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May 28, 2024 53 mins
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Episode Transcript

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Speaker 1 (00:00):
Wake that ass up in the morning, the breakfast Club morning.

Speaker 2 (00:05):
Everybody is Steve j n V Jess Hilariu, Charlamage, the guy.
We are the breakfast club. Before we get started, I
ceet I looking again. Last time you were saying, we
said that we didn't finish the wall.

Speaker 3 (00:15):
Yeah, and we told the king that the new wall
had him on it.

Speaker 1 (00:22):
Do you see yourself on the wall?

Speaker 4 (00:24):
Okay?

Speaker 3 (00:24):
All right, you know in fourteen years, because you know,
everything on this wall is fourteen years of breakfast club history.

Speaker 4 (00:30):
We had to figure out which which version of T
I was gonna be on the wall.

Speaker 1 (00:33):
See, I see you got dread, you got dreads?

Speaker 4 (00:35):
Yeah that's right.

Speaker 1 (00:36):
Yeah, Okay, then how you feeling though? I'm cooling it? Man,
what's up with y'all? Good? I can't call it.

Speaker 3 (00:42):
I'll be wondering if dread t I more t I
tip of Clifford Harris Man.

Speaker 5 (00:47):
Yeah, they're probably more, mister Harris, Okay, mister yeah, yeah,
it's a little.

Speaker 1 (00:51):
It's a little. It's a little evolved elevated in the consciousness.

Speaker 2 (00:54):
And okay, so how do you how do you feel
with because now that the evolved T I is also
uh even more of a fault, TI, because not only
are you just a fault, you'll have to be a
father in the industry because all your kids are in
the industry.

Speaker 5 (01:07):
Man, Damn, yeah, that's that's that's what I ain't see
that one coming. Really, Nah, I didn't, you know, because
I mean, to be honest with you, went the money
when he first said he wanted to rap, you know,
like like.

Speaker 1 (01:20):
You sucked so.

Speaker 4 (01:29):
But but but the thing is.

Speaker 5 (01:31):
Man, I really I really admire his dedication and commitment
to the crab because you know, I kind of told him,
you know, what was wrong about it, and he committed
to to to changing it, you know what I mean.
And he's probably one of the most eloquent rappers I
know right now.

Speaker 4 (01:52):
That generation love him. What did he want? What was
he getting wrong?

Speaker 1 (01:57):
Man?

Speaker 5 (01:57):
To be honest with your man, all he was talking
about was buying not the ice cream truck for everybody.

Speaker 1 (02:06):
Something. I'm like, yo, bro, you're gonna get your ass kicked.

Speaker 6 (02:10):
Man.

Speaker 1 (02:10):
You know you got you right now.

Speaker 5 (02:12):
You're rapping about a privilege that only you can enjoy.
This is something, this is a life only you know about.
You should be rapping about the things in your life.
That you have in coming with other people who may
not live like you. And then that's when he started
like talking about you know, you know, weekends at a

(02:33):
mansion and going to school from my mama house, and
you know, just just you know, growing up, you know,
without a full time father, you.

Speaker 1 (02:42):
Know, just those types of things.

Speaker 5 (02:44):
And when he started tapping into the elements of relation,
that's when you know it's start clicking on a different level.

Speaker 4 (02:52):
Did you have that when you first started?

Speaker 1 (02:54):
Well you yeah, absolutely so.

Speaker 4 (02:55):
You was dope from the beginning.

Speaker 5 (02:57):
Well, I mean not as dope as I am now.
I mean, I knew what I wanted to talk about.
It was always about me not having the pops. It
was about my uncle being in prison. It was about
you know, me being forced to go to school, and
I don't think that's.

Speaker 1 (03:12):
The answer for me, you know what I mean.

Speaker 5 (03:15):
It was about you know, how I feel like people
in our generation is kind of pushed into the dope game,
whether we like it or not. Like I got demos
of me in ninety three, and I'm rapping about the
same shit for real.

Speaker 4 (03:30):
He was a teenager then, Yeah.

Speaker 1 (03:32):
That was twelve, thirteen years old.

Speaker 3 (03:34):
Yeah, and now your youngest daughter, which is I'm sure
that's the one.

Speaker 2 (03:38):
You got to make sure she's singing and she's successful.
People love her and I heard that you guys up here,
you know, looking at shopping.

Speaker 1 (03:45):
Deals and stuff.

Speaker 5 (03:46):
Na, no, no, I'm not shopping no deal. She's up
here with her mom. Like, like for real, I don't
push the industry on none of my kids.

Speaker 1 (03:54):
I really would love for them to do like Major.

Speaker 5 (03:58):
He just brought much enjoyed in my hard when he
was like, nah, I don't want no pause of that.
I just want to he said he want to be
an author, like he wanted to like write books and
do do stories and ship. So that was that was
like like a relief for me. But but Airis is
under her mother's tutelage as a as a singer and

(04:20):
a performer, and she just she just dropped the song
with Van Van with Van Van featured Airis on her song.
And of course, you know Van Van is managed by
the legendary MC light, so you know, it's it's a
pleasure to work alongside that team, and Van Van works
real hard. She's super dope, you know what I mean,

(04:41):
She's a dope ass. EMC at five Wow, Yeah, I mean,
so they got a record and they went to the
Tammer Hall show yesterday. I was just there for support.

Speaker 4 (04:50):
So is it a house divided? Is it? I don't
want my kids in this business, but the queen does.

Speaker 5 (04:55):
M Oh yeah, definitely. No, No, she definitely. Josephine Jackson,
you know, I don't like I really, man, I really
just want the kids to be able to focus on
being kids and developing all of the fundamental principles that

(05:15):
they need in their.

Speaker 1 (05:16):
Life and their character. Uh.

Speaker 5 (05:20):
But she like, yeah, yeah, yeah, they gonna have that too.
But they're gonna they're gonna do some work. And I
respect the fact that, you know, she wanted them to work. Really,
I just know that this this this game is unforgiving.

Speaker 1 (05:31):
You feel me? But so far, so good, man.

Speaker 5 (05:34):
You know what I'm saying, King, Man, I think I
think King he trying. He trying to get in the ring.
He wants see in boxing, want to be a UFC
fighter or some ship. I mean, you know, hey, man,
he always been nice with his hands. I ain't gonna lie,
but I mean, I mean, no, I think yeah, Mom, definitely, Now,

(05:59):
I think think I think really it was in his
hard at first, because all we did would turn them
on to the principles of boxing. I put all the
kids in boxing, Major included Major, Messiah the money, but
King was really the one that really, really really wanted
to work at it. He was going when we when
we weren't going, and he he just has a love
and a passion for it. And to be honest with you,

(06:22):
I think you know, if he decides to dedicate himself
to it, it's something that that he could that he
could he could thrive in if.

Speaker 1 (06:29):
He took it serious. Box Nah well not not not
not not professing Jewish cardio, I definitely nah. I boxed
for survival, but I didn't.

Speaker 5 (06:41):
I've never played any organized anything, nothing but ride bikes.

Speaker 1 (06:46):
S dope. You never played basketball.

Speaker 5 (06:51):
You find me in the damn uniform taking a picture
for a team, man, I got I give you my
my tesla, Cybertrucks.

Speaker 4 (07:00):
Man.

Speaker 3 (07:00):
That's impressive because not to bring up old stuff, but
there was a former champion of the world, one of
the greatest boxes ever.

Speaker 4 (07:05):
Who quoted he's.

Speaker 3 (07:07):
Quoted as saying, God, damn y'all was fast. I remember
him saying that. Man, you quoted you said that, Damn
t y'all was back.

Speaker 1 (07:17):
Hey, listen, man, I'm gonna tell you this.

Speaker 5 (07:21):
I think that you know and I in our youth,
you know what I'm saying, we find ourselves in situations
that you know, sometimes it's more it's more metaphysical than physical,
you know what I'm saying. Sometimes your mind and your
heart gets you through situations that you're physical. You never
really knew you had the capabilities of you know what

(07:41):
I'm saying. Uh, and you know I did. I would
never step in the ring. You don't kick with a
karate man.

Speaker 1 (07:51):
You don't box with the boxes.

Speaker 5 (07:54):
You tried though, nah, I mean you know what I'm saying.
That was on the streets, sir. Yeah, I'm not fenna
be bound and restricted by.

Speaker 1 (08:03):
No rules and regulations. What I'm saying, we throwing chairs
and napkin holes everything.

Speaker 3 (08:12):
What about this business? You know, because you've been in
for so long, it's been twenty it's been twenty.

Speaker 1 (08:16):
Five now, man, so let's see twenty three.

Speaker 3 (08:21):
Twenty three. What about this business? Would you not want
your kids? What about it makes you not want your
kids to be in?

Speaker 4 (08:27):
It's the treachery.

Speaker 5 (08:29):
It's the treachery, the betrayal, the deceit, you know what
I'm saying. I mean just the fact that my kids, man,
they all expect, they expect great things from the world
because they were raised around.

Speaker 1 (08:43):
Honest and righteous people. You know what I'm saying.

Speaker 5 (08:46):
They were raised around people that meant the best for them,
you know, and the world ain't that.

Speaker 1 (08:52):
The world just ain't that. So, so I know that.

Speaker 5 (08:54):
When they walk out the house, they expect what they
was raised around, the people that they were raised, the
intake and the principles that come from the people they
were raised around, and that's not what's out there in
the world. So I feel like they already at a
disadvantage you never thought about.

Speaker 2 (09:11):
I don't even know if you've done it, like creating
your own production and say, you know, I'm gonnaign each
and every one of them. So they have to deal
with that. And since you've been through the industry.

Speaker 1 (09:18):
Working for my children, No, I don't want to work
for my children. You know, it's guiding your children now.

Speaker 2 (09:24):
Rather you have your kids so you can follow and
guide and make sure they do the right contracts. Your lawyers,
your accountants, you can control the business with the label
because they're not the labels ain't necessarily gonna try to play.

Speaker 5 (09:34):
I mean, you know what, check this out now if
it and yes, they will try to play me.

Speaker 1 (09:39):
But you know again you've been there.

Speaker 5 (09:41):
I gotta kick in those and flip over tables to
get my money right, you know what I'm saying. Uh,
it's only so many of me. I can only get
away with so much for so long.

Speaker 1 (09:51):
You know what I'm saying. Some of the extremes you.

Speaker 5 (09:53):
Have to go through to get your shit together. You
ain't gonna get away with that shit two times and
three times.

Speaker 1 (09:59):
You know what I'm saying.

Speaker 5 (09:59):
They go like, Okay, I know how he's coming this time,
you know, But that's not a bad idea.

Speaker 1 (10:06):
I feel like execution is key, you know what I mean.

Speaker 5 (10:09):
And the team that you're able to surround yourself with
U and man not yet music bro. I run like
run like twelve thirteen companies, you know what I'm saying.
And I have a team of uh maybe six and
like six of us running twelve thirteen companies. You add

(10:30):
another motherfucker with, you know, with more shit on top
of that, and shit gonna you know, something gonna fall
through the cracks. So it would have to be a
hell of a staff. But it's a great idea.

Speaker 1 (10:40):
I tell you what, how about.

Speaker 5 (10:41):
You come on, you come on board man and help
me figure it out? Absolutely, I mean you know what
I'm saying, Grand hustles like you know, we we exist,
but we a satellite unit, you know for the more part. Everybody,
you know, kind of we come in as we need
to to operate, uh, in the capacity that's necessary, but

(11:05):
everybody kind of like doing their own thing a little.

Speaker 4 (11:08):
Bit coming from the extremes you come from.

Speaker 3 (11:10):
Do you ever want your kids to have just just
some of that some of that struggling?

Speaker 4 (11:14):
Is that necessary for them to have some of them?

Speaker 1 (11:16):
Ah? Ship, Well, let king tell it.

Speaker 5 (11:18):
He got he you know, he got it out. He
got it at the mud Man. I mean now, but
I do I do see some of the the tenacity
and king that I had, you know what I'm saying,
some of the gout to make it no matter what type.
Ship like he really pushing like here, you know, like

(11:39):
he came like he came out at the at the
welfare line. But I do want that form, but I
don't want to be there to see it, you know
what I'm saying. I don't think it'll break my heart
to see it, you know, but yeah, I would. You
know what I'm saying, Like if if I could all asleep, Fuck,

(12:01):
if I could have fell asleep for about two three years.

Speaker 1 (12:04):
And then woke up, They were like, man, we glad
you up. Man.

Speaker 4 (12:06):
We were struggling like a motherfucker damn, and we ain't eight.

Speaker 1 (12:11):
You know. I think I think that that that that would.

Speaker 5 (12:16):
Offer them some some principles that would benefit them, you know.

Speaker 1 (12:21):
And I think that you know, that kind.

Speaker 5 (12:23):
Of ship you can't you can't teach that, you know
what I'm saying, that kind of tenacity and that kind
of that kind of die hard, you know, just just resilience.

Speaker 1 (12:35):
You can't teach that ship.

Speaker 3 (12:36):
How much of that as coaches fault, right, because you know,
hip hop have glorified the ghetto.

Speaker 4 (12:42):
We've glorified the hood. You know, we made it its
fly because that's where you came from, you.

Speaker 1 (12:46):
Know, the hood all way that Hey man, look man,
I don't care.

Speaker 5 (12:48):
Man, as far back as you could go, the most fun,
the most excitement has always been what the most drager was,
you know. I mean it's always been that way, you know,
I mean, man, I mean, is it the ghetto folks
brouh not. I don't think so, because it's not intentional,
you know what I mean. The ghetto is the way

(13:09):
the ghetto is naturally, it's it's genuine, you feel what
I'm saying. Ain't nobody intentionally trying to project no image
just because they think it look cool, you know what
I mean? Like, motherfucker do that ship because you know
it's out of necessity, you know what I mean, or

(13:30):
out of out of its fucking despair. It's the motherfuckers
who want to imitate that they're from the ghetto that's
doing it just to look cool, you know.

Speaker 4 (13:37):
What I mean.

Speaker 5 (13:37):
The motherfucker that's in it. They doing it nigga cause
it's all they got, you feel me.

Speaker 4 (13:42):
But it's so unforgiving though, like you know.

Speaker 2 (13:43):
Just think about it, some of the stuff that we did.
Just imagine if there was cameras back then, who you know,
I imagine if people with videotaping us and putting us
on social media.

Speaker 4 (13:51):
That shouldn't be amazing, wouldn't be amazing about people who
were never there to hear about it.

Speaker 3 (14:00):
Because you in the fast the stories that you hear
about tip from back in the day. If you didn't,
if you didn't see it, I didn't know people who
could actually vout probably wouldn't believe it.

Speaker 4 (14:10):
Are you gonna talk?

Speaker 3 (14:12):
Forget the hood, they're gonna talk people are buildings from committing.

Speaker 4 (14:18):
Things that you like? He did? What now?

Speaker 1 (14:21):
Well, I don't want to look.

Speaker 5 (14:22):
First of all, I'm gonna say this man, and I
say this chance I get man.

Speaker 1 (14:25):
The glory go to God and me. You know what
I'm saying, I'm just a vessel. I'm an instrument.

Speaker 5 (14:30):
I just happened to be in places with a notion
to do things that turned out to be the right thing,
just as well as our places did ship that turned
that to be the wrong ship.

Speaker 4 (14:42):
But for the right reason.

Speaker 5 (14:44):
I think that, you know, all of us have greatness
in us. All of us have a purpose. All of
us are sent here with the capabilities of doing phenomenal
things for the world. It just whether or not we're
gonna listen to that voice or whether we go listen
to of the fear and the doubt. You know what
I'm saying, Oh no, you can't do that, because every
time I went I found myself in an outstanding situation.

(15:09):
Every time I found myself in a situation like that.
There was alway that voice that.

Speaker 1 (15:13):
Man, you can't do that. How we gonna do that?

Speaker 5 (15:15):
That ain't gonna work. But I had to push past
that and go on and do the shit. And on
the other side of it, you know, that's where you
get the carriage and you get the wisdom and to
understand it.

Speaker 3 (15:26):
I wanted to ask what did you think about and
without picking a winner, the rat beef right, and the
reason I say it is, do you think it was needed?

Speaker 2 (15:33):
We've seen it with you and it and a bunch
of people you've been beef with. We've seen it with
Jay and Niles, We've seen it with Fifth and Joy Rule,
We've seen it with so many different artists. Do you
think it was needed in hip hop to bring back
that competition because nobody got hurt, nobody got you know, nobody.

Speaker 5 (15:47):
I don't know about needed. I will say I feel
it's inevitable, you know what I mean? I think, man,
you know that can only be that can only be
multiple juggernauts without a clash for so long. I mean,
eventually we got to see, you know what I mean,

(16:09):
which one of us? Which one of us is gonna
walk out the ring, you know, like ultimate Warrior.

Speaker 1 (16:15):
Style like that.

Speaker 5 (16:16):
Just that's the nature of that's the nature of the
not just the beasts, is the nature of humanity, to
be honest with you, that's I think that's in that's
in the in the in the bill. But I think
that the bright side here, like you said, nobody got
hurt and we got some phenomenal bars.

Speaker 1 (16:33):
Out there, definitely, you know what I mean.

Speaker 3 (16:35):
And I mean and I think that they handled it
way more mature than our generation used to handle it
because our generation was music and being on radio saying
when I see you, it's gonna go down. Well, I
would have pulled up on the person's blocking one rapper
that you haven't had some type.

Speaker 1 (16:50):
Of altercation with them, Hey man, looks.

Speaker 4 (16:54):
Or somebody in the crew.

Speaker 5 (16:56):
Let's talk about the bright side, you know, the s
but lying is, like you said, it stayed on waxing.
But you know what, I'm gonna tell you something, I'm
a little more concerned about motherfuckers who don't say anything.

Speaker 1 (17:10):
I'm a little more concerned with that, you know.

Speaker 4 (17:14):
Uh.

Speaker 5 (17:14):
But but I think that for right now, this ship
is it's just it's it's a phenomenal sport. Right, and
you know, we've had an opportunity to witness two of
the greatest of not just a five time, but the
greatest to do it, two of the greatest to do it.
Go at it and exchange blows and ship. You know,
I think it's a It's a beautiful time to be alive,

(17:36):
to say that we that that we live through it.

Speaker 3 (17:38):
I mean another page in this amazing book that is
t I every time Drake does get mentioned in the
rap beef somebody.

Speaker 1 (17:47):
Doing now.

Speaker 4 (17:50):
It comes up every time.

Speaker 1 (17:51):
I can't do it, bro, I got you. I don't know, man,
if you don't know, if you don't know, if.

Speaker 4 (17:59):
You don't know what respect the man. When she said.

Speaker 2 (18:03):
Interview, I need to ask, were you surprised, uh the
other day Charlamagne by a week ago? Right, you did
a freestyle onlycas Oh. Yeah, he got so excited.

Speaker 3 (18:15):
He up here and he listened to the bars, right,
one of my favorite rapping got excited. And I'm sitting
there like which I forgot to can spit? Like when
you were surprised that people really forgot that.

Speaker 4 (18:25):
You can wrap?

Speaker 1 (18:26):
Yeah? I just thought you a comedian.

Speaker 5 (18:28):
I'm like over, I think uh, you know, out of sight,
out of man, you feel me?

Speaker 1 (18:35):
And and uh.

Speaker 5 (18:38):
Yeah, I think, man, cause I'll be hearing ship. I remember,
you know, they had these reaction videos where people playing
and then they react to it. They're like, man, I'm
not expecting much because you know, when's the last time
you heard T. I dropped some ship that was like,
oh lord, when was the last time you heard bars
from T?

Speaker 4 (18:56):
I'm like, every time?

Speaker 1 (18:58):
The fuck is this guy been?

Speaker 5 (19:01):
You know, it's like these motherfucker's computers don't work or something.

Speaker 1 (19:04):
But I mean, you know, and to be honest with you,
I didn't plan.

Speaker 5 (19:08):
On going there and doing that, Uh, I really so
I just you know, I dropped. I dropped the record
Longe Live O, G Clay, Me and NBA young Boy.
Uh drop that record, and of course I will move
around doing press. Happy to be in l A uh
and uh just Incredible asked me to come in, you know,

(19:28):
to the leakers, and of course I did. Uh And
and we all have seen all of the other freestyles
and shit.

Speaker 1 (19:36):
So I was like, in my head, I was like, damn,
I'm gonna tell him. I don't want to do it.

Speaker 5 (19:40):
I'm gonna tell him I'm you know, when he had
me to do it, I'm like gonna be keep a
player and say no, right, And then at the end
of the interview.

Speaker 1 (19:47):
He was like, all right, well, I'll let you later.
I'm like, damn, this niggain't even gonna ask. You know
what I'm saying. He was like yeah, He's like, oh,
oh you get.

Speaker 4 (20:03):
Down like that.

Speaker 1 (20:03):
I'm like, man, nigga, man find me some ship.

Speaker 4 (20:06):
Man find you down like that.

Speaker 5 (20:07):
God damn yeah yeah yeah yeah, So that I mean,
you know what I'm saying, That's how that came about.

Speaker 1 (20:13):
It wasn't even that intentional. For real.

Speaker 3 (20:15):
On the freestyle, you said, uh twenty one savages is
like your grandson.

Speaker 4 (20:19):
They can't remember the exact line.

Speaker 5 (20:20):
But now that's that's that's a term that we have like,
uh me savage. My partner Doc rugs.

Speaker 4 (20:31):
Dirt.

Speaker 5 (20:32):
You know what I'm saying, Like, it's a it's a
it's a group of to hang and we kick it,
you know what I'm saying, play cards and talk ship
at copper cold. That's just like a term that we've
talkeed around. Got you got you within that little group.

Speaker 3 (20:45):
One thing that always goes viral is you talking to
twenty one, and you're telling twenty one, I can't sign
you because you know.

Speaker 4 (20:51):
If I give you a million dollars, I might have
to damn there, yeah pay everything.

Speaker 1 (20:55):
Yeah yeah, yeah, because the value of it.

Speaker 5 (20:57):
I mean, like for instance, right and I mean, you
know he understands it now, but you know at the time,
hedn't want to hear that. He like, nigga, you got it,
come on, man, And I admire you know, I admire
his his you know, belief in himself to even come
forward and say some shit like that. But but it's
almost like, Okay, let's just say.

Speaker 1 (21:18):
If you go to.

Speaker 5 (21:21):
A place that's being gentrified, and the present value of
this property is one hundred thousand, but you know they
about to build, uh, they gonna build.

Speaker 1 (21:36):
A whole, you know what I'm saying.

Speaker 5 (21:38):
And you know that over the course of these three
four years it could go up to be worth one
point two one point three in about four five year.
Is you gonna come and get that million right now
for that hundred thousand for that for that property that's
only worth one hundred thousand right now? To build the
business is just not structured for that type of acquisition.

Speaker 1 (21:59):
And that's what I'm trying to explain.

Speaker 5 (22:02):
Now, if I do come and give you a million dollars,
it gonna be because I know that it's worth ten
million dollars and I'm gonna take something, and I don't
want to do that. I don't want, you know, I
don't even want that on my spirit. So I just communicate.
I communicate to him, and I'm very forthcoming, uh with
with with the intention walking into it.

Speaker 4 (22:22):
And I'm sure that that's built y'all bond over the years.

Speaker 5 (22:26):
Yeah man, me and him me thugug. You know what
I'm saying, there's so many of us, bro that we
just had that. But I don't make no money elf
of him.

Speaker 4 (22:36):
I don't have no.

Speaker 5 (22:37):
Then the relationship with him, but we just so we wheezy,
you know what I'm saying. We just had that kind
of relationship because of how we how we met at
the beginning of their career.

Speaker 4 (22:49):
You thought you spoke Doug.

Speaker 1 (22:50):
Yeah, yeah, have you ever seen the kids like this?
He coming home now?

Speaker 4 (22:54):
To be right?

Speaker 1 (22:54):
Nobody has, Yeah, nobody has. Nobody has.

Speaker 4 (22:58):
What makes you think I believe he's coming on?

Speaker 5 (23:01):
I don't think that the prosecution is successfully proving the
case of you know him, knowingly and willingly participating in.

Speaker 1 (23:10):
An active streak game. I don't. I just don't see it.
I don't think that the witnesses that.

Speaker 5 (23:16):
They've called thus far have proven what they said that
they would prove.

Speaker 1 (23:22):
And I don't. I just don't think.

Speaker 5 (23:25):
That, you know that the grounds of their case have
been uh, have been presented probably, I just I just
ain't seen it.

Speaker 2 (23:33):
The sad thing about that all is is that's a man,
that's a father that can't see his kids. He can't
make no money while he's in there. All he's doing
is spending money because he got to pay for attorneys
and all that other stuff. So when he comes home,
is he almost damned? They got to start from zero
again and everything that.

Speaker 1 (23:46):
He built when he come home, we'll get it right,
get him here.

Speaker 3 (23:53):
I hate the fact that they do that, you know,
I mean, come on with going from zero to one
hundred a MONI yeah, absolutely, I'm talking about.

Speaker 4 (23:58):
A bank account.

Speaker 5 (23:59):
I bro, it's it's it's already in it's already in
the it's in the bag.

Speaker 1 (24:05):
All he got to do is touchdown. When it touched down,
we getting there.

Speaker 3 (24:09):
Have you made a conscious decision to kind of like
stay away from any political conversations. Yes, okay, why is that?

Speaker 1 (24:16):
Yes?

Speaker 5 (24:16):
I have why man, man, because it ain't it ain't
it ain't. It ain't as important to me as it
is to them, you know what I'm saying. Like, you know,
the political conversations that I was having was out of
a sheer, genuine sense of wanting to do what's right

(24:38):
for the community. It wasn't because I wanted to put
myself in no position. It wasn't because you know, I
have any aspirations of being a mayor, governor president, none
of that ship.

Speaker 1 (24:48):
I don't care about, none of that ship. I hold
a position I.

Speaker 5 (24:51):
Hold without a political presence. But for others, they willing
to stoop load to certain level was a treachery that
affect me and the people around me in such a
way that it just ain't worthing for me. So you know,
I can only I can only help them till it

(25:11):
hurt me, you know what I'm saying, And it just
ain't worth it for me. I'm I'm out.

Speaker 4 (25:17):
You know, we talked about it.

Speaker 3 (25:18):
They tried to They tried to jam you up over
support was over your support for another candidate.

Speaker 1 (25:23):
I mean, man, when you're a.

Speaker 4 (25:25):
Lot of agregious ship that was coming out.

Speaker 5 (25:26):
Yeah, yeah, all that ship was you know what I'm saying.

Speaker 1 (25:30):
Yeah she did, Yeah, yes she did. I won't say
her name.

Speaker 5 (25:34):
I remember anybody care enough to research it's googleable, But yeah, man,
a lot of that stuff that people was, you know,
saying by me and then draw up my wife into it.
It had a whole lot to do with, you know,
my support for one political candidate and the opposing political candidate.

Speaker 1 (25:56):
That was running against her, you know, had.

Speaker 5 (25:59):
Some support orders that they used as henchmen to come
out and kind of they they I guess they felt
like they were going to remove my ability by I
guess muddying my name to keep me from being able
to support the person that would beat them, And I

(26:20):
guess eventually I ended up supporting the person that beat them.
But that was out of it. I didn't I didn't
even like bruh. I wasn't even interested and I hadn't
even thought about it until they started attacking me. When
they started attacking me, it was a fight. It was
kind of like when you backed somebody up against the wall,
you got to come out, you know, but at that point,

(26:42):
I just want to live my life and you know,
continue to raise my children, do the best I can
for me and my family, and you know, just humbly
allow the people around me to continue to flourish. I
ain't really, I ain't tripping. If y'all want to whatever
y'all want to do, y'all going to do it.

Speaker 4 (27:03):
Do it. Man, talk to us about the what's the
building called it? In Trada? Yeah? Trada?

Speaker 1 (27:08):
What that means, uh Man?

Speaker 5 (27:10):
In Trada is a It's a musical term, and tratta
is a musical term that I believe it is a
transition in music. If I'm not mistaken, and I'm going
to go to my Google on this, I'm not sure
if yeah, please someone research and check that it is
a musical term though.

Speaker 1 (27:31):
Uh And I didn't come up with that name.

Speaker 5 (27:34):
My partners, my development, My development partners did.

Speaker 4 (27:38):
Yeah, musical introduction or prelude. Yeah, Okay, there you go,
I was right after all?

Speaker 1 (27:42):
Okay, cool. So it is an affordable housing, mixed use.

Speaker 5 (27:49):
Community that we've been fortunate enough to offer to to
to Atlanta because you know, we found that the people
that work in Atlanta came to want to live in
Atlanta now. Yeah, damn mm hmm. People live on the
outskirts of Atlanta now because you know, I guess the

(28:11):
good and the bad. You know, so many people have
migrated the Tide city, making it a metropolis, and it
has brought a lot of great.

Speaker 1 (28:18):
Things to the city.

Speaker 5 (28:20):
But one of the things that it is done that
is uh, that is that is that is negative.

Speaker 1 (28:25):
Is they they brought they cost of living with them.

Speaker 5 (28:29):
You know what I'm saying, Like people moved from New
York and you know, you moved from New York to
Atlanta and find out where you was paying uh forty
five hundred for a two bedroom and you come down
to find out that you're in competition with somebody who
paying twenty five hundred for a faux bedroom. You're like, man,

(28:51):
I give you three thousand, and so people just start
overpaying and outpriced to people who had been working there,
living there for years, and you know, and that here
we are.

Speaker 4 (29:01):
I think the last time you say you was looking
for it, was it a drug store, grocery store?

Speaker 1 (29:04):
Looking for a grocery store and I found one. Okay, yeah,
I found one.

Speaker 5 (29:07):
Uh at least I at least I believe we have
as we've gone as far as a verbal agreement for
a uh for a grocery store to occupy the retail
space that's at the ground level of Introtter. And I
ain't even gonna ain't gonna say their name right now
because I don't I don't want to mention nothing up.

(29:28):
But I think I found one, and I think I
have finally been able to offer fresh produce and groceries
to the community. I hope I can get a pharmacy
in there too.

Speaker 4 (29:37):
How big it is?

Speaker 5 (29:38):
I mean one hundred and forty three units, one hundred
and forty three units of affordable housing.

Speaker 2 (29:43):
Yeah, I'm gonna ask, how do you know what Atlanta?
I noticed, like traffic is crazy now Atlanta get into
the airport is crazy. It is crime slow down and
seemed like a lot in Atlanta recently.

Speaker 1 (29:55):
I haven't paid much. I pay like crime. I paid
attention to it the week, you know what I'm saying.

Speaker 5 (30:02):
And in the last couple of weeks, it's it's been this,
it's it's it's picked up. But you know, all in
our broh, the city is filled with beautiful people who
who have a phenomenal culture and you know, even with
the bad stuff. I feel like the good always over

(30:22):
overweys it outweighs it.

Speaker 3 (30:24):
I don't want to go back there and try it
for a minute, cause it's a hundred and forty three n'es.
But you bought this property over a decade ago, right.

Speaker 1 (30:29):
Yeah, two thousand and thirteen fourteen.

Speaker 3 (30:32):
So I just want people to understand the process of
how long it takes to get something like this.

Speaker 1 (30:37):
This is going yeah, man, I I just bought the property.

Speaker 5 (30:44):
I didn't know what I was gonna do with it
at the time. And there was a series of events
that took place that brought a lot of things to
my attention, like the statistic I told you, uh, and
and and affordable housing was a huge part of the
city's initiative, And and me having the opportunity of sitting

(31:08):
next to Killer Mike on the transition team for the
Mayor of Atlanta at the time, which was Mayor.

Speaker 1 (31:15):
Keisha Lan's bottom.

Speaker 5 (31:18):
That put set me alongside of of some huge, huge
affordable housing developers, one of them which took took us
under his wing and mentored us as developers. And that
was the legendary Noel Khalil And and God rests. So
he he kind of taught us the game and showed

(31:38):
us a lot of things about it, uh that we
just didn't have any understanding or awareness of.

Speaker 1 (31:44):
Uh. And and as.

Speaker 5 (31:47):
We just began to connect the dots, we saw that
that this piece of property could could offer as you know,
as such a benefit to the to the community.

Speaker 1 (31:57):
Uh. And you know, and we just again that's when
the dream were born.

Speaker 4 (32:02):
Incredible because everybody, you know, you have all these conversations
about buying your own, buying back the you know, investing
in your hood. Like you You've done that in a major,
major way. Man.

Speaker 1 (32:12):
Yeah, man, wa.

Speaker 5 (32:15):
It just you know, I can't say I'm not you know,
I ain't have like a plan to do it that way.

Speaker 1 (32:24):
It just kind of like I have.

Speaker 5 (32:26):
Done things that put me in a position to be
able to do it that way, you.

Speaker 4 (32:30):
Know what I mean, like the evolution of new finish, right.

Speaker 1 (32:33):
Yeah.

Speaker 5 (32:34):
Like, so we started just buying houses, me and my
me and my uncle, buying houses, rehabbing them, buying.

Speaker 1 (32:40):
Lots of land, building houses.

Speaker 5 (32:42):
And then you know, after the market crash and I
got out of prison, I said, well, now I'm gonna
do it different, And so I started buying commercial, you
know what I mean. As I started buying commercial, then
you know, I started meeting people that were developers of
you know, of commercial, learning about multi families and uh,

(33:02):
mixed use and you know, all those types of things
and uh and and and simultaneously the.

Speaker 1 (33:07):
City is evolving, you know, and going vertical.

Speaker 5 (33:12):
So now it's like, you know, instead of building six
houses in a row, you want to build a six
story building, you know what I'm saying. So I just
started to learn more about, uh that that that portion
of development.

Speaker 4 (33:27):
How how difficult was it to make the long Live
Odu Clay record?

Speaker 1 (33:32):
How difficult was it at the time when it was made?

Speaker 5 (33:35):
It wasn't difficult at all because I made it like,
uh like two days before the funeral. Damn okay, I
did it like two days before the funeral. Uh I
just I just hit like we held on to it,
uh man. Just ironically enough.

Speaker 1 (33:51):
Young boy just reached out to me.

Speaker 5 (33:54):
He just reached out to me, and we like just
started talking because he was just asking my advice about stuff.

Speaker 1 (33:59):
You know, I'm saying, how to get into the movie.

Speaker 5 (34:01):
Business, and you know, like how to how to invest
his money and stuff, and you know, and just asking
me advice. And then he was like in our conversation,
he was like, man, I need to get you on
some and then he sent me and I told him like, hey, man,
I don't want to get on like none of that,
none of that, uh that that all that rob and

(34:21):
killing shit. I don't want to do that. I ain't
getting in the middle of none of that shit. Was like, nah, og,
I wouldn't never do you like that. And he sent
me some and I listened to it, and at the
time that's all I could even think about, you know
what I mean. So it just came out like you know,
first take it didn't It wasn't really no, it wasn't
really no thought involved, you know what I mean. It

(34:43):
was really about like how to end it because I
would have went on forever.

Speaker 1 (34:47):
I had so much shit to say, you know.

Speaker 4 (34:49):
What I mean.

Speaker 5 (34:50):
It was really about bringing it to a to a
clothes sticking to landing, you know what I mean.

Speaker 3 (34:55):
When you lose people like oh G Clay or even
a capital for lot, did that energy ever get filled
in your life or is it a constant holder?

Speaker 4 (35:04):
Man?

Speaker 5 (35:04):
It's definitely a constant hold a man. I think, Man,
you getting on. You just kind of getting on and
you figure out ways to go about your day. And
I kind of I appreciate the things that are there

(35:29):
more than I take notice of the things that are missing. Yeah,
I mean, and I think that's that's the positive of it.
It gives you a great appreciation for the things that
are still present in your life, you know what I mean.
And it makes you just just value the time and

(35:51):
the just the presence of motherfuckers and show you how
precious life is, how precious the the love ones we have,
how short, how short the time we have with the mills.
But nah, you don't never like feel no holes. You know,

(36:11):
the hole just grows and you learn to live with it.

Speaker 4 (36:15):
Do you ever give yourself the proper opportunity degree?

Speaker 5 (36:17):
I mean, what is the proper opportunity degree? Let's say
if I said I gave myself an entire week, who
says a week is enough? Let's say I said a month?
Who says a month is enough? So you know what
I mean, Like, what is the proper opportunity You just
you know, you go through your process, you exist in
that moment. You don't try to run away from the

(36:40):
feelings you're feeling. You know what I'm saying. You let
yourself go through that process and you present yourself as
you are.

Speaker 1 (36:49):
You know, don't try.

Speaker 5 (36:50):
To cover nothing up, don't try to duck and hide
from the pain that you're feeling. You just go through it,
you know what I mean. As you go through it,
you learn to live with it.

Speaker 4 (37:01):
You think you'll ever tell you your full complete story
like you because only you can truly tell it. You
think you would ever tell it all? Not all?

Speaker 1 (37:12):
Nah, don't tell it all.

Speaker 5 (37:14):
I think I tell as much as I feel, with
help the listener, and as much as I feel would
you know, would be therapeutic to me. But you know something, man,
you know some things will never be spoken. Uh now
now let me see. So there there is an intention

(37:39):
to do a one man show. Well oh yeah, yeah, yeah,
Well I have an opportunity to step out and not
just perform music, but to tell a story. It had
the music kind of incorporate what you know as a
as a part of a narrative. And you know, we

(38:01):
were so you know what I'm saying, I guess I'll
tell you that. So that's what the stand Up Ship
before stand Up Ship was to prepare me for you know,
to stand up and speak for an hour or more
in front of a crowd too, you know, just just
to know that I could do it. And as I

(38:23):
get stronger in it now I can evolve into my intention,
which is a one man show.

Speaker 1 (38:29):
And that's you know.

Speaker 5 (38:32):
That that that's that's more like you know that more
like I guess a man, I don't want to say a.

Speaker 4 (38:38):
Play, but no, my tank was on broad that was dope.

Speaker 1 (38:43):
Yeah, so you know what I'm saying.

Speaker 5 (38:44):
So that was that was that's that's that's kind of
where I see my performance going.

Speaker 1 (38:49):
Uh. And I and I kind of.

Speaker 5 (38:52):
Took a I took a a stab at it with
the orchestra show that we did uh December thirtieth, which
went phenomenal.

Speaker 1 (39:00):
That live by the way.

Speaker 5 (39:02):
So I see, like, you know, an orchestra and me
and story in and out of songs, jokes, you know
what I'm saying, and do that for about two and
a half hour, And you know, I feel like that
to me is that's where I see my career going.
Rather than Jack go and hop around on rolling loud.

Speaker 1 (39:24):
Stages, you know what I mean.

Speaker 5 (39:26):
I just feel like that kind of calls on more
of my strengths and gifts than you know, just going
and you know, trying to go on tour with you know,
two to one Savage and so on.

Speaker 1 (39:39):
You know what I'm saying that, I just feel like
there's more age appropriate for me.

Speaker 3 (39:43):
But that's the lesson to be learned, right, Because that's
why I don't judge none of these rappers now, because
if you would have judged twenty plus years ago, please Gucci,
any of these dudes, Like, look a where y'all are now?
How y'all have evolved, how y'all grown?

Speaker 4 (39:57):
Is meant?

Speaker 1 (39:58):
God is good?

Speaker 4 (39:59):
That's right, it's comedy.

Speaker 1 (40:02):
You're number one? Love now?

Speaker 4 (40:03):
Or is this the music? Man?

Speaker 1 (40:05):
I really do love it, you know. I mean like
I can't. I can't tell you. It's a different type
of love, you know what I'm saying. Like it's just
like a like a son and a daughter. You know
what I'm saying. I really, I really do love it.

Speaker 4 (40:19):
You know.

Speaker 5 (40:20):
You know you love something when you do it for free.
You feel me when you free? I mean shit, I
go and do comedy. I just go grab the bike
and do that ship for free sometimes, you know, just
because you know it feels good.

Speaker 1 (40:34):
To me, there's a piece. There's a piece and the
sense of therapy.

Speaker 4 (40:38):
There's how you know you're rich.

Speaker 1 (40:40):
You know what that means.

Speaker 5 (40:45):
Okay, I mean to shape But yeah, man, but yeah,
I love that ship Bro and the Hahamafia.

Speaker 1 (40:53):
We still out there putting in work.

Speaker 5 (40:56):
We're gonna be in matter of fact, we're gonna be
at timyth Te's in Oakland at the end of the month.
I believe what it is, the thirtieth, thirty first in
the first or something like that. We'll be out there, man,
outside right outside of Oakland. And you know, we ship Man,
We're still tear down. We're still tear down stages and

(41:16):
ship I'm gonna put together. I'm gonna put together a
time to do my special.

Speaker 4 (41:22):
I'm gonna do a gonna be the one man show.

Speaker 1 (41:24):
You gonna be Cavity, Yeah yeah, yeah, yeah yeah.

Speaker 5 (41:28):
And uh, we just shot fifteen episodes of a stand
up a stand up series which is sort of like uh,
you know, death Comedy Jam or so on and so forth.
It's called Haihai Mafia in the Trap and uh we
filnded it at the Trap Music Museum and it's like
a host with three comedians probably about thirty minute episode.

(41:53):
We did fifteen of them, you feel men. We shot
that independently. So oh we all so have departments on
All Black, Yeah, I mean that.

Speaker 1 (42:03):
We wrote it, directed, it, produced.

Speaker 5 (42:08):
Myself, DC, Young Fly, Little Duval, Kylo Miller, and the
Haa Mafia, about to do the sequel, about to do
the sequel later on this year, and also in pre
production for a romantic comedy that that that we wrote
and I will direct and me and Terrence J. Will

(42:29):
produce it as starr in it. It's called Situationships. So
you know what I'm saying. We're just trying to you know,
stay stage, stay working.

Speaker 4 (42:42):
With the PSC album.

Speaker 5 (42:43):
I thought yoke, Yeah, PSC were about to put some
ship out soon. Man, you know what, man like ay
with so many like the problem is we don't know
how many different partnerships we will have to support all
of these things, you know what I mean.

Speaker 1 (43:02):
Like everybody like you know, everybody down to do it.

Speaker 5 (43:06):
But ship we got to figure out to be in
the part of as far as okay, who were gonna
do it with? We know DJ Drama, We're gonna do
a gangster grill with him, and and we got you know,
some intentions to consider, uh some some opportunities.

Speaker 1 (43:24):
In a situation. That's that's you know around DJ drama.

Speaker 5 (43:28):
But I think you know, they got to get theirselfs
impact where they can present the right opportunity.

Speaker 2 (43:33):
Oh, mommy, I'm getting up because we got some your
wife and your daughter here, So we got to.

Speaker 4 (43:37):
The man you serious about to go? Yeah about the
wrap up? You can't tell me about the wrap up
all out your mind.

Speaker 5 (43:47):
The high club when you say, like, mean they here already,
they come upstairs?

Speaker 3 (43:51):
Okay, cool man. We can't end on this question. What
does success look like for your kids?

Speaker 4 (43:58):
In your eyes?

Speaker 5 (44:00):
The success look like for my kids and my doing
what they love and earning a living, like being able
to take care of themselves, doing the things that they love,
the things that fulfill their passion, you know what I mean,
allowing them to follow their dreams and just create, you know,

(44:23):
to create from their minds things that that earn profit
for them. You know, that's to me, that's that's ass
on any level. You know, not being forced to do
something that you really don't want to.

Speaker 1 (44:40):
Do just to get paid, just to feed yourself, you
know what I mean, that's success on any level. All right, Well,
let's get into the record. I thought they was upstairs.

Speaker 2 (44:51):
Do you have that problem a lot when they say
they're ready, but they.

Speaker 1 (44:59):
Only the worst the weed.

Speaker 7 (45:00):
Man right outside.

Speaker 1 (45:05):
You've seen it. Damn try to set up, they say,
trying to set up. I guess they live.

Speaker 4 (45:13):
But alright, let's get along live O. G clay Man.

Speaker 5 (45:15):
Yeah, and thanks for the support man, you know what
I mean, everybody who's been supporting it.

Speaker 4 (45:20):
Uh.

Speaker 5 (45:21):
You know, I think that this is one of probably
the most important record that we've dropped on Grand Hustle,
and we appreciate everybody man fucking.

Speaker 1 (45:29):
With us with it. Uh.

Speaker 5 (45:31):
And this is uh to celebrate the life and the
legacy of somebody incredibly important to me and incredibly important
to the careers of so many people from Atlanta in
this generation going into the next one. I so long
live O. G clay feature my partner NB, a young boy.

Speaker 4 (45:48):
You did well.

Speaker 1 (45:48):
They did arrive.

Speaker 4 (45:50):
They did.

Speaker 2 (45:52):
They did because they said eight minutes out. It was
like twenty t I was like, that's usually what happens.

Speaker 4 (45:58):
Say you're worse than the weed man.

Speaker 7 (46:03):
I'm getting better.

Speaker 2 (46:04):
So how is it having a young all your kids
are in the music industry.

Speaker 1 (46:08):
We asked you how you felt about it. How do
you feel about.

Speaker 2 (46:10):
Having all your kids in the industry and you know
how this industry can be.

Speaker 7 (46:14):
Yeah, I mean I hate it for some just because
I mean it's scary. The rep game is scary, you
know what I'm saying. And I have a little wild
child too, so you know, I hate it for him,
but I know he loves it, and it's getting you know, music,
you know, evolving a lot, so I'm starting to really
really like it. But for her, I love it because

(46:36):
I'm watching her grow and go and get into her mold,
you know, and I'm helping her and we're grooming her.
She's you know, I'm taking her through all the steps
of artists development for sure, you know.

Speaker 2 (46:49):
And she listening to all the kids listening because you know,
sometimes they don't want to listen.

Speaker 4 (46:52):
To the parents.

Speaker 2 (46:52):
They were like, I got this, ill figured it out
on my own.

Speaker 7 (46:54):
So you know what, she listens. But sometimes she get
aggravated a little bit because I'm like, no again, do
it again. No, that wasn't right, And you know, so
I get somebody else. I put other people in place
to help her with a lot of that. So they
can do it, and they can go through it and
they know how to you know, baby her through it
a little better than me.

Speaker 4 (47:12):
When they that young. How do you know that this
is something they really want to do and not just
the face.

Speaker 7 (47:16):
Well, this is something that she started doing with me,
Like when she started like really singing. She was like two,
and I think I was doing like solo stuff and
she would go out and she would want to get
on the stage with me. So we started putting the
mic up with my background singers and she would be
back now singing. So after that, like when she got three,

(47:36):
she was really like wanted to go. She never wanted
to miss a stage moment. So it's something that she
actually wanted to do herself. I didn't really put her
in it.

Speaker 4 (47:45):
Well, what is success for the for the kids look
like the U? Tanya? I asked Tip the same question.
But what is success for the kids look like to you?

Speaker 7 (47:53):
Well, if they can be happy doing what they love
and just you know, reaching some of their goal those
are some of the things that they really want to
do and you know in what in this industry? Uh
in just being successful? You know, she may she says
she wanted to be an astronaut, to be an astronaut,

(48:14):
I love it.

Speaker 2 (48:15):
Who's more annoying when it comes to making music? Is
Mommy and Daddy? More annoying?

Speaker 1 (48:23):
Is she's looking at Daddy, she looking at momy, She's.

Speaker 4 (48:26):
Thinking who she needs something for? She needs something from
it soon, you can say both.

Speaker 6 (48:32):
Fifty sixty sixty forty on the suicide.

Speaker 7 (48:40):
Sixty Mama probably me because she sees me doing more
music and dealing with her more, mostly with music. So
it's probably me.

Speaker 4 (48:51):
Whose music do you like more? Mommy and Daddy? Some
tough questions?

Speaker 6 (48:57):
Okay, so I have to go and because I don't
know a few songs.

Speaker 1 (49:06):
That might be a good thing, that might be a
good thing.

Speaker 4 (49:07):
Why does she only know a few songs?

Speaker 3 (49:09):
You're introduced to the catalog NAT music.

Speaker 7 (49:13):
Well, some of that language she has in there, it's
a little too early.

Speaker 5 (49:16):
For it, but you know, it just doesn't apply to
her life, you know what I'm saying, not a lot
of it, but.

Speaker 7 (49:24):
A lot of our language too. I mean, I guess
it doesn't it. You know, she loved too early too,
but she loves it all like she comes singing all
these songs that I never show her. She knows our
whole catalog songs. It's not single.

Speaker 4 (49:39):
Just listen.

Speaker 2 (49:40):
Do you get nervous at all when you're on stage
because you look so natural? Like it doesn't bother the effect,
you know, not at all, not scared at all.

Speaker 7 (49:49):
No, Like when we have concert, she comes to me
and be like, am I going on stage? And I'm like,
I didn't. We didn't plan for that. And you know,
she's always wanted to be out there on stage.

Speaker 4 (50:00):
You know when you're pushing it too hot.

Speaker 7 (50:01):
I know when I'm pushing it too hot, because she'll
let me know, she'll get aggravated. But you know, we
may be in the middle of something like recording, and
you know, I might be like, do it again, do
it again, you know, and she'll get aggravated. But she's
gonna have to in order to get the best. We
gotta see you're doing it. So I may let her
take a break or something.

Speaker 6 (50:20):
You know, you take a break for five minutes, five minutes?

Speaker 4 (50:25):
How much time you need? How much time you need
to think?

Speaker 1 (50:31):
Your mommy?

Speaker 4 (50:33):
Yes, wow, you.

Speaker 7 (50:38):
Said I was your favorite singer. Now you singing better
than me?

Speaker 6 (50:41):
Okay, I know you my favorite singer.

Speaker 3 (50:45):
Okay, what does success look like for you, young Harris,
what's your goals?

Speaker 6 (50:59):
Just my this is to be smart and it is
to be smart and and be an astronaut and the
singer sing. I can sing to the alien, you can.

Speaker 4 (51:20):
Sing to the That's right.

Speaker 3 (51:21):
Well, just have fun, Just have fun and enjoy, enjoy
the process of all of this.

Speaker 4 (51:26):
That's all. You live a blessed life, that's right.

Speaker 2 (51:29):
Is there one thing that you want that mommy and
Daddy haven't gotten for you yet?

Speaker 4 (51:33):
A spaceship?

Speaker 1 (51:39):
Money, spaceship. It's the car, not a ship.

Speaker 6 (51:48):
A ship goes goes, A spaceship goes up into the air.
A car stays down on the ground.

Speaker 4 (51:55):
You're right, You're right. I was wrong. You're right, you pa.

Speaker 5 (52:00):
Do you have anything that you want to tell them
about that you that you put out you know that
you want.

Speaker 1 (52:05):
People to go and support.

Speaker 5 (52:09):
Do you have a song or something that you that
you would like to keeple to go listen to?

Speaker 1 (52:15):
Yes? What is it called?

Speaker 6 (52:16):
It's called it? It's called be You.

Speaker 4 (52:22):
It's called be You with band bands?

Speaker 6 (52:25):
Yeah, with them and go listen to it. You can
listen to it on YouTube kids regularly, YouTube, Spotify, Apple Music,
and everywhere else.

Speaker 3 (52:40):
You want to Let's play it right now because you
want you want to introduce it. Let's play it one
hundred market. You're about to get played in one hundred
cities right now.

Speaker 4 (52:46):
That's right.

Speaker 2 (52:46):
So introduce it to the world. Tell them your name
and the name of the song, and let's go.

Speaker 6 (52:52):
My name is Eris and the name of the song
is be You with with V.

Speaker 1 (52:59):
That's on the Breakfast Club. And we appreciate you guys
from joining. That's thank you so much, so much.

Speaker 3 (53:04):
Let's get in to the joint right now. It's the
Breakfast Club. Good morning, Wake that ass up Earth in
the morning. The Breakfast Club

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