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Episode Transcript
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Speaker 1 (00:03):
It's important Main Street will got one of the big
things in America culture. They not like us, Thank everybody
the Breakfast Club you don't want to shake it out.
Speaker 2 (00:12):
They not like Carls Girl, e t NV, the family guy,
just hilarious.
Speaker 1 (00:18):
I'm the Wow call and Charlemagne to God, I'm a
lovablack for real plan.
Speaker 3 (00:24):
Yo, I'm loving that energy up there right now.
Speaker 4 (00:26):
Sometimes you gotta pop out.
Speaker 1 (00:28):
This shows then that let's begin.
Speaker 4 (00:31):
Wake up, wake up.
Speaker 5 (00:34):
Your time to get it off your chest? Will you
man or blessed? We want to hear from you on
the Breakfast Club.
Speaker 6 (00:41):
Hello. Oh, this is Jason from Canada. I listen to
you guys every morning.
Speaker 7 (00:48):
Do you have an our tattoo on you anywhere?
Speaker 1 (00:50):
He definitely does. No, No, I don't.
Speaker 8 (00:53):
I just wanted to call and say, yeah, we listened
to you guys in Canada also, and.
Speaker 7 (00:58):
We were on at Theron take it up.
Speaker 5 (01:01):
That's not true, all right, I don't know if that's true.
That's his story and they just took us off.
Speaker 1 (01:05):
Yeah, well discuss that some time. Hello. Who's this dere
Derek Detroit? Get it off your chest?
Speaker 6 (01:14):
A couple of things off my chest. But I'm gonna
be brief for you on one of the conversations we
have nowadays have to have the cause and uh definite
still to indicate you're not saying so to me. I
think that's quite ridiculous. Like I read that's influence to
where you can't say something without having consider ridiculous cause
(01:37):
no cap and all that.
Speaker 8 (01:40):
We do it too much in the world.
Speaker 4 (01:42):
Yeah, sometimes it is very much annoying, but you you
can do what you want to do, you know what
I mean.
Speaker 1 (01:46):
You ain't got to follow the trends absolutely without a doubt.
Speaker 6 (01:49):
And I'm always be me. But at the same time,
it's just annoying, is here even when y'all say certain
things or people y'all guests or or uh invite say
thirty things? Is just pause, Like come on, man, you
make the conversation more unrelatable when you cause I'm like,
what what what happened? What just happened that we paused
fos what Wait?
Speaker 1 (02:10):
That's why you should just say that was gay?
Speaker 6 (02:14):
Yeah yeah, or anything? Just me relatable man. You know,
drash people following the young people try us me to stop.
You know, we need to know how.
Speaker 5 (02:25):
Old are you?
Speaker 3 (02:25):
I'm forty two.
Speaker 7 (02:26):
Okay, I was born in the night one hundred and seventeen.
I'm forty five. Pauses our error.
Speaker 1 (02:30):
Sir, Yes it is Paul.
Speaker 9 (02:32):
That was Cam run and then back in the day,
long time ago, a long, long time ago.
Speaker 7 (02:36):
You know that.
Speaker 6 (02:37):
But well, that's just that when I say so your people, yeah,
thank you. I appreciate you. But not just that, but
also with the fact of some of the other stuff
that we do and say, that's just what I say. Okay,
that may be our era, but it's a lot of
stuff we're doing, you know, the carrage, the dragging it out,
and that sounds crazy.
Speaker 7 (02:56):
Like you you know what I'm saying, Like what you said, when.
Speaker 6 (02:59):
People say crazy and they drag it out, that's crazy.
Speaker 1 (03:04):
That that was our error to bro.
Speaker 6 (03:09):
Yeah, that wasn't our era.
Speaker 10 (03:11):
Man.
Speaker 6 (03:11):
You ain't never heard of people dragging the world crazy
like that?
Speaker 7 (03:17):
What are you talking about?
Speaker 11 (03:18):
Yeah?
Speaker 6 (03:19):
Yeah, okay, maybe you right on that one.
Speaker 12 (03:24):
Hello was going man peasing blisses man, Yes, Man, Man,
I was talking the elevator for a whole hour, man,
and they needed to be doing this.
Speaker 11 (03:37):
Man needs to really wake up earlier, man, because I
felt like my life was over.
Speaker 13 (03:42):
Man.
Speaker 11 (03:42):
I made so much promises for garden, this other my mother,
man like, oh what's just on my worst edity?
Speaker 13 (03:49):
Man?
Speaker 11 (03:49):
No windows, so escape.
Speaker 1 (03:51):
I'm thinking about boost Willis and.
Speaker 11 (03:56):
I'm thinking I'm touching them, but I'm kicking. I'm trying
to punch colds. I'm doing everything. I'm like, you know what,
let me think you. I ain't gonna lie. I had
a little reception, but not too much. I was playing.
I was playing RBS. Saton never would have made it, damn.
Speaker 13 (04:12):
You.
Speaker 11 (04:12):
The only reason why I got out, The only reason
why I got out because of the spamish dude. He
kept pushing the button downstairs, and he kept kicking the door,
and then all of a sudden opened but it was
a half of the food. Then it popped up, and
then I got out. I don't just tell anybody right now. Man,
I don't know if I think get elevated to the game.
Speaker 14 (04:27):
I think it's a lawsuit.
Speaker 7 (04:28):
I don't know if it's a lawsuit.
Speaker 9 (04:29):
But I wouldn't wish that all my words enemy, because
I got a daughter who has a very unhealthy fear
of elevators.
Speaker 1 (04:34):
And she like the walls of clothing.
Speaker 11 (04:36):
Mens like you just feel like every I was playing.
I was in one of the Titanic several reasons, man,
but that's the who was up the story.
Speaker 1 (04:42):
But anyway, book and Brooklyn, Bronx and Brooklyn, you know it's.
Speaker 7 (04:48):
You know, everything broken in the Bronx.
Speaker 5 (04:51):
Damn man, have a bless day.
Speaker 7 (04:55):
I'm glad that you got out of that situation.
Speaker 5 (04:56):
Absolutely.
Speaker 9 (04:57):
I'm telling you my my eight year old is definitely
afraid of a elevators. I don't know what she watched
that she saw somebody get stuck on the elevator. But
Lord have mercy. Not like elevators at all. In no
way ship before Hello, who's this.
Speaker 5 (05:10):
Are you doing?
Speaker 8 (05:11):
Be from Brooklyn?
Speaker 1 (05:12):
What's up?
Speaker 5 (05:12):
Brother?
Speaker 1 (05:13):
Get it off your chest?
Speaker 11 (05:14):
Well the first good morning everybody. I want to thank
Charlie made for those you ain't give them to me.
But I read your books and jail and man, and
they got me through a lot.
Speaker 3 (05:24):
Man, you want funny, funny guy, Thank you, brother.
Speaker 9 (05:28):
I got a new book called Get on Us and
Die line. Why small talk sucks?
Speaker 3 (05:33):
I got my lady on top of that already.
Speaker 6 (05:34):
I hear the balls and overles, I just have a
pickup for me.
Speaker 5 (05:37):
Thank you.
Speaker 4 (05:38):
I ain't locked up, No more. I was reading why
I was in jail.
Speaker 14 (05:40):
Man, I'm still going. I'm still gonna read not but
I want to get off my chest. Uh My thought
the birthday was Tuesday.
Speaker 11 (05:50):
My big malls would not let.
Speaker 15 (05:51):
Me see her.
Speaker 11 (05:53):
It's crazy, man.
Speaker 1 (05:54):
Sorry for you, brother, Yeah, I'm sorry about that.
Speaker 11 (05:57):
I don't know why they do that.
Speaker 14 (05:58):
Man.
Speaker 11 (05:58):
They gotta understand it's over.
Speaker 15 (05:59):
You gotta let it go.
Speaker 14 (06:01):
I was listening to Leon just and that co parenting,
that co parenting.
Speaker 15 (06:05):
Then yah, dad, I'm like, damn, I wish I hadn't
get like that.
Speaker 4 (06:07):
Yeah you can.
Speaker 1 (06:08):
It's probably gonna take some work, but you could get there.
Speaker 5 (06:11):
Trust me.
Speaker 11 (06:12):
I have a good day, fella.
Speaker 16 (06:13):
That's get it off your chest. Eight hundred five eight
five one five one. If you need to vent, hit
us up now. It's the breakfast club.
Speaker 5 (06:21):
Good morning.
Speaker 17 (06:22):
The breakfast club is your time to get it off
your chest. Whether you're mad or blast, but do what
have the same anath We want to hear from you
on the breakfast class.
Speaker 18 (06:34):
Hello, who's this y'all?
Speaker 19 (06:37):
Don't man?
Speaker 15 (06:37):
Good morning, good morning, good morning.
Speaker 1 (06:39):
What's up to you?
Speaker 5 (06:41):
Yo?
Speaker 10 (06:41):
Listen?
Speaker 15 (06:41):
I want to talk to Charlotte.
Speaker 7 (06:43):
I'm right here, brother, what's happening if it?
Speaker 1 (06:45):
Bro?
Speaker 15 (06:45):
You always said, hey, Donald Trump, it's the biggest threatch
od democracy, right, uh huh, And I kind of felt
like democracy is already gold.
Speaker 10 (06:55):
Bro.
Speaker 15 (06:56):
Oh't think America has a democracy when you say, to
think about it, man, They creating all these laws to limit.
Speaker 11 (07:01):
Us on things we can say, things we.
Speaker 15 (07:04):
Can do like we were no longer in a in
a like a whatever that word is kind of country. Bro,
This ain't this ain't a democracy country no more.
Speaker 9 (07:14):
But I know I can understand why you feel like
that as a black man in America. I can understand
why any minority feels like that. But I tell you what,
whatever democracy we had you let him get in office,
even that's going to be gone.
Speaker 15 (07:26):
But I'm not I'm not, No, I'm not the biggest
dollard Trump man. I dance ain't nobody man, I ain't no.
Speaker 7 (07:34):
I thought.
Speaker 15 (07:35):
I thought every black person that went down there and
voted for that man was crazy to him.
Speaker 7 (07:39):
I don't like neither one of them.
Speaker 15 (07:41):
If anything, he's only made to destroy us.
Speaker 9 (07:43):
Your phone breaking up, brother, Oh yeah, the reality is
both of them trash. But that's all we got on
the menu. Come November I mean you got third party options,
but you know, yeah.
Speaker 1 (07:54):
Hello, who's this?
Speaker 20 (07:56):
Heye your chest?
Speaker 13 (07:59):
Mama?
Speaker 5 (07:59):
Good morning.
Speaker 19 (08:00):
Hi, I'm skaking right now. I didn't think you guys
my answer.
Speaker 9 (08:04):
Oh, I was gonna tell you put the sweater on
if you were shaking.
Speaker 1 (08:07):
What's up, Kayla?
Speaker 13 (08:08):
Yo? Hi?
Speaker 10 (08:10):
Hello?
Speaker 8 (08:10):
What's up?
Speaker 13 (08:11):
Not sa?
Speaker 19 (08:12):
I don't know.
Speaker 6 (08:12):
I just colled just to see.
Speaker 20 (08:14):
I'm sitting in the parking line about to go with
this work, and I just called.
Speaker 7 (08:17):
Will you work at, Kayla? Where you work at? What
you do for a living?
Speaker 4 (08:20):
I'm a CNA, it's a nurse. A nurse, okay, and
say the nurse.
Speaker 20 (08:27):
Back to work. I just had a baby, thank you.
I had a girl.
Speaker 7 (08:33):
Oh you know, I got four of those.
Speaker 1 (08:37):
I'm wishing for one of those. Aren't you late? Don't
you got to be at work at six o'clock?
Speaker 13 (08:41):
No?
Speaker 6 (08:41):
I started seventy three, okay.
Speaker 1 (08:43):
She early early early us.
Speaker 7 (08:46):
That's what we we.
Speaker 9 (08:47):
We appreciate your service, Calor, we appreciate all you do
is a nurse man.
Speaker 5 (08:51):
Thank you, thank you.
Speaker 6 (08:53):
Oh my god, you guys mean my day.
Speaker 7 (08:55):
You made all absolutely.
Speaker 1 (08:57):
I have a good one, Kayla, you too.
Speaker 9 (08:59):
Yes, I I respect anybody who cares enough the callers.
Speaker 1 (09:02):
Before they go to work. Yeah, and appreciates what we do.
Thank you, caller, get it off.
Speaker 16 (09:06):
You just eight hundred five eighty five, one on five one.
If you need to vent, hit us up now. It's
the Breakfast Club. Good morning, the Breakfast Club. We are
the Breakfast Club.
Speaker 1 (09:17):
We got some special legends in the man Come on now,
this is a special one right here, legends of the building.
Come on. It's the cast of Good Times. Fifty years
of good Times. We got Michael, Thelma and JJ Well
round called and Bernadette Stainers and Jimmy Walker.
Speaker 7 (09:30):
That's right, all right, Good morning guys.
Speaker 1 (09:32):
How y'all feeling?
Speaker 21 (09:33):
Good morning?
Speaker 1 (09:34):
Breakfast Club fifty years a good time?
Speaker 5 (09:36):
Wow?
Speaker 4 (09:38):
I know wow, and.
Speaker 1 (09:40):
We're still going strong.
Speaker 7 (09:42):
Did y'all know Good Times were going to make the market?
Speaker 4 (09:44):
It made well.
Speaker 21 (09:45):
I didn't have no idea, No, we didn't, but we're
very grateful it did.
Speaker 4 (09:49):
Yeah.
Speaker 1 (09:49):
Well, from the beginning, let's start, how did it come about?
How did Good Times come about? How did you guys audition?
Speaker 16 (09:55):
And how did it make because during that time there
wasn't too many of us on television?
Speaker 5 (09:59):
So how did it come about?
Speaker 13 (10:01):
Well?
Speaker 4 (10:01):
And he is black, you know.
Speaker 1 (10:05):
I know, he joked me all the time and I'm black.
Speaker 22 (10:10):
But well, it started with me being in a beauty pageant,
you know. And from there, Uh, there was a manager
watching me in the beauty pageant and gave my mother
a card to say they're looking for a teenager to
be in the show and meet Norman Lear CBS.
Speaker 6 (10:33):
You know.
Speaker 22 (10:33):
So we went up there. But there were thousands of
girls when I opened the door. So, I mean, but
that's how it started with me. You were a teenager,
a good uh yeah, oh you eighteen?
Speaker 9 (10:43):
Oh okay, have mercy, Okay, yeah, all right, He's still beautiful,
absolutely so.
Speaker 22 (10:51):
And then you know, after a couple of months, I
thought I didn't get it, you know, because I didn't
hear back from them. And then I did get the call.
My mom got the call that I was Thelma, and
so they flew me out to California. That's how it
happened for me.
Speaker 5 (11:05):
Wow, what about you, Miss Carton.
Speaker 21 (11:07):
By the time I began to work with Norman Lear,
I had been in my sixth Bodway play by that time.
During my journey with Miss Jane Murray and also Pat Kirkland.
These were two wonderful women who I auditioned for when
I went there. However, I literally had the job before
I got the job. My contract was brought from The
Raisin in the Sun by Lorraine Hansbury. We did the
(11:29):
version of the musical play. By that time, I had
won the Tony Award nomination that year in seventy four. However,
as a result of that, Norman would consistently. He came
more than twice to see my work and flew my
mother and I out to the state of California. You know,
I was reluctant because they always said it never rains
(11:49):
in California, and I was excited it rained for three
months when I got to the right. Then any illusions
about Hollywood were always neutral.
Speaker 1 (12:00):
Lives as far as our concerned.
Speaker 21 (12:02):
So I'm very grateful to have not only work with
and still love Jimmy Walker and Bernion Debt. But we
give respect to the spirit of Mss Esther Rodene du Bois,
and to Johnny Brown who played Bookman, to Helen Martin
who played Weeping Wander. These are wonderful people that helped
us along the way. Of course, to mister Ben Powers
(12:22):
as well, Albert Reed, who played the older These are
the people who accentuated what we did. Of course, we were
working with the wonderful Debbie Allen and the work that
she contributed to our production.
Speaker 1 (12:35):
So we think.
Speaker 5 (12:36):
You what about you, mister Walker. I'm just a hard
core stand up. That's it.
Speaker 2 (12:40):
That's all I do. I'm just a stand up to
the core. So I went to a comedy store. I'm
doing shows. I go back to bed at like three
o'clock in the morning, get a call JD Joe. She says,
where are you. I said, well, we're like bed sleeping.
She says, well, you be going across the street. We're
doing rehearsals. I said, rehearsal for what? She says, this
is show called good Times. You signed on to the show?
(13:03):
I had signed on to it at the improv. Yeah,
because I didn't believe him because he's a liar.
Speaker 7 (13:09):
So a verbal contract.
Speaker 2 (13:11):
No, they had a contract. Kenny, the drunk, who was
a lawyer, was at the bar. I said, Kenny, is
this any good? He said, yeah, I think so, sign it.
I'll send it back for you. And I thought, I said,
Kenny is a drunk. He's not going to send he's
a liar. He's not going to send it. So then
he sent it back.
Speaker 5 (13:28):
So I was on the show.
Speaker 2 (13:30):
So I go to the rehearsal and there's a whole
bunch of people there at the rehearsal because I didn't
even know we had a script, because they said this
the script downstairs. I said, I'm going back to bed
because I'm not going downstairs to get a script because
they're lying.
Speaker 5 (13:42):
I don't have time.
Speaker 1 (13:42):
But so I went.
Speaker 2 (13:44):
I got the script and I'm reading the script and
I said to the guy next to me, like you normally,
I said, man, this sucks.
Speaker 5 (13:50):
What is this? I said. He said, we're going to
do a TV show.
Speaker 1 (13:55):
I said, really, I said, you're a liar.
Speaker 5 (13:57):
It's not going to happen. This is terrible.
Speaker 2 (13:59):
From and on we did the show, and I was
always throwing stuff in and people got upset.
Speaker 7 (14:03):
When did you stop thinking people?
Speaker 5 (14:04):
Was like, never, I think it now.
Speaker 2 (14:07):
People, I mean, agents are liars. They're all liars, no
very few people. People want to be bigger than what
they are. And the big people you never meet them.
They're in a big glass tower upstairs on the ninetieth floor.
So you know, even if like Vernon Ella, even if
meet the girl. I said, give me your number. I
(14:28):
know she's lying because she's not going to give you
the number. And then with the horrible things with the
cell phones, they don't answer. You text them, you email them,
they just look. They sit in their room and they
sit with their girlfriends and they start laughing.
Speaker 1 (14:44):
They go This moron I met at Walmart. He asked
for my number.
Speaker 5 (14:49):
I was busy.
Speaker 2 (14:50):
I gave him my number because I know I'm never
going to talk to my answers emails ever again. In
a while, somebody will come through, but very very badly.
And the girl, the girl would be nice, and some
(15:11):
girls will go. Some girls will go. And I learned
this from a friend of mine who happens to be
a girl. And she said a very interesting thing. She said,
you know, if you want to get rid of a
guy and he asked you to go out, say you know,
like if if she's a.
Speaker 5 (15:25):
Girl, I asked you to go out.
Speaker 2 (15:27):
I say, hey, Jess, you know, why don't we you know,
go to uh go to the Four Seasons.
Speaker 5 (15:32):
And have dinner. That's what they do. Are you serious?
Speaker 13 (15:42):
Really?
Speaker 15 (15:43):
Come on?
Speaker 1 (15:44):
No, it wasn't lucky yet.
Speaker 2 (15:47):
But it was a girl that showed promise, she answered,
she answered, and I was like, really sometimes sometimes she's
so stud What one did call back?
Speaker 5 (15:58):
I was, I was stunned.
Speaker 1 (15:59):
How many times do you give your number out to
these women?
Speaker 2 (16:03):
I'm available anybody, but see they they and I've said
the girls, hey, let's go the truth together, and they
just go.
Speaker 13 (16:16):
They just.
Speaker 1 (16:20):
Do. They just start laughing.
Speaker 16 (16:27):
Alright, we got more with the cast of Good Times,
Ralph Carter, Bernadette Standers, and Jimmy Walker. When we come back,
it's the Breakfast Club. Good morning, the Breakfast Club.
Speaker 1 (16:39):
Warning, everybody is d j n V. Just Hilarius Charlamage
the guy we are.
Speaker 16 (16:43):
The Breakfast Club was still kicking in with the cast
of Good Times on this Flashback Friday, Ralph Carter, Bernadette Standis,
and Jimmy Walker.
Speaker 5 (16:50):
Charlomagne, How did.
Speaker 1 (16:51):
How did y'all feel about the Good Times cartoon on Netflix?
Speaker 5 (16:55):
Well, that's Bernadette's think. He'll tell you. How do you
feel they calling it a.
Speaker 22 (17:01):
No, that's not that's not it at all. No, that's
not it at all. I think that our audience missed something,
you know, they missed what happened to us. It's always
they want the completion of it. It never really happened
so far. My thing about the animation was this that
you know, I know that Jimmy Walker came to them
(17:22):
and he presented a cartoon about five years before this,
before this one, and it was it was the really
the the all of us, the way we are in
an animation and we have our same voices and everything
like that. They didn't bite that, but later on came
up with they're gonna do an animation and I remember
my manager called them and said, well, what are they
(17:43):
gonna Are we gonna be in it or not. So
the way they describe the animation to us was this,
it was going to be a modern day, you know,
progression of what everything is going to be for the
Good Times family. You know, fine, but they asked Jimmy
and to do a tiny little part. But it sounded okay.
You know, we didn't see the scripts. So Jimmy did
(18:05):
a part. I did a little part. My character's name
is Peaches. You know, she's like a project lady. That's whatever.
But when ni trailer came out, we saw it and
everybody was like, no, you know, you don't have a
crack baby in somebody in the mother's arms.
Speaker 4 (18:18):
You don't do that.
Speaker 22 (18:19):
So and I remember having an interview with the singer Gilstrap,
Jim Gilstrap, and he was saying, you know, there are
some lyrics that they took out. So I said, were
the lyrics and he said, well, you know they say
roaches roaming the hallway and the landlord lives on the
other side of town or something like that. He said
that they took it out because fifty years ago now
(18:42):
they thought that that would be offensive to black people. Okay,
but fifty years later, you have two roaches singing in
a shower.
Speaker 4 (18:51):
They sing in the song good time. So I'm like,
this is not it.
Speaker 5 (18:55):
I haven't watched it, mister Cardi.
Speaker 21 (18:57):
I actually was quite disappointed with the actors who took
time to sign on to that project. These are actors
and artists and comedians that I really had a high
regard for. I won't use the past tense with them
right now, but I'm disappointed at the fact that they
did that. When I did take a quick review of
this particular rubbish that I saw, I was contacted by
(19:18):
some media outlets from my point of view, but I
refused to dignify with a response, and I'm just pretty
much disappointed with the artists who signed on to it.
Speaker 5 (19:28):
Y'all don't like the good times.
Speaker 4 (19:29):
Remove to say that.
Speaker 7 (19:34):
Fifty years of good times.
Speaker 9 (19:35):
I'm talking like nobody did a documentary or some type
of you know, reunion show, like y'all didn't get approked about.
Speaker 13 (19:41):
None of that.
Speaker 21 (19:41):
Now, the anthology that I did, right, it wouldn't be
a product commercially right now again because of the losses
that we have.
Speaker 22 (19:49):
They that we wanted to have, people that we worked
that were going to put together, and we had all
the characters.
Speaker 21 (19:54):
It's just they are now ancestors.
Speaker 5 (19:58):
So this is.
Speaker 2 (19:59):
Brett Miller who works with Norman and that's the guy
who kind of kind of goboshed us. Yeah, and that
that was it. I mean, that's the way because when
I took it around, everybody I talked to says, well,
do you own the rights? We go no, and they said, well,
nothing we could do for you. And these are all
friends of mine. So that's the way it was. I
(20:19):
just think that they didn't want us involved and they
achieved their goal.
Speaker 7 (20:23):
Yeah, well we love y'all.
Speaker 22 (20:28):
Yes, our fans really kept writing us and telling us
how much they loved us, and they did not like
the animation. You know, they respect us in so many
different ways, so we still got our satisfaction out of it, you.
Speaker 21 (20:40):
Know, absolutely, and when the people don't like it, watch out.
Speaker 5 (20:44):
Well. We appreciate you guys for joining us.
Speaker 4 (20:46):
Fifteen the lyrics to the theme song. Y'all all know that.
Speaker 5 (20:51):
No I don't know it. I think Ralph knows it.
Speaker 21 (20:53):
Keeping your head above water, making a way when you can,
temporary layoffs, good times, easy credit, riftball, good time, scratching
in surviving, good good time, hanging in a child line.
Speaker 1 (21:08):
That's how I interpret.
Speaker 4 (21:10):
I have the living, Yes, it is hanging in that.
Speaker 21 (21:14):
Versions, hanging in and making and driving, but also I
have on document and my archive hanging in the child
and something.
Speaker 1 (21:24):
Versions of it.
Speaker 21 (21:26):
However, it really caught on the way that the wonderful
En wrote the soundtrack for Moving On Up for the Jeffersons. Wise,
there is the writer and the musician and the vocalist
that sings that song, so that in itself, when you
deal with themed songs, and when we were coming on,
y'all were gracious enough to play for us. So it
(21:49):
was a nice way to walk into your sound studio,
and we thank you.
Speaker 5 (21:53):
So the mystery continues.
Speaker 9 (21:54):
We still don't know what it's hanging in the hanging
in it.
Speaker 4 (21:59):
It's hanging and giving.
Speaker 1 (22:01):
That's what it is. Anderne. They're not going to have
this going on for a while. We appreciate you.
Speaker 22 (22:07):
Jim, Jim Gillsdraft, the one who sung it, told me
he said it was hanging in and giving.
Speaker 4 (22:13):
That's what it was.
Speaker 22 (22:13):
But it came off I don't know if it was
the enunciation of it or not, but it came off
as hanging in a chow line. It sounds that way,
but it really was hanging in and giking.
Speaker 21 (22:23):
And there's a second verse that people have never heard
that goes to the same song. So the information that
I do have it has what I'm saying that.
Speaker 22 (22:34):
Sing in the shower.
Speaker 21 (22:35):
So you guys have been wonderful. I thank you Fote
for thinking enough of us. Again to your listening audience,
we thank you again for wonderful fifty years. May you
be blessed by every breath you breathe and every beat
of your heart.
Speaker 5 (22:50):
Thank you very much.
Speaker 1 (22:51):
That's right, it's the Breakfast Club.
Speaker 5 (22:52):
Good morning, thank you.
Speaker 16 (22:53):
All right, good morning everybody. It's the j N B,
Jess Hilariy, Charlamagne, the God. We are the Breakfast Club.
If you're just joining us, we're talking about getting massages
from the opposite sex. Now, this conversation started from Mason
Cameron talking about having trainers and women using male trainers,
and then we heard Charlemagne said recently that you got
(23:13):
a massage from a mail and you said it was amazing,
And what did he say about.
Speaker 4 (23:17):
He said that the guy massage every part of his body,
even his mouth.
Speaker 9 (23:21):
Not every part of the body, but he definitely gave
me a mouth massage, which is something I never had
before because apparently there's two muscles in your mouth.
Speaker 7 (23:27):
And I'm the type person, you.
Speaker 9 (23:29):
Know, because of like anxiety and stuff like that, like
I'm always like grinding my teeth a little bit, or
like I'll open my.
Speaker 1 (23:35):
Mouth real wide. I don't know why.
Speaker 7 (23:38):
And so it's like he he he massage these two.
Speaker 9 (23:41):
Muscles in my mind and hurt, Like hell, how do
you massage them with his hands?
Speaker 7 (23:45):
Like he was like he like it's like a it's
like a technique.
Speaker 9 (23:47):
Anybody out there that does this massage thing I'm talking about,
I know you know what I'm talking about but it's
like these two corners right here, and he just put
him in and he kind of like us on it
a little bit and it's painful.
Speaker 1 (23:57):
Well man, it's very very stressful.
Speaker 4 (24:00):
So you're a you were able to open your mouth
wider after, Like, what type of effects that.
Speaker 9 (24:04):
I haven't I haven't been grinding my teeth since that. Yeah,
I haven't been grinding my teeth that much instance. But
I mean I've never had a male messeuse until that time,
and he did a fantastic job. But it's just like
football players and basketball players who got male trainers who
you think is massaging them and rubbing on the.
Speaker 4 (24:21):
Absolutely, but I just never heard of a mouth massage.
Speaker 7 (24:24):
Yeah, it's out there, a matter of fact, I'm a
google it right now.
Speaker 4 (24:27):
Matter of fact.
Speaker 16 (24:28):
Yeah, when I when I go to physical therapy and
there's a male messuse, that's that's different.
Speaker 1 (24:33):
But when you go to a massage place and the
lights are low and it's.
Speaker 16 (24:36):
Intimate and the candles are burning, yeah, I would just
prefer a woman to massage me.
Speaker 5 (24:40):
That is just me.
Speaker 4 (24:40):
But you did, you did have a male messeuse before,
and you.
Speaker 16 (24:46):
Listen to everything. Absolutely, but it wasn't that. It was
it was me and my wife together. It was a
couple of massage and it was the teachers how to massage,
give a massage. And the dude came in Diesel dreads Brown.
Speaker 7 (24:59):
See the fact that you just scribs missed me think
that this was a free co case. He got in
the free co.
Speaker 16 (25:04):
But you know what I mean, but turn the massage.
I couldn't enjoy the massage because this big brother Diesel,
but dreads, that's what massages.
Speaker 1 (25:14):
Security.
Speaker 5 (25:14):
It was.
Speaker 9 (25:16):
I don't want it to get I don't know why
you're so insecure if you ain't never had your butt touched,
like I don't have those insecurities. Like I ain't think
of nothing when that male was beside me, I didn't
think about nothing except for this was a good massage
in no way shape before that. But this is a
real thing. Clinical oral facial massage, that's what it's called.
Speaker 10 (25:32):
Get.
Speaker 16 (25:32):
I get that all the time. And the woman that
does it, it's dope. She does an amazing job.
Speaker 9 (25:37):
Or popping up the jaw, clinching lockjaw and limited mouth,
open range and it released his muscles. And I've never
seen this word fascion involved with chewing and jaw clenching.
Speaker 7 (25:48):
So this is a thing.
Speaker 16 (25:49):
So when he when he massages, does he reach over you, like, yeah,
you have to lay y'all?
Speaker 4 (25:56):
Did it from the side?
Speaker 1 (25:56):
What'd you say?
Speaker 5 (25:57):
He was on the side?
Speaker 1 (26:00):
Time?
Speaker 9 (26:00):
When he was on one side, I had to turn
this way, he was on this side.
Speaker 7 (26:04):
I had to turn that.
Speaker 5 (26:05):
Wait Listen.
Speaker 9 (26:06):
If you've never had a clinical oral facial massage, trust me,
it is worth it.
Speaker 1 (26:10):
Okay, what about you.
Speaker 4 (26:12):
I enjoy massages from the same sex, although I have
had massages from a male, and I like the pressure
more from a guy. However, I ain't gonna lie. I
do get excited, like especially when they be like, turnover
and you massage in my stomach and under my breasts
and all that, and I just be like, so, I'm
(26:36):
not gonna lie. Yo, I don't. I don't know. I
just I can't.
Speaker 1 (26:41):
Let's go to the full line. Hello, who's this?
Speaker 7 (26:43):
This is from Brooklyn?
Speaker 1 (26:45):
Hey Kevin for Brooklyn?
Speaker 8 (26:46):
What's going on?
Speaker 6 (26:47):
And be how you doing?
Speaker 1 (26:48):
I'm doing the man?
Speaker 19 (26:50):
I love you.
Speaker 4 (26:51):
I love you too, baby.
Speaker 16 (26:52):
We're talking about massages from the same sex.
Speaker 1 (26:55):
Opposite sex. Brother talk to us.
Speaker 6 (26:57):
Yeah, I have to dip out on a talk other
day because it was saying such, I'm not gonna.
Speaker 1 (27:04):
Call him a company.
Speaker 6 (27:04):
Mean, it was saying sex, and I wasn't filling out.
Speaker 11 (27:08):
I can't have an I just I can't do that.
Speaker 7 (27:12):
You never played any type of sports in high school
or anything like that.
Speaker 16 (27:14):
It's different, yeah, different, laying on the thing and it's
a candle leg and the music is playing room.
Speaker 7 (27:22):
Yeah, it's the move different, y'all.
Speaker 18 (27:24):
I think, y'all it's something about a man, because my
little back hurt and it's something about a man.
Speaker 15 (27:30):
Brother down here, I can't you know.
Speaker 4 (27:33):
Yeah right, yeah, Well, Charlemagne is upset because not a
lot of men are not all men are open up
to other men are open to other men.
Speaker 7 (27:41):
Don't know why everybody's so insecure.
Speaker 4 (27:43):
It's not It has nothing to do with insecurity.
Speaker 1 (27:45):
This is very much got to do this because I
in your mind, you're thinking, man, I might get turned
on by this guy. Man, I don't want this guy
touching me because I might like it.
Speaker 7 (27:52):
That's that's your problem.
Speaker 13 (27:54):
That's what.
Speaker 1 (27:56):
Everybody The same thing you said, he said when the
guy told me turn around, I hooted up a little bit.
Can't make up stories, get mixed, uff up the low.
Speaker 18 (28:07):
Who's this Monica morning, good morning?
Speaker 16 (28:11):
Now that says you're uncomfortable receiving massages from other men.
Speaker 18 (28:15):
Yes, I am. Why because I feel like I make
noises that if I'm enjoying it. Yes, so it sounds
well even though it may not be sexual. Girl, and
I usual to make the guy think, oh well, she
might be into me, and they may go somewhere that it's.
Speaker 5 (28:34):
Not like what kind of noises?
Speaker 7 (28:37):
You a freaky You're a yellow freaky boy. Man, what's
your problem?
Speaker 4 (28:42):
I never I never got myself like yeah, yeah, but
I get what you're saying though, Yeah, girl, come with
the whole soundtrack, especially when they tell you yeah, And.
Speaker 20 (28:51):
That's just how I am.
Speaker 3 (28:52):
And I do that.
Speaker 18 (28:54):
But I'd just rather get from a woman because I'm
not interested in them.
Speaker 9 (28:57):
You know, you bring up you bring up a good point,
Like every single time I get a massage, you know
from a woman.
Speaker 7 (29:03):
You know you do tend to get a little direct.
You know what I'm saying.
Speaker 9 (29:07):
You do you do, But I've never when I had
it with the guy that didn't happen at all.
Speaker 1 (29:11):
Did you make it sounds?
Speaker 5 (29:12):
Did you make sounds.
Speaker 18 (29:13):
Like because there's no interest and it's been making you
feel good, like you don't sound like it feels good.
Speaker 7 (29:19):
And by the way, the guy made me feel good,
but I didn't get a wrect because you're not guy.
Speaker 13 (29:26):
Yeah.
Speaker 4 (29:26):
Because when they hit your lower back, I'm telling you,
like sometimes it's like like oh my god, yes, like
right there. And then when they turn you over and
they go blow your belly button, it's like, oh my god,
Like what you knowing.
Speaker 1 (29:41):
You get on the third time? She said, they turn
you over.
Speaker 4 (29:45):
So real, that's a full body. They do your back
and then they turn you they turn you over and
they do everything else.
Speaker 1 (29:50):
We have a massage therapists on the line. Hello, Hey, yeah, Hey,
what's your name? Bro?
Speaker 3 (29:55):
My name is Chris.
Speaker 1 (29:56):
Are you brown skin with dreads?
Speaker 10 (29:58):
No?
Speaker 5 (29:59):
We're just making sure.
Speaker 9 (30:00):
Standing with a ball ahead and a bed.
Speaker 10 (30:02):
Yeah.
Speaker 3 (30:06):
It's a pleasure. It's a pleasure to be on here.
So I've been a massage therapist for twelve years and
I have that problem majority of the time where the
husbands have a hard time working with me. But it's
not about that. It's the muscular care that needs to
be done for our society that we're not addressing biometrical
(30:29):
movement is the key to internal healing. And so what's
happening in our society now is we're quick to about
biochemical things in our mouth, but we're not doing the
things that we need to do on a muscular level
to heal.
Speaker 7 (30:47):
Yes, right, yeah, you got to move that trauma up
out of your body.
Speaker 3 (30:50):
That's right. And so with that, there's six hundred and
fifty six individual muscles, three hundred and sixty joints, and
two hundred in eight bones that nobody knows anything about.
Speaker 7 (31:04):
Do you do the oral ficial massage?
Speaker 3 (31:06):
Yes, it's called enter oral massages where you go into
the mandible, you release the massive and it helps with
the TMJ.
Speaker 7 (31:16):
It hurts, It hurts, but it feels so good afterwards.
Speaker 3 (31:19):
I do NORM muscular therapy. NORM muscular therapy is trigger
point release to the actual belly of the muscle, and
it actually helps elongate the individual muscle from the insertion
to orgin.
Speaker 4 (31:33):
He couldn't do my massage now that way he's talking.
You gotta be quiet the whole time. I'm just like, oh, yes,
come teach me.
Speaker 3 (31:42):
Tenn I do tennis, elbow, golfer hip flexor rotator cuff.
You guys need to do yourself some research on norm
muscular therapy.
Speaker 5 (31:53):
Oh I love it.
Speaker 9 (31:54):
I'm about to go give me a massage to day
because of you. I'm going, Yes, I got so many
points that massage.
Speaker 3 (32:04):
If you ever want to check massage care out of Conway,
South Carolina. I opened up my business and that's what
I'm focusing on.
Speaker 5 (32:16):
Excited.
Speaker 1 (32:17):
Okay, he's gonna fly on it.
Speaker 7 (32:21):
I can't let him male touch me in South Carolina.
Speaker 10 (32:24):
What hey, I'm from d C. See that's the perception. Okay, life,
life trauma, childhood trauma causes us not to want to
be touched. That's I have to deal with that trauma.
Speaker 9 (32:39):
Listen, he is not lying in no way, shape or
for him.
Speaker 13 (32:47):
Yo.
Speaker 1 (32:47):
No, I can't let him. Another male touched me from
South Carolina.
Speaker 9 (32:50):
I say, touched me in South Carolina different because of
the childhood trauma.
Speaker 7 (32:55):
Life.
Speaker 9 (32:57):
Sometimes I got touched in South Carolina by people that
wasn't supposed to be that you meet now, laugh at that.
Speaker 7 (33:03):
See you get out of this one.
Speaker 16 (33:04):
Oh my god, the fun police over here. It's the
breakfast logan morning, the breakfast club owning everybody in stee
j n V. Just hilarious, charlamage the guy. We are
the breakfast club. We got a special guest in the building.
We have a comedian, Ali Sadi.
Speaker 1 (33:19):
Welcome, brother man, thank you for having me. You feeling
I'm good man Man.
Speaker 9 (33:23):
I like the way you distribute your comedy. Man like
you you you dropping specials like litle Wyne used to drop.
Speaker 5 (33:29):
Mixtapes and they're all funny.
Speaker 1 (33:32):
Yeah, thank you all. Going to independent route keeping independent,
you know from Houston, we the capital of independent. You know,
ain't nobody coming out that way to look for us.
We just got to do it. That's right after Trunk,
Rap a Lot after Trunk, that's right. Yeah, everybody always
says rap a Lot. I think that's our only label too.
You know, we have some other labels, but you know
(33:54):
they ain't stick around. You know, we got what we asked,
right and then after that you have the indipendent, you know,
switch your house for sure. But rap a Lot is
the is the staple. Absolutely, they should have did a comedy,
a comedy thing. We tried Laugh a Lot, but it didn't.
It didn't stick.
Speaker 9 (34:15):
J Prince J Prince's reputation for season. But he's a
funny guy.
Speaker 1 (34:18):
He is I've done I've roasted J Prince a lot.
How was that? I think that we have a healthy
respect for each other. You know, the last time I wrote,
I was hosting something and it's not like I'm roasting
him at a roast. This is me hosting something. I'm like, yo, man,
what so you got all these bodyguards? It was him
and Floyd next to each other like somebody bodyguards gotta
(34:40):
take off because can't nobody see like we're gonna jump
on you? Next to J Prince? You see, I'm like,
and he's small, he's a small little Look you look
at a lot of dudes around though, Yeah, I know,
and I know most of them. How did you get
in the comedy man? Just being black? Really? You know,
I've been funny since I was a kid.
Speaker 5 (35:00):
You know.
Speaker 1 (35:00):
I know people tried to think I was funny because
I was in prison, but nah, I was jovially sarcastic
in prison. They was just I was the kid on
the back of the bus. And then when I was
in prison, I was the same way. Oh so y'all
about to fight? Okay, who's gonna lose this fight? Twice?
What you mean, I said, because okay, the mixplay one
of y'all gonna win this fight, and then the CEO
(35:20):
is gonna come in and beat up both of y'all. Soight,
So that was my logic, you know, I was. I
was just a sarcastic, jovial, sarcastic person, and when I
got out, it was the It was the goal. It
was definitely the goal. That became funny how you gotta
start doing the goal because you start comming to you
actually don't know what to do. You've seen it, but
(35:43):
where do you go now? You got to go to
an open mic. I knew I needed clothes. That's what
I definitely knew I needed was closed because you know,
comics are always dressed, and I'm coming out of prison.
I had a my my sister sent me little Sears outfit.
You know, it was a little It was this little
shirt from Sears. It was night to the round tables.
I knew that was from Sears and some khakis of
(36:03):
the round. Man, it's a fake pololo. My daddy bottom.
My daddy bottom with polo is really in style. You
came then I found these polos on discount. I said, man,
that is not a polo man. That is a dude
with a flag and it's only you know, the nicest
the round table only have three legs on that horse.
(36:24):
The horse on they had three legs.
Speaker 7 (36:25):
Man, prison, your first out of prison?
Speaker 1 (36:29):
Yeah, that was my first sho prison, A nicer round
table person, six heads?
Speaker 5 (36:35):
What did you do?
Speaker 1 (36:37):
I used to be a street pharmaceutical rept with very front,
very front, like they want when you sell drugs, they
want you to have a jacket, go to like a
CVS or RIDEID or somewhere. People come in with prescriptions.
I was, you know, short cutting it.
Speaker 5 (36:50):
What kind of drug was it? Drug?
Speaker 1 (36:52):
Unfortunately crack? Okay you said, age said? You said okay?
Like that was that was just ahead of your time. Man, marijuana,
you know I got fighting us who went to jail
for marijuana was like they and they knew it was wrong.
They're like, man, this don't even make no sense. It's
a leaf.
Speaker 3 (37:09):
Now.
Speaker 1 (37:09):
What I did was definitely wrong.
Speaker 16 (37:12):
The fact that you only got six years back there
is is is because they were giving people football numbers.
Speaker 1 (37:16):
Who got six years? Did six? I hadd six on
the I did six on the fifteen and I had
a fifteen and a ten that ran concurrent. I said,
six years from crime. So they said you only got
six I said, g man, no, you mean somebody. No,
(37:39):
I didn't know nobody. I knew real Harris my attorney. First.
When I first went in, it was a fair case
and they slicked to They come in, there are we
just gonna give you three hundred months and in your
mind this like that yead three hundred months And in
your mind you're like, okay, three hundred months. That ain't
that ain't not. But I know math, and I'm like, nah, nah,
(38:00):
you know three hundred months twelve Nah, we carried nah
because they said it months, woul It sounds like you
could do it three hundred, three hundred months out of
don't sound like days. But then when you do go
to calculating. So then it got dropped down the state.
In the state, the lady came in, she was wild
(38:22):
and the prosecute. She said, well, I'm recommending ninety nine years.
This is when ninety nine years. This is the thing
heavy how much crack you got on not only but
it was five keys, right. So the thing is that Jesus,
they're not supposed to let me in court cause I'm
gonna say something my attorney at he wasn't talking fast enough.
He's like ninety nine years. And I said a very
(38:43):
derogatory word towards that later, and I asked her who
she thinks she caught. I'm like, man, I am nineteen.
Who you think you caught? Ma'am? Esketball? So we come
back to court again, got reset off, she's sawing myout.
I think sixty years would be appropriate, ma'am one again,
ma'am like, you want me to have a life as
it is.
Speaker 7 (39:02):
So so when you get out of jail, you get
out of prison, you get your your fake polo.
Speaker 5 (39:06):
Do you remember your first show?
Speaker 1 (39:08):
Yes, just joking, comedy cafe Thursday night, apollow night. I
have on a suit because I working at Most. I
got a job at tomorrow, so I'm working at most
of the men's a peril store. Got a suit on.
This is when you learn observation. So it's a lot
of college kids in there because it's a pollow night,
and everybody up there doing everything. So I go up
(39:31):
and all I said was hey, and them folks boom,
super jacket off. I'm not even I didn't even tell
I'm talking about It was bad. So it was, man,
I'm talking about them boozers.
Speaker 13 (39:47):
It was.
Speaker 1 (39:47):
It was in stereo two. So I came and sat
down in my pinder, drake man, what happened? I said, bro,
you I think you was born with them, like you participated.
And and at the time, Nikki, she she asked me,
said William, did my kids mom at time talking? And
(40:12):
I said, uh. She said what what where your jacket
at I said, Uh, it's going to stay. They booted
off me because it was crazy. Damn, you can't go
back up there and get your jackets. Yes, many people, man,
it was. It was so I waited for two weeks,
waiting for two weeks, came back T shirt and jeans,
and I didn't write down what I was doing because
(40:34):
everybody was singing.
Speaker 21 (40:35):
Man.
Speaker 1 (40:36):
And I never won at this bottle night because people
hit you with the gospel songs even though I was.
I was good gospel songs every man, I say. The
dude he would start rapping and was getting about to
get booted and changed his song in the middle of
the song, started singing by Jesus, so he's been relief JU.
(41:03):
So I changed my whole thing, went back up every
week for about a month and a half to the people.
As soon as I would get there after that, people
were like, yo, man, you going up tonight? Oh he's funny.
So I end up becoming the host of that same
place that I got booed and just joking, Comedy Cafe,
and I was the host for like a year. Yeah,
that's how it started. We got more with comedian alside
(41:25):
when we come back, don't move. It's to breakfast club.
Good morning everybody in steej n V. Just hilarious.
Speaker 16 (41:30):
Charlottage and the guy we are the breakfast club but
still kicking in with comedian Alisade.
Speaker 4 (41:34):
Yes, So how did you turn into the storyteller comedian
because that's a lot of that's hard for people to do,
like it, it's hard for you, but it's hard Dal dalm.
Speaker 1 (41:47):
I'm on the road with d L. He told me.
He said, Yo, man, the funniest you gonna ever be
in life is based on how honest you want to be.
And this was after some people when I was writing jokes.
I don't even I ain't the people anymore because I
think that when you have writers, that writers under the
pressure of turning in something to another comic and so
(42:09):
they could see your show and then turn in I man,
I don't have nothing this week. But if you try
to get that check, so you turn in somebody else's
material to the person who you turned it into has
no idea that you that you just sought it somewhere,
and so now, oh, you a thief. So now I
just I switched from doing jokes to doing everything personally
(42:31):
about me, and people still try to steal it. But
it's hard because now you know, it's a lot of
comics that all of a sudden they went to jail,
but I went to prison. It's a different thing jailing,
but a lot of people in the jail, but prison
is two different things. So I would go up and
people trying to do jail stuff in front of me.
(42:53):
I'm like, but you know, that's not what I'm doing.
I'm I'm walking through my life from ten years old
too now. So it just happens to be the first
comedy series of specials like these. All these specials are
tied together. So if you see three now, which came
out Mother's Day, you can't go see four without seeing
one and two and one is the masterpiece, but three
(43:18):
is the best one to me. Thus far that I
that I see and two has a different cachet to
it because I was showing a different skill set in
the actual art of it, because it's two faces to comedy.
You know, it's having a tragedy. So in two my
sister passed and well it's late now.
Speaker 7 (43:41):
You know, tome brief is not linear. I don't know
how you're feeling this morning about it.
Speaker 1 (44:00):
Twenty years ago.
Speaker 4 (44:02):
I tell you, twenty years.
Speaker 13 (44:09):
Years I don't know.
Speaker 1 (44:12):
Sorry that man, Well, I'm man.
Speaker 7 (44:15):
We dealt with.
Speaker 5 (44:19):
God's crazy.
Speaker 13 (44:20):
You know.
Speaker 1 (44:20):
My whole intend to come up here because I was
mad at you.
Speaker 13 (44:23):
What I do?
Speaker 1 (44:24):
Man? You were saying my name wrong? And you did
it twice too. You know, I'm saying Ali. I'm like,
this man know how to say my name wrong? Ali?
Speaker 13 (44:32):
You know?
Speaker 1 (44:33):
Talking about my special with somebody? Yeah, I think named
Ali Ali? And I'm like, and they said it to
me and it was on the breakway. I'm like, he
knows how to say Ali.
Speaker 9 (44:41):
You know he knows because I kept hearing other people
say Ali while he was listening to other people.
Speaker 1 (44:46):
You better, And I say, ain't somebody call up there
and ask me who his favorite box is? Probably Muhammad, Ali,
just take the Muhammad out.
Speaker 9 (45:00):
When the first special came out, everybody I knew was
talking about that special, especially in the comedy world.
Speaker 5 (45:05):
It was like, Yo, you gotta watch this due Ali sad.
Speaker 4 (45:07):
You knowbody nobody nobody said.
Speaker 1 (45:13):
You ain't nobody saying anyone. Nobody said that.
Speaker 13 (45:19):
You know.
Speaker 1 (45:19):
It's like Ali wall like he said there, I look,
I don't even know che I'm like Charlamage.
Speaker 13 (45:27):
Don't like me.
Speaker 1 (45:29):
When when I get up, when I finally get to
the record, I'm leading. I'm leading with hey man while
you're saying my name. Then then I left it alone.
Speaker 13 (45:37):
Right, It's like.
Speaker 1 (45:39):
Whatever, At least he mentioned me, that's all. But that
first special took off though.
Speaker 9 (45:44):
Did you did you understand that it would do that
or it was just a risk coming throw this on
YouTube and see whatever.
Speaker 13 (45:49):
Man.
Speaker 1 (45:49):
I thought it was really good. And when I do
a special, it takes a while for it.
Speaker 10 (45:54):
You know.
Speaker 1 (45:54):
I have recorded probably three or four specials before that
one and was like, no, it's not special. So Domino
Effect the first one I knew that it was. I
knew it. It's like the first album I put out
talking loud saying something that's my reasonable doubt, you know,
So I knew once I put this one out, I
knew it. I had that feeling about I was too
(46:16):
excited about it. Then it didn't have any flaws to it.
And that's one thing when I look at something, I
don't want it to have anything that somebody can grab
on to. Like, but what about this? So when that happened,
and then somebody said, well, what's the rest of the story,
I said, what, Like, what happened after that? I said,
you want to know?
Speaker 4 (46:35):
So they oh, so you had never even planned to
make it to keep on going with a series.
Speaker 1 (46:41):
Well if somebody asked me about what happened after that?
And I said, okay, well I stopped at sixteen, so
let's do it from sixteen to nineteen, and then when
we get we did the first we did two, and
then I said, yo, let's finish up. How I even
got incossrated people? I was there, but let's see how
(47:01):
I got there. And then we did three, and we
recorded three and four in DC at the same time.
So we did two shows on that Friday and two
shows on that Saturday. So four comes out Father's Day.
So he strategically put one on Mother's day one on
Father's Day, and four is two hours long, you know,
(47:23):
versus the one thirty that I've been doing.
Speaker 4 (47:26):
Your special part. Four comes out on Father's Day. Like
you said, how much is that? How much of that
involves like your dad or does it even involve man?
Speaker 1 (47:35):
My dad, he I put him all through the rest
of them. He has a small piece in four because
he had why I was incarcerated. My pops had at
fifty almost sixty years old, got locked up for an assault, right,
and my dad thought he was on some big boss
mob type thing because his two brothers was locked up.
Speaker 5 (47:56):
I was locked up.
Speaker 1 (47:57):
Then he gets locked up, so he's sending five hundred
dollars on everybody's books while he while he locked up,
I'm gonna write a letter. Yeah, just sent you some bread.
Speaker 13 (48:10):
We're not we're not in the family.
Speaker 1 (48:13):
Like you didn't see me nothing until you got locked up.
I don't even understand this, Like I've been licking him
like four years now. He gonna, yeah, sent you some
bread since we died here, man, I wrote back. Hey,
Man tried to go home, and in the next couple
of years he had less time than me. He beat
me home anyway, But he sent money to his brother.
His brothers, oh yeah, appreciate you. Yeah, they thirstyself. Like
(48:37):
my uncle Max, he's a g But my uncle Alfred,
he's a sucker.
Speaker 5 (48:40):
He's a sucker, sucker man.
Speaker 1 (48:43):
My grandmother write dementia, had dementia. I'm putting money in
our books, the money coming up missing. He writing checks,
had my grandmother sign them, and she had dementia. She
got dimension you're stealing the boss. Yeah, that's wild. And
and then putting in a bad position where her bills
not getting paid. And I don't know who my grandmother
(49:04):
was when she was younger, but you know, dementia, they
be staying stuff in their life. So I'm I'm taking
care of her one day because my cousin were rotating
and I'm over. I give her coke. Her coke is low.
I come back to grab a coke to phill it up.
She grabbed my wrists and say, put my glass down.
I said, what say put my glass down before I
(49:26):
drown you? I said, when was you drowned? Grown men
in your life? She must have been a mob. But
she on the cafe, so I don't know when she
was doing it. At some point she was drowning full grown.
That's that ain't no regular threat. That's whyfore.
Speaker 10 (49:46):
Put that?
Speaker 1 (49:47):
I put it down. I'm like that, yeah, yeah, yeah
you I just poured out. I'm not messing this.
Speaker 16 (49:53):
Later, we got more with Comedian ALESI. When we come back,
it's the Breakfast in the morning.
Speaker 1 (49:57):
Morning everybody, we are the Breakfast Club D and be
just HILARI charlamage the guy. We're still kicking with. Comedian ales.
Speaker 9 (50:05):
Just dropped Domino Effect three on me twelve oh man,
and Domino Effect four sixteen.
Speaker 1 (50:12):
That's right now. I think I'm gonna blow up now.
I finally got up here and he said right.
Speaker 7 (50:18):
He said, you want to do? Do you want to
do like Netflix or something like that?
Speaker 5 (50:21):
Does it even?
Speaker 13 (50:22):
Man?
Speaker 1 (50:22):
Now I say no, But well I'm gonna say if
why not? Why I can't say no.
Speaker 7 (50:31):
If it comes. But they come with twenty million and say, hey.
Speaker 1 (50:34):
Man, but if they own it, then this is none
of that they can't get If they own it, they
can't get it.
Speaker 5 (50:39):
You can make up a story, you can say anything.
Speaker 7 (50:43):
Take the twenty minute check.
Speaker 1 (50:45):
Wait, man, now they got I'm on Netflix. I got
twenty million, and now they put out some nonsense. Now people. Yeah,
it ain't Yeah, what is it? But what I want
to do it on that he's doing what you're doing.
Speaker 13 (51:02):
You're like, yeah, yeah, never.
Speaker 5 (51:08):
Want his name said.
Speaker 1 (51:12):
Man, I'm man'll do I'm a man.
Speaker 13 (51:15):
That about what you're doing.
Speaker 7 (51:18):
You're doing so well now you definitely do it well.
Speaker 1 (51:20):
My brother man and I and I appreciate that.
Speaker 5 (51:22):
Man.
Speaker 1 (51:23):
I just can you know something? I just feel like
an Emmy's gonna come my way since I made it.
This bro used to always say, you know something enough
people don't know me. I gotta get up there to
see DJ Mvy. It wasn't really about you, Charae. He was, yeah,
because because once he hit it with that, this is
a djybody.
Speaker 4 (51:40):
Yeah, that's that's the part that you wait on.
Speaker 1 (51:43):
It ain't evenly the show and you hear that show
just came out. Hey, I'm Charlamagne to God and it's.
Speaker 13 (51:49):
Just Larry like, what what what was it?
Speaker 1 (51:54):
Think about that?
Speaker 16 (51:55):
When we first started, we hated it. I was like,
why we gotta keep saying our names? I don't want
see saying my but our program director of the time
is like, you keep saying your name, It's get stuck
in that keep saying your name but introducing you.
Speaker 4 (52:09):
Even when he beef with people, they be like mocking him.
Speaker 1 (52:13):
It's a whole rhythm of it.
Speaker 6 (52:14):
So you got to like that.
Speaker 1 (52:16):
Just you gotta say this is indeed got. But let
me tell you that the thing that that makes me
laugh like uncontrollably comes from the breakfast club. And I'm
talking about me the lady that living in the house
may let me think something and if I don't care,
how mad and that lady calld Man saying, yeah, this
is this sweet Joe Joe, y'all do that? What the
(52:38):
boy who couldn't say y'all name?
Speaker 13 (52:41):
God?
Speaker 1 (52:42):
Man, let me tell you something. It was true? That
wasn't it was true?
Speaker 13 (52:46):
We know, we know.
Speaker 1 (52:55):
You're serious.
Speaker 13 (52:56):
Girl.
Speaker 1 (52:58):
Do you understand the type of I'm talking about?
Speaker 13 (53:02):
Man?
Speaker 1 (53:03):
If my day is going bad, but come on, web,
gonna get gonna get it to.
Speaker 5 (53:09):
Video.
Speaker 1 (53:09):
But somebody made a car soon tell them gate By. Yeah,
y'all got the name.
Speaker 13 (53:20):
Anne. Man.
Speaker 1 (53:24):
Boy, it's like this. It was like our Sharpton versus
a teleprompter.
Speaker 13 (53:28):
Damn you seeing that? No?
Speaker 1 (53:31):
Oh, And the only reason I don't really say nothing
about it much is because I did a just have
you ever done a thing that they had the teleprop
phone absolutely just over the weekend, and it was it
was going too fast. Yeah, and you would have to
like if I tell you, I'm just up there and
I'm just lexy. That's the whole other thing. People, I don't.
(53:51):
I don't do cold reads. Let me see it for
let me take the picture of it in my brain.
Speaker 5 (53:54):
I can do it.
Speaker 1 (53:55):
Man, I'm in there with the cold with a cold
read on the telepromptum and and I'm talking.
Speaker 5 (54:01):
They got on speed down.
Speaker 1 (54:03):
I'm like, I'm just and the man I'm doing it.
And the man looked like this, He's like, I know,
damn well, ain't none of that whatever. He's saying something,
what are you looking at?
Speaker 5 (54:15):
Like?
Speaker 1 (54:15):
Hey, man started saying stuff. I was like, I'm the
king and changing my stuff to I change everything because
sometimes they be going too fast, like you can't get
that fast? Many do you understand? The man had to
look at the teleprobe he no, damn way, like, bro, man,
what are you looking at? Are you looking past me
(54:36):
outside something? I'm like, nah, bro, I'm looking dead at you.
But you man, it's too fast. Yeah, Billy Currels go
in after me. For the same position. I said, Billy
Man the teleprophaba. He said, Man, I wouldn't look at
them telling problems. I was saying what I thought they wanted.
Speaker 7 (54:52):
Did look like we'll make up?
Speaker 5 (54:57):
Gotta make it up on the fly. How did they
find you?
Speaker 13 (55:00):
Man?
Speaker 1 (55:00):
As spelled my name with an I, S I D
D i Q. You know what I'm saying, A L
I first S I D D i Q. That's dot com.
Or you can go on YouTube Alice comedy. You know, Man,
just you know, stay linked in with me on my
on my Instagram. Everything is the same.
Speaker 9 (55:17):
I'm following it right, And I think I already follow
you though you already follow me, because I know you
definitely follow my.
Speaker 1 (55:23):
Man, What's what's what's the guy you be with all
the time? And I just saw I just saw Andrew
at the roast. I was at the roast. Tom. It's
funny when you become a comics comic and you don't
know and then you walk in the room and all
these comics come over you. Man, why are you Man,
(55:44):
I'm I'm a big I'm a big fan. Like, hey, man,
what what what's the bowling about?
Speaker 13 (55:48):
Though?
Speaker 1 (55:50):
And like Kevin was talking I'm walking around with Kevin
talking to somebody. He turned around, Hey, but I didn't
know you was gonna be he man, what is wrong
with y'all?
Speaker 13 (55:59):
Y'all?
Speaker 1 (56:01):
And then I'm walking into the party. I'm going to
the to the Farm to the Farm Club, and I've
been wanting to go get you know, Maddi Johnson, one
of my favorite players of all time. I just wanted
to see what him and Bus was doing. They work
at in this Farm Club. I'm in there and as
I'm walking in, this is the biggest company I think
I ever got. I'm talking about non this, no out
of nowhere. I'm walking to his party. Chappelle is coming
(56:22):
this way, a bunch of people with him, and he
just stopped, Hey, oh, Alie, you come into Cincinnati, man,
this weekend at the Task Theater. I'm gonna try to
come by there if I'm in town. And I'm okay,
how you know my schedule? And he said, man, take
my number and call me. And I'm and I'm trying
(56:44):
to play it cool cause I'm like, yeah, yeah, whatever,
Chapel and walk right in there. The Sam Jay Sam
number gave me his number, told me at the Tawn
the man know my schedule.
Speaker 13 (56:55):
You know he all in the files.
Speaker 1 (57:04):
Thank you for joining us, brother, Thank y'all for having me. Man,
it's the Breakfast Club.
Speaker 5 (57:07):
Good morning.
Speaker 4 (57:09):
I really got Bronx.
Speaker 13 (57:13):
Were in the brook. I'm not setting us.
Speaker 7 (57:22):
The craziest people in America come from the Bronx.
Speaker 13 (57:25):
And all the pool.
Speaker 4 (57:26):
Jel.
Speaker 23 (57:27):
Why does the Sunshine Seat consistently produce such strange news?
Speaker 4 (57:32):
I'll catch alls and tregey.
Speaker 15 (57:34):
I'm Whizzagenda.
Speaker 7 (57:38):
Just going to be many wacky news stories out of
Florida on the.
Speaker 1 (57:42):
Breakfast Club.
Speaker 7 (57:46):
That kills me every time.
Speaker 9 (57:47):
Man, it's Lutha Kodak black Man, Donkey of Today for
Monday Junk to your uncle Sharla.
Speaker 7 (57:52):
Always tell you about the great state of Florida.
Speaker 9 (57:54):
The craziest people in America come from the Bronx and
all of Florida, and today is no exception.
Speaker 1 (57:59):
In fact, today is so nuts.
Speaker 9 (58:02):
I'm still trying to figure out so why See, Christy
woke up and decided today is the day she wanted
to steal a car. Not just steal a car, she
wanted to steal a car from an actual dealership. Her
reasoning for wanting to steal a car from an actual
dealership was so she could do it legally. I can't
make this kind of stuff up.
Speaker 24 (58:20):
Let's go to do with Channel eight for the report,
please and Japanese responded to a call from a female
stating that she was attempting to steal a vehicle from
the dealership parking lot and wanted the police to know
so she could do it legally. Take a listen to
the nine one one call.
Speaker 11 (58:34):
I'm trying to steal a car, but not legally mine,
so y'all.
Speaker 6 (58:37):
Gotta come make a report. I'm reporting this.
Speaker 23 (58:40):
Deputy's arrhyved on scene and observed the thirty seven year
old Christy Lee Terman exiting the driver's side of the
stolen Corolla. According to Termine, she was being trained in
a game of Black Ops to steal a car, but
called nine one one an attempt to make her car
jacking legal. Terman was arrested and charged with trust passing.
Her history includes a variety of charges such as petty theft, robbery,
(59:04):
and aggravated battery.
Speaker 1 (59:07):
I still don't know what the hell is going on here.
Steal a car from the dealership so she could do
it legally. There is no such thing, babe. Where did
you think you could steal a car legally? Where you
learned that from YouTube?
Speaker 9 (59:19):
You heard the phone called Christy told deputies she was
being trained in a game of black ops to steal
a car, but called authorities to make her car jacking illegal.
Speaker 1 (59:28):
I'm concerned that deputies did not find any drugs.
Speaker 5 (59:31):
Okay.
Speaker 1 (59:32):
You know when you hear a story like this, you
know you waiting to hear that the person was on drugs.
I had some type of mental issues. None of that, okay,
none of that here.
Speaker 9 (59:40):
This is just pure uncut Florida, all right, Because I'm
trying to steal a car that's not legally mine. So
y'all better come make a report. I'm reporting this. I
don't even know what that means, all right.
Speaker 7 (59:50):
I literally did some research, and by research, I mean
I had.
Speaker 9 (59:52):
My folks asked chat GPT, and chat GPT said it's
not possible to legally steal a car. Just in case
you needed to know, all right, it said, stealing a
car is a criminal act, and it's punishable by law.
If you are interested in acquiring a car, you should
consider legal methods such as one purchasing, buying a car
from a dealership or a private seller. Two leasing, leasing
(01:00:14):
a car from a dealership, which allows you to use
the car for a set period while making monthly payments.
Three renting renting a car for short term use from
a rental agency, and four financing getting a loan from
a bank or financial institution to buy a car. If
you have any questions about these processes or need advice
on acquiring a car.
Speaker 1 (01:00:31):
Legally, feel free to ask. That's what chat GPT told us. Okay,
the moral of the story is there is no legal
way to steal a car. This young lady said she
was being trained in a game of black ops. I
didn't even know they steal cars in black ops. I
thought that was grand theft auto.
Speaker 9 (01:00:45):
Okay, this is like getting caught with Kilo's and cocaine
and saying you was being trained in a game of
Narcoles Rides of the Cartel.
Speaker 1 (01:00:52):
Look, man, I don't know what else to tell y'all. Okay,
but there is no legal way to steal a car.
Speaker 9 (01:00:57):
And Christy was arrested and his facing trus passing argists
And what bothers me the most about this is I
took the time to google and do chat gpt just
to make sure I wasn't missing something, because hey, Christy
may know something that we don't know. But guess what,
I'm mad at myself now because I knew better.
Speaker 1 (01:01:15):
My spirit the spiritual being than I am, one hundred
percent knew that there was no legal way to steal
a car.
Speaker 5 (01:01:21):
But the human in me just couldn't accept that.
Speaker 1 (01:01:23):
So I went digging, and.
Speaker 9 (01:01:24):
I couldn't find not one solitary reason for her to
do this other than she's from Florida.
Speaker 7 (01:01:31):
Please give Christy Turman the sweet songs of the Hamiltons.
Speaker 13 (01:01:34):
You, Oh the day, oh the day.
Speaker 16 (01:01:49):
Ye all right, well, thank you for that. Donkey a
day morning. Everybody is the j n V. Jess, Larry
is Charlamage the guy. We are the breakfast Club. It's
time for just fix my mess. Who are you on
the line?
Speaker 1 (01:02:06):
Kk AKK? Where you calling them from?
Speaker 20 (01:02:09):
I am calling from North Carolina.
Speaker 1 (01:02:11):
All right, what's your question for Jess?
Speaker 19 (01:02:13):
Okay, Jess, and I like.
Speaker 4 (01:02:16):
Okay.
Speaker 19 (01:02:17):
So my my question is or my thing is I've
been married for almost a decade and I'm American, my
husband is Jamaican. And one thing I have issue with
that I need your advice with. I was raised with
nothing but brothers. I'm a baby of four boys, and
(01:02:37):
I'm like I'm tough. I'm like really like tough, and
I just don't like tolerate a lot of stuff. You
know what I'm saying. I wasn't raised with girls where
you know, I want to sit there and look cute
and you know, be all up in makeup. I was
you know, let's play from football, basketball, you know what
I'm saying. So my husband always say, why are you
always acting like nex bro?
Speaker 1 (01:02:53):
Why are you.
Speaker 19 (01:02:53):
Always like And I'm just like, I'm not going to
tolerate you talking to me crazy? And it's just like
how do you just like really just shot out like
sometimes cause it's like I feel like everything's showing my
favor and you're talking crazy. My aunt started blinking and
switching like who you're talking to?
Speaker 6 (01:03:09):
You know?
Speaker 11 (01:03:10):
Yeah, it's like it's hard to just like sit.
Speaker 19 (01:03:14):
Back and put that side put up on cat, you
know what I'm saying, on the counter and just be quiet.
Speaker 10 (01:03:20):
You know.
Speaker 19 (01:03:20):
Even his mom would be like, hey, like you know,
he didn't mean it that way, nor mind, he didn't
mean that way. He ain't mean that way. And I'm
just like, oh, he's just telling me.
Speaker 11 (01:03:27):
You know, like you know what I'm saying. Okay, he
missed out, Like I'm like.
Speaker 1 (01:03:31):
So are you?
Speaker 6 (01:03:32):
How do you I'm thirty five?
Speaker 13 (01:03:34):
Thirty five?
Speaker 1 (01:03:35):
Okay?
Speaker 4 (01:03:35):
So look, I was like that. I grew up around
my big brother and his friends, like all his friends,
you know, before my little sister.
Speaker 5 (01:03:41):
Guy.
Speaker 4 (01:03:42):
Like I was raised, I have way more boy cousins
than than you know, girl cousins. And then I grew
up with a lot of homeboys or whatever like that.
So I was always considered a tom girl in my
childhood era. But it honestly takes a certain persons to
unlock your soft side, your soft girls side. Honestly, it
(01:04:03):
wasn't you any men that I've dated that unlocked that either.
Like I was really girl fighting dudes and everything, like
really yeah, like trying to be the dominant, not even
trying to be just because I'm such your alpha. So
it's just like I was always like that as well.
You've been married for this man for ten years to
you know, for ten years, yeah, and you don't feel
(01:04:25):
like he brings out the soft girl.
Speaker 13 (01:04:27):
In you yet.
Speaker 19 (01:04:28):
I think the I think it's a lot of cultural differences,
you know, Jamaicans are very like strong minded. They stay
what they want to stay. They don't still they don't
say that still actually disrespect and I think it's just
like what.
Speaker 4 (01:04:42):
They Okay, so yeah you did say he was.
Speaker 6 (01:04:48):
America.
Speaker 1 (01:04:48):
Yeah damn, you know.
Speaker 19 (01:04:51):
So it's just it's just a toughness. But I know
we you know, it's just his culture. But me, I'm
just like I grew I grew up with boys. It's
like car for me to I'm trying to even when
I set up and fight my list.
Speaker 4 (01:05:04):
Well, well he got it gotta be some type of
compromise because I do understand. I have Jamaican friends, and yeah,
they they are kind of like they're like you, like
you know, but you just ain't Jamaican. But he has
to calm down, and you have to calm down too,
you know what I'm saying, because I know you probably
always on a defense when he makes points or whatever,
(01:05:24):
just because of how Jamaicans are known to be. But yeah,
I forgot that was. Yeah, it's definitely cultural differences there.
But that's probably why you always don go on like
willing to go from zero to a huntred because you
feel like you're being talked down to or you feel
like somebody trying to play but you feel attacked a
lot stuff like that because I'm not dating a Jamaican,
(01:05:45):
so yeah, but I'm very much I was very much
like that. But like I said, it takes a certain
person to unlick you soft girl. You know what I'm saying.
But yeah, yeah, it has to be compromised on both ends.
I mean, I'm not trying to change who he is,
but at the same time, I because it's never gonna
go over smooth and I respect that. Yeah, you gotta
talk to him. You gotta tell him, like if you
(01:06:06):
calm down, I'm gonna calm down. I'm gonna give you
what you give me.
Speaker 10 (01:06:10):
What you want.
Speaker 19 (01:06:10):
You maima, I ain't your mama. Your mamaush with your daddy.
Speaker 20 (01:06:14):
I can't push damn.
Speaker 4 (01:06:16):
Hower the hell was y'all married for ten years?
Speaker 18 (01:06:19):
That's one two tours in the hotel.
Speaker 4 (01:06:22):
Well, I'm gonna pray for y'all, but y'all need to
talk about that, like y'all need to be willing to compromise.
Speaker 16 (01:06:28):
No problem, all right, just fix my mess eight hundred
and five eight five one oh five one. If you
need relationship advice and any type of advice. You can
call Jess right now. It's the Breakfast Club.
Speaker 5 (01:06:38):
Good morning, it's the real.
Speaker 4 (01:06:44):
Oh my god, I'm all up in your mess. I'm
gonna fix it, mix it, fix it it, just gonna
fix your mess because my advice is real.
Speaker 1 (01:06:52):
Warning everybody, it's dj.
Speaker 16 (01:06:54):
N V, Jess, Hilariy, Charlamagne the God. We are the
Breakfast Club. It's time for just fix my mess.
Speaker 5 (01:07:01):
All right.
Speaker 16 (01:07:01):
We got Stacey on the line. Stacy, good morning. What's
your question for Jess?
Speaker 20 (01:07:06):
Yes, uh, I got like a little I'm a lesbian.
I'm gonna start off saying that I here.
Speaker 18 (01:07:15):
You what I said.
Speaker 20 (01:07:16):
I'm a Lassian.
Speaker 4 (01:07:17):
I started with a woman.
Speaker 20 (01:07:19):
Okay, so that's that's like baseline up why I'm asking
this question, right, Okay, Like we parent good.
Speaker 6 (01:07:27):
She was from high school.
Speaker 20 (01:07:28):
We hurt, but I got a current girlfriend. Now only
was gonna and her broke up because she kid on me.
But I have a current girlfriend, and like, whenever we're
talking or whenever we're going over anything, she always bring
up my current girlfriend, Like I don't want to be
conflicted on arguing with her, and she's like you always
getting defensive, like it's not me being defensive. But it's
(01:07:51):
like a conversation that we don't meet to have every
time we're talking about anything like we could be talking
about with our child ate today and it's like, well
did your girlfriend put you anything? Well did your girlfriend do?
Like I don't even understand why she's even being brought
up right now?
Speaker 7 (01:08:07):
You don't understand why she's argue.
Speaker 4 (01:08:10):
Yeah, So to be honest, you don't. You don't understand
why she's being brought up.
Speaker 20 (01:08:14):
I mean she I say she's not mad, she says
she don't care, she says she's not jealous. But one
plus one equal too. But at that point, how from
the conversation every time?
Speaker 4 (01:08:26):
Then that then listen that you you you keep it
text only, that's just it. Like you if you can't
stop talking, because obviously she's not over you. If you
can't if we can't have a conversation about our child
where you're not implementing the fact that I have a
girlfriend or anything like you're you're you're bringing her up,
then we just will not talk verbally. We'll have to
talk through text like late lady ground rules. Now, are
(01:08:49):
you over her? Yeah, relationship that'll mean a damn thing.
But are you, so you over it does not girl?
Speaker 3 (01:08:57):
You know?
Speaker 13 (01:08:57):
All right?
Speaker 4 (01:08:58):
So is your ex in a relationship?
Speaker 20 (01:09:00):
No, she hasn't been in one since.
Speaker 4 (01:09:03):
Say so obviously, so she's not over you.
Speaker 20 (01:09:05):
She's to my knowledge, I don't know, maybe, but I
don't like that.
Speaker 6 (01:09:11):
I wouldn't know if m but I got you.
Speaker 20 (01:09:15):
Put to me, she say that she's not that she
ain't been.
Speaker 4 (01:09:20):
That's because she try all that is trying to get
you back. Listen, you know how many guys and told me, yo,
I'm cellbing y'all like, I'm just trying to get you
back for real, for real.
Speaker 13 (01:09:28):
You know what I'm saying.
Speaker 20 (01:09:29):
That's just she's not trying to get me back. Say
I'm toxic.
Speaker 4 (01:09:34):
Listen, and stuns love toxicity. Okay, a lot of people
love toxicity. So that's just what it is. She your
baby mother, is not over you. Your ex is not
over you. She's not How you can move forward to that,
it's just laid the ground rules. It don't Listen, I'm
not going to keep talking to you if you got
to bring up my girlfriend in our verbal conversations. It's
(01:09:55):
not we can do text only. We can still co parent,
but we will co parent through text, email, whatever, until
you get the point. I don't want to hear about
my girlfriend from you and and me being a relation,
me being in a relationship that shouldn't be a problem
because we're not getting back together. Whether you celibate or not.
You just still the mother of my child.
Speaker 13 (01:10:11):
That's it.
Speaker 1 (01:10:12):
That's all we got.
Speaker 13 (01:10:13):
That's it.
Speaker 8 (01:10:17):
It sounds.
Speaker 1 (01:10:29):
Would it sound like?
Speaker 7 (01:10:30):
No, it does sound good, but whatever.
Speaker 20 (01:10:32):
Like I'm about to be on the radio, please because
I need somebody else to like poist it over because.
Speaker 4 (01:10:38):
No, no, well it sounds like no.
Speaker 1 (01:10:41):
Listen, what does sounds like?
Speaker 10 (01:10:44):
No?
Speaker 4 (01:10:45):
Listen, listen, listen, girls, shut up, no listen.
Speaker 1 (01:10:49):
What it sounds like to me?
Speaker 4 (01:10:51):
Is you like that attention from her?
Speaker 1 (01:10:54):
Listen to.
Speaker 4 (01:10:58):
It's messing with your relationship. But you still you gotta
put you ain't no gun in your head making you
talk to her about that. It's about the child. It's
text only, it's email only. Whatever, get a restrain in
order if she bother.
Speaker 13 (01:11:09):
You like that.
Speaker 20 (01:11:10):
No, she's like that, like we co parent?
Speaker 19 (01:11:12):
How about co parent with restraining them?
Speaker 4 (01:11:15):
Look exactly, That's what I'm saying. But you just so
it's just a verbal for you. You don't like her
bringing up your girlfriend.
Speaker 1 (01:11:20):
You tell her that.
Speaker 4 (01:11:20):
So yeah, so that's what you do. You make it
a text only situation where that's it you because you
entertaining it still at the end of the day, like
you're still entertaining it all right. Now, you can't control
will come out of your ex mouth.
Speaker 1 (01:11:34):
No, you can't.
Speaker 4 (01:11:35):
But at the same time, baby is not that hard.
It's I'm telling you, it's not that hard, like for
you to not talk to this woman.
Speaker 1 (01:11:43):
It's still co.
Speaker 4 (01:11:44):
Parent it like verbally, that's just what it is. Like, Nah,
this is about the baby. Because because you can ignore
certain things in the text, you can ignore certain things
in a conversation, but it gets to you more when
you gotta hear it. You feel me like, just yeah, yeah,
talk about she want to talk about in the text,
that's all. That's it. When she called you, you get
a phone to the baby, take the phone back, all right,
(01:12:05):
she love you, hang up.
Speaker 1 (01:12:06):
That's it.
Speaker 4 (01:12:07):
That's it, Especially if it's something of your relationship. Stop
entertaining that.
Speaker 20 (01:12:10):
Okay, And I have one more thing I want to say,
and then and this is it, and I'm gonna just
leave y'all alone, all right. I saw y'all last year
at our podcast and you look amazing and I just
want to say that, and I love you, you.
Speaker 1 (01:12:26):
Said, I said, don't we trying to be gay with me?
Speaker 13 (01:12:28):
But thank you? Girls?
Speaker 6 (01:12:30):
No, no, no, no, I'm messing with you.
Speaker 18 (01:12:32):
I seen y'all.
Speaker 20 (01:12:33):
I seen y'all act on the show.
Speaker 18 (01:12:34):
I mean, I don't know.
Speaker 20 (01:12:35):
Maybe I don't know. I thought you all say I
got it up my phone.
Speaker 1 (01:12:41):
Little shot.
Speaker 4 (01:12:44):
Hey, y'all your girlfriend going, whoop your head?
Speaker 13 (01:12:47):
You got.
Speaker 20 (01:12:49):
Let me stop, let me shop?
Speaker 16 (01:12:50):
Well, thank you, mama. Just fix my mess. Eight hundred
five eighty five one O five one, call us up now.
It's the breakfast cloth in the morning, the breakfast club.
Speaker 4 (01:13:01):
That's about me for relationship problems.
Speaker 1 (01:13:03):
That's about me.
Speaker 4 (01:13:04):
If you need to beat your coworker's ass, at about me,
for your coworker needs to beat your ass.
Speaker 13 (01:13:08):
Call it a.
Speaker 4 (01:13:10):
Doctor, Jess, and I'm here to fix your masks, fix
your mesk. It's give me very much messy.
Speaker 1 (01:13:14):
Let me fix that morning.
Speaker 16 (01:13:16):
Everybody is the j n V. Jess, Hilaris Charlamage, the guy.
We are the breakfast club. It's time for just fix
my mess.
Speaker 1 (01:13:23):
Hello, who's this? This is Hey what's up, bro? What's
your question for jess?
Speaker 3 (01:13:27):
Listen?
Speaker 8 (01:13:27):
I got a good question man. Good morning to everybody.
I'm dating my girl for about nine months, and I
recently just found a hidden camera in the room. How
should I go about it?
Speaker 4 (01:13:36):
Wow, you've been dating your girl for nine months and
you've found a hidden camera in the room recently? Have
you talked to her? You have it, You're just talking
to me.
Speaker 8 (01:13:45):
I'm just talking to you first about it. I want
to know how to deliver it to her.
Speaker 13 (01:13:49):
Mmm.
Speaker 4 (01:13:50):
I don't think it's honestly, feel like however you however
you deliver it to her is valid to me because
we've been y'all live together?
Speaker 3 (01:14:02):
Correct?
Speaker 6 (01:14:03):
Okay?
Speaker 4 (01:14:03):
How long y'all been living together?
Speaker 5 (01:14:04):
For the nine months?
Speaker 4 (01:14:05):
Y'all got together for nine months and then y'all just
move straight in.
Speaker 3 (01:14:08):
Oh I'm sorry.
Speaker 8 (01:14:09):
We lived We've been together for about a year and
three months into it, I moved in.
Speaker 4 (01:14:13):
Okay, you moved in? Okay, Okay, okay. Jesus, does she
have children?
Speaker 3 (01:14:18):
So? Yes?
Speaker 8 (01:14:19):
Originally I thought the camera was for the kids because
there's an open one in the living room, but there's
a hidden one in our room.
Speaker 19 (01:14:26):
Mmm.
Speaker 4 (01:14:27):
Now she did not bring see attention at all, didn't
even try to both both of them.
Speaker 8 (01:14:32):
I would have just feld more comfortable if she said, hey,
there's cameras here. This is how I feel safe.
Speaker 13 (01:14:38):
Hmm.
Speaker 4 (01:14:39):
Well now that changed.
Speaker 5 (01:14:40):
I'm cool with that.
Speaker 4 (01:14:41):
Yeah, it changes a little bit, all right. So I
wouldn't because like, what does she got like a freaky
freaky side, because I know you don't have sex in
the room, so maybe like she'd be watching back the
tape like.
Speaker 5 (01:14:50):
She's pretty shy she s shy.
Speaker 4 (01:14:52):
Oh yeah, no, all right, Well I don't know.
Speaker 1 (01:14:54):
You have to.
Speaker 4 (01:14:55):
I think you sit down and you talk to her
and be like, listen, So I noticed that there's a
hidden camera in our bedroom. And the fact that you
didn't bring it to me, you didn't run it past me,
you know what I mean, And the fact that I
had to find it, that's a little alarming. And it
messes with the trust, you know what I'm saying, Like
we've been together, living together for nine months. I don't
want to feel like I can't trust you, Like are
(01:15:15):
you watching me? Are you waiting for me to slip up?
Like what's up with this? You understand what I'm saying.
She can only be honest with it.
Speaker 3 (01:15:21):
Yeah, open and honest.
Speaker 8 (01:15:22):
I guess give her the platform to, you know, let
it out, truthful, set you're free.
Speaker 4 (01:15:27):
Yeah, this truth will definitely set you're free. But I
think you should definitely put your foot down, like don't
don't like you know, don't you don't got back her
into a corner. But tell her how you feel about it,
like I feel betrayed, Like I feel this is messing
with the trust because I had to find a hidden
camera in the privacy of our room, like, and I
didn't know it was there. And if I didn't find it,
(01:15:47):
how long would would it have taken for you to
say something?
Speaker 8 (01:15:49):
Right with me being so cool about it, especially like, Yo,
it's about your safety security, I'm all for it.
Speaker 4 (01:15:55):
But no, don't even give it me.
Speaker 1 (01:15:57):
I'll tell you that.
Speaker 4 (01:15:57):
Don't give her that as an option. Just let her
tell you that if that's what it is, because a
lot of times when you give people ways out, they
take them. So yeah, got her tell you, but tell
her that it for sure hurts you and it damages trust.
Speaker 3 (01:16:10):
Big facts.
Speaker 8 (01:16:11):
Should I have asked her to access to the camera
or just let her be with it?
Speaker 4 (01:16:16):
I want access to the camera if I'm living here
and I imagine.
Speaker 13 (01:16:19):
You're paying me.
Speaker 1 (01:16:22):
Yeah, yeah, I should have access.
Speaker 4 (01:16:24):
To everything in this damn house. Yes, I want access
to it for sure.
Speaker 8 (01:16:29):
I don't want her to take them down because I mean,
there's a valid point for safety and security.
Speaker 3 (01:16:32):
I'm a cop.
Speaker 4 (01:16:33):
I know that, you know, I know it right, but
definitely get that. Make sure that is the reason. Let
her tell you that. And then yeah, you ask for
access to it absolutely because you want to feel safe too.
Speaker 8 (01:16:45):
Too, right right, yep, big, thank you for the advice.
You know, that's exactly what I needed.
Speaker 5 (01:16:50):
Good luck.
Speaker 8 (01:16:51):
I'll listen to you.
Speaker 16 (01:16:51):
Again, to mam and forever, yes, forever on I like
that than thank you, bro, all right, just fix my mess.
Eight hundred five A guess the Breakfast Club. Good morning everybody.
It's dj NV, just hilarious Charlamagne and the guy. We
are the Breakfast Club. It's time for positive note what we.
Speaker 9 (01:17:09):
Got I do man, And I simply want to say,
and I've said this before, but it's just a reminder
I need to remind y'all of twenty twenty four. Hope
You Heal is my new response to negativity. Whenever somebody's
being negative, towards you and they projecting. Just simply say
to them, I hope you heal, have a blessed day.
Speaker 7 (01:17:27):
Breakfast club. You don'na finished for y'all, dumb
It's important Main Street will got one of the big
things in America culture. They not like us, Thank everybody
the Breakfast Club you don't want to shake it out.
Speaker 2 (00:12):
They not like Carls Girl, e t NV, the family guy,
just hilarious.
Speaker 1 (00:18):
I'm the Wow call and Charlemagne to God, I'm a
lovablack for real plan.
Speaker 3 (00:24):
Yo, I'm loving that energy up there right now.
Speaker 4 (00:26):
Sometimes you gotta pop out.
Speaker 1 (00:28):
This shows then that let's begin.
Speaker 4 (00:31):
Wake up, wake up.
Speaker 5 (00:34):
Your time to get it off your chest? Will you
man or blessed? We want to hear from you on
the Breakfast Club.
Speaker 6 (00:41):
Hello. Oh, this is Jason from Canada. I listen to
you guys every morning.
Speaker 7 (00:48):
Do you have an our tattoo on you anywhere?
Speaker 1 (00:50):
He definitely does. No, No, I don't.
Speaker 8 (00:53):
I just wanted to call and say, yeah, we listened
to you guys in Canada also, and.
Speaker 7 (00:58):
We were on at Theron take it up.
Speaker 5 (01:01):
That's not true, all right, I don't know if that's true.
That's his story and they just took us off.
Speaker 1 (01:05):
Yeah, well discuss that some time. Hello. Who's this dere
Derek Detroit? Get it off your chest?
Speaker 6 (01:14):
A couple of things off my chest. But I'm gonna
be brief for you on one of the conversations we
have nowadays have to have the cause and uh definite
still to indicate you're not saying so to me. I
think that's quite ridiculous. Like I read that's influence to
where you can't say something without having consider ridiculous cause
(01:37):
no cap and all that.
Speaker 8 (01:40):
We do it too much in the world.
Speaker 4 (01:42):
Yeah, sometimes it is very much annoying, but you you
can do what you want to do, you know what
I mean.
Speaker 1 (01:46):
You ain't got to follow the trends absolutely without a doubt.
Speaker 6 (01:49):
And I'm always be me. But at the same time,
it's just annoying, is here even when y'all say certain
things or people y'all guests or or uh invite say
thirty things? Is just pause, Like come on, man, you
make the conversation more unrelatable when you cause I'm like,
what what what happened? What just happened that we paused
fos what Wait?
Speaker 1 (02:10):
That's why you should just say that was gay?
Speaker 6 (02:14):
Yeah yeah, or anything? Just me relatable man. You know,
drash people following the young people try us me to stop.
You know, we need to know how.
Speaker 5 (02:25):
Old are you?
Speaker 3 (02:25):
I'm forty two.
Speaker 7 (02:26):
Okay, I was born in the night one hundred and seventeen.
I'm forty five. Pauses our error.
Speaker 1 (02:30):
Sir, Yes it is Paul.
Speaker 9 (02:32):
That was Cam run and then back in the day,
long time ago, a long, long time ago.
Speaker 7 (02:36):
You know that.
Speaker 6 (02:37):
But well, that's just that when I say so your people, yeah,
thank you. I appreciate you. But not just that, but
also with the fact of some of the other stuff
that we do and say, that's just what I say. Okay,
that may be our era, but it's a lot of
stuff we're doing, you know, the carrage, the dragging it out,
and that sounds crazy.
Speaker 7 (02:56):
Like you you know what I'm saying, Like what you said, when.
Speaker 6 (02:59):
People say crazy and they drag it out, that's crazy.
Speaker 1 (03:04):
That that was our error to bro.
Speaker 6 (03:09):
Yeah, that wasn't our era.
Speaker 10 (03:11):
Man.
Speaker 6 (03:11):
You ain't never heard of people dragging the world crazy
like that?
Speaker 7 (03:17):
What are you talking about?
Speaker 11 (03:18):
Yeah?
Speaker 6 (03:19):
Yeah, okay, maybe you right on that one.
Speaker 12 (03:24):
Hello was going man peasing blisses man, Yes, Man, Man,
I was talking the elevator for a whole hour, man,
and they needed to be doing this.
Speaker 11 (03:37):
Man needs to really wake up earlier, man, because I
felt like my life was over.
Speaker 13 (03:42):
Man.
Speaker 11 (03:42):
I made so much promises for garden, this other my mother,
man like, oh what's just on my worst edity?
Speaker 13 (03:49):
Man?
Speaker 11 (03:49):
No windows, so escape.
Speaker 1 (03:51):
I'm thinking about boost Willis and.
Speaker 11 (03:56):
I'm thinking I'm touching them, but I'm kicking. I'm trying
to punch colds. I'm doing everything. I'm like, you know what,
let me think you. I ain't gonna lie. I had
a little reception, but not too much. I was playing.
I was playing RBS. Saton never would have made it, damn.
Speaker 13 (04:12):
You.
Speaker 11 (04:12):
The only reason why I got out, The only reason
why I got out because of the spamish dude. He
kept pushing the button downstairs, and he kept kicking the door,
and then all of a sudden opened but it was
a half of the food. Then it popped up, and
then I got out. I don't just tell anybody right now. Man,
I don't know if I think get elevated to the game.
Speaker 14 (04:27):
I think it's a lawsuit.
Speaker 7 (04:28):
I don't know if it's a lawsuit.
Speaker 9 (04:29):
But I wouldn't wish that all my words enemy, because
I got a daughter who has a very unhealthy fear
of elevators.
Speaker 1 (04:34):
And she like the walls of clothing.
Speaker 11 (04:36):
Mens like you just feel like every I was playing.
I was in one of the Titanic several reasons, man,
but that's the who was up the story.
Speaker 1 (04:42):
But anyway, book and Brooklyn, Bronx and Brooklyn, you know it's.
Speaker 7 (04:48):
You know, everything broken in the Bronx.
Speaker 5 (04:51):
Damn man, have a bless day.
Speaker 7 (04:55):
I'm glad that you got out of that situation.
Speaker 5 (04:56):
Absolutely.
Speaker 9 (04:57):
I'm telling you my my eight year old is definitely
afraid of a elevators. I don't know what she watched
that she saw somebody get stuck on the elevator. But
Lord have mercy. Not like elevators at all. In no
way ship before Hello, who's this.
Speaker 5 (05:10):
Are you doing?
Speaker 8 (05:11):
Be from Brooklyn?
Speaker 1 (05:12):
What's up?
Speaker 5 (05:12):
Brother?
Speaker 1 (05:13):
Get it off your chest?
Speaker 11 (05:14):
Well the first good morning everybody. I want to thank
Charlie made for those you ain't give them to me.
But I read your books and jail and man, and
they got me through a lot.
Speaker 3 (05:24):
Man, you want funny, funny guy, Thank you, brother.
Speaker 9 (05:28):
I got a new book called Get on Us and
Die line. Why small talk sucks?
Speaker 3 (05:33):
I got my lady on top of that already.
Speaker 6 (05:34):
I hear the balls and overles, I just have a
pickup for me.
Speaker 5 (05:37):
Thank you.
Speaker 4 (05:38):
I ain't locked up, No more. I was reading why
I was in jail.
Speaker 14 (05:40):
Man, I'm still going. I'm still gonna read not but
I want to get off my chest. Uh My thought
the birthday was Tuesday.
Speaker 11 (05:50):
My big malls would not let.
Speaker 15 (05:51):
Me see her.
Speaker 11 (05:53):
It's crazy, man.
Speaker 1 (05:54):
Sorry for you, brother, Yeah, I'm sorry about that.
Speaker 11 (05:57):
I don't know why they do that.
Speaker 14 (05:58):
Man.
Speaker 11 (05:58):
They gotta understand it's over.
Speaker 15 (05:59):
You gotta let it go.
Speaker 14 (06:01):
I was listening to Leon just and that co parenting,
that co parenting.
Speaker 15 (06:05):
Then yah, dad, I'm like, damn, I wish I hadn't
get like that.
Speaker 4 (06:07):
Yeah you can.
Speaker 1 (06:08):
It's probably gonna take some work, but you could get there.
Speaker 5 (06:11):
Trust me.
Speaker 11 (06:12):
I have a good day, fella.
Speaker 16 (06:13):
That's get it off your chest. Eight hundred five eight
five one five one. If you need to vent, hit
us up now. It's the breakfast club.
Speaker 5 (06:21):
Good morning.
Speaker 17 (06:22):
The breakfast club is your time to get it off
your chest. Whether you're mad or blast, but do what
have the same anath We want to hear from you
on the breakfast class.
Speaker 18 (06:34):
Hello, who's this y'all?
Speaker 19 (06:37):
Don't man?
Speaker 15 (06:37):
Good morning, good morning, good morning.
Speaker 1 (06:39):
What's up to you?
Speaker 5 (06:41):
Yo?
Speaker 10 (06:41):
Listen?
Speaker 15 (06:41):
I want to talk to Charlotte.
Speaker 7 (06:43):
I'm right here, brother, what's happening if it?
Speaker 1 (06:45):
Bro?
Speaker 15 (06:45):
You always said, hey, Donald Trump, it's the biggest threatch
od democracy, right, uh huh, And I kind of felt
like democracy is already gold.
Speaker 10 (06:55):
Bro.
Speaker 15 (06:56):
Oh't think America has a democracy when you say, to
think about it, man, They creating all these laws to limit.
Speaker 11 (07:01):
Us on things we can say, things we.
Speaker 15 (07:04):
Can do like we were no longer in a in
a like a whatever that word is kind of country. Bro,
This ain't this ain't a democracy country no more.
Speaker 9 (07:14):
But I know I can understand why you feel like
that as a black man in America. I can understand
why any minority feels like that. But I tell you what,
whatever democracy we had you let him get in office,
even that's going to be gone.
Speaker 15 (07:26):
But I'm not I'm not, No, I'm not the biggest
dollard Trump man. I dance ain't nobody man, I ain't no.
Speaker 7 (07:34):
I thought.
Speaker 15 (07:35):
I thought every black person that went down there and
voted for that man was crazy to him.
Speaker 7 (07:39):
I don't like neither one of them.
Speaker 15 (07:41):
If anything, he's only made to destroy us.
Speaker 9 (07:43):
Your phone breaking up, brother, Oh yeah, the reality is
both of them trash. But that's all we got on
the menu. Come November I mean you got third party options,
but you know, yeah.
Speaker 1 (07:54):
Hello, who's this?
Speaker 20 (07:56):
Heye your chest?
Speaker 13 (07:59):
Mama?
Speaker 5 (07:59):
Good morning.
Speaker 19 (08:00):
Hi, I'm skaking right now. I didn't think you guys
my answer.
Speaker 9 (08:04):
Oh, I was gonna tell you put the sweater on
if you were shaking.
Speaker 1 (08:07):
What's up, Kayla?
Speaker 13 (08:08):
Yo? Hi?
Speaker 10 (08:10):
Hello?
Speaker 8 (08:10):
What's up?
Speaker 13 (08:11):
Not sa?
Speaker 19 (08:12):
I don't know.
Speaker 6 (08:12):
I just colled just to see.
Speaker 20 (08:14):
I'm sitting in the parking line about to go with
this work, and I just called.
Speaker 7 (08:17):
Will you work at, Kayla? Where you work at? What
you do for a living?
Speaker 4 (08:20):
I'm a CNA, it's a nurse. A nurse, okay, and
say the nurse.
Speaker 20 (08:27):
Back to work. I just had a baby, thank you.
I had a girl.
Speaker 7 (08:33):
Oh you know, I got four of those.
Speaker 1 (08:37):
I'm wishing for one of those. Aren't you late? Don't
you got to be at work at six o'clock?
Speaker 13 (08:41):
No?
Speaker 6 (08:41):
I started seventy three, okay.
Speaker 1 (08:43):
She early early early us.
Speaker 7 (08:46):
That's what we we.
Speaker 9 (08:47):
We appreciate your service, Calor, we appreciate all you do
is a nurse man.
Speaker 5 (08:51):
Thank you, thank you.
Speaker 6 (08:53):
Oh my god, you guys mean my day.
Speaker 7 (08:55):
You made all absolutely.
Speaker 1 (08:57):
I have a good one, Kayla, you too.
Speaker 9 (08:59):
Yes, I I respect anybody who cares enough the callers.
Speaker 1 (09:02):
Before they go to work. Yeah, and appreciates what we do.
Thank you, caller, get it off.
Speaker 16 (09:06):
You just eight hundred five eighty five, one on five one.
If you need to vent, hit us up now. It's
the Breakfast Club. Good morning, the Breakfast Club. We are
the Breakfast Club.
Speaker 1 (09:17):
We got some special legends in the man Come on now,
this is a special one right here, legends of the building.
Come on. It's the cast of Good Times. Fifty years
of good Times. We got Michael, Thelma and JJ Well
round called and Bernadette Stainers and Jimmy Walker.
Speaker 7 (09:30):
That's right, all right, Good morning guys.
Speaker 1 (09:32):
How y'all feeling?
Speaker 21 (09:33):
Good morning?
Speaker 1 (09:34):
Breakfast Club fifty years a good time?
Speaker 5 (09:36):
Wow?
Speaker 4 (09:38):
I know wow, and.
Speaker 1 (09:40):
We're still going strong.
Speaker 7 (09:42):
Did y'all know Good Times were going to make the market?
Speaker 4 (09:44):
It made well.
Speaker 21 (09:45):
I didn't have no idea, No, we didn't, but we're
very grateful it did.
Speaker 4 (09:49):
Yeah.
Speaker 1 (09:49):
Well, from the beginning, let's start, how did it come about?
How did Good Times come about? How did you guys audition?
Speaker 16 (09:55):
And how did it make because during that time there
wasn't too many of us on television?
Speaker 5 (09:59):
So how did it come about?
Speaker 13 (10:01):
Well?
Speaker 4 (10:01):
And he is black, you know.
Speaker 1 (10:05):
I know, he joked me all the time and I'm black.
Speaker 22 (10:10):
But well, it started with me being in a beauty pageant,
you know. And from there, Uh, there was a manager
watching me in the beauty pageant and gave my mother
a card to say they're looking for a teenager to
be in the show and meet Norman Lear CBS.
Speaker 6 (10:33):
You know.
Speaker 22 (10:33):
So we went up there. But there were thousands of
girls when I opened the door. So, I mean, but
that's how it started with me. You were a teenager,
a good uh yeah, oh you eighteen?
Speaker 9 (10:43):
Oh okay, have mercy, Okay, yeah, all right, He's still beautiful,
absolutely so.
Speaker 22 (10:51):
And then you know, after a couple of months, I
thought I didn't get it, you know, because I didn't
hear back from them. And then I did get the call.
My mom got the call that I was Thelma, and
so they flew me out to California. That's how it
happened for me.
Speaker 5 (11:05):
Wow, what about you, Miss Carton.
Speaker 21 (11:07):
By the time I began to work with Norman Lear,
I had been in my sixth Bodway play by that time.
During my journey with Miss Jane Murray and also Pat Kirkland.
These were two wonderful women who I auditioned for when
I went there. However, I literally had the job before
I got the job. My contract was brought from The
Raisin in the Sun by Lorraine Hansbury. We did the
(11:29):
version of the musical play. By that time, I had
won the Tony Award nomination that year in seventy four. However,
as a result of that, Norman would consistently. He came
more than twice to see my work and flew my
mother and I out to the state of California. You know,
I was reluctant because they always said it never rains
(11:49):
in California, and I was excited it rained for three
months when I got to the right. Then any illusions
about Hollywood were always neutral.
Speaker 1 (12:00):
Lives as far as our concerned.
Speaker 21 (12:02):
So I'm very grateful to have not only work with
and still love Jimmy Walker and Bernion Debt. But we
give respect to the spirit of Mss Esther Rodene du Bois,
and to Johnny Brown who played Bookman, to Helen Martin
who played Weeping Wander. These are wonderful people that helped
us along the way. Of course, to mister Ben Powers
(12:22):
as well, Albert Reed, who played the older These are
the people who accentuated what we did. Of course, we were
working with the wonderful Debbie Allen and the work that
she contributed to our production.
Speaker 1 (12:35):
So we think.
Speaker 5 (12:36):
You what about you, mister Walker. I'm just a hard
core stand up. That's it.
Speaker 2 (12:40):
That's all I do. I'm just a stand up to
the core. So I went to a comedy store. I'm
doing shows. I go back to bed at like three
o'clock in the morning, get a call JD Joe. She says,
where are you. I said, well, we're like bed sleeping.
She says, well, you be going across the street. We're
doing rehearsals. I said, rehearsal for what? She says, this
is show called good Times. You signed on to the show?
(13:03):
I had signed on to it at the improv. Yeah,
because I didn't believe him because he's a liar.
Speaker 7 (13:09):
So a verbal contract.
Speaker 2 (13:11):
No, they had a contract. Kenny, the drunk, who was
a lawyer, was at the bar. I said, Kenny, is
this any good? He said, yeah, I think so, sign it.
I'll send it back for you. And I thought, I said,
Kenny is a drunk. He's not going to send he's
a liar. He's not going to send it. So then
he sent it back.
Speaker 5 (13:28):
So I was on the show.
Speaker 2 (13:30):
So I go to the rehearsal and there's a whole
bunch of people there at the rehearsal because I didn't
even know we had a script, because they said this
the script downstairs. I said, I'm going back to bed
because I'm not going downstairs to get a script because
they're lying.
Speaker 5 (13:42):
I don't have time.
Speaker 1 (13:42):
But so I went.
Speaker 2 (13:44):
I got the script and I'm reading the script and
I said to the guy next to me, like you normally,
I said, man, this sucks.
Speaker 5 (13:50):
What is this? I said. He said, we're going to
do a TV show.
Speaker 1 (13:55):
I said, really, I said, you're a liar.
Speaker 5 (13:57):
It's not going to happen. This is terrible.
Speaker 2 (13:59):
From and on we did the show, and I was
always throwing stuff in and people got upset.
Speaker 7 (14:03):
When did you stop thinking people?
Speaker 5 (14:04):
Was like, never, I think it now.
Speaker 2 (14:07):
People, I mean, agents are liars. They're all liars, no
very few people. People want to be bigger than what
they are. And the big people you never meet them.
They're in a big glass tower upstairs on the ninetieth floor.
So you know, even if like Vernon Ella, even if
meet the girl. I said, give me your number. I
(14:28):
know she's lying because she's not going to give you
the number. And then with the horrible things with the
cell phones, they don't answer. You text them, you email them,
they just look. They sit in their room and they
sit with their girlfriends and they start laughing.
Speaker 1 (14:44):
They go This moron I met at Walmart. He asked
for my number.
Speaker 5 (14:49):
I was busy.
Speaker 2 (14:50):
I gave him my number because I know I'm never
going to talk to my answers emails ever again. In
a while, somebody will come through, but very very badly.
And the girl, the girl would be nice, and some
(15:11):
girls will go. Some girls will go. And I learned
this from a friend of mine who happens to be
a girl. And she said a very interesting thing. She said,
you know, if you want to get rid of a
guy and he asked you to go out, say you know,
like if if she's a.
Speaker 5 (15:25):
Girl, I asked you to go out.
Speaker 2 (15:27):
I say, hey, Jess, you know, why don't we you know,
go to uh go to the Four Seasons.
Speaker 5 (15:32):
And have dinner. That's what they do. Are you serious?
Speaker 13 (15:42):
Really?
Speaker 15 (15:43):
Come on?
Speaker 1 (15:44):
No, it wasn't lucky yet.
Speaker 2 (15:47):
But it was a girl that showed promise, she answered,
she answered, and I was like, really sometimes sometimes she's
so stud What one did call back?
Speaker 5 (15:58):
I was, I was stunned.
Speaker 1 (15:59):
How many times do you give your number out to
these women?
Speaker 2 (16:03):
I'm available anybody, but see they they and I've said
the girls, hey, let's go the truth together, and they
just go.
Speaker 13 (16:16):
They just.
Speaker 1 (16:20):
Do. They just start laughing.
Speaker 16 (16:27):
Alright, we got more with the cast of Good Times,
Ralph Carter, Bernadette Standers, and Jimmy Walker. When we come back,
it's the Breakfast Club. Good morning, the Breakfast Club.
Speaker 1 (16:39):
Warning, everybody is d j n V. Just Hilarius Charlamage
the guy we are.
Speaker 16 (16:43):
The Breakfast Club was still kicking in with the cast
of Good Times on this Flashback Friday, Ralph Carter, Bernadette Standis,
and Jimmy Walker.
Speaker 5 (16:50):
Charlomagne, How did.
Speaker 1 (16:51):
How did y'all feel about the Good Times cartoon on Netflix?
Speaker 5 (16:55):
Well, that's Bernadette's think. He'll tell you. How do you
feel they calling it a.
Speaker 22 (17:01):
No, that's not that's not it at all. No, that's
not it at all. I think that our audience missed something,
you know, they missed what happened to us. It's always
they want the completion of it. It never really happened
so far. My thing about the animation was this that
you know, I know that Jimmy Walker came to them
(17:22):
and he presented a cartoon about five years before this,
before this one, and it was it was the really
the the all of us, the way we are in
an animation and we have our same voices and everything
like that. They didn't bite that, but later on came
up with they're gonna do an animation and I remember
my manager called them and said, well, what are they
(17:43):
gonna Are we gonna be in it or not. So
the way they describe the animation to us was this,
it was going to be a modern day, you know,
progression of what everything is going to be for the
Good Times family. You know, fine, but they asked Jimmy
and to do a tiny little part. But it sounded okay.
You know, we didn't see the scripts. So Jimmy did
(18:05):
a part. I did a little part. My character's name
is Peaches. You know, she's like a project lady. That's whatever.
But when ni trailer came out, we saw it and
everybody was like, no, you know, you don't have a
crack baby in somebody in the mother's arms.
Speaker 4 (18:18):
You don't do that.
Speaker 22 (18:19):
So and I remember having an interview with the singer Gilstrap,
Jim Gilstrap, and he was saying, you know, there are
some lyrics that they took out. So I said, were
the lyrics and he said, well, you know they say
roaches roaming the hallway and the landlord lives on the
other side of town or something like that. He said
that they took it out because fifty years ago now
(18:42):
they thought that that would be offensive to black people. Okay,
but fifty years later, you have two roaches singing in
a shower.
Speaker 4 (18:51):
They sing in the song good time. So I'm like,
this is not it.
Speaker 5 (18:55):
I haven't watched it, mister Cardi.
Speaker 21 (18:57):
I actually was quite disappointed with the actors who took
time to sign on to that project. These are actors
and artists and comedians that I really had a high
regard for. I won't use the past tense with them
right now, but I'm disappointed at the fact that they
did that. When I did take a quick review of
this particular rubbish that I saw, I was contacted by
(19:18):
some media outlets from my point of view, but I
refused to dignify with a response, and I'm just pretty
much disappointed with the artists who signed on to it.
Speaker 5 (19:28):
Y'all don't like the good times.
Speaker 4 (19:29):
Remove to say that.
Speaker 7 (19:34):
Fifty years of good times.
Speaker 9 (19:35):
I'm talking like nobody did a documentary or some type
of you know, reunion show, like y'all didn't get approked about.
Speaker 13 (19:41):
None of that.
Speaker 21 (19:41):
Now, the anthology that I did, right, it wouldn't be
a product commercially right now again because of the losses
that we have.
Speaker 22 (19:49):
They that we wanted to have, people that we worked
that were going to put together, and we had all
the characters.
Speaker 21 (19:54):
It's just they are now ancestors.
Speaker 5 (19:58):
So this is.
Speaker 2 (19:59):
Brett Miller who works with Norman and that's the guy
who kind of kind of goboshed us. Yeah, and that
that was it. I mean, that's the way because when
I took it around, everybody I talked to says, well,
do you own the rights? We go no, and they said, well,
nothing we could do for you. And these are all
friends of mine. So that's the way it was. I
(20:19):
just think that they didn't want us involved and they
achieved their goal.
Speaker 7 (20:23):
Yeah, well we love y'all.
Speaker 22 (20:28):
Yes, our fans really kept writing us and telling us
how much they loved us, and they did not like
the animation. You know, they respect us in so many
different ways, so we still got our satisfaction out of it, you.
Speaker 21 (20:40):
Know, absolutely, and when the people don't like it, watch out.
Speaker 5 (20:44):
Well. We appreciate you guys for joining us.
Speaker 4 (20:46):
Fifteen the lyrics to the theme song. Y'all all know that.
Speaker 5 (20:51):
No I don't know it. I think Ralph knows it.
Speaker 21 (20:53):
Keeping your head above water, making a way when you can,
temporary layoffs, good times, easy credit, riftball, good time, scratching
in surviving, good good time, hanging in a child line.
Speaker 1 (21:08):
That's how I interpret.
Speaker 4 (21:10):
I have the living, Yes, it is hanging in that.
Speaker 21 (21:14):
Versions, hanging in and making and driving, but also I
have on document and my archive hanging in the child
and something.
Speaker 1 (21:24):
Versions of it.
Speaker 21 (21:26):
However, it really caught on the way that the wonderful
En wrote the soundtrack for Moving On Up for the Jeffersons. Wise,
there is the writer and the musician and the vocalist
that sings that song, so that in itself, when you
deal with themed songs, and when we were coming on,
y'all were gracious enough to play for us. So it
(21:49):
was a nice way to walk into your sound studio,
and we thank you.
Speaker 5 (21:53):
So the mystery continues.
Speaker 9 (21:54):
We still don't know what it's hanging in the hanging
in it.
Speaker 4 (21:59):
It's hanging and giving.
Speaker 1 (22:01):
That's what it is. Anderne. They're not going to have
this going on for a while. We appreciate you.
Speaker 22 (22:07):
Jim, Jim Gillsdraft, the one who sung it, told me
he said it was hanging in and giving.
Speaker 4 (22:13):
That's what it was.
Speaker 22 (22:13):
But it came off I don't know if it was
the enunciation of it or not, but it came off
as hanging in a chow line. It sounds that way,
but it really was hanging in and giking.
Speaker 21 (22:23):
And there's a second verse that people have never heard
that goes to the same song. So the information that
I do have it has what I'm saying that.
Speaker 22 (22:34):
Sing in the shower.
Speaker 21 (22:35):
So you guys have been wonderful. I thank you Fote
for thinking enough of us. Again to your listening audience,
we thank you again for wonderful fifty years. May you
be blessed by every breath you breathe and every beat
of your heart.
Speaker 5 (22:50):
Thank you very much.
Speaker 1 (22:51):
That's right, it's the Breakfast Club.
Speaker 5 (22:52):
Good morning, thank you.
Speaker 16 (22:53):
All right, good morning everybody. It's the j N B,
Jess Hilariy, Charlamagne, the God. We are the Breakfast Club.
If you're just joining us, we're talking about getting massages
from the opposite sex. Now, this conversation started from Mason
Cameron talking about having trainers and women using male trainers,
and then we heard Charlemagne said recently that you got
(23:13):
a massage from a mail and you said it was amazing,
And what did he say about.
Speaker 4 (23:17):
He said that the guy massage every part of his body,
even his mouth.
Speaker 9 (23:21):
Not every part of the body, but he definitely gave
me a mouth massage, which is something I never had
before because apparently there's two muscles in your mouth.
Speaker 7 (23:27):
And I'm the type person, you.
Speaker 9 (23:29):
Know, because of like anxiety and stuff like that, like
I'm always like grinding my teeth a little bit, or
like I'll open my.
Speaker 1 (23:35):
Mouth real wide. I don't know why.
Speaker 7 (23:38):
And so it's like he he he massage these two.
Speaker 9 (23:41):
Muscles in my mind and hurt, Like hell, how do
you massage them with his hands?
Speaker 7 (23:45):
Like he was like he like it's like a it's
like a technique.
Speaker 9 (23:47):
Anybody out there that does this massage thing I'm talking about,
I know you know what I'm talking about but it's
like these two corners right here, and he just put
him in and he kind of like us on it
a little bit and it's painful.
Speaker 1 (23:57):
Well man, it's very very stressful.
Speaker 4 (24:00):
So you're a you were able to open your mouth
wider after, Like, what type of effects that.
Speaker 9 (24:04):
I haven't I haven't been grinding my teeth since that. Yeah,
I haven't been grinding my teeth that much instance. But
I mean I've never had a male messeuse until that time,
and he did a fantastic job. But it's just like
football players and basketball players who got male trainers who
you think is massaging them and rubbing on the.
Speaker 4 (24:21):
Absolutely, but I just never heard of a mouth massage.
Speaker 7 (24:24):
Yeah, it's out there, a matter of fact, I'm a
google it right now.
Speaker 4 (24:27):
Matter of fact.
Speaker 16 (24:28):
Yeah, when I when I go to physical therapy and
there's a male messuse, that's that's different.
Speaker 1 (24:33):
But when you go to a massage place and the
lights are low and it's.
Speaker 16 (24:36):
Intimate and the candles are burning, yeah, I would just
prefer a woman to massage me.
Speaker 5 (24:40):
That is just me.
Speaker 4 (24:40):
But you did, you did have a male messeuse before,
and you.
Speaker 16 (24:46):
Listen to everything. Absolutely, but it wasn't that. It was
it was me and my wife together. It was a
couple of massage and it was the teachers how to massage,
give a massage. And the dude came in Diesel dreads Brown.
Speaker 7 (24:59):
See the fact that you just scribs missed me think
that this was a free co case. He got in
the free co.
Speaker 16 (25:04):
But you know what I mean, but turn the massage.
I couldn't enjoy the massage because this big brother Diesel,
but dreads, that's what massages.
Speaker 1 (25:14):
Security.
Speaker 5 (25:14):
It was.
Speaker 9 (25:16):
I don't want it to get I don't know why
you're so insecure if you ain't never had your butt touched,
like I don't have those insecurities. Like I ain't think
of nothing when that male was beside me, I didn't
think about nothing except for this was a good massage
in no way shape before that. But this is a
real thing. Clinical oral facial massage, that's what it's called.
Speaker 10 (25:32):
Get.
Speaker 16 (25:32):
I get that all the time. And the woman that
does it, it's dope. She does an amazing job.
Speaker 9 (25:37):
Or popping up the jaw, clinching lockjaw and limited mouth,
open range and it released his muscles. And I've never
seen this word fascion involved with chewing and jaw clenching.
Speaker 7 (25:48):
So this is a thing.
Speaker 16 (25:49):
So when he when he massages, does he reach over you, like, yeah,
you have to lay y'all?
Speaker 4 (25:56):
Did it from the side?
Speaker 1 (25:56):
What'd you say?
Speaker 5 (25:57):
He was on the side?
Speaker 1 (26:00):
Time?
Speaker 9 (26:00):
When he was on one side, I had to turn
this way, he was on this side.
Speaker 7 (26:04):
I had to turn that.
Speaker 5 (26:05):
Wait Listen.
Speaker 9 (26:06):
If you've never had a clinical oral facial massage, trust me,
it is worth it.
Speaker 1 (26:10):
Okay, what about you.
Speaker 4 (26:12):
I enjoy massages from the same sex, although I have
had massages from a male, and I like the pressure
more from a guy. However, I ain't gonna lie. I
do get excited, like especially when they be like, turnover
and you massage in my stomach and under my breasts
and all that, and I just be like, so, I'm
(26:36):
not gonna lie. Yo, I don't. I don't know. I
just I can't.
Speaker 1 (26:41):
Let's go to the full line. Hello, who's this?
Speaker 7 (26:43):
This is from Brooklyn?
Speaker 1 (26:45):
Hey Kevin for Brooklyn?
Speaker 8 (26:46):
What's going on?
Speaker 6 (26:47):
And be how you doing?
Speaker 1 (26:48):
I'm doing the man?
Speaker 19 (26:50):
I love you.
Speaker 4 (26:51):
I love you too, baby.
Speaker 16 (26:52):
We're talking about massages from the same sex.
Speaker 1 (26:55):
Opposite sex. Brother talk to us.
Speaker 6 (26:57):
Yeah, I have to dip out on a talk other
day because it was saying such, I'm not gonna.
Speaker 1 (27:04):
Call him a company.
Speaker 6 (27:04):
Mean, it was saying sex, and I wasn't filling out.
Speaker 11 (27:08):
I can't have an I just I can't do that.
Speaker 7 (27:12):
You never played any type of sports in high school
or anything like that.
Speaker 16 (27:14):
It's different, yeah, different, laying on the thing and it's
a candle leg and the music is playing room.
Speaker 7 (27:22):
Yeah, it's the move different, y'all.
Speaker 18 (27:24):
I think, y'all it's something about a man, because my
little back hurt and it's something about a man.
Speaker 15 (27:30):
Brother down here, I can't you know.
Speaker 4 (27:33):
Yeah right, yeah, Well, Charlemagne is upset because not a
lot of men are not all men are open up
to other men are open to other men.
Speaker 7 (27:41):
Don't know why everybody's so insecure.
Speaker 4 (27:43):
It's not It has nothing to do with insecurity.
Speaker 1 (27:45):
This is very much got to do this because I
in your mind, you're thinking, man, I might get turned
on by this guy. Man, I don't want this guy
touching me because I might like it.
Speaker 7 (27:52):
That's that's your problem.
Speaker 13 (27:54):
That's what.
Speaker 1 (27:56):
Everybody The same thing you said, he said when the
guy told me turn around, I hooted up a little bit.
Can't make up stories, get mixed, uff up the low.
Speaker 18 (28:07):
Who's this Monica morning, good morning?
Speaker 16 (28:11):
Now that says you're uncomfortable receiving massages from other men.
Speaker 18 (28:15):
Yes, I am. Why because I feel like I make
noises that if I'm enjoying it. Yes, so it sounds
well even though it may not be sexual. Girl, and
I usual to make the guy think, oh well, she
might be into me, and they may go somewhere that it's.
Speaker 5 (28:34):
Not like what kind of noises?
Speaker 7 (28:37):
You a freaky You're a yellow freaky boy. Man, what's
your problem?
Speaker 4 (28:42):
I never I never got myself like yeah, yeah, but
I get what you're saying though, Yeah, girl, come with
the whole soundtrack, especially when they tell you yeah, And.
Speaker 20 (28:51):
That's just how I am.
Speaker 3 (28:52):
And I do that.
Speaker 18 (28:54):
But I'd just rather get from a woman because I'm
not interested in them.
Speaker 9 (28:57):
You know, you bring up you bring up a good point,
Like every single time I get a massage, you know
from a woman.
Speaker 7 (29:03):
You know you do tend to get a little direct.
You know what I'm saying.
Speaker 9 (29:07):
You do you do, But I've never when I had
it with the guy that didn't happen at all.
Speaker 1 (29:11):
Did you make it sounds?
Speaker 5 (29:12):
Did you make sounds.
Speaker 18 (29:13):
Like because there's no interest and it's been making you
feel good, like you don't sound like it feels good.
Speaker 7 (29:19):
And by the way, the guy made me feel good,
but I didn't get a wrect because you're not guy.
Speaker 13 (29:26):
Yeah.
Speaker 4 (29:26):
Because when they hit your lower back, I'm telling you,
like sometimes it's like like oh my god, yes, like
right there. And then when they turn you over and
they go blow your belly button, it's like, oh my god,
Like what you knowing.
Speaker 1 (29:41):
You get on the third time? She said, they turn
you over.
Speaker 4 (29:45):
So real, that's a full body. They do your back
and then they turn you they turn you over and
they do everything else.
Speaker 1 (29:50):
We have a massage therapists on the line. Hello, Hey, yeah, Hey,
what's your name? Bro?
Speaker 3 (29:55):
My name is Chris.
Speaker 1 (29:56):
Are you brown skin with dreads?
Speaker 10 (29:58):
No?
Speaker 5 (29:59):
We're just making sure.
Speaker 9 (30:00):
Standing with a ball ahead and a bed.
Speaker 10 (30:02):
Yeah.
Speaker 3 (30:06):
It's a pleasure. It's a pleasure to be on here.
So I've been a massage therapist for twelve years and
I have that problem majority of the time where the
husbands have a hard time working with me. But it's
not about that. It's the muscular care that needs to
be done for our society that we're not addressing biometrical
(30:29):
movement is the key to internal healing. And so what's
happening in our society now is we're quick to about
biochemical things in our mouth, but we're not doing the
things that we need to do on a muscular level
to heal.
Speaker 7 (30:47):
Yes, right, yeah, you got to move that trauma up
out of your body.
Speaker 3 (30:50):
That's right. And so with that, there's six hundred and
fifty six individual muscles, three hundred and sixty joints, and
two hundred in eight bones that nobody knows anything about.
Speaker 7 (31:04):
Do you do the oral ficial massage?
Speaker 3 (31:06):
Yes, it's called enter oral massages where you go into
the mandible, you release the massive and it helps with
the TMJ.
Speaker 7 (31:16):
It hurts, It hurts, but it feels so good afterwards.
Speaker 3 (31:19):
I do NORM muscular therapy. NORM muscular therapy is trigger
point release to the actual belly of the muscle, and
it actually helps elongate the individual muscle from the insertion
to orgin.
Speaker 4 (31:33):
He couldn't do my massage now that way he's talking.
You gotta be quiet the whole time. I'm just like, oh, yes,
come teach me.
Speaker 3 (31:42):
Tenn I do tennis, elbow, golfer hip flexor rotator cuff.
You guys need to do yourself some research on norm
muscular therapy.
Speaker 5 (31:53):
Oh I love it.
Speaker 9 (31:54):
I'm about to go give me a massage to day
because of you. I'm going, Yes, I got so many
points that massage.
Speaker 3 (32:04):
If you ever want to check massage care out of Conway,
South Carolina. I opened up my business and that's what
I'm focusing on.
Speaker 5 (32:16):
Excited.
Speaker 1 (32:17):
Okay, he's gonna fly on it.
Speaker 7 (32:21):
I can't let him male touch me in South Carolina.
Speaker 10 (32:24):
What hey, I'm from d C. See that's the perception. Okay, life,
life trauma, childhood trauma causes us not to want to
be touched. That's I have to deal with that trauma.
Speaker 9 (32:39):
Listen, he is not lying in no way, shape or
for him.
Speaker 13 (32:47):
Yo.
Speaker 1 (32:47):
No, I can't let him. Another male touched me from
South Carolina.
Speaker 9 (32:50):
I say, touched me in South Carolina different because of
the childhood trauma.
Speaker 7 (32:55):
Life.
Speaker 9 (32:57):
Sometimes I got touched in South Carolina by people that
wasn't supposed to be that you meet now, laugh at that.
Speaker 7 (33:03):
See you get out of this one.
Speaker 16 (33:04):
Oh my god, the fun police over here. It's the
breakfast logan morning, the breakfast club owning everybody in stee
j n V. Just hilarious, charlamage the guy. We are
the breakfast club. We got a special guest in the building.
We have a comedian, Ali Sadi.
Speaker 1 (33:19):
Welcome, brother man, thank you for having me. You feeling
I'm good man Man.
Speaker 9 (33:23):
I like the way you distribute your comedy. Man like
you you you dropping specials like litle Wyne used to drop.
Speaker 5 (33:29):
Mixtapes and they're all funny.
Speaker 1 (33:32):
Yeah, thank you all. Going to independent route keeping independent,
you know from Houston, we the capital of independent. You know,
ain't nobody coming out that way to look for us.
We just got to do it. That's right after Trunk,
Rap a Lot after Trunk, that's right. Yeah, everybody always
says rap a Lot. I think that's our only label too.
You know, we have some other labels, but you know
(33:54):
they ain't stick around. You know, we got what we asked,
right and then after that you have the indipendent, you know,
switch your house for sure. But rap a Lot is
the is the staple. Absolutely, they should have did a comedy,
a comedy thing. We tried Laugh a Lot, but it didn't.
It didn't stick.
Speaker 9 (34:15):
J Prince J Prince's reputation for season. But he's a
funny guy.
Speaker 1 (34:18):
He is I've done I've roasted J Prince a lot.
How was that? I think that we have a healthy
respect for each other. You know, the last time I wrote,
I was hosting something and it's not like I'm roasting
him at a roast. This is me hosting something. I'm like, yo, man,
what so you got all these bodyguards? It was him
and Floyd next to each other like somebody bodyguards gotta
(34:40):
take off because can't nobody see like we're gonna jump
on you? Next to J Prince? You see, I'm like,
and he's small, he's a small little Look you look
at a lot of dudes around though, Yeah, I know,
and I know most of them. How did you get
in the comedy man? Just being black? Really? You know,
I've been funny since I was a kid.
Speaker 5 (35:00):
You know.
Speaker 1 (35:00):
I know people tried to think I was funny because
I was in prison, but nah, I was jovially sarcastic
in prison. They was just I was the kid on
the back of the bus. And then when I was
in prison, I was the same way. Oh so y'all
about to fight? Okay, who's gonna lose this fight? Twice?
What you mean, I said, because okay, the mixplay one
of y'all gonna win this fight, and then the CEO
(35:20):
is gonna come in and beat up both of y'all. Soight,
So that was my logic, you know, I was. I
was just a sarcastic, jovial, sarcastic person, and when I
got out, it was the It was the goal. It
was definitely the goal. That became funny how you gotta
start doing the goal because you start comming to you
actually don't know what to do. You've seen it, but
(35:43):
where do you go now? You got to go to
an open mic. I knew I needed clothes. That's what
I definitely knew I needed was closed because you know,
comics are always dressed, and I'm coming out of prison.
I had a my my sister sent me little Sears outfit.
You know, it was a little It was this little
shirt from Sears. It was night to the round tables.
I knew that was from Sears and some khakis of
(36:03):
the round. Man, it's a fake pololo. My daddy bottom.
My daddy bottom with polo is really in style. You
came then I found these polos on discount. I said, man,
that is not a polo man. That is a dude
with a flag and it's only you know, the nicest
the round table only have three legs on that horse.
(36:24):
The horse on they had three legs.
Speaker 7 (36:25):
Man, prison, your first out of prison?
Speaker 1 (36:29):
Yeah, that was my first sho prison, A nicer round
table person, six heads?
Speaker 5 (36:35):
What did you do?
Speaker 1 (36:37):
I used to be a street pharmaceutical rept with very front,
very front, like they want when you sell drugs, they
want you to have a jacket, go to like a
CVS or RIDEID or somewhere. People come in with prescriptions.
I was, you know, short cutting it.
Speaker 5 (36:50):
What kind of drug was it? Drug?
Speaker 1 (36:52):
Unfortunately crack? Okay you said, age said? You said okay?
Like that was that was just ahead of your time. Man, marijuana,
you know I got fighting us who went to jail
for marijuana was like they and they knew it was wrong.
They're like, man, this don't even make no sense. It's
a leaf.
Speaker 3 (37:09):
Now.
Speaker 1 (37:09):
What I did was definitely wrong.
Speaker 16 (37:12):
The fact that you only got six years back there
is is is because they were giving people football numbers.
Speaker 1 (37:16):
Who got six years? Did six? I hadd six on
the I did six on the fifteen and I had
a fifteen and a ten that ran concurrent. I said,
six years from crime. So they said you only got
six I said, g man, no, you mean somebody. No,
(37:39):
I didn't know nobody. I knew real Harris my attorney. First.
When I first went in, it was a fair case
and they slicked to They come in, there are we
just gonna give you three hundred months and in your
mind this like that yead three hundred months And in
your mind you're like, okay, three hundred months. That ain't
that ain't not. But I know math, and I'm like, nah, nah,
(38:00):
you know three hundred months twelve Nah, we carried nah
because they said it months, woul It sounds like you
could do it three hundred, three hundred months out of
don't sound like days. But then when you do go
to calculating. So then it got dropped down the state.
In the state, the lady came in, she was wild
(38:22):
and the prosecute. She said, well, I'm recommending ninety nine years.
This is when ninety nine years. This is the thing
heavy how much crack you got on not only but
it was five keys, right. So the thing is that Jesus,
they're not supposed to let me in court cause I'm
gonna say something my attorney at he wasn't talking fast enough.
He's like ninety nine years. And I said a very
(38:43):
derogatory word towards that later, and I asked her who
she thinks she caught. I'm like, man, I am nineteen.
Who you think you caught? Ma'am? Esketball? So we come
back to court again, got reset off, she's sawing myout.
I think sixty years would be appropriate, ma'am one again,
ma'am like, you want me to have a life as
it is.
Speaker 7 (39:02):
So so when you get out of jail, you get
out of prison, you get your your fake polo.
Speaker 5 (39:06):
Do you remember your first show?
Speaker 1 (39:08):
Yes, just joking, comedy cafe Thursday night, apollow night. I
have on a suit because I working at Most. I
got a job at tomorrow, so I'm working at most
of the men's a peril store. Got a suit on.
This is when you learn observation. So it's a lot
of college kids in there because it's a pollow night,
and everybody up there doing everything. So I go up
(39:31):
and all I said was hey, and them folks boom,
super jacket off. I'm not even I didn't even tell
I'm talking about It was bad. So it was, man,
I'm talking about them boozers.
Speaker 13 (39:47):
It was.
Speaker 1 (39:47):
It was in stereo two. So I came and sat
down in my pinder, drake man, what happened? I said, bro,
you I think you was born with them, like you participated.
And and at the time, Nikki, she she asked me,
said William, did my kids mom at time talking? And
(40:12):
I said, uh. She said what what where your jacket
at I said, Uh, it's going to stay. They booted
off me because it was crazy. Damn, you can't go
back up there and get your jackets. Yes, many people, man,
it was. It was so I waited for two weeks,
waiting for two weeks, came back T shirt and jeans,
and I didn't write down what I was doing because
(40:34):
everybody was singing.
Speaker 21 (40:35):
Man.
Speaker 1 (40:36):
And I never won at this bottle night because people
hit you with the gospel songs even though I was.
I was good gospel songs every man, I say. The
dude he would start rapping and was getting about to
get booted and changed his song in the middle of
the song, started singing by Jesus, so he's been relief JU.
(41:03):
So I changed my whole thing, went back up every
week for about a month and a half to the people.
As soon as I would get there after that, people
were like, yo, man, you going up tonight? Oh he's funny.
So I end up becoming the host of that same
place that I got booed and just joking, Comedy Cafe,
and I was the host for like a year. Yeah,
that's how it started. We got more with comedian alside
(41:25):
when we come back, don't move. It's to breakfast club.
Good morning everybody in steej n V. Just hilarious.
Speaker 16 (41:30):
Charlottage and the guy we are the breakfast club but
still kicking in with comedian Alisade.
Speaker 4 (41:34):
Yes, So how did you turn into the storyteller comedian
because that's a lot of that's hard for people to do,
like it, it's hard for you, but it's hard Dal dalm.
Speaker 1 (41:47):
I'm on the road with d L. He told me.
He said, Yo, man, the funniest you gonna ever be
in life is based on how honest you want to be.
And this was after some people when I was writing jokes.
I don't even I ain't the people anymore because I
think that when you have writers, that writers under the
pressure of turning in something to another comic and so
(42:09):
they could see your show and then turn in I man,
I don't have nothing this week. But if you try
to get that check, so you turn in somebody else's
material to the person who you turned it into has
no idea that you that you just sought it somewhere,
and so now, oh, you a thief. So now I
just I switched from doing jokes to doing everything personally
(42:31):
about me, and people still try to steal it. But
it's hard because now you know, it's a lot of
comics that all of a sudden they went to jail,
but I went to prison. It's a different thing jailing,
but a lot of people in the jail, but prison
is two different things. So I would go up and
people trying to do jail stuff in front of me.
(42:53):
I'm like, but you know, that's not what I'm doing.
I'm I'm walking through my life from ten years old
too now. So it just happens to be the first
comedy series of specials like these. All these specials are
tied together. So if you see three now, which came
out Mother's Day, you can't go see four without seeing
one and two and one is the masterpiece, but three
(43:18):
is the best one to me. Thus far that I
that I see and two has a different cachet to
it because I was showing a different skill set in
the actual art of it, because it's two faces to comedy.
You know, it's having a tragedy. So in two my
sister passed and well it's late now.
Speaker 7 (43:41):
You know, tome brief is not linear. I don't know
how you're feeling this morning about it.
Speaker 1 (44:00):
Twenty years ago.
Speaker 4 (44:02):
I tell you, twenty years.
Speaker 13 (44:09):
Years I don't know.
Speaker 1 (44:12):
Sorry that man, Well, I'm man.
Speaker 7 (44:15):
We dealt with.
Speaker 5 (44:19):
God's crazy.
Speaker 13 (44:20):
You know.
Speaker 1 (44:20):
My whole intend to come up here because I was
mad at you.
Speaker 13 (44:23):
What I do?
Speaker 1 (44:24):
Man? You were saying my name wrong? And you did
it twice too. You know, I'm saying Ali. I'm like,
this man know how to say my name wrong? Ali?
Speaker 13 (44:32):
You know?
Speaker 1 (44:33):
Talking about my special with somebody? Yeah, I think named
Ali Ali? And I'm like, and they said it to
me and it was on the breakway. I'm like, he
knows how to say Ali.
Speaker 9 (44:41):
You know he knows because I kept hearing other people
say Ali while he was listening to other people.
Speaker 1 (44:46):
You better, And I say, ain't somebody call up there
and ask me who his favorite box is? Probably Muhammad, Ali,
just take the Muhammad out.
Speaker 9 (45:00):
When the first special came out, everybody I knew was
talking about that special, especially in the comedy world.
Speaker 5 (45:05):
It was like, Yo, you gotta watch this due Ali sad.
Speaker 4 (45:07):
You knowbody nobody nobody said.
Speaker 1 (45:13):
You ain't nobody saying anyone. Nobody said that.
Speaker 13 (45:19):
You know.
Speaker 1 (45:19):
It's like Ali wall like he said there, I look,
I don't even know che I'm like Charlamage.
Speaker 13 (45:27):
Don't like me.
Speaker 1 (45:29):
When when I get up, when I finally get to
the record, I'm leading. I'm leading with hey man while
you're saying my name. Then then I left it alone.
Speaker 13 (45:37):
Right, It's like.
Speaker 1 (45:39):
Whatever, At least he mentioned me, that's all. But that
first special took off though.
Speaker 9 (45:44):
Did you did you understand that it would do that
or it was just a risk coming throw this on
YouTube and see whatever.
Speaker 13 (45:49):
Man.
Speaker 1 (45:49):
I thought it was really good. And when I do
a special, it takes a while for it.
Speaker 10 (45:54):
You know.
Speaker 1 (45:54):
I have recorded probably three or four specials before that
one and was like, no, it's not special. So Domino
Effect the first one I knew that it was. I
knew it. It's like the first album I put out
talking loud saying something that's my reasonable doubt, you know,
So I knew once I put this one out, I
knew it. I had that feeling about I was too
(46:16):
excited about it. Then it didn't have any flaws to it.
And that's one thing when I look at something, I
don't want it to have anything that somebody can grab
on to. Like, but what about this? So when that happened,
and then somebody said, well, what's the rest of the story,
I said, what, Like, what happened after that? I said,
you want to know?
Speaker 4 (46:35):
So they oh, so you had never even planned to
make it to keep on going with a series.
Speaker 1 (46:41):
Well if somebody asked me about what happened after that?
And I said, okay, well I stopped at sixteen, so
let's do it from sixteen to nineteen, and then when
we get we did the first we did two, and
then I said, yo, let's finish up. How I even
got incossrated people? I was there, but let's see how
(47:01):
I got there. And then we did three, and we
recorded three and four in DC at the same time.
So we did two shows on that Friday and two
shows on that Saturday. So four comes out Father's Day.
So he strategically put one on Mother's day one on
Father's Day, and four is two hours long, you know,
(47:23):
versus the one thirty that I've been doing.
Speaker 4 (47:26):
Your special part. Four comes out on Father's Day. Like
you said, how much is that? How much of that
involves like your dad or does it even involve man?
Speaker 1 (47:35):
My dad, he I put him all through the rest
of them. He has a small piece in four because
he had why I was incarcerated. My pops had at
fifty almost sixty years old, got locked up for an assault, right,
and my dad thought he was on some big boss
mob type thing because his two brothers was locked up.
Speaker 5 (47:56):
I was locked up.
Speaker 1 (47:57):
Then he gets locked up, so he's sending five hundred
dollars on everybody's books while he while he locked up,
I'm gonna write a letter. Yeah, just sent you some bread.
Speaker 13 (48:10):
We're not we're not in the family.
Speaker 1 (48:13):
Like you didn't see me nothing until you got locked up.
I don't even understand this, Like I've been licking him
like four years now. He gonna, yeah, sent you some
bread since we died here, man, I wrote back. Hey,
Man tried to go home, and in the next couple
of years he had less time than me. He beat
me home anyway, But he sent money to his brother.
His brothers, oh yeah, appreciate you. Yeah, they thirstyself. Like
(48:37):
my uncle Max, he's a g But my uncle Alfred,
he's a sucker.
Speaker 5 (48:40):
He's a sucker, sucker man.
Speaker 1 (48:43):
My grandmother write dementia, had dementia. I'm putting money in
our books, the money coming up missing. He writing checks,
had my grandmother sign them, and she had dementia. She
got dimension you're stealing the boss. Yeah, that's wild. And
and then putting in a bad position where her bills
not getting paid. And I don't know who my grandmother
(49:04):
was when she was younger, but you know, dementia, they
be staying stuff in their life. So I'm I'm taking
care of her one day because my cousin were rotating
and I'm over. I give her coke. Her coke is low.
I come back to grab a coke to phill it up.
She grabbed my wrists and say, put my glass down.
I said, what say put my glass down before I
(49:26):
drown you? I said, when was you drowned? Grown men
in your life? She must have been a mob. But
she on the cafe, so I don't know when she
was doing it. At some point she was drowning full grown.
That's that ain't no regular threat. That's whyfore.
Speaker 10 (49:46):
Put that?
Speaker 1 (49:47):
I put it down. I'm like that, yeah, yeah, yeah
you I just poured out. I'm not messing this.
Speaker 16 (49:53):
Later, we got more with Comedian ALESI. When we come back,
it's the Breakfast in the morning.
Speaker 1 (49:57):
Morning everybody, we are the Breakfast Club D and be
just HILARI charlamage the guy. We're still kicking with. Comedian ales.
Speaker 9 (50:05):
Just dropped Domino Effect three on me twelve oh man,
and Domino Effect four sixteen.
Speaker 1 (50:12):
That's right now. I think I'm gonna blow up now.
I finally got up here and he said right.
Speaker 7 (50:18):
He said, you want to do? Do you want to
do like Netflix or something like that?
Speaker 5 (50:21):
Does it even?
Speaker 13 (50:22):
Man?
Speaker 1 (50:22):
Now I say no, But well I'm gonna say if
why not? Why I can't say no.
Speaker 7 (50:31):
If it comes. But they come with twenty million and say, hey.
Speaker 1 (50:34):
Man, but if they own it, then this is none
of that they can't get If they own it, they
can't get it.
Speaker 5 (50:39):
You can make up a story, you can say anything.
Speaker 7 (50:43):
Take the twenty minute check.
Speaker 1 (50:45):
Wait, man, now they got I'm on Netflix. I got
twenty million, and now they put out some nonsense. Now people. Yeah,
it ain't Yeah, what is it? But what I want
to do it on that he's doing what you're doing.
Speaker 13 (51:02):
You're like, yeah, yeah, never.
Speaker 5 (51:08):
Want his name said.
Speaker 1 (51:12):
Man, I'm man'll do I'm a man.
Speaker 13 (51:15):
That about what you're doing.
Speaker 7 (51:18):
You're doing so well now you definitely do it well.
Speaker 1 (51:20):
My brother man and I and I appreciate that.
Speaker 5 (51:22):
Man.
Speaker 1 (51:23):
I just can you know something? I just feel like
an Emmy's gonna come my way since I made it.
This bro used to always say, you know something enough
people don't know me. I gotta get up there to
see DJ Mvy. It wasn't really about you, Charae. He was, yeah,
because because once he hit it with that, this is
a djybody.
Speaker 4 (51:40):
Yeah, that's that's the part that you wait on.
Speaker 1 (51:43):
It ain't evenly the show and you hear that show
just came out. Hey, I'm Charlamagne to God and it's.
Speaker 13 (51:49):
Just Larry like, what what what was it?
Speaker 1 (51:54):
Think about that?
Speaker 16 (51:55):
When we first started, we hated it. I was like,
why we gotta keep saying our names? I don't want
see saying my but our program director of the time
is like, you keep saying your name, It's get stuck
in that keep saying your name but introducing you.
Speaker 4 (52:09):
Even when he beef with people, they be like mocking him.
Speaker 1 (52:13):
It's a whole rhythm of it.
Speaker 6 (52:14):
So you got to like that.
Speaker 1 (52:16):
Just you gotta say this is indeed got. But let
me tell you that the thing that that makes me
laugh like uncontrollably comes from the breakfast club. And I'm
talking about me the lady that living in the house
may let me think something and if I don't care,
how mad and that lady calld Man saying, yeah, this
is this sweet Joe Joe, y'all do that? What the
(52:38):
boy who couldn't say y'all name?
Speaker 13 (52:41):
God?
Speaker 1 (52:42):
Man, let me tell you something. It was true? That
wasn't it was true?
Speaker 13 (52:46):
We know, we know.
Speaker 1 (52:55):
You're serious.
Speaker 13 (52:56):
Girl.
Speaker 1 (52:58):
Do you understand the type of I'm talking about?
Speaker 13 (53:02):
Man?
Speaker 1 (53:03):
If my day is going bad, but come on, web,
gonna get gonna get it to.
Speaker 5 (53:09):
Video.
Speaker 1 (53:09):
But somebody made a car soon tell them gate By. Yeah,
y'all got the name.
Speaker 13 (53:20):
Anne. Man.
Speaker 1 (53:24):
Boy, it's like this. It was like our Sharpton versus
a teleprompter.
Speaker 13 (53:28):
Damn you seeing that? No?
Speaker 1 (53:31):
Oh, And the only reason I don't really say nothing
about it much is because I did a just have
you ever done a thing that they had the teleprop
phone absolutely just over the weekend, and it was it
was going too fast. Yeah, and you would have to
like if I tell you, I'm just up there and
I'm just lexy. That's the whole other thing. People, I don't.
(53:51):
I don't do cold reads. Let me see it for
let me take the picture of it in my brain.
Speaker 5 (53:54):
I can do it.
Speaker 1 (53:55):
Man, I'm in there with the cold with a cold
read on the telepromptum and and I'm talking.
Speaker 5 (54:01):
They got on speed down.
Speaker 1 (54:03):
I'm like, I'm just and the man I'm doing it.
And the man looked like this, He's like, I know,
damn well, ain't none of that whatever. He's saying something,
what are you looking at?
Speaker 5 (54:15):
Like?
Speaker 1 (54:15):
Hey, man started saying stuff. I was like, I'm the
king and changing my stuff to I change everything because
sometimes they be going too fast, like you can't get
that fast? Many do you understand? The man had to
look at the teleprobe he no, damn way, like, bro, man,
what are you looking at? Are you looking past me
(54:36):
outside something? I'm like, nah, bro, I'm looking dead at you.
But you man, it's too fast. Yeah, Billy Currels go
in after me. For the same position. I said, Billy
Man the teleprophaba. He said, Man, I wouldn't look at
them telling problems. I was saying what I thought they wanted.
Speaker 7 (54:52):
Did look like we'll make up?
Speaker 5 (54:57):
Gotta make it up on the fly. How did they
find you?
Speaker 13 (55:00):
Man?
Speaker 1 (55:00):
As spelled my name with an I, S I D
D i Q. You know what I'm saying, A L
I first S I D D i Q. That's dot com.
Or you can go on YouTube Alice comedy. You know, Man,
just you know, stay linked in with me on my
on my Instagram. Everything is the same.
Speaker 9 (55:17):
I'm following it right, And I think I already follow
you though you already follow me, because I know you
definitely follow my.
Speaker 1 (55:23):
Man, What's what's what's the guy you be with all
the time? And I just saw I just saw Andrew
at the roast. I was at the roast. Tom. It's
funny when you become a comics comic and you don't
know and then you walk in the room and all
these comics come over you. Man, why are you Man,
(55:44):
I'm I'm a big I'm a big fan. Like, hey, man,
what what what's the bowling about?
Speaker 13 (55:48):
Though?
Speaker 1 (55:50):
And like Kevin was talking I'm walking around with Kevin
talking to somebody. He turned around, Hey, but I didn't
know you was gonna be he man, what is wrong
with y'all?
Speaker 13 (55:59):
Y'all?
Speaker 1 (56:01):
And then I'm walking into the party. I'm going to
the to the Farm to the Farm Club, and I've
been wanting to go get you know, Maddi Johnson, one
of my favorite players of all time. I just wanted
to see what him and Bus was doing. They work
at in this Farm Club. I'm in there and as
I'm walking in, this is the biggest company I think
I ever got. I'm talking about non this, no out
of nowhere. I'm walking to his party. Chappelle is coming
(56:22):
this way, a bunch of people with him, and he
just stopped, Hey, oh, Alie, you come into Cincinnati, man,
this weekend at the Task Theater. I'm gonna try to
come by there if I'm in town. And I'm okay,
how you know my schedule? And he said, man, take
my number and call me. And I'm and I'm trying
(56:44):
to play it cool cause I'm like, yeah, yeah, whatever,
Chapel and walk right in there. The Sam Jay Sam
number gave me his number, told me at the Tawn
the man know my schedule.
Speaker 13 (56:55):
You know he all in the files.
Speaker 1 (57:04):
Thank you for joining us, brother, Thank y'all for having me. Man,
it's the Breakfast Club.
Speaker 5 (57:07):
Good morning.
Speaker 4 (57:09):
I really got Bronx.
Speaker 13 (57:13):
Were in the brook. I'm not setting us.
Speaker 7 (57:22):
The craziest people in America come from the Bronx.
Speaker 13 (57:25):
And all the pool.
Speaker 4 (57:26):
Jel.
Speaker 23 (57:27):
Why does the Sunshine Seat consistently produce such strange news?
Speaker 4 (57:32):
I'll catch alls and tregey.
Speaker 15 (57:34):
I'm Whizzagenda.
Speaker 7 (57:38):
Just going to be many wacky news stories out of
Florida on the.
Speaker 1 (57:42):
Breakfast Club.
Speaker 7 (57:46):
That kills me every time.
Speaker 9 (57:47):
Man, it's Lutha Kodak black Man, Donkey of Today for
Monday Junk to your uncle Sharla.
Speaker 7 (57:52):
Always tell you about the great state of Florida.
Speaker 9 (57:54):
The craziest people in America come from the Bronx and
all of Florida, and today is no exception.
Speaker 1 (57:59):
In fact, today is so nuts.
Speaker 9 (58:02):
I'm still trying to figure out so why See, Christy
woke up and decided today is the day she wanted
to steal a car. Not just steal a car, she
wanted to steal a car from an actual dealership. Her
reasoning for wanting to steal a car from an actual
dealership was so she could do it legally. I can't
make this kind of stuff up.
Speaker 24 (58:20):
Let's go to do with Channel eight for the report,
please and Japanese responded to a call from a female
stating that she was attempting to steal a vehicle from
the dealership parking lot and wanted the police to know
so she could do it legally. Take a listen to
the nine one one call.
Speaker 11 (58:34):
I'm trying to steal a car, but not legally mine,
so y'all.
Speaker 6 (58:37):
Gotta come make a report. I'm reporting this.
Speaker 23 (58:40):
Deputy's arrhyved on scene and observed the thirty seven year
old Christy Lee Terman exiting the driver's side of the
stolen Corolla. According to Termine, she was being trained in
a game of Black Ops to steal a car, but
called nine one one an attempt to make her car
jacking legal. Terman was arrested and charged with trust passing.
Her history includes a variety of charges such as petty theft, robbery,
(59:04):
and aggravated battery.
Speaker 1 (59:07):
I still don't know what the hell is going on here.
Steal a car from the dealership so she could do
it legally. There is no such thing, babe. Where did
you think you could steal a car legally? Where you
learned that from YouTube?
Speaker 9 (59:19):
You heard the phone called Christy told deputies she was
being trained in a game of black ops to steal
a car, but called authorities to make her car jacking illegal.
Speaker 1 (59:28):
I'm concerned that deputies did not find any drugs.
Speaker 5 (59:31):
Okay.
Speaker 1 (59:32):
You know when you hear a story like this, you
know you waiting to hear that the person was on drugs.
I had some type of mental issues. None of that, okay,
none of that here.
Speaker 9 (59:40):
This is just pure uncut Florida, all right, Because I'm
trying to steal a car that's not legally mine. So
y'all better come make a report. I'm reporting this. I
don't even know what that means, all right.
Speaker 7 (59:50):
I literally did some research, and by research, I mean
I had.
Speaker 9 (59:52):
My folks asked chat GPT, and chat GPT said it's
not possible to legally steal a car. Just in case
you needed to know, all right, it said, stealing a
car is a criminal act, and it's punishable by law.
If you are interested in acquiring a car, you should
consider legal methods such as one purchasing, buying a car
from a dealership or a private seller. Two leasing, leasing
(01:00:14):
a car from a dealership, which allows you to use
the car for a set period while making monthly payments.
Three renting renting a car for short term use from
a rental agency, and four financing getting a loan from
a bank or financial institution to buy a car. If
you have any questions about these processes or need advice
on acquiring a car.
Speaker 1 (01:00:31):
Legally, feel free to ask. That's what chat GPT told us. Okay,
the moral of the story is there is no legal
way to steal a car. This young lady said she
was being trained in a game of black ops. I
didn't even know they steal cars in black ops. I
thought that was grand theft auto.
Speaker 9 (01:00:45):
Okay, this is like getting caught with Kilo's and cocaine
and saying you was being trained in a game of
Narcoles Rides of the Cartel.
Speaker 1 (01:00:52):
Look, man, I don't know what else to tell y'all. Okay,
but there is no legal way to steal a car.
Speaker 9 (01:00:57):
And Christy was arrested and his facing trus passing argists
And what bothers me the most about this is I
took the time to google and do chat gpt just
to make sure I wasn't missing something, because hey, Christy
may know something that we don't know. But guess what,
I'm mad at myself now because I knew better.
Speaker 1 (01:01:15):
My spirit the spiritual being than I am, one hundred
percent knew that there was no legal way to steal
a car.
Speaker 5 (01:01:21):
But the human in me just couldn't accept that.
Speaker 1 (01:01:23):
So I went digging, and.
Speaker 9 (01:01:24):
I couldn't find not one solitary reason for her to
do this other than she's from Florida.
Speaker 7 (01:01:31):
Please give Christy Turman the sweet songs of the Hamiltons.
Speaker 13 (01:01:34):
You, Oh the day, oh the day.
Speaker 16 (01:01:49):
Ye all right, well, thank you for that. Donkey a
day morning. Everybody is the j n V. Jess, Larry
is Charlamage the guy. We are the breakfast Club. It's
time for just fix my mess. Who are you on
the line?
Speaker 1 (01:02:06):
Kk AKK? Where you calling them from?
Speaker 20 (01:02:09):
I am calling from North Carolina.
Speaker 1 (01:02:11):
All right, what's your question for Jess?
Speaker 19 (01:02:13):
Okay, Jess, and I like.
Speaker 4 (01:02:16):
Okay.
Speaker 19 (01:02:17):
So my my question is or my thing is I've
been married for almost a decade and I'm American, my
husband is Jamaican. And one thing I have issue with
that I need your advice with. I was raised with
nothing but brothers. I'm a baby of four boys, and
(01:02:37):
I'm like I'm tough. I'm like really like tough, and
I just don't like tolerate a lot of stuff. You
know what I'm saying. I wasn't raised with girls where
you know, I want to sit there and look cute
and you know, be all up in makeup. I was
you know, let's play from football, basketball, you know what
I'm saying. So my husband always say, why are you
always acting like nex bro?
Speaker 1 (01:02:53):
Why are you.
Speaker 19 (01:02:53):
Always like And I'm just like, I'm not going to
tolerate you talking to me crazy? And it's just like
how do you just like really just shot out like
sometimes cause it's like I feel like everything's showing my
favor and you're talking crazy. My aunt started blinking and
switching like who you're talking to?
Speaker 6 (01:03:09):
You know?
Speaker 11 (01:03:10):
Yeah, it's like it's hard to just like sit.
Speaker 19 (01:03:14):
Back and put that side put up on cat, you
know what I'm saying, on the counter and just be quiet.
Speaker 10 (01:03:20):
You know.
Speaker 19 (01:03:20):
Even his mom would be like, hey, like you know,
he didn't mean it that way, nor mind, he didn't
mean that way. He ain't mean that way. And I'm
just like, oh, he's just telling me.
Speaker 11 (01:03:27):
You know, like you know what I'm saying. Okay, he
missed out, Like I'm like.
Speaker 1 (01:03:31):
So are you?
Speaker 6 (01:03:32):
How do you I'm thirty five?
Speaker 13 (01:03:34):
Thirty five?
Speaker 1 (01:03:35):
Okay?
Speaker 4 (01:03:35):
So look, I was like that. I grew up around
my big brother and his friends, like all his friends,
you know, before my little sister.
Speaker 5 (01:03:41):
Guy.
Speaker 4 (01:03:42):
Like I was raised, I have way more boy cousins
than than you know, girl cousins. And then I grew
up with a lot of homeboys or whatever like that.
So I was always considered a tom girl in my
childhood era. But it honestly takes a certain persons to
unlock your soft side, your soft girls side. Honestly, it
(01:04:03):
wasn't you any men that I've dated that unlocked that either.
Like I was really girl fighting dudes and everything, like
really yeah, like trying to be the dominant, not even
trying to be just because I'm such your alpha. So
it's just like I was always like that as well.
You've been married for this man for ten years to
you know, for ten years, yeah, and you don't feel
(01:04:25):
like he brings out the soft girl.
Speaker 13 (01:04:27):
In you yet.
Speaker 19 (01:04:28):
I think the I think it's a lot of cultural differences,
you know, Jamaicans are very like strong minded. They stay
what they want to stay. They don't still they don't
say that still actually disrespect and I think it's just
like what.
Speaker 4 (01:04:42):
They Okay, so yeah you did say he was.
Speaker 6 (01:04:48):
America.
Speaker 1 (01:04:48):
Yeah damn, you know.
Speaker 19 (01:04:51):
So it's just it's just a toughness. But I know
we you know, it's just his culture. But me, I'm
just like I grew I grew up with boys. It's
like car for me to I'm trying to even when
I set up and fight my list.
Speaker 4 (01:05:04):
Well, well he got it gotta be some type of
compromise because I do understand. I have Jamaican friends, and yeah,
they they are kind of like they're like you, like
you know, but you just ain't Jamaican. But he has
to calm down, and you have to calm down too,
you know what I'm saying, because I know you probably
always on a defense when he makes points or whatever,
(01:05:24):
just because of how Jamaicans are known to be. But yeah,
I forgot that was. Yeah, it's definitely cultural differences there.
But that's probably why you always don go on like
willing to go from zero to a huntred because you
feel like you're being talked down to or you feel
like somebody trying to play but you feel attacked a
lot stuff like that because I'm not dating a Jamaican,
(01:05:45):
so yeah, but I'm very much I was very much
like that. But like I said, it takes a certain
person to unlick you soft girl. You know what I'm saying.
But yeah, yeah, it has to be compromised on both ends.
I mean, I'm not trying to change who he is,
but at the same time, I because it's never gonna
go over smooth and I respect that. Yeah, you gotta
talk to him. You gotta tell him, like if you
(01:06:06):
calm down, I'm gonna calm down. I'm gonna give you
what you give me.
Speaker 10 (01:06:10):
What you want.
Speaker 19 (01:06:10):
You maima, I ain't your mama. Your mamaush with your daddy.
Speaker 20 (01:06:14):
I can't push damn.
Speaker 4 (01:06:16):
Hower the hell was y'all married for ten years?
Speaker 18 (01:06:19):
That's one two tours in the hotel.
Speaker 4 (01:06:22):
Well, I'm gonna pray for y'all, but y'all need to
talk about that, like y'all need to be willing to compromise.
Speaker 16 (01:06:28):
No problem, all right, just fix my mess eight hundred
and five eight five one oh five one. If you
need relationship advice and any type of advice. You can
call Jess right now. It's the Breakfast Club.
Speaker 5 (01:06:38):
Good morning, it's the real.
Speaker 4 (01:06:44):
Oh my god, I'm all up in your mess. I'm
gonna fix it, mix it, fix it it, just gonna
fix your mess because my advice is real.
Speaker 1 (01:06:52):
Warning everybody, it's dj.
Speaker 16 (01:06:54):
N V, Jess, Hilariy, Charlamagne the God. We are the
Breakfast Club. It's time for just fix my mess.
Speaker 5 (01:07:01):
All right.
Speaker 16 (01:07:01):
We got Stacey on the line. Stacy, good morning. What's
your question for Jess?
Speaker 20 (01:07:06):
Yes, uh, I got like a little I'm a lesbian.
I'm gonna start off saying that I here.
Speaker 18 (01:07:15):
You what I said.
Speaker 20 (01:07:16):
I'm a Lassian.
Speaker 4 (01:07:17):
I started with a woman.
Speaker 20 (01:07:19):
Okay, so that's that's like baseline up why I'm asking
this question, right, Okay, Like we parent good.
Speaker 6 (01:07:27):
She was from high school.
Speaker 20 (01:07:28):
We hurt, but I got a current girlfriend. Now only
was gonna and her broke up because she kid on me.
But I have a current girlfriend, and like, whenever we're
talking or whenever we're going over anything, she always bring
up my current girlfriend, Like I don't want to be
conflicted on arguing with her, and she's like you always
getting defensive, like it's not me being defensive. But it's
(01:07:51):
like a conversation that we don't meet to have every
time we're talking about anything like we could be talking
about with our child ate today and it's like, well
did your girlfriend put you anything? Well did your girlfriend do?
Like I don't even understand why she's even being brought
up right now?
Speaker 7 (01:08:07):
You don't understand why she's argue.
Speaker 4 (01:08:10):
Yeah, So to be honest, you don't. You don't understand
why she's being brought up.
Speaker 20 (01:08:14):
I mean she I say she's not mad, she says
she don't care, she says she's not jealous. But one
plus one equal too. But at that point, how from
the conversation every time?
Speaker 4 (01:08:26):
Then that then listen that you you you keep it
text only, that's just it. Like you if you can't
stop talking, because obviously she's not over you. If you
can't if we can't have a conversation about our child
where you're not implementing the fact that I have a
girlfriend or anything like you're you're you're bringing her up,
then we just will not talk verbally. We'll have to
talk through text like late lady ground rules. Now, are
(01:08:49):
you over her? Yeah, relationship that'll mean a damn thing.
But are you, so you over it does not girl?
Speaker 3 (01:08:57):
You know?
Speaker 13 (01:08:57):
All right?
Speaker 4 (01:08:58):
So is your ex in a relationship?
Speaker 20 (01:09:00):
No, she hasn't been in one since.
Speaker 4 (01:09:03):
Say so obviously, so she's not over you.
Speaker 20 (01:09:05):
She's to my knowledge, I don't know, maybe, but I
don't like that.
Speaker 6 (01:09:11):
I wouldn't know if m but I got you.
Speaker 20 (01:09:15):
Put to me, she say that she's not that she
ain't been.
Speaker 4 (01:09:20):
That's because she try all that is trying to get
you back. Listen, you know how many guys and told me, yo,
I'm cellbing y'all like, I'm just trying to get you
back for real, for real.
Speaker 13 (01:09:28):
You know what I'm saying.
Speaker 20 (01:09:29):
That's just she's not trying to get me back. Say
I'm toxic.
Speaker 4 (01:09:34):
Listen, and stuns love toxicity. Okay, a lot of people
love toxicity. So that's just what it is. She your
baby mother, is not over you. Your ex is not
over you. She's not How you can move forward to that,
it's just laid the ground rules. It don't Listen, I'm
not going to keep talking to you if you got
to bring up my girlfriend in our verbal conversations. It's
(01:09:55):
not we can do text only. We can still co parent,
but we will co parent through text, email, whatever, until
you get the point. I don't want to hear about
my girlfriend from you and and me being a relation,
me being in a relationship that shouldn't be a problem
because we're not getting back together. Whether you celibate or not.
You just still the mother of my child.
Speaker 13 (01:10:11):
That's it.
Speaker 1 (01:10:12):
That's all we got.
Speaker 13 (01:10:13):
That's it.
Speaker 8 (01:10:17):
It sounds.
Speaker 1 (01:10:29):
Would it sound like?
Speaker 7 (01:10:30):
No, it does sound good, but whatever.
Speaker 20 (01:10:32):
Like I'm about to be on the radio, please because
I need somebody else to like poist it over because.
Speaker 4 (01:10:38):
No, no, well it sounds like no.
Speaker 1 (01:10:41):
Listen, what does sounds like?
Speaker 10 (01:10:44):
No?
Speaker 4 (01:10:45):
Listen, listen, listen, girls, shut up, no listen.
Speaker 1 (01:10:49):
What it sounds like to me?
Speaker 4 (01:10:51):
Is you like that attention from her?
Speaker 1 (01:10:54):
Listen to.
Speaker 4 (01:10:58):
It's messing with your relationship. But you still you gotta
put you ain't no gun in your head making you
talk to her about that. It's about the child. It's
text only, it's email only. Whatever, get a restrain in
order if she bother.
Speaker 13 (01:11:09):
You like that.
Speaker 20 (01:11:10):
No, she's like that, like we co parent?
Speaker 19 (01:11:12):
How about co parent with restraining them?
Speaker 4 (01:11:15):
Look exactly, That's what I'm saying. But you just so
it's just a verbal for you. You don't like her
bringing up your girlfriend.
Speaker 1 (01:11:20):
You tell her that.
Speaker 4 (01:11:20):
So yeah, so that's what you do. You make it
a text only situation where that's it you because you
entertaining it still at the end of the day, like
you're still entertaining it all right. Now, you can't control
will come out of your ex mouth.
Speaker 1 (01:11:34):
No, you can't.
Speaker 4 (01:11:35):
But at the same time, baby is not that hard.
It's I'm telling you, it's not that hard, like for
you to not talk to this woman.
Speaker 1 (01:11:43):
It's still co.
Speaker 4 (01:11:44):
Parent it like verbally, that's just what it is. Like, Nah,
this is about the baby. Because because you can ignore
certain things in the text, you can ignore certain things
in a conversation, but it gets to you more when
you gotta hear it. You feel me like, just yeah, yeah,
talk about she want to talk about in the text,
that's all. That's it. When she called you, you get
a phone to the baby, take the phone back, all right,
(01:12:05):
she love you, hang up.
Speaker 1 (01:12:06):
That's it.
Speaker 4 (01:12:07):
That's it, Especially if it's something of your relationship. Stop
entertaining that.
Speaker 20 (01:12:10):
Okay, And I have one more thing I want to say,
and then and this is it, and I'm gonna just
leave y'all alone, all right. I saw y'all last year
at our podcast and you look amazing and I just
want to say that, and I love you, you.
Speaker 1 (01:12:26):
Said, I said, don't we trying to be gay with me?
Speaker 13 (01:12:28):
But thank you? Girls?
Speaker 6 (01:12:30):
No, no, no, no, I'm messing with you.
Speaker 18 (01:12:32):
I seen y'all.
Speaker 20 (01:12:33):
I seen y'all act on the show.
Speaker 18 (01:12:34):
I mean, I don't know.
Speaker 20 (01:12:35):
Maybe I don't know. I thought you all say I
got it up my phone.
Speaker 1 (01:12:41):
Little shot.
Speaker 4 (01:12:44):
Hey, y'all your girlfriend going, whoop your head?
Speaker 13 (01:12:47):
You got.
Speaker 20 (01:12:49):
Let me stop, let me shop?
Speaker 16 (01:12:50):
Well, thank you, mama. Just fix my mess. Eight hundred
five eighty five one O five one, call us up now.
It's the breakfast cloth in the morning, the breakfast club.
Speaker 4 (01:13:01):
That's about me for relationship problems.
Speaker 1 (01:13:03):
That's about me.
Speaker 4 (01:13:04):
If you need to beat your coworker's ass, at about me,
for your coworker needs to beat your ass.
Speaker 13 (01:13:08):
Call it a.
Speaker 4 (01:13:10):
Doctor, Jess, and I'm here to fix your masks, fix
your mesk. It's give me very much messy.
Speaker 1 (01:13:14):
Let me fix that morning.
Speaker 16 (01:13:16):
Everybody is the j n V. Jess, Hilaris Charlamage, the guy.
We are the breakfast club. It's time for just fix
my mess.
Speaker 1 (01:13:23):
Hello, who's this? This is Hey what's up, bro? What's
your question for jess?
Speaker 3 (01:13:27):
Listen?
Speaker 8 (01:13:27):
I got a good question man. Good morning to everybody.
I'm dating my girl for about nine months, and I
recently just found a hidden camera in the room. How
should I go about it?
Speaker 4 (01:13:36):
Wow, you've been dating your girl for nine months and
you've found a hidden camera in the room recently? Have
you talked to her? You have it, You're just talking
to me.
Speaker 8 (01:13:45):
I'm just talking to you first about it. I want
to know how to deliver it to her.
Speaker 13 (01:13:49):
Mmm.
Speaker 4 (01:13:50):
I don't think it's honestly, feel like however you however
you deliver it to her is valid to me because
we've been y'all live together?
Speaker 3 (01:14:02):
Correct?
Speaker 6 (01:14:03):
Okay?
Speaker 4 (01:14:03):
How long y'all been living together?
Speaker 5 (01:14:04):
For the nine months?
Speaker 4 (01:14:05):
Y'all got together for nine months and then y'all just
move straight in.
Speaker 3 (01:14:08):
Oh I'm sorry.
Speaker 8 (01:14:09):
We lived We've been together for about a year and
three months into it, I moved in.
Speaker 4 (01:14:13):
Okay, you moved in? Okay, Okay, okay. Jesus, does she
have children?
Speaker 3 (01:14:18):
So? Yes?
Speaker 8 (01:14:19):
Originally I thought the camera was for the kids because
there's an open one in the living room, but there's
a hidden one in our room.
Speaker 19 (01:14:26):
Mmm.
Speaker 4 (01:14:27):
Now she did not bring see attention at all, didn't
even try to both both of them.
Speaker 8 (01:14:32):
I would have just feld more comfortable if she said, hey,
there's cameras here. This is how I feel safe.
Speaker 13 (01:14:38):
Hmm.
Speaker 4 (01:14:39):
Well now that changed.
Speaker 5 (01:14:40):
I'm cool with that.
Speaker 4 (01:14:41):
Yeah, it changes a little bit, all right. So I
wouldn't because like, what does she got like a freaky
freaky side, because I know you don't have sex in
the room, so maybe like she'd be watching back the
tape like.
Speaker 5 (01:14:50):
She's pretty shy she s shy.
Speaker 4 (01:14:52):
Oh yeah, no, all right, Well I don't know.
Speaker 1 (01:14:54):
You have to.
Speaker 4 (01:14:55):
I think you sit down and you talk to her
and be like, listen, So I noticed that there's a
hidden camera in our bedroom. And the fact that you
didn't bring it to me, you didn't run it past me,
you know what I mean, And the fact that I
had to find it, that's a little alarming. And it
messes with the trust, you know what I'm saying, Like
we've been together, living together for nine months. I don't
want to feel like I can't trust you, Like are
(01:15:15):
you watching me? Are you waiting for me to slip up?
Like what's up with this? You understand what I'm saying.
She can only be honest with it.
Speaker 3 (01:15:21):
Yeah, open and honest.
Speaker 8 (01:15:22):
I guess give her the platform to, you know, let
it out, truthful, set you're free.
Speaker 4 (01:15:27):
Yeah, this truth will definitely set you're free. But I
think you should definitely put your foot down, like don't
don't like you know, don't you don't got back her
into a corner. But tell her how you feel about it,
like I feel betrayed, Like I feel this is messing
with the trust because I had to find a hidden
camera in the privacy of our room, like, and I
didn't know it was there. And if I didn't find it,
(01:15:47):
how long would would it have taken for you to
say something?
Speaker 8 (01:15:49):
Right with me being so cool about it, especially like, Yo,
it's about your safety security, I'm all for it.
Speaker 4 (01:15:55):
But no, don't even give it me.
Speaker 1 (01:15:57):
I'll tell you that.
Speaker 4 (01:15:57):
Don't give her that as an option. Just let her
tell you that if that's what it is, because a
lot of times when you give people ways out, they
take them. So yeah, got her tell you, but tell
her that it for sure hurts you and it damages trust.
Speaker 3 (01:16:10):
Big facts.
Speaker 8 (01:16:11):
Should I have asked her to access to the camera
or just let her be with it?
Speaker 4 (01:16:16):
I want access to the camera if I'm living here
and I imagine.
Speaker 13 (01:16:19):
You're paying me.
Speaker 1 (01:16:22):
Yeah, yeah, I should have access.
Speaker 4 (01:16:24):
To everything in this damn house. Yes, I want access
to it for sure.
Speaker 8 (01:16:29):
I don't want her to take them down because I mean,
there's a valid point for safety and security.
Speaker 3 (01:16:32):
I'm a cop.
Speaker 4 (01:16:33):
I know that, you know, I know it right, but
definitely get that. Make sure that is the reason. Let
her tell you that. And then yeah, you ask for
access to it absolutely because you want to feel safe too.
Speaker 8 (01:16:45):
Too, right right, yep, big, thank you for the advice.
You know, that's exactly what I needed.
Speaker 5 (01:16:50):
Good luck.
Speaker 8 (01:16:51):
I'll listen to you.
Speaker 16 (01:16:51):
Again, to mam and forever, yes, forever on I like
that than thank you, bro, all right, just fix my mess.
Eight hundred five A guess the Breakfast Club. Good morning everybody.
It's dj NV, just hilarious Charlamagne and the guy. We
are the Breakfast Club. It's time for positive note what we.
Speaker 9 (01:17:09):
Got I do man, And I simply want to say,
and I've said this before, but it's just a reminder
I need to remind y'all of twenty twenty four. Hope
You Heal is my new response to negativity. Whenever somebody's
being negative, towards you and they projecting. Just simply say
to them, I hope you heal, have a blessed day.
Speaker 7 (01:17:27):
Breakfast club. You don'na finished for y'all, dumb
The Breakfast Club News
Hosts And Creators
Charlamagne Tha God
DJ Envy
Jess Hilarious
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