuckinginitiation.
You're witnessing the uproarnation of domination.
Now face it.

SPEAKER_01 (16:08):
Because where the fuck is all the artists, okay?
Nigga, I'll drink today, okay?
Okay.
I don't rap, nigga.

SPEAKER_03 (16:19):
Okay.
You got you got bars do though?
I rolls dolo from state tostate.
That's it.
Oh you don't know that moviereference.
You know that movie reference?

SPEAKER_01 (16:33):
Um, did you ask me, was he still drinking this cup?
Hell yeah, nigga.
Y'all not finna, y'all not finnahave me out here, out here.
Shit.

SPEAKER_02 (16:40):
I know you you have you have one bar.
Me?
Yeah, it's your go-to bar.

SPEAKER_03 (16:44):
Fuck him, he got a bar.
I like that.

SPEAKER_02 (16:47):
Fuck him.
Fuck him.
Fuck him.
You can start every verse withthat or end it with it.
Fuck him.
Fuck him.
Ain't there a son?

SPEAKER_03 (16:52):
That's my sign off.

SPEAKER_01 (16:54):
Fuck him.
Didn't Martin have that name onhis stand-ups?
Fuck him, girl.
Yeah.
Fuck him.
Uh, what's that girl name?

SPEAKER_04 (17:01):
Um ask the questions, nigga.

SPEAKER_01 (17:03):
No, somebody got that damn song.
Hold on, because that's whenit's it's gonna drive me nuts
until I know who sang that song.
Fuck him?
Yeah.
Yeah.

SPEAKER_03 (17:12):
I'm sure there's a lot of songs named Fuck.

SPEAKER_01 (17:14):
It's a very good one.
What's that girl named?
Cash Doll.
Cash Doll sings fuck.

SPEAKER_03 (17:17):
I'll be bumping that.

SPEAKER_01 (17:18):
I don't know.

SPEAKER_02 (17:19):
I don't know what none of them bitches look like.
I gotta get that shirt that withthe chicken on it.
It says fuck him.

SPEAKER_04 (17:24):
Yeah, though.
Fuck all.
Did I sing that Lauren Hillshirt?

SPEAKER_02 (17:29):
I think you did.

SPEAKER_04 (17:30):
I want to buy that motherfucker.
That motherfucker.

SPEAKER_01 (17:33):
Yeah, well.
You know I love me a blackmaking shirt.
I love Lauren Hill.
And if you should start makingshirts, then I could just rotate
back and forth between yourhouse and your house from my
shirts.

SPEAKER_03 (17:42):
That's true.

SPEAKER_02 (17:43):
I listened to the Lauren Hill uh D'Angelo song,
and then it made me listen tothe J.
Cole sample of that song.

SPEAKER_03 (17:50):
Oh, that's such a great song.

SPEAKER_01 (17:52):
J.
Cole sampled it.
Yeah.
What's it called?
Send it to me.
I think it's let it go.
You have Apple Music?

SPEAKER_02 (17:59):
Yeah.
Send it to me.
I think I need to let it go.
Let it go.
Let it go.

SPEAKER_01 (18:06):
Why are you rolling your neck like Bill Cosby like
that?

SPEAKER_02 (18:09):
Because nothing even matters.
Don't do that.
Bill Cosby don't like niggas.

SPEAKER_03 (18:12):
I love you.

SPEAKER_01 (18:12):
You look like you was trying to get your Jin O
putting.

SPEAKER_03 (18:14):
Said Lauren Hill, don't sue me.
No, I don't be dropping Quaalusand bitches drinks.

SPEAKER_02 (18:21):
I ain't want to front like a guy, nigga.
I ain't got it.

SPEAKER_01 (18:25):
Was the first album you ever bought for download?

SPEAKER_04 (18:29):
If I dropped the Quaylus of my wife's drink,
she'd be here because she'dsleep.

SPEAKER_02 (18:32):
Right now, it was the first album I ever bought.
That I bought was DeBratFunctified.
Oh, but that's not I thought youtalked about the one where she
had the bikini in the album.
No, this was like the her firstalbum.
I thought De Bratt was one ofthe my favorite rappers.
Because I wouldn't put on gameduring for Chris Cross because
she was on Chris Cross album.
But DeBrat was one of the first.

(18:54):
Like I was like, this chick isfire.
Like she can spit.
So that was the first.
When I actually saved up money,I went, there was a uh a record
store next to my dad's barbershop, and I went in there and he
worked with me.
And uh, and I was a I bought uhit was my first CD actually.
I bought uh DeBrat's Functifier.

SPEAKER_04 (19:12):
Are you talking about records or are you talking
about albums?

SPEAKER_02 (19:15):
It was the first album I bought then.

SPEAKER_04 (19:16):
The first I've had a lot of albums before this, but
the first one I actuallypurchased and didn't like either
it was gifted or stole.

SPEAKER_02 (19:22):
Um subtly, huh?

SPEAKER_04 (19:24):
Yeah, subtly.
Uh was Country Grammar.

SPEAKER_02 (19:28):
Hot shit.
I seen it.
I can't even say that because Igot that illegally.

SPEAKER_03 (19:33):
Was that around Napster too?
Yeah.
High school.
That's 99.
Yeah, 99.
Damn, I hate that I could dothat with music.
Like, that's how I base it allmy life.
But anyway, I think my was uhyou're gonna love this.
This is your this is yourfavorite.
This is your favorite.
This is your he's your favorite.
Oh yeah, I bought Warren G.

(19:53):
Oh my god.

SPEAKER_02 (19:54):
Damn.

SPEAKER_01 (19:55):
You don't like Warren G?

SPEAKER_03 (19:57):
Regulators was the first album I bought.

SPEAKER_02 (19:59):
He was in uh Menaphy.

SPEAKER_01 (20:01):
I know he did.

SPEAKER_02 (20:01):
And I ever was like, you know, you're running, it's
his barb shop, so he came tothis barbershop.
I'm not coming back to thisbarbershop.

SPEAKER_03 (20:08):
I don't want to have to tell this.

SPEAKER_02 (20:10):
Yeah, like I don't want to, oh man, you fuck with
the no that was the first one.

SPEAKER_04 (20:14):
The first, the first, that was the first CD I
had all thugs and had Harmony,but I stole that from my sister.
I got oh, I lied because myfirst first one I bought wasn't
um it wasn't a CD.
It was a tape.
I actually had the the the BlackStreet album on tape.

SPEAKER_02 (20:31):
I was like the my actual buying, yeah, me trying
to hustle money was but I've hadlike Chriss Cross and stuff.
But I bought that nail album.

SPEAKER_04 (20:38):
I bought that nail album on my first paycheck.

SPEAKER_01 (20:42):
The first one I had was in was uh The Art of War.
That was the first one I think Ibought, but the first one I had
was a tape and it was ChrissCross.
Um I think crossed out, I thinkwas the name of it.

SPEAKER_02 (20:52):
I used to wear my stuff backwards.
Oh, I believe it.
Chriss Cross.

SPEAKER_01 (20:55):
I believe it.

SPEAKER_02 (20:56):
I used to I I thought they were back.

SPEAKER_01 (20:59):
What's your go-to hype up song in the moment?

SPEAKER_04 (21:02):
Right now?
Then that should change.

SPEAKER_01 (21:04):
Just in general.
Just in general.

SPEAKER_04 (21:05):
No, no, right now, it's Cardi.
Pretty and pretty as fuck.

SPEAKER_01 (21:09):
Pretty and I'm petty as fuck.

SPEAKER_04 (21:11):
Pretty and I'm petty as fuck.
Turn the TV off.
That makes me want to throw ass.

SPEAKER_02 (21:14):
That's a good one.

SPEAKER_01 (21:15):
That nigga said that shit make you want to throw ass.
Say yours again, please.

SPEAKER_02 (21:19):
TV off.
Kendrick.
When I hear the mustard shit.
That shit go hard, but prettypretty as fuck on.

SPEAKER_01 (21:24):
Pretty and I'm petty as fuck.

SPEAKER_04 (21:26):
I said, I said the fuck the part.
This is a diss song, but you canreally dance to this
motherfucker.

SPEAKER_01 (21:30):
Maria Bia.
Poor Bia.
Shout out to Bia.

SPEAKER_04 (21:36):
She said, I told you, ho, I was addressing you on
my time, bitch.
I said, okay.

SPEAKER_01 (21:39):
And listen.
And she did.
And then Bia got her ass upthere, was like, listen, I just
want to get in the studio withher.
Like, fuck it, never mind.
Cause you knew.
Cause you knew.
Kevin?
Turn up, you said?
Yeah, what's your like hypesong?

SPEAKER_03 (21:54):
Hype.
It don't gotta be rap.

SPEAKER_01 (21:57):
Anything.
No, nigga.

SPEAKER_03 (21:59):
If it be like Cheryl Crow, mine should be off, off
base.

SPEAKER_01 (22:03):
No, well, you like what you like.

SPEAKER_03 (22:05):
Off base sometimes.
You know what?
I'll I'll I'll do I'll do I'lldo my I'll go with Nelly.
Nigga, pick up one song.
I'll go my Nelly Frittato.
I knew it.
I'll go my Nelly Frittato.
It would be a white woman.
And then say it right.
Hey, is Nelly Fritato thick asfuck though?
She got she.

SPEAKER_01 (22:23):
And what she did to get your freak on that bitch was
like kick, kick, kick, kick,kick, kick, kick, kick.

SPEAKER_03 (22:27):
She got black girl curves.

SPEAKER_01 (22:28):
That she was, yeah.
Yeah.

SPEAKER_03 (22:30):
That might be why I started listening.
I was like, yeah, you know.
Well, she was skinny then.
That wasn't then.
She got black girl curves.
I thought you were gonna sayflaw like a bird.
That is my that's my go-tokaraoke song.
Karaoke, no matter what.
I think that's my life.
It's like I've my wife kind ofmade me stop being a bird.

SPEAKER_04 (22:49):
I've had it.

SPEAKER_03 (22:50):
She made you give your dreams up.
She made me the one for you.
Stop flying away.

SPEAKER_04 (22:55):
I don't think she's the one.
She made you give your dreamsup.
That's not that's not fun.

SPEAKER_03 (22:58):
No, not my dreams.
I just I used to just fly away.

SPEAKER_02 (23:02):
Well, meanwhile, I'm still saying fuck all.

SPEAKER_01 (23:04):
Oh god.
My song is Whitney Houston.
Um, I'm your baby tonight.
I love that song.
That is one of the best ones.
I fucking love like I I get onDominique nerve when that song
comes on.
I love that song.
That is like my hype up.
I love Whitney.

SPEAKER_03 (23:20):
There's too many hype-up songs.
That's the one.
Now that you're saying it, I'mlike, put a hump in your back
end.
Shake it.

SPEAKER_01 (23:25):
Hey, okay.
Put that song on.
You know who the hose in theroom is after that song.
Well, that's that song.
That's how I lost my braid.

SPEAKER_03 (23:33):
That's why I'll be in the club.
Like you lost your braid?
That's what we got.

SPEAKER_01 (23:42):
You don't watch my videos.
Because maybe I lost my braid inthe club the other day.
Don't know where that bitch is.
And that's what I was dancingto.
That's what I was dancing towhen that braid slipped out.
It's somewhere on the dance.
If I think one of them kids gotit, they was like, nigga, you
worked the shit out that oldbitch.
That's E40, right?

(24:02):
Huh?

SPEAKER_03 (24:03):
I think that's E40.
Put a home in your back.

SPEAKER_01 (24:07):
The alarming rate.
The man would be like, What's myfavorite word?
Be interested.

SPEAKER_02 (24:11):
Of individual braids I see in him at anytime I go to
Walmart.
Nigga.
It's alarming.
They'd be in there fighting.

SPEAKER_03 (24:16):
You just look down, you'd be like, what the fuck?
Knott's Berry Farm was theworst.
You find whole hair.
Well, you're like, so you justkept going.
Like fuck it.
Fuck it.

SPEAKER_02 (24:29):
That's crazy.

SPEAKER_01 (24:30):
One art you first make fly, okay?
One artist that you would loveto spend the day with in the
studio.

SPEAKER_02 (24:39):
Jay-Z.

SPEAKER_01 (24:40):
I knew you were gonna say that.
Does it have to be the studio?
Yes, Nick, it has to be thestudio.
We're talking about music.
But I'm not a I don't want to.
I don't care.
If you were gonna make a songright now, who would you want to
spend a day with?

SPEAKER_04 (24:52):
Dead or alive?
I'm just trying to have fun.

SPEAKER_01 (24:55):
So who you want to spend a day with, people?

SPEAKER_04 (24:58):
I'm gonna say three stacks.
I want to spend a day with Maya.

SPEAKER_01 (25:01):
Thank you.

SPEAKER_02 (25:02):
You're gonna be doing some weird abstract shit
with Andre three stacks.

SPEAKER_03 (25:05):
Do you have the flute?
Making peanut butter and jellysandwiches.
Like, nigga, what are we doing,man?

SPEAKER_04 (25:10):
We ain't even rapping.
I'm gonna leave the studio awhole different person.

SPEAKER_02 (25:14):
You know what we need?
Oh yeah.
You're like, wait, what?

SPEAKER_03 (25:17):
I thought we was rapping, nigga.
What about it?

SPEAKER_02 (25:24):
We're gonna take the dogs for a walk, but there are
no dogs.
That's okay.

SPEAKER_03 (25:27):
Since you made it dead or alive, I'm gonna go Mac
Miller.
That's the nigga I would love tolike sit with.
I fuck with Mac Miller.
Wow.
He seemed like he was fun asfuck, like just in the studio.
That would be somebody.

SPEAKER_01 (25:38):
Yeah, I would want to spend time with him as well.
That's not my person, but Idiscovered that I liked his
music after he passed away.
And I just feel like he wouldhave had an interesting story to
tell.
There would have been a bomb assbackstory in between every song
y'all made.
So I would I would love to spendit.

SPEAKER_02 (25:57):
My favorite song of his and performance is still
2009.

SPEAKER_03 (26:00):
That's a great song.

SPEAKER_02 (26:01):
And when you hear it, and then the emotion and the
state it puts you in, it's likethat's have you watched uh watch
The Tiny Desk?

SPEAKER_03 (26:09):
That one's dope.

SPEAKER_02 (26:10):
And you can see the emotion and when he's
performing, I was like, that'sthat's a hard feat.
That's an artist thing.

SPEAKER_03 (26:16):
There's a video of him and Nipsey in the studio,
and that music isn't out.
And I'm like, I would love tohear what those motherfuckers
came up with.

SPEAKER_02 (26:24):
Nipsey's another one.

SPEAKER_03 (26:25):
Yeah, like that would have been some shit where
you're like and I I like thatthat's dope because they kept it
to the vest.
They said, fuck it.
We just made music to makemusic.
Like, and that's dope.
Like, I love that that stillhappens.
I don't know if it still does,but I hope it does.

SPEAKER_01 (26:40):
Um, I think I would want to spend a day in the
studio with sorry next slide.
You want the I can but that'sstill doable.
I I can't be in the studio withyou.
Yeah, you can.
I would love that.

SPEAKER_02 (26:53):
You rot you won't be able to read what I wrote, but
yeah.
That's okay.
Chicken scratch.
Swatter's right there.

SPEAKER_01 (27:00):
No.

SPEAKER_02 (27:01):
I just don't want to like disturb the table and
you're like, it's in the in themix.

SPEAKER_01 (27:05):
It's so many artists I would want to spend a day
with.
Tupac isn't necessarily one ofthem.

SPEAKER_03 (27:10):
Oh, if he was in the studio, Tupac would just be
like, God damn it.
Right, nigga, you're not done.
It's song 12, nigga.
Like we got one more to do.

SPEAKER_01 (27:19):
Like, I think maybe Luther Vandros.
Wow.
Yeah, check over you.
Well, and I'm aware of that, butI would I think just because he
wants Steve, he's so full.
And I'm I'm very much as toughas I am on in some aspects, I'm
like a lover girl.
So I love those type of songs.
Shut the fuck up.

SPEAKER_03 (27:40):
I honestly think he was a nigga like people probably
don't know about.
Because like when you see someof the shit he was doing, I was
like, that nigga was a diva.
Yeah, like he's like, I'm gonnalet y'all know what I do when I
get in there.
And I love a good diva.
Busy.

SPEAKER_01 (27:54):
I love a good diva.
So do you want to be?

SPEAKER_04 (27:56):
I'm convinced that Michael Jackson was a thug.

SPEAKER_01 (27:59):
He was hanging out with Crips.
I heard Didn't you hear thestory?

SPEAKER_03 (28:05):
They said he told Tupac he was gonna beat his ass
if he fucked over uh QuincyJones' daughter.
I was like, Oh.

unknown (28:13):
Yeah.

SPEAKER_01 (28:13):
Oh, he could probably giggle, but that nigga
he probably didn't.

SPEAKER_03 (28:16):
He probably said, I'm gonna have the Crips beat
your ass.

SPEAKER_02 (28:19):
Yeah, have you heard the actual the videos of what is
a real speaking voice soundslike?
It's more like it's a deepvoice, yeah.
But that that's just for the thethe public perception.
But his voice was deep.
So their phone calls like hey,pop.
Yeah, just so you know, nigga.
Be with the Crips, nigga.

SPEAKER_01 (28:35):
You know who this is like Michael, and that's crazy
because people to be so obsessedwith who he was as a person, as
an artist, nobody knew who thenigga was.

SPEAKER_02 (28:45):
Exactly.
That's that's the artistmystique that I don't think
anyone will ever want that kindof mystique.
That shit was crazy.

SPEAKER_01 (28:52):
Now, of course, I also want to spend the time with
Chris Brown in the studio doingline in the studio, probably not
in the studio.

SPEAKER_02 (29:00):
Um, I know a skeleton at work.

SPEAKER_01 (29:02):
Oh my god.
I saw your little skeletonpicture.
No, because he seems like okay,all jokes aside, I do love Chris
Brown, but he seemed like such afun ass person.
He always doing some fun litshit.
So I feel like I would want tohang out with him and have fun.

SPEAKER_02 (29:16):
Well, funny is I feel like he's a workaholic.

SPEAKER_03 (29:18):
Yeah, I was gonna say the studio is different,
like it's lock in, lock in mode.
It's not even bullshit with thatshit, though.
Nigga, why are you talking to melike that?

SPEAKER_01 (29:26):
I ain't gonna talk, I'm just gonna sit there.

SPEAKER_04 (29:27):
You just be staring at me like I do, I do feel like
Chris probably go, I think Chrisrecorded like Pac.
Yeah, we just have to get thesesongs done.

SPEAKER_03 (29:34):
I put out with a 50 album 50 uh song album.
Yeah, that nigga probably had200 songs for the album.
Like, god damn.

SPEAKER_02 (29:41):
Yeah, he definitely strikes me as he's an asshole in
the in the in the studio, but alot of times you have to be
probably because he's like y'allneed to shut the fuck up,
fucking.
Yeah, like he's so high.
Fuck with that though.
You have to be something ofsongs, nigga.
If I could tell you how manyfucking studio sessions when
niggas was just talking, yeah,he's like, nigga, shut up.
We gotta finish this.
Like trying to record, nigga.

SPEAKER_01 (30:00):
This this one's kind of co game.
What song always gets skipped nomatter what?

SPEAKER_04 (30:05):
Right now, anything that got Drake works.

SPEAKER_02 (30:07):
Oh, that's unfortunately true.
It don't hit the same no more.
But uh passion any wishboneverse.

SPEAKER_01 (30:14):
I'm skipping already.
I'm skipping Ray.
Yeah, but he hit it first.
Where Recko?
I'm gonna give a damn.
Um I feel like I'm one wishedout for a lifetime.
I'ma skip one wish.
If I had one wish.
Really?
Yeah, because God.
God damn, I'm tired of hearingthat motherfucker song.

SPEAKER_02 (30:34):
Trying to think what actual song.

SPEAKER_03 (30:36):
Damn that I skip every time.
That's that's cold game.
You wasn't lying.

SPEAKER_00 (30:40):
Mm-hmm.

SPEAKER_03 (30:42):
Oh shit.
There might be whole ass albums.
I just I just I can't do thedirect voice right now.

SPEAKER_04 (30:49):
The whole, like not even passion fruit.
I I I I I let it play into ituntil he starts singing, I cut
it off.

SPEAKER_03 (30:57):
I gotta look.
I feel like there's somethingthat I saw.
I was playing something, and I'mlike, I can't do it.
I can't do it.
Every time.
Oh that's tough.

SPEAKER_01 (31:12):
Give me something that you know you're gonna skip
majority of the time if youcan't get me every time.

SPEAKER_03 (31:16):
Well, I'm just saying, because I skip it all
the time, so I don't know.

SPEAKER_01 (31:22):
Yeah, I hate that one.
What song do you hate?

SPEAKER_02 (31:25):
Anything Iggy gives Alia.

SPEAKER_01 (31:27):
Ah, skip skip, skip, skip.
Why?
Skipping, skip, skip, skip.

SPEAKER_02 (31:30):
I fuck with Iggy.

SPEAKER_01 (31:32):
I don't care.

SPEAKER_03 (31:32):
Maybe two songs, but like that's crazy.

SPEAKER_02 (31:35):
I think the fancy song is the only one I can
tolerate.

SPEAKER_01 (31:38):
I can tolerate the fancy song.

SPEAKER_04 (31:40):
The Izzy songs I like, you don't like because it
got uh two of them got Tiger,and I know you ain't gonna
listen to Tiger.

SPEAKER_02 (31:44):
I don't fuck with Tiger.
That's another one.

SPEAKER_01 (31:46):
Oh, I like Tiger.

SPEAKER_02 (31:47):
Even though I like uh Rock City, I don't I like
Tiger.

SPEAKER_01 (31:50):
I stayed up to three o'clock in the morning to see
him come to the club in Vegasjust like him go, I like him.

SPEAKER_02 (31:55):
I feel like so many beats were wasted on Tiger.

SPEAKER_01 (31:57):
I like him.
I like Tiger.

SPEAKER_02 (31:59):
I fuck with Izzy.
Say the wrong thing, you'll behangman.
Come on.
It makes sense.
You'll lose the game.

SPEAKER_01 (32:05):
You're gonna pick the wrong letter.

SPEAKER_02 (32:06):
I don't you pick the wrong letter.
Then there was a line aboutSnoopy that he said, and I was
like, Yeah, I can't.

SPEAKER_04 (32:12):
Rebox on, I just do it, nigga.
No one's gonna outdo that.

SPEAKER_03 (32:17):
I'll skip the pack.
Got my vans on, but they looklike sneakers.

SPEAKER_01 (32:22):
Oh yeah, baby.
Please.

SPEAKER_02 (32:25):
Just don't ever see me going down the street, but
teach me how to Dougie becauseyou'll see me trying to Dougie
in the car.

SPEAKER_04 (32:31):
Okay.
Next question.
That's terrible.
Go go ahead.
In the club?
Just what are you drinking?
Like, what's he doing?
He's trying to Dougie.
We've all answered.
That was that was whoever wrotethat in the should be taken's
pen.

SPEAKER_02 (32:45):
Teach me how to order.
Daniel, if you hear the story,uh that's just sad.

SPEAKER_01 (32:52):
One album that you can listen to forever with no
skips.

SPEAKER_03 (33:00):
I got many.

SPEAKER_02 (33:06):
It's gonna sound very Yeah, it's gonna be Jay Z's
the black album.

SPEAKER_01 (33:12):
Okay, okay.

SPEAKER_04 (33:18):
Uh it's it's gonna be Drew Hill Enter the Drew.
That's a good one.

SPEAKER_03 (33:24):
Or 444.

SPEAKER_04 (33:26):
I fucking 444.

SPEAKER_01 (33:27):
Really?
No skips?

SPEAKER_03 (33:28):
No skips.

SPEAKER_01 (33:30):
If we go on with celebrities, I'm gonna say Chris
Brown 1111.
But there's an artist that I'vebeen listening to lately.
His name is Breezy XO, and he'sout of LA, and he dropped his
album, and that shit is fire.

SPEAKER_03 (33:42):
Of course.

SPEAKER_01 (33:44):
Oh, yeah, I didn't think about that.
I didn't even think about that.
But the reason why the album isfire, and I and I hope that he
does not see this, and becausehe does follow our podcast, and
I hope he doesn't see this andthink I'm dogging him because
I'm not dissing him.
He don't look like the songs onthat album.
So when I see him, I thought itwas gonna be like some rah-rah

(34:04):
gangster shit.
No, that nigga is like realdeep.
Um, he's rapping, but it's likeon like more like a mix between
rap and RB type shit.
Oh okay.
He's a vibe, and I wasn'texpecting that.
I was expecting for it to belike some rah-rah, gangbanger,
pussy, bitch, bitch, bitty,bitch.
But his music is smooth as fuck.

SPEAKER_02 (34:21):
I was gonna say, is he more Bryson Tiller?
He's actually doper than is itmore Drakey?

SPEAKER_01 (34:28):
He's more Bryson Tiller.
I I'm gonna send you his album.
He's dope.
I was on.

SPEAKER_04 (34:32):
Hold on, let me say this right.
Bryce, you been fucking up,nigga.

SPEAKER_01 (34:34):
What?

SPEAKER_04 (34:36):
I don't know, man.
You got he ain't I don't know,man.
That ass album didn't do it foryou, man.

SPEAKER_01 (34:41):
Anyway, shout out to Breezy X, though.
His album is tight.
Um, I didn't put the correlationtogether between him and Chris
Brown's name, so I didn't eventhink about that.
Because I literally listened toit.
He sent he sent me a message inthe middle of the damn night and
was like, hey, can you listen tomy song?
And if you if you don't like it,then block me.

SPEAKER_04 (34:57):
Oh, that's dope.

SPEAKER_02 (34:58):
Damn.

SPEAKER_01 (34:58):
And I was like, sure.

SPEAKER_02 (34:59):
Like I listen to it, I don't think I'll ever say that
one.
I think they just look for thereason to block him.

SPEAKER_01 (35:03):
No, I listened to it and I was like, dang, I can't
even block you, bro.
This shit is hard.
And so then he let me know hisalbum was coming out, whatever.
So then I told him, like, hey,you know, we have a podcast, and
he was like, shit.
He knew that.
Talk to me.
I don't think so.

SPEAKER_03 (35:15):
I like that.

SPEAKER_01 (35:15):
We knew that because I don't think everybody always
knows that that I'm on thepodcast until I like post a
clip.
Uh and then they be like, okay,hold on.
But yeah, he he his music istight.

SPEAKER_03 (35:27):
I wasn't saying that in a disrespectful way.
I don't think it's he might haveknown.

SPEAKER_01 (35:31):
He might have known.
I was being married just beforeI don't do shit, but send the
niggas to McFly no way, so itdon't matter.

SPEAKER_03 (35:38):
You just be getting a whole bunch of shit like send
it over to Mick Fly.

SPEAKER_02 (35:43):
She did send a message and I was gonna respond,
and I was just like, I'll justI'll see her tomorrow.
She's like, Yeah, we we haven'tdone a talker shit in a while.

SPEAKER_03 (35:49):
So yeah, we haven't.
We haven't.

SPEAKER_01 (35:51):
Yeah, I I just I send everything your way.
Nigga, I don't know.
Ask McFly.
So I don't know, but everybodyanswered at one album, no skips.
You yeah, you did Drew Hill.

SPEAKER_02 (36:01):
Either Blueprint or the Black album.
Nigga, one album, quick one.

SPEAKER_03 (36:04):
You said 444 too.

SPEAKER_02 (36:06):
444 too.
So I mean they they caninterchange, but all those three
albums I can eat.

SPEAKER_03 (36:10):
I think I got a couple on that one though, on
444.
I'll say the blueprint.
444 go hard.

SPEAKER_01 (36:16):
No, I got a couple stuff.
So you Jay Z is your is yourall-time.
Yeah, yeah, nigga, you ain'tfigured this out.
Yes, I did, but I just want tohear I I'm not asking for me,
I'm asking for them.

SPEAKER_02 (36:25):
And I I uh the main reason is it wasn't it wasn't
like that growing up.
It didn't become that until Igot older and I realized you you
pay a devil's advocate today.

SPEAKER_01 (36:33):
You don't know who side you are.

SPEAKER_03 (36:35):
Oh, I get it now.

SPEAKER_02 (36:36):
Sorry, please it didn't become that until I got
older, and his music startedresonating with me more the
older I got.
But before that it was DMX.
Uh there was a while it wasTupac, there was a while it was
uh shit.
Um I don't know if peopleremember this Shaheen.
Who the fuck is that?
He was he's the affiliate to theWu-Tang clan.

SPEAKER_01 (36:59):
It's not Tupac no more, though.
You don't like Tupac no more?

SPEAKER_02 (37:01):
It's just it doesn't really like it never related to
the game.

SPEAKER_01 (37:04):
I think you said that on another episode.

SPEAKER_02 (37:07):
When I got older, Jay-Z's and then his longevity
too, because to be in your late50s and still relevancy, though.
Yeah, because like it it stillhit like he's trying, he's
essentially well, I feel likethe the the character Ghost was
trying to be on power, nick.
Like he was trying to translatefrom street life to the war
role.

SPEAKER_04 (37:27):
This may be controversial.
While I do believe that and thenthere were X is an album with no
skips.
I feel like The Great Depressionis the great better album than
Then There's X.

SPEAKER_02 (37:35):
Yeah, I said I was a big DMX fan when I was in middle
school.
So go back up and Busy Bombwasn't telling me Busy Bomb
wasn't dope.

SPEAKER_03 (37:44):
Go back and listen to the Great Depression.
He switched up completely.

SPEAKER_02 (37:48):
Yeah, I I don't I can't listen.
His music don't connect with melike it used to when I was.

SPEAKER_03 (37:51):
I like he went through his weird phase where
it's just like, yo, nigga, whyyou trying to act like you just
in the church, but you ain't?
Like we know you ain't.
And then they went back to like,okay, now he's rapping, but
okay.

SPEAKER_01 (38:03):
So rapping, rapping.
This brings me into the nextquestion.
What three albums best describewho you are and why those three?

SPEAKER_02 (38:14):
Are we who's who's starting?

SPEAKER_04 (38:16):
Go ahead, McFly.

SPEAKER_01 (38:16):
Go ahead, make fly.

SPEAKER_02 (38:18):
Uh Friday Night Lights, J.
Cole.
That if you listen, especiallythe first end of that, it it
connects to what I was goingthrough at the same age, seven
uh eighteen, nineteen.
Um uh number two would be uhwhich is weird, but it would be

(38:43):
uh Mr.
Morale and the Big Seppers, andhow at that time the the the
personal stuff at home and howcertain songs connect, like i
everything he was extradescribing in that entire album
I was going through.
So the uh the arguing at home tothe to the the dealing with the
the father time with the my dadand and him passing, like that

(39:04):
album meant so much to me inthat time because I had to
fucking get through a hard timeof my life on several fronts.
So and um there's gonna beKendrick Legend is uh good kid,
Mad City.
Um and how like him essentiallylit growing up in a situation
where you're not necessarilyfrom that life, but you

(39:24):
understand the life and tryingto navigate through that life.

SPEAKER_01 (39:31):
Okay, down there, Kevin.

SPEAKER_03 (39:35):
Uh I'll go uh mine are probably more closer to time
and stuff, but whoa Nelly.
Nellie Fritato.
Um you would have to listen toit and uh understand?
Well yeah, I mean, yes.
Because she goes on a whole lotof different things talking

(39:56):
about youth and stuff like thatand growing up and coming of
age.
So like that's even more the I'mlike a bird thing.
It's like it's almost like uh aswe're speaking, self-aware type
of thing.
Like, nigga, I'm not stayinghere with you.
Uh-oh.
That cut off.
Yeah, that one, Dick.
Yeah, not that one.
Okay.
And then um, number two isIncubus Morning View.

(40:23):
Because that's just a chill assvibe.
So like the whole thing is justkind of like, you know, you know
how I am.
Kind of representative of mychillness.
And three.
Oddly enough, I'm gonna go withuh another, I'm gonna go with

(40:44):
Mac Miller again.
But it's the good goad or goodam.
Like that album is just it'sjust the the fun.
But there's also some shit inthere where you're like, oh,
that kind of is a lot deeperthan you think if you don't
listen to the whole if you gottalisten to the whole album,

(41:04):
there's like a couple songs inthere that's like, damn, that's
a little deep.
But the rest of the album islike, oh, okay, this is fun,
good vibe.
So representative of me, I wouldsay.
That was three, yeah, that'sthree.

SPEAKER_04 (41:18):
Um, I don't know, that's hard, man.
I don't know.
False.
Uh because my range of music isso wide, that's too much music.
Um it's hard to nail her down tojust three albums.
This is difficult.
Um, I'm gonna go with McFly.
I'm gonna say uh Friday NightLights.
Um Friday Night Lights for mewas something with that I I

(41:39):
resonated with.
Um especially the intro.
Too deep for intro.
Um every time I hear that song,that line hits hard, hits
different every time.
The good news is, nigga, youwent you came a long way.
The bad news is nigga, you wentthe wrong way.
Like that, that that to me in myearly 20s seemed like That was

(42:01):
from Forrest Hills drawing.

SPEAKER_02 (42:03):
Was it no such thing as a life that's better?
Oh, it was.

SPEAKER_04 (42:08):
Damn, I fucked up.

SPEAKER_02 (42:09):
Love yours.

SPEAKER_03 (42:10):
Love yours, yeah.

SPEAKER_04 (42:11):
Um no.
My bad.
It's the um which I fuck withtoo, though.

SPEAKER_02 (42:17):
So I think both of those albums go together.

SPEAKER_04 (42:19):
So yeah.

SPEAKER_03 (42:20):
That's a great fucking album.

SPEAKER_04 (42:24):
What?
Oh, I'm thinking uh the uhwhat's the what's the what's the
Us to be in the one if you whenyou only want to know it.
But uh yeah, so uh I fuck withVillematic like that.
There's a lot of songs on Fridaylike that that resonated with me
in the time.
The college lines?

SPEAKER_02 (42:37):
Yeah, yeah.

SPEAKER_04 (42:39):
I was in college at the time.
Um I can also go uh Mr.
Morale.
Uh Mr.
Morale happened to me uh thatcame out when I was in a weird
space uh mentally and um dealingwith a lot of personal trauma
and um which kinda it kind ofhelped me get through shit.

(43:02):
Um I can't tell you how manytimes I would just ride around
on my bike with missing roundand extra my headphones, just
going nowhere, nigga.
Just under my own motorcyclelistening to Kendra Lamar, it's
crazy shit.
Um and then I would have to sayum the the third one is um it's

(43:28):
the fuck what's the name of thealbum?
I think it's the third AnthonyHamilton album, and that's just
strictly because the love songwhen it resonated with me and my
wife.

SPEAKER_00 (43:38):
That's so sweet.

SPEAKER_04 (43:39):
I forget the name of the album.

SPEAKER_03 (43:44):
That was good though.
Somewhere off the top.

SPEAKER_01 (43:46):
Okay, I'm just gonna go with what's currently
happening in my life because I Idon't know shit.
That's fine in my damnchildhood.
Okay, so Tiana Taylor's escaperoom, because I don't like that.
I don't give a fuck.
I don't know what that niggadid.

SPEAKER_03 (43:58):
That's the newest one, right?

SPEAKER_01 (43:59):
Yeah.
To Tiana.
You know why?
Because it probably doesn'tresonate with you because you
like your wife and your wifelikes you.

SPEAKER_03 (44:04):
Maybe yeah, after Shumpered, right?

SPEAKER_01 (44:09):
Yeah, yeah.
And I was kind of disappointedbecause I thought he was so
fine, but he was doing her sowrong.
But, anyways, um, I think thatthat album is a breakthrough
album for women that are goingto a divorce that um need to
hear it's going to be okay.
There's life after this.
And then she popped out withAaron Pierre.

(44:30):
So now I'm like, do I get anAaron Pierre when this is you do
not know?
Is that a part of Aaron PierreMufasa?
That's Mufasa.
Aaron Pierre, that's Mufasa,yeah, baby.
Um, so I'm I'm I'm like, hey,yeah.
Uh that so that wouldn't wecan't get you Aaron Pierre.

SPEAKER_04 (44:47):
We might get you uh uh a guy from the south.

SPEAKER_02 (44:49):
I mean hey and give you uh Eric Paris from Paris
from Paris from Paris,California.

SPEAKER_01 (44:58):
Close as we can get close as close.
Get it as close as we can get.
Um my next album that I think Iwould pick will probably be um
Love Deluxe by Shade, because Ilove her.
Um I think she she she speaksabout love in her music, how I

(45:20):
fantasize love to be.
Who we're talking about?
Helen Sade.
Helen Helen, yes, the group Sadespeaks about love.
Yes, the way that I um imaginethat it should be.
So there's that.
And then this this this one islike, don't ask me too many
fucking questions, okay?
Uh oh.
So remember, I told y'all I likethugs.

SPEAKER_03 (45:43):
Where are we going?
Where are we?
Oh God, here we go.

SPEAKER_01 (45:46):
So I didn't mean like I wanted like a shoot 'em
up bang bang thug.
Like I wanted like a like, I'msmooth, but I could get active
type of a fucking thug.

SPEAKER_04 (45:54):
Oh, you want an RB thug?
What you would say?

SPEAKER_01 (45:56):
Not necessarily RB, but like I want you to kind of
be so there's y'all ain't evengonna know who this is because
this for the young folks.
But um, there's a rapper.
I don't know if this man's nameis Zoe Osama or Zoe Osama.

SPEAKER_03 (46:07):
You're right.
I don't know this nigga.
I don't know this nigga.

SPEAKER_01 (46:09):
But his new album, Mr.
Nobody, I think is that the nameof the damn album?
I think it is Mr.
Nobody.
I think that he perfectlyexecutes what I'm talking about
when I say this is the type ofman that I like.
Because he's he with the shit,but he also with the romance.
I like that.
He's a gentleman gangster.
He's a gentleman gangster.

(46:32):
And I like that.
So I think that describes likewhat type of love I would like
to have.
Like, I want to, I think itcomes from wanting to feel uh
protected and safe.

SPEAKER_04 (46:43):
You feel safe here?

SPEAKER_01 (46:46):
Yeah.
Gravity.

SPEAKER_02 (46:48):
Sorry.

SPEAKER_01 (46:48):
Wait, who's saying that song?

SPEAKER_02 (46:50):
John Mayer is white.

SPEAKER_01 (46:52):
I like John Mayer.

SPEAKER_02 (46:53):
I gotta ask this question to the table.

SPEAKER_01 (46:55):
Go ahead.

SPEAKER_02 (46:56):
What's the better album to you, Country Grammar or
Nellyville?

SPEAKER_01 (46:59):
I never listened to the whole album of either one of
them.
Nellieville.
Nellyville by far.

SPEAKER_04 (47:04):
Nellyville by far.
As hard as Country Grammar willgo, Nellyville by far is better.

SPEAKER_03 (47:09):
I won't go by far, but Nellyville, I do go to that
before I go to Country Grammar,to be honest.

SPEAKER_01 (47:15):
Which song got the Air Force One song on?

SPEAKER_03 (47:17):
That's uh That's Nellyville.
Uh Country Grammar.

SPEAKER_01 (47:21):
I'm gonna go with the whenever got the Air Force
One song.
And Nellyville got grilled.

SPEAKER_04 (47:26):
It's hits, hits.
Nellyville's got Nellyville hasAir Force One grills.
Oh, I like the grills.

SPEAKER_03 (47:32):
Fucking juice, pimp juice.
Like E.I.
uh.

SPEAKER_04 (47:36):
What's the other one?
EI is?
No, no, no.
You guys don't know.
I thought you guys on CountryGrammar.
You guys on Country Grammar.

SPEAKER_03 (47:42):
It is, huh?

SPEAKER_01 (47:42):
I liked every song you named.

SPEAKER_03 (47:44):
Well, Nellyville is like, and I like Nellyville, the
song.
Like that intro is not bad.
Welcome to Nellyville.

SPEAKER_01 (47:50):
I used to date this girl and her and her daughter
stuttered.
And when that was when the grillsong came out, and Lord, and she
watched the shit out.
And I'm so sorry, fuck it.
But she would be like, smile forme, baby.
I want to see your grill.
And then she'd be like, I'mlike, you want to see my what?
And that she used to crack methe fuck.

SPEAKER_04 (48:09):
That's not that's not funny.
Yes, it is.

SPEAKER_01 (48:11):
She was a little girl.
She grown now.
She grown now.
She's like three of theGoldilocks in the three.
Yeah.
She got it.
She's an adult now.
But she was such a cute kid.
She's cute now, but she was acute kid.
And she's been like, I want tosee you.

SPEAKER_03 (48:27):
Remember that dick song we tried that Kelly tried
to make?
They were like, ain't we inCallie?
Why he got a grill?
Who was her?
Dion Monique?
I don't know who that is.
Dion Monique and uh the what wasthat?
Homeless Nation shit.

SPEAKER_02 (48:42):
So this is the the track listing for Country
Grammar.

SPEAKER_03 (48:46):
Country Grammar.

SPEAKER_02 (48:47):
Country Grammar.
It's the intro.
It's St.
Louis.
Greed, hate, and Envy.
Country Grammar.
Fire.
Steal the show.
The interlude with CedricEntertainer.
Ride with me.
Fire.
Fire.
Thicky, thicky, thick girl.

SPEAKER_00 (48:58):
Fire.

SPEAKER_02 (48:58):
Formar with Lil Wayne.
Other side.
Fire.
Them rappers.
Rap something.
Batter up.
Fire.
Never let them see you sweat andloving me and the album.
Fire.
Fire.
That's fire.

SPEAKER_04 (49:12):
Them first.
I'm telling Nelly's firstcouple, two albums.
Two albums, yeah.
Fire.

SPEAKER_02 (49:16):
Then with Nellyville, it's Nellyville.
Fire.
Getting it started with SudgerEntertainer.
Hot in here.
Fire.
Them Boys with the St.
Lunatics.
Fire.
O'Nelly.
Uh featuring Murphy Lee.
Pimp Juice.
Fire.
Air Force Ones.
Fire.
In the store with the intro.
Yeah.
I need that.
Nellyville.
Fire.
Dilemma.

SPEAKER_04 (49:32):
Fire.

SPEAKER_02 (49:33):
Splurge.
Hold on, hold on, hold on, holdon.

SPEAKER_04 (49:34):
On the grinds, my shit.
Hold on, hold on, hold on.
Kelly Rowland.
You're Joe Fine.

unknown (49:39):
Okay.

SPEAKER_02 (49:39):
Could you pause us to the Rock the Might remix?
Okay.
Work It with Justin TrimbleLake.
Fire.
The Gank number one.
Fire.
Country Grammar 2, St.
Louis Ticks.
Fire.
Say Now.
Fuck It Then.
Fire.
Kings Highway, which I Fire.
There was a White Castle on thatstreet.
Anyway.
Hot in here.
Corporate remix.

(50:00):
Hot in here.
So there's a bunch of.

SPEAKER_03 (50:02):
I don't know.
I go with I might go CountryGrammar just because the just
because the KRS one diss.
Oh, I um.

SPEAKER_02 (50:11):
I mean, number one is what does it take to be
number one?
I was like, what do you mean?

SPEAKER_03 (50:16):
You're talking dissing KRS one?
Why, nigga?

SPEAKER_02 (50:20):
Well, to be fair, KRS one dissed.

SPEAKER_03 (50:22):
Yeah, he did shoot.
You're right.
You're right.

SPEAKER_02 (50:25):
If that was the case, it would be the uh Rock
the Mike remix that made me belike, yeah, Nelly just ain't
you.
The Rock the Mike remix was bad.
And he said, Kay, no one hereeven said your name.
I said, that is wrong usage ofno.

SPEAKER_01 (50:40):
Oh man.
Go ahead, Dave.
Which album represents yourchildhood and how you were
raised?

unknown (50:47):
Shit.
Oh no.

SPEAKER_02 (50:52):
I was raised.

SPEAKER_03 (50:53):
I ain't got an album.
I just got Michael Jackson.

SPEAKER_01 (50:56):
Be there.
Right.
You can do a song.
Do a song for this one.

SPEAKER_04 (51:01):
Do a song for this one.
Oh shit.
And how I was raised?
Yeah.
Shit.
Mine would have to be a gospelsong.
Shit.

SPEAKER_03 (51:06):
Nah, my shit couldn't.
I don't even think there's asong.
It has to be some heavy metalfighting in the house shit.

SPEAKER_01 (51:12):
I don't think it's a song.
So give me, give me a song.
Because I don't have one eitherthat how I was raised.
Give me one that's um that justreminds you of your child, of
your childhood.

SPEAKER_02 (51:22):
What age?

SPEAKER_01 (51:23):
Uh any age.

SPEAKER_02 (51:26):
Busy Bones Father.

SPEAKER_01 (51:29):
Okay, I never heard that song.
What's it about?

SPEAKER_02 (51:32):
He's essentially talking about his childhood
growing up and for him a fuckedup situation.
Like growing up and fucked up.

SPEAKER_03 (51:39):
Is that the one where he's like, whether chicken
or hair, we're gonna use thesame grease?
Well, you're like, nigga.
Holy shit.

SPEAKER_01 (51:47):
And we are not using the same grease.

SPEAKER_02 (51:49):
It is father, we're so scared because there is war.
And he's talking about growingup.

SPEAKER_03 (51:53):
That's on the the is it the not the gift, the one
before.

SPEAKER_02 (51:56):
No, that's fuck.
Yeah, it's that one.
But no, there's actually abetter song would describe it as
Busy Bones.
Uh Nobody Can Stop.
Uh that one hurts.
That would make me cry.
That won't be making me cry.
I'm not gonna lie.
They kind of go hand in hand,but yeah, nobody can stop me is
the um the song that I'mthinking of.

SPEAKER_01 (52:13):
You got a song?

SPEAKER_04 (52:15):
Me?
Silver and gold by Kurt Flan.

SPEAKER_01 (52:17):
Oh, okay.
You read that Jesus, then theSilver and Gold.

SPEAKER_04 (52:20):
No, that guy was in church all the time.
That's a beautiful song.
Nobody can stop, you know.

SPEAKER_01 (52:24):
Mine is Karen White, um, Superwoman, and I know y'all
probably don't know that damnsong.

SPEAKER_04 (52:28):
Why the fuck?
What the fuck would you saythat?
I love that.
My mama played that song everygoddamn day.

SPEAKER_01 (52:33):
I'll play that song now.

SPEAKER_04 (52:34):
I need to stay with my mama, but every time she I
said anytime she was mad.
Anytime she was mad at mystepdad, I said, God damn woman.

SPEAKER_01 (52:53):
The reason why that's my song note is because
when I was like probably likefour, that like I knew every
fucking word to that song.
I still do, but I knew everyone.
And I would sing it, I wouldsing it out my front door, and
my neighbor would say, Sing it,Daddy, out the door.
And that was my shit.
So I would go there for myclaps.
But I I love that song.
And I literally, now that I'm anadult and again going through my
divorce situation, and I hearthe lyrics, now I'll be getting

(53:17):
pissed off when I hear the damnsong, but it's a good song.
Yeah, exactly.
And it's and and it and I justfound out that babyface wrote
the motherfucker.
So I didn't know.
Babyface wrote a lot of shit.
Babyface wrote all the shit.
If that nigga kept them damnsongs for himself, he'd probably
be neck and neck with fuckingMichael Jackson because he code.

SPEAKER_04 (53:33):
I think Babyface is above Michael Jackson because he
also wrote for Michael Jackson.

SPEAKER_01 (53:36):
I agree.
He he may pay cold, baby.
Ice cold.
But that song, Karen White,Superwoman, is my song.
Like, and then I start thinking,like, what the fuck was my mom
going through at this time thatwe kept hearing this
motherfucking song?

SPEAKER_04 (53:48):
Look at oh my god, you just fucking tricking me.

SPEAKER_02 (53:50):
He just made me realize that motherfucking
songwriters could just AI thatshit.
Like, yeah, I got a song foryou.
Yeah,$10,000.

SPEAKER_03 (53:56):
Yeah, right.
That's scary.
That's scary, man.
But maybe we should use this.

SPEAKER_04 (54:01):
I mean, see, see, that's she she would play that
fucking Karen White, and thenafter that, it was uh Body
Woman.
Listen, I think I said, justlead a nigga.

SPEAKER_01 (54:12):
I I'm I'm with her with the Karen White.
If your mom listen, I'm with herwith the Karen White.

SPEAKER_02 (54:18):
Your favorite Michael Jackson song?
Mine?

SPEAKER_01 (54:20):
Ooh, Lady of my life.

SPEAKER_02 (54:22):
Really?

SPEAKER_01 (54:23):
Yeah.
Oh no, break it down.
Oh shit.
I love Michael Jackson.

SPEAKER_04 (54:29):
There's no answer for that.
Um that's no answer for that.

SPEAKER_01 (54:32):
Heaven can wait.

SPEAKER_04 (54:34):
Come on, man.

SPEAKER_01 (54:36):
I gotta list.

SPEAKER_04 (54:37):
I gotta go down.
I I go back to the Jackson 5days.

SPEAKER_03 (54:40):
Uh what is it?
It's almost uh what is the otherone?
Earth Song?
Earth Song.
I'm gonna just do it.
Earth Song.
Fuck it.

SPEAKER_04 (54:50):
Because I fuck with Rock My World too.

SPEAKER_03 (54:52):
Yeah.

SPEAKER_01 (54:52):
Yes.

SPEAKER_03 (54:53):
I fuck with everything that niggas has ever
done.
Yeah.
Like yours.

SPEAKER_01 (54:57):
And don't neither one of y'all judge me, but I
even like the Michael Jacksonand Drake song.

SPEAKER_03 (55:02):
Um that song is dope.
I do like that song.
I'm gonna lie.
They don't be listening to Drakeduring that, but I'm I'm not
gonna lie to you.
I'll be in the truck sometime.
Listen.

SPEAKER_02 (55:14):
I think it's so weird.
You can't do it.
And then there was a whole time.
He's like he's ruined.
I make that mistake of listeningto Drake going as a gym workout.
Never again.
Nigga.
You being your friends the wholetime.

SPEAKER_03 (55:27):
You're sitting there like, are you okay, man?
I still do passion fruit tostart it.
Whatever it is, just do you havefrom muscle?

SPEAKER_04 (55:35):
I have I have a lot of I I can just listen.
There's two I can listen to offthe wall and I can listen to
Thriller completely through.
I can I can listen to JasonFive.
That's like there's too many.
My favorite Steve.
There's too many.

SPEAKER_03 (55:47):
I even fuck with the song of him and Janet.
Yeah.
Yes.

SPEAKER_02 (55:51):
I can say just because of how it always made me
feel grown up was Thriller.

SPEAKER_01 (55:55):
Okay.
You didn't dance?

SPEAKER_02 (55:57):
I tried.

SPEAKER_01 (55:59):
I can't get it either.

SPEAKER_02 (56:01):
I would hurt myself trying to do Michael Jackson
shit.

SPEAKER_01 (56:03):
Yeah, I can't.
I fuck with off the wall.

SPEAKER_03 (56:04):
Yeah, I used to moonwalk.

SPEAKER_02 (56:06):
I would moonwalk my on kitchen floors.
I used to hit it.

SPEAKER_04 (56:09):
I would okay.
I will say that I don't slide.
I don't particularly have afavorite Michael Zachary song,
but Off the Wall is probably oneof my top five songs.
I fucking love Off the Wall.

SPEAKER_01 (56:20):
Yeah, his music's fire.
Um, I like the song Heaven CanWait.
That's a beautiful song.
PYT.
PYT is a good song.
All of that.
I don't think that nigga reallymade too many bad.

SPEAKER_02 (56:31):
My favorite.

SPEAKER_01 (56:32):
No.
He's Michael Jackson.

SPEAKER_02 (56:33):
Dropper At lib was uh the remember the time at lib.
Because I was like, this nigga'sreally selling me on this one.
And they was like, I was like,god damn, man.

SPEAKER_03 (56:44):
Before you guys got here, that was on.
It was like I was in the frontyard smoking cigarettes.
I was like, that nigga admitthis.
Like, I ain't got no more words.
What do I do?
What do I do?

SPEAKER_04 (57:00):
I even fuck with the the couple lines he sung in We
Are the World.

SPEAKER_01 (57:04):
Yeah, yeah.
Yeah, no, he's that good.
He that cold.

SPEAKER_03 (57:07):
You should watch that documentary.
It's I think it's hilarious.

SPEAKER_02 (57:13):
Hear the story with uh how Prince processed his
death?

unknown (57:16):
No.

SPEAKER_02 (57:16):
How Prince?
Yeah, because you know they hadthey were longtime rivals.
So uh, and like so you wouldMichael could never understand
why Prince was, you know, alwaystrying to fuck with him.
But when he found out that uhMichael had died, he just he had
talked to one of his friends.
The friend was the one that wastalking about, and he was like,
he sat there and they justprocessed that shit for like

(57:37):
until the morning, trying to fitlike I it hit him a lot, it
affected him a lot.
But it was like he looked at himas a longtime rival, but like he
would have never thought Princelike would just it was he was
deeply affected by it.

SPEAKER_03 (57:49):
I think he like just it was more of a music thing,
and then trying to make them besomehow against each other where
he's like we don't even make thesame fucking music.

SPEAKER_01 (57:57):
Yeah, they don't make the same music, but then
was the two niggas with thecoldest motherfucking Prince.

SPEAKER_02 (58:06):
It it it it really connected to my my life.

SPEAKER_03 (58:09):
Dove's cry.

SPEAKER_04 (58:11):
You know what?
Is it low red for you, Corvette?
Before you desk?

SPEAKER_02 (58:15):
How can you just leave me stand and hey alone in
the world?
The soul cold.

SPEAKER_04 (58:21):
That's a sad song.

SPEAKER_02 (58:22):
Maybe I'm just too demanding.

SPEAKER_04 (58:25):
Nigga, I know the words it's a very song.

SPEAKER_02 (58:27):
Maybe I'm just like my father, too bold.
Damn, there's a couple like thatthat whole like I can sit there
and I'm looking and I see mydad.
Then when he maybe I'm just likemy mother, she's never sat.
I can see my mom.
Like it's he's a writer.
It fucks with me, yeah.
He's a writer.
What's your favorite first song?
And if you watch the movie,yeah.

SPEAKER_03 (58:45):
Uh favorite, fuck, because there's I Would Die For
You.
Either I would die for you or uhwhat's the other one about
woman?
Uh the the most beautiful girlin the world.
Okay, that's a beautiful, yeah.

SPEAKER_01 (58:59):
That's a beautiful song.

SPEAKER_03 (59:00):
Uh I'll be old man in it on that one.

SPEAKER_01 (59:03):
You know, y'all, y'all know I'm the beautiful
ones from the uh album.

SPEAKER_02 (59:08):
Darling Nicki.

SPEAKER_01 (59:09):
Because when Apollonia was in that damn
hallway going through, trying tofigure out what's going on.

SPEAKER_04 (59:15):
Well, she did.

SPEAKER_01 (59:16):
What the fuck did I do?
I know I I was with a Go purifyyourself.
She better drop in the lake,motherfucking Minataka.
But yes, that I love that song.
And then Cisco fucking remade itwith Mariah Carey.
Now, listen, he did a good job,but you know, Cisco gotta throw
his name at the end of everydamn thing, and I don't
understand how you gonna throwyour name in the Prince song.
We all know this is Prince.

SPEAKER_02 (59:36):
You ever seen Maya Rudolph sing Darling Nikki?
No.

SPEAKER_01 (59:39):
No.

SPEAKER_02 (59:39):
Is it funny?
Did she can sing?
Oh, did it?

SPEAKER_01 (59:42):
Yeah, she can't sing.

SPEAKER_03 (59:52):
Without his permission.
So if you ever go watch theSuper Bowl, he sang a Foo
Fighter song without theirpermission.
Without their permission in theSuper Bowl.
Where they like Dave Grail waslike, I wasn't even mad.
He's like, Prince is one of themotherfuckers I look up to.
And he's singing it at thefucking Super Bowl.
Yeah.
Hey, cool.
This was a fuck you to us, butI'll take.
And I'm like, that's dopeinstead of suing, you know what
I mean?

SPEAKER_04 (01:00:12):
Crimson Clover is my favorite prince song.
Crimson Clover.

SPEAKER_03 (01:00:16):
You can say she was old as hell.
Told y'all damn old.
You need a master.
Lil' Recorrect.

SPEAKER_04 (01:00:25):
That's why.
Nick.
You know a little recorret abouta fuck him.

SPEAKER_03 (01:00:29):
And she was a virgin.
Yeah, she had some trots someTrojans and all that shit.

SPEAKER_01 (01:00:33):
Which album do you think would represent you, and
no one would think that it did?

SPEAKER_04 (01:00:38):
Me?

SPEAKER_01 (01:00:39):
Yeah, you.
Let's go with you, old nigga.

SPEAKER_04 (01:00:42):
No, that's hard.

SPEAKER_01 (01:00:44):
Mine would be Songs About Jane from um Maroon 5.

SPEAKER_04 (01:00:50):
I don't think one.
I don't think I can just pickone album.

SPEAKER_01 (01:00:53):
Throw me a song.
Just many songs.
Throw me a song.
Just throw me one.

SPEAKER_04 (01:00:59):
Um I'm gonna say uh I'm gonna make you my wife by uh
the whispers.

SPEAKER_00 (01:01:10):
But why would nobody think that?

SPEAKER_04 (01:01:13):
Oh, she said nobody would think?
Yeah.

SPEAKER_01 (01:01:16):
Oh I love that song, okay?
Love the Whispers.

SPEAKER_04 (01:01:20):
The Whispers means the best group of the six.

SPEAKER_01 (01:01:22):
You are not fucking lying.

SPEAKER_04 (01:01:25):
They better, they better than than the the
temptations, all them niggas.
Well, them whispers had thatshit on lock.
Commodores and all them niggas.
All them niggas.
Commodores were the 80s, sir.
But it better all them niggas.
Yeah, the whispers is closeenough.
I'll fuck with I'll I'll fuckwith I I'll fuck with Lino and
the Commodores.
I don't fuck with Lino byhimself.
It's crazy.

SPEAKER_01 (01:01:42):
Same.
Same.

SPEAKER_04 (01:01:44):
Same.

SPEAKER_03 (01:01:45):
I'll say, can I do it?

SPEAKER_01 (01:01:48):
Go ahead.

SPEAKER_03 (01:01:49):
Well, you think?

SPEAKER_01 (01:01:49):
Yes, go ahead.

SPEAKER_03 (01:01:50):
I'm gonna go with I'm gonna pick a song because
it's a little bit more.
Oh, I got mine.

SPEAKER_04 (01:01:55):
Sublime.

SPEAKER_01 (01:01:55):
Okay.
Which one?
Which one though?

SPEAKER_03 (01:01:57):
Sublime.
Oh, the album?
The album.
Oh.

SPEAKER_01 (01:02:00):
Okay.
Yeah, I wouldn't have guessedthat.

SPEAKER_04 (01:02:01):
Is it because of the time or I just I I I fuck with
that.
That was I was in middle school.
Um it was kind of like uh I wasin my rebellious age of like
going against everything I was,you know, raised to believe type
shit.
And it I just vibe with it.

SPEAKER_01 (01:02:20):
Did you have an emo error?

SPEAKER_04 (01:02:22):
No, I like emo songs though.

SPEAKER_01 (01:02:24):
I keep picturing you with a perm.
And I never had a escrow, nigga.
You feel like you had a perm.
You had a perm, Kevin?

SPEAKER_03 (01:02:30):
No, well, I didn't have a perm.
I told you I tried to blow drymy shit.
I believe it.
I try and be wishbone.

SPEAKER_01 (01:02:35):
But I but you my picture with the like you give
me like that.

SPEAKER_03 (01:02:39):
No.
No, no, no.
We didn't pay for the perm.

SPEAKER_04 (01:02:42):
We just got an escrow.

SPEAKER_01 (01:02:43):
I had a perm vibe.

SPEAKER_04 (01:02:44):
I never I never had an emotion.
I mean, I I fucked with in-singbattery boys.
I still do.
I don't give a fuck.

SPEAKER_01 (01:02:50):
Well, I sang them with you at your house.

SPEAKER_04 (01:02:53):
So I'm I said, look, I like look here.

SPEAKER_01 (01:02:55):
And that was the highlight of my fucking thing as
if everybody knew the words.

SPEAKER_04 (01:02:59):
My my childhood was like, it was different.
Like I was, like I said, I wasraised by my grandparents.
I I'm not an only child, but Iwas raised like an only child.
My grandparents were heavilyreligious.
I was that's all.
But then I would go to familyhouse that was religious.
And I listened to a lot of ODswhen I was over my uh my auntie
and my uncle and my mom.
And my cousin would they would Iwas into the new stuff with my

(01:03:20):
cousin, but I always uh mycousins, but I always gravitated
towards the old shit.
So I like I was in in highschool with a brand new car
right around to Temptations andWhispers, nigga.
Like I wasn't like the regularhigh school nigga.
I was like, no, nigga, weplaying.
I mean, or I would play theNight Dog album, and I would
play some current shit, butnigga, it was Whispers and
Commodores and OJs, nigga.

(01:03:40):
I because you couldn't tell meshit about the OJs.

SPEAKER_01 (01:03:42):
I love the OJs.
That was the best concert.
I'm an old nigga.
Can you tell me the concert Iever seen?
That was the best concert I everseen.
Give give me your album that noone would think represented you.

SPEAKER_02 (01:03:52):
I don't know if I can give an album, maybe a song.

SPEAKER_01 (01:03:55):
Okay, I'll take a song.

SPEAKER_02 (01:03:56):
Who's like Jagger?

SPEAKER_01 (01:03:57):
Oh my goodness.
Do you understand that I get Ilove Maroon 5?
Like, I'm a big ass maroon fivefan.
Like, I could legit genuinelysing you all of their songs.
I would Aiden up to Maroon 5 inthe morning.

SPEAKER_04 (01:04:11):
Hey nigga, you remember you remember when you
used to be able to have like uhinstead of a dial tone, they
would play a song while theycall you for the longest time,
nigga.
You would call me and say, I'mat a payphone training.
I fuck with it.

SPEAKER_01 (01:04:23):
I'm fucking maroon five.
I don't care.
I I like them a lot.
Um I've turned Hayden on toMaroon Five, so he sings all A
songs.
It's cute self.
Okay.
Um if this this Did you answer?
I I did.
Oh, we're gonna go with I'mgonna two more questions.
If you listen, if someonelistened to all three of your
albums you picked earlier, backto back to back, what story do

(01:04:45):
you think that they would itwould tell about your life?

SPEAKER_02 (01:04:48):
This nigga went through some shit.
Yeah.
That's essentially, yeah.

SPEAKER_01 (01:04:51):
Yeah.

SPEAKER_02 (01:04:52):
This nigga went through some shit.

SPEAKER_01 (01:04:53):
You went through a lot of shit and you mine would
say that this is a hopelessromantic girl that is unlucky in
love because she likes thugniggas.

unknown (01:05:03):
Boom.

SPEAKER_01 (01:05:04):
No, there's not this thug.
Although my husband is notthat's not a thug nigga.
I'm not downplaying him becauseI do feel like he will pop
somebody else to be out too.
I think so.
I I I've literally had to pullhim off of you.
You dress up and see?
No, because I had to pull himoff of somebody in fucking
Costco.
So I I'm aware that he he'llhe'll get with you.
Um, I've had to pull somebodyhim off somebody in Walmart too,

(01:05:25):
now that I think about it.
So he will get with you, okay,but he's a more of a quieter,
gentle person.
I keep trying to tell you.
The quiet niggas are the oneshe's like, he's not a bad
person.
We just ain't good together.
But he's a cool, he's a cooldude.
We shouldn't have been justfriends.

SPEAKER_02 (01:05:37):
I'll stop trying to be so quiet.

SPEAKER_01 (01:05:40):
You think he has some neutral edges?

SPEAKER_04 (01:05:48):
Oh, my bad.
I was doing good.
Shit.
My bad.
So let me find you trying to.

SPEAKER_01 (01:06:02):
I don't fucking know, nigga.
Ask me no motherfucking shitlike that.
Nigga, you have a scoop offucking hair up there.
A fucking scoop.
And you sit over here keeptrying to ask me shit about my
motherfucking hair, nigga.
I don't, I don't know, nigga.
I could be bald to the butt skifucking bald and get more
bitches than you.
So I don't know why you keepcoming at me.

(01:06:23):
Like, leave me alone, nigga.

SPEAKER_04 (01:06:24):
I keep I don't want bitches.
I have one.

SPEAKER_01 (01:06:26):
I don't give a fuck about none of that shit.
If this was a new day and youdidn't have her, I'd have her.
So shut the fuck up.
Cause I don't know why you keepgetting at me about that goddamn
shit.
I don't give a fuck about it.
It don't matter, it don'tmatter, nigga.
It don't matter, nigga.
Hold on, nigga.
Hold on tight.

unknown (01:06:42):
Okay.

SPEAKER_04 (01:06:43):
You ain't gonna everybody.

SPEAKER_00 (01:06:47):
Yeah.

SPEAKER_01 (01:06:48):
Rock your body.
This has been another episode ofthe Heavyweight Podcast.
Everybody.
Rocky.
I'm not doing this with theseniggas any longer.
Make sure that you like,subscribe, share, comment, all
that shit.
Oh my god, back again.
And if you think you finna makea joke about me, please make
sure that you don't.

(01:07:08):
You're not funny looking.

SPEAKER_04 (01:07:10):
I'm not funny looking.
I see myself, nigga.
You think so?
I'm positive, cuz.
Oh, he just cuzzed you.

SPEAKER_01 (01:07:16):
Ain't no nigga cuzz for the come up.
First of all, nigga, don't cussme, nigga, cuz you ain't from
nowhere fucking notable.
I know that you ain't fromnowhere notable.
Second of all, nigga, don't begetting at me like that.
Ain't no nigga that come up inhere with no goddamn hole
complete from the head to thefucking toe from the fucking
socks, ninja turtle suit.
Finna sit up here and try tocome for me, nigga.
Don't come for me unless I sitfor you.

(01:07:38):
I ain't sit for you.
Like, subscribe, share all thatshit.
Thank you.

SPEAKER_02 (01:07:43):
Why did my mind go into the and y'all comment on
her edges in the video?

SPEAKER_01 (01:07:46):
Comment on the motherfuckers.

SPEAKER_02 (01:07:47):
My mind went into the Ninja Turtles in the last
one where they go to highschool.

SPEAKER_04 (01:07:51):
Oh, in the the cartoon.

SPEAKER_02 (01:07:52):
And they're all dressed Yeah, they're all
dressed in irregular clothes.
That's where my brain went.

SPEAKER_04 (01:07:56):
Oh, we out.

SPEAKER_01 (01:07:57):
It's always a nigga with a scoop of hair.
We out.
Peace.

SPEAKER_03 (01:08:03):
That's a rap, you know.
That's that's how she wrote.
So make sure, click like,subscribe.
Tune in.
We on the off room platform.
So until next time.
We'll holla at you.