November 13, 2025 • 28 mins
Lights Out was one of the premier American old time radio programs and was devoted primarily to horror and the supernatural. Created by Wyllis Cooper and then eventually taken over by Arch Oboler, versions of Lights Out aired on different networks, at various times, from January 3, 1934 to the summer of 1947 and the series eventually made the transition to television.
Hope you enjoy this episode of Lights Out! Find all our radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. Podcasts @ Apple | Spreaker | YouTube | Spotify | iHeart | Amazon
Hope you enjoy this episode of Lights Out! Find all our radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. Podcasts @ Apple | Spreaker | YouTube | Spotify | iHeart | Amazon
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Normal Broadcasting Company presents Lights Out, a summer revival of
some of the best stories in the series, which many
of our listeners will remember. Tonight's story. The fifth in
the current series is called The Revenge of India.
Speaker 2 (00:15):
Lights Out, Everybody, this is the Witching hour.
Speaker 1 (00:31):
It is the hourly dog cowl, and evil is left
loose on the sleeping world, sick.
Speaker 3 (00:42):
In the dark.
Speaker 1 (00:43):
How and listen to lights Out the board.
Speaker 4 (01:02):
I assure you it's not a lot of targe boys.
When you've been in India as long as.
Speaker 1 (01:07):
I'm yes, quite the but I've yet to see anything supernatural.
You know.
Speaker 4 (01:12):
You stay here long enough and you'll see enjoy a
lot of it will come down, sir.
Speaker 1 (01:16):
I've read Kipling and Talbot munday Unosa not. All I
can say is they've a fine imagination each to them.
But things, all this magic stuff and so on, they
don't happen.
Speaker 5 (01:26):
Really, you miss me Travison sometimes. But I should like.
Speaker 1 (01:31):
To umm sy for harm for the poor beggar side.
Speaker 6 (01:37):
Now, whether the devil did you come from, I'll have
that tentry a it bigger in the name of Willa.
Speaker 4 (01:46):
You can't come in here, you know, old man, this
is the place of the commissioner.
Speaker 1 (01:50):
Side in that case, Kennel Henderson, do you nine metic
off the stuff?
Speaker 6 (01:54):
What?
Speaker 3 (01:55):
What?
Speaker 5 (01:55):
What? Travision?
Speaker 6 (01:57):
Leslie?
Speaker 1 (01:57):
My caired man can give you too much of a starzer.
I say, are you Trevison right? I'm greatfully sorry, sir.
I didn't really right. I'm right, I d see I know.
How'd you do?
Speaker 6 (02:10):
I pull the shift down? Sure root cigarette?
Speaker 1 (02:15):
Thanks, cigarette would be good. I haven't tasted tobacco for
a long time.
Speaker 5 (02:20):
Light me dress h.
Speaker 1 (02:27):
Ah gead that he is good?
Speaker 5 (02:30):
Right, you are.
Speaker 1 (02:32):
Well? I needn't worry any more about his mail con Sir,
really no, he unfortunately met death a week ago. A
Martina Henry slug right between dies bae mess too.
Speaker 5 (02:46):
If you ask me, and where did you get a Martini? Henry? Leslie?
Speaker 1 (02:50):
M oh the beggar man that shot his milk con
took it away from a patient gentleman he met one
night up in the hidge.
Speaker 6 (02:59):
You know if you did you shoot Ismail Khan? Major
Trevison m.
Speaker 1 (03:04):
I thought, I said a certain beggermann shot on mister
bly Oh oh yeah, so as I was saying I'm
sorry to barge in on you, as I did complete
with musical comedy costume in all. But there are chaps
letting about. It'd be delighted to snaffle Tevison. You know,
I'm sorry, sir, but just how did you get in here?
(03:26):
There are two centuries to pass. They didn't see me,
mister Bryce. They didn't open eyes.
Speaker 6 (03:32):
Say they're both seapoys out of that place seatre now.
Speaker 4 (03:36):
So mister Bryce, Major Trevison has said that they did
not see him. I think it would be a good
idea if you took his word for him.
Speaker 6 (03:46):
But it's impossible. It's forgive me.
Speaker 1 (03:49):
So there's a scorpon alongside your put mister Brice, such.
Speaker 6 (03:53):
The devil beastly things.
Speaker 1 (03:57):
How I have a look at what you've tried done, bray.
Speaker 6 (04:03):
Cat my watch, I went at a scorpion.
Speaker 1 (04:08):
You must be more careful and is taking your watch
for a scott then that mistake? You know?
Speaker 6 (04:13):
But but I say I saw a scorpion. I saw
already thing.
Speaker 4 (04:17):
Quite mister Bryce, and the centuries did not see Major Severson.
Speaker 5 (04:22):
Right, h pop along. It's a good chat prize.
Speaker 4 (04:26):
Tevison and I have things to discuss.
Speaker 6 (04:29):
Yes, sir, I perhaps it isn't all tossed at.
Speaker 5 (04:33):
That rum chap just out. You know, got a lot
to learn. Yeah right, Sir, Ismael Khan has gone to
his reward.
Speaker 1 (04:47):
If any and now, Sir, I should like to asty
for a month, leave delighted, leslie.
Speaker 5 (04:54):
You've earned it. If any man has going to do
some shooting.
Speaker 1 (04:58):
Perhaps, sir, it's on account of that capablem' that's lying
down your desk.
Speaker 6 (05:03):
Caple g keep bad.
Speaker 4 (05:05):
I'd forgotten about it.
Speaker 5 (05:06):
It came for you this morning. I him no need
to open.
Speaker 6 (05:09):
It, Sir.
Speaker 1 (05:10):
I know what's in it, you know.
Speaker 5 (05:15):
Oh uh, well.
Speaker 1 (05:17):
It's about Bazard, my brother.
Speaker 5 (05:19):
Oh but my dear boy, how could you?
Speaker 1 (05:22):
He's dead, General Henderson. But I've got to go to
America to see certain people of Bagat.
Speaker 7 (05:30):
You know, well my father and my mother, Sahib, I
welcome me home.
Speaker 1 (05:49):
By see it's good to see you. I have made
ready a whiskey soda of great strength, good man, and.
Speaker 5 (05:58):
Was the hunting good Sahib.
Speaker 1 (06:00):
If Mark Khan lies dead, made jackals rend his body
and defeats his soul, I've died, he Sahib by a
mar tiner henrits slag between the eyes, jasink.
Speaker 7 (06:12):
And thy hand sped the bullet Sahib.
Speaker 1 (06:15):
The slightly unclean hand of Ali the Begemann sped the
bullet knife.
Speaker 7 (06:19):
Friend, gou didst not call upon me Sahib.
Speaker 1 (06:23):
There was no need jessing in my youth. I knew
this is mal Khan. He was a man of many wickednesses.
Now he has gone away. It's good, Sahib. Will Sahib
have his bathma yes about and fresh in and then
got attack. The bath is ready good, I'll bring another
(06:45):
whisky soda into jessings.
Speaker 7 (06:47):
It is already awaiting the Sahib right.
Speaker 1 (06:51):
Then shove these ragged into the dustbin, will you?
Speaker 8 (06:53):
Then?
Speaker 1 (06:54):
I'm ah fresh water. I will dress thy heir, Sahib
when the bath is done, and shavely. Also, it is
not fitting that Trevison of the police shall wear a
beard like unto a Sikh. And I should begin if
I read it jer sing that being British, being British,
(07:18):
there are certain things, Sahib that may not be done.
Speaker 7 (07:23):
Didd Sahib, say we are to go away from this place.
Speaker 1 (07:27):
I am going away, jr. Thing yes, and I thy servant,
you are to stay here? I hear and obey what
hast thou taken? Thought that I am useful as a
gun bear, Sahib. For the shooting. Yes, but there's to
be no shooting. You see, dear thing.
Speaker 7 (07:47):
It is perhaps hidden from thy servant.
Speaker 1 (07:49):
Then you er knew about my brother.
Speaker 7 (07:54):
I did not wish to speak, Sahib. You knew, though
it was not hidden from me, Sahib.
Speaker 1 (08:00):
They crushed his head, my frinch, it was revealed to me,
and I took thought how to avenge the brother of
my master, if so be?
Speaker 7 (08:08):
My master returned not.
Speaker 1 (08:09):
From the hills, good man, deer things. I have learned
the manner of using the cookery, the curved raisin knife
of Johnny Girka. Sahib, Nay, it is not so written
dis my blood feud, And I must go.
Speaker 7 (08:24):
Sahib goes away to America.
Speaker 1 (08:27):
Aye, to America. A hand me the tower, your sing
will him?
Speaker 7 (08:32):
It is master.
Speaker 1 (08:35):
Thy bags are already packed, Sahib eh, For I've took
thought to myself, Sahib, how thou woods do when the
news was given unto thee, and I said, the Sahib
will do thus and so and so the bags are packed.
Perhaps good, that's better than I hoped. I'm leaving to night,
and I go not with thee. No, no, it's a
(08:58):
job for me, and I am afraid you be wrecked
Ni Jersing, But your old master, I'll think you if
Master helped need of Jersing, he has but to speak
the word quite, then go and do this for me.
I will go by airplane to beg Dad and Aren't
to London, then a swift ship to New York, an
(09:18):
airplane to Chicago.
Speaker 5 (09:20):
There.
Speaker 7 (09:22):
Yeah, well will it not take me Sahib?
Speaker 1 (09:26):
No, o, friend, I think this is a job for me.
Speaker 7 (09:29):
Alone in my youth.
Speaker 1 (09:31):
Sahib does resil do of lancers? No, no, Jerseing. You
go and arrange the bookings for me, and if I
need you, I'll let you know now. My address will
be in care of my friend Norman Gregg in Chicago.
You could cable me, but just forget. My master is
not thought swifter than the cable. But Captain, you have
(10:01):
some idea that I might find these monk te Unfortunately,
Major Trevison, we haven't you do know of him, though,
don't you? Yes, we'd like to know more reasonably sure
he's either behind or took part in at these three
gang killings in the last three years. But you're like truth.
Yet it it isn't always easy.
Speaker 8 (10:20):
I see.
Speaker 1 (10:22):
And if what I've told you wouldn't be considered the
legal evidence, I'm afraid now, Major Trevison, you won't mind
my saying it, I know. Frankly, it seems a little
fantastic for me that you in India could know exactly
who murdered your brother when we right here on the
ground haven't a trace in the evidence. I knew, Captain,
the police are confined to more orthodox methods. But could
(10:46):
you even give me a leads to what I might find?
Some of these men, well, some of them used to
hang around Mike's Bar down on South State Street. You
know what that is.
Speaker 7 (10:55):
Yes, I'll have the man at the desk out, so
I give you the address.
Speaker 1 (10:58):
Good, I might visit the place, and perhaps if I
went down there and made a pretense of drinking just
a bit too much, I might be able to flush
out something.
Speaker 5 (11:10):
I warned you.
Speaker 1 (11:11):
Please be careful, Major Credit, don't worry about me. Monk
Proni is a gentleman who needs to do a little worry.
Speaker 8 (11:33):
That.
Speaker 1 (11:34):
So you just lead me to this monk.
Speaker 6 (11:38):
Just lead me too, is all I ask he.
Speaker 1 (11:40):
I think you got about enough to drink their buddy.
I haven't either give him all whiskey whiskey. He's going
to find this Mankcarone or knock him down.
Speaker 6 (11:53):
I went off so real easy.
Speaker 1 (11:54):
If I was you, buddy, I give him more whiskey.
Monk Perone did my brother in. I'll find him and
I'm always sky Listen. Do you know where I can
find Monk Perone.
Speaker 9 (12:14):
I find him a knock his hit right off his soda.
Speaker 1 (12:18):
Yeah, yeah, that's the guy. You can hear him. A
mile long Danish man.
Speaker 8 (12:26):
Yeah.
Speaker 1 (12:27):
You remember that young English guy and was kind of
slumming down here a couple three weeks ago, and he
made a crack when Monk poked was sealing a snoop
the young english guy. Yeah, Monk took a swipe on
him with the brass knock and caved in his head.
Speaker 5 (12:41):
So he croked.
Speaker 1 (12:42):
Yeah, I tell you remember your water. He had a
lot of bucks on him, and Monk went and split up.
Speaker 7 (12:48):
The bucks went all of him.
Speaker 1 (12:49):
Oh yeah, yeah, I do remember an englishman. Yeah, well
this lands here his brother see, and he's come over
here from dear old London to make it out, come
out even seek so he talks too much say, and
that's why monks set you down here. They give me
a list with him. Bring but if we get at
you bump him. No, I think Monk's gonna give him
(13:10):
a talking to us something. And then set him down
on the running board of the car and stretch his legs,
uh ketches, let jack before and I'll use the chrow
bar around him above and below the knee, see there,
And we leave him there to think it over what
may be a busted jaw for good measure, so he
won't go over around howling out Monk's name so much saying.
Speaker 7 (13:31):
Oh yeah, I get it.
Speaker 1 (13:35):
Well, listen, he's talking.
Speaker 6 (13:37):
I get him.
Speaker 1 (13:37):
Yeah. Should I go slap him down? No? No, just
they get a see come on, we'll ankle over there
by him. Yeah, and then I'll bust him. You don't
do nothing til I tell you I say, do yeah, alright,
come out in the chair.
Speaker 7 (13:50):
The cow, that's what he is.
Speaker 1 (13:53):
Real down, You have a cow louds like he got
a dog. That's what he does. Hey, look buddy, it
ain't uh hell did to keep cracking about the monk
around this your place. And you've been doing it a
long time now. Who are you just a guy that
don't want to see him making a snap of yourself.
See you know Montperne, you give it my brother. Listen, Bud,
(14:16):
coming in the back room with me a minute and
I'll tell you something. Uh what do you want to
tell me? Come on and I'll tell you to crowded
out here? See about mont Perone? Yeah about Montcrooni?
Speaker 6 (14:30):
Came on?
Speaker 1 (14:30):
Can I take all this time?
Speaker 8 (14:32):
Yes?
Speaker 1 (14:32):
Sure? Come on, Bud? Did he mister you know this card?
Montperone opened the door? Mike, sure, sure I know one boy,
all right, one boy, Hey guy, Yeah, hurry up. Yeah,
(15:04):
he's from there on the damn point.
Speaker 6 (15:06):
Hey, shive you right down to need to take a
yeah right.
Speaker 1 (15:12):
Here? Now what do we do that? I'm muncle be here,
pretty song. Hey, we gotta stay here, We gotta stay here.
Yeah right, we're given them works now and we won't
have to wait month sent to wait. See if there's
anything a drink in that coming.
Speaker 3 (15:29):
Then okay wait, yeah, yeah it's a bottle.
Speaker 1 (15:35):
I'll bring it here.
Speaker 5 (15:36):
Okay, Hey, right, my shity.
Speaker 1 (15:39):
It'll be all right, Kimmy, say, I want shive me
some after me come here? Yeah, thanks, shut up? Hey,
are you sure you didn't bust. This gimmicks gone shure,
I just hit him. He ain't freaking die.
Speaker 6 (16:00):
I be all right.
Speaker 1 (16:02):
I hope he'll be all right.
Speaker 6 (16:08):
Shut up out.
Speaker 1 (16:10):
Ah, who is it that you, bob? No, it's the
fig Oh you got that English? And yes, what do
you think we was up here for? La Boss wants
to see him? Or is he downs dead?
Speaker 5 (16:21):
No?
Speaker 1 (16:22):
He says, to bring him to the place out in
Roger's Park. No kidding, listen, I should spend my time
kidding you. Come on, he said, be there by eleven.
What am I supposed to do? Carry him on my hump? No?
Speaker 7 (16:33):
I got a car downstairs.
Speaker 1 (16:34):
Oh well, pick up the liney, mic Listen, all I
do is carry guys. Heck him up and shut up?
Roll ben, you're knocking for you?
Speaker 5 (16:42):
All right.
Speaker 1 (16:45):
We weren't supposed to see nothing. Where's the heap? Fish?
Speaker 7 (16:49):
R outside?
Speaker 1 (16:50):
Come on, come my mic heah ah, this was a
pipe fish.
Speaker 6 (16:57):
He's lit up like.
Speaker 1 (16:58):
A new saloon. And I get my to go with us,
and it's all well, come on, lets you get going.
You've got a nice try that time fish. Yeah, it's
all right, yeah, and hurry up somehow open the door,
all right, get a boy.
Speaker 7 (17:21):
Is he all right?
Speaker 1 (17:23):
All right, Mike very get so, let's go. How do
you like this buggy?
Speaker 5 (17:30):
Lad?
Speaker 1 (17:32):
All right? Where did you get it?
Speaker 8 (17:35):
I found it?
Speaker 1 (17:38):
Yeah, I guess the boys is kind of anxious to
get his hooks in his englishman. Yeah, I guess so. Yeah,
he shut up at bazoo too much. Yeah, he come
to yet, Mike. Yeah. When I cloud him, they stay clouded.
Speaker 8 (17:57):
Uh uh.
Speaker 9 (18:02):
Cheer sing, jeer sing? I call thee jeer.
Speaker 8 (18:07):
Sing, hoes I hear I fear that voice.
Speaker 9 (18:13):
Oh jer sing, hear me. I am in the hands
of the deosycle.
Speaker 1 (18:18):
I see THEE, my master.
Speaker 9 (18:20):
I am bound and in a motor car. They take
me to the Master.
Speaker 8 (18:25):
I am with THEE, my master. Why did I wait
to call me?
Speaker 9 (18:29):
I had called THEE before this cheer thing?
Speaker 1 (18:32):
Say that I was struck from behind whilst I played
the foolish drunkard to lure them to me with only
a moment.
Speaker 9 (18:39):
Since I recovered muster, I know it not remain now
with me, or it may be that I shall learn
how trust.
Speaker 1 (18:53):
Well night, ain't it?
Speaker 8 (18:55):
Yeah?
Speaker 7 (18:56):
Uh?
Speaker 1 (18:57):
Look at the moon on the lake. What about the
moon on the lake. It's nice? Oh hey, yeah, where
we go that place in modern average.
Speaker 6 (19:05):
Yeah.
Speaker 1 (19:06):
Hey, it's funny.
Speaker 7 (19:07):
I got it sifted them next.
Speaker 1 (19:09):
Door thirteen forty three. That's so yeah, I could go
sleep there when we get done, we won't have to
go back downtown. We ain't libel. Let's stay there at
the place.
Speaker 8 (19:18):
The boss.
Speaker 1 (19:18):
I want to take him out. Somebody's in that car.
Like I said, I wouldn't talk so much about it
was you st of Oh, yeah, who's gonna sign anything?
Speaker 7 (19:25):
Oh?
Speaker 1 (19:25):
Anybody?
Speaker 5 (19:26):
Might you know?
Speaker 1 (19:28):
The Englishman hate still out like I liked.
Speaker 9 (19:34):
Yer thing. I see these sahi, hast thou heard?
Speaker 8 (19:39):
I have heard my master he's wear I see.
Speaker 7 (19:43):
Thee now as I conveyances.
Speaker 1 (19:45):
It's not a great body of water.
Speaker 8 (19:48):
I did also hear of my destination?
Speaker 5 (19:51):
Is it in the city of Chicago?
Speaker 9 (19:53):
Even so, now, hockey jer thing, the time for vengeance
is near. To go down and find mooty Gunge of
the bazaar and old Sally the fuck here and there?
Await my word?
Speaker 7 (20:09):
Hear the bang lord?
Speaker 1 (20:12):
What got there on the corner?
Speaker 7 (20:14):
Nuts, Well, that's of the squad car.
Speaker 1 (20:16):
Allow, just some fusty old heater though kind of take
got here to where it belongs. Hey, not listen they're
gonna bother us.
Speaker 7 (20:22):
Well, all right, you see.
Speaker 5 (20:25):
They're going Hey, just the place, ain't it? Huh?
Speaker 6 (20:27):
Oh?
Speaker 5 (20:28):
Yeah, yeah, it was going right past.
Speaker 1 (20:29):
I'll get as close to the door as you can. Hey,
who's driving this heat near?
Speaker 9 (20:33):
You?
Speaker 1 (20:33):
Old kay Bonnie, old Piel.
Speaker 5 (20:35):
I was just telling you.
Speaker 1 (20:39):
Go ahead, micrat the gang god, all right, go ahead
and open the door.
Speaker 7 (20:48):
Showed up.
Speaker 1 (20:49):
Here's the keys, huh. And I don't pop them too much,
won't yeh sturn for I'll run it, okay, fast chair whatever. Yeah,
(21:12):
he's gonna put the corn in the alley, I guess.
Oh yeah, I'll be glad when the boss gets here.
I don't like galloping all over town with guns like this.
Speaker 5 (21:20):
Here.
Speaker 1 (21:24):
Let me out and I look in the door. Thank you,
and I gets home. Yeah, hey, you must have stopped
imorful hard. He's still one. Sure when I say stay shucked,
(21:47):
I know, am. I let's go and step down. I'm tired.
Speaker 3 (21:50):
You're tired, not step down, you see, I with the mater, I.
Speaker 9 (22:02):
With multi gunad and old Lilly.
Speaker 7 (22:05):
As thout saying even socia.
Speaker 9 (22:07):
Good, Let old Lilly now bring forth his sneaks. Thanks master, Ye,
so many supping that's the hooded cobras and the Karait
assemble them all in the place with thou art and
he snow.
Speaker 8 (22:22):
You gonna speak, so shut up?
Speaker 1 (22:23):
He done?
Speaker 8 (22:24):
Master, Oh molty Gordon, oh lolly, which is good?
Speaker 1 (22:29):
No more now?
Speaker 5 (22:32):
Uh uh ah, I.
Speaker 1 (22:36):
Think our little playmates come and go. Yeah, gets lage there, buddy,
And nothing I happened to you now? Uh bet am
I hear in good hands, but jud say still if
you don't want anohing clout in the snapping?
Speaker 7 (22:54):
Who are you?
Speaker 1 (22:55):
Shut 'em up? Mike? Yeah, listen, mall, I'm gone.
Speaker 5 (22:59):
Hey, Hey are you looking at Hey?
Speaker 6 (23:04):
What are you looking at?
Speaker 1 (23:04):
It? Said?
Speaker 2 (23:06):
Good?
Speaker 1 (23:08):
Right, aman Mike looking at me, trying to stare down. Hey,
what are you mumming about?
Speaker 6 (23:15):
Looking at me?
Speaker 1 (23:17):
Nurse? Turn at me around?
Speaker 6 (23:18):
He is everybody around here, nutty.
Speaker 1 (23:20):
Well he's looking at me.
Speaker 5 (23:22):
Do I alarm you?
Speaker 1 (23:22):
My friend? Oh?
Speaker 5 (23:24):
Oh, so you're okay?
Speaker 8 (23:26):
Now?
Speaker 7 (23:26):
Huh hey, cut that out.
Speaker 1 (23:32):
I'm gonna get a drink. I need one to bring
me one sort of Yeah. I don't let the way
he looks at you, I'll smack him one.
Speaker 5 (23:40):
No, I don't want to go something.
Speaker 1 (23:47):
It's a snake.
Speaker 6 (23:54):
A look at that's a great figure.
Speaker 7 (24:01):
Oh oh he's.
Speaker 6 (24:08):
The sneach.
Speaker 3 (24:10):
Where'd it go?
Speaker 5 (24:29):
What I want to know is who've done it? Yeah?
Speaker 1 (24:31):
But look give me a snake buck honest, great bitch,
snake with his head all kind of swelled up, a
thing like a pair of glasses.
Speaker 6 (24:39):
Are here.
Speaker 5 (24:41):
When a state come from well, gods, it was their
force not falling.
Speaker 6 (24:45):
We've seen it.
Speaker 1 (24:45):
It kept fighting sof right in the face all the time.
Speaker 6 (24:50):
Are you Englishman?
Speaker 1 (24:52):
Are you doing me? My good man, my good man? Eh,
watch your neck.
Speaker 6 (24:56):
Mustard, Okay, stop stop looking at me.
Speaker 5 (25:04):
Look.
Speaker 6 (25:04):
Yeah, yeah, he was staring at us, just like he's doing.
Speaker 1 (25:06):
Okay, when they call him cut him on the tail.
Speaker 6 (25:11):
Oh god, can that old kettle.
Speaker 1 (25:16):
I said, won't do any good?
Speaker 6 (25:18):
True that you know, coming after me and coming after.
Speaker 1 (25:26):
He got him?
Speaker 6 (25:28):
Monk, look something you call him?
Speaker 3 (25:32):
Here? He done?
Speaker 4 (25:33):
He that's looking cobrad.
Speaker 6 (25:42):
He came off me, Come him off, take him away.
Speaker 1 (25:44):
That's what this snake vicious calling is the most deadly
sting of old India.
Speaker 6 (25:48):
Tiny and.
Speaker 1 (26:00):
Rather I think that even stains a little low boy wrong.
It is so just sing has done well. Say my
thanks to Mosey Gunge and Lally like.
Speaker 8 (26:21):
I did.
Speaker 5 (26:21):
Go on to Colonel Henderson Sahib, the Commissioner.
Speaker 1 (26:24):
Of Police pace just sing I will speak with Leannan.
Speaker 5 (26:31):
Coming.
Speaker 1 (26:31):
Gentlemen you Major Travison, I am oh host Mark, holy mother?
Speaker 6 (26:38):
Will you look at him?
Speaker 1 (26:40):
Dead? And so is this one?
Speaker 6 (26:42):
Fishers?
Speaker 1 (26:44):
What the devil happened?
Speaker 8 (26:45):
Major?
Speaker 1 (26:46):
I really couldn't say, gentlemen, I was in the other room.
You know he'll be here. This is a dangerous thing.
I ever run up again. Tell me how in the
world did you happen to come up here? Gentlemen? I
was kidnapped in the place down my The funniest thing,
Major Travison, You see the chief got a cablegram caver gram.
Speaker 6 (27:04):
Yes, it gave the addressed and all the details of
this whole business here.
Speaker 1 (27:07):
And the funny thing was it was signed by a
Colonel Henderson, supposed to be the Commissioner of Police and Calcutta, India.
For the love of Mike. All right, you can tend
(27:34):
them on. Now you have just heard Lights Out. This
was the fifth in the summer revival of the best
stories of this famous series. In tonight's cast, you heard
Wilms Herbert as Travison, Sidney Breese as Henderson Wallace Own
as Bryce, Tony Parrish as Jeer Singh Boris Aplon as Pironi,
(27:55):
Arthur Hearn as sodof, Roy Engel as Mike, and Blessed
Spears as Fischellis Next Saturday Night, Lights Out presents the
story of what happened to a newsreel camera crew. It
was sent out to photograph a haunted house. They found
the place all right, and they found the ghosts also,
(28:15):
although they weren't very photogenic. If we won't tell you
what happened after that, we suggest you kind of haunt
your own radio along about this time next Saturday night
and find out for yourself.
Speaker 6 (28:28):
Lights Out is produced and directed by Albert Cruz.
Speaker 1 (28:36):
This is n v C, the National Broadcasting Company.
Normal Broadcasting Company presents Lights Out, a summer revival of
some of the best stories in the series, which many
of our listeners will remember. Tonight's story. The fifth in
the current series is called The Revenge of India.
Speaker 2 (00:15):
Lights Out, Everybody, this is the Witching hour.
Speaker 1 (00:31):
It is the hourly dog cowl, and evil is left
loose on the sleeping world, sick.
Speaker 3 (00:42):
In the dark.
Speaker 1 (00:43):
How and listen to lights Out the board.
Speaker 4 (01:02):
I assure you it's not a lot of targe boys.
When you've been in India as long as.
Speaker 1 (01:07):
I'm yes, quite the but I've yet to see anything supernatural.
You know.
Speaker 4 (01:12):
You stay here long enough and you'll see enjoy a
lot of it will come down, sir.
Speaker 1 (01:16):
I've read Kipling and Talbot munday Unosa not. All I
can say is they've a fine imagination each to them.
But things, all this magic stuff and so on, they
don't happen.
Speaker 5 (01:26):
Really, you miss me Travison sometimes. But I should like.
Speaker 1 (01:31):
To umm sy for harm for the poor beggar side.
Speaker 6 (01:37):
Now, whether the devil did you come from, I'll have
that tentry a it bigger in the name of Willa.
Speaker 4 (01:46):
You can't come in here, you know, old man, this
is the place of the commissioner.
Speaker 1 (01:50):
Side in that case, Kennel Henderson, do you nine metic
off the stuff?
Speaker 6 (01:54):
What?
Speaker 3 (01:55):
What?
Speaker 5 (01:55):
What? Travision?
Speaker 6 (01:57):
Leslie?
Speaker 1 (01:57):
My caired man can give you too much of a starzer.
I say, are you Trevison right? I'm greatfully sorry, sir.
I didn't really right. I'm right, I d see I know.
How'd you do?
Speaker 6 (02:10):
I pull the shift down? Sure root cigarette?
Speaker 1 (02:15):
Thanks, cigarette would be good. I haven't tasted tobacco for
a long time.
Speaker 5 (02:20):
Light me dress h.
Speaker 1 (02:27):
Ah gead that he is good?
Speaker 5 (02:30):
Right, you are.
Speaker 1 (02:32):
Well? I needn't worry any more about his mail con Sir,
really no, he unfortunately met death a week ago. A
Martina Henry slug right between dies bae mess too.
Speaker 5 (02:46):
If you ask me, and where did you get a Martini? Henry? Leslie?
Speaker 1 (02:50):
M oh the beggar man that shot his milk con
took it away from a patient gentleman he met one
night up in the hidge.
Speaker 6 (02:59):
You know if you did you shoot Ismail Khan? Major
Trevison m.
Speaker 1 (03:04):
I thought, I said a certain beggermann shot on mister
bly Oh oh yeah, so as I was saying I'm
sorry to barge in on you, as I did complete
with musical comedy costume in all. But there are chaps
letting about. It'd be delighted to snaffle Tevison. You know,
I'm sorry, sir, but just how did you get in here?
(03:26):
There are two centuries to pass. They didn't see me,
mister Bryce. They didn't open eyes.
Speaker 6 (03:32):
Say they're both seapoys out of that place seatre now.
Speaker 4 (03:36):
So mister Bryce, Major Trevison has said that they did
not see him. I think it would be a good
idea if you took his word for him.
Speaker 6 (03:46):
But it's impossible. It's forgive me.
Speaker 1 (03:49):
So there's a scorpon alongside your put mister Brice, such.
Speaker 6 (03:53):
The devil beastly things.
Speaker 1 (03:57):
How I have a look at what you've tried done, bray.
Speaker 6 (04:03):
Cat my watch, I went at a scorpion.
Speaker 1 (04:08):
You must be more careful and is taking your watch
for a scott then that mistake? You know?
Speaker 6 (04:13):
But but I say I saw a scorpion. I saw
already thing.
Speaker 4 (04:17):
Quite mister Bryce, and the centuries did not see Major Severson.
Speaker 5 (04:22):
Right, h pop along. It's a good chat prize.
Speaker 4 (04:26):
Tevison and I have things to discuss.
Speaker 6 (04:29):
Yes, sir, I perhaps it isn't all tossed at.
Speaker 5 (04:33):
That rum chap just out. You know, got a lot
to learn. Yeah right, Sir, Ismael Khan has gone to
his reward.
Speaker 1 (04:47):
If any and now, Sir, I should like to asty
for a month, leave delighted, leslie.
Speaker 5 (04:54):
You've earned it. If any man has going to do
some shooting.
Speaker 1 (04:58):
Perhaps, sir, it's on account of that capablem' that's lying
down your desk.
Speaker 6 (05:03):
Caple g keep bad.
Speaker 4 (05:05):
I'd forgotten about it.
Speaker 5 (05:06):
It came for you this morning. I him no need
to open.
Speaker 6 (05:09):
It, Sir.
Speaker 1 (05:10):
I know what's in it, you know.
Speaker 5 (05:15):
Oh uh, well.
Speaker 1 (05:17):
It's about Bazard, my brother.
Speaker 5 (05:19):
Oh but my dear boy, how could you?
Speaker 1 (05:22):
He's dead, General Henderson. But I've got to go to
America to see certain people of Bagat.
Speaker 7 (05:30):
You know, well my father and my mother, Sahib, I
welcome me home.
Speaker 1 (05:49):
By see it's good to see you. I have made
ready a whiskey soda of great strength, good man, and.
Speaker 5 (05:58):
Was the hunting good Sahib.
Speaker 1 (06:00):
If Mark Khan lies dead, made jackals rend his body
and defeats his soul, I've died, he Sahib by a
mar tiner henrits slag between the eyes, jasink.
Speaker 7 (06:12):
And thy hand sped the bullet Sahib.
Speaker 1 (06:15):
The slightly unclean hand of Ali the Begemann sped the
bullet knife.
Speaker 7 (06:19):
Friend, gou didst not call upon me Sahib.
Speaker 1 (06:23):
There was no need jessing in my youth. I knew
this is mal Khan. He was a man of many wickednesses.
Now he has gone away. It's good, Sahib. Will Sahib
have his bathma yes about and fresh in and then
got attack. The bath is ready good, I'll bring another
(06:45):
whisky soda into jessings.
Speaker 7 (06:47):
It is already awaiting the Sahib right.
Speaker 1 (06:51):
Then shove these ragged into the dustbin, will you?
Speaker 8 (06:53):
Then?
Speaker 1 (06:54):
I'm ah fresh water. I will dress thy heir, Sahib
when the bath is done, and shavely. Also, it is
not fitting that Trevison of the police shall wear a
beard like unto a Sikh. And I should begin if
I read it jer sing that being British, being British,
(07:18):
there are certain things, Sahib that may not be done.
Speaker 7 (07:23):
Didd Sahib, say we are to go away from this place.
Speaker 1 (07:27):
I am going away, jr. Thing yes, and I thy servant,
you are to stay here? I hear and obey what
hast thou taken? Thought that I am useful as a
gun bear, Sahib. For the shooting. Yes, but there's to
be no shooting. You see, dear thing.
Speaker 7 (07:47):
It is perhaps hidden from thy servant.
Speaker 1 (07:49):
Then you er knew about my brother.
Speaker 7 (07:54):
I did not wish to speak, Sahib. You knew, though
it was not hidden from me, Sahib.
Speaker 1 (08:00):
They crushed his head, my frinch, it was revealed to me,
and I took thought how to avenge the brother of
my master, if so be?
Speaker 7 (08:08):
My master returned not.
Speaker 1 (08:09):
From the hills, good man, deer things. I have learned
the manner of using the cookery, the curved raisin knife
of Johnny Girka. Sahib, Nay, it is not so written
dis my blood feud, And I must go.
Speaker 7 (08:24):
Sahib goes away to America.
Speaker 1 (08:27):
Aye, to America. A hand me the tower, your sing
will him?
Speaker 7 (08:32):
It is master.
Speaker 1 (08:35):
Thy bags are already packed, Sahib eh, For I've took
thought to myself, Sahib, how thou woods do when the
news was given unto thee, and I said, the Sahib
will do thus and so and so the bags are packed.
Perhaps good, that's better than I hoped. I'm leaving to night,
and I go not with thee. No, no, it's a
(08:58):
job for me, and I am afraid you be wrecked
Ni Jersing, But your old master, I'll think you if
Master helped need of Jersing, he has but to speak
the word quite, then go and do this for me.
I will go by airplane to beg Dad and Aren't
to London, then a swift ship to New York, an
(09:18):
airplane to Chicago.
Speaker 5 (09:20):
There.
Speaker 7 (09:22):
Yeah, well will it not take me Sahib?
Speaker 1 (09:26):
No, o, friend, I think this is a job for me.
Speaker 7 (09:29):
Alone in my youth.
Speaker 1 (09:31):
Sahib does resil do of lancers? No, no, Jerseing. You
go and arrange the bookings for me, and if I
need you, I'll let you know now. My address will
be in care of my friend Norman Gregg in Chicago.
You could cable me, but just forget. My master is
not thought swifter than the cable. But Captain, you have
(10:01):
some idea that I might find these monk te Unfortunately,
Major Trevison, we haven't you do know of him, though,
don't you? Yes, we'd like to know more reasonably sure
he's either behind or took part in at these three
gang killings in the last three years. But you're like truth.
Yet it it isn't always easy.
Speaker 8 (10:20):
I see.
Speaker 1 (10:22):
And if what I've told you wouldn't be considered the
legal evidence, I'm afraid now, Major Trevison, you won't mind
my saying it, I know. Frankly, it seems a little
fantastic for me that you in India could know exactly
who murdered your brother when we right here on the
ground haven't a trace in the evidence. I knew, Captain,
the police are confined to more orthodox methods. But could
(10:46):
you even give me a leads to what I might find?
Some of these men, well, some of them used to
hang around Mike's Bar down on South State Street. You
know what that is.
Speaker 7 (10:55):
Yes, I'll have the man at the desk out, so
I give you the address.
Speaker 1 (10:58):
Good, I might visit the place, and perhaps if I
went down there and made a pretense of drinking just
a bit too much, I might be able to flush
out something.
Speaker 5 (11:10):
I warned you.
Speaker 1 (11:11):
Please be careful, Major Credit, don't worry about me. Monk
Proni is a gentleman who needs to do a little worry.
Speaker 8 (11:33):
That.
Speaker 1 (11:34):
So you just lead me to this monk.
Speaker 6 (11:38):
Just lead me too, is all I ask he.
Speaker 1 (11:40):
I think you got about enough to drink their buddy.
I haven't either give him all whiskey whiskey. He's going
to find this Mankcarone or knock him down.
Speaker 6 (11:53):
I went off so real easy.
Speaker 1 (11:54):
If I was you, buddy, I give him more whiskey.
Monk Perone did my brother in. I'll find him and
I'm always sky Listen. Do you know where I can
find Monk Perone.
Speaker 9 (12:14):
I find him a knock his hit right off his soda.
Speaker 1 (12:18):
Yeah, yeah, that's the guy. You can hear him. A
mile long Danish man.
Speaker 8 (12:26):
Yeah.
Speaker 1 (12:27):
You remember that young English guy and was kind of
slumming down here a couple three weeks ago, and he
made a crack when Monk poked was sealing a snoop
the young english guy. Yeah, Monk took a swipe on
him with the brass knock and caved in his head.
Speaker 5 (12:41):
So he croked.
Speaker 1 (12:42):
Yeah, I tell you remember your water. He had a
lot of bucks on him, and Monk went and split up.
Speaker 7 (12:48):
The bucks went all of him.
Speaker 1 (12:49):
Oh yeah, yeah, I do remember an englishman. Yeah, well
this lands here his brother see, and he's come over
here from dear old London to make it out, come
out even seek so he talks too much say, and
that's why monks set you down here. They give me
a list with him. Bring but if we get at
you bump him. No, I think Monk's gonna give him
(13:10):
a talking to us something. And then set him down
on the running board of the car and stretch his legs,
uh ketches, let jack before and I'll use the chrow
bar around him above and below the knee, see there,
And we leave him there to think it over what
may be a busted jaw for good measure, so he
won't go over around howling out Monk's name so much saying.
Speaker 7 (13:31):
Oh yeah, I get it.
Speaker 1 (13:35):
Well, listen, he's talking.
Speaker 6 (13:37):
I get him.
Speaker 1 (13:37):
Yeah. Should I go slap him down? No? No, just
they get a see come on, we'll ankle over there
by him. Yeah, and then I'll bust him. You don't
do nothing til I tell you I say, do yeah, alright,
come out in the chair.
Speaker 7 (13:50):
The cow, that's what he is.
Speaker 1 (13:53):
Real down, You have a cow louds like he got
a dog. That's what he does. Hey, look buddy, it
ain't uh hell did to keep cracking about the monk
around this your place. And you've been doing it a
long time now. Who are you just a guy that
don't want to see him making a snap of yourself.
See you know Montperne, you give it my brother. Listen, Bud,
(14:16):
coming in the back room with me a minute and
I'll tell you something. Uh what do you want to
tell me? Come on and I'll tell you to crowded
out here? See about mont Perone? Yeah about Montcrooni?
Speaker 6 (14:30):
Came on?
Speaker 1 (14:30):
Can I take all this time?
Speaker 8 (14:32):
Yes?
Speaker 1 (14:32):
Sure? Come on, Bud? Did he mister you know this card?
Montperone opened the door? Mike, sure, sure I know one boy,
all right, one boy, Hey guy, Yeah, hurry up. Yeah,
(15:04):
he's from there on the damn point.
Speaker 6 (15:06):
Hey, shive you right down to need to take a
yeah right.
Speaker 1 (15:12):
Here? Now what do we do that? I'm muncle be here,
pretty song. Hey, we gotta stay here, We gotta stay here.
Yeah right, we're given them works now and we won't
have to wait month sent to wait. See if there's
anything a drink in that coming.
Speaker 3 (15:29):
Then okay wait, yeah, yeah it's a bottle.
Speaker 1 (15:35):
I'll bring it here.
Speaker 5 (15:36):
Okay, Hey, right, my shity.
Speaker 1 (15:39):
It'll be all right, Kimmy, say, I want shive me
some after me come here? Yeah, thanks, shut up? Hey,
are you sure you didn't bust. This gimmicks gone shure,
I just hit him. He ain't freaking die.
Speaker 6 (16:00):
I be all right.
Speaker 1 (16:02):
I hope he'll be all right.
Speaker 6 (16:08):
Shut up out.
Speaker 1 (16:10):
Ah, who is it that you, bob? No, it's the
fig Oh you got that English? And yes, what do
you think we was up here for? La Boss wants
to see him? Or is he downs dead?
Speaker 5 (16:21):
No?
Speaker 1 (16:22):
He says, to bring him to the place out in
Roger's Park. No kidding, listen, I should spend my time
kidding you. Come on, he said, be there by eleven.
What am I supposed to do? Carry him on my hump? No?
Speaker 7 (16:33):
I got a car downstairs.
Speaker 1 (16:34):
Oh well, pick up the liney, mic Listen, all I
do is carry guys. Heck him up and shut up?
Roll ben, you're knocking for you?
Speaker 5 (16:42):
All right.
Speaker 1 (16:45):
We weren't supposed to see nothing. Where's the heap? Fish?
Speaker 7 (16:49):
R outside?
Speaker 1 (16:50):
Come on, come my mic heah ah, this was a
pipe fish.
Speaker 6 (16:57):
He's lit up like.
Speaker 1 (16:58):
A new saloon. And I get my to go with us,
and it's all well, come on, lets you get going.
You've got a nice try that time fish. Yeah, it's
all right, yeah, and hurry up somehow open the door,
all right, get a boy.
Speaker 7 (17:21):
Is he all right?
Speaker 1 (17:23):
All right, Mike very get so, let's go. How do
you like this buggy?
Speaker 5 (17:30):
Lad?
Speaker 1 (17:32):
All right? Where did you get it?
Speaker 8 (17:35):
I found it?
Speaker 1 (17:38):
Yeah, I guess the boys is kind of anxious to
get his hooks in his englishman. Yeah, I guess so. Yeah,
he shut up at bazoo too much. Yeah, he come
to yet, Mike. Yeah. When I cloud him, they stay clouded.
Speaker 8 (17:57):
Uh uh.
Speaker 9 (18:02):
Cheer sing, jeer sing? I call thee jeer.
Speaker 8 (18:07):
Sing, hoes I hear I fear that voice.
Speaker 9 (18:13):
Oh jer sing, hear me. I am in the hands
of the deosycle.
Speaker 1 (18:18):
I see THEE, my master.
Speaker 9 (18:20):
I am bound and in a motor car. They take
me to the Master.
Speaker 8 (18:25):
I am with THEE, my master. Why did I wait
to call me?
Speaker 9 (18:29):
I had called THEE before this cheer thing?
Speaker 1 (18:32):
Say that I was struck from behind whilst I played
the foolish drunkard to lure them to me with only
a moment.
Speaker 9 (18:39):
Since I recovered muster, I know it not remain now
with me, or it may be that I shall learn
how trust.
Speaker 1 (18:53):
Well night, ain't it?
Speaker 8 (18:55):
Yeah?
Speaker 7 (18:56):
Uh?
Speaker 1 (18:57):
Look at the moon on the lake. What about the
moon on the lake. It's nice? Oh hey, yeah, where
we go that place in modern average.
Speaker 6 (19:05):
Yeah.
Speaker 1 (19:06):
Hey, it's funny.
Speaker 7 (19:07):
I got it sifted them next.
Speaker 1 (19:09):
Door thirteen forty three. That's so yeah, I could go
sleep there when we get done, we won't have to
go back downtown. We ain't libel. Let's stay there at
the place.
Speaker 8 (19:18):
The boss.
Speaker 1 (19:18):
I want to take him out. Somebody's in that car.
Like I said, I wouldn't talk so much about it
was you st of Oh, yeah, who's gonna sign anything?
Speaker 7 (19:25):
Oh?
Speaker 1 (19:25):
Anybody?
Speaker 5 (19:26):
Might you know?
Speaker 1 (19:28):
The Englishman hate still out like I liked.
Speaker 9 (19:34):
Yer thing. I see these sahi, hast thou heard?
Speaker 8 (19:39):
I have heard my master he's wear I see.
Speaker 7 (19:43):
Thee now as I conveyances.
Speaker 1 (19:45):
It's not a great body of water.
Speaker 8 (19:48):
I did also hear of my destination?
Speaker 5 (19:51):
Is it in the city of Chicago?
Speaker 9 (19:53):
Even so, now, hockey jer thing, the time for vengeance
is near. To go down and find mooty Gunge of
the bazaar and old Sally the fuck here and there?
Await my word?
Speaker 7 (20:09):
Hear the bang lord?
Speaker 1 (20:12):
What got there on the corner?
Speaker 7 (20:14):
Nuts, Well, that's of the squad car.
Speaker 1 (20:16):
Allow, just some fusty old heater though kind of take
got here to where it belongs. Hey, not listen they're
gonna bother us.
Speaker 7 (20:22):
Well, all right, you see.
Speaker 5 (20:25):
They're going Hey, just the place, ain't it? Huh?
Speaker 6 (20:27):
Oh?
Speaker 5 (20:28):
Yeah, yeah, it was going right past.
Speaker 1 (20:29):
I'll get as close to the door as you can. Hey,
who's driving this heat near?
Speaker 9 (20:33):
You?
Speaker 1 (20:33):
Old kay Bonnie, old Piel.
Speaker 5 (20:35):
I was just telling you.
Speaker 1 (20:39):
Go ahead, micrat the gang god, all right, go ahead
and open the door.
Speaker 7 (20:48):
Showed up.
Speaker 1 (20:49):
Here's the keys, huh. And I don't pop them too much,
won't yeh sturn for I'll run it, okay, fast chair whatever. Yeah,
(21:12):
he's gonna put the corn in the alley, I guess.
Oh yeah, I'll be glad when the boss gets here.
I don't like galloping all over town with guns like this.
Speaker 5 (21:20):
Here.
Speaker 1 (21:24):
Let me out and I look in the door. Thank you,
and I gets home. Yeah, hey, you must have stopped
imorful hard. He's still one. Sure when I say stay shucked,
(21:47):
I know, am. I let's go and step down. I'm tired.
Speaker 3 (21:50):
You're tired, not step down, you see, I with the mater, I.
Speaker 9 (22:02):
With multi gunad and old Lilly.
Speaker 7 (22:05):
As thout saying even socia.
Speaker 9 (22:07):
Good, Let old Lilly now bring forth his sneaks. Thanks master, Ye,
so many supping that's the hooded cobras and the Karait
assemble them all in the place with thou art and
he snow.
Speaker 8 (22:22):
You gonna speak, so shut up?
Speaker 1 (22:23):
He done?
Speaker 8 (22:24):
Master, Oh molty Gordon, oh lolly, which is good?
Speaker 1 (22:29):
No more now?
Speaker 5 (22:32):
Uh uh ah, I.
Speaker 1 (22:36):
Think our little playmates come and go. Yeah, gets lage there, buddy,
And nothing I happened to you now? Uh bet am
I hear in good hands, but jud say still if
you don't want anohing clout in the snapping?
Speaker 7 (22:54):
Who are you?
Speaker 1 (22:55):
Shut 'em up? Mike? Yeah, listen, mall, I'm gone.
Speaker 5 (22:59):
Hey, Hey are you looking at Hey?
Speaker 6 (23:04):
What are you looking at?
Speaker 1 (23:04):
It? Said?
Speaker 2 (23:06):
Good?
Speaker 1 (23:08):
Right, aman Mike looking at me, trying to stare down. Hey,
what are you mumming about?
Speaker 6 (23:15):
Looking at me?
Speaker 1 (23:17):
Nurse? Turn at me around?
Speaker 6 (23:18):
He is everybody around here, nutty.
Speaker 1 (23:20):
Well he's looking at me.
Speaker 5 (23:22):
Do I alarm you?
Speaker 1 (23:22):
My friend? Oh?
Speaker 5 (23:24):
Oh, so you're okay?
Speaker 8 (23:26):
Now?
Speaker 7 (23:26):
Huh hey, cut that out.
Speaker 1 (23:32):
I'm gonna get a drink. I need one to bring
me one sort of Yeah. I don't let the way
he looks at you, I'll smack him one.
Speaker 5 (23:40):
No, I don't want to go something.
Speaker 1 (23:47):
It's a snake.
Speaker 6 (23:54):
A look at that's a great figure.
Speaker 7 (24:01):
Oh oh he's.
Speaker 6 (24:08):
The sneach.
Speaker 3 (24:10):
Where'd it go?
Speaker 5 (24:29):
What I want to know is who've done it? Yeah?
Speaker 1 (24:31):
But look give me a snake buck honest, great bitch,
snake with his head all kind of swelled up, a
thing like a pair of glasses.
Speaker 6 (24:39):
Are here.
Speaker 5 (24:41):
When a state come from well, gods, it was their
force not falling.
Speaker 6 (24:45):
We've seen it.
Speaker 1 (24:45):
It kept fighting sof right in the face all the time.
Speaker 6 (24:50):
Are you Englishman?
Speaker 1 (24:52):
Are you doing me? My good man, my good man? Eh,
watch your neck.
Speaker 6 (24:56):
Mustard, Okay, stop stop looking at me.
Speaker 5 (25:04):
Look.
Speaker 6 (25:04):
Yeah, yeah, he was staring at us, just like he's doing.
Speaker 1 (25:06):
Okay, when they call him cut him on the tail.
Speaker 6 (25:11):
Oh god, can that old kettle.
Speaker 1 (25:16):
I said, won't do any good?
Speaker 6 (25:18):
True that you know, coming after me and coming after.
Speaker 1 (25:26):
He got him?
Speaker 6 (25:28):
Monk, look something you call him?
Speaker 3 (25:32):
Here? He done?
Speaker 4 (25:33):
He that's looking cobrad.
Speaker 6 (25:42):
He came off me, Come him off, take him away.
Speaker 1 (25:44):
That's what this snake vicious calling is the most deadly
sting of old India.
Speaker 6 (25:48):
Tiny and.
Speaker 1 (26:00):
Rather I think that even stains a little low boy wrong.
It is so just sing has done well. Say my
thanks to Mosey Gunge and Lally like.
Speaker 8 (26:21):
I did.
Speaker 5 (26:21):
Go on to Colonel Henderson Sahib, the Commissioner.
Speaker 1 (26:24):
Of Police pace just sing I will speak with Leannan.
Speaker 5 (26:31):
Coming.
Speaker 1 (26:31):
Gentlemen you Major Travison, I am oh host Mark, holy mother?
Speaker 6 (26:38):
Will you look at him?
Speaker 1 (26:40):
Dead? And so is this one?
Speaker 6 (26:42):
Fishers?
Speaker 1 (26:44):
What the devil happened?
Speaker 8 (26:45):
Major?
Speaker 1 (26:46):
I really couldn't say, gentlemen, I was in the other room.
You know he'll be here. This is a dangerous thing.
I ever run up again. Tell me how in the
world did you happen to come up here? Gentlemen? I
was kidnapped in the place down my The funniest thing,
Major Travison, You see the chief got a cablegram caver gram.
Speaker 6 (27:04):
Yes, it gave the addressed and all the details of
this whole business here.
Speaker 1 (27:07):
And the funny thing was it was signed by a
Colonel Henderson, supposed to be the Commissioner of Police and Calcutta, India.
For the love of Mike. All right, you can tend
(27:34):
them on. Now you have just heard Lights Out. This
was the fifth in the summer revival of the best
stories of this famous series. In tonight's cast, you heard
Wilms Herbert as Travison, Sidney Breese as Henderson Wallace Own
as Bryce, Tony Parrish as Jeer Singh Boris Aplon as Pironi,
(27:55):
Arthur Hearn as sodof, Roy Engel as Mike, and Blessed
Spears as Fischellis Next Saturday Night, Lights Out presents the
story of what happened to a newsreel camera crew. It
was sent out to photograph a haunted house. They found
the place all right, and they found the ghosts also,
(28:15):
although they weren't very photogenic. If we won't tell you
what happened after that, we suggest you kind of haunt
your own radio along about this time next Saturday night
and find out for yourself.
Speaker 6 (28:28):
Lights Out is produced and directed by Albert Cruz.
Speaker 1 (28:36):
This is n v C, the National Broadcasting Company.
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