October 15, 2025 • 17 mins
Loren reflects on the Soulquarians and the impact that D’Angelo had on pop culture at large. And Netflix is going to be hosting video podcasts on it’s platform.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
I'm a homegrow that knows a little bit about everything
and everybody. You don't know if you don't lie about that. Right, Hey, y'all,
what's up. It's Laura la Rosa and this is the
latest with Laura le Rosa. This is your daily dig
on all things pop culture, entertainment, news and all of
the conversations that shake the room. Now getting started this episode,
(00:25):
I just want to before we hop into any you know,
topics or just anything, I do want to take the
time to say rest in peace to Dangelo neo soul legend.
I saw some people referring to him as an R
and B singer, but you know, I think I was
talking to one of the breakfast club producers, Nick who
you know, he plays guitar and like all these different things,
(00:46):
and we were talking about the Soul Aquarians, which it
was like a like a creative collective that D'Angelo was
a part of. And I recently watched an interview with
rikabay Do. She was on Please Explain, and I love
Please Explain because it's a it's complex, so it's pop culture,
but it's very artsy fashion conversations. And I love the
(01:11):
host I love the way that she curates conversations with
the black artists and creators that come on and and
it's always like a history lesson in educational but it's
very like trendy on topic stuff and you learn things,
but you also like getting new news, like in the
same episode, we found out that er Kabadu was going
(01:31):
to redo the bag Lady video with tel Far, which
is a black owned handbag brand. The host Aria Hughes,
So I love watching her conversations, but Ericabadu was on there.
I watched this last week actually, and she was talking
about this aquarians, which a lot of people don't talk
about then when they speak to these artists. So you
(01:51):
had and I'm not going to name all of them
because I don't know everybody off top. I know er
Kabay do DiAngelo, which is how we got hair and
conversation because you know this is I just want to
send the recipes to d Angelo. But in talking about
him and just you know, seeing so many people like
recap a lot of his work, his music, his impact culturally, musically,
(02:17):
just everything. It made me think a lot about the
people that are around you as you were making different
decisions to express yourself and how you express yourself and
just how you touch the world and what your impact
is there. And I just was thinking, I'm like, damn, Like,
so she's describing these GM sessions between y'asinbe talib Qualiti
(02:38):
common Questlove D'Angelo, Like, imagine that group of people in
the studio, and I believe it was an electric lady
that they were talking about that they would like shoot at,
you know, or shoot at that they would you know,
just just be at and run into each other to
each other at all the time. But it was a
collective of great minds and great thought seekerts.
Speaker 2 (03:03):
So the original so aquariums are Questlove, j Dilla DeAngelo
and Ali Shahi Mah got it. And then came James
Poyser because they're all Aquarius.
Speaker 3 (03:15):
Yes yes, yes, yes, and you were the Pisces and
the only woman right yes yes. How did they how
to being around them? How did that change your approach
to the making of the music? Like did they push
you in any type of way?
Speaker 1 (03:28):
Absolutely?
Speaker 3 (03:29):
Yeah.
Speaker 2 (03:29):
Before I met any of them, before I had bodyism,
they were the audience that I sought out, like I
just want these people to hear this, you know, because
it didn't mean anything else. You know, it didn't mean
much for anyone else at that time. For me to
hear it, it meant a lot for them, those people
(03:51):
to hear it because I admired them so much and
continue to learn from them and grow.
Speaker 1 (03:57):
Yeah, I just I don't know, just made me think
of that clip, so, you know, wanted to play that
clip here and sending him a rest in piece. D
Angelo passed away at age fifty one of pancreatic cancer yesterday,
October fourteenth, twenty twenty five, and there's just been an
outpouring of love for him all over the place from
all different types of artists, whether you you know they
(04:20):
had the honor to meet him to you know, just
watch his work from afar all of the things. And
his career began at eighteen, he was in a group
and they won an R and B composition at Showtime
Showtime of the Apollo Fast Forward drops brown Sugar, which
(04:40):
is like his debut that debuted his debut album that
debut number six on the Billboard chart and went platinum
back in nineteen ninety six. And on that album, you Had, Lady,
You had Brown Sugar, You had Cruising brown Sugar actually
earned him a Grammy nomination for R and B Album
of the Year. I mean that song. Even as I'm
(05:00):
talking about that song, you just hear it. Like I
think the music of a certain time really illustrates your life,
no matter what your age is. Like the old heads,
like the OG's always like y'all wasn't outside y'all don't
even understand the feeling. But I think, you know, we
might not have been around when the songs were charting,
and like the artists were really you know, running around
and it was new and they were breaking and they
(05:22):
were getting the world to love it. But good music
has lasted, and good art last generations the generation, and
that's what that's what made me think about the story
that I heard Erica, but BA do tell about working
within that collective and just wanting to, you know, throw
your art not even at the wall and see if
(05:42):
it's stuck, but within a group of your peers that
you respected, and all of those people have created things
and brands and conversations that have impacted, touch and influenced
people for generations to come. Because I gotta I get
a feeling when I hear Brown Sugar, and I have
been also to the Brown Sugar movie is my favorite movie.
(06:02):
But yeah, I just you know it. It's always one
of those things that you think about as a person
that is creating something that you're putting into the world.
Conversation is my art at this point SI music not
a music artist, but I always think about how is
(06:23):
what I'm doing impacting people? And when you see and
it's sad though that you really had this conversation about
a lot of people once they're not here anymore. But
I won't go down that rabbit hole. I just yesterday
when I was seeing a lot of the you know,
outpouring of artists that we're talking about how what Dangelo
(06:46):
did in his career just by waking up and being
himself and deciding to explore instruments and show the world
that and explore you know, his sex appeal, his his neo,
so all the things like how it has impacted so
many people. So, you know, making sure we send a
rest in peace to him, some love to the family,
(07:09):
to his family. Yeah, the only right way to start
off an episode on a day like today is to
do that, is to take that time. Now. In other news,
as we shift gears, there's been a new announcement Netflix
is getting into the podcasting business. Now you're probably like, what,
(07:35):
Like I hear so many people say please defund the
podcast mics. Too many people have podcast mics. And then
you get this story about Netflix getting into the podcast
of business because they just in ink to deal with Spotify.
It doesn't mean that they're gonna run around giving everybody
more podcasts. Spotify is already doing that black effect. Does
it better shout out to you know, ganggang. But what
(07:57):
is gonna happen is major podcasts with viewership with the video.
Netflix is going to come in and say, come on
over here, we got a home for y'all, and how's
the video podcast? And this is interesting to me because
you guys know, and I've talked about this and you know,
several different conversations here on the podcast. When I went
to Memphis to the podcast fest, the pot Box Podcast
(08:19):
Festival in Memphis, one of the things I talked about
was and when I got in the you know, got
into all of this podcasting because of the latest with
Lon La Rosa, I didn't really understand the like, what
was the big deal about the audio? For me, I'm
a visual person. I like to see things. I like
to see people's reactions. I like to see the laugh,
(08:41):
the upset, the cries. Like I just attached to things
I can see. I like to see the coloring, the
you know all of that podcasts that are only audio,
I can't really think of too many of them. Besides,
I will say The Read, The Read, and not necessarily recently,
but I remember The Read being one of the first
(09:04):
podcasts years ago that I was actually listening to religiously.
And I don't even know what the people look like
because I could only listen to it. And even right now,
as I'm talking about The Read, I don't think about
what the hosts look like. I think about what their
art of their podcast is, you know, the two head
figures that like pinkish salmon color, like it's branded around
(09:28):
just the art of the podcast because they never had video.
They still don't have video. Crystal who now has stepped
off and she's doing her own podcast that will be video,
but they've never had video. And it's very successful podcast.
But I didn't really understand, you know, what the business
was behind the audio. So I feel like I'm learning
(09:50):
that as I'm going and I really begin to understand
that with us and our success here at the Latest
with Lona Rosa. But I always thought video was like
the utmost and foremost important and then I kind of
took a step back from that. Y'all know, we're back.
We do have a video component. But when I saw
this Netflix deal with Spotify, I'm like, yeah, there it is.
(10:12):
That's why, because I mean, you're it's always been a
thing that you can do deals for the video side
of your podcast with networks and like all the people.
But for a big platform like Netflix, it be like,
come here, we need to be in business with y'all.
That means that there is growth happening on the video
side of podcasts, and it's possibly growing to not just
be a marketing tool, but an actual force in podcasting
(10:35):
because audio is a force. Like I can't even describe
to you guys how much audio from the radio to
podcasting has changed my whole life in three sixty five,
but it really has. And now I'm reading this article
and I'm hearing from you know, the execs at Netflix
(10:59):
and Ted Sarandos, who is the co CEO of Netflix.
He gave Deadline a quote when they made this announcement.
He says, as a popularity of video podcasts grow, I
suspect you'll see some of them find their way to
Netflix and then they have some information here in the
article that says last year, Spotify founder and CEO Daniel
(11:20):
Ck said that the number of creators publishing video on
Spotify had grown by more than fifty percent year on year.
So with this deal, we will now see Spotify produce
series from its Spotify studios and the Ringer launch on
another platform. One of these shows that will be coming
on over to Netflix is the Bill Simmons Podcast. Anytime
(11:41):
you see something like this where a major platform is
reevaluating their business structure and bringing something in because it's growing,
that means that there's about to be such a centered
focus around just that. And don't get me wrong, podcasts
or that they everybody's got one. Everybody. There's a lot
(12:03):
of people who only do video podcasts, right, they don't
even they're not focused on the audio. For a long time,
you know, that has been the that's been a big
no no to not be focused on audio. And I
still think with Netflix getting in the game, that'll still
be a thing. Like I think the way that podcasts, uh,
(12:24):
the way that podcasts. The way that podcasts have been
set up and positioned, audio is literally become like a
daily part of people's lives. It's not live like radio.
And I've learned that radio is that it's a daily
part of people's lives, but it's live, like you can
turn you on and hear me while you're headed to
(12:46):
your job. Right. Podcasting is that, but it's a bit
more like schedule. You maybe get them once a week,
you know, maybe twice a month the latest to Lana
Roads that we are every day and I try to
keep up with It's like I don't like doing anything
that is going to date itself that may seem old,
because I want to get as close to in the
(13:06):
now as I can because of what I've experienced with growth,
like just from being on the radio and being in
that space. I say all that to say, I don't
think the way that people connect with audio, and they're
very intimate and personal moments, whether you're in the car
with your children or you know, you got something in
your ears while you're cleaning up. I don't think that
(13:27):
there's anything that can trump that, to be honest with you,
not podcasts that have been here and that have built
really strong listener foundations. However, I do think with the
right platform aka Netflix behind it, the right brands that
will come because not only do these podcasts that are
coming over already have their own numbers, but Netflix is
(13:50):
going to bring a whole other level of advertising podcast video.
In my opinion, on a major streamer like a Netflix,
it's good. It can potentially if done right, it could
potentially take over talk shows in the TV space, which
I will say there's always been reports about how well
(14:11):
talk shows in the TV space are doing, whether it's
daytime talk show or nighttime talk shows. Right, but imagine
if your favorite streamer, your favorite your favorite streaming platform
aired a daily talk show that kept you up to
date with whatever it is you love to know about
the same way your favorite local CBS or ABC or
(14:31):
you know, Fox channel did. That's where I always when
I thought about, you know, a podcast and a show,
That's what I always thought. I wasn't audio focused first
until I got in it and realized the impact of it.
But coming into this, I was always like, if we
build out the video, we can end up on a
streaming platform because that's where people are and people used
to like even when people ask me, like, what's your goal,
(14:54):
and I'm like, one of my goals and storytelling is
to have a TV show and to be on TV
not just as a talk show host, but as an
actress and all these things. When I'm thinking about it,
I'm like, it's not TV, though not in a general
and like traditional way that we think of a TV
show or if I'm acting in a TV series, It's
like it's streaming. But think about how many daily talk
(15:18):
shows you have on streaming platforms. This is going to
unlock a new character. Netflix is onto something here, I
do think, and I'm interested to see. I was reading
some of the shows that they have and that they
will be leaning to in this you know, first round
of this partnership. I do think it's going to be
interesting to see what show served best from Spotify and
(15:42):
or YouTube and you know audio and just doing video
as like their marketing piece and a visual piece now
coming over to Netflix. But I'm also interested to see
who's the first platform that's going to do it in
a way where we can watch it live. Like imagine
if you take like a Wendy Williams stole show, a
Ladies with Laura l Roza and you put that show
(16:04):
daily on a streaming platform, but you do it live
with a live audience, so you're able to watch me
on your favorite streaming or your Netflix, Amazon Prime. And
then whenever you miss the live episodes, it's just like
on demand essentially, but it's meeting people where they already are,
(16:24):
which is streaming. Whenever you miss my live episode, you
go back and you binge via Netflix or via Amazon
Prime to be wherever. So we look, who knows I'm
over here trying to speak things into existence. But more so,
what do you guys think? Where does this new partnership
with Netflix and Spotify? Where does this end us in
(16:45):
a year we'll talk shows and TV shows be as
relevant or will everybody be going to streaming for those
two I want to know. Get out there in the
streets and the tweets. Let me know how y'all feeling.
It's Laurna l Roza outside, We outside every other page.
This is the latest with Lona Rosa. And at the
end of the day, y'all could be anywhere with anybody
(17:07):
listening to all these things, talking about all these things,
But lowriders, y'all choose to be right here with me,
and I appreciate y'all for that. I will see you
in my next episode.
I'm a homegrow that knows a little bit about everything
and everybody. You don't know if you don't lie about that. Right, Hey, y'all,
what's up. It's Laura la Rosa and this is the
latest with Laura le Rosa. This is your daily dig
on all things pop culture, entertainment, news and all of
the conversations that shake the room. Now getting started this episode,
(00:25):
I just want to before we hop into any you know,
topics or just anything, I do want to take the
time to say rest in peace to Dangelo neo soul legend.
I saw some people referring to him as an R
and B singer, but you know, I think I was
talking to one of the breakfast club producers, Nick who
you know, he plays guitar and like all these different things,
(00:46):
and we were talking about the Soul Aquarians, which it
was like a like a creative collective that D'Angelo was
a part of. And I recently watched an interview with
rikabay Do. She was on Please Explain, and I love
Please Explain because it's a it's complex, so it's pop culture,
but it's very artsy fashion conversations. And I love the
(01:11):
host I love the way that she curates conversations with
the black artists and creators that come on and and
it's always like a history lesson in educational but it's
very like trendy on topic stuff and you learn things,
but you also like getting new news, like in the
same episode, we found out that er Kabadu was going
(01:31):
to redo the bag Lady video with tel Far, which
is a black owned handbag brand. The host Aria Hughes,
So I love watching her conversations, but Ericabadu was on there.
I watched this last week actually, and she was talking
about this aquarians, which a lot of people don't talk
about then when they speak to these artists. So you
(01:51):
had and I'm not going to name all of them
because I don't know everybody off top. I know er
Kabay do DiAngelo, which is how we got hair and
conversation because you know this is I just want to
send the recipes to d Angelo. But in talking about
him and just you know, seeing so many people like
recap a lot of his work, his music, his impact culturally, musically,
(02:17):
just everything. It made me think a lot about the
people that are around you as you were making different
decisions to express yourself and how you express yourself and
just how you touch the world and what your impact
is there. And I just was thinking, I'm like, damn, Like,
so she's describing these GM sessions between y'asinbe talib Qualiti
(02:38):
common Questlove D'Angelo, Like, imagine that group of people in
the studio, and I believe it was an electric lady
that they were talking about that they would like shoot at,
you know, or shoot at that they would you know,
just just be at and run into each other to
each other at all the time. But it was a
collective of great minds and great thought seekerts.
Speaker 2 (03:03):
So the original so aquariums are Questlove, j Dilla DeAngelo
and Ali Shahi Mah got it. And then came James
Poyser because they're all Aquarius.
Speaker 3 (03:15):
Yes yes, yes, yes, and you were the Pisces and
the only woman right yes yes. How did they how
to being around them? How did that change your approach
to the making of the music? Like did they push
you in any type of way?
Speaker 1 (03:28):
Absolutely?
Speaker 3 (03:29):
Yeah.
Speaker 2 (03:29):
Before I met any of them, before I had bodyism,
they were the audience that I sought out, like I
just want these people to hear this, you know, because
it didn't mean anything else. You know, it didn't mean
much for anyone else at that time. For me to
hear it, it meant a lot for them, those people
(03:51):
to hear it because I admired them so much and
continue to learn from them and grow.
Speaker 1 (03:57):
Yeah, I just I don't know, just made me think
of that clip, so, you know, wanted to play that
clip here and sending him a rest in piece. D
Angelo passed away at age fifty one of pancreatic cancer yesterday,
October fourteenth, twenty twenty five, and there's just been an
outpouring of love for him all over the place from
all different types of artists, whether you you know they
(04:20):
had the honor to meet him to you know, just
watch his work from afar all of the things. And
his career began at eighteen, he was in a group
and they won an R and B composition at Showtime
Showtime of the Apollo Fast Forward drops brown Sugar, which
(04:40):
is like his debut that debuted his debut album that
debut number six on the Billboard chart and went platinum
back in nineteen ninety six. And on that album, you Had, Lady,
You had Brown Sugar, You had Cruising brown Sugar actually
earned him a Grammy nomination for R and B Album
of the Year. I mean that song. Even as I'm
(05:00):
talking about that song, you just hear it. Like I
think the music of a certain time really illustrates your life,
no matter what your age is. Like the old heads,
like the OG's always like y'all wasn't outside y'all don't
even understand the feeling. But I think, you know, we
might not have been around when the songs were charting,
and like the artists were really you know, running around
and it was new and they were breaking and they
(05:22):
were getting the world to love it. But good music
has lasted, and good art last generations the generation, and
that's what that's what made me think about the story
that I heard Erica, but BA do tell about working
within that collective and just wanting to, you know, throw
your art not even at the wall and see if
(05:42):
it's stuck, but within a group of your peers that
you respected, and all of those people have created things
and brands and conversations that have impacted, touch and influenced
people for generations to come. Because I gotta I get
a feeling when I hear Brown Sugar, and I have
been also to the Brown Sugar movie is my favorite movie.
(06:02):
But yeah, I just you know it. It's always one
of those things that you think about as a person
that is creating something that you're putting into the world.
Conversation is my art at this point SI music not
a music artist, but I always think about how is
(06:23):
what I'm doing impacting people? And when you see and
it's sad though that you really had this conversation about
a lot of people once they're not here anymore. But
I won't go down that rabbit hole. I just yesterday
when I was seeing a lot of the you know,
outpouring of artists that we're talking about how what Dangelo
(06:46):
did in his career just by waking up and being
himself and deciding to explore instruments and show the world
that and explore you know, his sex appeal, his his neo,
so all the things like how it has impacted so
many people. So, you know, making sure we send a
rest in peace to him, some love to the family,
(07:09):
to his family. Yeah, the only right way to start
off an episode on a day like today is to
do that, is to take that time. Now. In other news,
as we shift gears, there's been a new announcement Netflix
is getting into the podcasting business. Now you're probably like, what,
(07:35):
Like I hear so many people say please defund the
podcast mics. Too many people have podcast mics. And then
you get this story about Netflix getting into the podcast
of business because they just in ink to deal with Spotify.
It doesn't mean that they're gonna run around giving everybody
more podcasts. Spotify is already doing that black effect. Does
it better shout out to you know, ganggang. But what
(07:57):
is gonna happen is major podcasts with viewership with the video.
Netflix is going to come in and say, come on
over here, we got a home for y'all, and how's
the video podcast? And this is interesting to me because
you guys know, and I've talked about this and you know,
several different conversations here on the podcast. When I went
to Memphis to the podcast fest, the pot Box Podcast
(08:19):
Festival in Memphis, one of the things I talked about
was and when I got in the you know, got
into all of this podcasting because of the latest with
Lon La Rosa, I didn't really understand the like, what
was the big deal about the audio? For me, I'm
a visual person. I like to see things. I like
to see people's reactions. I like to see the laugh,
(08:41):
the upset, the cries. Like I just attached to things
I can see. I like to see the coloring, the
you know all of that podcasts that are only audio,
I can't really think of too many of them. Besides,
I will say The Read, The Read, and not necessarily recently,
but I remember The Read being one of the first
(09:04):
podcasts years ago that I was actually listening to religiously.
And I don't even know what the people look like
because I could only listen to it. And even right now,
as I'm talking about The Read, I don't think about
what the hosts look like. I think about what their
art of their podcast is, you know, the two head
figures that like pinkish salmon color, like it's branded around
(09:28):
just the art of the podcast because they never had video.
They still don't have video. Crystal who now has stepped
off and she's doing her own podcast that will be video,
but they've never had video. And it's very successful podcast.
But I didn't really understand, you know, what the business
was behind the audio. So I feel like I'm learning
(09:50):
that as I'm going and I really begin to understand
that with us and our success here at the Latest
with Lona Rosa. But I always thought video was like
the utmost and foremost important and then I kind of
took a step back from that. Y'all know, we're back.
We do have a video component. But when I saw
this Netflix deal with Spotify, I'm like, yeah, there it is.
(10:12):
That's why, because I mean, you're it's always been a
thing that you can do deals for the video side
of your podcast with networks and like all the people.
But for a big platform like Netflix, it be like,
come here, we need to be in business with y'all.
That means that there is growth happening on the video
side of podcasts, and it's possibly growing to not just
be a marketing tool, but an actual force in podcasting
(10:35):
because audio is a force. Like I can't even describe
to you guys how much audio from the radio to
podcasting has changed my whole life in three sixty five,
but it really has. And now I'm reading this article
and I'm hearing from you know, the execs at Netflix
(10:59):
and Ted Sarandos, who is the co CEO of Netflix.
He gave Deadline a quote when they made this announcement.
He says, as a popularity of video podcasts grow, I
suspect you'll see some of them find their way to
Netflix and then they have some information here in the
article that says last year, Spotify founder and CEO Daniel
(11:20):
Ck said that the number of creators publishing video on
Spotify had grown by more than fifty percent year on year.
So with this deal, we will now see Spotify produce
series from its Spotify studios and the Ringer launch on
another platform. One of these shows that will be coming
on over to Netflix is the Bill Simmons Podcast. Anytime
(11:41):
you see something like this where a major platform is
reevaluating their business structure and bringing something in because it's growing,
that means that there's about to be such a centered
focus around just that. And don't get me wrong, podcasts
or that they everybody's got one. Everybody. There's a lot
(12:03):
of people who only do video podcasts, right, they don't
even they're not focused on the audio. For a long time,
you know, that has been the that's been a big
no no to not be focused on audio. And I
still think with Netflix getting in the game, that'll still
be a thing. Like I think the way that podcasts, uh,
(12:24):
the way that podcasts. The way that podcasts have been
set up and positioned, audio is literally become like a
daily part of people's lives. It's not live like radio.
And I've learned that radio is that it's a daily
part of people's lives, but it's live, like you can
turn you on and hear me while you're headed to
(12:46):
your job. Right. Podcasting is that, but it's a bit
more like schedule. You maybe get them once a week,
you know, maybe twice a month the latest to Lana
Roads that we are every day and I try to
keep up with It's like I don't like doing anything
that is going to date itself that may seem old,
because I want to get as close to in the
(13:06):
now as I can because of what I've experienced with growth,
like just from being on the radio and being in
that space. I say all that to say, I don't
think the way that people connect with audio, and they're
very intimate and personal moments, whether you're in the car
with your children or you know, you got something in
your ears while you're cleaning up. I don't think that
(13:27):
there's anything that can trump that, to be honest with you,
not podcasts that have been here and that have built
really strong listener foundations. However, I do think with the
right platform aka Netflix behind it, the right brands that
will come because not only do these podcasts that are
coming over already have their own numbers, but Netflix is
(13:50):
going to bring a whole other level of advertising podcast video.
In my opinion, on a major streamer like a Netflix,
it's good. It can potentially if done right, it could
potentially take over talk shows in the TV space, which
I will say there's always been reports about how well
(14:11):
talk shows in the TV space are doing, whether it's
daytime talk show or nighttime talk shows. Right, but imagine
if your favorite streamer, your favorite your favorite streaming platform
aired a daily talk show that kept you up to
date with whatever it is you love to know about
the same way your favorite local CBS or ABC or
(14:31):
you know, Fox channel did. That's where I always when
I thought about, you know, a podcast and a show,
That's what I always thought. I wasn't audio focused first
until I got in it and realized the impact of it.
But coming into this, I was always like, if we
build out the video, we can end up on a
streaming platform because that's where people are and people used
to like even when people ask me, like, what's your goal,
(14:54):
and I'm like, one of my goals and storytelling is
to have a TV show and to be on TV
not just as a talk show host, but as an
actress and all these things. When I'm thinking about it,
I'm like, it's not TV, though not in a general
and like traditional way that we think of a TV
show or if I'm acting in a TV series, It's
like it's streaming. But think about how many daily talk
(15:18):
shows you have on streaming platforms. This is going to
unlock a new character. Netflix is onto something here, I
do think, and I'm interested to see. I was reading
some of the shows that they have and that they
will be leaning to in this you know, first round
of this partnership. I do think it's going to be
interesting to see what show served best from Spotify and
(15:42):
or YouTube and you know audio and just doing video
as like their marketing piece and a visual piece now
coming over to Netflix. But I'm also interested to see
who's the first platform that's going to do it in
a way where we can watch it live. Like imagine
if you take like a Wendy Williams stole show, a
Ladies with Laura l Roza and you put that show
(16:04):
daily on a streaming platform, but you do it live
with a live audience, so you're able to watch me
on your favorite streaming or your Netflix, Amazon Prime. And
then whenever you miss the live episodes, it's just like
on demand essentially, but it's meeting people where they already are,
(16:24):
which is streaming. Whenever you miss my live episode, you
go back and you binge via Netflix or via Amazon
Prime to be wherever. So we look, who knows I'm
over here trying to speak things into existence. But more so,
what do you guys think? Where does this new partnership
with Netflix and Spotify? Where does this end us in
(16:45):
a year we'll talk shows and TV shows be as
relevant or will everybody be going to streaming for those
two I want to know. Get out there in the
streets and the tweets. Let me know how y'all feeling.
It's Laurna l Roza outside, We outside every other page.
This is the latest with Lona Rosa. And at the
end of the day, y'all could be anywhere with anybody
(17:07):
listening to all these things, talking about all these things,
But lowriders, y'all choose to be right here with me,
and I appreciate y'all for that. I will see you
in my next episode.
The Breakfast Club News
Hosts And Creators
Charlamagne Tha God
DJ Envy
Jess Hilarious
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