This is Vinyl Tap
Short talks about long players. We focus on great albums in their entirety. We are highly opinionated and outspoken. We hope to provoke you into sharing your own opinions on Albums. If you are serious about great music, this is your podcast. www.tappingvinyl.com
Episodes
On this episode, we tackle a BIG album, the 1967 debut LP by the Jimi Hendrix Experience, Are You Experienced.
Heralded by many as the greatest rock guitarist of all time, to many Jimi Hendrix, along with his band the Jimi Hendrix Experience (bassist Noel Redding and drummer Mitch Mitchell) seemingly came out of nowhere. However, in reality, Hendrix more than paid his dues, playing in relative obscu...
On this episode we discuss the debut LP by the seminal psychedelic rock band, the 13th Floor Elevators: 1966's The Psychedelic Sounds of the 13th Floor Elevators. The 13th Floor Elevators were one of the the first well-known bands to come out of the Austin music scene in the 1960's, and one of the first band's nationwide to purposely embrace the term "psychedelic rock."
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On this episode we tackle the Rolling Stones 1968 LP Beggars Banquet.
1968 was a tumultuous year for much of the world and a transitional time for the Rolling Stones. Their founder and original leader, Brian Jones, was increasingly absent due to his drug use, and their long-time manager/producer Andrew Loog Oldham had grown disinterested in the band due to his own drug and alcohol use, leaving...
On this episode of the podcast, we discuss Spirit and their fourth album Twelve Dreams of Dr. Sardonicus.
The band Spirit sports an impressive pedigree. Drummer Ed Cassidy (20 years older than the rest of the band) was an established jazz musician, having played drums with many jazz greats throughout the 1940s and 1950s. His stepson Randy California (né Randy Wolfe) was a young guitar prodigy, who ...
This week, we dig into the debut LP by the Scottish jangle pop band Aztec Camera , 1983's High Land, Hard Rain.
The creative force behind the band was Roddy Frame, a fine singer, remarkable guitarist, and very gifted songwriter, who started his career at 15, and was 18 when this album was recorded. Completed in just three weeks, the album is filled with wonderful pop songs that touch on jazz a...
On this week's episode we look a one of the finest songwriters to come out of Texas, Guy Clark, and his 1975 debut LP Old No. 1.
While Clark is considered one of the great county and folk songwriters of the latter half of the 20th Century, he is also one of the least appreciated when it comes to recording his own songs. On Old No. 1, he records his own songs, many of which had already been mad...
On this weeks episode, we take on a big LP, the 1979 monster hit by Supertramp, Breakfast in America.
Supertramp struggled early in their career to find an audience. The two main song writers brought different strengths to the band. Founding member Rick Davies leaned more to the progressive rock side of things, where as Roger Hodgson was more pop oriented. Every album after their breakout LP Crime ...
On this weeks episode, we take a listen to the second LP by one of the foundational bands of 1970's power pop: Fresh by the the Raspberries.
The Raspberries were an intentional antithesis to everything that was going on in the early Seventies. Instead of focusing on the extended (and as they saw it, self-indulgent) musical jams, the Raspberries would craft three-and-a-half-minute pop songs tha...
On this week's episode, we discuss Beck and his twelfth studio album, 2014’s Morning Phase.
Beck is known for embracing a wide-range of genres, to include folk, lo-fi, funk, soul, hip hop, electronic, alternative rock, country, and psychedelia (just to name a few). He often glides between genres on the same album, and sometimes even on the same song. What makes Morning Phase stand out is Beck’s willingne...
When Eric Clapton and Steve Winwood started hanging out and jamming together after the dissolution of their previous bands (Cream and Traffic respectively), there was no set plan to start a band together. That changed when Cream drummer Ginger Baker joined the fun. With the addition of bassist Ric Grech from the band Family, Blind Faith was born.
Their one and only album combined the best (and sometimes the ...
On this week's episode, we dig into Pete Townshend's official debut solo LP, 1980's Empty Glass. As the main songwriter for The Who, Pete Townshend crafted songs that let singer Roger Daultrey flex his powerful voice and lets the rhythm section stretch out and indulge their bombastic sides. But on Empty Glass, Townshend is able to show that he can write songs that require a softer, perhaps more...
On this episode, we turn our attention to one of the most successful bands from the late 1960s and early 1970's, Creedence Clearwater Revival, and what is considered by many their masterpiece, Cosmo's Factory. 1970 was a fertile year for music. While the English Invasion was still dominating the airwaves and the psychedelic scene was still influencing everything from movies to fashion to music, CCR ...
On this week's episode we discuss Sunflower, the1970 LP by the Beach Boys.
The Beach Boys' songwriting was mainly Brian Wilson's department, especially after their masterpiece, Pet Sounds. But on 1970's Sunflower, all members contributed to the songwriting, instrumentation, vocals (with some help from other background singers and members of the great Wrecking Crew ), and even th...
This week's podcast is a listener's pick and boy are we grateful to have it be Shake Some Action by the Flamin' Groovies. Shake Some Action is nothing short of a power pop masterpiece. With its British Invasion vibe, it's hard to believe it came from 1976. There a bunch of great covers, including one that goes back to 1914. But it's the originals where the band shines. The songs ...
On this week's episode, we revisit an artist we discussed during our first season - Van Morrison when we talked about his 1974 album Veedon Fleece. This time we discuss his 1986 LP No Guru. No Method, No Teacher. Morrison is known for making albums rich in spiritual themes and Celtic lore. Around the time of No Guru, he was also writing songs from the perspective of a curmudgeonly angry guy complainin...
On this week's episode, we explore the 1973 LP by one of progressive rock’s most interesting (and entertaining) bands, Selling England by the Pound by Genesis.
Considered by many to be the best album of the Peter Gabriel era of Genesis, it is definitely the most accessible, and even gave the band their first Top 40 single int he UK with “I Know What I Like (In Your Wardrobe) which peaked just shy of the ...
On this week's episode, we discuss the debut album by Kris Kristofferson 1970's Kristofferson.
A man of many talents, Kris Kristofferson is a scholar, an athlete, a pilot, an actor, a performer, and most importantly, one of country music's most beloved (and most successful) songwriters. On par with Bob Dylan, Townes Van Zandt, and John Prine, he has penned some of country music&apos...
This week it is another listerner's pick as we dig into the debut solo LP by Texas music legend Doug Sahm, 1972’s Doug Sahm and Band.
Doug Sahm was by all accounts a musical prodigy, having mastered the guitar, steel guitar, mandolin, and fiddle by age 8. Born and raised in San Antonio, TX, Sahm was attracted to a variety of music: blues from the black clubs of his neighborhood, the horn heavy...
On this week's episode, we discuss Tomorrow, the criminally underappreciated 1968 self-titled debut album by the band Tomorrow.
Mostly known as a band that featured future Yes guitarist, Steve Howe. Alongside bands like Pink Floyd and the Soft Machine, Tomorrow was a pillar of the British underground scene, and their song "My White Bicycle" was considered by many to be its its anthem...
On this week's episode, we discuss the Band and their second LP, The Band (also affectionately known as the Brown Album). With 50 plus years having passed, its difficult to understand the impact the Band had on the music industry, but it was HUGE.
It is also hard to find a band that incorporated more American music traditions into their sound than the Band did, which is odd when you consider all but one...
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