Episode 7 - Disorderlies (The Fat Boys Movie)

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Disorderlies - 1987

Winslow needs money now to pay off gambling debts. If only his rich uncle Albert would die. But his orderlies are very good. Maybe by hiring three of the worst orderlies around, he can speed things up. Fortunately for him, he finds Markie, Buffy, and Kool, who have just been fired from their last job. With them around, he should have the money real soon.

Episode Transcript

SPEAKER_13 (00:01):
We are about to embark on a journey, a journey
to a bygone era, an era whereeverything was brown, everything
smelled like cigarettes, and thehair, my God, the hair.
Come with us on this journey aswe find out what was up with the

(00:22):
80s.

SPEAKER_06 (00:27):
YARTS! Number 25.
Come on, 25.
Five!

SPEAKER_07 (00:40):
All

SPEAKER_13 (00:48):
right, welcome back to What Was Up With The 80s.
I am your host, Adam MC BuffGrzynkowski.
Nice.
Yeah, I'm here with my co-host,Dustin Illest of the Ill Worley.

SPEAKER_07 (01:04):
Ooh.

SPEAKER_13 (01:04):
And Darla...
Cool Beans Bean.
I like that.
Cool Beans spelledK-O-O-L-B-E-A-N-Z.

SPEAKER_12 (01:12):
I like that.
There we go.
That's

SPEAKER_13 (01:13):
pretty

SPEAKER_03 (01:14):
good.
That's going to be your

SPEAKER_13 (01:15):
actual new nickname, just Cool Beans.

SPEAKER_03 (01:17):
All right.
Yeah, dude.
For real.
That sounds good for me.

SPEAKER_13 (01:19):
Man,

SPEAKER_04 (01:20):
that was good.
That was right off the top ofthe dome, it looked like.

SPEAKER_13 (01:23):
I'd been workshopping that all day, but I
hadn't figured...
I workshopped it, and then Iforgot all of it, and then it
hit me as I hit record that Iwas like, I gotta do nicknames.
I gotta settle on

SPEAKER_03 (01:34):
one.
I did like La Bruja, but I thinkI like this one better.

SPEAKER_13 (01:38):
La Bruja was good, but Cool Beans with a K and a Z
at the

SPEAKER_03 (01:42):
end.
Yeah, that's more appropriate tome.
It's pretty

SPEAKER_13 (01:45):
80s.
Yeah, for real.
We are here to talk about 1987'scinematic masterpiece starring
the Fat Boys, Disorderlies.
Beautiful movie.
This is a special event for mebecause this was one of my
favorite movies since I was likefive years old and I don't know
what I was doing watching thisat five.

(02:06):
I might try and call my momlater in the episode and see how
this came to be because like.
We were not a hip-hop household.
Although Fatboy's kind oftranscended hip-hop in a sense,
in a commercial sense.

SPEAKER_04 (02:20):
Oh, for sure.
For sure.
And you know what?
They were slightly mimicking theThree Stooges in this.
Oh, they were very much.
This is a direct inspirationfrom the Three Stooges.
Maybe the marketing got to youguys somehow.
I

SPEAKER_13 (02:35):
don't know.
We had this on tape, but itwasn't like a purchased tape.
It was taped from probably HBObecause that was the only cable
thing you could tape from backthen.

SPEAKER_03 (02:45):
So that means one of two of your parents were like,
fat boys, we gotta have that onVHS.
And my five-year-old son isgoing to love it.

SPEAKER_13 (02:52):
I think they just taped anything that was on HBO,
because we have a cabinet fullof things taped off a cable, and
I don't think they ever watchedany of them.
They just did it.
I watched a lot of them, but...

SPEAKER_04 (03:07):
Yeah, I get it.
You build a collection that way.

SPEAKER_13 (03:10):
That's how I watched Jaws back in the day, which was
my actual favorite movie.

SPEAKER_03 (03:14):
An awakening there.

SPEAKER_13 (03:16):
Yeah, horror awakening.
This movie was a different kindof awakening.
We'll talk about that in a fewscenes.
That's probably not the one youthink, though, actually.
Okay, fair.
Dustin, I think you got somereviews to read before we dig
into this.

SPEAKER_04 (03:29):
I do, actually.
This had a lot of really goodreviews.
I was actually a little worriedI wasn't going to find bad
reviews on it, because afterwatching the movie, really, I
was like, yeah, there's probablynot going to be too much bad
going on here.
But I got a couple.
Here's a two out of ten.
It's called Disorder.
Disorder.

(03:49):
I don't know why he has so manyR's, but that's what he went

(04:15):
with.
He doesn't do it well.
Perfect example, the fat boysride horses for the first time.
What happens?
Two fall off, and the third onlyhas to look at the horse before
it has a heart attack.
That's whack.
Three people downvoted that.

SPEAKER_13 (04:33):
I'm going to hunt that motherfucker down.
I know, for real.
What an off-the-mark...
You know what?
I will rebut the cliche of thewhite guy doing slang because
that didn't become cringe untilthe 90s, I feel like.
This movie was a little ahead ofthat curve.
You didn't have the black peopleare going to teach the old

(04:55):
uptight white people how to becool genre cliche until...
It's probably Sinbad.

SPEAKER_04 (05:01):
Yeah, I'd say so.

SPEAKER_13 (05:03):
100%.

SPEAKER_04 (05:05):
Especially with his movie, what was it?

SPEAKER_03 (05:07):
Oh, Shazam?

SPEAKER_13 (05:09):
Yeah.
The well-known Sinbad classic,Shazam, where he plays a genie.
Everybody knows that one.

SPEAKER_03 (05:17):
I actually have seen that one.

SPEAKER_13 (05:19):
I own it.
You

SPEAKER_04 (05:21):
can't see it, though.

SPEAKER_13 (05:25):
I don't have to prove anything to you.
I own it.
And that's my story.

SPEAKER_03 (05:28):
It's Schrodinger's movie.
As long as it's not observed.

SPEAKER_04 (05:34):
Oh,

SPEAKER_13 (05:35):
man.
All right.

SPEAKER_04 (05:36):
What else you

SPEAKER_13 (05:36):
got?

SPEAKER_04 (05:36):
So the last one I'm going to read here.
One out of ten.

SPEAKER_13 (05:40):
I'm going to hunt that

SPEAKER_04 (05:42):
motherfucker down.
You might want to hunt this guydown, too.
One out of ten.
It grossed me out.
I saw this at an amusement parkin the Netherlands in 1988.
After I watched it.

SPEAKER_13 (05:54):
Okay, this movie came out in 87.
How is it already at anamusement park in the
Netherlands

SPEAKER_03 (06:02):
in 88?
They don't have much else to dothere.

SPEAKER_13 (06:04):
That's some international distribution right
there.

SPEAKER_03 (06:09):
So if they reached your family...
Just know it also reached theNetherlands in an amusement park
in 1988, so we can't really askthese many questions.

SPEAKER_04 (06:16):
Where are you watching a...
Hold on, though.
That wasn't even the only thingthat stood out.
Where the fuck are you watchinga movie at an amusement park?

SPEAKER_13 (06:24):
Well, in the Netherlands, they do it a little
different.

SPEAKER_04 (06:26):
Okay, I guess so, because anyway...

SPEAKER_13 (06:27):
They might have had a theater in the amusement

SPEAKER_04 (06:29):
park.
That's fair.
Yeah.
After I watched it, I askedmyself, why would anyone want to
make a movie like this?
Face it, it is not funny, andthe boys are making you feel
sick when they perform theirfat...
fun slapstick.
I would not recommend this filmto anyone.
Quite frankly, it is a waste oftime and money.
12 downvotes.

SPEAKER_03 (06:48):
I feel like this person just really doesn't like
fat people.
100%! I didn't think about themovie.

SPEAKER_13 (06:56):
They are the fat boys.
They kind of have to...
do slapstick fat stuff in themovie it's literally in their
name

SPEAKER_03 (07:04):
so i would say i don't really think i would not
go to say gross here's in thetitle of my review

SPEAKER_04 (07:11):
and here's the thing i i actually watched a youtube
video earlier and it was talkingabout how in the 80s we were
talking about this a while agohow for some reason nationwide
the the three stooges were juston all the time that america
loved the three stooges to death

SPEAKER_13 (07:26):
we talked about that in our short circuit

SPEAKER_04 (07:28):
episode 100 yeah because of the tv that was yeah
because they were watching threestages and um but uh yeah i will
say that there was a lot of lovefor this movie on the uh user
reviews it actually had not abad rating um i don't remember i
didn't remember pick what it wasbecause he's just that that
growth the one that said grossme out blew me away i was like
this guy just hates fat peoplecompletely probably yeah so uh

(07:51):
yeah no those were the userreviews and uh honestly again
people were writing paragraphsabout their love for the fat
boys and stuff like that

SPEAKER_13 (08:00):
i I fucking love this movie.
And I was telling you guysearlier, like I watched this
movie probably about 400 timeswhen I was a child.

SPEAKER_04 (08:08):
That's fair.

SPEAKER_13 (08:09):
Um, it was, I think I've only seen jaws more than
I've seen this movie.
That are space balls.
Those were the three movies thatI watched like constantly when I
was a kid.
Um, and, uh, I hadn't seen it ina long time.
I bought it on DVD on a whim acouple years ago, and I was
like, I bet this is not going tohold up very well.

(08:30):
And then I watched it, and I waslike, I still fucking love this
movie.
It's not like when I went backand watched The A-Team as an
adult, and I was like, how wasthis ever made?
This is horrible.

SPEAKER_04 (08:41):
No, really.
How is this plot ever puttogether?
But no, this one, definitely,I've not seen it ever, and it
was...
Another movie where, as anadult, I was like, this is
actually...
I realized pretty early on, Iwas like, I'm having a lot of
fun because this is the fuckingThree Stooges running around
here.

SPEAKER_13 (09:01):
Basically,

SPEAKER_04 (09:02):
yeah.
And I found the three people toactually not be annoying.
They're really likablecharacters.
Yeah,

SPEAKER_03 (09:11):
that's what I'm saying.
They are charming.
This movie

SPEAKER_13 (09:14):
holds up so well that Darla loved it.
I did.
And she didn't grow up...
That's not nostalgia talking.
You could argue that I have aspecial nostalgia for this
movie, which is true.
But I mean...
Yeah,

SPEAKER_03 (09:27):
I didn't grow up in the 80s.
Barely grew up in the 90s.
Never saw this movie before.
And I thought it was a lot offun.
I think that this podcast willactually be more of a love
letter to this movie than itwill be opposed to our other

SPEAKER_13 (09:40):
criticisms.
That's the other thing that kindof surprises me.
There's not that muchproblematic about the movie.
Nothing.
I mean, you have the peeping Tomscene, which doesn't age very
well.
No, for sure.
Peeping Toms! I mean, you couldsay the fat jokes are whatever.
We live in a different time now,but I mean, they were the fat
boys, so...

(10:01):
I mean, that was kind of theirshtick.
They were in on it

SPEAKER_04 (10:05):
when this was going

SPEAKER_13 (10:06):
on.

SPEAKER_03 (10:06):
Yeah, it's very self-aware.

SPEAKER_04 (10:07):
Self-aware, there you

SPEAKER_13 (10:09):
go.
They were maybe the first bodypositivity people.

SPEAKER_04 (10:12):
Yeah, because you know what?
When they go out to the skatingrink, they take them out on the
town.
They are very, like ineverywhere they go, they're very
comfortable in the clothes theygot on.
Confident.

SPEAKER_03 (10:23):
I don't know.
We will get to the scene, butthere was a scene where Carla
throws sprouts at One of the fatboys.

SPEAKER_13 (10:29):
That's a little problematic.
It's not even problematic.
If you want to date me, you gotto take care of yourself a

SPEAKER_04 (10:36):
little better.
I mean, she got standards, okay?

SPEAKER_03 (10:40):
Yeah, she was pretty fit.

SPEAKER_13 (10:42):
Yeah.
We see her...
Well, we'll talk about that.

SPEAKER_03 (10:47):
So let's get into the movie.
I can't wait to talk about thatscene that I think you're about
to talk about.
Sorry, keep going.

SPEAKER_13 (10:51):
We start with the Warner Brothers logo.
We open on stock footage of theNew York skyline.
And then we We have shots ofBrooklyn and we see the fat boys
speeding old people inwheelchairs around and do a
little dance for the old peoplein the nursing home that they
work for.
And we have the opening themesong of which I have a
soundbite.

(11:12):
I took music soundbites a littlelonger clips than I normally
would because I don't thinkwe're going to have copyright
issues with this one.
Yeah, that's

SPEAKER_03 (11:19):
fair.
I could barely find a place tobuy the album that wasn't on
vinyl.

SPEAKER_13 (11:22):
Yeah,

SPEAKER_03 (11:22):
I think it's going to be fine.

SPEAKER_13 (11:23):
That's true.
Anyway, without further ado.
The Fat Boys.
I do love this, man.
It's a

SPEAKER_05 (11:37):
certified banger.

SPEAKER_13 (12:07):
Thick bass line.
That's

SPEAKER_04 (12:09):
all I'm going to say, man.
It's pulling in a lot of funk.

SPEAKER_13 (12:19):
Congratulations.
Yeah, I cut more in there.
I'm

SPEAKER_08 (12:23):
vibing.

SPEAKER_13 (12:24):
I

SPEAKER_11 (12:27):
love my job.
It's like a

SPEAKER_09 (12:28):
vacation.
That

SPEAKER_11 (12:32):
was

SPEAKER_09 (12:33):
good.

SPEAKER_13 (12:44):
Yeah, this is 87.
This is kind of like the tailend of this sort of hip-hop.
This is like before hip-hopbecame grittier.
I don't know when NWA came out,but that sort of shit wasn't
mainstream yet.
Yeah.
Hip-hop was still this and ToneLoke.

(13:05):
Yeah,

SPEAKER_08 (13:05):
no,

SPEAKER_13 (13:05):
really.
Like really kind of cheesyhip-hop.
but still pretty good at thesame time.
Run DMC, I think, was big aroundthis time.
And then you get gangster rapthat sort of takes over, and
then you get rap that's a lotmore artful, too.
Yeah,

SPEAKER_04 (13:22):
like the 900 number came out around this time.
Remember that one?
The 900 number?
Yeah, you don't remember thatone?
Anyway, keep going, because Ican't sing it.
I'm not, I'm not a rapper in thesame manner as you are.
So

SPEAKER_13 (13:39):
that's true.
Uh, yeah.
So I love everything about this.
It's awesome.
It's, it's like peak eighties.

SPEAKER_04 (13:44):
Oh yeah.

SPEAKER_13 (13:47):
It's also, like, fairly clean, too.
Yeah, yeah.
Like, hip-hop also used to befairly clean, if I remember
correctly.

SPEAKER_04 (13:55):
Yeah, 100%.
It was just trying to tell youhow to dance and what to dance
and then who the people were.

SPEAKER_13 (13:59):
Yeah,

SPEAKER_03 (13:59):
yeah.
It was very funky.

SPEAKER_13 (14:00):
Yeah, yeah, yeah.
Yeah, there's a lot of funkelements to it, too.
Yep.
I like it.
Anyway, goddammit.
This fucking news thing keepspopping up in front of my notes.
Never good.
Nah.
Uh, then they do a little dancefor the old people.
I love their little side to sideshuffle that they do.

SPEAKER_04 (14:23):
And

SPEAKER_13 (14:25):
then we go to Palm beach and we have a bunch of
aerial shots of the richneighborhood.
So we're setting up thedichotomy, uh, right out of the
gate.
Then we cut to the Denisoncharity casino as posh music
plays, uh, Laurie, who, uh,what's his first name?
Winslow.
I might call him Winslowinstead.
Laurie doesn't really roll offthe tongue very well.

(14:47):
Fair.
He uses his little manservantwith mirrored sunglasses whose
name is Miguel.
Miguel.
I fucking love this guy.
I know.
He's great.
I think they're secretly lovers.
Oh,

SPEAKER_04 (14:58):
100% they are.

SPEAKER_03 (14:59):
I wish I could have found a fan fiction about that.
And

SPEAKER_04 (15:02):
if not, if not full lovers, they definitely sleep
like cuddled with each other.
Oh,

SPEAKER_13 (15:08):
they're spooning.

SPEAKER_04 (15:08):
Yeah.
I mean, that's a good feelingamong itself.

SPEAKER_13 (15:11):
Yeah.
Since there was no fan fiction,Darla, your homework is to write
fan fiction.

SPEAKER_03 (15:18):
Give me two characters and I will do it.

SPEAKER_13 (15:20):
All right.
Well, we'll, we'll read it.
We'll have a little specialsection on the next episode
where we update with our Darla'sfan fiction.

SPEAKER_03 (15:30):
I'll make it very erotic.

SPEAKER_13 (15:31):
Hell yeah.
How dirty, though.
I'm looking forward

SPEAKER_03 (15:33):
to that.
I don't know.
We'll see where my imaginationgoes.
I do want to say, though, abehind-the-scenes in Adam's
note.
It says that he uses his friend,but Adam off the top just said
his little manservant instead offriend.

SPEAKER_13 (15:45):
Oh, yeah.
Yeah, the notes are a framework.
I

SPEAKER_03 (15:48):
spice it up a little.
I had to give him credit forthat because I thought it was
hilarious.

SPEAKER_13 (15:53):
uh so he uses miguel's mirrored sunglasses to
try and cheat but a woman bumpsinto miguel and his sunglasses
drop and then she steps on themand then winslow loses the hand
apparently um this is kind ofstrange because they're playing
poker right you don't just playagainst the dealer like there's

(16:14):
a lot of other

SPEAKER_03 (16:17):
people yeah only like blackjack

SPEAKER_13 (16:19):
Yeah, only blackjack you play against the dealer.
So I don't know how this issupposed to work.
Also, he loses one hand.

SPEAKER_04 (16:24):
Yeah.

SPEAKER_13 (16:26):
And then that's supposed to ruin his whole night
or his whole day.

SPEAKER_04 (16:30):
He's a winner.
He's a champion.
This is

SPEAKER_13 (16:32):
literally the first hand he's going to play.
And that's like the tragedy thathe can no longer cheat against
the dealer who I don't.
I don't even think poker dealersare supposed to be playing.
No.
Maybe it's Blackjack?
I don't know.

SPEAKER_04 (16:46):
But here's what I do believe.
I believe he traded in the lastof his money for those chips.

SPEAKER_13 (16:52):
Possibly.
Were they playing Blackjack?
Maybe I just misread that.
It seemed like he had an awfullot of cards.

SPEAKER_03 (16:58):
I can't remember.
If he had a lot of cards, thenyeah.
And usually, was he holding thecards?

SPEAKER_13 (17:03):
Yeah.

SPEAKER_03 (17:03):
Yeah, you don't hold the cards in blackjack.

SPEAKER_13 (17:05):
Well, you usually keep them on the table and peek
at them.
But yeah, I don't know.
I was just like, I understandwhat they're going for with this
scene.
I'm just like, that doesn't makeany

SPEAKER_04 (17:14):
sense whatsoever.
Exactly that.
But you know what, though?
I will say Miguel, he's willingto try anything for old Winslow,
okay?

SPEAKER_13 (17:23):
Yeah, he definitely...
Maybe they're not lovers.
Miguel definitely is in lovewith Winslow.
I'm

SPEAKER_03 (17:29):
getting ideas for my fan fiction.
It's a one-sided, pining lovestory.
It

SPEAKER_13 (17:34):
might be unrequited.

SPEAKER_03 (17:35):
I'm going to get angsty with it.

SPEAKER_04 (17:38):
You just have Miguel masturbating all over the house
to the thought of...
What's his face?

SPEAKER_03 (17:44):
I was thinking more dark and romantic, but I guess
if you want to go masturbatingall over the house, I can
include that

SPEAKER_04 (17:52):
too.
I watched some other kind ofmovies before I came here.
I'm sorry.

SPEAKER_13 (17:55):
Well, you know, that's just all in a day's work.
So then we see Winslow at hiscomputer, seeing that he's
broke.
He has, what, like$14 in asavings account or something?
Yeah, yeah, yeah.
And then Señor Montana comes in.
I've got a soundbite for this.

(18:17):
Montana is like the moststereotypical Mexican town.

SPEAKER_04 (18:20):
Oh, yeah.

SPEAKER_13 (18:21):
Like gangster guy.
100% he is.
It's fucking awesome.
And I love this actor.
This is Marco Rodriguez.
He's been in a bunch of stuff.
He was in The Crow.
Just a bunch of stuff.
But he's a recognizable face.
Yeah.
Probably one of the onlyrecognizable faces in the movie,
actually.

SPEAKER_04 (18:40):
I'd say probably.

SPEAKER_13 (18:41):
Yeah.
Anyway, Señor Montana.

SPEAKER_06 (18:45):
I love the

SPEAKER_13 (18:47):
villain music.
Yeah.
I

SPEAKER_03 (18:51):
like the rattlesnake.

SPEAKER_13 (18:53):
Yeah.
Probably

SPEAKER_14 (18:53):
seeing you

SPEAKER_08 (18:54):
again.
Or it's

SPEAKER_03 (18:54):
a shaker.
Probably.
You're supposed to

SPEAKER_13 (18:58):
mimic a rattlesnake.
Would you

SPEAKER_08 (18:59):
like something to drink, Miguel?
Get him something to drink.
What would you like, sir?
Aguardiente.
Luis, I'm afraid I have somerather disappointing news.
Things didn't go as well for metoday as I had anticipated.
Actually, it was rather novel.
It was sort of a nice change,losing.

(19:22):
Usually I'm so lucky at betting,but as I always

SPEAKER_14 (19:24):
say, if you must lose,

SPEAKER_09 (19:27):
lose to a

SPEAKER_06 (19:28):
good cause.
Stop the bullshit, Lowry! Youborrowed$40,000 from us
yesterday, and you lost it! Nowthat makes$640,000 you owe us.
Now when do I see the money?
I

SPEAKER_13 (19:43):
think after$600,000

SPEAKER_04 (19:45):
he'd stop watching it.
I know, really.
I don't gamble because I wantto.
With me, gambling is a

SPEAKER_08 (19:50):
disease.

SPEAKER_06 (19:51):
People die from that disease, Lowry.

SPEAKER_08 (19:56):
Do you know what I mean?
Yes.
Yes, I do.
Let me level with you, Luis.
The truth is, I'm broke.
Is there anything else you wouldlike, sir?
No, Miguel, that would be all.
Chocolate mousse?
A little cannoli?
No cannoli! No cannoli!

SPEAKER_13 (20:20):
Perdona, caballero.

SPEAKER_14 (20:22):
All I need is a little time.
My uncle is very, very old.
When he dies, I'm going toinherit all of this.
All the stocks, the bonds, theantique French knickknacks.
Everything you say will be mine.
Wrong, Laudy.

SPEAKER_06 (20:36):
Most of it will be mine.
The question is, my friend,

SPEAKER_14 (20:44):
how soon?
Soon.
Soon, soon.
He's on his last leg.
I could take you to him.
Would you like to see him?

SPEAKER_13 (21:01):
Miguel?
That's pretty efficientexposition, really.

SPEAKER_04 (21:05):
Oh, yeah.
I liked it.
And honestly, Miguel was readyto put it all on the line for
Winslow.
Getting in the way of thegangster while he's turning the

SPEAKER_03 (21:13):
line.
I think you need to write thisfan fiction.

SPEAKER_04 (21:15):
No, I'm good.
It would be un-arable.

SPEAKER_13 (21:21):
He offers him a chocolate mousse or a cannoli.

SPEAKER_04 (21:23):
I know, yeah.
No cannoli! No cannoli.

SPEAKER_13 (21:29):
I love it.
So awesome.
So they take Montana in to seeMr.
Denison, and Winslow steps onhis oxygen hose to make him
cough a bunch so he seemssicker, which I don't think that
would work.
No.
But...
Maybe.
I don't know.
It's hard

SPEAKER_04 (21:44):
to say.
I don't know what he's hooked upto to work.

SPEAKER_13 (21:47):
I don't know.
But he looks sick and he's old.
He looks like Yoda.
Yeah.
Cut to nighttime.
Winslow is freaking out.
He only has three weeks to comeup with the money.
And then his manservant, thatone's actually in the notes,
rubs his shoulders while helooks at the racing paper.

(22:08):
This is really weird.
He's like...
He's like giving his shoulders arub down.
Yep.
That's why I think he's in lovewith them.
Oh, he's 100% in love.
You don't rub a man's shoulderslike that unless you have some
deep affection.
No, 100%.

SPEAKER_03 (22:21):
Two bros can't rub each other's shoulders?

SPEAKER_04 (22:23):
No, I mean, they can, but I guess.

SPEAKER_03 (22:26):
Girls do it to each other.

SPEAKER_13 (22:27):
That's what girls do.

SPEAKER_04 (22:29):
I've had sore shoulders.
You've been working out lately?
Getting sore shoulders yourselfor no?

SPEAKER_13 (22:34):
Yeah, you can't touch them, though.
I'm not

SPEAKER_04 (22:37):
trying to

SPEAKER_13 (22:37):
suggest.

SPEAKER_03 (22:38):
I was thinking

SPEAKER_13 (22:39):
you were propositioning.
That's how I took it.
Change the dynamic of the show.

SPEAKER_04 (22:45):
No, here's the thing.
My shoulders hurt.
I just wanted to know what youwould suggest.
Do you do anything special foryour shoulders?

SPEAKER_13 (22:55):
Yeah, don't be a little bitch about

SPEAKER_04 (22:56):
it.
Okay, it's fair.
Okay, I will take that intoaccount.

SPEAKER_13 (23:00):
I mean, you can get a professional massage.
Okay.
Where did you do that at?
I haven't gotten one in a while.
Okay.
Fair.

SPEAKER_04 (23:07):
I

SPEAKER_03 (23:07):
was asking all the real questions here.
Important ones.

SPEAKER_04 (23:12):
I'm totally not trying to figure out what
massage parlor you would go toto get a massage.

SPEAKER_13 (23:18):
Actually, the place I used to go changed names, and
it's not as good anymore.

SPEAKER_04 (23:21):
You know what?
Cinematically, you could imagineyou pulling out to go to your
massage, and then down theblock, my car pulling out and
coming behind you.

SPEAKER_13 (23:30):
That actually would work pretty well.
Um, so Winston looks at theracing paper cause he's got a
places night bets for thehorses.
I don't know.

SPEAKER_04 (23:42):
Yeah, man.

SPEAKER_13 (23:43):
The horse names are apropos to a situation.
I just can't remember what theyare, but it's clever.
And then he gets an idea to getthe worst orderlies ever to take
care of his uncle.
So his uncle will die preferablywithin three weeks.

UNKNOWN (23:57):
Yeah.

SPEAKER_03 (23:58):
I actually kind of love that setup, though.

SPEAKER_13 (24:01):
It's not a bad plot.
It actually works.
No, it is.
Yeah, no, I like it.
I mean, it's a horrible idea,but in terms of the movie, I'm
like, yeah, this character wouldcome up with that.

SPEAKER_04 (24:11):
And this, you know what?
This might...
I...
this plot did not seem bad to meat all because i've been
watching enough baywatch thatlike those plots and the the
things those people come up withso much anytime

SPEAKER_03 (24:26):
i go to his house baywatch is on sometimes when
i'm just chilling at his housebaywatch is on

SPEAKER_13 (24:31):
yeah i'm aware

SPEAKER_03 (24:31):
24 fucking

SPEAKER_13 (24:33):
he talks about it a lot so

SPEAKER_03 (24:34):
yeah then you could guess

SPEAKER_13 (24:36):
yeah

SPEAKER_04 (24:36):
it's probably you don't have the colombo channel
on here from uh

SPEAKER_13 (24:39):
i have the full series on disc so i can just pop
the disc in whenever wheneveryou're feeling it and often i do
i'll just have colombo on thebackground.

SPEAKER_04 (24:46):
Nice.

SPEAKER_13 (24:46):
Oh, yeah.
I was just watching Columbo.
No joke.
Last weekend.

SPEAKER_04 (24:52):
Oh, nice.

SPEAKER_13 (24:53):
So like four days ago.
Oh, yeah.
Because I fucking love Columbo.
Anyway, cut to Winston readingthe paper.
The front page on USA Today isan article about the US's worst
nursing home, which happens tobe the fat boy's nursing home.
It seems like a stretch for thefront page of USA Today, but you

(25:13):
never know.
You don't have

SPEAKER_03 (25:15):
much else going on in the world.

SPEAKER_13 (25:16):
In 87, famously, no.
We weren't Pete Cold War oranything

SPEAKER_04 (25:21):
like that.
No, exactly.
That's those movie convenientmoments that I always just let
go.

SPEAKER_13 (25:28):
Yeah.
Oh, I skipped a part.
Because before we get to that,we have to cut to the fat boys
finding the fridge full ofcakes.

SPEAKER_03 (25:38):
Oh, we did skip over that part.

SPEAKER_13 (25:40):
Dude.
I think it's cool who finds thecakes and Marky comes in.
And then you see Buff.
Buff is the fattest one.
Yeah.
He peeks in at the window andlooks like he's about to have an
orgasm over these cakes.
Yeah, dude.
Like, you can see the lust inhis face.

SPEAKER_04 (25:57):
100%, man.

SPEAKER_13 (25:59):
And he like rubs his hands and licks his lips.
Yeah,

SPEAKER_04 (26:02):
he's ready to go, man.
Those cakes did look good.
I will say when they opened upthat fridge, I was just about
like, whoa, I kind of want cake.

SPEAKER_13 (26:10):
He comes over.
and just digs his hand into oneof the

SPEAKER_03 (26:14):
cakes.
It's like a one-year-old attheir first

SPEAKER_13 (26:16):
birthday.
Yeah, dude.
And holds the cake up like inreverence.

SPEAKER_04 (26:20):
Yeah, man.
I was like, this is going alittle far with your cake
eating.
You can get a big fork.

SPEAKER_13 (26:28):
Yeah, some silverware is probably more
appropriate.

SPEAKER_03 (26:32):
Your hands are more primal.

SPEAKER_13 (26:34):
That's true.
Primal is a good way to describetheir interaction with the cake.

SPEAKER_03 (26:39):
I

SPEAKER_04 (26:39):
eat cake with a spoon I don't understand cake
with a fork.

SPEAKER_03 (26:44):
Shut the fuck up.
He always brings up spoons andhe tries to get people mad.
No, it's the truth though.
He does do this.
I

SPEAKER_04 (26:49):
do do that.
I mean, it

SPEAKER_13 (26:50):
works for both.
If you got ice cream with thecake, you definitely want

SPEAKER_04 (26:53):
a spoon.
But like when I got crumbs, youknow how much harder it is to
get crumbs onto a fork ratherthan a spoon?

SPEAKER_03 (26:59):
No, you just scoop them to your mouth off the
plate.

SPEAKER_13 (27:01):
I usually just leave the crumbs.
But to be fair, I'm not really acake person.
It's not like I'll never eatcake.
It's just that's not my thing.
But yeah, normally there'slittle bits left on the plate.
I'm just like, that's just thedirty plate.

SPEAKER_04 (27:21):
And then, heaven forbid, they serve cake and ice
cream.
Then they got to give you aspoon on top of the fork anyway.

SPEAKER_13 (27:27):
That's what I said.
If you got ice cream with thecake, it's definitely a spoon
situation.
Yeah.
Or a spark.

SPEAKER_03 (27:33):
Yeah.
Boris Bork situation.

SPEAKER_04 (27:34):
I had a couple times where I had to break down and
eat ice cream with a fork.
That was a pain in the ass.

SPEAKER_03 (27:39):
Have you ever done it with your hands?
No.

SPEAKER_04 (27:42):
I've done pudding that way when I didn't have a
spoon one day.

SPEAKER_03 (27:45):
Alright, so this...
That

SPEAKER_04 (27:47):
surprises me

SPEAKER_03 (27:48):
not at all.
This cake eating with handsisn't that far-fetched.

SPEAKER_13 (27:54):
No, it's not.
It's not outlandish.
I just love the way he does it.
He like slow motion jams hishand in and then lifts it up
like like he's worshiping thecake

SPEAKER_03 (28:09):
i like the word you use reverence

SPEAKER_13 (28:10):
yeah yeah um so that scene happens then we have uh
winston reading the paper uhwith the usa today article and
then in the nursing home theboss who is the most
stereotypical boss type personever replete with the cigar he's
got like a hawaiian shirt on anda cigar in a nursing home which

(28:32):
you probably shouldn't do was 8787

SPEAKER_04 (28:34):
smoked everywhere but dude really especially the
guy who's running the place butuh yeah no this is one of the
most stereotypical characters

SPEAKER_13 (28:42):
but yeah uh he yells at them because apparently 16
chocolate cakes are missing Idon't know if you caught

SPEAKER_04 (28:52):
that.
I did.
I wrote in my notes, 16 cakesthey ate.

SPEAKER_03 (28:55):
Yeah, now that's the most...
Now we can say that that's trulyoutlandish.

SPEAKER_13 (29:00):
Yeah, a little bit.

SPEAKER_03 (29:01):
Yeah.

SPEAKER_13 (29:02):
I mean, that's diabetes level

SPEAKER_04 (29:04):
outlandish.
Oh, dude, 100%.
What, three...
16 divided by 3.
I mean, 15 divided by 3 is 5.

SPEAKER_13 (29:11):
They'd have to eat.
It'd be 5 and a third.
Yeah, they'd have to eat.
That's

SPEAKER_03 (29:15):
fucked up.

SPEAKER_13 (29:15):
Yeah.
Well, they deny that they hadanything to do with it.
And then he makes the claim, andthis is even more outlandish,
that this is the fifth time thishas happened this week.

SPEAKER_03 (29:26):
How are these fat boys not dead at this point?
Like, seriously.

SPEAKER_13 (29:30):
They should all be in diabetic comas

SPEAKER_04 (29:34):
still.

SPEAKER_13 (29:35):
Yeah.
Anyway, he yells wanting to knowwho took the cake and asks who
has the keys to the fridge andthen conveniently one of them
comedically drops keys behindhim yeah and they try to obscure
the keys uh as he looks and thenuh one of them kicks the keys
under a table um and he tellsthem to go get it so they go

(29:55):
under the table i think it's abuff and cooler under the table
and then he yells get up now andthey Take that quite literally
and lift the table up and foodflies all over him and he fires
them, which is awesome.
It was great.
I mean, this is so ridiculous.
It is.

SPEAKER_03 (30:13):
I do want to say I brought up in our last one, our
last podcast, the 80s lovestables.
I don't know what it is.
If there's a gag, it's got atable in it.
At least maybe.
75% of the time, and that'sgenerous.

SPEAKER_13 (30:27):
Well, it's a cheap thing you can do practically.

SPEAKER_03 (30:29):
I guess that's true.
That's a good way to look at it.

SPEAKER_13 (30:31):
If you're on a budget and you don't have
special effects or anything, atable gag is a...
It's a pretty easy gag to puttogether.
Yeah, it's a solid one to pullout of

SPEAKER_04 (30:42):
the pocket.
I do feel like right here kindof is where...
The Three Stooges kind of kickin the most.
Yeah, this

SPEAKER_13 (30:55):
is very slapstick.

SPEAKER_04 (30:56):
And then from here, like, they build on it.

SPEAKER_13 (30:59):
Yeah, they do a lot of slapping each other gags that
are straight out of the Stooges.
Oh, yeah.
The only thing they're missingis the eye poke.
Yeah, the block

SPEAKER_03 (31:08):
and the eye poke.

SPEAKER_13 (31:09):
Oh, yeah, they didn't have the eye poke.
Yeah.
So Winston says, perfect.
So he's found his orderlies whoare conveniently now out of a
job.
Which means they're available onthe market.

SPEAKER_04 (31:24):
Yeah, man.

SPEAKER_13 (31:25):
For a cheap cost, probably.
Probably, yeah.
Cut to them on the plane sayinggoodbyes to their families.
This is overly dramatic, and Idon't understand it because it's
not like they're going awayforever.
But whatever.
I've got a soundbite for itbecause it's funny.
Uh, here

SPEAKER_01 (31:44):
we go.
Heart

SPEAKER_09 (31:50):
noise?

SPEAKER_02 (32:03):
No, that was a

SPEAKER_13 (32:11):
Boardman

SPEAKER_08 (32:13):
knows no

SPEAKER_09 (32:19):
reason.
Do I have to go?
Make

SPEAKER_05 (32:30):
your

SPEAKER_01 (32:32):
mama proud.
And you listen here.
You let a thing happen to myson.
Come on, Jack, you up.
Come on, Jack, you up.
Ladies and gentlemen, we will bedeparting the air terminal
shortly.
Please fasten your seatbelts,extinguish all smoking
materials, and make sure yourseatbacks and trays are in the
upright and locked position.

SPEAKER_03 (32:54):
So

SPEAKER_13 (32:56):
we have

SPEAKER_03 (32:56):
a...
That last scene genuinely makesme cry.
He leans back in the chair.
Okay, Adam, explain it.

SPEAKER_13 (33:03):
So Buff, the biggest one, goes to lean back in his
chair, and the chair backliterally snaps and crushes this
old guy's legs behind

SPEAKER_03 (33:12):
him.
I'm almost crying thinking aboutit.
He's just sitting there with noexpression on his face.
He's not panicking or anything.
Well,

SPEAKER_12 (33:23):
he can't get up,

SPEAKER_04 (33:24):
so...

SPEAKER_03 (33:24):
No, but it's so

SPEAKER_04 (33:27):
funny.
He probably snapped a bunch ofstuff.
He's like, I can't even speaknow.

SPEAKER_13 (33:34):
Also, there's a small part in this one.
You catch the grandma giving himthe book of remedies or
whatever.
Yeah.
That's just a little thing, butit's going to come back in the
roller scene in an offhandcomment.
Yep.
Which I'm like, that's kind ofsmart for thinking writing.

SPEAKER_03 (33:51):
They got lore going on here.

SPEAKER_04 (33:52):
Yeah.
Did you recognize the last mom?
No.
She is the mom from FamilyMatters.

SPEAKER_13 (34:03):
Shut the fuck up.

SPEAKER_04 (34:04):
I immediately recognized her.
I'm like, gotta be FamilyMatters.
Yeah, it was.
No, not Linda Hopkins.

SPEAKER_13 (34:12):
I was going to say that's not her.
I can't remember her name offthe top of my head.

SPEAKER_04 (34:15):
I know.
It is in here.
Hold on.
Joe Marie Payton.

SPEAKER_13 (34:22):
Cool's mother.
Yeah, that's her.
Yep.

SPEAKER_03 (34:29):
That's crazy.
Good catch.

SPEAKER_04 (34:32):
Thank

SPEAKER_13 (34:32):
you.
Harriet Winslow.
Harriet Winslow, yep.
Wow.
That's nuts.

SPEAKER_09 (34:39):
Yep.

SPEAKER_13 (34:41):
I couldn't pull her name out.
I used to watch Family Mattersall the time.
I couldn't pull her name out

SPEAKER_04 (34:46):
of my head.
Yeah, no, I was hoping to seemore of her.

SPEAKER_13 (34:49):
Well, no, that's all we see of the family, but it's a
good scene.
It is good, yeah.
Yeah, if anything happened tohim, I'm going to jack you up.
Sit your fat ass down.
So the plane takes off.
We have another good gagbecause...
They're talking about this joband there are three of them
sitting in a row and between twoof them is one old little white

(35:11):
lady who seems to be intentlylistening to their conversation.
She was

SPEAKER_03 (35:16):
fine with being stuck between them.

SPEAKER_13 (35:18):
Yeah.
And then they start slappingeach other and her hat gets
knocked off.
It's slapstick.
I love it.
It's awesome.
Cut to the Rolls Royce that isgoing to take them to the house
as very regal music plays.
The chauffeur looks on indisbelief.
Uh, they put cool in the trunkbecause they can't all fit in
the, uh, in the car.

(35:39):
And, uh, I love buff has a greatline.
It's like, if I sit in thetrunk, the car might pop a
wheelie, which I mean, to befair, that's, that's a distinct
possibility.

SPEAKER_04 (35:49):
Yeah, man, for real.
A lot of luggage too, though.

SPEAKER_13 (35:53):
Yeah.
We have shots of them drivingdown the road.
Uh, then we see a guy gettingarrested for not having a shirt
on.
Um, And then one of them, Marky,he catcalls a few women on the
beach in bikinis.
And then we cut to him being putin jail.
Because this place is prettyuptight, I guess.

SPEAKER_04 (36:13):
You know what, though?
I'm fine with it.
Hey there, you sweet, sexy,young things.

SPEAKER_03 (36:20):
That is what he said.
I'm glad I came

SPEAKER_13 (36:24):
to you.
Yeah, I can recite most of thismovie verbatim, because as I've
mentioned previously, I've

SPEAKER_10 (36:29):
seen it about 400 times.
Yeah, many times.

SPEAKER_13 (36:31):
Yeah.
Anyway, then we see Winstonputting a bunch of cash in the
donation jar as the head out.
I love Boff as he's leaving.
He's like, this place is heavy,man.
I don't know.
I've always liked that line.
Yeah, it's a good line.
I don't know what it means, butit's funny.

SPEAKER_03 (36:50):
It's heavy.

SPEAKER_13 (36:51):
Well, it was delivered well.
Yeah.
This is heavy, Doc.

SPEAKER_04 (36:55):
Yeah, I gotta say.

SPEAKER_13 (36:56):
There's that word again, heavy.
Why is everything so heavy?
Is it the problem of the futurewith the gravitational pull?
Damn, I can't really rememberall that.
That's Back to the Future.

SPEAKER_03 (37:06):
I saw Adam glancing at me, like seeing if I
recognized him.
Oh yeah, we were

SPEAKER_04 (37:09):
gonna eventually have you watch Back to the
Future here.

SPEAKER_03 (37:13):
I saw it when I was very young.
About the child?
But the child.

SPEAKER_04 (37:18):
And

SPEAKER_13 (37:18):
probably only once, right?

SPEAKER_03 (37:20):
Yeah, I can't remember.
Well,

SPEAKER_13 (37:20):
you have to watch all of them, even though part
three is not good.
Do-do shit.
It's garbage.
I don't like

SPEAKER_03 (37:28):
it.
It's really that bad.

SPEAKER_13 (37:29):
It's pretty bad.
They go back to the Old West andshenanigans ensue that aren't
very good.

SPEAKER_03 (37:33):
I remember a scene from that one, actually.
He asks him why he has suchwhite teeth.
That's a big thing.
That's all I remember.
So you know what?
I can watch them all again.

SPEAKER_13 (37:43):
Okay.
Also, ZZ Top is in it.

SPEAKER_03 (37:44):
Oh.

SPEAKER_13 (37:45):
Anyway, so they pull up to the house.
There's a good gag with Miguelwho's in the middle as Buff
tries to put his arm back andrides his whole elbow up over
his face.
Dude, yeah.
Again, kooky slapstick, but itstill makes me laugh.
Every time I watch this movie, Ijust crack up.

SPEAKER_04 (38:05):
Well, it's still got a good place in comedy.

SPEAKER_13 (38:07):
Yeah.
They get out and that's anotherthing about this movie.
The editing is spot on becausethe comedy beats like this one.
The butler is like, these can'tpossibly be the new orderlies.
And we immediately cut toWinston going, these are the new
orderlies.
Yeah.
It's a great, great editing.

(38:27):
I love

SPEAKER_04 (38:28):
it.
I like when the editing deliversthe comedy like that.
That's a...

SPEAKER_03 (38:31):
Yeah, like you said, the beats of them are very, very
well put.

SPEAKER_13 (38:34):
Yeah, it's all about the timing.
Yeah,

SPEAKER_04 (38:35):
man.

SPEAKER_13 (38:36):
Then the dog...
Chauncey attacks Buff and ripshis pant leg, which is also
hilarious.
I don't know, him hobbling backtrying to get this dog off and
his whole pant leg just rippingoff.

SPEAKER_04 (38:47):
Just come torn right off.
I like this dog, though.
Chauncey?
Yeah, I like all dogs, though.
You like Dags?

SPEAKER_13 (38:55):
Dags.
Oh, Doggs.
Yeah, I like Dags.

SPEAKER_04 (39:00):
Which one was that one from?
Oh, that's Snatch.

SPEAKER_13 (39:02):
Snatch, yeah.
That's the one with the dog.
Yeah.
Anyway, I've got a soundbitehere.
This is called Don't TouchAnything.
This is when they're getting thetour of the house by the butler.

SPEAKER_14 (39:17):
My name is George.
I am the butler.
I work for Mr.

SPEAKER_08 (39:24):
Dennison.
And my staff work for me.

SPEAKER_09 (39:28):
We

SPEAKER_08 (39:31):
will go inside now.

UNKNOWN (39:32):
This way.

SPEAKER_11 (39:36):
No! The servant's entrance is this way.

SPEAKER_13 (39:40):
Yeah, that can't go in the front door.
Because the service entrance isthis way.

SPEAKER_09 (39:45):
And this is the

SPEAKER_05 (39:51):
Denison sitting room.
Yo, this is the sitting room.
Now check it out.
Damn, man, this guy don't throw

SPEAKER_09 (39:59):
away anything.

SPEAKER_05 (40:01):
Tight

SPEAKER_11 (40:01):
squeeze.

UNKNOWN (40:03):
Tight squeeze.

SPEAKER_11 (40:06):
What's this thing do?
We only have one rule in thishouse.
Don't touch anything.

SPEAKER_09 (40:13):
You got it, brother.

SPEAKER_11 (40:13):
Excuse me.

SPEAKER_13 (40:18):
Don't touch anything.
I

SPEAKER_04 (40:21):
like how they mockingly go to touch stuff.
Yeah.

SPEAKER_03 (40:25):
I don't even know if it was mockingly.
I think they were just like, Iget to touch these things.
He's like soup.

SPEAKER_04 (40:32):
He's like the soup.
Yeah.

SPEAKER_05 (40:35):
That's where Marky

SPEAKER_13 (40:44):
sees Carlo.
And he goes to

SPEAKER_05 (40:50):
follow her.

SPEAKER_13 (41:01):
I love that so much.
He snaps his suspender back.
Yep.

SPEAKER_05 (41:09):
Lord, please let us be on our best behavior,
especially Marky.
Please let him keep his dick inhis pants.
I

SPEAKER_09 (41:19):
got it.
I got it.
Oh, no.
I got it.
I know.
I know.
Don't touch anything.

SPEAKER_13 (41:34):
Yeah, that's Buff knocking over the vase, and then
it gets tossed through the air,and Cool has to do a diving
football catch replete withLooney Tunes sounds.

SPEAKER_04 (41:46):
Actually not terribly done.
No, it's good.
It's well done.
I

SPEAKER_13 (41:51):
mean, it's silly, but it's good.

SPEAKER_04 (41:52):
Because sometimes those gags, they'll take them a
little too long, even.

SPEAKER_13 (41:57):
Yeah.

SPEAKER_04 (41:58):
This is good,

SPEAKER_13 (41:59):
though.
This movie's a tight hour and26.

SPEAKER_04 (42:01):
Yeah, dude, yeah.

SPEAKER_13 (42:02):
And the last four or five minutes are like, and then
the last dance song number.
So, I mean, they keep it prettytight.
This movie moves pretty well.
The pacing is good.

SPEAKER_03 (42:13):
It is.
It goes from joke to joke.
It doesn't linger too long.
It's fun.

SPEAKER_13 (42:19):
There's casual nudity, you know

SPEAKER_03 (42:21):
what I mean?
There's peeping Toms.

SPEAKER_13 (42:22):
Yeah.

SPEAKER_04 (42:24):
Look at that butt.
I will say,

SPEAKER_03 (42:27):
for this

SPEAKER_04 (42:30):
movie taking place in...
what you would believe just themansion essentially this does
have a travel movie aspect wherethey go do different things and
stuff like that so i i did havea uh there was no boredom
throughout the movie not

SPEAKER_13 (42:47):
really no so uh the butler brings them in her mr
dennison's antechamber which isthe room before you get to the
chamber yeah or the bedroom iguess you would call it yep and
That's rich people shit.
You gotta have a room before youget to your room.
Yeah, man.
You can't just have one room.
You gotta have two rooms.

(43:07):
One you have to go through toget to your actual room.
It's a dream of mine.
Fucking rich assholes.

SPEAKER_03 (43:12):
That's how they stay fit.

SPEAKER_04 (43:14):
Having to go through several

SPEAKER_03 (43:16):
rooms to get to the

SPEAKER_13 (43:16):
bedroom.
Yeah.
Then the butler shows them hisweird medicine machine thing,
which is ridiculous, but...
it helps the movie out i don'tknow how else to say it that not
this has never existed right nono never it's a it's a big uh
like big metal box with a domefull of pills um which i think

(43:39):
is supposed to show how muchridiculous medication he's on
yeah but uh yeah it lights upand makes noises and he explains
to them how to use the pillmachine which they don't seem to
grasp no No.

SPEAKER_04 (43:51):
If the person you're explaining it to doesn't ask you
to try to explain it just onemore time, then they're not
paying attention.

SPEAKER_13 (43:57):
Because it's a very complicated system of dispensing
medications.

SPEAKER_04 (44:00):
Yeah.

SPEAKER_13 (44:01):
At the indicated times.
It's

SPEAKER_04 (44:03):
like when the song goes off, you hit this button,
and then you hit this button.
You do not hit this button, andthen the song will go off.
I'm like, come on.
And then you got to reset it.
Yeah.
I can't even follow this when Iwas watching it.

SPEAKER_03 (44:14):
He did want the guy to die.
Well, this

SPEAKER_13 (44:17):
is the butler.
I mean, he wants him to live.
Yeah.

SPEAKER_03 (44:19):
Yeah.

SPEAKER_13 (44:21):
But they're supposed to not understand it.
I'm just saying it seems like anoverly complicated system.
Also, there's medication chartson the wall.
Yeah.
So they could just use the chart

SPEAKER_04 (44:31):
it's

SPEAKER_13 (44:31):
also

SPEAKER_04 (44:31):
true it's also true need uh you know what though i
feel like the rich people wouldhave some kind of weird ass
super mechanism for the pilldistributor

SPEAKER_13 (44:41):
actually you're right that's probably that's
probably true you probably hadthis custom designed yeah by an
engineer just for him exactly uhthen they go in to see mr
dennison buff sticks one of hisfingers in the nose of a mounted
animal which is fun

SPEAKER_03 (44:58):
i think it's a camel

SPEAKER_13 (44:59):
I don't know.
It might have been a moose.

SPEAKER_03 (45:02):
Yeah, you might be right.

SPEAKER_13 (45:04):
Moose and camels have similar faces.
Yeah,

SPEAKER_03 (45:06):
it's those.

SPEAKER_13 (45:08):
It was a giraffe.

SPEAKER_03 (45:10):
If it was a giraffe, he'd have to be really tall.

SPEAKER_14 (45:15):
He's not the best color man in the lake for
nothing, folks.

SPEAKER_13 (45:18):
Then the butler wheels Mr.
Denison over via his remotecontrol chair because Mr.
Denison is sleeping.
And this is where we get thewonderful line.
He looks like Yoda.
Which is awesome.
And then they all say, hi, Mr.
Denison.
And he wakes up and goes, ah,

SPEAKER_11 (45:40):
I'm having a nightmare.

SPEAKER_04 (45:42):
You know what, though?
I would not think that.
I don't

SPEAKER_13 (45:49):
know if it's because they're fat or because they're
black or both.
I mean, this is a pretty poshestate.
100%

SPEAKER_04 (45:55):
it's both.
I don't think he would haveunderstood what to make of this
at all.

SPEAKER_13 (46:01):
There's not really much underlying racism in this
movie.
There's a little bit, but notmuch, really.

SPEAKER_04 (46:05):
From Mr.
Denison's point of view, I don'tthink he would have knew these
are the new orderlies right offthe bat.

SPEAKER_13 (46:12):
That's probably true also.
I mean, they are dressed intheir spiffy new orderly
outfits.

SPEAKER_04 (46:16):
Oh, that is true.

SPEAKER_13 (46:19):
Cut to another backyard party.
I love how rich assholes arealways having stupid backyard
parties.
This is apparently a$1,000 aplate benefit.
I love this gag.
Because Buff is standing therewith a bunch of plates under
this towel.

SPEAKER_04 (46:36):
Yeah, five grand worth.

SPEAKER_13 (46:37):
Yeah, I think Marky is like, what are you doing?
He pulls out a newspaper and hegoes, it says it's a thousand
dollars a plate lunch.
That's five grand right there.
He's like, get out of here.
And he goes, that's right.
Yeah.
So stupid.
It is.
It's like the scene in Dumb andDumber.

(46:58):
It's like, this is a thousanddollar plate benefit.
Good night.
It's like, oh, here, put us downfor two in case you

SPEAKER_11 (47:05):
want.

SPEAKER_12 (47:05):
Yeah.
Yeah.

SPEAKER_04 (47:09):
Then he has the beautiful gag of the spritz
right in the face.
I love it.
Man, I miss that movie.

SPEAKER_13 (47:15):
That's a great movie.
Probably one of the most perfectcomedies ever

SPEAKER_04 (47:19):
made.
Oh, yeah.
100%, man.

SPEAKER_13 (47:20):
Never be another one like that.
Anyway, Mr.
Denison is laying in this bedthing.
Yep.
It's like a basket.
He's laying in a bed basket.
Yeah.
This is strange, right?
It is very strange.
I don't know why he's just notin...
A wheelchair.
I don't get it either.

(47:41):
Rich people shit.
Yeah, man.
It is rich people shit.
Eccentric.
It's so much rich people shitthat they have a lift, an arm
lift with chains and hooks tolike attach to this bed to move
him over to his chair.
I have a theory.
Which is like, I don't know, sixfeet away.
I have a theory.

(48:02):
Okay.
I don't know what this is.

SPEAKER_04 (48:04):
I have a theory that this was not there initially.
Oh, you don't

SPEAKER_13 (48:09):
think everybody has this next to their pool?

SPEAKER_04 (48:11):
I feel like Winslow had this installed in order to
get Denison dunked into thegoddamn pool.

SPEAKER_13 (48:19):
That's a possibility because that's exactly what
happens.
So they start to hook thislifting up to his bed, which is
four chains that apparently hookonto the side of the basket that
he's in.

SPEAKER_10 (48:32):
Yeah.

SPEAKER_13 (48:32):
And I think Winston's like 100 bucks says
they kill him themselves, whichis exactly what he's hoping for.
Yep.
Buff clearly doesn't know whichlever to hit and is hesitating
and then randomly hits a leverand it raises Mr.
Denison up in the air and hefreaks out.

(48:52):
The fat boys start to fight.
Cool.
Cool.
who I nicknamed Darkness in mynotes because I didn't know
their names at first.
Charlie Murphy.
Charlie Murphy! He falls in thepool.
People try to help, and theyfall into the pool.
The other fat boys get pulledinto the pool.

(49:13):
Buff's pants get pulled down,which is wonderful.
He's wearing largetighty-whities.
Oh, my

SPEAKER_04 (49:19):
God, old lady.
I mean, it was the 80s.
I don't think they had boxerbriefs really much back then,
but...

SPEAKER_13 (49:24):
No, they had briefs or boxers.
Boxer briefs didn't exist,unfortunately, for everybody
involved.

SPEAKER_04 (49:31):
Should have put them in gigantic boxers.

SPEAKER_13 (49:37):
I mean, they'd show through his white pants, though.
Oh, that's fair.
You got to have thetighty-whities.
Yeah, you're right.
Yeah, you're right.
Yep.

SPEAKER_14 (49:49):
He's not the best-colored man in the league
for

SPEAKER_04 (49:50):
nothing, folks.
Not fashionable, I'll tell you.

SPEAKER_13 (49:51):
No.
And then the chain breaks on thecontraption, which is also
ridiculous.
And then Mr.
Denison falls into the pool aswell.
And I've got a soundbite for theaftermath of this.
Here we go.

SPEAKER_08 (50:07):
I want them replaced immediately.

SPEAKER_09 (50:09):
They're inept.

SPEAKER_13 (50:10):
But why?

SPEAKER_09 (50:12):
Uncle Albert, you're not giving them a chance.
You

SPEAKER_14 (50:16):
bully them.
You intimidate them.
They're sensitive young men.

UNKNOWN (50:22):
Oh.

SPEAKER_13 (50:23):
Again, the comic beef, so I'll talk about it
after the sound bite.

SPEAKER_09 (50:28):
Won't you give him another chance?
Come on, be a pal.
Please.

SPEAKER_05 (50:35):
George, what's up?
George! What's up?
What's that?
Filet of raw beef and vegetablesdu jour.
Du jour?

SPEAKER_00 (50:52):
I

SPEAKER_05 (50:52):
love

SPEAKER_13 (51:00):
the fish out of water aspect.

SPEAKER_14 (51:06):
That

SPEAKER_13 (51:11):
was German.
That's French.

SPEAKER_04 (51:14):
That's American.

SPEAKER_13 (51:29):
That's Marky sleeping.

SPEAKER_05 (51:31):
Yo, bro.
I done got it.
Stop.
Stop, man.
I'm breaking out, man.
I'm getting out of here.
Will you cut the crap, man?
I'm saying I'm getting out ofhere, man.
This place is wacky.
You know it, man.
Ask for a little cheeseburger.
No lousy cheeseburger.
All they got is filet mignon.

(51:52):
I can't even sit in the way.
Tell my sister where.
The chair breaks on me.
Yo, I want to go back to EastNew York now, man.
taking me

SPEAKER_09 (52:01):
i want a bus station now

SPEAKER_13 (52:05):
so again the perfectly timed comedy beats
because when winslow is talkingto mr dennison he's like they're
sensitive young boys and thenyou immediately cut to cool
sitting in one of those hangingchairs that snaps and he falls
to the ground this is so goodman

SPEAKER_04 (52:22):
They did a good job with slapstick comedy.
And the destruction that goeson, it's actually fun
destruction.
Sometimes I feel like in moviesthey'll have destruction and
it'll be super tragic in a way.
Like, what is it called?
With Ben Stiller, Meet theParents.

SPEAKER_13 (52:43):
Oh, yeah, when, like, the urn falls and the cat
shits in the ashes of thegrandmom.

SPEAKER_04 (52:49):
Or when he burns down the, like, gazebo there.
gonna get married in that's liketragic comedy you know what i
mean this stuff gettingdestroyed is funny

SPEAKER_13 (52:58):
that's hilarious i love it so cool has had enough
he wants them to take him to thebus station so he can get the
fuck out of there i don't knowwhy he's carrying around a bag
of athletic balls the whole timeyeah i don't know either but
whatever that's fine

SPEAKER_04 (53:11):
that made no sense to me i was like what does he
carry it arguably there's nological reason for him to have
all those anyway

SPEAKER_13 (53:20):
no

SPEAKER_04 (53:21):
He's not very active.

SPEAKER_13 (53:24):
No.
I mean, he did make a goodfootball catch with the vase,
though.
That's true.
Yeah, you're right.
In your face.
Cut to Winston filling a syringewith some mystery liquid.
He is talking to Miguel.

(53:46):
He's like, those new orderliesare perfect.
50 bucks says they're asleepalready.
And then he walks out frombehind a painting that is
apparently concealing a hiddenpassageway, which is more rich
person

SPEAKER_04 (53:58):
shit.
I loved it, dude.
Oh, it's great.
So when I was growing up, theway that these two rooms worked,
the closet...
Like, you could go kind ofaround and get into the other
closet.
Yeah.
And I always loved it.
It was like this secret passage.
And I always wanted to build ahouse or have a house that had

(54:21):
some kind of weird secretpassage somewhere.
I believe I've missed the boaton making enough money to afford
anything quite like that.

SPEAKER_13 (54:29):
You and, like, most of America.

SPEAKER_04 (54:31):
No, I know.
But I wanted to propose at somepoint you building some kind of
secret passage somewhere in yourbasement.

UNKNOWN (54:40):
Yeah.

SPEAKER_03 (54:40):
What's he going to do, carve it out?

SPEAKER_04 (54:43):
I don't know.
I

SPEAKER_13 (54:43):
don't know the logistics of it.
No, you don't.
We'll talk about that later.
Okay, fair.
So he goes to stab Denison withthe syringe, but finds that it
is a dummy under the sheets.
He violently goes to put

SPEAKER_04 (55:03):
this syringe of shit into him.
I was like, that's a littlemuch.

SPEAKER_13 (55:06):
My only problem with the scene, aside from how
aggressive he is, If this is adummy in the bed, how is the
heart monitor still beeping?
More

SPEAKER_03 (55:20):
rich people magic.
I don't know.

SPEAKER_04 (55:22):
Yeah, I have no clue.

SPEAKER_03 (55:23):
They rigged it up somehow.
Yeah,

SPEAKER_04 (55:26):
I don't get it.
There shouldn't be.

SPEAKER_13 (55:30):
Yeah, I noticed that taking notes.
I'm like, wait a minute.
The heart monitor is beeping.
What the fuck?

SPEAKER_04 (55:38):
Nothing.

SPEAKER_13 (55:41):
No.
Ruined.
Just ruined the movie.
Cut to them driving the RollsRoyce with Denison in the back,
who is still asleep.
They pick up some chicks.

SPEAKER_04 (55:54):
Yeah.

SPEAKER_13 (55:55):
And the one chick climbs over Buff, I think, and
is kind of weirded out by asleeping old man.

SPEAKER_09 (56:01):
Yeah.

SPEAKER_13 (56:02):
And he's like, oh, this is my friend Cool Al over
here.
He's into drugs.
Yeah.

SPEAKER_04 (56:09):
I love that line.

SPEAKER_13 (56:10):
Which is technically true.

SPEAKER_04 (56:11):
Yeah.
He's on a lot of drugs.
Pilled up all the time,

SPEAKER_13 (56:15):
man.
Yeah.
The girls ask where they'regoing.
And Marky's like, we're takingfriend Cool over here to the bus
station.
He's going home.
And then Cool, who is now happythat they found some chicks,
says he ain't going nowhere.
So, all it takes is some chicks.
Oh,

SPEAKER_04 (56:35):
yeah.
That's all it ever takes is acouple chicks.
I'm ready to party.
Yeah.
Down to clown.
Anybody listening to thispodcast, email us.
You can party.

SPEAKER_13 (56:48):
What's our email address?
Pretty cool, I guess.
Production.

SPEAKER_04 (56:51):
Yeah, at gmail.com.

SPEAKER_13 (56:53):
Okay, cool.

SPEAKER_03 (56:55):
I'm sure they're all going to be rushing.

SPEAKER_13 (56:57):
Oh, yeah.

SPEAKER_03 (56:57):
Yeah.

SPEAKER_13 (56:58):
Absolutely.

UNKNOWN (56:59):
Absolutely.

SPEAKER_13 (56:59):
Cut to them going into the roller rink, which is
also a peak 80s thing.
Darla, when you were growing up,did they have roller skating
parties, or did you miss that?

SPEAKER_03 (57:09):
I did not miss that.
Great skate?
No, the rink.

SPEAKER_04 (57:14):
Yeah, Van Dyke 23 mile.
That was my thing.
Oh, yeah?
Yeah, I went to the rink, too,for a long time.

SPEAKER_03 (57:19):
Yeah.
No, I didn't miss out on that.

SPEAKER_13 (57:22):
Oh, I know where that is, yeah.
Yeah.
Yeah, see, I'm a...
I grew up a little more in theghetto.
Yeah.
Not quite the ghetto, but, youknow, less classy.
But we had great skate, and thenwhen I was real young, there was
the Ambassador Roller Rink.
Okay.
I don't even know where thatwas.
I'm sure it's not there anymore.

SPEAKER_04 (57:41):
No, I don't think a lot of roller rinks survived
this.
The rink

SPEAKER_03 (57:46):
did, though.

SPEAKER_04 (57:46):
The rink still did, yeah.
You know, any day that you want,To go skating?
Let me know.
I'll pick you up.
We can go over to the rink.

SPEAKER_03 (57:58):
He'll hold you by the hips.

SPEAKER_04 (58:00):
I mean, it's not that I won't.
I'm not saying we should.
I'm good.
Okay, fair.
Oh, you're

SPEAKER_03 (58:07):
going to hold him on the hips then?

SPEAKER_13 (58:09):
No.
No,

SPEAKER_04 (58:10):
he's just not going to be at a world rink at all.

SPEAKER_13 (58:13):
Ice rink, maybe.

SPEAKER_04 (58:15):
You know what?
One of these days I'm going tocome through with a fifth.
I'm going to make sure you getnice and sleepy, and then you're
going to wake up the roller rinkwith me.

SPEAKER_13 (58:24):
That actually sounds kind of fun.
So straight out of my notes, cutto them going into the roller
rink with my sexual awakeninghappening.
Yeah.
Because this woman that'ssinging in the roller rink, is
the first vivid memory I have ofseeing a woman on screen and

(58:47):
being like, this is pretty cool.
And I think it's the dress.
Because she has big holes cutout.
She's got this tight blackdress, but big holes cut out
down the side, which reveal alot of skin.
And I don't know.
Something about that look.

SPEAKER_03 (59:03):
It's also kind of a...
Sexy song.
I don't remember the lyricsnecessarily.

SPEAKER_11 (59:07):
Work me on down.
Work me on down.
Show me how to do it and work medown.
I

SPEAKER_03 (59:13):
mean, I'm sure you comprehended something about
that as a child as well.

SPEAKER_13 (59:18):
Possibly.
I don't know.
This was just like five or sixyear old me being like.
I

SPEAKER_03 (59:22):
like that.
I'm like, huh.
That's fine.

UNKNOWN (59:25):
Huh.

SPEAKER_04 (59:26):
I really, I wish they had skating rinks like this
still.

SPEAKER_13 (59:30):
Yeah, every skating rink we went to just had a DJ in
the booth.
Yep.
Yeah,

SPEAKER_03 (59:34):
I've never seen a woman sing live.
No

SPEAKER_13 (59:37):
live performances.
No, no.
I don't know if this wasactually a thing that happened.
It

SPEAKER_03 (59:42):
did here.

SPEAKER_13 (59:43):
It did here, yeah.
And I'm super glad it did.
Even now, as an adult watchingthis, I was like...
Yeah, dude, yep.
I was like, that's doingsomething for me.
That's doing all sorts of things

SPEAKER_03 (59:54):
for me.
I think it's all the times youwatched it before.
It's just...

SPEAKER_13 (59:59):
I'm not saying you're wrong.
I'm just saying the effect hasnot worn off.
It is imprinted in my brain.
And every time I watch thismovie, I'm like, God

SPEAKER_03 (01:00:06):
damn.
Yeah, like a neuron activation.

SPEAKER_13 (01:00:09):
Yeah, yeah.
Anyway, I've got a soundbite forthis.
Mostly, I have the soundbite sothat we can hear the boner noise
that they make when Mr.
Denison gets a hard-on becausethe hot girl is in his lap.
And I have entitled thissoundbite, Boing.
Boing.

SPEAKER_05 (01:00:29):
That's the

SPEAKER_13 (01:00:40):
payback for that book thing.
The what?
That's the payback for

SPEAKER_09 (01:00:44):
the book thing.
I'm

SPEAKER_13 (01:00:45):
sorry, I

SPEAKER_09 (01:00:47):
keep...

SPEAKER_13 (01:00:54):
This song also a straight banger.

SPEAKER_09 (01:00:57):
Yeah, I've

SPEAKER_13 (01:01:03):
seen this movie

SPEAKER_09 (01:01:06):
like

SPEAKER_12 (01:01:13):
400 times.
She's feisty.
She is.

SPEAKER_08 (01:01:19):
Nothing

SPEAKER_04 (01:01:21):
like chaotic girls to get you out of your shell,
man.
That's right.

SPEAKER_09 (01:01:28):
Ha

SPEAKER_04 (01:01:42):
ha!

SPEAKER_13 (01:01:53):
So first off, I didn't even consciously know the
work, work, work part was comingup.
That just arose out of my brainfrom like muscle memory.
That's a fucking amazing.
Yeah.

SPEAKER_03 (01:02:04):
Primal activation.

SPEAKER_13 (01:02:05):
Yeah.
Also, not only do they have theboner sound, but we camera pan
down to his crotch as the bonersound happens.
Well, yeah, you got to drive ithome.
Yeah.
I love it.
And then he seemingly getsexcited that he has a boner.
Which you got to imagine that'sthe first one he said in years.

SPEAKER_03 (01:02:27):
He did say there was no Viagra

SPEAKER_13 (01:02:29):
then.
Yeah, yeah.

SPEAKER_04 (01:02:30):
I got to imagine that.
Yeah, years, man.
I mean, well, Carla.
I mean, Carla being around theplace.
That's not the same.
She's not sitting in his lap.
That's true.
Yeah.
Yep.
That's why the last main idea.

SPEAKER_11 (01:02:44):
Rock this body all night long.
Work me down now.
Work me down now.
Show me how to do it and work medown.

SPEAKER_13 (01:02:55):
I love it.
I

SPEAKER_04 (01:02:56):
love it so much.
I know.
I feel you.
I'm feeling it.

SPEAKER_13 (01:02:59):
I'm sorry.
I've had a rough day, and I didnot want to even record today,
and now I'm super pumped.

SPEAKER_04 (01:03:05):
I'm like, fuck yeah.
Fuck yeah, man.
Good thing, because honestly,that shows the power, the power
that this movie is.

SPEAKER_13 (01:03:15):
Over me, anyway.
I don't know that everybody elseis experiencing it quite the
same.

SPEAKER_04 (01:03:18):
Well, I got to say, 10 of our viewers, if they're
having a bad day, throw thistitle on.
It's free on YouTube.

SPEAKER_13 (01:03:24):
Just watch the roller skating rink and get
pumped up by that banger of asong.
Do that.
And sexy woman in her dressthat's half not there.
Yeah, man.
Just saying.
Then we have a full skatingmontage, because of course we
do.
It's 87.
Cool is on a skateboard for somereason.
I don't think they allow that,but whatever.

(01:03:44):
Then they form like a conga linewith buff in front, and then
they accidentally dump Mr.
Denison out of his wheelchair,and they all start laughing.
And he says, you guys kill me,another like this, and I'll die,
which is an ironic line.
I think it's Buff's like, youcan't die, Albert.
If you die, we'll lose this job.
And then they all laugh.

(01:04:06):
So they are now fast friends,mostly because Mr.
Denison got a boner.

SPEAKER_04 (01:04:11):
And possibly a concussion.

SPEAKER_13 (01:04:13):
Possibly a concussion, too.

SPEAKER_04 (01:04:15):
That's why, really, he's all good.

SPEAKER_13 (01:04:21):
Yeah, he's out of his mind now because of a head
injury.

SPEAKER_04 (01:04:25):
That kind of would be an old comedy trope, too,
where he gets hit in the headand, like, changes him to being
like, oh, these guys.
And then he gets hit in the headagain.
He's like, these guys are great.

SPEAKER_13 (01:04:35):
Yeah, I can see that.
Yeah.
Cut to them trying to sneak backinto the house.
They have his pill machine withthem somehow.
This wasn't in the car before,and it's big.
Maybe they had it in the trunk.
I don't know why they take itwith them.
I don't think it's batterypowered.
Like, you got to plug this thingin, right?

SPEAKER_04 (01:04:52):
Yeah.
Like, I didn't get it either.
I didn't understand why they hadit with it either.
I

SPEAKER_13 (01:04:56):
don't know.

SPEAKER_04 (01:04:57):
I usually have a theory about these things, but.
I got

SPEAKER_13 (01:05:02):
nothing.
You are deep into your spinach,so.

SPEAKER_04 (01:05:04):
That's true.
But even on top of that, thismakes zero sense.

SPEAKER_13 (01:05:08):
It really does.
And Darla has nothing either,so.
Well.

SPEAKER_03 (01:05:11):
No.

SPEAKER_04 (01:05:12):
Well,

SPEAKER_03 (01:05:12):
because.
I mean, maybe just it's for thegag.
LOL.
There you go.

SPEAKER_13 (01:05:21):
So they bicker and do some Three Stooges stuff,
which means they slap each othera bunch, which is all very
funny.
And the sound effects areclassic.

SPEAKER_04 (01:05:31):
There's a point where he does the duck at one
point where they

SPEAKER_13 (01:05:35):
slap.
That's later.

SPEAKER_04 (01:05:36):
That's later.
I thought so.
Damn it.

SPEAKER_13 (01:05:40):
Okay.
You know what that means, don'tyou?

SPEAKER_09 (01:05:41):
He's not the best color man in the league for
nothing, folks.

SPEAKER_04 (01:05:46):
I wish people could experience the tension inside
before the button gets hit.
It's pretty good.

SPEAKER_13 (01:05:59):
Cause I never just go right for it.
I always make you wait.

SPEAKER_03 (01:06:02):
You can feel that it's coming.
Yeah.

SPEAKER_04 (01:06:04):
There's like a, there's like this dead air
moment where it's like, Oh,

SPEAKER_13 (01:06:08):
hopefully that translates to audio.
Cause Dustin can see me reachingfor it.
And so there's, it's, it's, it'ssort of telegraphed what's
coming.
I don't know if just random deadair in the podcast is a great
idea, but

SPEAKER_03 (01:06:20):
sometimes it's not even just you reaching for the
button.
Sometimes it's just the purefact that you're quiet for a
moment.
You just know what's coming.
I

SPEAKER_13 (01:06:28):
think it pays off.
Well,

SPEAKER_03 (01:06:29):
maybe they can tell.

SPEAKER_13 (01:06:31):
Yeah.
Anyway, then they get inside andMarky takes the pill machine and
they get Mr.
Denison into his other chair.
This is his stair climbingchair.
Yeah.
You can tell because there'slike tank treads on it.
Yep.
I don't know what...
This seems dangerous.
I don't know why they don't justhave all those chair lifts.
Yeah, I don't know.

(01:06:52):
Like from Gremlins.

SPEAKER_04 (01:06:53):
Yeah, man.
They should.
He's a rich guy.
Or maybe an elevator to thesecond floor.

SPEAKER_13 (01:06:59):
Anything other than this tank chair that looks like
it could fall backwards andcrush him.
Yep.
I don't know.
It's strange.
It makes

SPEAKER_04 (01:07:07):
zero

SPEAKER_13 (01:07:07):
sense.
Anyway, he wheels forward andthen the lights come on.
The whole staff is on the stairsfor some reason.
I don't get this because theywere not making sounds.

SPEAKER_04 (01:07:16):
No.

SPEAKER_13 (01:07:16):
So the staff...
presumably had to be waitingthere until they rolled back in
well or maybe they made enoughnoise outside that it alerted
everybody because of theirslapstick antics

SPEAKER_04 (01:07:29):
no you know what it is it is where uh winslow knows
that he's not there and neitherare the orderlies so you know
how like the parent will wait upfor the child to get back I
understand

SPEAKER_13 (01:07:42):
that, but the entire staff is there on the stairs.

SPEAKER_04 (01:07:44):
That's because Winslow ordered every one of
them out of their beds up thereto look at them while they came
inside.
Because Winslow has that kind ofpower.
I mean, I guess.
He wanted to send a message toMr.
Denison.

SPEAKER_13 (01:08:00):
Anyway, he gets all indignant.
He goes, you have ruined myplans for the evening.
The

SPEAKER_10 (01:08:07):
murder.

SPEAKER_13 (01:08:08):
He ruined the murder for the evening.
Actually, now that you say that,yeah, they did.
Okay, I get it now.
He goes, listen, from now on, Iwant Albert at home where he
belongs, where he's safe, wherehe's loved.
And then Mr.
Denison says, chill out,Winslow.

(01:08:30):
I watch this movie so much thatmy dad would say that all the
time.
Really?

SPEAKER_03 (01:08:34):
Yes.
You aren't fucking kidding.

SPEAKER_13 (01:08:37):
I'm not kidding at all.
That was like something thatwould be heard in my house.

SPEAKER_10 (01:08:45):
This movie is really a

SPEAKER_13 (01:08:46):
part of you.
No, I love that.
Oh, this movie is deeplyingrained in me, along with Jaws
and Spaceballs.
Yeah, that's amazing.
Yeah.
Shit.
So Denison says, we just went toan all-night drugstore to get
some special medicine.
It worked.

SPEAKER_04 (01:09:01):
Yep.

SPEAKER_13 (01:09:01):
Which means his penis can get hard again.
Yeah, man.
Ready to go.
Then the dog attacks Cool.
Yep.
He goes, that dog's a bigot,man.
And Marky goes, nah, he justlikes dark meat.

SPEAKER_14 (01:09:18):
Oh, my God.

SPEAKER_13 (01:09:20):
That's good.
Because Marky, I don't know ifhe's black or not.
He seems like he's Hispanic ofsorts.

SPEAKER_04 (01:09:26):
Yeah, for sure.

UNKNOWN (01:09:27):
Yeah.

SPEAKER_04 (01:09:28):
He does it, yeah.
You're right.

SPEAKER_13 (01:09:29):
Some sort of mix, but he's lighter than the rest.
Yeah.
100%.
Mark Morales.
That seems like a Latino

SPEAKER_04 (01:09:36):
name.
Yeah, 100%.

SPEAKER_13 (01:09:39):
Oh, he just died a few years ago.

SPEAKER_03 (01:09:41):
Oh.

SPEAKER_13 (01:09:43):
Really?
Yeah.

SPEAKER_03 (01:09:45):
Well, rest in peace.
That's really sad.

SPEAKER_13 (01:09:47):
I think all of them are dead now, actually.

SPEAKER_04 (01:09:48):
Money Train?
He's got to be a producer or amusic

SPEAKER_13 (01:09:54):
composer.
Well, he was a music composer,yeah.

UNKNOWN (01:09:56):
Yeah.

SPEAKER_13 (01:09:58):
It does not say, but he died in Miami, so he's
probably Cuban.
Okay.
Anyway.
Fair.
That should be stricken from therecord.

SPEAKER_04 (01:10:09):
No, I mean, yeah, Morales.

SPEAKER_13 (01:10:13):
That sounds Latin enough.

SPEAKER_04 (01:10:14):
Yeah, for real.

SPEAKER_13 (01:10:16):
Anyway, so then Winslow lets the dog go again,
and it attacks Marky this time,which is funny.
So they have all now beenattacked by Chauncey, the dog.
Yep.
And...
Now I have a soundbite of themgoing up the stairs, and it's a
short one, but I felt compelled.

SPEAKER_14 (01:10:33):
Well, I think that's enough excitement for one night.

SPEAKER_11 (01:10:40):
So I'll get to bed, see if we can get some rest.

SPEAKER_05 (01:10:44):
Let's give that dog a head.
You know, Uncle

SPEAKER_14 (01:10:57):
Albert, I think it's

SPEAKER_08 (01:10:57):
terribly unfair of you to put me through all this
worry.
Step off, old boy.
I

SPEAKER_13 (01:11:10):
like it.
Yeah, it's good, man.
Like I said, this was before thecringe era of the movies solely
based on the black people makingthe old white people cool or
trying to be cool.

SPEAKER_04 (01:11:23):
They, like...
beat that to death, man.
It was just...

SPEAKER_13 (01:11:29):
I don't understand.
Well, that's not even really thepremise of this movie.
There's just a little bit ofthat peppered in.
I

SPEAKER_04 (01:11:34):
know, but I'm saying through...
I don't know why that took offas being something everybody was
so after.
Because it's

SPEAKER_13 (01:11:43):
lazy and easy?
Okay,

SPEAKER_04 (01:11:45):
that's fair.
You're right.

UNKNOWN (01:11:48):
Good point.

SPEAKER_13 (01:11:49):
I mean, it's always easy to have a dance scene where
the black people...
Try and teach the white peoplehow to dance, and it's goofy and
funny.
That's fair.

SPEAKER_04 (01:11:58):
Okay.
You got points.

SPEAKER_13 (01:12:01):
Yeah.
And Step Off Homeboy isbeautifully delivered.
Yeah, it is good.
He does a good

SPEAKER_04 (01:12:05):
job.

SPEAKER_13 (01:12:05):
Step Off Homeboy.
Love it.
Then there's a couple shots.
I can't remember, but whatever.
We see Winston go into sleepingAlbert's room to try and
actually kill him this time withthe syringe full of mystery
liquid.
But Buff comes walking in, so hetosses the syringe out the

(01:12:26):
window, and we hear the dog yelpand drop.

UNKNOWN (01:12:30):
Yeah.

SPEAKER_04 (01:12:30):
No.
And then

SPEAKER_13 (01:12:32):
Winston breaks down crying in front of Buff.
I was sad, man.
All right.
This is not how syringes work.
You can't just throw it.
Like, you have to press theplunger to inject.
You can't just throw it as adart and then it kills whatever
it hits.
I have a

SPEAKER_03 (01:12:46):
theory.
That's a good point.
Okay.

SPEAKER_13 (01:12:48):
Dustin's got a theory.
Darla, buckle up.

SPEAKER_04 (01:12:51):
So, listen, though.
When he threw the syringe, it'sgot to go, like, traveling like
a dart, right?

SPEAKER_13 (01:12:57):
Yeah, so that's the implication.

SPEAKER_04 (01:12:59):
Now, could the impact...
drive that plunger in when ithits its stop because the motion
from the plunger i mean it'sonly liquid there so do you
think it could have like

SPEAKER_03 (01:13:14):
well it takes a pretty have you ever like i'm
this is not by much experiencebut plunger like they're not
that easy to push in they takelike

SPEAKER_13 (01:13:23):
a little yeah so the the problem with your theory
there dustin is uh the plungerdoesn't really have any weight
inertia to it because they'rejust plastic so there's There's
not much weight there.
And then, yes, to Darla's point,A, there's a rubber O-ring
there, so you've got to get pastthe friction of that.
But also...
You're pushing a lot of liquidthrough a very small opening.

(01:13:44):
So, you know, it takes someforce.
So to answer your question, no,that's not possible.

SPEAKER_04 (01:13:49):
Now, my last question I have.
Oh, there's

SPEAKER_03 (01:13:53):
more.
But wait, there's more.

SPEAKER_13 (01:13:55):
But wait, there's

SPEAKER_04 (01:13:56):
more.
Was the dart long enough thatlike when it hit the dog, it
could have like impaled itsheart?

SPEAKER_03 (01:14:03):
I mean, that's maybe more plausible than.
But it's a

SPEAKER_13 (01:14:06):
hypodermic needle, so it wouldn't have.
Okay.
Yeah.

SPEAKER_04 (01:14:09):
Okay, then I...
Okay, then.
This dog should still be alive,damn it.
Yes.

SPEAKER_03 (01:14:17):
Justice

SPEAKER_04 (01:14:17):
for Chauncey.
Justice for

SPEAKER_13 (01:14:19):
Chauncey.

SPEAKER_03 (01:14:19):
Yeah, he...
Chauncey.
We get more of Chauncey later,don't we?
Yes, we do.
Yes, we do.

SPEAKER_13 (01:14:25):
Albeit in a different form.
Yeah, it's

SPEAKER_04 (01:14:28):
wild.

SPEAKER_13 (01:14:29):
It's also funny that the dog's name is Chauncey,
because that's...
That's like a black name to me.
Maybe it's just because ChaunceyBillups played on the Pistons.
That could be.

SPEAKER_03 (01:14:39):
Really, Chauncey to me sounds like a rich person's
name.
Like a butler.
Maybe it's

SPEAKER_13 (01:14:44):
just because Chauncey Billups played on the

SPEAKER_04 (01:14:46):
Pistons.
That's the only other Chauncey Iknew.
That's the only other ChaunceyI've ever known.
I

SPEAKER_03 (01:14:50):
don't know any Chaunceys.
Straight from the dome.
Well, there you go.

SPEAKER_13 (01:14:55):
That's why you might not have that association.
Then we have the dog funeral.
I love this.
The dog is taxidermied now, butit's not normal taxidermied.
It's taxidermied with its mouthopen in prowl attack mode.
The fat boys mock Winston behindhis back, which is hilarious.

(01:15:18):
Because they're laughing at him,and he turns and looks, and they
pretend to be crying.
And then they laugh and do thatthing behind his back, which is
awesome.
I love it.
Then we see them pour out all ofMr.
Denison's pills to use for pokerchips, which is maybe not the
best plan in the world.

SPEAKER_03 (01:15:39):
Yeah.
They count them by likedifferent

SPEAKER_13 (01:15:41):
colors.

SPEAKER_03 (01:15:42):
Yeah.
Like the colors are certainamounts.
Like this is$10 and this is$5.

SPEAKER_13 (01:15:45):
Yeah.
So they're all excited to dothis poker game.
I love this fade because they'restarting the game and they all
get like equal chips.
And then we fade to them lookingpissed because Buff has all the
pills now because he's kickingtheir asses.
I don't know.
I just love that fade.

SPEAKER_04 (01:16:00):
It's good.
Yeah, dude.

SPEAKER_13 (01:16:01):
And then he wins another hand and scoops in all
the loot and goes, Big Daddydone did it again.
That's a good line.
That's a great line.
Yeah,

SPEAKER_04 (01:16:12):
man.
I wish I could call myself thatagain.

SPEAKER_13 (01:16:17):
Big Daddy.

SPEAKER_03 (01:16:18):
Why can't you?
There's

SPEAKER_13 (01:16:19):
nothing stopping you.
Yeah.
You should get...
plus-sized t-shirts with BigDaddy rhinestone across the
chest and matching caps.

SPEAKER_04 (01:16:31):
Here's the thing, though.

SPEAKER_13 (01:16:32):
With Big Daddy rhinestone

SPEAKER_04 (01:16:33):
across the brim.
I wasn't calling myself BigDaddy.
I was getting called Big Daddy.
So that would require you guysaround me, and that's not going
to happen.
Dustin Big Daddy Whirly?
No, I don't know.
Big Daddy?
No.
It has too much of a porn stylename, and I am not a porn star

(01:16:55):
in the least

SPEAKER_13 (01:16:56):
man you can't go by big papa because that's kind of
taken

SPEAKER_04 (01:16:59):
yeah i got called that for a little while by
somebody too for a little whilebig man Big man's not one I've
had yet.

SPEAKER_13 (01:17:06):
Well, that's because that's what you get in the gym
when you're getting big like me.
You know what?
Thinking back.
Other gym guys call each otherbig man.

SPEAKER_04 (01:17:16):
People have called me big man before.

SPEAKER_13 (01:17:18):
Yeah, yeah.

SPEAKER_04 (01:17:18):
People, not regularly, but I haven't been
called it before.

SPEAKER_13 (01:17:22):
Yeah.
You get that in the gymsometimes.
Do

SPEAKER_03 (01:17:25):
you call a woman, call a big woman?

SPEAKER_13 (01:17:28):
No, no.
You ignore the fact that womenare in the gym.
Yeah.
You don't want to come off ascreepy.

SPEAKER_04 (01:17:33):
No, you don't want to look.
in their direction.
If they got weights falling onthem, you just got to go about
your day.

SPEAKER_13 (01:17:39):
Then you save their lives.
If

SPEAKER_04 (01:17:41):
they're

SPEAKER_13 (01:17:42):
actually dying.

UNKNOWN (01:17:43):
No, I know.
I'm just kidding.

SPEAKER_13 (01:17:46):
I

SPEAKER_03 (01:17:46):
got the point,

SPEAKER_13 (01:17:48):
though.
Ironically, the gym I go to isdown the street.
Because of the area, there's alot of black people that go
there.
Black men, for some reason, lovemy tattoos.
They're always giving mecompliments and stuff.
Fuck yeah, dude.
That's awesome.
No, women come up and are like,oh, those are sick.
It's always like big rippedblack dudes.
He's like, oh, that's sick, son.

(01:18:09):
Yeah, man.
Well, at least somebodyappreciates

SPEAKER_03 (01:18:12):
it.
Exactly, man.
Very like, bro.
I like that.
Yeah.
Dudes being cool dudes.

SPEAKER_13 (01:18:19):
Yeah, man.
Adam knows what to get.
That's right.
So then the butler knocks on thedoor.
Oh, this is in my notes righthere.
We might as well mention thecoonskin cap that Marky wears
for some reason.
Yeah.

SPEAKER_03 (01:18:34):
Oh, yeah.

SPEAKER_13 (01:18:35):
Oh, yeah.
I don't really understand this.
Me neither.
I mean, it was 87.
Maybe the Davy Crockett thingwas coming back in the lexicon.

SPEAKER_04 (01:18:45):
Could be.

SPEAKER_13 (01:18:46):
I had a coonskin cap when I was a child that I bought
in the Smoky Mountains.
Did you really?
My family is from Kentucky.
Oh,

SPEAKER_03 (01:18:53):
my God.

SPEAKER_04 (01:18:54):
I've never had one.

SPEAKER_03 (01:18:56):
No, I just saw a coot camp when I went to around
the Kentucky area.
They still sell them.
Yeah,

SPEAKER_13 (01:19:01):
they still sell them, but I think normally
children buy them and wear them.

SPEAKER_03 (01:19:05):
I was going to buy one.
I was very tempted.
It was$10.
Well,

SPEAKER_13 (01:19:09):
on you, that would be quirky and chic on a grown
man.
I don't

SPEAKER_03 (01:19:12):
know.
It's just kind of weird.
I guess that's true.
I don't think I would even wearit out.

SPEAKER_04 (01:19:19):
Me in a coon skin cap would look like I still...
attend the adult Boy Scout,whatever you do.

SPEAKER_03 (01:19:28):
Absolutely.
Why don't we make it happen?
We'll bring it back.

SPEAKER_13 (01:19:32):
I mean, I don't know that we have the clout to be
trendsetters.

SPEAKER_09 (01:19:35):
We can try.
We can give

SPEAKER_03 (01:19:36):
it a go.
I don't know.
We can try.
We're

SPEAKER_13 (01:19:41):
going to roll into the gym with one on.
I think the reaction would beless receptive.

SPEAKER_03 (01:19:46):
We'll put it in our merch shop.

SPEAKER_13 (01:19:49):
There you go.

SPEAKER_04 (01:19:50):
You know what, though?
I...
I feel like walking in with thaton your head into the gym you're
talking about, I feel likepeople would have this feeling
where they're like...
Is this inappropriate for him tobe wearing hair or not?
I feel...
If you wear it with confidence.
It's

SPEAKER_03 (01:20:08):
not.
If you wear

SPEAKER_13 (01:20:08):
it with confidence.
But...
Well, I think that sends one oftwo messages.
If I rolled in with a coonskincap into the gym.
A, I'm a literal crazy person.
Which is probably going to notmake people too receptive to

SPEAKER_10 (01:20:21):
me.

SPEAKER_13 (01:20:22):
Or B...
I hold certain social views thatmaybe not everybody in the gym
would be cool with.

SPEAKER_04 (01:20:30):
Yeah, for sure.
Yep.

SPEAKER_13 (01:20:33):
Okay.
So I'm going to not do that.
Yeah, no, that's fair.
Probably for the best.
Also, that would make you sweatlike a motherfucker trying to
work out in that.

SPEAKER_04 (01:20:40):
You could take the tail though and wipe your brow.
Oh,

SPEAKER_13 (01:20:43):
Jesus Christ.
Wow.
Simply wow.
Oh

SPEAKER_10 (01:20:52):
my God.

SPEAKER_13 (01:20:52):
Anyway, they don't want the butler to see that
they're playing poker with themedicine.
So they bag it all up in agarbage bag.
And then Buff lets the butlerin.
I've always loved this line.
Because Buff is like, my man.
And the butler says, and Iquote, I am also very nice for

(01:21:12):
you.
I don't know.
I've always loved

SPEAKER_04 (01:21:18):
it.
It's a good line.

SPEAKER_13 (01:21:19):
I've always loved it.
Yeah.
Uh, Marky walks down with thebags cause he's got a bag of
actual garbage for some reasonthat he's gone downstairs.
I don't know what this is, butwhatever.
It's fine.
He taunts the now stuffedChauncey with the, with the
chance to take a bite out of hisass.
Yeah.
Which is funny.

SPEAKER_04 (01:21:40):
Since this had Three Stooges-style stuff going on, I
was expecting him to slip andhim fall onto the open dog's
mouth.
I did, too.
And still get his ass bit.

SPEAKER_13 (01:21:52):
No, that's later.
I mean, he doesn't get his assbit, but he does trip over the
open dog's mouth.
Yeah, yeah,

SPEAKER_04 (01:21:57):
yeah.
Close.
Close, yeah.

SPEAKER_13 (01:22:00):
And then he hits on Carla.
So what happens is he goes downto the kitchen and he's getting
the pizzas because they'rehaving like seven pizzas
delivered for the three of them.

SPEAKER_03 (01:22:10):
Yeah.

SPEAKER_13 (01:22:11):
Again.
And

SPEAKER_03 (01:22:11):
a bunch of packs of pop.

SPEAKER_13 (01:22:13):
Yep.
Coca-Cola.
Diet Coke, too.
Yeah.

SPEAKER_07 (01:22:18):
Yeah.

SPEAKER_13 (01:22:21):
Soda, Coke, whatever.
Pop.
I can't remember what we call ithere.
I don't drink it.
I don't drink pop anymore.
Well, we call

SPEAKER_03 (01:22:28):
it pop.
Yeah.

SPEAKER_13 (01:22:30):
Yeah.
We call it pop.
Yeah.
I just haven't, I don't, Ihaven't drank pop in like 20
years.
Uh, yeah.
I'm not regularly.
Anyway,

SPEAKER_03 (01:22:39):
he drinks his whiskey neat.

SPEAKER_13 (01:22:41):
That's right.
Uh, then on the rocks.
So,

SPEAKER_03 (01:22:45):
um, you're right.
It's not neat.

SPEAKER_13 (01:22:48):
Either.
So, uh, What happens is he putsthe bags on the counter and
Carla's going to throw themaway.
And I guess he doesn't noticebecause he's carrying seven
pizzas and two six-packs of pop.
But whatever.
I've got a soundbite for thisentitled Sprouts.

SPEAKER_05 (01:23:16):
Hey, Carla.
I got the brightest idea.
Why don't me and you go to myroom and do

SPEAKER_10 (01:23:22):
the wild thing?
Bam, bam,

SPEAKER_00 (01:23:24):
bam, bam, bam.
No way.
Look, look.
I'm serious, Tiff.
Why me and you go to a movie or

SPEAKER_02 (01:23:29):
something?
Yeah.

SPEAKER_03 (01:23:31):
Yeah, why is the music actually

SPEAKER_02 (01:23:32):
really good?
You want to

SPEAKER_10 (01:23:34):
go out with me?
No,

SPEAKER_02 (01:23:34):
no, no.
You got to eat lots of thisinstead of that and get rid of
all that blubber and tons ofthat fat.

SPEAKER_05 (01:23:45):
Sprouts.
It's

SPEAKER_13 (01:23:51):
supposed to keep squirts in the cupboard?

SPEAKER_04 (01:23:54):
I

SPEAKER_05 (01:24:01):
don't think so.
Buff is my favorite one.
That

SPEAKER_13 (01:24:20):
guy's hilarious.

SPEAKER_05 (01:24:28):
What's that, man?
It's good for you.
Helps you get sex.
Still hungry, man.
Still hungry?

(01:24:54):
Yeah.

SPEAKER_13 (01:24:56):
He grabs a leaf off the indoor plant.

SPEAKER_05 (01:25:00):
Get out of here, man.
You said you were hungry.
Uh-oh,

SPEAKER_13 (01:25:07):
the music's going off.
That means it's time for pills.
So they freak out because theyhave no pills.
And Marky goes down and findsthat the pills have all been
destroyed in the garbagecompactor thing.
I'm assuming that's whathappened because if she just
threw them in the garbage,they'd be...

SPEAKER_03 (01:25:26):
Yeah, no, I was thinking the same thing.
Did she smack it around?
No, this is

SPEAKER_13 (01:25:32):
another rich people thing.
They don't just have garbagecans.
They have garbage compactors.
So when you put it in, itsmushes it.

SPEAKER_03 (01:25:40):
Okay.

SPEAKER_13 (01:25:41):
Yeah.

SPEAKER_03 (01:25:42):
That makes the most sense.

SPEAKER_04 (01:25:43):
Because when he does open it up, there are a bunch of
crushed pills all in there.
Yeah, it's definitely acompactor.

SPEAKER_13 (01:25:50):
They couldn't just use a scooper and scoop up some
of the pill dust?
Oh, yeah.

SPEAKER_03 (01:25:55):
Give them a little cocktail?

SPEAKER_13 (01:26:00):
Anyway, so he sees that the pills have been
destroyed.
So he goes upstairs and he goes,yo, Buff, remember when your
Uncle Lou was real sick?
He was taking all his pills tomake him better.
He had one big blue pill for hisheart.
That gave him indigestion.
One red pill for hisindigestion.
That gave him high bloodpressure.
One big horse pill for his bloodthat made him fart, which is a

(01:26:24):
wild thing to throw in at theend of that.
Yeah.
He goes, then he stopped takingall those pills and he started
feeling better.
And then he reveals that Carlahas thrown the pills out and
they argue because Mr.
Dennison is going to die withoutthe medication, presumably.

SPEAKER_04 (01:26:39):
Yes.

SPEAKER_13 (01:26:40):
Mr.
Dennison comes rolling in andasks about his pills and they
lie and say the doctor changedthe prescription and he should
lay off his pills till tomorrow.
And then Marky holds theirmouths so they can't say
anything.
And Mr.
Dennison says...
Will you guys please stopilling?
Somebody's going to get hurt.

SPEAKER_04 (01:27:02):
I liked when he used illing.
It worked.

SPEAKER_13 (01:27:04):
Yeah, it works.
Like I said, this wasn't cringeyet.

SPEAKER_04 (01:27:07):
No.
And honestly, it's not reallycringe in the movie when I'm
watching it.

SPEAKER_13 (01:27:12):
No, it's not cringe here at all.
Like I said, they just kind ofpepper it in here and there.
It's not like they're teachinghim how to be cool.
It's just like he's adopted someof their slang.

SPEAKER_03 (01:27:22):
Yeah, and they're not forcing it on you.
And

SPEAKER_13 (01:27:26):
they're not giving them cornrows or anything.

SPEAKER_04 (01:27:28):
I feel like the one IMDB user had put in there that
he did not like the slang andstuff because he didn't want to
just look like he hated justthem being fat.

SPEAKER_13 (01:27:40):
Well, I'm going to hunt that motherfucker down.

SPEAKER_04 (01:27:41):
I got his info.
All right.
I do not.
I wish I

SPEAKER_13 (01:27:46):
did.

SPEAKER_03 (01:27:47):
I said I'd invite him to the show.
We're getting a deep argumentabout this.
Oh, man.

SPEAKER_13 (01:27:52):
So he wheels back into his room, because this is
the antechamber, as we'vealready established.
And then this is where Markyducks their slaps, and they slap
each other.
Buff and Cool slap each otherwhen they go to slap Mark,
because he ducks.
Yep.
And they hit each other, ThreeStooges style.
Yeah, man, I loved it.
It's pretty good.

(01:28:12):
And then they get all serious,because this could have serious
ramifications.

SPEAKER_04 (01:28:16):
Yeah.

UNKNOWN (01:28:18):
Yeah.

SPEAKER_13 (01:28:18):
Then they're at his bedside, and he is unconscious,
and they slap Marky a coupletimes.
I love every slap in the moviehas an overstated slap sound

SPEAKER_04 (01:28:29):
effect.
Yeah, 100%.
And you can tell in the soundsnow that that's what's going on.
I honestly didn't notice it whenthe movie was going on, but I
really did notice it in the

SPEAKER_03 (01:28:39):
sound effects.
Really?
I listened to it withheadphones.
Oh, okay.
I heard all those little...
But, like, it's Three Stoogesstuff.

SPEAKER_13 (01:28:46):
Yeah, I mean, they did that in the Three Stooges,
too.
I mean,

SPEAKER_03 (01:28:48):
it's...

SPEAKER_13 (01:28:49):
It's good.
Yeah, but it...
I don't know.
It lends an air of, like,comedicness that is both silly
and deeply enjoyable at the same

SPEAKER_04 (01:29:00):
time.
Yeah, 100% it is.

SPEAKER_13 (01:29:02):
I don't know if it'd be as funny without...
Because it's almost like themovie's self-aware.
It's like, yeah, we know.
It's dumb and silly.
Yep.

SPEAKER_04 (01:29:09):
Yeah.

SPEAKER_13 (01:29:10):
That's what we're here for.

SPEAKER_04 (01:29:11):
Yeah.
Which is why...
You know, I think a lot of thereviews on this movie were
really good because peopleunderstood that about this
movie.
Yeah.
Anyway.

SPEAKER_13 (01:29:23):
I mean, it knows what it is.
Yeah.
Then they check his vitals.
I'm not sure they know whatthey're doing because they have,
like, the reflex hammer thatthey're trying to check his
reflexes with, which is not howthat works.
No.
And I think they're trying totake his blood pressure, but I'm
100% sure they're not doing it

SPEAKER_04 (01:29:41):
right.
No.
I've not done it in a littlewhile.

SPEAKER_13 (01:29:46):
We learned how to do it in high school.
I don't know why.
We learned how to do the old waywith the stethoscope where you
listen for

SPEAKER_04 (01:29:53):
the couple pulses.

SPEAKER_13 (01:29:56):
Wow.
That's

SPEAKER_04 (01:29:57):
a hell of a thing to learn.

SPEAKER_13 (01:29:59):
I don't know why we learned that.
It's like biology or something.
I can't remember.
So I have taken blood pressurebefore.

SPEAKER_04 (01:30:06):
More than I've done.

SPEAKER_03 (01:30:09):
My dad just has little digital blood pressure
machine yeah oh yeah

SPEAKER_13 (01:30:15):
that's every everybody has that now i don't
think

SPEAKER_03 (01:30:18):
and it's just cool now you don't need to know but
it was cool that you knew it

SPEAKER_13 (01:30:22):
yeah yeah man new being the operative works if i
had to do it again i'd be like idon't

SPEAKER_04 (01:30:27):
know what i'm doing i don't know how many to count

SPEAKER_13 (01:30:30):
we don't count you listen for the pulses

SPEAKER_04 (01:30:33):
Okay.

SPEAKER_13 (01:30:33):
And then you record what the numbers are when the
pulses come through.
So you'll have a normal pulse,and then there's a double pulse
or something.
I can't fucking remember.

SPEAKER_04 (01:30:41):
Okay.

SPEAKER_03 (01:30:43):
It was kind of coming back to you,

SPEAKER_13 (01:30:44):
though.
Yeah.
I could probably figure it outagain if I

SPEAKER_03 (01:30:46):
had to.
Yeah, I

SPEAKER_13 (01:30:47):
think you could.
Yeah.
Pretty confident myself.
I would fuck it up royally.
Anyway, so they hit Marky again.
I think he falls over this time.
Cut to them comically snoring.
And when I say comicallysnoring, I mean like the Looney
Tunes.

SPEAKER_04 (01:31:05):
Oh, yeah.

SPEAKER_13 (01:31:09):
Yeah.
Yeah.

SPEAKER_04 (01:31:10):
100%.
This

SPEAKER_13 (01:31:10):
is also funny.
Buff falls out of his chair andthen wakes them up as dramatic
music plays.
This fucking cracks me up everytime.
And I'm going to play the wholesoundbite.
But when they see Mr.
Denison sit up, and the one'slike, he's having a spasm! Yeah.
Just...

(01:31:31):
I crack up every time.
They're going to try and givehim CPR at the end.
It's not going to go well.

SPEAKER_05 (01:31:42):
Listen, Doc, it's a matter of life and death.
Don't tell me that.
Look, it's almost 12.
He hasn't woke up yet, man.
Damn, man.
The pharmacy's out of theprescription, man.
You killed him, but you're dead.
I told you before I didn't doit, Carla did it.

UNKNOWN (01:32:01):
Chill.

SPEAKER_05 (01:32:02):
What's all the noise

SPEAKER_09 (01:32:03):
in here?

SPEAKER_05 (01:32:05):
There's something wrong with Mr.
Albert.

SPEAKER_09 (01:32:07):
Mr.
Albert?

SPEAKER_01 (01:32:08):
Really?

SPEAKER_09 (01:32:09):
Yes, he hasn't woke up yet.
His heart rate is low.
His pulse is weak.
Poor Albert.
I had a premonition somethingterrible would happen today.
We're going to call thehospital.
Better tell him to send achaplain.
I can't, man.
I can't tell

SPEAKER_05 (01:32:28):
him.
Man, we'll get fired.
We're going to lose this jobanyway if he dies.
You've got to tell him, Marky.
Maybe the paramedics can bringsome pills for him or something.
You've got to tell him.
You've got to.
Come on, be a man, man, not agirl.
Come on, man.
Go ahead.
Chapel of the Pines FuneralHome.

SPEAKER_08 (01:32:45):
Mr.

SPEAKER_00 (01:32:45):
Lowry.

SPEAKER_08 (01:32:46):
Yes?
Just a moment.
May I speak to Mr.
Thornton, please?
Bill, this is Winslow Lowry.
Mr.
Lowry.
Just a moment.
I'm afraid it's time.

SPEAKER_09 (01:32:58):
Yeah.
He's having a spasm!

UNKNOWN (01:33:02):
A spasm!

SPEAKER_05 (01:33:03):
Stop it, man! Hurry up! We gotta stop it, man! Help
him, man! C.P.R.! C.P.R.! One,two, three, four, five.
Move, man.
Mouth to mouth.
Mouth

SPEAKER_09 (01:33:20):
to mouth.

UNKNOWN (01:33:23):
Whoa!

SPEAKER_09 (01:33:25):
so i don't

SPEAKER_13 (01:33:40):
know why the spasm line tickles me so hard it's
like he's having a spasm andthen the guy's like spasm it's
good he's just sitting up in bedhe's having a spasm

SPEAKER_04 (01:33:53):
I love it.
You know what, though?
They do good at amping up themoment.
A lot of times it can getannoying, but they do a good job
of amping it up.

SPEAKER_13 (01:34:07):
When Buff pushes his way and he keeps saying
mouth-to-mouth, and then thatfirst-person shot from Mr.
Denison's point of view ofhim...

SPEAKER_04 (01:34:15):
Yeah.

SPEAKER_13 (01:34:15):
Falling

SPEAKER_04 (01:34:16):
over toward him out of the gate.
Oh, my God.

SPEAKER_13 (01:34:19):
And then Denison getting up and pushing them off,
and he does the CPR thing onCool, because he's like, how do
you like it?
Which leads us into anotherhilarious comedy beat, because
the very next scene we see isthe doctor bedside, but our
vision is obscured, so we don'tsee who's in the bed.
And he says...
He says...

(01:34:46):
He looks surprisingly good,considering the blows that he
suffered.
And then whoever's in cameraframe moves out of frame, and we
see Kool lying there, because weexpect it to be Denison in bed.

SPEAKER_04 (01:34:56):
Yeah, yeah.

SPEAKER_13 (01:34:58):
I don't know.
I think that's hilarious.

SPEAKER_04 (01:34:59):
It is.
It's a good switch up.

SPEAKER_13 (01:35:01):
Yeah.
Yeah, man.
And it's unexpected, honestly.
No,

SPEAKER_04 (01:35:05):
it is.
And they kind of do a good jobwith...
Again, this is kind ofattributed to the editing,
right?
Yeah.
They do a good job kind of withsome of the reversal on the
gags.

SPEAKER_13 (01:35:21):
Then the doctor explains that Denison was
overmedicated before he'swalking back with Winslow.
And he goes, those boys reallylucked into something when they
lost his medication.
And Winslow's like, what?
He's like, they lost his pills.
I overheard them talking.
They bungled their way into abreakthrough in Albert's
treatment.
Isn't it amazing how luck canplay a role in a person's

(01:35:43):
recovery?
He'll be back on the golf coursein no time at all.

UNKNOWN (01:35:48):
It's great.

SPEAKER_13 (01:35:49):
And the doc leaves and Winston looks back at them
playhousing with each other witha look that I can only describe
as contempt.
Yeah.
Contemptuous.

SPEAKER_04 (01:35:59):
Yep.

SPEAKER_13 (01:36:00):
He's not a happy camper at the moment.
No, not at all.
He was really working on thatthree-week timeline.

SPEAKER_03 (01:36:06):
Well, now he starts getting up and walking with
them, so he had a reason to be alittle...
Oh,

SPEAKER_13 (01:36:12):
yeah, I'm not saying he doesn't have a reason to be
upset, but his plan hasspectacularly backfired.
As

SPEAKER_04 (01:36:16):
it

SPEAKER_03 (01:36:17):
should.
I mean, I'm not saying it was agood plan, but sorry.

SPEAKER_04 (01:36:19):
He owes$640,000 to a very dangerous individual, so
that's part of the look that Igot, too.

SPEAKER_13 (01:36:25):
A comically dangerous individual.

SPEAKER_04 (01:36:27):
Yeah, that's fair.

SPEAKER_03 (01:36:29):
With a big cigar.

SPEAKER_13 (01:36:32):
Yes.

SPEAKER_03 (01:36:32):
He...

SPEAKER_04 (01:36:33):
Okay, I argue he's not.
He sent men that used agrappling hook, for Christ's
sakes.

SPEAKER_13 (01:36:38):
Okay, we're going to have to talk about the grappling

SPEAKER_04 (01:36:41):
hook when we get there.
Yeah.
Because that

SPEAKER_13 (01:36:44):
is the most ridiculous thing in the movie.
Yeah.
Because they just go through thetunnel to meet Miguel.
They could have just walked upthe...
Anyway, we'll

SPEAKER_04 (01:36:55):
get there when we get there.
I know, it's weird.

SPEAKER_13 (01:36:58):
Cut to them walking to play polo.
The boys have their...
own custom-made polo outfits nowmr dennison tells them about all
the adventures he's going totake them on and then he tries
to teach them to play polo in apredictably comic scene even
though it's predictable i stilllaugh it's funny because markie

(01:37:20):
falls off off his horse and theyjust laugh at him cool gets on
the horse and it neighs and goesin circles and he falls and And
then Buff...
I can't remember his line.
He looks at his horse and he'slike, it's you and me now.
Yep.
And the horse looks at him andthen apparently lays down and
dies.
Yep.

SPEAKER_04 (01:37:41):
He wasn't about to...

SPEAKER_13 (01:37:41):
Man.
I think they filmed this inreverse.
They probably had the horselaying there to begin with and
then they filmed it standing up.

SPEAKER_04 (01:37:48):
Oh, yeah.

SPEAKER_13 (01:37:49):
And then they just reversed it because it has this
weird...
sped up feel to it.
It does.

SPEAKER_03 (01:37:54):
Was this the scene that the review was talking
about where the horse died?
Yeah.

SPEAKER_04 (01:38:01):
I mean, honestly, I feel like that's a lot of meat
to ask that horse to carryaround.

SPEAKER_13 (01:38:07):
Yeah, absolutely.

SPEAKER_04 (01:38:09):
I get it.
I would have faked my own deathtoo.

SPEAKER_13 (01:38:10):
Or just actually died.

SPEAKER_04 (01:38:13):
Or just actually died,

SPEAKER_13 (01:38:15):
yeah.

SPEAKER_04 (01:38:17):
Do you think the horse actually died or faked its
own death?

SPEAKER_13 (01:38:20):
I'm not sure what the implication is, to be
honest.
Okay, that's fair.

SPEAKER_03 (01:38:24):
It's a beautiful example of years interpretation.

SPEAKER_13 (01:38:27):
Yeah.
Yes.
So then we have a montage ofthem jogging.
So this is the workout montagebecause Mr.
Denison is now miraculouslyrecovered after a day of being
off his medication.
Yep.
So he was almost an invalidbefore, and now he is actively

(01:38:52):
bodybuilding and jogging.

SPEAKER_04 (01:38:57):
Yeah,

SPEAKER_13 (01:38:57):
so that's cool.
But it's comedic.
They try and jog with him, andthe fat boys fall to the ground.
We see Winston just sort ofslinking out from behind a
statue for whatever reason.
He's trying to be sneaky.

UNKNOWN (01:39:15):
Yeah.

SPEAKER_13 (01:39:15):
Uh, then we see Denison doing weights.
Um, seems like he might betrying to lift too much, but I
mean, he gets it up.
So whatever.

SPEAKER_04 (01:39:25):
Yeah, man.
Well, it looked like, you knowwhat?
He's been aching to get into thegym.

SPEAKER_13 (01:39:30):
Apparently.
I

SPEAKER_04 (01:39:31):
feel like he really hit the gym when he was younger.
Even.

SPEAKER_13 (01:39:35):
Yeah.
Uh, Marky runs on the treadmillwith Carla, uh, This is a weird
scene because their treadmillsare like facing each other.
And then we camera pan down toher boobs bouncing.
Yeah.
As boob bouncing sound effectscome in.

SPEAKER_03 (01:39:49):
This is the part I was excited to talk about.
Boing, boing, boing.
Yeah.

SPEAKER_04 (01:39:54):
It was dynamic filmmaking, I guess, is the way
I would describe

SPEAKER_03 (01:40:00):
it.
Dynamic is a good word.
Yeah.

SPEAKER_13 (01:40:03):
I mean, they're not really that big either.
No.
They're nice, but I mean, it'snot like they're...
aggressively bouncing to andfro.
I mean, they're, they'rebouncing, but

SPEAKER_03 (01:40:13):
I have, they're definitely bouncing.

SPEAKER_13 (01:40:15):
Well, trust me.
I've analyzed the scene manytimes.
I know they were bouncing.
I'm just saying, I

SPEAKER_03 (01:40:21):
feel like it's

SPEAKER_13 (01:40:22):
not like it's not necessarily comedic bouncing.

SPEAKER_03 (01:40:25):
Okay.
You're the expert here.

SPEAKER_13 (01:40:29):
Well, yes, clearly.

SPEAKER_03 (01:40:31):
Okay.
But Dustin,

SPEAKER_04 (01:40:32):
sorry.
I, I feel like more than eventhe size of, Like, I feel like
it is more who they're attachedto.
You know, I feel like withcertain people, I would hear a
boingy sound.

SPEAKER_13 (01:40:50):
I'm just saying it's like the boing, boing, boing,
and then he laughs.
I'm like.
This isn't really funny.
It might make me hard while Iwas jogging in front of her.
I don't know why he's laughingabout it, but whatever.

SPEAKER_03 (01:41:02):
I actually thought it was hilarious.
It was so silly.
Well,

SPEAKER_13 (01:41:07):
if you add the boinging sound in it, it makes
it funny.

SPEAKER_03 (01:41:09):
Yeah, it was just a silly little moment.
I believe he

SPEAKER_04 (01:41:12):
was hearing the boinging sound in his head.

SPEAKER_13 (01:41:14):
Okay, I'll

SPEAKER_03 (01:41:15):
give that

SPEAKER_13 (01:41:16):
to you.
That's fine.

SPEAKER_04 (01:41:17):
Because you heard the boingy sound and you
laughed.
I feel like he was enjoying thelaughter

SPEAKER_13 (01:41:22):
more.
That's fine.
I'm just saying, were I the onejogging across from her, I
wouldn't be hearing boingysounds in my head.
I would be trying not to gethard while jogging.
Yeah.

SPEAKER_04 (01:41:33):
Accidentally turn the treadmill off while you're
running.

SPEAKER_13 (01:41:36):
Yes.
It's because of the emergencypull thing.
If your dong gets tied up in thestring, it

SPEAKER_04 (01:41:44):
can pull right

SPEAKER_13 (01:41:45):
out.
Yep, that's right.

SPEAKER_03 (01:41:48):
Thank God for that mechanism.

SPEAKER_13 (01:41:51):
Anyway, we have more workout shots.
Buff and Cool join Mr.
Dennis in the pool.
And so Cool is dressed in fullscuba diving gear.
Yep.
And Buff has an inner tubearound his waist and floaties on
his arm, if I remember the scenecorrectly.

(01:42:12):
Yep.
So

SPEAKER_04 (01:42:14):
that's fun.
Yeah, it's a good look.
I, uh, one time tried to jump,there was a pool, like a, a, you
know, a floaty with a hole inthe middle.
And I tried to jump into onelike that.
And honestly, like I got up tomy waist and then all of a
sudden I went forward.
You get

SPEAKER_13 (01:42:31):
top heavy, like it almost kills you.
Yeah, exactly.
A

SPEAKER_04 (01:42:36):
hundred percent.
Yeah, exactly.
Yeah.
That's dangerous.
Yeah.
And luckily it was, I never swimalone.

SPEAKER_13 (01:42:44):
That's probably a good policy.
Yeah.

SPEAKER_04 (01:42:47):
I can't think of an opportunity where I would have
the opportunity to swim alone.
I'd have to drive to, like, apublic swimming pool by myself.
That's when I

SPEAKER_13 (01:42:56):
was a kid.
We had a pool.
I'm sure I swam alone at points.

SPEAKER_03 (01:43:01):
I did, too.
My family had a backyard pool,but not underground, like one of
those, like.

SPEAKER_13 (01:43:06):
No, we weren't.
Come

SPEAKER_03 (01:43:07):
on.
We had those inflatable, thosebig inflatable

SPEAKER_13 (01:43:09):
ones.
I live in Warren, Michigan.
We had an above ground pool,

SPEAKER_03 (01:43:12):
definitely.

UNKNOWN (01:43:13):
Okay.

SPEAKER_03 (01:43:13):
I remember the pools I remember.
I did swim.

SPEAKER_04 (01:43:16):
The pools I remember swimming alone in actually are
those plastic pools.

SPEAKER_03 (01:43:22):
Like the kiddie pools?
Yeah, it was a

SPEAKER_04 (01:43:23):
long time ago when I was a child.

SPEAKER_03 (01:43:25):
I mean, I don't think I have memories that far
back.

SPEAKER_04 (01:43:28):
We didn't always get hot water in there either or
warm water.
It's colder than shit sometimes.
I hated it.

SPEAKER_13 (01:43:36):
I mean, yeah, that's what happens sometimes.
Those were so small, though, ifyou left them out in the summer.
The water

SPEAKER_10 (01:43:43):
almost became like bath water when you got in.

SPEAKER_13 (01:43:45):
Anyway, let's see.
Where were we?
Oh, yeah.
And then at the end of themontage, Mr.
Denison takes them into hisvault that is shockingly full of
just straight up gold bars.

SPEAKER_04 (01:44:00):
Yeah, dude.
I

SPEAKER_13 (01:44:03):
don't know where you get...
I don't know who...
fills their portfolio with goldbars like this, but I mean,
there are bags, there arecomically like bags of cash,
criminal bags of money,

SPEAKER_04 (01:44:18):
criminal bags of cash.
Yeah.

SPEAKER_13 (01:44:19):
Like, like, like the kind of bags of cash you would
see a cartoon robber pull

SPEAKER_04 (01:44:23):
out of a bank.
It is.

SPEAKER_13 (01:44:25):
It is.
Wow.
I also don't know why the safeis in the pool house, but that's
fine.
That's the last place I'd

SPEAKER_03 (01:44:32):
look.
Actually, that's a good point.

SPEAKER_13 (01:44:35):
Also fine.
Maybe that's the only realestate because it's not like a
wall safe.
It is a walk-in vault.
Yeah, it has a vault door.
Like the kind they opened in DieHard.

SPEAKER_04 (01:44:45):
Yeah, exactly.
Yes, exactly.
I will say, too, it kind of gaveme...
People under the stairs lootvibes.
Almost, yeah.

SPEAKER_03 (01:44:57):
Stop talking about that movie.
Okay.
I haven't watched it.

SPEAKER_04 (01:45:00):
I'm sorry.
We got to get you on a

SPEAKER_03 (01:45:02):
gift train there with it.
Was that supposed to be our nextmovie night movie?

SPEAKER_04 (01:45:06):
Oh, yeah.

SPEAKER_13 (01:45:07):
All right.
Maybe we do it tonight.
I mean, I'm down.
I

SPEAKER_04 (01:45:10):
ain't got shit going on tomorrow.
I'm off.

SPEAKER_13 (01:45:11):
Down like a clam chili, baby.
Baby.
Down like a clam chili, baby.

SPEAKER_04 (01:45:16):
Baby.
You know, South Park's streamingin like four different places at
once right now.

SPEAKER_13 (01:45:27):
I only know about it on Max.
Well, they had the movies thatthey did on Paramount Plus, I
think.
But the actual show is streamingon Max.

SPEAKER_04 (01:45:36):
And Pluto has a channel for it,

SPEAKER_13 (01:45:37):
actually, too?
Well, on Max, it's uncensored.

SPEAKER_04 (01:45:39):
Ooh.
Yeah.

SPEAKER_13 (01:45:41):
So there you go.
It plays in Canada uncensored.
When I was working in Canada, Iwas watching South Park.
And I was, they were like sayingfucking shit.
And I'm like, yeah, I was like,wait a minute.
What?

SPEAKER_03 (01:45:53):
I didn't know that their ratings were different
than ours.
Like they can just swear ontheir TV.
They can say swears.
I mean, no, that's cool.

SPEAKER_13 (01:46:01):
They can do the swears.
Yeah.
Because they don't have astrictly puritanical background
like we do in the US.
Yeah.
American Jesus.
Jesus was the greatest.
Jesus was the greatest Americanever

SPEAKER_10 (01:46:13):
lived.
Did you guys know that?

UNKNOWN (01:46:15):
Yeah.

SPEAKER_13 (01:46:16):
Anyway, he gives them each$10,000 treasury bonds.
And then Winslow and hismanservant fall off the roof
comically because that's a lotof money to just give someone.
Although it pales in comparisonto the solid gold bars that are
in there.
And that wouldn't do anything tocut into his$640,000 debt.

(01:46:41):
But anyway.

UNKNOWN (01:46:45):
Yeah.

SPEAKER_13 (01:46:45):
Then, I think, yeah, we cut to night, and Winslow
explains to Miguel that he'sgoing to kill Denison tonight
and make it look like theorderlies did it.
Cut to the fat boys going into aroom they apparently haven't
been in yet.
They find a display case full ofguns, including machine guns.

SPEAKER_09 (01:47:07):
Yeah.

SPEAKER_03 (01:47:09):
Rich people shit.

SPEAKER_13 (01:47:10):
Rich people shit is right.

SPEAKER_03 (01:47:11):
Mm-hmm.

SPEAKER_13 (01:47:12):
and it even more rich people shit here because
they go to touch the guns andthen the gun display goes up to
reveal an entertainment centerof TVs and stereos behind this
built into the wall, which Imean, I know these are CRT TVs
and they're like, I don't know,24 inch tops.

(01:47:35):
Yeah.

SPEAKER_03 (01:47:35):
That was a big deal though.

SPEAKER_13 (01:47:37):
That was a big deal in 87.
Yeah.
Yeah.
It's like that scene in a,You've probably never seen
Goodfellas, have you?
Anyway, there's a scene inGoodfellas where Ray Liotta's

(01:47:57):
making all this money and he'sshowing off this new house that
he has built or whatever and hehits a button and this wall
opens to his entertainmentcenter and the TV is so
comically small.
Looking at it today, it'slike...
It's like, I know when this cameout, that was super impressive,
but it is absolutely hilariouswatching that now.

UNKNOWN (01:48:18):
No, I love that.

SPEAKER_04 (01:48:21):
You know, Goodfellas is one of those movies that I
used to take home with the setof movies I would rent, but it
was always last on the list towatch for me.

SPEAKER_13 (01:48:33):
Maybe we'll do it on the ultraviolence, but it's a
really dialogue heavy movie.
I don't know if it'll translate.

SPEAKER_04 (01:48:38):
We're going to match it with the Godfather series.

SPEAKER_13 (01:48:40):
Oh, Jesus.
I'm not doing the Godfatherseries.
Okay, that's fair.
I mean, I love them, but they'relike three and

SPEAKER_04 (01:48:45):
a half hour movies.
I know.
We'd have five, six hourpodcasts

SPEAKER_13 (01:48:49):
on each.
Those are movies that you can doa whole podcast series on.
That's like the one episodething.
That's fair.
Anyway, so then they find acamera to make their music
video.
And I love this.
I love this song.
I love this whole sequence.
I've got a sound bite for it.
I don't have the whole songbecause that'd be gratuitous.

(01:49:10):
Yeah.
I do question how they got thebeats that make the song because
they have a whole accompanyingtracks of the song that they're
doing.
And even them watching the videoback.
They have music behind it, butthere is no music.
They're just like, let's make avideo.

(01:49:30):
Let's make a video.
And then they start rapping at acamera.
Yeah.
But somehow music comes in.
Yeah, man.
Whatever.
It's fine.
This is entitled Baby, You're aRich Man.
I don't know what that means.
I mean, I know what it means,but I don't know why that's the
hook to the song.
But anyway.

SPEAKER_03 (01:49:46):
It's an interesting scene.
I watched this movie twice.
No, go

SPEAKER_13 (01:49:51):
ahead.
Well, enjoy the soundbite.
Boom, boom, boom, boom, boom.

SPEAKER_11 (01:49:56):
I

SPEAKER_10 (01:50:10):
said how does it feel?

SPEAKER_11 (01:50:20):
Baby you're a rich man Oh,

SPEAKER_05 (01:50:27):
yeah.

SPEAKER_11 (01:50:51):
A billion, a zillion, now! So much money, you
can set it on fire! A caviar! A

SPEAKER_09 (01:51:03):
caviar!

SPEAKER_05 (01:51:19):
won't get

SPEAKER_11 (01:51:22):
greedy

SPEAKER_09 (01:51:24):
donate half of it

SPEAKER_13 (01:51:42):
Alright, that's a straight banger.
I'm sorry.
I fucking love it.

SPEAKER_03 (01:51:46):
Who is Baby and why is he a rich man?

SPEAKER_13 (01:51:49):
I don't understand what the song is actually trying
to convey.
No, I

SPEAKER_04 (01:51:54):
don't either.
I

SPEAKER_13 (01:51:56):
think they're all Baby and they're all rich men
because they're talking abouthow they would use their money
as rich men.
I don't know.
I'm not sure.

SPEAKER_03 (01:52:05):
Yeah, maybe it's just all like platonic nice
stuff like Baby...
You got it.
I don't know.

SPEAKER_13 (01:52:11):
See, what you don't know, because you probably don't
spend a lot of time in the urbancommunity, but black men will
call each other baby.
All right?

SPEAKER_04 (01:52:21):
Yeah.

SPEAKER_13 (01:52:22):
I'm on a bowling league.
There's a black guy that I bowlwith who every time...
He sees me, will dap me up, andgo, what's up, baby?
I

SPEAKER_03 (01:52:29):
like that.
Yeah.
See, that's my fault.

SPEAKER_13 (01:52:33):
Well, yeah, it is.
You should try and be morecultured, Darla.
I've been meaning to talk to youabout this for a while.
I

SPEAKER_03 (01:52:39):
don't leave my house.
I come here and do the podcast.
I don't go anywhere.

SPEAKER_13 (01:52:44):
Well, that's part of the problem.
Well...
I'm not saying fix it.
I

SPEAKER_03 (01:52:48):
like being a shoddy.

SPEAKER_04 (01:52:51):
That's part of the reason we invited you out of
this podcast.
That was...
See...

SPEAKER_03 (01:52:56):
It's like I'm in like...
I live in a lab somewhere.
I've been untouched by society.

SPEAKER_13 (01:53:00):
The last ultraviolence we did...
It was one of the last oneswhere Dustin was talking about
how he used to be squeamish withviolent shit, and now you've
come to embrace the art behindit.
And I was like, well, that's whyI started the podcast, so we're
done.
I mean, I mission

SPEAKER_12 (01:53:18):
accomplished.

SPEAKER_13 (01:53:19):
So now we have a new mission.
Get Darla out of the house onceevery two weeks.
Exactly.
And

SPEAKER_04 (01:53:24):
we

SPEAKER_13 (01:53:25):
can keep going for a while.
That's right.

SPEAKER_03 (01:53:27):
That taught me not to hiss at people on the

SPEAKER_13 (01:53:29):
street.
No, you should still do that,absolutely.
People deserve most of them yeahum so that goes on for the whole
song like they do a full this islike a four minute like they
basically do a music video inthe middle of the movie

SPEAKER_04 (01:53:45):
that's exactly what it was and honestly i kind of
liked it it it freshened up themoment I wasn't stuck in the
movie through the whole thing.
It

SPEAKER_03 (01:53:58):
wasn't like Mac and Me where we had a whole
McDonald's dancing scene.
Oh,

SPEAKER_13 (01:54:02):
my God.
Yeah.

SPEAKER_03 (01:54:03):
You don't have a bar to compare it to?

SPEAKER_13 (01:54:06):
That McDonald's dance montage is the worst thing
I've ever

SPEAKER_03 (01:54:10):
seen in my life.
So this is very peaceful andunderstandable.

SPEAKER_13 (01:54:15):
Well, also, this movie is made in the context
that they are a rap group.
starring in a movie.
So the idea that there would bea random music video in the
middle of it is not the mostoutlandish thing.
You almost would...

SPEAKER_03 (01:54:28):
Not very far-fetched.
It's understandable.

SPEAKER_13 (01:54:30):
You would almost be upset if there wasn't.

SPEAKER_03 (01:54:32):
Yeah.
And they didn't do it the wholetime.
It wasn't like a whole...

SPEAKER_04 (01:54:37):
Right.

SPEAKER_03 (01:54:37):
And the song's awesome.
Their music videos, it wasjust...

SPEAKER_04 (01:54:41):
Do you think that they put it in there to appease
Fat Boys fans?
Absolutely, I do.
Okay.
I think so,

SPEAKER_03 (01:54:51):
too.
Or was it to get their music outthere in that one moment?

SPEAKER_13 (01:54:54):
That, too.
Well, that song's not, to myknowledge, on any of their
albums, so I don't know.

SPEAKER_03 (01:55:00):
Well, you never know.
Sometimes

SPEAKER_13 (01:55:01):
you should.
I specifically tried to find thesoundtrack on iTunes.
It's not there.
You can get it on Amazon onvinyl.
Okay.
So there's that.
Yeah.
I found a Sketch website thatsells it on CD, so maybe I'll...
Roll the dice.
Put my credit card info inthere.

SPEAKER_04 (01:55:15):
You need...
You, yourself, I believe, needlike an extra card you put money
on.

SPEAKER_13 (01:55:22):
Well, I could just PayPal it.
Well, that website might nottake PayPal.
Yeah, I thought about gettingsome loaded Visa gift cards just
so I can buy shit off of shadysites and not use my actual
credit card number.
That's

SPEAKER_03 (01:55:35):
a good idea.

SPEAKER_13 (01:55:36):
That is a good idea.
I won't talk about why I hadthat thought anyway so

SPEAKER_03 (01:55:44):
well now we want

SPEAKER_13 (01:55:46):
to know you don't need to know oh man i wasn't
investigating poppers at all umso that goes on for a whole song
buff pretends to do a guitarsolo on a sword that he finds uh
with a suit of armor that israndomly in this uh office yeah

SPEAKER_03 (01:56:03):
rich people shit

SPEAKER_13 (01:56:04):
rich people shit indeed cool dances all over the
desk uh all over what looks likeimportant financial papers yeah
And then he kicks a computermonitor over on accident,
causing a power outage to thewhole house, which is not how
power works.
But that's

SPEAKER_03 (01:56:21):
fine.
That computer is reallypowerful.
It was actually.
It's actually powering thehouse.
Yeah, exactly.

SPEAKER_13 (01:56:27):
It's a computer generator.
They had those in the 80s.
It's rich people shit.
You don't know about it, Darla.
Don't even worry.

SPEAKER_04 (01:56:35):
Sorry.
Honestly, I didn't see anythingwrong with it because I don't
know anything about electricity,but.
I'm glad you educated me today.

SPEAKER_13 (01:56:43):
I mean, that could potentially blow a fuse.
Okay.
If you short something out, butthat's not going to do like the
whole house.
I mean, that house is enormous.
Yeah.
It's got more than one fusecircuit.

SPEAKER_03 (01:56:54):
Actually, it'd probably be more of a danger of
ruining the computer.
Oh,

SPEAKER_13 (01:56:58):
yeah.
The computer's fucked.

SPEAKER_03 (01:56:59):
Yeah.

SPEAKER_13 (01:57:00):
But he only had like $14 in there anyway, so it
doesn't matter.
That's true.
Yeah.
Winston comes into the roomafter they're gone.
He's carrying a candelabra withlit candles on it, which is the
most rich person thing I've everseen in my life.

SPEAKER_04 (01:57:14):
100%.

SPEAKER_13 (01:57:15):
He's not carrying one candle.
He's carrying a candelabra with,I believe, three candles on it.
It's not an impressivecandelabra, but it is a
candelabra.

SPEAKER_03 (01:57:25):
Still, that's some badass shit.

SPEAKER_04 (01:57:28):
How many things would you have on your
candelabra?

SPEAKER_13 (01:57:34):
I feel like six.
Okay.
Because you'd have one in themiddle and then two off to the
side and then rotate that 90degrees and have two more off to
the side.

SPEAKER_04 (01:57:43):
Okay.

SPEAKER_13 (01:57:44):
Yeah.
Yeah, four.

SPEAKER_04 (01:57:46):
Wait, so you'd have one at the top.
Five, I'm sorry.
Okay, cool.
I was making sure I wasn't goingcrazy.
The math didn't math.
Yeah, no, that's okay.

SPEAKER_03 (01:57:54):
Can you just have like one on the top and then
three?

SPEAKER_04 (01:57:57):
No, you know what you would have?
You could do that.
You could do one that goes upand then just spikes at the top
with two out the top.

SPEAKER_13 (01:58:03):
No, that's ridiculous.
Okay.
Because the wax would fall downonto the floor.
Okay.
Because they'd be angled.
God damn it.
Swing and a miss.
Swing and a miss.
Sorry

SPEAKER_03 (01:58:20):
if I spit my drink on

SPEAKER_13 (01:58:22):
you.
No, that's okay.
I'm into that.
Also, the repair guy is in theroom with the computer and
somehow turns the power back onin the whole house.
He's like, yeah, you're fixedup.
Then he mentions about fixingthe computer or whatever.
So whatever.

(01:58:42):
That's fine.
And then we see the videorecorder come back on because
the power went out when theywere using it.
Winston blows or Winslow blowsout his candelabra and then
makes a phone call to Luis andtells him he can have the money
tomorrow, but he needs help withthe plan.

(01:59:04):
Yeah.
Yeah, man.
Yeah.
bringing that button back no forreal

SPEAKER_04 (01:59:14):
i um honestly i love through this movie that
everything this guy tries itjust keeps going fucking
sideways for him the wholebecause he's

SPEAKER_13 (01:59:23):
a buffoon

SPEAKER_04 (01:59:24):
yeah i just i love it man i love comedies like that
yeah so good

SPEAKER_13 (01:59:29):
then we see buff and cool walking uh outside uh past
the neighbor's house and theyhear a pool party going on.
Well, not really a pool party,just two women getting ready to
get into the pool.

SPEAKER_04 (01:59:41):
Yeah.

SPEAKER_13 (01:59:42):
And they look through the brush and they see
the girls stripping down.
And I believe it's buff thatsays, God bless them.
God bless them.
Yep.

SPEAKER_04 (01:59:55):
Should have said, Hey, maybe we should get out of
here there.
I mean, yeah, this was a, Iknow, 87.
This is 87.
Yeah, no, for real.

SPEAKER_13 (02:00:05):
This movie probably has...
I mean, this is not...
It's not cool to just spy onnaked people.
No.
But, I mean, this is maybe theleast egregious thing that's

SPEAKER_04 (02:00:16):
happened in any of the movies we've done so far.
You're right.
No, you're right.
Yeah.
Yeah.
Well, and what I will say isthat any time that we have nude
ladies skinny dipping...
Even if they invited me over, Idon't know that I would go full
nude.

SPEAKER_13 (02:00:38):
Well, that's the difference between you and me,
Dustin.

SPEAKER_03 (02:00:41):
Talk to no one, but you don't know what you're
supposed to do.

SPEAKER_04 (02:00:45):
So you think I should just go for it if I do
get called over to be nude witha couple ladies in a pool?

SPEAKER_13 (02:00:50):
Yeah, if they invite you to be nude with them, just
roll with it.
Okay.
Try to be brave and do that.
You might disappoint more thanone lady that night, but I mean,
they asked for it, so.
Yeah,

SPEAKER_03 (02:01:04):
I'm not going to give advice on that.

SPEAKER_04 (02:01:07):
I'm going to grab my waistband and be like, prepare
to frown.
Just tell them to go for it.
Go for it.

SPEAKER_13 (02:01:13):
There you go.
See, even Darla thinks youshould go for it.
Good deal.

SPEAKER_04 (02:01:18):
Yeah.
I got to start stalking her ownpools.
Ooh, don't do that.
I'm just kidding.

SPEAKER_13 (02:01:24):
So we see Winslow confirm with Miguel that the
staff has the night off, so thehouse is going to be abandoned.
And then we see Marky cozying upwith Carla and watching the
video they made that is completewith backing tracks of music
somehow.
But she's into it.

(02:01:45):
And it seems like they'refinally going to make a little
business.
Yeah.
You know why they're going tomake a little business, Dustin?
I'm not sure why.
This might be Darla's firstintroduction to this.
They might be able to make alittle business because it's
business.
It's business time.

SPEAKER_04 (02:02:06):
Very well delivered.
Yeah.

SPEAKER_03 (02:02:07):
I feel like if you show me the song that correlates
to this, it's never going to topwhat you just

SPEAKER_13 (02:02:13):
did.
Yeah.
Possibly.
That's from Flight of theConchords sketch.
I'll show it to you after we'redone recording.
Okay.
But it is hilarious.
But I put a little more stank onit than he does, just for
comedic effect.
I liked it.
Then...
A grappling hook pops over

SPEAKER_11 (02:02:31):
the back wall.
So good.

SPEAKER_03 (02:02:33):
Now we're getting to the grappling

SPEAKER_13 (02:02:34):
hook.
And hitman types climb up and...
You get the idea that this wallis only like a couple feet high.
And so they just tossed agrappling hook over and then...
Because the way they climb overthis wall, it does not look like
they're actually pullingthemselves strenuously over.
It looks like they're justrising up from behind the wall

(02:02:55):
and rolling over it.
Like they were just kneelingbehind the wall.
Yeah.
No, for real.

SPEAKER_03 (02:03:01):
Is that how grappling hooks work?

SPEAKER_13 (02:03:04):
You don't know how grappling hooks work?

SPEAKER_03 (02:03:07):
No, I don't.
I was just hoping you would gointo a deep explanation.

SPEAKER_13 (02:03:11):
It's a rope with a hook, and you throw it over
whatever you want to climb, andthen the hooks catch on the
structure, and then you canclimb the rope up to get over a
wall or something.

SPEAKER_04 (02:03:24):
See, the reason a grappling hook makes no sense
here is because the only reasonyou use a grappling hook is
because you need to climb...
Usually it's because it'ssomething so high you need to
climb the rope to get over it.
These people launched agrappling hook onto something
they literally jumped over.

SPEAKER_13 (02:03:41):
That's the way it looks.
If you watch the guys go overthe wall, it looks like this is
just like a waist-high wall thatthey were kneeling behind, and
then they pretended to scale awall.
by just like rising up slightlyand rolling over it.
Yeah.

SPEAKER_04 (02:04:00):
It's bad.
It's a bad acting, bad angling,bad

SPEAKER_13 (02:04:03):
grappling hooks are also like comedically like an
eighties, nineties thing wherelike, I don't think anybody
normally ever actually usesgrappling hooks.
Never.
I mean, I'm not saying peoplenever do.
It was just a, it's like atrope.
Yes.
And also my third part is, pointabout the grappling hook so

(02:04:25):
these guys climb over and thenwe see them walk down a tunnel
to meet miguel who is standingthere if all the staff is gone
and they're gonna walk up to thehouse and go through a tunnel
anyway yeah couldn't they justlike walk up to the house?

(02:04:46):
They

SPEAKER_04 (02:04:46):
could

SPEAKER_13 (02:04:47):
have.
Like, why did they have tograppling hook over a wall?

SPEAKER_04 (02:04:50):
Here's what I believe.
I wish we would have...
be able to see.
The fact that one of the goonsdecides to bring the grappling
hook, and he's like, the otherone's like, we don't need this
grappling hook.
He's like, we're going to usethe grappling hook, okay?
Doc Sainz style.
Yeah, man, for real.
Your

SPEAKER_13 (02:05:08):
stupid fucking rope.
Well,

SPEAKER_03 (02:05:11):
I think I've actually seen that.
Is that where a cat gets shot?

SPEAKER_04 (02:05:14):
Yes.
So, I had ChachiBT perform a websearch.
Okay.
How many grappling hooks aresold yearly, and what are they
used for?

SPEAKER_13 (02:05:23):
I'm going to say 350.
Comprehensive

SPEAKER_04 (02:05:31):
data on the annual sales of grappling hooks is not
readily available.
So

SPEAKER_13 (02:05:35):
I could be right.
So you could be right.
I'm just going to say that I amright.
We're just making up facts thesedays anyway.
I've totally

SPEAKER_04 (02:05:42):
nailed that one.
It's true.
You did.

SPEAKER_13 (02:05:44):
Tree

SPEAKER_04 (02:05:45):
climbing, canyoneering.
You ever been in a canyon?

SPEAKER_13 (02:05:49):
i've been in a gorge does

SPEAKER_04 (02:05:52):
that count yeah kind of yeah okay so yeah anyway
there's not honestly there's notreally any use for grappling
hooks even in the modern age

SPEAKER_13 (02:06:01):
no they they're they're always like framed as
these tactical devices to use tolike, uh, scale walls and shit.
And I don't think anybody everdoes that.
No, but

SPEAKER_04 (02:06:11):
the only person that should be using a grappling hook
ever is fucking Batman.
Okay.

SPEAKER_13 (02:06:16):
Yeah.
And that's not even the same.
That's like a rocket powered.
It's like a pitong or something.
Yeah.
Not technically a grapplinghook.
I don't think anyway.
So, uh, the, the bad guys godown the tunnel to meet Miguel
and he goes, you guys are late.
And they cock their guns and hegoes, not that late.
Which, okay, whatever, that'sfine.

SPEAKER_04 (02:06:35):
Yeah.

SPEAKER_13 (02:06:36):
Back to the naked girls.
I've got a soundbite here calledPeeping Toms.
Yep.

SPEAKER_03 (02:06:43):
Peeping Toms.

SPEAKER_13 (02:06:47):
Too skinny.
Too skinny.
They are.
Yeah, really.

SPEAKER_09 (02:06:54):
See the bones and shit.
They look like bicycles.
Oh, bicycles.
I want a woman who looks like aCadillac.
I

SPEAKER_05 (02:07:03):
know what you mean.
Ooh, man, look at those jaws,I'm

SPEAKER_04 (02:07:06):
telling you.
That's an L.A.
face with an Oakland booty.

SPEAKER_00 (02:07:10):
Look at that butt.
It's like a pancake.
Help,

SPEAKER_09 (02:07:19):
there's TV talk!

UNKNOWN (02:07:24):
What?

SPEAKER_09 (02:07:25):
So

SPEAKER_13 (02:07:30):
there is one part of this scene where a girl runs out
of the pool and, you know, justhits out to camera, climbs up
the water slide and goes down.

SPEAKER_04 (02:07:39):
Yep.

SPEAKER_13 (02:07:40):
And then they fall off the wall for some reason.
I don't know how they heard thembecause the music is up.
And even if they heard them,they heard a commotion.
I don't know how they knowthere's peeping Toms out there.
But whatever, it's fine.
This scene, incidentally,funnily enough, not part of my
sexual awakening.
No?
Okay.
I don't think.
You didn't

SPEAKER_03 (02:08:01):
like that they looked like bicycles?

SPEAKER_13 (02:08:03):
Yeah.
When I was six, I preferredwomen that looked like
Cadillacs.
Absolutely.
I will say, though, that once Ibecame a little older, the pause
button came into effect here.
Oh, I can believe it.
Even this might be because Ithink the VCR I had had a

(02:08:25):
slow-mo setting.
I

SPEAKER_04 (02:08:27):
still remember when I got my first VCR that had a
slow-mo button function.

SPEAKER_13 (02:08:34):
Because sometimes if a scene only goes 10 seconds,
it's not long enough.
But if you can stretch that to40 seconds.

SPEAKER_03 (02:08:42):
Yeah.
To get the frame by frame.

SPEAKER_13 (02:08:44):
Yes, exactly.
Basically, yeah, man.
Yeah.

SPEAKER_04 (02:08:47):
And I'm going to be honest, some scenes deserved to
be seen in slow motion.

SPEAKER_13 (02:08:52):
Yeah, like this one.
It's pretty good.

SPEAKER_03 (02:08:54):
When you watched Howard the Duck call back to
another episode.

SPEAKER_04 (02:08:57):
I did not watch that in slow motion.

SPEAKER_03 (02:08:59):
You got to see some

SPEAKER_04 (02:09:02):
duck titties.
Yeah.
Those weirded me out a little.
Those were pretty weird.
Just because they're furry.
They're furry.
That's

SPEAKER_03 (02:09:11):
very strange.
Okay, so Adam and Dustin notconfirmed furries.
Like, cause listen,

SPEAKER_04 (02:09:17):
nipples on fur, like an animal doesn't like, I, it,
I've been different, but like apair of human breasts that have
fur all on them.

SPEAKER_03 (02:09:30):
You don't want to do it for you.

SPEAKER_04 (02:09:31):
No, I don't even mind a little bit of hair or
something.
Like that's not a big deal.
I mean, whatever.
I can,

SPEAKER_03 (02:09:39):
I can power.
If you're really at the head'shair on your chest.
Yeah.
We still like

SPEAKER_04 (02:09:45):
you.
Email me specifically.

SPEAKER_13 (02:09:46):
I'm not saying I don't like you.
We just have to spend a littletime with the trimmers.
That's fair.
Okay.

SPEAKER_04 (02:09:53):
Would you trim them up for them?

SPEAKER_13 (02:09:55):
Sure.
Okay.

SPEAKER_04 (02:09:57):
Understood.
Make me to your liking.

SPEAKER_13 (02:10:03):
I'm just saying errant chest hairs are weird.
Yeah, I get it.
Miguel leads the hitman in andthey go into Denison's room.
He is sitting there listening tothe Fat Boys on headphones.
I think the song that he'slistening to is the opening
song.
Okay.
Can't remember exactly, but heis listening to the Fat Boys.

(02:10:23):
That one.
Yeah.
The police roll up becausethey're super responsive in rich
neighborhoods.
It's almost like the policeexist to protect capital and not
people.

SPEAKER_04 (02:10:38):
Yep, 100% it is.
And they're there to protectthose titties.
Well,

SPEAKER_13 (02:10:45):
yeah.
White women titties.

SPEAKER_04 (02:10:47):
Yeah, 100%.

SPEAKER_13 (02:10:49):
Rich white titties.
That's right.
Rich white titties.
Not the poor whites that theycall trash.
Oh, those titties aren't asgood.
Yeah.
They haven't been modified.
Exactly.

SPEAKER_04 (02:11:01):
Yep.
I know, man.
anyway before we get too muchinto the by the way the uh
capitalism in the police force

SPEAKER_13 (02:11:09):
before i forget about it i gotta go to all cast
and crew because okay the girlon the slide yeah was son of a
bitch

SPEAKER_04 (02:11:19):
gwyneth paltrow

SPEAKER_13 (02:11:21):
no it was uh julie k smith okay oh wait yeah she was
in uh she was in playboy andpenthouse

SPEAKER_04 (02:11:30):
yes

SPEAKER_13 (02:11:31):
yeah

SPEAKER_04 (02:11:32):
oh my god i love this woman i didn't know that
was her yep

SPEAKER_13 (02:11:36):
wait

SPEAKER_03 (02:11:37):
who is she in the movie

SPEAKER_13 (02:11:38):
uh she's the girl that the naked girl that goes
down the water slide oh

SPEAKER_01 (02:11:42):
okay

SPEAKER_13 (02:11:44):
so like i said she was in playboy and penthouse um
she was a warrior day of thewarrior she was in the last boy
scout she was one of the dancers

SPEAKER_04 (02:11:56):
the dallas connection these are so dallas
connection day of the warriorthese are like i think they're
in your box set or somethingthey're a box set you have i
think they are andy sedarisfilms

SPEAKER_13 (02:12:08):
oh yeah yeah no i i own every andy sedaris yeah dude
yeah i don't know if i'vewatched those ones we

SPEAKER_04 (02:12:13):
put them out while you're here

SPEAKER_13 (02:12:15):
yeah

SPEAKER_04 (02:12:15):
The Malibu Express I think we watched.

SPEAKER_13 (02:12:17):
Yeah, they're like the Skin and Max movies.

SPEAKER_03 (02:12:19):
I fall asleep pretty much after.
She

SPEAKER_13 (02:12:22):
was in Angel 3, the final chapter.
We did an episode on Angel backin the bit of the Ultraviolence.
She was in Sorceress 2, TheTemptress.
She was in The Bear WenchProject.
Nice.

SPEAKER_12 (02:12:38):
The

SPEAKER_13 (02:12:39):
Bear Wench Project.
Also The Bear Wench Project 3,Nymphs of Mystery Mountain.
She was in Barbarella'sCheerleader Massacre.
Invasion of the HottieSnatchers.
Invasion of the HottieSnatchers.
Yeah, she did a lot of parodymovies.
The Witches of Breastwick.
Yeah.
Bear Winch, the final chapter.
Cleavage Field.

(02:13:00):
The Da Vinci Co-Ed.
The Da Vinci Co-Ed.
The Hills Have Thighs.

SPEAKER_03 (02:13:05):
Wait, the hills have thighs?
Yes.

SPEAKER_04 (02:13:08):
Um, bare naked survivor again.
Yeah.
Dirty D dirty dead con men.
Doesn't seem like a, a pornmovie though.
I

SPEAKER_13 (02:13:18):
don't know.
That's 2018.
She just played hot girl.
Oh, okay.
Decades after this movie.
Yeah.
So anyway, um,

SPEAKER_03 (02:13:25):
like she was a porn actress in this movie.

SPEAKER_13 (02:13:28):
No.

SPEAKER_04 (02:13:28):
And Day of the Warrior was more softcore-style
stuff.

SPEAKER_13 (02:13:32):
Yeah, I think these are all softcore movies.
Even the Bear Wench projects, Ithink those were softcore parody
films.
Yeah, I think you're right.
An adult film that spoofs theBlair Witch.
Oh, maybe it wasn't softcore.
Looks kind of softcore.
Yeah.

SPEAKER_03 (02:13:47):
As an expert of softcore.

SPEAKER_13 (02:13:50):
I own a lot of it.
I'm weird

SPEAKER_03 (02:13:51):
that way.
He's not.
He's actually kind of classywith it.
He gets his classic 60s pornDVDs.

SPEAKER_13 (02:14:01):
Well, 70s porn is more my thing.

SPEAKER_03 (02:14:04):
70s.
That's probably what I wasthinking of.
I'm sorry.

SPEAKER_13 (02:14:08):
So I do collect a lot of vintage adult movie
stuff.
Yeah.
But I also...
have a certain affinity forcheesy soft core stuff that i
also collect dude

SPEAKER_03 (02:14:21):
it's also fun like he doesn't collect it in a weird
way like it's just like the wayhe collects pipes yes i have a

SPEAKER_13 (02:14:28):
lot of pipes too

SPEAKER_03 (02:14:29):
it's a class there's a class

SPEAKER_13 (02:14:30):
it's it's almost uh it's it's almost a preservation
of the art and

SPEAKER_03 (02:14:37):
yes you know what i equated brilliant

SPEAKER_04 (02:14:39):
people who have nude art hanging in their home I
don't have any of those yet.
No.

SPEAKER_03 (02:14:44):
You need to get art where, like, the clothes slide
off from a mechanism.

SPEAKER_13 (02:14:49):
Oh, my God.
I love the toy.
I got to see our last episode.

SPEAKER_04 (02:14:52):
For Christmas one year, I got a gift from Jessica,
and it was an 8x10 photo of thewolf man, but he is, like,
posing, and there's a lady withher butt out, and he's, like,
got his hand on her butt.

SPEAKER_03 (02:15:06):
It is great.
I love

SPEAKER_04 (02:15:08):
it.
And every...
My...
Leo, at one point, was like, isthat a butt?
I'm like, yeah.
And then my niece recently waslike, me and my sister were in
my room, and she came in, andshe was like, is that a butt?

(02:15:30):
I'm like, get out of

SPEAKER_13 (02:15:32):
here.
You realize you inadvertentlycreated your nephew's sexual
awakening, right?
Oh, my God, I hope not.

UNKNOWN (02:15:37):
Yeah.

SPEAKER_04 (02:15:38):
That just made me

SPEAKER_13 (02:15:38):
feel...
Is that a butt?
Dude.
That's what triggered it.
He's an ass man for life.

SPEAKER_04 (02:15:44):
Oh, no! Anyway.
There's nothing wrong with beingan ass man.
No, I know.
And you know what's funny?
It's just a drawn...
It's not like an actual photo.
It's like a drawn drawing.
And the butt isn't even like afull butt,

SPEAKER_13 (02:15:56):
really.
Dude, I masturbated to a lot ofdrawings

SPEAKER_04 (02:15:58):
back in the day.
Oh, I know.
I know, but it just...

SPEAKER_13 (02:16:00):
Certain comics?
Huh.
Oh, I know, yeah.
Huh.
I get it.
Anyway.
So...
Well, just gloss over that.
So Mr.
Denison is listening to the fatboys on headphones.
The police roll up and see buffand cool sneaking in and yell
for them to come out, which is acomedy of errors because the hit

(02:16:21):
men think the police are therefor them.
They have plenty of time toshoot.
One of the hit men does not wantto shoot, and the other one
tries to get a shot off andcomically misses by, I don't
know, four feet.
Oh, yeah.
Dude,

SPEAKER_04 (02:16:38):
it's a bad shot.

SPEAKER_13 (02:16:39):
Mr.
Dennison does not hear thegunshot, even though he is
wearing, you know...
the 80s headphones that barelyblocked out anything.
Oh, yeah, dude, 100%.
Well.
They had that, like, felt overit.

SPEAKER_04 (02:16:52):
Yeah.
You can't just put velvet in theclone headphones.

SPEAKER_13 (02:16:55):
It wasn't even felt.
It was like foam.

SPEAKER_04 (02:16:57):
No, there's no

SPEAKER_13 (02:16:58):
way.
Darla, I don't know if you'reaware of this.
I don't know if you've beenexposed to vintage headphones
like the old Sony Discmanheadphones or Walkman
headphones.

SPEAKER_03 (02:17:07):
I don't know.
I had some from the 90s, andthey were, like, gray, and they
were square, and they had thisfoam thing.
And it had almost like the sameleather over it.

SPEAKER_13 (02:17:17):
No, no, no, no, no.
So those are a step up from thevintage ones.
The vintage ones were...

SPEAKER_03 (02:17:23):
It got worse?
Those were horrible.
It

SPEAKER_13 (02:17:26):
was way worse.
So it was like a metal band thatwent over your head.
And the metal you could slidebecause the headphone parts are
plastic.
So you could slide them up anddown to adjust them.
But the actual headphones werejust like a flat piece of
plastic speaker.
And then they had...
like a foam cover that went overit.

(02:17:48):
Yep.
And that's it.
Those were, that was theheadphone.

SPEAKER_03 (02:17:51):
So was it the plastic with like the, just the
foam that could slide off of it?

SPEAKER_13 (02:17:55):
Yes.

SPEAKER_03 (02:17:56):
Yeah.
Okay.
I remember those.

SPEAKER_13 (02:17:58):
Yeah.
And those were God awful.

SPEAKER_03 (02:17:59):
Yeah, they were.

SPEAKER_13 (02:18:00):
So if a gunshot went off next to you, you're
definitely hearing it.
Yeah.
Maybe with your iPods.

UNKNOWN (02:18:08):
Yeah.

SPEAKER_13 (02:18:09):
iPods?

SPEAKER_04 (02:18:10):
iPod Pro.

SPEAKER_13 (02:18:11):
Yeah, iPods Pro, Max, whatever.
With that sound-canceling shit,you might not hear it now.
No, yeah.

SPEAKER_04 (02:18:17):
Definitely not with Beats on.

SPEAKER_03 (02:18:19):
No.

SPEAKER_13 (02:18:21):
You mean Beats by Dre?
Yeah, exactly.

SPEAKER_03 (02:18:24):
Now in our store.
20% off discount.
Yeah,

SPEAKER_13 (02:18:30):
instead of$600, they're$540.

SPEAKER_03 (02:18:35):
You can do math.
I can't.

SPEAKER_13 (02:18:37):
That was not the right...
I don't even know whatpercentage you said.
I just threw out numbers.

SPEAKER_03 (02:18:41):
I just figured it's right.

SPEAKER_13 (02:18:43):
Yeah.
So, Buff and Cool hit the deckbecause they think the cops are
shooting at them, which for 87is prescient.
And then they run and hide.
One cop goes...
Back in the 80s, they were onlybeating black people.
Yeah.
It was the...
It was 1990, wasn't it, RodneyKing?

(02:19:03):
90, 91, somewhere around there?
Because OJ was 94.
3, 94?
That's just a couple yearsafter.
Yep.
Yeah, back in the day, I mean,Rodney King was horrible, but it
was like, yeah, they didn'tshoot him.

SPEAKER_04 (02:19:20):
No.
Yeah, really.
What?
I gotta say, like, Rodney...
Fuck the police coming straightout the underground! No,

SPEAKER_13 (02:19:28):
like, honestly...
I can't say the next versebecause I'm not black.

SPEAKER_04 (02:19:32):
It's so, like, wild that...
The N-word is in that.
It took...
It's so wild that it tooksomething like that...
It took some...
It's wild that it took somethinglike that to, like, finally get
a national attention on nonsensethat's going on, man.

SPEAKER_13 (02:19:48):
Well, I mean, uh...
I don't think the beatingnecessarily got the national
attention.
It was more the riots thatfollowed.
Yeah.
But, I mean, as they say, riotsdon't happen in a bubble.
Yeah.
Like, normally when a riot getstriggered, and that's what a lot
of people don't understand, themechanisms of rioting.

(02:20:08):
They're like, they only look atthe triggering event, and
they're like, why are thesepeople...
Reacting like this is somethingseemingly so minor.
And it's like, no, you don'tunderstand.
Like, that's the straw thatbroke the camel's back.
Camel's back, yeah.
Anytime there's a riot, it'salways the straw that broke the
camel's back.
This is building a powder kegbefore then.
Yeah, 100%.
Whatever, this isn't the podcastwhere we get political.

(02:20:30):
No, for

SPEAKER_03 (02:20:30):
real.
Vandalism gets attention.

SPEAKER_13 (02:20:32):
That's right.
That's true.
Raise my fist and resist.
Sleep though we stand in themidst of a war.
So one cop goes upstairs, buffand cool, run upstairs as
knockoff Beverly Hills cop musicplays.
That's just what I put in mynotes.
I don't know.
There's some music here thatfeels like it's almost the...

(02:20:53):
But it's like...
The dollar store version ofthat?
Yeah, for real.
Yeah,

SPEAKER_03 (02:20:57):
it's

SPEAKER_13 (02:21:00):
Beverly Hills Cop.
You might recognize it from theFamily Guy episode where Peter
goes back in time to save hisrelationship

SPEAKER_03 (02:21:10):
with Lois.
I told you, I get my culturefrom Family Guy.
But then keeps

SPEAKER_13 (02:21:13):
getting tripped up by...
Going to the club withCleveland.
Yeah, Cleveland.
That's my favorite thing.
One of my favorite Family Guyscenes ever.
Because he's got to go save hisrelationship with Lois.
And Cleveland invites him out.
And he's like, no, I can't.
I got to go save Lois.
And Cleveland goes, it's goingto be fun.
And Peter goes...

(02:21:34):
It is.
And then you see him at the clubdancing.
That's

SPEAKER_04 (02:21:45):
the part I love the best about that shit, man.
Dude, something about SethMacFarlane, that comedy is just
next level

SPEAKER_13 (02:21:55):
with it.
That's pretty awesome.
Anyway, so we have shots of themtrying to hide.
The cops are closing in, andthey accidentally find a
painting that opens up to asecret passage.
All right, look.
I'm all for the secret passagething.
If the cover to it is so flimsythat accidentally bumping
against a painting is going toreveal the secret passage.

SPEAKER_04 (02:22:17):
Yeah.

SPEAKER_13 (02:22:18):
Maybe do better.
It's

SPEAKER_03 (02:22:19):
not very secret.
Yeah.
That's not rich people shit.

SPEAKER_13 (02:22:23):
No.

SPEAKER_03 (02:22:23):
That's crackhead shit where you're putting a
Walmart decal on the door towhere it can be knocked off at
the shoulder.
That's

SPEAKER_13 (02:22:28):
right.
For real.
What Darla said.
I

SPEAKER_04 (02:22:32):
got to say, honestly, if I had a secret
passage, this is about what minewould be.
Hmm.

SPEAKER_13 (02:22:40):
Do we even want to know what this is going to be?
I don't know.
Where the secret passage isgoing to go to?

SPEAKER_03 (02:22:44):
Yeah.
Or come from it.
Just let him

SPEAKER_04 (02:22:50):
talk.
Well, the secret passage.
Okay.
So it's going to go down into avery dark room.

SPEAKER_13 (02:22:54):
Okay.

SPEAKER_04 (02:22:56):
But the lighting that comes on in the room is
determined by the person thatcomes in there.

SPEAKER_13 (02:23:03):
Okay.

SPEAKER_04 (02:23:03):
This is all done by facial recognition from an AI
that I'm going to have on thewall.

SPEAKER_03 (02:23:09):
You have this planned out.

SPEAKER_04 (02:23:10):
Yeah.
And so what it's going to openup into is...
a movie theater type thing whereall i do is play all of the
vintage porn dvds i took fromadam when he didn't realize it

SPEAKER_03 (02:23:23):
teeny buns

SPEAKER_13 (02:23:25):
teeny buns is not my favorite i mean it's good it's
okay i

SPEAKER_04 (02:23:31):
don't know how much how much of your vintage porn do
you think i could sneak out ofhere before you realize it was
gone

SPEAKER_13 (02:23:38):
I wouldn't realize any of it was gone until I went
to look through my collection.
It's all mixed in with my horrorcollection.
Adam

SPEAKER_03 (02:23:45):
is usually just watching any silly movie.
He's not actively just watchingretro porn whenever I walk into
his house.
I give him credit for

SPEAKER_04 (02:23:55):
that.

SPEAKER_13 (02:23:58):
Typically, I know when you guys are coming over,
so I'm like, I'll just have ahorror movie on instead of
vintage porn.

SPEAKER_03 (02:24:04):
Yeah, but still.
You do have some class to whereyou consider us.

SPEAKER_13 (02:24:08):
Yeah, but I mean, my vintage porn is mixed in with my
horror collection because I viewthem similarly.

SPEAKER_03 (02:24:13):
Yeah.

SPEAKER_13 (02:24:14):
As art.
Like nude

SPEAKER_03 (02:24:17):
art.
Well, that's fair.

SPEAKER_13 (02:24:19):
Well, I mean, I view them on more of a primal level,
like sex and violence areintimately linked.
Anyway, I don't want to getphilosophical here.
That's going to be over yourhead anyway.
You

SPEAKER_03 (02:24:31):
keep bringing up primal.
This movie brings up a lot ofprimal.

SPEAKER_13 (02:24:36):
Well, it formed a lot of the wrinkles in my brain.
The formative wrinkles, if youwill.
The formative wrinkles.
So anyway, the cops are closingin.
Like I said, they accidentallyfind a painting secret passage
and it leads into the room whereMarky and Carla are making out.
Cool says the police are afterthem.

(02:24:56):
I love this because he askedwhat for and...
Cool's like, all we did was lookat naked girls.
And he's like, what?
And Cool goes, naked girls! Yep.
Like, that's supposed to clearup the situation.
I don't know.
Anyway, Buff and Cool try tohide under the couch, which is
hilarious because...

(02:25:17):
Two-thirds of their upper torsomaybe fit under this couch.
And the police come in with thedetective we've seen earlier,
and Marky denies knowing them,much like Peter denied Jesus in
a cowardly move of betrayal.

SPEAKER_04 (02:25:32):
Okay.
When did that happen?

SPEAKER_13 (02:25:36):
Oh, that's in the Bible.

SPEAKER_04 (02:25:37):
No, I know, but when in the Bible did it happen?

SPEAKER_13 (02:25:40):
Well, in all three Gospels.
Okay.
Wow.
Because apparently...

SPEAKER_03 (02:25:46):
This is very Catholic born of you.

SPEAKER_13 (02:25:49):
I'm not Catholic.
I grew up non-denominational,but...

SPEAKER_03 (02:25:52):
What?
I thought you were Catholic.

SPEAKER_13 (02:25:55):
Christian of sorts.
I'm nothing now, but...

SPEAKER_03 (02:25:57):
Well, no.
We know you're a...

SPEAKER_13 (02:26:00):
A heathen, yeah.
It's in all three...

SPEAKER_09 (02:26:03):
Straight to hell!

SPEAKER_13 (02:26:05):
It's in all three Gospels because the story of
Jesus in the Bible had to betold three times because they
couldn't just tell it once.
Okay.
Because it's...
three accounts of threedifferent people who the people
that they're referenced to, youprobably didn't actually write
those, but it's hilarious that Igrew up and the people in the

(02:26:28):
church that I grew up in arelike, no, the Bible is the
inspired word of God.
So all of it is literally true.
And then you're like, okay, butthe story of Jesus is told three
times and they're all like kindof different.

SPEAKER_04 (02:26:42):
Yeah.

SPEAKER_13 (02:26:43):
So which one is true?
Not significantly different.
Yeah.
I mean, it's all the same basicstory.
But I mean, if God inspired thewhole Bible, why did he need the
story told three times?

SPEAKER_03 (02:26:55):
Because in people's eyes, you need the different
perspectives of the differentpeople to tell the different
story.

SPEAKER_13 (02:27:01):
Yeah, but you're not.
The way the church people lookat it is all of the Bible was
like, it wasn't people writingit.
It was God writing it throughpeople.

SPEAKER_03 (02:27:12):
Yeah.
Yeah, I grew up Baptist.

SPEAKER_13 (02:27:15):
But if God is writing it through three people,
wouldn't it be like the exactsame thing?
Because God is actually

SPEAKER_03 (02:27:22):
writing it.
Because God is narrating itthrough them.
Yeah.
Yeah, no, I get that.
I

SPEAKER_04 (02:27:29):
want to just say something.
Yeah, go for it.
I just don't want to make youmad.
I don't care.
Whatever.
Okay.
I feel like this can beexplained by multiverse Jesus.
Oh, no, I actually am mad.

SPEAKER_09 (02:27:43):
He's

SPEAKER_03 (02:27:47):
not

SPEAKER_09 (02:27:47):
the best car man in the league for nothing,

SPEAKER_13 (02:27:47):
folks.
Dustin knows my feelings

SPEAKER_04 (02:27:49):
about the multiverse.
Oh, my God, it is so...
You

SPEAKER_03 (02:27:52):
don't believe in the multiverse?

SPEAKER_13 (02:27:54):
It's not that I don't believe in it.
It's that once comic book moviesgo into multiverse territory,
like, you kind of lose stakes.

SPEAKER_04 (02:28:05):
Yeah.

SPEAKER_13 (02:28:06):
It's kind of like watching Rick and Morty and Rick
is like, none of this mattersbecause there are infinite
realities.
So like when you're watching acomic book movie, there are
stakes because these are finitecharacters.
But then when you're like, ah,there's infinite versions

SPEAKER_03 (02:28:20):
of this shit, it's like telling them.
That's totally understandable.
Yeah.
Yeah.
Yeah.
Cause there's no state.
Yeah.
Totally get it.
Totally get it.
Yeah.
Anyway.

SPEAKER_13 (02:28:30):
Anyway.
Um, so the cops bust in and thatwas a weird, uh, digression

SPEAKER_04 (02:28:37):
well because listen i while you were talking the
term multiverse jesus foughtinto my head and i was like oh
that's gonna make him so madit's a good name actually oh
yeah

SPEAKER_13 (02:28:50):
uh so the cops lead them away and a cop comes down
and says he found a bullet holein mr dennison's room and i've
got another soundbite calledtwo-timing snake because it's a
longer one but Unnecessary

SPEAKER_08 (02:29:05):
one.
Did you

SPEAKER_14 (02:29:21):
actually see who took the shot?
Boys.
So you can't rightly say itwasn't the orderlies.
Well, no, I can't.
If I may suggest

SPEAKER_05 (02:29:31):
something, Sergeant, I didn't want to say, but I've
noticed several items missingfrom the house.
Missing from the house?

SPEAKER_14 (02:29:39):
Let's have a look in the rooms.
Right this way, please.
I don't know what's going onhere.
Somebody's...
They

SPEAKER_02 (02:29:49):
find a

SPEAKER_13 (02:30:02):
gun.

SPEAKER_14 (02:30:07):
Get those jerks down to the station.
I can't go

SPEAKER_02 (02:30:12):
to jail.
My mom's going to kill me.

SPEAKER_13 (02:30:15):
Of course, ballistics on that is probably
not going to

SPEAKER_02 (02:30:17):
match.
Mr.
Denison, I don't think the boyscould have had anything to do
with this.

SPEAKER_08 (02:30:21):
I don't know, Carla.
Louise, Lowry.
I didn't hear Winslow come in.
I can have the money for youtomorrow.
No, no, no, no, no.
I have a plan and I need yourhelp.
If you help me kill Albert, Ican make it look like the
orderlies did it.
Luis, I assure you, the plan is

SPEAKER_05 (02:30:38):
full.
Did you hear that?
Right.
The no-good, two-timing snake.
Son

SPEAKER_10 (02:30:44):
of

SPEAKER_05 (02:30:46):
a bitch.
I'm going to take this to thepolice.
Caller, help off downstairs, allright?
I'm going to go ahead and getthe car.

SPEAKER_13 (02:30:56):
So this is all good.
The plot thickens, as we say.
They're framing the two fatboys.

SPEAKER_04 (02:31:03):
You know...
I feel like the whole, when he'slike, well, if you didn't see
who did it, you can't say theydidn't do it.
It's very guilty before proveninnocent in the law.

SPEAKER_13 (02:31:19):
Well, these are two obese black men.
Yeah, I know.
Where is this rich ass white

SPEAKER_04 (02:31:25):
Florida?
A hundred percent.
Yeah, has to be.

SPEAKER_13 (02:31:29):
Also, I mean, we're aggressively going there now.
Yep.
So anyway, yay, democracy.
So Marky runs down, but trips onan overturned Chauncey, and the
tape flies into the fireplacethat is burning for some reason.
Yep.
I don't know why the fireplaceis

SPEAKER_04 (02:31:52):
lit and burning.
I don't know either.
They don't need to warm thehouse.

SPEAKER_13 (02:31:56):
Yeah, this is southern Florida, so they don't
need to warm the house.
Also, like, there's nobody...
They're enjoying the fire.

SPEAKER_03 (02:32:05):
Can't we just keep doing the same thing?
Rich people shit.

SPEAKER_04 (02:32:08):
Just have a random fire

SPEAKER_13 (02:32:10):
burner?
Maybe he just likes to havefires burning at all times.
It is absolutely rich peopleshit.
He's like, you need to spend$14,000 a day on having fresh
flowers in each room of this83-room house.
Also, every fireplace in thehouse shall be burning at all
times.

SPEAKER_04 (02:32:31):
If you owned a mansion, I can see you decreeing
that.

SPEAKER_03 (02:32:37):
You think Adam would?

SPEAKER_13 (02:32:39):
I wouldn't want to own a mansion because that's
fucking too big for me.

SPEAKER_04 (02:32:43):
Yeah, that's fair.
Okay.

SPEAKER_13 (02:32:44):
You know how much it would cost to heat a mansion?
Fucking crazy.

SPEAKER_03 (02:32:48):
That's why all the fires are going.

SPEAKER_13 (02:32:50):
What if you had a place

SPEAKER_04 (02:32:52):
just big enough to have two fireplaces in different
parts of the house?

SPEAKER_13 (02:32:55):
Well, they'd always be burning naturally.
Okay, fair.
That's

SPEAKER_04 (02:32:58):
fair.

SPEAKER_13 (02:32:59):
Come on, Dustin.
That's crazy talk.
If I only had two fireplaces, ofcourse they'd be going

SPEAKER_04 (02:33:05):
all the time.
Okay, I get

SPEAKER_13 (02:33:06):
it.
Jesus.

UNKNOWN (02:33:07):
Sorry.
Fuck.

SPEAKER_12 (02:33:12):
He's not the best car man in the lake for nothing,
folks.

UNKNOWN (02:33:13):
So...

SPEAKER_13 (02:33:17):
Also, the boing sounds happen when the tape
flies in.
Am I wrong?
Is it the same sound as theboner sound?

SPEAKER_03 (02:33:25):
Yeah, it is.
I'm pretty sure it is.

SPEAKER_13 (02:33:29):
Then he pulls the tape out with the fireplace
thing, and he goes, oh, no.
And then we have a veryover-the-top sound bite, which
is awesome.
One of my favorite sounds.
Is that because you hear that inyour head like multiple times

SPEAKER_04 (02:33:50):
a day?
Period through the day, that,and then sometimes it trades off
with...
Also,

SPEAKER_13 (02:33:59):
sometimes when you do something awkward, you just
freeze frame to the camera

SPEAKER_11 (02:34:04):
and it goes...
My whole

SPEAKER_04 (02:34:11):
life's a movie and a TV show, man.

SPEAKER_13 (02:34:14):
It's weird.

SPEAKER_03 (02:34:14):
There's a whole Family Guy episode about that.

SPEAKER_13 (02:34:17):
Well, that's from Curb Your Enthusiasm.
No,

SPEAKER_03 (02:34:20):
but in Family Guy, he has a theme song just
following him.
Oh, yeah,

SPEAKER_13 (02:34:24):
I remember that one.
Isn't that when he wishes he hadno bones?
Yeah.
Because the theme song wasannoying a guy.
I

SPEAKER_03 (02:34:31):
think there's a whole thing about him having a
black son that's a ninja.
Like, my black son, my blackson.

SPEAKER_13 (02:34:39):
I don't remember that one.
Anyway,

SPEAKER_03 (02:34:41):
I

SPEAKER_13 (02:34:44):
don't understand.
So we have this like big shockthat the tape is burnt, which
means they have no evidence.
But this is fairlyinconsequential because Winslow
comes in with Miguel andMontana.

(02:35:04):
Yeah.
like to accost them.
So regardless of if he had thetape or not, like they're
getting kidnapped.
Yes.
So, so it bears no, it's justthere for the fire gag and the
wah-wah sound.
I'm pretty sure.

SPEAKER_04 (02:35:17):
Wah-wah.
Um, Also, I wanted to just saythat I wanted one more time
there to be a needle gettingthrown and murdering something
gag.

SPEAKER_03 (02:35:35):
You're a fucking sociopath.
Shut up.

SPEAKER_13 (02:35:40):
That is the correct response, Carla.

SPEAKER_14 (02:35:42):
Thank you.

SPEAKER_13 (02:35:49):
Cut to Buff and Cool in the detention room.
They basically put the plottogether because they have
figured out the plot of themovie.
Then the head detective comes inand walks around them.
He casually does a on the backof Cool's head.
Yeah.
Which I like.
It's not like police abuse.
He just kind of taps

SPEAKER_04 (02:36:08):
him.

SPEAKER_13 (02:36:09):
It's almost more intimidating than like physical
violence.
Yeah.
It's like a fuck you.
Yeah.

SPEAKER_04 (02:36:18):
So that's the tone.

SPEAKER_13 (02:36:19):
Yeah.
Uh, citizen music plays and hegets around to the front.
He goes, I'm tired of waiting.
And then he yells for them toconfess and they try to explain
themselves, but he tells them toshut up.
And he says, now you boys betterstart talking sense, or I'm
going to use a Florida liedetector.
And one of them says, what's aFlorida lie detector.
And then we cut to this verylarge, bald man with a mustache.

SPEAKER_04 (02:36:45):
Yeah.

SPEAKER_13 (02:36:46):
exiting a building, and we have voiceover that says,
a Florida lie detector is a300-pound white man with a
baseball bat.

UNKNOWN (02:36:54):
Yep.

SPEAKER_13 (02:36:57):
Which is slightly racially charged, since they're
black.
No,

SPEAKER_04 (02:37:00):
100%.

SPEAKER_13 (02:37:03):
It's not that bad.
I never heard this term

SPEAKER_04 (02:37:05):
before.
I

SPEAKER_13 (02:37:06):
don't think this term exists.
I think they made it up in themovie.

SPEAKER_04 (02:37:08):
That's good, because it's not something I know.
And honestly, this guy, his...
suit was pretty crisp.

SPEAKER_13 (02:37:18):
Yeah, he looks good.

SPEAKER_04 (02:37:19):
He's huge.
Yeah.

SPEAKER_13 (02:37:20):
He looks like a football player that they gave a
baseball bat to.

SPEAKER_04 (02:37:23):
Yeah, 100%.

SPEAKER_13 (02:37:27):
I fucking love this scene because this guy comes
down.
He's got a baseball bat and axe.
I think a drill, some rope,maybe a vice.
I'm not sure.
Yeah.
But he's handing all these toolsinto the car.
Obviously, they're trying tointimidate them, right?
Yep.
And they're like, what's thatfor?
I think it's cool.
He's like, you're going todemolish us.

(02:37:49):
Yeah.
So they think they're about tobe beaten, tortured, which is
the kind of thing cops would doin 87 or now.
I don't

SPEAKER_04 (02:37:55):
know.
Yeah, no, for sure.

SPEAKER_13 (02:37:58):
Or we just send people to El Salvador or
whatever.

SPEAKER_04 (02:38:00):
Yeah.
One way or another.

SPEAKER_13 (02:38:02):
All right.
I've got a sound bite here.
It's called fat, ugly face.
It's because it's one of myfavorite lines in the movie.
Yeah.
But it starts with, Back withthe bad guys.
So, oh.
Gotta switch that.

SPEAKER_03 (02:38:23):
He's switching it.

SPEAKER_10 (02:38:25):
There we go.

SPEAKER_05 (02:38:26):
All right, Albert.
Open that safe! No!

SPEAKER_14 (02:38:43):
Relax.

SPEAKER_09 (02:38:47):
First,

SPEAKER_06 (02:39:01):
we'll blow open the door to the safe so we can get
the money out.
Then we'll rig a second bigexplosion to take care of these
three.
Take

SPEAKER_12 (02:39:09):
care of these three.

SPEAKER_05 (02:39:11):
Yo, look, Mr.
Officer Sergeant, sir.
I want to point out unfairsituation.
Shut your fat, ugly face.
That's going to kick our asses.
We're going to be hurt, but Iwas going to be dead.

SPEAKER_13 (02:39:28):
That shit cracks me up every fucking time.
All right.
So they get coat hangers fromdry cleaning that's hanging in
the window next to them.
Yeah, this is wild.

SPEAKER_03 (02:39:43):
Yeah, this is the scene.
Never mind.

SPEAKER_05 (02:39:46):
Watch this Brooklyn boy go to work.

SPEAKER_13 (02:39:48):
Watch this Brooklyn boy go to work.

SPEAKER_05 (02:39:50):
Get under there.

SPEAKER_03 (02:39:56):
Would this scene be probable?
In

SPEAKER_13 (02:40:01):
a word, no.
So what happens here is theyhave random metal coat hangers
that they have taken from thisdry cleaning that has fallen
onto Buff.
And he snakes the coat hangerunder the seat and uses it to

(02:40:22):
press on the gas pedal and makethe car rear end the car in
front of them.
Yep.
Because the...
Gas pedal always overrides thebrake.
And they slam into a guy with alicense plate that reads, I sue.
And this guy gets out andimmediately puts a neck brace

(02:40:42):
on, complaining about how hisneck hurts.
And the detective's like, ah,no.
So they're going to have troublewith this guy.
So the Florida lie detector andthe detective get out to
adjudicate the situation.
And then Buff and Cool use morecoat hangers.
So what they do is they have twocoat hangers that they have

(02:41:06):
extended to hook onto thesteering wheel so they can steer
the car.
And then they have another coathanger that they use to get the
gear shifter on the steeringcolumn, which is not a thing
that exists anymore.
But back in the day, the gearshifter used to be behind the
steering wheel on some cars.
Yep.
And they pop the car in reverseand drive away, steering in

(02:41:29):
reverse with said coat hangers.
Yep.

SPEAKER_03 (02:41:32):
Do you know how to drive manual?

SPEAKER_13 (02:41:35):
Yeah, absolutely.
I can drive anything.
Not a semi.
Because a semi has like 820gears.
Okay.
That's hyperbole.
But it has a lot of gears.
I don't know how to drive asemi.

SPEAKER_04 (02:41:46):
Is your green car a manual?

SPEAKER_13 (02:41:48):
Yeah, it's a manual.

SPEAKER_03 (02:41:49):
Oh, I didn't even know that.

SPEAKER_13 (02:41:51):
Yeah.
Can you

SPEAKER_04 (02:41:53):
teach me how to drive manual?

SPEAKER_13 (02:41:56):
Yeah, why not?
I don't know why you want tobecause there are going to be
manual transitions,transmissions.

SPEAKER_04 (02:42:03):
I mean, it's more about getting to drive the green
car than anything.

SPEAKER_13 (02:42:08):
Yeah, well, take it to a parking lot.
I'll let

SPEAKER_03 (02:42:09):
you drive it.
I have never drove in your carbefore.
Anyway, this is an after podcastconversation.

SPEAKER_13 (02:42:16):
Anyway, so hijinks ensue in the road as they speed
through the road backwards andthey spin out.
And then, I mean, this goes onfor like a minute and a half of
them looking behind them andsomehow steering themselves
backwards without crashing intoanything.
It's nuts.
And then spinning out.

(02:42:37):
And then they decide to get outof there.
And then it looks to me likeBuff uses the coat hanger to
unlock the front door.
Yep.
But they're locked in the back.
Yep.
All

SPEAKER_04 (02:42:50):
right.

SPEAKER_13 (02:42:51):
I don't get it either.
I don't know.
I was watching that.
I was

SPEAKER_03 (02:42:55):
like...
Couldn't you pull up the...
Well,

SPEAKER_13 (02:42:58):
there's a cage between the front and the back
doors.

SPEAKER_03 (02:43:01):
Oh, okay.

SPEAKER_13 (02:43:02):
And in a cop car, typically, you can't open the
back door from the inside.
Yeah.
So the fact that he unlocks thefront door...
He

SPEAKER_03 (02:43:11):
would

SPEAKER_13 (02:43:11):
have...

SPEAKER_03 (02:43:11):
He's a hacker.

SPEAKER_13 (02:43:13):
Unless they're going to use their considerable weight
to bash through the...
Fencing.

SPEAKER_04 (02:43:22):
I wish the scene would have been a little bit
longer.
And what you've seen was thatthey go and they use another
coat hanger now to roll thewindow down a little bit.
And then another coat hangergoes out and goes around and
grabs the door

SPEAKER_08 (02:43:35):
handle.
That is crazy.
He's not the best color man inthe lake for nothing, folks.

SPEAKER_13 (02:43:40):
So back to the safe.
They get it open and run in likegiddy children, and I'm not
using exaggeration when I saythat.
They all lose their fuckingminds.
Yeah.
It's like the reaction of thepeople in Die Hard when the safe
opens, except times 100.
Yeah.
Like, I think they're literally,like, flapping their arms about
and giggling as they run in tofind all the gold bars.

(02:44:01):
Yes.
Which I'm not criticizing.
If I opened a safe that had thatmuch gold in it,

SPEAKER_03 (02:44:07):
You'd be flapping your arms too.

SPEAKER_13 (02:44:09):
I'm not saying that I wouldn't.
I'm not saying that it would.

SPEAKER_03 (02:44:13):
Yeah.

SPEAKER_13 (02:44:14):
I'm not saying that I wouldn't.

SPEAKER_03 (02:44:16):
Gotta do a little.

SPEAKER_13 (02:44:17):
It's like the T-Rex arms.
Yeah, man.

SPEAKER_03 (02:44:20):
Well, you said it, not me.

SPEAKER_13 (02:44:24):
Well, that's what it is.
Yeah, T-Rex arms.
What's T-Rex arms?
It's a good thing this is anaudio format and not a video one
because we look silly doingT-Rex arms.

SPEAKER_03 (02:44:36):
Yeah.

SPEAKER_13 (02:44:37):
So Winslow takes some of the cash out of the
comically set up cash bag.
Yeah.
The bank robber cash bag, ofwhich there are many just
chilling in the safe.
And he goes, scatter some of itaround.
So it looks like it went up inthe explosion.
And what's his name?

(02:45:02):
The Mexican guy.
Luis Montana Luis yeah Luis says

SPEAKER_03 (02:45:08):
Dustin got it

SPEAKER_13 (02:45:11):
yeah I'll give him that credit for

SPEAKER_03 (02:45:12):
that one point

SPEAKER_13 (02:45:13):
thank

SPEAKER_03 (02:45:13):
you you still need the star chart for us

SPEAKER_13 (02:45:16):
I'm working on it except I'm not really but I will
I'll work on it when I rememberto

SPEAKER_03 (02:45:21):
Dustin we'll do it Dustin we're gonna do it okay

SPEAKER_13 (02:45:24):
anyway Luis says no not too much we'll get the
wheelbarrow put the rest in thevan which So their plan is to
scatter random cash to look likeit all burnt up in the
explosion.
But there are, I don't know, afew tons of gold bars in there
that are not going to melt in anexplosion.
No, not at all.

(02:45:45):
So their plan is a little flawedis what I'm getting at.
Winslow doesn't get it.
And Luis says, the money can'tbe here when the police get
here.
Now, can it?
And Winslow goes, but I have tobe here for the alibi.
And Montana says, you'll justhave to trust me, won't you?
Which is...

SPEAKER_04 (02:46:03):
Ill-advised.

SPEAKER_13 (02:46:08):
I mean, he doesn't have a choice, but, I mean,
Montana's taking the money,right?
Yeah, 100%.
And all the gold.

SPEAKER_04 (02:46:13):
Oh, yeah, no, there's no stopping that.
Montana's just basically tryingto be nice and being like,
before I rip this from you.

SPEAKER_13 (02:46:20):
Yeah.
Cut to the fat boys dressed ascops because the cop uniforms
that were in the back of the carwere an exact fit for them.

SPEAKER_04 (02:46:31):
found that out

SPEAKER_13 (02:46:32):
i'll just let the silence no i'll just let that
soak up the silence

SPEAKER_04 (02:46:36):
i thought that's super odd i i wanted them to
comically be in smaller clothesthat might have been

SPEAKER_03 (02:46:43):
better yeah no actually i don't know why i
didn't think of that

SPEAKER_04 (02:46:47):
yeah man i was like man they should be busting out
of these and i'm like it wouldhave been funnier if they had
been

SPEAKER_07 (02:46:52):
right

SPEAKER_13 (02:46:53):
it might have made the subsequent scenes more
difficult to do

SPEAKER_04 (02:46:57):
okay that's

SPEAKER_13 (02:46:58):
fair Just from a continuity standpoint, because
they would have been, like,busting through their costumes
in each scene.

SPEAKER_04 (02:47:03):
I think that would have been funny if they were
super tight, and then throughtheir folly, at one point, the
ass rips out.
At a point, the shoulders ripout.

SPEAKER_13 (02:47:13):
Well, we'll replace that comedy with glue comedy.
Okay, fair.
Which is nonsense, but I love itanyway.
This cracks me up, but we'll getthere.
So, then...
They flag a car down andcommandeer it and drive off.
It's funny, but I didn't, forthe sake of time, I didn't go
through the whole thing.
Then we see them climbing upwhere the grappling hook is.

(02:47:37):
So the grappling hook has comeback into prominence and we're
led to believe that the fat boysrope climbed up a wall.
It's a little hard to believe.
Again, they probably could havejust walked up to the front.
That's true.
I...
They know where the serviceentrance is.

(02:47:57):
Yeah.

SPEAKER_03 (02:47:58):
Is it really that easy to climb up a rope, though?

SPEAKER_13 (02:48:01):
No.
No,

SPEAKER_03 (02:48:02):
it is not.
I'm 130 pounds, 125 on my bestdays.
I cannot lift myself up.
Like, I can hang, but I can't,like, pull myself up.
I have to, like, how the fuckcan just any regular person do
that?

SPEAKER_13 (02:48:16):
I can do it.
You?
I can do it, but it has to be athicker rope because a thin rope
like that, you can't really geta hold of very well.
If the rope has knots in it,then I can do it.
But the fat boys are not goingto do it.
I'm

SPEAKER_03 (02:48:35):
just curious.
Was this actually somethingsomebody can do?

SPEAKER_13 (02:48:39):
They can, but this is nonsense.
And the fact that they come overthe same entrance is further
proof to my assertion that thisis just like a two-foot wall,
and they were kneeling behind itand just sort of popped up and
rolled over it.

SPEAKER_04 (02:48:51):
100%.

SPEAKER_13 (02:48:52):
Yeah.

SPEAKER_04 (02:48:53):
I have seen a technique where you wrap the
rope around your leg and thenput the foot on to get yourself

SPEAKER_13 (02:48:58):
hoisted up more.
It's got to be a thicker rope,though.
Yeah.
That's how you normally climb arope.
Normally climb a rope, yeah.
But if it's a rope that thin,maybe.

SPEAKER_04 (02:49:05):
We never had to climb rope in gym class or
nothing.

SPEAKER_13 (02:49:08):
I've climbed lots of ropes.

SPEAKER_03 (02:49:10):
But don't mountain climbers use thin kind of ropes?

SPEAKER_13 (02:49:13):
Yeah, but you don't use those to climb.
You use those to keep you fromdying if you

SPEAKER_03 (02:49:17):
fall.
Oh.

SPEAKER_13 (02:49:18):
Yeah.
So they have to be thin becauseyou're clipping them into
D-clips.

SPEAKER_03 (02:49:23):
I have questions about that after this.

SPEAKER_13 (02:49:26):
Yeah, I used to climb a lot.

SPEAKER_03 (02:49:27):
Do

SPEAKER_04 (02:49:28):
you ever go climbing anymore?

SPEAKER_13 (02:49:29):
Not lately, just because.
But I want to get back into it.
You need a cheering section.
I don't, but...
Okay.

SPEAKER_03 (02:49:39):
Dustin and I both will cheer for you.
I

SPEAKER_13 (02:49:43):
mean, that's fine.
Anyway,

SPEAKER_03 (02:49:45):
they run through the...
You are the freaking man.
Let's go.

SPEAKER_13 (02:49:49):
They run through the tunnel into the house and say,
damn, all those guys got gunsbecause there's guards all
around.
And then we see Mr.
Montana taking out dynamite andhe says, now we're going to have
some fun.
The boys go into the gun roomand...
Buff says, now we got guns, too.

(02:50:09):
And he cocks a shotgun and goes,too slow.
And then he looks at the machineguns and goes, that'll work.
They take the machine guns andfind bullets in the drawer and
then put belts of bullets on,which do not go into the guns
that they have in their hands.
But they look like Ramboknockoffs with these belts of

(02:50:32):
bullets around them.
100%.

SPEAKER_03 (02:50:33):
It's all for competence.

UNKNOWN (02:50:35):
Yeah.

SPEAKER_13 (02:50:36):
yes um this scene cracks me the fuck up every
single time because what we'regonna have is they're gonna go
to the hall and the cuckoo clockgoes off and cool is gonna turn
and scream like rainbow andshoot this clock to smithereens
yes and that's hilarious butwhat really cracks me up is

(02:50:57):
buff's reaction after which i'mgonna play right now right now

SPEAKER_05 (02:51:06):
Don't put that gun at me, man.

SPEAKER_09 (02:51:15):
What the hell is that?

SPEAKER_05 (02:51:27):
You crazy, man.
You are sick, man.
I swear to God, man.
Take this shit off, man.
You're a sick dude, man.

SPEAKER_09 (02:51:34):
He's crazy.
I don't believe

SPEAKER_05 (02:51:43):
you, man.
These guys are unbelievable.
I'll do it.
Are

SPEAKER_09 (02:51:52):
you

SPEAKER_05 (02:51:52):
crazy?
No more shooting.

SPEAKER_14 (02:51:54):
No more

SPEAKER_09 (02:51:54):
guns.

SPEAKER_05 (02:51:55):
No more guns.
This has got to be subtle.
We'll blow them up with theothers.
I like that one too.
You stay here, capture them.
I'll go back and keep an eye on

SPEAKER_08 (02:52:06):
them.
Be careful.
You take

SPEAKER_05 (02:52:08):
the big one, I'll take the other.

SPEAKER_12 (02:52:10):
Which one's the big one?

SPEAKER_13 (02:52:12):
So, of course, they have to have a which one's the
big one joke in there.
That scene cracks me up everytime.
Him shooting the cuckoo clock upis hilarious.
But then his reaction after,he's like, you're sick, man.
Take this shit off.

SPEAKER_03 (02:52:26):
It is funny.
I keep saying, this movieactually made me laugh multiple
times.

SPEAKER_13 (02:52:33):
It has genuinely good comedy.
You're sick, man.
Take this shit off.
Every time he says that, I losemy shit.
I'm like, this is fuckinghilarious.
So anyway, you've heard, we'vegot the two hitmen bad guys who
look like, I don't know, dollarstore Mexican hitmen, cliche,
and Miguel, who is probablyDarla's size.

SPEAKER_03 (02:52:59):
Yeah.

SPEAKER_13 (02:53:01):
Yeah, he's probably your size.
He's a small man.
He's an effeminate

SPEAKER_03 (02:53:06):
man.
How is that small?

SPEAKER_13 (02:53:11):
Let it be stated for the record that Darla made a
Hulk of...
Yeah.
Arm...

SPEAKER_03 (02:53:18):
Yeah.
Yeah,

SPEAKER_13 (02:53:18):
like...

SPEAKER_03 (02:53:20):
I believe...
5'7 is not small.

SPEAKER_04 (02:53:22):
I believe 5'9 is considered age.

SPEAKER_13 (02:53:25):
Well, I'm not saying he's short.
I'm saying he's small.
So he might not be...
exceedingly short, but he's likea petite.
I was

SPEAKER_04 (02:53:34):
going to say

SPEAKER_13 (02:53:34):
petite body type.
Yeah,

SPEAKER_14 (02:53:35):
yeah.

SPEAKER_13 (02:53:37):
He's the kind of body type that is not going to
hold a candle to the like 400pounds that Kool is, right?
Because what's going to happenis the fight begins.
Miguel jumps on Kool's back andthen he gets mushed against the
corner in the most comedicallyhilarious way.
Yeah, man.
And then Kool runs through adoorway and and knocks him off

(02:53:59):
on the door jamb.
Buff is fighting two guys, andthen belly flops on them, and
this seems to knock them outsomehow.
I don't know.
Maybe he's crushed theirinternal organs.

SPEAKER_04 (02:54:11):
That'd be wild.
He gets up there, like, flat inthe middle.

SPEAKER_03 (02:54:14):
They fucking died.

SPEAKER_13 (02:54:17):
My grandma fell on me one time.

SPEAKER_03 (02:54:18):
She wasn't that size.

SPEAKER_13 (02:54:23):
No, but she was...
a bigger lady before she camebecame elderly okay um no we
were uh we were in my uncle'sthis is another southern family
story my uncle billy had thisbig conversion van so we're all
in there going up the smokymountain somewhere i don't
remember the fuck where we'regoing but i'm like 11 12 and i'm

(02:54:45):
laying on the floor of the vanand my uncle had to stop
suddenly and My grandma wasn'twearing a fucking seatbelt.
And she slid off of the...

SPEAKER_03 (02:54:54):
You got rolled upon.

SPEAKER_13 (02:54:56):
She slid off of the seat and landed on my chest,
knees first.

SPEAKER_03 (02:55:00):
That's actually horrible.
That's horrible.

SPEAKER_13 (02:55:03):
Yeah, I could have been killed.

SPEAKER_03 (02:55:05):
Yeah.
Kids die to what?
CRT TVs all the time?
It's probably the same weight,right?

SPEAKER_04 (02:55:13):
What,

SPEAKER_13 (02:55:13):
crushed by CRT TVs?
No, she was heavy.
She had to be...
I'm going to guess like 250,something like that.
No,

SPEAKER_03 (02:55:23):
that's what I'm saying.
CRT TV has killed kids.
You had to hold 250 pounds.
Yeah, yeah.

SPEAKER_13 (02:55:29):
Anyway.

SPEAKER_04 (02:55:29):
No, for real.

SPEAKER_13 (02:55:31):
All's I'm saying is, yeah, you can get fucked up by
getting mushed by fat people.
Did you scream?
I probably did.
I don't

SPEAKER_03 (02:55:38):
remember

SPEAKER_10 (02:55:39):
exactly.

SPEAKER_03 (02:55:41):
Did you scream?

SPEAKER_13 (02:55:42):
That's a fair question.
I probably did.
You know

SPEAKER_04 (02:55:45):
what my grandma did one day?

SPEAKER_13 (02:55:47):
What?

SPEAKER_04 (02:55:50):
So we stopped.
We had a van and we got backhome and my grandmother got out
of the van and she had put herhand on the bar that the sliding
door goes against on the side ofthe van.
I didn't realize and I closed itand All I could see when the

(02:56:14):
door latched were just herfingers through there.
You smushed

SPEAKER_03 (02:56:18):
your

SPEAKER_04 (02:56:19):
grandma's house.
Yeah, you guys thought mygrandma was going to do
something.
No, I accidentally smushed mygrandma's hand in the door.
It was weird.
She had just a tiny bruise.
You

SPEAKER_13 (02:56:26):
prefaced this story with, you know what my grandma
did one time?
It was her just getting out ofthe van.
That's not what your grandmadid.
That's what you did to yourgrandma.

SPEAKER_04 (02:56:34):
I know.
All my grandma did was get outof the van.
Anyway, that's why I

SPEAKER_14 (02:56:39):
prefaced

SPEAKER_13 (02:56:39):
it.
Anyway, so both belly flops ontothe other two bad guys and then
run after Cool stomping onMiguel's stomach in the process.
This had to be a stunt guy thatwas disguised to be fat, right?
Yeah.
You can't just...
No.
Like, he would have put his footthrough his stomach.

SPEAKER_04 (02:56:56):
No, a thousand percent.
Yeah.

SPEAKER_13 (02:56:57):
Anyway, Buff finds Cool hiding in a cabinet.
This is hilarious because thecabinet doesn't close while he's
in it.
Yeah.
So he's just obviously exposedto anybody who walks into

SPEAKER_09 (02:57:08):
this.

SPEAKER_13 (02:57:09):
Yeah.
He's like, wait, get the hellout of there.
So they run into a pantry.
This is one of my favorite partsof the movie.
And it's so fucking stupid.
But I love it so much.
Because Kool finds Oreos.
And they're about to be murderedby, like, cartel-type people.

(02:57:29):
And he's like, oh, shit, Oreos.

SPEAKER_03 (02:57:32):
You have priorities.
That

SPEAKER_13 (02:57:33):
makes sense.
Yeah, no, I get it.
But then Buff bumps into him.
And there's this tube of, like,ultra-strong glue that falls to
the floor that he steps on, andthey get it all over their hands
and feet.
Cool gets a mat stuck to hisshoe, which is funny.

SPEAKER_04 (02:57:51):
Yeah.

SPEAKER_13 (02:57:52):
And they head out.
Buff has a vacuum stuck to himbecause he has grabbed this
vacuum pole, and he can't get itoff of his hand, so they have
to, like...
detach it from the hoses.
So now he's got this pole stuckto him.
And then he grabs a pan and usesit to clock Miguel in the face
because Miguel has walked in toapprehend them or whatever.

(02:58:12):
And he goes down with his eyesblinking with Tweety Bird sounds
and the audio.

SPEAKER_03 (02:58:20):
More Looney Tunes.

SPEAKER_13 (02:58:21):
More Looney Tunes shit.
I love this because Buff goes toput the pan down and he can't
let it go.
He tries like four times.
So he just has to run out withthe pan and the pole stuck to
his hand.

SPEAKER_04 (02:58:34):
Yep, it's good.

SPEAKER_13 (02:58:36):
Which is ridiculous, but I fucking love it.
Yeah, man.
I fucking love it.
What I love even more is theyrun out, Kool goes to open the
door, gets the doorknob stuck tohis hand, goes to open another
door and gets that doorknobstuck to his hand.
Yeah, yeah.
So now he has to use theleverage of...
of buff behind him to push offwith his foot and rip both

(02:58:58):
doorknobs off into his hand yepgood so they're just a mess
they've got shit stuck to theirfeet and hands all over yep
which is so stupid but i love it

SPEAKER_03 (02:59:08):
it's fun

SPEAKER_13 (02:59:10):
i know i love it i'm saying i love it I mean, it's
ridiculous, but I

SPEAKER_03 (02:59:15):
love it.
I love it,

SPEAKER_04 (02:59:16):
too.
At this part of the movie, Ifeel like these two are Curly
and Larry, and...
Moe is tied up somewhere?
Mark is tied up, yeah.
Well, he's Moe.
Yeah, Moe is tied up, yep.

SPEAKER_13 (02:59:30):
So, Winston and the hitmen find Miguel and wake him
up, and then Mr.
Denison wakes up and sees thedynamite and the fuse.
The boys hear Mr.
Denison moaning from...
pool house which i don't knowhow they could do that because
this house is enormous butwhatever it's fine and they go
out to help with all the stuffstill attached they're running

(02:59:53):
to help and he's still got thisfucking wicker mat attached to
his foot which i find hystericaluh the bad guys run down the
tunnel and they light the fuseand it sparks and uh Carla and
Denison are now awake andyelling for help.
The boys come out and see thefuse and they chase after it.

(03:00:14):
And they do a slow motion bellyflop into the pool and splash
the fuse and douse it withwater, which is not how fuses
work, but that's fine.
It's cool.
The scope of the movie.
We can roll with it.
They come in and hurry to getthem out because the fuse is
starting again, and they run offjust in time, and the pool house

(03:00:34):
explodes in a pretty fantasticexplosion for what I assume the
budget is for this movie.

SPEAKER_04 (03:00:42):
For a movie that had to resort to table gags early
on.

SPEAKER_13 (03:00:45):
Well, they had the first scene where the windows
just blow out.
That's a thing they did.
Yeah.
For, like, low-budget stuff backin the day where, like, you
could simulate an explosion of abuilding by just, like,
installing false windows andblowing fire out the windows.

(03:01:06):
So it looks like the building'sblowing up, but it's not.

SPEAKER_04 (03:01:09):
Okay.

SPEAKER_13 (03:01:09):
But then you have a scene of the top of the building
blowing out.
Yeah.
Which might have been aminiature.
I'm not sure.
But it looks really fuckinggood.
Oh,

SPEAKER_04 (03:01:18):
yeah.
Imagine that model maker gettingthe job for the Disorderly's
movie.

SPEAKER_13 (03:01:23):
That's right.
Anyway, the bad guys cheer fromtheir van because they have
pulled the heist off and then wehave a soundbite.

SPEAKER_14 (03:01:34):
Almost

SPEAKER_04 (03:01:38):
sound like Batman

SPEAKER_14 (03:01:40):
villains.
Yeah, he'll totally be at

SPEAKER_13 (03:01:46):
the hotel.

SPEAKER_09 (03:01:49):
I was protecting Uncle Albert.
I got shot in the process.
I'll be a hero.
Shoot me.

SPEAKER_14 (03:01:58):
No.
Allow me.
No, no, no, no, no.
I want to do it.
No, I'll do it.
So I want him to do it.
Yes.
You want it done right, don'tyou?
Okay.
Turn around.
Okay, okay.
Okay, but not with that.
Use the little gun.
Yes, yes, please.
Please.
as you wish bend over just aflesh wound just just graze me

(03:02:28):
don't

SPEAKER_06 (03:02:28):
worry you won't feel a thing

SPEAKER_14 (03:02:35):
I love

SPEAKER_13 (03:02:46):
that scene because uh Winslow pulls out a little
two-shot Derringer, which is a.22 caliber at best.
It's a tiny gun.
And he wants Miguel to shoot himto provide the alibi that he was
protecting them.
And then Montana is like, no,let me do it.
And he pulls out what I assumeis a.45.

(03:03:09):
Because

SPEAKER_03 (03:03:11):
I didn't know the difference between the guns.
Well,

SPEAKER_13 (03:03:15):
one's a lot bigger than the other.

SPEAKER_03 (03:03:16):
He said, well, the other gun.

SPEAKER_13 (03:03:19):
Yeah, yeah.
And that's another reason why Ithink Miguel is in love with
Winslow.
He's like, please,

SPEAKER_03 (03:03:28):
please, please.
I'm going to make a fan fictionof

SPEAKER_13 (03:03:33):
it.
That's your homework.
So...
Winston gets shot in the ass orWinslow gets shot in the ass and
goes down.
And then all the survivors comeout and laugh at him because
they're not dead.
And he and Miguel and turn andsee them pointing.
And then they all turn and jumpand high five and we freeze
frame and then flip the scene.

(03:03:57):
And now we have the epilogue,which I will play now to take us
out of the movie.
It's very regal.
That's from my notes, youplagiarizing son of a bitch.
Is it really?
Yeah.

SPEAKER_08 (03:04:16):
Louie Montana served seven years and was released.
My rotten nephew also servedseven years and was released.

SPEAKER_11 (03:04:25):
Wait, wait, I have a plan.
It's flawless.
What plan?

SPEAKER_08 (03:04:28):
They're now both serving an additional 20.
Cool became a lifeguard.
He is currently training to swimthe English Channel.
Buffy went to medical school.
He's now practicing heartsurgery at a hospital

SPEAKER_03 (03:04:45):
in Beverly Hills.
Marky never

SPEAKER_08 (03:04:48):
returned to school, but he has become a sex
therapist in private practice.

SPEAKER_05 (03:04:54):
I married Nico.
We now have four children andone on the way.
He's gross.

SPEAKER_08 (03:05:01):
Yeah.
Though the boys have gone on togreater things, we still get
together.
Every year, we plan to go on asafari.

SPEAKER_12 (03:05:11):
Hey, the Beast Boys, boy.
Check it out.

SPEAKER_08 (03:05:20):
Get out of there.

SPEAKER_05 (03:05:20):
Somehow, we just

SPEAKER_08 (03:05:21):
never make

SPEAKER_05 (03:05:22):
it.

SPEAKER_08 (03:05:24):
Okay, Buffy, hit

SPEAKER_05 (03:05:25):
it.

SPEAKER_13 (03:05:37):
So it's an interesting choice of lead-out
music because you would expect aFat Boys rap song, but this is
not a Fat Boys rap song, so...
Weird.
I believe that was the actual,at least a couple of the Beach
Boys in the surf shop.
Oh, really?
They accidentally fired theirguns off because the Fat Boys
did a song with the Beach Boys.

SPEAKER_03 (03:05:56):
Did they really?
That's awesome.
But with Bon

SPEAKER_13 (03:05:59):
Jovi, too.

SPEAKER_03 (03:05:59):
Where was Bon Jovi?

SPEAKER_13 (03:06:00):
Well, Bon Jovi was in the soundtrack.
I don't know if they did a songwith him, but they did a song
with the Beach Boys.
But you're talking late 80sBeach Boys.
Yeah.
That's fair.

SPEAKER_04 (03:06:10):
Although...
Late 80s Beach Boys was Kokomo.

SPEAKER_13 (03:06:17):
Yes, but I don't know how many of the original
Beach Boys were still there.
Oh,

SPEAKER_04 (03:06:21):
that's fair, because John Stamos was playing the
drums in the video.

SPEAKER_13 (03:06:25):
To Bermuda, Bahama, come on pretty mama, Key Largo,
Montego, baby.
we go down to Kokomo.
We'll get there fast and thenwe'll take it slow.
That's

SPEAKER_11 (03:06:41):
where we want to go.
Way down in Kokomo.

SPEAKER_13 (03:06:48):
Beautiful.
So that's the movie.
I fucking love it.
If you've never watched thismovie, we didn't spoil anything.
Go ahead and watch it.
It is...
It's just really fun.
It is.
It's a genuinely entertainingfilm.
I've been watching it for almost40 years, and it still is fun

(03:07:09):
now as it used to be.
Yeah,

SPEAKER_03 (03:07:11):
this is definitely a love letter.
This is not a criticism.
This is just fun.

SPEAKER_13 (03:07:17):
No, I mean, I critiqued a couple things, but

SPEAKER_03 (03:07:18):
nothing.
Well, you can critique it andstill have it be a love letter.

SPEAKER_13 (03:07:21):
That's right.
All right, come back with us ina week and a half or so when a
bit of the ultraviolence isgoing to do Mandy.

SPEAKER_04 (03:07:30):
Yeah.

SPEAKER_13 (03:07:32):
Which is going to be wild.
We did Con Air last time.
Yeah, fun.
If you haven't listened to ourCon Air episode, go and do that.
I'll make Darla watch Mandy withme.
Oh, Darla's going to like Mandy.
I

SPEAKER_03 (03:07:43):
did it with Con Air.
I had a good time.
Yeah,

SPEAKER_13 (03:07:45):
dude.
Mandy is infinitely better.
Mandy is a...
Beautiful movie.

SPEAKER_03 (03:07:50):
Well, shit.

SPEAKER_13 (03:07:51):
But also extremely fucked up.
Yeah.

SPEAKER_03 (03:07:53):
You can give me movie.
I'll watch one.
Honestly,

SPEAKER_04 (03:07:56):
you like A24 enough.

SPEAKER_13 (03:07:58):
I love A24.
You are going to like.
Wait, is that an A24 movie?
It's not.
Mandy is not, but it is.

SPEAKER_03 (03:08:03):
Feels like one?

SPEAKER_13 (03:08:04):
It is sort of artsy in the same vein.
Yeah.
I don't know what our next 80smovie is going to be.
What were we talking about?

SPEAKER_03 (03:08:13):
It's usually all up to you.
Well, I

SPEAKER_13 (03:08:16):
know it's up

SPEAKER_04 (03:08:17):
to me.
The last time we were discussingdoing the A-Team...

SPEAKER_13 (03:08:22):
We also

SPEAKER_04 (03:08:24):
had discussed going to do the Back to the Future
movies at one point there.
Other than that, I can'tremember other items we
discussed to go over.

SPEAKER_13 (03:08:37):
Well, that will be still to be decided then.
Okay, then.
But yeah, come back with us onthe Pretty Cool, I Guess podcast
network when a bit of theultraviolence tackles Mandy.
Hell yeah.
And that's what was up with the

SPEAKER_06 (03:08:55):
80s.

SPEAKER_13 (03:08:55):
Yards!

SPEAKER_06 (03:08:58):
Number Johnny Five.
Come on, Johnny Five.
I

SPEAKER_07 (03:09:09):
pity the fool.

UNKNOWN (03:09:19):
I pity, I pity, I pity the fool.
I pity the fool.