November 27, 2025 • 31 mins
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Speaker 1 (00:03):
It's that time, time, time time, lucking load. Michael Verry
Show is on the.
Speaker 2 (00:13):
Air and now exclusively for friends of the Michael Berry Show.
I am your Moment of Ignorance with Shirley Q Liquor.
Speaker 1 (00:26):
How you doing?
Speaker 2 (00:27):
Milwa Tusu was on our way to the dollar store
yesterday and we was listening to a radio preacher on there,
and he was getting good and he got to the
part about you.
Speaker 1 (00:37):
Know, bow your head, close your eyes, and oh, I
was so into it.
Speaker 2 (00:41):
Next thing I woke up, I had bashed completely upside
of Derry Queen. Oh, I have got to get some
insurance on that damn cadillac. I had to go to
doctor this morning and get my pain pills and my
nerve pills and their thing. And he said, what is
all this hair on here? I said, wow? He said,
all over you, over them face. Oh my god. I
(01:01):
had been forgotten to take my hormone pills.
Speaker 1 (01:05):
Of course, I had to sign away for farm before
they give me this shot.
Speaker 2 (01:08):
But now I'm good, Honey, I'm sitting here buzzing along
like a five horsepower outboard motor.
Speaker 3 (01:13):
Baby.
Speaker 2 (01:15):
I might have to get up on that damn internet
and find me a match dot com or somebody save
your money. Honey, You're not gonna find nothing good on
them things. Everybody on there is just mobidly obese, including me.
Speaker 1 (01:27):
So they need to rename all that ignorance.
Speaker 2 (01:30):
Well, watch us online, honey, and don't ever get on
camera with them. Oh you'll get a complex so bad
you think you can't never do no better than that. Okay,
now we're gonna return to the broadcasting excellence. A bizarre
of the radio. Michael Barry, you need a damn haircut,
white boy, that's what you need.
Speaker 4 (01:52):
The w NBA All Star Game was held, and in
keeping with the carnival that it is, because basketball is
not very good, you enjoy watching the Little Dribbler's second
Grade edition more if you want quality, old fashioned who's
your Basketball?
Speaker 1 (02:11):
No, this is Who's your Daddy? Ramond? Please do not
interrupt well in the middle of a story.
Speaker 4 (02:17):
So it's the WNBA All Star Game and the girls
come out to warm up wearing T shirts that say
pay us what we're worth. Oh, honey, I don't know
if you don't understand how getting paid works, you know,
(02:41):
let's get to that in the moment, because this comes
up a lot and this is a teachable moment. But
they come out wearing T shirts at the pregame, which
is the only thing anybody talked.
Speaker 1 (02:50):
About, because the quality of basketball is solo.
Speaker 4 (02:52):
Did I mention that the T shirt said pay us
what we're worth, and immediately thereafter the fans responded by
doing so, throwing green dildos on the court. I have
to think that's the answer to the question, pay me
(03:15):
what I'm worth, Pay me what I'm worth. So let's
go back to economics one on one. Milton Friedman, Thomas
soul Adam Smith, Hiek. This is important to understand. Your
feelings might get hurt. That doesn't change this. This is science,
(03:38):
not art. These are facts and laws, not feelings quote
Andrew Breitbart. The facts don't care about your feelings. If
your self worth is determined by some feel good book
Stuart Smalley style, then you need a better understanding if
(04:00):
you want to value what your contribution to a business
enterprise is. It's not what you think it is unless
another person agrees. I'm gonna explain this as simply as
I can. The labor relationship is a contract business puts
(04:25):
on the front door. We'll pay you ten dollars to
come pick up trash. I walk up to the door
and I say ten dollars a pick up trash?
Speaker 1 (04:37):
Huh yeah? How many hours a week? Forty? Okay? Do
you give benefits?
Speaker 5 (04:43):
No?
Speaker 1 (04:44):
Okay, I won't take the job.
Speaker 4 (04:46):
If everybody has that response, they start having to alter
the payer the benefits of the terms.
Speaker 5 (04:52):
Right.
Speaker 4 (04:54):
But if there's a bunch of people lined up to
take that job, then they don't have to pay more
than that, do they. So you start working there and
you find out that Sammy, who's been working there for
sixteen years, he's getting twenty dollars an hour. And you say, well, shoot,
if he's getting twenty, I ought to get twenty two,
(05:17):
pay me twenty two.
Speaker 1 (05:18):
And they say no.
Speaker 4 (05:20):
You say, well, I'm gonna quit, which is the only
way to negotiate.
Speaker 1 (05:25):
I'm gonna quit. Okay, And you quit and you leave. Now.
Speaker 4 (05:32):
I don't know if you are worth more than ten
dollars an hour, but you've just been it's been made
abundantly clear that they do not value you at twenty
two dollars an hour. It takes two to tango. This
is a relationship. It's a contractual relationship. I will come
to work and do the following things. Perform these tasks
(05:54):
on time, you will pay me this amount of money.
People who think the government ought to get into the
middle of that relationship and set minimum wages and set
this and those are people who are losers. Those are
people you don't want to be around. They're bad people.
They are not winners, they are not prevailers. They they're
(06:18):
not overcomers. They are not successful. They are not successful people.
Losers always want the rules change so they get a trophy.
If you're having to say that the government should dictate
your minimum wage, you're a loser. You might be a
child of God, might be a good Christian, might be
(06:41):
nice to your friends, but the market does not value
you at what you value you.
Speaker 1 (06:48):
And guess what you don't get to pay yourself.
Speaker 4 (06:53):
You know who doesn't have to have a salary cap
or a minimum wage Tom Brady, Peyton Manning because they're
paid an amount of money that will make them happy
to offer their services and you don't have to require
the business to do that. In fact, businesses will pay
(07:14):
so much money for the services of great athletes, for instance,
that the business owners get together and do the opposite
We're going to have a cap because otherwise we'll go crazy.
We'll spend like crazy on these people. So if you
think you're worth more than you're getting paid now, and
you truly believe that you may only be worth that
(07:35):
to that employer, in which case you're never going to
get what you're worth because they're not in the business
of being nice guys. They're in the business of making
money and making good business deals. You do the same
if you were in their shoes. But if you're getting
thirty two bucks an hour and you think you're worth
fifty because that's what the other Wilders are getting at
other places, go get the other job. Go get the
(07:57):
other job for fifty, and then come back and say, hey, guys,
I was worth more than thirty two. I'm getting fifty
over there now I'll stay here for sixty. You'll find
out immediately what you are worth two. Then your value
is not set by you. I don't care who you're
following on Tickney. You gotta value yourself, yep. But they
have to value at the amount because they're the ones
(08:18):
that had to pay you.
Speaker 6 (08:19):
Right now. He can't be Fuckelberry, sir, Please do not
call him the fat pick.
Speaker 1 (08:24):
See I'm trying to be nice. Don't call him a
fat picks.
Speaker 4 (08:28):
Right. About three months ago, I had some peddlers beating
on my door about seven point thirty at night, just
getting dark. At first I ignored it, hoping they would
move on. Instead, they started beating on the door harder.
As I approached, I saw they had not backed away
(08:49):
from my door respectively. They were young one in a hoodie.
I popped the door and showed I don't don't think
we needed respectively there, because that shows the ordinal relationship,
and I don't think we need that. They were young
one in a hoodie. I popped the door and showed
(09:10):
that I was armed, without pointing at them. They promptly
called the constable, who came to question me. I gave
my story and the fact that there are signs all.
Speaker 1 (09:17):
Over the hood.
Speaker 4 (09:19):
This is Kleine Glenlocke Farms saying no door to door sells.
Cop told me those signs only apply to the gated
sections and if I wanted more footing and dealing with
them to post signs in my yard.
Speaker 1 (09:31):
Nothing came of.
Speaker 4 (09:32):
It, as the cop indicated I was within my rights
on castle law stuff, but I should have handled it better,
told him home intrusions are a real thing, and I
will continue doing it this way while I am while
I am well, I agree with your sentiment. I think
(09:56):
it's a horrible approach. I think you should point the
gun at them. The only reason carrying a gun that
you're not pointing at people and opening the door as
they're at the door turned out to be a non
deadly interaction is because they chose not to make it
(10:18):
a deadly interaction. If you end up on someone's porch
banging away, you should expect that a gun will be
pointed at you, and if the homeowner is polite, they'll say,
see that I got a gun pointed at you. Let
me open the blinds to show you.
Speaker 1 (10:38):
Now run along.
Speaker 4 (10:39):
Too many people have bought the bull, and the bull
goes like this. We're going to have a subset of
people within our culture who are going to make babies
they don't raise that the state will have to pay for.
And those babies that they don't raise will also, in
(11:02):
some cases grow up to be rabid dogs, violent, vicious,
monstrous human beings capable of beating a man to death
who's ninety years old after he's already taken his wallet, kicking, beating, eight, ten,
(11:23):
twelve of them doing it, long beyond him being knocked out,
long beyond him being a threat to them doing what
they wanted to do, which was take what he has.
We are talking about savages. There's nowhere in the world
you find worse savages than these people. Start with that premise.
(11:47):
Now we know that's not an outlier, it's not a
random case. We also know that most of the time
they're victims are going to be black, even though they're black.
The the crazy thing about this, you would think that
black people would be.
Speaker 1 (12:04):
Up in arms.
Speaker 4 (12:06):
We've got a subset of people that look like us
that are terrorizing our neighborhoods.
Speaker 1 (12:12):
Now you'll find some who do.
Speaker 4 (12:14):
God help you if you find the Marvin Hamilton in
the group, or the Jerry who called a couple of
weeks ago, or the guy who lives the boys in
the hood, Dad Laurence Fishburne, the guy who's just not
going to stand for it anymore because his neighbors are
so afraid of peer pressure. Peer pressure is so powerful
(12:38):
among blacks, it is paralysis. There is so haven't you
ever heard what Joyce says when she calls him about
how they talk about her, because she dares. Joyce is
well known in the hood, Joyce the Sage of Sunnyside
because guess what, Democrats listen to the show and they
(13:01):
know that's Joyce.
Speaker 1 (13:02):
She's very identifiable.
Speaker 4 (13:04):
She wears really bright le may material hats and dayshikys,
and I mean she's she's very bold, very vocal in
her nineties and pressing around calling out the thugs. But
we made a decision as a culture, and it's been made.
(13:24):
Make no mistake about it. If you don't participate in this,
you are the outlier. We made a decision. We're going
to pretend that those savages are just like everybody else.
We're going to pretend that they can come up to
the door and bang on the door, and that until
the point that they've murdered you, you can't do anything
about it because that'd make you racist because they happen
(13:48):
to be black, and you're not allowed to do anything
about it because that would make you a bad person.
Giving them every advantage, And should one of them come
walking up at a rapid rate of a speed as
you're getting into your car and there's no cars for
one hundred feet away. You better not get in there
and lock the door, because that'd make you a bad person.
(14:12):
You better smile and pretend that's probably a person wanting
to talk to you about the Lord and how he
died for you, because otherwise you're a bad person.
Speaker 1 (14:19):
And you better not lock your doors.
Speaker 4 (14:22):
And you better not declare that that person be prosecuted
when they murder your family member.
Speaker 1 (14:29):
This is nonsense, This is crazy. This has to stop.
Speaker 4 (14:34):
White people have become so guilt ridden after decades of
what started as a civil rights movement that has become
an absolute industry, a booming industry. The Trump era is
the smoke screen in the room that allows people to
finally come out and survey they're dead. I've been in
(15:00):
hiding all this time. Apparently it's okay to come out
in public to see how many of ours died in
the mix. You've got white people being hunted in this country.
The videos are everywhere, nobody whites bothering anybody black. You
(15:23):
don't have roving bands of white people out bashing black
people to death. It doesn't happen. It does not happen.
God forbid. If it did one time, it'd be the
top news story, and we all just go. Every time
black person walks up to white person, stabs them eight times,
steals their bicycle, takes their their wallet, smashes their head,
(15:47):
American history acts into the curb a few times just
for good measure, and.
Speaker 1 (15:53):
We all go.
Speaker 4 (15:54):
Boy thought a battle white person did die to a
black person, but nobody wants to do anything about it.
You got big city police chiefs scared to do anything
about it, mayors who bought into it, Black Lives Matter, leader,
street corner street hustler, preachers making money off of an
house sharfting.
Speaker 1 (16:10):
On Evening TV.
Speaker 4 (16:12):
Apparently they're referring to throwing a green dildo on the
court at a w NBA game as a hard pass.
I just made that up on the flow ramon some
of them a better work. I'll be here all week.
Try the port. Tip your waitress, Dane Wrights. Apparently recently,
a female sportscaster covering a WNBA game made a comment
(16:35):
about the lack of defense during a game when she
referred to it as being like a girl's trip to
can Kun.
Speaker 1 (16:45):
There's no d.
Speaker 4 (16:48):
So maybe that's why all the dildos are being thrown
on the court to remind the gals to play defense.
Speaker 5 (16:57):
Who knew?
Speaker 6 (16:59):
Who knew?
Speaker 4 (17:00):
Let's go to Evan. Evan, you're on the Michael Berry Show.
What say you, sir?
Speaker 7 (17:05):
Well, about ten years ago, I was a reserve deputy
for our Sheriff's office and I was working from home
for my normal job. And I get a knock on
the door and it's one of those traveling salesmen going
door to door selling cleaning supplies. And I answered the door.
He told me what he was doing. I said, well,
(17:26):
I'm not interested. I go shut the door, and he
puts the hand on the door and to prevent me
from shutting the door, and said, hey, I gotta I
gotta show you. And I said, hold on one second,
let me let me go get something and then you
can show me. Well, then I went and got my badge,
my weapon, and my handcuffs and anyways, I proceeded to
(17:48):
arrest them for forced entry.
Speaker 4 (17:52):
So that's the whole point, right is is we're giving
people in a state of nature. Every person should have
the full right to be free, to be left alone.
Speaker 1 (18:05):
We are allowed.
Speaker 4 (18:06):
There is a breach of the peace that occurs from
when you when you exit the road, to the sidewalk,
to the grass, to the door, inside the door, and
we have decided, well, here's what we're gonna do. We
don't want to in any way restrict a potential criminal.
(18:27):
So we're gonna let him get ninety percent of the
way into your house without any problems. And we're gonna
make you give him that advantage. Right because for a
lot of people, a guy banging on your door, a
single woman, especially if she's unarmed, particularly as frightening, frightening.
Speaker 1 (18:55):
She's got kids inside there.
Speaker 4 (18:58):
And some guy that you can tell, and you can
tell has been in prison for at least ten years
and he's banging on the door. No, No, this is
this is where we as a society have gone all wrong,
all wrong. Willie, you're on the Michael Berry Show.
Speaker 1 (19:17):
Go ahead.
Speaker 6 (19:20):
Minus not a forced entry story, but it's a Frank
Beard story.
Speaker 1 (19:24):
All right, proceed.
Speaker 4 (19:26):
Oh, I have to say this, Okay, what shoes do
you wear when you drun for the lineup band?
Speaker 6 (19:33):
Lately it has been converse Chuck Taylor's. Okay, so I've
gone through different ones.
Speaker 5 (19:38):
Have you just seen his boots? But no, it's it's
Chuck Taylor's.
Speaker 4 (19:42):
So Frank had these shoes that they laid next to
his feet, and they were just real light cloth with
a flat little piece of leather under the bottom of
a reel.
Speaker 1 (19:52):
I mean, it's then as possible.
Speaker 5 (19:54):
Based car drivers.
Speaker 4 (19:55):
Well I didn't know that, and so they were Simpson Band.
So I took a photo and the shoes were raggedy.
I mean, they said, those shoes are forty five years old.
They're just comfortable. That's what I gravitated to once I
found those that worked best for me. So I posted
that in Billy Stagner, one half of Conny and Billy
Stagner of Corey Diamonds, who they do race cars. They
(20:17):
got alls, they got vipers and all sort of stuff,
and he said, that's the shoes I wear when I'm
when I'm racing, because they don't they don't encumber your foot.
So what he's looking for is something that's almost like
a batter's glove for his foot. It's just a piece
of leather on his foot and it in no way
pulls you back. I thought, well, I said, most interesting thing.
Speaker 5 (20:40):
You know, and you also slide it.
Speaker 4 (20:44):
He told me he was telling me three things that
happened to him at the same time that were all bad.
One of them was they stopped making tab. Apparently he
drank tab just round the clock. They stopped making tab
even in Mexico. And I can't remember the second one,
but the third one was they changed the weight on
his drumstick and he could no longer buy it. It
(21:07):
was only by a half ounce or something, but he
could only find that drumstick. I mean, they no harm
made that drumstick, and that was his drumstick that he uses.
That he I mean, imagine that's how he makes his living.
Speaker 5 (21:21):
Wow.
Speaker 4 (21:21):
And he was bummed out, he said, And if I
handed you the two drumsticks, you'd say, Okay, that's what
are you getting all upset about. But when you've got
it down to a precise art and that's what you
do and that's how you do it, then there you.
Speaker 5 (21:36):
Go, Yeah, I get it. Totally difficult.
Speaker 6 (21:41):
What was your frank beards so well about twenty I
can't believe it's been a slow almost twenty years ago
or so. I'm playing golf here in Galveston and we
let this to some go through our normal for some
and as a bags are pulling away, there are huge
staff bags they're black, and both of them say zz toide.
But one of them says Frank Beard. And he's pulling away,
(22:02):
and so I get in the cart and i'd catch
up to him an affairway to go. You're Frank, he said, yeah, yeah,
I said, I got a pencil. I said, do you mind,
so I'm to have your autograph, you know. And he
turns out he's staying in Galveston to the own the
beach house there, and so I invited him, you know,
got his holograph, invited him to play golf in a
different golf course the next day, and you know, on me,
of course, and he showed up with his But I
(22:24):
think he's a friend, but he's more like a bodyguard.
This guy was as big as a refrigerator is huge.
And so I've showed up with my friend and I
had the round of my life there. I've never shot
even par before then or since then, and I shot
even par that day. He shot eighty two and I
was pulling out shots this around the green. I don't know,
I've never done it before. And it was by the
(22:47):
sixteenth green. He looked at me and said, I've never
seen no. He had a very deep voice, I've never
seen no, and he used the S word.
Speaker 5 (22:54):
He said, like, this is.
Speaker 6 (22:55):
My liar, and invited him to come see my band
that night at Joe's Crabshake here in Galveston, and he
actually showed up.
Speaker 5 (23:02):
So that was really cool that he saw a slay.
Speaker 6 (23:05):
But the best part about the story is that he
autographed us that. You know, you got to have a
witness for the golf guard and I've got to force
him on there my score his score and I actually
had like his cell number on it. I think his
wife's still number. I can't remember, And so I put
it up on my fireplace and lo and behold. Two
months later, my wife's cleaning house and she just sees
another scorecard.
Speaker 5 (23:25):
Oh yep, it's going yeah, yeah.
Speaker 1 (23:34):
Two other friends. I've invited him to come back.
Speaker 6 (23:37):
You know, I know he's had some health issues, but
we have a mutual friends that I'm trying to get
him to come back to the.
Speaker 5 (23:42):
Audit to play some golf. But I don't know if
that'll happen or not.
Speaker 1 (23:45):
But you know what I find that's my story.
Speaker 4 (23:48):
What I find interesting is how many star artists go
and watch other bands that are not famous that are
not prominent, that are not even in many cases. I mean,
you've got a day job, or you're an investor and
you have your investments going by day. But how many
of these guys going and watch bands in a little
(24:11):
hole in the wall place just to watch the art
for itself. And somebody might think, well, aren't you No, No,
they love to do that.
Speaker 1 (24:18):
I think.
Speaker 4 (24:19):
I think that's the greatest thing you could say about
Frank Bier other than he's my friend.
Speaker 5 (24:24):
Now. I really enjoy listening to both sessions of your
show every day, Michael Berry, you had the most pleasant.
Speaker 1 (24:35):
Voice Eddie Martinez. If you're on the phone with Eddie Martinez, he.
Speaker 4 (24:40):
Says, Hey, don't stop playing that song. I'm on an
FM music station. Just a shit, I'm enjoying it the
first time I've heard it.
Speaker 5 (24:49):
So.
Speaker 4 (24:49):
Stephen Page, co lead singer of Bare Neck Ladies, grew
up as I did, loving seventies what we now call
classic rock, edgy, angst ridden, heavy, deep, complex, harsh, and
(25:11):
just as I did.
Speaker 1 (25:12):
He viewed the Beach Boys as sort of bubblegum.
Speaker 4 (25:15):
Pop, not serious, not deep, not dark, and one of
his bandmates said, man, you need to spend more time
on the Beach Boys. It's a lot deeper than you think.
You like the Beatles. The Beatles were obsessed with pet sounds.
You need to really dig deeper into Brian Wilson and
(25:36):
build a new appreciation for him. And so he made
him a mixtape, if you will, and he said, I
just obsessively listened to Brian Wilson, and I grew to
understand the beauty in the simplicity, he said, And then
it hit me, you know they were a layered sound
because they had five vocals. We have five vocals, We
(25:59):
could do what they've done. So he sets out to
pay tribute to Brian Wilson. What I love about this
song is not only because he managed to pay tribute.
He mentions fun, fun, fun, but the harmonies are Beach
Boys esque. I'm not saying they achieved the Beach Boys
harmonies because nobody does. Literally nobody does. But the amazing
(26:19):
thing about that is he said, I'm playing in my sandbox.
You've you've ever seen the photo of Brian Wilson sitting
in his living room behind his piano. He had loads
of beach sand brought in so he could sit in
the sand in his living room. While he sat at
his piano and composed songs. Yes, he was in a
(26:42):
very serious mental health decline. There's no doubt about that.
That's why he was laying in bed. So Stephen Page's
reference to laying in bed, well, I'm laying in bed
just like Brian Wilson did. Is a reference to the
debilitating effects of the inability to get out of bed.
And I'm fortunate I have not suffered from that. But
(27:03):
I have known many people in the throes of mental
health decline or mental health episodes or challenges, and I've
seen what it does to people. I don't think they're lazy,
because there are people who often love what they do
or love the life they have, but they're in this situation.
(27:25):
It's like a cancer of the brain. I don't claim
to understand it, but it's real. I know it's real.
I've seen it, and I've seen what it can do
to people. But the beauty is that's not something that
Brian Wilson is proud of, even though he's talked about
it at length. And I mean, I think he's a
troubled soul. No matter what you watch. There's a documentar
(27:45):
around him with the guys just drive around with him
all day. And I mean, you can tell this a
lot rattle around in there. I feel bad for him.
It's a prisoner of his own mind. But the song
lay in bed just like Brian Wilson. Did you wonder
how Brian Wilson would take to that? You know how
dare great as I am and the Beach Boys stack
up against anybody of all time, you know, the Beatles,
(28:09):
anybody you can think of. So how would he take
to a song that is talking about the worst of
his life?
Speaker 1 (28:16):
Or what do you want to go?
Speaker 4 (28:17):
He loved it, In fact, he recorded it. The Bare
and Neck Ladies brought him on stage to sing it,
and I think it's just one of those most poignant moments.
Speaker 6 (28:29):
And Patty clean up tonight the man we all came
to see, and here.
Speaker 1 (28:34):
The great Brian Wilson. Didn't you want to find me?
Speaker 5 (28:47):
Of me?
Speaker 1 (28:48):
How did my sand ball?
Speaker 3 (28:52):
Wondering where the hell love his?
Speaker 1 (29:00):
On the han m building castles in the sun.
Speaker 3 (29:06):
And singing fun fun bomb, Lying in bed like Pride Wilson, Good,
lying bed like Brian Wilson.
Speaker 5 (29:21):
Yes, lying.
Speaker 1 (29:25):
Brian Wilson did night in bed like Brian Wilson.
Speaker 4 (29:41):
There is something very rewarding to identifying another person that
you admire for whatever that may be because he led
the league in strikeouts, because he got the mo Tho
home runs, because he in a Monday night football game
(30:06):
against the Dolphins ran for over two hundred yards of
his rookie season, because he dunked over shack, because he
wrote a song.
Speaker 1 (30:19):
But it could be because he built a business. Or
it could be because he married your mom and she
had several kids and he raised y'all as your own
and you realize that but for him, you would not
have had a stable childhood. Or it could be because
he hired you, or she hired you.
Speaker 4 (30:42):
When you didn't meet the qualifications and took a chance
on you because she saw something in you. There's a
very rewarding, deeply rewarding experience to expressing to someone else
the admiration you have had for them and what a
difference they've made to you in ways big and small.
(31:03):
Whether that's your spouse, your parent, your child, your boss,
your pastor your friend. It is and I think people
keep those things bottle up because there's going to be
the perfect time for you to express it.
Speaker 1 (31:17):
Can you imagine how much joy that gave.
Speaker 4 (31:19):
Stephen Page to the bare naked ladies to show this
to Brian Wilson and say I hope you like it.
It's meant as a tribute and for Brian Wilson to
say like it.
Speaker 1 (31:28):
I love it. I want to come on stage and
sing it with you.
It's that time, time, time time, lucking load. Michael Verry
Show is on the.
Speaker 2 (00:13):
Air and now exclusively for friends of the Michael Berry Show.
I am your Moment of Ignorance with Shirley Q Liquor.
Speaker 1 (00:26):
How you doing?
Speaker 2 (00:27):
Milwa Tusu was on our way to the dollar store
yesterday and we was listening to a radio preacher on there,
and he was getting good and he got to the
part about you.
Speaker 1 (00:37):
Know, bow your head, close your eyes, and oh, I
was so into it.
Speaker 2 (00:41):
Next thing I woke up, I had bashed completely upside
of Derry Queen. Oh, I have got to get some
insurance on that damn cadillac. I had to go to
doctor this morning and get my pain pills and my
nerve pills and their thing. And he said, what is
all this hair on here? I said, wow? He said,
all over you, over them face. Oh my god. I
(01:01):
had been forgotten to take my hormone pills.
Speaker 1 (01:05):
Of course, I had to sign away for farm before
they give me this shot.
Speaker 2 (01:08):
But now I'm good, Honey, I'm sitting here buzzing along
like a five horsepower outboard motor.
Speaker 3 (01:13):
Baby.
Speaker 2 (01:15):
I might have to get up on that damn internet
and find me a match dot com or somebody save
your money. Honey, You're not gonna find nothing good on
them things. Everybody on there is just mobidly obese, including me.
Speaker 1 (01:27):
So they need to rename all that ignorance.
Speaker 2 (01:30):
Well, watch us online, honey, and don't ever get on
camera with them. Oh you'll get a complex so bad
you think you can't never do no better than that. Okay,
now we're gonna return to the broadcasting excellence. A bizarre
of the radio. Michael Barry, you need a damn haircut,
white boy, that's what you need.
Speaker 4 (01:52):
The w NBA All Star Game was held, and in
keeping with the carnival that it is, because basketball is
not very good, you enjoy watching the Little Dribbler's second
Grade edition more if you want quality, old fashioned who's
your Basketball?
Speaker 1 (02:11):
No, this is Who's your Daddy? Ramond? Please do not
interrupt well in the middle of a story.
Speaker 4 (02:17):
So it's the WNBA All Star Game and the girls
come out to warm up wearing T shirts that say
pay us what we're worth. Oh, honey, I don't know
if you don't understand how getting paid works, you know,
(02:41):
let's get to that in the moment, because this comes
up a lot and this is a teachable moment. But
they come out wearing T shirts at the pregame, which
is the only thing anybody talked.
Speaker 1 (02:50):
About, because the quality of basketball is solo.
Speaker 4 (02:52):
Did I mention that the T shirt said pay us
what we're worth, and immediately thereafter the fans responded by
doing so, throwing green dildos on the court. I have
to think that's the answer to the question, pay me
(03:15):
what I'm worth, Pay me what I'm worth. So let's
go back to economics one on one. Milton Friedman, Thomas
soul Adam Smith, Hiek. This is important to understand. Your
feelings might get hurt. That doesn't change this. This is science,
(03:38):
not art. These are facts and laws, not feelings quote
Andrew Breitbart. The facts don't care about your feelings. If
your self worth is determined by some feel good book
Stuart Smalley style, then you need a better understanding if
(04:00):
you want to value what your contribution to a business
enterprise is. It's not what you think it is unless
another person agrees. I'm gonna explain this as simply as
I can. The labor relationship is a contract business puts
(04:25):
on the front door. We'll pay you ten dollars to
come pick up trash. I walk up to the door
and I say ten dollars a pick up trash?
Speaker 1 (04:37):
Huh yeah? How many hours a week? Forty? Okay? Do
you give benefits?
Speaker 5 (04:43):
No?
Speaker 1 (04:44):
Okay, I won't take the job.
Speaker 4 (04:46):
If everybody has that response, they start having to alter
the payer the benefits of the terms.
Speaker 5 (04:52):
Right.
Speaker 4 (04:54):
But if there's a bunch of people lined up to
take that job, then they don't have to pay more
than that, do they. So you start working there and
you find out that Sammy, who's been working there for
sixteen years, he's getting twenty dollars an hour. And you say, well, shoot,
if he's getting twenty, I ought to get twenty two,
(05:17):
pay me twenty two.
Speaker 1 (05:18):
And they say no.
Speaker 4 (05:20):
You say, well, I'm gonna quit, which is the only
way to negotiate.
Speaker 1 (05:25):
I'm gonna quit. Okay, And you quit and you leave. Now.
Speaker 4 (05:32):
I don't know if you are worth more than ten
dollars an hour, but you've just been it's been made
abundantly clear that they do not value you at twenty
two dollars an hour. It takes two to tango. This
is a relationship. It's a contractual relationship. I will come
to work and do the following things. Perform these tasks
(05:54):
on time, you will pay me this amount of money.
People who think the government ought to get into the
middle of that relationship and set minimum wages and set
this and those are people who are losers. Those are
people you don't want to be around. They're bad people.
They are not winners, they are not prevailers. They they're
(06:18):
not overcomers. They are not successful. They are not successful people.
Losers always want the rules change so they get a trophy.
If you're having to say that the government should dictate
your minimum wage, you're a loser. You might be a
child of God, might be a good Christian, might be
(06:41):
nice to your friends, but the market does not value
you at what you value you.
Speaker 1 (06:48):
And guess what you don't get to pay yourself.
Speaker 4 (06:53):
You know who doesn't have to have a salary cap
or a minimum wage Tom Brady, Peyton Manning because they're
paid an amount of money that will make them happy
to offer their services and you don't have to require
the business to do that. In fact, businesses will pay
(07:14):
so much money for the services of great athletes, for instance,
that the business owners get together and do the opposite
We're going to have a cap because otherwise we'll go crazy.
We'll spend like crazy on these people. So if you
think you're worth more than you're getting paid now, and
you truly believe that you may only be worth that
(07:35):
to that employer, in which case you're never going to
get what you're worth because they're not in the business
of being nice guys. They're in the business of making
money and making good business deals. You do the same
if you were in their shoes. But if you're getting
thirty two bucks an hour and you think you're worth
fifty because that's what the other Wilders are getting at
other places, go get the other job. Go get the
(07:57):
other job for fifty, and then come back and say, hey, guys,
I was worth more than thirty two. I'm getting fifty
over there now I'll stay here for sixty. You'll find
out immediately what you are worth two. Then your value
is not set by you. I don't care who you're
following on Tickney. You gotta value yourself, yep. But they
have to value at the amount because they're the ones
(08:18):
that had to pay you.
Speaker 6 (08:19):
Right now. He can't be Fuckelberry, sir, Please do not
call him the fat pick.
Speaker 1 (08:24):
See I'm trying to be nice. Don't call him a
fat picks.
Speaker 4 (08:28):
Right. About three months ago, I had some peddlers beating
on my door about seven point thirty at night, just
getting dark. At first I ignored it, hoping they would
move on. Instead, they started beating on the door harder.
As I approached, I saw they had not backed away
(08:49):
from my door respectively. They were young one in a hoodie.
I popped the door and showed I don't don't think
we needed respectively there, because that shows the ordinal relationship,
and I don't think we need that. They were young
one in a hoodie. I popped the door and showed
(09:10):
that I was armed, without pointing at them. They promptly
called the constable, who came to question me. I gave
my story and the fact that there are signs all.
Speaker 1 (09:17):
Over the hood.
Speaker 4 (09:19):
This is Kleine Glenlocke Farms saying no door to door sells.
Cop told me those signs only apply to the gated
sections and if I wanted more footing and dealing with
them to post signs in my yard.
Speaker 1 (09:31):
Nothing came of.
Speaker 4 (09:32):
It, as the cop indicated I was within my rights
on castle law stuff, but I should have handled it better,
told him home intrusions are a real thing, and I
will continue doing it this way while I am while
I am well, I agree with your sentiment. I think
(09:56):
it's a horrible approach. I think you should point the
gun at them. The only reason carrying a gun that
you're not pointing at people and opening the door as
they're at the door turned out to be a non
deadly interaction is because they chose not to make it
(10:18):
a deadly interaction. If you end up on someone's porch
banging away, you should expect that a gun will be
pointed at you, and if the homeowner is polite, they'll say,
see that I got a gun pointed at you. Let
me open the blinds to show you.
Speaker 1 (10:38):
Now run along.
Speaker 4 (10:39):
Too many people have bought the bull, and the bull
goes like this. We're going to have a subset of
people within our culture who are going to make babies
they don't raise that the state will have to pay for.
And those babies that they don't raise will also, in
(11:02):
some cases grow up to be rabid dogs, violent, vicious,
monstrous human beings capable of beating a man to death
who's ninety years old after he's already taken his wallet, kicking, beating, eight, ten,
(11:23):
twelve of them doing it, long beyond him being knocked out,
long beyond him being a threat to them doing what
they wanted to do, which was take what he has.
We are talking about savages. There's nowhere in the world
you find worse savages than these people. Start with that premise.
(11:47):
Now we know that's not an outlier, it's not a
random case. We also know that most of the time
they're victims are going to be black, even though they're black.
The the crazy thing about this, you would think that
black people would be.
Speaker 1 (12:04):
Up in arms.
Speaker 4 (12:06):
We've got a subset of people that look like us
that are terrorizing our neighborhoods.
Speaker 1 (12:12):
Now you'll find some who do.
Speaker 4 (12:14):
God help you if you find the Marvin Hamilton in
the group, or the Jerry who called a couple of
weeks ago, or the guy who lives the boys in
the hood, Dad Laurence Fishburne, the guy who's just not
going to stand for it anymore because his neighbors are
so afraid of peer pressure. Peer pressure is so powerful
(12:38):
among blacks, it is paralysis. There is so haven't you
ever heard what Joyce says when she calls him about
how they talk about her, because she dares. Joyce is
well known in the hood, Joyce the Sage of Sunnyside
because guess what, Democrats listen to the show and they
(13:01):
know that's Joyce.
Speaker 1 (13:02):
She's very identifiable.
Speaker 4 (13:04):
She wears really bright le may material hats and dayshikys,
and I mean she's she's very bold, very vocal in
her nineties and pressing around calling out the thugs. But
we made a decision as a culture, and it's been made.
(13:24):
Make no mistake about it. If you don't participate in this,
you are the outlier. We made a decision. We're going
to pretend that those savages are just like everybody else.
We're going to pretend that they can come up to
the door and bang on the door, and that until
the point that they've murdered you, you can't do anything
about it because that'd make you racist because they happen
(13:48):
to be black, and you're not allowed to do anything
about it because that would make you a bad person.
Giving them every advantage, And should one of them come
walking up at a rapid rate of a speed as
you're getting into your car and there's no cars for
one hundred feet away. You better not get in there
and lock the door, because that'd make you a bad person.
(14:12):
You better smile and pretend that's probably a person wanting
to talk to you about the Lord and how he
died for you, because otherwise you're a bad person.
Speaker 1 (14:19):
And you better not lock your doors.
Speaker 4 (14:22):
And you better not declare that that person be prosecuted
when they murder your family member.
Speaker 1 (14:29):
This is nonsense, This is crazy. This has to stop.
Speaker 4 (14:34):
White people have become so guilt ridden after decades of
what started as a civil rights movement that has become
an absolute industry, a booming industry. The Trump era is
the smoke screen in the room that allows people to
finally come out and survey they're dead. I've been in
(15:00):
hiding all this time. Apparently it's okay to come out
in public to see how many of ours died in
the mix. You've got white people being hunted in this country.
The videos are everywhere, nobody whites bothering anybody black. You
(15:23):
don't have roving bands of white people out bashing black
people to death. It doesn't happen. It does not happen.
God forbid. If it did one time, it'd be the
top news story, and we all just go. Every time
black person walks up to white person, stabs them eight times,
steals their bicycle, takes their their wallet, smashes their head,
(15:47):
American history acts into the curb a few times just
for good measure, and.
Speaker 1 (15:53):
We all go.
Speaker 4 (15:54):
Boy thought a battle white person did die to a
black person, but nobody wants to do anything about it.
You got big city police chiefs scared to do anything
about it, mayors who bought into it, Black Lives Matter, leader,
street corner street hustler, preachers making money off of an
house sharfting.
Speaker 1 (16:10):
On Evening TV.
Speaker 4 (16:12):
Apparently they're referring to throwing a green dildo on the
court at a w NBA game as a hard pass.
I just made that up on the flow ramon some
of them a better work. I'll be here all week.
Try the port. Tip your waitress, Dane Wrights. Apparently recently,
a female sportscaster covering a WNBA game made a comment
(16:35):
about the lack of defense during a game when she
referred to it as being like a girl's trip to
can Kun.
Speaker 1 (16:45):
There's no d.
Speaker 4 (16:48):
So maybe that's why all the dildos are being thrown
on the court to remind the gals to play defense.
Speaker 5 (16:57):
Who knew?
Speaker 6 (16:59):
Who knew?
Speaker 4 (17:00):
Let's go to Evan. Evan, you're on the Michael Berry Show.
What say you, sir?
Speaker 7 (17:05):
Well, about ten years ago, I was a reserve deputy
for our Sheriff's office and I was working from home
for my normal job. And I get a knock on
the door and it's one of those traveling salesmen going
door to door selling cleaning supplies. And I answered the door.
He told me what he was doing. I said, well,
(17:26):
I'm not interested. I go shut the door, and he
puts the hand on the door and to prevent me
from shutting the door, and said, hey, I gotta I
gotta show you. And I said, hold on one second,
let me let me go get something and then you
can show me. Well, then I went and got my badge,
my weapon, and my handcuffs and anyways, I proceeded to
(17:48):
arrest them for forced entry.
Speaker 4 (17:52):
So that's the whole point, right is is we're giving
people in a state of nature. Every person should have
the full right to be free, to be left alone.
Speaker 1 (18:05):
We are allowed.
Speaker 4 (18:06):
There is a breach of the peace that occurs from
when you when you exit the road, to the sidewalk,
to the grass, to the door, inside the door, and
we have decided, well, here's what we're gonna do. We
don't want to in any way restrict a potential criminal.
(18:27):
So we're gonna let him get ninety percent of the
way into your house without any problems. And we're gonna
make you give him that advantage. Right because for a
lot of people, a guy banging on your door, a
single woman, especially if she's unarmed, particularly as frightening, frightening.
Speaker 1 (18:55):
She's got kids inside there.
Speaker 4 (18:58):
And some guy that you can tell, and you can
tell has been in prison for at least ten years
and he's banging on the door. No, No, this is
this is where we as a society have gone all wrong,
all wrong. Willie, you're on the Michael Berry Show.
Speaker 1 (19:17):
Go ahead.
Speaker 6 (19:20):
Minus not a forced entry story, but it's a Frank
Beard story.
Speaker 1 (19:24):
All right, proceed.
Speaker 4 (19:26):
Oh, I have to say this, Okay, what shoes do
you wear when you drun for the lineup band?
Speaker 6 (19:33):
Lately it has been converse Chuck Taylor's. Okay, so I've
gone through different ones.
Speaker 5 (19:38):
Have you just seen his boots? But no, it's it's
Chuck Taylor's.
Speaker 4 (19:42):
So Frank had these shoes that they laid next to
his feet, and they were just real light cloth with
a flat little piece of leather under the bottom of
a reel.
Speaker 1 (19:52):
I mean, it's then as possible.
Speaker 5 (19:54):
Based car drivers.
Speaker 4 (19:55):
Well I didn't know that, and so they were Simpson Band.
So I took a photo and the shoes were raggedy.
I mean, they said, those shoes are forty five years old.
They're just comfortable. That's what I gravitated to once I
found those that worked best for me. So I posted
that in Billy Stagner, one half of Conny and Billy
Stagner of Corey Diamonds, who they do race cars. They
(20:17):
got alls, they got vipers and all sort of stuff,
and he said, that's the shoes I wear when I'm
when I'm racing, because they don't they don't encumber your foot.
So what he's looking for is something that's almost like
a batter's glove for his foot. It's just a piece
of leather on his foot and it in no way
pulls you back. I thought, well, I said, most interesting thing.
Speaker 5 (20:40):
You know, and you also slide it.
Speaker 4 (20:44):
He told me he was telling me three things that
happened to him at the same time that were all bad.
One of them was they stopped making tab. Apparently he
drank tab just round the clock. They stopped making tab
even in Mexico. And I can't remember the second one,
but the third one was they changed the weight on
his drumstick and he could no longer buy it. It
(21:07):
was only by a half ounce or something, but he
could only find that drumstick. I mean, they no harm
made that drumstick, and that was his drumstick that he uses.
That he I mean, imagine that's how he makes his living.
Speaker 5 (21:21):
Wow.
Speaker 4 (21:21):
And he was bummed out, he said, And if I
handed you the two drumsticks, you'd say, Okay, that's what
are you getting all upset about. But when you've got
it down to a precise art and that's what you
do and that's how you do it, then there you.
Speaker 5 (21:36):
Go, Yeah, I get it. Totally difficult.
Speaker 6 (21:41):
What was your frank beards so well about twenty I
can't believe it's been a slow almost twenty years ago
or so. I'm playing golf here in Galveston and we
let this to some go through our normal for some
and as a bags are pulling away, there are huge
staff bags they're black, and both of them say zz toide.
But one of them says Frank Beard. And he's pulling away,
(22:02):
and so I get in the cart and i'd catch
up to him an affairway to go. You're Frank, he said, yeah, yeah,
I said, I got a pencil. I said, do you mind,
so I'm to have your autograph, you know. And he
turns out he's staying in Galveston to the own the
beach house there, and so I invited him, you know,
got his holograph, invited him to play golf in a
different golf course the next day, and you know, on me,
of course, and he showed up with his But I
(22:24):
think he's a friend, but he's more like a bodyguard.
This guy was as big as a refrigerator is huge.
And so I've showed up with my friend and I
had the round of my life there. I've never shot
even par before then or since then, and I shot
even par that day. He shot eighty two and I
was pulling out shots this around the green. I don't know,
I've never done it before. And it was by the
(22:47):
sixteenth green. He looked at me and said, I've never
seen no. He had a very deep voice, I've never
seen no, and he used the S word.
Speaker 5 (22:54):
He said, like, this is.
Speaker 6 (22:55):
My liar, and invited him to come see my band
that night at Joe's Crabshake here in Galveston, and he
actually showed up.
Speaker 5 (23:02):
So that was really cool that he saw a slay.
Speaker 6 (23:05):
But the best part about the story is that he
autographed us that. You know, you got to have a
witness for the golf guard and I've got to force
him on there my score his score and I actually
had like his cell number on it. I think his
wife's still number. I can't remember, And so I put
it up on my fireplace and lo and behold. Two
months later, my wife's cleaning house and she just sees
another scorecard.
Speaker 5 (23:25):
Oh yep, it's going yeah, yeah.
Speaker 1 (23:34):
Two other friends. I've invited him to come back.
Speaker 6 (23:37):
You know, I know he's had some health issues, but
we have a mutual friends that I'm trying to get
him to come back to the.
Speaker 5 (23:42):
Audit to play some golf. But I don't know if
that'll happen or not.
Speaker 1 (23:45):
But you know what I find that's my story.
Speaker 4 (23:48):
What I find interesting is how many star artists go
and watch other bands that are not famous that are
not prominent, that are not even in many cases. I mean,
you've got a day job, or you're an investor and
you have your investments going by day. But how many
of these guys going and watch bands in a little
(24:11):
hole in the wall place just to watch the art
for itself. And somebody might think, well, aren't you No, No,
they love to do that.
Speaker 1 (24:18):
I think.
Speaker 4 (24:19):
I think that's the greatest thing you could say about
Frank Bier other than he's my friend.
Speaker 5 (24:24):
Now. I really enjoy listening to both sessions of your
show every day, Michael Berry, you had the most pleasant.
Speaker 1 (24:35):
Voice Eddie Martinez. If you're on the phone with Eddie Martinez, he.
Speaker 4 (24:40):
Says, Hey, don't stop playing that song. I'm on an
FM music station. Just a shit, I'm enjoying it the
first time I've heard it.
Speaker 5 (24:49):
So.
Speaker 4 (24:49):
Stephen Page, co lead singer of Bare Neck Ladies, grew
up as I did, loving seventies what we now call
classic rock, edgy, angst ridden, heavy, deep, complex, harsh, and
(25:11):
just as I did.
Speaker 1 (25:12):
He viewed the Beach Boys as sort of bubblegum.
Speaker 4 (25:15):
Pop, not serious, not deep, not dark, and one of
his bandmates said, man, you need to spend more time
on the Beach Boys. It's a lot deeper than you think.
You like the Beatles. The Beatles were obsessed with pet sounds.
You need to really dig deeper into Brian Wilson and
(25:36):
build a new appreciation for him. And so he made
him a mixtape, if you will, and he said, I
just obsessively listened to Brian Wilson, and I grew to
understand the beauty in the simplicity, he said, And then
it hit me, you know they were a layered sound
because they had five vocals. We have five vocals, We
(25:59):
could do what they've done. So he sets out to
pay tribute to Brian Wilson. What I love about this
song is not only because he managed to pay tribute.
He mentions fun, fun, fun, but the harmonies are Beach
Boys esque. I'm not saying they achieved the Beach Boys
harmonies because nobody does. Literally nobody does. But the amazing
(26:19):
thing about that is he said, I'm playing in my sandbox.
You've you've ever seen the photo of Brian Wilson sitting
in his living room behind his piano. He had loads
of beach sand brought in so he could sit in
the sand in his living room. While he sat at
his piano and composed songs. Yes, he was in a
(26:42):
very serious mental health decline. There's no doubt about that.
That's why he was laying in bed. So Stephen Page's
reference to laying in bed, well, I'm laying in bed
just like Brian Wilson did. Is a reference to the
debilitating effects of the inability to get out of bed.
And I'm fortunate I have not suffered from that. But
(27:03):
I have known many people in the throes of mental
health decline or mental health episodes or challenges, and I've
seen what it does to people. I don't think they're lazy,
because there are people who often love what they do
or love the life they have, but they're in this situation.
(27:25):
It's like a cancer of the brain. I don't claim
to understand it, but it's real. I know it's real.
I've seen it, and I've seen what it can do
to people. But the beauty is that's not something that
Brian Wilson is proud of, even though he's talked about
it at length. And I mean, I think he's a
troubled soul. No matter what you watch. There's a documentar
(27:45):
around him with the guys just drive around with him
all day. And I mean, you can tell this a
lot rattle around in there. I feel bad for him.
It's a prisoner of his own mind. But the song
lay in bed just like Brian Wilson. Did you wonder
how Brian Wilson would take to that? You know how
dare great as I am and the Beach Boys stack
up against anybody of all time, you know, the Beatles,
(28:09):
anybody you can think of. So how would he take
to a song that is talking about the worst of
his life?
Speaker 1 (28:16):
Or what do you want to go?
Speaker 4 (28:17):
He loved it, In fact, he recorded it. The Bare
and Neck Ladies brought him on stage to sing it,
and I think it's just one of those most poignant moments.
Speaker 6 (28:29):
And Patty clean up tonight the man we all came
to see, and here.
Speaker 1 (28:34):
The great Brian Wilson. Didn't you want to find me?
Speaker 5 (28:47):
Of me?
Speaker 1 (28:48):
How did my sand ball?
Speaker 3 (28:52):
Wondering where the hell love his?
Speaker 1 (29:00):
On the han m building castles in the sun.
Speaker 3 (29:06):
And singing fun fun bomb, Lying in bed like Pride Wilson, Good,
lying bed like Brian Wilson.
Speaker 5 (29:21):
Yes, lying.
Speaker 1 (29:25):
Brian Wilson did night in bed like Brian Wilson.
Speaker 4 (29:41):
There is something very rewarding to identifying another person that
you admire for whatever that may be because he led
the league in strikeouts, because he got the mo Tho
home runs, because he in a Monday night football game
(30:06):
against the Dolphins ran for over two hundred yards of
his rookie season, because he dunked over shack, because he
wrote a song.
Speaker 1 (30:19):
But it could be because he built a business. Or
it could be because he married your mom and she
had several kids and he raised y'all as your own
and you realize that but for him, you would not
have had a stable childhood. Or it could be because
he hired you, or she hired you.
Speaker 4 (30:42):
When you didn't meet the qualifications and took a chance
on you because she saw something in you. There's a
very rewarding, deeply rewarding experience to expressing to someone else
the admiration you have had for them and what a
difference they've made to you in ways big and small.
(31:03):
Whether that's your spouse, your parent, your child, your boss,
your pastor your friend. It is and I think people
keep those things bottle up because there's going to be
the perfect time for you to express it.
Speaker 1 (31:17):
Can you imagine how much joy that gave.
Speaker 4 (31:19):
Stephen Page to the bare naked ladies to show this
to Brian Wilson and say I hope you like it.
It's meant as a tribute and for Brian Wilson to
say like it.
Speaker 1 (31:28):
I love it. I want to come on stage and
sing it with you.
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