*tap tap tap* goes the baton on the music stand - get ready for the downbeat as we talk all things life of an orchestral conductor!
A protégé of Maestro Lorin Maazel, Kynan Johns served as Director Assistente at the Palau de les Arts, Valencia, Spain to both Maazel and Mehta. A native of Australia he has conducted the Israel Philharmonic, Rotterdam Philharmonic, Cleveland Orchestra, Vienna Chamber Orchestra, Philharmonica della Scala, Netherlands Radio Symphony and Sydney and New Zealand Symphony Orchestras amongst many others. In Opera, he has worked at Covent Garden, conducted at Italy's famed 'La Scala', Maazel’s 1984 and Don Giovanni, Madame Butterfly, Luisa Miller and Don Carlos in Valencia; Don Giovanni with OperMagdeburg, Britten's Turn of the Screw in Rouen and La Bohème & Faust for the State Opera of South Australia. Johns was on the conducting staff for the final three seasons with New York City Opera, working on Adès's Powder Her Face, Chin's Alice in Wonderland (arr. Johns) Offenbach's La Perichole and Turnage's Anna Nicole. Most recent engagements have included Der Zigeunerbaron for MSM, where he had in previous seasons conducted Mahagonny & Die Fledermaus, debuts with the Dortmunder Philharmoniker, Orquestra Metropolitana Lisboa, Israel Symphony Orchestra Rishon Le-Ziyyon, New West Symphony, as well as returns to the Orquesta Clásica Santa Cecilia, Madrid and the Asturias Symphony Orchestra (OSPA). He was awarded the inaugural 'Centenary Medal' from the Australian Government for his services to music and serves as Director of Orchestras at Rutgers University. A prize winner of many international competitions including the Mitropoulos, Maazel/ Vilar and Besancon, he is represented by CAMI, New York. Upcoming engagements include Verdi’s Requiem, Opera Gala at Teatro Real, Beethoven’s Ninth Symphony and Mahler’s Second Symphony with the Orquesta Clàsica Santa Cecilia, Madrid as well as returns to New West Symphony and the Adelaide Intervarsity Festival in 2019.
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