Susan Stepped Out

Episode Transcript

(00:07):
The First Nighter Program, a copyrightedfeature Coast to Coast presented by Campana,
the makers of Solitaire, the NewCake Makeup and Campana cream Bound, the
new hand lotion containing Lanolin. TheaterTimes Broadway, and once again Campana invites
you to an exciting opening of anew and original play at the Little Theta

(00:28):
off Times Square. If you neverattended a play opening before, then you're
in for the time of your life. This evening crowds gayety excitement. There's
nothing to compare with it. Wedon't want to miss a minute. So
let's be on our way. It'sjust a short walk around the corner.
Will you join me? The streetsare crowded in the sidewalks, gam shall

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we talk him? Well? Herewe are at the Little Theta off Times
Square. Have your tickets ready?Please have your take us twenty please leading
mister first Nader, the usher willshow you the ear box. Thank you,
We'll go right in. Well herewe are comfortably seeded. With a

(01:15):
moment or two for a look atthe program. Barbara Luddy, our popular
leading Lady Tops are all star castin a brand new play by Ben Pearsonander
in a Lazarus and titled sill Themsteps up opposite. Miss Luddy is her
guest leading man Orland Slay and Baturedin the role of Henry Dodds is willed
waterman. The play is pure viction, of course, and does not refer
to real people or to actual events. Now, while we're waiting for the

(01:38):
curtains, let's listen to Eric sagaChris Andy's first night of Roches drama.

(01:59):
Right, there's a signal for afirst dress my dollars, and here's a
placed Hello, oh Jane, ifyou again now for the last time,

(02:21):
I will not change my mind.I've got a right to send my own
money anyway I choose, and thenI've got to hang up now. Henry'll
be here any minutes, of course, you know him, Henry Dobbs floor
walker, third floor a notion.Well, what's so funny? Can you
think of anybody with more dignity,more saboor affair than a floor walker?
Ooh, he's here now, I'llsee tomorrow, just demit it. I'm

(02:45):
coming. Oh, come in,mister Denhard, Thank you my what a
nice apartment you have, missus Schlemmer, Well, it's the best I can
get on the salary. At Stacy'sdepartment store. Can you sit down?
Thank you, Miss Lamon. Docall me Susan and I'll call you Henry.

(03:06):
It's less formal as well. I'dbe delighted. I was quite flattered
when you asked me to call thisevening, Henry. I'm going to be
very honest with you. I've gotsomething to talk to you about. It's
really well, sort of a businessproposition. Oh business, yes, Henry.
I've been saving my money. Well, that's very commendable, save each

(03:29):
day the Stacey way. I presumeyou have an inspired reason for your threat.
You bet I have. I've beensaving up for an investment. Oh
excellent, Have you anything specific inmind? Can me get guilted? Hey,
it can't, miss. I've savedThere was three hundred dollars and I'm
going to think it all into SusanIncorporated. All right. I'm afraid I
don't understand. Well, you see, I want to be an actress on

(03:51):
Broadway. Really well off, Now, I understand, of course you're saving
up for dramatic lessons voice culture addiction. Oh no, I got all that
at the Little Theater Group and twofall. Well, then if I may
ask, what are you saving forI skinny. I want to go to
the Swallow Club. Swallow clubs?Is that a branch of the Autobun Society?

(04:15):
The Autobun Society, No Wittens.Where do all the columnists go at
night? The Swallow Club? Wheredo all the broader producers spend their evenings?
The Swallow Club? Why is themost exclusive night club in New York?
Oh, Dennis must be very expensive? Who cares? I told you
I've got over three hundred dollars.Oh, but surely it couldn't cost that
much just for one evening? Wellit will where I want to go.

(04:36):
I'll be wearing a Carnegie gown ina park avenue manner. I'll have my
hair dressed by antwine, and anorchard on my shoulder, Dolmen slippers on
my feet, and I look likeI belong. Well. I do agree
that you're very pretty attractive and delightfulperson. Indeed, even so, I
don't see what could possibly happen injust one evening why I could be discovered?

(04:59):
Did America go out discover Columbus?Or did Columbus go out and discover
America? Columbus went out and discoverOh? Weh? How do I fit
into that. You are going totake me white, miss Now, don't
worry about the money. I've gotenough to pay for everything. Miss Lammer.
Really you got to well, you'vegot to tree. Oh dear,
I well, I make miss luh Susan. I'll be glad to take

(05:21):
you of it. Oh, Henry, you're a darling. Now. The
first thing you do is make areservation. Let's make it uh Saturday night.
That'll give me time to buy adress and everything. I'll call him
now. Oh shall I do itfor you? Oh no, I'll enjoy
doing it. Why I've dreamed ofthis moment from mon Tell me there's a
full page about the people to Swallowclub there in that magazine. On the

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table. But oh hello, I'dlike to reserve a table for two for
Saturday night. Oh but you month? Well, I mean it did,
it's very important. Well thank you? Oh what's wrong? They're all booked
up? Oh no, no,don't be disappointed. We'll go another time.

(06:02):
Oh. I'll bet if I wasVirtude Laurence or you were Noel Coward,
we'd get a table. Well,I've never fancied myself. It's no
old Collard. Wait a minute,give me that magazine. I've got it.
What is it you see? Justwait a minute, hello Swallow Club,

(06:24):
would you kindly put me down fora table for Saturday night? Why
don't be ridiculous, of course youcan. I'm sis. The name Dumont
are Winston Dumont, Dumont Susan.You can't do that, Thank you very
much. Sand Do you know whoDumont is? Certainly the greatest name in
silts? It says, so you'rein the magazine, but just said I

(06:48):
why, I'd be an impossible Stopworrying. You won't even attract attention.
Big names don't mean a saying atthe Swallow clubs Oh, dear miss Slammer.
And incidentally, my sage name isdem Susan. You better practice it.
And oh, don't look so glum. I'm sure you will be even
more impressive than Doumont himself. Youmust look grand and address you. You

(07:10):
do have one, don't you?Oh? Yes, As a matter of
fact, it should be an excellentcondition. I haven't worn it since the
Street Centennial. Then we'd better rentone. The elite Textio company has a
model is just made for you.Oh, I hope you know what you're
doing. All that money on oneevening. I got it all figured out,
even picked out my dress, andwe can just make it if we

(07:33):
ordered the three fifty dinner. Ohreally, I could order a tongue on
rye. What R. Winston doesnot order a tongue on rye? So
we sell it. We'll have thethree to fifty dinners. Sili. I'm

(08:01):
really the small clubet. It's likesitting in the taj Mahal Susan since thirteen
oh six man has not set footin the taj Maha. Oh he and
we don't be too technicop, I'mmuch too happy to be bothered with detail.
Yeah, if you do look happyin the fact, if I may
say so, I had no ideayou were so lovely. Thank you,

(08:22):
and oh here coming to captain,Oh dear me. I still wish we
hadn't used the name demand to getit, and remember order the three fifty
dinners. I toost it stably satisfactory. It's very nice. Thank you.
And now of course you will allowme to order dinner for you. Well,
we were just going to Earth.I know you would be pleased with
my selections. Now let us startwith oysters on a shared for Taijue on

(08:46):
Deep Shait with dressing l Andre.Well, really, mister Dumont is really
fortunately deep tonight. We have justa few mout of decks for very special
guests. Then for dessert, shallwe say, Shari Rubelly of A shipped
the young lady with prefer crypture Jay, Well, just some ice cream,
ice cream of course, then weshould have baked Alaska. And then the

(09:09):
more I think I shall order yourdinner personally and it will be your presently
Miss Slammer Dennis. Yeah, MissDennis. Still realize what this tech is
going to amount to. But butit might be fifty hours. Stop worrying.
We might have roll be gay aboutit. But we'll find a pearl
in the oysters. Well I've neverfound any pearls in oysters on the hatshell

(09:37):
to Go Cigarette Guardians, to GoCigarette Andrey, who's the guy you've given
all the business? Well, Dot'smischie me. Oh, that guy is
our way to do money. Youknow, I believe this is the first
time he's ever been in a nightclub. You don't see what his racket.
You know he'll do more silk Youmean, do you do Mark? Which

(10:01):
give me the right back? Hey, Terry, where you go? I
gotta call him brother Fred? Hello? Yes, sure spread? What's up?
Terry? Why two months at theSwallow Club? Are you sure well?
Hold him there? Sis, I'llbe right over. Yeah, immigrant

(10:30):
comes down on the first sack ofto night's play in a little theater all
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(12:09):
whos are hurrying down the aisle totheir seat lit him. I'm here's
the second act of Susan's Taps.You know something, Henry, I like
this wild duck four nonsense. Thisis a delicacy for gourmets. Well maybe,
but just as Henry that man overthere doing on the great predshu fat

(12:33):
Lee Schubert a descendant of Frank Schubert, no a brother of Jake. They
just produced around Broadway, Henry.I've got to make him notice. But
how let's dance past his table.Oh I haven't danced since the Seth Street
Sentaniel. Then he's bound to noticeme. Now listen, when we get
near his table, you ask meif I'm going into a new prey,

(12:54):
and I'll tell you Rock Temberton isdying designed to will run up a play
contract and your pardon, mister Dumont. Oh, yeah, my name is
Fred Kimball. I've got to talkto you as well. I I'm engaged
to congratulations, but I have gotto talk to you. Let me ask
you down. Thank you. I'msorry to intrude, but what I have
to say is more important than youor me your parties. It's something big

(13:16):
enough to revolution. I have theentire silk industry. Indeed, yes,
what would you say if I wereto tell you that I've developed a substitute
for silk that will where longer,have twice the luster, and take about
one tenth of the present cost produce. Well, I'd say you were very
fortunate. Hey, you bed,and you're fortunate to mister Dumont, because
I'm going to let you in onthe ground floor. Well, really,
I'm not asking you to take myword for it. One fact is worth

(13:39):
a thousand theories. Here, takea look at this material. Why if
silk, isn't it not silk asubstitute my creation? Now, of course
you won't test to do month wewere, we were going to stay.
Remember, no, Now you mustn'tget impatient. Mister is miss Schlemmer Dennis.
How do you do, Miss SchlemmerDennis. Now let me explain it

(14:01):
to you. You see, it'sthe first thing we do is squirts the
liquid through the filaments. Filaments.Yeah, then the threads are tied into
not oh not after which, misterKimball, I'm sure your new product is
everything that you claim. But afterall weekend hear the dance and enjoy ourselves.
That's oh, of course, I'msorry. I'll tell you why,
mister Dumont. Suppose you just allover what I've told you while Michelma,

(14:22):
Dennis and I take a turn onthe dance floor. Yeah, it's the
cause. Look, I hope you'renot sore. I when I'm barging in,
but it was the only way Icould get to talk to du Mont.
Oh, that's all right. Whatkind of guy is he do you
think he'll give me a break?Right? Oh? Yes, Brock Kimberon
is just begging me to take arun of the play contract. Huh.

(14:43):
But An expresses the also careful aboutthe kind of role she plays. I'd
never take a plot. I didn'thave a feeling for what's the matter with
you? Why you're sweet comparing mewith Gertrude Lawrence. It's such a sincere
compliment. Look, let's get outof here, your batty Lauren. Let's
take that table over in the corner. No, really, I have to
get back. I'll sit down.Well just for a minute, now,

(15:07):
what was that double talk about BrockPimberg. Well, if we're dancing fans,
mister Schubert, I want impressing.Oh so that's it. You want
to be an actress. I aman actress, or I need is a
chance to prove it. I getit. So you'd like Dumont to back
a play. Now, I knowwhy you were burned up about my coming
to your table. You were afraidI was gonna stime your act. Well
you don't understand. I understand,all right. Why should anything that concerns

(15:28):
a guy like me matter to agirl like you. I worked day and
night, going without meals to protectmy product, then going hungry something you
wouldn't know about you think, No, I know what a dress like you're
wearing sets your back. I gota sister. I could respect a kid
that wanted to go on the stageand did it the hard way. But
a girl like you who steps upand gets some angel like Domont. You
are quite the judge, un't you. Well, I only know what I

(15:48):
see and what I say doesn't lookgood. Well, I won't expect any
help from you. All I askis that you don't stop Dumont from me
helping if you quite sinning, SoI'll go back to my table. Go
right ahead, but I'm going withyou. Well, did you enjoy your
dance? Yes, mister Kimball's awonderful day. And did mister Schubert see

(16:10):
you? Yes? He's crazy aboutme. Everybody's crazy about me. You
want me to do mint? There'ssomething I neglected to tell you about this
product of minamy? Is that possible? Yes? You see who that the
man who just came in? Who'sfor him? But that's Gordon Broderick.
You know it's a big Broadway producer. See him before, Susan, Look
who's with him? Mister Stacey?For sure? You know who he is?

(16:30):
J G. Stacy own Stacy's departmentstore. Yeah, so I've been
told. Oh, I just gotto make mister Broderick notice me well away.
Stacy's staring over here. I'd sayyou made ahead with him, Susan,
Shall we go now? Don't beridiculous. I wouldn't think of it.
Hey, what's the matter with you? J G? Who you're staring
at? That man? The oneover there seems to me I've seen that

(16:52):
face before, probably hot springs.But that's pretty blond he's with. Haven't
seen her around town? To findout who he is? A thing like
that can keep me up all night. Oh here's Andre, you know,
Andre, just a moment you wishsomething? Yes, that man at the
next table, the one with thepretty blonde girl, the young fellow,
who is he? Oh that justmissed up? Do man? Ah,

(17:15):
wistone do man dumont? Oh?Thank you Andre. Not to Tony Brodrick.
What's the manner? Brodrick? Thatman is not our Winston? You
want? I'm going to find outwhat this is all about? Well,
after all, old man, Iwouldn't cause a scene. It's really no
concern of yours. Most certainly iswhy you want and I were classmates Harbord
ninety eight. Why he practically carriedme to calculus? Oh forget it,

(17:37):
s g No such, I've gotto find out who this impostor is.
It's the true Harbord spirit flass matesforever. Why not invite him to the
table with the little plod good idea? Oh wait then wait there just a
moment I'd like you to. Theycalled the waiter and he's coming over here.
I'll bet mister Bradrid wants to meetme. Don't care yourself, sister,

(18:00):
that Bradwick pretty girls are adam adozen good. He said that mister
Stacey would likely to join his party. Mister Kimball, it's been nice meeting
you, and I'm sure we'll heargreat things about your invention some day.
But if you look, are youkidding? I'm coming along? Well?
I wouldn't miss it for the world. But really, miss miss Dennis Susan

(18:23):
taking back a nice play. Longtime walking downstairs during the other lobby.
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(18:44):
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(19:07):
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(19:51):
hands. Wow, the first lettersare role in their seats, ready for
the last tack, and there goesthe curtains. It's odd, mister Dumont,

(20:14):
but I seem to have the distinctfeeling as we've met before. I
hardly think we've had that pleasure,Sir, might as have been Adobe,
really, sir, mister Stacy,mister Rogert, I think you're the greatest
producer in the American theater. I'venever missed one of your plays. Is
that so? Then? I presumeyou've seen Gods of the model I've lived.
Laurlai is my favorite character in moderndramma. Sometimes I think I am

(20:37):
Laura Lai. You do couldn't havebeen The Flower Show, mister Dumont.
Oh, No, I never goto the Flower Show my roast fever.
I shall never forget the final curtain. In my heart and eye, the
wonderful temple of the scene is slowlydescended. Yeah, and miss Schlemmer should
know she's one of the rising starsof today, Missus Slemmer. That was
my name. Of course, Dennisis mysational name. In fact, mister

(20:59):
Dumont, going to back and playfor misteners are too much to Dumont.
Oh, oh, yes, certainlyyou're mistaken. Mister Dumont is interested in
more vital matters. For example,mister Kimball's new product. I'm sure my
career would be much happier in thecapable hands of mister Broderick. Perhaps that
could be a rayed. What's allthis about your product, Kimble? Well,
as a matter of fact, misterStacy, I'm more or less given

(21:21):
mister Dumont a priority on it.It's a new substitute for silk. Hey,
this is a sample of it.Let me have it please? Oh,
yes, here it is. Thankyou now, man, I don't
know what you have or how valuableyour discovery is. But in any event,
you have not given mister Dumont apriority. Well, we haven't put
anything in writing, but mister Dumont'sword is good enough for me. It's
good enough for me too. Butthis man does not happen to be our

(21:44):
Winston Dumont. Well, are yousure if you'll just let me. You
will do your explaining at the propertime and in the proper place. You
don't know what you're doing, remindswhat I'm doing? What are you and
this man doing? Or have youbeen taken in completely too? Why?
Surely miss Denis's who popping listened?The young lady is quite innocent of any
participation in this whole sick and now, if you will excuse me, mister
Duro, are you leaving so soon? Dumont? This is not our Winston

(22:07):
Jumant? What hey, just aminute, bob, how about your check?
I'm quite prepared to pay my check. Well here it is fifty eight
fifty two, fifty eight fifty twofifty two. Well you see I fifty
eight fifty two camera and get itup? Well, can you see?
As a matter of fact, Ionly came prepared to have the three fifty

(22:30):
dinner. Arrest that man. He'san impossible No, it's all right,
mister Denis. You mustn't in thefair. I'm sure mister Broderick will take
you home. Come on, comeon, this is the first time a
pony ever hooked me, our WinsterDumrock. Something mustn't arrest him Dennis.
It must be quite a shock toyou. It's unspeakable. Gee, honey,
I'm sorry. Imagine a guy takingin a sweet kid like that posing

(22:51):
as a millionaire and I only gavehim my formula. You're a lucky man,
Kimball, and he didn't see thisstop at all of you Skilly wouldn't
see anything. He's not a peety. That's a lovable old character. Hey,
wait a minute, what is that? Well, I'll tell you what
it is. This whole thing wasmy idea. I wanted to come here
to be seen, to meet somebodyimportant like you and mister Broderick, who
could put me on the stage.When I brought Henry along because I needed

(23:11):
a NaNs court. Then Henry tookthe rap forier. Why you ought to
be ashamed of yourself, Miss Dannysay, it's not too much to ask
who in Heaven's name was that man? You might as well know it all.
That man is a floor walker inyour own department store, floor walker
my store. Outrageous. And here'sanother shock for you, mister Stacy,

(23:32):
as if yesterday, I too wasemployed at Stacy's as an elevator operator.
Cry number two Broadway sides going up, going down, said back in the
car, please, good evening,Come in, come in, grind.

(23:52):
Do you have the laboratory's report onthat piece of imitation? Still but yes,
I said, well let's share it, mister Stacey. We've tested this,
watched it or training fluid on it, burned it for lead content,
and the answer is it's perfect.It's possibleary to silk itself. Boy's engine
bare durable. Cheapa. Okay,this is sensational. You know what we'll
do with it? Yes, sir, oh I know, so, I
mean what will we do there?We don't pen the pact for you if
we have the product exclusive for Stacey's. We make talkings, dresses, draperies

(24:15):
and pursued Stacey don't sell parashues.Yeah. Wait, see though, we
did you want here that I've gotthis died up? And right from under
his nose too. I thought youwere mister old friends classmate. You once
told me Grant, there is sucha thing as stretching friendship too far.
Hang it all, I carried youone through four years. It was as
calculates a Harvard. But the youngman, sir, the one you met

(24:37):
the nightclub, he still owns theformula that doesn't think. Don't worry,
man. All I've got to dois to find him. Cigars cigarette God
you Terry, you trained you getout of here. You're gonna colly my
jobs. Look, Terry, you'vegot to help me find that. Look,

(25:00):
I don't know where she is.I forget it, wouldn't find her
any yallou to do a screwy thinglike she did. What she's ambitious?
You can't rule out for that.I was rough on her last night.
It's bothered me. Well, reunionas a swallow club. Here comes J.
G. Stacey. Now, oh, young man, I want to
talk to you. No, waita minute, mister Stacey. I didn't
have a thing to do with thatlast night. You had plenty to do
with it. As a kimbo.I had prepared to offer you a handsome

(25:21):
sum of your product. You areplus complete charge of all laboratory expedidentation.
You will plus of course a reasonableroyalty you do. Wow? What the
thunder you doing? Now? It'sall right. I'm ray Freddy. You're
wonderful. You're wonderful too, misterStacey. Sure, thank you. You're
very charming yourself. Fred Who isthis young lady? I'm sure, I've

(25:42):
seen her face before. Oh,don't mind her. She gets my kid's
sister, mister Stacy. Oh verynice. Fred. I'll expect you at
my office early in the morning.Oh, I'll be there all right.
Hey, see you tomorrow. Goodnight, Fred, Good night, KG
Terry. If I'm not being twoforward, there's a gentleman of the club
would like to package a cigarette.Okay, Andre, send him down to

(26:02):
the drug store. They got lotsof them. What are you talking about.
I'm talking about how my kid's sisterisn't working here anymore. I'm going
to send her to college, saycollege, sure, Smith or maybe wealthy.
I've had to go to Harvard,Harvard to college for man Terry here,
Well, what's wrong with this?Well, so pre out here come
you little girlfriends. Oh it's sorry, yeh, Now listen you lay off
her. I've come to pay thetwelve dollars and thirty eight cent ballans on
last night's dinner check. Oh thankyou. Hello, Susan. How do

(26:26):
you do, Susan. I've gotto talk to you. I've got to
tell you what happened. What isit Stacy's buying my product? I'm going
to make money there's lots of it. Well, I'm glad somebody profited by
my fiasco last night. Poor Henrylost his job. Yeah, don't you
worry about Henry. I'm going togive him a real job. And honey,
you're going to profit too. Whatdo you mean for I'm planning a
production for you. You're going tobe my leading lady. I'm Broadway about

(26:48):
forty five minutes from Broadway. It'san old story, but it's always good.
What's is cold? Loving a cottage? Come the pretty bad wall into
a little theater off Time Square.That's not the acts that I are in
front of my prodies. Before wemove out of the theater, let me

(27:15):
invite you to be with us againnext week at the same time, when
Barbara Lutty will be starting a numberoriginal play entitled Just a Bum. And
now we move out of the theaterand into the street. What do you
say? We strolled down Bobwy nineNight, Good Night the first Nighter program.

(27:45):
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