Ep 58 - Hard to kill - Swole Cinema

Episode Transcript
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Speaker 1 (00:06):
Rolling. Hey, we're back and you've got a guest again. Again.
This is going Well, you were here before, aren't you.
I don't think so. I think this is the first one. No,
because we did it before. Oh hey, it's Swow Cinema.

Speaker 2 (00:20):
That's right, it's that thing we do every couple of weeks.
I'm Mark, I'm Ryan, and.

Speaker 3 (00:25):
I'm new guest star part maybe back guest star Nash.

Speaker 1 (00:29):
Now, you were on an episode before. I don't think that.
I was wet. We watched the movie here and then
we podcast, did we? Yes, the Marborough Man thing.

Speaker 2 (00:39):
Yeah, we watched the Marvel Marble Man thing right right.

Speaker 1 (00:45):
Movie left an impression on me. Come on, that was
that was the very pivotal my youth. I love that movie.
It's great. That's a good one. Jo Nash has a
no pad full of notes.

Speaker 3 (01:00):
I have my traditional small notepad with notes about sense
a cigal.

Speaker 1 (01:06):
I feel like everybody took notes on sense Call this time.
I didn't. You didn't. I brought jokes for the end.

Speaker 2 (01:15):
I only found like one really good fun fact that
I'll drop at some point about the movie.

Speaker 4 (01:20):
But I mean the movie itself is a fun fact,
Like how did this get made.

Speaker 1 (01:27):
It is so bad.

Speaker 3 (01:28):
Yeah, well, but it wasn't at a height of Stevenagall's.
It's like a second movie, right, Yeah, he was writing
we were on the wave.

Speaker 2 (01:35):
He was on his ascension and this is one of
his Can you call it a trilogy where he had
the first three movies were all Kareem movies, Above the Law,
Hard to Kill, Mark for Death.

Speaker 1 (01:48):
Yeah, it was like, that's only the third one. I
thought it wasn't a hard target in there too. That
was the damn it was last week, last episode. I'm
so confused. That's it. You're off, brought to you by Outlaw.

Speaker 2 (02:00):
I'll just I'll just turn his.

Speaker 1 (02:07):
Yeah.

Speaker 2 (02:07):
Yeah, the the like I said, I remember watching steven
Sagall movies and as a kid going this guy is amazing.

Speaker 1 (02:14):
Yeah, he was amazing back in the day, and you
watch it now and go disapplaying. Wow. Yeah, I gotta
tell you. There was just moments in this film I
like just cringey.

Speaker 2 (02:26):
Oh yeah, like the fact that we're you look back
and go like, man, the nineties was full of like
big dudes, all the muscles everywhere. And then they have
like the montage scene for Stevens Gone and was like
this guy has never.

Speaker 1 (02:39):
Touched a weight in his life. He is not big, he's.

Speaker 2 (02:42):
Not off all over right, but but he but he
knew Wow, that really came out that maybe yeah, like
all the other guys who were like, you know, you know,
all muscle and everything else, but he looked cool because
he we thought he was a really good more artist,
which I don't know the I know, the akito style

(03:04):
is debated, but uh, but yeah, he seemed like it
was really cool because he was doing this thing that
none of us knew anything about.

Speaker 1 (03:11):
In the nineties. It's the kids, you know, and everything
so well.

Speaker 3 (03:13):
But as an adult now you watch them with these
scenes where he's doing his aketo and you and I
don't know if you guys saw it, but I did,
where a guy would come at him with a knife
in the exact correct position or something, and it would
come at him and then would act. There was actually
a pause a couple of times where he is setting
up the move to combat this attack and the guy

(03:35):
kind of waits like a heartbeat from the set it
up and then throws him off the second floor.

Speaker 1 (03:40):
Or are you saying the fight choreography is bullshit in
this movie? Well, a little lacking, I guess.

Speaker 2 (03:46):
So that was like the first like action scene is
he opens with him spying on the you know soon
to be by you know bad guy boss that he
faces at the end. But the first action scene is
him and another like ninety a mom and pop corner
store getting trashed.

Speaker 4 (04:03):
Right, let's go back to the So when he's like
on like a like a dock a shipyard.

Speaker 3 (04:09):
The cold open, yeah, yeah, yeah, he's filming this.

Speaker 4 (04:14):
It's like William Sadler, the bad guy has his catchphrase
and you can take that to the bank.

Speaker 2 (04:21):
And I love that this guy drops his catchphrase and
casual conversation.

Speaker 3 (04:25):
Yeah, And I actually put a note I was I
was like with with the mob bosses on the dock
shady thing, I was like, is this working that though
he's like I'm making.

Speaker 1 (04:35):
A trademarket at some point?

Speaker 3 (04:36):
Well, and I even thought too, I was like, is
the director or the writer are they just learning about foreshadowing?
Because in the cold open that he talks about the
lynch pit of you can take that to the bank,
that was before the credits even rolled.

Speaker 1 (04:50):
Yeah, but that's very key.

Speaker 3 (04:52):
Well yeah, but I was like, are they just are
they just learning about this concept about.

Speaker 4 (04:56):
But is he like filming them. There's a moment where
his the camera is just down the floor.

Speaker 1 (05:01):
Oh yeah, I wrote it.

Speaker 4 (05:03):
When you watched later in the movie when they showed
some of the footage, like he's filming this thing perfectly,
I'm like, his camera wasn't even pointing at the guy.

Speaker 1 (05:09):
I know.

Speaker 4 (05:10):
He was so bad that you think Segal, with all
his Hollywood knowledge, he would know like you gotta kind
of point the camera, oh yeah, at your subject.

Speaker 2 (05:19):
They're showing him, and he's like the camera's like kind
of flopping to the side and he's having sidecm you know,
basically giving you like background information as he's like, come on,
like the camera's pointing at the ground and you're talking
your lines.

Speaker 1 (05:30):
You know. Yeah it was Yeah, it was hilarious. But
also like the like his obsession with the Oscars. Yeah,
there was a lot of men about about the Oscars.

Speaker 2 (05:41):
I thought that too, us Like was this like was
this something that he wrote in himself already at his career?

Speaker 1 (05:46):
You know, I needed a more backstory. What was my
guy really likes the Oscars?

Speaker 2 (05:51):
What was the first movie uh that he made that
we were buffa Lah. Yeah, was like was he mad
because aboff a law didn't get an oscar?

Speaker 1 (05:58):
Oh maybe I totally nice.

Speaker 2 (06:01):
Yeah, maybe he's like mentioned like five times career.

Speaker 4 (06:06):
Yeah, he's going down the dock to spy on these guys,
talking himself about, come on, I gotta get this done,
got to get to the oscars. It's like, I know
you're sneaking around the doc. Why don't you shot the
fuck up?

Speaker 1 (06:17):
Nobody hears you? But he's just died. Doesn't he mention that?

Speaker 3 (06:21):
When he goes back to this police and he's like, oh,
you're watching the Oscars and the captain was like, I'm
not watching the oscar.

Speaker 1 (06:27):
Fuck them or whatever.

Speaker 2 (06:28):
It's basically was that he was they were really whoever
and maybe that was the writer or director that had
maybe done another project, was mad. But somebody was pissed
off at the Oscars in this movie because there was
definitely way too many way to get.

Speaker 4 (06:40):
To the the store with the first fight action set
piece right away, man, why don't you got the oscars on?
So you think when he came out of a coma
after seven years, you're like, fuck, I got a lot
of oscars. I did not mention the oscars. That was
it you did not mention the Oscars ever again in
the movie. You think he's like, like he sounded so

(07:03):
obsessed that he'd be like But as soon as I
came out of a seven year coming like, all right,
could you give me a list.

Speaker 1 (07:08):
Everybody won the past seven years? Yeah, I got a
lot of movies. Catch up? What year is it? Who
won Best Picture? Did I make it to the Oscars?
That movie? I wrote it should be well?

Speaker 3 (07:19):
And I also and I'm now when he when the
bad guy was doing it, he was he was filming
the ground, but he was actually filming the bad guys
doing all of this. I noticed that all the bad
guys that were there, all the henchmen, were all Italian.

Speaker 1 (07:33):
Did you notice that? And I was like, that's kind
of rude, that's I mean, he's filming what was the mob? Right?
It was the Yeah? Was it? Yeah?

Speaker 2 (07:41):
Yeah? Because the mob boss was the guy he was
talking to that was gonna put the hit on the senator.

Speaker 1 (07:45):
Okay, okay, I ever seen the movie Godfather. All mobs
are Italian? Yes, it wasn't the Yakuza. It should have been,
though it should have been.

Speaker 4 (07:56):
Isn't there a wild ass crazy story that once upon
a time, Steven Seagal fought the Akuza.

Speaker 1 (08:06):
I could see I thought it came across something like that.

Speaker 2 (08:08):
I could see Steven Sagah getting so jealous about the
Chuck Norris lines that he was like, oh yeah, oh
for five years I fought the Acuza. Yeah, but no,
like you get to that first fight and you was
talking about the choreography. The guy, like the last guy
standing in that gang that comes and shoots up the

(08:30):
the mom and.

Speaker 1 (08:31):
Pop store, holds the knife like straight armed over his.

Speaker 3 (08:34):
Head like exactly like the training dumbing right exactly.

Speaker 2 (08:38):
No, no, no, you got to come at me like
this and then that's way more dangerously stiff armed straight
and cut me.

Speaker 1 (08:43):
Yeah right, Oh but this, I mean, this scene is
kind of cool.

Speaker 4 (08:47):
I mean, unless you're the story owner getting right, yeah,
when there's no backstory there.

Speaker 1 (08:52):
That guy they definitely knew each other where he goes
that store a lot.

Speaker 4 (08:56):
Or I started like write my own backstory. He seems
really madd like did he get fired then he used
to work at the store, because he's.

Speaker 5 (09:05):
Seemed really yeah, yeah, yeah, there was definitely history between
them whatever the gang that came in, But I love
the I love the line about as these guys are
holding him up, and Storener looks over it at Mason
Storm and goes, yeah, where are the cops when you
need him?

Speaker 2 (09:19):
Like he was so good, Like he's making fun of
you in front of them, and you're and you still
let them kill.

Speaker 1 (09:25):
Maybe that's why he left. Do you think the story
owner knew he was cop? I assume I didn't be.

Speaker 4 (09:31):
I'd be like some this guy likes the Oscars, Well,
I have no clue.

Speaker 1 (09:38):
I just know he's Oscars guys. He wants champagne. Well
that's that's where I was.

Speaker 3 (09:42):
I haven't I originally saw this movie on the in
the theater so many years ago that watching it again,
I was like, is he I thought he was a
news reporter and he wasn't a cop into the into
the end of the show, and then he went back.
Even when he went back to his captain or something,

(10:03):
nothing really there indicated that he was a police officer.

Speaker 1 (10:06):
I mean, sorry, guy, Yeah, no, you're right.

Speaker 3 (10:09):
I thought he went back to talk to was like
his editor, and he's like, hey, I made this video.

Speaker 1 (10:13):
I caught this video on a hunch.

Speaker 4 (10:15):
It would explain why he's sewing the Oscars. Yes, that's
where I was like, he's a cop. That was I completely.

Speaker 2 (10:21):
That would also explain his outfit that I was going,
what kind of cop wears a vest under a sport jacket,
under a button up shit, was.

Speaker 1 (10:29):
Going to the oar to cover the oscar. He was
getting champagne.

Speaker 4 (10:33):
Now gets champagne just go home, goes home and drinks it.
I think that's more of a celebration thing. Yeah, but
he was going to go home, get in bad with
his wife, and drinks champagne.

Speaker 1 (10:44):
So the first that's so weird when you say it
that way.

Speaker 3 (10:48):
I thought that whole part of it was he was
going to the oscars. That's why he mentioned it seventeen times.
He had his camera to cover the oscars. That's why
he had his camera.

Speaker 1 (10:58):
Huh.

Speaker 3 (10:59):
He saw these mobsters and he was like, oh my gosh,
I don't't know what's happening in there. And he snuck
up on him and saw it, and then he was like, oh,
I need to go home and watch the oscars because
I'm not there with my wife it's a Tuesday whatever,
and get some champagne and a stuffed monkey. And he
went home and then did that whole thing.

Speaker 1 (11:17):
Man, you just made up a whole I did another
movie this It's Hard to Oscar. It's all about the
guy who's just trying to get home to people keep
getting in his way.

Speaker 3 (11:29):
Yeah, he had some function, that's why he was dressed up,
some word function that he needed to come home.

Speaker 1 (11:35):
He had his camera and he's just they stopped for
some champagne. Oh these guys have to kick their asses
before I can see the oscars. Yeah, I would. I'd
love to find out like a back for Hart I want.
I'd love to.

Speaker 2 (11:49):
Hard to Kill was actually rewritten like halfway, like you know,
a month into shooting and they realized like, no, my
Mason Storm is just my mod mannered reporter.

Speaker 1 (11:58):
Mason Storm.

Speaker 2 (11:59):
Is this car on the local councilman.

Speaker 3 (12:04):
Yeah, because if he took away the whole police thing
that he was a cop, he could be like, oh,
he was the reporter and he had a connection who
was a lieutenant who for some reason he couldn't say, O'Malley.
He had to shortened the O mal because that last vowel.

Speaker 1 (12:18):
On the end is such a stretch to say, you know.

Speaker 3 (12:22):
But it was like, that's his cop buddy, and I
was like, he was never a cop. I think in
the original screenplay he.

Speaker 1 (12:28):
Was never a cop. He was a reporter. You know,
it's so easy that he to write him out he's
not a cop.

Speaker 2 (12:33):
Yeah, because why you do just take away the badge,
which I don't did you ever know he never really
had the badge. He never had a badge.

Speaker 3 (12:40):
He just had his suit with his black and white vest,
and then later a black and white tie, and then
even later yet another.

Speaker 4 (12:48):
Yeah again, like going back to why was he dressed
up like that? He wasn't going to an Oscar party.
He went home, took it all off and got in bed,
and like, makes no sense, but I think he came
from a work function.

Speaker 1 (13:00):
But I'm sure Steven said.

Speaker 4 (13:01):
I was like, no, this is one't gonna wear. Well, no,
you should be wearing something like this. Y're sticking through
the shadows.

Speaker 1 (13:06):
Now I'm gonna wear this. This is a great for
kicking people's asses, trust me, having kicking. I'll be wearing this.

Speaker 3 (13:12):
He's going to the Oscars, he's going to the Oscar
or he's gonna recover the Oscars or something, or he's
coming home from it. I was like, oh, well, does
he I was thinking that he wanted to see his
footage of what he did, what he recorded, and what
he reported at the Oscars. But him being a cop.
That was what took me out of left field about

(13:33):
the whole thing. I was like, wait, I thought he
was a reporter. M but moving along.

Speaker 2 (13:39):
My One of my favorite things about that scene and
as he finally gets his way home after all this
is the fact that he was listening he just killed
a couple guys and oh yeah, shrugs it off.

Speaker 1 (13:48):
But he's listening to Chuck what the hell and jamming
to Chuck Mangioni in his car on the way home.
So good, I know he's popping alone.

Speaker 2 (14:03):
That was one of my highlights of this film was
look my characters into the Oscars.

Speaker 1 (14:08):
That's totally the music he would be and so. And
then when he got home he hides the recorder Yeah yeah,
in the wall.

Speaker 3 (14:17):
Which I'm thinking to myself, well, hold on, isn't there
a tape in that recorder? He doesn't need to hide
the whole freaking machine. Can you just pop the tape out.

Speaker 2 (14:24):
I love the fact that he punched a hole in
his wall when he got home to put that in it,
because he goes back to get it later he has
to bust a hole in the wall.

Speaker 1 (14:32):
They didn't just cover up a random hole.

Speaker 2 (14:34):
Like, what happened? What was he said he put it
in the ice box? What happened when he just opened
a random door? And to shove that camera into a wall?

Speaker 1 (14:43):
Why take the tape out?

Speaker 4 (14:45):
Because you need the video and the tape together, So
he separated plot.

Speaker 1 (14:50):
Well, no, the tape was just the audio only.

Speaker 3 (14:53):
Why separate the video from the audio from the audio
tape in the camera? Was that I was trying to
think back back and the nineties. I was like, well,
the video recording devices back in the nineties, they were
still all the audio on the video.

Speaker 1 (15:07):
Yeah, I don't know what he had where he had
two separate.

Speaker 3 (15:11):
I don't know. I was confused, and then the whole thing.
I did put a little blurb, but.

Speaker 4 (15:15):
You know, he was far away, so maybe he had
a separate recording device that would pick up further away voices.

Speaker 1 (15:23):
Yeah, maybe this is the further away voice machine. That's right.
It's an extra three hundred dollars.

Speaker 4 (15:28):
I had, Like, I hed a big shotgun mic on it,
didn't it?

Speaker 1 (15:31):
Well?

Speaker 3 (15:31):
If I remember, And then I thought well, he got
his wife a champagne and he got the little stuff
monkey for his kid. Then he came home when the
kid should be asleep because it's very dark. He brought
home clearly the sex up the wife. And I'm thinking
I actually wrote it, wrote down does a stuffed monkey
substitute for a missing father?

Speaker 6 (15:47):
May?

Speaker 2 (15:48):
I thought he's supposed to pull the stuffing out and
put in his ears. What I heard his mom getting.

Speaker 3 (15:52):
Next door and the kids like mom, Dad, I'm not
talking to my mom, And I could hear you, dude,
the sex scene was like tough to watch.

Speaker 1 (16:02):
Oh yeah, he was just groping that girl.

Speaker 2 (16:04):
I was like, yeah, I thought that to his like,
you know what, as like all the rumors you hear
about him being like a sleeze is like there was
no reason for him to be like groping her as
hard as she was for a movie scene, like.

Speaker 4 (16:13):
He was definitely Stevenall himself was cop oh yeah, taking
he was not like, no, I'm being romantic.

Speaker 1 (16:20):
I'm acting.

Speaker 2 (16:21):
I would dudge my West moves. This isn't your wife, Stephen,
and this is just a girl.

Speaker 1 (16:25):
Steven Sagall said, I'm in char quote. Well, I won't
do it. He's like this, the secret is to not act,
to just be in that scene, you know what.

Speaker 2 (16:37):
It's like, I'm just being What's great about that quote
is the fact that, when coming from Steven Sagall, it's
sleazy as fuck. If Keanu Reeves would say the same thing,
it'd be like, that's fucking genius, right, you're so method.

Speaker 1 (16:50):
People were watching it.

Speaker 4 (16:51):
This was like I was It's like he's almost assaulting her.

Speaker 1 (16:57):
It was it was.

Speaker 2 (16:58):
Too like, yeah, I was watching going like I know
that that's too much. That's too much Steven, like, stop
grabbing her so aggressively.

Speaker 1 (17:07):
He was into it. He was into it, especially.

Speaker 2 (17:09):
When in a movie that you're also filming with your
wife current wife. I didn't realize he was married to
Kelly le Bron at that point, but I'm like, did
she not go oh show that?

Speaker 1 (17:18):
Yeah? Was she not on the set going like whoa
time out? Steve? Like you're just feeling this this extra up,
like what the fuck's happened?

Speaker 3 (17:27):
This hads so much more complexity than one of the
comments I have later down the road.

Speaker 1 (17:30):
Yeah, just being oh yeah, oh yeah.

Speaker 4 (17:33):
Honey, in my head, I'm thinking at you, So it
makes it okay.

Speaker 1 (17:38):
So I like that that okay because later down the road,
I was like, yeah, I don't.

Speaker 3 (17:45):
I don't want to spoil what happens in the movie,
you know, I don't want it, so so we'll get there,
you know. So yeah, so moving on from him raping
this woman or sexually assaulting this woman.

Speaker 1 (17:57):
Over you know. The next thing that got me was
was a heartfelt moment.

Speaker 4 (18:03):
Boy where the cops on the take came in and
just shot everything up.

Speaker 1 (18:08):
No, no, no about the bro love. Oh. He was
saying his prayers for O'Malley. Oh.

Speaker 3 (18:15):
I was like, dude, you guys, I mean, I've got
a couple of bros, you know, but that was bro
love right.

Speaker 1 (18:22):
Wait whenever he was shot up.

Speaker 3 (18:24):
When he was shot up, and then O'Malley came in
and I was.

Speaker 1 (18:28):
Like that to the hospital. Then yeah, I was like
that dude loves you.

Speaker 3 (18:34):
Man.

Speaker 4 (18:36):
All the cops on the take to shoot the ship
out of Oh, yeah, I was shoot up Segall's family.
Well the kid gets away, I'm shoot up the copy called.

Speaker 1 (18:47):
That was a two story window he just jumped out of.
I thought, kids, he's a spider Man. And did you
guys like the set?

Speaker 3 (18:55):
It was very clear, Like when he jumped out, the
window right behind him was like a sheet with stars
on it, like for the Late Show, you know.

Speaker 1 (19:03):
I was like, hey, that's pretty cool. You just did
a header out of two story window.

Speaker 2 (19:08):
Yeah.

Speaker 1 (19:08):
They shot the copy called earlier in the movie about
like hey I got this dame.

Speaker 4 (19:12):
Yeah, And I'm like, so they were the only two
honest cops because every other cop was on the payroll.

Speaker 2 (19:20):
Yeah, the guy he called the got guy in a malley.
Only only straight cops on the on the in the forest.

Speaker 4 (19:26):
But yeah, they shoot him up. They think he's did
They get him to the hospital and he.

Speaker 1 (19:31):
Dies, but it's Steven Sagall. It comes back to life.

Speaker 2 (19:35):
He was shot what like three times? Buy a shotgun
at close range?

Speaker 1 (19:39):
I did.

Speaker 3 (19:40):
I did write in here something about man, the shotguns
really suck in this movie.

Speaker 2 (19:44):
Except except if you're a woman. Apparently just one shot
to the face.

Speaker 3 (19:49):
There.

Speaker 1 (19:49):
There was a.

Speaker 3 (19:52):
I have it here somewhere like these are the actual
worst shotguns, some of them. Oh, when they came in
to shoot him, the shotguns had laser sights on him.

Speaker 1 (20:01):
I've never seen a laser in a very precision.

Speaker 3 (20:03):
It was a laser sight on a shotgun, and I
was thinking like, wow, that's that's I never thought about
doing that.

Speaker 1 (20:09):
Sure it didn't work. Well, can you can punch a
hole in something?

Speaker 2 (20:14):
I mean, I think there's one in my house with
a laser on it and a flashlight.

Speaker 1 (20:18):
Nice.

Speaker 2 (20:20):
It's it's all about making them pee themselves to get
out of the house before you have to eat.

Speaker 4 (20:24):
It makes a tactical I got you, okay, Hey, can
we talk about him being in a comma?

Speaker 1 (20:31):
Oh so good? So many bad jokes.

Speaker 2 (20:34):
The fact that they trimmed him to look like an
ancient Chinese master.

Speaker 1 (20:38):
With his goate like what tea was so bad?

Speaker 2 (20:42):
It even had like the white streaks, and it'll make
him look like an Asian master of some sort, like
in a movie.

Speaker 3 (20:47):
Like I did notice that his nails were perfectly manicured
for for a guy on a coma.

Speaker 1 (20:51):
And I could remember man when when she came over
to check.

Speaker 4 (20:54):
On him, on him, yes, yeah, I started thinking like
fuck it, wait, is this the movie where she makes
a big dick joke and then she listens she looks
at it like hope you wake up? You got so
much lift for her there? Well, and there was it
was like I was like he fucking wrote that was

(21:15):
not in the originals. Cut nigga think about the dick.

Speaker 2 (21:19):
Well, there was a whole thing of her bringing a kitten, yeah,
making jokes about pussy, Yeah.

Speaker 1 (21:25):
Do you want to? Do you want a little pussy?
Do you want to?

Speaker 3 (21:28):
And brought in a cat and set a cat on
him and then look at in a different movie now
like now we get like really cheesy comments and.

Speaker 2 (21:36):
Then looked at his dick and I'm like, what is
going on in this coma unit to be an r
N and this comy you can do whatever the hell
you want.

Speaker 1 (21:44):
I'm sure Hippa would not. Yeah right, this is not
a compliant man. She's like, I don't know, Dick for
seven years just woken up. Yeah.

Speaker 3 (21:55):
I did think it was interesting that she looked it
up and she pulled up that sheet and was like,
oh my god, Dick, Yeah, is that what you do is?

Speaker 1 (22:02):
And maybe it's.

Speaker 4 (22:03):
Cringey Cutz, it's cigar and you just I feel like
he wrote that it's just no way. Maybe back when
I first watched it, when I thought was cool, I just.

Speaker 1 (22:14):
Like, yeah, oh yeah, my wife is just like.

Speaker 3 (22:20):
She just didn't just like lift it up and peaks,
she like lifted it up like she was gonna dive in.

Speaker 1 (22:26):
Well, he was like, so.

Speaker 2 (22:27):
He's not wearing a robe, Like, he's not wearing a
robe under there on the ship, Like he's just he's just.

Speaker 1 (22:33):
Naked underneath the sheet.

Speaker 3 (22:35):
He's only wearing the shirt, you know, pants down. It's
just nothing. He's just free bawling it down, you know.

Speaker 4 (22:41):
But when he does wake up, come out and comes
out of that coma, nothing works but short of but
I mean like he like, I get like, your your
muscles can be atrophied and everything.

Speaker 1 (22:52):
But he couldn't even talk.

Speaker 2 (22:54):
It's like, I don't think your vocal cords atrophied, do they?

Speaker 1 (22:58):
I'm not sure. Maybe a doctor can back and back
this up.

Speaker 2 (23:01):
But I was like, he's talking like he's under like
there's like five hundred pounds bolder on his chest.

Speaker 1 (23:07):
Give me. He was being master.

Speaker 3 (23:11):
He was acting, acting acting.

Speaker 4 (23:16):
But yeah, so as soon as he wake up, they
call O'Malley. Yeah, yeah, of course the bad guys get
wind yep and boy they're there like split Yeah, well
he told her I'm dead in under an hour. But yeah, yeah,
he's still able to pick up a mop and push himself.

Speaker 3 (23:34):
Around in the gurney. Yeah, seven years in a coma
and he can like row like he'sh I'm thinking going
up the river.

Speaker 4 (23:44):
No, I don't think he'd be doing that. But I
tell you what, uh he was being in the moment.

Speaker 1 (23:50):
There's a scene where.

Speaker 4 (23:53):
When the elevator door or something happens, and man, you
can see his legs. He just I was like, oh,
his legs are working. I can't believe the editor did
like we should cut before we could see that his
legs are working properly.

Speaker 2 (24:04):
Yeah, oh you have. It cracked me up because I'm like,
I don't know. I see your body as you're doing
the montage, and I go, I think that guy himself,
by himself would have a hard time doing exactly what
you did after immediately seven years after Koma yet alone.
No one's even the killer. They're just murdering everybody. Oh yeah,
there's no.

Speaker 4 (24:23):
They're not trying to be secret, they're not trying to
be covert.

Speaker 1 (24:27):
They just straight up anybody gets in their way murder.

Speaker 3 (24:30):
Oh yeah, you beat it to it well, and it's
a Koma unit, so everybody there there's only I'm thinking, okay,
so this was my thinking, but.

Speaker 1 (24:40):
You know, like I got doing a side in that movie.
I can't.

Speaker 4 (24:43):
I don't know if we talked about it, but wow, murder, death, kill,
so in the future, like this means all the same thing, right,
But why would.

Speaker 1 (24:54):
Is?

Speaker 4 (24:54):
I feel like we still there's always an opportunity to
go back and revisit that movie, discover more things and
pick pieces out.

Speaker 1 (25:01):
Yeah, anyway, I'm sorry, Oh no, I was just.

Speaker 3 (25:07):
I thought the assassins come in to kill him was
probably because they weren't in a hospital, they were in
a coma unit. I think that that one scene, other
than Cigal's acting, was probably the most true to what
it would be in real life because they're in a
coma unit, lightly staffed. Everybody's out in a coma aside

(25:30):
from him, you know, rowing the boat to get to
the elevator and then lifting up a you know, the broom,
which he's going to be able to do, no problem,
because he's even he.

Speaker 1 (25:38):
Can do with his mind, he can do with it. Yeah, exactly.
You know.

Speaker 3 (25:42):
Other than that, I was like, the guy's killing everybody.
Oh sure, Well, you don't see much of a coma unit.
The thing that I thought as they were leaving the
Koma unit, which I really liked, but at the same
time I would have done it definitely. Is when they're
going down the eighty A ramp that's out in the
front and she's got him in the gurney.

Speaker 1 (26:02):
Why was she pushing it? She's running after it.

Speaker 3 (26:05):
I'm like, you're going down a hill with one hundred
and fifty pounds plus the gurney.

Speaker 2 (26:11):
I'm like, why did you surf him down? That would
have been awest team wolf Stocks. She was hitting everything. Yeah,
she was like pampam going around. I'm like, cauld you
keep putting her up, you're running.

Speaker 1 (26:22):
But and she managed to get him in the car.
Uh yeah, he's basically dead weight. I just i'd say it.
I don't believe it.

Speaker 2 (26:29):
I mean, I think hitting everything would probably be pretty
true if you're trying to a.

Speaker 4 (26:34):
No, I'm sorry, lifting him up right put that gurney
and putting him in her car.

Speaker 1 (26:37):
Oh yeah.

Speaker 2 (26:38):
Like but so, I mean, like the part where she's
pushing him down at one, I'm sure they're not easy
to control at high speeds. But also she weighs like
one hundred and twenty pounds at most, so I feel
like that part was actually true.

Speaker 1 (26:47):
She would be slamming in there. I got you. Yeah, yeah,
getting him into that car would be tough.

Speaker 3 (26:51):
She would have been halfway down and literally like pulling
this guy back at that point because they were cruising
down that eighty eight rap I put it in here,
like eighty eight ramps are awesome surf him and I
was like that. I was like, man, that would be
a prime time because she was terrible at pushing hitting everything,

(27:12):
and that thing was pretty wide.

Speaker 1 (27:15):
So she gets him into the car, which should have.

Speaker 3 (27:17):
Been at the base of the thing, actually at the
base of the eighty eight raps, so she could just hit.

Speaker 1 (27:21):
The page and like catap that car.

Speaker 2 (27:24):
Yeah, she had a convertible, she could had it ready
and he could have just flopped in like a sack
of a convenient the convertible part of it.

Speaker 1 (27:30):
Yeah. Yeah, why she put the top up.

Speaker 2 (27:33):
They notice putting my top up as I drive.

Speaker 1 (27:37):
Away, the big flag on the I didn't really think
about that though, Like, how was it. I'm surprised he
just didn't rip off. Yeah, well, I guess maybe she
wasn't going quite fast enough yet.

Speaker 3 (27:48):
Yeah, it's still like, yeah, you're gonna fuck that motor
up for that Yeah, it's gonna mess up.

Speaker 1 (27:52):
It's going to mess up the car. I mean, that's
how interesting the movie is. I'm more concerned about. So then.

Speaker 2 (28:03):
She takes him back to her house, which is it's
a friend's house. Yeah, that's why she said they didn't
know where she was.

Speaker 1 (28:11):
Nobody knows.

Speaker 3 (28:12):
I'm here, I'm house sitting. Oh see I miss that part.
Maybe I had to use a bathroom break at that
point because because because the whole time, I'm like, how
can she afford this house?

Speaker 1 (28:21):
Right?

Speaker 4 (28:22):
This is amazing city for a doctor who's in China
doing like some type of thesis.

Speaker 1 (28:28):
I'm like, who owns horses? When that dude comes home,
he's gonna like, what the fuck happened to my house?

Speaker 4 (28:36):
For house sitting on the Yahoo app at one star,
she destroyed my house because it's not like, you know,
he could she could just wring up his cell phone.

Speaker 1 (28:46):
At this time period, he's gonna have to.

Speaker 2 (28:48):
Fly home and be like, oh, you killed my house.

Speaker 1 (28:52):
Because and there's going to be rotting bodies there. That's true,
that's true. But once we get there, though, is when
we get like of the best.

Speaker 3 (29:01):
Well, she strips him down completely because when he wakes up.
He's not in the same hospital. He's in like jammies
and like not a big deal, looking.

Speaker 2 (29:13):
As yeah there there's a whole way there and daydream
about that dude.

Speaker 1 (29:17):
Yeah, she had to clean him up, you know what
I'm saying, top the bottom.

Speaker 4 (29:22):
But then sure enough, when you know it, segall needs
some stuff to heal, he does, and he right, he
is like writing the best Chinese script in there, and
she's like, oh, you can write Chinese. And then we
get this minute monologue which is his backstory, right.

Speaker 1 (29:38):
And it was like for me, it was like this
is so bad.

Speaker 2 (29:41):
Yeah, this is so pointless. I don't need it in
his backs He's a cop. I get it done.

Speaker 1 (29:46):
But now we need a master.

Speaker 4 (29:49):
You can imagine being the American in China at this
time period.

Speaker 1 (29:54):
I had to learn how to fight, and the guy
was like, do you want to hurt people? No, I
want to be great.

Speaker 4 (30:00):
To be great, you must learn how to heal, which
leads the whole thing where he's putting like needles in
his body with the instance on the end.

Speaker 1 (30:07):
We're like fishing lure stuff on the end.

Speaker 3 (30:10):
I thought of that as like either like wasabi or
some kind of incense.

Speaker 1 (30:14):
Instance, but where can you find incense? That's do what
I want to. He wrote out all that.

Speaker 2 (30:21):
Secret Chinese Chinatown market and handed them a piece of
paper that she'd know what said. They could have gave
her a monkey, and no idea.

Speaker 4 (30:27):
Were like, okay, he want a monkey, I tell you
right now. Then that movie would have been off the chain.
She would have came back incense, you know, acupuncture needles
in a monkey.

Speaker 1 (30:39):
I'd been like, okay, well I'm in and a bag
of eels here you go.

Speaker 2 (30:43):
Well, in my head, I went, so he has all
these acupuncture needles all over him. They're lit up and
they're smoking, and he's meditating. He had like two or
three in the middle of his back of.

Speaker 1 (30:51):
My cot Yeah, how did they did get there? Mony
did that ship?

Speaker 3 (30:54):
That's right, it's called the acupuncture Monkey.

Speaker 1 (30:57):
And they gave us some monkey. What for? Uh, that's
my acupuncture it's my acupuncture monkey. You have to take
him back in three days. Don't get him wet after midnight.
Don't get him wet.

Speaker 4 (31:11):
I just like the whole thing where he like it's
so bad. Oh, oh, we want to talk bad. Once
he's done healing, and he starts his train. Yeah, the
rehabd Okay, okay.

Speaker 3 (31:23):
Did anybody see the wide grip on that empty bar
bench he was doing?

Speaker 1 (31:28):
Did you?

Speaker 3 (31:29):
I gotta say you as as someone who frequents the
bench pressing, you know, did you see the acting on
his face when he was bench he was he he
was acting.

Speaker 1 (31:40):
It was.

Speaker 3 (31:44):
And he was his hands he was so far he
was almost to the to the collars there.

Speaker 1 (31:49):
He was like super wide bench. And I'm like, he
requires like the outer peck, this is the rot eater cuff.
You got to really strengthen those first bar bell he ever.

Speaker 3 (32:00):
I was like, bro, you want to bring that in
a little bit. Man, I don't know what you got
going on over there. Punching is gonna mean your try SAPs.
You want to be clothes gripped.

Speaker 1 (32:08):
Bro? Oh yeah that so yeah.

Speaker 2 (32:11):
He puts that plank in the ground and wraps rope
round and he's punching it and I'm like, you put
that maybe six inches ground. There's no way that's breaking off,
Like that's just not going You can knock it down, cool.

Speaker 1 (32:21):
But you're not breaking it off at the base.

Speaker 4 (32:23):
Well, he can put that in the ground like one
punch would just knock it right over, like, dude, you
need to take a little deeper.

Speaker 3 (32:29):
Well, and can I I'm come up for seven years.
This is as much as I can do. And I
was weak, and and the board that he puts it
on is like a shelf. Okay, so I'm looking at like, oh, well,
that's like a you know, twelve inches wide, ten inches wide,
one inch till one by twelve.

Speaker 2 (32:44):
It's like a finished piece of board. Sure, did you
do this in your backyard? Please tell me you put
a board in your yard? And maybe I should Can
we do that for like, can we start making YouTube videos?
And yes, of us, yes we should do that montage videos.

Speaker 1 (32:57):
We could read the montage, remember well, pick something.

Speaker 3 (33:00):
Out to recreate it, and then you know, as he's
going and going and going, then later to spoil when
he breaks the board.

Speaker 2 (33:07):
Did you all notice that the board that he broke
was like, I was a thicker that looked like it.

Speaker 1 (33:12):
Was like a rafter board.

Speaker 2 (33:14):
It was like six inches deep, twelve inches wide.

Speaker 3 (33:17):
It was like a telephone bowl kind of thing. And
he broke and I was like, yo, imagined that wasn't
the boarder to use? Man, I gotta I gotta tell
you that.

Speaker 1 (33:25):
That's Frankly, he had to keep getting thicker boards. We
just didn't see scream. That's movie magic Man. We're not
the first that I'll discuss. It won't be the last.

Speaker 4 (33:38):
I'd like to talk about his running style, which we
made in Above the Wall.

Speaker 1 (33:42):
We made fun of it too, but it's so gravy.
It was really high lights.

Speaker 2 (33:46):
Oh yeah, because he's he's running, he's running up mountains,
he's running in streets.

Speaker 1 (33:49):
He's doing so much running in this movie.

Speaker 4 (33:51):
And he does this little flip curl with his hand.
Oh yeah, does he give himself the extra speed like
the wind go ahead?

Speaker 3 (34:00):
Sorry, I thought he was kind of aquatic thing, like
he's like a fish.

Speaker 1 (34:04):
He's swimming in the air. He air swimming when he's
running molecules in the air. I'm using his molecules to
push me.

Speaker 3 (34:11):
I use I use a keto to move the molecules
out of the air with my fish movement.

Speaker 2 (34:16):
So, the best way I can describe it is from
his shoulder to his elbow is straight at aside and
does not move. However, from his elbow to his hand
moves so.

Speaker 1 (34:24):
Much, most so much. It's yeah, it's.

Speaker 2 (34:27):
It's just so at the end of the movie, like
he's reunited with his kid, and there's a scene where
his kids running. I was like, why didn't they have
the kid, Like you got to run like steven Sagall
so we know your Mason Storm's kid.

Speaker 1 (34:38):
I wanted a kid to run up his arms and everything.

Speaker 3 (34:42):
I was already for that kid to go parkour over cars.
I was like, Yo, the kid's got it. You know,
he jumped out of a two story window. This kid
has gotten running parkour, parkour, you know.

Speaker 1 (34:53):
And then See was called like eh eh.

Speaker 3 (34:55):
I thought when he was running up the mountain, not
when he was out of shape Stevensgar running up the mountain,
but when he was in shape and he's flopping around
in his hands and his feet were kind of flopping around.
I think of like the the m ST. Three K
where they do the voiceovers and whatnot. And I was
thinking to him, just if you could just dub in there,
just kind of going eah, that would have fit in

(35:19):
that spot.

Speaker 2 (35:19):
He's just running, running up the fucking mountain wearing a
big jump suit.

Speaker 1 (35:25):
I don't know where he got it. All those years
of Akita, you think someone talked about a run. Oh
that was like the least.

Speaker 4 (35:32):
He's like, what I'm doing is a keto as I
run that movement wrists.

Speaker 2 (35:38):
I think I think rakito is about redirecting energy. So
maybe like you're saying that, it's like maybe he were.
He would that's a legit thing. He's like, no, I'm
moving the energy of the air around me.

Speaker 1 (35:47):
I'm being more.

Speaker 3 (35:49):
He said it, like, okay, so what I'm thinking is
that maybe like with awestome powers.

Speaker 1 (35:52):
He would also say, you say Austin powers.

Speaker 2 (35:55):
I wasn't sure if you said Austin powers are awesome
powers now powers?

Speaker 1 (35:59):
He was like Judo chop.

Speaker 4 (36:00):
We get a judo chop scene when he's training. Part
of his training that ship was funny.

Speaker 3 (36:05):
You know, maybe he's maybe when he's running, he's thinking
a keto run, a keto run.

Speaker 4 (36:09):
There's a scene where he he's doing judo chops.

Speaker 1 (36:13):
He's like, oh man, that was so bad looking.

Speaker 4 (36:15):
It was like it was like if you remember like
how people fought back in Elementary like wind milling your hair. Yeah,
judo chops look like he's just wind milliing in the hair.

Speaker 2 (36:27):
So okay, and so in Steven's sorry was that right
before he made it with the with with his wife.

Speaker 1 (36:34):
I think it was he was in training. Yes, he
was finishing up training. Well, that's what I'm saying. Probably
why she was so hot for him, she needed.

Speaker 3 (36:42):
The d But I'm thinking in Steven Segal consciousness time,
because when he's like working on that board and break
that that shelf that he put in the ground, just
barely in the ground whatever, he kind of like leaned
it up on the ground, what was his time of
his consciousness that his wife died?

Speaker 1 (37:04):
So his wife died, Oh yeah, he not pretty quickly.

Speaker 3 (37:07):
I'm thinking like two three weeks maybe, Yeah, he woke
up after being shot.

Speaker 1 (37:12):
A couple of weeks, maybe a month. I thought it
was three days. Well for him, right, yeah, he can't stop.

Speaker 2 (37:21):
It even sounds so amazing that I thought three days
he's back to one percent.

Speaker 3 (37:25):
I'm thinking like two to I'm like, okay, so maybe
a couple of weeks for him to go from flappy
out of shape to a keto run run.

Speaker 1 (37:33):
To still kind of out of shape.

Speaker 3 (37:36):
It's all running running up the thing, you know, and
cutting the board so I can knock it over and
then nailing Kelly LeBrock.

Speaker 4 (37:44):
Yeah, I think that was the last part of training.

Speaker 2 (37:50):
I like where your ahead is that he knew he
was ready to take the back of the training.

Speaker 1 (37:59):
He because he trained his muscle to his core his spirit.

Speaker 4 (38:03):
See that's he what also have been better too if
the monkey was still there. But the monkey's in the corner,
just watching.

Speaker 3 (38:08):
Smoking a cigarette, smoking a cigarette, throwing poop out him occasionally.

Speaker 1 (38:13):
Dude.

Speaker 4 (38:14):
H We get the second sex scene, and this one
is like pretty awkward too.

Speaker 1 (38:18):
Well, he I didn't realize that they were married, and
has to say at least that was his wife at
the time.

Speaker 4 (38:23):
But the way she even walked in the room all
dressed up, hair's all fixed up, high heels.

Speaker 1 (38:29):
Like, well, I guess she's finally we're on this one. Baby.
Here we go. He's like, I've been looking at it
for seven years, the bone and then she's crying.

Speaker 4 (38:41):
He's looking at his wedding ring, and then he goes
to the grave. I was like wow, I like wow, what, Yeah,
seems like it was the worst sex.

Speaker 3 (38:52):
And she goes he goes to the grave site, and
he goes to his wife's grave and he's like crying
at his wife's grave and I'm like, dude, you just
bone this other lady who just she's been certain your
dick for years.

Speaker 4 (39:05):
Yeah, but maybe she realized ship he was a shower.
That's why she was crying.

Speaker 3 (39:14):
Oh yes, there was no motion, gotcha, gotcha?

Speaker 2 (39:19):
Actually that was this realization in her own the real world.
He's like, fuck, I'm married to this guy because I'm
a bit.

Speaker 4 (39:29):
She was so upset about boning him, which she clearly
wanted to do where she dressed and came on to him.
But yet then she's crying.

Speaker 1 (39:36):
She's so upset she has to go see her friend Martha.
Who who is Martha? She was a coworker. Coworker, It
was a lady that she when she came in and
replaced her at the show. The first lady who she replaced.

Speaker 4 (39:51):
Now, apparently they cut a bunch of this movie out
and there was we got to see the bad guys go.

Speaker 1 (39:58):
And kill Martha and torture to try to get information ma'am.
But Martha didn't know where she was.

Speaker 3 (40:04):
I did notice to back it up that all the
monitors behind Kelly LeBrock when she was in the Kobe unit,
all of them were only hooked up to Steven Seagal
because when he flat lined, all the machines behind her. Yeah,
there was like three different machines. They all flatlined. We're
only a certain about the guy. She's just so distraught

(40:28):
about having sex with him. She breaks like the rule
because here she goes to Martha, you know, the bad
guys are waiting, they're set up. Oh yeah, and then
but we did need to get to the bad guys
coming after him. Well, but but they I think they
had to do something pivotal with the Martha rolls. So
I think the clear rule in that was we need

(40:50):
to transition from having sex with the married guy who's
still in love with his wife and is crying, you know,
and she's crying because she had really bad sex with
the guy.

Speaker 1 (40:59):
That's that's what I had to be.

Speaker 3 (41:01):
We need a transition to back to the story. So
go see Martha.

Speaker 4 (41:06):
She's dead because she had seven years of looking at
his She just thinking about how how great.

Speaker 1 (41:13):
She had to stick her face or something like that.

Speaker 2 (41:17):
She you don't give a dick that loving of a
long gaze unless you've touched it before.

Speaker 4 (41:23):
Oh yeah, Well she could have been crying too, because
he's like, yeah, sorry, that's the only thing.

Speaker 1 (41:26):
It hasn't come out of the coma.

Speaker 2 (41:27):
Yet he's still in a coma.

Speaker 1 (41:34):
I don't know.

Speaker 3 (41:35):
I don't know how to a keto my way through that.
There's no a keto a keto pecker work, damn you. Yeah.

Speaker 4 (41:46):
So it's like when he runs his handspin, what of
his dick spins like that too?

Speaker 3 (41:50):
Everything just kind of hell just kind of helicopters around
whenever he runs.

Speaker 1 (41:54):
My dick's a very her dynamic.

Speaker 3 (41:57):
So about this time, about the whole Martha eyeing time,
I thought to myself, wait a minute, just kind of
looking the progression. She stole him from the hospital, a
patient from the hospital. She didn't feel on any forms,
no discharge forms. She stolen keeping him captive. At this
he's actually kidnapped, this dude. Huh okay, but he has

(42:20):
now a full wardrobe. Have you noticed that he had
a nice little variety of leather jackets black year, he
had poofys jumpsuits, jumpsuitsants.

Speaker 4 (42:31):
Well, I mean I can only assume the doctor that
was the exact same height, weight, pant size and everything.

Speaker 1 (42:39):
I mean it's pretty convenient.

Speaker 3 (42:41):
Well that would explain that this because I put on
her Because again I missed that part. So I was like,
where to get the clothes. And who's fucking jeep did
the steel.

Speaker 1 (42:50):
That doctors? It had to be the doctor's jeep. No,
he got the jeep from what happened.

Speaker 2 (42:59):
I know he traded the jeep car later for like
a camaro or transam, but that was later when the
bad guys were chasing the jeep.

Speaker 1 (43:06):
Was at the compound there of the doctor, I think.

Speaker 3 (43:08):
Okay, okay, okay, I got you. And who was taking
care of the horse that got let out?

Speaker 1 (43:12):
I know what a weird scene like?

Speaker 4 (43:15):
Who let the horse out right even in the field,
like somebody there has to be a caretaker of the horse.

Speaker 1 (43:20):
That was that was because he drove the jeep through
the bars. There has to be like some farmhands.

Speaker 4 (43:25):
You it's one thing in trusting Kelly Lebron to watch
your house, your horse horse. You need to have experience
taking care of a horse and then begging here it's
fed several times a day, taking it out.

Speaker 1 (43:38):
And then I was a little disturbed in the.

Speaker 4 (43:40):
Barn that there was definitely a ranch hand somewhere hiding IU.

Speaker 1 (43:44):
Who was like what he was the one in the corner.

Speaker 3 (43:50):
And then at the same time there was a solid
hold on the horse as it's running away, and I'm like,
I don't want to spend all this time looking like
a horse's ass as it's running way.

Speaker 1 (44:01):
Oh my gosh, yeah I thought that too.

Speaker 2 (44:04):
I was like, this is such a weird like stationary,
it's a weird shot. The hole right, yeah, like what
it's like they made a point like hey, and you
know that horse got out right, like we haven't seen
the horse horse And all of a sudden there's like
ten seconds of a horse is running through a hole
the fence, Like, why have they.

Speaker 1 (44:21):
A bunch of this movie? Why did the horse scene?

Speaker 3 (44:23):
Was like I'd rather have like, you know, somewhere in
some of the news reports and they're talking about whatever,
Mason's storm. They could be like in other news a
horse terrorizes downtown, a rabbit horse.

Speaker 1 (44:37):
So good.

Speaker 3 (44:38):
Well, and but but the so the horse thing was
after we kind of jumped ahead, after the bad guy
has come to the guy's house.

Speaker 1 (44:45):
Yeah, shoots it all up. Mason Storm one of the
best names I could come up with. This so good.
I love that.

Speaker 3 (44:51):
Kills all these people. Everybody's dead and the homeowner is
gonna be pissing. I don't know how I was gonna
explain it to the insurance company. Their bullet holes might help. Yeah,
well all that Asian furniture.

Speaker 2 (45:05):
These guys laying there decomposing in the bullet holes are like,
I think something happened here.

Speaker 1 (45:10):
Yeah, okay, all right, there was a party or something. Fun.

Speaker 4 (45:14):
Fact that that mansion, that house was also using the
big lebowski.

Speaker 1 (45:19):
Oh Jackie tree horn the interior. Huh okay, I still
jerk off manually, Jackie. That's right, that's right.

Speaker 3 (45:29):
The uh that's when the extreme before that happens, before
they invade the bad guys, is when the extreme close
up happens.

Speaker 1 (45:39):
The now.

Speaker 3 (45:40):
I I think that we should make it a new
policy that everybody should have an extreme close up. You
know what, the side we got to come up with catchphrases.
I don't remember what his catchphrase was.

Speaker 4 (45:54):
Oh man, speed to catchphrases before the big battle happens. Yeah,
we're getting into yeah.

Speaker 1 (46:00):
Uh.

Speaker 4 (46:01):
So he remembers the take that to the bank, yes,
and he's like, I'll take you to the bank.

Speaker 1 (46:08):
Is that that's what he says? That's it. I think
that's the one he.

Speaker 2 (46:13):
Says, because right before that was the he was talking
to him. You know, he makes reconnects with Omalley and
he says and like, well, we're going to win because
we have superior attitude and superior state of mind.

Speaker 1 (46:26):
I was like, that's all I need. I don't need
guns and ship Nope, I just.

Speaker 2 (46:30):
Need the superior attitude and the superior state of mind.

Speaker 3 (46:33):
And well, a black leven jacket and a black and
white vest would be helpful also.

Speaker 4 (46:37):
And like the tightest jeans they could put, they could
squeeze to go in again.

Speaker 1 (46:44):
I'm like that you didn't have a little skinny bird legs.

Speaker 2 (46:46):
He had to get tight jeans or else his legs
would flail wildly as he went the compression jeans. Should
we take a break? Feeling a break?

Speaker 1 (47:01):
I mean at least pause so you can put a
commercial in. Sorry, people, be right back and we're back.

Speaker 4 (47:10):
We're we should form a cigar run club.

Speaker 1 (47:15):
And we all run like that. We just go down.
We make a route right around town so everybody can
watch us. We all wear we'll eat carrots and have
long hair and go go t's. Yes.

Speaker 3 (47:26):
Can can there be in like an alternate attire where
we wear tight pants and leather jackets?

Speaker 1 (47:32):
Oh yeah, whatever, just costplays cigal just whatever it is,
just costplays.

Speaker 2 (47:36):
Let me honest, I don't know how far I could run,
but I imagine the way Cegall runs.

Speaker 1 (47:40):
I could run way less because there's so much happening.
I know it'd be exhausting. Can I wear leather jacket
with frills?

Speaker 2 (47:49):
I think you should work which all from uh the
fire down below, the fire down below?

Speaker 1 (47:54):
His jacket was like the tassels or whatever, or the frills.
That would be great. And he thought he was a
Native America. Oh yeah, whoa whoa time out thought he was.
I'm pretty sure he's all the things.

Speaker 2 (48:06):
Yeah, yeah, he's rushing, he's rushing.

Speaker 1 (48:10):
He's Native American, he is.

Speaker 3 (48:11):
Yeah, that way, I can have the frills. And if
I do the cigal hand flop, I'm going, you know
where we're like a t rex, so the elbows are
in but you're kind of flopping all over.

Speaker 1 (48:23):
Oh yeah, it would be It would be great.

Speaker 2 (48:25):
I can't wait till that movie is free somewhere because
I want to watch that one again. I remember that
was because he was way past his prime, and I
remember watching it because it's still sagull you know, I'm
want to watch it. I'm gonna enjoy it because it's
a cheesy action movie. But even then I was like,
he's falling off a little.

Speaker 3 (48:41):
I wonder how many movies passed this one, which is
only his second movie, that someone stepped in and said, hey, buddy,
I know you did this montage. You're coming back. You know,
maybe we don't film you running anymore.

Speaker 1 (48:57):
I would say that was probably his belly. It's got
to say. I think he's like, I like that chair
over there that looks good.

Speaker 3 (49:06):
Because well we got that. That requires little research. Because
then there was there was hard to kill. Then there
was harder to kill and the hardest.

Speaker 1 (49:14):
Talking about the van Damn movies like it's Steven Seagal.
I don't know whatever I thought. You said hard target?
Is it hard to kill? Yeah? The movies are just
so much better. I got it like looking back, like yeah.

Speaker 3 (49:29):
Because then there was under siege like you guys did
under siege. There was no running in under siege because he.

Speaker 1 (49:33):
Was on a boat. I'm on a boat, motherfucker, you know,
and he didn't need to run, so that would be wow.

Speaker 2 (49:40):
I heard he wanted to have a sex scene in
that movie. I'm sure sure with Eric because she was
like she was she was a smoke show. So yeah,
especially when she took off her wig and she had
her short hair.

Speaker 1 (49:52):
Oh yeah, she was.

Speaker 2 (49:53):
Okay, fine, just she jumps topless out of a and
I get to record it. I get it, but it's
gonna be a separate audio recording.

Speaker 3 (50:04):
And I'm gonna throw the camera in the wall of
this boat. I don't know how I'm gonna get it done.
I'm just gonna punch the whole the wall of the boat.

Speaker 1 (50:11):
Bunch through iron.

Speaker 4 (50:13):
Right when they go to retrieve his camera, Like the
lady's having her house remodeled.

Speaker 1 (50:18):
Yeah, that was a dick thing to do to which
he's trying to middle of selling her house.

Speaker 2 (50:21):
Pregnant lady trying to remodel her house and sell it.

Speaker 4 (50:27):
Like they so this hole in the wall now is
like a display show the shelf like snow globes.

Speaker 1 (50:34):
He couldn't even pull off on the snow globes. He
just punched the wall, broke all that ship. Yeah, and
he's like, oh, your contractors suck all right.

Speaker 2 (50:43):
Yeah, they kind of barge their way in, like like
asking that they well, she's remodeling her house because they're
having a baby. And her doors remodeling, and he just
walks in like, oh, we'd love what was it? Like
they were realders trying like we o your house for
a bunch of money.

Speaker 1 (50:54):
Barge their way in.

Speaker 2 (50:56):
She goes, distracts pregnant lady, and he goes and punches
a hole in the wall.

Speaker 3 (51:02):
Yeah, and then blames on the contract I was like
starting to make a contractor to walk by and be like,
I didn't do that?

Speaker 1 (51:08):
Is that where the refrigerator used to be? I guess
the ice box whenever he was calling it, Hey, I guess, but.

Speaker 4 (51:13):
You still, like, when you're remodeling, you would see that hole.
And if you see that hole, you might look at
said hole and you might see a giant camera shoved
up in there, right, Like I mean if you're oh, yeah,
Like I don't know, unless that's what he meant by
your contractor sucks, Like your contractor should have solved this
because maybe I shouldn't make Maybe I uh should go

(51:35):
back and rewatch that part because whenever I watched it
the first it looks like he's opening the door to
an appliance. Yeah yeah, it's like yeah, and he maybe
he just punched a hole through the appliance and then
stuck and the wall and stuck the camera.

Speaker 1 (51:46):
But I'm like, I found how it got in the wall.

Speaker 2 (51:49):
I thought it was like an icebox rich and he
said ice box, And I didn't know if that was
just like a play.

Speaker 1 (51:55):
On words, right, But then I agree.

Speaker 3 (51:56):
Then it was like, means it's a fake ice box.
But then it's in keeping cool. It's in the wall.
But the wall is now part of a cubby. So
how would the cubby be in I I.

Speaker 4 (52:07):
Don't know, right, didn't he like open ice box and
then like he was shutting like the hole and the wall.

Speaker 1 (52:12):
Does none of it makes sense anymore? Are you saying
that there's parts of this movie that are implausible? Yeah, okay,
not at all. No, no bio from the mind of
Steven Sgull. We bring you into an icebox, but there's
a hole in the back of it.

Speaker 3 (52:27):
So every time it is I mean, you open it
likes a crappy nothing is frozen.

Speaker 1 (52:32):
Properly because there's a hole in the back.

Speaker 2 (52:36):
So here's the thing again, if we go back to
that part of the movie that was originally written as
a reporter, he would definitely have a HEIGHTI hole frozen Dirt.

Speaker 3 (52:44):
One of the major flaws is that they put him
as a cop and not as a reporter. As a reporter,
it all makes so many things make more sense. He
had to be a cop because of all the guns
and how good he was and everything.

Speaker 2 (52:58):
Well, but if he was a reporter, he could have
done reporting, could have been an next cop.

Speaker 1 (53:02):
He could have been a cop who was a reporter.
All the cops I worked with are dirty. Yeah yeah, yeah,
I left the force because.

Speaker 4 (53:08):
They were got in the oscar. So I wanted to
be a Hollywood reporter, talk to the stars. Yeah, and
that could have He could have been like passion.

Speaker 3 (53:17):
I spent some time in China, and that's where I
learned from my master, who wanted me to heal because
he kept beating the ship.

Speaker 1 (53:24):
Out of me and healing through laughter. Right, it explains
so much more if he was a reporter.

Speaker 4 (53:31):
Yes, yeah, we figured better movie were megan hard to
kill Dirt sheets.

Speaker 3 (53:40):
So then so okay, so he gets his record back.
But I was also wondering because there's a seven year lag. Okay,
so here's a question. The seven year lag? Is it
the movie was made in ninety three?

Speaker 1 (53:56):
Eight? Yeah, the movie is made like early early nineties.
Say okay, so say well just ninety three, We'll say
ninety three. Was the was the start of the movie
in ninety three or was the back half of the
movie in ninety three? They I mean, they didn't really.
It was just kind of was a seven year gap.

Speaker 2 (54:14):
We're just gonna say it's seven years and pretend like
time didn't stop because because.

Speaker 1 (54:19):
Then my first thought when he got it, when he
when he because it Madley looked so different.

Speaker 3 (54:25):
Yeah, a little like two weeks for the stubble was
when he pulled that recorder out of the wall.

Speaker 1 (54:31):
My first thought was, it's been seven years. It wasn't
even dusty. Where where's the do you have like specific
chords for that for that thing? Is it compassible? Now?
This technology moved on?

Speaker 3 (54:42):
Was it in ninety three and now it's the year
two thousand and you can't get a beta max converter
thing for you.

Speaker 4 (54:48):
Why the audio was separate, because it was the technology
was jumping that quick.

Speaker 1 (54:52):
Seven years is quite a while back then in the eighties,
when did he got killed? In the eighties, it's important
to know when the first part of the movie. I
feel like the VCR all that ship was still so.

Speaker 2 (55:04):
You think about whenever, like how long it took to
go from VCR to DVD.

Speaker 1 (55:09):
It was a while.

Speaker 2 (55:10):
I mean from DVR to digital and everything else was
seems way quicker than it was back then.

Speaker 3 (55:16):
I think we have a bigger fact check that we
need to get on this because you know, I.

Speaker 2 (55:20):
Mean, I'm not investing any more time into a Steven Sabah.

Speaker 1 (55:23):
Yeah, because yeah, because I'm going to die on this.
He'll be damn sure.

Speaker 3 (55:30):
With quarter itself in because if it was a ninety three,
then you mine us out the seven years, so you're
you're back in eighty six eighty six recorders.

Speaker 1 (55:39):
Those are those giant shoulder units, man, that was kind
of what he had.

Speaker 3 (55:43):
Ye. Yeah, Well then then there's a compatibility issue because
nobody can run it in ninety three.

Speaker 1 (55:48):
Well in this movie they can.

Speaker 2 (55:51):
They punch holes in walls for ice boxes, and they
have fucking adapters.

Speaker 3 (55:55):
Okay, it's all the contractors with damn contractors.

Speaker 1 (55:58):
Man. Yeah.

Speaker 3 (56:00):
So then he gets his tape that doesn't have any
audio for some reason, and he meets up with O'Malley,
who is I think immortal?

Speaker 1 (56:09):
I do love.

Speaker 2 (56:09):
So let's just say like So O'Malley has this tape
since day one, like he had the tape he found,
you know, God has took care of his kid and
hit him, and he had this tape and everything he's
and at one point he's talking to uh Sense and
he's saying, I just listened to that tape a million
times looking for catchphrases and this and that and ever
them Like, what the fuck are you talking about? You
listen for catchphrases? He says his number one catchphrase in

(56:33):
the tape.

Speaker 3 (56:34):
And he's been he's been around watching TV where this
guy's been saying it over and over.

Speaker 2 (56:38):
I heard it one time after he comes out of
a coma and immediately knew was Vernon trans worst cop
ever It's like here.

Speaker 4 (56:46):
You know that was a brief moment while I was like, fuck,
O'Malley's on the tape too, because he should have known
that to take that to the bank.

Speaker 1 (56:54):
Yeah, like, how did you not make that connection? No
wonder you should retire? You tired?

Speaker 4 (56:59):
Yeah, I mean because you retire, you were fired because
you could have now a senator.

Speaker 1 (57:04):
Yeah, saying that all the time. He would have heard
that for the past seven years, he would have heard that. Yeah.

Speaker 4 (57:08):
Oh yeah, that's why I was like, oh, twist, O'Malley.

Speaker 1 (57:13):
He is also on the take.

Speaker 4 (57:15):
Maybe not when he went in the coma, but he
had seven years to work O'Malley, and they're like, come on,
be part.

Speaker 1 (57:20):
Of the bad cops.

Speaker 4 (57:21):
Come on, dude, Yeah, because that would have been kind
of interesting.

Speaker 2 (57:25):
Actually, oh yeah, if he came back out and had
one more bad guy like plot twist at the end
before he kills Vernon Trent, O'Malley steps out of the
corner and shoots him in the other shoulder.

Speaker 3 (57:34):
Yeah, all right, So, uh, cassette tapes were obsolete by
the year two thousand.

Speaker 2 (57:43):
There you go.

Speaker 3 (57:44):
But it's okay because we're in the nineties in this
movie at the beginning or at the end, at the end,
at the end.

Speaker 1 (57:49):
Oh, there's still around. They're not. There's still cassette tapes
available today. Yeah, in the movie.

Speaker 2 (57:55):
I'm just saying, I'm really getting on this this issue here.
All right, Fine, let's say it was eighty nine whenever
in this movie, whenever he went Inokoma.

Speaker 1 (58:05):
Yeah, everything comes back. That's true. That's true. That's true.

Speaker 3 (58:09):
I was thinking like models of cars, hairstyles, attire, future
I think the whole second half this movie, or the
second two thirds of this movie should have been like
future tire hair styles.

Speaker 1 (58:21):
This movie officially kicks off his ponytail face.

Speaker 3 (58:24):
You had a hard ponytail, solid hair and a hard pony.

Speaker 4 (58:28):
One thing I noticed, and no of you noticed so
and above the law much more receding hairline.

Speaker 1 (58:34):
Oh yeah, and in this movie, oh hair crew back.
He willed it to grow back. Right.

Speaker 2 (58:42):
I always love how he had the point is always
a point in his forehead.

Speaker 1 (58:46):
That's the power of a kido.

Speaker 2 (58:48):
It's all about energy. And I forced the energy out through.

Speaker 3 (58:51):
Well to be with the right state of mind. And
they're in the mind, your mind in the superior attitude
and whatever you.

Speaker 1 (58:58):
Know, it's possible.

Speaker 3 (59:00):
And a keto and the special healing powers of a keto.
He brought his hairline back forward.

Speaker 1 (59:05):
That is some paint.

Speaker 2 (59:08):
One of my one of my favorite lines always from
ever from Always Sunny in Philadelphia was when Macahenny's Max
at the at the like therapist or something like that,
and she says, well, that's impossible, and he goes, well,
through God, anything's possible. So go ahead and jot that down.
I just love that they're well through God, anything is

(59:29):
possible to jot.

Speaker 3 (59:31):
That down, and he had of that's where this came from,
see through a keto. Okay, so then it's okay, so
he has his tape back. Then now we're getting ready
to the big action scene. We're getting you know, they're
they're chasing him down or he's going after him, and
they set up like a maclhenney.

Speaker 1 (59:53):
Malley O'Malley, O'Malley. He contacts him.

Speaker 3 (59:57):
O'Malley's only apparently aged maybe six days. He has a
six day you know shadow, and O'Malley gets the kid.
The kid and they set up this information drop off
at a hotel and apparently the guy that the desk
clerk has watched.

Speaker 1 (01:00:17):
The Pee Wee Herman movie Paging Doctor.

Speaker 2 (01:00:21):
That's exactly what I thought when he went up there.

Speaker 1 (01:00:23):
He gave this look and I was totally expecting the
look he does give is just like he's like, what
I am I supposed to talk kind of a look.

Speaker 3 (01:00:32):
Yeah, yeah, I thought paging doctor, paging with doctor her
and I.

Speaker 1 (01:00:37):
Love about like that whole scene that. So they set
up that.

Speaker 2 (01:00:40):
They know that, oh, they're going to communicate through a
desk clerk at a hotel and even message for Aubrey.

Speaker 1 (01:00:45):
Smith or something like that for you, it's not but uh, like.

Speaker 2 (01:00:49):
They're on the phone's talk after being so careful to
beginning the movie to like not talk on phones and
like I need to switch and make sure no one
knows we're here, this, that and the other thing. They're
just talking on the phones like nobody's ever listening to
phone taps, Like they already found out where you were
in that place, but now they're at the beginning movie.
That's how they found out that he was calling like
the captain and had a tape was there? They just

(01:01:11):
picked up a line in another room like it was
in a house, like right, but yeah, Like the lack
of the lack of knowledge of going like oh the
cops have ability to do X was astounding at the
end where they were just like willia nilly about what
the hell they're doing things.

Speaker 4 (01:01:26):
Yeah, now if there's a private message at this hotel,
does the clerk have to show the cops just because
you flash a badge the legalities like well.

Speaker 1 (01:01:37):
It's like a hip a thing kind of a thing,
or like.

Speaker 3 (01:01:41):
I can only give this message to this person and
you don't look like an Amanda whatever. They're Aubrey Smith. Yeah,
you don't look at an Aubrey Smith officer. And he
did he flash a badge?

Speaker 1 (01:01:52):
He did? Okay, I'm just.

Speaker 2 (01:01:55):
Wondering if the clerk told be like, sorry, unless you
have a search warrant, I feel like that, Like, I mean,
I wouldn't, right, And I'm sure the clerk is like,
here you go, I don't give a shot, right. It's
to say in my head if I'm if I'm a
clerk at a hotel, I'm.

Speaker 1 (01:02:10):
Like, I'm not trying to start ship. Yeah, here it is.

Speaker 2 (01:02:12):
I don't care, like like, I'm not trying to lose
my job.

Speaker 4 (01:02:17):
Now until I punch you out, I'm gonna do some
ked of me with my friends.

Speaker 1 (01:02:22):
I'm already checked out.

Speaker 3 (01:02:24):
And so going through that scene public chasing guy goes
through the fountain, you know, there's the whole fights and whatnot.

Speaker 1 (01:02:32):
My favorite part of that whole.

Speaker 3 (01:02:34):
Hotel scene other than pee wee Herman at the dell
is the Mariachi band outside. If you knows ship was
coming through the walls, you know, was there gunfire also?
And you go outside in the Mariachi's or like they're like, oh,
we're having a great day.

Speaker 1 (01:02:50):
And they're like, oh, hey man, yes that doesn't hurt man. Wow,
they keep playing, they keep playing.

Speaker 3 (01:02:58):
That's the mariachi band to heap, that's the one when.

Speaker 1 (01:03:01):
You want sinking to Mayo. We don't stop for ship. O'kay.

Speaker 3 (01:03:06):
If you're coming through the window, you're getting punched in
the face, you're getting Steven's like old flipper a keo.

Speaker 1 (01:03:11):
We're playing whenever some white boys dead. I don't give
a ship.

Speaker 3 (01:03:16):
So then that fight, he takes out a bunch of
the guys. Then he chases down the guy chasing after
his son, and he beasts a living ship out of
that guy. Oh yeah, he remembers him flashbag.

Speaker 2 (01:03:30):
He members right that the murder the Indian guy, sorry,
Native American looking guy or yes, because he's like he's
he's one of those guys I've seen in so many movies,
like oh maybe his smelling.

Speaker 1 (01:03:45):
He might be I could be I could be the most.

Speaker 2 (01:03:47):
Him like TV shows. Yeah, he's a lot of was
he in Walker Texas Ranger? So he said I was
like I usually see him remember him from bit parts
and movies, but like, yeah, he was a Walker Texas stranger.

Speaker 1 (01:04:01):
That's which makes me think he's native American oort' at
least out of TV show, right, at least he was.

Speaker 2 (01:04:07):
I feel like he was portrayed in movies with feathers
possibly in his hair at some point.

Speaker 1 (01:04:12):
Yeah. I swear I saw him in something in Hawaii too. Yeah.
He's one of those would you call him a character actor?
So you seem a.

Speaker 2 (01:04:19):
Lot he's always he's like a thug goon a lot
of times, right, right, Yeah, but he messes him up.

Speaker 1 (01:04:26):
He chases checked myself because I'm I really am worried.
I'm like, I don't want to be racist. Yeah, he.

Speaker 3 (01:04:32):
Kicks his ass in the alley, up and down, left
and right, and the kid so the kid takes off.
He's going parkour with these cars. The guy is chasing
him down and he's doing the Akita run. Somehow catches
up with everybody while kicking other people's asses along the way.
When this whole thing was happening and they're giving O'Malley's

(01:04:55):
given the kid the tape.

Speaker 1 (01:04:58):
The thought that popped in my head. I don't know why,
but I was like, is that a young Danny Larisso?

Speaker 3 (01:05:05):
I was like, yeah, this I was like, he kind
of how would you know he could be sixty years old?
Now this happens in LA I think, right? And I
was like, but after this, does he this does Mason's storm?
Does he move across country, get married to a new
wife and then divorces her because he's off kicking ass

(01:05:26):
and watching movies or making movies or throw the oscars
or whatever. And Danny LaRusso then comes back to La
and and does the whole big thing. I was like, Oh,
I was like, I was trying to put together two universes.
I don't know if they necessarily work.

Speaker 1 (01:05:41):
It didn't. Okay, Okay, that's good. That's good.

Speaker 6 (01:05:44):
Uh.

Speaker 1 (01:05:45):
He he's probably Hawaiian. There's Samoan Okay. He's in a
Lohas surf hotel Kuliana.

Speaker 2 (01:05:53):
Yeah, there's some Hawaiian looking stuff. So I apologize. I
think he might be Hawaiian. I can't tell for sure,
but his look is one that is Brentscombe Richmond to
credit him his look?

Speaker 1 (01:06:04):
What else was he.

Speaker 2 (01:06:07):
The one I remember him from that I think he
played like just in my head is like, I think
he may be portrayed a Native American?

Speaker 1 (01:06:12):
Was Renegade seven?

Speaker 2 (01:06:15):
I want to pull up the picture, you'll definitely remember, like, Okay, yeah.

Speaker 4 (01:06:21):
Yes, I remember that show. Who was the main actor,
Lorenzo Lamas. That's definitely the show I remember him from.

Speaker 2 (01:06:28):
Yep, so yeah, he I mean, he's in a ton
of Ship So.

Speaker 1 (01:06:34):
That was kind of a good show. The Night Well,
it was ninety ninety seven. That was long. That was
a pretty long running show back in the day.

Speaker 3 (01:06:41):
Yeah, five years, Yeah, five years is a good run
for the old Lorenzo Lamas.

Speaker 2 (01:06:46):
Lorenzo name you haven't heard in yours. I don't any
I don't see anything for Walker Texas Ranger. You were
thinking Renegade is what it was, Ye're right?

Speaker 1 (01:06:57):
Oh yeah.

Speaker 2 (01:06:57):
He was in Hero and the Tear with the with
Chuck Norris, so at least he was something with Chuck
Norris that I like.

Speaker 3 (01:07:04):
But his look, his look can be taken so many
different directions.

Speaker 2 (01:07:09):
I just feel bad because, like, and if anybody follows
professional wrestling, there was a wrestler called Yoko Zuna back.

Speaker 1 (01:07:15):
In the Night late nineties.

Speaker 2 (01:07:16):
It was awesome early nineties, and he was not Japanese
at all. He was Simon right, right, So I was like,
but as a kid, I just like, yeah, it's a
Japanese I can Yeah, so I feel like I'm like,
I don't want to do that the rest of my life.

Speaker 3 (01:07:31):
Miscategorized, right yeah, oh yeah, well.

Speaker 1 (01:07:35):
Yeah, but he dies a terrible death he does so
then the marioshers are playing. Uh. He beats up all
the guys.

Speaker 3 (01:07:46):
He tells the son, you know, just it's great seeing you,
but I gotta go, you know, I gotta go.

Speaker 1 (01:07:53):
Get another takeout order or something. One more takeout or
I got one more I'll leave you with my current whaw.
Don't worry. She's in my dick for seven years. Joey, Fine,
he'll be fine. Don't worry.

Speaker 3 (01:08:04):
I don't know where you're gonna go because your house
is blown the ship and they're dead people everywhere, But
just chill out for a little while here.

Speaker 1 (01:08:10):
Live wasn't in the Mariachis.

Speaker 2 (01:08:11):
And he steals the poor like Asian guys delivery van
what the hell?

Speaker 1 (01:08:16):
Yeah, to go kill some people.

Speaker 3 (01:08:18):
And then he goes He goes to What's moe. He
goes to the Senator, the new Senator, which says Vernon Trent,
Vernon Trent's house to go kick his ass.

Speaker 1 (01:08:34):
And Vernon Trance a playboy. Oh yeah he is. He
is living high on the taxpayer dollars. That's right.

Speaker 3 (01:08:42):
He's getting himself ster sterill in the hot top so
he could.

Speaker 2 (01:08:46):
Go nail this this so he could go not and
pregnate the hot with.

Speaker 3 (01:08:50):
Him not pregnant. The lady who had the probably the
best role.

Speaker 1 (01:08:54):
In the whole movie. She was a smoke show. She
was she was a cutiety you know.

Speaker 2 (01:08:59):
And uh but I was like, yeah, perfect time in
like that early eighties or early nineties action movie where
I was like, I was like, oh, I thought for
sure we were going to see boobs.

Speaker 1 (01:09:08):
Yeah, I thought for sure.

Speaker 2 (01:09:09):
And there was a there was a hint of a
boob flash side boob, there was some side boob.

Speaker 1 (01:09:14):
Yeah.

Speaker 3 (01:09:14):
I was kind of thinking the same thing. I'm like,
there's got to be some boob. But in this one,
there's a lot of groping the boobs.

Speaker 1 (01:09:21):
But it's a full cover, it seems mode this movie.

Speaker 3 (01:09:25):
Yeah, it's a lot of grabbing and doing stuff and groping.

Speaker 1 (01:09:28):
You know. This is yeah, and I think it's hard
to grope. It would be a great name change. Hard
to group, actually it is. It apparently hard to group
in this movie everybody's doing.

Speaker 3 (01:09:40):
It and backing up to when, you know, back back
back when before just before the horse got out, back
to the horse.

Speaker 1 (01:09:49):
Well before that. We can't go back that. Yeah, yeah, yeah.

Speaker 3 (01:09:52):
There was a scene with Kelly LeBrock where he's telling
Keller the Brock what he's gonna do, and she like
screams at him, and she like yells or she does
something she likes. She's like no whatever, And at that scene,
I was like.

Speaker 1 (01:10:08):
Can you remember this? Yeah?

Speaker 3 (01:10:09):
I was like, Kelly LeBrock is bringing it. I was like,
Kelly LeBrock in this scene right here, she's got her
tour to force happening. Now give her the oscar anyway.

Speaker 2 (01:10:20):
So my fun The only fun fact I remember when
I was looking stuff up for this was that Kelly
le Brock looks back to this movie and affectionately calls it.

Speaker 1 (01:10:28):
Not hard to kill, hard to watch.

Speaker 2 (01:10:30):
Yeah, really, Yes, she ronga regrets that whole relationship.

Speaker 3 (01:10:36):
Yeah, yeah, and I I do see the the attempt
to marry up the Weird Science girl, which every guy
from who watched Weird Science was like, yo, she's the one,
and Steven Segal clearly meant for guys. But then anyway,
going forward back to Joe actually yeah.

Speaker 1 (01:10:57):
And a reporter.

Speaker 2 (01:10:58):
We would have sell boobs, oh yeah, booms and booms
and buns.

Speaker 1 (01:11:02):
But it's like, I got you all come right.

Speaker 2 (01:11:06):
That scene where he's not like at the beginning when
he's his wife having sex and he's been like, get
your ass up against the backboard, I need get a shot.

Speaker 3 (01:11:13):
I need to get my ass in there right right, Well,
when he arrives at Vernon Trent's house, somewhere in the
stalking and getting through and going through the window that's open, he.

Speaker 1 (01:11:25):
Has the just tie like the pane of glass, yeah.

Speaker 3 (01:11:30):
Yeah, and gets in he has time to write a
freaking paragraph oh no, on the underside of the toilet.

Speaker 2 (01:11:37):
That's like so right, Like my whole the whole thing
made me laugh. Was like five literally in real time,
like five to fifteen minutes ago. These guys were stalking
and ready to kill him and O'Malley and everything else.
Fifteen minutes later, they're playing pole at Vernon Trent's house, right,
like I know he's still on the loop, right, They

(01:11:57):
just kind of gave up and say, well, how I.

Speaker 1 (01:11:59):
Missing that time? They really are the worst henchmen. It
was hilarious.

Speaker 2 (01:12:03):
How they're like, let's go back to Trent's house and
play a game of billiards.

Speaker 1 (01:12:06):
Like, what just happened? I'm pick it up snooker on this.
Let's stay out. He's like, he doesn't pay overtime.

Speaker 4 (01:12:14):
Yeah, I mean they just just that hotel was destroyed.
He could be police everywhere everywhere.

Speaker 1 (01:12:21):
And maybe by their back. The man. We gotta lay
at a little bit, boss, you gotta get it was
quite a stir. Gotta get an alibi. No, no, there
isn't it. They have an albi.

Speaker 4 (01:12:30):
H there was a loose horse that came by, kicked
all the windows out that hotel.

Speaker 3 (01:12:38):
Rabbitr it was out of control. So let's head back.
And you know what, you took five bucks from me
last time playing pool. I'm gonna get you back on
this one. Let's go do that right now.

Speaker 1 (01:12:50):
Yeah.

Speaker 2 (01:12:50):
Yeah, so weird, Yeah, because again, like that was like
that was a hundred percent. That's a gall scene where
he has a gun and there he catches them with
their figure to pan down playing pool.

Speaker 1 (01:13:01):
He's like, I know what you're thinking. If I have this,
I can't play well. I just put it away, slides
his gun back into his belt loop or whatever. But
again no henchman was oh.

Speaker 2 (01:13:13):
Yeah, no, yeah, no one has There are all cops
and no one has a piece on him.

Speaker 1 (01:13:18):
Where did he get the lipstick to write on the
other side of the toilet?

Speaker 3 (01:13:22):
One of the senator's horse who was.

Speaker 1 (01:13:27):
Oh, yeah, I loved it.

Speaker 2 (01:13:28):
It was like I was like one or two sentences
for like, it wasn't just like.

Speaker 4 (01:13:32):
And it was like, wasn't it something about like revenge
is the best?

Speaker 2 (01:13:36):
No?

Speaker 3 (01:13:36):
No, it was the fear of death. It's worse than
the anticipation of it being it was like.

Speaker 1 (01:13:42):
What at least in the least the weapon, It was
like boom or whatever exactly. I mean it was that.

Speaker 3 (01:13:50):
I think maybe that was the true downfall of the movie,
is that he's trying to convey these deep messages and
the only way he can do it is being like, well,
the way that he is from the right spirit and
the right intent and the right you.

Speaker 1 (01:14:03):
Know whatever that whatever.

Speaker 2 (01:14:04):
He went from like this like soliloquy to your next
and big letters like blood.

Speaker 1 (01:14:10):
Or whatever on the wall. When did he do all this?

Speaker 4 (01:14:13):
Which is a fun movie to watch your next. I
wonder if the guy had this saw that title on
the I'm going to make a movie one day, one
day movie called your Next.

Speaker 3 (01:14:25):
Is it that we got to find out the same director,
say the whole cinematographer.

Speaker 1 (01:14:29):
You know, yeah, he's doing a lot of writing.

Speaker 3 (01:14:32):
He was right, he was, he got there. He must
had a team with him, and just maybe it was
the hand.

Speaker 1 (01:14:38):
Who had the horse go I will tell him.

Speaker 4 (01:14:40):
I couldn't help but think so the cop has to
take a whiz. He goes to bath to loose the
seat up, reads that message, pulls his gun down and searching.

Speaker 1 (01:14:48):
I couldn't help to think, like, he didn't pee. I
thought that was Trent that went into the bathroom.

Speaker 3 (01:14:55):
No, it was the bald henchman guy.

Speaker 1 (01:14:58):
It was the big dick. It was one of the cops.
Like at the very end, was like so like, well
you're a good cop. Now. If you knew like Mason's
in the house.

Speaker 4 (01:15:09):
And I got to like, you know, find him, kill him,
probably a fight, would you be like, well, I'm gonna
pe first for I do all that, or would you
be running around like if you're in the middle of
a fight, like I gotta before we started the gunfight,
you're breaking down.

Speaker 1 (01:15:24):
I'm stuck in the middle of this, sticking half of
your knees together.

Speaker 2 (01:15:27):
Like, yeah, can time out?

Speaker 1 (01:15:34):
Just go give me one minute, minute, man, just give
me one minute. I'll be right back.

Speaker 3 (01:15:38):
It stings, and then he goes up the stairs. Steven
would have been like, make sure you read what I
left for you. I left the message for you.

Speaker 6 (01:15:48):
What if he didn't what if he didn't have to
pay or no, what if he had the ship and
he flipped the seat up and just turned around and
sat down. He never even looked, He like off, he
was really they have to pee?

Speaker 1 (01:16:01):
Did you get my message? No? I was just just pooped.
I went in and wash my hands a chalkol over it.
What message are you talking about? As he's sitting down,
made his background and something smudge. The worst thing about
death is what? What is it? What's the worst thing
about what this means? I'm telling you if we need

(01:16:23):
to rewrite this movie big time, this is it?

Speaker 3 (01:16:26):
And then how does does Stephen Segall's words have this
the ability to change this cop who has been on
the take for at least about a decade, right, oh yeah,
because he was going to take before and then there
was seven years and then he woke up screwed a
bunch of women, cried about his wife, you know, the
whole nine won well, you know whatever, groped everybody, you know.

Speaker 1 (01:16:52):
And then then I guess the cop was like, I
didn't do it. Oh yeah, that one cops Like, I
just wonder, like it wasn't part of it. That's the
one guy. He's like, not, But isn't.

Speaker 3 (01:17:03):
That the same as the guy who reads the toilet. Yeah,
it's the same guy who reads the toilet who.

Speaker 1 (01:17:09):
Was like, it wasn't me. And he's like, pushes him
on the ground, and then he.

Speaker 4 (01:17:13):
Right, he was cops who went to the house and
killed Yeah, but you're also one that were like thumbs up.

Speaker 1 (01:17:19):
So you're just you're you're dirty. Yeah.

Speaker 2 (01:17:24):
But then but then he says something about him being
a good cop now because he's dead.

Speaker 1 (01:17:29):
He didn't kill him. He just pushed him on the ground. Him,
he pushed him on the shot him. No he didn't.
He did.

Speaker 2 (01:17:37):
He got banister and because there was like a little
thing on the end of the banister, he shot him
and that also exploded.

Speaker 1 (01:17:44):
Now you're a good cop.

Speaker 3 (01:17:45):
Oh so I missed the shooting of it. Maybe I
was I was resleaving magic cards is what it was.

Speaker 4 (01:17:51):
Which is a weird thing to say, because like, no,
he's still a bad cop, and well that's what I
come out, uh the in the investigation.

Speaker 3 (01:18:00):
That's why I thought it was just like his akeito
voice or something that was is he the power to
change bad cops in the Good Cops along with his
flipper run and the other the other things that he
can do with a keno.

Speaker 1 (01:18:12):
I was like, I need to do a keto. I
can change cops.

Speaker 3 (01:18:16):
I can change cops from on the taken bad to
good cops. So then so so so the guy's dead
on the ground apparently maybe that's a rumor. I don't know,
fake news. I mean, he could be dead. He could
not be dead. I don't know, you know, he could
rewatch the movie. Yeah, eight hours left removed, find the guy,

(01:18:43):
the Senator guy. Of course, there's a confrontation and the
cops finally show up. Yeah, finally the cops show up.

Speaker 1 (01:18:52):
I did think.

Speaker 3 (01:18:53):
The the him and the corvette fleeing from the cops
was pretty awesome because he doesn'ty rear end one and
he flips the corvette around. He like the cops. He
hits a cop car in the corvette almost takes off
the rear bumping.

Speaker 1 (01:19:11):
All right, when he's fleeing the hotel.

Speaker 3 (01:19:13):
Yeah, the corvette spins around and they have to give
him a new corvette because the old corvette's busted.

Speaker 1 (01:19:22):
So his corvette like instant heels.

Speaker 3 (01:19:24):
Oh you mean the quarter panel was instantly Yeah, it
was good and they look.

Speaker 1 (01:19:30):
Like that, and I think it's because of a kito.

Speaker 2 (01:19:33):
He he redirected the energy of the engine to the
quarter panel.

Speaker 3 (01:19:38):
And fixed it. And then so the cops show up,
and then a good cop comes down and says like, oh,
I know that they're on the take, and.

Speaker 1 (01:19:48):
I love that. He's like, Mason, give me the gun. Mason,
give me the gun.

Speaker 2 (01:19:51):
He walks towards him like everything's like imposing on him.
And then finally he's like once he gets we saw
the tape, like maybe.

Speaker 4 (01:19:59):
With that right, okay, this is like this is basically
the ending of the movie where he finally.

Speaker 1 (01:20:03):
Gets the senator. He's raised. He jammed a shotgun into
his mouth, which is some great.

Speaker 2 (01:20:08):
Lipsticks supposed to look like a bloody mouth.

Speaker 4 (01:20:14):
There's so many people dead in this mansion, but they're like,
it's cool, Mason, you can go well, we know, we
watched the tape, bro we knew it wasn't your funt.

Speaker 1 (01:20:21):
He just murdered so many guys. Yes, these cops might
have been crooked.

Speaker 4 (01:20:26):
And then it also there's they might need to detain
you questioning.

Speaker 3 (01:20:30):
Well yeah, and then there's the dead people at the hotel,
and then there's the dead people back in the I
don't know.

Speaker 1 (01:20:35):
About that yet.

Speaker 4 (01:20:37):
No, it's cool, Mason, we know you didn't do it.
You'd probably asking people to rope you can go, man, right.

Speaker 2 (01:20:41):
It was great because this house was so secure from
the fifteen police officers staring him in the face pointing
guns at him, that his horror and son come bursting
through it to get my hug.

Speaker 1 (01:20:52):
She just kind of like a swim to get through you.
I'm his girlfriend who kidnapped the man. Gave a bunch
of clothes and a jeep.

Speaker 2 (01:21:02):
There was a crack at one point where she's like,
you should just like this all the time, except maybe
on your credit card.

Speaker 1 (01:21:08):
What was that all?

Speaker 3 (01:21:08):
Like?

Speaker 1 (01:21:09):
Throwaway line? Was that?

Speaker 7 (01:21:10):
Well and his now that probably was real. Kelly the
rock was like my credit card. Man, you're making your
this is your second movie. NERD figure out how to
payper ship.

Speaker 1 (01:21:21):
And his and I guess I don't.

Speaker 3 (01:21:24):
I missed the whole thing of why he needed to
get dressed nicely to go do this conference.

Speaker 1 (01:21:30):
It was the when it was the realtor thing.

Speaker 2 (01:21:32):
Yeah, so nobody's gonna trust a shabby dressed realtor.

Speaker 3 (01:21:37):
Well, he was wearing a tie at that spot at
that time, a black and white tie, which I'm not
going to rewatch the movie because I got to see
it looked to me like his tie evolved into a vest.

Speaker 4 (01:21:50):
Yeah, for a second, I thought maybe because he untied
and still had it hanging. No, somewhere between that one
morphed he he went from a tie to the.

Speaker 3 (01:22:01):
Vest and was that the vest from the beginning of
the movie. Because he was wearing a black and white vest,
it looked.

Speaker 1 (01:22:08):
Like the same outfit. It was exactly. I think it
was the exact same outfit. Maybe he put it on
he how would he still have it put on? Like
you know what? She stole up there with a camera.
Scrap Hey, grab my back, ra camera. My vest vest
is seven years like to the day. Because the tonight

(01:22:29):
they're coming on it's in February, right, isn't that? Whats
come in in February. Yeah, so then they get it.

Speaker 3 (01:22:37):
He's fine, you know, they take away the guy, and
Mason Sober is alleviated.

Speaker 1 (01:22:42):
He was he's off.

Speaker 4 (01:22:43):
The said the senator. A guy your sadsk really popular
in prison like that.

Speaker 1 (01:22:50):
Yeah, oh yeah, yeah.

Speaker 8 (01:22:52):
He made some joke about like getting as rapt in prison. Yep, yep,
that's was that the last line before the like the
I don't want to say it's like you only have
a cold open.

Speaker 1 (01:23:05):
That was kind of like a cold clothes.

Speaker 3 (01:23:08):
It was kind of like the things happened all of
a sudden. It wasn't like the oh yeah it was,
It just kind of stopped.

Speaker 2 (01:23:13):
It was yep, he gets he's exonerated because we saw
the tape. Uh, a child and a woman come bursting
through a very secure police line, and that's pretty They
give him a hugging that's pretty much like fade to black,
and it was like.

Speaker 1 (01:23:29):
I guess this is over. Okay, where's my huscar? Fox?
You saw how good I was. I used a keto
in the movie. Did you see that running scene rocking?
It's the best montage? Oh man, there you go hard

(01:23:51):
to kill in a nuts. What do you give it?
The one of ten.

Speaker 3 (01:23:56):
Yeah, I'm probably I'm I seem to be hovering between
three and a half to four and a quarter critic
over here. Yeah, and that's just because the women that
were groped.

Speaker 1 (01:24:18):
Are you giving them little ready because you're standing up
for like the me too movement? No, no, no, no, it's
the fact that.

Speaker 2 (01:24:23):
The women that were groped and probably assaulted by Steven Sigal,
we're pretty hot.

Speaker 6 (01:24:26):
Yeah.

Speaker 3 (01:24:27):
And and and it was a girl in the hopital
she was a cutie patuity. And I think that Daniel
LaRusso was in the movie and.

Speaker 1 (01:24:35):
It wasn't it was Dannie LaRusso. And uh.

Speaker 3 (01:24:39):
And in my I think if you went to the
bathroom right at the rights time, you would have never
known that Mason Storm was a cop. I think that
was only mentioned once in the hole.

Speaker 1 (01:24:51):
Most just whenever he was in the hospital. Yeah, something
about him being a cop, only he was unstoppable.

Speaker 3 (01:24:59):
Yeah, that was like it came out one So I
think if you went to the bathroom right at that time,
during the whole movie start to finish, you would think
he was a reporter.

Speaker 1 (01:25:09):
And that's why, Yeah, I.

Speaker 4 (01:25:10):
Get I could easily make a case that he was
a reporter.

Speaker 1 (01:25:14):
He was a reporter. Yeah, I'm not for seeing the beginning.
Felt like it's a much newze.

Speaker 2 (01:25:20):
Uh.

Speaker 1 (01:25:21):
I would see man when I was young. When this
came out in the nineties, I thought I liked this movie.
Oh it was great.

Speaker 4 (01:25:29):
It's really bad. I think I gotta be right there
with Nash. It's like it's an under a five for sure.

Speaker 3 (01:25:36):
It's yeah, it's not even I hesitate to even give
it a four and a quarter or a four and
a half.

Speaker 2 (01:25:44):
Yeah, I'm just saying both. You can keep smoking crack.
This movie was enjoyable as fucking This is one of
the best episodes we ever put out.

Speaker 1 (01:25:50):
I'm giving it a seven. My god, oh my god.
I rate things on how fun they are to laugh
at us. Steven Cigar is gonna like us again. Come out.
We bashed him. Bring your fat ass at me. I
don't know how an kto tournament in my backyard. Let's go.

Speaker 3 (01:26:05):
He's gonna be like, bring that, come at me, use
this knife attack me, bitch.

Speaker 4 (01:26:10):
I got I got some I got just too here.
I got some Cigal jokes. I'm gonna run by you.
See what you think?

Speaker 1 (01:26:17):
Uh.

Speaker 4 (01:26:18):
The first one kind of you can almost call it
like Oscar uh inspired Joe knock knock, who's there, Steven Saga?

Speaker 1 (01:26:28):
Steven? Who oh? Well that show biz? Okay, that was
That's a very cutting one.

Speaker 2 (01:26:39):
I feel like Stevens would be very angry about that one.

Speaker 4 (01:26:43):
What's the most dangerous thing about Steven Sigall?

Speaker 1 (01:26:48):
What his cholesterol?

Speaker 2 (01:26:50):
Though?

Speaker 1 (01:26:54):
I like talking about that. He eats his vegetables.

Speaker 2 (01:26:57):
Obviously he's got quite large.

Speaker 1 (01:27:03):
He's he's uh, he's over three bells easily.

Speaker 4 (01:27:06):
You know what happens though, when he realized you can't run, stop,
well before you know it, Well.

Speaker 3 (01:27:12):
I am in that. I am in that category. I
prefer to not run anywhere.

Speaker 2 (01:27:16):
But I'm most like I was like, I was saying, like,
if he runs, though, he's burning twice the amount of
calories for the amount of movement.

Speaker 3 (01:27:22):
And yeah, yeah, he's had so much extra movements that
are happening.

Speaker 1 (01:27:27):
Yeah, he could really lose it very quickly. It's like
a jog around the park man, Come on, everyone's Steve
even Do you think he fast walks like that?

Speaker 2 (01:27:38):
I don't think he fasted anythings anymore, including with the food.

Speaker 1 (01:27:43):
I was thinking that if he fast walked, did he
still flop around. Yes, all right, now, so what what's
what's next?

Speaker 4 (01:27:53):
Okay, so September's coming, Well it's almost here. Ryan was
using the literation sequel September nice, and I'm a fan
of the literations, so.

Speaker 1 (01:28:05):
I'm all in. So I feel like I want to
go uh break to kill two? WHOA. For a second, I.

Speaker 2 (01:28:16):
Thought there might be but I thought I didn't think
I had to seven say a chance.

Speaker 4 (01:28:20):
I want to go to one, like probably the best movie.

Speaker 1 (01:28:26):
Still consider a sequel. We might have to rent it.
That's all right, But what about what if I told
you Rocky four?

Speaker 2 (01:28:37):
We didn't do the first three Rockies though it's sequel September.
We didn't like I thought that was going to be
a whole month. We'd just do one a week, man,
And I'm knocking out all the Rockies.

Speaker 4 (01:28:46):
So this is what it feels like when Ryan is okay, fine,
God damn it, I can't have my own way hold
on to get a suggestion.

Speaker 3 (01:28:53):
Speaking of Rocky four, there was not a drago in
the montage when he was on top of the mountain
looking down. He needed to be like the guy, was
it Vernon or something?

Speaker 1 (01:29:10):
I know you want to do all the rock No, no, no, no, no, no,
it's Rocky four. Next time Rocky four. No, we're doing
it under sea, was there? Yeah, start territory. It's on
a train. Oh okay. First one was I'm on a boat.
I'm not training and I'm a chef again like speed

(01:29:31):
but backwards kind of. We're never doing I never saw
Cinder Bullock was in that one. It's on a boat,
a cruise. I'm on a boat.

Speaker 3 (01:29:41):
Take a good hard look Jason Patrick Patrick, stay them
No Patrick, None was a good Jason's huh no the vampire.

Speaker 1 (01:29:50):
Patrick from Lost Boys.

Speaker 2 (01:29:51):
Yeah, yeah, we can You sure you don't do we
can do Rocky four.

Speaker 1 (01:29:56):
I want to do or Rocky three, mister T. That's
what thunder two or three Thunderlips was three because first
two were Polo then and mister T with thunder Lips.
Rocky four has it all.

Speaker 3 (01:30:15):
Rocky. I think one of the best sequels Robot.

Speaker 1 (01:30:19):
Isn't that the one where he probably has a robot? Yeah?
I can't remember. Uh, that's that's but that's when he
was getting soft again. That's right.

Speaker 3 (01:30:28):
But you know, Rocky four is a hardline too. It's
in all of our souls. That movie.

Speaker 1 (01:30:36):
That's a that's a tough one. That's a that's a.

Speaker 3 (01:30:39):
Mainstay of American culture. Is he and Rocky Unit preach right?

Speaker 1 (01:30:46):
Oh my god? What does then?

Speaker 4 (01:30:54):
And then all the Russian citizens are like, yeah.

Speaker 1 (01:30:58):
I love I love that because it's like, I don't
think that's how I go.

Speaker 4 (01:31:03):
It turns out, Uh, you're fucking wrong, Rocky.

Speaker 1 (01:31:07):
Way off, way off. They want to kill you. You
want to do that? You want to do uh to
your pick man, I don't care.

Speaker 4 (01:31:14):
Okay, but unless I blew up, you're like Rocky, I
can't do a literation.

Speaker 1 (01:31:19):
There's a predator to October.

Speaker 3 (01:31:25):
Shit, now you got me thinking, yeah October, oh yeah,
every single and yeah that's Rocky, not the Rocky in October.
So that means September you can't do Rocky four? Damn it,
is you ever gonna do October? That's every weekend in
October is Rocky. There's at least four weeks.

Speaker 4 (01:31:44):
I gotta be honest, like, we'll we'll have to everybody listen.
This is where we hit pause and come back with.

Speaker 1 (01:31:49):
The mover doing. I couldn't.

Speaker 4 (01:31:51):
I can't do underseats too. I can't do another stuff
sigam movie.

Speaker 1 (01:31:54):
Not back to back. Not back to back. It's fucking hard.
Follow us on Instagram. I'll post whatever we're doing next.

Speaker 4 (01:31:59):
On that's the best way to do it. Boom sequel September.
All right, that's it, Nash. Anything to say, thanks for
final thoughts.

Speaker 1 (01:32:08):
That's right. Are you gonna Are you gonna come back
and do it again? Yeah? I will definitely come again.
Thanks guys, I'll definitely come again anyway.

Speaker 4 (01:32:22):
Yes, unless we get emails about that. Laugh here, like please.

Speaker 1 (01:32:28):
I was all in and then he laughed like a pedophile. A.

Speaker 3 (01:32:32):
He laughed weird and then B he talked about leaving
his magic cards in.

Speaker 1 (01:32:36):
The show.

Speaker 4 (01:32:39):
Nerves in our own special way. That's right, speaking of
being nerdy.

Speaker 1 (01:32:45):
Keep lifting that weight, bitches,

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Ep 58 - Hard to kill

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Ep 58 - Hard to kill