Episode 12 - Ethan Gilsdorf - Travis Billy Ross Outlaw Country Show

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:00):
I got the whiskey. Let me have a drink of your whiskey.

(00:03):
Better get out of here. My name's Ken and I clean Willie Nelson's
under hole. Under hole?
I know you don't agree but I think he's the king of country.
Get the fuck out of here. Get out of my studio.
No, hell no. From the Ramona radio studios, it's the

(00:27):
Travis Billy Ross Outlaw Country Show.
Alright, we're here. We're back. Happy Sunday. Sweet curbs.
Hey, hey, happy Sunday. It is Sunday.
It is Sunday. We got a special guest with us today.
Ethan, how are you my friend? I'm doing well.
Doing good? Doing good. Oh, Eric, go forth.

(00:51):
Thanks. Hi. Hi. Just facilitating the welcome.
Thanks for saying hi to me, Travis. Oh my god, dude.
Here's Travis Kiwi. Well, hold on. We all got nicknames.
If you watched our...watched...listen to our last episode.
We all got nicknames if we lost. What would Eric's nickname be?
Beesting. I just lost. I am not Travis Billy Ross. I am Travis...

(01:15):
Kiwi? Kiwi. He forgot.
We got to think of a good one for Eric. What would it be? Eric...
If I was competing, which I can never do because...
Eric Billy Ross. Eric Billy Ross.
Eric Mile High. Eric. Go forth.
Eric Hyland. He's got to do something with airplanes.
That's why I said Mile High. Yeah, Eric. Go forth.

(01:38):
Alright, dude. So we were... Isn't that like flying, right?
We were hanging out earlier today with Ethan. What up, dude?
How you doing, man? Welcome to the show.
So we're...you're a dad. I'm a dad. Eric, you're a dad.
Sweet Curbs, you're not a dad. You're not even a mom.
What if I surprised you and was like, surprise, I'm a dad.
I'll be like, what? Oh, you better get out of here.

(02:00):
Secrets are coming out on the radio. Just kidding. I'm not a parent at all.
No. Could be even worse. She might say, hey, I'm a dad.
Oh, God. That's what I said. What would you do? Surprise.
I already know. Anyway.
They hit the scars really well, huh?
Get out of here, dude.
Alright, dad jokes. Sweet Curbs, you got a dad joke you want to tell?
Yeah, what happened to the rainbow that committed murder?

(02:23):
Whatever. He went to prison. But it was a light sentence.
Alright. Yeah, that was life.
You better get out of here.
Alright, Ethan. What do you got? Dad joke.
Dad jokes. Dad jokes. I got so many and then when you put them on the spot, I go, right?

(02:44):
You gotta come back to me. I gotta think.
Okay.
Give us a dad joke, Eric.
Eric, what do you got? I know you got millions of them. You tell them to me all the freaking time.
Yeah. How do you make an egg roll?
How do you, how do you what?
How do you make an egg roll?
How?
Just push it.
Stupid dude.
Wait, wait. I don't like that you're in control because your joke got a bum bum and mine got wah wah.
Oh no, I came back and gave you a word.

(03:11):
Why did the bicycle fall over?
Oh god, why?
It was too tired.
Oh, come on.
What do you call a dog with three legs?
Skippy.
Skippy.
Alright.
What do you do with a dog with no legs?
You take him for a drag?
Stupid.
What do you call a guy with one arm and one leg?

(03:32):
Eileen.
Eileen.
Good old dad jokes.
What do you call a guy with no arms and no legs in the mailbox?
What?
Bill.
Bill, come on.
Jesus. Alright, enough of the dad jokes.
Ethan, how you doing, man?
I'm doing good.
Hanging out?
Yes, sir.
You got a couple songs you got recording right now?
I got a couple, yeah.

(03:53):
Cool. What are they?
Well, I got the original one.
Devil's Laughing.
That's such a great song.
We got a cover of Wagon Wheel.
That's a record.
Wait, you did a cover of Wagon Wheel?
It's right there.
This is Devil's Laughing.
So I got to get all the this and that straight with him.

(04:17):
Dude, yeah.
So we can put the Wagon Wheel cover on Ramona Radio.
Nice.
We'll do that.
I got a few originals I really want to get recorded.
I'd love to collaborate with you on.
Dude, for sure.
I'm down, man.
Let's get together, dude.
Like outside of the radio show.
I got a bunch of stuff that I got.
So I come from a very different world.

(04:38):
I mean, I spent years and years doing punk rock and heavy metal.
Metalcore and that whole early 2000s.
I don't know if people are aware of the scene back then, but back in the early 2000s,
there was a big wave of they called it metal cores like Killswitch Engage and Parkway Drive.

(04:59):
And it was like the new metal scene came.
You kind of had that like rap metal thing going on.
And then that kind of went the wayside.
And then the late 99s and early 2000s, you had the metalcore scene come up.
Killswitch Engage, they were like the godfathers of that.
Right.
And Poison Well and like you had a bunch of bands.
It was like really catchy stuff, like a lot of hooks.

(05:22):
And it had a little bit of punk element in there.
And it was like punk and metal and just real hooky, real catchy stuff.
And we caught that wave.
And I was a band called Beneath Lansden.
And we had a good run for about, I don't know, five or six years.
And what kind of music? Like metalcore?
Metalcore. Yeah, it's real metalcore.
Eric, you get online, you go find it.

(05:44):
Dude, how?
We had some cool tunes. We had some really cool tunes.
We were kind of like a local name.
Yeah. In Ramona, San Diego?
San Diego, yeah.
I grew up down just up the hill from the stadium.
Okay.
Sierra Mesa area.
Oh, yeah.
And that's where I grew up. That's where my dad grew up.
I mean, I've had family in San Diego since like the 40s.

(06:05):
My grandma grew up here.
She remembers she used to tell you stories about horseback riding down in Mission Valley.
Oh, yeah.
My dad told me stories about corn fields where the stadium is now.
Oh, that is cool.
Yeah. So, yeah.
Dude, so like you're kind of like, we're similar.
Like I played like 90s grunge, like Nirvana, stuff like that.

(06:29):
What happened? How did you get into country?
So, we go back to the 90s. The grunge scene came.
We kind of weren't with it.
Because we were doing, before that I was having Metallica and Slayer and all that stuff.
And the grunge scene came.
And I like some of it, like Alice in Chains. There's some cool stuff.
I mean, come on. You can't.

(06:51):
Oh, do Alice in Chains.
Like come on.
Soundgarden.
Old Soundgarden.
Bad Motorfinger.
You can't mess with any of that.
That's good stuff.
But we just weren't really feeling it.
So, we kind of went the punk rock way.
Bad religion, Pennywise. That stuff was hopping.
Kind of like Michael.
Yeah.
He was doing the punk rock thing.
We were doing the punk rock thing.

(07:13):
And then the new metal thing kind of came.
And we weren't really feeling that.
We were still on the punk rock thing.
And then the metalcore thing came.
And we're all about the metalcore thing.
Yeah.
Those were good years. The early 2000s.
I don't know what happened, man.
So, I'll say that country was always kind of in my life.

(07:34):
You know, I was a little kid.
Yeah.
Grandma and grandpa, we always heard country kind of in the background.
And then my dad, my dad's a musician.
My dad taught me to play music.
I got brothers.
Did your dad play guitar or drums?
Oh, yeah. My dad is like a master guitarist.
Yeah, incredible guitarist.
And so, we grew up listening to a lot of classic rock and that and whatnot.

(07:58):
But later on in the 90s, my dad and my uncle, they kind of went country.
Yeah.
The 90s, you know, the 90s era of country.
They always do, Frank.
You can't.
See, that's the thing.
I've been in this country my entire life.
And I used to get made fun of so hard by people.
And now those same people are like, have you heard this new song?
I'm like, yes, girl.
Well, I mean, you know, the 90s era of country was, I mean, a glorious era.

(08:25):
Golden.
You know, I ain't the biggest Garth Brooks fan, but for reference, right?
Not a fan.
But for reference.
Biggest country star of the 90s for sure.
You know, Garth, George Strait, Reba McIntyre, Brooks and Dunn.
Are you talking about not the king of country George Strait?
Not the king of country.

(08:47):
We can agree on that.
God bless him.
Dude.
All right.
So let's talk about that.
Like, who do you think?
Like, who's the who's the king of country?
Like not George Strait.
It is George Strait.
You know that.
It is?
You think it is?
Oh, yes, sir.
I mean, the only one you're going to compete with is George Jones.
George Jones.
I mean, he's been on the list.

(09:08):
He's been mentioned a couple of times.
He's been mentioned a couple of times.
I mean, come on.
I just, you know.
Who would your queen of country be?
Queen B. Country.
That's hard.
I know that would be hard.
I know a lot of people said Dolly.
Dolly Parton.
Yeah.
I think that.
Dolly and Loretta Lynn have been the top two consistently mentioned.
I'm going to go with Dolly.

(09:29):
Dolly.
Dolly.
I think so.
All day.
Yeah.
And then modern day, I mean, you can't, you can't mess with Miranda Lambert.
That's true.
Miranda's pretty cool.
She's pretty cool.
I don't love everything about it, but.
Her music is good.
I have her debut CD because I don't know if you guys know this, Miranda Lambert became
famous on a show that was like American Idol, but for singer songwriters and country.

(09:52):
And it was called Nashville Star.
And I don't even, I don't know if she, no, she didn't win.
A guy named Buddy Joel won.
But she had a song called Me and Charlie Talking.
And it's still one of my most favorite songs.
She's an amazing songwriter.
She is.
And she's got a lot of stuff that doesn't hit the mainstream that kind of goes the way

(10:14):
side.
And then it's really cool shit.
Yeah.
Does she actually write her own stuff?
Yeah.
Oh yeah.
Yeah.
That's what the show was.
That's pretty cool.
That's actually cool.
I like that.
She does, it's called old shit.
I mean, and it's solid.
No, I haven't heard it.
It's called old shit.
You wouldn't hear it.
It's not going to be on the radio.
She's got a bunch of stuff that's not on the radio.

(10:35):
We can play it on this, on the station.
Okay.
Let's talk about something though, cause you said Miranda Lambert and this is not just at
her.
Cause other artists have done this.
What do you feel like if you pay to go to a concert, she got mad at people for taking
a selfie and she like called them out.
They were in like a box seat from the stage.
I mean, if I paid $500 or whatever to be in box seats to come see you and I'm having fun

(10:57):
with my friends, I want to like take a picture and be like, Hey, we're having a good time.
Yeah.
You can't be Nickland.
That's just musicians.
Nickland diamond.
And I get it.
And it was like a whole big thing.
It was all over.
Like we don't have TV, so we don't watch the news, but Facebook, like all the news people
were publishing about.
And I feel like what a lot of people don't realize is the modern day of the music industry

(11:19):
is artists, they don't make money off their songs no more.
Right?
Like they put out records, they put out albums, they put out songs.
And the day after it comes out, you can just go get it online for free.
Yeah.
So, you know, when we were kids, you had to go buy a CD, you had to buy a tape or the
CD.
Yeah.
Made a lot of money off selling their albums.
Right?

(11:40):
Even if you're getting a dollar 50 an album, but you sell 5 million albums, you're making
a lot of money.
Yeah.
And that was the thing when Napster and all that came out back in the day.
Yeah.
So nobody's making money off their songs.
So they're making money.
What are they making money off?
They're making money off touring and merchandise.
And merch, yeah.
So that's why, you know, concerts cost as much as they do.

(12:02):
That's why a shirt costs $40 now.
Which it's not the cost, because if you love an artist and want to support them, absolutely.
It's just, I've paid this much money and now you're going to yell at me for being at your
show.
For taking a picture.
No.
I agree with you.
You can't be nickel and diamond for selfies and things of the like.
Yeah, that's crazy.

(12:23):
So I want to hear one of Ethan's songs.
Yeah, let's hear it.
And I found Old Shit by Miranda Lambert.
Sweet.
Which is just kind of fun.
This is Ramona Radio, y'all.
And I am Travis Keeney.
If you're going to play Miranda Lambert, can we play two Miranda Lambert songs?
Kirby, whatever Kirby wants, Kirby gets.
I really like the song Me and Charlie Talking.

(12:44):
And that was like her first like.
Me and Charlie Talking.
Big song, yeah.
All right.
We'll make that happen.
Let's do this, man.
Let's play some music.
Ethan, you want to hear some tunes?
For Ferg Cirks.
Hell yeah.
Let's do it.
Standing on the side of a dusty road next to a hole-in-a-cup,

(13:11):
I'm a fellow with smoke, it's all my way to get my things off of the front yard
of a dirty cheap woman who broke my heart.
Cause I ain't getting there today.
It won't be there anyway.
There's a liquor store, that's the life.

(13:34):
I don't know what I'm going to be doing tonight because it's bad luck.
I'll sit back, bottle of whiskey and get to work.
But you can't take it back in the morning when it hurts.

(13:56):
Too many times it's happened.
I never learned, I know the devil's laughing,
watching a decent man crash and burn.

(14:17):
Sitting in a cell at the county jail,
was at the bar and my buddy started raising hell.
And his mouth's got him looking at three on one, so I'm backing up the bad guy.
It ain't fun.
The cops come out tonight, it won't be in a fight.

(14:42):
I went on out that cell door,
I'll be drinking till the shiner don't hurt no more.
It's always bad luck to sit back, bottle of whiskey and get to work.

(15:06):
Good Lord, I never learned.
I know the devil's laughing, watching a decent man crash and burn.

(15:45):
I never learned, I know the devil's laughing, watching a decent man crash and burn.

(16:16):
Took the chances at the Reno on Friday night,
playing hold'em at a table and I thought that I had a hand.
No one in the room could ever touch,
played a mountain that bastard had a royal flush.
Then I went all in,

(16:38):
wrenched through tomorrow and I didn't win.
Money in my pocket's all I got.
I love to drown my sorrows in the parking lot,
more of the bad luck to sit back, bottle of whiskey and get to work.

(16:59):
Good Lord, I never learned.
I know the devil's laughing, watching a decent man crash and burn.

(17:19):
Decent man, crash and burn.
And I know that there was laughing watching.
And I know that there was laughing watching.

(17:53):
Red man tobacco, grandpas two cents.
Old timers, they're in a pinch.
I'm a fan of it.
Oh shit.
Splitting logs, smoking hogs.

(18:15):
Beating leftovers to a three legged dog.
I'm a fan of it.
Oh shit.
One man's trash is another man's treasure.
One man's pain is another man's pleasure.

(18:36):
If this outer style sure draws me wild.
I'm a fan of it.
Oh shit.
Old turntable, final record.
Hand me down to black and decker.

(18:57):
I'm a fan of it.
Oh shit.
One man's trash is another man's treasure.
One man's pain is another man's pleasure.
If this outer style sure draws me wild.

(19:18):
I'm a fan of it.
Oh shit.
Oh shit.
Taking hymns, skipping stones.

(19:39):
When I think of him.
I think of home.
I'm a fan of it.
Oh shit.
Now grandpa's trash is my treasure.
He don't feel pain.
Only pleasure.

(20:00):
If it's outer style sure draws me wild.
I'm a fan of it.
Oh shit.
I'm a fan of it.
Oh shit.
I'm a fan of it.

(20:24):
I'm a fan of it.

(20:47):
Oh shit.
Me and Charlie boy used to go walking.
Sitting in the woods behind my house.
Being lovers man I stole that kiss.

(21:08):
Holding hands with nobody else around.
But we were only 10 so we'd have to wait.
Said we never let our love run dry.
Like so many do these days.
So we treat our love like a firefly.

(21:29):
Like it only is too shy.
For a little while.
Catch it in a mason jar.
With holes in the top.
And like hell.
To show it all.
Oh promises we made when we go walking.

(21:51):
That's just me and Charlie talking.
Charlie always said he'd like to live here.
But turned 18 and left our sleepy town.

(22:13):
Letters came and went and I kept waiting.
For Charlie to come back.
And bring the light we found.
Just let me have time to distance change you.
The road you take don't always lead you home.
You can start a love with good intentions.

(22:35):
And then you'll look up and it's gone.
So you treat your love like a firefly.
Like it only gets too shy.
For a little while.
And like hell.
To show it all.

(22:58):
That's just me and Charlie talking.
Now and then I sometimes make it Charlie.

(23:20):
How we thought we knew it all back then.
Now I'd give anything to feel love from a child's heart again.
So you treat your love like a firefly.
Like it only gets too shy.
For a little while.

(23:41):
And like hell.
To show it all.
That's just me and Charlie, me and Charlie talking.

(24:02):
La la la la la.

(24:30):
We're back. Ethan.
That first song that we just listened to.
Tell me about that song dude. That was so freaking cool.
That was a song that Kirby referenced.
And it's the first time I ever heard it.
But the one before that, Old Shit.
Yeah, your song.
No, same about your song.
Yeah, your song.
Yeah, the one that you wrote.
Yeah, that's the song I wrote in a drunken evening.

(24:53):
As we do.
The best lyrics come out I think when you're a little shit faced.
Right.
But yeah, I mean.
Yeah, it was just a song.
I was like, what's, you know, what is country about?
A lot of country about is like bad luck and things that are no good.

(25:14):
I mean, how many country songs are about sad shit, right?
Yeah.
So yeah, I mean, it wasn't.
That was a good song.
It wasn't anything about specifically personal.
But it was like a representation of this bad luck.
Right. You got you got your first the first verse of Heartbreak.
Woman leaving you see your stuff on the her front porch and this, that and the other.

(25:40):
And then second verse is you're with a buddy.
We've been there. Right.
You got buddy talking shit.
Some people you're in the middle of something.
I think your fault and you're backing up your buddy.
And yeah.
And then the last song is like, you know, bad luck gambling.
And yeah, it was just a song about bad luck.
Yeah, that was a good tune, dude.
I really did that.

(26:01):
Yeah.
Now playing on Ramona radio.
I'm glad we played.
I know that that song by Ethan has been on since really early.
The beginning of radio.
He was one of probably five.
I just heard it for the first time the other day at Pano.
He was probably one of the first five local artists.
I mean, I mean, I might have heard it, but I thought it was like, you know,

(26:22):
it's like, you know, it's like, you know,
it's like the song that Ramona radio plays like a lot of local musicians,
but they, you know, we played a lot of mainstream stuff.
I thought it was a mainstream song, dude.
Like I didn't know that that was you.
I am humbled.
What are you drinking?
Is that.
Jim beam.

(26:45):
Is that a root beer? 99.
Oh shoot. Let me get a, let me get a sip of that.
But you also have another bottle right there beside you.
Is it Jim beam?
I didn't know you had the gentleman Jack.
That's ready.
Oh yeah, dude.
I brought that for you, man.
I'm telling you the studio we have, we have gentlemen, Jack.

(27:08):
I appreciate it.
At all costs, but I do appreciate your plastic bottle of whiskey there of Jim beam.
I mean, you've got a song about that right there.
I'm like, dude, let me see that thing.
This is it right here.
This is what I wrote my song about right here.
This plastic bottle of Jim beam.

(27:30):
Oh God almighty.
Settle down.
That is so cool.
We asked for that song.
You know, it was less about something personal and more about, you know,
some regular country music stuff and something like we all probably been through.
Yeah. Yeah. Oh yeah.
So yeah, you know, we all think that's what makes it.

(27:52):
The bar with the buddy that has been talking shit when he's supposed to,
and you're backing up the bag.
We all been at a place where like I'm going to fix this and I fixed it.
And yeah, that's my friend Nicole.
She's a hot tempered Italian.
And every time we go out with her or I go out with her, I'm like, oh,
please no one say anything to offend her.

(28:13):
I love her.
And it's not like she doesn't like start fights out of nowhere,
but it doesn't say short fuse.
Yeah. Like, yeah.
If anything bothers her, she's like, she's not afraid to say like,
let me tell you something.
Yeah.
No, like literally we got cool.
Followed out of the mall parking lot by a gentleman because he,

(28:35):
he in fact ran a stop sign.
Oh God.
Not ran a stop sign.
She flipped him off.
He pulled up beside her and told her you flipped me off again.
I'm going to bust you in the mouth to which she put her middle finger inside
of her mouth and looked at him and pulled it out and flipped him off again.
And then he followed us on the freeway.
And I thought we were going to die.

(28:56):
She's a, she's a beast though.
I wouldn't be anywhere near worried if I was with that lady anywhere.
Not for myself, but I'm like, there was another person in the car.
She can only take on one person.
I'm going to have to fight someone.
She's, she's probably not a fighter.
I would say.
And then sweet curves is not a fight.
We all got a friend like that here in Ramona.
I ain't going to say no names, but I'll say her name because she's proud of it.

(29:19):
She tells that story.
You're talking about, we got a friend here in Ramona who, who's happy to speak
her mind.
Oh yes, we do.
Oh, there's, I love her.
Hey, Ethan, I'm going to open up this plastic bottle of whiskey.
Please do.
Go with that.
I brought it for you.
Thank you.
There's ice in that one.
Hell yeah.
I'm going to drink some Jim beam.

(29:40):
But yeah.
And, uh, you know, that song, um, and I've had people kind of misconstrued.
I mean, so music is what like you perceive it, how you want to perceive it.
That's the medium music.
But I've had someone come at me with the chorus of that song that perceived it a different
way than I wrote it.
But, uh, you know, bad luck, a six pack, a bottle of whiskey and get to work.

(30:01):
You know, it's like bad luck.
Six pack bottle of whiskey.
Let's get to work.
Drowning, drowning, drowning the pain.
So that was the chorus is about.
That's cool, ma'am.
Heck yeah.
Yeah.
Well, I'm drinking plastic bottles.
Cheers.
I'm drinking a plastic bottle of whipped 99, which I think is supposed to be whipped

(30:25):
cream.
Um, but I mean, it's delicious.
It tastes like, uh, let me give you a jingle.
Boozy vanilla frosting.
Is that what it is?
Well, I think it's whipped cream.
It's supposed to be, but I mean, it's good.
Those stupid 99s.
It tastes like whipped cream.
I reckon, no, it tastes like vanilla frosting.
I reckon 99s start paying Ramona radio for advertising.

(30:49):
Oh my God.
That's good.
Give it back.
You know what that would be good with?
She's like, give me that shit back.
Like Sprite, be like cream soda.
Yeah, with Sprite, that'd be really good.
You're a whipped cream 99 fan now?
It's actually good, right?
I don't like your negative energy.
Eric, do you want to say guy dude?

(31:11):
You ever had the, you ever done the root beer?
What is that one?
Have you had the root beer?
No, dude, I got to pass it to you.
Dude, I bet that would be good with the whiskey though.
You gotta let him taste it.
All right.
Let me try that.
What is this?
You know what's really good too?
Have you had not, it's called not your dad's root beer.
I had them.
Oh yeah.
And it's like boozy root beer.
But it's good.
I had them all.

(31:34):
Oh my God.
That's good.
What?
Those stupid 99s are crazy.
Why am I just now hearing about this?
You're welcome.
As if my addiction wasn't worse.
Now here we go.
I got 99 bananas or whatever the shit is.
We had a friend who had a birthday party and we'd literally dangled 99s all around the

(31:58):
garage and everything.
And people had to like put their hands behind their back and Bob, like Bob or capture their
99s.
Yeah.
We went through like 200 of those 99s in one night.
Dude, those stupid 99s.
That's the song right there, Ethan.
200 99s.
Let's do it.
Let's do it.
Let's do it.
I got a whole bunch of stuff on the clock right now.

(32:20):
That's a confusing song.
200 bottles of 99 on the wall.
200 99 bottles of beer on the wall.
Wait, how many numbers?
What are we doing?
Oh my God.
It gets to like 180 and you can't even remember where it's at.
What is the California limit for liquor that they can sell here?
Oh, the amount of alcohol, like moonshine?

(32:43):
Yeah.
Well, pure alcohol is what 200...
No, I'm saying, but like, so Everclear, you can get Everclear in Arizona, you can get
Everclear here.
Everclear in Arizona is legit.
It's different.
Yeah.
I don't know.
What is the California?
ABV that caps out.
I have no idea, Sweet Curbs.
I know you can get 151, which is rum, right?

(33:03):
But it's 151.
Yeah, that's true.
Let me consult the orange one.
Yeah, yeah.
That's funny.
I remember doing...
So I bartended for a long time ago.
I bartended a long time ago when I was younger.
Anyway, I remember taking 151, the rum, and I would put it in my...

(33:23):
I would take like a capful and I would hold the lighter up and hold it and go, and blow
a fire.
A real fireball.
A fireball.
60% ABV is the max allowed.
In California?
California prohibits the sale of beverages greater than 60% ABV.
Damn.
Damn, that's more than half.
That's crazy, dude.
Hey, Ethan, have you ever had outlaw barbecue?

(33:49):
You have?
Yeah.
It is absolutely amazing.
The guy knows how to smoke.
Oh, yeah.
Yeah.
Dean is a great guy and he makes goddamn good barbecue.
So I done had some...
We were at Red Weiss & Brews one night and he has some sausage there and it was sausage

(34:13):
from a pig.
He done shot himself.
Yeah, he has a lot of his own game meat.
So he done shot the pig in Texas.
The guy goes on like hunting trips.
Made the sausage himself.
Makes it himself, dude.
So good.
Absolutely amazing.
So freaking good.
He is a master of his craft.
Yeah.
Dude, outlaw barbecue, man, I'm telling you, if you got any events, dude, if you got any

(34:35):
things going on outside, I think we're probably gonna have a big old party probably here at
Vermont Radio Studio.
How do you think it would be cool?
We're gonna do a big studio.
Oh, fuck it.
His brisket.
His brisket.
The brisket.
We're gonna have a big party.
No, dude, we are gonna have a big party here at the Vermont Radio.
Oh, come on, dude.
The brisket.

(34:56):
The brisket.
Come on.
Shooting it down.
Whatever, dude, we're gonna have a party.
The brisket, the sausage, the chicken, everything he does is amazing.
Yeah, dude.
And what a guy, man.
What a nice guy.
Yeah, super cool dude, man.
Yeah, just a super down to earth guy.
Yeah.
The way he goes about his customers is awesome.
He's a good down home guy.

(35:18):
Oh, yeah, I've watched him.
Really good man.
Not everyone knows he's cash only, so people show up and he's like, give me next time,
take a plate.
Yeah.
He's a good guy.
A very good honor system, dude.
That's why I love that guy.
Word gets out what about I'm about to say for a moment because once word gets out, he's
gonna go, you dick.
I don't know why you said that.
But what I love about him, he's like, I don't do change.

(35:39):
You get your own change.
Right.
Yeah.
Don't contaminate my hands.
Because he's a one man deal, dude.
He's a one man deal.
He's wearing gloves, you know, and he doesn't want to deal with it and handle money.
Like I understand.
Perfect.
I understand that.
It's fucking awesome because I think every time like a lot of people don't talk to Dean.
There was a day he was a bassist in a punk rock band playing black flag covers and a

(36:04):
mohawk.
Yeah.
Yeah.
Oh, yeah.
Dean, we're gonna need to see these photos.
Yeah.
We're gonna have to get on here.
He's the best.
We love Dean killer and his food is amazing.
And that goddamn that that bourbon honey bread.

(36:24):
Yeah.
Yeah, dude.
That's one of my favorites.
I get that every time.
Yeah.
So good.
Heck yeah.
All right.
Let's play a song.
Yeah, dude.
Let's play some songs.
But man, I got to tell you this plastic bottle whiskey spree.
I know you guys are gonna start like having discussions about 99s.
It cracks me up.
These 99s.

(36:45):
Oh, they're dude.
These 99s.
What the hell?
They ain't pretty.
So where you want to go?
How much do they cost?
It tastes like root beer.
It depends on where you go.
What are they like a dollar, two dollars?
They're dollars.
99 for 99.
No, no country wine spree.
Chad's the one.
Yeah, no.
Let's fast track.

(37:21):
I'm never coming back to these chains, chains, shackles and chains.
These love taking, heart breaking, cold heart, lonely, taking chains.

(37:52):
You never try to hold me till you see me walking out.
I guess you'd rather be with me than ever be without.
You call me back and kiss me and my heart begins to sing.
When I know that all you're doing is taking up another link in these chains, chains, shackles
and chains.
No matter what it takes, someday I'm gonna break these chains, chains, shackles and chains.

(38:21):
These love taking, heart breaking, cold heart, lonely, taking chains.
Love was never meant to be a one way street.
I was never meant to be falling at your feet.

(38:43):
You've got me where you want me and I don't know what to do.
You don't belong to me but I belong to you and me.
These chains, chains, shackles and chains.
These love taking, heart breaking, cold heart, lonely, making chains.

(39:10):
These chains, chains, shackles and chains.
These love taking, heart breaking, cold heart, lonely, making chains.

(39:52):
Well, my name's John Lee Peddermore.

(40:15):
Same as my daddy and his daddy before.
You hardly ever saw a friend daddy down here.
They only come to town about twice a year.
You buy a hundred pounds of yeast and some copper line.

(40:40):
Everybody knew you made a man shine.
That revenue man won a granddaddy bad, he'd let the holler of everything head.
For my time, I've been told, never come back from Copperhead Road.

(41:10):
My daddy ran a whiskey and a big black dot.
He bought an auction at the Mason's Lodge.
John's a candy sheriff painting on the side.
He just shot a coat of primer and looked inside.

(41:35):
Well, in the mouth, the toilet engine down.
I still remember that rumbling sound.
Then the sheriff came around in the middle of the night.
Heard mama crying if something wasn't right.
He's headed down to Knoxville with a weak little load.

(41:57):
He smelled whiskey burning down Copperhead Road.

(42:27):
I volunteered for them on my birthday.
I grabbed a white dress for a strap of red and white.
I've done two tours of duty in Vietnam.
I came home with a brand new plan.

(42:53):
I'm taking a seat from Columbia, Mexico.
I just planted up a holler down Copperhead Road.
Now the D.A.'s got a chopper in the air.
A wig out streaming like I'm back over there.
I learned a thing or two from Charlie, don't you know?

(43:16):
You better stay away from Copperhead Road.
Copperhead Road.
Copperhead Road.

(43:42):
Copperhead Road.

(44:04):
They got a vintage patrol in 1951.
Full of my favorite records that I grew up on.
They got old Hank and Lefty and there's B-24.
Set them up Joe and play walking the floor.

(44:27):
I'm gonna spend the night like every night before.
Playing E.T. and I'm playing some more.
I gotta have a shot of them old Troubadours.

(44:49):
All my neon neighbors, they like what I play.

(45:15):
Cause they've heard it every night since you walked away.
Every day they replay so B-24.
Cause every night I run a needle through walking the floor.
Every night I run a needle through walking the floor.

(45:38):
I'm gonna spend the night like every night before.
Playing E.T. and I'm gonna play them some more.
I gotta have a shot of them old Troubadours.

(46:04):
I said set I up Joe and play walking the floor.
Set him up, Joe, and play a walk in the flow.
Grandpa, tell me about the good old days.

(46:43):
Sometimes it feels like this world's gone crazy.
Take me back to yesterday when the line between right and wrong didn't seem so hazy.

(47:10):
Did lovers really fall in love to stay? Or stand beside each other, calling what may?
Did they promise really something people can't, not just something they would say?
Families really bow their heads to pray. Daddies really never go away.

(47:41):

(48:11):
Grandpa, everything has changed and fast. We call it progress, but I just don't know.
And Grandpa, let's wander back into the past and paint me the picture of long ago.

(48:48):
Did lovers really fall in love to stay? Or stand beside each other, calling what may?
Did they promise really something people can't, not just something they would say?

(49:18):

(49:48):
Families really bow their heads to pray.

(50:14):

(50:44):
I love Jamie Johnson.
He's a great singer. He's great. He's got long hair, long beard.

(51:22):
Jamie Johnson is an nights

(51:46):
ride fashion model.
He's done that too.
He wrote a lot of songs that other people do,
like, and made famous, you know?
Who the hell wrote that?
He did a bunch of stuff behind the scenes
before he even blew up with, what was that song?
Tennessee Whiskey.
That's, in my opinion, that's-

(52:06):
Fire away, kind of.
Fire away.
Put him on the map.
Yeah, I really like, so I was riding home one day,
and I still do, but I was riding my motorcycle home
and I have a Bluetooth helmet.
You know, I can listen to music while I'm riding.
And I heard that Chris Stapleton song.

(52:27):
Wow, what the hell's the name of the song?
Good ass song.
We drove all night.
Billions, Montana.
What the hell's the name of the song?
You know what I'm talking about?
Devil.
The Devil Named Music.
Devil Named Music, yeah.
The Devil Named Music, that's what it was.
So I'm riding home and I'm listening to that.
I'm like, who is this?
Like, I couldn't tell who it was.
I thought it was like Stevie Ray Vaughn

(52:48):
or somebody like, you know, with that voice.
Yeah, there ain't nobody like him.
Yeah, dude, I was like, who is this?
And then I finally got home and I was like,
I went on my phone,
cause I was listening to like Pandora or whatever it was,
and I like scrolled back.
Ah, dude, this song right here.
He's so good.
The Steel Drivers too.
Oh yeah, the Steel Drivers too.
Blue Side of the Mountain.
Yeah.

(53:08):
Such a good song.
Ah, dude, the song.
I was riding my Harley on my way home,
listening to this, I'm like, who is, what is this?
Who is this?
Oh yeah, he's something else.
Yeah.
Incredible, man.
Incredible.
What do you think about like writing songs
and like having somebody else like sing them
or perform them or, I think it's humbling, man.

(53:30):
I love it.
Oh yeah, man.
I mean, I think the world of songwriting
is all over the place, right?
I mean, especially in the professional world
that we look to that we ain't got nothing to do with, right?
I mean, especially in the world of country music
from way back in the day, right?
I mean, you got like the Tennessee Sound

(53:51):
and I mean, that goes back to the 50s.
And I mean, there's always been people that are songwriters
and then there's vocalists and people
that are amazing over they do,
but maybe they can't write songs.
So you've always had a world in the industry,
especially in like the whole Tennessee Sound,

(54:14):
you got people that are producers and songwriters
and they do these things.
And then you've got amazing artists
that can sing and play amazingly,
but maybe they can't write.
Right, yeah.
So I mean, that's just been the industry for years.
That's always been the way.
Yeah, somebody writes a song and then like,
like I can write a song and be like,

(54:36):
oh, I can't sing this song.
This is supposed to be performed by a woman
or not me, somebody else.
You got someone that can write amazing songs,
but they can't sing them to save their life.
So you write these songs,
you give them to someone that can sing them.
I'll tell you what, there's a podcast out there
it's called Cocaine and Rhinestones.

(54:58):
So it's produced by a man named Tyler, he's actually,
Tyler Allenco, he's David Allenco's son.
Oh, no way.
So he dropped out of school and was 14.
Wow, that's fucking cool.
He dropped out of school and was 14
and went on tour with David Allenco for years.

(55:20):
So he's got, I mean, this guy knows
old school country music.
I can imagine, yeah.
And he's got a podcast called Cocaine and Rhinestones
and it's a podcast about country music in the 20th century.
And he, I mean, it's amazing, man.
I can imagine, dude.
It's something else.
He talks about like the Judds,

(55:40):
he talks about Ernest Tubbs, Everly Brothers.
Like, I mean, he goes down the rabbit hole
like someone, if anyone's ever interested
in learning about the depth of some country music
in the 21st century, or in the 20th century, sorry.
He's the guy, man, it's wild, it's wild.
I mean, some of it's a little overwhelming.

(56:03):
Yeah.
Like, I mean, there's some dark, dark places
in country music where it's just like, it ain't pretty.
There's just dark places everywhere.
It's a great podcast.
If anyone's interested in learning
about the history of country music in the 20th century,
go listen to that podcast, Cocaine and Rhinestones.
Yeah, it's pretty cool, man, pretty cool.

(56:23):
Well, shoot, man, I'm gonna tell you what,
this whiskey that I'm drinking right now is pretty decent.
It's Jim Beam.
Your plastic bottle whiskey.
The bourbon plastic bottle whiskey.
I am gonna, have you ever had Gentleman Jack?
Yes, sir.
Yeah, I got some, you want some?
Yeah, I ain't gonna say no.
Ha ha ha, here we go.
Does look better.
I got no words.

(56:45):
All right, I got you some.
We got kind of, we kind of went aside,
you were asking about my story,
and I told you about my metal and my punk rock days.
Oh yeah, yeah.
So the country music was always in my life,
and it was always there, and I always kind of listened to it,
and I honestly don't know what happened, man.

(57:08):
I have a good buddy, he turned me on to Tyler Schulers
when Tyler Schulers was like, first coming,
I was like, oh man, that's awesome.
And I had already been listening to plenty of country music,
and I knew about like, Turnpock Troubadours,
and I knew country music.
Yeah.
But it was just something weird, I don't know what happened,

(57:28):
man, my buddy turned me on to Tyler Schulers,
and I love old Tyler Schulers.
Not so much the new stuff, but yeah, I mean.
Yeah.
I was, it was, what's his big song?
White House Rogue?
White House Rogue, that one?

(57:49):
Feathered Indians.
Feathered Indians, Feathered Indians.
Yeah, that's a good one.
And I would just start listening to that,
and I started listening to them,
and then Culture Wall came out.
Oh yeah, Culture Wall.
I was listening to more and more of that,
and then I just kind of went down the rabbit hole, man,
and I don't know what happened, man.
Like I just, it took me, it took me.
Hey, do you have ice in that cup right there?
Let me grab that for me.

(58:11):
Yes, sir.
Yeah.
Sweet Curbs, thank you.
Sweet Curbs, thank you.
Yeah, dude.
It just took me, and it got me more and more,
and I'm a man that who I am and how I live and my style
and everything that is what I am really kind of
is a reflection of the music I love.

(58:34):
Yeah.
Right, so as I became more and more and more
enamored with country music,
and the more I kind of just went down the rabbit hole
with it and loved it and loved it and loved it and loved it,
it just became more a part of me,
and it just became more a part of who I am,
and it kind of, I started transitioning back to

(58:58):
10,019.
Made the switch.
So I mean, yeah, it just, like I said, who I am and how I.
So when did you come out?
No, I'm just kidding.
No, no, no, 100%.
As a country music guy.
It kind of was like that, man.
Dude, I'm the same way, bro.
Same thing, man.
It was just like the more enamored with country music

(59:19):
I became and the more love I felt for the genre of music
and how much it meant to me and how much I immersed myself
in it, it just, it moved me to be a person
that reflected that more and more.
Yeah.
And here I am.
Now you're on to Travis Billy.

(59:41):
Sorry, my name is not Travis Billy Ross.
No, what is your name?
My name is Travis.
Kiwi.
Kiwi.
Kiwi.
Kiwi.
Kiwi.
Bullshit.
Yeah, man, so.
Always thought bullshit.
You almost got a mark.
It is?
I almost got a mark on that.
It is factually correct.
Ethan, come on, man.
But yeah, man, I'm gonna say, yeah, it's just like,

(01:00:02):
as country music became more of like my love,
it just became more of a reflection of who I am
and I just kind of gravitated more and more to it
and here I am today.
And here you are.
Who would you say is your biggest country influence
for your music?

(01:00:23):
That's rough.
Yeah, dude.
I mean, I'm gonna say like all time, all time,
God damn, like some bitch is George Strait.
George Strait, I mean, come on.
I can still make Cheyenne.
All right, dude, all good.
I can still make Cheyenne.
I love George Strait.
I just don't think it's thinking of God.
Modern day, I love, I love, I love Cody Johnson, man.

(01:00:45):
Cody Johnson's good.
Cody Johnson is like one of my heroes.
Riley Green is one of my heroes.
I like Riley Green.
I love Riley Green.
He sings the, like the Jody Messina little remix song.
Yeah, he does, we do things different on here.
He does a million songs.
He's amazing to me.
Riley Green.
As far as modern country goes, Riley Green, Cody Johnson,

(01:01:07):
my two mains, Randall King's pretty cool.
Who do you not like?
Like who would be like?
Luke Combs, Luke Bryan.
Oh, I love Luke Combs.
I don't, not so much Luke Bryan.
I don't like Luke, is your name Luke?
Probably don't like you.
No, no.
No, no.
I'm 1550.
I'm not a big fan of-
No Bryan, yes, Luke.

(01:01:28):
I'm not a big fan.
Is your name Luke?
I hate you.
I'm not a big fan of like the,
like the pop country stuff.
Pop country, I agree.
And what's funny is, I'll go back to that,
the podcast I was telling you about.
Yeah.
Through the history of country, man,
like I mean, from the 40s to now,
there's always been this progression

(01:01:48):
of a generation that raised country
and then the next generation
and something happens different.
And you've got this previous generation,
that's not country, I don't like that.
That's not country.
So you've watched this, it's happened
through the history of country music.
It's always been, right?
Like there was a time where it was like,

(01:02:12):
you don't put, there's no drums in country music.
You don't put drums in country music.
Like, right, so you had this previous generation,
drums came into country music
and you had this previous generation
that's like, that's not country music.
There's no drums in country music.
So there's always been this-
That's a generational thing.
And it happens in every genre of music, right?
I mean, groups of people that can see eye to eye.
This old cowboy hat.

(01:02:33):
Did you just quote Chrysler Due?
I sure did.
That's one of my favorite songs.
Come on.
Yeah, so.
Oh man, we had Tara Hall's Apple a couple of weeks ago.
God bless her, she's an amazing woman.
Yeah man, she's a cool lady.
She's something special.
Heck yeah.
What a way to play.
Yeah, I mean, so you've always had this world,
like, you know, and I feel like it happens

(01:02:54):
in every genre of music.
Like a generation having someone do something new
and like, oh, that's not this, that's not this, you know.
But it's the same country music.
It's always been.
And again, I'm gonna go back to this podcast.
I would tell anyone and everyone that hears us
to go listen to Cocaine and Rhinestone's podcast
because it's amazing.

(01:03:14):
You'll check that out.
Hell yeah.
You've got this, it's this thing that goes on.
Like a generation of music happens,
something else comes out and they change a little bit.
And then you got the previous generation.
That's not country music.
That's-
Yeah.
That's something that's ongoing.
But yeah, that's what it is, you know.
But the pop stuff, you know.
There's always been this correlation between pop music

(01:03:36):
and the pop charts and country music.
And there's always been this correlation,
country charts and the pop charts.
I mean, you talk about like,
Bobby Gentry, right?
That song, huge on the pop charts,
huge on the country side.
But like, it's stuff like that.
Like Bobby Gentry, you got a lot of songs, fancy.

(01:04:01):
Yeah.
Fancy.
Fancy.
Right, they hit the pop charts.
Yeah.
And there's just this whole thing in this world,
country music versus pop music,
in this dichotomy, if you will,
of like, that's not country music.
Just, and you've got these charts and dah, dah, dah.
It's always gone on through the course of time

(01:04:21):
in country music.
But you like what you like, right?
Oh yeah, dude.
But I think that's fair.
Like music can evolve just like,
you evolved as an artist, right?
Yes, dude, no.
Ethan, man, thank you for fucking hanging out with us.
Yeah, I appreciate it.
Thanks for having me.
Yeah, dude.
And dude, I appreciate your plastic bottle of whiskey.
Come on.
I'm gonna go drink that before you're done.
I'm gonna go drink that before you're done.
Very much so.

(01:04:41):
I love you, man.
Dude, so where can we find your music?
On Ramona Radio, I got the one song.
I got a cover of Wagon Wheel that I need to do some.
Massaging?
Yeah, well, I just got it.
We'll get it.
We'll get you.
Yeah, I just gotta do some liability waiver stuff
and so he could put it on there.
And then I've got two more songs written

(01:05:03):
that I really wanna record.
Cool, okay.
I'm hoping Eric's probably gonna help me with that.
Oh yeah, dude, Eric's the man.
I've got another one song or two that are written.
I'd really, well, I got one in particular.
Dude, let me know.
I got one in particular.
I done told you about it.
Yeah, collaborate.
I really love, yeah. Hell yeah.
The lyrics are cool, man.
Hell yeah.
I got a Johnny Cash feel.

(01:05:25):
Okay.
Sweet, dude.
Hell yeah.
You and me should do that one.
Yeah, dude, let's do it.
Let me know.
I'm in. I'm in.
I'm happy to help.
Man, thank you so much for hanging out with us today.
Yeah, thank you.
Thank you for having me.
Dude, what a cool day.
Come back again.
It ain't a cool day.
We're gonna have you back, don't worry.
It's honor's shit.
We'll invite you back in the winter.
Thank you.

(01:05:45):
ary

(01:06:10):
Sunshine beating down the good times, moonlight racing from the grave
String band playing war hat honky tonk's pretty young thing going lancing in the rain
I hear ladies spitting at the Nicky Jacks, businessman with a needle and a spoon

(01:06:36):
Coyote chewing on a cigarette pack of young boys going howling at the moon
Hey darling, slipping on the blacktop, hey darling running through the trees honey
Hey darling, even for the next time, lancing my sets, catches up with me

(01:07:00):
3 bed in a crash on the number 4, 2 witnesses below and up high
Not sure whose will be done, you can call me a sinner for wondering why
Hey darling, even for the next time, let's have my sense catch up with me

(01:07:40):
Corn liquor tastes sweeter in this town
Could it be it's the same as the last?
I swear I've seen your face elsewhere before
Just as familiar as a bottle and a glass
Hey darling, sleeping on the blacktop
Hey darling, running through the trees, honey
Hey darling, even for the next time, let's have my sense catch up with me

(01:08:02):
Hey darling, sleeping on the blacktop
Hey darling, running through the trees, honey
Hey darling, even for the next town Lesson my sense catches up with me
Hmm
Hmm

(01:08:24):
Hmm
Hmm
Hmm

(01:08:49):
Hmm
Hmm
Hmm
Hmm
Hmm

(01:09:14):
Hmm
Hmm
Hmm
Hmm
Hmm

(01:09:39):
If you got a chance take it
Take it while you got a chance If you got a dream
Chase it cause a dream won't chase you back
If you're gonna love somebody hold on as long and as strong
And as close as you can till you can

(01:10:00):
Hmm
There's a box of greasy parts sitting in the trunk of that 65
Still waiting on you and your granddad
To bring it back to life
You can always get around fixing up that Pontiac

(01:10:22):
Till you can't

(01:10:49):
So take that phone call from your mama
And just talk away cause you'll never know
How bad you wanna
Till you can't someday
Don't wait on tomorrow cause tomorrow may not show
Say your sorries your I love yous

(01:11:11):
Cause man you never know

(01:11:33):
Yeah if you got a chance take it

(01:11:58):
Till you can
Yeah take it
Well I walked into one of my old homes

(01:12:19):
It used to be a honky tonk heaven
Some old slicker done bought the place
And lit it up like a 7-Eleven
Yes they fired a band that used to play
Okay from a star to a star
And they'd be a little bit of a hit
And I'd be a little bit of a hit

(01:12:40):
And I'd be a little bit of a hit
And they'd be a little bit of a hit
I heard some comming band
That used to play
Okay from a school gate
And I heard some dude with his hat on
Back yard singing hip hop and karaoke
Shoulda' known it was gonna' happen

(01:13:01):
Being this close to town
But I know a beard joint back in the woods
That them silly folks still ain't found
Would you make a ride in the storm
But the gravel gonna throw you right off in the Choctaw Creek
There's a one lane bridge, just keep it in the middle person
That road's gonna end, welcome to Ray Ray's Juke

(01:13:22):
Joint down in the holler, y'all come back again
...
...
...
...
They got ice cold beer and chicken and ribs
cooking on the grill out back

(01:13:43):
Three plays, four quarter on the jukebox in the corner
and it's full of hank, haggard and calves
They got a long legged witch who's wearing cut off jeans
she's quick to take your arms
You better leave her a tip or don't give her no lip
Y'all that girl is Ray Ray's daughter
They'll make you feel like family and everybody is your friend

(01:14:06):
There's been folks messed up down there that ain't never been seen again
You make a right at the stump with the barbed wire
anywhere the old church used to be
Better mind that curve or the gravel gonna throw you right off in the Choctaw Creek
There's a one lane bridge, just keep it in the middle person

(01:14:30):
Music
You make a right at the stump with the barbed wire
anywhere the old church used to be

(01:14:51):
Better mind that curve or the gravel gonna throw you right off in the Choctaw Creek
There's a one lane bridge, just keep it in the middle pretty soon
Welcome to Ray Ray's Juke

(01:15:13):
Music
Oh man, Ray Ray's Juke, what? That was Jamie Johnson
I'm gonna tell you that right now, that's one of my favorite songs to write out

(01:15:35):
That's so cool
Oh man, we just had Ethan
Gilsdorf
Gilsdorf with us
That was so much fun
How cool was that?
I know, right?
I totally missed all of that
I know, Cassie
You know what I like?
Welcome back
Thank you, I'm Halloween
I know, I missed all the cool stuff
Hey
Cassie, we gotta get a fifth mic
I keep missing the cool shit

(01:15:57):
We gotta get a fifth mic because I miss you, Cassie, when you're not hanging out with us
You know what, here's the problem though, because we've talked about the fifth mic
However, it is so hard to listen to five voices
Just not gonna happen
I get to play hostess with the mostess when we have guests
We're gonna start pickering back and forth
I am happy with that, I am more than happy with that

(01:16:20):
Heck yeah, Ray Ray's Juke
Down in the Holla, Jamie Johnson
A very underrated musician in my opinion
I agree
Yeah, but he's one of my favorites
Mine too
Honestly right now, one of my favorites, like Jamie Johnson
Yeah
You mentioned Jamie Johnson a lot
I know

(01:16:41):
He's a great songwriter
I thought we were talking about Jamie Johnson and I was like
You're all Jamie Johnson, what are we drinking?
I thought we were gonna start talking NASCAR here
I was gonna say, isn't that a race car driver?
Yeah, well he's a San Diego native too
Oh, isn't that race car at that Mexican place we went to with your sister
There's like a picture of him
Yeah
He retired

(01:17:02):
Down in El Cajon
He's kind of sporadic, he owns a team now I think
He did like a big old donation to like a middle school or elementary school
He's actually a cool kid
Jimmy Johnson
But I'm like, wait, are we talking NASCAR or are we talking Jamie Johnson?
We're doing Jamie
Not to be confused with
Jimmy
Jimmy Johnson, Jamie, Jimmy

(01:17:24):
Man, so we got some food that we ordered that's gonna be delivered here to the Ramona studio
Yeah
Ramona radio studio
We all have to eat at some point
We gotta eat at some point, but you know what?
How funny would it be if we got that driver?
Let's get the delivery driver here
Oh, that would be funny
How funny would that be, dude?

(01:17:45):
Erica is our delivery driver and she is like
Her name's Erica?
Yeah, she might be in the driveway right now
Erica, if you can hear us
Erica
We would love you to join our radio show
Erica, is that you?
No
Dude
How funny would that be though?
It would be fun
It would be fun, dude
Your driver left, you guys are weird

(01:18:06):
She heard you talking
She's like, what am I just walking into right now?
I know
She'd be like, I don't know, I'm just doing whatever
I'm just delivering your food, god dang it
Oh, dude, how cool is that?
You can have just whatever you want delivered to your abode
Door step

(01:18:27):
Yeah
Door dash
Oh, man
My daughter and I were having a conversation
I guess it's been a few years now
And she's like, dad, what was it like before streaming TV?
And I looked at her and I go, baby girl, what was it like before VHS tapes?
She goes, oh shit
Ah

(01:18:49):
Before, she wasn't around before VHS
Oh, she was around before Blu-ray
Yeah, Blu-ray
Back then you would have to buy
VHS, even my oldest was
That's all we had growing up is VHS
And I remember we had all the Disney movies
And it was like, there were certain ones that were like collectors
And I think about that, all these people that went out and bought these
It's like kind of obsolete
Yeah

(01:19:10):
What do you do with them?
They're all in their little collector collectible cases
And I will say, I was going to invite Erica to join us
But she had a beard, so
Not sure it was actually Erica
Oh, that's probably not your
Oh, you know
Erica maybe
Erica's relief driver
Eric-ka
Eric-ka
Well, thank you for the food, whoever that was
Yeah, well

(01:19:31):
We ain't dying tonight
We're not dying, we're going to eat some food here in a little bit
Oh man, so let's play some tunes, dude
Let's play some music
All right, get all fucking bossy
We're fucking here
It is TBR Show, so
It's
No, man, Outlaw Country Show
And I got my whiskey
You know, it's hard, it's been a week now

(01:19:53):
And I still can't remember what your new name is
Travis
Come on, man
E only
Travis
Ki of E
Ki of E
Come on, dude
It's the Travis Ki of E
If you know Travis, you know
All right, let's
You know what we should do?
I think for all of my musicians friends out there
What?
Let's play a song in the Ki of E

(01:20:14):
What? Give me a good song
A good song, maybe Folsom Prism
That's
Folsom is all in
I think it's in Ki of E
I don't know
E-B-E-B-E-B-E
E-B-E-B-E
There's some E's in there
There is an E-B-E-B-E-B
That's a Waylon Jennings song
Called Are You Sure Hank?
Done It This Way
So here's the thing

(01:20:35):
Yeah
It's funny if you
Next time you listen Dirty Confetti Live out somewhere
Travis will call out every song
Let's play Ring of Fire
Let's play this song
That song
He tells his band E-B-E-B-E-B
And everybody knows that's what they're playing
Which one?
Yeah, they know
It's called Are You Sure Hank?

(01:20:57):
No, no, I don't think
Are You Sure Hank?
Done It This Way
Waylon Jennings
So Waylon Jennings did it
And then Hank Williams Jr. did it also
That's a good tune
That's a good tune
It's an E-B-E-B-E-B
That's an E-B-E-B-E-B-E-B
Sorry to bother you
Alright
We're crying out loud
Let's hear the E-B-E-B
Oh, there it is
Yay

(01:21:30):
Lord, it's the same old tune
Fiddlin' guitar
Where do we take it from here
Riding stone suits and new shiny cars
It's been the same way for years
We need to change

(01:21:56):
Somebody told me
When I came to Nashville
Son, you finally got it made
Old Hank made it here
We're all sure that you will
But I don't think Hank
Done It This Way
No
I don't think Hank
Done It This Way
Look at it

(01:22:38):
Ten years on the road
Making one night stands
Speeding my young life away
Tell me one more time
Just so I'll understand
Are you sure
Hank done it this way
Did old Hank really do it this way

(01:23:03):
Lord, I've seen the world
With a five-piece band
Looking at the backside of me
Singing my songs
One of his now and then
But I don't think
Hank done it this way
No
I don't think Hank
Done It This Way
Take it off

(01:23:53):
guitar solo
Goodbye, Joe
Me gotta go
Me oh my oh

(01:24:14):
Me gotta go
Pull the P-Roll down to Bayo
My Yvonne, the sweetest one
Me oh my oh
Son of a gun
We'll have big fun
On to Bayo
Jumbo line, crawfish pie

(01:24:35):
And a filigumbo
Cause tonight I'm gonna
See my mosh as a meal
Pick it up, fill fruit jar
And be gay oh
Son of a gun
We'll have big fun
On to Bayo
guitar solo

(01:25:18):
The hippie does
The fart knows
The place is buzzing
Can folk come to see
Yvonne by the dozen
Dress in style
And go hog a while
Me oh my oh
Son of a gun
We'll have big fun

(01:25:39):
On to Bayo
And a filigumbo
And be gay oh
Son of a gun

(01:26:00):
We'll have big fun
On to Bayo
guitar solo

(01:26:28):
And a filigumbo
And be gay oh
Son of a gun
We'll have big fun
On to Bayo

(01:26:50):
guitar solo
guitar solo

(01:27:13):
Well my buckle makes
impressions on the inside
Of her thigh
There are little feathered
Indians where we tussle
Through the night
If I'd known she was
religious then I wouldn't
Have came stoned to the house
Such an angel
Too fucked up to get back

(01:27:34):
guitar solo
Looking over West Virginia
Smoking spirits on the roof
She asked ain't anybody told you
That them things are bad for you

(01:27:56):
I said many folks
Abort me
There's been several people try
But up till now there ain't
Been nothing that I couldn't
Leave behind
guitar solo
Hold me close my dear
Sing your whisperin' song

(01:28:20):
Softly in my ear
And I will sing along
Honey tell me how your love
Runs true
And how I can always count on you
To be there when the bullets fly

(01:28:41):
I'd run across the river
Just to hold you tonight
guitar solo

(01:29:06):
Well my heart is sweating
Bullets from the circles
It has raised like a little
Feathered Indian
Calling out the clouds rain
I go running through the thicket
I go careless through the thorns
Just to hold her for a minute
Though it leave me wanting more

(01:29:28):
Hold me close my dear
Sing your whisperin' song
Softly in my ear
And I will sing along

(01:29:50):
Honey tell me how your love
Runs true
And how I can always count on you
To be there when the bullets fly
I'd run across the river
Just to hold you tonight

(01:30:31):
If the wife and I
The fussin' brother that's all right
Cause me and that woman
Bought a license to fight
Why don't you mind your own business
Mind your own business
Cause if you mind your business
Then you won't be minding mine
Oh the man at the apartment
Is an only thing
He comes to my door

(01:30:52):
And it's a ring ring ring
Oh mind your own business
Hey won't you mind your own business
Cause if you mind your own business
Yeah I got a little girl

(01:31:32):
Just mind your own business
If you mind your own business
Mindin' other people's business
Seems to be high tone
I got all that I can do
I'm minding my own

(01:31:53):

(01:32:16):
I may tell a lot of stories
That may not be true
But I can get to heaven
Just as easy as you
So won't you mind your own business
Hey if I want to honky tonk
Around the two or three

(01:32:37):
Baby that's my headache
Don't you worry about me
Just mind your own business
Well if you mind your business
Then you'll be busy all the time
Sweet Curbs, I gotta tell you something

(01:32:58):
Yes sir
Can it be on us?
That song?
I don't know
Reminds me of Me and You
She's like don't lie to me
No, cause it says in the song
If the wife and I's a fussin' brother
That's alright
Me and that woman's got a license to fight
So won't you mind your own business
And the birds might be back

(01:33:20):
That's so sweet
We got birds flying around the studio right now
We haven't had birds in the studio in a couple of weeks
That's really heartfelt
I appreciate that
No, but it's a good song
Dude, that was a killer song
It was like Tom Petty in there
Hank Jr.
Frickin' Willie Nelson
Reba
Reba
Right
In that song
Great names

(01:33:41):
Who doesn't love some Petty and some Reba in the same song?
I was just thinking to myself
You know what would be great?
They should do it
But one of them is missing now
Yeah, I'm like
I don't think they can redo that song
Well
That was some good panda
A.I.
Yeah, so we have fed our host
We ate some food right now
We had a food break

(01:34:02):
Food break
It was funny because
You know, you had mentioned prior to the break
What would be fun is trying to get the Uber driver to come in
It was just like
That would be cool
We'd hang out on the mic for a couple minutes
We did try but Erica had a beard
So it was not an Erica
Yeah, I'm like
Somebody set her brother up with the account
And just went
Yeah
This does not look like you

(01:34:24):
Right?
I'm like
I should have asked
Erica?
Yeah, it was definitely
And it wasn't one of those things where
He was deciding
I promise
Good God, I can imagine
Lighter
I got a lighter
Lighter

(01:34:45):
He's got a lighter
Pass it around
I might have to go
I got one
I'm fired up
I'm fired up
I'm fired up
The host is with the mostest and I'm failing
Cassie, what's going on?
I know
Are you feeling okay?
Everything good?
Everything's good
It's been a fantastic day
Yeah
Ethan coming by
Yeah

(01:35:06):
Yeah
That was super cool
I was hoping he might bring his daughter for a little bit of hello, but you know, she's young and shy
She's an amazing singer too
But she is coming into her own
She's 12 and she's coming into her own
She's got a set of pipes
She does
She does
I can't believe it
When I hear her sing, I'm like, what am I listening to?
This is a 12 year old kid

(01:35:27):
She's got a really unique sound, right?
Yeah
And she's working on now her control and all of that and her projection
I'm like, oh, honey, let's see what happens to you in the next 10 years, right?
But yeah, that's true
But Ethan brought up a really good point
And I've been wanting to come back and circle with you and ask you the question

(01:35:49):
Circleback Saki?
Circleback Saki?
Circleback Saki
Circleback Saki
Circleback Saki
Circleback Saki
Circleback
That sounds like lyrics
No, what were you?
But as an artist, and I'm not really sure how to phrase it up
But Ethan is a songwriter
I mean, he has done some recording and he's done some singing

(01:36:10):
Yeah
But he's a great songwriter
Oh, yeah
And he was very adamant about teaming up with you
Yeah
As the singing portion
How does that relationship actually work?
So like
Honestly, like I don't even know, man
Like I write songs and I play songs
I've never been like
You've never had anybody come to you and say, listen, I think I've written a good song

(01:36:33):
No, like I've never had anybody
Collaborate
Come up to me and be like, hey, do what? Will you sing the song?
Like, sure, like I'll fucking do it
Do it live
You know what I mean?
That's Travis's answer
Let's do it live
Do it live
I'll write it and we'll do it live
Fucking O'Reilly
Fucking guy

(01:36:55):
Well, so that will be kind of an interesting thing for both of you then
Yeah
Because he's been really adamant about that for a while
Yeah, dude
I'm totally down
Like I
Dude, I'm a singer, man
I sing like that's what I do
Whether it be my song or somebody else's song
Like I'm just
That's what I do
I'm a singer and I play guitar
Yeah
I'm excited to hear what this entails

(01:37:17):
I have a fun band
Right?
I love our band
You know, my band Dirty Confetti
Like we're the funnest band I've ever played with
Like
Because we could have anybody come up
And just play a song
And my bass player, man
He's so freaking good
Doc
He is
He's a rock star
Doc is amazing
Doc is
The funny part about Doc though is I love him

(01:37:38):
He's an amazing man
He's probably one of the best bass players
Locally at least
Yeah
Around Ramona
But he gets so in his own head
He's like
Did that go okay last night?
Did I?
Yeah
I'm like Doc, no
He beats himself up
Fabulous
It's like dude
You're freaking killing it
Crazy because I have never heard a negative word about Doc's playing
No, he's phenomenal
From anybody
He's best bass player I've ever heard

(01:38:00):
In personal
Like
In person
Like best bass player I've ever seen
Ever heard
Anything like that
So when somebody comes up
Let's say like Thea or somebody
Like somebody comes up
And they want to play a song
And he's like
I don't know the song
He's like
I'm like
You know it, bro
It's an E

(01:38:21):
Because this is Travis Kibe
He's like okay
And then he figures it out on the fly, dude
He's so freaking killer
He's the best
I think that's one of the things I've been doing for a long time about musicians
Is like I've seen you call out to your band and go
Hey, it's in the Kibe
Whatever
E
Travis McKenzie will appreciate this

(01:38:43):
Oh, McKenzie, dude
Anytime
He gets so
Not mad
It's a joke now
We gotta get him on this stuff
He sits in with Travis
And Travis will give him a list of songs
And he'll learn them
And then Travis will throw in like four or five songs that weren't on the list
He's like why wasn't that on the list, bro?
And then he just yells like as they're playing E

(01:39:04):
B
E
I love that so much
No, he's so talented
Man, I gotta give a shout out to Travis right now
So that's Travis McKenzie
The Trav-I's
The Trav-I, Travis Dahl
You're out there too
And dude, I'm gonna tell you what, man
Travis McKenzie is one of the best guitarists I've met

(01:39:25):
I've met in person
He's so good
He needs to sing more though too
He does, he's a good singer too
Every time I hear him sing I tell him you need to sing more
I agree
Yeah, he's so good, dude
Give him a list of songs
He's shy about his singing
And then don't add a goal to the list
He is mad
He's so shy about his singing but he's got a great voice

(01:39:47):
Yeah, he's killer, man
So do you think it's like one of those things where if you have a songwriter
You have a singer and you have a musician
I don't even know if that's the right way to phrase it
A singer, musician
I don't even know
Well, yeah, but it's rare, right?
I mean it's rare that the three elements
The Trinity
The Trinity comes together as one
We've got a new catchphrase

(01:40:09):
The Trinity
I think there's a lot of people who have been very successful
Successful
Successful
How much have you been drinking, Rob?
Eric
Dude, I'm like
Eight into a 12 pack of my heart iced tea
He's drinking the freaking sweet teas
You were drinking those yesterday

(01:40:30):
He's laughing
Yes
They are good
My twisted teas
Twisted teas, man
They are delicious
They're actually dangerous
I like the light version
And well, I learned something else about some friends of ours
Tony
Oh, yeah, he likes them
Tony was drinking his twisted teas
Yeah
A couple of weeks ago, 4th of July, I walked up

(01:40:52):
And I had my light twisted teas
That's what I was opening with
And he had his twisted tea
I'm like
It's almost like my husband was here
I don't know what's happening right now
I really grew up
I became a big fan of these twisted teas a couple years ago
Yeah
When you saw that meme where that guy smacked it across that other dude's face
That's what it was
That's really what it was

(01:41:13):
Oh, I forgot about that
You remember that?
One of these days
One of these days, I'll have, because they have little pictures on the side of the cans of people enjoying sweet tea
Or twisted tea, I should say
You could be one of them, Eric
I'm going to be on there someday
We might have to do a studio
We could put a remote radio on that can right there, bro
I'm going to be there
Twisted tea if you're listening
We tattooed ourselves with the remote radio logo
We could put it on that can right there, bro

(01:41:34):
We could
Also
I thought maybe we were doing a twisted tea tattoo
I was going to say we're open to twisted tea tattoos if you're open to a sponsorship
I'm just saying
There are consequences at the end of every round of Name That Tune
Speaking of which
Speaking of which
What are we at?
We're at an hour and 40 minutes or so
Alright, let's play some music
We'll play a couple of songs

(01:41:55):
And then we're going to come back and we're going to have to do the Name That Tune thing
And then we're out of time
Sweet Curbs is going to kick my ass again
Bullshit
Probably
Yeah, it's been a couple weeks since we've settled in to this real Name That Tune thing
I'll tell you what
Last week, Curbs won
But there were actually two losers
And so Michael Dean

(01:42:17):
Michael's looking at Clark Goodrich
Oh, Eris thought it was him
He's like, it's a oh
We should have punished both of y'all
I really feel like we should have punished y'all
I think so too
Michael should have lost as well
There's technically losers or winners
We always talk about who won
If you ain't first, you're last
Correct
That is true
You either won or you lost
Ricky Bobby's father

(01:42:38):
If you ain't first, you're last
Bobby Ricky, yes
That's not true
You can come in second place, third place
Still last
Still last
There was only one bet
It was win or lose
Well, that's true
You either won or you didn't win
What is the consequence for this round?
I don't know
I'm going to think about that
Let's listen to a song and let's figure out what the consequences are

(01:43:01):
My name is Travis Eofke
Keevy
Keevy
That's okay
You can say it backwards
All the while
It's just as funny the fact that you can't remember it
This whiskey is so good
What is this?
Almost heaven
West Virginia
Blue ridge mountains
Shenandoah rivers

(01:43:25):
Life is older
Older than the trees
Younger than the mountains
Growing like a breeze
Country roads
Take me home
To the place
I belong

(01:43:47):
West Virginia
Mountain mama
Take me home
Country roads
All my memories
Gather round her
Minor's lady

(01:44:09):
Stranger to blue water
Dark and dusty
Painted on the sky
Misty taste of moonshine
Tear drop in my eye
Country roads
Take me home

(01:44:30):
To the place
I belong
West Virginia
Mountain mama
Take me home
Country roads
I hear her voice

(01:44:51):
In the morning hours she calls me
The radio reminds me of my home far away
Driving down the road I get a feeling
That I should have been home yesterday
Yesterday
Country roads

(01:45:14):
Take me home
To the place
I belong
West Virginia
Mountain mama
Take me home
Country roads

(01:45:35):
Country roads
Take me home
To the place
I belong
West Virginia
Mountain mama
Take me home

(01:45:56):
Country roads
Take me home
Country roads
Take me home
Country roads

(01:46:31):
I'm tired of this dirty old city
Entirely too much work
And never enough play
And I'm tired of these dirty old sidewalks

(01:46:54):
I think I'll walk off my steady job today
Turn me loose, set me free
Somewhere in the middle of Montana
Give me all I've got

(01:47:15):
Come into me
And keep your retirement
So-called social security
Big city, tie me loose and set me free

(01:47:36):
Yeah
Been working every day since I was 20

(01:48:01):
Haven't got a thing to show
Or anything I've done
There's folks who never were
And they've got plenty
I think it's time some guys like me had some fun

(01:48:23):
So turn me loose, set me free
Somewhere in the middle of Montana
Give me all I've got
Come into me
And keep your retirement

(01:48:45):
So-called social security
Big city, turn me loose and set me free
Hey big city, turn me loose and set me free

(01:49:07):
I love that song. Big city, turn me loose and set me free
What a cool-ass song. I love Montana. I've been there a couple times.
I was in Bozeman, Montana. It was pretty cool because it was in like probably about, I would say, probably like March or maybe April.
Was it cold at that time?

(01:49:28):
No, it was cool as hell. Like it was nice. The weather was great, but you could still like look up in the mountains and still see the snow. Yeah, it was pretty wild.
We ended up in Idaho and drove to Montana. It was an anniversary during COVID. So we found a brewery. It was just across the border from Idaho to Montana.
That was so fun. That was one of those bucket list things that when I first met Cassie a long time ago, we were talking about like stupid things we would like to do.

(01:49:52):
And I said one of these days I just want to like walk into an airport and literally say I'll take the next plane.
Wherever. Yeah, like wherever. Wherever. That's a bucket list, dude. Yeah, wherever. Yeah.
What you really can't do, but during COVID? Or like throw a dart at the map and drive somewhere? Yeah.
We did during COVID. I was like, what's open? Dude, I'm so into that. I love doing stuff like that. We got these round trip tickets for like 50 bucks a piece.

(01:50:14):
They were still serving on the airplane. Yeah. In fact, we took a photo of the waitress, the stewardess, the flight attendant. I have to get the right words.
Come on, get it right, Cassie. Flight attendant. No, she thought it was so fun that we were sending this to our kids.
She like loaded up our trays with every little mini bottle she had so we could take a picture with us and like a plethora of minis.

(01:50:35):
I love that. It was awesome. In the middle of COVID. It was fantastic.
So we literally, I asked Cassie, I says go online and find like the cheapest airfare. Like just wherever.
And she goes, well, there's something that Twin Falls, Idaho. And I go, done. That's a cool spot. I've been to Twin Falls, Idaho.
I wanted to go where things were still open. Man, I'm going to tell you what, I was in Coeur d'Alene, Idaho.

(01:50:58):
That's beautiful too. Dude, I'm going to tell you what. So I was climbing towers at the time. I was actually out there.
I have a picture of myself on a big fricking tower that was out there.
But I just remember, man, driving through that place and like going around these sharp roads, you know, to get up to where the tower was.
And then finally got up there. And I just looked down and I saw the lake.

(01:51:23):
The view was amazing. Amazing, man.
I have probably have seen the best views that anyone has ever seen ever.
Like if you can climb a tower and go up somewhere like on top of a mountain and then climb a tower on top of that mountain and be at the highest point possible in the world, like or at that point in that area where you are.

(01:51:49):
You can see anything. I can see that.
Like he gets some really amazing views as a pilot. However, sometimes that's too far. Right. Yeah.
So you're seeing things that are kind of just at that perfect. But I can just I just sit there and just enjoy the view.
Like I literally I'll sit there and smoke a cigarette. We're not supposed to smoke cigarettes. I was like, yeah, this was back in like 2010 around there.

(01:52:13):
2009, 2010. He teaches in that area. I teach. You don't smoke on towers.
Yes, he goes. This is what I teach. Yeah. Fire hazards. You bring a water bottle. We're safe. We're being safe. We're always being safe. I'm a safety guy. Yeah. Awesome. Yeah. It's crazy.
What do you drink at sweet curbs? Oh, no. Because there ain't no laws when you're drinking.

(01:52:42):
My friend was a white cloth for Halloween. She had a silver like it was literally the white cloth bottle. Oh, my God. Lime flavored lime flavored.
What flavor would you be? Sweet Curves.
Peacher grapefruit grapefruit. I was like, yeah, I think she's a great for Gary. I think you're peach because you are peach. Maybe. But I probably like grapefruit better.
I know I'm like you can. Well, here's the thing with I love the peach. But you can only do like one. And then it's too much. Right. Yeah. All right, kids. All right.

(01:53:10):
It's time for I'm ready. We got about six minutes left in the show minutes. Okay. Got this. All right. How many songs? Ten songs? No, we got six minutes. Well, we hope for 10, 10 songs. But again, we got a little Gabby.
We had a couple people pop by that we weren't expecting. And we got a little Gabby, you know, good friends come by. So we'll do what we can.
Okay. Hunch. Okay. Cool. All right. So we laid on a pretty good punishment on you last week. Travis. What is this week? Travis. Kiwi. Kiwi. I should like that name. I think I'm going to start using that one month sentence on that. I'm like, and it was a month. Yeah.

(01:53:48):
That was a month. Yeah. I know. A month. I'm like, that was a long sentence. It's been going on for a while. You all agreed to it, which is crazy. I wasn't here. I just happened to hear it on the last episode. All right. Travis Kiwi. What are we going to come up with this time? I always come up with the ideas.
Cassie. Cassie. What about my life? Put Cassie on the spot. Cassie on the spot, yo. All right. Now, one thing we learned last week is we actually technically had two losers. Yeah. Because the way we declared is there's a winner and there's non-winners. So whoever wins today gets to impose the sentence on Michael Dean Goodrich.

(01:54:28):
Maybe for next time. I don't feel like that's fair to Michael because he's no longer in the studio and he did not agree. He didn't agree to it. Yeah. Maybe he's listening. I'm like, you know what? You show up once, dude. You're all in. Do you hear that? If you are a guest on our show, fair game for consequences. Fair game later on. Yeah.
Maybe Michael Dean gets tattooed. We are going to need you to sign a waiver. All right. We're down now to five minutes. All right. There's winners and there's losers. What is the losers? All right. You're asking me to be creative on the spot and I could probably have thought of it if I had 10 minutes.

(01:55:03):
Okay, I got it. We have to get a jalapeno on there. Oh, there you go. Oh, yep. Why do you try and kill me? Yeah, she's saying that because it's a it's not a punishment for her. Is it a raw jalapeno? No, it's because Kirby is so confident. You don't have to take a bite. You don't have to eat the whole thing. We can up the game because Kirby likes jalapeno. I do like that. We can up the game to habanero. That would absolutely. No, because that would kill him. Okay, so here we go. So you have to eat a habanero. He has to eat a jalapeno. There. Just a bite. Do we have Tums on there?

(01:55:32):
We have Tums on site. Yeah, we have a box of Tums here. Have you met? A couple of minutes. We're not the three minutes. Either we're going to do it or we're not. All right, we got the punishment. We're good. Go. Do it. Johnny Cash. Travis. Travis. Johnny Cash. You said you didn't say your name. That's an automatic penalty. Oh, automatic penalty. Oh, for fuck's sake. Johnny Cash. Kirby. Whatever. Johnny Cash. Ah, you didn't say your name either. No, you didn't. All right, next song. Okay.

(01:56:02):
That's going to be a wash. Let's go to the next one. Here we go. Travis. Go ahead. Oh, I thought it was set him up. Joe, it's not. It's Bern Gotson. Nope. Oh, Kirby. Do I have to say your name again? No, no, no.

(01:56:24):
I'm automatically. Yeah, whatever. Two points. Two nothing, Kirby. Whatever, sweet curves. All right, ready for the next one? Yeah. Travis. Travis. You said Travis. What the hell? Okay, Travis, you're up. You got Custin's life. Go ahead. You're up. God dang it. Whiskey River Wheeling Elf. You said Travis. That is funny. That is fanatical.

(01:56:52):
Next song. Kirby. Wait, what's my name? Cassie. Eric. Something. Jim Beam. That is funny. Here we go. All right. Travis. Go ahead. Tulsa Time.
Uh, Whalen. Nope. Merle Haggard. Nope. No, Don Williams. Oh, there you go. All right, sweet curves. We are tied at three. I can't believe that. All right, you ready for the next one? So if we end on a tie, do we both have to eat a jalapeno after you have habanero? I think so. All right, next song. Everyone gets a tie. Should we tie sweet curves? I don't like that. You're so cute.

(01:57:38):
She is cute. That is funny. All right, here we go. Travis. Go ahead. David Allen Coe. Never Call Me By My Name. Are you still using your little generator? Are you picking these songs? I'm just going literally right down the list. I'm going right down the list. Oh, this is my theme song, by the way. I love this song. We got time for maybe two more. All right. Two more. We're at five, three, Travis. Okay, here we go. Travis. Go ahead.

(01:58:05):
Johnny Cash. The Uneasy Rider. Nope. One Piece at a Time. One Piece at a Time. There you go. Travis. You know what I meant. You know what I meant. That's funny. All right, we're going right down the list. All right, next. No preference. Kirby. Go ahead. Rose Garden.

(01:58:33):
It's not Lynn Anderson. We went over this last time. Her name is Anderson, though. Oh, all right. Travis, who is it? Lynn Anderson. No, it is Lynn Anderson. Is it? Yeah. Five to seven, Travis and La'Wade. I love the fact that you said it's not Lynn Anderson. I'm looking at him like, oh, Kirby, honey. You said it, man. What the heck, dude? All right. All right. There you have it. Yep, that's it. We're out of time.

(01:59:02):
Is that it? Oh, my God. All right, Travis wins by two points. I win this one. Sweet Curves, you're so cute. I love you. I love you. She will be eating a half an arrow. A lot of birds flying around the studio today. They will be when I eat a half an arrow of pepper. Right. All right, you guys. Say goodbye. Thank you so much, man. You guys have a good night. Make good choices. God bless you. And have a good Monday if you're listening to this on Monday. Good.

(01:59:32):
So smile for a while and let's be jolly. Love should be so melancholy. Come along and share the good times while we can.

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Episode 12 - Ethan Gilsdorf

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Episode 12 - Ethan Gilsdorf