December 29, 2025 • 47 mins
Best of 2025- Best of Black Effect Podcast - 85 South Show Talks Ownership, The Art Of Roasting People, Legacy, Tour. Recorded 2025.
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Episode Transcript
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Speaker 1 (00:00):
Wake that ass up in the morning. The breakfast club.
Everybody is I just got in here.
Speaker 2 (00:09):
You know what I mean? The guy we are the
breakfast club.
Speaker 3 (00:11):
We got a special guess in the building. Guys, what up?
Speaker 4 (00:14):
What up?
Speaker 2 (00:15):
What up? Smell of Chico being welcome?
Speaker 3 (00:17):
Fellas man?
Speaker 1 (00:18):
Whatever? Man?
Speaker 5 (00:19):
Why y'all got that freak ass picture of Big Sean
on the table?
Speaker 3 (00:24):
Put it on his computer, throwing it at you.
Speaker 1 (00:26):
Why what he was asking?
Speaker 6 (00:28):
Well, he wanted to know where everyone has came from.
Speaker 5 (00:31):
And so a couple of pictures about to get a sketching.
Speaker 1 (00:35):
Man, you gout, you're about to get a b BL. No,
don't do that, and you already rich. Bro, Just get.
Speaker 7 (00:40):
Fat, you get rid of I don't know why everybody
want to be in shape?
Speaker 1 (00:46):
What happened to getting money and getting fat?
Speaker 3 (00:49):
Where you want to live though? So you want to
you want to be alive, that's all.
Speaker 8 (00:52):
Man.
Speaker 1 (00:52):
Get out of here. That's literally what you're gonna do.
Speaker 7 (00:56):
Get out of here and get.
Speaker 1 (00:58):
Just had one waters.
Speaker 3 (01:02):
What y'all up here for? Man? I know y'all got.
Speaker 4 (01:05):
Man.
Speaker 9 (01:07):
You know what, man, I've been treating a guess later
I saw the neon clip.
Speaker 7 (01:20):
Y'all will never started streaming career. Y'all already blocked.
Speaker 3 (01:24):
The man shouting on Harriet tubman man.
Speaker 1 (01:26):
He shipped on? Who shouted Harry? Somebody shopping on Harry.
Speaker 4 (01:33):
Man.
Speaker 5 (01:34):
Y'all listen, man, the contents falling off. But y'all got
to interview people that shopping on her. Tell y'all have
lost your luster. And y'all had him up here, and
then y'all wanted me up here for.
Speaker 3 (01:46):
That's not true.
Speaker 10 (01:47):
What happened was he he reached out to me to
do his scream, but then he kept asking to come
up here because he wanted to announce that he was leaving.
Speaker 3 (01:54):
Kick. I'm like, okay, we've had him scream up here before,
DDG been up here, so what not? He didn't announced.
Speaker 8 (02:00):
He was like, I'm not an.
Speaker 3 (02:04):
I mean, we've been a few people to come up.
I about to say we had a big dank up.
Speaker 6 (02:10):
Here, the Detroit rapper, you know, big dang.
Speaker 1 (02:15):
The one that had that laws.
Speaker 5 (02:17):
Yeah, you know what, man, Look man, we don't understand.
Speaker 1 (02:27):
Now you turn it back to you.
Speaker 5 (02:29):
Man, you ain't got that glitter on the top of
his head, and now I don't know what that is.
Speaker 1 (02:34):
What what you did to your head, and why is
it glittering?
Speaker 5 (02:37):
Its glittering classes going through menopause?
Speaker 1 (02:41):
That like a church and man going through menopause. Man,
because they to I was about you said, like we
just showed up.
Speaker 3 (02:56):
First of all, we love having y'all. Let's start that.
That's movie.
Speaker 1 (03:02):
In d C.
Speaker 3 (03:03):
Be in DC always late.
Speaker 1 (03:05):
I mean, y'all.
Speaker 5 (03:08):
On his way, he on his way. Man, y'all had
that monsoon up here the other day. We all almost
didn't get in. Y'all had in the arms of the angel.
Y'all was struggling up here the other day.
Speaker 3 (03:19):
How do y'all like? Y'all y'all still being on the road?
Speaker 4 (03:20):
Absolutely, okay, absolutely, that's just the road is where set
isn't entertainer, bro, you don't have to be at home,
people giving you chicks, eating good food, fine women.
Speaker 8 (03:32):
What's the favorite city? I know it's different for both
of y'all's favorite cities.
Speaker 5 (03:35):
The hit Well, no, I don't, I mean whatever, Yeah exactly,
I mean I love Detroit, I love Chicago. I mean
you know, you know, when you travel, you go to
different places and you get responses from people that make
you love the city for different things. But to answer
your question, Chela Maine, Like it's being on the road
is the blessing. Like I always tell people, you can't
(03:55):
complain about the blessings God give you because if you
didn't have it, that's what you would be asking for.
You to be on the road all the time. So
gotta love it because you get to do what you
love and you get paid for it.
Speaker 1 (04:04):
It's a beautiful thing.
Speaker 11 (04:05):
How a material when you're always on the road, like
y'all always out, whether it's together, whether it's a part,
whether it's wild I'm out, whether you like, y'all always
on the road.
Speaker 2 (04:13):
So how do y'all work on material?
Speaker 5 (04:15):
I mean, because you always on the road, you see things,
You see different things, You see different perspectives.
Speaker 1 (04:18):
When you go to different cities. You know, you perform everywhere.
Speaker 5 (04:21):
Everywhere you go, they got different cultures and different ways
of doing things. So you get to visualize all of
that and it goes into your stage show because when
you're performing for people, they want to hear your perspective
on their everyday life and you get to see that
when you're on the road.
Speaker 1 (04:33):
So that's the best part about it.
Speaker 7 (04:34):
Plus, when you're in different cities, you only get You're
only there for a certain amount of time, so you
don't get to see everything. So every time you come
back it's still it's still new.
Speaker 6 (04:43):
And then the tour that y'all doing to spend a
black tour, that's y'all going back to the cities that
shows y'all the most love.
Speaker 1 (04:49):
It's kind of most loved.
Speaker 7 (04:51):
Places we had fun and places we just wanted to
go back. Sometimes it's not just about the show. It's
like sometimes the venue be hitting different and we you know,
since we're growing with the performance, some of these places
we were like, yeah, we definitely got to come back,
if nothing else, just because we like to set up
in there.
Speaker 11 (05:09):
Now they're doing big venues, do y'all prefer the smaller
venues because it's more in touch with people, But y'all
hop on the crowd at times, like y'all touch the people.
Speaker 5 (05:17):
Yeah, But that's the good part about us is we
have already performed for these people in those intimate settings,
so they used to seeing us that way. So it
kind of still feels the same even though we in
an arena, because people still react the same way. They'll
come to the front to make sure that we see
them more. We'll be able to recognize somebody that came
to the comedy show when we was doing it at
the comedy club and have those recollections to be able
to do those type of things in an arena. So
(05:39):
it just hit the same for us. And that's one
of the good parts about what we do because it's
always a different show. It's always improvisational, so we never
know what we're gonna say every time. It's a different show,
so you get to do that even though we're in
an arena.
Speaker 1 (05:49):
The goal is to make the arena feel like the club.
Speaker 10 (05:52):
Yeah, it hard, It seems like it's hard to do,
right now, get that kind of intimacy in an arena.
Speaker 1 (05:57):
There's a lot more ground to cover, but it's seeing
that we do.
Speaker 7 (06:02):
We'll go Chico or jump off stage and be riding.
Speaker 1 (06:09):
Scooters to the thirty fifth. Real we don't care about that.
Speaker 7 (06:13):
We really just enjoying ourselves and and you know, selling
these joints out and trying to keep the brand going.
Speaker 3 (06:20):
You aready looking like Chico Lean man.
Speaker 1 (06:22):
Yeah.
Speaker 5 (06:23):
Man, I found out I had high blood pressure. I
had to change my change my diat around. I went
to the doctor. They told me I had high blood pressure.
I was like, whatever, I don't canning about hih blood pressure?
And I went back to the doctor and another doctor
came in, like when that second police officer coming, you
know you're going to jail.
Speaker 1 (06:38):
That's how the black man.
Speaker 5 (06:39):
He was like, brother, I don't think they did a
good enough job of explaining to you the effects of
how blood pressure is the biggest killer of black men,
heart attacks, all that type. And I'm like, well, what
are the effects He said, the rectile dysfunction. I was like,
what I gotta change?
Speaker 1 (06:51):
I won't man.
Speaker 5 (06:53):
As soon as he said that's all I needed to hear,
I'm like, nah, I am too young for that. But yeah,
I had to change a lot of stuff around. Man
can't eat chicken, can't eat bread, all that type of stuff.
And that was one of the most hardest transitions. I
tell people now that as black men, we work so
hard to build our habits because we start from nothing.
So every habit that you get, you you hold on
to it, and what you put in your body is
(07:13):
one of the first ones. You get some money, first
thing you do is go eat good or what we
consider to be eating good. So having a transition and
shake that. We were just talking in the green room.
Sugar is the worst drug in the world because don't
nobody stop you when you got it. You know, you
can just have it. Yeah, you can just have a
plate full of sugar. Everybody be cool. Shut one, crack rocker.
Speaker 8 (07:30):
What's wrong?
Speaker 1 (07:31):
You know what I'm saying. What happened for? You know
what I'm saying?
Speaker 2 (07:37):
Second hand?
Speaker 1 (07:39):
Don't do that?
Speaker 5 (07:40):
Yeah, but that was I know. Yeah, we you know
Envy light skin. He been dressing like this. He's been
dressing like this since the eighties. He wanted to be
in Uh, what's the Ready for the World. I don't
know that Envy audition for Ready for the World and
they make it. But yeah, man, that's I feel better though.
That's the best part about it. I feel so much
better because once I made that transition that you look
(08:01):
at yourself and you don't really see it till you
look at old pictures and be like, God, damn nigga
was Bill bad?
Speaker 1 (08:07):
But you know what I mean, the transition.
Speaker 5 (08:09):
I recommend all black men to go get their blood
pressure check man, because it's very, very important, and you'll
end up walking around with one Jordan on if you don't.
Speaker 1 (08:16):
Man, listen.
Speaker 3 (08:16):
Blood spress me so bad.
Speaker 7 (08:18):
When I seen them lose all that weight, I just
started losing weight too. I was like, hey man, but
whatever it is you're doing, I'm about to do some
of that.
Speaker 3 (08:24):
You going to the doctor color Yeah, okay, I got insurance.
Speaker 1 (08:27):
That's what you wanted to hear.
Speaker 10 (08:28):
Yes, I got Man, you get to a certain age,
I'm forty seven. Now you got to go get everything checked.
Because when you start to realize what leads the heart
attacks and what leads the strokes, the high blood pressure,
the high left throw, stuff we ain't never thought about.
You go to the doctor like what does that mean?
Then they explain it to you. It's like, oh, I
gotta get right.
Speaker 5 (08:48):
Yeah yeah, I mean you definitely got right. You got
right a long time ago. Once you got that stuff
done in your skin, I know it's gonna be good.
Speaker 1 (08:54):
You know what I'm saying. Yeah, I know you got
everything taking off man.
Speaker 5 (08:58):
Yeah, yeah, you got everything taking off.
Speaker 2 (09:04):
You don't even know.
Speaker 8 (09:06):
It wasn't.
Speaker 1 (09:10):
Yeah, he got all that, you know, he got rid
of all He.
Speaker 3 (09:13):
The first one ever, like mister Terrific from Superman.
Speaker 5 (09:16):
Yeah, you know what I mean, he'd be he's sleep
with bobby pins pulling his skin back. When you go
to sleep at night, he just be in the bed
straight up like this. I'm like, so, you know, taking
care of yourself is is very important man. And like
I said, black men, for some reason, we don't like
to go to the doctor and niggas want to keep
drinking gingerls.
Speaker 1 (09:31):
And I don't think most black men do is walk
to the store. Yeah, that's it. Just walk to the store.
Speaker 3 (09:37):
That's that's it. Wait, you got to get them prostage
checked though.
Speaker 1 (09:42):
Man, see there, your freaky ass. Go hey man, why.
Speaker 12 (09:44):
You It's so much that you could have went to
before that, you know, prostage check.
Speaker 5 (09:51):
Oh it's such a beautiful experience. Come on, man, you
didn't get your check?
Speaker 1 (09:56):
No, no, no, not yet? Have you?
Speaker 2 (09:59):
Yes?
Speaker 1 (10:00):
You said that, said yes, yes, I had twice. Yeah
was the first one?
Speaker 8 (10:09):
Trial run?
Speaker 1 (10:12):
I keep getting Yeah, they got a check. As if
you got a trial run, prostant check. I'm gonna let
you do it for I venture the doctor to warm
myself up.
Speaker 5 (10:21):
The doctor telling look, we don't got to do this
every time you come.
Speaker 2 (10:24):
Not what now?
Speaker 1 (10:26):
I want to make sure I'm okay.
Speaker 3 (10:28):
I gotta be healthy. Uh, when you up to be
about forty.
Speaker 10 (10:31):
Three, forty four, if you got a history of it
in your family, supposed to go get a check.
Speaker 5 (10:34):
Yeah, I know they say you got to, but you
know I ain't got there yet.
Speaker 3 (10:37):
No, you got to Chico. You got to. You can't
lose on why you did.
Speaker 5 (10:40):
I mean, okay, I got you all right, one day
I will and I'm not coming up here to talk
to y'all.
Speaker 1 (10:45):
Freaking they put you to sleep, They give you a drug,
and they have to put a time. They got to
put you to sleep. You ain't getting regular joon.
Speaker 3 (10:54):
No, that wasn't a regular one.
Speaker 1 (10:56):
They sexually assaulted you. They got you on camera. You
went to a freak off. That was.
Speaker 10 (11:03):
About the same thing I was going to the next one.
Speaker 1 (11:10):
Ass whole adventures.
Speaker 5 (11:11):
Man, what's your man on the table?
Speaker 3 (11:18):
This stomach?
Speaker 1 (11:18):
Y'all ain't got nothing else.
Speaker 3 (11:23):
Yo, ma, y'all look crazy this.
Speaker 1 (11:29):
I want to know.
Speaker 2 (11:30):
It is three.
Speaker 6 (11:31):
Do y'all ever have like problems making decisions?
Speaker 2 (11:34):
Because it is three?
Speaker 6 (11:35):
Y'all right, and say, if one of y'alln't want to
do something, how many of y'all have to say like no,
h yes for y'all to like collectively agree or disagree
on something.
Speaker 7 (11:43):
It ain't a whole lot of things we got to
collectively agree on. That's the best part about it. So
sometimes we show up with two wrong answers and the
right one, and sometimes we have things where people just
make their own decision and bro do what you want
to do. What you got, my fools, it ain't a
whole lot of things. We don't clash on nothing.
Speaker 4 (12:03):
Really.
Speaker 7 (12:03):
We don't like the same type of women, we don't
hang out at the same type of place. It's just
we got a dope bond where it's like we just brothers.
Speaker 5 (12:12):
He we're brothers, and it's just it's literally family, you
know what I'm saying. You know the things you go
through with your family. Whatever the conversation is, it's always
in house and we always take care of it. It's
never public, you know, never for public consumption, and that's
what makes things easier. So when we got to make
those decisions, it's always a collective bargaining agreement and we
you know, whatever whichever way it go, we all understand
it's all done out of love. So it make it easy,
(12:33):
you know what I'm saying, And it's that's what makes
us special because you know you do comedy.
Speaker 1 (12:38):
Is you just a one man sport? You on the microphone?
Speaker 5 (12:40):
So what we do, we showed it is possible to
be able to have that type of camaraderie and still
get the same product and the same result even though
we're doing it in a different way, and.
Speaker 10 (12:47):
Y'all trust each other. I saw an interview DC was
doing and he was just talking about those.
Speaker 2 (12:51):
Being the old g Yeah, without question being the leader.
Speaker 3 (12:54):
I think I think the question who's the leading?
Speaker 1 (12:56):
Yeah, he is the leading.
Speaker 3 (12:57):
I've heard you say that to man, You're not how hard.
Speaker 1 (12:59):
That not for us?
Speaker 5 (13:01):
Because you got to think about the place that we
came from, Like we all started with nothing. Every time
we come to New York, Me and Los had this
conversation about how we was walking around sending fifty dollars
back home Western Union and washing clothes in the basement
of the hotel. And when you have that type of vision,
that's all you have is the vision at certain points,
and he always had that vision to see past wherever
we were at in the moment, you know.
Speaker 7 (13:23):
And the biggest thing for me too, I think it's
because we was all broke together at some point, you
know what I'm saying. And it was like we had
those conversations though late night, sitting around like Bro and
I get some bread.
Speaker 1 (13:33):
We're gonna, Hey, we're gonna do this for real. That's
what you on, I bet, And then it actually happened.
Speaker 5 (13:38):
So that was that was one of those things that
really formed the bond too. Yeah, he don't, like I say,
he always had the vision. He was one of the
ones that saw when we were on wilding Out as
great as an opportunity there was for all of us.
He was always the one like, man, look, we gotta
look past this, we gotta do this, we gotta do that,
we gotta do this. And I say that because he's
the elder. He went through certain trenches that men Fly
didn't have to go. They really makes this once we
(14:00):
got in the game, I was. I started in eight
and we was the you know, the last.
Speaker 1 (14:04):
Beacon of of Dago. Look at his face.
Speaker 3 (14:17):
Right now, so mad.
Speaker 1 (14:24):
Yeah, we was Fly. We was just talking about just
the vision that Los had and.
Speaker 5 (14:33):
Division that Los had just when we first was starting
out to see past the moments that we were at
and you know, have the vision to understand that this
was the direction to go in.
Speaker 1 (14:42):
You know what I'm saying, Oh yeah, for sure, man
o g.
Speaker 8 (14:44):
I always had the vision you did. You know what
I'm saying, Like one just.
Speaker 3 (14:48):
Exactly what you're talking.
Speaker 1 (14:50):
I mean, went guccio, I ain't. You wouldn't have bought
none either way, only time.
Speaker 8 (14:59):
Shut up.
Speaker 5 (15:00):
Yeah you're talking about Yeah, we don't care nothing about that.
You spend thirty thousand dollars a week on skincare, routine.
Speaker 8 (15:11):
Work. Yeah, that ship coming along. You don't look like
a orange.
Speaker 1 (15:24):
He looked like just been sitting on the table for years.
That's what it used to look like all the way.
Speaker 8 (15:30):
You know, Oh GJ always had the vision you dig.
Speaker 12 (15:32):
You know what I'm saying Like that, I think that
what it comes down to, Like if you got something
going on and you know you need help, you feel
what I'm saying, then not all of that.
Speaker 8 (15:41):
The dudes you're asking for help from, they need help.
You fear me.
Speaker 12 (15:45):
It's a it's a group collective, And I think that's
what you know what I'm saying, Us as black folks
don't do together, bro won't come together and ask for help,
like asking for help, thinking like you be little in
yourself or you like, I don't need bro.
Speaker 8 (15:58):
We need each other, bro. And at the end the day,
we can grow together.
Speaker 1 (16:01):
Bro.
Speaker 12 (16:01):
That's that's the only way we can go to the
next step. Quicker, you know what I'm saying without you
trying to do it by yourself. I mean, we all
can do things by itself, but you see as.
Speaker 8 (16:10):
A collective when we do things together. So it's like effortlessly.
You feel what I'm saying.
Speaker 10 (16:14):
So what's been the biggest lesson in ownership? Y'all had
to learn the hard way?
Speaker 8 (16:18):
Nigga don't want to fuck with nigga that own shit.
Speaker 5 (16:23):
Yeah, because you take away the negotiation power from people
when you own your product.
Speaker 1 (16:29):
You know what I'm saying.
Speaker 5 (16:30):
People can't come and give you, you know, give you
terms and conditions that you have to adhere to because
you need them, you know what I'm saying. And a
lot of times in this industry, people are especially the
powers that be, they used to you being you know,
in need, you know what I'm saying, And they used
to being able to throw anything at you and you'll
take it because you don't know no better. But when
you own it, it gives you a level of freedom
that you don't have to worry about certain types of
(16:52):
things happening in your negotiations or dealing with certain types
of people, and being able to walk away from money.
Speaker 1 (16:58):
Everybody thinks that.
Speaker 5 (16:59):
The opportunity is attached to a dollar, but a lot
of times it's not. But you're not able to see
that if you got to get the dollar, you know
what I'm.
Speaker 7 (17:05):
Saying, They got to handle you way different when they
know you don't need it. Like when you said a
matter of the money something, You're like, no, I'm cool.
Then they be like, well, why why what you want?
Speaker 1 (17:16):
Nothing? I just don't I don't see what you.
Speaker 2 (17:19):
What you see? What you what you need me for?
Speaker 8 (17:22):
What you think where we're going.
Speaker 1 (17:24):
It's way different when you when you can say no something.
Speaker 12 (17:28):
And sometimes they also think that somebody's already behind you already,
you know what I'm saying, Like they just swore we
always worked for somebody saying they one not knowing that
we start this from the ground up, trying to figure
it out. And I think that it's a difference between
when you got people that's putting the money behind and
then we used our own money, you see what I'm saying,
Like we can't mess up with nobody else money. We
(17:48):
don't messed up a lot of our money, you know
what I mean. But I think that's the growing pain.
That's what comes with understanding. Like you know what, the
mistakes ain't mistakes to us. The mistakes are learning lessons.
So every mistake we had, we just figured like, oh,
you know what, let's just do something different then versus
we got to.
Speaker 8 (18:09):
Answer to somebody.
Speaker 3 (18:10):
But like, well, why that didn't work?
Speaker 8 (18:11):
Then when we don't see the vision all right?
Speaker 12 (18:13):
Season two counselors like, man, we've been doing this in
twenty fifteen.
Speaker 1 (18:17):
Yeah, we took our bumps with our own money.
Speaker 7 (18:19):
So then when we did get some of the money,
we had already went through the errors and it worked out.
Speaker 5 (18:25):
Yeah, it's a lot less pressure not having to recoup
somebody else's bread.
Speaker 1 (18:29):
You tell, I'm saying you can get paid first. When
you use your own bread, you got to pay nobody back.
Speaker 11 (18:34):
I was wondering, you know, you guys aroast anybody anytime, anywhere,
any place. It depends who got the most sensitive when
it came.
Speaker 3 (18:40):
It depends for real, DC, Yeah.
Speaker 1 (18:42):
It depends.
Speaker 12 (18:42):
See I use that as the defense mechanism. It ain't
just like I'm just waking up, like you know, I
want to get somebody nerve today you're gonna say something
to me. I got something back, like this is my
twin brother.
Speaker 3 (18:53):
This has always been my.
Speaker 8 (18:55):
Twin brother since the day of time.
Speaker 1 (18:56):
But it's just like my uncle.
Speaker 8 (18:59):
Now, how the fuck I become uncle?
Speaker 1 (19:00):
My uncle?
Speaker 8 (19:01):
Ever before?
Speaker 1 (19:02):
I think when you got married, that's when, yeah, you
came on, Yeah she married. I'm sad man. Look at
the rings she got, the ring she married, you know
what I mean? She got anywhere she got married. She
can't invite none of us to the ceremony. I tell
you that quick. It was quickn't even know she just
(19:22):
woke up for real.
Speaker 2 (19:26):
So, but did anybody get super dupercentive? He was like,
let's leave me alone. Did that ever happen? Well, well,
you know when you when you rose to somebody, whether
it was a person.
Speaker 1 (19:35):
Who get the most you nigga, you know, but you
don't never do it in front of us. But you
and the Zilia banks, not me. Yeah yeah, yeah, you've
been name known.
Speaker 3 (19:53):
Like your voice like did you high pitture when you
all coming around.
Speaker 8 (19:59):
You showing me and what do you want?
Speaker 1 (20:03):
Sounds like a Nintendo character DJ and.
Speaker 5 (20:07):
You want.
Speaker 3 (20:09):
Nobody. I don't know.
Speaker 1 (20:10):
I think it's the way that we do it. We
don't never try to. It ain't never from not malicious.
Speaker 7 (20:15):
You know, even when we do roast people, it's still
something that even the people we roastinking laugh at you. Like,
we don't try to just go for what's obvious, you
know what I'm saying, Like it ain't just the most
messed up person. Sometimes we want to find somebody who
you can tell when they think they like they can't
say nothing about me.
Speaker 12 (20:36):
I think the big part is like we we also
have a connection. You did what I'm saying, Like, we
don't have to say nothing. There's been plenty of time,
but we never had to say nothing. But we understood exactly.
Like the look the logesture that we did, you were
like you caught that we don't have plenty of people
on the show.
Speaker 8 (20:52):
Well we were like these folks laying in here for
in real life. But we'll catch it and we'll just
look at it and it be just halnarous.
Speaker 1 (21:01):
Man, I'm talking, you don't know what we loving at?
Speaker 8 (21:03):
Like what y'all laving at?
Speaker 2 (21:04):
Nigga?
Speaker 1 (21:04):
You nigga what's funny you yelling your whole.
Speaker 10 (21:12):
Man? The thing I like about y'all or y'all all
are still honest, because I feel like we live in
this era where it's a lot of fake real talk
out here, like people just saying things that go byral
or saying things what they thinks sound good. How do
y'all stay grounded in truth while still keeping it funny?
Speaker 5 (21:27):
I mean you, I mean you think. I think it's
just the era we come from, in the environment we
come from. We all from different places, but we really
from the same exact place. We all come from the
same type of environment, and when you come out of
that environment, you feel a certain connection to the truth
because that's really all you have to live on, and
then you judged.
Speaker 1 (21:43):
On that when you come from the places we come from.
Speaker 5 (21:45):
So being in this era, like like you said, with
the fake real talk like that don't really apply to us,
because we know that the people that are watching us
are looking to us to be able to confirm that
what they feel is accurate. And we owe that to
the people that support us, you know, we owe it
to ourselves first. So it's just important for us to
always be able to say whatever it is that's on
our minds freely without having to worry about any backlash,
(22:06):
because at the end of the day, that's all you
have is your you know, your balls and your word.
Speaker 1 (22:09):
Like Scott Face said, I like the fake real talk really. Yeah.
Speaker 7 (22:13):
When people say like fake deep stuff and they put
the little soft music behind.
Speaker 1 (22:18):
That's some of the best motivation. Like they're slow to
clip that.
Speaker 7 (22:22):
You know, sometimes you gotta love yourself first before you
can love anything else.
Speaker 1 (22:27):
Second. Then they put the little piano chance to little
clip to page with all the little fake motivations. I
love it.
Speaker 12 (22:37):
I feel like, you know, I guess the fake real
talk is comes from the masses who would never have
said them back in the day anyway. You know, on
social media done enhanced on so much of foolery, you
know what I'm saying, Like it's no more morals, no more,
you see what I'm saying. It seemed like the immoral
(22:58):
is becoming the new norm now, and it's like the
old norm is.
Speaker 8 (23:02):
Becoming weird or strange, you see what I'm saying.
Speaker 12 (23:05):
But I think comedy still has that that effect, like
you have to be honest no matter you know what.
It gives us a better feeling because now it's tense. Tense,
everybody'll be like, well we can't say that. You'll be
like why, who don't get mad?
Speaker 7 (23:22):
They can't when you under somebody, you work for somebody,
and you got interest and you got stuff to lose.
The only way you keeping it is by keeping this job.
You do kind of have to feel to yourself.
Speaker 1 (23:34):
It's a lot of things that can't be said, and
a lot of people who can't say them.
Speaker 5 (23:38):
Corporate complacency, that's what that is. You know, you get
that corporate money, you get them corporate people behind you.
Got to be complacent with the money because once they
tell you what you can and can't say, that's your
That's what it is, because.
Speaker 8 (23:48):
Nine times out of ten you're talking about them anyway.
Speaker 3 (23:52):
You think it's because people can't fight.
Speaker 8 (23:54):
I think that I ain't fnna walk up on me.
Speaker 12 (23:58):
You're not getting in between between three feet saying none
of that ship you just said.
Speaker 10 (24:02):
A lot of time people think it's corporate. It's like, no,
he just don't want no problems. You just don't want
no problem.
Speaker 2 (24:07):
I was gonna ask to success.
Speaker 11 (24:08):
Feel better when a lot of people doubt it, all
of y'all right when they doubted you at first.
Speaker 2 (24:13):
I remember when when you first came out, there was like,
we don't understand what he's saying.
Speaker 10 (24:16):
This the show show, I remember that show when he
was on MTV on Uncommon Sense, was.
Speaker 3 (24:21):
Like, we don't even understand what he's saying.
Speaker 8 (24:23):
Nick said that at the audition, like I don't know
what you said, but it's funny. I was like you
you know, because after this I'm back.
Speaker 2 (24:28):
That's in the correct The success feel better when they
people are doubted so much?
Speaker 1 (24:36):
Does it feel better?
Speaker 8 (24:37):
I want to say it feel better.
Speaker 12 (24:38):
I think the proving people wrong part just feel good.
You know what I'm saying, because I think because I
think everybody in here can contest it, you always won't
support you don't never want to grow up me Like damn,
wan't see the good?
Speaker 8 (24:49):
A mean you see what I'm saying, Like, I ain't
never no bad person.
Speaker 12 (24:53):
It's just when you prove people wrong and he be
like that feeling is kind of just like you know
what I'm saying, It just it feels great.
Speaker 8 (24:59):
But I don't think that the doubting part, you know
what I meant?
Speaker 7 (25:03):
I mean, I think I feel better, but I always
show love because I don't never want to be somebody's reason,
you know what I'm saying. Somebody like, yeah, I tried
to play my music for loads and then he shipped
it on me, and then that motivated me to go back.
Speaker 5 (25:14):
And now the like the teacher that, like every rapper
got that teacher that told them they weren't gonna be
ship when they was.
Speaker 7 (25:21):
Just at that's a lot the teachers gonna be telling
them students that their lady asked that boy to read
out loud, he got nervous in front of the class
and missed up, and then his feeling.
Speaker 5 (25:36):
But I think success is subjective, you know what I mean.
Everybody's definition of what success is is different. But I
know for us, like we didn't beat the game so
many times in comparison to what we were supposed to be,
so you can't really look at it from what people
think you supposed to have, you know what I'm saying, Like,
I think it feels good just to know that the
trajectory of what brothers like us were supposed to be,
(25:57):
for us to be so many light years away from
that and ahead of that that success, so it's really
nothing anybody can say to make you feel bad when
you beat the game the way that we have and
they keep doing it.
Speaker 7 (26:07):
You gotta get that out the way early, bro Right.
Once you get to a certain level of your career,
you can't be focused.
Speaker 1 (26:14):
On people don't like you, don't love your question.
Speaker 7 (26:17):
Who get on your page and call you ugly, because
those not the people who put you in the position
that you're in.
Speaker 1 (26:22):
Anyway, show you get what I'm saying, Like we understand.
Speaker 7 (26:25):
That's why we call live fans the eighty five percenters,
not the one hundred percenters, because everybody ain't gonna never
like it no matter how good it is, or you
know what I mean. Nobody gonna always support the greatness
or they gonna they want to see you on that platform.
It's some people who hope we fall.
Speaker 3 (26:40):
Out right now. We just worrying about long.
Speaker 10 (26:44):
How long can we do for y'all Thoughcause y'all, y'all
got youall own lane, Like there's literally nobody in y'all lane.
Speaker 3 (26:50):
There's nobody doing what it is that y'all do.
Speaker 1 (26:52):
Do you understand?
Speaker 7 (26:53):
The lane started as a little path that we cut
behind the real path, and then we came through with
some dirt for sure. Then we came behind it with
a little grabby. Now we're coming through the concrete.
Speaker 10 (27:05):
When you launched the podcast and you said you don't
want to get you going to get DC to do
the podcast, did you see this turning into the Empires becoming.
Speaker 7 (27:11):
Yeah, that's why if you go back to the early
episode when it was just us in the studio with
me and Chico and d C, and then we always
would say, hey, man, this is who the podcast for,
this for the podcast who This podcast right here is
for white women with black kids who don't know how
to do their health or you know this this for
everybody whoever had to use vassilin his grease. You feel
(27:33):
that that's why we That's how we did that. So yeah,
I always felt like I still feel like this is
just the beginning, Like we ain't did half the stuff
that we know we're about to.
Speaker 1 (27:42):
Dude, we got some big stuff coming up. I'll tell
you who.
Speaker 5 (27:45):
The podcast now for niggas we gotta get put to
sleep to get their prostag.
Speaker 2 (27:51):
To put sleep.
Speaker 8 (27:53):
You had you had to go to sleep.
Speaker 3 (27:55):
Watch what happened?
Speaker 5 (27:57):
You like?
Speaker 1 (27:57):
You know that not.
Speaker 11 (28:00):
Before not even how it goes yeah, I don't know,
call it that the fingers to prostatect.
Speaker 3 (28:09):
Okay, and that last three seconds? How many times you.
Speaker 1 (28:12):
Got your proceect?
Speaker 3 (28:12):
Yet he likes it. He go ahead, he went for
protecting me. They was like, turn around, long.
Speaker 2 (28:20):
Time, I got it.
Speaker 1 (28:21):
You gotta prosected me. I was.
Speaker 10 (28:22):
I went for the consultation. And what they do when
you gotta turn to a profet exams and go back.
You went to get something clip and you were like,
you know what, I went for the consultation, and you know,
after they look at your and all that, and the
guy was just like.
Speaker 1 (28:33):
Yo, today what you had to get butt naked?
Speaker 7 (28:41):
They take your whole second stretcher, then put a flash
light up there.
Speaker 1 (28:44):
They want to see through it.
Speaker 8 (28:45):
I think I know the.
Speaker 10 (28:49):
Then they turned you around, asked me a question. And
then when he asked me, I started hitting people to
ask him. I'm like, man, is this supposed to turn into.
Speaker 3 (28:55):
A prosthet exam?
Speaker 8 (28:56):
Man?
Speaker 1 (28:56):
When a y'all having these conversations.
Speaker 8 (28:59):
On the roll on in the school. Man, I used
to put it on the light on the like.
Speaker 3 (29:05):
The projector project put.
Speaker 1 (29:13):
Yeah, we're gonna need to check your prostate, sir. You
got something going on, so.
Speaker 11 (29:18):
They checked his prostate and during that exam, during the consultation,
I've never.
Speaker 3 (29:21):
Heard that in my life either, not going to get
the full.
Speaker 1 (29:25):
Do want to get real doctors?
Speaker 3 (29:27):
Man?
Speaker 1 (29:28):
What made you want to want to get You already
had all the kids.
Speaker 3 (29:31):
And all that, Like I wanted me to get one.
You don't want to kids.
Speaker 12 (29:35):
She's making you just cut your many Yeah, no, the
man be the man at the household.
Speaker 1 (29:47):
Tie your nuts down, nigga, nobody got time for this.
Then you a poodle.
Speaker 8 (29:54):
What's the difference between.
Speaker 1 (29:55):
The prostate and cook?
Speaker 2 (29:57):
They put you to sleep and they put a camera
up your ass.
Speaker 8 (29:59):
To that's right, m damn the same ship.
Speaker 3 (30:04):
Colon can make your things out and.
Speaker 12 (30:06):
That's crazy because a lot of men have to go
through that. You're going, I'm nervous, but you're going though.
I don't even like the dodo.
Speaker 3 (30:16):
Why you like to do?
Speaker 8 (30:17):
Because I ain't got time to be going about black man.
I wish I could just put my part right.
Speaker 3 (30:22):
Self cleaning.
Speaker 10 (30:26):
I'm gonn getting man, I got that's funny as ship
waving your ass saying pause, I can't do damn.
Speaker 8 (30:36):
You know what is it like watching the poor minds man.
Speaker 12 (30:41):
Beautiful, great, beautiful, Just saying first of all, just seeing
black women flourish.
Speaker 8 (30:46):
Let's just let's just take a pause for that. Yeah,
just black women flourish and and.
Speaker 12 (30:52):
Having kings behind them that you know what I'm saying,
that's supporting, and don't look at them as sexual, you
know what I'm saying, Like this is a family vibe,
you do know what I'm saying, And like we ain't
got time for all that.
Speaker 8 (31:02):
Like sometimes me and we have to understand that we
need to have relationships with women without being.
Speaker 5 (31:07):
Sex creating a safe space. Black men, creating a safe
space to come and be secure without having to feel
like they subjected to all the things that come with
the stigmas of being a woman, especially a black woman
in this industry, you know what I mean. We always
try to make sure that our presence makes our women
feel comfortable and safe, that they can be themselves and
(31:27):
not have to worry about getting judged or you know,
being looked at as objects, you know what I'm saying,
and be able to really project their talents out the
right way. And that's something that we find really important
because talking to you know, our uncle and everything, like
she you know, she'd let us know that, you know,
the fights that we've been around her for years, like,
and she's had to push through so much just because
(31:48):
of the type.
Speaker 1 (31:49):
Of person that she is.
Speaker 5 (31:50):
And she ain't gone for shit, you know what I'm saying.
So that makes it very difficult for black women in
this industry. So we want to create an environment where
we you know, you don't have to worry about none
of that coming over here.
Speaker 1 (31:58):
You're going whatever it is you do. That's what we're
looking at you to do nothing else.
Speaker 7 (32:02):
They're just as dope as they ever were, Like they
didn't have to get dope. Like I went and did
the podcast with them a long time ago at Dre's house.
They were just in the living room just you know,
sipping wine, talking ship and I was like, y'all got something,
And I know that y'all some attractive women. People are
gonna want to hear y'all opinion on certain stuff and
(32:22):
just to see where they took it.
Speaker 1 (32:23):
It's crazy too money.
Speaker 7 (32:32):
That's the thing about when you said the family environment, Bro.
We want to be around talent that we respect because
we know that these people have something different than just
you know what I mean. Than just being our friends.
We respect the talent that they had. We'd love to
see money Bag go on stage or Clayton English get
to talking you know, deep conspiracy theories, and then you
(32:52):
know broken play and poor mind. So it's like, these
are the things that we want around us, People that
we can have fun with, people that we can kicks,
and we know once they can get our attention because
we can tough critics.
Speaker 1 (33:05):
We know that the mass is gonna mess with it.
Speaker 3 (33:08):
Y'all think cancel culture, cancel culture? Lost his power.
Speaker 8 (33:14):
I don't want something.
Speaker 12 (33:15):
Ain't no such thing as canceled culture, especially when God
puts you on. When God puts you on, can't no
people stand outside the building and be like shut them off.
Speaker 8 (33:27):
Excuse me, I will push you across the street.
Speaker 12 (33:31):
You dig what I'm saying, Like you can't close the
door that God open, especially because you got mad at
something that would because you don't understand.
Speaker 5 (33:39):
I think the current climate of the country doesn't bring
canceled culture. You know, you look at the president is
you know what I mean that it ain't going down
like that no more. I think that the you know,
the social norm of what is acceptable and not acceptable
change with the administration. So it's a lot more things
that you can say and do now because you know
the powers that be on gonna chastise you for that.
So I think that trickles down. I don't think it's
(34:00):
the same no more. You know, like five six years ago,
you couldn't say nothing. You know, you didn't make canceled
more than anybody.
Speaker 1 (34:05):
In the country.
Speaker 5 (34:06):
So now I just think that the way that the
world is set up now is no way for you
to be able to tell somebody what they can and
can't say, you know, as long as you're not doing
them maliciously. They should keep the counsel culture, but it
shouldn't just apply to like social media and like celebrities
and entertainers.
Speaker 7 (34:21):
They should start canceling the people who ruining the country
right for sure.
Speaker 12 (34:26):
That they're gonna they should, because those are the people
that's in control of the council culture exactly.
Speaker 10 (34:31):
And coluse you got a college hell season, I don't
know what season is. You're coming back for another just.
Speaker 1 (34:36):
Not another season. I did the season as a season three.
Speaker 3 (34:39):
Oh so you already shot all that ship?
Speaker 1 (34:41):
Yeah, we shot it.
Speaker 2 (34:42):
I just knew.
Speaker 1 (34:43):
Let a nigga know, you ain't watching what we got
going on?
Speaker 3 (34:47):
True?
Speaker 1 (34:47):
Yeah, damn this last year the Man going to.
Speaker 3 (34:53):
Get It collage.
Speaker 10 (34:58):
Speaking of that, I'm just read le on Hulu like
two days ago, maybe three over the weekend.
Speaker 8 (35:03):
I'm like Chico being l O L lived that.
Speaker 1 (35:09):
I'm like talk, Yeah, I don't know how you missed it.
You don't give a fuck. That's how you miss man.
Speaker 3 (35:14):
You don't give.
Speaker 1 (35:16):
You don't get Yeah, I did, man. It was shot
it last year with lo O L. Man and it's dope.
Speaker 3 (35:20):
You know.
Speaker 5 (35:21):
I did it out in Vegas, and you know, it's
just a you know, an introduction to what people who
know me and know what I do, you know, have
already been accustomed to. So it's just introducing yourself to
a new audience, you know. And it's fun to do.
Like we've all done those type of things with people,
you know. That's the beauty of what we do. We've
been doing this for so long, but there are so
many people that still get introduced to us every day,
(35:41):
every single day. So you never you never in a
position where everybody knows you. Most people still don't know
who you are, no matter what you've done. So that's
just another opportunity for me to be able to put
my talents out in front of the world.
Speaker 1 (35:52):
And I'm proud of it.
Speaker 7 (35:53):
Man.
Speaker 5 (35:53):
It was a dope opportunity and a shout out to
Kevin Hort and laugh out loud and everybody gave me
that shot.
Speaker 7 (35:58):
Before he did it, He's like, what you think, like
you better do that? Yeah, for sure, Yes, because it's
a great platform. Kevin Hart one of the biggest comedians
that they ever was, and they show him to say, Hey,
I got something for you. I want to share my
audience and put you on this platform.
Speaker 1 (36:13):
Shoot a special.
Speaker 7 (36:14):
They ain't got to be an hour, just to let
the people know that you're dope and one of them.
Once he gave me the opportunity to do it when
he first launched it, I got to be into like
the first set and just did it and it was
it was dope. And I still see those clips like
it's it's they shot it dope and it's just one
of those things that can live forever.
Speaker 5 (36:32):
Yeah, that's really Cousins Festival next. Oh, yes, yes, yes,
the Cousins Festival. Man, Cousin Oh Jack you're coming jazz.
Oh it's fun. Man, it's dope man, it's a push
your t and then in Virginia do it. You know,
it's a festival.
Speaker 1 (36:46):
They got an outdoor festival, then they got an indoor festival.
Speaker 5 (36:48):
That's a concert. So they got GZ this year, ta pain.
What day is August thirtieth? Y August thirty? Yeah, come through, man,
it's dope. You did it last year, you know. And
dj MV was out side. They got the DJ set
DJ yeah, all of that, d j m V, all
of that.
Speaker 1 (37:05):
Yeah, grown man wiping his forehead doing the set. It
was just it's coming up the forehead, d j M.
They'll pull his hat back and wipe his forehead and
then he'll go back to d J. He was DJ
no yeah, then out of know when you just push Yeah,
(37:26):
he was playing out of the Sun. You just hurt
follow me? Why don't you follow me? Where we up there?
You know what I'm saying. I'm like, they wipe me
here DJ in.
Speaker 8 (37:45):
DJ DJ Indians. Yeah.
Speaker 1 (37:54):
But that's gonna be fun, man, it's gonna be dope.
Speaker 3 (37:57):
Yeah man, So it shout out to d C too.
Speaker 1 (37:59):
Man.
Speaker 3 (38:00):
You had three outfit changes to.
Speaker 1 (38:03):
Something, man, come on the best dressed at the beach
straight up.
Speaker 8 (38:09):
That's all for you.
Speaker 1 (38:12):
No, no, seriously, man, I was watching them suits.
Speaker 3 (38:15):
I was like, look at let me tell you something.
Speaker 8 (38:17):
Close.
Speaker 12 (38:18):
Might not have been the best dress, but when it
comes to suits, my daddy taught me well, he said, listen, man,
you might not gonna have the Jordan's and all that ship,
but I'm gonna show you what tailored suits.
Speaker 8 (38:31):
I mean, getting to coordinate. I been getting Taylor's when
I was young, and you know what I'm saying with
the vests before he was cool to have a vast
in between the suit.
Speaker 2 (38:39):
All that used to be country at.
Speaker 8 (38:41):
One point in time.
Speaker 12 (38:42):
So it was just like, when you get into these
you know what I'm saying, these certain levels of your career,
you want to show people. You know what I'm saying. Growth,
You want to show people like this way you belong.
You want to show people like, all right, this is
how you do it because you gotta we gotta look. Yeah,
I'm from the hood.
Speaker 8 (38:56):
We got a certain look. But I'm like, guess what, man,
we could get clean. Man, it's all about all about
being diverse. Man, it got to be clean. And that's
my element right there. And I was like, you know what,
it's time for me to show these for how you
really do this.
Speaker 12 (39:08):
So every time if you see my name on in
the red carpet, you better come with it because your
butt is coming.
Speaker 8 (39:15):
And I got one of the best stylists in the
world shout the mo she goes crazy, she's black.
Speaker 10 (39:20):
DC did it the right way to when you talk
about that, because you've been you know, you've been living
out loud forever.
Speaker 1 (39:24):
So you went from what that means.
Speaker 3 (39:27):
I don't like how you said that living out people
started to grow up on.
Speaker 5 (39:40):
Now that you think about it, that don't sound ruthing.
Speaker 3 (39:46):
Else when people started going from the funk you mean
to being clean and the bt.
Speaker 8 (39:53):
A ward you know, I mean, you know it comes
from just growth. Just growth, man.
Speaker 12 (39:57):
I feel like everybody just have to grow every step
that your career takes. Understand your purpose and understand where
you at. You know what I'm saying, Like jes you
probably never saw yourself doing this, but once you came,
you understood, like you know what, there's a lane for me.
Let me grow here, let me understand, let me make
my mark. And when other people see your talent, your potential.
(40:18):
You know what I'm saying, Even if you ain't.
Speaker 8 (40:19):
Already quite got it just yet. They still see it's
something there. Just like you said, we just got started.
So guess what they're saying, there's something there.
Speaker 12 (40:27):
We're still growing and we've been doing it for teen
years and we're not at the same level.
Speaker 1 (40:32):
And you know what they say, it take ten years
to be an overnight success. That's a fact.
Speaker 3 (40:36):
So my last question, what does the legacy look like?
Speaker 1 (40:38):
Do y'all? Is it money? Go?
Speaker 8 (40:39):
Damn man, damn you got crossed examined a little bit.
Speaker 3 (40:43):
It's actually going to feed the homeless right now. But
is it money? Is it freedom?
Speaker 9 (40:46):
Is it?
Speaker 3 (40:47):
Respect?
Speaker 9 (40:48):
For me?
Speaker 5 (40:48):
Is to picture over the fireplace, meaning that you always
it's you know, because I understand I look at life
from a different vantage point.
Speaker 1 (40:55):
I've lost so many people.
Speaker 5 (40:56):
I know that it's overWe for everybody one day, one
day will be your last day on this planet with
everybody that you love.
Speaker 1 (41:01):
What do you leave? You know what I mean?
Speaker 5 (41:03):
All of this ain't for me, you know, it's for
the people that's gonna come after me. Like I said,
I don't beat the game so many times over. For me,
it's just about leaving a legacy that is going to
last beyond my generate, beyond my lifetime, you know what
I mean. That's what real wealth is to me. Being
able to leave something for your people to not have
to work anywhere near as hard as you work to
get whatever it is that you received in life. So
that's what it's about for me, just being able to
(41:25):
create something that's going to last long after I'm gone.
Speaker 1 (41:28):
Yeah, I want to.
Speaker 7 (41:29):
I want to have that legacy where you leave a
bunch of bread and change the whole family history.
Speaker 1 (41:36):
That's what yeah.
Speaker 7 (41:37):
Or like you know, when your granddaughter pulling up at
college and like you know, granddaddy had that bag.
Speaker 3 (41:42):
That's generational blessing.
Speaker 1 (41:44):
Yet keep it going.
Speaker 7 (41:46):
And I don't want the family to have the education
and the financial knowledge to take whatever I do and
then flip that, then flip that again, and then open
some business, then put out family name on some buildings
and buy some houses and some property and you know,
get a little nephew. Was something that's in Congress. I'm
trying to change the whole.
Speaker 12 (42:05):
About your DF I mean, it's just to inbalk on
everything they said, you know what I mean, it's kind
of like the same you feel me And also have
a level of sanity with dealing with everybody problems because
figuring out who's gonna be next in the family, it's
kind of hard to decipher because this is a big
(42:25):
job and it's a big you know what I'm saying,
But trying to instill those morals into them and understand
that it's generation, that it's family. That's hard trying to
do that when the family that's broken, you know what
I'm saying. So it's like, dang, what do is? What
does it look like after me? How long will it last?
So I feel like we work so hard just so
(42:47):
we give our family time to figure it out amongst
each other. Because if you didn't break it, or if
somebody broke it before you, then you kind of like
taped me into it to understand what it was.
Speaker 8 (42:59):
So you're trying to figure out do you even know
what this is?
Speaker 7 (43:02):
Like?
Speaker 12 (43:02):
You're just looking at me on TV? Do you am
I just funny? It ain't about me being funny? Do
you even know what God then blessed us with?
Speaker 8 (43:11):
Do you see it?
Speaker 1 (43:12):
Oh?
Speaker 8 (43:13):
I could just go buy your car. Oh I could
just help you out with something right now?
Speaker 7 (43:18):
That ain't it?
Speaker 8 (43:19):
What happens if something happened to me tomorrow, because we
got it, But.
Speaker 1 (43:24):
Do you know what to do with it? Put some
with some, put some with some.
Speaker 8 (43:29):
You know what I'm saying. So you're trying to insteader
those morals into the family.
Speaker 1 (43:32):
It's what I'm kind of like, real big and man.
A quick question for y'all. Who painting styles Piers Orlando Brown?
You know that's down right there?
Speaker 5 (43:44):
Well, no, that's down all Rowland. That's yeah, we definitely
look like us, but that's that's Orlando Brown. That ain't
styles pe right there?
Speaker 3 (43:57):
Remember were always looking at in that picture?
Speaker 1 (44:00):
Happened my man from South Africa?
Speaker 3 (44:02):
Uh yeah, he was like America.
Speaker 1 (44:11):
Eighty five South.
Speaker 7 (44:12):
So we appreciate you, oldo. We got two things now, okay, okay,
this breaking Come on, man, bro. We just got the
movie deal.
Speaker 2 (44:19):
With eighty five.
Speaker 8 (44:28):
Playing Man, get a new tour, Spin the Block.
Speaker 1 (44:32):
Spin the Block, eighty five South show dot Com. Or
you can go to being Men doctor. Yeah you know
what I mean?
Speaker 5 (44:41):
Right here?
Speaker 1 (44:41):
You know Blake and and you know what I mean? Yeah,
they black.
Speaker 8 (44:47):
Yeah, casting for this.
Speaker 1 (44:49):
Dead in what you mean? That's talk that talk.
Speaker 8 (44:51):
I'm talking about eighty five South, the dead End the
movie cast.
Speaker 5 (44:56):
Just come on, man, you don't have to audition audition,
Come on, you know it is what you know everything
in the movie.
Speaker 1 (45:10):
You know what I mean?
Speaker 3 (45:11):
We got it.
Speaker 1 (45:12):
We don't even know what Sorry, they didn't just handed
me handing me the dates. So we were starting off
in Detroit. What up though? Detroit?
Speaker 5 (45:20):
September six, were in Detroit, the seventh Indianapolis. Then we
in Columbia, Greensboro, Philly, Fairfax, Memphis, and Nashville, I mean Dallas, Houston, Hampton, Charlotte, Birmingham,
New Orleans, Chicago, Cincinnati, and Atlanta.
Speaker 3 (45:35):
Graduated on your team for money, money and money with
the website.
Speaker 1 (45:39):
Hey man, I don't like you.
Speaker 7 (45:40):
Just saw dot com eighty five on the app store.
You can go to Being Men Shows dot com and
get tickets. You can hit the Instagram page. You can
get tickets off the app. Come on getting hit uh
D c D MS. He getting away.
Speaker 9 (45:59):
But I.
Speaker 8 (46:03):
Concert all days in the row in that level shot.
It was down Friday, Saturday, Sunday, and the money.
Speaker 3 (46:09):
Who the hell Beyon concert?
Speaker 7 (46:11):
A lot of people bought outfits for that concert and
they don't have nowhere else to win today.
Speaker 1 (46:20):
Bring your fans and all that.
Speaker 8 (46:23):
And for those who.
Speaker 12 (46:24):
Saying, why we ain't coming to this city, We're coming
to a city that is drivable, so you can't drive there.
Speaker 8 (46:32):
We just can't come to that specific city.
Speaker 7 (46:35):
So all the we're not going to We're going on
the second leg, right, We're going again for sure. Spend
the block and then we might do one called the
block was spent making wood and say the block was spunt.
It's one of my favorite words.
Speaker 1 (46:51):
That, ain't you never why spunk money?
Speaker 3 (46:59):
Just put the mon you on.
Speaker 1 (47:01):
It's eighty five South Show.
Speaker 8 (47:03):
You ain't gotta talk like that. Talk wreggler.
Speaker 3 (47:04):
Man, I'll see.
Speaker 8 (47:10):
I'm getting done man, talk reveler, nigga.
Speaker 2 (47:14):
It's stea eighty five South Show. It's the Breakfast Club.
Speaker 1 (47:17):
Steve Clu, wake that ass up in the morning. The
Breakfast Club
Wake that ass up in the morning. The breakfast club.
Everybody is I just got in here.
Speaker 2 (00:09):
You know what I mean? The guy we are the
breakfast club.
Speaker 3 (00:11):
We got a special guess in the building. Guys, what up?
Speaker 4 (00:14):
What up?
Speaker 2 (00:15):
What up? Smell of Chico being welcome?
Speaker 3 (00:17):
Fellas man?
Speaker 1 (00:18):
Whatever? Man?
Speaker 5 (00:19):
Why y'all got that freak ass picture of Big Sean
on the table?
Speaker 3 (00:24):
Put it on his computer, throwing it at you.
Speaker 1 (00:26):
Why what he was asking?
Speaker 6 (00:28):
Well, he wanted to know where everyone has came from.
Speaker 5 (00:31):
And so a couple of pictures about to get a sketching.
Speaker 1 (00:35):
Man, you gout, you're about to get a b BL. No,
don't do that, and you already rich. Bro, Just get.
Speaker 7 (00:40):
Fat, you get rid of I don't know why everybody
want to be in shape?
Speaker 1 (00:46):
What happened to getting money and getting fat?
Speaker 3 (00:49):
Where you want to live though? So you want to
you want to be alive, that's all.
Speaker 8 (00:52):
Man.
Speaker 1 (00:52):
Get out of here. That's literally what you're gonna do.
Speaker 7 (00:56):
Get out of here and get.
Speaker 1 (00:58):
Just had one waters.
Speaker 3 (01:02):
What y'all up here for? Man? I know y'all got.
Speaker 4 (01:05):
Man.
Speaker 9 (01:07):
You know what, man, I've been treating a guess later
I saw the neon clip.
Speaker 7 (01:20):
Y'all will never started streaming career. Y'all already blocked.
Speaker 3 (01:24):
The man shouting on Harriet tubman man.
Speaker 1 (01:26):
He shipped on? Who shouted Harry? Somebody shopping on Harry.
Speaker 4 (01:33):
Man.
Speaker 5 (01:34):
Y'all listen, man, the contents falling off. But y'all got
to interview people that shopping on her. Tell y'all have
lost your luster. And y'all had him up here, and
then y'all wanted me up here for.
Speaker 3 (01:46):
That's not true.
Speaker 10 (01:47):
What happened was he he reached out to me to
do his scream, but then he kept asking to come
up here because he wanted to announce that he was leaving.
Speaker 3 (01:54):
Kick. I'm like, okay, we've had him scream up here before,
DDG been up here, so what not? He didn't announced.
Speaker 8 (02:00):
He was like, I'm not an.
Speaker 3 (02:04):
I mean, we've been a few people to come up.
I about to say we had a big dank up.
Speaker 6 (02:10):
Here, the Detroit rapper, you know, big dang.
Speaker 1 (02:15):
The one that had that laws.
Speaker 5 (02:17):
Yeah, you know what, man, Look man, we don't understand.
Speaker 1 (02:27):
Now you turn it back to you.
Speaker 5 (02:29):
Man, you ain't got that glitter on the top of
his head, and now I don't know what that is.
Speaker 1 (02:34):
What what you did to your head, and why is
it glittering?
Speaker 5 (02:37):
Its glittering classes going through menopause?
Speaker 1 (02:41):
That like a church and man going through menopause. Man,
because they to I was about you said, like we
just showed up.
Speaker 3 (02:56):
First of all, we love having y'all. Let's start that.
That's movie.
Speaker 1 (03:02):
In d C.
Speaker 3 (03:03):
Be in DC always late.
Speaker 1 (03:05):
I mean, y'all.
Speaker 5 (03:08):
On his way, he on his way. Man, y'all had
that monsoon up here the other day. We all almost
didn't get in. Y'all had in the arms of the angel.
Y'all was struggling up here the other day.
Speaker 3 (03:19):
How do y'all like? Y'all y'all still being on the road?
Speaker 4 (03:20):
Absolutely, okay, absolutely, that's just the road is where set
isn't entertainer, bro, you don't have to be at home,
people giving you chicks, eating good food, fine women.
Speaker 8 (03:32):
What's the favorite city? I know it's different for both
of y'all's favorite cities.
Speaker 5 (03:35):
The hit Well, no, I don't, I mean whatever, Yeah exactly,
I mean I love Detroit, I love Chicago. I mean
you know, you know, when you travel, you go to
different places and you get responses from people that make
you love the city for different things. But to answer
your question, Chela Maine, Like it's being on the road
is the blessing. Like I always tell people, you can't
(03:55):
complain about the blessings God give you because if you
didn't have it, that's what you would be asking for.
You to be on the road all the time. So
gotta love it because you get to do what you
love and you get paid for it.
Speaker 1 (04:04):
It's a beautiful thing.
Speaker 11 (04:05):
How a material when you're always on the road, like
y'all always out, whether it's together, whether it's a part,
whether it's wild I'm out, whether you like, y'all always
on the road.
Speaker 2 (04:13):
So how do y'all work on material?
Speaker 5 (04:15):
I mean, because you always on the road, you see things,
You see different things, You see different perspectives.
Speaker 1 (04:18):
When you go to different cities. You know, you perform everywhere.
Speaker 5 (04:21):
Everywhere you go, they got different cultures and different ways
of doing things. So you get to visualize all of
that and it goes into your stage show because when
you're performing for people, they want to hear your perspective
on their everyday life and you get to see that
when you're on the road.
Speaker 1 (04:33):
So that's the best part about it.
Speaker 7 (04:34):
Plus, when you're in different cities, you only get You're
only there for a certain amount of time, so you
don't get to see everything. So every time you come
back it's still it's still new.
Speaker 6 (04:43):
And then the tour that y'all doing to spend a
black tour, that's y'all going back to the cities that
shows y'all the most love.
Speaker 1 (04:49):
It's kind of most loved.
Speaker 7 (04:51):
Places we had fun and places we just wanted to
go back. Sometimes it's not just about the show. It's
like sometimes the venue be hitting different and we you know,
since we're growing with the performance, some of these places
we were like, yeah, we definitely got to come back,
if nothing else, just because we like to set up
in there.
Speaker 11 (05:09):
Now they're doing big venues, do y'all prefer the smaller
venues because it's more in touch with people, But y'all
hop on the crowd at times, like y'all touch the people.
Speaker 5 (05:17):
Yeah, But that's the good part about us is we
have already performed for these people in those intimate settings,
so they used to seeing us that way. So it
kind of still feels the same even though we in
an arena, because people still react the same way. They'll
come to the front to make sure that we see
them more. We'll be able to recognize somebody that came
to the comedy show when we was doing it at
the comedy club and have those recollections to be able
to do those type of things in an arena. So
(05:39):
it just hit the same for us. And that's one
of the good parts about what we do because it's
always a different show. It's always improvisational, so we never
know what we're gonna say every time. It's a different show,
so you get to do that even though we're in
an arena.
Speaker 1 (05:49):
The goal is to make the arena feel like the club.
Speaker 10 (05:52):
Yeah, it hard, It seems like it's hard to do,
right now, get that kind of intimacy in an arena.
Speaker 1 (05:57):
There's a lot more ground to cover, but it's seeing
that we do.
Speaker 7 (06:02):
We'll go Chico or jump off stage and be riding.
Speaker 1 (06:09):
Scooters to the thirty fifth. Real we don't care about that.
Speaker 7 (06:13):
We really just enjoying ourselves and and you know, selling
these joints out and trying to keep the brand going.
Speaker 3 (06:20):
You aready looking like Chico Lean man.
Speaker 1 (06:22):
Yeah.
Speaker 5 (06:23):
Man, I found out I had high blood pressure. I
had to change my change my diat around. I went
to the doctor. They told me I had high blood pressure.
I was like, whatever, I don't canning about hih blood pressure?
And I went back to the doctor and another doctor
came in, like when that second police officer coming, you
know you're going to jail.
Speaker 1 (06:38):
That's how the black man.
Speaker 5 (06:39):
He was like, brother, I don't think they did a
good enough job of explaining to you the effects of
how blood pressure is the biggest killer of black men,
heart attacks, all that type. And I'm like, well, what
are the effects He said, the rectile dysfunction. I was like,
what I gotta change?
Speaker 1 (06:51):
I won't man.
Speaker 5 (06:53):
As soon as he said that's all I needed to hear,
I'm like, nah, I am too young for that. But yeah,
I had to change a lot of stuff around. Man
can't eat chicken, can't eat bread, all that type of stuff.
And that was one of the most hardest transitions. I
tell people now that as black men, we work so
hard to build our habits because we start from nothing.
So every habit that you get, you you hold on
to it, and what you put in your body is
(07:13):
one of the first ones. You get some money, first
thing you do is go eat good or what we
consider to be eating good. So having a transition and
shake that. We were just talking in the green room.
Sugar is the worst drug in the world because don't
nobody stop you when you got it. You know, you
can just have it. Yeah, you can just have a
plate full of sugar. Everybody be cool. Shut one, crack rocker.
Speaker 8 (07:30):
What's wrong?
Speaker 1 (07:31):
You know what I'm saying. What happened for? You know
what I'm saying?
Speaker 2 (07:37):
Second hand?
Speaker 1 (07:39):
Don't do that?
Speaker 5 (07:40):
Yeah, but that was I know. Yeah, we you know
Envy light skin. He been dressing like this. He's been
dressing like this since the eighties. He wanted to be
in Uh, what's the Ready for the World. I don't
know that Envy audition for Ready for the World and
they make it. But yeah, man, that's I feel better though.
That's the best part about it. I feel so much
better because once I made that transition that you look
(08:01):
at yourself and you don't really see it till you
look at old pictures and be like, God, damn nigga
was Bill bad?
Speaker 1 (08:07):
But you know what I mean, the transition.
Speaker 5 (08:09):
I recommend all black men to go get their blood
pressure check man, because it's very, very important, and you'll
end up walking around with one Jordan on if you don't.
Speaker 1 (08:16):
Man, listen.
Speaker 3 (08:16):
Blood spress me so bad.
Speaker 7 (08:18):
When I seen them lose all that weight, I just
started losing weight too. I was like, hey man, but
whatever it is you're doing, I'm about to do some
of that.
Speaker 3 (08:24):
You going to the doctor color Yeah, okay, I got insurance.
Speaker 1 (08:27):
That's what you wanted to hear.
Speaker 10 (08:28):
Yes, I got Man, you get to a certain age,
I'm forty seven. Now you got to go get everything checked.
Because when you start to realize what leads the heart
attacks and what leads the strokes, the high blood pressure,
the high left throw, stuff we ain't never thought about.
You go to the doctor like what does that mean?
Then they explain it to you. It's like, oh, I
gotta get right.
Speaker 5 (08:48):
Yeah yeah, I mean you definitely got right. You got
right a long time ago. Once you got that stuff
done in your skin, I know it's gonna be good.
Speaker 1 (08:54):
You know what I'm saying. Yeah, I know you got
everything taking off man.
Speaker 5 (08:58):
Yeah, yeah, you got everything taking off.
Speaker 2 (09:04):
You don't even know.
Speaker 8 (09:06):
It wasn't.
Speaker 1 (09:10):
Yeah, he got all that, you know, he got rid
of all He.
Speaker 3 (09:13):
The first one ever, like mister Terrific from Superman.
Speaker 5 (09:16):
Yeah, you know what I mean, he'd be he's sleep
with bobby pins pulling his skin back. When you go
to sleep at night, he just be in the bed
straight up like this. I'm like, so, you know, taking
care of yourself is is very important man. And like
I said, black men, for some reason, we don't like
to go to the doctor and niggas want to keep
drinking gingerls.
Speaker 1 (09:31):
And I don't think most black men do is walk
to the store. Yeah, that's it. Just walk to the store.
Speaker 3 (09:37):
That's that's it. Wait, you got to get them prostage
checked though.
Speaker 1 (09:42):
Man, see there, your freaky ass. Go hey man, why.
Speaker 12 (09:44):
You It's so much that you could have went to
before that, you know, prostage check.
Speaker 5 (09:51):
Oh it's such a beautiful experience. Come on, man, you
didn't get your check?
Speaker 1 (09:56):
No, no, no, not yet? Have you?
Speaker 2 (09:59):
Yes?
Speaker 1 (10:00):
You said that, said yes, yes, I had twice. Yeah
was the first one?
Speaker 8 (10:09):
Trial run?
Speaker 1 (10:12):
I keep getting Yeah, they got a check. As if
you got a trial run, prostant check. I'm gonna let
you do it for I venture the doctor to warm
myself up.
Speaker 5 (10:21):
The doctor telling look, we don't got to do this
every time you come.
Speaker 2 (10:24):
Not what now?
Speaker 1 (10:26):
I want to make sure I'm okay.
Speaker 3 (10:28):
I gotta be healthy. Uh, when you up to be
about forty.
Speaker 10 (10:31):
Three, forty four, if you got a history of it
in your family, supposed to go get a check.
Speaker 5 (10:34):
Yeah, I know they say you got to, but you
know I ain't got there yet.
Speaker 3 (10:37):
No, you got to Chico. You got to. You can't
lose on why you did.
Speaker 5 (10:40):
I mean, okay, I got you all right, one day
I will and I'm not coming up here to talk
to y'all.
Speaker 1 (10:45):
Freaking they put you to sleep, They give you a drug,
and they have to put a time. They got to
put you to sleep. You ain't getting regular joon.
Speaker 3 (10:54):
No, that wasn't a regular one.
Speaker 1 (10:56):
They sexually assaulted you. They got you on camera. You
went to a freak off. That was.
Speaker 10 (11:03):
About the same thing I was going to the next one.
Speaker 1 (11:10):
Ass whole adventures.
Speaker 5 (11:11):
Man, what's your man on the table?
Speaker 3 (11:18):
This stomach?
Speaker 1 (11:18):
Y'all ain't got nothing else.
Speaker 3 (11:23):
Yo, ma, y'all look crazy this.
Speaker 1 (11:29):
I want to know.
Speaker 2 (11:30):
It is three.
Speaker 6 (11:31):
Do y'all ever have like problems making decisions?
Speaker 2 (11:34):
Because it is three?
Speaker 6 (11:35):
Y'all right, and say, if one of y'alln't want to
do something, how many of y'all have to say like no,
h yes for y'all to like collectively agree or disagree
on something.
Speaker 7 (11:43):
It ain't a whole lot of things we got to
collectively agree on. That's the best part about it. So
sometimes we show up with two wrong answers and the
right one, and sometimes we have things where people just
make their own decision and bro do what you want
to do. What you got, my fools, it ain't a
whole lot of things. We don't clash on nothing.
Speaker 4 (12:03):
Really.
Speaker 7 (12:03):
We don't like the same type of women, we don't
hang out at the same type of place. It's just
we got a dope bond where it's like we just brothers.
Speaker 5 (12:12):
He we're brothers, and it's just it's literally family, you
know what I'm saying. You know the things you go
through with your family. Whatever the conversation is, it's always
in house and we always take care of it. It's
never public, you know, never for public consumption, and that's
what makes things easier. So when we got to make
those decisions, it's always a collective bargaining agreement and we
you know, whatever whichever way it go, we all understand
it's all done out of love. So it make it easy,
(12:33):
you know what I'm saying, And it's that's what makes
us special because you know you do comedy.
Speaker 1 (12:38):
Is you just a one man sport? You on the microphone?
Speaker 5 (12:40):
So what we do, we showed it is possible to
be able to have that type of camaraderie and still
get the same product and the same result even though
we're doing it in a different way, and.
Speaker 10 (12:47):
Y'all trust each other. I saw an interview DC was
doing and he was just talking about those.
Speaker 2 (12:51):
Being the old g Yeah, without question being the leader.
Speaker 3 (12:54):
I think I think the question who's the leading?
Speaker 1 (12:56):
Yeah, he is the leading.
Speaker 3 (12:57):
I've heard you say that to man, You're not how hard.
Speaker 1 (12:59):
That not for us?
Speaker 5 (13:01):
Because you got to think about the place that we
came from, Like we all started with nothing. Every time
we come to New York, Me and Los had this
conversation about how we was walking around sending fifty dollars
back home Western Union and washing clothes in the basement
of the hotel. And when you have that type of vision,
that's all you have is the vision at certain points,
and he always had that vision to see past wherever
we were at in the moment, you know.
Speaker 7 (13:23):
And the biggest thing for me too, I think it's
because we was all broke together at some point, you
know what I'm saying. And it was like we had
those conversations though late night, sitting around like Bro and
I get some bread.
Speaker 1 (13:33):
We're gonna, Hey, we're gonna do this for real. That's
what you on, I bet, And then it actually happened.
Speaker 5 (13:38):
So that was that was one of those things that
really formed the bond too. Yeah, he don't, like I say,
he always had the vision. He was one of the
ones that saw when we were on wilding Out as
great as an opportunity there was for all of us.
He was always the one like, man, look, we gotta
look past this, we gotta do this, we gotta do that,
we gotta do this. And I say that because he's
the elder. He went through certain trenches that men Fly
didn't have to go. They really makes this once we
(14:00):
got in the game, I was. I started in eight
and we was the you know, the last.
Speaker 1 (14:04):
Beacon of of Dago. Look at his face.
Speaker 3 (14:17):
Right now, so mad.
Speaker 1 (14:24):
Yeah, we was Fly. We was just talking about just
the vision that Los had and.
Speaker 5 (14:33):
Division that Los had just when we first was starting
out to see past the moments that we were at
and you know, have the vision to understand that this
was the direction to go in.
Speaker 1 (14:42):
You know what I'm saying, Oh yeah, for sure, man
o g.
Speaker 8 (14:44):
I always had the vision you did. You know what
I'm saying, Like one just.
Speaker 3 (14:48):
Exactly what you're talking.
Speaker 1 (14:50):
I mean, went guccio, I ain't. You wouldn't have bought
none either way, only time.
Speaker 8 (14:59):
Shut up.
Speaker 5 (15:00):
Yeah you're talking about Yeah, we don't care nothing about that.
You spend thirty thousand dollars a week on skincare, routine.
Speaker 8 (15:11):
Work. Yeah, that ship coming along. You don't look like
a orange.
Speaker 1 (15:24):
He looked like just been sitting on the table for years.
That's what it used to look like all the way.
Speaker 8 (15:30):
You know, Oh GJ always had the vision you dig.
Speaker 12 (15:32):
You know what I'm saying Like that, I think that
what it comes down to, Like if you got something
going on and you know you need help, you feel
what I'm saying, then not all of that.
Speaker 8 (15:41):
The dudes you're asking for help from, they need help.
You fear me.
Speaker 12 (15:45):
It's a it's a group collective, And I think that's
what you know what I'm saying, Us as black folks
don't do together, bro won't come together and ask for help,
like asking for help, thinking like you be little in
yourself or you like, I don't need bro.
Speaker 8 (15:58):
We need each other, bro. And at the end the day,
we can grow together.
Speaker 1 (16:01):
Bro.
Speaker 12 (16:01):
That's that's the only way we can go to the
next step. Quicker, you know what I'm saying without you
trying to do it by yourself. I mean, we all
can do things by itself, but you see as.
Speaker 8 (16:10):
A collective when we do things together. So it's like effortlessly.
You feel what I'm saying.
Speaker 10 (16:14):
So what's been the biggest lesson in ownership? Y'all had
to learn the hard way?
Speaker 8 (16:18):
Nigga don't want to fuck with nigga that own shit.
Speaker 5 (16:23):
Yeah, because you take away the negotiation power from people
when you own your product.
Speaker 1 (16:29):
You know what I'm saying.
Speaker 5 (16:30):
People can't come and give you, you know, give you
terms and conditions that you have to adhere to because
you need them, you know what I'm saying. And a
lot of times in this industry, people are especially the
powers that be, they used to you being you know,
in need, you know what I'm saying, And they used
to being able to throw anything at you and you'll
take it because you don't know no better. But when
you own it, it gives you a level of freedom
that you don't have to worry about certain types of
(16:52):
things happening in your negotiations or dealing with certain types
of people, and being able to walk away from money.
Speaker 1 (16:58):
Everybody thinks that.
Speaker 5 (16:59):
The opportunity is attached to a dollar, but a lot
of times it's not. But you're not able to see
that if you got to get the dollar, you know
what I'm.
Speaker 7 (17:05):
Saying, They got to handle you way different when they
know you don't need it. Like when you said a
matter of the money something, You're like, no, I'm cool.
Then they be like, well, why why what you want?
Speaker 1 (17:16):
Nothing? I just don't I don't see what you.
Speaker 2 (17:19):
What you see? What you what you need me for?
Speaker 8 (17:22):
What you think where we're going.
Speaker 1 (17:24):
It's way different when you when you can say no something.
Speaker 12 (17:28):
And sometimes they also think that somebody's already behind you already,
you know what I'm saying, Like they just swore we
always worked for somebody saying they one not knowing that
we start this from the ground up, trying to figure
it out. And I think that it's a difference between
when you got people that's putting the money behind and
then we used our own money, you see what I'm saying,
Like we can't mess up with nobody else money. We
(17:48):
don't messed up a lot of our money, you know
what I mean. But I think that's the growing pain.
That's what comes with understanding. Like you know what, the
mistakes ain't mistakes to us. The mistakes are learning lessons.
So every mistake we had, we just figured like, oh,
you know what, let's just do something different then versus
we got to.
Speaker 8 (18:09):
Answer to somebody.
Speaker 3 (18:10):
But like, well, why that didn't work?
Speaker 8 (18:11):
Then when we don't see the vision all right?
Speaker 12 (18:13):
Season two counselors like, man, we've been doing this in
twenty fifteen.
Speaker 1 (18:17):
Yeah, we took our bumps with our own money.
Speaker 7 (18:19):
So then when we did get some of the money,
we had already went through the errors and it worked out.
Speaker 5 (18:25):
Yeah, it's a lot less pressure not having to recoup
somebody else's bread.
Speaker 1 (18:29):
You tell, I'm saying you can get paid first. When
you use your own bread, you got to pay nobody back.
Speaker 11 (18:34):
I was wondering, you know, you guys aroast anybody anytime, anywhere,
any place. It depends who got the most sensitive when
it came.
Speaker 3 (18:40):
It depends for real, DC, Yeah.
Speaker 1 (18:42):
It depends.
Speaker 12 (18:42):
See I use that as the defense mechanism. It ain't
just like I'm just waking up, like you know, I
want to get somebody nerve today you're gonna say something
to me. I got something back, like this is my
twin brother.
Speaker 3 (18:53):
This has always been my.
Speaker 8 (18:55):
Twin brother since the day of time.
Speaker 1 (18:56):
But it's just like my uncle.
Speaker 8 (18:59):
Now, how the fuck I become uncle?
Speaker 1 (19:00):
My uncle?
Speaker 8 (19:01):
Ever before?
Speaker 1 (19:02):
I think when you got married, that's when, yeah, you
came on, Yeah she married. I'm sad man. Look at
the rings she got, the ring she married, you know
what I mean? She got anywhere she got married. She
can't invite none of us to the ceremony. I tell
you that quick. It was quickn't even know she just
(19:22):
woke up for real.
Speaker 2 (19:26):
So, but did anybody get super dupercentive? He was like,
let's leave me alone. Did that ever happen? Well, well,
you know when you when you rose to somebody, whether
it was a person.
Speaker 1 (19:35):
Who get the most you nigga, you know, but you
don't never do it in front of us. But you
and the Zilia banks, not me. Yeah yeah, yeah, you've
been name known.
Speaker 3 (19:53):
Like your voice like did you high pitture when you
all coming around.
Speaker 8 (19:59):
You showing me and what do you want?
Speaker 1 (20:03):
Sounds like a Nintendo character DJ and.
Speaker 5 (20:07):
You want.
Speaker 3 (20:09):
Nobody. I don't know.
Speaker 1 (20:10):
I think it's the way that we do it. We
don't never try to. It ain't never from not malicious.
Speaker 7 (20:15):
You know, even when we do roast people, it's still
something that even the people we roastinking laugh at you. Like,
we don't try to just go for what's obvious, you
know what I'm saying, Like it ain't just the most
messed up person. Sometimes we want to find somebody who
you can tell when they think they like they can't
say nothing about me.
Speaker 12 (20:36):
I think the big part is like we we also
have a connection. You did what I'm saying, Like, we
don't have to say nothing. There's been plenty of time,
but we never had to say nothing. But we understood exactly.
Like the look the logesture that we did, you were
like you caught that we don't have plenty of people
on the show.
Speaker 8 (20:52):
Well we were like these folks laying in here for
in real life. But we'll catch it and we'll just
look at it and it be just halnarous.
Speaker 1 (21:01):
Man, I'm talking, you don't know what we loving at?
Speaker 8 (21:03):
Like what y'all laving at?
Speaker 2 (21:04):
Nigga?
Speaker 1 (21:04):
You nigga what's funny you yelling your whole.
Speaker 10 (21:12):
Man? The thing I like about y'all or y'all all
are still honest, because I feel like we live in
this era where it's a lot of fake real talk
out here, like people just saying things that go byral
or saying things what they thinks sound good. How do
y'all stay grounded in truth while still keeping it funny?
Speaker 5 (21:27):
I mean you, I mean you think. I think it's
just the era we come from, in the environment we
come from. We all from different places, but we really
from the same exact place. We all come from the
same type of environment, and when you come out of
that environment, you feel a certain connection to the truth
because that's really all you have to live on, and
then you judged.
Speaker 1 (21:43):
On that when you come from the places we come from.
Speaker 5 (21:45):
So being in this era, like like you said, with
the fake real talk like that don't really apply to us,
because we know that the people that are watching us
are looking to us to be able to confirm that
what they feel is accurate. And we owe that to
the people that support us, you know, we owe it
to ourselves first. So it's just important for us to
always be able to say whatever it is that's on
our minds freely without having to worry about any backlash,
(22:06):
because at the end of the day, that's all you
have is your you know, your balls and your word.
Speaker 1 (22:09):
Like Scott Face said, I like the fake real talk really. Yeah.
Speaker 7 (22:13):
When people say like fake deep stuff and they put
the little soft music behind.
Speaker 1 (22:18):
That's some of the best motivation. Like they're slow to
clip that.
Speaker 7 (22:22):
You know, sometimes you gotta love yourself first before you
can love anything else.
Speaker 1 (22:27):
Second. Then they put the little piano chance to little
clip to page with all the little fake motivations. I
love it.
Speaker 12 (22:37):
I feel like, you know, I guess the fake real
talk is comes from the masses who would never have
said them back in the day anyway. You know, on
social media done enhanced on so much of foolery, you
know what I'm saying, Like it's no more morals, no more,
you see what I'm saying. It seemed like the immoral
(22:58):
is becoming the new norm now, and it's like the
old norm is.
Speaker 8 (23:02):
Becoming weird or strange, you see what I'm saying.
Speaker 12 (23:05):
But I think comedy still has that that effect, like
you have to be honest no matter you know what.
It gives us a better feeling because now it's tense. Tense,
everybody'll be like, well we can't say that. You'll be
like why, who don't get mad?
Speaker 7 (23:22):
They can't when you under somebody, you work for somebody,
and you got interest and you got stuff to lose.
The only way you keeping it is by keeping this job.
You do kind of have to feel to yourself.
Speaker 1 (23:34):
It's a lot of things that can't be said, and
a lot of people who can't say them.
Speaker 5 (23:38):
Corporate complacency, that's what that is. You know, you get
that corporate money, you get them corporate people behind you.
Got to be complacent with the money because once they
tell you what you can and can't say, that's your
That's what it is, because.
Speaker 8 (23:48):
Nine times out of ten you're talking about them anyway.
Speaker 3 (23:52):
You think it's because people can't fight.
Speaker 8 (23:54):
I think that I ain't fnna walk up on me.
Speaker 12 (23:58):
You're not getting in between between three feet saying none
of that ship you just said.
Speaker 10 (24:02):
A lot of time people think it's corporate. It's like, no,
he just don't want no problems. You just don't want
no problem.
Speaker 2 (24:07):
I was gonna ask to success.
Speaker 11 (24:08):
Feel better when a lot of people doubt it, all
of y'all right when they doubted you at first.
Speaker 2 (24:13):
I remember when when you first came out, there was like,
we don't understand what he's saying.
Speaker 10 (24:16):
This the show show, I remember that show when he
was on MTV on Uncommon Sense, was.
Speaker 3 (24:21):
Like, we don't even understand what he's saying.
Speaker 8 (24:23):
Nick said that at the audition, like I don't know
what you said, but it's funny. I was like you
you know, because after this I'm back.
Speaker 2 (24:28):
That's in the correct The success feel better when they
people are doubted so much?
Speaker 1 (24:36):
Does it feel better?
Speaker 8 (24:37):
I want to say it feel better.
Speaker 12 (24:38):
I think the proving people wrong part just feel good.
You know what I'm saying, because I think because I
think everybody in here can contest it, you always won't
support you don't never want to grow up me Like damn,
wan't see the good?
Speaker 8 (24:49):
A mean you see what I'm saying, Like, I ain't
never no bad person.
Speaker 12 (24:53):
It's just when you prove people wrong and he be
like that feeling is kind of just like you know
what I'm saying, It just it feels great.
Speaker 8 (24:59):
But I don't think that the doubting part, you know
what I meant?
Speaker 7 (25:03):
I mean, I think I feel better, but I always
show love because I don't never want to be somebody's reason,
you know what I'm saying. Somebody like, yeah, I tried
to play my music for loads and then he shipped
it on me, and then that motivated me to go back.
Speaker 5 (25:14):
And now the like the teacher that, like every rapper
got that teacher that told them they weren't gonna be
ship when they was.
Speaker 7 (25:21):
Just at that's a lot the teachers gonna be telling
them students that their lady asked that boy to read
out loud, he got nervous in front of the class
and missed up, and then his feeling.
Speaker 5 (25:36):
But I think success is subjective, you know what I mean.
Everybody's definition of what success is is different. But I
know for us, like we didn't beat the game so
many times in comparison to what we were supposed to be,
so you can't really look at it from what people
think you supposed to have, you know what I'm saying, Like,
I think it feels good just to know that the
trajectory of what brothers like us were supposed to be,
(25:57):
for us to be so many light years away from
that and ahead of that that success, so it's really
nothing anybody can say to make you feel bad when
you beat the game the way that we have and
they keep doing it.
Speaker 7 (26:07):
You gotta get that out the way early, bro Right.
Once you get to a certain level of your career,
you can't be focused.
Speaker 1 (26:14):
On people don't like you, don't love your question.
Speaker 7 (26:17):
Who get on your page and call you ugly, because
those not the people who put you in the position
that you're in.
Speaker 1 (26:22):
Anyway, show you get what I'm saying, Like we understand.
Speaker 7 (26:25):
That's why we call live fans the eighty five percenters,
not the one hundred percenters, because everybody ain't gonna never
like it no matter how good it is, or you
know what I mean. Nobody gonna always support the greatness
or they gonna they want to see you on that platform.
It's some people who hope we fall.
Speaker 3 (26:40):
Out right now. We just worrying about long.
Speaker 10 (26:44):
How long can we do for y'all Thoughcause y'all, y'all
got youall own lane, Like there's literally nobody in y'all lane.
Speaker 3 (26:50):
There's nobody doing what it is that y'all do.
Speaker 1 (26:52):
Do you understand?
Speaker 7 (26:53):
The lane started as a little path that we cut
behind the real path, and then we came through with
some dirt for sure. Then we came behind it with
a little grabby. Now we're coming through the concrete.
Speaker 10 (27:05):
When you launched the podcast and you said you don't
want to get you going to get DC to do
the podcast, did you see this turning into the Empires becoming.
Speaker 7 (27:11):
Yeah, that's why if you go back to the early
episode when it was just us in the studio with
me and Chico and d C, and then we always
would say, hey, man, this is who the podcast for,
this for the podcast who This podcast right here is
for white women with black kids who don't know how
to do their health or you know this this for
everybody whoever had to use vassilin his grease. You feel
(27:33):
that that's why we That's how we did that. So yeah,
I always felt like I still feel like this is
just the beginning, Like we ain't did half the stuff
that we know we're about to.
Speaker 1 (27:42):
Dude, we got some big stuff coming up. I'll tell
you who.
Speaker 5 (27:45):
The podcast now for niggas we gotta get put to
sleep to get their prostag.
Speaker 2 (27:51):
To put sleep.
Speaker 8 (27:53):
You had you had to go to sleep.
Speaker 3 (27:55):
Watch what happened?
Speaker 5 (27:57):
You like?
Speaker 1 (27:57):
You know that not.
Speaker 11 (28:00):
Before not even how it goes yeah, I don't know,
call it that the fingers to prostatect.
Speaker 3 (28:09):
Okay, and that last three seconds? How many times you.
Speaker 1 (28:12):
Got your proceect?
Speaker 3 (28:12):
Yet he likes it. He go ahead, he went for
protecting me. They was like, turn around, long.
Speaker 2 (28:20):
Time, I got it.
Speaker 1 (28:21):
You gotta prosected me. I was.
Speaker 10 (28:22):
I went for the consultation. And what they do when
you gotta turn to a profet exams and go back.
You went to get something clip and you were like,
you know what, I went for the consultation, and you know,
after they look at your and all that, and the
guy was just like.
Speaker 1 (28:33):
Yo, today what you had to get butt naked?
Speaker 7 (28:41):
They take your whole second stretcher, then put a flash
light up there.
Speaker 1 (28:44):
They want to see through it.
Speaker 8 (28:45):
I think I know the.
Speaker 10 (28:49):
Then they turned you around, asked me a question. And
then when he asked me, I started hitting people to
ask him. I'm like, man, is this supposed to turn into.
Speaker 3 (28:55):
A prosthet exam?
Speaker 8 (28:56):
Man?
Speaker 1 (28:56):
When a y'all having these conversations.
Speaker 8 (28:59):
On the roll on in the school. Man, I used
to put it on the light on the like.
Speaker 3 (29:05):
The projector project put.
Speaker 1 (29:13):
Yeah, we're gonna need to check your prostate, sir. You
got something going on, so.
Speaker 11 (29:18):
They checked his prostate and during that exam, during the consultation,
I've never.
Speaker 3 (29:21):
Heard that in my life either, not going to get
the full.
Speaker 1 (29:25):
Do want to get real doctors?
Speaker 3 (29:27):
Man?
Speaker 1 (29:28):
What made you want to want to get You already
had all the kids.
Speaker 3 (29:31):
And all that, Like I wanted me to get one.
You don't want to kids.
Speaker 12 (29:35):
She's making you just cut your many Yeah, no, the
man be the man at the household.
Speaker 1 (29:47):
Tie your nuts down, nigga, nobody got time for this.
Then you a poodle.
Speaker 8 (29:54):
What's the difference between.
Speaker 1 (29:55):
The prostate and cook?
Speaker 2 (29:57):
They put you to sleep and they put a camera
up your ass.
Speaker 8 (29:59):
To that's right, m damn the same ship.
Speaker 3 (30:04):
Colon can make your things out and.
Speaker 12 (30:06):
That's crazy because a lot of men have to go
through that. You're going, I'm nervous, but you're going though.
I don't even like the dodo.
Speaker 3 (30:16):
Why you like to do?
Speaker 8 (30:17):
Because I ain't got time to be going about black man.
I wish I could just put my part right.
Speaker 3 (30:22):
Self cleaning.
Speaker 10 (30:26):
I'm gonn getting man, I got that's funny as ship
waving your ass saying pause, I can't do damn.
Speaker 8 (30:36):
You know what is it like watching the poor minds man.
Speaker 12 (30:41):
Beautiful, great, beautiful, Just saying first of all, just seeing
black women flourish.
Speaker 8 (30:46):
Let's just let's just take a pause for that. Yeah,
just black women flourish and and.
Speaker 12 (30:52):
Having kings behind them that you know what I'm saying,
that's supporting, and don't look at them as sexual, you
know what I'm saying, Like this is a family vibe,
you do know what I'm saying, And like we ain't
got time for all that.
Speaker 8 (31:02):
Like sometimes me and we have to understand that we
need to have relationships with women without being.
Speaker 5 (31:07):
Sex creating a safe space. Black men, creating a safe
space to come and be secure without having to feel
like they subjected to all the things that come with
the stigmas of being a woman, especially a black woman
in this industry, you know what I mean. We always
try to make sure that our presence makes our women
feel comfortable and safe, that they can be themselves and
(31:27):
not have to worry about getting judged or you know,
being looked at as objects, you know what I'm saying,
and be able to really project their talents out the
right way. And that's something that we find really important
because talking to you know, our uncle and everything, like
she you know, she'd let us know that, you know,
the fights that we've been around her for years, like,
and she's had to push through so much just because
(31:48):
of the type.
Speaker 1 (31:49):
Of person that she is.
Speaker 5 (31:50):
And she ain't gone for shit, you know what I'm saying.
So that makes it very difficult for black women in
this industry. So we want to create an environment where
we you know, you don't have to worry about none
of that coming over here.
Speaker 1 (31:58):
You're going whatever it is you do. That's what we're
looking at you to do nothing else.
Speaker 7 (32:02):
They're just as dope as they ever were, Like they
didn't have to get dope. Like I went and did
the podcast with them a long time ago at Dre's house.
They were just in the living room just you know,
sipping wine, talking ship and I was like, y'all got something,
And I know that y'all some attractive women. People are
gonna want to hear y'all opinion on certain stuff and
(32:22):
just to see where they took it.
Speaker 1 (32:23):
It's crazy too money.
Speaker 7 (32:32):
That's the thing about when you said the family environment, Bro.
We want to be around talent that we respect because
we know that these people have something different than just
you know what I mean. Than just being our friends.
We respect the talent that they had. We'd love to
see money Bag go on stage or Clayton English get
to talking you know, deep conspiracy theories, and then you
(32:52):
know broken play and poor mind. So it's like, these
are the things that we want around us, People that
we can have fun with, people that we can kicks,
and we know once they can get our attention because
we can tough critics.
Speaker 1 (33:05):
We know that the mass is gonna mess with it.
Speaker 3 (33:08):
Y'all think cancel culture, cancel culture? Lost his power.
Speaker 8 (33:14):
I don't want something.
Speaker 12 (33:15):
Ain't no such thing as canceled culture, especially when God
puts you on. When God puts you on, can't no
people stand outside the building and be like shut them off.
Speaker 8 (33:27):
Excuse me, I will push you across the street.
Speaker 12 (33:31):
You dig what I'm saying, Like you can't close the
door that God open, especially because you got mad at
something that would because you don't understand.
Speaker 5 (33:39):
I think the current climate of the country doesn't bring
canceled culture. You know, you look at the president is
you know what I mean that it ain't going down
like that no more. I think that the you know,
the social norm of what is acceptable and not acceptable
change with the administration. So it's a lot more things
that you can say and do now because you know
the powers that be on gonna chastise you for that.
So I think that trickles down. I don't think it's
(34:00):
the same no more. You know, like five six years ago,
you couldn't say nothing. You know, you didn't make canceled
more than anybody.
Speaker 1 (34:05):
In the country.
Speaker 5 (34:06):
So now I just think that the way that the
world is set up now is no way for you
to be able to tell somebody what they can and
can't say, you know, as long as you're not doing
them maliciously. They should keep the counsel culture, but it
shouldn't just apply to like social media and like celebrities
and entertainers.
Speaker 7 (34:21):
They should start canceling the people who ruining the country
right for sure.
Speaker 12 (34:26):
That they're gonna they should, because those are the people
that's in control of the council culture exactly.
Speaker 10 (34:31):
And coluse you got a college hell season, I don't
know what season is. You're coming back for another just.
Speaker 1 (34:36):
Not another season. I did the season as a season three.
Speaker 3 (34:39):
Oh so you already shot all that ship?
Speaker 1 (34:41):
Yeah, we shot it.
Speaker 2 (34:42):
I just knew.
Speaker 1 (34:43):
Let a nigga know, you ain't watching what we got
going on?
Speaker 3 (34:47):
True?
Speaker 1 (34:47):
Yeah, damn this last year the Man going to.
Speaker 3 (34:53):
Get It collage.
Speaker 10 (34:58):
Speaking of that, I'm just read le on Hulu like
two days ago, maybe three over the weekend.
Speaker 8 (35:03):
I'm like Chico being l O L lived that.
Speaker 1 (35:09):
I'm like talk, Yeah, I don't know how you missed it.
You don't give a fuck. That's how you miss man.
Speaker 3 (35:14):
You don't give.
Speaker 1 (35:16):
You don't get Yeah, I did, man. It was shot
it last year with lo O L. Man and it's dope.
Speaker 3 (35:20):
You know.
Speaker 5 (35:21):
I did it out in Vegas, and you know, it's
just a you know, an introduction to what people who
know me and know what I do, you know, have
already been accustomed to. So it's just introducing yourself to
a new audience, you know. And it's fun to do.
Like we've all done those type of things with people,
you know. That's the beauty of what we do. We've
been doing this for so long, but there are so
many people that still get introduced to us every day,
(35:41):
every single day. So you never you never in a
position where everybody knows you. Most people still don't know
who you are, no matter what you've done. So that's
just another opportunity for me to be able to put
my talents out in front of the world.
Speaker 1 (35:52):
And I'm proud of it.
Speaker 7 (35:53):
Man.
Speaker 5 (35:53):
It was a dope opportunity and a shout out to
Kevin Hort and laugh out loud and everybody gave me
that shot.
Speaker 7 (35:58):
Before he did it, He's like, what you think, like
you better do that? Yeah, for sure, Yes, because it's
a great platform. Kevin Hart one of the biggest comedians
that they ever was, and they show him to say, Hey,
I got something for you. I want to share my
audience and put you on this platform.
Speaker 1 (36:13):
Shoot a special.
Speaker 7 (36:14):
They ain't got to be an hour, just to let
the people know that you're dope and one of them.
Once he gave me the opportunity to do it when
he first launched it, I got to be into like
the first set and just did it and it was
it was dope. And I still see those clips like
it's it's they shot it dope and it's just one
of those things that can live forever.
Speaker 5 (36:32):
Yeah, that's really Cousins Festival next. Oh, yes, yes, yes,
the Cousins Festival. Man, Cousin Oh Jack you're coming jazz.
Oh it's fun. Man, it's dope man, it's a push
your t and then in Virginia do it. You know,
it's a festival.
Speaker 1 (36:46):
They got an outdoor festival, then they got an indoor festival.
Speaker 5 (36:48):
That's a concert. So they got GZ this year, ta pain.
What day is August thirtieth? Y August thirty? Yeah, come through, man,
it's dope. You did it last year, you know. And
dj MV was out side. They got the DJ set
DJ yeah, all of that, d j m V, all
of that.
Speaker 1 (37:05):
Yeah, grown man wiping his forehead doing the set. It
was just it's coming up the forehead, d j M.
They'll pull his hat back and wipe his forehead and
then he'll go back to d J. He was DJ
no yeah, then out of know when you just push Yeah,
(37:26):
he was playing out of the Sun. You just hurt
follow me? Why don't you follow me? Where we up there?
You know what I'm saying. I'm like, they wipe me
here DJ in.
Speaker 8 (37:45):
DJ DJ Indians. Yeah.
Speaker 1 (37:54):
But that's gonna be fun, man, it's gonna be dope.
Speaker 3 (37:57):
Yeah man, So it shout out to d C too.
Speaker 1 (37:59):
Man.
Speaker 3 (38:00):
You had three outfit changes to.
Speaker 1 (38:03):
Something, man, come on the best dressed at the beach
straight up.
Speaker 8 (38:09):
That's all for you.
Speaker 1 (38:12):
No, no, seriously, man, I was watching them suits.
Speaker 3 (38:15):
I was like, look at let me tell you something.
Speaker 8 (38:17):
Close.
Speaker 12 (38:18):
Might not have been the best dress, but when it
comes to suits, my daddy taught me well, he said, listen, man,
you might not gonna have the Jordan's and all that ship,
but I'm gonna show you what tailored suits.
Speaker 8 (38:31):
I mean, getting to coordinate. I been getting Taylor's when
I was young, and you know what I'm saying with
the vests before he was cool to have a vast
in between the suit.
Speaker 2 (38:39):
All that used to be country at.
Speaker 8 (38:41):
One point in time.
Speaker 12 (38:42):
So it was just like, when you get into these
you know what I'm saying, these certain levels of your career,
you want to show people. You know what I'm saying. Growth,
You want to show people like this way you belong.
You want to show people like, all right, this is
how you do it because you gotta we gotta look. Yeah,
I'm from the hood.
Speaker 8 (38:56):
We got a certain look. But I'm like, guess what, man,
we could get clean. Man, it's all about all about
being diverse. Man, it got to be clean. And that's
my element right there. And I was like, you know what,
it's time for me to show these for how you
really do this.
Speaker 12 (39:08):
So every time if you see my name on in
the red carpet, you better come with it because your
butt is coming.
Speaker 8 (39:15):
And I got one of the best stylists in the
world shout the mo she goes crazy, she's black.
Speaker 10 (39:20):
DC did it the right way to when you talk
about that, because you've been you know, you've been living
out loud forever.
Speaker 1 (39:24):
So you went from what that means.
Speaker 3 (39:27):
I don't like how you said that living out people
started to grow up on.
Speaker 5 (39:40):
Now that you think about it, that don't sound ruthing.
Speaker 3 (39:46):
Else when people started going from the funk you mean
to being clean and the bt.
Speaker 8 (39:53):
A ward you know, I mean, you know it comes
from just growth. Just growth, man.
Speaker 12 (39:57):
I feel like everybody just have to grow every step
that your career takes. Understand your purpose and understand where
you at. You know what I'm saying, Like jes you
probably never saw yourself doing this, but once you came,
you understood, like you know what, there's a lane for me.
Let me grow here, let me understand, let me make
my mark. And when other people see your talent, your potential.
(40:18):
You know what I'm saying, Even if you ain't.
Speaker 8 (40:19):
Already quite got it just yet. They still see it's
something there. Just like you said, we just got started.
So guess what they're saying, there's something there.
Speaker 12 (40:27):
We're still growing and we've been doing it for teen
years and we're not at the same level.
Speaker 1 (40:32):
And you know what they say, it take ten years
to be an overnight success. That's a fact.
Speaker 3 (40:36):
So my last question, what does the legacy look like?
Speaker 1 (40:38):
Do y'all? Is it money? Go?
Speaker 8 (40:39):
Damn man, damn you got crossed examined a little bit.
Speaker 3 (40:43):
It's actually going to feed the homeless right now. But
is it money? Is it freedom?
Speaker 9 (40:46):
Is it?
Speaker 3 (40:47):
Respect?
Speaker 9 (40:48):
For me?
Speaker 5 (40:48):
Is to picture over the fireplace, meaning that you always
it's you know, because I understand I look at life
from a different vantage point.
Speaker 1 (40:55):
I've lost so many people.
Speaker 5 (40:56):
I know that it's overWe for everybody one day, one
day will be your last day on this planet with
everybody that you love.
Speaker 1 (41:01):
What do you leave? You know what I mean?
Speaker 5 (41:03):
All of this ain't for me, you know, it's for
the people that's gonna come after me. Like I said,
I don't beat the game so many times over. For me,
it's just about leaving a legacy that is going to
last beyond my generate, beyond my lifetime, you know what
I mean. That's what real wealth is to me. Being
able to leave something for your people to not have
to work anywhere near as hard as you work to
get whatever it is that you received in life. So
that's what it's about for me, just being able to
(41:25):
create something that's going to last long after I'm gone.
Speaker 1 (41:28):
Yeah, I want to.
Speaker 7 (41:29):
I want to have that legacy where you leave a
bunch of bread and change the whole family history.
Speaker 1 (41:36):
That's what yeah.
Speaker 7 (41:37):
Or like you know, when your granddaughter pulling up at
college and like you know, granddaddy had that bag.
Speaker 3 (41:42):
That's generational blessing.
Speaker 1 (41:44):
Yet keep it going.
Speaker 7 (41:46):
And I don't want the family to have the education
and the financial knowledge to take whatever I do and
then flip that, then flip that again, and then open
some business, then put out family name on some buildings
and buy some houses and some property and you know,
get a little nephew. Was something that's in Congress. I'm
trying to change the whole.
Speaker 12 (42:05):
About your DF I mean, it's just to inbalk on
everything they said, you know what I mean, it's kind
of like the same you feel me And also have
a level of sanity with dealing with everybody problems because
figuring out who's gonna be next in the family, it's
kind of hard to decipher because this is a big
(42:25):
job and it's a big you know what I'm saying,
But trying to instill those morals into them and understand
that it's generation, that it's family. That's hard trying to
do that when the family that's broken, you know what
I'm saying. So it's like, dang, what do is? What
does it look like after me? How long will it last?
So I feel like we work so hard just so
(42:47):
we give our family time to figure it out amongst
each other. Because if you didn't break it, or if
somebody broke it before you, then you kind of like
taped me into it to understand what it was.
Speaker 8 (42:59):
So you're trying to figure out do you even know
what this is?
Speaker 7 (43:02):
Like?
Speaker 12 (43:02):
You're just looking at me on TV? Do you am
I just funny? It ain't about me being funny? Do
you even know what God then blessed us with?
Speaker 8 (43:11):
Do you see it?
Speaker 1 (43:12):
Oh?
Speaker 8 (43:13):
I could just go buy your car. Oh I could
just help you out with something right now?
Speaker 7 (43:18):
That ain't it?
Speaker 8 (43:19):
What happens if something happened to me tomorrow, because we
got it, But.
Speaker 1 (43:24):
Do you know what to do with it? Put some
with some, put some with some.
Speaker 8 (43:29):
You know what I'm saying. So you're trying to insteader
those morals into the family.
Speaker 1 (43:32):
It's what I'm kind of like, real big and man.
A quick question for y'all. Who painting styles Piers Orlando Brown?
You know that's down right there?
Speaker 5 (43:44):
Well, no, that's down all Rowland. That's yeah, we definitely
look like us, but that's that's Orlando Brown. That ain't
styles pe right there?
Speaker 3 (43:57):
Remember were always looking at in that picture?
Speaker 1 (44:00):
Happened my man from South Africa?
Speaker 3 (44:02):
Uh yeah, he was like America.
Speaker 1 (44:11):
Eighty five South.
Speaker 7 (44:12):
So we appreciate you, oldo. We got two things now, okay, okay,
this breaking Come on, man, bro. We just got the
movie deal.
Speaker 2 (44:19):
With eighty five.
Speaker 8 (44:28):
Playing Man, get a new tour, Spin the Block.
Speaker 1 (44:32):
Spin the Block, eighty five South show dot Com. Or
you can go to being Men doctor. Yeah you know
what I mean?
Speaker 5 (44:41):
Right here?
Speaker 1 (44:41):
You know Blake and and you know what I mean? Yeah,
they black.
Speaker 8 (44:47):
Yeah, casting for this.
Speaker 1 (44:49):
Dead in what you mean? That's talk that talk.
Speaker 8 (44:51):
I'm talking about eighty five South, the dead End the
movie cast.
Speaker 5 (44:56):
Just come on, man, you don't have to audition audition,
Come on, you know it is what you know everything
in the movie.
Speaker 1 (45:10):
You know what I mean?
Speaker 3 (45:11):
We got it.
Speaker 1 (45:12):
We don't even know what Sorry, they didn't just handed
me handing me the dates. So we were starting off
in Detroit. What up though? Detroit?
Speaker 5 (45:20):
September six, were in Detroit, the seventh Indianapolis. Then we
in Columbia, Greensboro, Philly, Fairfax, Memphis, and Nashville, I mean Dallas, Houston, Hampton, Charlotte, Birmingham,
New Orleans, Chicago, Cincinnati, and Atlanta.
Speaker 3 (45:35):
Graduated on your team for money, money and money with
the website.
Speaker 1 (45:39):
Hey man, I don't like you.
Speaker 7 (45:40):
Just saw dot com eighty five on the app store.
You can go to Being Men Shows dot com and
get tickets. You can hit the Instagram page. You can
get tickets off the app. Come on getting hit uh
D c D MS. He getting away.
Speaker 9 (45:59):
But I.
Speaker 8 (46:03):
Concert all days in the row in that level shot.
It was down Friday, Saturday, Sunday, and the money.
Speaker 3 (46:09):
Who the hell Beyon concert?
Speaker 7 (46:11):
A lot of people bought outfits for that concert and
they don't have nowhere else to win today.
Speaker 1 (46:20):
Bring your fans and all that.
Speaker 8 (46:23):
And for those who.
Speaker 12 (46:24):
Saying, why we ain't coming to this city, We're coming
to a city that is drivable, so you can't drive there.
Speaker 8 (46:32):
We just can't come to that specific city.
Speaker 7 (46:35):
So all the we're not going to We're going on
the second leg, right, We're going again for sure. Spend
the block and then we might do one called the
block was spent making wood and say the block was spunt.
It's one of my favorite words.
Speaker 1 (46:51):
That, ain't you never why spunk money?
Speaker 3 (46:59):
Just put the mon you on.
Speaker 1 (47:01):
It's eighty five South Show.
Speaker 8 (47:03):
You ain't gotta talk like that. Talk wreggler.
Speaker 3 (47:04):
Man, I'll see.
Speaker 8 (47:10):
I'm getting done man, talk reveler, nigga.
Speaker 2 (47:14):
It's stea eighty five South Show. It's the Breakfast Club.
Speaker 1 (47:17):
Steve Clu, wake that ass up in the morning. The
Breakfast Club
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