November 4, 2025 • 25 mins
The Weird Circle was a supernatural & fantasy, and some mystery and horror, old time radio series which aired between 1943 and 1945. Most all of the stories came from famous authors of the Victorian Age and later. It featured stories from authors such as Charles Dickens, Robert Louis Stevenson, Edgar Allan Poe and Victor Hugo.H
ope you enjoy this episode of The Weird Circle! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. Podcasts @ Apple | Spreaker | YouTube | Spotify | iHeart | Amazon
ope you enjoy this episode of The Weird Circle! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. Podcasts @ Apple | Spreaker | YouTube | Spotify | iHeart | Amazon
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Yeah, yeah, out of the path ransoms of the world
gone by weak again the immortal tale that diamond lens.
Speaker 2 (00:38):
Hello, mister Pike, are you in good moarning, sir? Good morning,
Good morning. You are, mister Pike, aren't you.
Speaker 3 (00:46):
I am, sir, but I don't believe I remember your name.
So many doctors and professors come to me.
Speaker 4 (00:52):
Naturally, you don't know me, mister Pike, which is the
first time I've even been in here my first day
in New York.
Speaker 2 (00:57):
As a matter of fact, my name's Liley, Alan Linley.
I'm preaching me to mister Linley.
Speaker 3 (01:03):
And what can I do for you this nasty morning?
Are you in the biological line, botanicalsological medicine?
Speaker 2 (01:09):
Ah, there's none. Look, mister Pike, there's no sense disguising facts.
I'm you here, I'm you for the world of science.
But you'll hear about me before long. I'm sure we will, Sir.
Speaker 4 (01:19):
I've come to you you ought to do something no
man has yet done, and that is I've come to
revolutionize the science of the microscope.
Speaker 3 (01:25):
Indeed, sir, you've bitten off a tremendous job for yourself.
May I ask if you've had any previous training in
the technique of the microscope.
Speaker 2 (01:33):
Training, No, but who needs it? Who wants it?
Speaker 4 (01:36):
I have something more, something, None of your dry as
does professors and routine written doctors have love, devotion, pa.
Speaker 3 (01:43):
Science does not lend itself easily to the emotions, mister Limit.
Speaker 2 (01:46):
It does to mine all my life. If they thought,
every desire, every yearning has been devoted to the microscope.
I think it. I breathe it. Look out of the
rain for you. Where anybody sees only a drop of
water rolling down the window, I see.
Speaker 4 (01:58):
A universe of beings, animated with all the pass common
to physical life, and conversing their minute sphere, with struggles
as face as those of men.
Speaker 2 (02:04):
Indeed, but that is only dreaming.
Speaker 3 (02:07):
The science of the microscope demands patience, skill, years of practice.
Speaker 2 (02:11):
You've taught like a fool.
Speaker 4 (02:13):
I would trade a century of practice for an ounce
of inspiration. And I have that pike inspiration like a volcano.
Speaker 2 (02:19):
Well, I'll show you soon enough, I hope you will,
mister Linley. Here's a list of what I want. Mister Linley.
You can't afford to purchase all this. It will amount
whatever it is I can pay.
Speaker 4 (02:30):
Here's one thousand dollars in gold on account I want
all this apparatus delivered to my rooms on Fourth Avenue,
load no later than tomorrow morning. Here's the address, mister Lynley,
And what's the scientific journals.
Speaker 2 (02:39):
From this day on pike?
Speaker 4 (02:41):
Because very shortly you will see the name of Alan
Linley microscopist plays like a star in the heavens.
Speaker 2 (02:50):
I believe you, mister Linley, I really do.
Speaker 3 (02:53):
For the novice to embark on such a cross as
you have set for yourself, you must be either a genius.
Speaker 2 (02:59):
Or oh what or a madman?
Speaker 5 (03:10):
An Helen the land lady said he hasn't left his
rooms in six months.
Speaker 2 (03:18):
Aaren Halla New Conrad two that Cora. Let's kill you
like a thief colon the act. Now, mister Lindley, you
promised you wouldn't bully Alan.
Speaker 6 (03:31):
Hello, Alan Darling, Well aren't you going to ask as him?
Speaker 2 (03:36):
Of course? Come in, both of you.
Speaker 4 (03:41):
I'm afraid the place is a bit of a mess.
Just now, I'll try to find church. Mess looks like
a confounded jump shop. What's all this glass and metals
and apparatus? Well, I I suppose it's an amateur laboratory,
so to speak. I'm trying hard to turn myself into
a professional microscopist.
Speaker 2 (03:57):
Professional pillow. I'm a care sam.
Speaker 5 (04:00):
I'm not going to mincequare now, mister Lynn, No, now me,
Cornor you may be in love.
Speaker 2 (04:04):
With this scoundrel, but I'm his father, and I'm plenty
to say, what is it dead? What's the matter?
Speaker 5 (04:08):
The matter is six months and six thousand dollars for
six months we haven't heard from you, not a not
a message.
Speaker 2 (04:14):
For six months. You've been buried in this blasted city,
sad for all we might have known. And the only
word from you was a draft on my bank for
six thousand dollars.
Speaker 7 (04:21):
That's how we found your address.
Speaker 2 (04:22):
Telling this confounded nonsense has got to stop.
Speaker 4 (04:25):
It's not nonsense, dead and it's only begun last children,
fertile imputer. You'll promise me a year in New York
for you're independent to follow my own career.
Speaker 2 (04:31):
You said it was a fair gamble.
Speaker 4 (04:33):
Either I'd find myself or get it out of my sister.
Speaker 2 (04:35):
Find yourself, yes, but not squander yourself. Not spend the
fortune and live in a filthy pink sky like a
dealer in bottles and roll grafts.
Speaker 8 (04:42):
This jump, shat it, hunt it, hut it.
Speaker 5 (04:46):
I wouldn't sorw my fingers, tell usen him. The bargains ended,
cancel finished. You are to come home at once.
Speaker 2 (04:53):
I will not. You'll do as your told for one year.
I'll do as I plea, not without an allowance. You won't.
And I mean that's us. Not another penny for that foolishness.
Speaker 5 (05:01):
Not another penny until you come home, marry Cora and
get the work.
Speaker 2 (05:05):
It's home or stop all right now, dalling, I ought
to break my cane over.
Speaker 7 (05:12):
Your back, Helen, mister Linda, Will you wake me down stairs?
Mister Linley, I'd like to stick to Alan alone.
Speaker 5 (05:19):
You're wasting your time, Corra. He needs to be convinced
for a stick. Very well, very well, tell the ruffian
who poses with my son that I stick to my decision.
He used to come home or stop.
Speaker 6 (05:36):
I'm sorry, Alan.
Speaker 2 (05:37):
Dear darling Cora, I haven't even had a chance to
say hello.
Speaker 6 (05:43):
Really well, there's no one stopping you now, Alan.
Speaker 2 (05:48):
Oh, oh, darling, hard mischief.
Speaker 6 (05:52):
I know, I know only something terribly important could keep
you away from me so long.
Speaker 2 (05:58):
Then you do understand little enough.
Speaker 4 (06:01):
It's so big for me I reached a blind alley,
a blank wall. All this equipment that cost a fortunate
it's imperfect inadequation.
Speaker 2 (06:09):
Alam might have the night.
Speaker 4 (06:10):
I dream of the perfect microscope. What dreams some of
the immeasurable power that will piss the envelope of matter
under the original atom. But I can't give up until
I found that microscope.
Speaker 6 (06:22):
You do understand, Korra, Yes, darling, I understand, and you're right.
You must stay here, bless you. I'll see what I
can do with your father. I only hope I.
Speaker 7 (06:33):
Can pacify them a little.
Speaker 2 (06:36):
Thank you, Dodin.
Speaker 7 (06:37):
And while you're struggling with your problem, don't forget that
it's mine too, even if I don't understand all your
complicated science.
Speaker 2 (06:46):
Goodbye, Adam, goodbye. You are fortunate defending She is a
beautiful woman. What is too bad? She departs in dear
and what are you forgive me? Of sendy?
Speaker 5 (07:01):
But my room is next to yours. I could not
help overhearing. My name is Simon belt Afriy. I am
a very small person with no consequence, A dealer in trifles,
a buyer and seller of insignificance. Yes, well, high words,
one moment, mister Lindley. Pardon if I presume, but I
could not help.
Speaker 2 (07:18):
Hearing you speak of problems. Perfect Michael Scopelands, what about it?
Speaker 5 (07:23):
I understand you are battled in search for this marvel
of times? Efendy. Has it never occurred to you that
two heads are better than one? Meaning yourself?
Speaker 6 (07:34):
Not?
Speaker 7 (07:35):
But no?
Speaker 2 (07:35):
I speak of Madame Vulpes?
Speaker 5 (07:38):
Who Madame Vulpes, most famous medium in city, most powerful
in worlds?
Speaker 2 (07:43):
A medium DearS great medium? By heavens? What are woman's
I go to her many times.
Speaker 5 (07:49):
This woman speaks to many of things I do not
dare to speak of, even to myself. Always she knows all,
for through her mouth speaks the wisdom the agent. Perhaps
to you, the voice of a scientist long dead, will speak, bringing.
Speaker 2 (08:06):
Advite you need? Eh, by heaven? Why not? What am
I to lose? Come Bell Effie, take video medium, She
may find me the perfect microscope.
Speaker 7 (08:22):
You come for our communication, mister Linley, Yes, Madam Bopus,
I bring him quick.
Speaker 6 (08:28):
I have told him about you Simon this time. The
matter does not concern you. Mister Linley. You wish to
communicate with any particular spirit?
Speaker 2 (08:41):
Yes?
Speaker 6 (08:42):
Have you ever known this spirit? Honest?
Speaker 2 (08:45):
No, never. He died long before I was born.
Speaker 4 (08:48):
I wish merely to obtain from him some information which
he ought to be able to give better than any other.
Speaker 6 (08:53):
Seek yourself at the table, mister Linley, and place your
hands on it. Him. Mon will do likewise, unless you prefer.
Speaker 2 (09:04):
Him to leave, I have nothing to conceal you. He
may stay.
Speaker 6 (09:09):
Quiet.
Speaker 5 (09:10):
Please a thousand thanks for your trust, offending, I repay
you now, since I know how to question spirits when
they speak through medium's mouth, she's moaning, Ah, they are
strong tonight already she is in trance and they clamor
at her mouth?
Speaker 2 (09:28):
What what's that?
Speaker 4 (09:30):
Racking?
Speaker 2 (09:31):
The spirits call us to attention. I would speak to them.
Speaker 5 (09:35):
Will this spirit communicate with this gentleman? Will the particular
spirit he desires to speak with communicate.
Speaker 2 (09:46):
Attention?
Speaker 8 (09:46):
Lily?
Speaker 2 (09:47):
The spirit he was is about to speak through her.
But she doesn't know who. I want neither to you.
I haven't mentioned his name. Who have thought it? That
is enough for remarkable, Madame Bulben Listen, yeah, question speak Lindy.
Speaker 6 (10:04):
It is just did it?
Speaker 2 (10:05):
Who?
Speaker 6 (10:07):
Who are you?
Speaker 7 (10:08):
He?
Speaker 6 (10:09):
Whom you desire?
Speaker 2 (10:12):
And Tom Lender it's got that's incredible.
Speaker 5 (10:18):
The very man I thought of who is filled with
strange names?
Speaker 4 (10:22):
Antony Levendike, the original discoverer of the microscope.
Speaker 2 (10:25):
He died centuries ago.
Speaker 6 (10:27):
Speak LM.
Speaker 2 (10:28):
Lindy quickly before he goes du Do you know what
I was? Master?
Speaker 3 (10:32):
Ye?
Speaker 2 (10:34):
Can the perfect microscope be created?
Speaker 5 (10:36):
Ym?
Speaker 2 (10:37):
And I destined to accomplish this task? You uh for
the love you better science?
Speaker 8 (10:44):
Help me?
Speaker 2 (10:45):
How shall I proceed?
Speaker 9 (10:47):
You must use a lens submitted to electro magnetic currents
of one thousand bows and cons simply days in the
magnetic seal.
Speaker 2 (11:04):
What shall the lembs be formed? For the perfect microscow?
You will need a lens from.
Speaker 9 (11:15):
A one hundred and forty carat.
Speaker 6 (11:18):
Dial si What is it?
Speaker 10 (11:21):
Moncut faber?
Speaker 2 (11:23):
See what ails you?
Speaker 6 (11:24):
Man?
Speaker 2 (11:24):
Let's be out of here.
Speaker 10 (11:25):
I do not remained.
Speaker 2 (11:26):
Amasis haven't say sabre? Are you sick? Wait?
Speaker 10 (11:30):
By coming with you are fellas and not my secret?
You will let curt this horse woman wait same morning?
Speaker 2 (11:34):
What's sek one? What's the matter? Have you tell her head?
Speaker 10 (11:36):
It's neither You're a horseman, no one so steal for
a meaning? I am the morning, simeon, stop you meaning?
Speaker 11 (11:48):
Get away?
Speaker 10 (11:49):
Why have you followed me home?
Speaker 2 (11:50):
I live here too, you fool. Stop yelling, you'll wake
the house.
Speaker 10 (11:53):
Get out of here.
Speaker 2 (11:53):
I'll be an ass here. Come into my room a
minute and cool.
Speaker 8 (11:59):
I swear to you, really you shall not have it.
Speaker 6 (12:02):
Have what?
Speaker 2 (12:03):
Sit down and calm up? And what excited you saw?
What was this gibberish about the eye of the morning.
You do not pretend you know?
Speaker 7 (12:09):
You know?
Speaker 2 (12:09):
The volposed woman told you? Told me what about my diamond?
The diamond called the eye of the morning. Oh you
owned the diamond?
Speaker 6 (12:18):
You know?
Speaker 2 (12:18):
You know the of census man. I only match you
a few hours ago. I know nothing, nothing but what
you yourself gave away.
Speaker 6 (12:24):
Huh yes, yes, my friend.
Speaker 2 (12:29):
I think perhaps I misjudge you. Eh. Of course you
did not know.
Speaker 5 (12:34):
And Madam Wulfus, she spoke of another diamond. Eh, that
was what confused Belasi because it.
Speaker 2 (12:40):
Was at the same time. What was the same size?
Don't I haven't wait, Linley, I show it to you always.
I have it on me for safety. Yeah, look at it.
Speaker 5 (12:51):
Ah, it's my net worth the King's ransom one hundred
and forty carried one hundred.
Speaker 4 (13:01):
Exactly What how I get at this story of robbery
and theft and murder.
Speaker 2 (13:06):
You smuggled him. Yes, I see, I see Simon, listen
to me.
Speaker 5 (13:15):
I must have this diamond here, Joe, he animon, I
want this diamond here a idiot, But no, you are
a fool.
Speaker 4 (13:20):
You could not say you heard what the spirit of
Lessons had said. A diamond lens of one hundred and
forty carrots. This is my Lensimon, my perfect microscope.
Speaker 5 (13:27):
I must have it.
Speaker 2 (13:28):
No what else can I find a diamonds so exactly
suited to my.
Speaker 11 (13:30):
Not know you are I medal.
Speaker 5 (13:32):
I must have it.
Speaker 10 (13:33):
I must have the diamond, no matter what am I.
Speaker 2 (13:38):
Claim must have this, and I do have it. Simon.
You can't hear me now, but wherever you are, the
shades and spirits of the beyond will make you understand.
I have the perfect microscope. Now, the diamond lens. Just
(14:33):
a minute, Oh my boy, are you all right? Oh Dad,
come in, of course I'm all right.
Speaker 5 (14:39):
Why shouldn't I be? Shouldn't you great Scott Allan? Are
you so lost in your scientific nonsense? You don't know
what's happening around you here? Here read this text. Oh,
murder in Fourth Avenue rooming house last week, Simon de
Lapriss found strangled in bedroom.
Speaker 2 (14:59):
Oh that just the Persian peddler killed. My word, Alan,
I don't see how you can be so cold blooded.
As soon as we saw this in our local paper,
Cora and I rushed to New York. Cora here, yes, yes,
she's waiting in the hotel. We had to come when
we saw your name as one of the neighbors of
the murdered man. Wait, Dad, before you say anything else,
I'll listen to me.
Speaker 4 (15:17):
I've done what I set out to do, and in
less than a year, I've done something that no man
in the world could do.
Speaker 2 (15:22):
I've created the.
Speaker 4 (15:23):
Perfect microscope through the lens that compears all matter down
to the ultimate attle.
Speaker 2 (15:26):
We are talking like, come mad man.
Speaker 4 (15:28):
This happens to be the greatest moment of my life.
Speaker 2 (15:30):
Dead.
Speaker 4 (15:30):
My microscope is mounted and ready for use. This will
be my first sight and the unknown talent.
Speaker 2 (15:35):
Allan. You are so flushed and perspiring, your hands are shaking.
So what er first of Animore? Yes, Then on the slide,
a drop of water, so tiny, so clear, seemingly so
emptyle and Balan, you must come away. It's this confounded
electrical mess surrounding your microscope that's burning you up.
Speaker 4 (15:56):
Careful, don't touch anything. There's a thousand volts of death
lying in wait for the.
Speaker 2 (15:59):
Unware good heavens, what have you been doing preparing for
this superb moment?
Speaker 4 (16:04):
My first glimpse into the void of atomic space for
the first time in history, my human eye peers into
the unknown and sees her.
Speaker 2 (16:12):
Father, my boy, this is.
Speaker 4 (16:15):
Incredible, unbelievable for your real aland no, no, no, only overwhelmed, father,
This miraculous lens penetrates into a tiny wolf, more perfect,
more beautiful, far lovelier than any man has dreams her.
Speaker 2 (16:30):
Are you only imagine you see it? Such things do
not exist. I tell you I do see it.
Speaker 5 (16:35):
And he no, no, this is too much to believe,
My boy, Come away from that lens A human figure,
A figurable woman.
Speaker 4 (16:45):
Wait, yes, yes, she floats directly under the lens, the
most beautiful, adorable woman I have ever seen, human and
yet too lovely to be human. A graceful, unbelievable amula
in the atom.
Speaker 2 (17:00):
What a perfect name for her, unimula, your madam.
Speaker 4 (17:04):
I see she gazes directly up into the lens, up
at me.
Speaker 2 (17:09):
Now she smiles, she senses I'm watching her. She must
she must know how my heart reaches out to her.
Speaker 4 (17:15):
Alan, Wait, listen, do you hear that the taint living
for the tesimo bells, the music of delicate dancing prisms.
Speaker 2 (17:23):
But her voice, I'll tell you the voice of her
thought for me, Allen, Allen, and the name of Mercy.
I employ you to come away. You're sick. You don't
know how you rave? How do they appem? She calls
to me, animula, and my heart calls to her, and
I have got to get you home at once. Now
listen to me, Alan, perhaps corn again? Yes, yes, I'll
bring corner. She'll calm you. Now, wait, my boy, I'll
(17:45):
bring corn to you. Okay, vuenimula va? I love you.
Open up, Inspector, Adam, I'm tired of pop. What is it?
Speaker 8 (18:07):
I'm sorry about it. There just a few questions about
the bell appers.
Speaker 2 (18:12):
Oh, come in. I'm sorry I didn't answer it once.
I I was preoccupying. We had the pleasure.
Speaker 8 (18:18):
Got here laboratory, Eh, Yes, any particular research, Yes, it's.
Speaker 2 (18:23):
No, But you must excuse me. She's calling again. Do
you hear I haven't taken my eyes off for an hour.
Speaker 8 (18:29):
I don't think I understand mister Lenley, if you mean that,
think me noise. It sounds like a piece of glass
to me.
Speaker 2 (18:35):
No, no, no, fornimula. It's the sound of her thoughts.
Someday I'll let you see her too. But but now
she's for my eyes.
Speaker 8 (18:42):
A little oh sumthing under that microscope. Eh, looks like
a drop of.
Speaker 2 (18:47):
Water, kepule.
Speaker 4 (18:48):
There's an electrical field around that instrument.
Speaker 2 (18:50):
You must know how to handle it. Ah, she's calling
to me again. You must excuse me, inspector.
Speaker 8 (18:57):
Stop looking into that lender minute. I want to ask
some questions.
Speaker 2 (19:01):
Yes, I can't give you too much time. My whole
life is in his limbs.
Speaker 8 (19:04):
It's about Simon and bel Affris, the Persian. Did you
know him?
Speaker 6 (19:09):
No?
Speaker 8 (19:10):
Ever see him? No ever been in his room?
Speaker 6 (19:14):
No?
Speaker 8 (19:15):
Was he ever in yours?
Speaker 6 (19:16):
No?
Speaker 2 (19:17):
Well, look we found him strangled in his room, which.
Speaker 8 (19:20):
Is right next to yours. He looks he's always been
in an awful fight. Did you hear anything that night?
Speaker 6 (19:27):
No?
Speaker 8 (19:27):
Too busy with research. Thing.
Speaker 2 (19:29):
That's right.
Speaker 8 (19:30):
Here's the point, mister Linley. Bel Affris is all banged up,
but his room, wasn't he He looks as though he
was killed in a fight. Somewhere else and then carried
to his room. Now did you hear any noise in
the halls like a body being dragged?
Speaker 2 (19:47):
No, I don't believe I did.
Speaker 8 (19:49):
Have you got any idea why bel Affis was murdered
or a few maybe, or a robbery? Did he own
anything worth stealing?
Speaker 2 (19:56):
I can't say. I don't know.
Speaker 8 (19:57):
What's the matter, mister Linley.
Speaker 2 (19:59):
It looks like you're ready to faint.
Speaker 4 (20:01):
It's the belt you hear them, Inspector gets the nimula
calling me to her. I've got to get back to
the microscope.
Speaker 2 (20:06):
You must excuse me.
Speaker 8 (20:07):
Yeah, I hear those belts too, say, don't tell me
you think that sound comes out of the microscope.
Speaker 2 (20:13):
But it does. I tell you, how are the athems
of that tiny drop of water?
Speaker 4 (20:17):
The voice of my beloved calling to me, reaching toward
me from the atomic void.
Speaker 2 (20:21):
It is the voice that starts yearning towards me. She
knows I watch her, she knows I love her. She's
you see, mad, raving, mad hell.
Speaker 8 (20:30):
I'm telling you what I'm Inspector Adam's folks, believe me.
Speaker 6 (20:33):
This man's man.
Speaker 5 (20:35):
I can't believe that.
Speaker 7 (20:37):
Please sit down here, A dear good heaven.
Speaker 2 (20:40):
How you're trembling.
Speaker 4 (20:41):
Please don't touch me, Cora and the camp of me,
you see, Cora, Allan Jewning, your father is right.
Speaker 2 (20:46):
You are delirious. No, no, Cora, I'm in love.
Speaker 5 (20:49):
Of course.
Speaker 2 (20:50):
It's that new microscope. He saw something. You hear that
with no oner, Wait a minute, what new microscope?
Speaker 4 (20:57):
I don't know, he said, Well, i'll tell you all
if it will make you believe my sanity, old laugh.
Speaker 2 (21:02):
And I told me how to make it. A lens
in a magnetic field.
Speaker 4 (21:06):
Long axis, A diamond lens of one hundred and forty
character a diamond lens.
Speaker 7 (21:11):
Mister Linley, we've got to get Alan home at once, Allan,
for my sake, you've.
Speaker 6 (21:17):
Got to come with us.
Speaker 7 (21:19):
No, please, Darling, listen, you said.
Speaker 6 (21:22):
You loved anyone. I'll never ask you anything for a
law now I do. Please come with us.
Speaker 2 (21:29):
I don't love you now, Corara. I'm sorry. Why Why
I love animula, a thing in a.
Speaker 5 (21:37):
Microscope, a dream and a drop of water.
Speaker 7 (21:40):
I don't understand. But I don't care.
Speaker 2 (21:45):
Love anybody.
Speaker 7 (21:45):
You please, Alan, anybody anywhere, and I won't care because
I love.
Speaker 6 (21:49):
You and anything that you are. Only now you must
come away.
Speaker 10 (21:53):
No, no, no, no, I'm telled all of you.
Speaker 2 (21:56):
You hear she's calling again. I've got to get back
to her. Do you hear her voice? It's louder, closer.
Speaker 4 (22:07):
Great heavens, she's waking out to me across the bast
burial of space.
Speaker 2 (22:10):
He's coming to me, Fimila.
Speaker 4 (22:13):
Do you hear, do you?
Speaker 11 (22:14):
Yes?
Speaker 8 (22:14):
We all hear, mister Linley, and we all see. Look
here in my hands, this is the voice of your animula.
No good lord, watch that something I found tangled in
the window cretn tear of Persian ankle bells, silver bells
used for jewelry.
Speaker 2 (22:29):
Impossible?
Speaker 8 (22:30):
I wait, match up there we found in the torn
pocket of bel appers cross the man who was murdered
by your son, mister Linley, Alan, you didn't know you could,
he did, all right? And for that diamond lens he
was talking about. I bet we've known for some time
that bel appers were smuggling diamonds.
Speaker 2 (22:47):
July. That's not the voice of my animula. Those belts
you murder.
Speaker 8 (22:50):
Them here, didn't you? Or a diamond in the fight.
These bells were probably torn from the Persian's pocket and
caught in the creton. Every time the cretin swayed.
Speaker 2 (22:58):
You thought you heard this snimular talking. It was her voice.
Speaker 6 (23:01):
I swear it.
Speaker 2 (23:02):
I believe it. I heard of her.
Speaker 8 (23:03):
Look again, you fool, look again in that crazy diamond
lens and tell me what you see.
Speaker 2 (23:08):
Now, take one long last.
Speaker 8 (23:10):
Look before you hang for murder.
Speaker 5 (23:12):
Monster.
Speaker 4 (23:13):
You destroy everything love, faith, belief, But you won't destroy
my belief.
Speaker 10 (23:17):
I have a way to stop you.
Speaker 11 (23:18):
Everybly, Allen, Helen, Yes.
Speaker 8 (23:30):
I'm afraid he's dead. Electrocuted himself when he smashed his microscope.
Oh maybe it's best this way I can see. He
must have been a nice boy.
Speaker 2 (23:42):
But but what happened?
Speaker 7 (23:45):
What?
Speaker 2 (23:46):
What changed him like that?
Speaker 7 (23:48):
I don't know.
Speaker 8 (23:49):
Something he saw, I guess, But but was it real?
Speaker 2 (23:54):
Did he really see all that in the diamond lens?
Speaker 7 (23:58):
You don't understand you saw something and it changing. That's
what happens to all of us. Doesn't matter if we
really see it and only imagine we do, we see
something that changes us. Sooner or later, every man was given.
Speaker 6 (24:15):
To a diamond lens.
Speaker 8 (24:30):
From the time.
Speaker 1 (24:31):
On pages of the past, we have brought you the
story the diamond Lens
Speaker 2 (24:39):
Bell Keeper, all about
Yeah, yeah, out of the path ransoms of the world
gone by weak again the immortal tale that diamond lens.
Speaker 2 (00:38):
Hello, mister Pike, are you in good moarning, sir? Good morning,
Good morning. You are, mister Pike, aren't you.
Speaker 3 (00:46):
I am, sir, but I don't believe I remember your name.
So many doctors and professors come to me.
Speaker 4 (00:52):
Naturally, you don't know me, mister Pike, which is the
first time I've even been in here my first day
in New York.
Speaker 2 (00:57):
As a matter of fact, my name's Liley, Alan Linley.
I'm preaching me to mister Linley.
Speaker 3 (01:03):
And what can I do for you this nasty morning?
Are you in the biological line, botanicalsological medicine?
Speaker 2 (01:09):
Ah, there's none. Look, mister Pike, there's no sense disguising facts.
I'm you here, I'm you for the world of science.
But you'll hear about me before long. I'm sure we will, Sir.
Speaker 4 (01:19):
I've come to you you ought to do something no
man has yet done, and that is I've come to
revolutionize the science of the microscope.
Speaker 3 (01:25):
Indeed, sir, you've bitten off a tremendous job for yourself.
May I ask if you've had any previous training in
the technique of the microscope.
Speaker 2 (01:33):
Training, No, but who needs it? Who wants it?
Speaker 4 (01:36):
I have something more, something, None of your dry as
does professors and routine written doctors have love, devotion, pa.
Speaker 3 (01:43):
Science does not lend itself easily to the emotions, mister Limit.
Speaker 2 (01:46):
It does to mine all my life. If they thought,
every desire, every yearning has been devoted to the microscope.
I think it. I breathe it. Look out of the
rain for you. Where anybody sees only a drop of
water rolling down the window, I see.
Speaker 4 (01:58):
A universe of beings, animated with all the pass common
to physical life, and conversing their minute sphere, with struggles
as face as those of men.
Speaker 2 (02:04):
Indeed, but that is only dreaming.
Speaker 3 (02:07):
The science of the microscope demands patience, skill, years of practice.
Speaker 2 (02:11):
You've taught like a fool.
Speaker 4 (02:13):
I would trade a century of practice for an ounce
of inspiration. And I have that pike inspiration like a volcano.
Speaker 2 (02:19):
Well, I'll show you soon enough, I hope you will,
mister Linley. Here's a list of what I want. Mister Linley.
You can't afford to purchase all this. It will amount
whatever it is I can pay.
Speaker 4 (02:30):
Here's one thousand dollars in gold on account I want
all this apparatus delivered to my rooms on Fourth Avenue,
load no later than tomorrow morning. Here's the address, mister Lynley,
And what's the scientific journals.
Speaker 2 (02:39):
From this day on pike?
Speaker 4 (02:41):
Because very shortly you will see the name of Alan
Linley microscopist plays like a star in the heavens.
Speaker 2 (02:50):
I believe you, mister Linley, I really do.
Speaker 3 (02:53):
For the novice to embark on such a cross as
you have set for yourself, you must be either a genius.
Speaker 2 (02:59):
Or oh what or a madman?
Speaker 5 (03:10):
An Helen the land lady said he hasn't left his
rooms in six months.
Speaker 2 (03:18):
Aaren Halla New Conrad two that Cora. Let's kill you
like a thief colon the act. Now, mister Lindley, you
promised you wouldn't bully Alan.
Speaker 6 (03:31):
Hello, Alan Darling, Well aren't you going to ask as him?
Speaker 2 (03:36):
Of course? Come in, both of you.
Speaker 4 (03:41):
I'm afraid the place is a bit of a mess.
Just now, I'll try to find church. Mess looks like
a confounded jump shop. What's all this glass and metals
and apparatus? Well, I I suppose it's an amateur laboratory,
so to speak. I'm trying hard to turn myself into
a professional microscopist.
Speaker 2 (03:57):
Professional pillow. I'm a care sam.
Speaker 5 (04:00):
I'm not going to mincequare now, mister Lynn, No, now me,
Cornor you may be in love.
Speaker 2 (04:04):
With this scoundrel, but I'm his father, and I'm plenty
to say, what is it dead? What's the matter?
Speaker 5 (04:08):
The matter is six months and six thousand dollars for
six months we haven't heard from you, not a not
a message.
Speaker 2 (04:14):
For six months. You've been buried in this blasted city,
sad for all we might have known. And the only
word from you was a draft on my bank for
six thousand dollars.
Speaker 7 (04:21):
That's how we found your address.
Speaker 2 (04:22):
Telling this confounded nonsense has got to stop.
Speaker 4 (04:25):
It's not nonsense, dead and it's only begun last children,
fertile imputer. You'll promise me a year in New York
for you're independent to follow my own career.
Speaker 2 (04:31):
You said it was a fair gamble.
Speaker 4 (04:33):
Either I'd find myself or get it out of my sister.
Speaker 2 (04:35):
Find yourself, yes, but not squander yourself. Not spend the
fortune and live in a filthy pink sky like a
dealer in bottles and roll grafts.
Speaker 8 (04:42):
This jump, shat it, hunt it, hut it.
Speaker 5 (04:46):
I wouldn't sorw my fingers, tell usen him. The bargains ended,
cancel finished. You are to come home at once.
Speaker 2 (04:53):
I will not. You'll do as your told for one year.
I'll do as I plea, not without an allowance. You won't.
And I mean that's us. Not another penny for that foolishness.
Speaker 5 (05:01):
Not another penny until you come home, marry Cora and
get the work.
Speaker 2 (05:05):
It's home or stop all right now, dalling, I ought
to break my cane over.
Speaker 7 (05:12):
Your back, Helen, mister Linda, Will you wake me down stairs?
Mister Linley, I'd like to stick to Alan alone.
Speaker 5 (05:19):
You're wasting your time, Corra. He needs to be convinced
for a stick. Very well, very well, tell the ruffian
who poses with my son that I stick to my decision.
He used to come home or stop.
Speaker 6 (05:36):
I'm sorry, Alan.
Speaker 2 (05:37):
Dear darling Cora, I haven't even had a chance to
say hello.
Speaker 6 (05:43):
Really well, there's no one stopping you now, Alan.
Speaker 2 (05:48):
Oh, oh, darling, hard mischief.
Speaker 6 (05:52):
I know, I know only something terribly important could keep
you away from me so long.
Speaker 2 (05:58):
Then you do understand little enough.
Speaker 4 (06:01):
It's so big for me I reached a blind alley,
a blank wall. All this equipment that cost a fortunate
it's imperfect inadequation.
Speaker 2 (06:09):
Alam might have the night.
Speaker 4 (06:10):
I dream of the perfect microscope. What dreams some of
the immeasurable power that will piss the envelope of matter
under the original atom. But I can't give up until
I found that microscope.
Speaker 6 (06:22):
You do understand, Korra, Yes, darling, I understand, and you're right.
You must stay here, bless you. I'll see what I
can do with your father. I only hope I.
Speaker 7 (06:33):
Can pacify them a little.
Speaker 2 (06:36):
Thank you, Dodin.
Speaker 7 (06:37):
And while you're struggling with your problem, don't forget that
it's mine too, even if I don't understand all your
complicated science.
Speaker 2 (06:46):
Goodbye, Adam, goodbye. You are fortunate defending She is a
beautiful woman. What is too bad? She departs in dear
and what are you forgive me? Of sendy?
Speaker 5 (07:01):
But my room is next to yours. I could not
help overhearing. My name is Simon belt Afriy. I am
a very small person with no consequence, A dealer in trifles,
a buyer and seller of insignificance. Yes, well, high words,
one moment, mister Lindley. Pardon if I presume, but I
could not help.
Speaker 2 (07:18):
Hearing you speak of problems. Perfect Michael Scopelands, what about it?
Speaker 5 (07:23):
I understand you are battled in search for this marvel
of times? Efendy. Has it never occurred to you that
two heads are better than one? Meaning yourself?
Speaker 6 (07:34):
Not?
Speaker 7 (07:35):
But no?
Speaker 2 (07:35):
I speak of Madame Vulpes?
Speaker 5 (07:38):
Who Madame Vulpes, most famous medium in city, most powerful
in worlds?
Speaker 2 (07:43):
A medium DearS great medium? By heavens? What are woman's
I go to her many times.
Speaker 5 (07:49):
This woman speaks to many of things I do not
dare to speak of, even to myself. Always she knows all,
for through her mouth speaks the wisdom the agent. Perhaps
to you, the voice of a scientist long dead, will speak, bringing.
Speaker 2 (08:06):
Advite you need? Eh, by heaven? Why not? What am
I to lose? Come Bell Effie, take video medium, She
may find me the perfect microscope.
Speaker 7 (08:22):
You come for our communication, mister Linley, Yes, Madam Bopus,
I bring him quick.
Speaker 6 (08:28):
I have told him about you Simon this time. The
matter does not concern you. Mister Linley. You wish to
communicate with any particular spirit?
Speaker 2 (08:41):
Yes?
Speaker 6 (08:42):
Have you ever known this spirit? Honest?
Speaker 2 (08:45):
No, never. He died long before I was born.
Speaker 4 (08:48):
I wish merely to obtain from him some information which
he ought to be able to give better than any other.
Speaker 6 (08:53):
Seek yourself at the table, mister Linley, and place your
hands on it. Him. Mon will do likewise, unless you prefer.
Speaker 2 (09:04):
Him to leave, I have nothing to conceal you. He
may stay.
Speaker 6 (09:09):
Quiet.
Speaker 5 (09:10):
Please a thousand thanks for your trust, offending, I repay
you now, since I know how to question spirits when
they speak through medium's mouth, she's moaning, Ah, they are
strong tonight already she is in trance and they clamor
at her mouth?
Speaker 2 (09:28):
What what's that?
Speaker 4 (09:30):
Racking?
Speaker 2 (09:31):
The spirits call us to attention. I would speak to them.
Speaker 5 (09:35):
Will this spirit communicate with this gentleman? Will the particular
spirit he desires to speak with communicate.
Speaker 2 (09:46):
Attention?
Speaker 8 (09:46):
Lily?
Speaker 2 (09:47):
The spirit he was is about to speak through her.
But she doesn't know who. I want neither to you.
I haven't mentioned his name. Who have thought it? That
is enough for remarkable, Madame Bulben Listen, yeah, question speak Lindy.
Speaker 6 (10:04):
It is just did it?
Speaker 2 (10:05):
Who?
Speaker 6 (10:07):
Who are you?
Speaker 7 (10:08):
He?
Speaker 6 (10:09):
Whom you desire?
Speaker 2 (10:12):
And Tom Lender it's got that's incredible.
Speaker 5 (10:18):
The very man I thought of who is filled with
strange names?
Speaker 4 (10:22):
Antony Levendike, the original discoverer of the microscope.
Speaker 2 (10:25):
He died centuries ago.
Speaker 6 (10:27):
Speak LM.
Speaker 2 (10:28):
Lindy quickly before he goes du Do you know what
I was? Master?
Speaker 3 (10:32):
Ye?
Speaker 2 (10:34):
Can the perfect microscope be created?
Speaker 5 (10:36):
Ym?
Speaker 2 (10:37):
And I destined to accomplish this task? You uh for
the love you better science?
Speaker 8 (10:44):
Help me?
Speaker 2 (10:45):
How shall I proceed?
Speaker 9 (10:47):
You must use a lens submitted to electro magnetic currents
of one thousand bows and cons simply days in the
magnetic seal.
Speaker 2 (11:04):
What shall the lembs be formed? For the perfect microscow?
You will need a lens from.
Speaker 9 (11:15):
A one hundred and forty carat.
Speaker 6 (11:18):
Dial si What is it?
Speaker 10 (11:21):
Moncut faber?
Speaker 2 (11:23):
See what ails you?
Speaker 6 (11:24):
Man?
Speaker 2 (11:24):
Let's be out of here.
Speaker 10 (11:25):
I do not remained.
Speaker 2 (11:26):
Amasis haven't say sabre? Are you sick? Wait?
Speaker 10 (11:30):
By coming with you are fellas and not my secret?
You will let curt this horse woman wait same morning?
Speaker 2 (11:34):
What's sek one? What's the matter? Have you tell her head?
Speaker 10 (11:36):
It's neither You're a horseman, no one so steal for
a meaning? I am the morning, simeon, stop you meaning?
Speaker 11 (11:48):
Get away?
Speaker 10 (11:49):
Why have you followed me home?
Speaker 2 (11:50):
I live here too, you fool. Stop yelling, you'll wake
the house.
Speaker 10 (11:53):
Get out of here.
Speaker 2 (11:53):
I'll be an ass here. Come into my room a
minute and cool.
Speaker 8 (11:59):
I swear to you, really you shall not have it.
Speaker 6 (12:02):
Have what?
Speaker 2 (12:03):
Sit down and calm up? And what excited you saw?
What was this gibberish about the eye of the morning.
You do not pretend you know?
Speaker 7 (12:09):
You know?
Speaker 2 (12:09):
The volposed woman told you? Told me what about my diamond?
The diamond called the eye of the morning. Oh you
owned the diamond?
Speaker 6 (12:18):
You know?
Speaker 2 (12:18):
You know the of census man. I only match you
a few hours ago. I know nothing, nothing but what
you yourself gave away.
Speaker 6 (12:24):
Huh yes, yes, my friend.
Speaker 2 (12:29):
I think perhaps I misjudge you. Eh. Of course you
did not know.
Speaker 5 (12:34):
And Madam Wulfus, she spoke of another diamond. Eh, that
was what confused Belasi because it.
Speaker 2 (12:40):
Was at the same time. What was the same size?
Don't I haven't wait, Linley, I show it to you always.
I have it on me for safety. Yeah, look at it.
Speaker 5 (12:51):
Ah, it's my net worth the King's ransom one hundred
and forty carried one hundred.
Speaker 4 (13:01):
Exactly What how I get at this story of robbery
and theft and murder.
Speaker 2 (13:06):
You smuggled him. Yes, I see, I see Simon, listen
to me.
Speaker 5 (13:15):
I must have this diamond here, Joe, he animon, I
want this diamond here a idiot, But no, you are
a fool.
Speaker 4 (13:20):
You could not say you heard what the spirit of
Lessons had said. A diamond lens of one hundred and
forty carrots. This is my Lensimon, my perfect microscope.
Speaker 5 (13:27):
I must have it.
Speaker 2 (13:28):
No what else can I find a diamonds so exactly
suited to my.
Speaker 11 (13:30):
Not know you are I medal.
Speaker 5 (13:32):
I must have it.
Speaker 10 (13:33):
I must have the diamond, no matter what am I.
Speaker 2 (13:38):
Claim must have this, and I do have it. Simon.
You can't hear me now, but wherever you are, the
shades and spirits of the beyond will make you understand.
I have the perfect microscope. Now, the diamond lens. Just
(14:33):
a minute, Oh my boy, are you all right? Oh Dad,
come in, of course I'm all right.
Speaker 5 (14:39):
Why shouldn't I be? Shouldn't you great Scott Allan? Are
you so lost in your scientific nonsense? You don't know
what's happening around you here? Here read this text. Oh,
murder in Fourth Avenue rooming house last week, Simon de
Lapriss found strangled in bedroom.
Speaker 2 (14:59):
Oh that just the Persian peddler killed. My word, Alan,
I don't see how you can be so cold blooded.
As soon as we saw this in our local paper,
Cora and I rushed to New York. Cora here, yes, yes,
she's waiting in the hotel. We had to come when
we saw your name as one of the neighbors of
the murdered man. Wait, Dad, before you say anything else,
I'll listen to me.
Speaker 4 (15:17):
I've done what I set out to do, and in
less than a year, I've done something that no man
in the world could do.
Speaker 2 (15:22):
I've created the.
Speaker 4 (15:23):
Perfect microscope through the lens that compears all matter down
to the ultimate attle.
Speaker 2 (15:26):
We are talking like, come mad man.
Speaker 4 (15:28):
This happens to be the greatest moment of my life.
Speaker 2 (15:30):
Dead.
Speaker 4 (15:30):
My microscope is mounted and ready for use. This will
be my first sight and the unknown talent.
Speaker 2 (15:35):
Allan. You are so flushed and perspiring, your hands are shaking.
So what er first of Animore? Yes, Then on the slide,
a drop of water, so tiny, so clear, seemingly so
emptyle and Balan, you must come away. It's this confounded
electrical mess surrounding your microscope that's burning you up.
Speaker 4 (15:56):
Careful, don't touch anything. There's a thousand volts of death
lying in wait for the.
Speaker 2 (15:59):
Unware good heavens, what have you been doing preparing for
this superb moment?
Speaker 4 (16:04):
My first glimpse into the void of atomic space for
the first time in history, my human eye peers into
the unknown and sees her.
Speaker 2 (16:12):
Father, my boy, this is.
Speaker 4 (16:15):
Incredible, unbelievable for your real aland no, no, no, only overwhelmed, father,
This miraculous lens penetrates into a tiny wolf, more perfect,
more beautiful, far lovelier than any man has dreams her.
Speaker 2 (16:30):
Are you only imagine you see it? Such things do
not exist. I tell you I do see it.
Speaker 5 (16:35):
And he no, no, this is too much to believe,
My boy, Come away from that lens A human figure,
A figurable woman.
Speaker 4 (16:45):
Wait, yes, yes, she floats directly under the lens, the
most beautiful, adorable woman I have ever seen, human and
yet too lovely to be human. A graceful, unbelievable amula
in the atom.
Speaker 2 (17:00):
What a perfect name for her, unimula, your madam.
Speaker 4 (17:04):
I see she gazes directly up into the lens, up
at me.
Speaker 2 (17:09):
Now she smiles, she senses I'm watching her. She must
she must know how my heart reaches out to her.
Speaker 4 (17:15):
Alan, Wait, listen, do you hear that the taint living
for the tesimo bells, the music of delicate dancing prisms.
Speaker 2 (17:23):
But her voice, I'll tell you the voice of her
thought for me, Allen, Allen, and the name of Mercy.
I employ you to come away. You're sick. You don't
know how you rave? How do they appem? She calls
to me, animula, and my heart calls to her, and
I have got to get you home at once. Now
listen to me, Alan, perhaps corn again? Yes, yes, I'll
bring corner. She'll calm you. Now, wait, my boy, I'll
(17:45):
bring corn to you. Okay, vuenimula va? I love you.
Open up, Inspector, Adam, I'm tired of pop. What is it?
Speaker 8 (18:07):
I'm sorry about it. There just a few questions about
the bell appers.
Speaker 2 (18:12):
Oh, come in. I'm sorry I didn't answer it once.
I I was preoccupying. We had the pleasure.
Speaker 8 (18:18):
Got here laboratory, Eh, Yes, any particular research, Yes, it's.
Speaker 2 (18:23):
No, But you must excuse me. She's calling again. Do
you hear I haven't taken my eyes off for an hour.
Speaker 8 (18:29):
I don't think I understand mister Lenley, if you mean that,
think me noise. It sounds like a piece of glass
to me.
Speaker 2 (18:35):
No, no, no, fornimula. It's the sound of her thoughts.
Someday I'll let you see her too. But but now
she's for my eyes.
Speaker 8 (18:42):
A little oh sumthing under that microscope. Eh, looks like
a drop of.
Speaker 2 (18:47):
Water, kepule.
Speaker 4 (18:48):
There's an electrical field around that instrument.
Speaker 2 (18:50):
You must know how to handle it. Ah, she's calling
to me again. You must excuse me, inspector.
Speaker 8 (18:57):
Stop looking into that lender minute. I want to ask
some questions.
Speaker 2 (19:01):
Yes, I can't give you too much time. My whole
life is in his limbs.
Speaker 8 (19:04):
It's about Simon and bel Affris, the Persian. Did you
know him?
Speaker 6 (19:09):
No?
Speaker 8 (19:10):
Ever see him? No ever been in his room?
Speaker 6 (19:14):
No?
Speaker 8 (19:15):
Was he ever in yours?
Speaker 6 (19:16):
No?
Speaker 2 (19:17):
Well, look we found him strangled in his room, which.
Speaker 8 (19:20):
Is right next to yours. He looks he's always been
in an awful fight. Did you hear anything that night?
Speaker 6 (19:27):
No?
Speaker 8 (19:27):
Too busy with research. Thing.
Speaker 2 (19:29):
That's right.
Speaker 8 (19:30):
Here's the point, mister Linley. Bel Affris is all banged up,
but his room, wasn't he He looks as though he
was killed in a fight. Somewhere else and then carried
to his room. Now did you hear any noise in
the halls like a body being dragged?
Speaker 2 (19:47):
No, I don't believe I did.
Speaker 8 (19:49):
Have you got any idea why bel Affis was murdered
or a few maybe, or a robbery? Did he own
anything worth stealing?
Speaker 2 (19:56):
I can't say. I don't know.
Speaker 8 (19:57):
What's the matter, mister Linley.
Speaker 2 (19:59):
It looks like you're ready to faint.
Speaker 4 (20:01):
It's the belt you hear them, Inspector gets the nimula
calling me to her. I've got to get back to
the microscope.
Speaker 2 (20:06):
You must excuse me.
Speaker 8 (20:07):
Yeah, I hear those belts too, say, don't tell me
you think that sound comes out of the microscope.
Speaker 2 (20:13):
But it does. I tell you, how are the athems
of that tiny drop of water?
Speaker 4 (20:17):
The voice of my beloved calling to me, reaching toward
me from the atomic void.
Speaker 2 (20:21):
It is the voice that starts yearning towards me. She
knows I watch her, she knows I love her. She's
you see, mad, raving, mad hell.
Speaker 8 (20:30):
I'm telling you what I'm Inspector Adam's folks, believe me.
Speaker 6 (20:33):
This man's man.
Speaker 5 (20:35):
I can't believe that.
Speaker 7 (20:37):
Please sit down here, A dear good heaven.
Speaker 2 (20:40):
How you're trembling.
Speaker 4 (20:41):
Please don't touch me, Cora and the camp of me,
you see, Cora, Allan Jewning, your father is right.
Speaker 2 (20:46):
You are delirious. No, no, Cora, I'm in love.
Speaker 5 (20:49):
Of course.
Speaker 2 (20:50):
It's that new microscope. He saw something. You hear that
with no oner, Wait a minute, what new microscope?
Speaker 4 (20:57):
I don't know, he said, Well, i'll tell you all
if it will make you believe my sanity, old laugh.
Speaker 2 (21:02):
And I told me how to make it. A lens
in a magnetic field.
Speaker 4 (21:06):
Long axis, A diamond lens of one hundred and forty
character a diamond lens.
Speaker 7 (21:11):
Mister Linley, we've got to get Alan home at once, Allan,
for my sake, you've.
Speaker 6 (21:17):
Got to come with us.
Speaker 7 (21:19):
No, please, Darling, listen, you said.
Speaker 6 (21:22):
You loved anyone. I'll never ask you anything for a
law now I do. Please come with us.
Speaker 2 (21:29):
I don't love you now, Corara. I'm sorry. Why Why
I love animula, a thing in a.
Speaker 5 (21:37):
Microscope, a dream and a drop of water.
Speaker 7 (21:40):
I don't understand. But I don't care.
Speaker 2 (21:45):
Love anybody.
Speaker 7 (21:45):
You please, Alan, anybody anywhere, and I won't care because
I love.
Speaker 6 (21:49):
You and anything that you are. Only now you must
come away.
Speaker 10 (21:53):
No, no, no, no, I'm telled all of you.
Speaker 2 (21:56):
You hear she's calling again. I've got to get back
to her. Do you hear her voice? It's louder, closer.
Speaker 4 (22:07):
Great heavens, she's waking out to me across the bast
burial of space.
Speaker 2 (22:10):
He's coming to me, Fimila.
Speaker 4 (22:13):
Do you hear, do you?
Speaker 11 (22:14):
Yes?
Speaker 8 (22:14):
We all hear, mister Linley, and we all see. Look
here in my hands, this is the voice of your animula.
No good lord, watch that something I found tangled in
the window cretn tear of Persian ankle bells, silver bells
used for jewelry.
Speaker 2 (22:29):
Impossible?
Speaker 8 (22:30):
I wait, match up there we found in the torn
pocket of bel appers cross the man who was murdered
by your son, mister Linley, Alan, you didn't know you could,
he did, all right? And for that diamond lens he
was talking about. I bet we've known for some time
that bel appers were smuggling diamonds.
Speaker 2 (22:47):
July. That's not the voice of my animula. Those belts
you murder.
Speaker 8 (22:50):
Them here, didn't you? Or a diamond in the fight.
These bells were probably torn from the Persian's pocket and
caught in the creton. Every time the cretin swayed.
Speaker 2 (22:58):
You thought you heard this snimular talking. It was her voice.
Speaker 6 (23:01):
I swear it.
Speaker 2 (23:02):
I believe it. I heard of her.
Speaker 8 (23:03):
Look again, you fool, look again in that crazy diamond
lens and tell me what you see.
Speaker 2 (23:08):
Now, take one long last.
Speaker 8 (23:10):
Look before you hang for murder.
Speaker 5 (23:12):
Monster.
Speaker 4 (23:13):
You destroy everything love, faith, belief, But you won't destroy
my belief.
Speaker 10 (23:17):
I have a way to stop you.
Speaker 11 (23:18):
Everybly, Allen, Helen, Yes.
Speaker 8 (23:30):
I'm afraid he's dead. Electrocuted himself when he smashed his microscope.
Oh maybe it's best this way I can see. He
must have been a nice boy.
Speaker 2 (23:42):
But but what happened?
Speaker 7 (23:45):
What?
Speaker 2 (23:46):
What changed him like that?
Speaker 7 (23:48):
I don't know.
Speaker 8 (23:49):
Something he saw, I guess, But but was it real?
Speaker 2 (23:54):
Did he really see all that in the diamond lens?
Speaker 7 (23:58):
You don't understand you saw something and it changing. That's
what happens to all of us. Doesn't matter if we
really see it and only imagine we do, we see
something that changes us. Sooner or later, every man was given.
Speaker 6 (24:15):
To a diamond lens.
Speaker 8 (24:30):
From the time.
Speaker 1 (24:31):
On pages of the past, we have brought you the
story the diamond Lens
Speaker 2 (24:39):
Bell Keeper, all about
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