Ep 50 - Kindergarten Cop

Swole Cinema Episode 50 is in session—and it’s a milestone! Ryan and Mark celebrate the big 5-0 by diving into the action-comedy classic Kindergarten Cop! Starring the one and only Arnold Schwarzenegger, this 1990 gem blends tough-guy action with adorable chaos in the classroom.

From undercover work to snack time meltdowns, we’re talking about the legendary one-liners (“It’s not a tumor!”), Arnold’s comedic chops, and how this movie walked so many action comedies could run.

#SwoleCinema #KindergartenCop #ArnoldSchwarzenegger #ItsNotATumor #ActionComedy #90sMovies #Episode50 #MoviePodcast #CinematicAdventure #PodcastMilestone

Episode Transcript

Speaker 1 (00:06):
Here we go. What's up everybody, swole cinema time?

Speaker 2 (00:11):
Did you miss us? I bet you did. I'm Mark,
I'm Ryan.

Speaker 1 (00:16):
And on this episode, I know you've been waiting for it.
A comedy with Arnold Swarzenegger, not Twins, Kindergarten cot you know.
But it's funny. It's bookend this movie though it's typicitely well.

Speaker 2 (00:30):
Directed by Ivan Reichman. Yeah, you know Ghostbusters. It is
more of a comedy, but it is booked a bookend
by violence, right, it is funny, Like, yeah, the the
entire middle is very comedy, family friendly stuff, but at
the beginning ending is violence.

Speaker 1 (00:46):
Yeah, at the very beginning of the movie could be
any Arnold movie. He's a common In fact, he even
had like the way he was dressed with a trench coat,
it could have been like, you know, an old version
of the Terminator. There was even a scene walking in
a mall. Uh yeah, the back part of the mall
like oh, just like Terminator.

Speaker 2 (01:06):
Oh yeah. It made me laugh because I I was like, oh, yeah,
when was this nineteen ninety And I was like and like,
trench coats were fucking cool shit back then. And I
was like, oh, was there something happened to nineties and
made trench coats not cool, right. I mean for all
you older people, you know exactly what I'm talking about.

(01:27):
But yeah, like it was like the early nineties. Man,
Like those trench coats were bad ass. They're everywhere, yeap.

Speaker 1 (01:34):
Say anything. That one movie where held the boom Box,
he had a transcoat on. It was I probably wanted
one at one time.

Speaker 2 (01:42):
Oh yeah, I definitely did. I wanted to have like
the only thing, like you had to be an adult
to pull off the tan one or the beige one.
If you're a kid, you wanted a black black Yeah,
you had to be black. Yeah.

Speaker 1 (01:55):
You know John Constantine comic book character.

Speaker 2 (01:58):
I always had that on. Yeah, I looked up that movie,
but it's what two thousand and five Constantine.

Speaker 1 (02:02):
Well that was with Kanu Reeves. I think he had
a black one on.

Speaker 2 (02:06):
Yeah.

Speaker 1 (02:07):
The comic book was a tan okay, and then the
TV shows Tan, which is great show.

Speaker 2 (02:12):
I highly recommend it.

Speaker 1 (02:13):
You know, before we jump into care, we're not here
to talk about Constantine, but I will say this, since
it's Constantine was Keanu Reeve, we probably talked about they're
gonna do Constantine too.

Speaker 2 (02:25):
Yeah, and Keanu says he's really excited. So I'm like,
that's awesome. There's there's so many like I mean, I
guess that's just it. Hey, hey, guess what you're getting old?
So they're either remaking or but the sequel part ones
really get me is because these movies we talked about
from the nineties or sometimes earlier, one or two later.

(02:45):
But I saw The Constantine, like that's been kind of
rumored for a little while. Swas and I like The Constantine.
That was a good movie. I enjoyed that. But I
just saw Fight Club two. No is that is that
a hoax? No, I'm not.

Speaker 1 (03:00):
I'm just saying, no, that's what I said, that that
would be awful.

Speaker 2 (03:04):
Apparently it's based off a graphic novel, like it was
already written.

Speaker 1 (03:09):
Okay. I vaguely remember there being a Fight Club comic book.

Speaker 2 (03:12):
Yeah, so yeah, yeah, I'm right, it was exactly one
of those things. And I'm guessing, uh Chuck had a
hand in writing the graphic novel, which makes me go, like, okay,
as long as it's the nihilist that wrote the first one,
maybe the second will be okay. Okay, But I but
the first, the first premises is like when I saw
like the kind of the like how they brought it about,

(03:34):
I was like, I mean, I'll watch it because I
like the first one so much, and then I'm probably
shit on it.

Speaker 1 (03:39):
But to Hollywood, it's okay if a great story just
lives in that medium, right, if it's a great comic book, let,
let people just find the comic book. You don't need
to make everything need a movie.

Speaker 2 (03:51):
That's the problem. Man. They want that. They want to
suck every dollar they can out of you.

Speaker 1 (03:55):
Oh, they do suck sometimes.

Speaker 2 (03:56):
Just like one of my favorite movies of all time,
The Big Lubowski. The Coen Brothers wrote it, and the
Coen Brothers are notorious for like, fuck sequels, fuck anything.
Like they're not They're not interested that they want to
do something and then move on and not live in
that world. But for years, I mean, the fan base
is that it became a cult classic immediately and has
built over time with the with the fan base where

(04:18):
people were like dying for a sequel, including John Taturo,
who then wrote and directed a sequel called Jesus Roles,
which could be the worst thing I've ever seen on film.
Oh that title sounds familiar. Yeah, I mean that's he
he started. It was like a kind of a prequel
to the Jesus character. Yeah, one of the bowlers. Yeah, okay, okay,

(04:40):
and it's from what I remember, it was terrible a
long time.

Speaker 1 (04:45):
Yeah, but that sounds familiar.

Speaker 2 (04:47):
Okay, interesting, but yeah, like we're in a world of
where at that age where the sequels just seem like
they're too late, you know. Yeah, you know Kindergarten com
had a sequel. We'll talk. I did see that, like
with Dolphin, Yeah, with Dolph Lungdern. Yeah. I was like
I didn't. I was gonna ask you, did you ever
hear this? No, Like I was flipping through what YouTube said.
It was on YouTube, so I was like, yeah, right, cool,

(05:09):
and I was like flipping through and I was like,
that's not a whole shit. That's Dolphin has Kindergarten cop too.
I guess it was like twenty and sixteen. Wow, another
late sequel.

Speaker 1 (05:19):
Yeah, like somehow a USB drive with some Intel got
up to Canada and into this elementary. We're not really
trying that hard on some of these sequels. Yeah, so
he has to go to that elementary to see I
don't know, I don't know the rest of the plot,
but I was shocked because I was like, holy shit,

(05:39):
I didn't know that.

Speaker 2 (05:41):
Yeah, oh yeah, I didn't either.

Speaker 1 (05:44):
So sometimes okay to not make a sequel. Yeah, just
because it was good doesn't mean it'd be good again.
But before we jump into Kindergarten Cop, we got a
message on Spotify from Pete DeRosa.

Speaker 2 (06:00):
Uh.

Speaker 1 (06:00):
This was referring to our Wild Wild West episode. Pete said,
great episode, Bill, I have soured on Kevin Smith these days.
He puts his foot into his mouth more often than not,
and that spark of creativity he used to have is
long gone. I remember seeing Www when I was twelve
as a kid. I liked it, but looking back, of

(06:22):
course it sucks. It's amazing how big a career Will
Smith had.

Speaker 2 (06:26):
Yeah, well yeah, I think we kind of said like,
this seemed like it was the he peaked right before that.
I do, And I remember watching Wild with us thinking
it was not nearly as bad as it'd be. Watching
the second time, I was actually looking forward to it,
going like, h that's kind of crappy, but you know, funny, cheeky, cheesy. Nah,
it was. It was pretty rough.

Speaker 1 (06:45):
It's bad, yes, So yeah, Kevin Smith does he put
his foot in his mouth nowadays as creativity is gone,
well he keeps remaking.

Speaker 2 (06:52):
Well, yeah, he's his movies. I think that's unfortunate for
Kevin Smith because he did He's I mean well, I
mean and he never had a monster hit. His stuff
was more like would Venture into that cult classic part you.

Speaker 1 (07:06):
Know, and indie stuff that I love.

Speaker 2 (07:09):
Yeah, but Red State it was like a departure from jokes.
It was awesome, it was good, but man, like, if
I didn't, I feel like most people you just see
Kevin smithy, you are like, ah, I'm looking for us.
It's gonna be a stupid, fun comedy. Holy Ship? Did
red Skate? Did Red State just fuck with me at
the beginning? Oh yeah, you were expecting? Yeah? Yeah, I

(07:31):
mean I think I might have seen one of his
like stand up things or something him talk about it
a little bit, but I'm not sure if it was
before or after. But I definitely know, like I did
not expect what was coming at you of Red State
from from when I started it.

Speaker 1 (07:44):
And I saw yoga hoss. So to Pete's comment about
his Sparker creativity is long gone.

Speaker 2 (07:51):
Yoga hosters is it's it's I mean, it's rough. I say.
I won't say his creativity is gone, but maybe his
funny like how he's not just that maybe not as
funny as he used to.

Speaker 1 (08:03):
Well, you know when he made yogasers, I'm pretty sure
it was like smoking weed every day. Yeah, and maybe
he really thought that shit was funny. Now apparently he's.

Speaker 2 (08:12):
Sober, right, which is a bummer. Like see, like I
remember George Carlin, he won my he was my favorite
stand up of all time, saying about whenever one like
whenever he was doing some of his older specials and stuff,
or I make guess knew where I don't know he
was older, but he would say, you know, he'd write
up as he'd write up, you know, work on an
hour material and all, and he goes, and then I

(08:33):
would like, I don't do it often he goes, but
I would get out a joint, smoke up and be
like it's punch up time, and like he would just
you know, add to the jokes that were in the thing,
and I'm like, I guess, whenever you're doing it twenty
four to seven, it's you're a little clouded. Yeah, I
would agree.

Speaker 1 (08:49):
Well, thanks Pete. Appreciate that. Thanks for listening sending that comment.
If you want to be like Pete, uh, if.

Speaker 2 (08:54):
You want to be cool like Pete, listen to the show.
Listen to the show. Well, listen to the show.

Speaker 1 (08:59):
Travis. Comment on Spotify, Apple, or email us Swole Cinema
at gmail dot com. We'll read it, critique it, and
maybe me make fun of it. I don't know. No,
we appreciate it so much.

Speaker 2 (09:11):
Thank you. Yeah, So, Kindergarten Cop, Kindergarten cop.

Speaker 1 (09:16):
Do you know now this is Arnold looking I mean
his guns, We're looking great. The movie, as I watched,
is like, man, this isn't quite a swole cinema except Arnold.
It's Arnold and he's still in awesome shape. He looks great.

(09:37):
But how different would this have been with some of
the original casting, our original cast ideas?

Speaker 2 (09:43):
So I didn't I didn't look up much about the movie.
So yeah, tell me tell me original.

Speaker 1 (09:47):
Okay, So, Kindergarten Cop, So can you see Bill Murray
saying like it's not a turmer?

Speaker 2 (09:52):
I don't know why I said, be like, yeah, I
could see I could see Bill Bill Murray making it
work because he's funny and he's great.

Speaker 1 (10:02):
But it wouldn't work it with the beginning in the
end where he actually badass cuts Bill.

Speaker 2 (10:07):
Yeah. Bill Murray would be hilarious in the middle part,
but yeah, that would be a tough one for Bill
Murray playing paying like a serious badass cop.

Speaker 1 (10:15):
Another actor being considered was Patrick Swayze.

Speaker 2 (10:21):
Yeah, it doesn't. It works better with a giant, muscle
bound dude. It just I mean, again, we've watched it,
we like it, so yeah.

Speaker 1 (10:30):
But and then this last one, I mean they would
have been going straight comedy, Danny DeVito.

Speaker 2 (10:38):
Really you would have been badass cop like Jason down
the right now.

Speaker 1 (10:42):
See it really it worked. Uh you know Arnold coming
off of everybody knowing her from like uh the Terminator
in these movies where he's just a badass and still
in the beginning almost just almost dressed like he was
ready terminate.

Speaker 2 (10:56):
Scruffy beard. Yeah, but it ties. I'm like, is that fake?
It did look rough. I was like, I'm pretty sure
he can grow a beard. I thought I saw with
a beard. I'm sure it looks like a fake beard.
It did. Like you when you say that, I didn't
think much about it except that, like, that's a scraggly
ass beard. Yeah was fake.

Speaker 1 (11:17):
And as much as I you know, Patrick swayzey awesome,
I just don't think he could have brought the energy
the cop part, Yeah, but interacting with the little kids
and making it really funny. It works because number one,
Arnold's huge, right and he should and he's got that
little bit of an accent and when he's yell at
the kids, it just works.

Speaker 2 (11:37):
Right. You'd think, I think it works better with him
because he's he is a giant man and he you'd
think that kids should just naturally be intimidated by him,
but they don't because they're just fucking kids. Like, they're
just little kids that don't think about ship and they're
just going crazy because they can go crazy. But yeah,
you think immediately seeing him, like you, they'd be dropping
dropping a load in your pants because this gigantic man.

(12:00):
But yeah, like that's that's the great part about it
is they're not they're kids, like, whereas it's this normal
sized person. It's less funny that way. You know, I've
never taught kindergarten, but man, these kids are out of control.

Speaker 1 (12:12):
Yeah, the minute you turned your back on them, they
were just fucking everything up. They were painting on the.

Speaker 2 (12:19):
Chalkboard, right. I love how the paint has stayed there
the rest of the film too, Like that, I mean
those scene one, we're not cleaning that shit.

Speaker 1 (12:27):
Yeah, I'm like, man, you know what, Yes, teachers should
be paid a lot more because that is crazy. Also
also as a germophobe, like I'm like, oh, this is
how kids go to school and come back.

Speaker 2 (12:38):
They're just everything.

Speaker 1 (12:41):
Oh yeah, touching their nose, wiping on the chalkboard like yeah,
the South, right, I mean, it all spreads.

Speaker 2 (12:46):
Your kids older now, but I still remember my kids
just turned fourteen, and I go, I still remember like
elementary school, Like, oh, it's he's gone to school. So
it's six season, Like I'm gonna have a cold now
for like three times the first four months and he's
in school, yep, because they're all gonna be touching and
sharing boogers and stuff.

Speaker 1 (13:05):
But uh so he has to again the premise, you
just gotta you gotta don't even think about it. You
can't think about the plot because it doesn't work. No,
the fact that he is going to be a kindergarten
teacher because he's a cop trying to find this you
know the bad guy's wife and Kate before the bad
guy does. But then school's just like cool, like cool,

(13:29):
we got a call my teacher with ten years that's
been here for twenty five years.

Speaker 2 (13:33):
Yeah, I feel like she fired her. Like I'm like,
did the cops just get her fired? No? It's like
she's like I'd let her go or like, you know whatever.

Speaker 1 (13:40):
But it was like twenty five years and I had
to tell her she needs to amy. She is at
the end of the movie like he just becomes the
teacher teacher, So they definitely the cops got the other
teacher fired.

Speaker 2 (13:53):
I know, so great.

Speaker 1 (13:54):
I need to know the backstory, Like that teacher's gotta
be like this is this bullshit? Right in my head,
she's getting like, no, you're still getting paid.

Speaker 2 (14:01):
You're right in my head, You're like no, you just
don't you just sit the cop in the room and
say they're like, oh, their assistant or something, you know,
yeah no, he takes oh no, yeah yeah, Because like
I was, yeah, I was obviously as an order as
an adult now, you know, thinking about how jobs and
everything work. I was like, so I imagine that teacher,
like hey, we're going to bring in a cop to
be the you know, be the substitute because there's there's

(14:22):
something going on them like, well, I don't even know
how did they do it because they didn't even tell
him what They just said, Hey, this teacher needs to
go because we're replacing. Right.

Speaker 1 (14:28):
It was supposed to be his partner. Yeah, it was
supposed to be like missus O'Hara, yeah, or miss O'Hara.
But then she ate some bad food so her whole beginning,
like her vomiting on the plane. She was too sick.
So Kimball John Kimball U Swartzenegger he had to step
up and go be the teacher because he was he

(14:49):
wasn't gonna wait for her to get better. And of
course the principal of the school is like, oh, okay, yeah,
instead of like no, you know, I need to call
your your I was not prepared for this. I gotta
check you know right again, And he just ramdly walks in,
shows a badge and she's like, okay, I put you

(15:10):
in the room with.

Speaker 2 (15:11):
With with children. Yeah, just well just like the uh so,
one of the first things that happens is, you know,
yells the kids sit down, and the one girl's like
I have to go to the Bathroom's like okay, go
and she's like she was wearing a little bib overall
was just like I can't get these off. And he
starts trying to fiddle with them and get them off.
I'm like, that is a serious problem. You cannot have that.
Like then, but he did, over right, you get the

(15:34):
female Yeah, the female teacher from the one class to help.

Speaker 1 (15:37):
I'm like, right, because I was like, if you take
both those off, like, that's terrible.

Speaker 2 (15:42):
They cannot have that.

Speaker 1 (15:45):
Oh but again now, because now we're moving into the comedy,
he's got to deal with little kids. Yeah, and there
is a pretty much deal with kids is always a
comedy movie. Oh, like you just you don't know what's
gonna happen. I mean movie, they just ship their pants.
Are they puking on yet?

Speaker 2 (16:01):
Like it is just a.

Speaker 1 (16:05):
Series of comedy things happening until the kids old enough.
Thank god, they could take care of themselves.

Speaker 2 (16:11):
I mean, if you want to be the ground baking
breaking movie guy that makes a movie about killing kids,
like whoa, because I think comedy is the only movie
book kids in. I don't know what kind of action
movie you can put him in. Otherwise. Right.

Speaker 1 (16:26):
Oh. In the juxtaposition with the beginning and the bulk
of the movie is I think we had like some
some drug deal stuff. We got this bad guy. Yeah,
we're the bad guy. Well, this one guy tells the
main bad guy, Crisp Crispin Crispin, that he random's wife

(16:48):
up in Oregon, right.

Speaker 2 (16:49):
Which seemed like looking back at being like, they don't
tell you what this guy does. I assume it's drugs,
but they don't really give him any backstory whatsoever. It's
just hey, just know he's the bad guy, okay, looking
for a kid.

Speaker 1 (17:02):
And if you didn't know, because the guy was like,
you know, he wanted he's trying to extort the bad
guy like, oh no, if you give me some money,
I'll tell you where she is.

Speaker 2 (17:11):
He's like, hey, hey, buddy, you know I always take
care of you.

Speaker 1 (17:14):
You know you're gonna be you know, yeah good? Oh, okay, yeah,
you're right. Tell us where I saw his wife? And
then the guy shoots him.

Speaker 2 (17:21):
Did you tell anybody else? Yes, tell him you told
someone else? Well it's a guy's I guess.

Speaker 1 (17:27):
Girlfriend hides hiding in a box in a refrigerator box,
but Arnold comes in and checks it. You know, the
dead body grabs her handcuffs her to this dead body.

Speaker 2 (17:37):
Right because you need to keep her there because you
know she's a flake, you know.

Speaker 1 (17:39):
And this is like a whole different movie. This is
like him tracking down a drug lord. Yeah, like it's
a whole, completely different movie. And I know they wanted
to look like that way. Hans probably the fake beard, right,
because he's like an undercover tough guy. You know, he's
got to have stubble, right and Arnold, can you grow stubble.

Speaker 2 (17:57):
I can go to the stubble in the wild. Let
me work out, it'll just be there, give me three minutes. Yeah, yes.
But the point where the Chrispin's walking through at the
opening scene, where he's like tracking him through the malls,
like this criminal was just the most aloof criminal I've
ever seen in my life. Yeah, he's lucky. He acts
like he's looking over his shoulder for like to see

(18:19):
if he's being followed, but he's definitely not paying attention
when he's looking for this.

Speaker 1 (18:23):
Is it like a mid to late nineties ponytail?

Speaker 2 (18:26):
Oh yeah, real slick back.

Speaker 1 (18:28):
Yeah, really not a threatening guy. Now I read that
the Christian Slater. They wanted him, and he was coming
off that movie Heathers, and he didn't want to be
type cast.

Speaker 2 (18:42):
So he turned us down. I'm sure he was watching
it is like fuck and because it was a hit,
big hit, this would have been the easiest paycheck. Goddamn it,
type cast type cast me right now, putting me in
a big hit with Arnold.

Speaker 1 (18:54):
I don't care. Yeah, yeah, geez, I'm playing bad guys.
I'm so upset.

Speaker 2 (18:58):
It might have been the biggest hit of Chris Slater's career.
It would have been first, like, I mean, name me
a big Christian Slater movie.

Speaker 1 (19:04):
You got it, like coming off for like an indie
movie like Heathers, and just to be like no, thank
you Arnold. Oh he wasn't talking to Arnold but right,
just like I don't be timecast.

Speaker 2 (19:14):
But at the same time, and maybe that played a
little bit into it was Arnold being an action guy
going like, well this comedy guy with I mean, I
get Arnold's huge, but this is a comedy action What
the fuck is going on? So I don't know. Maybe no,
I think he fucked up. Oh for sure, he knows,
he knows I'm Christian. Let me know. I know you
know you fucked up. Let me know you listen, hit

(19:34):
us up, so we'll do one of your movies next.
I promise. Here's Here's the weirdest way I got someone
to know who I was talking about one time was
I was talking about one one of my best friends.
And this is the thing, like you know you're best
friends with people because they get you when you say
certain things. And I was trying to was like, let's
talk about Christian Slater and I didn't couldn't remember his name,

(19:58):
and I was like, you know that guy movie like
he smiles a lot. Christian Slater was like, yes, I
don't know why that worked, but he figured it out.
He smiles a lot. Huh.

Speaker 1 (20:11):
I would say, like my favorite Christian Slater movie, Pump
up the volume.

Speaker 2 (20:17):
Oh yeah, he was hard hard Harry hard hairry. Yep.
I didn't get to watch that. I wanted to watch.
I still like advertise. I saw it later, but not
whenever it came out like.

Speaker 1 (20:25):
Either I think I found it like on rental or something.

Speaker 2 (20:29):
Yeah, it was one of those I saw the previews
when I was younger and I was like, that movie
looks cool. But then I, you know, I didn't have
cable or anything, so I didn't get to watch it.

Speaker 1 (20:36):
Yeah, and like in that movie, he was almost like
doing a podcast essentially kind of sitting over there. He
was broadcasting ham radio. But like, yeah, the thing difference
between him and I or no, him and us is
like a couple a couple million dollars. No, but hard
Harry in the that movie was in he always had

(21:00):
to be like, I'll be wearing nothing but a cock ring.

Speaker 2 (21:02):
That's what everybody listening to know that Ryan and I
aren't sitting here in nothing but a cock ring. It's
a condom.

Speaker 1 (21:08):
Yeah, you need to see, you need to see pump
up the volume. Otherwise that comment, you're like, what is wrong?

Speaker 2 (21:13):
They may have already thought. People are like, I'm out
checking out. I listened to the first fifteen minutes.

Speaker 1 (21:19):
Good, now we got non fans out of the way.
Now we're jumping in the movie, it is It is
a lot of fun. I would say, like once he
starts interacting with the kids and just the the comments
which they didn't actually give the kids dialogue. Really they
let oh really they let Yeah, some of the times
they let the kids just what he's like, Uh, who's

(21:41):
your dad, and what does he do? The they it
was just just let him talk nice.

Speaker 2 (21:46):
That's perfect, yeah, because because it was great, like just yeah, well,
I mean the twins saying my mom's as our dad's
a sex machine.

Speaker 3 (21:54):
Oh, that one was definitely say that was obviously a line.
But a lot of the kids would they just let
him like yeah, that's perfect. Some of the kids didn't
understand and they were just interact with him, like he
was like a teacher. Right yeah, because there like kindergarten age, right,
you cannot it's really tough to find a kid that
can understand acting at that age.

Speaker 2 (22:15):
But I tell you that, for the most part, the
kids did a great job for sure.

Speaker 1 (22:20):
Like there's only a few you're like, you suck kid,
get out of here.

Speaker 2 (22:27):
One I feel bad because he's just not a great
looking person. Oh the one kid he was in like
picket fences after that stuff, but he had like a
real I don't know, flat face, I want to say,
with all the freckles. I was like, oh, that poor kid,
Like I saw pictures of when he growed up, Like
I'm sorry, dude, Like you probably have millions of dollars
more than me, but I still look better. I think
in my eyes, well, which kid was this? He was

(22:49):
just one of the little kids in the movie, like
he had red hair, Like, oh, I've seen him in
other stuff. I couldn't. Oh, yeah, he's been a NUTSTI said,
he's got millions of dollars worth more than me. But
and weirdly, they they had a kid twice.

Speaker 1 (23:01):
They did it twice in the movie where he was
he raised his hand and he's like, uh, boys have
penises and girls have vaginas.

Speaker 2 (23:08):
I'm like, what the vagina's vaginas?

Speaker 1 (23:12):
Like why did that need to be in this movie
which is weird humor the nineties comedy.

Speaker 2 (23:17):
But I remember that line for sure. Yeah, and I
love the second time he says it, when it's Missus
O'Haras and you know, as the guest whatever, and she's like, wow,
you got the basics. That was a solid. He gonna
bring it back, but you gotta know, you gotta the.

Speaker 1 (23:29):
Kid was probably working out comedy routine.

Speaker 2 (23:32):
Got my solid tight five minutes and working on it.

Speaker 1 (23:34):
Was weird stuff though, with the one guy, the one
kid with a puppet and he was like looking out
the girl's skirts. There was definitely some things where I'm like,
what the fuck is is happening?

Speaker 2 (23:45):
You're right, because that couldn't have been They had to
have been like because they didn't show above the skirts,
so it had to be like obviously like fake, yeah,
because you couldn't just have a little boy looking up skirts.

Speaker 1 (23:55):
We don't represented about like he told the one like,
oh you know, yeah, used the pupas to do this,
so he was well aware of it. And I'm like
I was when I was in kindergarten. I wasn't thinking
about any of that.

Speaker 2 (24:08):
Ship no, no, yeah, well maybe he's probably picking my nose.
Maybe his dad was was in recess. But you do
get great lines by the kids, just uh, the interaction
with the kids. You get the classic line that you
don't even have to see the movie. You know, you've heard.

Speaker 1 (24:25):
You know it's not a it's not a tuma.

Speaker 2 (24:29):
Yeah, it could be a tumor.

Speaker 1 (24:33):
That's one line everybody knows for sure. And if you
haven't seen the movie, you've you've heard your friends. I
can tell you to this day when if my wife
says she has a head for anybody, it's the first
thing out of my mouth.

Speaker 2 (24:48):
And the response always has to be in an onward
accent that it's not a tumor.

Speaker 1 (24:53):
Maybe it's a tumor.

Speaker 2 (24:55):
Yeah for sure.

Speaker 1 (24:56):
Fortunately she plays along, so it's if she gets me,
my wife. She either gets me she's like, fuck, I
just accept him.

Speaker 2 (25:04):
Oh yeah, my wife at this point, for the longest time,
if you ever watched Talladega Knights with the ballad of
Rickey Bobby everywhere, every like it was a solid year.
And because they're not everywhere, in my head had been
long enough in between each time, but apparently it wasn't. So,
so every time we'd pass an Applebee's, I would look

(25:25):
up and say, hey, you want to go get kicked
out of an Applebee's. By the end, he was like
every fucking time.

Speaker 1 (25:31):
Seriously, I felt like every time like my kid or
somebody mentioned Mountain Dude, like I'm gonna kick you like
a spider monkey. But we're not talking.

Speaker 2 (25:40):
About that movie, right, uh yeah? Yeah? Like, And I
was so like they all with all the kids and stuff,
and he's trying to, you know, figure out who's Crispin's
kid or whatever and so and the one kid's like quiet,
and he's thinking, oh, that's the one because the family's avoiding.

Speaker 1 (25:56):
Oh he kind of has dark hair. He kind of
looks similar to Crispin. I mean it turns out dark
than that. After the kid's abused by his dad. Yeah,
and he finds out about this, and this.

Speaker 2 (26:05):
Is like that's the one like really feel good moment
of the movie. Not just the one, but like the
one you're like, yeah fuck yeah, Like he uh confronts
the mom about not knowing, just wanting to talk, and
she goes she like thinks immediately goes to you know
the dark spart like, I'm sure you saw the bruises.
And so we get like all these kids to be
abused by this ship head dad. And then he gets

(26:26):
to see the dad, Like he touches the dad on
or the kid on his shoulder one day and he flinches, Yeah,
sees his big black and blue marks. And then he
walks outside and sees the dad and it's just so good.

Speaker 1 (26:39):
Yeah.

Speaker 2 (26:39):
And I was talking to uh, I was talking to
Benny earlier today and were said, bout he's like, the
one thing I didn't get about that movie is that,
you know, Arnold comes running across the here and this
guy takes a swing at him.

Speaker 1 (26:51):
I was about to bring that up and that's one thing.
When that guy took a swing like bullshit.

Speaker 2 (26:56):
Well but here was my rebuttal as I totally see
this guy take and swing because that's the kind of
guy he is. Because he's a wife, he's a one beatery,
he's a kid beater. I said, this dude's twenty nine
to oh and thinks he's a champ because he's never
been beaten by anyone. Ah, I said, he has that
mindset off. He's a badass, like he's he's the root
king of the jungle. It's like, I guarantee you that
asshole takes a swing on Arnold, and I guarantee he

(27:18):
gets his ass kick. But that was like he did right,
It was such a good he just.

Speaker 1 (27:23):
Well, uh, the script, he wanted some of the you know,
some of that in here, like you know, broken homes
and that stuff in here. I don't know, I don't
know why. Maybe to add levels of like and this is,
you know, make it a little bit more real life.
This shit happens, and my character, we'll let people know.

Speaker 2 (27:44):
Fuck that right because you and then you remember, like, oh,
this guy's a cop, so he sees his ship all
the time and he fucking hates it because he deals
with you know, the wives who are intimidated into not
reporting it or the kids who are abused and can't
say anything. So he sees that every day. And this
is the one chance where he's you know that lets
go that. You're like, oh, yeah, that, that's right. He's
still cop. You forget like throwing them why he's a teacher, like.

Speaker 1 (28:03):
And even the principal who's been like keeping a weary
eye on Arnold, loved that moment. Yeah, even when she
said about like when he walked away, she was like
throwing air punches. She was like because she probably she
probably knew too, but she looked like she was like
what fifty sixty.

Speaker 2 (28:22):
Oh yeah, four foot nine, yeah, four front nine. She
do's nothing. But so when Arnold decked him, she was
like hell, yeah, yeah, how did it feel? Even in
the movie too, you were like fuck, oh yeah, guy's
ass all right, you're one one punch in the gut.

Speaker 1 (28:35):
No, yeah, a couple more. The guy needs a couple more,
rightlycause even the bruise on the kids back looked almost
my belt. Oh yeah, like you can see like lines
like was he just yeah fuck that?

Speaker 2 (28:48):
Yeah? And then yeah, that's the one. Unfortunately that was
again comedy movie.

Speaker 1 (28:53):
Then all of a sudden, make you feel serious thing happened.
He's beating a guy who's been beating his kid, Like
what it is? It's riding this wave of it's a comedy,
but right, well is a dramedy.

Speaker 2 (29:06):
No, no, it's a comedy.

Speaker 1 (29:07):
Like they keep they playing around with you know, well
they want to present this movie they brought you that
happens in real life.

Speaker 2 (29:14):
You know, I think that's probably what Arnold like, No,
I want tweak the script.

Speaker 1 (29:19):
Was my guy's a copy?

Speaker 2 (29:20):
You're right? Probably like I would suss out some of
these assholes and beat their ass that'd be great. Not today,
Oh no, no, oh my god.

Speaker 1 (29:32):
So even if I never thought about that, that just
popped in my head. So he did the right thing.
That guy was beating.

Speaker 2 (29:40):
His wife a kid.

Speaker 1 (29:41):
Arnold needed to beat him up, but nobody had a
camera out filming it, so he have you know, yeah,
uh had to go to court people, you know, but
now a cell phone has there been filming it, And
if you get the right angle or right edit, it
might look like Arnold was the bad guy.

Speaker 2 (29:59):
Of course.

Speaker 1 (30:00):
Yeah, again, strange times when just saying.

Speaker 2 (30:03):
Yeah, well yeah, because he swung at me first. But
he put him up against the car first. And you know,
I'm sure you bench press over five hundred pounds. Putting
pressing a guy up against the car like that, that's
gonna leave him mark. Yeah, because he was looking huge.

Speaker 1 (30:19):
Yeah, he was looking big and fit to fit or
not that even that guy should have thought twice, well
this was his right he uh, he thought he was
a badass.

Speaker 2 (30:28):
Well this first. This was his first comedy movie, Arnold's
I think it was This or Twins, And I'm pretty
sure this was first. I could be way off on
that too, but I know, but I remember maybe it
was Twins, because I remember I read one of Arnold's
books where he said about like he was, you know,
kind of type cast as the month the action guy.
You know, you do have a big action movie, you
get Arnold for it, and he was doing he wanted

(30:51):
to do something different, and I think it maybe maybe
it was what it was Twins, which probably led the
way for him to get cast as in this role
was on and I know on Twins he said it
was you know, he got it was him and Danny
de Vito and they didn't want to take the risk
on it, and they said, hey, we will take back end.
Probably one of the first guys that said, you know what,

(31:12):
don't worry about paying me, We'll take back end. And
Twins did hundreds of millions of dollars and that was
one of his best paying movies he ever did because
it was a fucking great movie. Him and Danny Vito,
I think both took back end and made made bank.

Speaker 1 (31:24):
So leading up to this movie, I'm not gonna go
a whole way back, but some movies we haven't talked about.
So we have uh so Predator, the Running Man, Red Heat, Twins,
Twins so to recall, and then Boom Kindergarten cap.

Speaker 2 (31:42):
Yeah, so Twins basically paid a way for him to
get this role because they went, oh, ship, this guy
has range. Sure, yeah he was still Arnold. Oh yeah,
but you know it's it's like Jim Carrey. For a while,
whatever your feelings on him, like he was just the zany,

(32:02):
goofy guy.

Speaker 1 (32:03):
And then he did a couple of like, oh, they
did that one movie where he was Truman Show. The
Truman Show. You're like, oh shit, yeah, seem I connect.
He had some put some emotion into that ship still
like Truman shout or ace mature of three. Give me
more of that sequels, I take more of that. Yeah,
thinking of taking We're gonna take a break, take a lead. Yeah,

(32:27):
not my best segue. We'll be right back and we're back.
I feel like we're doing like a whole six degrees
of Schwarzenegger. We're tying it into Jim Carrey.

Speaker 2 (32:40):
This. This means we're getting in our groove, man, because
now we're just having a conversation, having a conversation.

Speaker 1 (32:47):
Anybody who wanted to show up to see we had
a fun details about this movie is like, fuck.

Speaker 2 (32:52):
Did they research this and find some fun facts? I mean,
we didn't research anything. I did not did not I did.
I did see this though. Hey he want details behind
the scenes, I got you. So Arnold being Arnold, he's
got to work out.

Speaker 1 (33:09):
He's got to get that pump on it, like he
said that one movie, Pumping's like coming. It's great. So
he had an entire he had a gym set up
for him up in the Storia so he can keep
his workouts going.

Speaker 2 (33:23):
Was that actually filmed in the Storia? Yep.

Speaker 1 (33:26):
He insisted that he have a gym assembled for his use.
So everybody says he couldn't miss out right.

Speaker 2 (33:32):
Oh yeah, So everybody makes a big deal about The
Rock doing that, but he's just doing like everybody else
and doing exactly what Arnold did years before.

Speaker 1 (33:41):
Yeah, you know, but it is a different like because
Arnold's doing it versus now the Rock. I mean, I
feel like The Rock is getting like a lot of
hate lately. I'm not defending him. I'm just saying it's
like now, it's cool. Instagram leads me to believe.

Speaker 2 (33:58):
Yeah, you know, I don't. I don't know. I think hmm,
I think has peaked in terms of popularity. That could
be it, you know, like because he was just so
fucking everything everyone you just could Hobbs and Shaw a
piece of shit. I never watched any of those movies.

Speaker 1 (34:17):
That's okay, you're okay, your life is better. But you know, again,
for him versus Arnold, like he puts like Instagram, he's
been all. I think that's social media so people can, right,
you know, just shit, you know, with their keyboards. These
keyboard warriors can just shit all over.

Speaker 2 (34:34):
And I think that that's also one of the reasons
you do like shit on someone like The Rock because
he's so popular. He has ever but now like we're
Arnold did that. No one knew about it. The Rock's
doing that, but he's on social media doing his thing
because he has like twelve million followers or whatever.

Speaker 1 (34:50):
But even back in the nineties, if I would have
heard like, oh, he assisted they have a gym built,
I'd be like, fuck, yeah, of course working out. He's
got to stay in shape. I would totally be I'm
totally on board with it. I mean, unless it took
away some of the budget. But I can't imagine him
being a diva. He just needed place I need to
work out every.

Speaker 2 (35:09):
Day, right, Yeah, I mean at that point, at that point, hell,
I'm sure he could have paid for it out of
his own Maybe he even did, who knows. I mean
if I was, I'd be like, nah, if you want
me in the movie, you're paying for it. But if
I have to, I will yeah.

Speaker 1 (35:23):
True, Oh no, he probably he made them pay for it.

Speaker 2 (35:26):
Yeah. Well he was like yeah, he was a bankable star.
He was kind of star at that point. Yeah. It
was just I closed that it was just after or
before Last Action Hero. I think it was before, right,
because the last action hero is kind of making fun
of himself, right yeah, oh yeah, making fun of the
stereotypes of an action movie. You know. Yeah, that's one

(35:47):
of the reasons I love that. I loved that movie.

Speaker 1 (35:50):
Yeah, I like it too. I get I get it,
no one else did.

Speaker 2 (35:53):
Yeah, but you know, the rocks in the same situation.

Speaker 1 (35:56):
Every He's starting to make films that feel like a
parody of his earlier films, Like sometimes the action is
just so over the time, we're like, jeez, come.

Speaker 2 (36:04):
On any fast and furious this point, they even recognize themselves,
like they shut a car into space.

Speaker 1 (36:10):
You know. No, they made pretty good fun of it, right.
I saw that one and they were like, even, I
feel like, was it Tyrese?

Speaker 2 (36:17):
I think that's man, everything we've been through blah blah blah.
I feel like we're probably superheroes, right.

Speaker 1 (36:25):
So I do like that the movie, Like, all right,
we got to make.

Speaker 2 (36:28):
Fun of ourselves, right. Yeah.

Speaker 1 (36:29):
I don't recommend the movie. It's not great, But what
are they up to? I guess with a beer and
shut your brain off for a little bit. It's entertaining, right,
I'm not. I don't at Shaw was not that was terrible.

Speaker 2 (36:42):
Because I've never watched anyone of any of it. It's
never appealed to me. But like, if that's your thing, maye,
that's your thing. Man. Obviously it's a lot of people's
thing because were they had like twelve movies.

Speaker 1 (36:54):
Thirty Yeah, they're twenty five.

Speaker 2 (36:57):
They could be the other rive they're trying to catch
Bond family.

Speaker 1 (37:02):
Honestly, it's funny about that. That's that series. Like my
favorite is Fast and Furious three Tokyo Drift. It is
like that one better than the rest of them, just
the title or the actual movie. Yeah, you know, you
know in Japan drifting these cars. It seems like this
is more interesting than Dom and his gang. Plus they

(37:25):
have the one guy in there has a car that's
like inspired by the Hawk. So this guy like size
of the like are punched out with a fist and
it's it's painted green and like I'm like, I would
totally drive that.

Speaker 2 (37:39):
Everywhere is the Hawk is the best Hulk smash.

Speaker 1 (37:49):
And so when the bad guy Crispin does find out
get when where to go? He comes up and then
then we get the end of the movie after all
this comedy and he's getting really good at teaching. Oh,
because he does. It was another thing he wanted in
the script physical fitness. So we have a lot of
scenes where he's like getting the kids who like to
push ups. He's doing like he's basically like a gym coach.

Speaker 2 (38:12):
Who that was? Was it the first George Bush that
put him as the President's count you know whatever, secretary
of fore he ran a presidence Council of Physical Fitness
or whatever, and that was this thing. That was one
of the things he was like, Yeah, you get fitness
in schools, and I guess so that that tracks. That's
that's kind of fun to'll tie in. Yeah, that was

(38:34):
fine with the kids.

Speaker 1 (38:35):
You need a structure, right, they're but he was putting
to him like almost military camp.

Speaker 2 (38:42):
Oh yeah, I love how he was just whistling like
bone as police wist. So and then then the principle
makes light of that when you brought your ferret in,
I thought that was a bad idea, but the kids
loved it. I thought your police waston was completely out
of the line, but the kids responded to it like
your teacher of the year. Uh yeah, that was What
do you think of the ferret? I never had one.

Speaker 1 (39:06):
I just felt bad for the Ferris way, somebody came
carrying it. I'm like, oh my god, I felt bad.

Speaker 2 (39:10):
In like the final scene where uh he had Dominant's shirt,
Dominic tucks him into his like sweater vest thing or whatever,
and he's good caring on that. Poor fare was just
trying to desperately get out, but even even the kid
actor was just kept shoving him back in.

Speaker 1 (39:24):
It was like that poor little bastard just once out.
Now I don't know if it's true. He's like, uh,
you know, Ferri's not gonna bite you. I mean I
knew that was a setup because he's going to bite.

Speaker 2 (39:33):
The bad guy. Of course. Yeah, my friend had a Ferret.

Speaker 1 (39:36):
I remember going to his apartment he lived in Carlisle
and got there like, yeah, what's up, bro? I didn't
I haven't seen him for a while. First time to
his apartment and then this thing comes flying across the room,
like what the fuck is that? Like, that's my faret
and this thing just wanted to get near me.

Speaker 2 (39:51):
I'm like, I.

Speaker 1 (39:52):
I I can't handle it. I don't understand what this
thing is. He's like, no, that's awesome, and then did
he say, but watch he might piss on you.

Speaker 2 (40:02):
This is not a pet mark in this territory. Yeah, maybe,
or just your mind. Now, it's just like a rat,
you know.

Speaker 1 (40:09):
They just walk and pissed, walk and piss Yeah.

Speaker 2 (40:12):
I think that's probably what it is.

Speaker 1 (40:13):
Yeah, when these kids are playing with the fair I'm like,
isn't it kind of a dirty creature?

Speaker 2 (40:18):
I could be wrong if you own a ferret? And
I'm wrong.

Speaker 1 (40:21):
My wife the thing, it's cute.

Speaker 2 (40:23):
My wife apparently had one like growing up, and she
loved them, she said, but the only reason she doesn't
have one now is because they're stinky. It's like they
have stink lands. And she's like, So, he's like, that's
why I was thinking, I'm not pissing, just stinky. I
don't know. Yeah, but but she's like, she's like, oh,
I love my ferret, it's just they stink. So I'm good.
I'm like, all right, so now we have a dog.

Speaker 1 (40:46):
He brought this ferret into the classroom without permission.

Speaker 2 (40:51):
Because it was a major because he was losing his mind,
and he became a plot point.

Speaker 1 (40:55):
He became a plot point because that's how the ferret
bit the bag in the which gave him a moment
to be able to the kid to get away and
him to shoot him. There was a lot of shooting.

Speaker 2 (41:07):
Yeah at the end. Yeah, people died. I mean his
mom was just a stone cold bitch. Yeah. But also
the whole relationship was weird.

Speaker 1 (41:14):
Oh yeah, between Crispin and his mom.

Speaker 2 (41:17):
Always whispering in her earmy Mommy, you know to do Mommy,
like yeah, we'll be a family again. I'm like, oh shit, right.
The the witness, uh druggie that she gives, I don't
know what, put fentonyl on her cocaine or something like that,
so she kills her, like yeah yeah.

Speaker 1 (41:35):
And even the guy that took the money, he didn't care.
Oh no, he knew it was like, where's the rest
of my money, lady, And she handed him a large
water cash, So I mean he had to like, I know,
whatever I gave that person probably gonna kill him. Yeah, right,
because they needed her be a eliminating so there was
no one to testify against Crispin, right.

Speaker 2 (41:53):
But that the whole thing cracked me up because I
felt like she wasn't a key to this, to the
case anyway, because she never saw him. But she immediately
like they did a lineup, and You're like, that's him
number five. She immediately picked him out of line. She
was in a refrigerator box the entire time. She had
no idea unless she maybe she knew who it was.

Speaker 1 (42:13):
Wait, did she peek out at one moment?

Speaker 2 (42:15):
Or right? All right?

Speaker 1 (42:16):
Does she know who there is? Right?

Speaker 2 (42:19):
Yeah? But yeah I did laughed out like she didn't
physically see him do anything.

Speaker 1 (42:24):
Yeah, she was better off being like, nope, not gonna help.

Speaker 2 (42:27):
Yeah, but I did love that. That was a fun
scene where she did, like they pour in. She says, yes,
it's definitely him, this guy that Arnold's been chasing for
four years. And but yeah, he goes, He just goes
and starts blowing up a drug den with a shotgun. Yeah.
The scene outside the drug den was great too, because
the two guys weren't gonna let him in and he

(42:48):
just like knocks them both out.

Speaker 1 (42:50):
Again seen from a completely different movie when you think
about it, Yeah, oh yeah, it shouldn't have been part
of Kindergarten Cop and.

Speaker 2 (42:56):
Turn turns around to those two guys standing by his car.
Will tell me I think it was that nice of
a car if I like, but like pulls the shot
like the look high tech looking shotgun out from underneath
his uh uh trench coat. It's like, oh, by the way,
I forgot to introduce myself. My name is John Kimball,
and I really like my car, right. I love that.

Speaker 1 (43:17):
But then when he walked away, the one dude's like, oh, yeah,
who do you think he is? I'm not kick his ass? Ye,
Like I don't think it was.

Speaker 2 (43:23):
I was like that was such a like a dirt
bag move, like no, man, I got you. I like
this scared shitless and he turns away. It's like almost
kicked his ass.

Speaker 1 (43:32):
It was. You know, if you would have I would
have watched a whole movie too, where he's Kimball and
the cop oh yeah, and being a badass blowing ship up.
Then he gets like a wacky sidekick partner because no
one else wants to work with him.

Speaker 2 (43:47):
It's called Last Action Hero. Okay, I make sure I
was picking showed down.

Speaker 1 (43:54):
Little Tokyo is the badass cop nobody wants to work with.
So he gets h Brandon Lee.

Speaker 2 (44:01):
So he gets a partner that tells them how because
Dick is right. That's a really unfortunate part of that movie.
It's so weird. Why would you sit there and go
like and I saw your dick and it's huge, Like
I mean, not those exact words, obviously, but like I
know in.

Speaker 1 (44:15):
That movie he is the comedy, comedic relief. But like
we said, like, no, if I'm about to die, that's
not the last thing I'm going to tell you. If
we're going into battle, I'm gonna do something to pump
you up.

Speaker 2 (44:28):
I guess, I guess maybe maybe that's like you're like, hell, yeah,
there's no way you're dying. Your dick's too big to die, right.

Speaker 1 (44:33):
But I'd like it, you say, like, say back to me,
here's here's his big two bro, let's go in the battle.
And then we both died, Like these guys dicks are small,
No wonder they died. They autopsy guys, Like the fuck
we just brought our own comedy short for SNL. So

(44:57):
we're gonna move back into kindergarten.

Speaker 2 (44:58):
Cop.

Speaker 1 (44:58):
Sorry about that. Of course, there's a little romance builds.
You can't have a comedy with a big star like
Arnold without women wanting to kiss him.

Speaker 2 (45:10):
Who I mean I did. I did love the scene
where after the first day that he comes walking in
and the the stay at home moms were all beside
themselves on the sidewalk. Did you hear did you hear
how big he is? Oh? My god? Oh's talking amongst
saw him.

Speaker 1 (45:25):
They were like kind of ripping on him, right yeah.
And then when he got out of the car with
his like tight ass polo on, they're like, oh ship
for the one was like, oh man, I don't have
a makeup on.

Speaker 2 (45:36):
Yeah.

Speaker 1 (45:36):
They were like, if u's are wearing.

Speaker 2 (45:38):
Makeup, I'm sure they're getting moist. Oh yeah, I mean
she could have slid her way home. This is a
rated R show, so I mean, if you're not old
enoughing to get that reference, it doesn't matter. But yeah, like, uh,

(46:00):
I love the well that's near here in order in
never mind, we're all wait, where are we going? Oh no,
it's like the one like Mom was just like a
throwaway actor that I saw on another TV series years
ago that always made me laugh. Oh okay for.

Speaker 1 (46:13):
Saying that I remember her from this one porn I watched. No,
it wasn't that a joke. No, Yeah, it's funny. The
movie overall, I think it's charming. It is bookend by violence,
so it is I say, like, is this like just

(46:33):
a nineties picture? Do you see movies like this being
made now.

Speaker 2 (46:42):
I mean they tried every once and every Well here's
the thing.

Speaker 1 (46:45):
You get movies that are apparently violent, but it's still comedy.

Speaker 2 (46:50):
As I say, you don't see but this is like charming, right.
You don't see an action comedy with this much comedy,
you know, like it's it's in making joke, making it
stuff the whole weekness, because there's times where the movies
just like, oh yeah, sickening sweet, it's just a funny
juxtaposition comedy about kindergarten.

Speaker 1 (47:10):
To the fact spoiler, when he he you know, he does,
they get the bad guy, he gets shot, he gets injured,
but after all that, he finally.

Speaker 2 (47:21):
Got the bad guy.

Speaker 1 (47:22):
The only thing he really wanted out of life is
to be a kindergarten teacher, right, and they let him
teach there. So again that means they fired the one
teacher who has been there for twenty five years for
a guy who doesn't have a teaching degree. Yeah, he
doesn't have a teaching agree or nothing. I don't even
know if he has a secondary education. And when he
you know, he has a whistle, he's at a whistle, no,

(47:44):
no diploma. But with the cops with this little sting operation.
Definitely gotten a long time probably kids' favorite kindergarten teacher fired.
So that's what I took away from this movie.

Speaker 2 (48:00):
That poor woman. Yeah, it was like, well, my one
of my favorite things is that at the end, he
like hobbles in to see the kids after being shot.
Nobody apparently nobody visited him in the hospital. He's like,
he got shot in the knee, shot in the chest,
nobody visits him except his partner and her bumbling like fiance,

(48:24):
Like even like the loving just doesn't doesn't know he's
actually out of the hospital until he physically walks into
that fucking school and then she comes and jumps into
his arms. He has one good leg. Granted he's arnold,
he can obviously hold her. But at the same time, yeah,
he's holding her and spinning around. All of a sudden,
he just drops his cane like that doesn't matter, like
he's acting or something, but it's a miracle. It's like,

(48:49):
you know, he took a bullet shot to the shin earlier,
right like maybe a week ago, and why did you
visit him? He should have known. Yeah, that's like at
the end, I was just like you.

Speaker 1 (49:01):
Were raging on that one. It didn't wasn't rage, but
it was one.

Speaker 2 (49:04):
Of those things where I was like, I can look
past a lot of ship in this movie, but the
d end just like, oh, well come on, and you
obviously want to fuck him, Like why were you visiting
him in the hospital? Right, your kid loves him, you
love him, Go visit it, find out where he is.
There's only I imagine stuff, right, I imagine there's only
one hospital in a Storio. Right.

Speaker 1 (49:26):
He was like, you know he's a comps, so we
got to keep people away.

Speaker 2 (49:31):
Yeah, well, I mean, bumble bumblefuck fiance was the true
bringing all kinds of food because he's a chef. Yeah.

Speaker 1 (49:39):
Yeah. That was a weird scene too, where he went
over into her side of the hotel room with a
gun because he heard something like and but your partner's
over there, what if she it's just her? You bust
in with a gun. He's half naked, you know, they're
all boat and negga. But the whole scene where's trying.

Speaker 2 (49:57):
To cover up with a pillow, he's out with a
standing there while he like just closed the door and
let the guy get dressed.

Speaker 1 (50:02):
And then when he goes in the bathroom, doesn't shut
the door right, and he puts on her robe. He
comes out and then does he shake his hand after
the robe or before? I'm like, I would like, I
don't know, I know what you just got done doing.
I don't need to show.

Speaker 2 (50:18):
Don't even know if you got done doing it right,
But I feel.

Speaker 1 (50:22):
Like you need to wash your hands before we shake.

Speaker 2 (50:24):
But then, like the running joke throughout one of the
film was his partner, how like much she eats? She
pulls out a plate of pasta after like she he
interrupts their kitus and he's in the bathroom putting a
pink robe on. She pulls out a plate of pasta
and just starts eating. Like gothing was strange, Like it
didn't make me laugh. I'll give it that. Like she's
just eating pasta mid sex.

Speaker 1 (50:46):
She's eating sandwiches out of a machine. She was constantly eating.
I guess that we need to understand that she ended
up eating something that made her sick. And that's how
we get John to go to school, because what would
he be doing if it was if kindergarten Kyle was
her because their operation was working. What was he doing

(51:07):
back in the hotel jerking it just waiting, just waiting
for information, waiting for waiting, looking wait, like the worst
movie is she didn't get sick. And then we cut
the Arnold back the hotel room.

Speaker 2 (51:20):
Jerking it, breathing heavy. You got a name for me yet?
Because it's getting it's getting scabby. That's a whole different
fucking historia with nothing to do. Maybe have some No,
we won't bother coming with a movie based on that. No, no,

(51:44):
thank you.

Speaker 1 (51:45):
Uh, here's fun here's something I found funny. So you know,
some movies, depending on what country it's in and the
box are at the poster, they change it. I guess
to be well because the English doesn't always train it's
late properly in other countries. In Greece, this movie was
called The Cops Menagerie. It's so lame, likes called the

(52:10):
Kindergarten Cop. The best title that goes to Taiwan. Oh God,
Devil kid King, devil kid King, Devil kid king, devil
kid Now I get it, I mean kid. I mean
like some of those kids could be like they got
the devil in them, raising hell, but he's the king.

(52:31):
He was it like devil period kid. This is called
because the devil kid King.

Speaker 2 (52:37):
I was like, well, maybe the bad guy be devil.
Then you have kids and you have the king. You
have that's just weird.

Speaker 1 (52:42):
Oh, I see what you're going with devil kid King. Yeah,
like there's the devil, there's kids, and then there's Arnold
the King. I'm reading as like, yeah, the king period kids.
I don't know, hate Taiwan anyway. From Taiwan, I'd be
interested in, like how kindergarten cop translated to double kid king?

Speaker 2 (53:04):
Are we charting in Tyland? Yeah, we're not. We're we're
world wide wide. Couldn't get that one world? Motherfucking no
multiple ws. That was the Groundhog Day. We starts making

(53:25):
the list? No fudge it? Are you making the list?
No double use? Got it? No multiple w's all right,
Well what'd you think of that? On an action scale,
would rate it a little lower, but as an overall
like I'd give it an eight. It was a solid watch.

Speaker 1 (53:41):
Yeah, overall, listen, I had a good time watching it.
I'd be more like seven point eight. Uh swoll cinema
action movie. It's like two point eight. Yeah, and it's
the beginning.

Speaker 2 (53:54):
In the end, we can skip an hour and forty
five minutes of this movie.

Speaker 1 (53:58):
But it does have a you know, one of the
kings of the Swollen Cinema, which is Arnold and again
in amazing check and I love that. He was like, no,
I need a gym. You need you need to set
a gym up, gym up for me, or I'm not
doing the movie. That's awesome, committed. I saw something else too.

(54:19):
I forget what movie was. We're He was like, oh,
was it? Like, was it a cop movie with the
Sixth Day? One of his movie later action movies, But
he there was a scene where he had to knock
on the door and they had to open it. But
the one pa, which happened to be Bill Hayter, was
it Bill Haten?

Speaker 2 (54:39):
Nice? He said.

Speaker 1 (54:41):
Arnold just like was doing push ups and just pumping
himself up.

Speaker 2 (54:44):
That's cool, let's go.

Speaker 1 (54:45):
So when he started beating on the door, which he
had like open with like a ropes and a lever,
he was like, holy shit, this guy scary. So I
love Yeah, I love that he gets into it. Yeah,
staying fit and being a badass.

Speaker 2 (54:59):
Again, Aim, he's seventy some years old, still kicking it. Man.

Speaker 1 (55:02):
Speaking of being a badass, what uh, what do you
have for us?

Speaker 2 (55:08):
Well, I know the last time a celebrity passed, I did.
I was going to do a tribute and I didn't.
But this time I am, uh the Val Kilmer passing away.

Speaker 1 (55:18):
Ah, there we go.

Speaker 2 (55:20):
I love Val Kilmer, me too, And so I'm gonna
go with Tombstone.

Speaker 1 (55:25):
Fuck yeah. Probably one of the best movies ever.

Speaker 2 (55:28):
Best Western by far. Well, I don't know, unforgive. It's
pretty fucking badass, but it's one of the best West.

Speaker 1 (55:33):
It's a badass movie.

Speaker 2 (55:35):
It's got a fucking great cast.

Speaker 1 (55:37):
Gas cast.

Speaker 2 (55:39):
Hell yeah, so yep, see it.

Speaker 1 (55:41):
There's like a lot of good Val Kilmer actually movies
to pick from too.

Speaker 2 (55:46):
Oh yeah, for sure, one of the one of the but.

Speaker 1 (55:48):
This would be like iconic. Oh yeah, he created with
with Doc Holliday, just just an icon character that everybody
knows things like you're not you know, you're no huckleberry.

Speaker 2 (56:01):
Yeah he uh. He probably created a cooler version of
Doc Holliday that actually lived like and if and if
Doc Holliday lived this cool of a life, God damn
the guys ship he fucking lived it, man like that
nobody lived a better life if he lived it. Cooler

(56:21):
than Balcomber portrayed it. I mean, it sucked that he
died early, but yeah, awesome.

Speaker 1 (56:27):
I think I owned that on Blu ray or DVD.
I know I have it on VHS.

Speaker 2 (56:30):
Yeah, oh yeah, I definitely have it on DVD. But
I think it's also out there like because of that,
like it went to uh because of his untimely passing.
It is streaming, I think on a couple of places
for free.

Speaker 1 (56:42):
So well, there you go, yeah right now, because they're
putting a bunch of valve stuff.

Speaker 2 (56:46):
He was Batman, right, one of his one of his
movies I loved it, probably doesn't it goes under the
radar completely is with him and Michael Douglass and The
Ghost in the Darkness, Right, I love that movie. Fucking great,
good movie.

Speaker 1 (57:00):
Well he was like Batman and Batman forever. Yeah, he
was in that movie Heat. Yeah, he had some killer roles.

Speaker 2 (57:09):
Yeah. So all right, well.

Speaker 1 (57:11):
There you go.

Speaker 2 (57:11):
There's your homework.

Speaker 1 (57:12):
Everybody to get swollen and watch Tombstone and until next time,
keep lifting that weight.

Speaker 2 (57:20):
Bitches. Hur