December 6, 2022 • 13 mins
In Part Two of his interview, Nat Cassidy explains why the “rape room” got cut, why horror exists, why writing a script is forty-seven thousand times easier than writing a novel, why actors should celebrate the audition even if they don’t get the job, why Open Source Shakespeare is the adapters’ best friend, and why the elitism and classism of rehearsal rooms drove him from pursuing a career as a classical actor. Plus, a special easter egg for all you logophiles: listen for the word stichomythia in action!
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Mark as Played
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