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Episode Transcript
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Speaker 1 (00:00):
Good morning in usc yo yo yo yo yo yo
yo yo yo yo yo yo yo yo yo yo
yo yo yo yo yo yo yo yo yo yo
yo yo yo yo yo yo.

Speaker 2 (00:07):
Yo yo yo yo yo yo.

Speaker 1 (00:09):
Jess is out today. What's up, Lauren?

Speaker 3 (00:11):
Ain't good morning?

Speaker 4 (00:12):
Try to make up a little bit, charlamagn's running a
little late and it's Tuesday.

Speaker 3 (00:19):
You gearing me better? Nah?

Speaker 1 (00:20):
A little little more, a little more value.

Speaker 3 (00:23):
That's all I got here.

Speaker 1 (00:24):
Yeah, you're good there right there, It's perfect. What's up, Laura.

Speaker 3 (00:27):
I'm at Delaware State.

Speaker 1 (00:29):
I got a radio station.

Speaker 3 (00:30):
Stop playing with us.

Speaker 1 (00:31):
I'm just joking.

Speaker 3 (00:32):
We have a radio station. D radio station. I'm broadcasting
mine from Delaware.

Speaker 5 (00:37):
State University this morning because I'm speaking at convocation.

Speaker 1 (00:40):
Now, what is convocation?

Speaker 4 (00:42):
For people that that didn't go to college or didn't
go to HBCU, break that down.

Speaker 5 (00:46):
Well, convocation is like the official welcoming ceremony for the
student body. So it sets the tone for the school year.
It welcomes the new student and the new student body.
And it's kind of like that like motivation that like
go into the year and conquer. So you they have
people coming speak to the students and this year.

Speaker 3 (01:01):
I was accent.

Speaker 1 (01:04):
That's that Delaware State Radio station went right right out.

Speaker 3 (01:08):
I'm back. I heard you the whole time.

Speaker 4 (01:11):
We're never at Hampton, but go ahead, go ahead, and
I'm just oh my god. So you said you're gonna
be speaking to the students today. What's one thing that
you're gonna tell the students out there? For any students
that this is their first year, what's one thing you're
gonna tell them.

Speaker 5 (01:22):
I'm gonna talk about vision and why vision is important
now their first day on campus up until the point
that they leave, and how that worked out for me.
Just to motivate them to have some fun. But you know,
don't forget why they're why they're here, okay.

Speaker 4 (01:35):
Also tell them to step outside the box. That's one
thing I wish I did when I went to college.
I wish I would have took classes of courses that
was outside of my major, outside of my comfort zone.
Maybe take a class in politics, maybe take a class
in psychology, maybe it take a class and I don't know,
whatever it may be.

Speaker 1 (01:50):
Just to step outside the box.

Speaker 4 (01:51):
Because you know, once you're in college, it's paid for
for that semester, so you might as well take as
many classes as you possibly can and learn as much
because once you're out, you're gonna go back. Like, damn,
I wish I would have. I wish i'd have took
that politic class. I wish I would have took that
that whatever class or you know, whatever it means. I
always help people step outside the box. Take a class
that you might not be interested in, but I'm sure
it could open up so much for you.

Speaker 1 (02:11):
You know.

Speaker 5 (02:11):
Yeah, that's true also too, because you never know what
you need. Like when I first came to Dellastate, I
was a criminal justice. I was trying to do political
science and law. My mom was like, you need to
know the law, and I was like, no, I don't
work in entertainment. And how many court cases we'd be.

Speaker 1 (02:24):
Talking about, right?

Speaker 4 (02:25):
I wish I had to take law classes as well,
just to understand easier to break down. You know, of
course we have to study it and read over and
over and over. But I wish I would have definitely
took some law classes as well.

Speaker 6 (02:35):
Well.

Speaker 5 (02:35):
I'm glad you got out, you know, being a DJ
as a major, not ever really going to class because
you know the way that happens.

Speaker 4 (02:40):
She dropped through mine was being as management in marketing
was Excuse me, there was no DJ as in major.

Speaker 1 (02:45):
Yeah.

Speaker 5 (02:46):
Stay, it's a little different. We actually go to class
and we have a good time. But we actually go
to class here. So you know, I'm gonna make sure
I let the students know that DJ Envy who went
to school for bowling.

Speaker 3 (02:56):
You know, I told them to step outside the box.

Speaker 1 (02:58):
At least we have for at least we have.

Speaker 4 (02:59):
A bowling team. I'll show you guys don't. But let's
get the show cracking. We have front page news with Mimi.
She should be joining us. You'll be breaking everything down.
Charlamine to be here in a second, so don't go anywhere.
It's the breakfast club. Good morning, and let's get in
some front page news. Start off with sports and Monday
Night football.

Speaker 1 (03:13):
If I can to beat the biz. Twenty seven twenty four,
what's up me Me?

Speaker 3 (03:18):
Good morning, y'all.

Speaker 7 (03:19):
So a lot to unpack this morning, some new Jeffrey
Epstein breaking news. We start in Washington, where lawmakers have
released a two hundred and thirty eight page birthday book
once gifted to Jeffrey Epstein for his fiftieth birthday back
in two thousand and three an inside is a note
allegedly written and signed by President Donald Trump. Now, the book,

(03:40):
put together by Gallaine Maxwell, contains other handwritten notes, sketches,
and messages from Epstein's high profile circle of friends and associates.
Trump's page, formatted like a conversation between him and Epstein,
references two men having a conversation, and it ends with
the line, pal is a wonderful thing, Happy birthday, and

(04:03):
may every day be another wonderful secret. Now this isn't
the first time we've heard about this note. The Wall
Street Journal they first reported on this back in July,
and at the time Trump he called it a fake
and filed a ten billion dollar defamation lawsuit against the paper.

Speaker 3 (04:20):
But this is the first time the image has been.

Speaker 7 (04:22):
Publicly released as part of Epstein's estate documents handed over
to the House Oversight Committee. Now the White House they
are pushing back Press Secretary Caroline Levitch. She wrote a
statement on social media saying President Trump did not draw
the picture and he did not sign it. Now when
the Wall Street Journal that when they first broke this story,
reporters caught up with the President as he was boarding

(04:44):
Air Force one and pressed him for a response, let's
listen to that exchange.

Speaker 6 (04:50):
I said, I don't even know what they're talking about.

Speaker 1 (04:54):
Now, somebody could have written a letter and used my name,
but that's happened a lot, and it wasn't him. He's
saying to somebody else that drew that letter and wrote
that letter's.

Speaker 3 (05:03):
Own, exactly have you seen that letter?

Speaker 1 (05:07):
V yes? The drawing, yes, I have.

Speaker 3 (05:09):
That's hard too. He's odd too.

Speaker 7 (05:11):
So it's just that outline of a nude woman's body
with the secret and so lawmakers are asking, you know,
what is this secret that they're talking about? And so, uh, yesterday,
House Speaker Mike Johnson, he said he's now walking back
his comments, saying that Trump acted as an FBI informant
during the Epstein investigation, and he's clarifying that.

Speaker 3 (05:31):
Let's listen to what he had to say.

Speaker 8 (05:33):
Well, I was referring as on that long conversation was
what the victims of kin He said, more than a
decade ago, President Trump keeps Epstein out.

Speaker 5 (05:43):
Of Marilano, and he was one of the only people
on the only prominent people.

Speaker 1 (05:47):
As everyone has reported, President Trump let everybody about.

Speaker 3 (05:50):
Him that he was willing to pull law enforcement.

Speaker 1 (05:55):
Go after this guy who was a disgusting of child
abus sex trafficker. All the helliga since that's what they heard.
So the President was helpful in that. I don't know
if I use the ric terminology, but that's a common
knowledge and everybody knows that. So there is much ado
about nothing.

Speaker 7 (06:10):
So it just seems that more documents and more things
keep coming out. Republicans are having to walk back their comments.
They're having to deny what we can see with our
own eyes, and so we'll continue to see what's happening.
A bipartisan group of House Democrats, they're still pushing for
the release of additional Epstein files. Meanwhile, Trump is reportedly
still dismissing all of this and calling it a democratic hoax.

Speaker 1 (06:32):
Nation. Never stop talking about it. I keep saying it
over and over.

Speaker 9 (06:35):
Treated the way, Uh, you know, Republicans be treating transgenders
and sports right. I don't believe that painting, and I'm
gonna be honest to see that drawing believe it. I
think that I think that somebody, I think somebody down
with Trump planted that.

Speaker 1 (06:53):
To make it seem so great.

Speaker 9 (06:54):
It seems like because once you've debunk that and proved
that it's fake, and maybe people everything looking at everything else.
It just seems too It just seems too damn silly
to be real. I'm not saying that it's not a
silly administration. It just seems too silly to be real.
I thought that months ago. I said that month ago
when that letter first came up.

Speaker 3 (07:11):
Yeah.

Speaker 9 (07:12):
Well, And while the.

Speaker 7 (07:13):
White House continues facing fallout from the Epstein revelations, the
Trump administration just scored a major legal victory at the
Supreme Court, one that could have sweeping implications for immigration
enforcement here in California. On Monday, the Court lifted a
lower judge's limits on immigration stops in the Los Angeles area,
allowing federal agents to once again stop and question people

(07:34):
based on factors like speaking Spanish, the type of work
they do, or even being present in locations where undocumented
migrants are believed to gather. The administration had asked for
an emergency intervention, calling the restrictions a straight jacket on
its enforcement efforts in southern California.

Speaker 6 (07:52):
Now.

Speaker 7 (07:52):
The order was split six to three, with the court's
conservative siding with.

Speaker 3 (07:56):
The Trump administration.

Speaker 7 (07:57):
Just as Brett Cavanaugh wrote separately, suggest the plaintiffs likely
have no legal right to sue, and predicting the administration
will likely prevail in the broader case. But in a
sharp descent, Justice Sonya sord of Mayor she warned the
ruling opens a door to racial profiling. She wrote, we
should not have to live in a country where the
government can seize anyone who looks Latino, speaks Spanish, and.

Speaker 3 (08:21):
Appears that work a low wage job.

Speaker 7 (08:24):
She was joined by Justices Elena Kagan and Kadanji Brown Jackson.
The ruling it tosses out a July decision from a
Biden appointed judge who put limits on immigration stops in
southern California, and that judge said agents can't rely on race,
the type of work that you do, or physical location.
But this new ruling now will apply to Central District

(08:47):
of California. That's an area where nearly twenty million people live.

Speaker 1 (08:51):
So what's new other than they made it legal.

Speaker 9 (08:53):
Like they've always racially profiled people, they just can't get
in trouble for it. Now they're just saying it out
loud and putting it on the books that you know,
we're not going to be punishing nobody if they do
get caught doing it.

Speaker 1 (09:02):
But this is always happening.

Speaker 3 (09:04):
Absolutely with civil rights groups.

Speaker 7 (09:05):
They filed they lawsuits and things like that after it
was happening here in California, after Ice was here in
California and they had that downtown raid and all the
things that they were doing.

Speaker 3 (09:15):
And so this is just the react. This is just
what happened from that lawsuit.

Speaker 1 (09:21):
All right, well, thank you, Mimi. We'll see you next hour.
Everybody else, get it off your chest eight.

Speaker 4 (09:26):
Hundred five eight five one five one. If you need
to vent, call us up right now again. Phone lines
eight hundred five eight five one oh five one is
the Breakfast Club.

Speaker 1 (09:35):
Good morning, the Breakfast Club. This is your time to
get it off your chest, whether you're mad or blessed.
I hate the way did you walk, the way did
you talk?

Speaker 6 (09:46):
I hate the way did you dress?

Speaker 1 (09:48):
Everything? When me is best? Call up now eight hundred
five eight five five one. I'm what the coach of philing? Hello,
who's this.

Speaker 10 (09:58):
Brefast Club?

Speaker 1 (10:00):
What's up? Get it off your chest? Brother?

Speaker 11 (10:01):
Hey?

Speaker 12 (10:01):
Yo?

Speaker 10 (10:02):
Two things. First thing is that I just want to
parts up. Good morning Charlotte, Maagne, good morning, and the
good morning uh jes to get in Good morning.

Speaker 3 (10:11):
Ll cool Ban good morning.

Speaker 10 (10:14):
I just want to say that, you know, like I
just want to put out to you that you know,
the administration that we have running America, they need to
be aware that everything around Donald Trump throws down. I
guess they haven't learned with the shumakap but for the
most part, you know, he's the only one that has community,
so all his climate part that's rolling with him, pulling
it down when it's changes, Mam. I just also want

(10:37):
to say I want to give a shout out to
my beautiful wife, SHAWNA. Sanders, my son TJ. Tyler, Terant Jojo,
I love you guys, have a blessed day.

Speaker 13 (10:47):
And CHARLOA Magne.

Speaker 1 (10:48):
Yes, sir, I'm.

Speaker 10 (10:49):
Trying to stay on top of my mental health out here,
my brother, and I'm just calling. I got in through
a few times and I'll never ask you. And if possible,
I can get one of your great books.

Speaker 1 (10:58):
Absolutely, you can get a book, man. Man, that's easy.
That's an easy call. Where you live at I live
along Island. Well, you should come to win County.

Speaker 9 (11:05):
Well, you should come to my fifth annual Mental Wealth Expo.
It's happening Saturday, October eleventh in Newark, New Jersey at
the Joel and Diane bloom Well. It's an event center.
It's a day of mental health education and healing. It's
a free event from eleven am to four pm. We
got some of the best mental health professionals in the country,
from Debbie Brown to Jason Wilson, the doctor Alfrey Breeland, Noble,
doctor j Barnett. They're all gonna be there. Man So

(11:27):
and it's a free eventually. You should pull up, y'are.

Speaker 10 (11:29):
Pulling up, Sola. Man, I'm coming to see you, remember me,
man be you. MVY loves you's been following you. Ll cool,
bab you stay big, doing what you do.

Speaker 1 (11:38):
Just how'd you do? You have a good one, brother,
Hold on and listen.

Speaker 9 (11:44):
You can go to mentalwealthexpo dot com, the register the ten.
You don't have to register the ten, but they recommend it.

Speaker 1 (11:49):
Hello. Who's this Hey?

Speaker 6 (11:51):
This is Mike from Florida MJ Mike, Yes, Mike from
Sadam from Jersey City.

Speaker 1 (11:57):
What's up, Mike? Get off your chest?

Speaker 6 (11:58):
Mike yeah, MV. I've been say hello to everybody, but
the year you have your car show, and I know
they'd be asking you to come to California, Chicago, Detroit.
This is what I was thinking. Take all your celebrity friends,
have them send pictures to you to your email or
whatever from you know, even from California Chicago, right, and

(12:19):
instead of you shipping your cars there have the car
shows there with their cars, and then your Eastern friends
they can be on the you know, on the on
the thing as well, and then you can have your
car shows in different cities next year without all that
cost of you shipping your cars. Do you understand what

(12:41):
I mean?

Speaker 1 (12:41):
Yep, I see what you're saying.

Speaker 4 (12:42):
Like the only problem is when I do these car
shows in different cities, it's not just picking up and
taking cars. It's like, if you really think about it,
it's like a moving circus. So you know, when you
go with the circus, go from city to city, they
got to take everything, not just the animals, not just
the people, but the rides and attractions. So it's the
same thing. We take the rides and attractions as well.
So we take the car. Is the velvet ropes, the setups,

(13:03):
the breakfast club, fake studios, the picture arrangements, all that
we go from city to city. So it's not just
taking cars. If that was it that we could do that.
It's like, like I said, we move, it's a whole production.
It's not just we move one thing. It's it's it's
a big production.

Speaker 6 (13:16):
Oh I didn't know that. I'm sorry, but I think
it was just a suggestion.

Speaker 12 (13:19):
It's something, you know, something to think about, you know,
appreciate it.

Speaker 6 (13:22):
Even still, Like with your West Coast friends, they can
they could send their pictures of their cars and at
least they can be represented in your car shows, you know,
because I know you have friends on the West Coast
who would love to have their cars featured in your
in your car shows, but it costs so much, like
you say the Senate.

Speaker 4 (13:42):
Yeah, we're gonna get and we're gonna get on the
West Coast. And if you've never been in my car show,
all the cars this day is not mine. So there's
like two hundred cars, so a lot of cars. Most
cars are from the regional area that we pull up in.
But we're gonna we're gonna expand more and more and more.
People love the car show. And we've been, you know,
talking to a bunch of different car clubs. So we're
gonna were gonna start branding on to the West Side
and West Coast and stuff like that. I think next
year we're doing Carolina, Dallas, Virginia again, so we're gonna

(14:05):
hit a couple more Marcus brother.

Speaker 6 (14:06):
But thank you you guys, have a nice day and
say hello, hello to the club.

Speaker 4 (14:12):
Hey Red, okay, definitely, he said, hey, Red, get it
off your shot.

Speaker 1 (14:18):
He shouted you like he grabs your butt before.

Speaker 6 (14:20):
Right.

Speaker 9 (14:20):
He shouted, y'all like you're hitting you acting like you
don't know him. You know what I'm saying. You know
what I'm saying. He hitt and he saw.

Speaker 1 (14:26):
Red and Redd he don't know him. He red like
you don't know me. Eight hundred and five eight five
one on five one. It's the Breakfast Club. Good morning,
the Breakfast Club, Wake up, wake up, as your time
to get it off your chest? Really your matter blast.
We want to hear from you on the Breakfast Club. Hello,

(14:48):
who's this?

Speaker 3 (14:49):
What's going on?

Speaker 6 (14:50):
This?

Speaker 10 (14:50):
Aaron Walking?

Speaker 2 (14:51):
Good morning and me? Good morning, Lauren, Good morning, Charlae Mane,
how y'all doing, Aaron?

Speaker 1 (14:56):
Are you doing, sir? Get it off your chest? Brother?

Speaker 2 (14:58):
Not much, man, I just wanted to call laying let
everybody know I got an interview today for my dream
job all Heart Radio out here in Orlando. Man, so
just then you know what the prayers for me? Hope
I get this position?

Speaker 1 (15:09):
What station one on four point.

Speaker 4 (15:12):
Five one four five on on that station were on
one o four.

Speaker 1 (15:16):
Good luck man, yep, appreciate it.

Speaker 13 (15:18):
Now.

Speaker 2 (15:18):
I got another thing I want to get off my chest.
Y'all heard that new Justin B album?

Speaker 1 (15:22):
No, I ain't heard it yet, slap manh.

Speaker 2 (15:25):
Yeah, y'all got to get on it. Man.

Speaker 10 (15:27):
It's given me like some.

Speaker 2 (15:28):
Old like some Michael Jackson's not down in like Michael Jackson,
but it gives me like that Michael Jackson love. Just
the people did the same on that album. Man, y'all
got to check it out.

Speaker 1 (15:36):
I heard it, man, I'm gonna listen. I ain't even
heard nobody talking about it. This is the first time
I heard somebody mentioned right, I don't know.

Speaker 2 (15:44):
We just did the same the sure.

Speaker 1 (15:45):
Yeah, this is the second album. I think it like
three four weeks.

Speaker 4 (15:48):
Lord reported that it was supposed to come out I
think last Friday at midnight, but then come out to
about three forty am.

Speaker 1 (15:52):
And nobody listening, and by nobody I mean me.

Speaker 3 (15:56):
First of all night. We talked about it last week. Also, Charlotte, I.

Speaker 1 (15:59):
Remember when I said you remember remember now you're that
now you. I remember when Nihilis said it.

Speaker 3 (16:05):
I think it's my height. You know when I speak
at your little all.

Speaker 1 (16:09):
First of all, your edges look fake this morning.

Speaker 3 (16:11):
My edges are very real. You're just macaze, growing and
very glowing. You like nothing that's good, glowing and progressing.

Speaker 1 (16:17):
Okay, listen, did you see that story about how they
won't let you. There's an all girls school in Jamaica
that bands that.

Speaker 3 (16:25):
Just yes, I did, and we will talk about it later.

Speaker 1 (16:28):
Belonging the house not on feheads. That's funny as hell
because I used to always tell uh girls when they
had their bands. I'd be like, yo, I'm pulling back
like blinds, damn nasty. Hello, Hello, Hey, what's your name?

Speaker 10 (16:42):
Man?

Speaker 1 (16:43):
The name clip? What's up? Man?

Speaker 10 (16:47):
I just don't want to shot myself out. Goodring, Come on, everybody,
law love y'all.

Speaker 5 (16:51):
Man, just.

Speaker 10 (16:54):
Rolling in this morning.

Speaker 1 (16:55):
My birthday, Happy birthday, burgo man. My brother is longer
than me. Our birthday is that's what's up? Yeah?

Speaker 10 (17:05):
Yeah, man, appreciate it.

Speaker 14 (17:06):
Man.

Speaker 1 (17:06):
I just want to say, what's up, so you got
we appreciate you, brother.

Speaker 15 (17:11):
I got one more thing for your ye then go,
y'all be flirting with each other.

Speaker 1 (17:20):
Man, what do you mean you a lot lizard, Envy
flirting with Yes, you do. We used to be on
the road. That would be out funny home poor a
lot lizen. No, damn not lit me me. That's not funny.
So I'm laughing. Hello, who is this? Hey?

Speaker 3 (17:35):
Can you guy?

Speaker 1 (17:36):
Jeremy? What's up? Brother? Get it off your chest?

Speaker 12 (17:38):
Morning morning Envy, Charlotte made who's there.

Speaker 3 (17:41):
Laura Rosa, Yes, yes, good morning.

Speaker 12 (17:45):
Good morning Hey. I just want to tell you guys,
I appreciate you guys very very much. I wanted to
give a shout out to me and my wife. We
celebrated our eleven year anniversary yesterday being married.

Speaker 1 (17:56):
Out of that congratulations, thank you, Thank you guys, Dah.

Speaker 12 (18:00):
I wanted to tell you guys too, I appreciate everything
that you guys have put out. Charlotte Maagne.

Speaker 16 (18:05):
Everything he put out with mental health has definitely helped
me work on myself and helped me put a foundation
for my family, my boys, and then Envy your book.
I haven't read the second one. I read the first one,
but it's definitely helped me in my marriage out a ton.

Speaker 12 (18:19):
So thank you guys for being so vulnerable.

Speaker 16 (18:21):
I appreciate it.

Speaker 1 (18:22):
Thank you brother, we try. I appreciate you.

Speaker 6 (18:23):
Man.

Speaker 1 (18:24):
Where you call it from?

Speaker 12 (18:26):
Call from dever.

Speaker 9 (18:27):
Oh okay, I'm gonna invite you to my mental health exts.
But but you might not be out on this side
on October eleven.

Speaker 12 (18:34):
Man, don't you don't know how bad I've been wanting
to go to. I'm definitely gonna make it up there
one year.

Speaker 16 (18:38):
I'll just talk to my wife about it.

Speaker 1 (18:40):
I want to make it up there one year.

Speaker 10 (18:41):
At least to go and check it out.

Speaker 12 (18:42):
But I'll definitely make it up one of these years
now for sure.

Speaker 1 (18:45):
Yes, sir, thank appreciate you. Brother. Have a go on,
get it off your chest.

Speaker 4 (18:48):
Eight hundred and five eight five one five one. Now
we got the latest Lauren coming up? Are we talking.

Speaker 1 (18:52):
About we do?

Speaker 5 (18:53):
We're gonna talk about fifty cent because do nothing pissed
Dame dash off more than fifty cent and Cameron teaming up.
Let us know yesterday he got the rights to bring
paid for television in a series.

Speaker 3 (19:05):
So we're gonna talk about it.

Speaker 1 (19:06):
What are you at Lord Delaware?

Speaker 3 (19:08):
I'm at Delaware State University.

Speaker 1 (19:10):
What's that towel behind you? That say? What's that saying
behind you? That talent?

Speaker 5 (19:14):
You always minded business the wrong way? You got something
to say to us.

Speaker 1 (19:19):
Who look like the.

Speaker 7 (19:24):
E s you?

Speaker 3 (19:24):
It is a banner.

Speaker 5 (19:25):
It is very much a banner. The studio radio station,
the d E s U a radio station.

Speaker 4 (19:31):
Yo, you should really donate to that radio station. You
should get a mind.

Speaker 1 (19:34):
I'm thinking the same thing.

Speaker 14 (19:35):
Man.

Speaker 5 (19:35):
Let me yesterday, y'all big money. Why don't y'all, you know,
contribute something on the air.

Speaker 3 (19:40):
Somethings can hold into it?

Speaker 1 (19:42):
How much? How much what the sign is cost? Because
that looks crazy?

Speaker 5 (19:45):
Man, I think they need a good like what I'm looking.
Miss miss Abra Peren is here, who's one of the
heads of mass Come.

Speaker 3 (19:50):
How much y'all need to hear? She said? How much
y'all got?

Speaker 1 (19:53):
So we'll talk about it. That that signs look crazy?
At least get your step around m man.

Speaker 5 (20:00):
Yeah, don't know, don't step or repeat them? Okay, damn it.

Speaker 1 (20:07):
Never University never.

Speaker 5 (20:11):
First of all, do not discourage the HBCU students. Okay,
you're here from motivation today.

Speaker 1 (20:17):
All right, well we come back. We got the latest
with Lauren. It's the Breakfast Club. Good Morning, the Breakfast
Club owning everybody.

Speaker 4 (20:25):
It's DJ n V, Jess, Hilarry and Charlamagne the Guy.
We are the Breakfast Club. Let's get to the latest
with Lauren.

Speaker 1 (20:31):
Laren be coming with straight fast. She gets them from
somebody that knows, somebody to detail.

Speaker 3 (20:37):
I'm a homegirl that knows a little bit about everything.

Speaker 1 (20:40):
She'd be having the latest on the Big la The
Latest with Lauren la Rosa. Sometimes you have fact, sometimes
you have details. Sometimes you have a little bit of everything.
It's the latest on the Breakfast Club. Talk to me.

Speaker 5 (20:54):
Well, fifty cent will be bringing the Colt Classic paid
and full back, and it will be a TV series.
He and ounce yesterday. He says, I now have the
rights to pay it in full. I'm developing it into
a premium TV show. If you like Godfather of Harlem,
you're gonna love this. Cam set to executive produce alongside
me if you want and get Adam I'm out of

(21:14):
the Country.

Speaker 1 (21:15):
Classic movie. I wonder how they turned that into a
TV show, though you could just do that whole era,
because that whole era is interesting.

Speaker 9 (21:21):
So it'd be like a prequel before Paid in Full
kind of well, it could be a prequel, then it
could go into Paid in Full, but just break it
down a little more, you know what I mean, all
those scenes that you break down, you know.

Speaker 5 (21:30):
Yeah, it could also go after too, like or like
you know, there's so many ways you could tell that story.

Speaker 1 (21:36):
After one of them got killed, one of them went
to jail.

Speaker 4 (21:40):
But bigger than them. It's it's a whole era. So
after that other people.

Speaker 1 (21:47):
About Rory, I think it's about the era. I think so. Yeah.

Speaker 5 (21:51):
So Cameron reposted fifty as well. He said, so we've
been talking about this for a few months now and
it's almost time things fifty cent for the opportunity were.

Speaker 3 (22:00):
Going to burn it down.

Speaker 5 (22:02):
Listen, if you got to get anybody involved, you get
fifty butt, y'all know.

Speaker 3 (22:06):
Dame Dasher.

Speaker 5 (22:06):
If you guys don't remember, a few years ago, it's
back in twenty twenty one, page six of did an
article because Dame Dash had been talking a lot about
the fact that he was writing a sequel to Paid
in Full.

Speaker 3 (22:17):
He had talked.

Speaker 5 (22:17):
About finally not having writer's block and wanting to bring
it to the screen the right way, and at that
time Cam had also mentioned he was open to it
and that there was some conversations as well. So Dame
Dash yesterday, when all this news and people were celebrating
and reposting and posting Cam, Dame Dash posted a video
and response.

Speaker 3 (22:33):
Let's take a listen to Dame Dash.

Speaker 8 (22:35):
Cam just made a post major announcement. I want to
congratulate him for making fifty his new boss. So congratulations, Cam,
fifty is now your new boss and you're proud of it.

Speaker 1 (22:48):
Congratulations.

Speaker 9 (22:50):
So question, I know Dame will hear this, So I'm
asking if fifty has the rights now? Who had the
rights before? I'm assuming it was Dame Dash who had
the rights before. So did he lose control old of
the rights because of his Chapter seven bankruptcy filing, because
you know you have to surrender like key rights to
satisfy credits credits that would happened.

Speaker 5 (23:09):
Well, I did ask Dame you know what happened from
that time until now? But I have not heard back
on that yet, so I haven't answered to that soon.
But I know in the bankruptcy filing that you're talking about,
that that went down, you know the end the last week,
he mentioned that he has no Dame Dash mentioned that
he has no monthly income, no house, no car, no

(23:29):
publicly traded stocks, retirement accounts, only about four or a
little over four thousand dollars in worldly possessions, and he
listed his assets as like guns, first jewelry up that
equal up to like twenty five hundred dollars, TV's computers,
some electronics, and one hundred dollars cash in hand.

Speaker 3 (23:45):
Didn't mention any rights or assets.

Speaker 5 (23:47):
And I know when we did the last story about
remember he had to they were saying that he had
to put up some of his movies and you know,
just different things that he owned for some of his
prior debts.

Speaker 3 (23:57):
This was not mentioned either.

Speaker 9 (23:59):
But yeah, I'm just trying to figure out, you know,
how did he lose How did he lose the rights
to paid in full?

Speaker 1 (24:04):
Or did he or did he even own the rights
to pay in full? Because I just want to know
the business.

Speaker 9 (24:08):
Like Dame is always teaching the business, He's always teaching
about ownership and being a boss.

Speaker 1 (24:11):
So I just want to know how did fifty end
up getting the rights? Because I thought Dame had the rights.
I would assume I don't know, But.

Speaker 4 (24:17):
Are we still talking about this boss conversation?

Speaker 1 (24:20):
Like?

Speaker 4 (24:20):
Is that a conversation that we're still having. That's the
first thing you said fifty sentences His boss with fifty said,
that's his partner on it. He's EZP and with him,
So I guess they're partners. But I hate this boss
conversation because I hate the fact that people be.

Speaker 1 (24:30):
Like, I don't need no boss, I don't want no boss.

Speaker 4 (24:33):
Well, sometimes not having the boss will lead you into
foreclosure and only having assets to lead up to twenty
four hundred dollars. Yeah, you can't keep having this boss
conversation without having a real conversation about entrepreneurship and what
you need to do as an entrepreneur.

Speaker 1 (24:46):
We can't keep out of the commis. They posted that
old clipper him getting at you on Breakfast Club. I
ain't see that long time. A little hot this morning. Now.
That clip is amazing. That clip is amazing.

Speaker 4 (24:55):
If you have if you see what happens within ten
years and then you look at that clip, you'd.

Speaker 1 (24:58):
Be like, oh, somebody else, somebody had a bad decision.

Speaker 3 (25:02):
Well I will.

Speaker 9 (25:04):
Dame should be happy that the rights to paid in
full went to another black man, and he should be
happy that that black man decided to make another black man.
The executive producer of the film, not to mention Cam
was to start of the original film.

Speaker 1 (25:16):
That sounded like good black business to me.

Speaker 5 (25:17):
Yeah, collaborate, I agree, And I think the way that
I mean, Kim has always been, you know, a great storyteller,
but he's been dominating content for so long. Him teamed
up with fifty, I'm really excited to see the way
that they tell the story as well, too, y, you
know what I mean.

Speaker 1 (25:32):
And it's unity and group operation.

Speaker 9 (25:33):
How can you not be happy at the fact that
a black man got the rights to a film and
decided to make another black man. The executive producer, like,
you know, people at the top are collaborate, are collaborating
people at the bottom of compete.

Speaker 1 (25:46):
Yeah, And that's what I said.

Speaker 4 (25:47):
And it's only right, Like the story's based out of
hallm fifty centers from Queen's Like, it's only right that
you get somebody from Harlem that can oversee, that can
tell the stories, that was there, that heard the story.

Speaker 1 (25:57):
He was original the movies. It's a small ass move,
it's the smartest move, you know, And man, like I said,
maybe Dame can explain it, you know, I mean, because
I just I just want to know the business, like,
you know, who had the rights before fifty acquired him?
If Dame had the rights, how did he lose it
or did he sell it to fifty? Like what happened? Like,
I just want to know. I wanted not I want

(26:18):
to teach us, boss stupid.

Speaker 5 (26:21):
Sure he will respond, well, no, last time I talked
to Dame, though, he said he wants a verbal fair
one with you, charlottege. So I'm sure this will definitely
make him explain or have a conversation about what that was.

Speaker 1 (26:31):
I'm sure he said pause after he said that, and.

Speaker 3 (26:34):
He said he probably did.

Speaker 1 (26:35):
I just want to be taught, boss, God damn, why
I'm not seeking knowledge? Boss? Stop calling a black man boss,
mean man, there was some knowledge, man, that's all. You
want to be taught? All right? This guy's stupid, cass.

Speaker 4 (26:52):
The ladies went on. When we come back, we got
front page. Dudes, it's the Breakfast Club. Good morning, the
Breakfast Club. Your mornings will never be the same. Warning
everybody is j NV Jess Hilaris Charlamagne, the guy we
are to breakfast club. Law l Rosa is here as well.
She's actually broadcasting from Delaware State University. And let's get
back in some front page news. Now some quick sports.

(27:14):
The Vikings meet the Bands on Monday Night Football twenty seven,
twenty four.

Speaker 1 (27:19):
What that mean me?

Speaker 3 (27:20):
Good morning, y'all.

Speaker 7 (27:21):
So the IRS is putting taxpayers on alert warning that
viral tax tacks on TikTok and other social platforms have
already cost Americans more than one hundred and sixty two
million dollars in penalties. So here's the latest scam. There
are two of the here's two of the biggest ones
right now. The agency says that people are falling for
misleading advice about the Sick and Family Leave Credit and

(27:43):
the fuel tax credit. So the Sick and Family Leave credit,
it was created during the pandemic to help to help
self employee workers.

Speaker 3 (27:51):
So I think freelancers, ride shair drivers, small.

Speaker 7 (27:53):
Business owners who couldn't work in twenty twenty or twenty
twenty one because they were sick with COVID, or they
were caring for a loved one.

Speaker 3 (28:00):
Or they were just home with the kids while daycares
were closed. But here's the issue.

Speaker 7 (28:04):
TikTok experts are now telling everyone that they can claim
that credit right now on their current tax returns, and
that's wrong because that credit expired in twenty twenty one
and it never applied to traditional workers. And the second
red the red flag that we're seeing is the fuel
tax credit. Now, this tax credit was designed for off
highway businesses meeting farmers, truckers, and businesses that use fuel

(28:27):
for things like tractors, construction, and generators. But social media
influencers they're claiming anyone can use it to get a
bigger refund.

Speaker 3 (28:35):
So to put just gas in your.

Speaker 7 (28:37):
Car, you can use the tax fuel refund, and that
is incorrect. The IRS says if you're driving on a
public road, you don't qualify. And so there's been a
surge in questionable refund claims. It's leading to delayed claims,
denied claims, five thousand dollars in fines and an audit.
And so tax experts say, if it sounds too good
to be true, it probably is. And the bottom line is,

(28:59):
don't let tick talk do your taxes. And just a reminder,
as we would you say, Charlamagne, I was just gonna.

Speaker 9 (29:05):
Say between TikTok and these so called financial gurus giving
y'all tips on how to avoid paying Uncle Sam.

Speaker 1 (29:10):
All of y'all gonna end up in jail.

Speaker 9 (29:12):
And I feel sorry for these people because they are
really looking for information and they are just simply getting misinformed.

Speaker 1 (29:17):
Like actual go to actual tax experts. You know, in America,
you got to spend a little bit of money to
save a little bit of money and to make a
little bit of money. So I know that you know,
you may not want to pay somebody to do your taxes,
but go get somebody who actually knows what they're doing,
an actual expert, to do your goddamn taxes.

Speaker 3 (29:33):
Yeah, and that's what they're saying.

Speaker 7 (29:35):
They're saying, talk to a real CPA or tax pro
And as we just as a reminder, if you filed
for an extension, October fifteenth.

Speaker 3 (29:42):
Is the deadline to get those in.

Speaker 7 (29:44):
And if you are in a disaster relief area like
a wildfire area, though that date will also apply to you.
You have into October fifteenth to get your taxes in.
And this story for this morning is just right on time.
As Lauren is at Delaware State, New York City just
made history opening the first HBCU focused preparatory high school

(30:05):
in a major US city. Now, the HBCU Early College
Prep High School is located in Jamaica, Queens.

Speaker 3 (30:12):
It is designed to expose students to.

Speaker 7 (30:14):
The culture, the legacy the opportunity offered by HBCUs. The
principal doctor Asia Johnson. She is a proud Delaware State
University graduate. She says the goal is simple to give
students a head start and a broader vision for their futures. Now,
interest in the school has been overwhelming. There were only
one hundred seats available this year, but more than a

(30:36):
thousand students applied. To get in, students had to submit
an essay solving a community issue in healthcare or technology
and record a two minute video explaining why they plan
to or how they plan to use their degree and
how they plan to give back. Starting in eleventh grade,
students can take online courses taught by Delaware State University professors,

(30:56):
earning up to sixty four credits. That's the equivalent of
an Associates degree before they even graduate high school, and
so students are guaranteed even better. Students are guaranteed admission
into DSU once they complete the program.

Speaker 3 (31:09):
So, Lauren, your school is doing big things.

Speaker 7 (31:12):
I went to Howard, so shout out to all HBCUs.
But Delaware State on this one is doing great things.

Speaker 9 (31:17):
I want to say, if we want to encourage kids
to go to HBCU, should Delaware State be the leader?

Speaker 1 (31:21):
I mean, I feel like I'm just saying Howard.

Speaker 9 (31:24):
I can see Howard, I can see I can even
see Hampton, I can see South Carolina State. But Delaware like, like, seriously, like,
should they be the leaders on this?

Speaker 1 (31:31):
Stop it? This is your moment.

Speaker 3 (31:32):
Leaders.

Speaker 5 (31:33):
Yes, they should be the leaders, because you know what
happens when Delaware State becomes the leader of the conversation.
We get more people like me to come and work
with you. I just got a note from the radio
station too. They wanted y'all to know. This is the
renovated station after COVID, so they have no equipment now.

Speaker 3 (31:49):
But they're mighty.

Speaker 1 (31:53):
At nothing about the equipment. We're talking about that little.

Speaker 5 (31:58):
Because the breakfast club is going to spun answer some
branding in here. That's what they're hearing, that's what they're beautiful.

Speaker 1 (32:04):
That's a football game, Toyle.

Speaker 4 (32:06):
That's from the game, the football team, the station, but
on the real doctor Ajan Johnson, who is running at
in South in South Jamaica, Queens. Uh uh if you're
out there listening, you know, Queens is my borough. That's
where I'm from. I would love and I'm sure I
will bring Lauren with us. We would love to come
down and talk to students. Whenever you need us, we
will be there for you. I love what you're doing

(32:27):
and the fact that you're incouraging students to go to
HBCU's the only reason I went to a HBCU was
I've seen a different world and that encouraged me.

Speaker 1 (32:34):
I thought, to me, a different world was was Hampton University,
and that was the reason why I went. So the
fact that.

Speaker 4 (32:40):
If you need us, we will be there. You can
d m us, you can call our people. If you
from Queens, I'm sure that you know somebody that knows
somebody that knows my mama. So please uh here this stuff.
We would love to support you and all that you
are doing. I love what you're doing, even though you
went to Delawest.

Speaker 5 (32:54):
Actually I'm in contact with her already. If y'all are
a call back, okay, all right.

Speaker 1 (32:57):
We'd love to thank you for that story. Maybe yes.

Speaker 3 (33:00):
Absolutely. All right, y'all.

Speaker 7 (33:01):
Well that's your front page news I Memi Brown, follow
me on social app Meme Brown TV, and for more
news coverage, follow the Black Information Network or download the
free iHeartRadio app and visit BI innews dot com.

Speaker 1 (33:13):
Thank you so much. You know it's so crazy, Charlamagne,
you lineup. No. Lauren talks about everything.

Speaker 4 (33:20):
She talks about Delawiz football team, she talks about Delawariz parties.

Speaker 1 (33:24):
She talks about everything.

Speaker 4 (33:25):
But here's a graduate of Delaware State doctor doing some big.

Speaker 1 (33:28):
Things, and you ain't mentioned that one time.

Speaker 17 (33:31):
I just sa yeah, because wait, I gotta have Lauren's
back on this, because we talked about this yesterday, so
I had we talked to you know, I knew she
wanted to do it.

Speaker 3 (33:43):
So we talked about you got to give Lauren some credit.
She already knew. She just saved it for me.

Speaker 5 (33:46):
It's okay. They just like to hate and you know
you know how they do black women. Well me, you're new,
so you don't know. But girl, we gonna need each other.
Because if Charlottae is Charlemagne Envy goes in and out,
you know he had black Damn.

Speaker 1 (33:58):
I'm not having black and full black. But right anyway,
thank you so much.

Speaker 4 (34:01):
Now when we come back, Danielle dead Wiler will be
joining us actress, and also all T Throwing will be
joining us.

Speaker 1 (34:08):
And don't go anywhere. It's the Breakfast Club. Good Morning.
That new movie forty Acres is out right now. The
Breakfast Club Good morning.

Speaker 4 (34:17):
Everybody's the DJ n V Jess hilarious, Chelamaane the guy.
We are the Breakfast Club. La La Rosa is here
as well. We got some special guests in the building. Yes,
indeed we have Danielle did Wilder welcome, and we have
all TI Throwing welcome.

Speaker 14 (34:30):
Brother.

Speaker 1 (34:31):
How are you feeling this morning? How y'all both feeling
this morning?

Speaker 18 (34:32):
Beautiful? Really great, We're happy to be together.

Speaker 1 (34:36):
Yeah. I know y'all here to talk about forty acres,
but I gotta tell you a phenomenal job. Until phenomenal
job until you know. I always wondered about that role
because it tells one of history's most painful stories. How
did you prepare emotionally for that role?

Speaker 18 (34:54):
The way I prepare for anything. It's vigorous research. I
just grew up in Atlanta and so the civil rights community.
Uh in Atlanta has reared me. I did you know
volunteerism with the Southern Christian Leadership Conference as a kid
went to Cascade United Methodist Church, which doctor REVN. Lowry

(35:16):
who partnered with doctor Martin Luther King at the time
during that you know, pivotal time. You know, those are
people who are critical in defining my life and understanding
of society and community and so all of that kind
of like that intuitive uh personal history as well as uh,
you know, academic knowledge and history about that the era

(35:37):
went into creating that role, and and and just staying
rigorous with the relationships with Chenoya who directed it, and
and and the family and just it's been such a
palpable thing for me.

Speaker 1 (35:50):
Once you tap into a role like that, like playing
the mother of em matel how do you get that
out of you? How do you just go down?

Speaker 18 (35:57):
I don't know anything.

Speaker 9 (35:58):
Uh.

Speaker 18 (35:59):
That that is visceral like that that stays with you.
It's a wounded scar of sorts and you walk with it.
And I mean that's the beauty of it, right, Like
I get to talk about this all the time. I
get to talk the history of the work and how
it's supposed to have this residual effect, this kind of echo,
and it'll be in conversation with any work that I
do moving forward. So I'm curating in that capacity.

Speaker 4 (36:22):
I wanted to go back, if you don't mind, I
wanted to what made you want to be an actress?

Speaker 14 (36:26):
Like?

Speaker 1 (36:26):
What was the thing? What did you see on television?
What play did you go see? What did your mom?
Is still you say this is what I want to do.

Speaker 18 (36:32):
No, it's just been in my life. I've been acting
and performing since I was a child. My mom made
sure that myself and my siblings are always a part
of arts oriented things. Atlanta, Black Atlanta, Black arts Atlanta
in the eighties is just pivotal, right. So I started
in dance and naturally segued into theater through critical cultural

(36:52):
markers in the city, Total Dance Theater, Gary Harrison Studios,
saw Jamandi productions all the time. I grew up as
a Kenny Leon's True Colors Theater Company young artists. So
this has just been which it should be right for children,
it should be for people in general. The arts is
just a part of our lives. It came a critical

(37:13):
moment after academic pursuits that oh, I'm missing something and
I had to return. And so one of the first
things that I did when I was making the professional
return was for Colored Girls, and Jasmine God directed it,
and so it's just bushed from there.

Speaker 1 (37:29):
Oh oh, this is a question for both of y'all right,
because you know, going back to the Till thing a
little bit, but also talking about forty eight kres, what
did Till teach you about the responsibility of storytelling.

Speaker 18 (37:40):
I don't know if Till taught me that responsibility. I
think it's just always been present. Our history is integral,
Our history is just it's a brilliant thing that's a
part of everything that I do, everything that we do,
and which which is the way that it works in

(38:01):
forty right, like she is teaching the children not just
about how to survive, but how to synthesize history, with culture,
with agriculture, with you know, all of the qualities of life.
It is a spherical thing. Everything is connected.

Speaker 13 (38:20):
Yeah, they're roots of survival in the film. It's not
just rooted in they can kick some ass, they've got
military might, but the important thing is is that it's
rooted in their their preservation of their culture, you know
what I mean.

Speaker 1 (38:35):
That's also surviving for them, and it's very much.

Speaker 13 (38:37):
That's why in the film, it's like you see the family,
they're all about their.

Speaker 1 (38:43):
Culture, their their history. Like the book reports that she
gets them to the indeed.

Speaker 13 (38:48):
That you have to know yourself as you're surviving, as
you're moving forward, because you're the only ones that we're
going to do that. It's you know, the language that
they have, you know what I mean, Galen, the father's
passing down his language, the agricultural practices, it's all rooted
in their history. And that's how this family is truly
surviving in the future.

Speaker 18 (39:05):
And yeah, they're truly joyful right just sitting down telling
stories while she's doing their hair, or the games at
dinner time, like critical things that people talk about that
they don't necessarily get anymore, Like let's just sit down
and be a family and play and enjoy each other.
Like those things are are what people are fighting for.

Speaker 5 (39:24):
Yeah, yeah, in a time right now where like so
many of our spaces and like the things that you
guys are talking about pasting all like our stories, our
history are being like quieted by certain people creating this
film for you guys, how did you pick and choose
what you wanted to teach us through it because we
learned so much, but there was so much we need
to know in order to be able to preserve our
history at.

Speaker 1 (39:44):
This I mean for me, Yeah, for me, honestly, it
came very organically. It really.

Speaker 13 (39:52):
It really wasn't like choices. It was just like, you know,
my mother. You know, the echo of the relationship in
the film between Haley and Manny is like it's an
echo of me and my mother. And and you know,
she came to Canada as a as a as a
Trinidadian immigrant, you know what I mean. And she, you know,
as much as people love to think that Canada is

(40:13):
like this, you know bass, you know, like you know,
racial whatever, it wasn't.

Speaker 1 (40:18):
It wasn't in the seventies, you know what I'm saying.

Speaker 13 (40:19):
So she came here, it was very much like she
experienced a lot of discrimination and she was like, you
have to be prepared for this world. And from the jump,
my mom was like, I don't trust these institutions to
teach you your history. So you're gonna do book reports.
Why are you going to school? Why are you doing whatever?
You're gonna do book reports. You're gonna learn some culture.
You're gonna read you know what I'm saying. You're gonna

(40:40):
read parable, You're gonna You're gonna you know. So, So
all of those things were directly from my life that
I just I gave to Haley, passed down to.

Speaker 1 (40:49):
Her children, you know what I mean. And and just.

Speaker 13 (40:52):
That that understanding of who you are will preserve you
as we move forward, because as they try to erase us,
we are the only ones that gonna keep our stories
prevalent and and and important to our.

Speaker 1 (41:03):
To our descendants.

Speaker 6 (41:04):
You know.

Speaker 4 (41:04):
So now you tell a lot of stories. Canadian directors
tell a lot of stories. You started with music videos.
Why is the Canadian I so good at telling those
music videos, which goes to television, which goes to film.

Speaker 1 (41:14):
Why is that? Because we can name a list of
Canadian directors. Yeah, you know, I don't know. That's that's
a real good question.

Speaker 13 (41:21):
Because I took my influences from some of the greats,
some Hype Williams, you know what I mean. And I
know you're talking about the legacy of director X you
know what I mean. But I think Canada has a
very interesting perspective. We're very close to y'all and our

(41:43):
culture is heavily influenced by America, but we're very sort
of diverse. And this is this this people from all
over the world that come to Canada, and in Canada
you bring your culture and you you keep your culture
and then we celebrate people's culture. So the influences come
from all all over the place. And we look at
the world in a way and and so you know,

(42:04):
we're picking and choosing different things, and so the influences
come from all those places. And I think that's why
that in a way we can we can kind of
pull from everybody.

Speaker 9 (42:14):
Oh t, how do you balance creating entertainment but also
having deeple messages in it.

Speaker 13 (42:19):
It's just something that's organic to me, you know, coming
from the history that I just talked about with my
mother and stuff like that. Stuff is in me where
I realize the importance of it because of what she
instilled in us. So I want to make sure that
you know, it's reflective of of that. Knowing that our
history and and things should they shouldn't be infused in

(42:42):
what we do, to make sure that we get I
get a chance to tell a story, I'm gonna make
a count I'm gonna make it, you know what I mean, Like,
I'm not wasting it.

Speaker 1 (42:52):
But at the same time, I grew up.

Speaker 13 (42:54):
On Spielberg and you know what I'm saying, Spike Lee
and and and James Cameron. You know. So I'm a
comic book nerd, you know what I mean. So I
grew up on X Men, you know, so, and these
things were entertaining. So I'm like, well, I want to
do both. I want to entertain and then I want
you to I want you to walk away. I want
you to take the movie home with you. I want

(43:14):
you to walk away thinking about it the next couple
of days.

Speaker 1 (43:17):
You know. I want you to.

Speaker 13 (43:18):
Want to talk about it with people. You know, there's
a lot of films out here. You know, people are
craving that. I feel there's a wave happening right now,
you know what I mean. People are craving original stuff
that they're tired of seeing such and such four and five.
You know what I mean, Like, you know, and you
see you see the Brother you know, Ryan Cooler coming
with the Sinners, you know, you see you know, even

(43:41):
even Zach Kraigor with the Weapons movie. You know, it's
just like people are interested in give me something different.

Speaker 1 (43:48):
Very frustrating though, Yeah, because that should have always been
the way in Hollywood, because whenever you see the things
that really pop off and break through, it's really something new.
I've never had seen Game of Thrones before. Yeah, right,
you know what I mean. I like, it's the thing.

Speaker 9 (44:00):
I've of course centers, but I've never seen those type
of things. I never understood why Hollywood didn't want to
be original, Like it was a time where originality seemed
to be, like, I don't want to take a risk
on that what's considered safe.

Speaker 1 (44:12):
It's turned into theme parks. Right, It's like this is
for everybody. Come on the ride.

Speaker 13 (44:19):
You've seen it before, you know what it is, so
come pay your money for it. And I don't know it's.

Speaker 18 (44:25):
I mean, there's something too cereal. I think the ceial
framework is interesting to people. I just think that there
isn't that era is shifting. There is a great level
of fatigue, and the world is wanting something that is
more rupturous, something fresh, something that is more political or

(44:46):
deeply personal and just more queered and strange and weird.
Those kinds of things are have always been uh, in
the in the in the framework, you know, it's just
about those things rising to the surface.

Speaker 1 (44:59):
For folks, do you feel like you get presented like
nothing but dark roles?

Speaker 18 (45:03):
No, not at all.

Speaker 1 (45:04):
Okay, so I.

Speaker 18 (45:04):
Have a slate of madness coming back. Like the last
three things I've done have been straight up comedy, dark, grounded,
slapsticky kind of uh. Like, I get the gamut, and
I am curating for that. I mean, we're not. There
is no one dimensionality ever, you know, And I'm interdisciplinary

(45:27):
and all of the work that I do.

Speaker 1 (45:28):
You do that on purpose because you don't want to
be like typecast as the person that you.

Speaker 18 (45:31):
Can't who typecasting? Who ain't nobody going to type yeas me?
I get to I'm creating. I am working with a
team of people who know who I am at my core.
I'm building from my inner world and I select accordingly.

Speaker 5 (45:43):
And when you say that, you mean you're also creating
projects too. That put you in different lice, because I
know you're.

Speaker 18 (45:47):
Either yes, yes, yes, developing works. I'm in a performance
art realm. I'm in an experimental film realm. I'm things
take time, we come out right, like a project could
develop over the course of two to five years or
more and whatnot. But I am intentionally circling a lot
of different genres because I want us to be witnessed

(46:10):
in all kinds of life. Everything that I do will
not be the lovable woman, right, Everything that I do
will not be the villain. However, everything in that spectrum,
the full range of that is my interest.

Speaker 1 (46:24):
I've heard you referred to as a multidisciplinary artist.

Speaker 18 (46:27):
Yeah, multi disciplined. I mean just multiple inter between moving
between worlds. We all do sometimes, you know, folks because
of capitalism in a certain kind of way, laying you,
but you can veer off. I mean, it's just don't
hit no other cars in the mist of doing.

Speaker 1 (46:44):
It, you know what I mean.

Speaker 5 (46:46):
The film talks or is very doubt about black women
or black mothers fighting for their families, protecting their families
to the end, and I think that's always a conversation
with black women about like how protecting and nurturing we
can be. But what do you want black women to
take away from this film about how to protect and
take care of themselves in order to take care of family.

Speaker 18 (47:03):
That's so appropriate because in one of the scenes her
Galen talks about her deserving reprieve and that kind of
joy and release and and we've I mean over the
slate of films that I have done, which is the
assumption that you know, I do things that are trauma

(47:26):
driven or different, you know, just black women in complete
ner toll turmoil there. I think that there's a diversity
of things emotionally that are happening, and we deserve to
explore the other emotions just as much. I don't think
that it's a take your hands off and completely live
in utter soft era life. Sure one would love that,
but I don't think that struggle is ever. There's never

(47:48):
an end mark to it, you know, just like healing
isn't there's no end there's no there's no there's no
this is the death, this is it. You've made it.
It's continuous. And so I think there's it is continuous
effort to diversify the manner in which you distribute labor,
to encourage others to have a greater independence and autonomy

(48:11):
and the way that they move through the world, and
just and giving that over and still doing our work
for ourselves.

Speaker 4 (48:19):
So I was gonna ask you when numbers are concerned, right,
everybody looks at box office when it comes to movies.
That doesn't necessarily say how successful a movie is. But
for some people it guess, how does that affect mind
frame when you're doing these type of movies.

Speaker 13 (48:32):
I'm not in Hollywood, so I'm independent film, you know
what I mean.

Speaker 1 (48:35):
So that's not what defines it for me.

Speaker 13 (48:39):
You know, and money comes and goes, So I think
about legacy and I think about telling a story that's
going to stay with people.

Speaker 1 (48:47):
Like I said, I want to make a film that
you take.

Speaker 13 (48:49):
Home, you walk with it in your in your head,
and to me, that means the most important thing.

Speaker 1 (48:54):
And I if it's there and people.

Speaker 13 (48:58):
Talk about it, you know, independent film lifeblood is word
of mouth. That's how independent film has always been. So
people start talking about it, they spreading it, and other
people find it, and you know, that's a beautiful thing
when that happened. So I don't mind that, you know, Like, look,
you know, on other projects, it may be the benchmark,

(49:19):
and that's cool. You're doing something with a studio, that's cool, sure,
But with this, it's just about does this film resonate
and stay with the people, and does it spread and
make people think?

Speaker 1 (49:31):
That's the most important thing for me. But you're an
independent film because you're still gonna need funding. Fair So
how do you, you know, get these people to continue to
fund this great work that you're doing if it's not an.

Speaker 13 (49:41):
ROI well, I'll say this, like I think, for this
being my first film, the important thing is to is
to let them know that I got a voice, and
this is what I'm.

Speaker 1 (49:50):
Interested in saying.

Speaker 13 (49:52):
And I think people understand in the movie business, they understand,
you know, this was independent, This wasn't back by a studio,
didn't have a pro more budget. You know, normal studio
pictures have a budget equal to their budget to promote
the stands right, So people understand that and they go, cool,
he's got a voice.

Speaker 1 (50:10):
Hopefully God willing, they want to work with me.

Speaker 13 (50:13):
And then and then you know that other money part
that'll come when the bank comes.

Speaker 1 (50:17):
You know what I mean? Do you think great work
is sometimes pointed? Because I even think about like Till right,
Like they talk about, you know, Till got snubbed by
the Oscars, and they talked about, you know, Till might
have suffered from Bolkeness fatigue, and you know they were
saying it was a box office point.

Speaker 9 (50:32):
They were saying all of these different things in regards
to this just great body of work.

Speaker 1 (50:38):
Do you think that that can play a role into
it too?

Speaker 18 (50:41):
Anybody listening to that? What's the snub? We're having continuous
conversation about the work, about the themes about you know,
you you you dealing with it in the frame, right
on the computer, in the theater wherever you're watching it,
and then people are connecting to it outside. They just

(51:03):
you know, August was just here, you know. I just
talked to Mistevor, who helps with the who runs the
the Mattel Foundation. They're having continuous, you know, conversation about it.
This is since nineteen fifty five, you know, and so
you know, extending what this means to think about survival.
I don't know when forty takes place, but forty's in

(51:25):
the dystopic future, which feels very like now. And so
just the ability to bring this end of the spectrum
to this end of the spectrum, that's what's happening. You know,
It's not there's no snubbing. Snubbing isn't possible if we
are creating something and we are creating the conversation around it.

Speaker 5 (51:44):
I know when the US snub happened. I don't want
to get her name wrong, but the director of till Chanoya, Yeah, Chanoya.
She had posted she had posted on her Instagram and
it wasn't directly in response, but the timing people took
it as a responsible She talked about how Hollywood, you know,
treats back on the horribly and they pushed white male stereotype.
Do you feel like that's changing? Has changed since the

(52:06):
since the snub? I know you don't care about the
sub but has that changed in the work that you're
doing or do you think it will change?

Speaker 18 (52:11):
I think that we have always been present creating the
significant works for ourselves.

Speaker 1 (52:16):
The funding may.

Speaker 18 (52:17):
Not look the same, the ubiquity of it and the
marketing of it may not look the same, but there
are plenty of black women in a variety of other
people of color joining the fold of making the stuff
that we want to see.

Speaker 1 (52:32):
There is no.

Speaker 18 (52:35):
True idea of us like not being able to push,
you know, towards the center. We are the center period,
right and should there be more support, yes, but you can't.
You can't hold down what's already you know.

Speaker 1 (52:53):
Moving up, moving, that's dope.

Speaker 9 (52:55):
How do y'all see storytelling as a tool for social transfers?
That's like the art are going to be very important
to us moving forward, especially with them just taking history
out of everything.

Speaker 1 (53:06):
Always always been, always has been, you know.

Speaker 13 (53:08):
It's it's uh, it's a it's a foundation of of.

Speaker 1 (53:14):
Like as as we're talking about.

Speaker 13 (53:16):
Of our history and inspiring the future, you know what
I mean. It's it's it's it's vital, you know. And
and for people to see things and reintroduce them to
ideas that maybe they don't That's that's the important thing.
Is like as as as a younger generation comes out,
they don't have to fight the trials and tribulations that

(53:37):
like my mother had to fight. I didn't have to
fight some.

Speaker 1 (53:39):
Of those things.

Speaker 13 (53:40):
But it's important to make sure that people understand them
because if they don't understand it, then they're coming out
with a certain sense of ignorance to the world and
may not think that certain things are are present, you know,
and and racism and discrimination and the isms are there
whether you whether you recognize them or not, they're there.

(54:03):
So it's I think it's vital for art to keep
speaking from our perspective so that it's like, oh no,
you got to know how to handle these things for
future generations.

Speaker 1 (54:14):
It's just it's vital.

Speaker 18 (54:16):
No, it's just a beautiful poetic looping right. I remember
doing this. It wasn't technically a play. It was like
a dance exhibition with that was called Women Hold Up
Half the Sky right as a kid with total dance theater.
And I learned about four little girls in that piece.
And then there was also this poem from Nikki Giovanni

(54:36):
in the piece Capitola Williams delivered that hard and then
that makes me connect to Okay, then I'm doing till right.
Like these stories, these fragments jump you know, between us,
right and oh okay, Nikki Giovanni, Tupac right, and so
then Tupac raps about this and then this you are
to find the fragment and then expand upon it. I

(54:58):
think that that it's not just just in the art, right,
the art that whatever it is that you're connected to,
whether it's in hip hop or whether it's in a film,
you take whatever is magnifying for you in your mind,
and then you are to to to dig deeper, you
are to read more about it. This is the beauty

(55:20):
of art. Art takes a single thing and it is
to it is to make it. It's it's supposed to
enable you to loop things further into the fold. For
everything is deeply connected if we but seek it out,
if we but make the.

Speaker 1 (55:34):
Effort absolutely, How do you decide when a story is
worth the emotional toll it takes on creators and the
audience because art can be healing, but it can also
reopen or wounds. Yeah, you mean for me? Yea where
t I'm gonna.

Speaker 2 (55:57):
I'm gonna.

Speaker 18 (55:58):
I'm gonna give everything to a thing if I choose
to do it. And we talk a lot about recovery.
I mean, I think it's something for me. Now I'm
al sabbatical, y'all. Man, were I supposed to be here?
Like it's I'm making conscious choices even more along, you know,

(56:19):
just along the trajectory of the career, right like trying
to make sure that I am well and I'm okay
in the midst of the things that I choose to do.
That's why I did three comedy maze things though in
the course of the last year. But the other things
are really valuable because you have to refield the cup
or you have nothing to give, or it suffers, or

(56:41):
you know whatnot. But I am consciously moving things around
to do stuff so that I can be Okay, I
also have a child, I also have a family. I
need to be with them. I need to This is
not just for me. This is for a greater community.

Speaker 1 (56:58):
And knowing how.

Speaker 18 (57:00):
How the community response to that thing just in I mean,
we're constantly referring back to till But like you know,
you talked about not wanting to traumatize or trigger in
the experience of the things. There are all kinds of
ways to tell a story and not not take people
down into a into an experience. In a certain kind
of way. You can you can tell a story and

(57:23):
and and with nuance and modification in a certain kind
of way bring them into the fold of the thing.
It doesn't have to be utterly du you know, drudgery
and treacherous the way that it makes yourself or the
audience feel well.

Speaker 1 (57:38):
Definitely go check out the film forty eight. Yes, and
we appreciate you guys and everywhere you know. All right, Well,
Daniel Deadwiler, Artie Throwing, thank you so much for joining us.
Thank you much. Good morning everybody.

Speaker 4 (57:55):
It's DJ Envy, Jess Hilariyus, Charlamagne, the God.

Speaker 1 (57:58):
We are to Breakfast Club. It's a weird building, man,
like the way some dude, what do you do?

Speaker 9 (58:03):
Everybody when you walking through your you know, place of work,
and you hear somebody at their desk and they just
sitting there, And when you walk by, the go.

Speaker 1 (58:13):
Who did that? I don't want to say, but it
was a guy. What was he thinking about Drake? Yes,
he loves Drake and he loves screaming, that's all I'll say. Okay, okay,
all right.

Speaker 9 (58:25):
And I didn't even want to look to see if
something was wrong with him because there's one of them
noises where you feel like somebody's saying it just to
get your attention. And one thing about me, if you
sit next to me inside, I ain't finna ask you
what's wrong?

Speaker 1 (58:35):
Neither salute to Obo. All right, well, let's get to
the latest with Lauren. Lauren be kind of a straight
that she gets them to somebody that knows somebody gets detail.

Speaker 3 (58:48):
I'm a longs a little bit about everything.

Speaker 1 (58:51):
She'd be having the latest on you. Just the latest
with Lauren la Rosa. Sometimes you have fact, sometimes you
have details. Sometimes you have a little bit of tolist.
The leaders they're on the breakfast clubs to me.

Speaker 5 (59:04):
So there are reports right now that Britney Spears is
living in dog poop. So uh so friends of Britney Spears, Yes, so,
friends of Britney Spears and sources clothes have spoken to
the Daily Mail and according to those friends and sources,
they're saying that the mansion that Britney Spears has been
or lives in where she makes all those videos where
she's dancing and trailing and doing all the things, it's

(59:27):
currently covered in dog poop.

Speaker 3 (59:28):
It's just a complete mess now.

Speaker 5 (59:31):
To give some background concepts, you guys, remember Britney Spears
was in that conservativeship and there was a whole free
Britney movement. I was down with the movement. I wanted
Britt free until Britt was free. But now what is
happening is she has friends and close you know, you know,
people close to her and sources that are coming out
and saying that she's basically spiraling and that she's going
through allegedly spiraling, that she's going through an episode right now.

(59:53):
And from reports they say this is something that happens
with her all the time, that they've seen over and
over again. So there are some people who don't plan
it inner. There are other people that are saying that
they are terrified for her future and she is not
doing well. Her house is a mess, She does not
clean up after her dogs. She has several dogs, She
doesn't have someone there cleaning every day, and she just
isn't functioning like an adult would function at this point.

Speaker 1 (01:00:16):
How do you know her staff just didn't get deported.

Speaker 3 (01:00:20):
I don't, good question. I don't know.

Speaker 4 (01:00:22):
It can't be sanitary though, I mean, they got to
bring somebody in there to make sure it's not dog
poop if there is dog poop all over the place,
because the amount of disease at that point that she
could have or that could be in and around that place,
and if her kids come by, they need to make
sure that somebody, like Charla Maaye said, comes in and
make sure it's clean.

Speaker 9 (01:00:37):
What if it's he half or not. Now, if it's
her poop is really a problem. Okay, If it's her poop,
you got to commit her immediately.

Speaker 4 (01:00:43):
Even if it's dog poop and she's just letting the
dog poop sit there. You know, dog poop smells and
you can live in that all day long, So don't.

Speaker 1 (01:00:49):
Clean no more. When you've been that rich that long,
you know what I mean, having used to people waiting
on your hand and foot, and then your whole team
get deportedt your whole staff get the poison, do that
type of stuff.

Speaker 4 (01:00:57):
You know how to clean dog poop and that smell
has to be horrible. It creates maggots and all that
other nasty stuff. And if that is the case, does
she need to go back into conservative ships?

Speaker 1 (01:01:09):
This is true, that's a masking, I said. If it
is true, hold.

Speaker 5 (01:01:11):
On, wait, because there was a video that was posted
not too long ago which kind of sparked concerns because
you guys, if you ever seen any Britny Spirits dancing video,
she's she always shows where she's at, like she doesn't
take the phone and show you, but you can see
her background. So in the background on one of those
dancing videos, it was very cluttered. The caption said she
was playing around with lighting and going to go clean
up her house right away. But that's what main fans

(01:01:33):
really concerned because of the way that the background her
busins clutter.

Speaker 9 (01:01:37):
Yeah, God forbid, somebody's doing a little spring cleaning, fall cleaning,
whatever the hell it is.

Speaker 1 (01:01:41):
And they got a little clutter.

Speaker 4 (01:01:42):
You see some of these people's lives when they go live,
you see that clearness.

Speaker 5 (01:01:47):
I don't know if y'all understand how the Britney fan,
the Britney Spears fans, and the Free Britney movement went
Like y'all weren't in the midst of it.

Speaker 3 (01:01:53):
I was there. I know.

Speaker 5 (01:01:55):
These people are kind of low key. They were marching
in the streets to La Baby. It was a real thing, okay,
but they're a bit they take it a bit overboard,
Like there were fans saying that they saw things on
the ground that they were saying were the dog poop.
Now that these reports have allegedly come out, but that
fans are concerned and now these reports are surfacing, and
but they've been concerned because she's been dancing and twirling

(01:02:16):
and doing all these things, and there's been reports of
her going through these episodes over the you know the time,
since she's you know, been.

Speaker 9 (01:02:23):
Been screaming this about Brittany for years and she seems
to always bounce back or be fine.

Speaker 1 (01:02:28):
So I don't you know, yeah, I understand your understand
your spirits team, what's the what's the spirits are team
the Spears. What are they call it?

Speaker 3 (01:02:35):
It's the Free Brittany movement.

Speaker 9 (01:02:36):
I don't know, she don't have a team like Rihanna got,
the Navy beyond got to be high with Brittany got.

Speaker 3 (01:02:42):
I don't know.

Speaker 5 (01:02:42):
I just know I came around the Free Britney movement
time on. They called now that she freeze.

Speaker 9 (01:02:46):
I understand the concern, but you know, it's just a
little dog pulling the mansion allegedly.

Speaker 14 (01:02:50):
But she has a.

Speaker 4 (01:02:51):
Boyfriend, and she had a boyfriend at one time. Somebody
has to be coming in and out of the house.

Speaker 1 (01:02:55):
Somebody.

Speaker 5 (01:02:55):
Yeah, well, so, yeah, she was with she was with
sam Asguary. They separate that that was like a whole
thing that she was. Yeah, she's you know, she's been
living her life. But I don't know. I can't answer
that question of why no one has coming and cleaned,
but I will say fans were concerned.

Speaker 3 (01:03:09):
And now.

Speaker 5 (01:03:16):
Me moving on, So another report speaking of mansions, because
this all started at Kylie Jenner's mansion and now we
are here. So Megda Stallion, there are reports right now
that in the Megda Stallion defamation case against a blogger,
uh that Kylie Jenner and Joe Budden will potentially be
called to the stand because they have been listed on
a witness list. Now this is well for Kylie Jenner people.

(01:03:41):
You know, everything started at her home. So yeah, so
there's a blogger, her name is Milograms and uh, this.

Speaker 3 (01:03:49):
Blogger, I'm sorry Malagro.

Speaker 5 (01:03:50):
Milagro actually has been reporting on different things and Megda
Stallion is alleging that she only reports negative things. And
there's a whole it's a whole defamation case that she's
working allegedly with Tory Lanes to disparature in the media.

Speaker 3 (01:04:03):
So basically the defensive side.

Speaker 5 (01:04:05):
So Malagro's side wants to call certain people to the
witness list because they're trying to establish their storyline. And
I'm assuming they're calling Kylie because everything or with Tory
Lanes and Megda Science started at Kylie's house, you know,
the pool and then the car and all the things.

Speaker 3 (01:04:21):
I'm not with Joe Budden.

Speaker 5 (01:04:23):
I believe it's just you know, probably about like reports
in different conversations that he's had on platforms. But yeah,
but witness lists, I will say, just because your listen
doesn't mean you have to show up, or you do
show up.

Speaker 1 (01:04:33):
Isn't Aiden Ross on it too? I see they were
trying to serve him.

Speaker 5 (01:04:36):
So I did see that Aiden Ross mentioned in the
stream that he was trying to be served or they
were trying to serve him allegedly, and this was done
through like a band that showed up to a property
that he has. But I reached out to confirm that
that was actually in relation to this case, and from
what I was told, I'm not clear on whether it
was in relation. But he did say himself that that
was what happened. Yeah, So well, I guess, see what

(01:05:00):
happens here and see who gets up saying. But I
know in the beginning of a Tory Lanez and Megdae
Stallion's case, the original case which Tory is now locked
up for, Kylie Jenner was listed on a potential witness
list and that didn't happen.

Speaker 3 (01:05:12):
They didn't let her come in to court.

Speaker 1 (01:05:14):
All right, what else you got, man?

Speaker 4 (01:05:16):
What about Kay? I see Kyle's not doing big things
on the stream.

Speaker 3 (01:05:19):
Yeah, so we do have Kai.

Speaker 1 (01:05:20):
So this is what day six, Day seven or something
like that. Day eight.

Speaker 3 (01:05:24):
Let me tell you something.

Speaker 5 (01:05:25):
At this point, Kyle s NAT's dream is like it's
like the New Variety show. Everybody's there, a boy's pulling
up so over the Over the last couple days, KYS
and I has had a few different guests on the stream,
but recently he had Kiki Palmer, but they thought she
was Mary J. Blige.

Speaker 3 (01:05:40):
Let's say a listen, it makes something.

Speaker 1 (01:05:41):
Happen, real, real love.

Speaker 14 (01:05:49):
Someone that's at my heart free, you know it's me
Mary J's.

Speaker 9 (01:06:05):
That's my type of carrying on. Kigy just fell right
into it. Kiky just fell right into it. She ain't
try to correct the young man. She's just like, Nope,
that's me.

Speaker 1 (01:06:13):
You see somebody mom texting me like that's not married BLI.

Speaker 5 (01:06:17):
Yeah, but it made me feel I don't know why.
That made me feel old because he thought that people
you didn't know the ka is the younger, the young
like one of the younger streamers that hangs with Kaye.

Speaker 9 (01:06:28):
But you old compared to them, thirteen years older than them.

Speaker 1 (01:06:33):
Yes, you're old compared to them. You're old, right, And
I'm sure he made no disrespect. He really thought that
was Mary. You are a d s U alumni, A right,
there's young alumni to one of them. Okay, hold you
thirty four thirty six. You thirty four thirty six.

Speaker 3 (01:06:53):
I'm thirty three. What is happening right now?

Speaker 1 (01:06:55):
How do we get Okay, I'm a year off, all right? Man,
So you're.

Speaker 3 (01:06:58):
Thirteen thirty three and young alumni.

Speaker 5 (01:07:01):
Don't do that nothing about you being fifty two and
fifty one.

Speaker 9 (01:07:05):
And I am happy to be this age, okay, but
you are not young alumni and I'm not fifty two
young forty seven.

Speaker 1 (01:07:10):
Okay, you'll know what I'm right, trust.

Speaker 4 (01:07:12):
Me, Yeah, you'll know when I'm going to I'm pulling
straight lay anything.

Speaker 1 (01:07:19):
All right.

Speaker 3 (01:07:21):
You don't tell your age, and you don't tell your
true hair color.

Speaker 1 (01:07:23):
Damn wow, did drop on the lad That's what I'm
talking about. Lauren called out the Dominican for the lining,
all right, because when I said, I just sound like
I'm hating you are already Maybe you a coming in
here with that thing drawing on. Excuse me what you say?

Speaker 5 (01:07:42):
I said, you hating because you can't find your lining.
It's never it's not there. We ain't seen it in
a few years.

Speaker 4 (01:07:47):
This place is nasty, all right. Well, that is the
latest with Lauren Charlane, who giving a donkey too.

Speaker 9 (01:07:51):
Before after the hour we need a junior sender the
name Eric Schmidt to come to the front of the congregation.

Speaker 4 (01:07:56):
We'd like to have a word with him. All right,
we'll get to that next. It's the breakfast club morning.

Speaker 1 (01:08:02):
You're like to enter the breakfast club. It's time. Don't
given of donkeys around here? Yes, you are a donkey?
What the hell?

Speaker 3 (01:08:18):
What the he?

Speaker 1 (01:08:21):
Some donkey to days? Just saw himself? Oh man, Charla mane.
Who you giving donady to do? Your name?

Speaker 9 (01:08:33):
Woa robh for nine donkey the day for two day
September ninth, goes the Missouri senator junior No, Missouri Junior
Senator Eric schmich okay.

Speaker 1 (01:08:41):
Now.

Speaker 9 (01:08:42):
Eric was speaking at the fifth Annual National Conservatism Conference
in Washington, and he posed the question, the question is
what is an American? Would you like to hear some
of his answer, Let's listen.

Speaker 11 (01:08:55):
The Conninal Army soldiers dying of frost fight at Valley Forge.
The pilgrims struggling to survive in the hard winter soil
of Plymouth. The Pioneers striking out from Missouri for the
wild and dangerous Frontier. The outnumbered Kentucky settlers repelling wave
after wave of Indian war band attacks from beyond the
stockade walls. All of them will be astonished to hear

(01:09:18):
that they were only fighting for a proposition.

Speaker 1 (01:09:21):
They believed they.

Speaker 11 (01:09:22):
Were fighting for a nation, a homeland for themselves and
their descendants. They fought, they bled, they struggled, they died
for us. They built this country for us. America, in
all its glory, is their gift to us, handed down
across the generations. It belongs to us. It's our birthright.

(01:09:43):
It's our heritage, our destiny. If America is everything and everyone,
then it is nothing and no one at all. When
they tear down our statues and monuments, mock our history,
and insult our traditions, they're attacking our future as well
as our past by changing this stories we tell about ourselves.
They believe they can build a new America with the

(01:10:05):
new myths, new people. But America doesn't belong to them.
It belongs to us. It's our home. It's a heritage
and trusted to us by our ancestors. It's a way
of life that is ours and only ours. If we disappear,
then America, too will cease to exist.

Speaker 1 (01:10:25):
There's a lot there. Let's unpack.

Speaker 9 (01:10:27):
Let's discuss if America is everything and everyone, then it
is nothing at all. If you listen to what I
just played, Senator Schmidt kept saying America doesn't belong to them,
it belongs to us. He said, America is a nation
and a people with its own distinct history and heritage
and interest. Listen, man, there are some white people, I said,

(01:10:49):
some white people in this country who believe in white
replacement theory. Okay, I don't have time to tell you
what white replacement theory is, but it's the claim that
white populations are deliberately being replaced by non white people.
Not to mention, the Census Project back in twenty eighteen
projected that white people will become the minority by twenty
forty five. Ever since that came out, okay, the plan

(01:11:11):
has been in motion by some white people to ensure
that don't happen. You know, I love putting on my
tenfoil pooh shisty mask. Okay, I love a good conspiracy theory.
But when that census project came out, and prior to that,
getting eight years of a black president, then they turned
around and almost elected a woman. Some white male said
no way, hose, literally, no Jose, no, Julio, no one,

(01:11:38):
no jamal okay, no, come on out.

Speaker 6 (01:11:42):
Now.

Speaker 1 (01:11:42):
I see the headline. I see the headline going around
on Instagram. It says Eric Schmidt says America is for
white people only. Now everybody is gonna run with that headline,
and then Eric's gonna go on Fox News and say
the radical left is losing their woke minds.

Speaker 9 (01:11:56):
I never said that, and he's right, he didn't. But
here's the thing.

Speaker 1 (01:12:00):
He never said who us is? And that's the game. Okay,
when a politician leaves us undefined, it's because they know
exactly who they're talking to, and the people he's talking
to they know that messages for them as well. And
spoiler alert, if you're black, brown, legal, immigrant, LGBT, envy, Jewish, Muslim,

(01:12:22):
chances are you not in that either?

Speaker 9 (01:12:24):
Okay, you not in that us? All right, that's all
Eric Schmidt just gave. Okay, he gave us. Are they
not like us? With absolutely zero seasoning?

Speaker 1 (01:12:33):
Okay, what happened to America being conceived in liberty and
dedicated to the proposition that all men are created equal? Okay?

Speaker 9 (01:12:40):
What happened to America being inclusive? I mean it never
really was, but damn it. At least we was fake trying.

Speaker 1 (01:12:46):
Okay.

Speaker 9 (01:12:47):
Now you got people like Eric Schmidt saying straight up
this country is for us, and he's.

Speaker 1 (01:12:51):
Saying it over and over and over again. That's not inclusive.
That's exclusive.

Speaker 9 (01:12:58):
And when you're speaking at a national can servatism conference,
forgive us if we think US starts sounding like shorthand
for white males only. Okay, by the way, no matter
how much you attempt to clarify this, it's gonna sound
like racially coded rhetoric straight out that we want segregation again,
starter pack. Okay, the US you talking about aren't the

(01:13:19):
ones who make the best tackles on Tuesday and jerk
chicken on Saturday. Okay, he's talking about the US that
seasons food with a pinch of salt and a pinch
of prayer. Okay, if America is everything and everyone is
nothing at all, that's.

Speaker 1 (01:13:32):
What he said, didn't he say that? Can I hear
that part again?

Speaker 11 (01:13:35):
They believe they can build a new America with the
new myths, new people. But America doesn't belong to them.
It belongs to us. It's our home, It's a heritage
and trusted to us by our ancestors. It's a way
of life that is ours and only ours. If we disappear,
then America too will cease to exist.

Speaker 1 (01:13:55):
That's not is that we have the other part?

Speaker 9 (01:13:58):
Oh well, he had the line, he said, the line
of America is everything and everyone, it's nothing at all.

Speaker 1 (01:14:03):
Eric.

Speaker 9 (01:14:04):
If America is not everything and everyone, then it's nothing
at all.

Speaker 1 (01:14:11):
Okay. Where do we realize that we are the good,
the bad, and the ugly, Okay, all wrapped in the one.
That's what makes this That's what makes this country great. Okay.

Speaker 9 (01:14:21):
The hope for America is actually in our history, which
is why I don't know why we keep trying to
hide it. Okay, let's look at it, deal with it,
and move forward.

Speaker 1 (01:14:33):
Okay. You can't heal what you don't reveal.

Speaker 9 (01:14:35):
The melting pot that is America is what makes this
is what makes this country incredible.

Speaker 1 (01:14:40):
Okay.

Speaker 9 (01:14:40):
The great American melting pot filled with a little bit
of everything is what makes this country amazing. And Eric,
please don't gas like folks and backtrack on what you
said and tell us that you know we saw you
say something that you didn't say. Because when somebody keeps
saying America is for us, but never tells you who
US is.

Speaker 1 (01:15:00):
Trust me, you already know who they talking about. Okay.

Speaker 9 (01:15:02):
If it don't sound like it includes you, then it
probably doesn't. And that's why we got to call this
language what it is, coded racism wrapped up in patriotism. Okay,
America ain't supposed to be about us versus them.

Speaker 1 (01:15:14):
It's supposed to be about we the people. But some
folks like Eric don't want we. They just want us.
And anyone who doesn't want us together, well they don't
believe in America anyway at all. Please give junior Senator
from Eric Schmidt.

Speaker 9 (01:15:32):
Now, what if I keep saying that for Please give
the junior Senator Eric Schmidt the biggest he hall.

Speaker 1 (01:15:42):
All right, it's for us. I'll thank you for that
donkey today, But never tell us who the US is.
Now what you know who they're talking about? Of course,
if it don't sound like it includes you, then they
probably don't. That's all I'm saying. No, that's all I'm saying.
All Right, Well, thank you for that donkey. Day.

Speaker 4 (01:16:00):
Now let's open up the phone lines eight hundred five
eight five, one oh five one. We were having this
convote yesterday during the latest with Lauren. We were talking
about Carmelo his Hall of Fame speech.

Speaker 9 (01:16:10):
It was an incredible speech, dropping the clues bombs for
Carmelo and amazing speech.

Speaker 1 (01:16:15):
One of my favorite Nicks ever? Why would you call
him that?

Speaker 14 (01:16:19):
What?

Speaker 1 (01:16:19):
Oh? You said? Nick? My bad? Was like, why would
you just say that? After what I just said, after
what I just did give done today? Why would you
just say my favorite nigga? Ever? I know I heard
him wrong. I'm sorry New York Knicks. Yes, I understand.
What's wrong with you? What's wrong with you? What's wrong
with you? So? What is the question?

Speaker 4 (01:16:37):
We were talking about it and a question that everybody
asked and we seen online and Charlemagne even asked yesterday,
was he did not shout out lah?

Speaker 13 (01:16:47):
Oh?

Speaker 14 (01:16:47):
Yeah?

Speaker 1 (01:16:47):
Yeah? I asked why he didn't shout out yeah? I
thought he did.

Speaker 3 (01:16:50):
I just I just I swear. I'm like, there's no way.

Speaker 5 (01:16:52):
He mentioned single mothers and the women in his life,
like there's no way, but he didn't.

Speaker 1 (01:16:58):
So what is the question?

Speaker 4 (01:16:58):
Eight hundred five five one five one. I've seen it trending, Yes,
Lauren being messy? Uh And the question is what Laurenssie.

Speaker 5 (01:17:07):
I'm just for me I just felt like at least
a thank you or like, you know, because I think
you know, she played a big role in holding it
down so he could have the right mindset to go
and do a lot of the things he did. I
think that's that conversation happens a lot with the women
being overlooked in those instances. So even if it wasn't
La La, I would be saying this, I'm not being messy.
I'm being a woman and being honest.

Speaker 4 (01:17:26):
So you're saying, he shouted out his coaches, he shouted
out his peoples, he shouted out his moms, he shouted
out his pops, he shouted at everybody around him.

Speaker 1 (01:17:32):
But you're asking, how can we just shout out his wife,
his ex wife.

Speaker 13 (01:17:36):
His x y.

Speaker 3 (01:17:36):
I'm asking, you know, am I Tripp?

Speaker 5 (01:17:38):
And did La La deserve a thank you or something
and acknowledgement of some sort in that Hall of Fame
speech because of the role she played in his life
and career.

Speaker 1 (01:17:46):
Okay, eight hundred five eight five one oh five one,
let's discuss. It's the Breakfast Club. Good morning, the Breakfast
Club Morning.

Speaker 4 (01:17:55):
Everybody is DJ Envyes hilarious, Charlamagne the guy.

Speaker 1 (01:17:59):
We are the Breakfast Club. Let's get to the latest
with Lauren. Lauren be coming straight fas she gets them.
Somebody that knows, somebody gets the details.

Speaker 3 (01:18:08):
I'm a girl that knows a little bit about everything.

Speaker 9 (01:18:11):
She'd be having the latest on you.

Speaker 1 (01:18:13):
The Latest with Lauren la Rosa. Sometimes you have fact,
sometimes you have details. Sometimes you have a little bit
of everything. The lad on the Breakfast Club talk to me, hell, hello, hello.

Speaker 9 (01:18:29):
This girl is retarded. You know, she has no idea
that we're on the air right now. She got her
head down. Moody text her man.

Speaker 1 (01:18:37):
Lauren, Hello, Lawn, Lauren. Yes, we're live. You know we live.
We're live. What an embarrassment you are?

Speaker 9 (01:18:46):
Radio wanted embarrassment, Radio Jesus as you as you broadcast
from your alma mater.

Speaker 6 (01:18:54):
Attention on what's.

Speaker 3 (01:18:56):
Your alma minter Charlagne, you got one?

Speaker 1 (01:18:58):
What does that really? Wait a minute. I have an
honorary degree in scolans Sate.

Speaker 5 (01:19:02):
University campus for four years, completed credits, did classes, took tests.

Speaker 3 (01:19:08):
I don't want to hear nothing about that, so leave
me alone.

Speaker 5 (01:19:10):
I was over here prepping for my segment because Delawares
University has soald me to be well prepared as I
put my mark on the world.

Speaker 3 (01:19:16):
Do you have something to say.

Speaker 1 (01:19:18):
A couple of them? Wow? Wow, yeah, I know.

Speaker 3 (01:19:26):
We appreciate the honoraries.

Speaker 1 (01:19:28):
Yeah, for sure.

Speaker 3 (01:19:31):
Ready to.

Speaker 5 (01:19:34):
Okay, sorry, sorry, sorry.

Speaker 1 (01:19:36):
I listen.

Speaker 3 (01:19:38):
I was calling over to Jamaica. Okay, what.

Speaker 1 (01:19:43):
Come on? Reset, let's go? All right, go lord and go.

Speaker 5 (01:19:46):
So I did call over to Jamaica. There's a story
that's going viral right now. Saint Andrew's High School for
Girls over in Jamaica is a school that has posted
online that the girls coming into their school are not
allowed to you wear their edges laid so. The post says, reminder,
students please be advised that weren't that The wearing of

(01:20:07):
edges is now officially banned on campus. Remember, curtains belong
in the house, not on foreheads flooding emoji.

Speaker 1 (01:20:15):
Now, what's the science behind this? Lord? Like, what is
the reason why?

Speaker 13 (01:20:18):
Like?

Speaker 1 (01:20:18):
I like, what's the what's the reason? Does it block
their knowledge? Is it come in the curtains blocks your brain?

Speaker 6 (01:20:23):
Like?

Speaker 1 (01:20:23):
What's the problem.

Speaker 5 (01:20:25):
Well, they say that they want to keep their they
want their girls to keep their looks neat in school. Ready,
h Now, not your other people's I know you're not
talking about mind maybe the girl. They felt like the
girls were overdoing it a bit.

Speaker 3 (01:20:41):
I don't know.

Speaker 5 (01:20:41):
When I went over, they told me I had to
talk to the principal, but the principle was preparing for
a presentation right now, wouldn't get on the phone with me.

Speaker 3 (01:20:47):
The only thing I did find.

Speaker 4 (01:20:48):
Out was I can't believe you could call Jamaica this
time in the morning, but ahead it's morning.

Speaker 3 (01:20:54):
They're starting school.

Speaker 4 (01:20:54):
But now, when you put it like that, I guess
they want everything to be uniform. Just like in some schools,
boys can have facial hair. They can't have mustaches, they
can't have any type of facial hair. It's not allowed.
I guess it's kind of like that high school.

Speaker 1 (01:21:05):
I don't blame you in high school.

Speaker 4 (01:21:08):
Not allowed to have a mustache in some schools.

Speaker 1 (01:21:10):
And that's Saint Andrew's High right, that's the name of
the high school.

Speaker 5 (01:21:14):
Yes, it is called Yeah, it's Saint Andrew's High School
for Girls.

Speaker 3 (01:21:17):
That is the name of the school.

Speaker 1 (01:21:18):
Saluta Nicole Slutha the Cole White, a good friend of us.
That's her alma mater. Okay, I just found well, I saw.

Speaker 5 (01:21:27):
No they What they told me though, was that because
I asked, well, what happens if the girls lay their
edges didn't come to school despite your posting, they said
that detention is the result.

Speaker 1 (01:21:37):
That's messed up. Now, I do think some people take
too much time creating edges, like some of you all
so busy the tangle in that last strand of babyhead
with a fine tooth comb looking like an old ball
white man, you know, with a comb over stretching that
last strand like red riches make it seem like you
got more edges than you've got.

Speaker 4 (01:21:53):
Now, that could be a distraction, Yeah, but I guess
it's I guess it's a private school type of thing,
and there's certain they want everything to be uniform. Like
like I said, I remember when Logan played football in
high school. They could not have a mustache or face.
You had to shave it off. And I know sometimes
I know.

Speaker 9 (01:22:07):
Edges though edges is part of your hair, like woman
supposed to do. What is it not if you ain't
got no edges.

Speaker 1 (01:22:13):
Like slick back? I guess like that's Lauren, what do
you do with no edges?

Speaker 5 (01:22:16):
Learn you can slip them, slip them back like you
don't happen. They don't have to slick down. You can
slick them back, it's up to you.

Speaker 1 (01:22:23):
But I just I don't know.

Speaker 5 (01:22:23):
I never understand stuff like this because I feel like,
I mean, that should be your personal choice of how
you want to wear your hair. Like, I don't understand
how it interrupts the learning process. But maybe there's something
more that goes into it too, because some schools do
uniforms because they want to stop one student from you know,
maybe there's like a bullying thing happening, or we don't know.
I did try to get the answer to that, but
they're preparing for presentation, so shout out to their school

(01:22:45):
and getting their students ready. They said back to school
was happening. They got other things to focus on.

Speaker 9 (01:22:49):
Lauren just brought up a good point, because what is
what about the bullying because you know, I don't know
if that happens in high school, but there are a
lot of women who don't have edges simply because they
can't grow any like they have received the airline people.

Speaker 1 (01:22:59):
Bullying on your You cadn't grow here. Mhm.

Speaker 3 (01:23:02):
That is not what I meant.

Speaker 1 (01:23:04):
That's what I told her. What did you talk. What
you mean when you say bullying.

Speaker 5 (01:23:06):
I meant because like different girls like their edges different ways,
and sometimes the edges can be a little overdone, where
like you laying too now you're learning laying it, like
you laying it the wrong way. That's what I was
maybe thinking. But again I'm speculating here because I didn't
get answer.

Speaker 3 (01:23:22):
To the question.

Speaker 9 (01:23:23):
Well, I was thinking about the people who, you know,
the young ladies who don't have no edges, like their
forehead is a full court with no out of bounce lines.

Speaker 1 (01:23:30):
Like That's what I'm thinking about in this moment.

Speaker 4 (01:23:32):
Yeah, sometimes it looks stupid, like when they sometimes when
the edges come down to your cheek and all, that.

Speaker 1 (01:23:35):
Just looks crazy.

Speaker 9 (01:23:36):
Yeah, man, But but I mean, but then I can
see when you ain't got no edges and you can
get you get bullied for it, you know what I'm saying.
Like some you're calling yourself a queen, but your crown
keep slipping because they ain't got no grip.

Speaker 1 (01:23:46):
You stupid? But is it more understandable?

Speaker 4 (01:23:48):
Let me ask you, Lawrence, since you are woman, it's
it more understandable if they're trying to keep things uniform, right,
like I said, like, you know, you know even with
skirt size, his skirt size have to be this side.

Speaker 1 (01:23:57):
Socks have to be to this lens. Like there's certain
thing why you work.

Speaker 9 (01:24:02):
About when I'm laughing, why you won't never let unk
enjoy yourself?

Speaker 3 (01:24:06):
Ain't nothing in Envy's question funny.

Speaker 1 (01:24:10):
Just answer them listening.

Speaker 5 (01:24:11):
I don't think there's anything that you're trying to keep
things uniform. But I'm always gonna ask questions when anybody
is trying to police away a physical appearance of a person,
especially woman in her hair, Like I just personally, I
just my first question, why would do the edges do?
Like what does that? You know, my niece loves the
lay edges. I'll be telling her she kind of got
to relax a little bit. But you know, that's the

(01:24:32):
thing that the girls are doing.

Speaker 9 (01:24:33):
So but people are saying that if you're not from Jamaica,
you wouldn't understand because their schools are very.

Speaker 1 (01:24:39):
Traditional and they have a lot of different rules.

Speaker 4 (01:24:42):
So you know, but I wonder how that is because
you know, sometimes you know, in certain schools you weren't
allowed to have dreads. Remember that that that dreads were
banned and you couldn't have dreads and they changed that
a couple of years ago.

Speaker 1 (01:24:51):
So I just feel like you're putting too much pressure
on on these young ladies to have to care about
something else that you know, you really shouldn't have to
think about, right other than once you do your head
come to school like this is your hair stopping you
from learning? Is it distracting other kids?

Speaker 6 (01:25:04):
Like?

Speaker 9 (01:25:04):
Who cares whether you have veges? That don't have veges? Okay,
all right, I just know we couldn't do that up there.

Speaker 5 (01:25:11):
Huh what would you do if they started being in
color spread iHeart?

Speaker 1 (01:25:16):
Oh damn, Lauren shooting this one dropping Lauren, Damn. I'm
not gonna lie. You do look stupid. I mean you
know it's been looking stupid alway.

Speaker 5 (01:25:27):
Your barbera pulls up on campus a lot. If your
barber couldn't pull up and save the racer of that, well.

Speaker 9 (01:25:33):
See the difference is I don't try to I like
having a baldy and just be I can No, you
don't got a line that drew?

Speaker 3 (01:25:42):
Was it for excellence?

Speaker 5 (01:25:43):
Because these this school is making sure that they say
this is their you know, level of excellence that they
want for their young women was your baldy by choice
or that was your choice of excellence.

Speaker 1 (01:25:51):
I don't have no edges, so I decided to go ball.
All right, guys. V NB ain't got no edges, but
he decided to let somebody draw a line on. I
do have my ed that's just sketch a line on.
I do have my edges. But thank you very much.
That is the latest with Lauren. You know, we can
see you right.

Speaker 4 (01:26:07):
About like it's like we see them look look. But anyway,
we got the people's choice mixed up. Next, Lauren is
broadcasting from fourteenth grade. Delaware State University. Was just repet now,
yeah club, good morning, everybody is DJA, n v jess hilarious,
charlamage the god we are the breakfast club.

Speaker 1 (01:26:29):
Now Lauren lo Rosa. She's out at Delaware State University
of Alma Mata.

Speaker 5 (01:26:34):
Yes out there. Yeah, so shout out to Delaware University.
I'll be speaking at the convocation today, welcoming in the
new student body. And I'm here at the Mascolm department
at the d E s U Radio station, which is
crazy because I don't remember the last time I was here,
but it did not.

Speaker 1 (01:26:49):
Look like this.

Speaker 5 (01:26:49):
So they began changing things. And you know, miss Abra
Parene isn't here with me. She was the first class
I ever had in college. And then one of the
engineers for the ready station isn't here with me as
well too.

Speaker 3 (01:27:01):
He wanted to say hello.

Speaker 1 (01:27:02):
So image your question. You said you don't know the
last time you've been there, Lauren, Why haven't you been there?

Speaker 3 (01:27:06):
I haven't been in the radio station. I've been on.
I was here not too long ago.

Speaker 5 (01:27:10):
I come back here all the time, but I haven't
been in the radio station in a while.

Speaker 1 (01:27:15):
Yeah, okay, what they're gonna do about that towel man?
Don get some better signage?

Speaker 5 (01:27:20):
Yeah, you said you was gonna You said you was
gonna do you want to come over here to see?

Speaker 3 (01:27:23):
Yeah, okay, come over here. You said y'all was gonna donate.
Y'all been the job.

Speaker 1 (01:27:27):
I can't do nothing for the d s U Radio
before I do it for South Carolina State? What did
your step? And repeat? We got you.

Speaker 5 (01:27:34):
You have money, you gave you got an endowment fund
at South Carolina State.

Speaker 1 (01:27:37):
Right, that's right? And you feeling your name?

Speaker 19 (01:27:41):
Good morning everyone in the breakfast club. My name is
Kamarai shields a kids, total package. That might be the
first time here in the same I promised it won't
be last. Your manager here at the Issue Radio. We
just want to say thank you, Lauren for.

Speaker 1 (01:27:52):
Stopping buying you into our facilities. Welcome home.

Speaker 5 (01:27:55):
Thank you. They've been here with me. Y'all been here
since four thirty in the morning. Right hear and everything
ready up?

Speaker 1 (01:28:00):
His radio name is a total package. Total package, Yes, sir, okay,
saluting you. Man. You keep doing what you're doing. What
do you ultimately want to do? Young brother?

Speaker 19 (01:28:07):
Ultimately I wanted to get in the voiceover It's been
one of my biggest dreams. But honestly, being an on
air personality is honestly inspired by you, Charlamagne, because it's
been watching you ever since you were on Guy Code
and watching how you always get back to the community.

Speaker 1 (01:28:19):
So you're one of my big inspirations. Man.

Speaker 9 (01:28:21):
I appreciate that, my brother, and I'm gonna tell you something.
The voiceover world is a very dope world to be in.
And it's interesting to hear you say that as a
young person, because a lot of young people don't realize
how much money you can make being a voiceover guy.
You know what I'm saying. It's like you can make
a lot of money being a voice over person. If
you ever listen to like radio stations or certain commercial boys,
like you know, we're probably making a lot of money

(01:28:42):
right now. That dude that goes to Philly, I can't
remember the name commercial me, Like, I know you do the.

Speaker 1 (01:28:50):
Top Lucky Lucky Lucky. He make a lot of money.

Speaker 19 (01:28:52):
Like Lucky Lucky makes back and he has his own
recording studio and everything, and he always makes it off
the dome. And I'm like, that is straight money I
will make.

Speaker 9 (01:29:01):
And that can be you total package. Great, stay in
that lane, brother, Good luck, brother.

Speaker 1 (01:29:05):
Thank you both. All right, man, anyway we can help you,
we will. We're not like Lauren. That's right.

Speaker 3 (01:29:09):
He asks for the sign in here and some other things.

Speaker 19 (01:29:13):
You know, this spring was definitely hot with you, Charlamagne.
You're talking about a sign here.

Speaker 1 (01:29:16):
I'm I'm I don't discuss problems without creating solutions. So
we're gonna fit. We're gonna make We're gonna fix that.
You're gonna fix that. We're gonna fix that. We're gonna
hold you to it. I got you. We're gonna fix that.

Speaker 3 (01:29:27):
You ain't in person. He literally, it's not a lot
to hold to.

Speaker 1 (01:29:30):
My goodness, all right, I'm definitely gonna do it, and
I'm gonna do it just to spite Lauren, because I
want her to walk into her college campus radio station
all the time and have to think of me. She
can't escape. She can't escape no matter where she goes.
It's gonna pain her to hear people on campus say, damn, man,
got us a nice sign, Lauren. Now the pressure is
on you to do something.

Speaker 3 (01:29:50):
Lauren is here and Laura is doing everything.

Speaker 1 (01:29:57):
For her for the radio. Anyway, what do you say,
go to the package.

Speaker 19 (01:30:00):
She's gonna be coming back soon enough so we can
do a radio interview with her for here on the
radio anyway.

Speaker 1 (01:30:05):
Oh dope, dope, that's dope.

Speaker 4 (01:30:06):
It's time to get up out of here now. Send
all I love to everybody in Delaware State University.

Speaker 15 (01:30:10):
Lauren.

Speaker 1 (01:30:10):
I know we joke a lot, but you know we
support the HBCUs.

Speaker 4 (01:30:13):
While you're down there, bring me back a helmet so
I can have a helmet up here in the station.

Speaker 1 (01:30:17):
You know, God damn well, if she bring a helmet
up here, that's gonna be one helmet. Short that the
team's gonna have. You know they need all the helmets.
You know they need all the helmets.

Speaker 5 (01:30:26):
You're right, Delaware State and we won our first game.

Speaker 3 (01:30:29):
Not to go shout out to Deshan Jackson.

Speaker 1 (01:30:31):
And the team.

Speaker 4 (01:30:32):
Congratulations though, But I'm serious. I want a helmet so
I can play helmets up there. I've been trying to
get a collect a bunch of HBCU helmets and put
them up here in the studio.

Speaker 3 (01:30:40):
All right, frozen right now, But got you You.

Speaker 1 (01:30:42):
Got a positive note.

Speaker 9 (01:30:43):
I do have a positive note that comes from the
Great Maya angelou Man. But first I want to tell
people to please keep in mind. October eleventh, I'm doing
my fifth annual Mental.

Speaker 1 (01:30:53):
Wealth Expo in Newark, New Jersey. Okay, it's gonna be at.

Speaker 9 (01:30:57):
The Joel and Diane Bloom Wellness and Events Center at
the New Jersey Institute of Technology Saturday, October eleven from
eleven am to four pm. It is an honor a
World Mental Health Day. It is a day of mental
health education and healing, and it is a free event.
I would not even want to do this event if
I couldn't do it for free. So go to mentalwealthexpo
dot com register to attend.

Speaker 1 (01:31:18):
You don't have to register, but it is recommended.

Speaker 9 (01:31:21):
But we'll see y'all Saturday, October eleven, from eleven am
to four pm. Joel and Diane Bloom Wellness and Event Center,
New Jersey Institute of Technology in Newark, New Jersey. My
fifth annual Mental Health Expo. Now the positive note comes
from Maya Angelou. She said, if you don't like something,
change it. If you can't change it, change your attitude
about it. Have a blessed day, Breakfast Club.

Speaker 1 (01:31:42):
I'm finish for y'all. Done,

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