Ep 60 - Escape from LA

Swole Cinema Episode 60 surfs in hot as Ryan, Mark, and their buddy Nash (from Paranormal Punchers) dive into Escape from L.A. (1996)!

Kurt Russell is back as the one-eyed legend Snake Plissken, this time navigating post-apocalyptic Los Angeles—complete with plastic surgery cults, basketball death matches, and yes… that surfing scene.

It’s bigger, louder, and way weirder than the original, and the guys are breaking down all the glorious chaos that makes Escape from L.A. a cult classic in its own right. 

#SwoleCinema #EscapeFromLA #SnakePlissken #KurtRussell #JohnCarpenter #90sAction #CultClassic #MoviePodcast #ActionMovieBreakdown

Episode Transcript

Speaker 1 (00:05):
We're rolling. Yay, we're back. We're back.

Speaker 2 (00:09):
Welcome everybody. It's the Three amigos again. What's up.

Speaker 1 (00:14):
It's Mark, it's Ryan, it's Nash. Hey guy, Hey guys,
Nash's blowing the mic out. Oh sorry, it's okay, Hey guys,
this is with his mouth, not something I get you do.

Speaker 3 (00:26):
I put it all the way in my mouth. No,
that was a good audio bite right there.

Speaker 1 (00:32):
They had to turn the fan on earlier because Nash's
blowing it out.

Speaker 3 (00:35):
Yeah, yeah, that's why it's facing that way.

Speaker 1 (00:40):
Well, that's the kind of banter you get on swul
Cinema became an exhaust fan. Who's exhaust mine? Yes, it's
Soul Cinema.

Speaker 2 (00:50):
Welcome back, everybody back in better than that for finishing
up sequel September in the middle of October.

Speaker 1 (00:56):
That's how we do it. You. We should probably never
label anything ever again.

Speaker 2 (01:00):
Well it it sucked with a with my job changed
and then life got in the way. So but we
got it in. What happens, We got it in. We're
getting it in. I guess it was. What's the sequel?
We're talking about Escape from La the sequel to what
you picked, Escape from New York a few months ago,
and Elassic Hell, yeah, nineteen ninety six.

Speaker 1 (01:20):
Escape from LA I mean Escape from New York is
the oh?

Speaker 3 (01:22):
Yes, of course, yes, yes, yeah, is the is the
Oh by the way, it's the It's the Little Brother
that nobody really wanted.

Speaker 1 (01:31):
It wasn't quite the It didn't quite hold up as
good as The Godfather too, did.

Speaker 2 (01:35):
The Godfather one? Or Empire or literally most sequels? Yeah,
it's no Empire. So it's like, what was was the
Kevin Smith movie? This movie's gonna make House Party one
look like House Party two.

Speaker 1 (01:49):
Or House Party three. Yeah, it it was. I watched
it last night.

Speaker 2 (01:56):
It was a movie after Nash came over and we
had a few beers, and I said, I.

Speaker 1 (02:01):
Was kind of buzz who whoa, whoa, where's my invite
to the beer park? It was past five o'clock. You
were home. Oh all right, that's true. He didn't come
over til about six.

Speaker 2 (02:12):
So I was like, I would say something to Mark,
but I guarantee it, he's four beers deep.

Speaker 1 (02:15):
And already at home. That's yep, correct.

Speaker 2 (02:19):
But yeah, So he left and I was like, oh shit,
I gotta watch this movie. And I watched it buzzing,
and I was like, that's the only way shot.

Speaker 1 (02:27):
Yeah, I was maybe by the time I watched it
last night, four or five beers in ye, and it's
I still uh couldn't like. I just was like, I
didn't even have the worst so explain, like, what what
the fuck am I watching? I think I even said

(02:50):
to my wife, like John Carpenter, right, Kurt Russell, it
has the stuff. I don't understand. It has the stuff. Yeah,
Steve whatever like has him has a great like cast,
like a basically cash from Evil Dead, yes, yeah, and
then a cameo with Oh Fonda, Peter Fonda.

Speaker 3 (03:13):
Peter Fonda was in the Surfer Jackie Brown, the girl
from Jackie from Jackie Brod.

Speaker 2 (03:18):
Yeah, there was there were so many good, pressive cast members.
It was just unfortunately a bad script.

Speaker 3 (03:25):
When I saw Bruce Campbell's you know, contribution to the movie,
I was just like, guys, you really missed the boat Man.

Speaker 1 (03:33):
That guy had so much more to give. Yeah, I
mean the movie is almost it's the same movie. Yeah.
Oh yeah, it's again to help with a situation. Oh yeah,
like the Island of Manhattan was basically like a prison.
Now a piece of well La broke off right, well,
now that's a prison. I loved that because it was.

Speaker 2 (03:54):
Like growing up, that was all I ever heard was like, oh,
eventually California is just going to break off anyway from
the States the earth quake because there's that fault line
and everything. So this was what was a tsudonami, an
earthquake and a big sum and then it just flooded
everything around.

Speaker 3 (04:07):
L A my first note, My first notation I made
was lose lose l a question mark.

Speaker 2 (04:13):
Okay, no, that's like, yeah. Mine was John Carpenter, Holy shit.
Because it's been so long since I watched I was like,
oh John Carpenter, like all right, maybe it's better than
I remember.

Speaker 3 (04:25):
Well, but he did things like ghosts. It was a
Ghosts on Mars, Ghost of Mars. Yeah, he did some
interesting things.

Speaker 1 (04:32):
That was the time. That's a movie I want to like,
I have given it a chance here there it's got something,
but not enough like the idea, Yeah, was there?

Speaker 2 (04:42):
Is that what they would this would they would call
a passion project like something. They're like, ah, he was
really into it, but it just didn't deliver like I
think it was.

Speaker 1 (04:49):
I LA was definitely like, hey, here's a here's a check. Hey,
you want to make fifteen million minutes. But it opened
that opening where the show all the names are gonna
be one and the music and the little graphics. Yeah,
I was like, the opening, it's height, I'm digging the soundtrack,
I'm getting stoked. And then when that was over, we

(05:10):
got into the movie and that's where it.

Speaker 2 (05:13):
So that was the thing on One of the things
I learned was this was the only sequel that John
Copper ever directed. He'd written like Halloween two or whatever,
but this is the only he directed. And I'm like,
did it leave a bad taste in his mouth?

Speaker 1 (05:22):
Yeah? Yeah, yeah. Denver Hill, I think that was his
girlfriend for a while, so she was a produced she's
one of the producers and she helped on some of
the Halloween stuff. So that had ever, it should have
been awesome. It had the recipe, it had the ingredients,
and I love how it goes, Like the whole opening,
He's like, in nineteen ninety eight, this happened, and then

(05:44):
in two thousand this happened, and then now we're in
a year. It's like, oh wow, we're just fast forward.
We're doing super joke cuts, right. Well, I mean.

Speaker 2 (05:54):
I was talking to Nash earlier and I said, it's
like people talk about like, oh they get like there's
people that have a problem with getting old older, and
I was like, are you kidding me? I love getting
older and now watching old movies where like back then
in nineteen ninety six, they're like, in twenty thirteen, we
have all the time, Like that's awesome. I just love seeing
stuff like, oh, we're ten years past twenty thirteen and

(06:15):
like just look back and like that's what they thought
was like a long enough timeframe for this to happen,
like it could happen well.

Speaker 1 (06:21):
And I think they when they finally start the movie,
it's twenty twenty three, Oh was it? I think, yeah, oh.

Speaker 3 (06:27):
Yeah, because in twenty thirteen is when the earthquake tsunami happened,
and this is after that.

Speaker 1 (06:34):
So this was only a couple of years ago. So yeah,
if you're writing a movie in nineteen ninety six, you're
gonna be like, twenty twenty three, we should have flying
cars and shit by then, right, it's really futuristic. Back
to the Future said it, where we were gonna have
flying cars, but you didn't really have any kind of
cool technology really, I mean satellites like yeah, like it
was actually there was. I didn't see really a single car, no, no,

(06:56):
this Unfortunately they did not have any chandelier cars. The
only real technology was the I mean there was cars
on the l A. But you think the military would
have like cool tech cart now, No, there was the
only the real was the the chopper. It was very futurey,
yeah looking, although I have a thing about the chopper

(07:16):
and then the lake up there. How about the hang glider.
That's pretty I don't even want to get in the
hang gluiyer yet you just hold on to that and
the and the submarine. Yeah, the giant missile that he
shimmies into. Oh my god.

Speaker 2 (07:31):
I don't know how they were planning on bringing anybody. Well,
I guess they weren't bringing anybody back, but I don't
know how he was planning on getting back in that thing.

Speaker 1 (07:37):
Why so why that looks so so terrible? Why would
they make a nuclear sub that and tell a guy
just keep it in the green? Yeah, you can tell
anybody that they're gonna be like, hello, I can't go
farther than the green.

Speaker 2 (07:53):
I did love that, Like, yeah, at the be in
the movie, you know, they scratch him with the virus
and all that blah blah blah.

Speaker 1 (07:59):
But they get him in that something. They are like, yeah,
just put.

Speaker 2 (08:01):
It in the green get there, and he's like his
whole thing is like, I don't care if I blow
the sub up. You're not the one dying or you
could die right now. Like it's a nuclear reactor.

Speaker 1 (08:12):
In the middle underwater, okay, whatever you're into. Well, it's
the same thing though. He there's a countdown clock because
he got infected with something exactly exactly like the first one.
Oh yeah, and it even ends exactly like a it's bullshit,
you were you were never the first one. It was real.
It was supposed to be real, right because say, because
they had to.

Speaker 3 (08:31):
Put the thing in yeah this time, oh yeah, because
it was an explosive In the first one was a virus.

Speaker 1 (08:37):
I think it was an explosive thing that wasn't explosive. Yeah,
I don't remember. May yeah, maybe they did have to
actually deactivate whatever the hell was. He's got a countdown,
he's got to do the mission, get less time only
nine hours.

Speaker 3 (08:49):
Yeah, and he covered all of LA and getting there
in and back in that nine.

Speaker 1 (08:58):
Hours, right, Oh yeah, he did not have time to do.
There was no traffic. He ran through the subway, if
you talk about this. So he shows up and in
the classic snake pliskn outfit. Yep, it was weird can
with the pockets on the front of the leg and
that was apparently legit the exact costume from the first
He's still fit in it because he still looked Jack

(09:18):
the ship. Yeah, he was great on it. But when
he put on the new outfit, that was such a
strange fitting outfit. Yeah, even like with the leather tank
top and everything. Yeah, it's his chest was looking weird.
It was a very odd fitting, horrible outfit, Like why

(09:39):
would you take him out of the classic look?

Speaker 2 (09:42):
I think that was a like a futuristic type thing, like, hey,
here he shows up, here's the snake whiskey. No, now,
let's make him futuristic because it look look at the
matrix they threw.

Speaker 3 (09:52):
How do you make someone look like they're from the
future leather? Although I think that maybe maybe that's what
we do for the three of us.

Speaker 1 (10:00):
Put let's do the leather no sleeves for the next WSB. Can.
I was gonna say, I do not want to work
out is there a talcum powder thing you put the
talcum powder on and then you put it on. I
don't know. I don't know. You don't need that, Yeah,
I don't know. But I don't want to be dumping
three pounds of sweat out of my boots at the

(10:23):
end of the day. It's just a normal day for me, though.
You see, that's just a normal you know. Welcome to
my Tuesday. Welcome to Tuesday. Yeah, yeah, welcome to no
air conditioning at work.

Speaker 2 (10:37):
Oh do you guys see meat Loaf was in it? No,
I missed a lot of cameos. I was pretty Yeah,
he was.

Speaker 1 (10:43):
I think it was one of the military people, Robert Palmer.

Speaker 2 (10:48):
Robert Paulson, Robert he was.

Speaker 1 (10:52):
He. I didn't know he was in there. I didn't
even look. Yeah, I mean it was brief. I don't
remember him in the opening, yeah, the scroll titles. But
I pointed him out and this was like, who oh
my god, it's the loaf. Sorry, we must have been
thinner or something. I don't Yes, he was. He was

(11:13):
skinny loaf. He was low cow. So okay, So moving
into the movie.

Speaker 3 (11:20):
The first thing that they did after they futurized him
with leather, you know, and then infected him with the sickness.

Speaker 1 (11:27):
But also you say, futur asthma is like it also
galvanized like a tire, so like water could just sheen
off of him.

Speaker 3 (11:33):
He was so the outfit was practical. I guess he
was stealth. He was stealth in his trench coat in
L A L L.

Speaker 2 (11:40):
But he probably had like we talked about tech, like
he probably had the most advanced tech with his little
gizmos that they gave him that comes into play at
the end of the movie, like that was probably the
most advanced ship they had.

Speaker 1 (11:50):
Nothing crazy.

Speaker 3 (11:53):
And then he they gave him that that rifle, which
is like seven rifles all into one side wise, Oh
you know, it is the most jacked like futuristic. It
looks like he's swinging around half an ironing board with
a scope on it, you know. And then and then
he shoots him and he's like, oh no, no. The

(12:13):
first clip. I was like, that's so bullshit because he
loaded the first clip into that thing. There wasn't a
clip already in there. He loaded it to like test
it out and whatever. So that was the most unbelievable
part of it.

Speaker 1 (12:25):
Was like a we knew you'd do that, so we
loaded blanks in at first, and I was like, so
click clip, Like, okay, you know I had more than
one clip, right, yeah, I got another one right here.
And how did you know that that was going to
be the one that was going to be into the
gun first because he's left handed? Was die hard where
they put blue tape on it with the number with

(12:45):
the number one on it. You know this one first?
Take this one first, trust me, this is the really
deadly one. You want to use that wink or or
for wrong.

Speaker 2 (12:55):
And then you get in a heated battle and you're like,
I don't know why nobody's dying. I just thought a
guy a point blind and now you're a guy that
is dead. Really weird tactic they're trying there.

Speaker 1 (13:03):
This is a weird future. None of these bullets work. Yeah,
didn't he switch it out then? And then there were holograms? Yeah?
Oh yeah, So why the whole that was that was
a different time, a different time? Yeah, no, no matter what,
Snake's gonna try to kill us, right, I mean snake,
let's snake call him snake. It's plisken.

Speaker 3 (13:24):
Maybe that's what I do when I go to the bathroom.
Maybe I just look down and I'm like, I'm gonna
call you snakes. Shut down that line of conversation.

Speaker 1 (13:32):
You can do that on here. You can talk about
that on your new podcast. This is a Typical Tuesday,
Tuesday Nash's new podcast, Typical Tuesday or aka call Me Snake,
Call me Snake nice. Okay, So he gets you can
find it on the whol Cinema Network. You just tapped

(13:56):
the snake in the bottom right hand corner of the screen.
That'll take you to got to keep tapping it to
make the snake. So tap it. Every time you tap it,
I need to say tap it, tap it, yeah, tap it.

Speaker 3 (14:15):
So so he gets in, he gets the proper clip
loaded up, doesn't kill anybody, which okay, and then he
gets in the nuclear powered submarine, gets over there and
he meets Peter Fonda. Peter Fonda, Who's who's now Peter.

Speaker 1 (14:33):
Fonda always has that same easy rider, doesn't He doesn't now.

Speaker 3 (14:37):
Peter Fonda have basically like you just need to be
Peter Fonda, like William Shatner, just just be yourself and
we'll just put you in the movie as yourself.

Speaker 1 (14:44):
You know.

Speaker 3 (14:45):
He meets him over there, and for for whatever reason,
there's a very localized acid rain that happens. I was
a little confused by the idea. It was like, yeah,
acid you don't never hear anything about Yeah no.

Speaker 1 (14:57):
But when I was young, there was they would talk
about acid rain, acid rain. It's really interesting that nineteen
ninety six that they worked that into the into that movie,
thinking like, imagine acid how basket going to be twenty
twenty three, But it was only acid raining on the beach.
As soon as he left the beach, there was no rain.

(15:19):
When before he got to the beach, there was no rain, right,
Oh yeah, there was only acid rain at the beach.
Did you notice that? No?

Speaker 3 (15:26):
No, See you guys are all lay ass and you're
not paying attention to the movie.

Speaker 1 (15:30):
Well I was. It was just so briefly mentioned. That's right, right,
It's not like they brought it back. Oh there's going
to be a moment. Yeah, there was.

Speaker 2 (15:40):
There was no foresdding it was one time mentioned like
say the environment. Peter Fund is like, you know, I
love the environment. Yeah, I want him to talk about
acid rain.

Speaker 1 (15:48):
How do we take there's a contract, Hey man, you
gotta work this in.

Speaker 2 (15:51):
I'll take one hundred thousand dollars less to make my
kind of cameo if you just let me talk about
acid rain.

Speaker 3 (15:56):
I have the acid rain in LA. They're like, yes,
we'll do that, no problem, Peter, we got you. We
got to the studio has got.

Speaker 1 (16:02):
You, buddy. Yeah. And then so then he gets off
the beach. He goes into town. One more questions about
the beach.

Speaker 2 (16:10):
What the hell was the whole thing of, Like that
platoon of guys walking towards him when the sub fell
back in the water. Yeah, he just walked past them
and they just went, oh, okay, those.

Speaker 1 (16:19):
Were the surfers. They're just surfers.

Speaker 3 (16:22):
They were just surfers, and they were I think they
probably had machine guns on their boards and that's just
what they did.

Speaker 1 (16:28):
It was just I just found it weird. It was like, oh, ship,
he's got these guys coming right after, and they just
walked right past them. He's like, no big deal. When
you got an attitude like snake, sometimes people are confused. Yeah,
I don't know what to do. He didn't even stop.

Speaker 3 (16:44):
We were gonna menace him, but he just he just
walked away. So okay to win, I guess. So then
he so then he leaves the beach and he goes
into some casino thing, right, right, he goes into a casino.
He's looking for his he's looking for an agent that
they sentence pre hotel something. So he's following a tracker,

(17:05):
which doesn't tell him which way to go, just how
far away it is, which is interesting, which is.

Speaker 1 (17:12):
I think it's a choice.

Speaker 2 (17:13):
It's it's a hot cold GPS hotter hotter cold cold,
forty yards cold.

Speaker 1 (17:19):
You're like, okay, well which way do I go? I
don't know.

Speaker 3 (17:23):
And the guy throwing the knives into the agent was
the guy from Revenge of the Nerds Booger. No, not
not Booger, one of the two main guys, not the
guy who becomes a doctor.

Speaker 1 (17:38):
I don't know the two guys. Lewis is the black
haired one. Yes, yes, not the one who becomes a
doctor on some doctor show. Okay, then you're talking about
the Yeah Lewis Lewis. So Lewis is the guy who's
throwing the knives into the agent. That he is his
first snake's first kill. Wow, that's Lewis egleized baby egoized.

Speaker 2 (17:58):
Yeah, that was that was great because yeah, he walks
past him and it's walking away down that hallway and
ever he's like, yeah, get back here.

Speaker 1 (18:05):
Man goes to throw a knife. He just turns on.
It was it was great. That was one of the
best action parts of the whole movie. Just turns on
from the hip, just puts like five into Lewis.

Speaker 3 (18:12):
And did you see the guy? He was with another
guy And as soon as he said turn around, his buddy,
who was standing right next to him to back him up,
his badass ducks out of the way before Snake turns around.

Speaker 1 (18:25):
And shoots him.

Speaker 4 (18:26):
I know, Snake blisking his He was like, where are
you going? This guy was like, peace out, who sit
out of here? I just met this mo, I just
met him.

Speaker 1 (18:36):
I don't know. I'll do tomorrow a knife from him.

Speaker 2 (18:41):
I do love that. Hey, you're your only contact. He
might still be alive. Dude, that guy had been dead.

Speaker 1 (18:45):
For a while. He was hanging on the wall.

Speaker 2 (18:47):
With like ten knives in him, like yep, I imagine
he was starting to smell.

Speaker 3 (18:53):
So then what then he discovers the agent reports back,
tells him that he chucks his little pit Boy, which
is the biggest rich watch wrist watch on the planet.

Speaker 1 (19:05):
Because twenty three technology. Man, it was like up to
his forearm and all did was a countdown and told
him how far he was away from something into non
specific direction. That's the kind of tech we have in
twenty twenty three, yeah, called GPS and countdown watch stop
watch that takes up after forearm. So then he leaves

(19:26):
and he gets in the slowest motorcycle chase ever created.
Did you guys notice that he's oh yeah, well, he
like jogs up to the guy. Was a parade. It
was like parade for Quervillehay yeah, oh.

Speaker 2 (19:44):
Yeah shake where like it was like yeah he did,
and I was like wow, so so hard to make it.
They even said he was from Cuba, I think at
one point, Yeah, and.

Speaker 1 (19:53):
He runs up to a guy on a motorcycle, pulls
the not just one guy off. I love that he did.

Speaker 3 (19:59):
He picked motorcycle with two people yeah, and throws the
one guy off so the guy can't get up and
run because snake ran after the motorcycle so that guy
couldn't run over.

Speaker 2 (20:09):
Like hey, bro, no, that's like the equivalent of like
Grand Theft Auto in the game where you just walk
run up to a car and pull a guy.

Speaker 3 (20:17):
Out and then it gets on and I think the
only reason why the motorcycle doesn't topple over when he
pulls the guy off is because it was nearly stopped
and Snake's legs were out like kickstands while he was
doing it, so the thing didn't topple over, but the
guy fell off. And then he was like, I'm gonna
rep this thing up to like eight miles an hour,
and we're gonna have a motorcycle chase.

Speaker 1 (20:37):
It's gonna be awesome with knives. With knives, I don't
even think they're shooting guns at that point. No, he
was just just well he I don't know. He he
went off to the side like on a soilid street
type thing, and it was like on a front of
the road. I mean, this is a parade, dude, Like,
you just just go faster, you're going to catch the
front pretty quick. Yeah.

Speaker 3 (20:58):
Well, and if everybody's going the same speed in this parade,
why did he need the motorcycle. He could have just
ran up. He caught up to the motorcycle.

Speaker 1 (21:07):
He could have just like pistol whipped every motorcycle on
his way. He walked up none like keive me. The thing.
I'm out of here.

Speaker 3 (21:15):
And by the way, nice coconut bra that the lady had,
she had like a little birdmide coconut thing going on.

Speaker 2 (21:21):
Also, so the first escape from New York had the
car with the chandelier in front. What was the baby
doll heads or the doll had what was with the
doll heads on the car? Like those that's the best
you could do, or like, we have to put something
on this car to.

Speaker 1 (21:35):
Make it look ridiculous. Wasteland. Okay, it's a true wasteland
of criminals.

Speaker 3 (21:40):
Ryan not at all related to the ducks that people
put on jeeps.

Speaker 1 (21:45):
It's not like that kind of Maybe this was the
birth of that. He put a doll in the car.
He has, this car's bitching. I'm gonna throw a doll.
Let me sever this dollhad give it to him.

Speaker 3 (21:59):
It made Maybe that's l a convertible, you know etiquette,
you know, instead of putting jeep ducks on jeeps out
in LA you get it baby dollhead.

Speaker 1 (22:11):
And if it's a convertible, you put it on the
on the on the hood, on the hood, on the
on there. I mean obviously, like how do we top chandeliers? Oh,
I don't think you can. Like those chandeliers are banging
them that first one. That's probably what happened with the
doll hads. We can't we cannot make it. Yeah, just
make it ridiculous. Just curious your thoughts on that. So

(22:34):
he he pulls the eye. Does the super slow motorcycle chase.
Does he catch up the two jose No, because they
that's when they catch him, like they don't, they don't
they catch him at the end, like enough motorcycle guys
get right, No, that's when he he that's what he.

Speaker 2 (22:50):
Gets everybody, all the motorcycle guys around him. He's like
pulls the candy's.

Speaker 1 (22:53):
Like no one like a bank off or or whatever,
and he's like, yeah, nobody shoots till the hits the grounds,
Like this is I know exactly where this is going.
He throws it up back like all dead, like all
seven of them or whatever. It was typical stupid bad guys,
like they had him surround and just just shoot them shoot.
They didn't even monologue. I mean, it's a great it's a

(23:13):
great snake scene. Yeah. Oh but still and then he
like dips down into the sewers or something with that chick.
Yeah yeah, or was it no? Was it before the chick? No?

Speaker 3 (23:24):
Because the chick leads him to Bruce Campbell. Oh god, yeah,
what a what.

Speaker 1 (23:31):
A bizarre Yeah, bizarre moment go there in a movie
of bizarreness because Bruce cambl in one was like almost
not recognizable.

Speaker 3 (23:40):
Yeah, because he had his prosthetics on, and you know,
I wanted to see a little bit more about Bruce
Campbell and his thing because I gotta tell you, look.

Speaker 1 (23:51):
It's supposed to be like a take on the you know,
the classic Surgery and the stars in l Ah, but
it was really bizarre.

Speaker 2 (23:59):
I did not realized was Bruce Campbell. Yeah, I forgot
about that. Yeah, you kept saying Aboutruce Campbll's like I
don't remember him at all.

Speaker 1 (24:05):
Yeah he was, It's not he's not. You could hear
his voice.

Speaker 2 (24:08):
Yeah, yeah, yeah, now you say that, Yeah, totally yep.
But yeah, he had all the plastic surgery was so
like half rate bad.

Speaker 1 (24:16):
And I'm guessing they're like, well.

Speaker 2 (24:18):
You know, we don't have so much to work with,
we're isolated, so I kind of do so much.

Speaker 1 (24:22):
But it was so bad. We were like, wouldn't you
rather not have it? At this point, like I feel
like that's a whole movie. Yeah right, there is this
mad scientist like doing botch plastic surgery off people. Like
that's a that's a horror movie. I don't know.

Speaker 3 (24:38):
But all those nurses had they were all like wearing
like you know, they were stacked well their nerves outfits.
And I gotta tell you, he was probably having a
great time.

Speaker 2 (24:46):
I love how they were like, no, we don't really
do plastic surgery. It's basically we just mix and match
parts from people that are alive. It wasn't plastic surgery anymore.
It was just like we're just grafting parts from good
looking people that we stumble upon and can capture to
put a and people people and they're like, yeah, oh
what a beautiful blue eye.

Speaker 1 (25:03):
It's a shame. You don't have to what what like,
You're just gonna pop some other person's eye out and
pop a blue one in there because that works.

Speaker 3 (25:11):
You don't You don't know that that works, Rice, You
don't know medical stuff, do you.

Speaker 1 (25:17):
But he got one, so someone's gonna look like a calco.
And then where did he get his little mouth dart thing? Oh?
That was one of the first things they gave him
when he when they checked him up. Yeah, yeah, yeah,
but I I saw okay. So when he took them
the little dart thing, he was like, oh it is
this and they were like, oh, it's like a planing parenthood.

(25:37):
You know. He like, I don't know, that's a rape dart.
It makes that's it's a rape dart. He took it
and he like stashed it. Oh he slashed like on
a shoulder or something. Okay, that's where he was able
to Oh, I miss.

Speaker 3 (25:51):
I missed the him like getting it from his shoulder thing.

Speaker 1 (25:56):
You know.

Speaker 3 (25:56):
That's that's why I was like, all of a sudden,
it just appeared in his mouth, and I'm thinking he
must have put that put it in his shoulder, in
his shoulder satchel, in his in.

Speaker 1 (26:06):
His leather sleeve. Was that upgraded tech? Sure, that's why
you wear a vest.

Speaker 3 (26:15):
So so let me just think of the logistics on this.
He he took that little rape dart, okay, and he
tucked it in.

Speaker 2 (26:22):
I don't think that's what the government calls it. Yes, right,
you know, the subdued dart or what.

Speaker 1 (26:27):
I don't know. He put it.

Speaker 3 (26:28):
He tucked it in like underneath his his leather tank
top thing. Okay, so then he went to go get
it while he was tied up. Okay, So I think
this should be an event. An event and a extremely
tight piece of leather clothing tucked something under it that
you need to get into your mouth without using your hands.

(26:50):
And let's see how long it takes you to do
that part of our whole event.

Speaker 1 (26:54):
Yeah, we'll just call it the snake. Plus we got it,
and we got that, and we now we have the
hang hanger, what holding somebody? Cliffhanger, cliffhanger, the coat hanger.
That's not what I want to do, cliffhanger.

Speaker 3 (27:11):
The next the the twenty twenty six WSB events are
gonna be a little.

Speaker 1 (27:15):
You gotta get it and be able to hit a
target for points. Well, how are you gonna?

Speaker 3 (27:19):
I want to see what it looks like to get
that thing out from underneath a super tight leather tank top.

Speaker 1 (27:26):
It's impossible. It's impossible. Movie magic. We're gonna debunk it. Yeah,
we got a debunk it. That's it. That's it. That
means you have to watch this movie again in that
part to see, actually, like the closer at what he's
dealing with That's why we have YouTube go right to
that clip because he just kind of goes.

Speaker 2 (27:44):
I don't know if you YouTube snake bliskin rape dart,
it's kind of work that might.

Speaker 1 (27:50):
Not take us where we need it to go. Hey
you do with that door gets kicked in, letting. I
have some black vans barking out in front of my coals. Sir,
please with us your history. You're screaming release the rape
dart file. Oh jeez. Oh. And then when he so

(28:11):
when he escapes, So he escapes with the young lady
with the nice la accent who has the natural brass
that the Bruce Campbell got a quick feel, which was
a good job for Bruce ca Yeah, way to work
that in.

Speaker 3 (28:23):
Yes, it's like it's like the time on screen versus
how many boobs you get to feel.

Speaker 1 (28:28):
Bruce Campbell win one per like forty five seconds. That's
a that's a solid rate. Yeah. Yeah.

Speaker 3 (28:35):
And then you know they run off shoot some people
dive into the sewers and then all the bad guys
like run away.

Speaker 1 (28:43):
Oh yeah.

Speaker 2 (28:43):
I was like, why don't we keep keep Bruce Campbell
as you're like, you know, to make sure you can
keep getting away.

Speaker 1 (28:49):
Yeah. No, he just punks him on the head and
they start running.

Speaker 3 (28:52):
And it doesn't really like knock him out, it's just
kind of like makes him go, man, it's kind of
crazy man.

Speaker 1 (29:01):
Yeah wow, And then they all take off. Yeah, I mean,
I guess at that point then he had a gun,
so they were like, all we have is plastic parts
and scalpels and nets. You know a lot of nets
in this movie, Hut, there are a lot of nets.
That's when you live in a wasteland. Nothing is the
way to go in the future. In the future, netguns. Netguns,

(29:21):
that's the way to go. If you're on an island
in the future, a net gun is the best weapon.

Speaker 3 (29:26):
So then they cut over to Quervo and he's talking about,
you know, the super weapon, about.

Speaker 1 (29:34):
What it does in the whole nine yards and he's
learning how.

Speaker 3 (29:36):
To program it, and they give a whole like foreshadowing
over how like turn on the thing with the sixty
six six that targets the whole planet and then you
turge the world code.

Speaker 1 (29:47):
Yeah, it's six six six. Would have been better if
it had been six nine six nine, because the opportunity
like that would have fit the movie better, I get
six sixty six, but come on, let's yeah. And then
and then I don't know, when you like put it
in calculator turn upside down and says, man, we should

(30:13):
have been writing this. So then he so then they
they run off.

Speaker 3 (30:18):
And but I don't think the Querbo bad guy realizes
that if he puts the code in, because then they
do that cameo with the NASA guy who gives the
whole description of how to use it. I don't think
he understands that if that EMP goes off, you know,
the whole world, even Quervo will not be able to

(30:39):
do anything. I don't think he quite is explained very much,
because he's just kind of waving it around like I
can do this, and then he wants to escape in
a helicopter while the e MP is going off. I'm
just saying now that you may be the surfers you
see the surfboard.

Speaker 1 (30:59):
I don't, but a helicopter might not be the way
to go. Is there electronics on a helicopter? Maybe I
thought you like pedaled then the things spun like. Is
that not how they work? I don't know.

Speaker 3 (31:11):
There could be some technology in there. I just I'm
not quite sure, just guessing just at the futuristic you know,
helicopters that are bulletproof but don't have window locks.

Speaker 2 (31:22):
Well that was the thing got me was at one
point yet. So at one point they're in that helicopter
and like it's bulletproof, and they're taken off and they
keep the doors open. I'm like, maybe it's just go
faster and close the doors and then you don't worry
about some shit whatever.

Speaker 1 (31:35):
That's that's, you know. And when the bulletproof helicopter, the
bulletproof futuristic bullet proof helicopter lands, the bad guys run
up to the helicopter, open the doors and yank the
pilots out. So I'm thinking that maybe it's bulletproof, but
it's also like easy and easy. Speaking of easy and
easy out, well, whoa, my voices went out, weird. We

(31:59):
should take a braain to get a fresh beer, okay,
And I would like to talk about a little bit
of a basketball We come back, yep, and we're back snake. Okay.

Speaker 3 (32:15):
So there's a scene, the basketball scene. There's there's the
lead up that they show you what happens. Okay, So
he goes to Cuervo.

Speaker 1 (32:26):
And then they gets captured by him, gets put on
a treadmill for some really weird reason at a fast walk,
not in a run, just at a brisk walk. I
don't that to me was I thought it was like
a torture treadmill that you fell behind me, get shot

(32:48):
or I know they made references like, oh, we got
your guy. That came, but they didn't even like feature him.
He's just in the background, like just like doing his cardio.
Just get my steps in and get man, get his
twenty minutes in, get him thirty minutes and you know
that heart rate up.

Speaker 3 (33:04):
Yeah, he's fine, He's totally fine. He's got that Plue
talk seven. He'll just sweat it out. She'll be good
to go.

Speaker 1 (33:12):
Yeah, it was.

Speaker 2 (33:12):
That was a weird video that they made. Like I
get the whole point, like, hey, we got your guy. Yeah,
didn't feature hm. Put him on a dreadmill ke not
like oh, usually it's there in a chair being tortured
or something. No, just making him get a vigorous sweat going.

Speaker 1 (33:25):
We know he's wearing one. Yeah, you want to pull
a hammy on the basketball, get your legs under you,
you know.

Speaker 2 (33:31):
But I did love that they yeah. They took him
to the I assume the La Colisseum. Yeah, and they
made like all the events happening there.

Speaker 1 (33:39):
Well yeah that's a ship yep. Yeah. I was like
it was so great. They like did like glad Eterer.

Speaker 2 (33:44):
Type shit all over that fucking place, except for a
basketball court which was not coliseum, Like.

Speaker 1 (33:50):
Did anybody catch so you hit? Like it was like
ten second clock? Yeah he has. He had to go
back and forth between baskets stuff full court. Well when
make a basket. When they showed the basketball court, they
showed the guy who was currently trying it out. He's
currently like trying to get through it. And I noticed
when he missed or he didn't make that shot, there's

(34:12):
gunman completely encircling this thing. Yeah. And then I even
made a note about it. Yes. I also I said,
did the shooters at the basketball court know about cross?

Speaker 2 (34:26):
I know because I was like, he's sitting there and
they just all open fire. I'm like, are they like
the best shots ever? Because one person misses one of
those guys on town, I was.

Speaker 1 (34:36):
Like, there's so many gunshots shooting at each other, they
should have killed each other.

Speaker 2 (34:42):
Oh yeah, that was so stupid. At least be elevated.
So happens another time.

Speaker 1 (34:47):
Also that happened actually happens again at another point in
the movie where it's like they're completely surrounded and they're
just opening fire and don't kill each other. You got
the best marksman on the plane s of angles, sir.
But then yeah, so so okay, so he's they explained

(35:07):
the whole ten second clock. They give him the basketball.
You know, he's got the he's got his plute talk
seven flu. You know, he's Michael.

Speaker 2 (35:16):
Jordan in game like what five or six of the
playoffs that yeah, and he's got the flu, but he
still plays and puts up the flue.

Speaker 1 (35:22):
So I'm like, I'm like, okay, first shot, I got it,
lay up, lay up, easy, sell me one. I was like, okay,
he's getting down there. Nice jumper. Yeah. The third one, okay.

Speaker 3 (35:32):
And then it gets to the fourth one, I'm like, okay,
there's some talent happening now. And then didn't you say
Ryan that there was some about the basketball scene about
like somebody left the camera on or what what he did.

Speaker 2 (35:45):
Oh, I don't know, but I know he trained extensively
in basketball to make every shot, like like he in
real life.

Speaker 1 (35:50):
He made every one of the shots, including the last one. Ohyeah,
including the full course. And I was trying to look
it up because I didn't believe it. I thought maybe
there'd be stuff like now it was editing here redid it.
But no, you're saying he made every shot. They said
he fucking trained like just shot bad like was shooting
around for That doesn't mean like the what was the
half court. I'm not saying it was on one one

(36:11):
shot like he didn't. It wasn't one continuous.

Speaker 2 (36:13):
He didn't make sure on that, right, But he definitely
like made every shot that was filmed.

Speaker 1 (36:20):
Yeah, so but why did he dribble the basketball? Oh?
I don't. I wasn't sure about that either. Maybe we
missed some rules. He was not playing basketball. If you travel,
he gets shot, you double, you get shot. Gonna get
teed up for traveling.

Speaker 4 (36:37):
Bro.

Speaker 3 (36:39):
If you body check somebody needs like a freeze brow,
you're getting a shot, you know.

Speaker 2 (36:43):
But like he was wearing those boots, would like would
look like a heel on him too, like even running
like right, seemed like that's what I always.

Speaker 1 (36:51):
Wondered, Like you see this in movies where they're wearing
like maybe the FBI agent has dress shoes on, like
he has big boots, Like that's not practical when you
need to get away, right.

Speaker 2 (37:01):
It's I assume if you're going to be a ninja
or something, with stealth boots with heels is not the
way to get well.

Speaker 1 (37:08):
They could have had They could have put like rubber
souls on the bottom level, like somebody with cowboy boots running.
I'm like, I don't think that. It doesn't take, So
it doesn't quite. We're not going very fast. He can
run zargs you want. So I'm just happy to see
that Kurt Russell can make a full court shot and
not even like an overhead he like hard like a

(37:30):
like oh yeah or something the Most Dangerous Game. Yeah,
you know. I was like, dude, right on and you
made that. Now that scene does fit within the crazy
movie we have going on. But also I felt like
it was like just fucking stupid. I only thought it
was stupid because the ending, like he makes it all
and then he's like, no, I still have to kill him,

(37:51):
Like no, like the crowd like almost like I was
like almost at the coliseum back in room, like he
got the crowd behind him because he won and like
even the rat, little rat, you know whatever. He was
sitting there going like the crowd loves a winner, and
he's like, no, I still have to kill him, Like
that's the one way to get the crowd against you
is if you he's a hero now because he's the

(38:12):
only guy. He's like, you know, no one's ever stepped
on that court and stepped back off alive. So he's
going to kill the one guy that did it, and
the crowd's gonna turn on you. You're not gonna be
their leader. You're gonna be a piece of shit leader, Like,
don't make that mistake. And he starts opening fire on him,
like I gotta kill him, take him in the back
and kill him, like dude, something like don't do it
in front of people. Like in The Running Man, everybody

(38:35):
thought these people won and went on a vacation, but
they just killed him. Yeah yeah, off camera, right, so
nobody knew. And so Mike spoiler one of my yeah,
like one of the questions I had is again back
to the hole encircling the basketball court with all these gunmen. Okay,
they're all the elite marksman.

Speaker 3 (38:56):
Okay, nobody killed another person across the way even though
they were pointing directly at them. None of nobody died.
But when Kurt Russell.

Speaker 1 (39:05):
When Snake Blisken call him snake.

Speaker 3 (39:08):
Uh got all the shots, you know, Querio got his
like the best hunting rifle with the five thousand dollars scope.
It's like stainless steel and it's got laser tracking in
the scope.

Speaker 1 (39:23):
And he's going over a fence, which you know is
extremely fast and agile. Well for Steak bisk Yes, yeah, yeah,
he's a cat, he is. And this guy he was
like man like Jackie Chan going up, you know, ump
and over. He couldn't hit him. He had the he

(39:43):
had the best gun, didn't. Okay, I'm just gonna back
up and say, wasn't there a whole basketball court of
expert marksman.

Speaker 2 (39:52):
Well again, they were all behind him because he maybe
maybe they were cheering for him, like he okay, okay,
so it was only him.

Speaker 1 (39:59):
That wanted to kill him that point, Like everybody else
is like, oh shit, he won, hooray.

Speaker 3 (40:02):
Yeah, yeah, they said they weren't. Yeah, they were kind
of on a sign. Yeah, he could have revolted. He
could have revolted right there. Yeah, yeah, taken over. Yeah,
could have been the leader success from La So then okay,
so he gets away and then he he gets shot

(40:23):
by Boussemi.

Speaker 1 (40:25):
Yeah yep, oh yeah he Yeah.

Speaker 2 (40:27):
Like Steve like his character was the ultimate rat, just
playing this every like he was like last man standing
type guy, like I'm just gonna play whoever I think
is gonna win at the moment. Oh, if I have
a chance to take him out, I'm gonna do it
because I think that's gonna put me in favor of
the guy that's probably gonna win.

Speaker 1 (40:43):
Oh, I'm in a bad spot. I'm just gonna help
him now. I think maybe he like he's gonna let
me survive longer.

Speaker 2 (40:49):
Like he was the ultimate rat in this movie, like
just no loyalty, just playing the sides.

Speaker 1 (40:55):
So it follows him into the sewer.

Speaker 3 (40:59):
Somehow he gets the the key code thing.

Speaker 1 (41:03):
I don't know. There's some kind of a tussle.

Speaker 3 (41:05):
Uh, Snakeskin gets like the key code thing somehow some
way gets into the sewer.

Speaker 1 (41:11):
Me shoots him. He goes through this.

Speaker 2 (41:14):
Yeah, there was a big fight after that. He chases
him into the streets. He sets off, he sets a
car on fire, right and they have a tussle. So
he gets the gets kill code thing, gets the kill
code thing, send me, chases him, shoots him. He falls
into the sewer. The cleanest, nicest looking ser the turtles.
The turtles would be very happy. The turtles would be
really happy living that.

Speaker 1 (41:34):
You can eat pizza on that sewer.

Speaker 3 (41:36):
Yeah, yeah, comes out. Meets with Bridget Fonda's dad, Peter Peter,
she's his dad, he's her dad.

Speaker 1 (41:49):
Are out bro radical?

Speaker 3 (41:52):
They're related, you know, Jane Fonda's husband but whatever, former
former they were married and it was all family fair.

Speaker 1 (42:04):
Right right. I feel like you're trying to go off
the rails this way. This podcast is going way too well,
and that's just really throwing weird stuff in there and
not applying. And then he and then he's waiting for
to go surfing. So in one of the best scenes ever.

Speaker 3 (42:23):
I would like to say at this point that I
watched this movie in the theater. Okay, oh nice, Yes,
back in the day, I watched this movie in the theater.
And in the theater, I remember thinking to myself, this
is the dumbest fucking thing and the worst graphics I've
ever seen in my entire life.

Speaker 1 (42:42):
This movie. He had a lot of bad CG. You know,
when he's waiting to surf with a bullet in his leg,
and he I thought that there was a shark in
the wave, but I didn't see it, but I seem
to remember that, But that could that might have just
been me thinking there should have been a shark, a
shark following them in the wave. And then he jumps

(43:07):
keep going. I need tissue after that sneeze.

Speaker 3 (43:09):
Because because you can, because you can gain enough leverage
from a surfboard on the water to jump off of it.

Speaker 1 (43:16):
Like fifteen twenty feet into the back of a passing
by car. I loved it.

Speaker 2 (43:25):
So what I loved was like in like when you
see surfing like point break, you know, and I don't.
I literally know nothing about surfing minus what I've seen
in movies.

Speaker 1 (43:36):
So I'm pretty sure it's all like that's that means
you're an expert. But they all like swim yes, excuse me,
away from the wave to catch that. They just stood there.
They just stood there surfboards waiting for a tsunami. Yeah yeah, yeah.
They're literally one that swept up the dune buggy that
they drove there, and that bridget Faund his dad drove there.

(43:59):
In Oh yeah, and they were just like.

Speaker 3 (44:00):
I'm waiting for the wave and the also the three
thousand pound dune buggy that's right behind me to kill us.

Speaker 1 (44:07):
All.

Speaker 3 (44:07):
Oh yeah, you know to get up on this wave
and then ride the wave. Now I don't he wasn't
really planning for Steve who sent me to drive by?

Speaker 1 (44:17):
Yeah? Oh yeah, I don't remember what to drive by?
Was it the tussle? I think he was just getting away,
like from that scene or something. But yeah, So a
few things I've read about this movie then was like that, like, oh,
if there's one thing people talk about this movie, it's
how bad the CGI was. It was terrible.

Speaker 2 (44:35):
So it was it was done by the CGI. Was
the first time that like this Disney division had ever
done CGI. And it was reminiscent of nineteen eighty eight Ghostbusters.

Speaker 1 (44:47):
Yes, like key Master. Hey, that's how much Blusters had
better CGI this did.

Speaker 2 (44:52):
Yeah, the gate hero was was it the key Master?

Speaker 1 (44:56):
And what was the other one? Those are the Gatekeeper
and the gate Keeper and key Master. So that's what
it reminded me of.

Speaker 2 (45:01):
CGI wise, like that was pretty rough in eighty eight,
but it was eighty eight that was almost.

Speaker 1 (45:05):
Exact same quality as there was. So five years later
or whatever later.

Speaker 2 (45:10):
This was Buena Vista like division of Disney. That was
the first time they ever did CGI, and it was
so bad that it was Disney liquidated the company after
that and said, you know what fail, like we are
not doing this anymore. Like yeah, it was so bad
that they like just just ended that division of the
company and said, yep, we're good here.

Speaker 1 (45:32):
Yeah.

Speaker 3 (45:32):
That was to me, that was an ultimate low for
the movie. Oh yeah, it was.

Speaker 2 (45:38):
It was such a reach, like even just even just
the idea that they're going to stand on a surfboard
on a beach and catch a tsunami, like if you
know they're in a canal, right, well, yeah, it was
like that chasm into the island, like, y just the
idea of that, like it's just ridiculous. Oh you mean
if I'm if I'm on an island somewhere and there's
all i need to do is stand there on a

(45:59):
surfboard and I'm good, Like.

Speaker 1 (46:00):
That is so ridiculous you alone.

Speaker 2 (46:03):
Then to see the way the CGI worked was like
the whole scene was just terrible.

Speaker 1 (46:08):
It was the low point. Do you think Peter Fawna
and John Carpenter are buddies now that he talked about
Acid Rain? Yeah, well, because I mean like because if
you if you think about Peter Fawn's contribution to the movie,
it's none, It's zero, right, it was is why was
he there? It was almost like a stan Lee cameo. Cameo? Yeah,

(46:28):
it was a it will be like, oh ship, look
at that. That's look at that easy. Don't they look happy? Yea?
So I'm like, so did did John Carpenter just be
like Peter was like, hey, man, hey, do you mind
if I'm if I'm in the movie, I just do
like a cameo a cameo too, and he was like, yeah,
what do you want to do? Uh? Can I be
a surfer?

Speaker 3 (46:45):
I I want to be a And I feel like
I'm gonna mentioned Acid Rain.

Speaker 1 (46:50):
I feel like that scene it was early in the writing,
and he's like, so fun. Who could we get to
be in it?

Speaker 3 (46:59):
Do you think Peter Fonda and John Carpenter are not
only our buddies but they like to smoke a ton of.

Speaker 1 (47:06):
Weed together, because that's what I feel like early on
they're like, Amen, you know what we should have man,
is a guy surfing the tsunami in a canal. Dude, dude, dude, dude,
check us out, dudude, what if that was a surfer?
That's wouldn't that be? God love to be a surfer.

(47:28):
And then then he like comes out and we like
like catch a wave because I'm like a surfer wave
bro oh yo, and it's coming in a canal. Can
you write a movie around that idea? Yeah? And then
and then like he's got up.

Speaker 2 (47:42):
Great if that was the concepts of an escaping. But
I was catching a sunami as a surfer, So you.

Speaker 1 (47:48):
Add that when I feel like this movie was written
when he was wicked high, Yeah, because everything is just bonkers.

Speaker 3 (47:55):
Well yeah, and the and the whole and the whole
thing behind them. I was like looking this movie the like,
is this John Carpenter's like commentary on the direction of
our of our country?

Speaker 1 (48:06):
Okay, that came.

Speaker 3 (48:09):
Wasted high with Peter Fonda and these are the elements
you know, So Halloween we can all agree with classic
John Carpenter.

Speaker 1 (48:19):
Of course, he had no intention of making Halloween too,
and no intention to continue with Michael Myers. Uh, but
the studio, the money wanted it. Curtis, Maybe he just
hates sequels, so when he was giving money to make
a sequel, he's like, I'm gonna make this batshit crazy
because fuck sequels. It's been done. I've done it. Yeah,

(48:40):
And that was why, like I like I was reading
he was that was why he never directed other sequels, like, oh,
it's been done before.

Speaker 2 (48:45):
And I'm like, wait, your reason was it's been done before.
And then you were like, but escape from La this
is a completely different new idea.

Speaker 1 (48:51):
So he fills it with like satire, poking fun classic surgery,
poking fun at sports. That's a good point, hanging out
with his buddy Pete. So the whole movie getting all smoked,
the whole movies a FU to Hollywood, And unfortunately Kurt
Russells just didn't get the met like, hey man, I'm
going to fuck with your movie. He's like, well, what's
the paycheck? Yeah, exactly, do I get? Do I get

(49:13):
the wear leather? He got the memo about showing up
with excellent hair. Oh Kurt russell looked outstanding. Yeah, he
looked jacked. His hair was flowing and on point, like
just bringing a Curt tattoo of the snake snake. That
was awesome. That was awesome.

Speaker 2 (49:30):
But yeah, so but then that, like the low point
in movie is that surfing a tsunami, which then leads
to like only slightly better, as he like, yeah, he
gets onto the back of a car that's driving like
on a road next to the ravine, Like.

Speaker 3 (49:43):
The wave didn't crest in that direction. He just he
was in the wave surfing, you know, cutting the waves
in this like like a ten foot canal. Because you
do that, I guess, And somehow jumps onto the back
of a moving car because you.

Speaker 1 (50:01):
Can, because you're then you can do that, because surfing
is extremely hard to do and it takes it takes
a long time to get really good at it, and
not not if you're snake, not if you're snake, and
he's like, bam, I'm the best way to learn is
in a tsunami. Yeah, in a tsunami, in the canal
on a prison. Yeah, it's the best way to do it.

(50:22):
So then.

Speaker 3 (50:24):
Then okay, so that whole absurd thing happens, and then
he goes and sees Hershey, uh, the woman who sounds
like a man hand greer, who I think in this movie.
I think she looks great in this movie.

Speaker 1 (50:42):
But I gotta tell you.

Speaker 3 (50:44):
I was just like when he went up to her
and I was like, yo, she's looking pretty good, and
sure around she was like hush snook.

Speaker 1 (50:51):
Damn it, John Cars just like I'll keep playing, you know,
I'm just making ship up, you know. And then and
then what was the whole point of that whole visit?
Was it?

Speaker 3 (51:07):
So they get the leather hang gliders. Yeah, you gotta
have the hang gliders. But the whole point of the
leather hang gliders was for him to get back into camp, right, Yeah,
why didn't he just go back to the camp with
the Buscemi guy who had the car?

Speaker 1 (51:24):
Who it was, Jose Quervo's car. That's a great point.
I'm just again saying he could have just turned Remember
him and Peter finding were smoking weed. They got the
surfing scene, and then Peter fin is like, dude, what
about a hang glider. It's like, I work that in.

(51:44):
I'll figure it out. No text, hanglud. They remember they
needed a big distraction to make the switch. Remember that
first movie. Yeah, in the first movie they had that plane.
It was kind of like a glider. Okay, stop playing,
So they did. They needed something else just like.

Speaker 3 (51:58):
That, and the hang glider did not look like they
were a little teeny tiny hang gliders on a crane
being swung around.

Speaker 1 (52:05):
Not at all.

Speaker 2 (52:06):
Oh my god, that scene was so unbelievably ridiculous. It's
just fire and hang gliders and bad shooting, Like.

Speaker 1 (52:16):
Yeah, yeah, and then you're right. They just needed a
distraction so he could do the swap roo and get
the get the little code box thing, when all they
really needed to do was take Pam Greer it walk
into the camp and be like.

Speaker 3 (52:31):
Hey, whose how are you doing? And they'd be like, what,
this is interesting, here's your distraction. Or Steve Buscemi and
be like him show up with a new set of dentures.
You know, he could have that could have been the distractions.

Speaker 1 (52:48):
You know, the plastic passive service is great and got
these new teeth, new eyes tomorrow.

Speaker 3 (52:53):
Yeah, I mean it's a distraction. That was a long
way around.

Speaker 1 (52:57):
To get a distraction, you gotta have that ninety minute runtime.

Speaker 3 (53:00):
Yeah, you know, and the thing that really as soon
as they got into Hershey's area, you know, did that
whole thing. I was like, man, that that pool looks
pretty clean and nice. That's a nice pool. You just
walked by I could go for a little dip.

Speaker 1 (53:18):
Yeah, that's what popped in your head. Yeah, totally, because
I was like, it's, well, he's wearing all others.

Speaker 2 (53:22):
He's like, he's he's he's dumping those gallons of sweat
out of his boots.

Speaker 1 (53:25):
Maybe fresh up, little a quick quick dip, you know,
because everything's like dirty and you're in the shoe, we're
outside is rubble and ruins, and then you're going in
and you're like, yo, that pool looks like it like,
how the fuck did they get such a clean pool?
That was a really clean pool.

Speaker 2 (53:42):
Nothing nothing else in this movie was clean at all
except except for that.

Speaker 1 (53:46):
Pool that was crystal blue, beautiful, beautiful priorities, I think so,
I think so, you know. And and Snake he doesn't
care about if he stinks, Oh yeah, because he's stinks.
He's just that kind of guy. He doesn't. He gives
zero fox that's right, because he's gone call him snick,
that's right. And and of course they tell him specifically

(54:11):
that his virus that he has is fake specifically, but
I don't think he believes it because he's still going
on looking at his clock. His a little pit boy,
you know, as if it's still happening.

Speaker 2 (54:27):
Well, he still don't know. I mean, he knows he's
getting sick. He knows he feels like shit, Like how
hard do you gamble? Right, but it's the last time
it was true. He knows one time they put a
bomb in his neck.

Speaker 1 (54:39):
Yeah or whatever. So he's mean as much as you believe, like,
oh yeah, they're fucking with you, like probably, but I know,
I feel like shit, and I have a timer that
says I have an hour to live, like I'm still
gonna try just in case. Right, he's hedging his bets, right, yeah, yeah, okay, okay, okay.

Speaker 3 (54:58):
So then so then the News of the does the
distraction with the hang gliders on cranes, and it seems like,
you know, that whole thing made me think of like
when you go to the carnival and there's little chairs
hanging by by the chains and they're kind of swinging around.

Speaker 1 (55:13):
That's what that. Yeah, I gotcha, like a ferris wheel
of hang gliders. I'm so happy. I was very buzzed
at that point in the movie.

Speaker 2 (55:20):
Yeah, yeah, because it looked way better than what you're describing.

Speaker 1 (55:24):
To me. Half drunk punk was like this is it's
not good. I'm seeing like a whole amusement park. Snake
oh yeah. Or you can shoot basketball, you can do
on the gliders, like.

Speaker 2 (55:36):
Yeah, that'd be a solid, fun like little section of music.

Speaker 1 (55:40):
Bark you do all the escape from you could do this,
you could do the surfing. It could be a water park.
Got Disney's got like them stuff Universal has, like Harry Potter,
why can't we have a parking Yeah, snake pliskin park.
I just want you can surf.

Speaker 2 (55:56):
I just want a giant rumor a ten foot wave
just comes blitzing at you.

Speaker 1 (55:59):
Surf it, sir, wait, sign sir, and get on a car. Yeah,
and then you gotta jump from it. Yeah, I see
no peng lining Yeah yeah, and then the well. I
think Snake plisk and Land would be clisk landisk Land

(56:19):
would be amazing, really depressing because it looks terrible, but
there's a pool and it's the cleanest bull you've ever
seen in your life. They have eateries. Yeah, no, helicopter
simulator yeah yeah, yeah, Disney, give me, give me a call.
I got ideas nineties land, that's what bring back Bona Vista,

(56:45):
Bona Land have like Snake biscuit.

Speaker 3 (56:48):
And then that's when the helicopter that's bulletproof, but it's
none of the windows are locked and the door stays
open it comes down.

Speaker 1 (56:54):
Now there is a nice do you think in editing
when you're did anybody point that out, like, well, it's
not bulletproof, the windows are. The bag has literally ran
up to it and pulled the guys out of it,
opened the door and it had like a like a Dolorean,
you know, it opened up, which I don't think they
do that because there's a rotary. It was in the future.

Speaker 3 (57:16):
Bro Okay, I could And then there was a little
bit of an effect that I did, like I actually did, like,
oh okay, I kind of like that is when the
helicopter was getting ready to take off, the rotary blade
came up.

Speaker 1 (57:32):
And then fanned out to make the blade. That's how
they could open those doors up. That's how they can
open the door. It's nice.

Speaker 3 (57:39):
I was like, okay. Somebody somebody was like, dude, John, okay,
we fucked around enough with this movie. Let's just can
I just take care of one detail? Okay, one make
one thing cool. If one thing cool.

Speaker 1 (57:52):
Don't have the doors go up into the helicopter blades.
How the helicopter blades go away. That's Peter Fane again.
Helicopter blade. Yo, yeah, here's what I got man, that guys,
I need any some fridos. But if those helicopter blades
like went away and then like came back, whoa whoa yeah.

Speaker 2 (58:17):
But yeah, so again the rat Steve Buchemi is on
the fucking helicopter, puts one in the chest of Quervo,
the bad guy, who just walks through it like he's
the terminator, like and accurately is able to aim a
missile launcher at the fucking helicopter.

Speaker 1 (58:34):
Like what That was one of those unbelievable and I
love that.

Speaker 2 (58:37):
Like Bumi's character was like puts one in the chairs
like yeah, I got him, and then sees him just
walk through it.

Speaker 1 (58:43):
It's like oh shit, and just jumps out, jumps out
of the freaking helicopter.

Speaker 3 (58:49):
Now now this part right there that you just mentioned,
I think I had got up in Pete because I
have no recollection of him doing that.

Speaker 1 (58:56):
So oh yeah.

Speaker 2 (58:57):
So they yeah, they take off, they get all of
what Hershey, where's the name, oh Pangra Yeah whatever, the
her and her henchmen, Like they all get a helicopter
with with snake and they start taking off. Shemi's in there,
and they start flying away and he like you see
Cuervo pick up a missile launcher. Shemy gets out with
a rifle or whatever.

Speaker 1 (59:17):
Boom, puts one square in his chest really right in
a ten range and he just walks through it like
he put it right in the middle of his chest
where you're you know, where that heart beat. D was
like like brushing it off, kind of like, oh yeah,
I just got sho oh.

Speaker 2 (59:31):
He kind of stumbled a little bit, but then got
back up with missile launcher. Lotcht a perfect shot at
the helicopter and then like.

Speaker 1 (59:38):
But with his dying bread it was like what was
the what was the kill bill? Ten steps of death
or whatever he had.

Speaker 3 (59:48):
I I I think you're off base. I think that's
totally plausible that you could take one square in the chest.

Speaker 1 (59:57):
You still have that blood in your veins because.

Speaker 3 (59:59):
They probably shot him with like snakes like forty five.
When you shoot him the regular.

Speaker 2 (01:00:03):
Handgun, I think it was a rifle or something, because
it was there were some solid range at that point.

Speaker 1 (01:00:07):
No, you could take one of those of the chest.
That's not a problem. I think you'd be fine. Maybe
had some of that high tech leather underneath.

Speaker 5 (01:00:16):
Yeah, there you go, even ten steps nice, nice, okay, okay,
or tequila or tequila, yeah, cocaine, cocaine.

Speaker 1 (01:00:29):
The ultimate anyway.

Speaker 2 (01:00:31):
Yeah, but he hits with that missile and everybody dies
except the president's daughter and snake as they go literally flaming.

Speaker 1 (01:00:41):
Into the continental the United States. So yeah, so then
he he apparently an inconvenience. Fine, Oh yeah, they flew
for a while while half of that helicopter was on fire.
Like it was a while. It's fine. It was only
the thrusters the helicopter. The Brotary is still gone. It

(01:01:01):
was still going.

Speaker 3 (01:01:03):
It just couldn't air wolf its way into the connell Us,
you know. So that they get in, they don't land
where they're supposed to land.

Speaker 1 (01:01:12):
They go off in some park. We can't kicks her
out and jump like, okay, get out of here, bitch,
get out of here, and kicks her out and she
does it, which is nice, good for her. You know,
that kind of listening doesn't come, you know, frequent.

Speaker 3 (01:01:28):
So they land under so I mean, snake obviously had
to jump before the helicopter landed, because it seemed like
the helicopter it it tanked and it came down and
there was a really I thought it was just gonna
like crash and nose in because again it's bulletproof.

Speaker 1 (01:01:48):
It's a tough it's a tough chopper, tough bird. It's
a tough bird. It came in kind of not too steep.
Of course it was gonna have a crash landing. But
that some bitch exploded. Yeah, it was like like a
pinto getting hit. Say, it was like hit in the
guess you know. I mean technically it was on fire.

Speaker 2 (01:02:08):
If the gas take also ruptured, yeah, I mean it's
it's plausible. Smith must have just say plausible okay, okay,
because it.

Speaker 1 (01:02:15):
Was on fire okay for like five minutes and then
you never saw.

Speaker 3 (01:02:21):
I'm assuming that he jumped out or if it's like
if his like outfit that he had the time when
he got into the chopper, he did not have his
jacket on, but when he got out of the chopper
he had his jacket on, so somewhere he was able
to get robed.

Speaker 2 (01:02:34):
Well, I know he had to get that because his
jacket got stolen at one point he had to get
it back because that had that little little camera thing
in it.

Speaker 1 (01:02:40):
Yeah, so so he so he got his jacket back.

Speaker 3 (01:02:45):
I don't remember being fireproof. I thought it was just
twenty twenty three. It could be it was a high tack.
It could be it could be fire retardant. And uh.

Speaker 1 (01:03:01):
There there one joke. Yeah, yeah, you know, I have
no idea what it was.

Speaker 3 (01:03:06):
It was a fire retardant jacket, you know. And so
he comes walking up like nothing, he's fine.

Speaker 1 (01:03:13):
So yeah, he's dust is off his shoulder here, Yeah,
it's Wednesday whatever, and he does a double triple swip
with a double triple switch with a hologo. Yeah, call
him snake again. Like I can't believe they fell for it.
They already used that on him. Yeah, but being the
smart people.

Speaker 2 (01:03:34):
They are, it was like that was one of those
like apparently Kurt Russell wrote the ending, like he got
a writer's credit because he wrote the entire ending. Okay,
it was like one of those Like that was actually
like one of the nice like highlights possibly of the movie.

Speaker 1 (01:03:47):
That was definitely the best part of the movie because
it was a nice.

Speaker 2 (01:03:49):
Callback to like, oh you got this member you got
this tech early on that nobody just can they use
the bad guys used it, but then we never mentioned
it again, like oh yeah, you got one of those things.

Speaker 1 (01:03:59):
Fuck yeah, Like that was amazing. Callback. I enjoyed that part.
It's the exact same ending Escape from New York. Right
does the switch aero Escape from New York? Do I
think it played like the music from the Cab Drivers?
And this was Steve you scan me tiking about the
Map to the Stars. Yeah, oh yeah, so the President
kept his cool, wasn't as mad.

Speaker 2 (01:04:21):
So he's what I love is Apparently the President was
a character created by also Kurt Russell, and it was
modeled after like that televangelist Pat Robertson.

Speaker 1 (01:04:29):
I was like, oh really that's perfect. I know because
I love that.

Speaker 2 (01:04:32):
I love that one scene, like you don't see a
law of the President, but you see that one scene
where he's like that.

Speaker 1 (01:04:36):
Goes running out of the room like I gotta talk
to God, I gotta go pray. Like it was like,
that's well, now this now, this was the second time
that the gunman encircled their prey because there was because
when they opened fire again, there was another crossfire on
a hologram. Yeah, yeah, nothing was stopping. Yeah, there was

(01:04:59):
nothing there. Angles, man, angles.

Speaker 3 (01:05:03):
They're either so highly trained that they're like, oh no, okay,
so you're directly ahead of me.

Speaker 1 (01:05:08):
You need to bring five degrees off in the direction.

Speaker 2 (01:05:10):
All right, everybody take three steps to the right. Oh wait,
shiit not everybody, only half of you.

Speaker 3 (01:05:16):
Steve, You're out of the circle. Okay, we need that
space so we can move over. Nobody's shooting each other.

Speaker 1 (01:05:21):
It's precision training. Yeah, in the future they can encircle you,
but they are they have the exact millimeters apart. They
need to be nice bulls goes first got to try
to do the training. I bet it was tough. Yeah,
they lost a lot of men in the early years
of the circle up shooting. Was that training? It could
bend bullets? Right? Well maybe, and maybe I would have

(01:05:44):
loved that scene for at least one guy be like,
oh shit, damn Steve, damn it.

Speaker 2 (01:05:51):
Come on, John Carpenter, you were like trying to fuck
this movie. That has been a good little comic relief.

Speaker 1 (01:05:57):
You know. I never thought about it, like how often
that happened this movie where they would encircle and shoot.

Speaker 3 (01:06:02):
It unload so much ammo and maybe okay, so let
me just back this up. Let me just go on
my train of thought here. Okay, so you have the
advanced military who is nose enough to stand like one
step to the left so they don't get shot. But
maybe they just started that program. And one guy from
the military, you know, ate red meat and so they

(01:06:24):
had to ship him because that was against the law
and if you if you eat red meat, you go
to la. He was the guy that was like heo cuervo,
check this out, man. When the guy's on the basketball court,
we're gonna encircle him because this is what the military does.
Oh yeah, so maybe that okay, okay, realm possibility.

Speaker 1 (01:06:43):
Here we go, well again, uh John Carpenter just doing
a fuck you Yeah right, like I'm gonna everything's gonna
be observed.

Speaker 2 (01:06:51):
Yeah, I would love to snake blisten and go like, yeah,
that's a joking. That first clip was all.

Speaker 1 (01:06:57):
Yeah, all of your first clips were bangs. If we
circle up, just yeah, not like that, something's happening, Mark,
Mark's coming up with the idea. No, like, and you
shooted a hologram like there's nothing I would have loved
like that would have been extremely hilarious. One guy at
least went down and then just guys like half the

(01:07:19):
guy's been like ow oh oh would have said it
exactly like that. The movie was already bunkers, like why
not like throw one of that in, So it just
points out the irony of we're, you know, doing this.

Speaker 2 (01:07:34):
Yeah, the last if they did, I think if the
last if they all just fell like we're all just
shooting and they all just like collapsed over death.

Speaker 1 (01:07:42):
I mean by the ending, we I already knew the
movie was a ship show and a joke that was smug.
That come out of your mouth that was smug. Wow,
you looked soon after shock Mauga's here. Wow, I feel
like I was circled up by in my in my

(01:08:04):
Deulch cave of treasures.

Speaker 2 (01:08:06):
Yeah, like yeah, if they would have just all fallen,
that would have that would actually been.

Speaker 1 (01:08:10):
Yeah, that would have been perfect. That would actually fit
with him, And then he had been like wait a minute,
he's not here, He's a hologram.

Speaker 3 (01:08:15):
You know, it would have fit instead of them all
sitting there and being like, oh wow, we didn't hit anything,
including each other.

Speaker 1 (01:08:22):
Good thing. But then yes, snake Bliskin enters the World Code,
shuts the world down six six six that's right, which
in my head, I was like, that's not that much
different than the world that guy probably lived in most
you know, as a criminal and maybe in Cleveland.

Speaker 3 (01:08:37):
Well no, it's also it's all hold up, you're taking out,
you're tickling them up.

Speaker 1 (01:08:43):
Hold up. But what Snake Plisket did is the same
thing that the president was. That's why they made that. No,
that's why the Jose Quervo guy made it. They all
kind of did the same thing. Everything happened, wasn't it
that Holy queveryone wanted to do the same thing shut
down in America. He only wanted to use his weapon

(01:09:04):
to shut down certain parts. Okay, like the World Code.

Speaker 2 (01:09:08):
That's just one of those weird things that they're like, wow,
I mean to shut down the world. Just do this,
Like I don't know why anybody would enter that. But
at the same time, like I guess it's almost like
the uh, like the self destruct button, right, everything for
some reason, everything has one. For some reason, we're all like, well,
worst case scenario, we just self destruct the motherfucker.

Speaker 1 (01:09:29):
Okay.

Speaker 3 (01:09:30):
Okay, So so he puts in the world code. Everything
goes dark and uh happily ever after.

Speaker 1 (01:09:37):
His text dead, he chucks it to the ground and
what's he fine? Pack smokes, Oh yeah, thank goodness. One
last cigarette. And actually after our conversation that we had
last night, Ryan and he lit that one cigarette and
he was like, oh yeah, and I was like, I think,

(01:09:58):
so he looks at the fire. I'm I'm assuming that
was kind of like this we're starting, you know back
over fire is the most technology we have. Thing also
does a thing where he kind of oohs and then
looks at camera. Yeah, he breaks the wall and then
he just has that look and blows out the fire
goes to credits. Actually, if he wrote that the ending scene, like,

(01:10:21):
I actually thought that was cool. And the music for
the movie, the music over it was really solid too. Yeah.

Speaker 3 (01:10:27):
I think the whole thing was like a really odd
way to put together a bunch of commentaries on society.
That's why I think it was like maybe Kurt Russell
was hitting the bong with you know, Peter Fonda and
John Carpenter and they were all like passing one around.

Speaker 1 (01:10:46):
They'd be like, dude, I about this al right, the
last few, you know, and I'm gonna break the fourth
wall in the last one you watch, It's gonna be awesome.
We're not making escape from anything else. There's no three.
Kurt Russell kicks in the door of John Copper's This
script sucks, Dude, smoke this first, and he's like, this
is the best gript I've ever read. I'm gonna jump

(01:11:07):
off a surfboard in the back of a car take
it all back.

Speaker 3 (01:11:12):
So then the big question, Okay, that what I left
with a bunch of questions about Cleveland.

Speaker 1 (01:11:20):
What happened in Cleveland? How many times they referenced Cleveland,
you know, the whole Yeah? Many times it was a
what happened what like there? I thought you were dead
in Cleveland. Yeah, there's a whole thing. And we looked
at Cleveland today. So yeah, yes, and it's interesting what
happened in Cleveland? Apparently I didn't realize this.

Speaker 2 (01:11:40):
Apparently there's a whole like universe for Escape from New York,
Skate from LA.

Speaker 1 (01:11:44):
That exists outside the movies.

Speaker 2 (01:11:46):
And Cleveland was apparently again snake blisking against the world.
He stole the US Constitution, Yes, but even better way.
So snake Plisken is Nicholas Cage.

Speaker 1 (01:11:59):
Well that's the same the easy Boy. We got there, so.

Speaker 2 (01:12:05):
Like apparently like there was a whole thing where Snake
Bliskin was stealing the US Constitution but then got surrounded
and he set the US Constitution on fire and threw
in the Cuyahoga River to get away. And I was like,
I want to see a movie where Snake Pliskin and
what was Nicholas Cage's character and Benjamin Gates, Yeah, Benjamin Gates,
and they're just funny.

Speaker 1 (01:12:25):
He's like you set the con on fire, like just.

Speaker 2 (01:12:28):
Him like losing, like gone, Nicholas Cage, crazy on Snake Bliskin.

Speaker 1 (01:12:32):
Right, I want to watch that. I want to watch that. Finally,
the real sequel to Escape from New York.

Speaker 2 (01:12:39):
Yeah, like what a weird like when you look it up,
like that's so that would have been almost.

Speaker 1 (01:12:43):
A better movie than Escape from Hell.

Speaker 2 (01:12:46):
Yeah yeah, yeah, like this is a weird side note
of like well what like I also want to know
like where does the rest of this universe exist?

Speaker 1 (01:12:56):
Like where does the escape? Is it a comic thing?
Is it? I don't know, is it a fan is
it fan fiction? Because then we'll be that's when she
gets crazy because it maybe take in love with that
fan fiction gets crazy. Yeah, and then and then Pam
Grier's character was car Jack.

Speaker 3 (01:13:14):
Malone, you know, and so you know what happened with
car Jack Malone and Cleveland and.

Speaker 1 (01:13:21):
There's all there's a lot of stuff that we see.
The even escape from New York. When they pick him up,
they mentioned something about, oh, well, he got arrested for
something something. I guess it was a train heist. Yeah,
it was supposed to be the reason he got picked up. Okay,
I would love to also see that. Yeah, we train heist. Now,
Kurt Russell's too old to do it, you know, but

(01:13:42):
we never to c guys better than it wasn't ninety six? Yeah, yeah,
we can d him and look at the Henry Cavill.
Come on, they mess with Harry Cavill, Snake fisk Nicholas Cage,
buddy cop movie in Cleveland, in Cleveland with car Jack Malone.
I was gonna say, like Snake Bliskin and Benjamin Gates, buddy.

Speaker 2 (01:14:03):
Yeah, you know, you can't throw the constitution there, I'm
fucking doing it.

Speaker 1 (01:14:07):
Come Snake Bliskin, we tell me what to do. Only
got eight hours. I've been affected by something again, six
hours again. How could you fall for that? I gain
you keep getting infected with something was in the back
of your truck. Snake hang gladder? You never know when

(01:14:27):
you're gonna need a hang gladder. How are we ever
gonna use those glasses gates? They have fifteen lenses. Fifteen lenses.
What do you do with all those lenses? I don't understand.
I'm snake bliskin.

Speaker 2 (01:14:40):
All right, So final rating for me, I'm gonna I'm like,
just like this conversation here was the best part of
the movie.

Speaker 1 (01:14:48):
So I'm gonna go like five and a half. Yeah,
watch the movie and use this as a commentary track.

Speaker 2 (01:14:53):
Yes, yes, yeah, I didn't hate watching it. It was
silly and ridiculous, but it wasn't great. But I didn't
join like five and a half.

Speaker 1 (01:15:04):
I was gonna think five five out of ten. Yeah,
I would say. My kid would say it was mid
I would say five and a half.

Speaker 3 (01:15:12):
Now, I do know that when I saw this in
the theater, the thing that I did right after this,
the I think the best part.

Speaker 1 (01:15:18):
Of this movie. Do you want to know this is
the soundtrack. The soundtrack to this movie was fantastic. That's
where you get.

Speaker 3 (01:15:27):
That's where I think where power Man five thousand was
their breakout song was from this soundtrack. There's a lot
of good music, you know, especially if you're kind of
a grunge, kind of a metal alternative kind of a thing.

Speaker 1 (01:15:38):
Now, I like the carpenter the score his score under it.
I can give a shit about that.

Speaker 3 (01:15:43):
I like the soundtrack, though I don't know score this sco.

Speaker 1 (01:15:49):
You know the carpenter hit us up head swelsen a
gmail dot com. Would you like to write our themes song?

Speaker 3 (01:15:56):
That'd be funny. You can score this, tell us what
happened in Cleveland?

Speaker 1 (01:16:01):
Bitch? All right? So what's next? Then that's a good question,
and it needs to be something better than a five
out of ten. We talked about October. We should probably
start labeling. We can go right, but well, I mean,
what would yeah October Rocktember? Hey, no, it actually works.

(01:16:23):
I'm here to chew bubble gum and kick yss. I
would love actually if we did. One episode could be
Rocky one and two. The next episode could be Rocky
three and four. That's a lot of talking. That's a
lot of two and one is a lot like I
think those are you want to break them into four episodes,
one per movie. They're so good true story. I don't know, man,

(01:16:48):
I don't know that you know that you do one
and two and one episode?

Speaker 2 (01:16:52):
No, I mean we could do it in like a
three hour episode and then to split it into two
for the month, so just Rocky.

Speaker 3 (01:17:00):
We could we we could put it in that line.
We could just do a full mega marathon of Rocky
in one.

Speaker 1 (01:17:07):
Oh, that's all Saturday.

Speaker 3 (01:17:08):
I have plans and then and then I have Mark
just edit the whole thing and split it before great.

Speaker 1 (01:17:13):
Yeah, wait, I had playing Mark. Do you like to
I see no problem with that eight hour podcast about
all the Rockies? And then later no, now that sounds awful.
And then you get the Rocky four and you're like, yeah,
he fights some guy. Let's move on.

Speaker 2 (01:17:30):
Well, let's just we can just do Rocky one. See
how it goes next time. Okay, how about that October
Rovember and in October Vember Rober November. Yeah, I know
it'll well, you know us, it'll be one of those months.

Speaker 1 (01:17:43):
Yeah. Yeah, that gives us four. That's the next four episodes,
everybody Rocky one, two, three, and four. And after that,
I don't think we need to.

Speaker 2 (01:17:50):
Talk about Oh no way, come on any Rocky after that,
I'll save it.

Speaker 1 (01:17:56):
Wait, do you want to see Rocky five with h
there's two more?

Speaker 2 (01:17:59):
Time a gun, There's two more, There's Rocky five, and
then there's Rocky Balboa.

Speaker 1 (01:18:04):
Just Balboa? Oh is it just Balboa? Yeah? You want
Italian restaurant? Yeah? Okay, there we go, Rocky one next time? Yes, Okay,
hit us up, swoll some to a gmail dot com,
give us a five star? What's or whatever? I don't
care all the stars? Yeah, just be honest. You got

(01:18:26):
a movie idea? Email us? You want to leave a
comment on Spotify? Which is the thing? Now, go ahead
and do that. Oh yeah, I forgot Yeah cool, all right,
I'm done. What's Yeah? Keep keep lifting that weight, bitches.
Yeah yeah, success. Yeah,