I released my first podcast in 2009. I was hooked and have been recording deep-dive conversations with interesting and creative people about what they do and why they do it ever since. I’m taking cues from some of my interview heroes like Dick Cavett, Johnny Carson, and Studs Terkel and distilling the conversations I record into one show. I’m calling it Almost Everything with Jeffery Saddoris and on each episode, I’ll be talking to both creatives and everyday people about their unique stories and lived experiences.
Lately I’ve been feeling the weight of how complicated everything seems — I even wrote a bit about it in the last Iteration. It seems that the scale of it all — the speed, the certainty, the volume — can often make even small efforts feel almost invisible. I’ve caught myself wondering whether the things that I make or the conversations I have matter in any “real” way, and honestly, that unsettles me. And I suspect I’m not the only ...
I wanted to take a few minutes to explain a small but meaningful change that I’m making to this podcast feed.
This change isn’t about starting over. It’s really just about clarity — for existing listeners, for new listeners, and honestly for me too.
This is Iterations.
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Towards the end of last year, I started thinking about building a new website for myself. Not just another vanity site (although I’ve built plenty of those), but more of an archive of the various things I’ve done over my career and a hub where I can share stories around what I’m thinking about and what I’m working on that aren’t dependent on The Algorithm. After years of inconsistent, and if I’m being honest, fairly half-hearted ef...
About 18 months ago, I started seeing a therapist. I had gotten to a place that I’ve only really been once before and Adrianne encouraged me — actually, she implored me — to talk with a therapist. She once said to me, “Every day, I’m terrified that I’m either going to come home and not find you, or worse, that I will.” I’m not going to lie, that hit pretty hard. I knew I was in a dark place, but we often think that we are the only ...
It took a bit to fire up, but once it did, the familiar rumble of my Dad’s 1974 Ford F100 took me right back to my childhood summers. As Art slowly backed the truck off of the trailer, Adrianne commented, “It’s smaller than I thought it would be, given how large it looms in your history.” Indeed, I thought. One of my earliest memories of this truck is of waking up on the bench seat at Buckskin State Park on the Arizona side of the ...
I’ve shared this story before, and regardless of whether it’s true or just the stuff of photographic legend, it’s so good that I think it bears repeating every so often. The story goes that a photographer was presenting his portfolio to the great Jay Maisel. He asked Jay how he could take more interesting pictures, to which Jay immediately replied, “become a more interesting person.” It may sound trite, but I think it’s often easy ...
For a long time now — years, in fact — I’ve leaned toward the belief that I deserve to be paid for the creative work I do. And to be clear, I don’t think that’s unreasonable, at least not from a certain point of view. After all, in a capitalist system that’s sort of how it works, right? You do a job, you earn money, you buy things. On the other side, goods and services cost money and we generally accept that premise. Cars, houses, ...
Yesterday, I had a heart-wrenching experience. I was out for a morning walk with Adrianne and Cooper when I spotted a bird flailing in the grass under a tree. As I got closer, it struggled to escape, its life force fading away. When it finally stopped moving, I knelt down and tried to comfort it with a damp leaf (Adrianne advised against touching it directly due to the bird flu). Watching it die right before my eyes was incredibly ...
Last week, I got a text message from my friend Michelle, who works at the National Gallery of Art. “Lunch tomorrow or Thursday?” followed by “Come see the movie in Little Beasts. It starts at the top of every hour. I would love to discuss it with you.” Not only was Michelle one of the first people I met when I first visited DC in 2014, since then, she’s become a close friend and the National Gallery has come to be my happy place in...
Whether it’s a sheet of old plywood resting on a couple of sawhorses or a fastidiously crafted hardwood masterpiece, the workbench has long been the centerpiece of studios, workshops, garages, and maker spaces of all kinds.
Of the many standout features of our house, I think I was most excited about the multiple basement spaces that I would be able to use as studios for the different things I do. The previous owners were makers — sh...
The other day, I was going through my archive of work ahead of a website redesign, and I found a blog post that I wrote in 2014 that’s sort of an homage to my all-time favorite camera and how after finally acquiring one, I couldn’t bring myself to actually use it. Ten years later, I think the post is still relevant to how some photographers and artists have a tendency to fetishize the tools they use. I know that was me once. For wh...
I love making things, whether that means making a conversation with someone or making a piece of art or writing, and getting to do that fairly unfettered is a massive privilege and it’s not wasted on me. That said, it’s okay to be disappointed in what you make — and maybe not disappointed with the end product itself, but in the reception or how it gets received. It’s okay to be disappointed that other people don’t love it as much a...
NOTE: To see the photos that I reference in this episode, see the post on my Substack.
On one of our recent morning walk and talks, a group of photographers and I were talking about how much worse Instagram has gotten over the past few years in terms of exposure and engagement. We all agreed that it seems like most photographers we’ve spoken to about it have very similar feedback. Subscribers, reach, and engagement are all a fractio...
Reinvention is tough. Disrupting old patterns of beliefs or behaviors is tough. Even when we finally decide to disrupt the flow of familiarity, the fear of the unknown that awaits us can be paralyzing. I know that it has been for me. But one of the things that my therapist routinely encourages me to do is to sit with discomfort — to force myself to pause and breathe and stave off the instinct to move into “fight or flight” mode. In...
Yesterday, Adrianne and I went out to one of favorite little coffee shops to have breakfast and spend the morning working. About an hour in, I had this urge to check Instagram, which I rarely do, especially lately. In fact, I haven’t really done much online or on social media since the election — I actually leave my phone home more often than not — but for whatever reason, I stopped doing my Morning Pages and picked up my phone and...
I’ve held off on posting this Iteration because I just didn’t feel like it was that important in light of what’s happening in California. But after some reflection, I actually think that it is important, because art and making are still important. Hope is important. Helping people to feel just a little less alone and trying to connect with them wherever that may be is important and it’s what I try to do with these Iterations. I wri...
I don’t know about you, but this is by far my least favorite time of year. It really starts around Thanksgiving, but this stretch between Christmas and New Year’s Day is particularly brutal — and it’s not just because I spent the first 48 years of my life in Southern California and still haven’t gotten used to the cold of the East Coast, but yes that. And it’s not just that I’ve lost both of my parents and Christmas has never been ...
A few weeks ago, I took the train down to DC to meet up with my friend Richard Boutwell to walk through a show at the National Gallery called The '70s Lens. The show features the work of a bunch of fantastic photographers, many of whom I’d never heard of, and that was one of the reasons I wanted to go through it with him. Richard is a terrific photographer who specializes in western landscapes, mostly New Mexico, Arizona, and ...
Recently, I picked up a copy of Barry Lyndon on Blu-ray. It’s one of those movies that I’ve had on my watchlist forever, but for whatever reason it just kept slipping through the cracks. As I was researching some of the other Criterion movies I was thinking about picking up, I saw a story about Google’s new AI-integrated NotebookLM and decided to try an experiment to see what (if any) insights AI might have to offer around Barry Ly...
Saturday night, Adrianne and I spent the evening at the home of our neighbors Raj and Trupti helping them, along with about 60 other friends and family members, celebrate Diwali, which is the Hindu festival of lights. It’s hard to explain how incredible it felt not just to be invited into their home again, but to feel so welcomed by the other guests and to get the opportunity to participate in an event that is a deeply meaningful p...
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Saskia Inwood woke up one morning, knowing her life would never be the same. The night before, she learned the unimaginable – that the husband she knew in the light of day was a different person after dark. This season unpacks Saskia’s discovery of her husband’s secret life and her fight to bring him to justice. Along the way, we expose a crime that is just coming to light. This is also a story about the myth of the “perfect victim:” who gets believed, who gets doubted, and why. We follow Saskia as she works to reclaim her body, her voice, and her life. If you would like to reach out to the Betrayal Team, email us at betrayalpod@gmail.com. Follow us on Instagram @betrayalpod and @glasspodcasts. Please join our Substack for additional exclusive content, curated book recommendations, and community discussions. Sign up FREE by clicking this link Beyond Betrayal Substack. Join our community dedicated to truth, resilience, and healing. Your voice matters! Be a part of our Betrayal journey on Substack.
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