May 9, 2025 • 34 mins
We talk about a little bone we have to pick with Megyn Kelly and her coverage of the Met Fashion Gala. We also discuss Trump's effort with Oscar-winning actor Jon Voight in their quest to save Hollywood...and RPA's plot to get a Golden Globe.
Cover: Adryana's hat is by Eric Javits.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
This is Red Pilled America. Hey, it's Patrick Carrelchi.
Speaker 2 (00:09):
And I'm Adriana Cortez and welcome to Red Pilled America's
damn boogie.
Speaker 1 (00:31):
I hope your guys week is going well. Mine is
going pretty good. Dodgers are doing good right now. They
have a little bit of a winning streak going. We
got a new guy on the team, Kim. He's killing it.
Speaker 2 (00:43):
He's killing it.
Speaker 1 (00:44):
Mister Comet is how they call him. I love the guy, Korea,
South Korean guy. I think killing it. How's your week going, Adriana.
Speaker 2 (00:53):
I've had a very very good week, actually, I you know,
busy week as usual.
Speaker 1 (00:59):
With all your Adriana Jade stuff.
Speaker 2 (01:02):
No, most all Red Pilled Americas.
Speaker 1 (01:04):
Okay, but hey, if you guys have not checked out
her Adrianna Jade, check it out Adrianna Underscore Jade on Instagram.
She gives fashion tips to women, all the ladies. I
know you're going to want to check this out. Go
check it out. She does a lot of fashion content.
Speaker 2 (01:19):
Thanks for saying that. Something exciting actually did happen this
past week. I actually got to partner with the milliner
that made the hat for Milania Trump's inauguration.
Speaker 1 (01:30):
Look look at that.
Speaker 2 (01:32):
Yeah, that was I have to say. I feel like
it's a career highlight, you know, like politics and fashion
intersect For me, those are my two.
Speaker 1 (01:41):
I think we might put that hat on the cover
of this episode.
Speaker 2 (01:44):
Oh, that would be nice.
Speaker 1 (01:45):
So his hats are very part the company.
Speaker 2 (01:47):
Again, it's Eric Javitt. Okay, the hats are very pricey,
but the quality is incredible. I'm not kidding when I
say it's the best hat that I've ever had.
Speaker 1 (01:54):
And when did Malania wear that hat?
Speaker 2 (01:56):
She wore one of his hats to the inauguration.
Speaker 1 (01:59):
He made it special for Okay, that's cool.
Speaker 2 (02:00):
Yeah, it's pretty cool. I mean, I love that this
guy's has the balls to do that.
Speaker 1 (02:07):
That's great.
Speaker 2 (02:07):
Yeah, he's an American designer.
Speaker 1 (02:09):
Those people.
Speaker 2 (02:10):
Yeah, so I had a good week. You know, a
lot of mom stuff who we're closing out the school year,
a lot of Red Field America stuff, a lot of
Adriana Jade stuff, and a lot a lot of Dodgers.
My problem is when the Dodgers are on, I can't
look on.
Speaker 1 (02:23):
It's very hard. It's very hard to get the best
in the league right now. But I'm worried because they're
going to have a tough stretch right now.
Speaker 2 (02:30):
The other really fun thing I got to do this
week is this past week is that I actually had
dinner with Katie Gorka and I got to meet her
in person for the first time, which was a real treat.
Speaker 1 (02:41):
Sebastian Gorka's wife, Yeah, yeah, yeah, it.
Speaker 2 (02:43):
Was really really great to meet her in person. She's
had me on her show, which is the Happy Women podcast,
which I actually want to recommend to you guys. Katie
Gorka does it with Jen Horn and they have some
really really great takes. I think if you guys are
looking for another podcast to add to to your list
of great podcasts, definitely checked that one out. So that
(03:04):
was cool.
Speaker 1 (03:04):
I was kind of jealous I didn't get to go that.
Speaker 2 (03:06):
Yeah, yeah, I know initially he thought he was invited to.
I love when that happens. How was your week?
Speaker 1 (03:13):
It was good. I've been you know, I'm at that
age where I'm having to deal with a lot of
health stuff, like just constantly going and get things checked out. Yeah,
my blood and I got my ears checked out the
other day. Thank god. If you guys know, like the
pimple popper kind of show where like this pimple popper
doctor like pops these pimples.
Speaker 2 (03:34):
Okay, she's my best friend's best friend.
Speaker 1 (03:36):
There you go, and so that's kind of how your friend. Yeah,
that's kind of how it is. When I go get
my ears checked out, this kind of like an ear.
Speaker 2 (03:47):
Oh my, this is total TMI, but I'm going to
tell you guys. So I went with him to the
ear doctor, and uh, you go about six every six
months to the ear doctor. He cleans out his ears.
But the first time we went, you guys, he pulled
something out of there. I thought, I'm gonna have to
file for divorce. I cannot unsee it. Yeah, it was
(04:11):
like one of those gross videos and it was like enormous.
You don't realize how deep it is.
Speaker 1 (04:16):
Well, I've gotten smart now and I have some techniques
to kind of deal with that. He gave me some
techniques to deal with that, so I feel like, you know,
I went there, I was in his embarrassed this time,
so that was was kind of nice.
Speaker 2 (04:28):
Listen, you should be embarrassed.
Speaker 1 (04:30):
Oh my god, I was so embarrassing. It was so embarrassing.
Speaker 2 (04:34):
So let's talk about this week's check.
Speaker 1 (04:36):
Get into a couple Wait, meaning this week's show? What
are you talking about right now?
Speaker 2 (04:40):
Boogie?
Speaker 1 (04:40):
Oh okay, I thought you're talking about the I thought
you're talking about what's an American? Hey, if you guys
haven't checked it out, go make sure you check it out.
Share it guys. We need you guys to share that
episode with as many people as possible. We're gonna be
doing a couple more. I'm almost done with Uh, we're
almost with the writing on this one. We've gotten through
all the research and everything. We're almost done with the writing.
Another good one, I think. Another great episode coming up.
Speaker 2 (05:02):
I have to say, got very very choked up this
week again. This episode keeps getting me. When you talked
about Jacob Kunt and you said he was your fourth
great grandfather, it was.
Speaker 1 (05:13):
Coons, but yeah, it was his name used to be.
They had a German version of it earlier. Yeah, but
it's Coons. Yeah. You know what the great thing about
this series is, I've been doing a full deep dive
on my family and I cannot believe what I've been finding.
How long my grandfather on my mother's side, how long
we've been in this country. We go way way back,
(05:34):
you know, basically it's seventeen hundred and it's just I
had this weird, just proud feeling.
Speaker 2 (05:41):
Yeah, I felt proud too.
Speaker 1 (05:43):
Over three hundred years we've been in this country. It's fascinating.
Speaker 2 (05:47):
Yeah. I felt a sense of pride on your behalf
as well.
Speaker 1 (05:49):
Thank you, Yeah, thank you. I don't know why. I mean,
I didn't do it. I'm just here because of them.
Speaker 2 (05:54):
You're here because of it, like your family. Actually, they
put everything on the line. Literally.
Speaker 1 (06:00):
I'm just happy that I'm able to hell the story.
I mean, can you imagine like the first German uh,
you know, Protestant guys come over here in the early
seventeen hundreds and they're setting up camp in this colony,
and little did they know they were going to have
a great great great great great great great great great
great grandson that was going to tell their story. That
kind of gets me a little.
Speaker 2 (06:21):
Which I know, I know, it's really cool. By the way,
you guys are listening to Red Pilled America's fam boogie.
If you want to become a member of Red Pilled
America's fambam, become a backstage subscriber. We need your support there.
You can listen to all of our episodes, both the
fam Boogies and our long form Red Pilled America Stories
add free. Just go to Red Pilled America dot com
(06:43):
and click join in the top menu.
Speaker 1 (06:45):
And you're going to want to go backstage this time
because we're going to talk about some.
Speaker 2 (06:49):
Things, very controversial social.
Speaker 1 (06:50):
Stuff that's kind of easier to talk about backstage. We're
going to get into that whole Shiloh Hendrix update and
some of the race war stuff we've been talking about,
and then we're going to talk about the most controversial
song that's ever been least. We're going to talk about
that backstage, but front a stage, we're going to do
a couple parts like we've been doing recently. We're going
to talk about this effort that John Vot's doing in Hollywood.
(07:13):
For any of you guys know who John Boyd is
an incredible actor or Oscar winning actor. I'm not sure
about too, but you might be right. We're also going
to talk a little bit about some stuff, some Hollywood
stuff that I think will be interesting. We're going to
go into this fascinating case of this quote unquote college
student that is getting deported her in her entire family.
(07:34):
We're going to get into that story because the media
is trying to run with that story and kind of
make a president Trump look bad. We're going to also
get into the Columbia protests because there's been some new
protests at Columbia that we're going to get into. But
I want to start with this met gala and I
think people are going to this sounds like something that's like,
why do we want to talk about this? But it's
(07:56):
one of those things where it kind of reminded me
why sometimes Megan Kelly, what can I say? She gets
on my nerves sometimes.
Speaker 2 (08:06):
Oh boy, and now this is why we're the friendless.
Here we go.
Speaker 3 (08:11):
Oh.
Speaker 1 (08:12):
I like her. I think she's let me start it
off by saying some nice things. I think she's an
extraordinary broadcaster.
Speaker 2 (08:19):
She's a very, very gift.
Speaker 1 (08:21):
She's extraordinary. Like anyone that tries to say, oh, it's
just because she's pretty or what have you, No, she's
an extraordinary broadcaster. She's one of the few that was
in the mainstream media and was able to make the
leap into the podcast world.
Speaker 2 (08:33):
Well, it does not help that she's.
Speaker 1 (08:34):
Pretty and she's doing an incredible minute.
Speaker 2 (08:37):
It doesn't hurt. It doesn't hurt.
Speaker 1 (08:39):
Yeah, I don't know, though. That hurts sometimes people when
they're kind of too attractive, and I think there's a
lot of cat fighting out there.
Speaker 2 (08:45):
She's not too attractive. I think she's just right.
Speaker 1 (08:48):
Yeah, you know, I think she's She's always I've always
thought she was an extraordinary broadcaster, and you know, I
was always kind of a little bit bummed at her
approach with Trump, not necessarily the first debate where they
had the big argument, where I guess she asked him
some hard questions. I thought the questions were, if I'm
being honest, I thought they were fair, you know if
(09:11):
in hindsight, maybe I don't know how I felt about
at the time, I can't remember, but in hindsight it
was fair questioning when she was talking about how he
spoke about women, because ultimately he was going to have
to face that those questions at some.
Speaker 2 (09:22):
Point, and so I did not like it at the time.
Speaker 1 (09:24):
I think the main thing about her questioning that I
was into is his response. I loved his response. I
thought his response was great. But you know, then the
whole thing happened with that. Michelle Fields remember that, of course,
and she started her never Trump, Andess kind of really
started to kick in. I think it was more of
a defense mechanism. I think because there was a beef
(09:46):
now with Trump, because Trump said, oh, she's bleeding out
of her eyes, she's bleeding out of her whatever, and
so it created this feud. And I also think she
was at Fox News at the time, and Fox News
was also against Trump, So maybe there was some pressure
there because she was at a network, and who you know,
it's kind of these untold pressures a when you're at
a network. Fast forward to twenty twenty four, and I
(10:06):
thought she was great and she put herself on the line,
and she was in Madison Square Gardens and she came
out and endorsed him. I think it was Madison Square Gardens.
It might have been a Michigan, but she came out
and endorsed him on the stage at one point, and
I thought, you know what, that was a not only
a brave thing for her to do, just a solid
thing for her to do.
Speaker 2 (10:26):
Continue was smart for her to do that.
Speaker 1 (10:29):
It was smart.
Speaker 2 (10:29):
Face is behind Trump. She knew what she had to do. Yes,
it was a calculated move making mistake.
Speaker 1 (10:36):
Yes, but every once in a while you have these
kinds of big personalities on the right, and I feel
like they steer conservatives the wrong way, and in particular
with this Met Gala thing. Everybody likes to make fun
of the MET Gala. I get it. It's like the
Hunger Games. It's all these rich people going to this
(10:56):
event looking ridiculous. I think, what's his name from what's
the old rapper guy's name? He wore a piano? Oh god,
I can't the Atlanta rapper guy. It'll come to me. Anyways,
he is one of this old rapper guys from Atlanta
wore a piano on his back. So you have like
(11:18):
that kind of weird thing happening all the time, and
so it's easy to make fun of.
Speaker 2 (11:23):
Yeah, it's ridiculous. So the level of ridiculousness is crazy.
Speaker 1 (11:27):
But Megan got into this topic because I think it's
it's low hanging fruit for conservatives, and this is kind
of how she approached it, and I want to talk
about it on the tail end.
Speaker 4 (11:37):
Once we hear this clip, the MET Gala is officially
over dead done. Once the apex of high fashion culture
and a list celebrity, the Galla now looks more like
a sad sack, d list past its prime, wanna be
version of its old self. It's closer to today's nerd prom
white House correspondence dinner than the center of the celebn
(12:00):
beauty universe as it used to be. This year's theme
was super Fine Tailoring Black Style, an homage to black dandyism.
What's that you ask? No one has any idea. The
MET says black dandyism came from the intersection of African
and European style traditions. Of course, what does that mean?
I have no idea, but it seems to be based
(12:21):
on a two thousand and nine book written by a
woman named Monica Miller called Slaves to Fashion, Black Dandyism
and the Styling of Black Diasporic Identity. Okay, so so
far we have dandyism, intersection and diasporic identity. So we're
bat in a thousand on the scale of leftist code
language that will make liberals sound smarter and feel superior.
(12:44):
So what did we see last night? Well, it was
basically Black Lives Matter at the MET. It was a
parade of Black Americans leftists in their dandie style cramming
into the MET where the invitation only tickets went for
seventy five thousand dollars a plate, and that's only for
the losers willing to actually pay to rub elbows with
(13:05):
stars like Lisa. Who is Lisa you ask? Yes, I
wanted to know too. She's the girl from White Lotus
who was dating the security guard. Remember, she's top not
star talent right there, people, Lisa.
Speaker 1 (13:23):
So she's kind of capping on this Lisa artist and
it just kind of shows.
Speaker 2 (13:28):
That who's hot right now?
Speaker 1 (13:29):
By who is incredibly hot right now? She performed at Coachella,
huge performance crowd. It just kind of shows that, like,
she's not necessarily tied into the whole pop culture thing.
And so she's making all of these kind of very
low hanging fruit attacks on this MET gala. I get it,
(13:51):
it's easy to attack. So she goes on this kind
of long description about the met and kind of making
fun of the theme that they they came up with
and kind of saying that it's, you know, doesn't attract
all the big Hollywood stars. One tracts the big Hollywood stars.
Speaker 2 (14:07):
Still, it's not it's not dlisters.
Speaker 1 (14:10):
Not even close. It's the biggest of the biggest Hollywood people.
So I looked this up, and sure enough, Megan Kelly
was at the two thousand and sixteen met Gala, okay,
and the twenty sixteen met Gala was very similar where
(14:30):
they had the theme of that night was Manus Times
Makina Fashion in an Age of Technology, and it has
a very kind of a similar kind of weird explanation
of the theme of the night. And so you know, yeah,
somebody goes to one of these events, maybe she got
an invite or something it was. But then I looked
(14:52):
and she went to the twenty seventeen met Gala, okay,
which also had a similar thing. It was called the
Art of the in Between, And there's a kind of
a big, kind of a you know, similar kind of
avant garde description of that event.
Speaker 2 (15:08):
Yeah, I was just gonna say that it's meant to
be avant garde. And she knows that.
Speaker 1 (15:12):
Yeah, she's been she's been there.
Speaker 2 (15:14):
Yeah, and she paid the big buck, she.
Speaker 1 (15:15):
And she or somebody paid time, and she had, you know,
she went there, you know, fully fashioned out. She looked great,
but she was wearing a fully fashioned out kind of
a thing. And so I guess my argument or my
my gripe with this is this. These kinds of events
are important for the right to understand. And every time
(15:39):
you have somebody like Megan Kelly, and I see her
do this all the time. She does this with actors,
she kind of picks on them in a way that
doesn't totally make sense. And when they do that, what
she ends up doing is is she ends up conditioning
or grooming the conservative audience to not care about culture,
to not care about art, to not care about design,
(16:01):
to not care about storytelling. And that is the wrong
message to be giving to the right, because there is
power in these things. And the power is that artists
like that, big artists, big designers, big musicians, big actors,
They care about legacy, and they will never come to
(16:23):
the right or listen to the arguments, the political arguments
of the right if they know that they don't have
any environment to go into that gives them the promotional
platform that something like the met does, something like the
Oscars does, something like the Golden Globes does. All of
these kinds of award shows are huge for people that
(16:44):
are in the art world, or in the storytelling world,
or in the design and music. They are huge events
and constantly poop pooing these kinds of things. When she
went to these things, Okay, she's been to two of
them before. It wasn't just once, She's been to them twice, okay,
(17:04):
and maybe more than that. That's what I found when
I looked, And would she go again if she was invited?
I have to say she probably would. I'd be very
hard pressed to believe that she would not go.
Speaker 2 (17:14):
I would go.
Speaker 1 (17:14):
Okay. So when I see this, I just I want
to get this message out there. And we're not speaking
to you know, as sidelines from this. We used to
produce help produce big New York Fashion Week shows back
in the day prior to kind of getting involved with
all this kind of stuff.
Speaker 2 (17:32):
With huge designers involved in couch designers, why use yes,
Mark Jacobs, like all of the big fashion designers. Yes,
we're in our show.
Speaker 1 (17:42):
Yes. And so we're not speaking about this from kind
of like you know, from the sidelines or you know,
we're not you know, couch potatoes on this kind of conversation.
And so to hear her say that, and the thing
is that I know she knows too. I know that
she knows this. I know that she knows how important
these things are, you know, And when I'd see like
(18:03):
the Daily Wire, do these kinds of red carpets and
the kind of the glitz and glamour of it, That's
what they were trying to do. And I applaud them
for doing that because I remember having this conversation years ago.
I've had conversations with a bunch of different people that
are on the right, that are in Hollywood, and had
a conversation with this one guy, and he was big
screenwriter and he wanted to know if he could come
(18:24):
to the right. He was like professing to me that
he wanted to kind of come out as a right
of center guy, huge screenwriter, stuff in the oscars and
that kind of thing. And I told him, you know,
make sure that you have a project that you're going
to be doing before you do that, because we don't
have the infrastructure on the right to mold you and
(18:44):
promote you and this environment to push your art form.
So be careful. And so when I see somebody like
making Kelly, who I do respect in many ways, kind
of take this low hanging fruit thing because she needs
the content for her show rather than kind of steer
people in the right direction on these kinds of topics.
(19:05):
It gets frustrating because I think it puts us back.
I think, and at the end of the day, it's
going to hurt the right because we need to build
these kinds of things. So that's kind of where I
want to leave it at that. We're going to take
a quick break and we're going to talk about something
that John Voight is working on that I think is
really important. We'll get into that right after the break.
Speaker 2 (19:26):
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(19:51):
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Speaker 1 (20:04):
See you there, ladies, You're listening to Red Pilled America's
fam Boogie, and I want to get into this effort
that John Voight is working on. But before I do that,
I thought, this is very interesting news that's been coming out.
(20:27):
There's been this whole thing that Hollywood's trying to do,
is there's a tug of war right now happening between
pushing them big theaters that you know, like going to
the theaters to watch movies and just watching them at home.
And AMC Theaters just announced that they lost two hundred
and two million dollars. I believe there's a first quarter loss,
(20:48):
which is pretty pretty massive. And you had Netflix a
CEO coming out and saying, you know, theaters are kind
of like a thing of the past. And I thought
this was interesting, you know, juxtaposed with what John Voight
is doing, because I think what people aren't realizing what
Netflix is doing. In order to be in the theaters,
(21:09):
you have to appeal to a big audience, And in
order to appeal to a big audience, you have to
put out content that appeals to a big audience. So
you have to appeal to conservatives, you have to appeal
to right of center people because of the amount of
money that it costs for marketing to put a movie out.
I think some calculations are basically whatever the production is,
(21:32):
that's how much the marketing is. So you have one
hundred million dollar movie, you're spending one hundred million dollars
on marketing. You need a lot of people to come
into pay for that. So in order to do that,
you need to appeal to as many people as possible.
You get the picture I'm trying to paint here. Now,
if you just go streaming, it's a little bit of
a different calculus, and now you could just make content
(21:53):
for the left. You don't have to make content that
is as wide appealing. And so there's this time kind
of tug of war happening where Netflix, which I think
Netflix puts out a lot of woke stuff, and then
you've got other people that are kind of fighting against that.
Disney now, the CEO from Disney kind of came forward
and said, no, we need to get, you know, to
go into the movie theaters more. We need to need
(22:14):
to break your popcorn out because we're going to be
creating some great stuff. They're hurting now. The theaters are
hurting now, and Hollywood is hurting right now because of
some really big flops. You had that snow White debacle,
and there's been others like that, these kinds of movies
that were supposed to be big, big movies that aren't
just not drawing right now. I remember we recently saw
(22:35):
I might have mentioned this a couple of weeks ago,
but we saw Pride and Prejudice in the movie theater.
I've seen that movie dozens of times. Me and my
daughter love watching it. It's a great romance rom com movie.
We watch it all together as a family. And like
I said, I've seen it dozens of times. I'd probably
seen it fifty times. And we decided to go to
(22:57):
the big theater, the big screen, because they had a
twenty year anniversary, and so they when they do that,
some times they'll run it. They'll do a short run
in the theaters. I went to go see it with
my daughter, and as many times as I've seen it,
when looking at the big screen, I was catching things
that I had never caught before at him that I
had never caught it before at home, which I didn't
see it in the theaters when it first came out,
(23:18):
like a stupid thing where one of this one of
the sisters, you know, elopes with this man and they
as they drive away from the house, she gets yanks
down by the husband. Never saw that on the on
the on the screen at home. You catch things in
the big screen and every frame is important. So anyways,
I thought that that was kind of it's interesting to
(23:40):
see that Hollywood is hurting.
Speaker 2 (23:42):
Well. It's also interesting that the movie theaters aren't pulling
you in for new things, but you went to go
see something old I did, and that speaks to the
problem that Hollywood is happening today. Is the content that
they're putting out.
Speaker 1 (23:55):
Exactly, and they're actually putting out a Dune part one,
part two. They're going to do a double feature. We're
probably gonna go although we've seen that movie and times.
Speaker 2 (24:03):
I was super sad that I couldn't make it to
Pride and Prejudice, but I had to stay home and work.
Someone has to work.
Speaker 1 (24:11):
So John Voight, now he's for those of you guys
that don't know who John Voight is famous actor from
the old days or from the old and new, but
he was. He played the champ. That was my first
thing that I'd ever seen of him. Back in the day.
I can remember crying to that because he I don't
want to ruin the ending for you guys, but there's
a chill. Yes, he's a boxer in this movie. Oh
(24:33):
my god.
Speaker 2 (24:34):
It is like, I think that's my biggest heartbreak of
all time at the in a movie. Yeah, because when
I saw that, I was very very young, and it's stuck.
Speaker 1 (24:43):
So he has been appointed as the Special Ambassador to
Hollywood for President Trump, and he's kind of like the
headline coming out of this recent effort is he's saying,
we can't let Hollywood go down the drain like Detroit,
and so he has this plan to rescue Hollywood that
I thought was interesting. I want to play his video
(25:05):
for you guys and hear what he's talking about and
what him and Trump plan to be doing with Hollywood.
Speaker 3 (25:11):
My fellow Americans and my peers of Hollywood. I recently
met with our President Donald J. Trump, who loves the
entertainment businesses to see Hollywood thrive and make films bigger
and greater than ever before, as he says, and see
productions come back to American Hollywood, the Hollywood that I
(25:31):
fell in love with when I was a child and
was honored to contribute to during my career. Our industry
recently has suffered greatly over these past few years, and
many Americans have lost jobs to productions that have gone overseas.
It's been very serious. People have lost their homes, can't
feed their families.
Speaker 1 (25:51):
And what people don't realize. I think when they hear that,
they're like, oh, okay, good, Hollywood can't feed their themselves,
and let's let them, Let's let them go bankrupt. What
people don't understand is that the production teams and their
unions are conservative. There's something that Andrew taught me. Andrew
Braipart taught me years ago that those unions are right
(26:15):
of center, and those are the people that are getting
hurt the most because they're the ones that don't get
paid as much as the big actors. They so they
need the steady work.
Speaker 2 (26:23):
They're working class people.
Speaker 1 (26:25):
They're working class people, and when there's not a steady
flow of work, they get nailed for it. So let's
go on with this.
Speaker 3 (26:31):
After meeting with many of the entertainment leaders, I have
brought forward recommendations to the President for certain tax provisions
that can help the industry. Some provisions that could be
extended and others that could be revived or instituted. This
would help the movie and television production and our beloved
(26:52):
theaters that are so important to the American family experience.
Our president loves this nation and all the hard working
people in it. He's a great businessman, a leader, and
a caring person that will always do the right thing
for this country, the people, and our beloved entertainment industry.
(27:13):
I'm proud to call the forty seventh President of the
United States of America my friend, and as I've said before,
he is the greatest president since Abraham Lincoln.
Speaker 1 (27:25):
So slic Stallone is also part of this kind of
Hollywood commission as well as Mel Gibson. So I think
what he's touching on here. The Right is not typically
caring about these kinds of things. But the product that
Hollywood puts out is one of our biggest international exports.
(27:46):
It's a big deal, and now we have Trump wanting
to get involved with it, and with that means changes
can happen. What John Voight is proposing is kind of
breaking up some of the streaming services because they're having
this kind of monopoly on the content. Because back in
the day, if you were a platform, you couldn't also
own the content. Now all these streaming platforms they own
(28:09):
the content.
Speaker 2 (28:09):
They're making their own content.
Speaker 1 (28:10):
They're making their own content, they own it one hundred
percent fantastic. But because of that, they're having a lot
of power. And so Trump's going to get in this
and they're talking about kind of breaking up some of
that power, and I think the Right needs to really
pay attention to these kinds of things. It is important
that the United States is in charge in controlling the
(28:33):
entertainment world and the Hollywood world, because that is what
defines culture, not only here in the United States, it
defines it internationally. It's one of our biggest exports. All
of these countries pick it up. And if he is
able to go in there and get some control of
things and start to change the equation a little bit,
we'll start to see some big improvement. I think with
(28:54):
some of this content, it's an important thing that I
want to put on people's radars because so often you
have people like Megan Kelly and others kind of just
lampoon that entire industry, and because of that, the Right
has just written it off. If you're a listener to
this show of you know how important storytelling is. You
(29:15):
know that it defines what it means to be American.
And so as much as we can get back into
that institution and start to get our values and imbue
our values into that institution, I think is an important
is an important development. And one thing that I kind
of thought was an interesting kind of new turn now
is the Golden Globes are adding a podcast award. Where
(29:39):
I'm a little bit discouraged by the rules that they have,
but this is what they're saying. This is one of
the president of the Golden Globes said recently.
Speaker 2 (29:47):
As the world of entertainment continues to evolve, we are
excited to recognize new forms of storytelling, said Helen Hohen,
president of the Golden Globes. Podcasts have emerged as a
profound medium for sharing narratives and building communities cross global
borders and generations.
Speaker 1 (30:06):
And so the article that announced this kind of went
on to say the ones they are going to be
eligible are the twenty five most popular podcasts will be eligible,
with six finalists to be named. Specific eligibility guidelines are
expected in the coming weeks. Among the current top twenty
five podcasts are SmartLess which is Jason Bateman's.
Speaker 2 (30:25):
And by the way, not storytelling.
Speaker 1 (30:27):
Exactly, call her daddy.
Speaker 2 (30:29):
Also not storytelling.
Speaker 1 (30:30):
No, they interview porn stars all the time and the
Joe Rogan experience, which he does tell a lot of
stories on that. But so I saw that and it
reminded me back in the day of Jean Shepherd, famous storyteller,
famous radio storyteller. He is the guy that ended up
writing the script for a Christmas Story. It was from
(30:53):
these a bunch of stories that he would tell on
his radio show, and they created a story, a Christmas
story from that. And he was frustrated because he was
a book writer and he could never get on the
New York Times bestseller list. And so one of the
things that he was saying is it was a rigged system.
And to prove that it was rigged, he created a
(31:16):
fake book and I think it was called I Libertine,
and he spoke to his audience and he said, how
can we make this number one? This is how we
could make this number one, guys, or get on the
New York Times bestsellers list. He told his audience to
call up all of the local bookstores and ask for
the book, because as part of the New York Times
(31:37):
bestseller list at that time, it wasn't just sales, it
was interest. And so what the New York Times would
do is they'd call around these bookstores and find out
what books are people interested in. And this fictitious book
that he made up ended up getting all these articles
written on it as a New York Times bestseller and
that kind of a thing. And he kind of proved
(31:57):
how hoaxy that whole system was. And I was thinking, like,
we have to do we need to we need to
do something like that.
Speaker 2 (32:04):
How can we get red filled America into the mix
to get a Golden Globe comminent exactly exactly, So you
guys put your thinking hats on.
Speaker 1 (32:11):
We need someone. Basically, what we have to do is
get in the top twenty five. So I mean that's
a herculean feet but.
Speaker 2 (32:18):
I think we're like number one twenty right now.
Speaker 1 (32:20):
But we need maybe there's like a certain time frame
if we could learn when it is that they're supposed
to be looking at these like top twenty five, let's say,
and then do something that gets us in that top
twenty five for any amount of time.
Speaker 2 (32:38):
I know how to get on this. We have to
be on Joe Rogan.
Speaker 1 (32:40):
Well, that's what Yes, that would help.
Speaker 2 (32:42):
We were able to get on Joe Rogan, I.
Speaker 1 (32:43):
Think we would be in the top ten permanently. Yes,
But I just want to I wanted to put that
in your guys's ear because there's going to come a
time where we're going to learn what the guidelines are
and I want to come up with a plan to
see how we can get into that eligibility because we
need to break into the institution of storytelling. We have
(33:05):
to do that. If we don't, we will not have
a voice in culture. We are lucky to have this
president in office. This guy is a once in a
two hundred year opportunity. He is not somebody that comes
along all of the time. And we feel like we
have some cultural power right now, but it's because this
man is in the office, because he's a cultural icon.
(33:26):
He's a cultural icon before he even became president. Who
we have on the tail end when this guy leaves,
who knows, So we need to kind of make as
much headway as we possibly can. So I wanted to
put that in your guys's ears and think about it,
marinated on a little bit. When we come back with
the eligibility, then we'll really tackle it.
Speaker 2 (33:52):
All right. Well, on that note, we're going to head
over to part two of this week's episode of Fan Boogie.
So you guys, grab your coffee, grab your glass of wine,
do whatever you need to do, and meet us back
over for part two.
Speaker 1 (34:05):
Yes, we're gonna be talking about this woman that's getting deported,
our entire family that the media is trying to make
into the next Maryland Manned Maryland Man. And we're also
gonna get into the Columbia protests and some interesting things
that are happening along with that. We'll get into that
in part two. Join us, guys,
This is Red Pilled America. Hey, it's Patrick Carrelchi.
Speaker 2 (00:09):
And I'm Adriana Cortez and welcome to Red Pilled America's
damn boogie.
Speaker 1 (00:31):
I hope your guys week is going well. Mine is
going pretty good. Dodgers are doing good right now. They
have a little bit of a winning streak going. We
got a new guy on the team, Kim. He's killing it.
Speaker 2 (00:43):
He's killing it.
Speaker 1 (00:44):
Mister Comet is how they call him. I love the guy, Korea,
South Korean guy. I think killing it. How's your week going, Adriana.
Speaker 2 (00:53):
I've had a very very good week, actually, I you know,
busy week as usual.
Speaker 1 (00:59):
With all your Adriana Jade stuff.
Speaker 2 (01:02):
No, most all Red Pilled Americas.
Speaker 1 (01:04):
Okay, but hey, if you guys have not checked out
her Adrianna Jade, check it out Adrianna Underscore Jade on Instagram.
She gives fashion tips to women, all the ladies. I
know you're going to want to check this out. Go
check it out. She does a lot of fashion content.
Speaker 2 (01:19):
Thanks for saying that. Something exciting actually did happen this
past week. I actually got to partner with the milliner
that made the hat for Milania Trump's inauguration.
Speaker 1 (01:30):
Look look at that.
Speaker 2 (01:32):
Yeah, that was I have to say. I feel like
it's a career highlight, you know, like politics and fashion
intersect For me, those are my two.
Speaker 1 (01:41):
I think we might put that hat on the cover
of this episode.
Speaker 2 (01:44):
Oh, that would be nice.
Speaker 1 (01:45):
So his hats are very part the company.
Speaker 2 (01:47):
Again, it's Eric Javitt. Okay, the hats are very pricey,
but the quality is incredible. I'm not kidding when I
say it's the best hat that I've ever had.
Speaker 1 (01:54):
And when did Malania wear that hat?
Speaker 2 (01:56):
She wore one of his hats to the inauguration.
Speaker 1 (01:59):
He made it special for Okay, that's cool.
Speaker 2 (02:00):
Yeah, it's pretty cool. I mean, I love that this
guy's has the balls to do that.
Speaker 1 (02:07):
That's great.
Speaker 2 (02:07):
Yeah, he's an American designer.
Speaker 1 (02:09):
Those people.
Speaker 2 (02:10):
Yeah, so I had a good week. You know, a
lot of mom stuff who we're closing out the school year,
a lot of Red Field America stuff, a lot of
Adriana Jade stuff, and a lot a lot of Dodgers.
My problem is when the Dodgers are on, I can't
look on.
Speaker 1 (02:23):
It's very hard. It's very hard to get the best
in the league right now. But I'm worried because they're
going to have a tough stretch right now.
Speaker 2 (02:30):
The other really fun thing I got to do this
week is this past week is that I actually had
dinner with Katie Gorka and I got to meet her
in person for the first time, which was a real treat.
Speaker 1 (02:41):
Sebastian Gorka's wife, Yeah, yeah, yeah, it.
Speaker 2 (02:43):
Was really really great to meet her in person. She's
had me on her show, which is the Happy Women podcast,
which I actually want to recommend to you guys. Katie
Gorka does it with Jen Horn and they have some
really really great takes. I think if you guys are
looking for another podcast to add to to your list
of great podcasts, definitely checked that one out. So that
(03:04):
was cool.
Speaker 1 (03:04):
I was kind of jealous I didn't get to go that.
Speaker 2 (03:06):
Yeah, yeah, I know initially he thought he was invited to.
I love when that happens. How was your week?
Speaker 1 (03:13):
It was good. I've been you know, I'm at that
age where I'm having to deal with a lot of
health stuff, like just constantly going and get things checked out. Yeah,
my blood and I got my ears checked out the
other day. Thank god. If you guys know, like the
pimple popper kind of show where like this pimple popper
doctor like pops these pimples.
Speaker 2 (03:34):
Okay, she's my best friend's best friend.
Speaker 1 (03:36):
There you go, and so that's kind of how your friend. Yeah,
that's kind of how it is. When I go get
my ears checked out, this kind of like an ear.
Speaker 2 (03:47):
Oh my, this is total TMI, but I'm going to
tell you guys. So I went with him to the
ear doctor, and uh, you go about six every six
months to the ear doctor. He cleans out his ears.
But the first time we went, you guys, he pulled
something out of there. I thought, I'm gonna have to
file for divorce. I cannot unsee it. Yeah, it was
(04:11):
like one of those gross videos and it was like enormous.
You don't realize how deep it is.
Speaker 1 (04:16):
Well, I've gotten smart now and I have some techniques
to kind of deal with that. He gave me some
techniques to deal with that, so I feel like, you know,
I went there, I was in his embarrassed this time,
so that was was kind of nice.
Speaker 2 (04:28):
Listen, you should be embarrassed.
Speaker 1 (04:30):
Oh my god, I was so embarrassing. It was so embarrassing.
Speaker 2 (04:34):
So let's talk about this week's check.
Speaker 1 (04:36):
Get into a couple Wait, meaning this week's show? What
are you talking about right now?
Speaker 2 (04:40):
Boogie?
Speaker 1 (04:40):
Oh okay, I thought you're talking about the I thought
you're talking about what's an American? Hey, if you guys
haven't checked it out, go make sure you check it out.
Share it guys. We need you guys to share that
episode with as many people as possible. We're gonna be
doing a couple more. I'm almost done with Uh, we're
almost with the writing on this one. We've gotten through
all the research and everything. We're almost done with the writing.
Another good one, I think. Another great episode coming up.
Speaker 2 (05:02):
I have to say, got very very choked up this
week again. This episode keeps getting me. When you talked
about Jacob Kunt and you said he was your fourth
great grandfather, it was.
Speaker 1 (05:13):
Coons, but yeah, it was his name used to be.
They had a German version of it earlier. Yeah, but
it's Coons. Yeah. You know what the great thing about
this series is, I've been doing a full deep dive
on my family and I cannot believe what I've been finding.
How long my grandfather on my mother's side, how long
we've been in this country. We go way way back,
(05:34):
you know, basically it's seventeen hundred and it's just I
had this weird, just proud feeling.
Speaker 2 (05:41):
Yeah, I felt proud too.
Speaker 1 (05:43):
Over three hundred years we've been in this country. It's fascinating.
Speaker 2 (05:47):
Yeah. I felt a sense of pride on your behalf
as well.
Speaker 1 (05:49):
Thank you, Yeah, thank you. I don't know why. I mean,
I didn't do it. I'm just here because of them.
Speaker 2 (05:54):
You're here because of it, like your family. Actually, they
put everything on the line. Literally.
Speaker 1 (06:00):
I'm just happy that I'm able to hell the story.
I mean, can you imagine like the first German uh,
you know, Protestant guys come over here in the early
seventeen hundreds and they're setting up camp in this colony,
and little did they know they were going to have
a great great great great great great great great great
great grandson that was going to tell their story. That
kind of gets me a little.
Speaker 2 (06:21):
Which I know, I know, it's really cool. By the way,
you guys are listening to Red Pilled America's fam boogie.
If you want to become a member of Red Pilled
America's fambam, become a backstage subscriber. We need your support there.
You can listen to all of our episodes, both the
fam Boogies and our long form Red Pilled America Stories
add free. Just go to Red Pilled America dot com
(06:43):
and click join in the top menu.
Speaker 1 (06:45):
And you're going to want to go backstage this time
because we're going to talk about some.
Speaker 2 (06:49):
Things, very controversial social.
Speaker 1 (06:50):
Stuff that's kind of easier to talk about backstage. We're
going to get into that whole Shiloh Hendrix update and
some of the race war stuff we've been talking about,
and then we're going to talk about the most controversial
song that's ever been least. We're going to talk about
that backstage, but front a stage, we're going to do
a couple parts like we've been doing recently. We're going
to talk about this effort that John Vot's doing in Hollywood.
(07:13):
For any of you guys know who John Boyd is
an incredible actor or Oscar winning actor. I'm not sure
about too, but you might be right. We're also going
to talk a little bit about some stuff, some Hollywood
stuff that I think will be interesting. We're going to
go into this fascinating case of this quote unquote college
student that is getting deported her in her entire family.
(07:34):
We're going to get into that story because the media
is trying to run with that story and kind of
make a president Trump look bad. We're going to also
get into the Columbia protests because there's been some new
protests at Columbia that we're going to get into. But
I want to start with this met gala and I
think people are going to this sounds like something that's like,
why do we want to talk about this? But it's
(07:56):
one of those things where it kind of reminded me
why sometimes Megan Kelly, what can I say? She gets
on my nerves sometimes.
Speaker 2 (08:06):
Oh boy, and now this is why we're the friendless.
Here we go.
Speaker 3 (08:11):
Oh.
Speaker 1 (08:12):
I like her. I think she's let me start it
off by saying some nice things. I think she's an
extraordinary broadcaster.
Speaker 2 (08:19):
She's a very, very gift.
Speaker 1 (08:21):
She's extraordinary. Like anyone that tries to say, oh, it's
just because she's pretty or what have you, No, she's
an extraordinary broadcaster. She's one of the few that was
in the mainstream media and was able to make the
leap into the podcast world.
Speaker 2 (08:33):
Well, it does not help that she's.
Speaker 1 (08:34):
Pretty and she's doing an incredible minute.
Speaker 2 (08:37):
It doesn't hurt. It doesn't hurt.
Speaker 1 (08:39):
Yeah, I don't know, though. That hurts sometimes people when
they're kind of too attractive, and I think there's a
lot of cat fighting out there.
Speaker 2 (08:45):
She's not too attractive. I think she's just right.
Speaker 1 (08:48):
Yeah, you know, I think she's She's always I've always
thought she was an extraordinary broadcaster, and you know, I
was always kind of a little bit bummed at her
approach with Trump, not necessarily the first debate where they
had the big argument, where I guess she asked him
some hard questions. I thought the questions were, if I'm
being honest, I thought they were fair, you know if
(09:11):
in hindsight, maybe I don't know how I felt about
at the time, I can't remember, but in hindsight it
was fair questioning when she was talking about how he
spoke about women, because ultimately he was going to have
to face that those questions at some.
Speaker 2 (09:22):
Point, and so I did not like it at the time.
Speaker 1 (09:24):
I think the main thing about her questioning that I
was into is his response. I loved his response. I
thought his response was great. But you know, then the
whole thing happened with that. Michelle Fields remember that, of course,
and she started her never Trump, Andess kind of really
started to kick in. I think it was more of
a defense mechanism. I think because there was a beef
(09:46):
now with Trump, because Trump said, oh, she's bleeding out
of her eyes, she's bleeding out of her whatever, and
so it created this feud. And I also think she
was at Fox News at the time, and Fox News
was also against Trump, So maybe there was some pressure
there because she was at a network, and who you know,
it's kind of these untold pressures a when you're at
a network. Fast forward to twenty twenty four, and I
(10:06):
thought she was great and she put herself on the line,
and she was in Madison Square Gardens and she came
out and endorsed him. I think it was Madison Square Gardens.
It might have been a Michigan, but she came out
and endorsed him on the stage at one point, and
I thought, you know what, that was a not only
a brave thing for her to do, just a solid
thing for her to do.
Speaker 2 (10:26):
Continue was smart for her to do that.
Speaker 1 (10:29):
It was smart.
Speaker 2 (10:29):
Face is behind Trump. She knew what she had to do. Yes,
it was a calculated move making mistake.
Speaker 1 (10:36):
Yes, but every once in a while you have these
kinds of big personalities on the right, and I feel
like they steer conservatives the wrong way, and in particular
with this Met Gala thing. Everybody likes to make fun
of the MET Gala. I get it. It's like the
Hunger Games. It's all these rich people going to this
(10:56):
event looking ridiculous. I think, what's his name from what's
the old rapper guy's name? He wore a piano? Oh god,
I can't the Atlanta rapper guy. It'll come to me. Anyways,
he is one of this old rapper guys from Atlanta
wore a piano on his back. So you have like
(11:18):
that kind of weird thing happening all the time, and
so it's easy to make fun of.
Speaker 2 (11:23):
Yeah, it's ridiculous. So the level of ridiculousness is crazy.
Speaker 1 (11:27):
But Megan got into this topic because I think it's
it's low hanging fruit for conservatives, and this is kind
of how she approached it, and I want to talk
about it on the tail end.
Speaker 4 (11:37):
Once we hear this clip, the MET Gala is officially
over dead done. Once the apex of high fashion culture
and a list celebrity, the Galla now looks more like
a sad sack, d list past its prime, wanna be
version of its old self. It's closer to today's nerd prom
white House correspondence dinner than the center of the celebn
(12:00):
beauty universe as it used to be. This year's theme
was super Fine Tailoring Black Style, an homage to black dandyism.
What's that you ask? No one has any idea. The
MET says black dandyism came from the intersection of African
and European style traditions. Of course, what does that mean?
I have no idea, but it seems to be based
(12:21):
on a two thousand and nine book written by a
woman named Monica Miller called Slaves to Fashion, Black Dandyism
and the Styling of Black Diasporic Identity. Okay, so so
far we have dandyism, intersection and diasporic identity. So we're
bat in a thousand on the scale of leftist code
language that will make liberals sound smarter and feel superior.
(12:44):
So what did we see last night? Well, it was
basically Black Lives Matter at the MET. It was a
parade of Black Americans leftists in their dandie style cramming
into the MET where the invitation only tickets went for
seventy five thousand dollars a plate, and that's only for
the losers willing to actually pay to rub elbows with
(13:05):
stars like Lisa. Who is Lisa you ask? Yes, I
wanted to know too. She's the girl from White Lotus
who was dating the security guard. Remember, she's top not
star talent right there, people, Lisa.
Speaker 1 (13:23):
So she's kind of capping on this Lisa artist and
it just kind of shows.
Speaker 2 (13:28):
That who's hot right now?
Speaker 1 (13:29):
By who is incredibly hot right now? She performed at Coachella,
huge performance crowd. It just kind of shows that, like,
she's not necessarily tied into the whole pop culture thing.
And so she's making all of these kind of very
low hanging fruit attacks on this MET gala. I get it,
(13:51):
it's easy to attack. So she goes on this kind
of long description about the met and kind of making
fun of the theme that they they came up with
and kind of saying that it's, you know, doesn't attract
all the big Hollywood stars. One tracts the big Hollywood stars.
Speaker 2 (14:07):
Still, it's not it's not dlisters.
Speaker 1 (14:10):
Not even close. It's the biggest of the biggest Hollywood people.
So I looked this up, and sure enough, Megan Kelly
was at the two thousand and sixteen met Gala, okay,
and the twenty sixteen met Gala was very similar where
(14:30):
they had the theme of that night was Manus Times
Makina Fashion in an Age of Technology, and it has
a very kind of a similar kind of weird explanation
of the theme of the night. And so you know, yeah,
somebody goes to one of these events, maybe she got
an invite or something it was. But then I looked
(14:52):
and she went to the twenty seventeen met Gala, okay,
which also had a similar thing. It was called the
Art of the in Between, And there's a kind of
a big, kind of a you know, similar kind of
avant garde description of that event.
Speaker 2 (15:08):
Yeah, I was just gonna say that it's meant to
be avant garde. And she knows that.
Speaker 1 (15:12):
Yeah, she's been she's been there.
Speaker 2 (15:14):
Yeah, and she paid the big buck, she.
Speaker 1 (15:15):
And she or somebody paid time, and she had, you know,
she went there, you know, fully fashioned out. She looked great,
but she was wearing a fully fashioned out kind of
a thing. And so I guess my argument or my
my gripe with this is this. These kinds of events
are important for the right to understand. And every time
(15:39):
you have somebody like Megan Kelly, and I see her
do this all the time. She does this with actors,
she kind of picks on them in a way that
doesn't totally make sense. And when they do that, what
she ends up doing is is she ends up conditioning
or grooming the conservative audience to not care about culture,
to not care about art, to not care about design,
(16:01):
to not care about storytelling. And that is the wrong
message to be giving to the right, because there is
power in these things. And the power is that artists
like that, big artists, big designers, big musicians, big actors,
They care about legacy, and they will never come to
(16:23):
the right or listen to the arguments, the political arguments
of the right if they know that they don't have
any environment to go into that gives them the promotional
platform that something like the met does, something like the
Oscars does, something like the Golden Globes does. All of
these kinds of award shows are huge for people that
(16:44):
are in the art world, or in the storytelling world,
or in the design and music. They are huge events
and constantly poop pooing these kinds of things. When she
went to these things, Okay, she's been to two of
them before. It wasn't just once, She's been to them twice, okay,
(17:04):
and maybe more than that. That's what I found when
I looked, And would she go again if she was invited?
I have to say she probably would. I'd be very
hard pressed to believe that she would not go.
Speaker 2 (17:14):
I would go.
Speaker 1 (17:14):
Okay. So when I see this, I just I want
to get this message out there. And we're not speaking
to you know, as sidelines from this. We used to
produce help produce big New York Fashion Week shows back
in the day prior to kind of getting involved with
all this kind of stuff.
Speaker 2 (17:32):
With huge designers involved in couch designers, why use yes,
Mark Jacobs, like all of the big fashion designers. Yes,
we're in our show.
Speaker 1 (17:42):
Yes. And so we're not speaking about this from kind
of like you know, from the sidelines or you know,
we're not you know, couch potatoes on this kind of conversation.
And so to hear her say that, and the thing
is that I know she knows too. I know that
she knows this. I know that she knows how important
these things are, you know, And when I'd see like
(18:03):
the Daily Wire, do these kinds of red carpets and
the kind of the glitz and glamour of it, That's
what they were trying to do. And I applaud them
for doing that because I remember having this conversation years ago.
I've had conversations with a bunch of different people that
are on the right, that are in Hollywood, and had
a conversation with this one guy, and he was big
screenwriter and he wanted to know if he could come
(18:24):
to the right. He was like professing to me that
he wanted to kind of come out as a right
of center guy, huge screenwriter, stuff in the oscars and
that kind of thing. And I told him, you know,
make sure that you have a project that you're going
to be doing before you do that, because we don't
have the infrastructure on the right to mold you and
(18:44):
promote you and this environment to push your art form.
So be careful. And so when I see somebody like
making Kelly, who I do respect in many ways, kind
of take this low hanging fruit thing because she needs
the content for her show rather than kind of steer
people in the right direction on these kinds of topics.
(19:05):
It gets frustrating because I think it puts us back.
I think, and at the end of the day, it's
going to hurt the right because we need to build
these kinds of things. So that's kind of where I
want to leave it at that. We're going to take
a quick break and we're going to talk about something
that John Voight is working on that I think is
really important. We'll get into that right after the break.
Speaker 2 (19:26):
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Speaker 1 (20:04):
See you there, ladies, You're listening to Red Pilled America's
fam Boogie, and I want to get into this effort
that John Voight is working on. But before I do that,
I thought, this is very interesting news that's been coming out.
(20:27):
There's been this whole thing that Hollywood's trying to do,
is there's a tug of war right now happening between
pushing them big theaters that you know, like going to
the theaters to watch movies and just watching them at home.
And AMC Theaters just announced that they lost two hundred
and two million dollars. I believe there's a first quarter loss,
(20:48):
which is pretty pretty massive. And you had Netflix a
CEO coming out and saying, you know, theaters are kind
of like a thing of the past. And I thought
this was interesting, you know, juxtaposed with what John Voight
is doing, because I think what people aren't realizing what
Netflix is doing. In order to be in the theaters,
(21:09):
you have to appeal to a big audience, And in
order to appeal to a big audience, you have to
put out content that appeals to a big audience. So
you have to appeal to conservatives, you have to appeal
to right of center people because of the amount of
money that it costs for marketing to put a movie out.
I think some calculations are basically whatever the production is,
(21:32):
that's how much the marketing is. So you have one
hundred million dollar movie, you're spending one hundred million dollars
on marketing. You need a lot of people to come
into pay for that. So in order to do that,
you need to appeal to as many people as possible.
You get the picture I'm trying to paint here. Now,
if you just go streaming, it's a little bit of
a different calculus, and now you could just make content
(21:53):
for the left. You don't have to make content that
is as wide appealing. And so there's this time kind
of tug of war happening where Netflix, which I think
Netflix puts out a lot of woke stuff, and then
you've got other people that are kind of fighting against that.
Disney now, the CEO from Disney kind of came forward
and said, no, we need to get, you know, to
go into the movie theaters more. We need to need
(22:14):
to break your popcorn out because we're going to be
creating some great stuff. They're hurting now. The theaters are
hurting now, and Hollywood is hurting right now because of
some really big flops. You had that snow White debacle,
and there's been others like that, these kinds of movies
that were supposed to be big, big movies that aren't
just not drawing right now. I remember we recently saw
(22:35):
I might have mentioned this a couple of weeks ago,
but we saw Pride and Prejudice in the movie theater.
I've seen that movie dozens of times. Me and my
daughter love watching it. It's a great romance rom com movie.
We watch it all together as a family. And like
I said, I've seen it dozens of times. I'd probably
seen it fifty times. And we decided to go to
(22:57):
the big theater, the big screen, because they had a
twenty year anniversary, and so they when they do that,
some times they'll run it. They'll do a short run
in the theaters. I went to go see it with
my daughter, and as many times as I've seen it,
when looking at the big screen, I was catching things
that I had never caught before at him that I
had never caught it before at home, which I didn't
see it in the theaters when it first came out,
(23:18):
like a stupid thing where one of this one of
the sisters, you know, elopes with this man and they
as they drive away from the house, she gets yanks
down by the husband. Never saw that on the on
the on the screen at home. You catch things in
the big screen and every frame is important. So anyways,
I thought that that was kind of it's interesting to
(23:40):
see that Hollywood is hurting.
Speaker 2 (23:42):
Well. It's also interesting that the movie theaters aren't pulling
you in for new things, but you went to go
see something old I did, and that speaks to the
problem that Hollywood is happening today. Is the content that
they're putting out.
Speaker 1 (23:55):
Exactly, and they're actually putting out a Dune part one,
part two. They're going to do a double feature. We're
probably gonna go although we've seen that movie and times.
Speaker 2 (24:03):
I was super sad that I couldn't make it to
Pride and Prejudice, but I had to stay home and work.
Someone has to work.
Speaker 1 (24:11):
So John Voight, now he's for those of you guys
that don't know who John Voight is famous actor from
the old days or from the old and new, but
he was. He played the champ. That was my first
thing that I'd ever seen of him. Back in the day.
I can remember crying to that because he I don't
want to ruin the ending for you guys, but there's
a chill. Yes, he's a boxer in this movie. Oh
(24:33):
my god.
Speaker 2 (24:34):
It is like, I think that's my biggest heartbreak of
all time at the in a movie. Yeah, because when
I saw that, I was very very young, and it's stuck.
Speaker 1 (24:43):
So he has been appointed as the Special Ambassador to
Hollywood for President Trump, and he's kind of like the
headline coming out of this recent effort is he's saying,
we can't let Hollywood go down the drain like Detroit,
and so he has this plan to rescue Hollywood that
I thought was interesting. I want to play his video
(25:05):
for you guys and hear what he's talking about and
what him and Trump plan to be doing with Hollywood.
Speaker 3 (25:11):
My fellow Americans and my peers of Hollywood. I recently
met with our President Donald J. Trump, who loves the
entertainment businesses to see Hollywood thrive and make films bigger
and greater than ever before, as he says, and see
productions come back to American Hollywood, the Hollywood that I
(25:31):
fell in love with when I was a child and
was honored to contribute to during my career. Our industry
recently has suffered greatly over these past few years, and
many Americans have lost jobs to productions that have gone overseas.
It's been very serious. People have lost their homes, can't
feed their families.
Speaker 1 (25:51):
And what people don't realize. I think when they hear that,
they're like, oh, okay, good, Hollywood can't feed their themselves,
and let's let them, Let's let them go bankrupt. What
people don't understand is that the production teams and their
unions are conservative. There's something that Andrew taught me. Andrew
Braipart taught me years ago that those unions are right
(26:15):
of center, and those are the people that are getting
hurt the most because they're the ones that don't get
paid as much as the big actors. They so they
need the steady work.
Speaker 2 (26:23):
They're working class people.
Speaker 1 (26:25):
They're working class people, and when there's not a steady
flow of work, they get nailed for it. So let's
go on with this.
Speaker 3 (26:31):
After meeting with many of the entertainment leaders, I have
brought forward recommendations to the President for certain tax provisions
that can help the industry. Some provisions that could be
extended and others that could be revived or instituted. This
would help the movie and television production and our beloved
(26:52):
theaters that are so important to the American family experience.
Our president loves this nation and all the hard working
people in it. He's a great businessman, a leader, and
a caring person that will always do the right thing
for this country, the people, and our beloved entertainment industry.
(27:13):
I'm proud to call the forty seventh President of the
United States of America my friend, and as I've said before,
he is the greatest president since Abraham Lincoln.
Speaker 1 (27:25):
So slic Stallone is also part of this kind of
Hollywood commission as well as Mel Gibson. So I think
what he's touching on here. The Right is not typically
caring about these kinds of things. But the product that
Hollywood puts out is one of our biggest international exports.
(27:46):
It's a big deal, and now we have Trump wanting
to get involved with it, and with that means changes
can happen. What John Voight is proposing is kind of
breaking up some of the streaming services because they're having
this kind of monopoly on the content. Because back in
the day, if you were a platform, you couldn't also
own the content. Now all these streaming platforms they own
(28:09):
the content.
Speaker 2 (28:09):
They're making their own content.
Speaker 1 (28:10):
They're making their own content, they own it one hundred
percent fantastic. But because of that, they're having a lot
of power. And so Trump's going to get in this
and they're talking about kind of breaking up some of
that power, and I think the Right needs to really
pay attention to these kinds of things. It is important
that the United States is in charge in controlling the
(28:33):
entertainment world and the Hollywood world, because that is what
defines culture, not only here in the United States, it
defines it internationally. It's one of our biggest exports. All
of these countries pick it up. And if he is
able to go in there and get some control of
things and start to change the equation a little bit,
we'll start to see some big improvement. I think with
(28:54):
some of this content, it's an important thing that I
want to put on people's radars because so often you
have people like Megan Kelly and others kind of just
lampoon that entire industry, and because of that, the Right
has just written it off. If you're a listener to
this show of you know how important storytelling is. You
(29:15):
know that it defines what it means to be American.
And so as much as we can get back into
that institution and start to get our values and imbue
our values into that institution, I think is an important
is an important development. And one thing that I kind
of thought was an interesting kind of new turn now
is the Golden Globes are adding a podcast award. Where
(29:39):
I'm a little bit discouraged by the rules that they have,
but this is what they're saying. This is one of
the president of the Golden Globes said recently.
Speaker 2 (29:47):
As the world of entertainment continues to evolve, we are
excited to recognize new forms of storytelling, said Helen Hohen,
president of the Golden Globes. Podcasts have emerged as a
profound medium for sharing narratives and building communities cross global
borders and generations.
Speaker 1 (30:06):
And so the article that announced this kind of went
on to say the ones they are going to be
eligible are the twenty five most popular podcasts will be eligible,
with six finalists to be named. Specific eligibility guidelines are
expected in the coming weeks. Among the current top twenty
five podcasts are SmartLess which is Jason Bateman's.
Speaker 2 (30:25):
And by the way, not storytelling.
Speaker 1 (30:27):
Exactly, call her daddy.
Speaker 2 (30:29):
Also not storytelling.
Speaker 1 (30:30):
No, they interview porn stars all the time and the
Joe Rogan experience, which he does tell a lot of
stories on that. But so I saw that and it
reminded me back in the day of Jean Shepherd, famous storyteller,
famous radio storyteller. He is the guy that ended up
writing the script for a Christmas Story. It was from
(30:53):
these a bunch of stories that he would tell on
his radio show, and they created a story, a Christmas
story from that. And he was frustrated because he was
a book writer and he could never get on the
New York Times bestseller list. And so one of the
things that he was saying is it was a rigged system.
And to prove that it was rigged, he created a
(31:16):
fake book and I think it was called I Libertine,
and he spoke to his audience and he said, how
can we make this number one? This is how we
could make this number one, guys, or get on the
New York Times bestsellers list. He told his audience to
call up all of the local bookstores and ask for
the book, because as part of the New York Times
(31:37):
bestseller list at that time, it wasn't just sales, it
was interest. And so what the New York Times would
do is they'd call around these bookstores and find out
what books are people interested in. And this fictitious book
that he made up ended up getting all these articles
written on it as a New York Times bestseller and
that kind of a thing. And he kind of proved
(31:57):
how hoaxy that whole system was. And I was thinking, like,
we have to do we need to we need to
do something like that.
Speaker 2 (32:04):
How can we get red filled America into the mix
to get a Golden Globe comminent exactly exactly, So you
guys put your thinking hats on.
Speaker 1 (32:11):
We need someone. Basically, what we have to do is
get in the top twenty five. So I mean that's
a herculean feet but.
Speaker 2 (32:18):
I think we're like number one twenty right now.
Speaker 1 (32:20):
But we need maybe there's like a certain time frame
if we could learn when it is that they're supposed
to be looking at these like top twenty five, let's say,
and then do something that gets us in that top
twenty five for any amount of time.
Speaker 2 (32:38):
I know how to get on this. We have to
be on Joe Rogan.
Speaker 1 (32:40):
Well, that's what Yes, that would help.
Speaker 2 (32:42):
We were able to get on Joe Rogan, I.
Speaker 1 (32:43):
Think we would be in the top ten permanently. Yes,
But I just want to I wanted to put that
in your guys's ear because there's going to come a
time where we're going to learn what the guidelines are
and I want to come up with a plan to
see how we can get into that eligibility because we
need to break into the institution of storytelling. We have
(33:05):
to do that. If we don't, we will not have
a voice in culture. We are lucky to have this
president in office. This guy is a once in a
two hundred year opportunity. He is not somebody that comes
along all of the time. And we feel like we
have some cultural power right now, but it's because this
man is in the office, because he's a cultural icon.
(33:26):
He's a cultural icon before he even became president. Who
we have on the tail end when this guy leaves,
who knows, So we need to kind of make as
much headway as we possibly can. So I wanted to
put that in your guys's ears and think about it,
marinated on a little bit. When we come back with
the eligibility, then we'll really tackle it.
Speaker 2 (33:52):
All right. Well, on that note, we're going to head
over to part two of this week's episode of Fan Boogie.
So you guys, grab your coffee, grab your glass of wine,
do whatever you need to do, and meet us back
over for part two.
Speaker 1 (34:05):
Yes, we're gonna be talking about this woman that's getting deported,
our entire family that the media is trying to make
into the next Maryland Manned Maryland Man. And we're also
gonna get into the Columbia protests and some interesting things
that are happening along with that. We'll get into that
in part two. Join us, guys,
Hosts And Creators
Adryana Cortez
Patrick Courrielche
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