The Jazz Real Book

(76) “Crystal Silence” and the album Chick Corea & Gary Burton- Crystal Silence

Standard Rating 4 and Difficulty Rating 7 

Crystal Silence, the iconic 1973 duet album by Chick Corea and Gary Burton, introduced a new sonic language in jazz—intimate, spacious, and emotionally nuanced. Defined by its minimalist textures and chamber-like interplay, the album helped shape the signature ECM sound: pristine, contemplative, and harmonica...

Pasquale Grasso, an Italian-born jazz guitarist, is celebrated for his virtuosic technique and deep bebop roots. Grasso has captivated jazz audiences worldwide by blending intricate harmonies with a clean, classic tone. Legendary guitarist Pat Metheny praised him in Vintage Guitar magazine, stating, “The best guitar player I’ve heard in my entire life is floating around now, Pasquale Grasso.” This acclaim reflects Grasso’s artistry...

(75) “Crescent” and Jimmy Garrison

Standard Rating 4 and Difficulty Rating 7 

Bassist Jimmy Garrison was a key figure in 1960s jazz, best known for his work with John Coltrane’s classic quartet from 1962 to 1967. His firm tone, solid rhythm, and blues-inflected modal playing anchored the group, especially on landmark albums like A Love Supreme and Live at Birdland. Garrison’s innovative techniques, including extended unaccompanied so...

(74) “Countdown” and Art Taylor 

Standards Rating  6 Difficulty Rating 8 

Arthur S. Taylor Jr. (1929–1995) was a leading American jazz drummer known for shaping modern jazz drumming with a dynamic, supportive style influenced by drummers Max Roach, Art Blakey, and Kenny Clarke. Raised in Harlem, he played with legends like Miles Davis, Bud Powell, and John Coltrane. Taylor’s drumming is featured on Coltrane’s 1960 track "Countdo...

“Could It Be You” and  Victor Silvester

“Could It Be You” is a sophisticated Cole Porter composition from the 1943 Broadway musical Something for the Boys. Structured in a 32-bar AABA form in B♭ major, the tune features clever melodic phrasing and inventive harmonic progressions, including ii–V sequences and a seamless modulation to F major. Its logical structure and memorable melody make it accessible for vocalists and instrumental...

(S4 EP 21) Wayne Shorter’s -Adam's Apple (Blue Note) 

 Released October 1967 - Recorded February 3 and 24, 1966

Wayne Shorter’s Adam’s Apple (1967) is a landmark post-bop album that captures the saxophonist at his creative peak. Recorded in 1966 at Van Gelder Studio, the album features Herbie Hancock (piano), Reggie Workman (bass), and Joe Chambers (drums)—a quartet that delivers both lyrical subtlety and rhythmic daring. The record ...

(72) “Cotton Tail” and Ben Webster 

Standards Ratting 8 Difficulty Rating 5

Ben Webster, born in 1909 in Kansas City, Missouri, was a leading tenor saxophonist of the Swing Era, known for his rich, raspy tone and blues-infused phrasing. Bridging the styles of Lester Young and Coleman Hawkins, he became a key figure in Duke Ellington’s Orchestra during the early 1940s. This period, known as the "Blanton-Webster years," produ...

(71) “Coral” and Keith Jarrett 

Standards Rating 2 Difficulty Rating 6

Keith Jarrett, born in 1945, is a groundbreaking pianist celebrated for his emotionally charged improvisations and genre-blending artistry. Known for his solo performances and collaborations with jazz legends such as Miles Davis and Charles Lloyd, Jarrett’s work encompasses jazz, classical, and avant-garde traditions. His 1975 Köln Concert is one of the most iconi...

Sam Sadigursky is widely recognized as one of the most talented clarinetists and reed doublers of his generation. He has released eleven acclaimed albums as a leader and appears on over sixty recordings as a sideman, including numerous Grammy-nominated and Grammy Award-winning projects. A member of the Philip Glass Ensemble, he has also toured and recorded with Brad Mehldau, David Byrne, Bruce Hornsby, Darcy James Argue’s Secret So...

(70) “Contemplation” and Ron Carter 

Standard Rating 6  Difficulty Rating 6 

Ron Carter, born in 1937, is one of the most influential jazz bassists in history, with a career spanning over six decades and more than 2,000 recordings. Originally a cellist from Detroit, Carter switched to bass at 14 and studied at the Eastman School of Music before becoming a staple of the New York jazz scene in the 1960s. His work with Miles Davis’ “Sec...

(69) “Confirmation” and Max Roach 

Standards Rating 8   Difficulty Rating 8

Max Roach (1924–2007) was a pioneering jazz drummer and composer who played a key role in shaping modern jazz. Raised in Brooklyn and classically trained at the Manhattan School of Music, Roach rose to prominence at 18 when he filled in for Duke Ellington’s drummer. A central figure in the bebop movement, he collaborated with icons like Charlie Parker, Dizzy ...

(S4 Ep18) The Real McCoy (Blue Note) 

October 1967, Recorded April 21, 1967 

The Real McCoy (1967) is a landmark album by jazz pianist McCoy Tyner, marking his first solo release after leaving John Coltrane’s legendary quartet. With a stellar lineup featuring tenor saxophonist Joe Henderson, bassist Ron Carter, and drummer Elvin Jones, the album showcases Tyner's unique modal jazz style, blending African rhythmic influences and h...

(68) “Conception” and George Shearing 

Standards Rating 5   Difficulty Rating 9 

George Shearing, a blind British jazz pianist and composer, is celebrated for his significant contributions to jazz, particularly his distinctive harmonic style. Born in 1919 in London, Shearing's musical journey began early, despite his blindness, and his exceptional talents led him to international acclaim. In the 1940s, he moved to the United Stat...

Endea Owens is a jazz talent known for her unique bass playing, compositions, and dynamic performances. She has gained widespread recognition as a member of The Late Show with Stephen Colbert band, where her versatile bass playing has captivated a broad television audience. Her 2023 debut album, Feel Good Music, blends intricate arrangements with an accessible, feel-good vibe, appealing to casual listeners and jazz critics.

Owens...

(67) “Con Alma” and Dizzy Gillespie 

Standing Rating 6 Difficulty Rating 8

Dizzy Gillespie, a pioneering figure in bebop, blended technical mastery with a unique style, making significant contributions to jazz, particularly through his compositions like “Con Alma.” This 1954 tune, from his Afro album, merges bebop’s harmonic complexity with Latin rhythms, showcasing Gillespie’s innovative approach to jazz. The song features frequent ...

(66) “Como en Vietnam" and Gary Burton 

Standards Rating 2 Difficulty Rating 6 

Gary Burton, a pioneering jazz vibraphonist, is celebrated for his groundbreaking four-mallet grip, which revolutionized vibraphone technique and became a standard in modern jazz. His career began at a young age, self-teaching on marimba and vibraphone, and studying at Berklee College of Music. Burton's early work with Stan Getz and his formation...

(65) “Come Sunday” and Johnny Hodges

Standards Rating 7 Difficulty Rating 3 

Johnny "Rabbit" Hodges was a master of the alto saxophone, renowned for his expressive solos and smooth, emotive tone. A central figure in Duke Ellington's Orchestra, Hodges was instrumental in shaping the "Ellington sound," with memorable contributions to ballads and blues, such as his work on "Prelude to a Kiss" and "...

(64) "Chitlins Con Carne" and Kenny Burrell 

Standards Rating 7  Difficulty Rating 4

Kenny Burrell's "Chitlins Con Carne," from his 1963 album Midnight Blue, is a masterful blend of blues and jazz. The track features a groovy bassline and a relaxed tempo, with Burrell and Stanley Turrentine sharing the melody. Burrell's first solo highlights his clear, bluesy phrasing and rich jazz guitar tone, while Turre...