November 20, 2024 • 35 mins
ICYMI: Hour Three of ‘Later, with Mo’Kelly’ Presents – A conversation with Actor Dave Annable, who joins the program with a preview of the hit Paramount+ espionage thriller 'Lioness'! Boasting an all-star cast including Zoe Saldana, Nicole Kidman and Morgan Freeman; Lioness, from Yellowstone creator Taylor Sheridan, is inspired by “a real-life undercover program of the CIA, in which female operatives befriend the wives and daughters of dangerous terrorists to get close to high-value targets” … PLUS - Thoughts on ‘Karate Kid’ / ‘Cobra Kai’ star Ralph Macchio receiving a star on the Hollywood Walk of Fame AND what a search of Sean ‘Diddy’ Combs’ prison cell allegedly revealed - on KFI AM 640…Live everywhere on the iHeartRadio app
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Episode Transcript
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Speaker 1 (00:00):
You're listening to.
Speaker 2 (00:01):
Later with Moe Kelly on Demand from KFI A M
six forty.
Speaker 3 (00:12):
There's no such thing as a moral work.
Speaker 4 (00:16):
Their survival and they're surrender.
Speaker 1 (00:23):
How we can't do where we are today? No, no, no,
nobody's innocent. Nobody. I am supposed to look at people
I love and the eye take their freedom, maybe even
their lives. Do you love your country? Okay? I'm fine.
(00:47):
Things have fallen apart everywhere. Do you love your country's
gonna be It's.
Speaker 3 (00:56):
Not gonna be clean clean.
Speaker 4 (01:00):
You can't trust any of them.
Speaker 1 (01:04):
Exposuress are come tearing that.
Speaker 3 (01:10):
We're gonna ask you again.
Speaker 1 (01:11):
Froo running on lives? What happens when you're out numbered
one hundred to one?
Speaker 2 (01:18):
Do you love it.
Speaker 1 (01:20):
Your country?
Speaker 3 (01:24):
I am serving my country right now? Your country needs me?
Speaker 5 (01:27):
KFI Later with mo Kelly, We're live everywhere.
Speaker 6 (01:29):
The iHeartRadio app Lioness new episode Sundays on Paramount Plus
tells the story of a covert CIA strikeforce led by
actress Zoe Saldonia, which first infiltrates a terrorist group or
cartel by way of a female operative. Dave Annibal plays Neil,
the civilian pediatric surgeon, and husband of Saldonia's character Joe
(01:51):
Neil is trying desperately to juggle marriage to a super soldier, wife,
his patients, and raising two daughters all at the same time.
Dave Annibal joins me now on the ship. Shoh, Dave,
thank you for coming on tonight.
Speaker 3 (02:02):
Well, thank you very much for having me. What a
lead in? That sounds like a show i'd watched.
Speaker 6 (02:06):
Well, it's a show I do watch every single week.
But let's get into that show. Creator Taylor Sheridan is
a fourth of nature. Some may know you, Dave from
your time on Yellowstone another one of his shows, Tulsa
King is another Taylor Sheridan favorite of mine. I also
love how Sheridan will drop himself in Lioness from time
(02:26):
to time.
Speaker 5 (02:27):
What is he like as a creator?
Speaker 3 (02:29):
Oh man, just the best. He really is, just a leader.
Speaker 7 (02:34):
And you know, I think all of us and you know,
you get the Nicole Kim and.
Speaker 3 (02:39):
The Morgan Freeman. There's always they're attracted to scripts, to dialogue.
Right they're gonna sign up for the best.
Speaker 7 (02:45):
And right now I think Taylor is the top of
his game and he's the best in the business right now,
and he's got this incredible ability to write human relationships,
you know, dialogue that about current events that people care about,
and the cia. You know, it's a set piece, but
he's still it's still relationships. It's still you know, these
(03:06):
characters interacting, and he's just he's incredible, so I mean,
and then you know, then he walks on set and
he's jacked. He's like the you know, the strongest human
being ever seen, and he's so good and he cares
and he you know, he wrote every episode of Linus
and he directed the first two and then he's starring
in it.
Speaker 3 (03:25):
I'm like, bro, when do you sleep? Like what what's happening?
Speaker 1 (03:28):
It's so good.
Speaker 6 (03:29):
You mentioned that powerful all star cast, which includes zoeyz Aldania,
of course, Nicole.
Speaker 5 (03:33):
Kidman, Morgan Freeman.
Speaker 6 (03:35):
But talk to me about these complex characters and this
constant tension, and that's gonna be a theme throughout this conversation,
This constant tension through the music and dialogue that Sheridan's
able to maintain.
Speaker 7 (03:48):
He's so good at that, he's so good at creating
the tension. And you know, the first script he he
sold was Cecario and in this season two, it feels
like Ciccario has got It feels very Sachario like with
the Mexican cartels and that tension, and you know, I
think he, like I said, he's the best in the
business right now.
Speaker 3 (04:08):
And the music's insane, you know, as as as Neil.
Speaker 7 (04:12):
Obviously, I'm a part of the family stuff, right so
I work with Zoe and the two kids, who are great.
Speaker 3 (04:18):
But you know, that's it.
Speaker 7 (04:20):
So when I when I'm home on Sunday nights, sitting
with my wife on the couch and we got our popcorn,
we're watching the show, I'm blown away about everyone's performances,
about you know, obviously the scripts and the production value.
It's really it's a movie a week basically, and you know,
I'm I'm a fan.
Speaker 3 (04:38):
It's really fun to watch.
Speaker 6 (04:40):
I gotta say, you kind of took my next question
because I wanted to comment how this golden era of
streaming has allowed us to have these shows which are
movie quality, which have movie freeness as far as language,
even partial nudity, violence, and that you're just not going
to get on broadcast television. How have actors adjusted to
(05:02):
having this expanded landscape of places where you can have
these different types of shows.
Speaker 7 (05:08):
Well, you know, it's a it's a great question because
it really has changed.
Speaker 3 (05:11):
You know, in the twenty years I've done this.
Speaker 7 (05:12):
It used to be, you know, broadcast television, you make
six they make sixty pilots with all the networks, and
you know, you're trying to your pilot season. You're trying
to get a job, and and you know, you if
you get on a show that works, you're making twenty
two episodes a year, you know. And now it's they're
making very little pilots, right And it's the streamers that
(05:33):
are are picking up these shows and they're straight to
you know, straight to series, and you get someone like
a Taylor Sheridan. You know, those shows you know are
going to be high quality. You know, I I the
budget's insane, and you know, you get to play these
eight episodes, you know, three four months of the year
and get to go be a part of something that
(05:53):
feels like a monster movie.
Speaker 5 (05:55):
You know.
Speaker 7 (05:55):
He likes to say this is like an eight hour movie,
and it feels like and when you're watching it, you
know it certainly has that production value.
Speaker 5 (06:03):
It's an eight hour movie.
Speaker 6 (06:04):
Let me go to season one, the first eight hour
movie in season one. I was really pulled in by
an episode in which you had to inform a family
that their young child had brain cancer and probably only
had six months to live. And how in season two,
another one of your patients will die but on the
table during surgery, after which you also had to inform
the family. Lion asked, once again, is fantastic at this
(06:27):
constant tention, But my question is how do you personally
approach these emotionally weighty scenes.
Speaker 7 (06:34):
Yeah, well, I think that's twofold one. I'm a father, right,
so you know that's something I can.
Speaker 3 (06:40):
I can.
Speaker 7 (06:40):
You know, Unfortunately, you got to go to that place
where you, you know, use your imagination. But to be honest,
I'm not that good of an actor. So being able
to sit down with a real doctor. I sat down
with doctor Russell Ward, who's up in Temple, Texas, who
is a pediatric surgical oncologist, and you know, just kind
(07:01):
of speaking to him about his day to day and
then you know, those tough conversations and he shared with me,
I mean, he cried, he remembers his first patient that
he had to tell the folks, And you know, my
hat goes off to all these sort of medical professionals
that are in this business that have.
Speaker 5 (07:20):
To deliver this news.
Speaker 7 (07:22):
And you know, I think more importantly, you know with
the show is you know, how.
Speaker 3 (07:27):
Do you feel when you get home?
Speaker 5 (07:29):
Right?
Speaker 7 (07:29):
How does that affect you when you get home and
you have to be with your daughters and then look
your wife in the eye and then she's in the
CIA and she can't really talk about her day, and
you don't want to talk about your day, and like,
where does that you know, where do you connect and
where does that lead? And and I think it's just
it's beautifully written, and those scenes were very challenging and
beautiful and real. You know, Unfortunately, those those conversations are
(07:52):
happening daily and somebody's got to.
Speaker 3 (07:53):
Deliver that news.
Speaker 7 (07:55):
And I really benefited from that conversation with the because
you never forget the ones you lose, but it's all
those ones.
Speaker 3 (08:03):
That you're saving that that's why you do it.
Speaker 7 (08:05):
And you know, he had lost a buddy when he
was seven years old to cancer and that's when he
knew he wanted to save children with cancer.
Speaker 3 (08:14):
And it's it's a beautiful it's a beautiful thing.
Speaker 6 (08:17):
And just all the respect in the world, I don't
remember the exact line. Maybe you do, but there was
a line to that effect where I think one of
your colleagues asked you why do you do it because
you lose half your patience and he said something to
the effecta because I saved the other fifty percent.
Speaker 7 (08:32):
Right right, Yeah, that was the conversation with Zoe, you know,
with Joe his wife by the pool, and you know,
it was, uh, he nailed it, you know, Taylor, Taylor
nailed it. And it's funny when I showed the doctor
the script and the scenes, He's like, man, he nailed it.
This is how we felt, this is how you know,
the conversation goes at home, and you know, that's just.
Speaker 3 (08:54):
Kudos to Taylor just knows. You know, there's a raton
why he's top dog.
Speaker 6 (08:58):
I love your character, Neil, because he has to deal
with all these known unknowns regarding Joe, his wife, who
disappears most of the time, but when she does come home,
and I want to I want to end this conversation
with a real uncomfortable question. I'm letting you know upfront,
and I know you probably can't answer this question, but
I'm going to take a step at this that probably
the worst part of your job. The worst part of
(09:19):
playing Neil is all those love scenes with Zoey saldown you,
which happened to be in the shower, in the bathtub
and all around the house and you have your your
child walking in on you.
Speaker 5 (09:28):
You know, I've seen the show. It's probably just torture
playing Neil, isn't it.
Speaker 7 (09:33):
Yeah, they weren't in the original script. Those were scenes
that I wrote.
Speaker 1 (09:37):
You know, no, uh, yeah, you know it.
Speaker 7 (09:42):
Listen, it is what it is, and it's uh, you know,
the truth is there. They are actually very uncomfortable, uh,
because it's it's not real. You know, you're not going
for that that real ride that we all imagine that
we would be. That being said, you know, Zoe's incredible
and she's just such a warm and wonderful person, and
you know, getting to play her husband is really just
(10:04):
pretty awesome.
Speaker 6 (10:05):
That's a fantastic answer, and I will leave it at that.
Lion of Season two now streaming on Paramount Plus, new
episodes each Sunday night. Dave Annible, thank you so much
for coming on tonight, and I'll be sure to be
tuning in the rest of the way.
Speaker 1 (10:20):
Oh.
Speaker 7 (10:20):
His next few episodes are fire. I hope you enjoy it,
but thank you very much for having me appreciate it.
Speaker 2 (10:26):
You're listening to Later with Moe Kelly on demand from
KFI AM six forty.
Speaker 6 (10:31):
And I wonder how people perceive the actor Ralph Machio.
I wonder because he will be getting a star on
the Hollywood Walk of Fame tomorrow, but it will be
in the television category. I've always thought of him as
(10:52):
a movie actor. I think most people when you say
what comes to mind with Ralph Macho, they would say
The Karate Kid or some iteration in those sequence of movies.
Speaker 5 (11:04):
Granted, granted, Cobra Kai.
Speaker 6 (11:06):
Is quote unquote a TV show which you can stream
on Netflix, and it's in its sixth season. But I
would not think of Ralph Maccio as a television actor. Yes,
he's done more other I should say, television shows such
as Ugly Betty and The Deuce. But if you're gonna
(11:28):
tell me about Ralph Machio, you're gonna talk about his movies,
most likely right the Karate Kid, Crossroads, my cousin Vinny.
I'm thinking about movies, not TV shows. My cousin Vitty.
You know that's one of my favorites two youths. It
(11:49):
will always be funny, I can believe for good. Yeah,
he's one of the main kids.
Speaker 1 (11:53):
Yeah, it was weird to see Ralph Maccio pop up
in the Deuce because he seemed completely out of place.
Speaker 6 (11:58):
Yeah, don't count cameos per se as part of your
television career. And he's done TV, but he's known more
from movies. And I'm just bringing that up as an
aside because he'll be getting his Hollywood star on the
Walk of Fame tomorrow in the category of Television at
(12:19):
sixty six thirty three Hollywood Boulevard, and this is according
to the Hollywood Chamber of Commerce. Guest speakers tomorrow will
include actress Tamlin Timita, who's been on this show, who
co starred with Macho in the Karate Kid Part two.
And William Zabka, who's been on the show, who plays
obviously Johnny Lawrence in the Karate Kid and Cobra Kai series.
Speaker 5 (12:40):
And it's hard to believe how quickly life passes us by.
Speaker 6 (12:45):
Ralph is sixty three, sixty three years old. He's actually
and here's something I did not know until like two
weeks ago. You know, the actor who plays Terry So
and Karate Kid three, Thomas D.
Speaker 5 (13:02):
And Griffith.
Speaker 1 (13:03):
I believe this snake yep.
Speaker 6 (13:05):
If you've seen Karate Kid three with bad Boy Mike Barnes,
he's the heavy in it, and he's supposedly someone who
trained with Since Crees.
Speaker 5 (13:17):
They came up from the army together.
Speaker 6 (13:19):
It's position where he's much older than Daniel LaRusso.
Speaker 5 (13:23):
Ralph Maccio is older than Thomas C.
Speaker 6 (13:26):
And Griffith Wow by about like seven eight months in
that movie, even though he looked like he was a
kid just out of high school or something, and Thomas E.
Speaker 1 (13:37):
And Griffith looked like he was in thirty five thirty
six years old.
Speaker 4 (13:41):
Now, in thinking about your question, why would he be
getting a star in the television category if you think
about it as old as Karate Kid is depending on
the judging panel, the age of the judging panel that
doles out these stars. They may only know him from
(14:03):
television and watching Karate Kid on TV year.
Speaker 1 (14:07):
After year after year.
Speaker 6 (14:09):
Now, I'm not sure about this, and I'm not trying
to disparage anyone's star. Is there actually a body or
a judging body or is it just you pay your
forty thousand dollars.
Speaker 1 (14:19):
Oh that's a good question.
Speaker 5 (14:21):
Or is it a combination of both.
Speaker 1 (14:23):
You're not trying to suggest that every single star on
the Walk of Fame isn't completely merit based, are you.
Speaker 5 (14:29):
I would never say that.
Speaker 6 (14:30):
I'm just trying to see over the years whether the
equation has changed, if it's more about payment and less
about you know, do you go to them or do
they come to you.
Speaker 1 (14:44):
Both could be true.
Speaker 4 (14:45):
You could go to them and then they decide where
they're going to place your star in which category, Like
you pay your money and they say, hmm, we just
got a submission from a Ralph talking monkey. Wasn't that
in Karate Kid?
Speaker 1 (15:02):
Oh?
Speaker 4 (15:02):
Yeah, that comes on T and T like all the time.
USA never go all the time. Yeah, let's put him
in the television category.
Speaker 6 (15:08):
So it says you must have to meet the criteria
professional achievement at least five years of longevity in your category,
made contributions to the community, and then you have you're
guarantee to attend the dedication ceremony if selected. And then
I also have to have the committee. The committee meets
once a year in June. If selected, the celebrity must
(15:30):
pay seventy five thousand dollars sponsors to cover the cost
of creating, installing, and maintaining the star.
Speaker 5 (15:35):
It's gone up because I thought it was like thirty five.
It's gone way up, well, way up.
Speaker 1 (15:40):
Well, I guess I'm not going to put in my
application anytime soon. You've already picked out a spot for it, though,
you speaking of picking up this picking out the spot.
Uh Machell star will be the two thousand, seven hundred
and ninety fifth on the Hollywood Walker thing. And he
obviously has prime location because I didn't know if there
was any more space on Hollywood Boulevard itself. There's still
(16:03):
a few spaces.
Speaker 3 (16:04):
I know.
Speaker 6 (16:04):
They got the side streets, they got you going down
like all these little I thought that like like ten
twelve years ago, even when I was like a teenager.
I'm like, is there still room to put stars on there?
Speaker 5 (16:15):
You're not. It's gonna go into the valley pretty soon.
It's gonna be hitting like Lebrea.
Speaker 4 (16:20):
They move those stars all the way down, They move
them mo. Yeah, they move them all over the place,
off streets, corners, back alleys. After a while, you go
and see where's that star at it's been moved, especially
if you're not keeping up with your air quotes here
donations with your Is.
Speaker 1 (16:39):
It like one lump sum or you have to like
pay it out over years in time?
Speaker 6 (16:43):
Can you amortize it? It just looks like it's just
the one time fee.
Speaker 4 (16:47):
Oh yeah, No, I'm talking about if you're not a
regular contributor and they have to bag room. They look
at those who have not contributed to the fund in
quite some times. Oh, I see, you're saying, well, there
is definitely a money aspect to it.
Speaker 5 (17:06):
You know, he deserves it, though he deserves it. No,
he deserves it.
Speaker 1 (17:10):
I just think I'm still just stuck on the perception
of him as a television talent instead of a movie talent.
These kids have never seen him in a movie.
Speaker 5 (17:23):
That's not my problem.
Speaker 4 (17:24):
They've never seen him on the basis they didn't see
my cousin Vinnie. They haven't seen any of this stuff.
They don't know who this guy is. They really don't.
They look at it like, who is this guy? Karate kid?
Speaker 1 (17:35):
Yeah, but it's but these kids.
Speaker 5 (17:39):
In our world, they're kids. They probably don't even know.
Speaker 6 (17:43):
They don't even look at the Hollywood Walk of fame
in the same way that we do. I wonder who's
on the committee, That's what I'm saying. I wonder that
would be that would be.
Speaker 4 (17:50):
Probably the same committee that picked out Mark Ronner's favorite
horror top horror film.
Speaker 5 (17:56):
I know the Variety people get no respect over here.
Speaker 6 (17:59):
Oh my gosh, well, congratulations to Ralph Matrio in spite
of the fact that we picked apart the whole process.
But so I thought, when it comes to TV and movies,
I thought that can be like a fusion. Like if
if like use Ralph Mantrio is it? I thought, it's
just TV movies and then if you're like a singer,
then you're obviously going to be there as like a
(18:20):
singer or you know, artists, songwriter. I know this determines
what is the uh like not the logo but the
symbol which is put on the actual star. And I
know that they had the TV with the little antennae
suggesting the old TV. For television and movies, I think
they have like a film reel.
Speaker 4 (18:40):
Yeah, it's it's a camera with the yeah directors. They
have the clickboard and the clacker clacker yeah, and uh
camera people. They have a different looking there's all types
of different symbols. I used to be into this. I
used to really be into these symbols and things like that.
Speaker 1 (18:58):
Well, I'm not going to be get one, you know,
because he could No no, no, no, no no, doesn't handle have one?
Speaker 5 (19:04):
Yes he does, Yes, he does.
Speaker 1 (19:06):
You're dying to have one. I can tell you. I'm
eating you alive.
Speaker 6 (19:10):
This goes back to the conversation about the statue. This
is a flat statue. It's the same thing.
Speaker 1 (19:15):
You can't stand it, can you. I really do not care.
I care more about this.
Speaker 6 (19:20):
Go fight me going okay for real though, if it
was affordable and let's say they ran out of room,
and then now they're gonna have to start putting it
on like the sides of you know, grown theater. They're
gonna put me down like on Gower Street, somewhere in
the like Santa Monica Boulevard, nowhere near Hollywood Boulevard.
Speaker 5 (19:39):
It would be an asterisk.
Speaker 6 (19:41):
It's not even it's not even in Hollywood, on the
other side of First Street in Gower in La. Now,
I'm okay with dying without a star on the Hollywood
Walk of Fame. I really am. As far as far
as how Mark Ronald likes to portray me. My ego
is not wired that way. You're gonna go to sl
keep thinking about it tonight.
Speaker 5 (20:02):
Probably not, Probably not.
Speaker 6 (20:05):
There are too many other things as far as my
ego's concerned. I would rather do more stuff within the
world of radio. I don't need I don't I don't
need a placard, I don't need a statue. I don't
need any of that stuff. I'd rather do better stuff here,
not have something to remember me by.
Speaker 1 (20:23):
Handle has one, and you don't.
Speaker 5 (20:26):
Handle has a lot of things that I don't.
Speaker 1 (20:27):
I don't know what that means.
Speaker 6 (20:28):
You can take it anyway you want. How are you
gonna do all that laughing and not give me the
rim shot?
Speaker 1 (20:36):
No? No, no, no, no no.
Speaker 5 (20:37):
How is he gonna thank you?
Speaker 6 (20:39):
I mean, you can't fall out laughing in your chair
with your mic on and not give me a rim shot.
Speaker 5 (20:44):
Just catch my breath. That was good, Thank you very much. See,
that's what I want to be remembered for.
Speaker 1 (20:50):
Good luck with that.
Speaker 6 (20:51):
Oh but seriously, did you see Handle on his Instagram?
He posted his home studio. Oh yeah, no, yes he did.
He posted like, oh, this is what it looks like
after I'm done, and it's like, shows this a little
like quote unquote professional studio.
Speaker 1 (21:06):
I didn't say it, and he didn't say it.
Speaker 5 (21:08):
No, Yeah he wrote it like that though. Yeah, it
was being sarcastic. It was a nice starter studio.
Speaker 1 (21:13):
That, yeah, is kind of what I thought to a
little caddye Okay, No, it was you look it up.
Look it up during the break because the way he
wrote it, he wrote it the way he was self aware.
Speaker 5 (21:22):
Yeah, he's fun of himself.
Speaker 1 (21:23):
Yeah, well definitely not spoken like someone who's jealous of
a starf I Am six forty, we're live everywhere in
the iHeartRadio app.
Speaker 2 (21:32):
You're listening to Later with Moe Kelly on demand from
KFI AM sixty.
Speaker 6 (21:38):
And Diddy, for all of his musical brilliance and savvy
that he's demonstrated for many, many years, he is self
destructing imprison It seems there was a lot of discussion
about whether Diddy should have been granted some sort of
(22:00):
He tried to put up his house and multiple properties
totally fifty million dollars, and that was not sufficient. They
said no, remand you're going to stay in prison, and
his supporters were saying, like, no, that's so unfair. It
is so unfair he should be granted bail. Well, part
of the reason, if you actually know what was alleged
(22:21):
in the initial indictment, was that Diddy was allegedly threatening
witnesses would be witnesses, people who've come forward against him,
and he was a danger not only to flee, but
a danger to take the jury pool and also try
(22:41):
to tamper with witnesses. That was part of the reason,
actually one of the predominant reasons why he was remanded.
He was not given any type of bail. Then he's
in jail and proves the prosecution right. Evidence found in
Ditty's jail sale suggests that he has tried and as
(23:02):
on multiplicasions to influence witnesses in his New York sex
trafficking and racketeering case, and is trying to blackmail others.
There will be more charges coming out of this. Prosecutors
say that he sought to avoid federal detection by using
three way calls and other inmates' phone access codes, but
they also have recordings of Ditty talking to his relatives
(23:27):
telling them to contact other witnesses or family members of
witnesses to impress upon them to either change their story
or find out what they plan to say to prosecutors.
So Didty's probably not ever going to get out again.
(23:50):
There's a high likelihood that he's not going to get
out before trial, and he's going to be found guilty
on enough things where he'll spend the rest of his
life in prison. I'm not wishing that for him. I'm
just letting you know that this is where all of
this is headed. They already had him dead to rights,
I would assume, if only because of all the video
that they procured. And once again, for anyone who's unclear,
(24:14):
it's not about sex parties, it's about forcible rape. It's
about statutory rape, possibly underage girls, sex trafficking, prostitution across
state lines, a variety of charges, a variety of crimes
which are alleged, and the evidence seems to be substantial.
(24:37):
And since he's been in jail, he's been criming even more,
trying to clean up after himself, trying to tamper with
witnesses and influence the jury pool. That is why he
was not granted bail in the first place.
Speaker 4 (24:52):
I don't understand who is advising him, who is helping him,
because they're not doing him any favors. Someone should have
told him not to do this. If he's first, let's
take it on face value that he's not aware of
(25:14):
how communications are conducted in and out of prison. There
is no privacy, there is no rights. Every single thing
that is sent to you, that is said to you,
is monitored or recorded. There are no letters that are
going to that aren't read first. There are no phone
calls that are going out or coming in whatever that's
(25:38):
not being recorded. Even when you're at the glass windows
and you're talking across, they are recording those conversations for
potential evidence. They are always trying to make sure they
have every single thing they need on you. The idea
of allegedly reaching out to would be potential witnesses whatever,
(26:03):
through family members, it's just not prudent on anyone's This
is just upsetting because I would have thought better of
someone who had such involvement with individuals who are from
the quote unquote streets, that this would be thing Number one.
(26:24):
You don't do a don't have stuff in your cell
why because they toss sales nightly, don't or not nightly,
but they can something like you frequently. They It's just
baffling to me. I'm literally speechless that this is happening.
Speaker 6 (26:40):
What baffles me even more is someone will continue to say, well,
Diddy is being treated unfairly. They're out to get him.
They just want to bring another black man down. And
I see it every single day, and they will allege
that Diddy is somehow a target of the federal government.
Not possible considering that they have goog gobs of evidence,
(27:04):
and he's just been skating along for many years until
someone like a Cassie Ventura came out and helped get
the ball rolling.
Speaker 5 (27:13):
But what about wood Allen, Yeah, or.
Speaker 1 (27:16):
What about Jeffrey Epstein, Or what about the guy the
former president of Abercrombie and Fitch. I think his name
was Jeffries, who was just arrested on sex trafficking and
he was allowed out on ten million dollars bail.
Speaker 5 (27:28):
What about three boys?
Speaker 4 (27:30):
I have heard it all, and if you cared about
any of those individuals, you would have brought him to
light way before Dinny, because those are stories that are
supposedly were made aware long before Diddy.
Speaker 6 (27:46):
What bothers me is they're more concerned about caping for
Ditty than any of his victims. Care about the victim, never, never, never.
It's always about caping for the person who has all
the wealth and the power, and as a views that
wealth and power.
Speaker 5 (28:01):
And I don't know if he's.
Speaker 6 (28:02):
Guilty of everything alleged, but damn it, there's enough evidence
to suggest it. He's guilty of some of the stuff
that he's been charged with. And he's digging himself a
deeper hole. And I'll say this right now. If I'm wrong,
I'm quite sure you can remind me of it. He's
never going to see the light of day again. It's
Later with mo Kelly. Can if I am six forty
live everywhere in the iHeartRadio app.
Speaker 2 (28:23):
You're listening to Later with Moe Kelly on demand from
KFI AM six forty.
Speaker 6 (28:29):
Before we get out of here, I always like to
just check in with everyone here as far as what
they are watching, if there's a new show, if there's
a movie that they found on twoby that was actually
not garbage, anything like that. So who's going first? Stephanie,
you going first? What are you watching there? I'll go first.
I just watched the new Netflix movie Don't Move, which
(28:52):
is essentially it's a thriller kidnapping movie where this isn't
a spoiler, it's in the trailer, but the the girl
that's kid or the woman that's kidnapped is injected with
this weird poison that eventually paralyzes her, so she has
to like try to work her way out to escape.
But there's a lot more that comes around it, so
it's it was a fun watch.
Speaker 1 (29:13):
Don't move Netflix. Yep, isn't Sam Raimi one of the
producers on that? Does it seem like a Rami flick?
Oh for sure? Okay, yeah, I'll check that out. Mark
anything you're checking out or starting. I am getting caught
up on season three of From And if you're not
familiar with that, it's a supernatural kind of horror I
guess horror show and it's I believe it's by the
(29:36):
makers of Lost. So it's a terrific, terrific show. And
the lead is Harold Parano, who is also terrific. But
by god, they better stick the landing on this, and
in the way that they did not at all Unlost.
I'm still angry about the way Lost ended.
Speaker 5 (29:50):
Yeah.
Speaker 6 (29:50):
I could never really get into Lost. I think when
they hit the smoke Monster I was out.
Speaker 1 (29:56):
Well, I mean, you could never tell if they were
just making stuff up as a along, and I can't
tell here either, But the show is like the best
thing Stephen King never wrote. It's very good and it's
very intriguing and it really strings you along. But boy, if
they screw up the ending, there's no forgiveness to this twala.
Speaker 4 (30:15):
I am absolutely positively hooked on Dan to Dan Dan
Dan is quite possibly one of the most incredible anime
series release as of late.
Speaker 1 (30:25):
On crunchy Roll.
Speaker 4 (30:27):
It the last episode that just aired, it scored I
think a nine point four on the anime scale and
like Hyas is like you get, it's like a ten.
And this last episode, episode four, literally brought me to tears,
like literal sobbing tears, like I had just watched the
(30:48):
opening sequence for Up. It was absolutely my numbingly good.
So if you're into anime, Dan Dan, it's on Cortoy,
but it's also I'm sorry it's on Netflix, but they
will repeat episodes of it on crunchy Role.
Speaker 6 (31:04):
But yeah, Dan to day, since you mentioned Crunchy Role,
I'm watching Robotech from the beginning.
Speaker 5 (31:11):
Oh, talk about Autome from the very beginning.
Speaker 6 (31:15):
Because I looked at Starblazers and now I'm going to Robotech,
watching it from the beginning all the way through in
sequential order. And I'm also I'm going to uh check
out this new show. It's another Taylor Sheridan show as
a matter of fact. On Paramount Plus. It's like all
the shows Tulsa King is His, Lioness is His, and
(31:38):
this news show called land Man, which stars Billy Bob Thornton.
To me Moore, Ali Larder, Andy Garcia, he's got a
hell of a cast, a hell of a cast and
talking about the oil rigs, and it's kind of like
Dynasty and Dallas, but much more edgy. If you know
anything about Taylor Sheridan, all of it has a lot
(31:59):
of cussing and new and all that kind of stuff
I like in TV.
Speaker 1 (32:02):
So you'd be the guinea pig on that because I
was kind of curious about it, but not enough to
stick a toe in the water.
Speaker 6 (32:08):
Okay, I will check it out. I think the first
two episodes are out. I'll check that out tonight and
have a report before Friday.
Speaker 1 (32:16):
Like we've given you an assignment.
Speaker 6 (32:17):
I like this, Yeah, yeah, it reminds me, Hey, I
gotta watch it. I have to, you know, make sure
I take it in. And I also have another episode
of lions which is available for me to watch that
i'll watch tonight.
Speaker 1 (32:28):
That's been on my watch list for a long time,
but you've forced me to bump it up to the top,
especially if it's got some good action.
Speaker 6 (32:34):
Oh, highly recommend action if and I say this about
very few shows, Ozark is one of those shows. If
you don't like it after the first episode, you're not
gonna like the series, because it's very much in line
with the first episode. If you don't like Lioness after
the first episode, then you can stop watching because it's
going to be more of the same, more of the same, tension,
(32:56):
more of the same murder, more of the same, cussing,
more the same, just absolute bedlam.
Speaker 1 (33:03):
Nothing you've said sounds bad to me.
Speaker 6 (33:05):
I'm saying and I can't I couldn't say this in
my conversation with Dave Annibal, but there are some shots
of Zoe south Donia that I would never be able
to see outside of this show.
Speaker 1 (33:20):
Please specify. I have never seen her booty until I
saw this show. Thank you for that.
Speaker 5 (33:27):
And all of it's glory.
Speaker 1 (33:30):
Well, you're really buried the lead there, that's what you
should have started with.
Speaker 6 (33:34):
Nice little peach there. Oh yeah, that's a beautiful woman,
let me tell you. And you know it's it's her.
They show a lot of her, a lot. That's not Gomora.
Oh that's not Gomora. Not Green, No, she's not green.
Speaker 1 (33:51):
There's there's there's a fair amount of sex in the
show as well.
Speaker 4 (33:54):
Really well, thanks so much for that. Yeah, paramount plus
downloading apps.
Speaker 1 (34:02):
Signing, And I'm telling you just watch the first episode
or if you can get to the first few.
Speaker 6 (34:10):
Very few things, will I put my name on I'll
put my name on this. If you like Tulsa King,
you will love this.
Speaker 1 (34:15):
They need a mo Kelly blurb. Honestly, there's nothing like
that in the kind of special ops type of category
that I won't watch it. I just love that stuff,
even documentaries.
Speaker 6 (34:26):
Oh this is special ops of special ops, of special ops.
And I know it sounds like I'm putting a lot
on it, but the show is so damn good it
deserves it.
Speaker 4 (34:34):
But he is responsible for Ccario yes one and two one,
I'm already sold. Like I know what he does with
special ops. Oh, those are good The two Sicario. Oh,
there are a bunch of head shots in this too.
It's up close and personal.
Speaker 1 (34:52):
What's not to like?
Speaker 5 (34:53):
Okay?
Speaker 1 (34:53):
If I am six forty live everywhere on the iHeartRadio app.
Speaker 2 (34:57):
Common Sense left California a long time ago.
Speaker 1 (35:02):
We're bringing it back. K F I N K O
S T h D two, Los Angeles, Orange County lives
everywhere on the e
You're listening to.
Speaker 2 (00:01):
Later with Moe Kelly on Demand from KFI A M
six forty.
Speaker 3 (00:12):
There's no such thing as a moral work.
Speaker 4 (00:16):
Their survival and they're surrender.
Speaker 1 (00:23):
How we can't do where we are today? No, no, no,
nobody's innocent. Nobody. I am supposed to look at people
I love and the eye take their freedom, maybe even
their lives. Do you love your country? Okay? I'm fine.
(00:47):
Things have fallen apart everywhere. Do you love your country's
gonna be It's.
Speaker 3 (00:56):
Not gonna be clean clean.
Speaker 4 (01:00):
You can't trust any of them.
Speaker 1 (01:04):
Exposuress are come tearing that.
Speaker 3 (01:10):
We're gonna ask you again.
Speaker 1 (01:11):
Froo running on lives? What happens when you're out numbered
one hundred to one?
Speaker 2 (01:18):
Do you love it.
Speaker 1 (01:20):
Your country?
Speaker 3 (01:24):
I am serving my country right now? Your country needs me?
Speaker 5 (01:27):
KFI Later with mo Kelly, We're live everywhere.
Speaker 6 (01:29):
The iHeartRadio app Lioness new episode Sundays on Paramount Plus
tells the story of a covert CIA strikeforce led by
actress Zoe Saldonia, which first infiltrates a terrorist group or
cartel by way of a female operative. Dave Annibal plays Neil,
the civilian pediatric surgeon, and husband of Saldonia's character Joe
(01:51):
Neil is trying desperately to juggle marriage to a super soldier, wife,
his patients, and raising two daughters all at the same time.
Dave Annibal joins me now on the ship. Shoh, Dave,
thank you for coming on tonight.
Speaker 3 (02:02):
Well, thank you very much for having me. What a
lead in? That sounds like a show i'd watched.
Speaker 6 (02:06):
Well, it's a show I do watch every single week.
But let's get into that show. Creator Taylor Sheridan is
a fourth of nature. Some may know you, Dave from
your time on Yellowstone another one of his shows, Tulsa
King is another Taylor Sheridan favorite of mine. I also
love how Sheridan will drop himself in Lioness from time
(02:26):
to time.
Speaker 5 (02:27):
What is he like as a creator?
Speaker 3 (02:29):
Oh man, just the best. He really is, just a leader.
Speaker 7 (02:34):
And you know, I think all of us and you know,
you get the Nicole Kim and.
Speaker 3 (02:39):
The Morgan Freeman. There's always they're attracted to scripts, to dialogue.
Right they're gonna sign up for the best.
Speaker 7 (02:45):
And right now I think Taylor is the top of
his game and he's the best in the business right now,
and he's got this incredible ability to write human relationships,
you know, dialogue that about current events that people care about,
and the cia. You know, it's a set piece, but
he's still it's still relationships. It's still you know, these
(03:06):
characters interacting, and he's just he's incredible, so I mean,
and then you know, then he walks on set and
he's jacked. He's like the you know, the strongest human
being ever seen, and he's so good and he cares
and he you know, he wrote every episode of Linus
and he directed the first two and then he's starring
in it.
Speaker 3 (03:25):
I'm like, bro, when do you sleep? Like what what's happening?
Speaker 1 (03:28):
It's so good.
Speaker 6 (03:29):
You mentioned that powerful all star cast, which includes zoeyz Aldania,
of course, Nicole.
Speaker 5 (03:33):
Kidman, Morgan Freeman.
Speaker 6 (03:35):
But talk to me about these complex characters and this
constant tension, and that's gonna be a theme throughout this conversation,
This constant tension through the music and dialogue that Sheridan's
able to maintain.
Speaker 7 (03:48):
He's so good at that, he's so good at creating
the tension. And you know, the first script he he
sold was Cecario and in this season two, it feels
like Ciccario has got It feels very Sachario like with
the Mexican cartels and that tension, and you know, I
think he, like I said, he's the best in the
business right now.
Speaker 3 (04:08):
And the music's insane, you know, as as as Neil.
Speaker 7 (04:12):
Obviously, I'm a part of the family stuff, right so
I work with Zoe and the two kids, who are great.
Speaker 3 (04:18):
But you know, that's it.
Speaker 7 (04:20):
So when I when I'm home on Sunday nights, sitting
with my wife on the couch and we got our popcorn,
we're watching the show, I'm blown away about everyone's performances,
about you know, obviously the scripts and the production value.
It's really it's a movie a week basically, and you know,
I'm I'm a fan.
Speaker 3 (04:38):
It's really fun to watch.
Speaker 6 (04:40):
I gotta say, you kind of took my next question
because I wanted to comment how this golden era of
streaming has allowed us to have these shows which are
movie quality, which have movie freeness as far as language,
even partial nudity, violence, and that you're just not going
to get on broadcast television. How have actors adjusted to
(05:02):
having this expanded landscape of places where you can have
these different types of shows.
Speaker 7 (05:08):
Well, you know, it's a it's a great question because
it really has changed.
Speaker 3 (05:11):
You know, in the twenty years I've done this.
Speaker 7 (05:12):
It used to be, you know, broadcast television, you make
six they make sixty pilots with all the networks, and
you know, you're trying to your pilot season. You're trying
to get a job, and and you know, you if
you get on a show that works, you're making twenty
two episodes a year, you know. And now it's they're
making very little pilots, right And it's the streamers that
(05:33):
are are picking up these shows and they're straight to
you know, straight to series, and you get someone like
a Taylor Sheridan. You know, those shows you know are
going to be high quality. You know, I I the
budget's insane, and you know, you get to play these
eight episodes, you know, three four months of the year
and get to go be a part of something that
(05:53):
feels like a monster movie.
Speaker 5 (05:55):
You know.
Speaker 7 (05:55):
He likes to say this is like an eight hour movie,
and it feels like and when you're watching it, you
know it certainly has that production value.
Speaker 5 (06:03):
It's an eight hour movie.
Speaker 6 (06:04):
Let me go to season one, the first eight hour
movie in season one. I was really pulled in by
an episode in which you had to inform a family
that their young child had brain cancer and probably only
had six months to live. And how in season two,
another one of your patients will die but on the
table during surgery, after which you also had to inform
the family. Lion asked, once again, is fantastic at this
(06:27):
constant tention, But my question is how do you personally
approach these emotionally weighty scenes.
Speaker 7 (06:34):
Yeah, well, I think that's twofold one. I'm a father, right,
so you know that's something I can.
Speaker 3 (06:40):
I can.
Speaker 7 (06:40):
You know, Unfortunately, you got to go to that place
where you, you know, use your imagination. But to be honest,
I'm not that good of an actor. So being able
to sit down with a real doctor. I sat down
with doctor Russell Ward, who's up in Temple, Texas, who
is a pediatric surgical oncologist, and you know, just kind
(07:01):
of speaking to him about his day to day and
then you know, those tough conversations and he shared with me,
I mean, he cried, he remembers his first patient that
he had to tell the folks, And you know, my
hat goes off to all these sort of medical professionals
that are in this business that have.
Speaker 5 (07:20):
To deliver this news.
Speaker 7 (07:22):
And you know, I think more importantly, you know with
the show is you know, how.
Speaker 3 (07:27):
Do you feel when you get home?
Speaker 5 (07:29):
Right?
Speaker 7 (07:29):
How does that affect you when you get home and
you have to be with your daughters and then look
your wife in the eye and then she's in the
CIA and she can't really talk about her day, and
you don't want to talk about your day, and like,
where does that you know, where do you connect and
where does that lead? And and I think it's just
it's beautifully written, and those scenes were very challenging and
beautiful and real. You know, Unfortunately, those those conversations are
(07:52):
happening daily and somebody's got to.
Speaker 3 (07:53):
Deliver that news.
Speaker 7 (07:55):
And I really benefited from that conversation with the because
you never forget the ones you lose, but it's all
those ones.
Speaker 3 (08:03):
That you're saving that that's why you do it.
Speaker 7 (08:05):
And you know, he had lost a buddy when he
was seven years old to cancer and that's when he
knew he wanted to save children with cancer.
Speaker 3 (08:14):
And it's it's a beautiful it's a beautiful thing.
Speaker 6 (08:17):
And just all the respect in the world, I don't
remember the exact line. Maybe you do, but there was
a line to that effect where I think one of
your colleagues asked you why do you do it because
you lose half your patience and he said something to
the effecta because I saved the other fifty percent.
Speaker 7 (08:32):
Right right, Yeah, that was the conversation with Zoe, you know,
with Joe his wife by the pool, and you know,
it was, uh, he nailed it, you know, Taylor, Taylor
nailed it. And it's funny when I showed the doctor
the script and the scenes, He's like, man, he nailed it.
This is how we felt, this is how you know,
the conversation goes at home, and you know, that's just.
Speaker 3 (08:54):
Kudos to Taylor just knows. You know, there's a raton
why he's top dog.
Speaker 6 (08:58):
I love your character, Neil, because he has to deal
with all these known unknowns regarding Joe, his wife, who
disappears most of the time, but when she does come home,
and I want to I want to end this conversation
with a real uncomfortable question. I'm letting you know upfront,
and I know you probably can't answer this question, but
I'm going to take a step at this that probably
the worst part of your job. The worst part of
(09:19):
playing Neil is all those love scenes with Zoey saldown you,
which happened to be in the shower, in the bathtub
and all around the house and you have your your
child walking in on you.
Speaker 5 (09:28):
You know, I've seen the show. It's probably just torture
playing Neil, isn't it.
Speaker 7 (09:33):
Yeah, they weren't in the original script. Those were scenes
that I wrote.
Speaker 1 (09:37):
You know, no, uh, yeah, you know it.
Speaker 7 (09:42):
Listen, it is what it is, and it's uh, you know,
the truth is there. They are actually very uncomfortable, uh,
because it's it's not real. You know, you're not going
for that that real ride that we all imagine that
we would be. That being said, you know, Zoe's incredible
and she's just such a warm and wonderful person, and
you know, getting to play her husband is really just
(10:04):
pretty awesome.
Speaker 6 (10:05):
That's a fantastic answer, and I will leave it at that.
Lion of Season two now streaming on Paramount Plus, new
episodes each Sunday night. Dave Annible, thank you so much
for coming on tonight, and I'll be sure to be
tuning in the rest of the way.
Speaker 1 (10:20):
Oh.
Speaker 7 (10:20):
His next few episodes are fire. I hope you enjoy it,
but thank you very much for having me appreciate it.
Speaker 2 (10:26):
You're listening to Later with Moe Kelly on demand from
KFI AM six forty.
Speaker 6 (10:31):
And I wonder how people perceive the actor Ralph Machio.
I wonder because he will be getting a star on
the Hollywood Walk of Fame tomorrow, but it will be
in the television category. I've always thought of him as
(10:52):
a movie actor. I think most people when you say
what comes to mind with Ralph Macho, they would say
The Karate Kid or some iteration in those sequence of movies.
Speaker 5 (11:04):
Granted, granted, Cobra Kai.
Speaker 6 (11:06):
Is quote unquote a TV show which you can stream
on Netflix, and it's in its sixth season. But I
would not think of Ralph Maccio as a television actor. Yes,
he's done more other I should say, television shows such
as Ugly Betty and The Deuce. But if you're gonna
(11:28):
tell me about Ralph Machio, you're gonna talk about his movies,
most likely right the Karate Kid, Crossroads, my cousin Vinny.
I'm thinking about movies, not TV shows. My cousin Vitty.
You know that's one of my favorites two youths. It
(11:49):
will always be funny, I can believe for good. Yeah,
he's one of the main kids.
Speaker 1 (11:53):
Yeah, it was weird to see Ralph Maccio pop up
in the Deuce because he seemed completely out of place.
Speaker 6 (11:58):
Yeah, don't count cameos per se as part of your
television career. And he's done TV, but he's known more
from movies. And I'm just bringing that up as an
aside because he'll be getting his Hollywood star on the
Walk of Fame tomorrow in the category of Television at
(12:19):
sixty six thirty three Hollywood Boulevard, and this is according
to the Hollywood Chamber of Commerce. Guest speakers tomorrow will
include actress Tamlin Timita, who's been on this show, who
co starred with Macho in the Karate Kid Part two.
And William Zabka, who's been on the show, who plays
obviously Johnny Lawrence in the Karate Kid and Cobra Kai series.
Speaker 5 (12:40):
And it's hard to believe how quickly life passes us by.
Speaker 6 (12:45):
Ralph is sixty three, sixty three years old. He's actually
and here's something I did not know until like two
weeks ago. You know, the actor who plays Terry So
and Karate Kid three, Thomas D.
Speaker 5 (13:02):
And Griffith.
Speaker 1 (13:03):
I believe this snake yep.
Speaker 6 (13:05):
If you've seen Karate Kid three with bad Boy Mike Barnes,
he's the heavy in it, and he's supposedly someone who
trained with Since Crees.
Speaker 5 (13:17):
They came up from the army together.
Speaker 6 (13:19):
It's position where he's much older than Daniel LaRusso.
Speaker 5 (13:23):
Ralph Maccio is older than Thomas C.
Speaker 6 (13:26):
And Griffith Wow by about like seven eight months in
that movie, even though he looked like he was a
kid just out of high school or something, and Thomas E.
Speaker 1 (13:37):
And Griffith looked like he was in thirty five thirty
six years old.
Speaker 4 (13:41):
Now, in thinking about your question, why would he be
getting a star in the television category if you think
about it as old as Karate Kid is depending on
the judging panel, the age of the judging panel that
doles out these stars. They may only know him from
(14:03):
television and watching Karate Kid on TV year.
Speaker 1 (14:07):
After year after year.
Speaker 6 (14:09):
Now, I'm not sure about this, and I'm not trying
to disparage anyone's star. Is there actually a body or
a judging body or is it just you pay your
forty thousand dollars.
Speaker 1 (14:19):
Oh that's a good question.
Speaker 5 (14:21):
Or is it a combination of both.
Speaker 1 (14:23):
You're not trying to suggest that every single star on
the Walk of Fame isn't completely merit based, are you.
Speaker 5 (14:29):
I would never say that.
Speaker 6 (14:30):
I'm just trying to see over the years whether the
equation has changed, if it's more about payment and less
about you know, do you go to them or do
they come to you.
Speaker 1 (14:44):
Both could be true.
Speaker 4 (14:45):
You could go to them and then they decide where
they're going to place your star in which category, Like
you pay your money and they say, hmm, we just
got a submission from a Ralph talking monkey. Wasn't that
in Karate Kid?
Speaker 1 (15:02):
Oh?
Speaker 4 (15:02):
Yeah, that comes on T and T like all the time.
USA never go all the time. Yeah, let's put him
in the television category.
Speaker 6 (15:08):
So it says you must have to meet the criteria
professional achievement at least five years of longevity in your category,
made contributions to the community, and then you have you're
guarantee to attend the dedication ceremony if selected. And then
I also have to have the committee. The committee meets
once a year in June. If selected, the celebrity must
(15:30):
pay seventy five thousand dollars sponsors to cover the cost
of creating, installing, and maintaining the star.
Speaker 5 (15:35):
It's gone up because I thought it was like thirty five.
It's gone way up, well, way up.
Speaker 1 (15:40):
Well, I guess I'm not going to put in my
application anytime soon. You've already picked out a spot for it, though,
you speaking of picking up this picking out the spot.
Uh Machell star will be the two thousand, seven hundred
and ninety fifth on the Hollywood Walker thing. And he
obviously has prime location because I didn't know if there
was any more space on Hollywood Boulevard itself. There's still
(16:03):
a few spaces.
Speaker 3 (16:04):
I know.
Speaker 6 (16:04):
They got the side streets, they got you going down
like all these little I thought that like like ten
twelve years ago, even when I was like a teenager.
I'm like, is there still room to put stars on there?
Speaker 5 (16:15):
You're not. It's gonna go into the valley pretty soon.
It's gonna be hitting like Lebrea.
Speaker 4 (16:20):
They move those stars all the way down, They move
them mo. Yeah, they move them all over the place,
off streets, corners, back alleys. After a while, you go
and see where's that star at it's been moved, especially
if you're not keeping up with your air quotes here
donations with your Is.
Speaker 1 (16:39):
It like one lump sum or you have to like
pay it out over years in time?
Speaker 6 (16:43):
Can you amortize it? It just looks like it's just
the one time fee.
Speaker 4 (16:47):
Oh yeah, No, I'm talking about if you're not a
regular contributor and they have to bag room. They look
at those who have not contributed to the fund in
quite some times. Oh, I see, you're saying, well, there
is definitely a money aspect to it.
Speaker 5 (17:06):
You know, he deserves it, though he deserves it. No,
he deserves it.
Speaker 1 (17:10):
I just think I'm still just stuck on the perception
of him as a television talent instead of a movie talent.
These kids have never seen him in a movie.
Speaker 5 (17:23):
That's not my problem.
Speaker 4 (17:24):
They've never seen him on the basis they didn't see
my cousin Vinnie. They haven't seen any of this stuff.
They don't know who this guy is. They really don't.
They look at it like, who is this guy? Karate kid?
Speaker 1 (17:35):
Yeah, but it's but these kids.
Speaker 5 (17:39):
In our world, they're kids. They probably don't even know.
Speaker 6 (17:43):
They don't even look at the Hollywood Walk of fame
in the same way that we do. I wonder who's
on the committee, That's what I'm saying. I wonder that
would be that would be.
Speaker 4 (17:50):
Probably the same committee that picked out Mark Ronner's favorite
horror top horror film.
Speaker 5 (17:56):
I know the Variety people get no respect over here.
Speaker 6 (17:59):
Oh my gosh, well, congratulations to Ralph Matrio in spite
of the fact that we picked apart the whole process.
But so I thought, when it comes to TV and movies,
I thought that can be like a fusion. Like if
if like use Ralph Mantrio is it? I thought, it's
just TV movies and then if you're like a singer,
then you're obviously going to be there as like a
(18:20):
singer or you know, artists, songwriter. I know this determines
what is the uh like not the logo but the
symbol which is put on the actual star. And I
know that they had the TV with the little antennae
suggesting the old TV. For television and movies, I think
they have like a film reel.
Speaker 4 (18:40):
Yeah, it's it's a camera with the yeah directors. They
have the clickboard and the clacker clacker yeah, and uh
camera people. They have a different looking there's all types
of different symbols. I used to be into this. I
used to really be into these symbols and things like that.
Speaker 1 (18:58):
Well, I'm not going to be get one, you know,
because he could No no, no, no, no no, doesn't handle have one?
Speaker 5 (19:04):
Yes he does, Yes, he does.
Speaker 1 (19:06):
You're dying to have one. I can tell you. I'm
eating you alive.
Speaker 6 (19:10):
This goes back to the conversation about the statue. This
is a flat statue. It's the same thing.
Speaker 1 (19:15):
You can't stand it, can you. I really do not care.
I care more about this.
Speaker 6 (19:20):
Go fight me going okay for real though, if it
was affordable and let's say they ran out of room,
and then now they're gonna have to start putting it
on like the sides of you know, grown theater. They're
gonna put me down like on Gower Street, somewhere in
the like Santa Monica Boulevard, nowhere near Hollywood Boulevard.
Speaker 5 (19:39):
It would be an asterisk.
Speaker 6 (19:41):
It's not even it's not even in Hollywood, on the
other side of First Street in Gower in La. Now,
I'm okay with dying without a star on the Hollywood
Walk of Fame. I really am. As far as far
as how Mark Ronald likes to portray me. My ego
is not wired that way. You're gonna go to sl
keep thinking about it tonight.
Speaker 5 (20:02):
Probably not, Probably not.
Speaker 6 (20:05):
There are too many other things as far as my
ego's concerned. I would rather do more stuff within the
world of radio. I don't need I don't I don't
need a placard, I don't need a statue. I don't
need any of that stuff. I'd rather do better stuff here,
not have something to remember me by.
Speaker 1 (20:23):
Handle has one, and you don't.
Speaker 5 (20:26):
Handle has a lot of things that I don't.
Speaker 1 (20:27):
I don't know what that means.
Speaker 6 (20:28):
You can take it anyway you want. How are you
gonna do all that laughing and not give me the
rim shot?
Speaker 1 (20:36):
No? No, no, no, no no.
Speaker 5 (20:37):
How is he gonna thank you?
Speaker 6 (20:39):
I mean, you can't fall out laughing in your chair
with your mic on and not give me a rim shot.
Speaker 5 (20:44):
Just catch my breath. That was good, Thank you very much. See,
that's what I want to be remembered for.
Speaker 1 (20:50):
Good luck with that.
Speaker 6 (20:51):
Oh but seriously, did you see Handle on his Instagram?
He posted his home studio. Oh yeah, no, yes he did.
He posted like, oh, this is what it looks like
after I'm done, and it's like, shows this a little
like quote unquote professional studio.
Speaker 1 (21:06):
I didn't say it, and he didn't say it.
Speaker 5 (21:08):
No, Yeah he wrote it like that though. Yeah, it
was being sarcastic. It was a nice starter studio.
Speaker 1 (21:13):
That, yeah, is kind of what I thought to a
little caddye Okay, No, it was you look it up.
Look it up during the break because the way he
wrote it, he wrote it the way he was self aware.
Speaker 5 (21:22):
Yeah, he's fun of himself.
Speaker 1 (21:23):
Yeah, well definitely not spoken like someone who's jealous of
a starf I Am six forty, we're live everywhere in
the iHeartRadio app.
Speaker 2 (21:32):
You're listening to Later with Moe Kelly on demand from
KFI AM sixty.
Speaker 6 (21:38):
And Diddy, for all of his musical brilliance and savvy
that he's demonstrated for many, many years, he is self
destructing imprison It seems there was a lot of discussion
about whether Diddy should have been granted some sort of
(22:00):
He tried to put up his house and multiple properties
totally fifty million dollars, and that was not sufficient. They
said no, remand you're going to stay in prison, and
his supporters were saying, like, no, that's so unfair. It
is so unfair he should be granted bail. Well, part
of the reason, if you actually know what was alleged
(22:21):
in the initial indictment, was that Diddy was allegedly threatening
witnesses would be witnesses, people who've come forward against him,
and he was a danger not only to flee, but
a danger to take the jury pool and also try
(22:41):
to tamper with witnesses. That was part of the reason,
actually one of the predominant reasons why he was remanded.
He was not given any type of bail. Then he's
in jail and proves the prosecution right. Evidence found in
Ditty's jail sale suggests that he has tried and as
(23:02):
on multiplicasions to influence witnesses in his New York sex
trafficking and racketeering case, and is trying to blackmail others.
There will be more charges coming out of this. Prosecutors
say that he sought to avoid federal detection by using
three way calls and other inmates' phone access codes, but
they also have recordings of Ditty talking to his relatives
(23:27):
telling them to contact other witnesses or family members of
witnesses to impress upon them to either change their story
or find out what they plan to say to prosecutors.
So Didty's probably not ever going to get out again.
(23:50):
There's a high likelihood that he's not going to get
out before trial, and he's going to be found guilty
on enough things where he'll spend the rest of his
life in prison. I'm not wishing that for him. I'm
just letting you know that this is where all of
this is headed. They already had him dead to rights,
I would assume, if only because of all the video
that they procured. And once again, for anyone who's unclear,
(24:14):
it's not about sex parties, it's about forcible rape. It's
about statutory rape, possibly underage girls, sex trafficking, prostitution across
state lines, a variety of charges, a variety of crimes
which are alleged, and the evidence seems to be substantial.
(24:37):
And since he's been in jail, he's been criming even more,
trying to clean up after himself, trying to tamper with
witnesses and influence the jury pool. That is why he
was not granted bail in the first place.
Speaker 4 (24:52):
I don't understand who is advising him, who is helping him,
because they're not doing him any favors. Someone should have
told him not to do this. If he's first, let's
take it on face value that he's not aware of
(25:14):
how communications are conducted in and out of prison. There
is no privacy, there is no rights. Every single thing
that is sent to you, that is said to you,
is monitored or recorded. There are no letters that are
going to that aren't read first. There are no phone
calls that are going out or coming in whatever that's
(25:38):
not being recorded. Even when you're at the glass windows
and you're talking across, they are recording those conversations for
potential evidence. They are always trying to make sure they
have every single thing they need on you. The idea
of allegedly reaching out to would be potential witnesses whatever,
(26:03):
through family members, it's just not prudent on anyone's This
is just upsetting because I would have thought better of
someone who had such involvement with individuals who are from
the quote unquote streets, that this would be thing Number one.
(26:24):
You don't do a don't have stuff in your cell
why because they toss sales nightly, don't or not nightly,
but they can something like you frequently. They It's just
baffling to me. I'm literally speechless that this is happening.
Speaker 6 (26:40):
What baffles me even more is someone will continue to say, well,
Diddy is being treated unfairly. They're out to get him.
They just want to bring another black man down. And
I see it every single day, and they will allege
that Diddy is somehow a target of the federal government.
Not possible considering that they have goog gobs of evidence,
(27:04):
and he's just been skating along for many years until
someone like a Cassie Ventura came out and helped get
the ball rolling.
Speaker 5 (27:13):
But what about wood Allen, Yeah, or.
Speaker 1 (27:16):
What about Jeffrey Epstein, Or what about the guy the
former president of Abercrombie and Fitch. I think his name
was Jeffries, who was just arrested on sex trafficking and
he was allowed out on ten million dollars bail.
Speaker 5 (27:28):
What about three boys?
Speaker 4 (27:30):
I have heard it all, and if you cared about
any of those individuals, you would have brought him to
light way before Dinny, because those are stories that are
supposedly were made aware long before Diddy.
Speaker 6 (27:46):
What bothers me is they're more concerned about caping for
Ditty than any of his victims. Care about the victim, never, never, never.
It's always about caping for the person who has all
the wealth and the power, and as a views that
wealth and power.
Speaker 5 (28:01):
And I don't know if he's.
Speaker 6 (28:02):
Guilty of everything alleged, but damn it, there's enough evidence
to suggest it. He's guilty of some of the stuff
that he's been charged with. And he's digging himself a
deeper hole. And I'll say this right now. If I'm wrong,
I'm quite sure you can remind me of it. He's
never going to see the light of day again. It's
Later with mo Kelly. Can if I am six forty
live everywhere in the iHeartRadio app.
Speaker 2 (28:23):
You're listening to Later with Moe Kelly on demand from
KFI AM six forty.
Speaker 6 (28:29):
Before we get out of here, I always like to
just check in with everyone here as far as what
they are watching, if there's a new show, if there's
a movie that they found on twoby that was actually
not garbage, anything like that. So who's going first? Stephanie,
you going first? What are you watching there? I'll go first.
I just watched the new Netflix movie Don't Move, which
(28:52):
is essentially it's a thriller kidnapping movie where this isn't
a spoiler, it's in the trailer, but the the girl
that's kid or the woman that's kidnapped is injected with
this weird poison that eventually paralyzes her, so she has
to like try to work her way out to escape.
But there's a lot more that comes around it, so
it's it was a fun watch.
Speaker 1 (29:13):
Don't move Netflix. Yep, isn't Sam Raimi one of the
producers on that? Does it seem like a Rami flick?
Oh for sure? Okay, yeah, I'll check that out. Mark
anything you're checking out or starting. I am getting caught
up on season three of From And if you're not
familiar with that, it's a supernatural kind of horror I
guess horror show and it's I believe it's by the
(29:36):
makers of Lost. So it's a terrific, terrific show. And
the lead is Harold Parano, who is also terrific. But
by god, they better stick the landing on this, and
in the way that they did not at all Unlost.
I'm still angry about the way Lost ended.
Speaker 5 (29:50):
Yeah.
Speaker 6 (29:50):
I could never really get into Lost. I think when
they hit the smoke Monster I was out.
Speaker 1 (29:56):
Well, I mean, you could never tell if they were
just making stuff up as a along, and I can't
tell here either, But the show is like the best
thing Stephen King never wrote. It's very good and it's
very intriguing and it really strings you along. But boy, if
they screw up the ending, there's no forgiveness to this twala.
Speaker 4 (30:15):
I am absolutely positively hooked on Dan to Dan Dan
Dan is quite possibly one of the most incredible anime
series release as of late.
Speaker 1 (30:25):
On crunchy Roll.
Speaker 4 (30:27):
It the last episode that just aired, it scored I
think a nine point four on the anime scale and
like Hyas is like you get, it's like a ten.
And this last episode, episode four, literally brought me to tears,
like literal sobbing tears, like I had just watched the
(30:48):
opening sequence for Up. It was absolutely my numbingly good.
So if you're into anime, Dan Dan, it's on Cortoy,
but it's also I'm sorry it's on Netflix, but they
will repeat episodes of it on crunchy Role.
Speaker 6 (31:04):
But yeah, Dan to day, since you mentioned Crunchy Role,
I'm watching Robotech from the beginning.
Speaker 5 (31:11):
Oh, talk about Autome from the very beginning.
Speaker 6 (31:15):
Because I looked at Starblazers and now I'm going to Robotech,
watching it from the beginning all the way through in
sequential order. And I'm also I'm going to uh check
out this new show. It's another Taylor Sheridan show as
a matter of fact. On Paramount Plus. It's like all
the shows Tulsa King is His, Lioness is His, and
(31:38):
this news show called land Man, which stars Billy Bob Thornton.
To me Moore, Ali Larder, Andy Garcia, he's got a
hell of a cast, a hell of a cast and
talking about the oil rigs, and it's kind of like
Dynasty and Dallas, but much more edgy. If you know
anything about Taylor Sheridan, all of it has a lot
(31:59):
of cussing and new and all that kind of stuff
I like in TV.
Speaker 1 (32:02):
So you'd be the guinea pig on that because I
was kind of curious about it, but not enough to
stick a toe in the water.
Speaker 6 (32:08):
Okay, I will check it out. I think the first
two episodes are out. I'll check that out tonight and
have a report before Friday.
Speaker 1 (32:16):
Like we've given you an assignment.
Speaker 6 (32:17):
I like this, Yeah, yeah, it reminds me, Hey, I
gotta watch it. I have to, you know, make sure
I take it in. And I also have another episode
of lions which is available for me to watch that
i'll watch tonight.
Speaker 1 (32:28):
That's been on my watch list for a long time,
but you've forced me to bump it up to the top,
especially if it's got some good action.
Speaker 6 (32:34):
Oh, highly recommend action if and I say this about
very few shows, Ozark is one of those shows. If
you don't like it after the first episode, you're not
gonna like the series, because it's very much in line
with the first episode. If you don't like Lioness after
the first episode, then you can stop watching because it's
going to be more of the same, more of the same, tension,
(32:56):
more of the same murder, more of the same, cussing,
more the same, just absolute bedlam.
Speaker 1 (33:03):
Nothing you've said sounds bad to me.
Speaker 6 (33:05):
I'm saying and I can't I couldn't say this in
my conversation with Dave Annibal, but there are some shots
of Zoe south Donia that I would never be able
to see outside of this show.
Speaker 1 (33:20):
Please specify. I have never seen her booty until I
saw this show. Thank you for that.
Speaker 5 (33:27):
And all of it's glory.
Speaker 1 (33:30):
Well, you're really buried the lead there, that's what you
should have started with.
Speaker 6 (33:34):
Nice little peach there. Oh yeah, that's a beautiful woman,
let me tell you. And you know it's it's her.
They show a lot of her, a lot. That's not Gomora.
Oh that's not Gomora. Not Green, No, she's not green.
Speaker 1 (33:51):
There's there's there's a fair amount of sex in the
show as well.
Speaker 4 (33:54):
Really well, thanks so much for that. Yeah, paramount plus
downloading apps.
Speaker 1 (34:02):
Signing, And I'm telling you just watch the first episode
or if you can get to the first few.
Speaker 6 (34:10):
Very few things, will I put my name on I'll
put my name on this. If you like Tulsa King,
you will love this.
Speaker 1 (34:15):
They need a mo Kelly blurb. Honestly, there's nothing like
that in the kind of special ops type of category
that I won't watch it. I just love that stuff,
even documentaries.
Speaker 6 (34:26):
Oh this is special ops of special ops, of special ops.
And I know it sounds like I'm putting a lot
on it, but the show is so damn good it
deserves it.
Speaker 4 (34:34):
But he is responsible for Ccario yes one and two one,
I'm already sold. Like I know what he does with
special ops. Oh, those are good The two Sicario. Oh,
there are a bunch of head shots in this too.
It's up close and personal.
Speaker 1 (34:52):
What's not to like?
Speaker 5 (34:53):
Okay?
Speaker 1 (34:53):
If I am six forty live everywhere on the iHeartRadio app.
Speaker 2 (34:57):
Common Sense left California a long time ago.
Speaker 1 (35:02):
We're bringing it back. K F I N K O
S T h D two, Los Angeles, Orange County lives
everywhere on the e
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