October 26, 2025 • 25 mins
The mysterious old time radio series "The Haunting Hour" (actually 30 minute episodes) ran during 1944-1946 on NBC. The names of the cast and production crew were never revealed so when the series stopped airing, it was as if it ceased to exist. The episodes were largely "whodunit" mysteries, with psychological thrills and supernatural themes. With an eerie organ accompaniment and traditional horror vibe, the series represents a mysterious gem from the golden age of radio.
Hope you enjoy this episode of The Haunting Hour! Find all of our radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group - All Podcasts @ Spreaker | Apple Channel | YouTube Music
Hope you enjoy this episode of The Haunting Hour! Find all of our radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group - All Podcasts @ Spreaker | Apple Channel | YouTube Music
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
M hm.
Speaker 2 (00:19):
Hm no, No, stay where you are.
Speaker 3 (00:34):
Do not break the stillness of this moment, For this
is a time of mystery, a time when imagination is free.
Speaker 4 (00:44):
And moves forward swiftly, silently. This is.
Speaker 2 (00:52):
The haunting hour.
Speaker 3 (01:05):
Unidentified body. A simple situation can become quite intriguing when
fate steps in and adds the necessary twists. Take the
case of the notorious gang who put a crime reporter
on the spot because the articles.
Speaker 1 (01:26):
Were dangerous to them.
Speaker 3 (01:28):
Now add this twist the fact that the gang has
never seen.
Speaker 4 (01:31):
The reporter, And add this twist the fact.
Speaker 3 (01:34):
That the gangsters flee from a gunfight carrying with him
the unconscious form of a stranger, a man they do
not know, a man who happens to be Jim Briggs,
the newspaper reporter. They would like to lay their hands.
Speaker 1 (01:51):
Who am I? Who am I?
Speaker 5 (01:54):
He on the level thread.
Speaker 4 (01:55):
I think he is cheap if you can only teach Schmidt,
they keep his hand for himself.
Speaker 1 (01:59):
I don't don't know. I only hit up. Only shut up?
Speaker 5 (02:02):
Which where you're driving and you still see the cops
beating I.
Speaker 1 (02:06):
Think we lost him. Chief.
Speaker 4 (02:07):
It was a close call.
Speaker 1 (02:08):
Too close.
Speaker 5 (02:09):
The town isn't safe for us, not as long as
that guy Briggs hounds us in the daily hrad.
Speaker 4 (02:13):
All do we do?
Speaker 5 (02:13):
Well?
Speaker 4 (02:14):
We've got to get rid of him. It won't be
so easy.
Speaker 1 (02:16):
Now it's either him or Schmidt.
Speaker 5 (02:18):
Yeah, take the next turn and head back to the
hotel in town along route seven. Let me tell you, Fred,
this was briggs fault. He's got the cops worked up
about us.
Speaker 1 (02:27):
He's got to go. But how where where am I?
What do we do with him? And we things are?
We can't risk taking him to a doctor.
Speaker 4 (02:36):
No, we'd better say, wait a minute, I think I
can handle them out by.
Speaker 1 (02:40):
Myself better than a doctor.
Speaker 4 (02:41):
What do you mean, just with trigger doing a disappearing act,
lying low for the time being?
Speaker 5 (02:46):
You mean maybe this guy?
Speaker 1 (02:47):
Yeah, you get it.
Speaker 5 (02:48):
We can use him, go ahead, and then.
Speaker 1 (02:50):
He's all yours?
Speaker 4 (02:51):
I do I want the interference. Don't worry.
Speaker 5 (02:53):
I'll see that these monkeys clam up, You too, Schmidt.
Speaker 4 (02:55):
I didn't say go ahead, watch them out? Fella.
Speaker 1 (03:00):
My head hurt?
Speaker 4 (03:02):
How did it happened?
Speaker 1 (03:03):
I don't know. I don't know, I don't know anything.
Who are you? You know? Me and Fred Booth? Fred Booth, I.
Speaker 4 (03:12):
Don't remember how look fella, I'm gonna help you, help me.
Look at me now, look.
Speaker 1 (03:16):
Right out, and it's hard to hold my head that way. Hurt?
Speaker 4 (03:19):
Try all right, I will. You don't remember anything? No,
i'd say about that way do you live? I don't
know what was your father's name?
Speaker 1 (03:29):
His name was? I don't know.
Speaker 4 (03:33):
Look, fella, you're in a bad way. You've lost your memory.
You've got a lot of things to learn again about yourself.
Speaker 1 (03:38):
Yeah, I understand.
Speaker 4 (03:40):
I'm gonna start off with your name, and then later
I'll tell you all we.
Speaker 1 (03:42):
Know about you. Thanks, Thanks a lot, Fred.
Speaker 4 (03:46):
Your name is Trigger Martin, real name Henry. But we've
always got to trigger that.
Speaker 1 (03:50):
Sound familiar Trigger, Tiger Martin.
Speaker 4 (03:54):
You remember now? You ever heard the name?
Speaker 6 (03:56):
Yes?
Speaker 1 (03:57):
Somehow it seems familiar.
Speaker 4 (04:10):
Trigger Creger, wake up?
Speaker 1 (04:13):
Oh how's your head? How it's better? Friend?
Speaker 4 (04:17):
You've been sleeping since we got here about three hours ago.
Speaker 1 (04:20):
Where is here? Oh? Oh? I remember the hotel.
Speaker 4 (04:23):
That's right, the Crescent's Hotel, the Preston Hotel. What else
do you remember?
Speaker 1 (04:28):
Well, everything that you told me?
Speaker 4 (04:29):
Anything else come back to you?
Speaker 1 (04:31):
Oh? Are you sure?
Speaker 2 (04:34):
Now?
Speaker 4 (04:34):
What did I teach you?
Speaker 5 (04:35):
My name is Trigger Martin. You're Fred Booch. Oh, I'm
chief is hell Drake? I was driving with George Smith.
Speaker 4 (04:43):
Now about the little fellow he's called Pete.
Speaker 1 (04:47):
Fred?
Speaker 4 (04:47):
Yes, Trigger, what what.
Speaker 1 (04:50):
Do we do we? Yeah? I mean you're the brains,
aren't you.
Speaker 4 (04:56):
Well? Yes, I'm the guy who figures things out for
Ral and Schmid's good at safe cracking and some of
the heavy work. Peter used to be a dip, a pickpocket.
He's got light fingers, nervous, but good to have around sometimes.
Speaker 1 (05:08):
Oh what about me?
Speaker 4 (05:12):
The rest of us have pulled some pretty rough stuff, Trigger,
but we've all kept our hands clean of your line.
Speaker 1 (05:18):
What is my life?
Speaker 4 (05:20):
It's murder?
Speaker 1 (05:21):
Trigger, murder. How's he getting along?
Speaker 5 (05:33):
Fred?
Speaker 1 (05:34):
Trigger?
Speaker 4 (05:35):
Okay? Your treatment or what's wrong with it?
Speaker 1 (05:38):
Risky? Nah?
Speaker 4 (05:39):
He'll be all right.
Speaker 6 (05:40):
He better.
Speaker 1 (05:41):
We need him but soon.
Speaker 4 (05:42):
I told him just now that he was a killer.
Speaker 5 (05:44):
Yeah, And he questioned, now.
Speaker 4 (05:45):
He just wanted to learn all about himself.
Speaker 7 (05:49):
Would you be letting your rooms clean now, mister Drake.
Speaker 5 (05:51):
Sure anytime, missus Calder. But since under you open doors
without knocking, if.
Speaker 7 (05:55):
You're lot up at this time of day, you ought
to be ashamed of yourself.
Speaker 4 (05:58):
So it's not that missus Caller, but some times we
have business conferences and can't be disturbed. Business is it?
Speaker 7 (06:04):
Well, I've got a couple of dollars put away.
Speaker 1 (06:06):
I'd like to invest. Missus c you're a great kidd.
Speaker 7 (06:09):
Then why should I be kidding. I'd like to live
in style like you, Mister Booth and the other.
Speaker 5 (06:14):
Gentleman finances hard work. Missus Calder, you better stick to cleaning,
and that's.
Speaker 7 (06:18):
Just what I'll be doing if you gentle let me
and I'll start in this inside room, and missus.
Speaker 4 (06:24):
Caller, I, I don't think you better go in there,
and not for a couple of days. One of our
associates is in there sleeping. Mister Schmith, no alle new associates.
He he was hurt a little.
Speaker 1 (06:33):
In a hunting accident.
Speaker 4 (06:34):
He's got to have rest.
Speaker 6 (06:35):
You.
Speaker 7 (06:36):
I'm thinking you'd just like to be living in a
dirty room. Phil, I'll be back later then.
Speaker 5 (06:42):
I think you'd better and remember, don't go in there.
Speaker 1 (06:45):
I'll not be forgetting.
Speaker 4 (06:46):
Mister Cheef, we already get out of town. Really hide up.
Speaker 5 (06:49):
They can't pin anything on us yet, he SAIDs I
like to live nice. I like to live what seating
you you don't have a metal rap against you. So
what Chigg is the only guy in this marble whoever
had the chair to worry about? Now out, calm down,
you saying something about me chief a trigger?
Speaker 4 (07:05):
You ought to be taking it easy in your own room.
Speaker 5 (07:07):
I tried, but every time I lay down, my head
started something hurting you trigger, not exactly hurting. But then
this business what you told me before about my my
killing people, I.
Speaker 4 (07:20):
Don't like it. What's a matter of trigger? You're going soft?
Speaker 1 (07:22):
Maybe I am.
Speaker 5 (07:23):
You know what happens to pells of mine that goes surf?
Oh no, I don't nothing much, nothing much that you'd
get to hear about. And we don't even notify their families.
I don't know as that make much difference to me.
I can't even remember my family.
Speaker 4 (07:39):
You can't remember lots of things, but they happened.
Speaker 1 (07:41):
So what so I want to quit trigger. I want
to quit you hear.
Speaker 4 (07:44):
I don't know what I did before, how I felt before,
But I know I couldn't go around knocking off guys
just because you put the finger on them.
Speaker 1 (07:50):
Not now.
Speaker 4 (07:51):
Maybe the suck on my head softened me or made
me yellow, or reform me, or whatever else you want
to call it. But I just couldn't kill a guy,
and I know it not. Now there's something inside tells me,
what are you gonna do about it? Trigger? There's nothing
to prevent me from walking out of here? You easy?
Speaker 1 (08:08):
How well?
Speaker 4 (08:09):
Look? Trigger? How many guys have you knocked off?
Speaker 1 (08:12):
I don't know.
Speaker 5 (08:12):
I can't remember. I can't remember anything except what you
told me.
Speaker 4 (08:15):
Now listen to me, and listen carefully.
Speaker 1 (08:18):
I know of six me six murders.
Speaker 4 (08:23):
Yeah, and I don't know how many before you started
working for ROW.
Speaker 5 (08:26):
I heard you've done plenty.
Speaker 4 (08:27):
Sure, sure, you can walk out of here if you
want to, but it won't do you no good.
Speaker 1 (08:31):
I don't get it. Six murders right to go.
Speaker 4 (08:35):
Every cop in the country's got orders to drag you in,
dead or alive, and with your rappers a cop killer,
they're gonna shoot first. Now do you want to walk?
Wh do you want to play ball?
Speaker 2 (08:44):
Oh?
Speaker 1 (08:44):
Well, I'll stay. I have to stay, Padie. Will you stop?
Jump from one chair to whether.
Speaker 5 (09:01):
I can't have a trigger. It makes me nervous to
stay in one place and then get out of it.
I can't I well do sick like that.
Speaker 1 (09:06):
They're not doing any good. Why don't you get out
of hi, Chief Sugar?
Speaker 5 (09:10):
I say you've cut it down, not so independent like
they were a couple of hours ago.
Speaker 1 (09:15):
I'm okay, Now, I suppose.
Speaker 5 (09:18):
You can take a few minutes off. I'll stay with
the Trigger.
Speaker 1 (09:21):
Thanks you.
Speaker 5 (09:24):
Now I'm gonna work for me? Or do you want
to be plugged by a top?
Speaker 1 (09:28):
I said, I was staying.
Speaker 5 (09:29):
Make sure you mean it. I've got a little job
for you.
Speaker 1 (09:33):
Oh oh is it?
Speaker 5 (09:34):
There's a little squirt of a reporter on the daily
herald in his town and he's out to cause trouble?
Speaker 1 (09:39):
What's he done?
Speaker 5 (09:40):
Shut his mouth off about me every day for the
last week in his paper.
Speaker 1 (09:44):
He knows too much? What's his name? Jim Briggs? Where
can I? What can I contact him?
Speaker 5 (09:51):
I don't know where he lives or what he looks
like cooking. My outside man is trying to get some
dope on him before you go to work. Okay, see
you later, Pete. Ask you Fred Schmidt and me are
going out on some business. You stay and keep Trigger company, sure,
Chief Song, So.
Speaker 1 (10:08):
Long, Pete? How long have I been working for?
Speaker 5 (10:13):
Two years ago? Why it's funny me not remembering who'd
I worked for?
Speaker 1 (10:19):
Before. You know, you never told me do you have
any friends? You know? Outside of my eye? I know
you didn't talk much. How about family? I guess you
got them. Where do they live?
Speaker 5 (10:29):
I don't know.
Speaker 1 (10:29):
Do you ever see me with a girl or anything?
Speaker 5 (10:31):
Why are you asking all these questions on Pete Joe?
Speaker 4 (10:33):
I don't know nothing like today. I don't understand, Peter.
Can't you tell me anything about myself? A quick pastern
met Pete? Did I have a serve time?
Speaker 1 (10:41):
Yeah? Yeah, I think you did? What prison? Stop it?
Stop it? Well, you don't ask me to walk. I
only asked you why. I can't stand it. I can't
stand it. I just shut up.
Speaker 4 (10:49):
Questions, questions, questions.
Speaker 1 (10:50):
I gotta get out of here. I gotta get out
of here. Hey, what's the matter with that guy?
Speaker 3 (10:58):
Yeah?
Speaker 1 (10:58):
Come in? Excuse me, sir? You mind if I do
a bit of destiny? No, not at all. Come on in.
Speaker 3 (11:05):
Here.
Speaker 7 (11:06):
Mister Drake told me not to disturb you. But the
differing room kind of gets you down when you have
to stay in it, don't it?
Speaker 1 (11:11):
Yeah? It does.
Speaker 7 (11:14):
At the nasty knock you've got on your head.
Speaker 1 (11:16):
It's nothing. I just thumped in o a door. If
you'd like, I'll send doctor Riisner up. He's the hotel doctor.
Very good to you at itself. Just did you say, sir.
Speaker 7 (11:29):
Man, I'll be on my way now, just to look
into promise. But i'll do Sarah job tomorrow.
Speaker 1 (11:34):
Thanks.
Speaker 3 (11:35):
Oh.
Speaker 1 (11:35):
Just pick up that piece of paper in the door,
will you this?
Speaker 5 (11:38):
Will you want it?
Speaker 1 (11:40):
Yes? Please? Pete dropped it. I'll give it to him. Thanks, yes, sir, Yeah, goodbye,
So long, PD.
Speaker 5 (11:53):
Tell all everything is set for Trigger's burial? Do you
supply of body?
Speaker 1 (11:57):
Cogan? Are they going to get rid of me? Well,
we'll see about that figure tigger.
Speaker 5 (12:05):
Do you happen to see me drop a little piece
of paper?
Speaker 1 (12:07):
Piece of paper? Yeah? Oh, oh, I didn't.
Speaker 3 (12:35):
Our story is about a mind, a mind from which.
Speaker 1 (12:39):
All memory has been erased.
Speaker 3 (12:41):
Its owner was brought to the headquarters of Al Drake's
notorious gang in the Crescent Hotel.
Speaker 1 (12:46):
There, his history was taught him by Fred Booth, the
brains of the gang.
Speaker 3 (12:51):
There, he was told that he was Trigger Martin, Trigger Martin,
who had killed many men. Even though he felt he
could not go on with his murderous career, he knew
he was bound to it by his past, but then
he intercepted a message that indicated he was to be killed.
Speaker 1 (13:11):
Everything set for Trigger's burial. Your supply body. Why do
they want to kill me? The cops I can understand me.
There on, tell I've got to get out of here.
I've got to escape. I got trigger. What do you want?
(13:31):
Snap out of it? I wasn't doing anything, Schmidt sitting.
Speaker 6 (13:34):
There thinking, I don't like it.
Speaker 1 (13:36):
What do you want me to do?
Speaker 4 (13:37):
Talk? Talk?
Speaker 1 (13:39):
I don't feel like talking.
Speaker 6 (13:41):
Pete says you drove them nuts. What you're talking now?
You're quite like a boneyard.
Speaker 1 (13:44):
Come on, talk all right, I'll talk. Do I have
any family? Schmidt? I didn't safe. We had asked questions.
That's all I got on my mind. I'll killing me yourselthing.
You don't like staying here with me? Do you? He'll
tell me though, he said you didn't be left alone.
I'll be all right. I won't try to get away.
I didn't ask you.
Speaker 5 (14:04):
I'll go ahead, Smith, I'll be okay. Play some of
the records.
Speaker 1 (14:09):
Hey don't want to get in a no trouble with that.
Speaker 5 (14:11):
You won't come on? Go on, take a little time off.
Thanks thanks Triggering. I'll see it. I think a good
loud record Starnast Sinkos Blo, Dark Town Studs Born. Look
at this Personal Recording Studios Boardwalk, Atlantic City, regards to
(14:38):
al and all the game from Gloria and Trigger. Yes,
I gotta hear Gloria.
Speaker 1 (14:50):
I having a great time here, and.
Speaker 7 (14:54):
So you like regards to the boardwalk, Say something walker,
you know, say hello?
Speaker 1 (15:00):
Say anything?
Speaker 4 (15:03):
Well, I just want to find all regard now, I
mean me and Bouria.
Speaker 1 (15:07):
How long I have to talk for you? Well? I
just want to find out regard now, I mean me
and Loyer?
Speaker 4 (15:17):
How long do I have to talk Forria?
Speaker 6 (15:21):
Hello?
Speaker 1 (15:22):
Anything?
Speaker 6 (15:24):
Well?
Speaker 1 (15:25):
I just want to find out regard now, I mean
me and Bloyer? How long do I have been talking about?
I'm not triggered, and I'm not who am I? Do
they know who I am? Why are they trying to
tell me I'm Trigger? Martin?
Speaker 6 (15:50):
He's a sleeping out Chief Pete standing outside the door, right, Yeah?
Speaker 4 (15:54):
I don't like it? Why not?
Speaker 1 (15:55):
It's too smart? It won't work out.
Speaker 4 (15:57):
What's worrying you?
Speaker 1 (15:58):
Someone's gonna miss him. That means trouble.
Speaker 4 (16:00):
Maybe you don't know anybody in town that chance. Get
him out of here tomorrow kill him, not me. I
don't like murder buck chief. The guy has sold completely
on the idea that he's triggered.
Speaker 1 (16:08):
Gives me the.
Speaker 6 (16:09):
Willi's in trigger, waiting to be buried, and this guy
thinking his hens.
Speaker 4 (16:12):
I'll stop acting like pete fuck. The guy gets in
our way when we're doing a job, Schmid knocks him
out with his clumsy mits. We can't leave him around.
None of us wants to bump them off from us.
Speaker 1 (16:21):
We have to.
Speaker 4 (16:22):
Then I come to the rescue.
Speaker 5 (16:23):
We should have left them there.
Speaker 4 (16:25):
If I know he'd lost his memory, then I would have.
But this way he's gonna bump off brakes and we'll
be in the clear. It's a perfect setup, you hope.
Sure it is. I'll figure it out for yourself.
Speaker 5 (16:33):
I don't know, Fred, I only wish.
Speaker 1 (16:35):
I knew who he was.
Speaker 4 (16:46):
Trigger.
Speaker 1 (16:47):
How you feeling oh much better today? Fred? Ahead?
Speaker 6 (16:50):
All right?
Speaker 1 (16:51):
Oh sure, IL told me you had a job for me.
Speaker 4 (16:55):
Yeah. I think I could do it today. You better
do it today. That's what I came to tell you
about it.
Speaker 1 (17:00):
Outside. The guy's name is Jim Brik.
Speaker 4 (17:02):
That's right. And if you know what's good for your trigger,
you're going to get him, but fast. Look what he
says in today's paper. The most flagrant flatter of the
law in this gang of hoodlums is a vicious gunman
who goes by the name of Trigger Martin. Of all
the members of this organized crime syndicate, he should be
the easiest to convict for his rumored that he is
responsible for at least six cold blooded murders. How about
(17:25):
some action, mister police commissioner.
Speaker 1 (17:27):
What do you think about that? Trigger? Let me see that.
Speaker 4 (17:30):
Do you want to say it for? I read you
the part about you.
Speaker 1 (17:32):
I want to see it.
Speaker 4 (17:33):
Okay, here, punish yourself.
Speaker 1 (17:36):
The most flagrant flutter of the law in this gang
of hoodlums is a vicious gunman with the name of
Trigger Martin.
Speaker 4 (17:43):
And how do you like that? That guy's going to
see that Ji burn unless he gets shut up? Hey,
what's eating you?
Speaker 1 (17:49):
Fred? Did I ever see this article before?
Speaker 3 (17:52):
Now?
Speaker 1 (17:53):
You couldn't have just come out today For a second.
I thought you've.
Speaker 4 (17:57):
Got no time to think. Trigger. The only thing that
will do you any good now is they get ahold
of that. Briggs.
Speaker 5 (18:01):
Yeah, yeah, you're right, Breaks, he's my man. Listen now,
I've been waiting three hours. I can't stand it. I
got to get into acts. Shake it easy, Trigger, Let
(18:22):
me track the guy down.
Speaker 1 (18:23):
That's Pity's job.
Speaker 5 (18:24):
Yeah, as soon as he's got the dope file, give
the ghost.
Speaker 4 (18:27):
But al, I'm a dead duck. If I don't nail
Briggs and Song.
Speaker 1 (18:29):
Here, you will be.
Speaker 5 (18:31):
We can't afford to make any mistake.
Speaker 4 (18:32):
That's what I've been telling him. See, but he got
all worked up about those newspaper holics.
Speaker 5 (18:36):
David Trigger until.
Speaker 4 (18:39):
I must repeat he open up Smith.
Speaker 1 (18:41):
Okay, Brett, Pity and Luck. I just get a line
on this guy. Briggs, go ahead and out rushman. Chief
makes me nervous. Come on, Herald got him in from
Chicago to do this job at us. He's new to town.
Speaker 5 (18:55):
That's why we don't know him.
Speaker 1 (18:56):
Yeah, yeah, I guess. So where's he lived?
Speaker 5 (18:58):
He got his office set up in his room in
the same place. Send us up the hell over the phone?
Speaker 1 (19:02):
He he where does he live? Chee cheek? Did that dinner?
Speaker 5 (19:05):
Forty one McDougall Alley in the basement. One of them
got an apartments?
Speaker 1 (19:09):
Did you get that? Trigger? Sure? Forty one McDougal ally
in the basement.
Speaker 5 (19:13):
Okay, that's right, And here's your gun. I get going.
Speaker 1 (19:26):
H M McDougall forty seven, forty five.
Speaker 5 (19:40):
Twenty three forty one.
Speaker 1 (19:48):
Basement. Careful maybe you trap. Don't forget that. I'm lying
all along.
Speaker 5 (20:01):
Careful, careful, do door to his apartment. Maybe he'll help
me if he doesn't shoot me first, I'll try.
Speaker 8 (20:17):
The door's not locked. Kah start, I'll let him match.
Speaker 1 (20:33):
Teph begain o let me go. No, you don't, buddy,
he's got a gun, right, good work right in my head,
he's out.
Speaker 4 (20:46):
Well, that'll take care of him for a while.
Speaker 1 (20:48):
There's a close call, those as I've had since I
joined the force.
Speaker 4 (20:52):
Yeah, that gun ain't no toy.
Speaker 2 (20:55):
Mm.
Speaker 1 (20:56):
He's coming around and snap the cups on.
Speaker 4 (20:58):
Him right, Wonder what his angle is on the case
and question Hey.
Speaker 1 (21:04):
Come on, come on, snap out of it. Wake up
you my head, Come on, come on, come on out
of it. Hey, who are you? What are you doing here?
Speaker 5 (21:17):
It's just what we were going to ask you. Well,
this is my apartment. My name is Braggs. Jim Briggs.
Speaker 1 (21:24):
Jim Briggs just appeared three days ago. We're working on
the case.
Speaker 4 (21:28):
If you're Jim Briggs, maybe you can tell us where
you've been after.
Speaker 1 (21:31):
The police force has been looking for Briggs. I don't know.
I can't remember.
Speaker 4 (21:39):
All I know is that I'm Jim Briggs and this
is my apartment.
Speaker 1 (21:42):
Yeah. Do you usually come into your apartment with a
gun in your hand? I don't know. All I remember
is I remember watching a gun battle. You sure you
weren't in it? And then yeah, I remember now a little.
I was in a hotel somewhere in town with some
(22:04):
men named Tree and Booth and Schmidt and Petie.
Speaker 4 (22:08):
Hey cried, that's our great mom.
Speaker 1 (22:10):
Yeah, this guy is one of them. He must be
that Trigger Martin character.
Speaker 4 (22:14):
You know, we never got pictures of any Oh, I'm
Jim Briggs. I tell you, well, give me a chance.
I think I can lead you to their hideout.
Speaker 1 (22:21):
Please. I think I remember where it is. Okay, Fred,
this was your idea.
Speaker 4 (22:34):
He'll come back now. I got that guy completely bambooths.
Speaker 5 (22:37):
I don't want to stay here be trapped.
Speaker 1 (22:38):
They'll get us. They get us for sure. If Hedy
shut up.
Speaker 4 (22:43):
What I tell you, he's back.
Speaker 5 (22:45):
Okay, open up Smith, Well, tigger, did you do it?
Speaker 1 (22:50):
He told me to kill him? Didn't you set the dramatics?
Speaker 5 (22:53):
Of course?
Speaker 1 (22:53):
I told you, well, I did it.
Speaker 5 (22:55):
I found the guy in his apartment. I was working
at a desk. He looked up and I gave it
to him. Let's have your gun triggered my gun?
Speaker 6 (23:04):
What for?
Speaker 1 (23:05):
Come on, hand it over, I throw it away.
Speaker 5 (23:08):
I don't believe it's Smith.
Speaker 1 (23:09):
Pappy. I'll tell your dog Schmid. Put up your hands.
All of you trigger. No point in getting jumpy.
Speaker 5 (23:16):
How long do you think you'll get away with it?
Speaker 4 (23:18):
You know I'm not triggering line or whoever you want.
Speaker 5 (23:20):
Whatever your game is, No one president doesn't stand a
chance against four.
Speaker 4 (23:24):
You won't get out of here alive. I think I
will pity open that door. QUI, yeah, right away, Come
on in cretter.
Speaker 1 (23:30):
All right, you guys, final lease holdlumbs into the wagon
to get what you wanted. Credit, perfect direct evidence tying
Greg to attempted murder. We've been trying to get that
for years, Greig work with Greggs. Booze, you idiot.
Speaker 5 (23:42):
We had the guy who all the time, sure.
Speaker 1 (23:44):
You had me. I didn't know it and you didn't
know it.
Speaker 4 (23:47):
Hey, that will make a swell feature story. The Case
of the Unidentified Body, written by the corpse.
Speaker 5 (23:54):
Itself from shadows and stillness. Mystery weaves a spell of
(24:20):
strangest fascination, charging the mind with doults and fears.
Speaker 1 (24:27):
For mystery is a
Speaker 5 (24:29):
Strange companion, a living memory in the haunting power
M hm.
Speaker 2 (00:19):
Hm no, No, stay where you are.
Speaker 3 (00:34):
Do not break the stillness of this moment, For this
is a time of mystery, a time when imagination is free.
Speaker 4 (00:44):
And moves forward swiftly, silently. This is.
Speaker 2 (00:52):
The haunting hour.
Speaker 3 (01:05):
Unidentified body. A simple situation can become quite intriguing when
fate steps in and adds the necessary twists. Take the
case of the notorious gang who put a crime reporter
on the spot because the articles.
Speaker 1 (01:26):
Were dangerous to them.
Speaker 3 (01:28):
Now add this twist the fact that the gang has
never seen.
Speaker 4 (01:31):
The reporter, And add this twist the fact.
Speaker 3 (01:34):
That the gangsters flee from a gunfight carrying with him
the unconscious form of a stranger, a man they do
not know, a man who happens to be Jim Briggs,
the newspaper reporter. They would like to lay their hands.
Speaker 1 (01:51):
Who am I? Who am I?
Speaker 5 (01:54):
He on the level thread.
Speaker 4 (01:55):
I think he is cheap if you can only teach Schmidt,
they keep his hand for himself.
Speaker 1 (01:59):
I don't don't know. I only hit up. Only shut up?
Speaker 5 (02:02):
Which where you're driving and you still see the cops
beating I.
Speaker 1 (02:06):
Think we lost him. Chief.
Speaker 4 (02:07):
It was a close call.
Speaker 1 (02:08):
Too close.
Speaker 5 (02:09):
The town isn't safe for us, not as long as
that guy Briggs hounds us in the daily hrad.
Speaker 4 (02:13):
All do we do?
Speaker 5 (02:13):
Well?
Speaker 4 (02:14):
We've got to get rid of him. It won't be
so easy.
Speaker 1 (02:16):
Now it's either him or Schmidt.
Speaker 5 (02:18):
Yeah, take the next turn and head back to the
hotel in town along route seven. Let me tell you, Fred,
this was briggs fault. He's got the cops worked up
about us.
Speaker 1 (02:27):
He's got to go. But how where where am I?
What do we do with him? And we things are?
We can't risk taking him to a doctor.
Speaker 4 (02:36):
No, we'd better say, wait a minute, I think I
can handle them out by.
Speaker 1 (02:40):
Myself better than a doctor.
Speaker 4 (02:41):
What do you mean, just with trigger doing a disappearing act,
lying low for the time being?
Speaker 5 (02:46):
You mean maybe this guy?
Speaker 1 (02:47):
Yeah, you get it.
Speaker 5 (02:48):
We can use him, go ahead, and then.
Speaker 1 (02:50):
He's all yours?
Speaker 4 (02:51):
I do I want the interference. Don't worry.
Speaker 5 (02:53):
I'll see that these monkeys clam up, You too, Schmidt.
Speaker 4 (02:55):
I didn't say go ahead, watch them out? Fella.
Speaker 1 (03:00):
My head hurt?
Speaker 4 (03:02):
How did it happened?
Speaker 1 (03:03):
I don't know. I don't know, I don't know anything.
Who are you? You know? Me and Fred Booth? Fred Booth, I.
Speaker 4 (03:12):
Don't remember how look fella, I'm gonna help you, help me.
Look at me now, look.
Speaker 1 (03:16):
Right out, and it's hard to hold my head that way. Hurt?
Speaker 4 (03:19):
Try all right, I will. You don't remember anything? No,
i'd say about that way do you live? I don't
know what was your father's name?
Speaker 1 (03:29):
His name was? I don't know.
Speaker 4 (03:33):
Look, fella, you're in a bad way. You've lost your memory.
You've got a lot of things to learn again about yourself.
Speaker 1 (03:38):
Yeah, I understand.
Speaker 4 (03:40):
I'm gonna start off with your name, and then later
I'll tell you all we.
Speaker 1 (03:42):
Know about you. Thanks, Thanks a lot, Fred.
Speaker 4 (03:46):
Your name is Trigger Martin, real name Henry. But we've
always got to trigger that.
Speaker 1 (03:50):
Sound familiar Trigger, Tiger Martin.
Speaker 4 (03:54):
You remember now? You ever heard the name?
Speaker 6 (03:56):
Yes?
Speaker 1 (03:57):
Somehow it seems familiar.
Speaker 4 (04:10):
Trigger Creger, wake up?
Speaker 1 (04:13):
Oh how's your head? How it's better? Friend?
Speaker 4 (04:17):
You've been sleeping since we got here about three hours ago.
Speaker 1 (04:20):
Where is here? Oh? Oh? I remember the hotel.
Speaker 4 (04:23):
That's right, the Crescent's Hotel, the Preston Hotel. What else
do you remember?
Speaker 1 (04:28):
Well, everything that you told me?
Speaker 4 (04:29):
Anything else come back to you?
Speaker 1 (04:31):
Oh? Are you sure?
Speaker 2 (04:34):
Now?
Speaker 4 (04:34):
What did I teach you?
Speaker 5 (04:35):
My name is Trigger Martin. You're Fred Booch. Oh, I'm
chief is hell Drake? I was driving with George Smith.
Speaker 4 (04:43):
Now about the little fellow he's called Pete.
Speaker 1 (04:47):
Fred?
Speaker 4 (04:47):
Yes, Trigger, what what.
Speaker 1 (04:50):
Do we do we? Yeah? I mean you're the brains,
aren't you.
Speaker 4 (04:56):
Well? Yes, I'm the guy who figures things out for
Ral and Schmid's good at safe cracking and some of
the heavy work. Peter used to be a dip, a pickpocket.
He's got light fingers, nervous, but good to have around sometimes.
Speaker 1 (05:08):
Oh what about me?
Speaker 4 (05:12):
The rest of us have pulled some pretty rough stuff, Trigger,
but we've all kept our hands clean of your line.
Speaker 1 (05:18):
What is my life?
Speaker 4 (05:20):
It's murder?
Speaker 1 (05:21):
Trigger, murder. How's he getting along?
Speaker 5 (05:33):
Fred?
Speaker 1 (05:34):
Trigger?
Speaker 4 (05:35):
Okay? Your treatment or what's wrong with it?
Speaker 1 (05:38):
Risky? Nah?
Speaker 4 (05:39):
He'll be all right.
Speaker 6 (05:40):
He better.
Speaker 1 (05:41):
We need him but soon.
Speaker 4 (05:42):
I told him just now that he was a killer.
Speaker 5 (05:44):
Yeah, And he questioned, now.
Speaker 4 (05:45):
He just wanted to learn all about himself.
Speaker 7 (05:49):
Would you be letting your rooms clean now, mister Drake.
Speaker 5 (05:51):
Sure anytime, missus Calder. But since under you open doors
without knocking, if.
Speaker 7 (05:55):
You're lot up at this time of day, you ought
to be ashamed of yourself.
Speaker 4 (05:58):
So it's not that missus Caller, but some times we
have business conferences and can't be disturbed. Business is it?
Speaker 7 (06:04):
Well, I've got a couple of dollars put away.
Speaker 1 (06:06):
I'd like to invest. Missus c you're a great kidd.
Speaker 7 (06:09):
Then why should I be kidding. I'd like to live
in style like you, Mister Booth and the other.
Speaker 5 (06:14):
Gentleman finances hard work. Missus Calder, you better stick to cleaning,
and that's.
Speaker 7 (06:18):
Just what I'll be doing if you gentle let me
and I'll start in this inside room, and missus.
Speaker 4 (06:24):
Caller, I, I don't think you better go in there,
and not for a couple of days. One of our
associates is in there sleeping. Mister Schmith, no alle new associates.
He he was hurt a little.
Speaker 1 (06:33):
In a hunting accident.
Speaker 4 (06:34):
He's got to have rest.
Speaker 6 (06:35):
You.
Speaker 7 (06:36):
I'm thinking you'd just like to be living in a
dirty room. Phil, I'll be back later then.
Speaker 5 (06:42):
I think you'd better and remember, don't go in there.
Speaker 1 (06:45):
I'll not be forgetting.
Speaker 4 (06:46):
Mister Cheef, we already get out of town. Really hide up.
Speaker 5 (06:49):
They can't pin anything on us yet, he SAIDs I
like to live nice. I like to live what seating
you you don't have a metal rap against you. So
what Chigg is the only guy in this marble whoever
had the chair to worry about? Now out, calm down,
you saying something about me chief a trigger?
Speaker 4 (07:05):
You ought to be taking it easy in your own room.
Speaker 5 (07:07):
I tried, but every time I lay down, my head
started something hurting you trigger, not exactly hurting. But then
this business what you told me before about my my
killing people, I.
Speaker 4 (07:20):
Don't like it. What's a matter of trigger? You're going soft?
Speaker 1 (07:22):
Maybe I am.
Speaker 5 (07:23):
You know what happens to pells of mine that goes surf?
Oh no, I don't nothing much, nothing much that you'd
get to hear about. And we don't even notify their families.
I don't know as that make much difference to me.
I can't even remember my family.
Speaker 4 (07:39):
You can't remember lots of things, but they happened.
Speaker 1 (07:41):
So what so I want to quit trigger. I want
to quit you hear.
Speaker 4 (07:44):
I don't know what I did before, how I felt before,
But I know I couldn't go around knocking off guys
just because you put the finger on them.
Speaker 1 (07:50):
Not now.
Speaker 4 (07:51):
Maybe the suck on my head softened me or made
me yellow, or reform me, or whatever else you want
to call it. But I just couldn't kill a guy,
and I know it not. Now there's something inside tells me,
what are you gonna do about it? Trigger? There's nothing
to prevent me from walking out of here? You easy?
Speaker 1 (08:08):
How well?
Speaker 4 (08:09):
Look? Trigger? How many guys have you knocked off?
Speaker 1 (08:12):
I don't know.
Speaker 5 (08:12):
I can't remember. I can't remember anything except what you
told me.
Speaker 4 (08:15):
Now listen to me, and listen carefully.
Speaker 1 (08:18):
I know of six me six murders.
Speaker 4 (08:23):
Yeah, and I don't know how many before you started
working for ROW.
Speaker 5 (08:26):
I heard you've done plenty.
Speaker 4 (08:27):
Sure, sure, you can walk out of here if you
want to, but it won't do you no good.
Speaker 1 (08:31):
I don't get it. Six murders right to go.
Speaker 4 (08:35):
Every cop in the country's got orders to drag you in,
dead or alive, and with your rappers a cop killer,
they're gonna shoot first. Now do you want to walk?
Wh do you want to play ball?
Speaker 2 (08:44):
Oh?
Speaker 1 (08:44):
Well, I'll stay. I have to stay, Padie. Will you stop?
Jump from one chair to whether.
Speaker 5 (09:01):
I can't have a trigger. It makes me nervous to
stay in one place and then get out of it.
I can't I well do sick like that.
Speaker 1 (09:06):
They're not doing any good. Why don't you get out
of hi, Chief Sugar?
Speaker 5 (09:10):
I say you've cut it down, not so independent like
they were a couple of hours ago.
Speaker 1 (09:15):
I'm okay, Now, I suppose.
Speaker 5 (09:18):
You can take a few minutes off. I'll stay with
the Trigger.
Speaker 1 (09:21):
Thanks you.
Speaker 5 (09:24):
Now I'm gonna work for me? Or do you want
to be plugged by a top?
Speaker 1 (09:28):
I said, I was staying.
Speaker 5 (09:29):
Make sure you mean it. I've got a little job
for you.
Speaker 1 (09:33):
Oh oh is it?
Speaker 5 (09:34):
There's a little squirt of a reporter on the daily
herald in his town and he's out to cause trouble?
Speaker 1 (09:39):
What's he done?
Speaker 5 (09:40):
Shut his mouth off about me every day for the
last week in his paper.
Speaker 1 (09:44):
He knows too much? What's his name? Jim Briggs? Where
can I? What can I contact him?
Speaker 5 (09:51):
I don't know where he lives or what he looks
like cooking. My outside man is trying to get some
dope on him before you go to work. Okay, see
you later, Pete. Ask you Fred Schmidt and me are
going out on some business. You stay and keep Trigger company, sure,
Chief Song, So.
Speaker 1 (10:08):
Long, Pete? How long have I been working for?
Speaker 5 (10:13):
Two years ago? Why it's funny me not remembering who'd
I worked for?
Speaker 1 (10:19):
Before. You know, you never told me do you have
any friends? You know? Outside of my eye? I know
you didn't talk much. How about family? I guess you
got them. Where do they live?
Speaker 5 (10:29):
I don't know.
Speaker 1 (10:29):
Do you ever see me with a girl or anything?
Speaker 5 (10:31):
Why are you asking all these questions on Pete Joe?
Speaker 4 (10:33):
I don't know nothing like today. I don't understand, Peter.
Can't you tell me anything about myself? A quick pastern
met Pete? Did I have a serve time?
Speaker 1 (10:41):
Yeah? Yeah, I think you did? What prison? Stop it?
Stop it? Well, you don't ask me to walk. I
only asked you why. I can't stand it. I can't
stand it. I just shut up.
Speaker 4 (10:49):
Questions, questions, questions.
Speaker 1 (10:50):
I gotta get out of here. I gotta get out
of here. Hey, what's the matter with that guy?
Speaker 3 (10:58):
Yeah?
Speaker 1 (10:58):
Come in? Excuse me, sir? You mind if I do
a bit of destiny? No, not at all. Come on in.
Speaker 3 (11:05):
Here.
Speaker 7 (11:06):
Mister Drake told me not to disturb you. But the
differing room kind of gets you down when you have
to stay in it, don't it?
Speaker 1 (11:11):
Yeah? It does.
Speaker 7 (11:14):
At the nasty knock you've got on your head.
Speaker 1 (11:16):
It's nothing. I just thumped in o a door. If
you'd like, I'll send doctor Riisner up. He's the hotel doctor.
Very good to you at itself. Just did you say, sir.
Speaker 7 (11:29):
Man, I'll be on my way now, just to look
into promise. But i'll do Sarah job tomorrow.
Speaker 1 (11:34):
Thanks.
Speaker 3 (11:35):
Oh.
Speaker 1 (11:35):
Just pick up that piece of paper in the door,
will you this?
Speaker 5 (11:38):
Will you want it?
Speaker 1 (11:40):
Yes? Please? Pete dropped it. I'll give it to him. Thanks, yes, sir, Yeah, goodbye,
So long, PD.
Speaker 5 (11:53):
Tell all everything is set for Trigger's burial? Do you
supply of body?
Speaker 1 (11:57):
Cogan? Are they going to get rid of me? Well,
we'll see about that figure tigger.
Speaker 5 (12:05):
Do you happen to see me drop a little piece
of paper?
Speaker 1 (12:07):
Piece of paper? Yeah? Oh, oh, I didn't.
Speaker 3 (12:35):
Our story is about a mind, a mind from which.
Speaker 1 (12:39):
All memory has been erased.
Speaker 3 (12:41):
Its owner was brought to the headquarters of Al Drake's
notorious gang in the Crescent Hotel.
Speaker 1 (12:46):
There, his history was taught him by Fred Booth, the
brains of the gang.
Speaker 3 (12:51):
There, he was told that he was Trigger Martin, Trigger Martin,
who had killed many men. Even though he felt he
could not go on with his murderous career, he knew
he was bound to it by his past, but then
he intercepted a message that indicated he was to be killed.
Speaker 1 (13:11):
Everything set for Trigger's burial. Your supply body. Why do
they want to kill me? The cops I can understand me.
There on, tell I've got to get out of here.
I've got to escape. I got trigger. What do you want?
(13:31):
Snap out of it? I wasn't doing anything, Schmidt sitting.
Speaker 6 (13:34):
There thinking, I don't like it.
Speaker 1 (13:36):
What do you want me to do?
Speaker 4 (13:37):
Talk? Talk?
Speaker 1 (13:39):
I don't feel like talking.
Speaker 6 (13:41):
Pete says you drove them nuts. What you're talking now?
You're quite like a boneyard.
Speaker 1 (13:44):
Come on, talk all right, I'll talk. Do I have
any family? Schmidt? I didn't safe. We had asked questions.
That's all I got on my mind. I'll killing me yourselthing.
You don't like staying here with me? Do you? He'll
tell me though, he said you didn't be left alone.
I'll be all right. I won't try to get away.
I didn't ask you.
Speaker 5 (14:04):
I'll go ahead, Smith, I'll be okay. Play some of
the records.
Speaker 1 (14:09):
Hey don't want to get in a no trouble with that.
Speaker 5 (14:11):
You won't come on? Go on, take a little time off.
Thanks thanks Triggering. I'll see it. I think a good
loud record Starnast Sinkos Blo, Dark Town Studs Born. Look
at this Personal Recording Studios Boardwalk, Atlantic City, regards to
(14:38):
al and all the game from Gloria and Trigger. Yes,
I gotta hear Gloria.
Speaker 1 (14:50):
I having a great time here, and.
Speaker 7 (14:54):
So you like regards to the boardwalk, Say something walker,
you know, say hello?
Speaker 1 (15:00):
Say anything?
Speaker 4 (15:03):
Well, I just want to find all regard now, I
mean me and Bouria.
Speaker 1 (15:07):
How long I have to talk for you? Well? I
just want to find out regard now, I mean me
and Loyer?
Speaker 4 (15:17):
How long do I have to talk Forria?
Speaker 6 (15:21):
Hello?
Speaker 1 (15:22):
Anything?
Speaker 6 (15:24):
Well?
Speaker 1 (15:25):
I just want to find out regard now, I mean
me and Bloyer? How long do I have been talking about?
I'm not triggered, and I'm not who am I? Do
they know who I am? Why are they trying to
tell me I'm Trigger? Martin?
Speaker 6 (15:50):
He's a sleeping out Chief Pete standing outside the door, right, Yeah?
Speaker 4 (15:54):
I don't like it? Why not?
Speaker 1 (15:55):
It's too smart? It won't work out.
Speaker 4 (15:57):
What's worrying you?
Speaker 1 (15:58):
Someone's gonna miss him. That means trouble.
Speaker 4 (16:00):
Maybe you don't know anybody in town that chance. Get
him out of here tomorrow kill him, not me. I
don't like murder buck chief. The guy has sold completely
on the idea that he's triggered.
Speaker 1 (16:08):
Gives me the.
Speaker 6 (16:09):
Willi's in trigger, waiting to be buried, and this guy
thinking his hens.
Speaker 4 (16:12):
I'll stop acting like pete fuck. The guy gets in
our way when we're doing a job, Schmid knocks him
out with his clumsy mits. We can't leave him around.
None of us wants to bump them off from us.
Speaker 1 (16:21):
We have to.
Speaker 4 (16:22):
Then I come to the rescue.
Speaker 5 (16:23):
We should have left them there.
Speaker 4 (16:25):
If I know he'd lost his memory, then I would have.
But this way he's gonna bump off brakes and we'll
be in the clear. It's a perfect setup, you hope.
Sure it is. I'll figure it out for yourself.
Speaker 5 (16:33):
I don't know, Fred, I only wish.
Speaker 1 (16:35):
I knew who he was.
Speaker 4 (16:46):
Trigger.
Speaker 1 (16:47):
How you feeling oh much better today? Fred? Ahead?
Speaker 6 (16:50):
All right?
Speaker 1 (16:51):
Oh sure, IL told me you had a job for me.
Speaker 4 (16:55):
Yeah. I think I could do it today. You better
do it today. That's what I came to tell you
about it.
Speaker 1 (17:00):
Outside. The guy's name is Jim Brik.
Speaker 4 (17:02):
That's right. And if you know what's good for your trigger,
you're going to get him, but fast. Look what he
says in today's paper. The most flagrant flatter of the
law in this gang of hoodlums is a vicious gunman
who goes by the name of Trigger Martin. Of all
the members of this organized crime syndicate, he should be
the easiest to convict for his rumored that he is
responsible for at least six cold blooded murders. How about
(17:25):
some action, mister police commissioner.
Speaker 1 (17:27):
What do you think about that? Trigger? Let me see that.
Speaker 4 (17:30):
Do you want to say it for? I read you
the part about you.
Speaker 1 (17:32):
I want to see it.
Speaker 4 (17:33):
Okay, here, punish yourself.
Speaker 1 (17:36):
The most flagrant flutter of the law in this gang
of hoodlums is a vicious gunman with the name of
Trigger Martin.
Speaker 4 (17:43):
And how do you like that? That guy's going to
see that Ji burn unless he gets shut up? Hey,
what's eating you?
Speaker 1 (17:49):
Fred? Did I ever see this article before?
Speaker 3 (17:52):
Now?
Speaker 1 (17:53):
You couldn't have just come out today For a second.
I thought you've.
Speaker 4 (17:57):
Got no time to think. Trigger. The only thing that
will do you any good now is they get ahold
of that. Briggs.
Speaker 5 (18:01):
Yeah, yeah, you're right, Breaks, he's my man. Listen now,
I've been waiting three hours. I can't stand it. I
got to get into acts. Shake it easy, Trigger, Let
(18:22):
me track the guy down.
Speaker 1 (18:23):
That's Pity's job.
Speaker 5 (18:24):
Yeah, as soon as he's got the dope file, give
the ghost.
Speaker 4 (18:27):
But al, I'm a dead duck. If I don't nail
Briggs and Song.
Speaker 1 (18:29):
Here, you will be.
Speaker 5 (18:31):
We can't afford to make any mistake.
Speaker 4 (18:32):
That's what I've been telling him. See, but he got
all worked up about those newspaper holics.
Speaker 5 (18:36):
David Trigger until.
Speaker 4 (18:39):
I must repeat he open up Smith.
Speaker 1 (18:41):
Okay, Brett, Pity and Luck. I just get a line
on this guy. Briggs, go ahead and out rushman. Chief
makes me nervous. Come on, Herald got him in from
Chicago to do this job at us. He's new to town.
Speaker 5 (18:55):
That's why we don't know him.
Speaker 1 (18:56):
Yeah, yeah, I guess. So where's he lived?
Speaker 5 (18:58):
He got his office set up in his room in
the same place. Send us up the hell over the phone?
Speaker 1 (19:02):
He he where does he live? Chee cheek? Did that dinner?
Speaker 5 (19:05):
Forty one McDougall Alley in the basement. One of them
got an apartments?
Speaker 1 (19:09):
Did you get that? Trigger? Sure? Forty one McDougal ally
in the basement.
Speaker 5 (19:13):
Okay, that's right, And here's your gun. I get going.
Speaker 1 (19:26):
H M McDougall forty seven, forty five.
Speaker 5 (19:40):
Twenty three forty one.
Speaker 1 (19:48):
Basement. Careful maybe you trap. Don't forget that. I'm lying
all along.
Speaker 5 (20:01):
Careful, careful, do door to his apartment. Maybe he'll help
me if he doesn't shoot me first, I'll try.
Speaker 8 (20:17):
The door's not locked. Kah start, I'll let him match.
Speaker 1 (20:33):
Teph begain o let me go. No, you don't, buddy,
he's got a gun, right, good work right in my head,
he's out.
Speaker 4 (20:46):
Well, that'll take care of him for a while.
Speaker 1 (20:48):
There's a close call, those as I've had since I
joined the force.
Speaker 4 (20:52):
Yeah, that gun ain't no toy.
Speaker 2 (20:55):
Mm.
Speaker 1 (20:56):
He's coming around and snap the cups on.
Speaker 4 (20:58):
Him right, Wonder what his angle is on the case
and question Hey.
Speaker 1 (21:04):
Come on, come on, snap out of it. Wake up
you my head, Come on, come on, come on out
of it. Hey, who are you? What are you doing here?
Speaker 5 (21:17):
It's just what we were going to ask you. Well,
this is my apartment. My name is Braggs. Jim Briggs.
Speaker 1 (21:24):
Jim Briggs just appeared three days ago. We're working on
the case.
Speaker 4 (21:28):
If you're Jim Briggs, maybe you can tell us where
you've been after.
Speaker 1 (21:31):
The police force has been looking for Briggs. I don't know.
I can't remember.
Speaker 4 (21:39):
All I know is that I'm Jim Briggs and this
is my apartment.
Speaker 1 (21:42):
Yeah. Do you usually come into your apartment with a
gun in your hand? I don't know. All I remember
is I remember watching a gun battle. You sure you
weren't in it? And then yeah, I remember now a little.
I was in a hotel somewhere in town with some
(22:04):
men named Tree and Booth and Schmidt and Petie.
Speaker 4 (22:08):
Hey cried, that's our great mom.
Speaker 1 (22:10):
Yeah, this guy is one of them. He must be
that Trigger Martin character.
Speaker 4 (22:14):
You know, we never got pictures of any Oh, I'm
Jim Briggs. I tell you, well, give me a chance.
I think I can lead you to their hideout.
Speaker 1 (22:21):
Please. I think I remember where it is. Okay, Fred,
this was your idea.
Speaker 4 (22:34):
He'll come back now. I got that guy completely bambooths.
Speaker 5 (22:37):
I don't want to stay here be trapped.
Speaker 1 (22:38):
They'll get us. They get us for sure. If Hedy
shut up.
Speaker 4 (22:43):
What I tell you, he's back.
Speaker 5 (22:45):
Okay, open up Smith, Well, tigger, did you do it?
Speaker 1 (22:50):
He told me to kill him? Didn't you set the dramatics?
Speaker 5 (22:53):
Of course?
Speaker 1 (22:53):
I told you, well, I did it.
Speaker 5 (22:55):
I found the guy in his apartment. I was working
at a desk. He looked up and I gave it
to him. Let's have your gun triggered my gun?
Speaker 6 (23:04):
What for?
Speaker 1 (23:05):
Come on, hand it over, I throw it away.
Speaker 5 (23:08):
I don't believe it's Smith.
Speaker 1 (23:09):
Pappy. I'll tell your dog Schmid. Put up your hands.
All of you trigger. No point in getting jumpy.
Speaker 5 (23:16):
How long do you think you'll get away with it?
Speaker 4 (23:18):
You know I'm not triggering line or whoever you want.
Speaker 5 (23:20):
Whatever your game is, No one president doesn't stand a
chance against four.
Speaker 4 (23:24):
You won't get out of here alive. I think I
will pity open that door. QUI, yeah, right away, Come
on in cretter.
Speaker 1 (23:30):
All right, you guys, final lease holdlumbs into the wagon
to get what you wanted. Credit, perfect direct evidence tying
Greg to attempted murder. We've been trying to get that
for years, Greig work with Greggs. Booze, you idiot.
Speaker 5 (23:42):
We had the guy who all the time, sure.
Speaker 1 (23:44):
You had me. I didn't know it and you didn't
know it.
Speaker 4 (23:47):
Hey, that will make a swell feature story. The Case
of the Unidentified Body, written by the corpse.
Speaker 5 (23:54):
Itself from shadows and stillness. Mystery weaves a spell of
(24:20):
strangest fascination, charging the mind with doults and fears.
Speaker 1 (24:27):
For mystery is a
Speaker 5 (24:29):
Strange companion, a living memory in the haunting power
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