The Breakfast Club BEST OF(Kevin Hart, Mike Epps, 803 Fresh Interview, Pet Peeve In Relationship Topic )

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Your sister.

Speaker 2 (00:02):
But that's important Main Street.

Speaker 3 (00:05):
Will we got one of the bigges things in the
American coaches they like us.

Speaker 2 (00:10):
Thank everybody. The breakfast club want to shake it up.
They not like class growing up. T Envy the family
guy just hilarious.

Speaker 4 (00:18):
I'm the wild card.

Speaker 5 (00:20):
And Charlemagne the guy. I'm a lovable at real time.

Speaker 6 (00:24):
Yo.

Speaker 5 (00:25):
I'm loving that energy up there right now.

Speaker 2 (00:27):
Sometimes you gotta pop out this show. So then now
let's begin.

Speaker 7 (00:32):
Brady, this is your time to get it off your chest,
whether you're man or blessed.

Speaker 2 (00:35):
I hate the.

Speaker 8 (00:36):
Way that you walk, the way that you talk, I
hate the way you dress. Everything when me is best
call up New eight hundred five eighty five five one.

Speaker 9 (00:44):
That's just me. I'm with the coach of philing.

Speaker 2 (00:47):
Hello, who's this?

Speaker 8 (00:48):
This is?

Speaker 2 (00:50):
See? What's something?

Speaker 1 (00:50):
Get it off your chest?

Speaker 2 (00:52):
Uh?

Speaker 3 (00:52):
Yeah, I want to further on.

Speaker 10 (00:54):
Good morning, d Charlamagne and.

Speaker 1 (00:57):
Jail good morning.

Speaker 11 (00:59):
Uh.

Speaker 12 (01:00):
The reason why I'm calling him because I met a
girl at the Walmart gas station last Friday.

Speaker 11 (01:06):
I helped her with a windshow.

Speaker 2 (01:07):
Wife, but I never got to get her.

Speaker 5 (01:09):
Name and phone off.

Speaker 2 (01:11):
What city you call her from? John Nigger?

Speaker 13 (01:13):
Okay, you got to give out some more details, like
what she looked like when she was driving.

Speaker 2 (01:16):
You know, maybe put your Instagram out this.

Speaker 11 (01:18):
You remember last she was driving a great Challenger.

Speaker 3 (01:22):
With blast strikes.

Speaker 11 (01:23):
I know she was a travel nerse.

Speaker 13 (01:25):
Okay, we don't sound to promise for you, brother, put
your Instagram out there.

Speaker 2 (01:28):
Maybe she reached out to you.

Speaker 8 (01:30):
Okay, my instagram is oh J Cash, oh J Cash.

Speaker 5 (01:34):
All right, look.

Speaker 3 (01:35):
That's cash with a cake.

Speaker 2 (01:37):
She was fine like that.

Speaker 3 (01:38):
She was saying like that.

Speaker 4 (01:40):
Dan, you forgot to get the damn number.

Speaker 2 (01:42):
She was so nervous.

Speaker 13 (01:44):
He was nervous.

Speaker 2 (01:46):
What she looked like?

Speaker 13 (01:47):
Uh, five three was once a FAVET three?

Speaker 2 (01:54):
What was that height and weight?

Speaker 14 (01:55):
Man?

Speaker 2 (01:55):
My goodness, yeah, I'll say about five three. Now, I
don't know about knowing.

Speaker 3 (02:03):
I'll give it one lady.

Speaker 2 (02:04):
I know she was bad, man, I know she was
based like him.

Speaker 5 (02:07):
It's tight right there?

Speaker 2 (02:09):
Hello, who's this.

Speaker 6 (02:11):
Here?

Speaker 2 (02:12):
What's up?

Speaker 5 (02:12):
Brother?

Speaker 2 (02:12):
Get off your chest?

Speaker 14 (02:13):
Ah?

Speaker 12 (02:14):
Man, I just wanted to say the one to everybody.

Speaker 13 (02:17):
That door brother, that's black and Holly favorite brother.

Speaker 12 (02:20):
No, that's my first time cause I've been listening for years.

Speaker 5 (02:23):
Man.

Speaker 12 (02:23):
I was like, let me go ahead, this cars again
all doing the overnight shift.

Speaker 2 (02:27):
Appreciate you, man.

Speaker 12 (02:29):
I will at a wire in deficial whitehouse.

Speaker 2 (02:31):
Okay, we'll be safe out there, brother, thank you for calling.
I have a great day, dam I want you.

Speaker 12 (02:36):
I want to shout out to my queen, my fiance,
my whole hawk and family. Uh, my daughter's uh Sanne,
Si Keanna and my son Ca.

Speaker 8 (02:46):
All right, brother, I think, hello, who's this?

Speaker 12 (02:49):
Kathy?

Speaker 2 (02:50):
Hey, Kathy, you're more affy. Get it off your chest.

Speaker 11 (02:53):
Yeah.

Speaker 12 (02:53):
I want to know why he's grown as man like
to play games?

Speaker 2 (02:57):
What happened? Who stood you up?

Speaker 12 (02:58):
Nobody took me up?

Speaker 14 (03:00):
But it's been happened over and over where.

Speaker 12 (03:04):
Then they want to be in a relationship, and the
ready to suddle down. Then the gang for a relationship.
All they want to do is their game.

Speaker 2 (03:12):
So once again, who stood you up? Man? What happened?
So who you talking about? You're talking about somebody in particular.

Speaker 4 (03:20):
This happened to a homegirl?

Speaker 13 (03:21):
Yes, okay, sure, yeah, you're gonna call up early in
the morning to speak up for your homegirl. Huh, what happened?
Tell us what happened to her friend?

Speaker 2 (03:29):
What's his name?

Speaker 6 (03:32):
So?

Speaker 2 (03:33):
What happened?

Speaker 12 (03:34):
So they got together? And he claims you want to
settle the hell you want to marry her. Then all
of a sudden he's not ready for it right now,
it's too much going on.

Speaker 2 (03:43):
Did she let him hit? She let him hit, of course.

Speaker 13 (03:46):
Okay, Well listen, man, let that man you know, go
back home to his family.

Speaker 2 (03:50):
Man, stop disturbing that man.

Speaker 12 (03:51):
And his family's he's disturbing her anything.

Speaker 13 (03:55):
Well, you should have known, you know, you probably knew
he had a family from the start, and maybe he
lied to you. But either all, let that man go
back home in his family.

Speaker 2 (04:01):
I'm sorry you're going to that mama.

Speaker 13 (04:03):
It's not her, okay, than no, right, I would say,
I'm ana pray for you, but I'm not because you
ain't had no business sleeping with that lady. Husband. Hello.

Speaker 2 (04:11):
Hello, who's this?

Speaker 1 (04:13):
Hey?

Speaker 12 (04:13):
Good morning dj NV. This is UH to meet the
y'all residents.

Speaker 2 (04:18):
What's up? What's going on?

Speaker 12 (04:20):
I just wanted to call you guys and get off
my chest that I'm changing my schedule and I ain't
gonna be able to highler at y'all no more.

Speaker 2 (04:28):
How you gonna do that to us? Why are you
changing your schedule?

Speaker 12 (04:31):
Well, you know they're getting rid of the third shift.
So you know, I'm gonna go work on a second
because I can't mess with that first shift. They be
snitching too much.

Speaker 2 (04:40):
They be snitching on you too much. Yeah, they be.

Speaker 12 (04:43):
Snitching on adbody, not just me.

Speaker 15 (04:45):
You gonna get a little bit more sleep though.

Speaker 12 (04:47):
Yes, oh yeah. And i'ma be able to rub on
my baby that night. Hey, overnight in a bit. So
that's the greatest thing about it. Shout out to my
girl for being beautiful.

Speaker 15 (04:58):
How love that that's happening for you. Go ahead.

Speaker 12 (05:00):
You know I'm an old uh you know, I'm This
is my birthday month, so I'll be turning forty three
this month.

Speaker 2 (05:08):
Okay, So I'm just gonna.

Speaker 12 (05:10):
Celebrate my birthday and my girls taking me to go
see Bernard Duran tonight. So we're gonna have some fun.

Speaker 8 (05:17):
Okay, Well, enjoy and we speak to you soon. You
better call us before your last day.

Speaker 12 (05:21):
I'm gonna try too. I'm gonna try to. But shout
out to y'all. I love y'all, and y'all have a
beautiful day, y'all.

Speaker 8 (05:27):
You two now get it off your chest. Eight hundred
and five eight five one oh five one. If you
need to vent hit us up now. It's the Breakfast Club.
Good morning, the Breakfast Club.

Speaker 2 (05:40):
Ray right ray.

Speaker 1 (05:41):
Yo, charlot mate, YAMV what up are we lost?

Speaker 2 (05:44):
This is your time to get it off your chest.
I got an indoor pool, outdoor pool. We want to
hear from you on the Breakfast Club.

Speaker 14 (05:50):
Get on the phone right now here, tell you what
it is we.

Speaker 2 (05:52):
Lie Hello, who's this?

Speaker 14 (05:55):
This is Dershel, Good morning, d Day and Vy, Good
morning Jazz, Good morning shining Man.

Speaker 1 (06:00):
How you doing, good morning?

Speaker 2 (06:02):
Get it off your chest.

Speaker 14 (06:03):
I just want to raise awareness to domestic violence. I
was just recently shot four times by my ex boyfriend.
I'm from Detroitan.

Speaker 2 (06:10):
Sorry to hear that. Lord my ex.

Speaker 14 (06:13):
Boyfriend for six years. When when a guy put his
hands on you one time, just leave him alone, just
leave him alone because it's only gonna get worse.

Speaker 2 (06:22):
I am sorry. I'm sorry that you had to go
through that.

Speaker 14 (06:25):
And due to due to the gun shot like he
shoted me four times, I was. I lost my hand
because he tried to shoot me in my head. So
I just also want to ask if anybody want to
donate to my cash up because I need a prosthetic
can now that he tried to see me in my
h sue me in my head, and I was I
lost my hands. So if anybody want to donate my cash,

(06:49):
ap is only.

Speaker 2 (06:49):
Me nine two only men two. Okay, listen to.

Speaker 14 (06:55):
You queen, all right me, thank y'all.

Speaker 15 (06:58):
All the good bat you now?

Speaker 2 (06:59):
Damn Hello? Who's this?

Speaker 8 (07:01):
Hi?

Speaker 16 (07:01):
Good morning?

Speaker 2 (07:02):
Good morning? What's your name?

Speaker 11 (07:03):
My name is Tina? Seen him from where to South Carolina?

Speaker 2 (07:07):
Eight four three? What's happening Tina?

Speaker 1 (07:10):
What's up?

Speaker 11 (07:11):
Hey? Good morning everybody. I just want to talk about
the sassy men that we have on this earth right now,
the very Yes, these men want.

Speaker 16 (07:22):
To be baby.

Speaker 11 (07:23):
I just got a relationship with a guy and he
was saying I wasn't babying him enough. He also wanted
me to come in and clean cook. I also drive
a truck, so from like thirteen to fourteen hours a day,
and he drives the truck as well. But I don't
understand why he feels like he gets to come home
play his polaystation. Why cook, clean, wash clothes and still

(07:47):
cater to this baby grown ass man. I'm sorry for
saying that, but these are the same men that were
back in the day, Like how my dad and my
mom came up, or you know, our aunties and uncles
came up. They don't want it, know work, They want
to complain. They want to be baby. They want to
be the woman while we have to be the man.
What's going on with that?

Speaker 5 (08:05):
Have you?

Speaker 2 (08:06):
Have you tried to put a finger in his booky yet? Both?

Speaker 13 (08:11):
That's how you really test the level of sassiness. Now
you got I don't know, on a state on a
scale of one, the saucy sent tan of how sassy is?

Speaker 1 (08:18):
You know?

Speaker 2 (08:18):
You gotta test She didn't say she has it? Has you?

Speaker 16 (08:21):
I mean if I had to try it, I'd probably
say probably yeh, you might have back and be like, hey,
just some closure real quick.

Speaker 2 (08:34):
Yeah, let me just.

Speaker 16 (08:35):
See how that plays out.

Speaker 13 (08:36):
Yeah check check I need a mistake, yeah check check
his oil and then come back.

Speaker 2 (08:40):
Do you know what I'm saying?

Speaker 1 (08:41):
Check?

Speaker 16 (08:42):
Check and then your back right right your book please.

Speaker 13 (08:48):
Of course, I'll definitely send you on. I will put
you on hold, and you don't keep my people from
the apolt three on hold, hold on, I'm.

Speaker 2 (08:56):
Get it off your chest.

Speaker 8 (08:57):
Eight hundred five eight five one oh five one. If
you need the vent, hit us up now it's the
Breakfast Club.

Speaker 2 (09:01):
Good morning, the Breakfast Club Morning everybody is tj n V.

Speaker 8 (09:09):
Just hilarious. Charlemagne the guy, we are the Breakfast Club.
We got some special guests in the buildings.

Speaker 13 (09:13):
Indeed, you got eight O three Fresh home team and.

Speaker 2 (09:16):
Young guy here in the building yourself.

Speaker 8 (09:18):
Welcome, fellas, y'all feeling where the fans at. They bought
them now if you don't know Ato three Fresh, of
course they got the record right now. That's if you've
been out and about, especially in the South especially HBCU
Boots on the Ground is their song. Congratulations boys, that
song moving man, Thank you, bro appreciate that.

Speaker 2 (09:36):
When did the song actually come out?

Speaker 1 (09:38):
December twenty four? That was like my crisis gift to everybody.

Speaker 8 (09:41):
Now Charlemagne and live char that Song'm been out for
three yeas. I'm like Charlomage know, I was talking.

Speaker 13 (09:45):
About just the whole line dance movement from South Carolina.

Speaker 8 (09:49):
So it's definitely been going on more than three yeah,
he is. It just started picking up more and then
like the past year.

Speaker 2 (09:55):
And a half. Absolutely, yeah.

Speaker 8 (09:57):
People don't really get to see the line there, especially
on the the East coast as much. But when I
when I DJ everywhere, you get to see it. And
I remember I was a Charlotte and a girl came
up to me. It's like, can you play the Boots
on the Ground. I had no idea what she talked about.
It was a mob bosaw. I was like, is that
a mob deep Boots on the ground. I had no idea.
It's out that Louis V. Louis V was like, yeah,
I'm gonna send it to you right now, send it
to me. And then when I played it, I seen
the it went up, the fans moving. I said, whoa,

(10:19):
you know what's crazy. It's crazy as it sounds.

Speaker 13 (10:21):
The current political climate kind of boosted the record too,
because I remember people started posting saying, you know, we
ain't tripping off what this administration is doing. Black people
are finding joy learning the line dances, and it would
always be Boots on the ground with the fans.

Speaker 8 (10:35):
It took everybody, everybody's mind away from like the you know,
the current you know stuff that's going on.

Speaker 2 (10:39):
Man.

Speaker 8 (10:40):
So for me, it's like the unity in it. That's
what makes it more appeeling for me. You know, you
got thet the two year old, you got the eight
of two year old. You got the grandmama's aunties. That's
what makes it more genuine for me.

Speaker 2 (10:50):
Man.

Speaker 8 (10:50):
The dope thing about it was a lot of the
line dance songs a lot older, like you're talking twenty
years older. Like when you go to a family reunion
or a wedding or a h b CEU, it's always
the wabble wobble electric slide before I let go. Then
you played the Beyonce version. And this is something fresh
and new. So let's start from the beginning for people
that don't know you. Who is eight or three fresh?

(11:11):
Where are you from?

Speaker 2 (11:12):
And how did you get into this this thing called
the music industry?

Speaker 1 (11:15):
What's going on? Everybody?

Speaker 5 (11:16):
All three?

Speaker 8 (11:16):
First the kid live in the building man, listen from
a small town in South Carolina called Wagner, South Carolina.
One stop signed one stop, like we all share the
same dog.

Speaker 2 (11:28):
Most going to be bigger than Wagoner.

Speaker 8 (11:30):
Yeah, yeasting bigger wagon Man. But started off in the
church man, humble beginners. Man started off in the church
man singing in the choir or whatever, you know, like
the product Cuner left away from it. You know, I
went out and I started venturing into like more genres. Uh,
I tatted in the pop at, tapped in the R
and B. I wrapped a little bit and I found
something salt. Really Southern soul found me. Man, been doing
it about a year and a half now. Man, it

(11:52):
actually saved my life.

Speaker 13 (11:53):
Man, So explain to the people what suffering soul is.

Speaker 1 (11:55):
So the soul is a mixture.

Speaker 8 (11:57):
It has a like a fine undertone mixture of gospel,
so all like mixed together, mianda together.

Speaker 2 (12:03):
Man.

Speaker 8 (12:03):
It's only based in us all. But when you hear it,
it's like feel good music. When you hear it's like
that music that touch your bones and they you know,
it's a beautiful thing. You just gotta be in one
of that, like one of the events to actually feel it.
It changed the environment totally. You're saying, we advocate for
a good time, we advocate for unity in that. And
so that's why I told to piggyback.

Speaker 1 (12:21):
On that genre the most.

Speaker 4 (12:22):
Now, yeah, you said it saved your life. What were
you into before?

Speaker 8 (12:28):
You know, with being in a rap culture. You said
you have to you know, adapt to that, you know
that raping environment. When I came to Southern soul, I
you know, I was battling some stuff, you know what
I'm saying, And it pulled me out of that because
of the good feeling that it had. You're saying, make
for me in it. Then my mama was she was
able to be proud of you know, when I'm rapping.
She don't, She couldn't have to understand some of the stuff.
So when she first when she heard my very first

(12:49):
Southern soul song that I dropped the car all night long, man,
and I got that first confirmation from him, I already
knew then that this was a genre for me.

Speaker 2 (12:56):
You know what I mean.

Speaker 13 (12:57):
Do you remember the first record that that made you say, Oh,
like the one that touched your soul?

Speaker 2 (13:01):
What some of your soul record touched your soul? Shuts
out the.

Speaker 1 (13:03):
King George Man, he's from down my way as well.

Speaker 6 (13:05):
Man.

Speaker 1 (13:05):
He definitely kicked the door down for us. Man.

Speaker 8 (13:08):
Keep on Rolling is like one of those that you know,
really really really punched me, and it gave me like
some inspiration. Brother, you know one of those brothers. I mean,
he from South Carolina. I'm saying he keeped the door
with like why open for us? And when I heard
that song, I'm saying, I automatically knew that this was
the type of jum that I wanted to be in.

Speaker 2 (13:24):
Were you surprised how fast this record card on?

Speaker 1 (13:26):
Of course?

Speaker 8 (13:27):
I mean because it's everywhere and you know, and people
are learning to dance quickly. When did you realize how
big the record was?

Speaker 5 (13:33):
Man?

Speaker 1 (13:34):
I woke up one morning I checked my TikTok.

Speaker 8 (13:36):
I mean, I had so many note kids on TikTok
and I GV you're saying, I thought somebody had died.
So when I checked it or whatever, I seen the video.
The video was, you know a spot now on my
way called Sbart. It's a mecca for like the line
that's you're saying. So I seen that and it was
like maybe twenty videos. I went to sleep and I
woke up it was like five hundred videos. I knew

(13:56):
at that point right then that it was I might
have a little something. And over the course of time,
now what being went but three months for almost four months, man,
it has passed me. So right now I'm playing ketch
up to the song. Everybody have been trying to put
a face with the music.

Speaker 5 (14:10):
So here I am.

Speaker 2 (14:11):
You're going I feel like that's what is Luther King? George?

Speaker 13 (14:14):
I feel like that's what he hasn't done yet. He
hasn't put a face his music, because everybody listens to
you know, at least down South. You see people play
a lot of King George music. And he's a young dude,
what thirty.

Speaker 1 (14:23):
Something years old, right, yeah, bro, thirty something.

Speaker 5 (14:26):
Yeah.

Speaker 2 (14:26):
But I'm saying I feel like he hasn't done that yet.
Don't wonder why.

Speaker 1 (14:28):
I don't know.

Speaker 8 (14:29):
I mean, timing is everything, especially for me. I mean,
look how long I've been doing music. I've been doing
music for over twenty years. Uh, this as far as
Southern Soul, I dropped five songs before Boots on the
Ground and then it picked up, you know.

Speaker 1 (14:40):
So I mean time is everything.

Speaker 8 (14:41):
So y'all, y'all defastate to him, y'all gon see a
lot more of him and a lot more to Southern
Soul front coming.

Speaker 17 (14:46):
When I noticed it got big was when I seen kids.

Speaker 4 (14:51):
Doing it, you know, it from old people to kids.

Speaker 17 (14:54):
It was everybody got their kids, yea doing it and
it's feel good. It's like music that you had to
family reunion and stuff like that. Did anybody try to
like reach out to both signing you or anything like that.

Speaker 8 (15:05):
Merchant ig been blowing up a crazy It's definitely been crazy, man,
But you know, we started this company. Shots out to
the Snake Eyes music group. Man, we started this company,
you know, from the bottom up. You know, we came
with a vision. It was just a vision. And I
think that we've done more in a year than a
lot of folks have done in like five seven years.

Speaker 2 (15:25):
Are you are you signed to a major or no?
You're doing everything independent.

Speaker 8 (15:27):
We all independent, so you get everything that you Yeah,
I'm proud of us.

Speaker 1 (15:31):
Man, I ain't gonna lot proud of us, because you know,
we all learned from each other.

Speaker 8 (15:34):
You're saying as we move, we learned, we grow and
shouts out the young guy man. You know, that's why
I brought him. He's one of the United Fronts that
were staying with as far as Southern solt. They accepted
me with open arms, man, and they had been doing it,
you know, pride to me. But they showed me the roles.
They definitely wouldn't stint y'all game and I can appreciate that.

Speaker 2 (15:50):
Man.

Speaker 1 (15:50):
So everything independence, So we're gonna I'm entertaining something.

Speaker 13 (15:53):
But you're not right now, how long you have you
been young guy, young guy.

Speaker 5 (15:57):
Man, I've been a young guys for for a long time.

Speaker 2 (15:59):
Thirty year.

Speaker 5 (16:01):
You know what I'm saying.

Speaker 18 (16:02):
I told her We was just talking, saying, change my
name of the uncle guy in a manner. Man go
back that that would be crazy because folks see me,
they're saying, you know, you're a rapper.

Speaker 2 (16:13):
I'd like nah, then then they stay there.

Speaker 18 (16:15):
I get on stage and I'm singing some souls.

Speaker 2 (16:17):
Then they'd be like, damn, you know, I ain't make it.

Speaker 18 (16:19):
But I kind of kept my name back from the
younger day when I was a rapping man. So I
come when I I jumped into music, my story kind of,
you know, similar to his. You know I've been I've
been rolling in the sort of soul game probably about
finish two and a half years now.

Speaker 2 (16:32):
And power of social media.

Speaker 18 (16:33):
I had a record that you know, I was singing
in the garage and hosted it and changed my life,
you know what I'm saying instantly. So yeah, man, So
I kind of I was tapped in on the rap side.

Speaker 5 (16:43):
You like him.

Speaker 18 (16:44):
Man came up in the church, you know what I'm saying.
Tried different things so far as you me physically doing music. Man,
I stepped away from music. I'm at fourteen years so
when I finally just made up my mind, like hey, Finny,
get back in the studio, get it rolling. You know
what I'm saying, proficially, record me a song, sit down
and that that record.

Speaker 2 (16:59):
You know what I'm saying.

Speaker 18 (16:59):
Two rock or later, I was driving trucks. Man, I ain't
drove a truck and almost year and a half joking that. Man,
we met a couple of coubout two years ago.

Speaker 8 (17:09):
I think my very first show out then that is,
I think nextie Mississippi. Man, my first should kind of
nervous you're saying me personally, you know, I just thought
himself sauce so rocane. He hollered at me, you saying
he gave me that little pep talk or whatever you're saying.
I show up my shoulders and no even did it.

Speaker 18 (17:24):
He came to me like, man, like, young guy, man,
what what iver? Because I was kind of moving pretty
good then, you know what I'm saying. I had a
record that was that was keeping me busy, and he
was like, man, what what what I gotta do?

Speaker 5 (17:33):
Advice can you give me?

Speaker 18 (17:35):
Was like, man, you know, keep grinding bro, you're gonna
get the one, and you gonna know you got So
when I heard that Boots on the Ground.

Speaker 9 (17:40):
I called him, I said, you getting ready to be.

Speaker 1 (17:45):
When you know what I'm saying.

Speaker 18 (17:47):
When I knew it from the first ten seconds ten
seconds of the song, I was like, man, that this
finna go crazy. And now just see you know, look
on social media Shack dancing to it. You got yeah, like, man,
that is crazy, you know what I'm saying. So it's
it's a blessing. And man, I just proud of my
world and were just trying to keep it going.

Speaker 13 (18:03):
What inspired Boots on the Ground though, Like when you
sat down and said you heard that beat and you're like,
this is what I want to write about.

Speaker 1 (18:08):
Man, I tell the story all the time.

Speaker 6 (18:10):
Man.

Speaker 8 (18:10):
I had a show in Phoenix City. It's at the
back of the vand whatever.

Speaker 2 (18:13):
I had a chance to.

Speaker 8 (18:14):
Experience my first trail ride. With the trailer ride, you're saying,
a couple of ladies had fans or whatever. It was hot,
so I you know they got fans. So I've got
a chance to go to my second trailer ride Lane
see no fans. So I pulled the question where them
fans at you know what I'm saying. So with boots
on the ground, boot on the ground is already a line.
That's terminology you're saying. So you know when they say
boots on the ground, you know about to have a party.
We just took a down type of deal. So I

(18:35):
just really merged the two ideas and it became a
good marriage.

Speaker 2 (18:37):
What's the trail ride for the people who don't them?

Speaker 8 (18:39):
Listen, man, trail ridse is you know ATVs Horses you're
saying that line dances. It's a whole like combination of
all things. It's definitely a coach. It's not really just
an event. And that's why I feel like Southern soul
and line dancing is a perfect mixture, you know what
I mean. It's a great marriage. You know it piggybacks
off of one, piggy bas.

Speaker 1 (18:59):
Off of the other.

Speaker 8 (19:00):
And if you ever come to that trail right down there, man,
I promise you will have a good time. You might
get a little dusty. I promise you gonna have a
good time. Now, every time you make a song, is
it a line song?

Speaker 6 (19:08):
Now?

Speaker 11 (19:08):
Oh no?

Speaker 8 (19:09):
Okay, See that's one thing I didn't want to get
called in. I didn't want to get caught in, you know,
just being the line, the.

Speaker 9 (19:13):
Line at the boot at the booty.

Speaker 6 (19:20):
You know.

Speaker 8 (19:21):
And I've been thinking about you're saying names for like
a EP or album whatever you're saying, and I really
wanted to be versatility because I want to show them
on all skilled.

Speaker 1 (19:28):
I got different skits music.

Speaker 8 (19:29):
But you could do it like remember how Jamaine Dupre
did back in the day, like he had the the
All the what was it called the The Beat All
Stars where it was.

Speaker 2 (19:36):
Just one album just doing all the uptempers talking.

Speaker 8 (19:38):
About like the short swing when he had a whole
album or that then he had a whole album. Different
ways of doing things, So you could do that like
an anthem like that. Because your HBCU is gonna be
crazy this week's spring Flings, homecomings all that, they should
start booking you now to try to get the cheapest
prices possabot.

Speaker 1 (19:54):
Like.

Speaker 4 (19:59):
Yeah, that's what's I know.

Speaker 17 (20:01):
You don't want to just fall into the line dance,
you know, genre of music.

Speaker 9 (20:05):
But it's like nobody has.

Speaker 4 (20:06):
Made any that are great since like the five that
we get.

Speaker 2 (20:12):
Yet, but.

Speaker 4 (20:19):
None since then, And it's.

Speaker 17 (20:20):
Like it's it's kind of hard to do, like you
know what I mean. So for you to just come
up with one and just do it just off of
what you felt, you gotta do that more like I'm
tired of.

Speaker 18 (20:31):
I tell people like I feel like my opinion, I
feel like lion dances like the new disco.

Speaker 2 (20:37):
Yeah, you know what I'm saying.

Speaker 18 (20:38):
It's a big thing in a black culture that you
know what I'm saying, we're just trying to shine light
on because you got you got people who y'all, you
know y'all from to see the man. It makes people
finn to see the man. I get me some boots vanad.
It's just it's a culture that they shine a light
on so people can experience. So it's just lying dances.
It's been around for a while, but like this ain't
got bigger, man, they got to be seven thousand people

(21:00):
out there.

Speaker 8 (21:02):
African music to African music has it, has it as well.
Line dances like Jerusalem is a line dance.

Speaker 2 (21:07):
Absolutely.

Speaker 5 (21:08):
Yeah.

Speaker 2 (21:09):
Yeah, that's the thing though. The artist like, it's not like.

Speaker 8 (21:12):
You created the dance, no, you see, that's that's the
sweetest thing about it to you said.

Speaker 2 (21:17):
You didn't create the dance. The people.

Speaker 8 (21:19):
They choose it. They choose it, whether it's going to
be you said, a live dance to it or not.
You know, I'm saying, so when when they see that
on TikTok, it was like four or five dances, different
dances to it. I'm saying, I reposted once I sat
to trade little. When I posted it, everybody took on
what I'm saying to that one because it's real easy.
It wasn't to me a ish you know, to me,
it got That's it's like the cursive of blind that got.

Speaker 5 (21:52):
Yeah.

Speaker 1 (21:53):
Defe not intermediate anyway.

Speaker 2 (21:55):
You have to learn your own dance basically.

Speaker 1 (21:57):
Yeah, and I can't.

Speaker 8 (22:00):
So you just picked that one. It was like, this
is the one we go rocking with. Because if twenty
people said different dances. That's why I said that everybody
being sync. That people chose that man. Boots on the
Ground was not intended to be a lot of that song.
It was just blessed to be that way.

Speaker 2 (22:13):
Even with the fan bang bang you know something that
you do when you hot.

Speaker 8 (22:19):
Yeah, you said, you know, and I didn't know that
fans like the fans were like a big part of
the you know, the trail rise scene until I made
the song with it, and now he's like, you know,
ten twenty different songs with fans, now what I'm saying.
So it definitely is a part, like a big important
part of the culture. So I think I just revived it.
Why not the church fan the church fan too.

Speaker 1 (22:39):
I think that the sales on church fans is at
an all time had right now.

Speaker 2 (22:43):
Yeah, church fans.

Speaker 8 (22:45):
You know Amazon, when when I first came up with
the song or whatever, they were just clacking fans.

Speaker 1 (22:51):
If you go on Amazon right now, they.

Speaker 2 (22:52):
Boots on the ground fans, mm hmm. You got the little.

Speaker 1 (22:55):
Biton got fans.

Speaker 14 (22:59):
That was.

Speaker 2 (23:01):
What I was getting.

Speaker 8 (23:02):
I was like, out of here on the ground fans,
I'm saying. So it definitely been impactful to the culture.

Speaker 6 (23:07):
Man.

Speaker 1 (23:08):
I'm just proud to be a part of it.

Speaker 2 (23:09):
They're gonna be.

Speaker 13 (23:10):
Waiting for for them, tu fans, I tell you that.

Speaker 1 (23:12):
Yeah, yeah, out there right now.

Speaker 13 (23:15):
But everybody's gonna be waiting for new music. Do you
got more after Boots.

Speaker 1 (23:19):
On the Ground take something.

Speaker 8 (23:20):
I got so much music, I'm saying, And I got
music like before I got a you know, our previous catalog.

Speaker 1 (23:25):
I got five songs that I dropped. Like I said,
I've only been in a year and a half, you
know what I mean.

Speaker 8 (23:29):
But as far as the catalog, man, I got widespread
catalog that's getting ready to come. It was just the
timing was waiting on, you know what I mean. So
I think it's the perfect time for everybody to see me.
And you know what I got the offer versatility is coming.

Speaker 13 (23:41):
What's what's the toughest challenge about being an artist from
South Carolina?

Speaker 8 (23:44):
The weight that's on my back, you're saying, Because not
only do I s I mean, yeah, boots and the
ground is for me, but I stand with a lot
of weight that I'm caring as far as like southern
so as a whole.

Speaker 1 (23:53):
See, this is what my main part is. And I
ain't gonna lie.

Speaker 8 (23:56):
This is the reason why I came to hear you
saying morning, I want to make something so that main
genre you know, it's being you know, sublind like it's
been like undertone for so long, and you know that
Chickland circuit has been going on, Like you got greats
that came through that Chitlin circuit, like Tyrone Date, it's Marvel,
See's changed brown, there's muddy waters. All these guys come
under that Chitlin circuit man, and it hasn't really had

(24:16):
a catalyst for it, has it been brought to the front.
So I take myself to be a martyr on that
He'm saying. I want to be able to display that
as being a main genre and showing that, you know,
we're coming with the United Front. I got Sean Miika,
Joe Quail out there, I'm saying, grown ass woman. I
got Frank Johnson out there. You can hate on me.
I got young guy right here. You know what I'm saying,
like take here. These are all very impactful songs to
the culture, and when I bring my boots on the ground,

(24:40):
I want to bring them as well. So that's probably
like the biggest thing as far as like, you know,
I'm carrying that weight and I want to be a
good advocate for them.

Speaker 13 (24:47):
Well, you know, you got to get yourself all the
way through the door first, you know what I'm saying
like that, That's why I think a lot of people
fall through a little bit because they want to represent
for the whole state and they want to bring everybody
with them, and usually all the people end up weighing
them down.

Speaker 2 (24:59):
Before you get to where you need to do.

Speaker 8 (25:01):
I think that with me, how I present myself, how
I care myself. I care myself as you know. Hey,
he's a strong front by himself.

Speaker 5 (25:07):
You know.

Speaker 8 (25:08):
It's just I want to be a good representative for him.
You know, it's not that I'm pulling them up.

Speaker 1 (25:12):
You're saying.

Speaker 8 (25:12):
The way that I walk, my character is what it
puts it out there, like, oh oh, I like him.

Speaker 1 (25:16):
Let me see what they got going on. You know
what I'm saying. I let my walk you're saying speak
for me.

Speaker 2 (25:20):
I mean, it's all Carolina having a moment right now.

Speaker 1 (25:22):
You got trapped, Dicky, Yeah, man, shout out the Traplin.

Speaker 13 (25:24):
You know, Black Zach Yeah man, little balls rest in
peace speaking now, because like it's a lot of people
doing it. But I really love what the summern Soul
is doing because that's a whole different genre. And we
call it the Chitlin circuit. Well really, what I call
it is the heart and soul of Black America. Definitely,
bro Like that's what all the majority of black people
in America are in the South.

Speaker 8 (25:43):
Don't advocate for violence, man, we advocate for unity, like
good time and you know, what I'm saying, you just
got to pay attention to a lot of this music, man,
And it's like real life relatable stuff, bro, And it ain't,
you know, fabricated, you know what I'm saying.

Speaker 1 (25:53):
It's real life relatable things. And I think that's why.

Speaker 8 (25:56):
People gravitate towards it a little bit more because I'm
able to say, oh yeah, I'm going through that right now,
you know what I mean. So I think that's why
everybody been gravitates towards.

Speaker 1 (26:03):
But it's definitely a movement.

Speaker 2 (26:04):
Man, tell them where to follow you eight on three Fresh.

Speaker 8 (26:06):
It will prepres the kid living build. You can follow
me on all streaming platform everywhere. Man, just type eight
on three Fresh. You said you can get my music
from app Music, Spotify, your local bootleg man Fleet Market,
you can get them every well. I definitely appreciate y'all
and listen, man, Man, I appreciate you.

Speaker 13 (26:19):
Man.

Speaker 2 (26:20):
Listen. Always love for the home team.

Speaker 8 (26:22):
You're definitely putting SoC line on the methods. Will yes
what you're doing, DJ and Man, preciate you. You said it's
just Laryer that depine.

Speaker 2 (26:27):
Appreciate you. You pretty young got.

Speaker 18 (26:33):
I'm gonna follow you, man, follow me on the platform, man,
young guy. Pretty much the same on everything on all
music streaming platforms, and we got a lot coming Man
twenty twenty five, we're gonna finish it out.

Speaker 5 (26:45):
Next year's gonna be even bigger.

Speaker 2 (26:46):
Man, Like I said that.

Speaker 18 (26:47):
Feature to representing Miss sipping Man, South Carolina. We're just
all trying to put it together.

Speaker 2 (26:51):
Man about guys, it's the Breakfast Club. Good morning.

Speaker 13 (27:01):
If y'all talking about it, you know we talking about it,
about it.

Speaker 2 (27:05):
It's topic times called.

Speaker 13 (27:07):
Eight hundred five eighty five one five one to join
into the discussion with the Breakfast Club Morning.

Speaker 8 (27:12):
Everybody is dj NV just hilarious, Charlamagne the guy, we
are the Breakfast Club Now if you're just joining us
during get It off your Chest. A gentleman called in
and said he was having a problem with his relationship
and this was bothering him.

Speaker 2 (27:25):
So let's listen.

Speaker 3 (27:25):
First thing, I just want to get this on a check.
I can't say that to my girl, so I'm gonna
just say it to y'all. I hate my girl. Dogars, Okay,
I don't know how okay to all the dog people
out there, I don't know how y'all deal with.

Speaker 11 (27:38):
Dogs running all around y'all house, dog.

Speaker 3 (27:40):
Get everywhere, but just about to make me say, hey,
I can't do it no more. But I had a
dream about purging them dollars last night.

Speaker 2 (27:50):
Did you and your wife have a conversation and you
tell her how you feel?

Speaker 3 (27:53):
Yeah, we had one a few months ago, and that
turn into a bigger argument. So I ain't trying to
go there no more.

Speaker 2 (27:58):
So we're asking eight hundred five eight five one oh
five one, what's your relationship? Pet peeve? Let's start with you.

Speaker 17 (28:04):
Jess, all right, when you don't have no fault in
your mother's wait, you involved in your business because then
it leaks over into our business. When you want to
take you on a date, but ask you where you
want to go? Excuse me, if you want to take
me on a date, plan the date. I don't like
a nigga. That'd be like where you want to go?
Where you think we should go? We think we should go?
Now know where you think we should go? Like plan

(28:26):
the date? Learn me you know what I like? If
you don't like the East Steak, We're gonna take me,
not out big, but where are you gonna take me?

Speaker 4 (28:33):
You know what I'm saying I don't like that.

Speaker 2 (28:36):
Well, he can't.

Speaker 8 (28:45):
Talk about can some mother problem like they can't if
they tight with their mom, they can't fix that.

Speaker 2 (28:50):
No, no, no, no no.

Speaker 8 (28:51):
And sometimes if I take you to a restaurant, then
you'd be like, why we go to this restaurant?

Speaker 2 (28:56):
Why do we not go to restaurants? Ask what are
you feeling for today?

Speaker 1 (28:58):
Baby?

Speaker 2 (28:59):
No?

Speaker 4 (29:00):
No, no, no, it's a day.

Speaker 2 (29:01):
It's all in the place.

Speaker 17 (29:02):
Take the initiative to be like, you know what, I'm
gonna take her here, you know. And the reason why
I say, you know, no outback steak I'm not talking
about like cause the price of it and you know,
the tear that it's on. I'm talking about because it
has steak in the name, just because it got steak
in the name.

Speaker 4 (29:15):
Don't don't do that, outback steakhouse.

Speaker 1 (29:17):
Don't do that.

Speaker 13 (29:18):
You are hard to please, don't Jesse. You don't like nothing.

Speaker 17 (29:22):
I mean, you don't eat nothing, So it's kind of
hard to go anywhere and enjoy myself.

Speaker 4 (29:27):
Okay, but no.

Speaker 17 (29:30):
No, it's about the dad, Like it starts with the day.
If your dad not already like not in your life,
that push you closer to your mother. Then your mother
feel like she's dating you, so she got to be
in your relationships.

Speaker 5 (29:40):
I ain't with none of it.

Speaker 17 (29:41):
So but no, no, I'm not talking about Chris, not
talking about you, baby.

Speaker 2 (29:45):
What are you talking about? People? Relationships got people?

Speaker 17 (29:51):
This is just you asked meship in the past.

Speaker 4 (29:55):
I don't have no, I mean, I don't have these
problems now.

Speaker 2 (29:58):
Okay, well mine is leading. My wife is always late.
I'm talking to you. Get like you said, Christis, I'm
talking to you again. What are you talking to? Yeah,
you're right.

Speaker 8 (30:05):
My wife is always late, to the point where I
have to lie about the time. So if you have
a party at nine, I gotta tell the parties at
eight and we still go get that nine thirty, ten o'clock.

Speaker 2 (30:15):
It is what it is.

Speaker 8 (30:16):
But the problem, the problem I have is she'd be late,
and then when I'm downstairs watching the TV, waiting like
let's go to Scollo, let's.

Speaker 2 (30:22):
Go to school, let's go now, waiting on you now,
waiting on you. I hate that. So you always on time?
Oh yeah, I'm always on time.

Speaker 4 (30:28):
So you're not black?

Speaker 13 (30:29):
What's not answering the phone?

Speaker 2 (30:34):
You know? My wife and I have different phone habits.

Speaker 13 (30:36):
Like, my phone is usually on me or near me,
so I'm quick to answer if I want to answer
for the person. But she doesn't walking around with her
phone on her. But my thing is, that's cool. When
everybody is home, like when I'm home and all the
kids home, none of us need to really be near
our phones, because even the parents know the housephone and
stuff like that.

Speaker 2 (30:51):
But when everybody.

Speaker 13 (30:52):
Isn't home, keep your phone on you because you never
know what I'm calling and why I'm calling. Keep your
phone on you, So not answering the phone. That's my
pet peek. All right, Well, let's go to the phone lines. Hello,
who's this, Yes, sir, good morning from Indy.

Speaker 2 (31:05):
From Indy. What's up?

Speaker 5 (31:06):
Brother?

Speaker 2 (31:06):
What's your pet?

Speaker 5 (31:07):
Peeve?

Speaker 2 (31:07):
In relationship, it's two of them, man.

Speaker 12 (31:09):
One of them is a woman that doesn't have a relationship.

Speaker 3 (31:12):
I hate to sound like corny, but the relationship.

Speaker 12 (31:14):
God and the second one Anna sound kind of.

Speaker 16 (31:16):
Dag and I can't stand the woman that don't work out.

Speaker 3 (31:18):
She gotta be active.

Speaker 17 (31:19):
Okay, Well, you don't sound just just for the record,
you don't sound corny wanting a woman that has a
relationship with God.

Speaker 2 (31:25):
That's not corny at all. That's a good that's a
good one.

Speaker 3 (31:28):
But it sounds cliche though.

Speaker 12 (31:29):
It sounds cliche to say, but it's so unfair that
you have a relationship.

Speaker 3 (31:33):
But just as important, I need her active because I
can't be looking halfway deep a big body.

Speaker 2 (31:38):
You don't want no big guys, big bag. I think
you God?

Speaker 1 (31:43):
What if?

Speaker 2 (31:43):
What if she see that she need to be praying
to God to lose that weight? Yeah, you don't believe
in God. Hello, who's this Maya?

Speaker 5 (31:52):
Hey?

Speaker 2 (31:53):
Good morning? What's the pet peeve in a relationship for you?

Speaker 6 (31:56):
I've been with my husband for ten years today and
the flobers and snores ver dead.

Speaker 5 (32:02):
Oh baby.

Speaker 6 (32:03):
And I'm a light sleeper, like I can hear a
pin drop, like he literally holds me up from suepin sometime.
But he comes to bed like suit fi o'clock in
the morning most of the time because he's not playing
the game. But once he comes to bed, it's like,
I can't, I can't go back to sleep.

Speaker 2 (32:19):
Yeah, what the hell?

Speaker 5 (32:20):
Why the hell?

Speaker 2 (32:21):
Either one of y'all ain't got no jobs.

Speaker 13 (32:22):
Y'all got to get up there in the morning, while
he get to go to bed at three o'clock. In
the morning.

Speaker 2 (32:26):
What what's up?

Speaker 1 (32:27):
Baby?

Speaker 6 (32:27):
We do we worked off with the schedules because our
kids aren't in daycare.

Speaker 2 (32:32):
Okay, so I'm da got you. Okay.

Speaker 8 (32:36):
I feel bad, you know, because you know, snort is
a lot of times you can't fix that.

Speaker 4 (32:39):
That's like, yeah, sometime medical problematical.

Speaker 2 (32:41):
Problem that he can't. He don't do that on purpose.

Speaker 6 (32:44):
Man, Listen, I ain't never seen nobody snore laying on
their belly like this.

Speaker 8 (32:48):
This, This is a great dang.

Speaker 2 (32:50):
You don't nudge him, you know, push him to so
he wake up a little bit.

Speaker 6 (32:52):
I do all night. I'm kicking.

Speaker 16 (32:54):
I'm hicking.

Speaker 14 (32:55):
I'm like.

Speaker 17 (32:58):
And she said, slip material a stank pillows price.

Speaker 13 (33:02):
Yeah, won't you get some like an earplugs or something?

Speaker 6 (33:06):
Word and we got five kids together at all, five
of them kids flobber.

Speaker 14 (33:10):
It's crazy.

Speaker 13 (33:11):
Yeah, you gotta leave that family.

Speaker 2 (33:12):
Baby.

Speaker 17 (33:14):
It's like, no, no, no, I'm joking you for better
or for worse, though you said it.

Speaker 5 (33:20):
That's right.

Speaker 8 (33:22):
Eight hundred five eight five one oh five one. We're
asking what's a pet peeve in your relationship? Let's discuss
It's the breakfast club, Good morning, the breakfast club morning
everybody is the j Envy, Jesse Hilarry and Charlamage the guy.

Speaker 2 (33:37):
We are the breakfast Club. We got a special guest
in the building who refuses to stop. Ladies and gentlemen,
Kevin Hark, Welcome back, brother.

Speaker 13 (33:45):
We just won't sit down to yourself.

Speaker 8 (33:51):
Life is great, no complaints. Man here to talk about more,
which means great. This is happening, still moving, still tracking,
still working, still doing the same thing, but bigger.

Speaker 4 (34:01):
Talk to us about this new two part documentar where
you've got no one to call.

Speaker 9 (34:06):
She congratulations to Jamie fox Man.

Speaker 8 (34:09):
This is a Jamie fox idea that he came to
me with at heartbeat. And you know, it was a
concept about being one of the call sheet and the
good and bad of it.

Speaker 5 (34:20):
Right.

Speaker 8 (34:20):
He's like, you know a lot of people experience it,
but it doesn't do the same for everyone, you know,
and whether it's the ego, whether it's the money, whether
it's the idea of the money, whether it's the thought
of my career is now about to be, and it
doesn't become like there's so many different concepts attached to it.

Speaker 1 (34:39):
I thought it was a great idea, man.

Speaker 8 (34:40):
You know, Fox is a brilliant mind, and I said
to make it real, like we got to go out
and you know, of course happened to all our relationships.

Speaker 1 (34:47):
So it started off is just.

Speaker 8 (34:48):
The idea for men, Like we were heavy on the
men's side, and then we were like, yo, it's dope
if you have it to where you know there's a
male version. Then we go and we tap into a
female version as well, and really just expand the conversation
of success or lack thereof. And it's, uh, it's dope
to hear all these people talk about it. So I
think people are gonna be blown away by hearing the

(35:10):
good and the bad, like everybody doesn't with the concept
of it.

Speaker 13 (35:13):
You know, will be a number one on the cause
everybody doesn't. When did you become number one on the
cast sheet? And what does it mean to be there
number than for a while? Like I love it, I
love it, like I don't.

Speaker 1 (35:26):
I don't want to make it very clear. I love
it now.

Speaker 2 (35:28):
You never left the road. Why is the road so
important to you?

Speaker 1 (35:30):
Because you control it, you own it.

Speaker 2 (35:32):
There's no small venues. You do big venues, like.

Speaker 9 (35:34):
Nothing better than stand up coming.

Speaker 8 (35:36):
There's no job better than the job of live entertainment,
live audience, your fans, your connection, your relationship.

Speaker 1 (35:45):
It doesn't die if.

Speaker 8 (35:46):
You treat it like a plant and you've ever water it,
the plan is never going to die, right like, So
if it can grow and you have good seasons, bad seasons,
it's always going to be there and those fans are
just gonna ride with you forever. So I'm very on
staying true to stand I'm coming. Nothing takes the place
to stand up coming. I don't give what i'm doing
the level that i'm doing at. I will go and
do comedy clubs. I will come to New York for

(36:09):
months on a time and just do a run of
pop ups. That's my muse, that's my stress reliever. So
if you had Damon Wayne and say that he would
never do a stand up anymore because he was like,
people are too sensitive.

Speaker 2 (36:19):
He said, people are stupid.

Speaker 8 (36:20):
Well yeah, it's basically you know he says anything, people
get offended too fast, and it's like it's just not
worth the distress.

Speaker 1 (36:26):
I understand.

Speaker 8 (36:27):
I don't see it the same way because I don't
have that level of giving. I don't want to do
the thing that I love to do because I'm caring
so much about what everybody else is thinking about what
I'm doing, Like, I.

Speaker 17 (36:36):
Don't I think he meant that on you know how
the wayne is used to be like they no limit,
like you talk about anything. But now that since the
new trend is being offended and a lot of people
are just you know, it is what it is though communities.

Speaker 1 (36:51):
I mean, Dame is Dame. Dame is a legend.

Speaker 8 (36:53):
Like if Dame wanted to go on stage and around,
Dame can do what he wants when he wants.

Speaker 9 (36:58):
The idea of people being upset or triggered.

Speaker 8 (37:01):
If you're thinking about that, like, then you're you're going
down a crazy spiral. I'm not doing comedy and thinking
about the thought of what you think about what I'm saying.
I have the things I want to talk about. I
know the direction I want to go in. I'm not
here to offend. I'm not here to aggravate or piss
people off. I'm here to do my craft. Have you
apologized yet to Delaware State University for what you don't?

Speaker 2 (37:23):
Let it go? Come on, let it She didn't thought
I was trying to university, not just a bunch of

(37:48):
Sean Jackson said, you were sorry.

Speaker 8 (37:53):
I mean, first of all, it is all right, but
it's like smart people there too. We're talking about hellwad
state knows.

Speaker 5 (38:02):
I have no ill will towards them. I love you guys,
but it was a funny bit.

Speaker 11 (38:09):
You guys.

Speaker 4 (38:09):
You animated show out, Yes, talks about your life growing up?

Speaker 5 (38:13):
Yes?

Speaker 4 (38:13):
What made you want to do that animation style?

Speaker 5 (38:15):
You know?

Speaker 2 (38:16):
Crazy?

Speaker 8 (38:16):
This has been a This is a crazy development, man.
This is I want to say, like seven to eight
years in the making before we could actually do it properly.
Shouts out to Scott Mills over there at BT man
for understanding like my world of want and allowing me
to do it the way I wanted to do it.

Speaker 1 (38:32):
You know, it's an a doubt animation, and.

Speaker 8 (38:34):
I wanted to like flip the story of the conversation
attached to the hood, right, Like everybody talks about the
Hood from one point of view.

Speaker 1 (38:40):
You know, the hood is the hood, and people like
the hood is bad.

Speaker 8 (38:44):
Yeah, Like, and I think that there's a there's a
positive side to it. You know, there's a role that
everybody plays in the hood, especially when it comes to kids, families,
Like everybody's part of the village. Everybody's raising everybody's child,
everybody is aware, everybody's in the know, nobody's trying their
best to service and need a good and even bad
just happening. You know, when people find out there is

(39:05):
an energy attached to trying to solve it and make
it better. And this is a way of just flipping
the conversation on the hood upside down. So it's about me,
my upbringing, being in the hood, but having such a
high level of love for the hood, for my family
and for all the people around it.

Speaker 13 (39:18):
And just Solarius is in it, keeping her away from
breakfast club.

Speaker 1 (39:21):
Come on, just don't.

Speaker 2 (39:23):
Listen to that.

Speaker 1 (39:24):
I don't.

Speaker 8 (39:25):
I don't listenst of all, I want to make something
very clear. When people say like kah, thank you for
giving people a job, people earn them, like, I'm not
giving thanks you anything. I'm not out like hey here,
just here's a gift, Like that's just that's her team,
that's people working and saying, hey, this is a good thing.

Speaker 9 (39:40):
To possibly put just up for it just for process.

Speaker 8 (39:43):
I mean, you could say no, but when people are
talented and earning things in their own it's happening the
way it's supposed to. Be I'm not in the space
of know of everything and I'm hand picking people and
doing like that would mean that I'm I mean the
time and the day to do that and do it
and do it and do it, And that means that
people around me aren't doing what they're supposed to do.
So it is your job to like properly package and

(40:05):
put people in places to make these projects good. And
it's my job to see it at the end stage
of going, Wow, this is a great cast.

Speaker 5 (40:12):
These are a great person that have great roles.

Speaker 2 (40:13):
I like this.

Speaker 1 (40:14):
I like this configuration, but just is.

Speaker 13 (40:16):
Earning it and you know, you do take the time
to pour into the next generation. You know, drewski was
up here and Drewskie said that you gave him and
Kyson not.

Speaker 2 (40:24):
A bunch of movies to watch.

Speaker 13 (40:26):
Yeah, told them to get you stud whatever your stupid
ass is doing right now watch these movies.

Speaker 2 (40:30):
Yeah, and preparing for the next level.

Speaker 1 (40:31):
That's I like what the younger generation is doing. It's crazy.

Speaker 8 (40:35):
I'm saying it like I'm I'm really am a part
of like a time of old forty five. Damn well,
doesn't look it, you know, that older generation of like
how we approach the business how we approach the craft right,

(40:56):
And I think it's dopest to see this new generation
navigate differently, Like the comedians of today did not go
and work at it the same way that we did.
Like they're breaking new ground, finding ways to be the
personalities first and then get to the stage after. And
the way they're engaging with their audience and the way
the audience is responding to them.

Speaker 9 (41:17):
I think it's dopeest in being a fan of it.

Speaker 8 (41:19):
I feel like it's my job now to figure out
ways to like grab this personnel when it where I can,
and you know, try to.

Speaker 5 (41:25):
Push them forward. With Kai and Drewski, Kai is such
a monster man.

Speaker 1 (41:29):
I told him.

Speaker 8 (41:29):
I said, look, man, I want to show you guys
ways to like give your audience more and ways to
do more. So I came up with, like with some
dope ass ideas concepts for us to rock in together,
but stay true to the space of what they're doing.
So Drewski, I know, he came and he was like,
telling you guys about the movie. I don't want tell
y'all what it is, but it's a big it's a
big idea that we're working now. But I was like,

(41:49):
to do it. You guys got to educate yourself on
things in this space. So it wasn't homework. I was like,
understand production, Understand how movies are made, Understand the look
and feel. I want you to be a part of
the process so you can understand the process. And after
you do this with me, go do it yourself. Go
do it and figure out ways to you know, do
it with the other people that you're around.

Speaker 2 (42:09):
We're still kicking it with Kevin Hart.

Speaker 8 (42:12):
Juicy said, you actually set him up in that stream
with that little kid, he said, he said, it was
you that actually said that's that's what you start off.

Speaker 2 (42:21):
Started the follow your lead.

Speaker 8 (42:25):
First of all, what you need to understand is where
the cameras are at all times. What I said, the
juice keeps in his here I said something in his ear. Okay,
nobody really knows what I said. He knows what I said.
And then he took the liberty of going and saying
very harsh things by the way things it shouldn't.

Speaker 2 (42:41):
Be walk right out like you see.

Speaker 8 (42:43):
I mean, I don't want to be around there. I've
seen a lot of people get in fights. I've seen
what it's about.

Speaker 1 (42:48):
To happen.

Speaker 8 (42:48):
I go, I shouldn't be here, right, I shouldn't be here.
They're about to start shooting.

Speaker 5 (42:53):
By the way, he's got the gun.

Speaker 1 (42:55):
I see it. I'm gonna leave right now.

Speaker 8 (42:57):
So I just exited the room because I think I
think I've telling him had to go to the bathroom actually,
and then a lot of stuff from what I was told, happened.

Speaker 9 (43:04):
From what I was told, the kids started crying and
stuff like that.

Speaker 5 (43:06):
I came back and I was like, what's going on?

Speaker 8 (43:10):
Right at that time, I'm the adult in the room
trying to calm down, like, hey man, what's happening? And
I think all the cameras caught me saying that, which
is good for me legally, So I was never attached.

Speaker 13 (43:21):
Dukie said he felt like he could make those jokes
because he's fat and y'all were teasing him all day
about being fat or jukey.

Speaker 9 (43:26):
First of all, calling people fat, that's aggressive.

Speaker 2 (43:31):
When you saw the big thinking of you, I just.

Speaker 13 (43:32):
Want to.

Speaker 5 (43:36):
I just want to know what I'm saying.

Speaker 2 (43:44):
Juicy big see a little bigger?

Speaker 5 (43:46):
Right?

Speaker 8 (43:47):
He had problems breathing when he walks up the steps. Yeah,
of course, but but you know that little kid. I
think it was on his way to a healthy lifestyle.
You got to support that, right, the little kid because
he was talking. I think the little kid was talking
about exercising and stuff, which is good and I'm always
glad to just be on the positive side of conversation.

Speaker 9 (44:03):
That's what I'm about, you know, a beacon of light.
Joy Kevin.

Speaker 17 (44:07):
At the level of success that you are being an actor,
do you still have to audition for roles or absolutely not?

Speaker 4 (44:15):
What are you talking about la Lawrence that he has
said that he does.

Speaker 2 (44:20):
I think Martin said he had to he pitches, He
still got to pitch projects.

Speaker 8 (44:23):
Oh yeah, that makes sense if he's pitching things. I
mean am I Am I really pitching things? I think
I'm pitching ideas to my team. I'm more in the
business of creating the things that I think best service
my want in my direction and the business.

Speaker 1 (44:39):
Like when you think about the.

Speaker 8 (44:40):
Dramas, you think about all the things that I've done
as serious like that's been me so true story. I
was like, I want to I want to kill somebody
on camera. I think it'll be dope, and I want
to found a guy that created Narcos And I was like, Yo,
it'll be dope if we can collab and talk. But
we developed it and then I was like, Okay, this
is great, let's go and take this out Like that's
developing it and then going to sell it fight Night.

(45:01):
That was me Will Packer and Will tell me you
had the right and not saying hey, to do it
just can be dope with but let's do it this
way and put the right people in it. So like
the creative side of from start to finish is where
I'm playing at now. But like auditioning, I'm not really auditioning.
I think people if they have a project, they're like, oh,
Kevin would be good for this, and I'm getting those calls, hey,
we want you to do and then I got a

(45:23):
decision of if I want.

Speaker 1 (45:24):
To do it or not.

Speaker 17 (45:24):
Like fans is the upside. That's still one of my
favorite movies. You and Brian Cranston.

Speaker 9 (45:29):
They already saw you for that role.

Speaker 8 (45:31):
They said, we want to do the remake and we
see you and Brian Cranston doing this.

Speaker 1 (45:35):
Are you interested?

Speaker 8 (45:36):
And absolutely, and Nicole Kipman I was like absolutely, hands down.
But it's it's it's coming out and having an ask
not to say that I wouldn't audition, you would clean
it up trying to anybody your cameras there. I just
wanted to look in and make it just look like
I'm willing to do right.

Speaker 13 (45:57):
What about like social media BACKLASD because everybody, for whatever
reason was highly upset when you hosted a NBA All
Star Weekend. There was a section of the internet that
was acting like they.

Speaker 8 (46:06):
Were you know, you know, what energy do you give
that I'm a partner to the NBA, Like, understand what
that means. I'm not coming on to be Kevin Harten
have funny moments to the NBA. The NBA has been
a servicing aid to my career for over fifteen years.
Like you go back and you'll look at how much
I've been on NBA T and T and All Star weekends,

(46:29):
celebrity weekends, all these events like this you're not looking at.
It's it's almost host adjacent, right, Like the personalities that
we lean on because we're familiar with family and we
know how they work. That's what that is. So the
All Star I'm not going to the All Star Game
to try to create a big moment for me. I'm
there because the energy of The All Star Game comes
with Chuck, Ernie Kenny, myself, Shaq, like we've been doing

(46:52):
this for years, like just talking and playing with one another,
bantering on camera. That's not an easy thing to do.
They make it look easy, they make it look great.
That's not an easy.

Speaker 4 (47:02):
Thing between you and Shack.

Speaker 8 (47:03):
Yeah, that's easy. That's not an easy thing to do.
Like that chemistry, that rapport. It comes from like having
a real understanding for how TV works, So you can't
just throw new things in.

Speaker 9 (47:14):
There because it gets weird. People don't understand the times.

Speaker 8 (47:16):
Peoplen't understand the cuts, how much time you got to
go cut back to the game.

Speaker 5 (47:19):
They're trying to do so much new, they're trying to
discover it. So why they're trying to figure it out.

Speaker 8 (47:23):
Here's personality that we can lean on, so at least
we don't have dead space or dull moments on camera.

Speaker 5 (47:28):
That's what that is.

Speaker 8 (47:29):
So when you understand the technicality behind it, then you
you understand my involvement.

Speaker 1 (47:33):
I don't I don't feed into the other. I know
why I'm here, partnership.

Speaker 13 (47:37):
Do you ever tell Shack to like really back up
off you be kind of sexually assaulting.

Speaker 8 (47:41):
You in a little bit, sha come on only one
time with Shack has done some crazy okay where I
was uncomfortable, real husband, that whole thing that's on the
internet that they wasn't I wasn't scripted. It was a
moment where honestly, be real, cha, I couldn't do about it.

Speaker 5 (48:02):
Yeah, they gotta cut.

Speaker 13 (48:05):
You know.

Speaker 5 (48:07):
Before before I put a little size on not to
say I could do something to shock, but I didn't know.

Speaker 9 (48:12):
It was a very frail version of me.

Speaker 8 (48:14):
And you know it was this is when Shaq was
like when they were like just talking about Shaq being
a cop and he really was a Copna be funniest,
Shack pulled me over on real Hollywood and you know,
like Shack is like basically about the arrestment. You know,
everybody can't improv they you don't even have to say this.

(48:37):
We're not even to discussing people.

Speaker 2 (48:39):
A great show.

Speaker 13 (48:40):
It's a great show, but it's not online.

Speaker 8 (48:42):
But we're not gonna do is make it seem like
something that was so But he what he did was
he grabbed me when I got out the car and
he just tried to get a little physical right. It
was like but just like like everybody doesn't improve the
same comedy.

Speaker 5 (48:56):
Comedy is an art.

Speaker 8 (48:57):
Like you ever see comedians when they try to like privately,
some of them go too far or they don't know
when to stop.

Speaker 5 (49:02):
He's like, hey man, we got to end the.

Speaker 1 (49:03):
Scene, like you can't go over there.

Speaker 8 (49:06):
I'm like, oh, yeah, well your mama And you're like,
well mom, you can't bring up moms because we don't
know who our moms are in the scene.

Speaker 13 (49:11):
It's like I just googled it and it says hashtag
calls of the week. Hey yo, nah shock you straighted
by lady Kevin Hart. You literally took that man in
the Pound town. This is this is what you're doing.
That's actually that's actually nuts. That's nuts.

Speaker 2 (49:27):
That's what he grabbed me.

Speaker 8 (49:29):
He grabbed me, throws me over the over the carr
and he and he starts humping me.

Speaker 13 (49:34):
So I'm like, I remember you around bit you over.

Speaker 4 (49:40):
Face and they say, you want to tell you how.

Speaker 8 (49:42):
Let me tell you what I can tell Charlot Mayne,
Charla Mayne is perfect, Like that is a nasty man.
That's like in this brief time, I just found out
a lot about him by the way.

Speaker 5 (49:51):
He starts describing stuff.

Speaker 9 (49:52):
You're very graphic, nasty man. Yeah, I just told you.

Speaker 2 (49:54):
I'm just describing with you.

Speaker 9 (49:56):
He grabbed me and he throws me over the car.

Speaker 8 (49:59):
He's like, you don't know, he starts talking me. I
remember Ralph that rest of the episode. I remember I
looked at Ralph. I'm like, hey, the job, the job.

Speaker 2 (50:09):
Something happened, and they.

Speaker 5 (50:11):
Was like, uh, they were like all right. Uh nobody
wanted to say shock. They was like, all right, we
got it, so let's just move on.

Speaker 2 (50:20):
We just we just moved about it after just like
everybody just shut up trying to get you again off.

Speaker 1 (50:29):
We just shut up.

Speaker 2 (50:31):
Did you get triggered a little bit? I saw you
he was creeping up.

Speaker 8 (50:34):
That's a very young I'm older, and I'm I'm in
a much more controller state in my in my life
where you know, I will say something to show you know,
don't do that. You know you gotta stop it, right,
like affirm stop that right. But in that moment, that
was Shack trying to be funny. That's my that's my
shout out to the big dummy himself.

Speaker 2 (50:57):
We're still kicking it with Kevin Hart Charlamagne. I want
to go back the number one on the call sheet
because Sterling K.

Speaker 13 (51:01):
Brown did an interview with He said that people wanted
to put him number one on the call sheets, but
he was superstitious about it because he's been successful enough
not being number one, so he was okay with being
number two.

Speaker 2 (51:11):
What do you think of that?

Speaker 1 (51:12):
I don't.

Speaker 8 (51:13):
I don't mind that, you know what I mean as
somebody that's been there, When when you're there and you've
you've experienced whatever the conversation attached to it is, it's
not the same level of.

Speaker 9 (51:23):
Important, right, Like it's it's not important.

Speaker 8 (51:25):
Like I was joking around earlier about the idea of
number one of call sheet, but it's not that important
to me.

Speaker 1 (51:29):
I don't.

Speaker 8 (51:29):
I don't give a I don't care about top billing.
I don't need my name to be first. I don't
need my name to be the biggest when they first
put the movie or the TV show out, Like if that's.

Speaker 7 (51:39):
More important to you, I'm like, all right, let him
get it. So when you in the rock do a movie,
who's number one on the call?

Speaker 5 (51:46):
I let him get it?

Speaker 1 (51:46):
But he's DJ's an ass. Yea, yeah, he's an ass.
You let him get it.

Speaker 2 (51:51):
I'm joking.

Speaker 5 (51:52):
Yeah, No, DJ.

Speaker 9 (51:53):
By the way, he trumps me every time. What do
you mean, it's not even conversation.

Speaker 5 (51:57):
I don't even bring it up.

Speaker 1 (51:58):
You number one on this right?

Speaker 2 (52:00):
What because the box office numbers, like, how do they?

Speaker 8 (52:03):
I think he deserves to be number one when we
do the project. He's an international superstar. Not to say
that I don't have international success, but I don't think
that we're equal in that regard. I think that his
movies have performed and done crazy business internationally, and when
we do the projects that we want to appeal to

(52:24):
the world, you should be first. I'm coming in and
I'm on that train with you. I'm adding value to it,
but I'm not bumped by you being first. We put
an amazing cast together to help us get those audiences
when we do. But I don't feel any type way
about that. I think he deserves it and he should.

Speaker 13 (52:41):
Have congratulations too. Man, you is announced that Heartbeat isn't
working with the Faces. Yes, Heartbeat it to be the
official cultural curator to provide enterteament and live experiences for
fans in the Indianapolis Corus.

Speaker 2 (52:52):
Yes, first of all, what does that look like?

Speaker 8 (52:54):
It's an opportunity for our company right like you're our
company is a creative engine for any resource that allows
us to be right Like, we are a business, So
our business thrives when we can implement ourselves in places
to create or elevate a brand, a company, an entity,

(53:15):
and activation, whether it be live entertainment, storytelling, et cetera.
Indiana with the Pacers and the Fever have an attraction coming.
I think they have an all star coming up. But
it's more about they're like, look, we're looking for ways
to expand and elevate what we've done. They spend a
lot of money on a new facility, they have a
team that's thriving, a younger team Fever or thriving with.

Speaker 9 (53:39):
Star power, etc.

Speaker 8 (53:41):
So they're like, how do we elevate? How can we
better tell our story? And I'm like, that's what we do.
I'm looking to be a better partner for the NBA.
How do we better tell stories for your brand? How
do we better promote and market you?

Speaker 5 (53:54):
How can we amplify.

Speaker 8 (53:56):
Or activate differently, Like these are words in the business
that come butanies desperately want to hear from potential.

Speaker 13 (54:02):
Party well, heartbeat, call Mike Epps to do. Absolutely, He's
gonna call you to do something.

Speaker 2 (54:08):
Absolutely.

Speaker 9 (54:08):
I mean me and Mike's relationship now.

Speaker 8 (54:12):
We're we're ten times, but it took a long time
to get to where we are now. But I'm I'm
happy at the road of like dumb because it got
us to a place of real grown man and we're
not We're not doing the dumb like tweets. No more
like Mike call me, I'm calling you. And we we talked,
so you know when I did, Mike was the first one.

(54:33):
We got on the phone. We had a conversation, and
me and Mike are are very much on the same page.
And I think, you know, a lot of the disconnect
was from assumption. That's the realization that came about. But
I have no it will no beat towards anybody, damn sure,
not Mike. And you know, right now the priority between
me and Mike are figuring out the thing that we're

(54:53):
going to do together. And you know, I told Mike
like it's a it's a real thing, like we've haven't
done it because of this disconnecting our relationship.

Speaker 1 (55:02):
We've never been on screen together.

Speaker 8 (55:04):
We did real husbands together in the beginning Mike did
an episode and that's the only time where we've ever
jousted on camera, and I was like, at this point
in our career, like, we're not nobody but ourselves, so
you know, how do we make it work? And he's like, yeah, keV,
like how do we make it work? And it's a
mutual understanding. And I think now having that as a priority,

(55:24):
his fans will be happy. My fans, I think will
be happy, and I think it'd be dope for the
culture when we do it.

Speaker 13 (55:29):
Yeah, where is that version of hallm Knights for this era?

Speaker 9 (55:32):
It's hard.

Speaker 8 (55:33):
It's hard to happen because the idea of it being
just one is what people can't let go of.

Speaker 9 (55:40):
Mean, like that doesn't have to be just one star.

Speaker 2 (55:43):
But Hall of Knights wasn't just one star.

Speaker 5 (55:45):
That's why it worked, That's why I worked.

Speaker 8 (55:47):
Richard didn't give it about Edie didn't give it by
Richard the two biggest comedians minus the boy. The only
person that was missing that should have been in that
Cosby in some degree right a showing of him.

Speaker 5 (56:00):
But they have Red Fox.

Speaker 8 (56:01):
Robert Harris like, if you go on you look at
the names del Res like you you look at the
names and the people in Harlem Knights. You looked at
a conglomerate cast of hard hitting comics of color.

Speaker 1 (56:13):
We don't have that today.

Speaker 17 (56:14):
And even when it comes to like the younger comics, man,
it's been a few of like DC young Fly has
countless scripts that he has and he's trying to get
all of us like in this generation. But egos and
wish she gonna be getting and who gonna be the
main character? I ain't working with her or how he.

Speaker 13 (56:33):
You know what I mean.

Speaker 8 (56:33):
So the problem with the with the younger generation of comics,
man made money so fast, good money, not a little money.

Speaker 5 (56:41):
They made money so fast.

Speaker 8 (56:42):
So it's definitely the idea of doing that for that dude,
I'm over here againting it's like the idea, come here.

Speaker 9 (56:49):
I mean, just just just.

Speaker 8 (56:52):
Made money, still making money, right, Like just understands that
road money, that road money is a different type of money.
These comics or new comics influencers turn com I'm making
real money. So until you get to a point where
you understand the money isn't going to drive your next
stage of success. If your next stage of success or

(57:12):
want for success is attached to IP projects, whatever you
cannot do it by yourself.

Speaker 1 (57:19):
You gotta tap in.

Speaker 8 (57:20):
That's what people are afraid to do, and they're afraid
to do it, especially in our culture because we feel
like there can only be one and that younger mindset
in this business today is a cash driven mind. The
money will come. I'm telling you, the money will come.
The ideas don't have relationships, and partnerships don't.

Speaker 1 (57:38):
That's the difference.

Speaker 2 (57:42):
Appreciate your little keV.

Speaker 1 (57:44):
I'm excited about it.

Speaker 8 (57:46):
Adult Animation BT plus ones getting shots out to BT
shouts out to my amazing team and heartbeat man. This
is a piece of IP that I worked on for
a long time and to have it finally come to
light is dope. As as funny as it's raw, it's edgy.
It's a true testament to my mom and dad who
aren't here. So r I p to the hearts upstairs
and maybe down you know my dad. They say he

(58:06):
could be I don't know, so uh you know just
in the middle dad right, shouts out to Pops wherever
you are. Yeah, I know, I don't know what side
Uh this is. You don't want I don't want to
assume it.

Speaker 2 (58:21):
I don't want to assume it.

Speaker 8 (58:22):
I don't know if if God ever closed the door,
my dad might have been on the outside.

Speaker 2 (58:27):
Uh.

Speaker 8 (58:28):
But it's a testament to them, so I can't with you.
Guys enjoy a bt plus watch it Lock it in.
No one of them call sheet, shout out the fox,
lock it in.

Speaker 2 (58:34):
I'm done. It's the breakfast club. It's Kevin Watch.

Speaker 8 (58:38):
Florida man attacked an ATM for a very strange reason.

Speaker 4 (58:42):
It gave him too much money.

Speaker 9 (58:43):
Florida man is arrested after death stay. He rigged the
door to his home in an attempt to electric hit
his pregnant lights.

Speaker 4 (58:48):
Police arrested in Orlando man for talking up.

Speaker 9 (58:50):
From me though.

Speaker 2 (58:51):
It's the breakfast club. Bitch you Donkey O the Day
with Charlamagne a guy. I don't know why y'all keep
it letting heim get y'all like this. It ain't it ain't.

Speaker 13 (58:58):
It ain't me du ball is them Okay, Florida Donkey
to Day goes to a young woman named Kina Samson.
Okay A Keena is a thirty one year old woman
from sam Petersburg, Florida, who works at one of the
greatest institutions of all time, McDonald's. Okay, I am not
about to sit here and do a commercial for McDonald's.

Speaker 2 (59:13):
Okay.

Speaker 13 (59:13):
You can say what you want about McDonald's, but they
have been around since nineteen forty. It has thirty six
thousand restaurants in over one hundred countries and they served
sixty nine million customers daily dropping the clues bombs of McDonald's.
If that's not an institution, I don't know what is. Okay,
supersize me. Ain't stopping nothing. At some point, we have
all had a love affair with McDonald's, Okay. My go
to was the two cheeseburger mill with an orange drink,

(59:35):
and I'm old enough to remember when it was two
ninety nine three fourteen plus tax. What was your goal?

Speaker 2 (59:39):
To Jess?

Speaker 1 (59:40):
The same thing?

Speaker 4 (59:41):
Did two G's Burger mail three four saints?

Speaker 2 (59:42):
No about you?

Speaker 5 (59:43):
Heavy?

Speaker 2 (59:43):
Mine was the same, but it was three twenty four
three dollars twenty four cents.

Speaker 5 (59:46):
Okay.

Speaker 13 (59:46):
McDonald's was the place that we would all hang out
after the football games, drop on the clues bombs for
the Berkeley Stacks Monks.

Speaker 2 (59:52):
Corner, South Carolina all day.

Speaker 13 (59:53):
I have a lot of love and great memories connected
to McDonald's, and there was nothing like, you know, having
a homie working at Mickeyde's because they would always bless
you with free food.

Speaker 2 (01:00:01):
That's what it was. A blessing.

Speaker 13 (01:00:03):
Okay, that's what it was, a blessing, all right. But
Aquina Samson didn't have that giving spirit. Okay, Akeena is
clearly not the homie you want working in McDonald's if
you're looking to get something free. No, okay, Akeina is
there to protect McDonald's at all costs, all right. She
a seventeen year old customer, got choked out by Aquina
after she stepped behind the counter to take some ranch
dipping sauce after not being helped by employees. Now, we

(01:00:26):
have all been at a fast food restaurant and been
frustrated by the service, But that doesn't mean you can
take matage into your own hands and go behind the
counter and do their job for them. Okay, this little
entitled ass teenager took they ass behind the counter to
get some ranch dipping sauce, and a Keena, according to
police reports, grabbed her arm.

Speaker 2 (01:00:45):
When the team tried to break free.

Speaker 13 (01:00:46):
Aquina allegedly grabbed her by the neck and pumped the
girl to the ground sounds to me like The Big
Show's finishing move. Remember that show stopper choke Slim Big
Show used to do. That's what seemed like happened in
this situation. Now, I know what you're thinking. How many
Ranch packets did the victim secure? Well, the police reports
does not reveal that information, but it did reveal that
the victim had visible injuries to her neck and left elbow.

(01:01:09):
The incident was also captured on video. A Kena was
charged with child abuse. Now you're probably saying to yourself, damn, Akeena,
did you have to do all that for some McDonald's
ranch sauce. I don't know if McDonald's ranch sawce slaps.
I've never had it. Anybody ever had McDonald's ranch.

Speaker 5 (01:01:24):
It slaps, definitely slaps.

Speaker 13 (01:01:25):
Okay, okay, Now, if it was Polynesian sauce chip for
Ley sauce, we probably could understand. But McDonald's Ranch, I'm
not sure just says it slaps. I'll take her word
for it, but it's not about what the team did
that got her chokeslammed. It's the principle. As much as
I have to give a Keena this he hall because
there's a part of me. I mean, as much as
I have to give a Keena this he hall, there

(01:01:46):
is a part of me that's like per that's it?

Speaker 2 (01:01:50):
What is it?

Speaker 5 (01:01:51):
What is it her?

Speaker 13 (01:01:52):
What is per per her?

Speaker 2 (01:01:54):
What's that?

Speaker 8 (01:01:55):
That's that's just clockett Like Okay, he wants to be
a woman so bad.

Speaker 13 (01:02:00):
Yes, someone has to teach these yms a lesson? Okay,
where was this seventeen year old's home training? There is
cause and effect. The seventeen year old was the cause
and effect is a keen of choke slamming her and
being arrested and charged with child abuse. And now she's
about to lose her job at McDonald's. Okay, she is
clearly missing her calling as nightclub security. But I digress.

(01:02:22):
Look customer service one on one. If a customer breaches protocol,
especially a minor, throw hot fried grease on them, No,
the appropriate response is the call management, our security, our security. Okay,
don't resort to physical violence because McDonalds wouldn't front line
for you like that. And you should never, under any circumstance,
risk your job, freedom and a young person's safety over

(01:02:44):
a condiment. I know, I know that seventeen year old
was risking it all too But day seventeen, you thirty one,
you should know better. Now once again you got a
child abuse charge, which is gonna look nasty on your record,
and you lost your job at Ronald McDonald's house. This
situation makes the ice cream at always being broken seem
like good customer service. Please give Aquina Samson the biggest

(01:03:05):
ea Hull mcdonald'sday dying for you.

Speaker 2 (01:03:10):
Bro.

Speaker 1 (01:03:11):
Yeah, that's a lot, that's extra.

Speaker 2 (01:03:13):
Just call the police, I will.

Speaker 8 (01:03:15):
I will say this though, a lot of people that
work at fast food jobs take their job way too serious.

Speaker 1 (01:03:21):
Yeah, definitely.

Speaker 8 (01:03:22):
If I want an extra packet of Ketchup, please give
me an extra packet Ketchup.

Speaker 2 (01:03:26):
I agree.

Speaker 8 (01:03:26):
You know, if I say, hey, can I extra Ketchup?
That doesn't mean one packet, Give me four or five.
If I asked for an additional you know, sweet and
sour sauce, give me one of two, give me two three.

Speaker 17 (01:03:36):
I'm telling you I used to give them peggas away
like Testa's on the corner.

Speaker 2 (01:03:41):
Yeah, because it's not.

Speaker 13 (01:03:41):
It's just hoarding ketchup packete probably sit there for.

Speaker 2 (01:03:46):
Just take it, take it too serious.

Speaker 8 (01:03:48):
If I want my my fries to overflow, you know,
like give me a little.

Speaker 4 (01:03:54):
Extra and it's not coming out of our money.

Speaker 17 (01:03:56):
Is like we not buying as employees, like we're not
buying the US is not out of our money.

Speaker 13 (01:04:01):
So it's crazy be a cheerful giver when you work
at these fast food establishments.

Speaker 17 (01:04:05):
I'm just saying, you look like Jennifer Lewis, thank you,
Yes that I don want American idol.

Speaker 4 (01:04:13):
That's what she that when that's before she started.

Speaker 2 (01:04:15):
You just told me off. She told me that looks
like a broke transgender.

Speaker 4 (01:04:18):
I did, I think I did?

Speaker 2 (01:04:19):
I say you like, I don't know how.

Speaker 17 (01:04:23):
Said it's supposed to ch said, you know, I said,
you looked like an old ass trans woman.

Speaker 8 (01:04:27):
That's why I said the same difference. It looks like
you was marching in the sixties. That's that's that whig
is given right now, Well, did you.

Speaker 13 (01:04:32):
Know what we had to go through in the sixties,
said if you had dogs sicked on you and holds
its preying on you and marching at a hundred degree
whether you would look like this too? You think you're
we're supposed to look prim and proper while you're watching
I said, like, you know, you Dominicans don't know how struggle.
Dominicans do not know how people struggled.

Speaker 4 (01:04:49):
Gonna cast you tonight, this wig on you?

Speaker 5 (01:04:52):
All right?

Speaker 2 (01:04:52):
I mean tomorrow tomorrow morning? What I don't mean you're
gonna cast you to my afternoon?

Speaker 9 (01:05:02):
Sorry?

Speaker 2 (01:05:03):
What is wrong with y'all? All right? Thank you? Donkey
of the day.

Speaker 5 (01:05:08):
He looks just like a bitch.

Speaker 8 (01:05:10):
When I said, excuse me, he go what watch to night?

Speaker 13 (01:05:14):
Like watch to night? I gotta be your doing classes
that night a lady? Yeah, dah you, Oh my god,
tap to me during regular office?

Speaker 2 (01:05:28):
Woman so bad? All right?

Speaker 13 (01:05:29):
Now we're all part woman fifty percent woman, fifty percent
man to make us also.

Speaker 4 (01:05:35):
It's a woman in you.

Speaker 2 (01:05:37):
Yes, this windan really has him feeling himself. All right?
All right, guys, can we focus? Can we focus? Classroom?
Can we focus?

Speaker 1 (01:05:47):
All right?

Speaker 9 (01:05:47):
What in the are you.

Speaker 2 (01:05:52):
Day crazy?

Speaker 7 (01:05:54):
I wish I could see his wig because a lot
of you like what you're laughing about.

Speaker 8 (01:05:58):
He has a wig right now. It looks like he's
an old lady in church. That's exactly what it looks like.
They just finished frying some fried chicken and just ready.

Speaker 2 (01:06:04):
For where did the wig come from? Tell the whole context.
It came from a whig store.

Speaker 17 (01:06:09):
No, Lauren Laurence, stylist, our wig maker went to go
buy you away from the store because you said you
are not worth the bundles.

Speaker 13 (01:06:16):
For everything that y'all are saying about my wig this morning,
it's exactly what y'all should be saying to Herbert.

Speaker 2 (01:06:21):
Y'all need me on this island all to myself. All right,
the Breakfast Club morning.

Speaker 8 (01:06:29):
Everybody's d J n V Jess Hilarius, Charlamagne, the gud
We are the Breakfast Club law la Rosa Fillin and fores.

Speaker 2 (01:06:36):
We got a special guest in the built of a legend.
God damn it, brother, Michael. I'm serious, Mike.

Speaker 13 (01:06:41):
I don't want them introducing you no more.

Speaker 2 (01:06:43):
They ain't putting legend on your name. Where we got
the legend you got to get?

Speaker 5 (01:06:51):
Yeah, you got, I'm getting it.

Speaker 2 (01:06:53):
I don't think it's about age, it's about what you've
done in the game.

Speaker 5 (01:06:56):
But you've done Yeah, yeah, thanks man. I appreciate this.

Speaker 2 (01:06:59):
Compl man and Mike. He always supported us. Early on.

Speaker 8 (01:07:02):
He actually did our first skit with the Breakfast Club.
Remember the first kid that was the first kit was
with with you and you did that for us.

Speaker 13 (01:07:10):
And he used to put money in my pocket because
you used to do the April Fools. He's always get
the garden.

Speaker 5 (01:07:19):
Yeah man, So yeah, man, And and it feels good
to be able to, you.

Speaker 7 (01:07:23):
Know what I mean, turn on the young comics, put
them on, because I was once one at one time.
I mean my I used to be staying on the
stage trying to get on open up for Steve Harvey
and U. D. L.

Speaker 5 (01:07:34):
Heagley.

Speaker 7 (01:07:35):
So they used to hate on you. No okay, no, no, no,
no no. They never hated it on me, but you
could tell though. You know, when you're an older comic
or you're an older artist and somebody new come on,
you know, it takes time for them to be like, Okay,
this dude is cool, you know, or I can work
with him. You know, you don't know how a person's
gonna turn out.

Speaker 13 (01:07:55):
So I shouldn't even have said hate because sometimes I
think that people don't realize how much of a return
the comedy is, and then they want to see you
earn your dudes before they do.

Speaker 7 (01:08:05):
That's right, But nowadays it's different, man. You know, artists
are getting they just do a little quicker than we did.

Speaker 5 (01:08:12):
We had to really work for that. We had to
go hit them stages.

Speaker 7 (01:08:16):
And now they got the social media thing, which is
good and bad because you're getting opportunities premature of you
working for it, so it could be tricky.

Speaker 8 (01:08:26):
Do you respect that, you you you feel like they
should get their their dudes first to hit them clubs.

Speaker 7 (01:08:30):
Well, I respect the fact that they It's still a hustle, right,
I mean, to be able to be on the internet.

Speaker 5 (01:08:37):
I still ain't figured that out.

Speaker 7 (01:08:40):
I still ain't figured out how to really get the
money off the internet like these young like they on
Snapchat and all that. I really haven't figured it out.
But I respect that because that's the new hustle. But
like I said, when when it's time for you to
get an opportunity and show and prove you ain't really
been in the gym, It's kind of like you got muscles,
but they didn't come from the gym.

Speaker 2 (01:09:02):
Now do you like going out on tour with so
many comedians?

Speaker 7 (01:09:04):
Well, you know what, NV, I'm hosting this tour, so
these are all young comics that's coming up.

Speaker 2 (01:09:13):
He No, he didn't start with me though, No, he didn't.

Speaker 5 (01:09:17):
He's young to me. Because he you know, he came
up after me.

Speaker 7 (01:09:22):
But for the most part, all of them are young
comics that's trying to get to the next level, which
is film and television and whatever that is.

Speaker 5 (01:09:30):
But yeah, it's cool, man.

Speaker 7 (01:09:32):
You know, I'm secure with myself and I'm secure with
my comedy act.

Speaker 5 (01:09:35):
I go on tour with anybody.

Speaker 10 (01:09:37):
I think me and Jess were talking about this before,
and I was telling her like like the way that,
like even with Martin, he brings her on his like,
you know, different stages. I think that two way street
that you're talking about is really important because they're teaching
you while you're teaching them, especially because like I feel
like sometimes comedians who come up the way you come up,
when they shut out, like the just hilariouses, the Dessie
Banks or whatever, you get so behind the times that

(01:09:59):
you it just doesn't come off well.

Speaker 15 (01:10:01):
A lot of times.

Speaker 10 (01:10:02):
And I think for you guys and what you do,
you're trying to figure out social media. If it doesn't
come off well, then fans kind of start to look
at you a little differently. You got to battle so
many different things because yeah, it's what's here right now.
So the fact that you're getting.

Speaker 5 (01:10:16):
On Instagram like you can't get around that.

Speaker 1 (01:10:18):
Because you.

Speaker 10 (01:10:25):
Know, listen, when you said wasn't young, I looked it up.
I thought he was way younger. He's forty seven, you
I thought was like, not too.

Speaker 15 (01:10:33):
I thought he was like maybe forty. He gives young energy.

Speaker 10 (01:10:36):
But I'm saying, I just think that it's dope to
see people embracing it because they be hating, like a
lot of the old his be hating.

Speaker 15 (01:10:43):
And it's crazy because what.

Speaker 2 (01:10:45):
A just that word around a lot with that.

Speaker 10 (01:10:48):
Why are you upset about being called older? That's a
gift to age and to have what you.

Speaker 2 (01:10:52):
Had, not It's just how you said, Well, I do mean.

Speaker 15 (01:10:56):
I don't mean in no way. What I'm saying to
you is that I know what you mean.

Speaker 10 (01:10:58):
Yeah, I think it's fired to see you doing it
because a lot of people don't.

Speaker 5 (01:11:03):
Know the guys. They don't know how to you know,
they don't really don't know how to embrace that.

Speaker 2 (01:11:07):
Man.

Speaker 7 (01:11:07):
But like I said, man, that's what we're supposed to do.
We gotta keep on handing it down to each other
because I'm gonna be in a position one day I'm
gonna need one of the young dudes.

Speaker 5 (01:11:17):
To put me in. That's what Red.

Speaker 7 (01:11:19):
Fox and Eddie Murphy put Red Fox in. He looked
out for Red Fox gave him.

Speaker 2 (01:11:26):
Yeah.

Speaker 5 (01:11:27):
So hell yeah. Now let's get message. What you want
to ask me?

Speaker 13 (01:11:31):
Kevin Oi going to be the entertainment is all for
the pacers and feeble. You are from Indiana, super famous
from Indiana, right, and then built the whole community in Indiana.

Speaker 2 (01:11:39):
How did that make you feel that they didn't call
you for that?

Speaker 5 (01:11:41):
Well, you know what I thought about it.

Speaker 7 (01:11:44):
I was the ambassador for the Men's All Star in
Indiana this past All Star, and keV should have called
me if he was in Indianapolis, because I definitely called
him when I was in Philly, but he didn't answer
the phone. I wanted to call him and say, hey, man,
I'm downtown at the Eagles game because I was. We
had to show it in Philly and I was calling

(01:12:05):
him to tell him, Man, I'm downtown Philly. Boy, they're
going crazy at the parade. But you know, everybody got
they different different things about how they feel.

Speaker 6 (01:12:13):
Man.

Speaker 5 (01:12:13):
You know who goes to Indiana. I'm still trying to figure.

Speaker 7 (01:12:16):
Out who they want to go there and do something
in Indiana. Other than myself, I'm the only fan they
got outside outside of outside of India, outside of what
they fans are in that city. You know, hey, man,
it's it's politics and then and a lot of times
people that are not in a business like people are
not in comedy, people are not in the rap game

(01:12:39):
that run entities.

Speaker 5 (01:12:41):
They don't know. They think me and.

Speaker 7 (01:12:43):
Kevin sitting in the backyard drinking ice tea together, you
know what I'm saying. So you really can't get upset
about it. But it's enough for everybody, man, you know
what I mean. keV, he put it, he put on,
He put on enough young comics and people. So you know,
I didn't get slightest about that. Man, It's cool.

Speaker 2 (01:12:59):
So y'all talking to the fact that you called him
and he was in Philly.

Speaker 7 (01:13:01):
Oh yeah, yeah, yeah, yeah, yeah, we we me and
Kevin talk, man. And again. Man, I'm everything I do now,
I put an age on it, you know what I mean.
So I think about it, and I'm like, Nope, you're
too old. Nope, you're too old, Nope, you're too old,
too old to talk, too old to be broke.

Speaker 5 (01:13:18):
I'm too old for all of that.

Speaker 7 (01:13:20):
You know what I mean, you just get to a
point in your age where you just hey, man, I'm just.

Speaker 5 (01:13:23):
Trying to get what I can get out of it.

Speaker 13 (01:13:25):
And you know, but knowing Kevi, I know you're gonna
reach out for you to do something. When he put
that together.

Speaker 5 (01:13:31):
Oh yeah, well well that's what I'm saying.

Speaker 7 (01:13:33):
I was just on the phone with him telling him
that that's what we gotta do.

Speaker 5 (01:13:36):
The white boys do it.

Speaker 7 (01:13:37):
They don't you already look up all them white boys
be together doing movies and television together, while we can't
do it. I got into business through ice Q. I
didn't get into business through and white people like who
they like. And I'm you know, I'm not really like
that dude that they like. Ah, because you can't rub
on my head and pat me on the ass and
dog I don't play none of that. So and I

(01:13:59):
think they figured that out. Okay, this is we can't
do that with not gonna do it with them. So
you know, hey, but you've had a great career.

Speaker 13 (01:14:05):
I means is killing fifth season, fifth season.

Speaker 15 (01:14:10):
Swear by that show they love.

Speaker 5 (01:14:11):
I appreciate it, And that came from my idea.

Speaker 7 (01:14:14):
That came from an idea that's about my hometown and
loosely based on my life. You know, so I can't complain.
I'm grateful, I'm happy. I ain't gonna be for nobody.
I'm just trying to continue to live on and do
what I do.

Speaker 2 (01:14:29):
We're still kicking it with Mike Apps. Now, how many
kids do you have? Uh?

Speaker 5 (01:14:33):
Seven?

Speaker 13 (01:14:34):
And think about it.

Speaker 2 (01:14:42):
You think you got some kids out there.

Speaker 7 (01:14:44):
I hope you ain't that kind of guy.

Speaker 5 (01:14:48):
I'm glad you know that you ain't that kind of guy.

Speaker 15 (01:14:51):
But you're not either, don't.

Speaker 2 (01:14:53):
I'm now she's a nap time player what you're talking about.

Speaker 7 (01:14:56):
But but back in the day, keep my.

Speaker 5 (01:15:01):
Plants up the.

Speaker 10 (01:15:04):
Way all the smoke went. Just focus over here. I'm
trying to keep you in good graces. Yes, yes, So
don't lean into what he's doing.

Speaker 7 (01:15:10):
You can talk about your old day, old days, they
old days, they old days, slanging it like.

Speaker 2 (01:15:16):
A pistol, slanging it man.

Speaker 7 (01:15:21):
But you know what though, Hey man, if you can
survive anything and be there to talk about it, it's cash.

Speaker 5 (01:15:29):
Money, that's right. I don't care what it is.

Speaker 7 (01:15:31):
If you survived it, you standing there talking about it,
it's cash money.

Speaker 2 (01:15:35):
That's why we're looking to magic. Johnson's so heavy now,
that's right, that's right Johnson.

Speaker 7 (01:15:40):
Yeah, yeah, and you'll forget sometimes you forget that he got.

Speaker 3 (01:15:45):
Yeah.

Speaker 13 (01:15:46):
You see what I'm saying.

Speaker 5 (01:15:47):
Some of the women probably do too.

Speaker 8 (01:15:48):
They probably they are crazy if you got a young
child too.

Speaker 5 (01:15:54):
Yeah, so how was being old head?

Speaker 2 (01:15:56):
Because we all had raising that young child?

Speaker 5 (01:15:58):
Man. I love it. They're giving me life.

Speaker 7 (01:16:00):
I got a son four years old, and I got
a daughter five, and they give me lie.

Speaker 5 (01:16:05):
And I ain't no old type dude.

Speaker 7 (01:16:07):
I can get up, run right now fast as I
want to, and do whatever I want to do.

Speaker 1 (01:16:11):
Why are you looking at me?

Speaker 10 (01:16:12):
You said that, you look at me when you said
that that you're not no old dude, no old type dude.
I meant it by like iconic legend aging like you
have that. You have it, you know what I mean,
Like you got the I.

Speaker 15 (01:16:25):
Didn't mean it like about it.

Speaker 2 (01:16:27):
You only you fifty four, You got a five hold
you four years old?

Speaker 13 (01:16:31):
So think about that. Steve Harvey sixty eight. Yeah, Eddie
Murphy and his sixty.

Speaker 5 (01:16:35):
Look good, That's what I'm saying.

Speaker 13 (01:16:36):
Good much like we Got to Live sixty nine.

Speaker 5 (01:16:39):
I think that's right.

Speaker 15 (01:16:40):
You went over here too. I didn't mean it that way.

Speaker 13 (01:16:43):
I mean, she's so good old her wig looks like she.

Speaker 5 (01:16:48):
Ain't gonna wig on.

Speaker 2 (01:16:49):
Thank you.

Speaker 10 (01:16:50):
I appreciate it. It's wrong from the scop you hate her. Yeah,
he just happy because his face surgery is new, so
he's still giving one color on the face.

Speaker 2 (01:16:59):
Surgery.

Speaker 15 (01:17:00):
So that's what he.

Speaker 8 (01:17:06):
I just walked into talk about his old.

Speaker 2 (01:17:12):
Yeah, all tree of y'all, man, I love that.

Speaker 5 (01:17:16):
That was my best interview, y'all.

Speaker 2 (01:17:18):
It was only twenty I love that interview.

Speaker 5 (01:17:22):
It was so hilarious. All tree in y'all, don't say
my name, no mo. Yeah, man, I loved it. Man.
But right now I'm on this tour right now, shout
out to shout out to b in Entertainment.

Speaker 15 (01:17:37):
Done with the mess, because I did have some other questions.

Speaker 2 (01:17:39):
You better ask. You got about auple.

Speaker 15 (01:17:41):
Minutes le So okay, So I mentioned all the smoke.

Speaker 10 (01:17:45):
You had to come up with the apology after sitting
on all the smoke, and you talked about learning how to.

Speaker 15 (01:17:50):
Finally get to it's right.

Speaker 10 (01:17:52):
Yeah, when you said down all all the smoke podcasts
with Matt Barnes, even you said that you were you
wanted to get to a point where you were treating
women a hundred right or something like that, and I
think people took it the wrong way because you've been
with your wife for a while. I saw y'all at
the NAACP Image Awards. Looked amazing. But does that even
come back up in conversation with your relationship or how
does she handle you been able to joke like you

(01:18:14):
just did about things now that that has happened.

Speaker 5 (01:18:16):
No, my wife's a grown ass woman. She the truth.
She don't pay attention to none of that. Patty not Patty.
She ain't. She ain't no little girl.

Speaker 7 (01:18:23):
So yeah, she can decipher when I'm saying something that
that I might not have meant.

Speaker 5 (01:18:29):
The right way or whatever.

Speaker 7 (01:18:30):
She know when I'm talking, when i'm you know, she
know me. So I didn't say nothing to really offend nobody,
you know, But it is the truth. It takes me
in a long time to get the together that's right.
And every woman that's with a man, it's gotta be
a little bit more patient than we are with them
because it takes a while. It takes a while for
a man to you know, get us together. It's I mean,

(01:18:51):
we we got were fighting up against so much temptation.

Speaker 5 (01:18:54):
It's like, damn, it's like, whoa.

Speaker 7 (01:18:56):
You gotta be a certain kind of guy to really survive,
to navigate through the world.

Speaker 2 (01:19:01):
Charlama was just talking about WHOOPI goldverg the other day.

Speaker 5 (01:19:04):
Is that who you want?

Speaker 2 (01:19:08):
She looked good.

Speaker 7 (01:19:09):
She did look good, you know, but she on the view,
she looked a little a little fluffy, but she looked
her skin was right, skin was right.

Speaker 5 (01:19:15):
You know.

Speaker 2 (01:19:15):
Body looked right there with a compliment, nothing to do
it nothing.

Speaker 5 (01:19:25):
Well, let me find out.

Speaker 2 (01:19:30):
With this tour that I'm yeah, because this is what
I came to promote this tour. This tour we didn't
once we did one tour.

Speaker 7 (01:19:38):
I came to promote this man because we got some
young comedians. And if you're in a city and you
ain't seen this tour, I mean probably a lot of
y'all probably seen wilding out you know them a little.

Speaker 5 (01:19:50):
It's so all right, wilding out, you know.

Speaker 2 (01:19:53):
Shock and widling out.

Speaker 7 (01:19:54):
I'm just saying, they do a tour, but do a
cannon and them they're doing a tour, but we do it.
This tour right here is this is the best young
comics coming up in the game right now, How.

Speaker 13 (01:20:08):
Did it become like a staple tour? Because I remember
it started a few years ago. Yeah, but like every
year since y'all been doing this. So how did it
become like a staple tour?

Speaker 7 (01:20:15):
Well, shout out to my man Blake Man promoter out
of Chicago. This young brother has been promoting for a
long time. He does a great job. He started out
before I started, Before I came along, he had d
Ray so many other shoes shows in Chicago for New
Year's Eve and they were selling out sometime two and
three shows, man, ten twenty thousand people. So when he

(01:20:37):
put this tour together, you know, I came along, Like
I said, Man, we come on, Man. You got Country Wayne,
you got Little Duval, you got Corey Holcomb, you got
Tony Roberts, you got.

Speaker 5 (01:20:47):
Bubba Dove Manjo.

Speaker 7 (01:20:54):
Man, these tell me any young comics is better than
these young dudes.

Speaker 5 (01:20:58):
These young dudes o gs.

Speaker 2 (01:21:00):
And then now Corey is o G.

Speaker 13 (01:21:02):
See, I don't think nobody's funny it in a lot
of the old g Like Corey is one of the
funniest stage world to me, Like raw, don't give up.

Speaker 5 (01:21:10):
Yeah, he gonna say what you want to say, how
you want to say it. He don't care.

Speaker 7 (01:21:14):
And that's the great thing. We it's a nucleus of
young dudes and we throw in a couple of old
guys in there. But it's still a young, happy hopping tour,
you know what I'm saying.

Speaker 5 (01:21:24):
So this tour is good. Man. We was in Brooklyn.

Speaker 7 (01:21:26):
They messed around and put us to day after the fight,
so we didn't get the crowd. Last year we did
ten thousand people in plays and this year we only
did about four thousand. But you know, the fight kind
of messed us up. But this tour, it was weird.
It was on a Sunday. I don't even know, y'all
was in time.

Speaker 8 (01:21:40):
We thought you were coming up here to promote God
because I don't even know. I didn't even know I
was gonna go.

Speaker 2 (01:21:45):
But then.

Speaker 5 (01:21:47):
We wasn't gonna go.

Speaker 2 (01:21:50):
Comedy show. Yeah, out with the old time the show.
We're still kicking it with Mike Epps.

Speaker 13 (01:21:56):
You to your daughter got accepted to the New York
University and.

Speaker 2 (01:21:59):
Why you university?

Speaker 5 (01:22:04):
YuYu?

Speaker 13 (01:22:05):
How didn't make you feel as a father?

Speaker 5 (01:22:07):
Oh man, this is the thing.

Speaker 7 (01:22:09):
I didn't graduate from high school I was a special
aired student, and for my daughter to graduate and go
to NYU, it's accomplishment.

Speaker 2 (01:22:17):
You know.

Speaker 5 (01:22:18):
I had to give her mother props as well. Her
mother did a great job with her.

Speaker 7 (01:22:22):
But my daughter is running around n YU and that's
the same place I ran around doing comedy in the village.
I used to sit in that Washington park and with
no money and watch people and people watching.

Speaker 5 (01:22:35):
And now my daughter's running around that same area in college.

Speaker 7 (01:22:40):
So man, I'm grateful, and I just thank God that
that I was able to raise a child to be
able to go get education, you know.

Speaker 13 (01:22:48):
So that's it is because hell yeah, I had I
was in there for a semester because I failed a class,
so I wasn't like I mean, I felt a standard
out of test. But they had me in one math
class that was specially. It was with especially I wasn't
even specially especially.

Speaker 5 (01:23:03):
No you was in there.

Speaker 1 (01:23:06):
I don't know what he was.

Speaker 5 (01:23:10):
There for thirty minutes, man.

Speaker 2 (01:23:16):
People, but you went outside with the phone.

Speaker 5 (01:23:24):
Okay.

Speaker 7 (01:23:25):
But special education is not about the short bus. See
a lot of people get it twisted.

Speaker 5 (01:23:30):
There are kids that are slow learners. They don't know
how to learn as fast as other kids.

Speaker 2 (01:23:35):
That's how it was.

Speaker 5 (01:23:35):
I could read a whole book and tell you you
couldn't tell you what it was.

Speaker 7 (01:23:38):
But you got to give them kids a break too,
because you look, look at Eli Musk.

Speaker 1 (01:23:43):
This is a dude.

Speaker 7 (01:23:44):
You could damn you could tell he wasn't doing in
the classroom, you know what I mean. But look who
he is, Look where he's at. Not to big him
up or to knock him down, but you got to
give people a chance. You don't know what a kid
gonna turn out to be.

Speaker 5 (01:23:56):
And that's how I am.

Speaker 7 (01:23:57):
I mean, man, it's it's so hard to I run
into people who treated me like and I still treat
them nice because I know they don't know. I'm like, Okay,
I'm gonna give your breakcause I know you didn't know
I was gonna be somebody, and I'm gonna still treat
you nice because you didn't know.

Speaker 5 (01:24:11):
This is We are the Ones tour, man.

Speaker 7 (01:24:13):
I'm your host, Mike f and we're gonna be coming
to every local city we're going to.

Speaker 2 (01:24:19):
We'll be in healthy. Let me help you, Let me
help it.

Speaker 8 (01:24:20):
Detroit on the seventh, Come on the eighth, Come on
Fairfax on the ninth, on March fourteenth, New Orleans, Louisiana.

Speaker 2 (01:24:28):
Let's go fifteenth Alabama.

Speaker 5 (01:24:30):
You only got a website, man, go get Yeah, we
got a website, but that just did. It's really gonna work.

Speaker 2 (01:24:37):
You got a shout?

Speaker 5 (01:24:40):
How long Breakfast Club been going?

Speaker 13 (01:24:42):
Man, it'll be fifteen years this year, fifteen sixteen years.

Speaker 7 (01:24:45):
Do you know the first time I met him, he
was working with Wendy William How was that? Was he
sitting on that or but he was sitting in the
corner quiet?

Speaker 2 (01:24:52):
Really, Yes, you was.

Speaker 7 (01:24:54):
On the show, but you wasn't saying he's gonna time out?
And then I looked up again and I I've seen
you with I'm like this dude.

Speaker 2 (01:25:02):
That was the dude show.

Speaker 5 (01:25:05):
And he ended up with a shower.

Speaker 2 (01:25:07):
You know when to ask you? We had Jack Quee
up here. Jacquee he said, you.

Speaker 19 (01:25:12):
Know what, man, Mike, Mike, Michael front for one second
and he catch yourself, said said, and I told him
my own believe.

Speaker 13 (01:25:28):
He said, you told him he was the next Marvin
gay Well.

Speaker 5 (01:25:32):
I told him, I said, Jack Queie.

Speaker 2 (01:25:35):
I told him he could be. Why you lie to
that man like that?

Speaker 5 (01:25:38):
Was it a lie?

Speaker 3 (01:25:39):
Yes?

Speaker 2 (01:25:39):
You said?

Speaker 1 (01:25:39):
He good?

Speaker 2 (01:25:40):
He can't sing to you.

Speaker 10 (01:25:44):
But you said he you look at him like Marvin Gay,
Like he's like our generation's Marvin Gay.

Speaker 15 (01:25:49):
I think people were, like I told.

Speaker 2 (01:25:50):
Him, Michael's man, Michael, Mike wanted to make you feel
good that day.

Speaker 7 (01:25:53):
Hey, man, let me tell you something. Man, it's probably
some little girl out there to think this Marvin Gay.
Sometimes you have to say, man, I'm I'm I'm about
empowering the youth. And I'll tell them that they can
be the president. Knowing damn well they can't.

Speaker 13 (01:26:07):
You ain't gonna tell something of these little young comedians
they could be. They could be Richard Bryant. Yeah, I
told all of them Mikes, we appreciate you for joining us.
Brother told them all, I'll.

Speaker 15 (01:26:23):
Club coming this year.

Speaker 5 (01:26:24):
Club. No, I ain't gonna do no club, Chase Shae
because I'm still trying to figure out why I'm like
I told, and I told I was like, I had
to sit down, Shanny shop.

Speaker 7 (01:26:34):
Y'all got to bring some white men on here and
grill them. You can't just grill black people. They ain't right.
And I know we make money off clickbait, but clickbake them.
White folks. Get some of your NFL players that you know,
get him on the show because.

Speaker 5 (01:26:47):
Real Cat Williams that he did. It was good, but
it was bad.

Speaker 7 (01:26:51):
It was it was It was good because we enjoyed it,
but damn man, he hurt them dudes feelings saying all
that crazy. So we got, man, we gotta we got
to balance it out, man, Shannon Sharp, if you're listening,
we want to see you interview some of them football players,
some of them white football players that.

Speaker 2 (01:27:07):
Was in the NFL.

Speaker 7 (01:27:09):
That was stuff just to balance And I don't know race,
but you can't just interview black men and let them
pour out all their pain on television, on these on
these podcasts. Man, that's some bulls, you know, because we
more than just problems. We we we everything, man. We
we got talent, you know, we got families, we were
we're entrepreneurs, we all of that. So we have to

(01:27:31):
keep shedding the light on the positive part of that.
We already got enough negative light. We want to podcast,
We want to start bringing people on the letter, even
though you know people don't want to hear that.

Speaker 5 (01:27:41):
But man, let's talk about.

Speaker 2 (01:27:43):
Some positive you know what, like Naptown Productions.

Speaker 7 (01:27:47):
Naptown Production got good American Family that come out on
who is Sunday American Family? Yeah, I produced the show
Good American Family with Ellen Pompeo, another Naptown production. Love Ellen,
And shout out to my team TC, my man Nile,
shout out to Big Shout out to my wife, you know,
because that's where it starts.

Speaker 5 (01:28:06):
You know, before you leave a house, you got to
be all the way right. So big shot out.

Speaker 7 (01:28:10):
Everybody should get my wife a prize because she's the
ones that's getting.

Speaker 5 (01:28:13):
Me to these TV shows. And you know what I mean.

Speaker 7 (01:28:16):
But I was able to produce that show Man, and
it's all white casts based out of Indianapolis. If you
haven't never seen the movie The Dwarf, that's what it's
about about this young girl who played to be an adult,
but she was really a kid and they adopted her.

Speaker 5 (01:28:33):
She was trying to kill him.

Speaker 2 (01:28:34):
But anyway, approached you about Last Friday.

Speaker 7 (01:28:37):
He called me the other day, Wow, said we're doing
just finished the deal. Oh wow, so we're doing the
Last Friday Man and Big shot out to Q Man.
That's another brother that has put so many brothers on
Man and don't really get the props for it. You know,
put me Chris Tucker, Bernie, I mean, name him. The
dude gave dudes opportunities, and that's what I'm doing on

(01:28:59):
the upshaws I got. I just had Scarface on the
show acting. I had Pete Pablo on the show. I
had so many comics on the show.

Speaker 2 (01:29:07):
And you know that's what we do.

Speaker 1 (01:29:09):
We turned.

Speaker 7 (01:29:09):
We were turning on black men, putting black men in
the position where they can feed their family and build legacies.

Speaker 2 (01:29:15):
Have you seen the script for LA's Right.

Speaker 7 (01:29:16):
I haven't seen the script, but I'm pretty sure it's good.
And we're gonna bring in the new comics. We're gonna
put the DC.

Speaker 5 (01:29:22):
Young flies and all of them be in with the
old GESU.

Speaker 13 (01:29:24):
It's gonna be a good ass is Chris Tucker gonna
be part of it? Through you, Chris, they're gonna combine
all the world.

Speaker 5 (01:29:29):
Hopefully we can get Chris Tucker. You know, we need
to get Chris Tucker on that, because people still love
Chris Tucker. He's still smoking. He laid it down, he
put the positioned me.

Speaker 6 (01:29:40):
To do it.

Speaker 5 (01:29:40):
So Chris, if you listen to it, we need your
baby boy come on back.

Speaker 2 (01:29:43):
You know wh y'all taught shooting.

Speaker 5 (01:29:44):
We don't know when we start shooting.

Speaker 2 (01:29:46):
But the deal done.

Speaker 5 (01:29:47):
The deal's done, and the Upshots keep watching.

Speaker 7 (01:29:50):
Up Shots Man. Shout out to wand the site. Shout
out to Kim Fields, the whole cast. I love them people.

Speaker 1 (01:29:55):
Man.

Speaker 5 (01:29:56):
Unfortunately, this is our last season. But now we did
five seasons.

Speaker 2 (01:30:00):
You know, but.

Speaker 15 (01:30:04):
When I tell you my grandmama, they swear by that
they last season.

Speaker 5 (01:30:10):
The show was changing, the kids are getting older. It's
had run. Sometimes those shows do that.

Speaker 8 (01:30:15):
Man.

Speaker 5 (01:30:15):
You know, me and Tiffany had this. Have a show now,
okay that we're about to do together. Dope. It's like
the up shows. It's gonna be about the bar, like Cheers,
Black Cheers. It's gonna be off the hood. Dope. Yeah, okay.

Speaker 7 (01:30:26):
So so man, we're gonna keep the ball rolling. We're
gonna keep some entertainment in your face, you know, that's right.

Speaker 2 (01:30:32):
And support everything tour that's we didn't want to, that's right.

Speaker 15 (01:30:37):
I'm coming like three to tour dates, so you know
I didn't mean to.

Speaker 8 (01:30:40):
Come on, Yeah, come on, ain't gonna take that. It's
Mike X, It's the Breakfast Club. Good morning morning. Everybody
is d j n V. Just hilarious showing me and
the guy we are the Breakfast Club. It's time for
positive note what we got.

Speaker 13 (01:30:53):
But it's really simple, man. For everybody out there that's
always on social media, you know, trying to curate the
perfect image, putting a filter on everything, I just want
to tell y'all, y'all be so worried about an image.
You need to clean up your spirit. Okay, some of
y'all need to clean up your spirit. Go do some
damn work on yourself. I'm not out here, you know,
pushing for therapy just because y'all need to go out

(01:31:14):
here and find a therapist.

Speaker 2 (01:31:15):
Y'all need to find a spiritual leader.

Speaker 13 (01:31:17):
Y'all need to just really clean up your spirit because
your spirit is disgusting and nasty. Have a blessed day,
Breakfast Club, bitches, y'all

Speaker 2 (01:31:23):
Finish, So y'all done,

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