Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:22):
Who knows what evil hurt in the hearts of men
a shuddown.
Speaker 2 (00:31):
No, have you ever thought about what happens within a
family overseas that knows only hunger? Day after day, parents
live in desperate frustration, knowing their children are not preceding
proper nourishment and are still unable to provide for them,
(00:52):
and the children find it hard to understand why they
should not perceive the food their bodies create. This frustration
is working today among the millions of hungry families and
war devastated areas. Care food packages going into these homes
bring more than just the hopes of food that gives
energy and health. They bring cheer and hope. They help
(01:14):
families in the important work of reconstruction of their lives
and countries. Send the Care food package today. Send ten
dollars to nonprofit Care New York. That's spelled c Are
Care fifty Broad Street, New York four, New York Again.
(01:35):
Care fifty Broad Street, New York four, New York Now.
The Shadow, the Shadow, Whigs, the forces of law and
Daughter is in reality. Lamont Clanston, wealthy young man about town.
(01:58):
Years ago in the Orient, Eton learned a strange and
mysterious secret, the hypnotic power to cloud men's minds so
they cannot see him. Cranston's friend and companion, the lovely Marboline,
is the only person who knows to whom the voice
of the Invisible Shadow belongs to day's drama, The wig
Makers of Doom Street. It is almost midnight, and in
(02:36):
the long, deserted theatrical.
Speaker 3 (02:37):
District of the city.
Speaker 2 (02:39):
The dim lights throw a yellow glow on the dark,
wet pavements. Two figures walk along the deserted street, one
a thin, gentle old man, the other a girl young, pretty,
but shabbily dressed.
Speaker 3 (02:55):
We're almost there.
Speaker 2 (02:57):
This is our street, right, dear, When not many people
live on Doom Street anymore.
Speaker 3 (03:04):
The old theaters and costumes shot closed up years ago. Alone,
my dear, But your wife won't.
Speaker 4 (03:11):
Will she object to your brain total.
Speaker 3 (03:13):
Stranger nonsense, until they will be delighted. She enjoys doing
things for night girls like you come alone.
Speaker 4 (03:22):
She must be a wonderful home.
Speaker 3 (03:24):
She is she is.
Speaker 2 (03:26):
But you'll see for yourself. Yes, God, I'll let her
know that we're here, will put Jack?
Speaker 4 (03:37):
You're where have you been? You've given me such a pride?
Who have we here, Wilford.
Speaker 3 (03:43):
This is freedom.
Speaker 2 (03:44):
The poor girl is a stranger and down has no frames,
no place to stay.
Speaker 3 (03:49):
Why are you, poor, dear?
Speaker 5 (03:51):
Come in, Come in, thank you?
Speaker 4 (03:55):
Oh what a nice little room. You must be tired
and cold. Well, but make freet of some tea and
may be a little friend. Thanks alone, I didn't know
there were people like you. I've been alone and kind
of present.
Speaker 5 (04:13):
I guess well you're not alone anymore, and you'll never
be frightened again.
Speaker 4 (04:19):
Take your head off there. Oh, what beautiful blonde hair,
and so long.
Speaker 3 (04:25):
Thank you.
Speaker 2 (04:27):
It reaches down to my way.
Speaker 3 (04:29):
It is nothing like a spot of tea to cheer
you up.
Speaker 4 (04:32):
I can use it careful now it's very hot.
Speaker 3 (04:36):
M good do you do this? Awesome? Take girls in
like this, honey.
Speaker 5 (04:45):
As often as we can, my dear, but that I
have no kin of our own.
Speaker 4 (04:50):
We like to help out people in trouble.
Speaker 5 (04:58):
I think you'll pard m hm, just because.
Speaker 3 (05:03):
We don't worry your little head about it.
Speaker 4 (05:05):
Here, lean back, be comfortable, Yeah.
Speaker 3 (05:12):
Wom so long ago warm anyone?
Speaker 4 (05:28):
Well, we'll let it get started.
Speaker 3 (05:31):
Perhaps you better see her puts to be sure.
Speaker 4 (05:35):
Yes, well she's dead splendid splendy.
Speaker 5 (05:42):
That new medicine is really wonderful, so quick and painless.
Speaker 4 (05:46):
Everything prepare in the basement.
Speaker 2 (05:48):
I made a place for her to rest this morning.
I think should be very comfortable.
Speaker 5 (05:52):
Fine, you take care of the things in the basement
and I.
Speaker 4 (05:54):
Get right to work.
Speaker 5 (05:57):
Oh, it's such beautiful hair, that beautiful long blonde hair.
Speaker 4 (06:03):
I'm sure it will.
Speaker 5 (06:04):
Be the very nicest week we ever made.
Speaker 2 (06:19):
Not too busy to talk to us, Commissioner, busy of
carsonim busy. I can always find time, beauty. What's on
your mind?
Speaker 3 (06:24):
Craton?
Speaker 4 (06:25):
The mon has another one of his hunches.
Speaker 3 (06:28):
I have known what is it this time?
Speaker 1 (06:29):
Cranston.
Speaker 2 (06:30):
I was reading in this morning's paper about the disappearance
of free early little blonde girl from Ead Street.
Speaker 3 (06:34):
I'm so exciting about that.
Speaker 2 (06:35):
Happens all the time, girls come on hoping for it
careered or make the greater two stubborn to go home
and ad met the feet.
Speaker 3 (06:41):
Yes, I know, Commissioner, but there's.
Speaker 2 (06:43):
Only one of several similar cases during the past month,
all blondes, all disappeared, all from the same section of
the city.
Speaker 3 (06:48):
Would be a coincidence, you know, And if it weren't coincidence.
Speaker 1 (06:51):
Oh, it could be a.
Speaker 2 (06:52):
Number of things. Suicide, for instance. Disappearances aren't necessarily connected,
and you.
Speaker 3 (06:57):
Have considered the possibility that they are.
Speaker 4 (06:59):
You're man, of course you think it's suicide, Commissioner.
Speaker 2 (07:02):
That's one of the possibilities, Margot. But just the same way,
checking several angles.
Speaker 3 (07:07):
Well, in that case, you won't need my help.
Speaker 2 (07:09):
We'll run along, okay, Carnson, come in any time. You're
too glad to see it? Well a month, No, neither,
his western Margot has more behind these disappearances than a
series of suicides.
Speaker 4 (07:22):
And what could it be? Robbery's out of the question.
Speaker 2 (07:25):
The girls were almost tendings, Lisa handicapped in the case
like this because they must stick to formal procedures.
Speaker 3 (07:31):
We don't have to what he intends to the.
Speaker 2 (07:34):
Intend to see our old underworld friend at office, Q Poindexter.
Speaker 3 (07:38):
Not that weird little old man.
Speaker 2 (07:40):
There's anything behind these disappearances. I have a feelings that
Poindexter will know about it.
Speaker 4 (07:58):
Man, how do you find these places? I've never seen
tres to dive and the characters.
Speaker 2 (08:03):
Why, Darling, you'll have to proprie this feelings. He thinks
he caters to an exclusive clientele.
Speaker 6 (08:08):
It's exclusive, all right, looks like you can't get in
unless you saved.
Speaker 4 (08:12):
Twenty years or more.
Speaker 7 (08:13):
Here's our friend himself. Hello, mister fine, extra very dear friend. Mister,
I'm a lovely miss Lane. How nice?
Speaker 3 (08:20):
How very nice?
Speaker 2 (08:21):
Hello?
Speaker 7 (08:23):
Well, and what's this.
Speaker 3 (08:25):
For my favorite refreshments? Oh?
Speaker 7 (08:27):
I didn't expect this, No, not at all.
Speaker 3 (08:30):
Yeah, ah, respressing.
Speaker 2 (08:34):
I need some help as to bind next man trying
to find some connection between a series of girls disappearances.
Speaker 3 (08:40):
You have heard about the wave of disappearances lately. Vague
le yes, vaguely classing the whole lesson lesson sings.
Speaker 4 (08:47):
Try mine, poor white, hot charming.
Speaker 3 (08:50):
Oh but I wouldn't think of it.
Speaker 7 (08:51):
But over the course, you want me to wear the
hell anything to Abidge?
Speaker 3 (08:57):
Ah m hmm. The missing girls, mister, Pine girls girl,
Oh yes, yes, yes, yes, of course, the ones that disappeared.
Speaker 2 (09:05):
We're all blods according to the paper, and all penniless.
Speaker 7 (09:09):
You've you've met Simon Ferrett and no, of course not
not a very nice person, Simon Parrett.
Speaker 2 (09:16):
But you should meet him. Do you think he's involved
in the girl's disappearances?
Speaker 7 (09:20):
Could you say and save Ray completely disreputable fellow. Oh,
pardon that dryness of the froach you.
Speaker 3 (09:27):
Now try mine. I haven't touched why, thank you?
Speaker 7 (09:32):
Ah, girls all disappeared in the same section of the city.
Speaker 3 (09:37):
Correct, that's right around the deserted theater district. That's right.
Speaker 7 (09:41):
And there's no theatrical warehouse near schumann La, hardly ever
used anymore. In the rear of the warehouse is an office.
Simon Ferrett lives in it. I think you'll find it
interesting to talk to Win, very interesting.
Speaker 2 (09:54):
That's all I wanted to know. Thank you, mister Poindexter.
Come Margot, you're quite welcome. Oh, mister Brianston, didn't you
forget something? Oh yes, yes, of course, our rains for
another round of throat moistener on my way out.
Speaker 4 (10:25):
Why if mister come in, come in? Will got it?
Put on some tea?
Speaker 3 (10:30):
Not the mind of tea. You was supposed to have
something for me tonight. You got it?
Speaker 4 (10:33):
Yes, and wait until you see it.
Speaker 5 (10:35):
It's the most beautiful thing you've ever seen. Wilt bring
me the way.
Speaker 2 (10:41):
That's another blond one. I told you I didn't want
any more blond ones.
Speaker 3 (10:44):
But isn't it beautiful?
Speaker 1 (10:46):
Yeah?
Speaker 2 (10:46):
Yeah, it's terrific. But from now on, I gotta be
redheads of brunettes. We got all kinds of out let's
see costumes, headdresses. They think it stops okay, best they've
ever seen. But you got to mix up the colors.
Speaker 3 (10:56):
Yes, all right, two hundred that's an awful lot to
pay for a week.
Speaker 5 (11:05):
But you make a little profit too, don't you, mister Ferris,
I do.
Speaker 3 (11:10):
All right, i'nother No more plants.
Speaker 5 (11:13):
We'll remember, won't.
Speaker 3 (11:15):
We will praps you get me the kind of merchandise
I want. Maybe I'll drop a few hints about you too, hint,
drop a few hints to whom the police? Maybe?
Speaker 4 (11:29):
What now?
Speaker 3 (11:30):
Will?
Speaker 5 (11:30):
But mister ted is right. From now on we'll make
a special effort to get what you want.
Speaker 2 (11:37):
I thought you'd see it my way. I'll be back
tomorrow night. Oh I'd hate to see you go back
on your word.
Speaker 3 (11:47):
Bye. Now what an unpleasant man. Why I should have
insisted that he leave when he adopted that tone with us?
Speaker 1 (11:55):
But you do now?
Speaker 3 (11:56):
Will? We must control our temper. And as for the police, quite,
that's ridiculous.
Speaker 5 (12:01):
When you're in commerce, you must deal with all kinds.
Speaker 4 (12:05):
Now.
Speaker 5 (12:05):
I think you better leave on your next to Sime
and don't forget Wilford Brunette, Marny.
Speaker 4 (12:22):
You're sure to do that idea this old warehouse.
Speaker 2 (12:27):
That's the only way we can meet our friend Perot Margo,
and I am very.
Speaker 3 (12:29):
Anxious to make his acquaintance. That was what do you what?
My name is Mont Pranston, my friend's name. What do
you want here? He's not nervous, mister Parrett.
Speaker 1 (12:47):
You needn't be.
Speaker 3 (12:48):
We're not police. Please, Why why should I be afraid
of the police.
Speaker 2 (12:53):
It's allowed to be operating a legitimate business in this
part of town, isn't it, mister Parrett.
Speaker 3 (12:57):
So the rent's cheap here, so what's it to you? Besides,
this is a good location for what I sell. What
kind of merchandise do you deal in this? Parent? Not friends?
I don't know what you want, but you're in the
wrong place, so you better get out. Fat Why were you.
Speaker 2 (13:10):
Aving a little more cooperative district the tourname.
Speaker 3 (13:13):
I'd like to know about some of your enterprises, your fishing.
This is your base show. I'm a legitimate operator.
Speaker 2 (13:20):
Yes, what's your interest in the three girls I have
disappeared in the past few weeks? Three blonde girls.
Speaker 3 (13:28):
What about a parrot?
Speaker 2 (13:29):
I don't know what you're talking about, but you do
have some connection with them. I look, mister, you better
get caught. I'm not going, and I got a permit
to you. How do you act, Martin flower to have?
Speaker 3 (13:41):
Okay, got a point there, We'll go. Don't come back.
We'll be seeing your parrot. Come on.
Speaker 2 (13:51):
Good.
Speaker 3 (13:52):
But we did, Margaret, We accomplished exactly what we said
out to do.
Speaker 2 (13:55):
We did the minute I mentioned the missing blondes. So
must be either tirer for their disappearance or he's working
for someone who is. And I think we scared him
enough to send him running to the real head. All
we have to do is follow. Okay, okay, you told
(14:24):
me there was a place I could sleep tonight.
Speaker 4 (14:25):
Where is it?
Speaker 3 (14:26):
My wife said, my home is right down in the
next corner, My dear, down this flat.
Speaker 4 (14:31):
What kind of a deal is this? Anyway?
Speaker 2 (14:33):
I chold you, my dear, My wife, Michilda runs a
little refuse for girls who've been unfortunate.
Speaker 4 (14:40):
Yeah that's me, all right. I had nothing but tough
luck since I hit this sound Ye, come on this way, Hey,
let's go on my arm?
Speaker 3 (14:50):
Who your I beg your pardon. I just don't like
to keep my deal wife waiting.
Speaker 7 (14:56):
I don't care.
Speaker 4 (14:58):
Why should you and your wife care about me? My kind?
Speaker 3 (15:01):
Yeah? Nothing, nothing, my dear, that's giving up. Now shall
we go in?
Speaker 4 (15:08):
I changed my mind that you mustn't you. You must get.
Speaker 5 (15:11):
Your hands off me.
Speaker 2 (15:15):
I don't raise your raise the rope, quiet.
Speaker 4 (15:25):
So.
Speaker 3 (15:29):
Ming, so loudly. That's matter.
Speaker 2 (15:37):
She must have painted. But she, well, what did she
struggled with my children? I didn't want her to be fair,
and I was just trying to keep up from.
Speaker 4 (15:47):
Screaming, will for the how I'm kind of you.
Speaker 5 (15:51):
I've told you so often you must be gentle with
these girls.
Speaker 4 (15:56):
Well look what you've done. This one is to day.
Speaker 3 (16:11):
We'll return to the shadow in just a minute.
Speaker 2 (16:15):
Nowadays, no one questions the fact that public education is
one of the cornerstone, perhaps the cornerstone of a successful democracy. Unfortunately,
it's also the cornerstone of a successful dictatorship. As far
back as sixteen forty seven, before the even Vase the
United States of America, the Massachusetts Colony began establishing a
(16:36):
public education system, but only fifty years later, over in France,
Louis the fourteenth, one of the greatest despots of all
times signed in ordinancy requiring regular attendance at school. Our
own Thomas Jefferson placed his hope for democracy in a
growing education.
Speaker 3 (16:52):
But Hitler too, knew there.
Speaker 2 (16:54):
Was no possible future for Nazi rule without compulsory education.
Which is just a reminder that the word education can
mean all things, and anything can lead to free thought
or captive thought. And whether you're a parent of school
children or not, it's up to you, as an American
citizen to keep our system of public education democratic and strong.
(17:18):
The schools belong to you and me. Let's be sure
they're good. And now back to the shadow. Lamont, Cranston
(17:39):
and Margot Lane are investigating a series of strange disappearances.
In each case, the girl has been blonde, penniless, and friendless.
Suddenly there's a strange break in the pattern, and Lamont
and Margo go to police headquarters and Commissioner Western. Well,
I see you've read of the newer disappearances in that
same district, Cranston.
Speaker 3 (18:00):
It's another girl, Commissioner, only this time of Brunette. Exactly
breaks the pattern, doesn't it.
Speaker 6 (18:06):
You still think they're suicide.
Speaker 2 (18:08):
I guess not, Margot. Too many coincidences involved.
Speaker 4 (18:12):
What's your plan to do, Chris?
Speaker 2 (18:14):
I'm thinking of throwing it court in a manner around
the district I've pulled around been o publicity, a fan fare.
Speaker 3 (18:19):
That way we won't.
Speaker 2 (18:20):
Scare off the real operators in there are any Commissioner,
I have a favored to ask, give me a couple
of hours on this case before you move in.
Speaker 3 (18:28):
What do you know about this Cransman? Nothing?
Speaker 2 (18:29):
But I do suspect a lot. If I'm right, I
think we can crack this racket tonight.
Speaker 3 (18:35):
He it cannot try.
Speaker 2 (18:36):
Our plan doesn't go into effectful midnight.
Speaker 3 (18:38):
That's all the time I need, Commissioner.
Speaker 6 (18:49):
No, how can you be so sure that Erret will
contact the real brains behind the racket tonight?
Speaker 3 (18:54):
What else can you do? Margol? He's don't scare himTo him,
he'll have to report it to the others. O't think so, Margo,
that think the shepherds there? He is setting up the street,
But let me follow. He turned the corner.
Speaker 2 (19:16):
Must have gone down as alley I've never noticed this
year due in Lockmongol parrot will have to come this
way when he leaves. When he does, we'll be here
to meet.
Speaker 4 (19:39):
Whister. You startled me by what's happened? You look okay?
Speaker 3 (19:45):
Why didn't about the ways?
Speaker 2 (19:48):
I got one toil a nice Oh it's beautiful.
Speaker 4 (19:53):
I need to be patient, my dear mister Pennant. We
must have time.
Speaker 2 (19:57):
We haven't got time. I just got an order for
another brunette. I'm gonna pull it and then I'm getting out,
giving out, going back to shovel hot cars or something.
This recket's getting too cozy cozy? What do you mean
the cops, private eyes? Somebody's wise. I need another wake?
Well for how long will it take? Look, we haven't
got that much time. I want that wake tomorrow.
Speaker 3 (20:14):
I never saw.
Speaker 2 (20:16):
Oh, I don't know how I ever got mixed up
with a couple of nuts like you. I looked as
a private eye called Lamont Cranston on my tail. He
and a girl named Lane were at my office. He's
got a line on those missing dames.
Speaker 4 (20:27):
But this is no time to argue.
Speaker 5 (20:30):
Mister gives us such good prices for our wigs, and
he needs one more.
Speaker 3 (20:34):
I can't do it, not by tomorrow, McGill.
Speaker 2 (20:36):
I'm getting that wake tomorrow. The police are getting tipped
off to you.
Speaker 3 (20:39):
Both of you. I'll be back. You better have the
merchandise waiting for me. I don't think fair. It will
be very long logo, he seemed. Maybe you know he
(21:00):
suspects you his follow He's parallel right backing in the shadows.
Why did I see this stopping?
Speaker 2 (21:09):
It's taking a break forth. I'll handle Margo up and
get a capital straight home. I'll call you as soon
as I can.
Speaker 4 (21:14):
Is he getting away?
Speaker 3 (21:14):
He won't, Margo. I think the shadow can out run
our friend.
Speaker 4 (21:28):
Exactly, exactly. Better start walking.
Speaker 3 (21:34):
That's the third tab with a fair in the last
ten minutes. You startled me. Are you miss laying mister
Criston spin Yes, I'm muggling. Mister Criston asked me to
find you. I will protect you. My wife and diar
oh friends and mister Crinston wanted. He wanted you to
(21:55):
wait at my home right down here. Where is the man?
He said? He was very busy. He called just a
second ago and asked me to look for you.
Speaker 4 (22:04):
I don't understand.
Speaker 2 (22:05):
Christon couldn't wait to explain. Emil Is said to tell
you that it would not be safe for you to
go home now.
Speaker 3 (22:11):
I see well, all right, where is your heart?
Speaker 2 (22:16):
Just a few steps more, There we are, miss Lane.
That yes, I had wonderful luck. I found mister Christon's friend,
Miss Lane.
Speaker 4 (22:28):
Come in, my dear, come in. Thank you mister.
Speaker 3 (22:32):
What a nice little room.
Speaker 5 (22:34):
I'm so glad you like it? Oh will what a
miss Laine think? Letting her stand here? Asked you bring
some tea and a spot of brand My dear miss lainey,
let me take your hat there?
Speaker 4 (22:49):
Oh my, what beautiful hair and brunette?
Speaker 6 (22:53):
Thank you did? Did amant say? Wenny be here right away,
my dear, it won't.
Speaker 3 (22:58):
Belong Jimmy pop. That's will chase the chills out of
your boat.
Speaker 4 (23:03):
Thank you Wilford, I pall from his name.
Speaker 5 (23:07):
Yeah, there you are.
Speaker 2 (23:09):
My dear.
Speaker 4 (23:09):
That will do the trick.
Speaker 3 (23:11):
Thank you.
Speaker 4 (23:13):
Nice and warm, just like the room.
Speaker 3 (23:18):
M it was wonderful. Doctor taxis famous.
Speaker 4 (23:23):
Name lucky for me.
Speaker 6 (23:26):
Oh, I thank your pardon.
Speaker 5 (23:31):
I don't know why should be so sweep here. You
must have had a trying day.
Speaker 3 (23:38):
I know it's unforgivable, but.
Speaker 5 (23:41):
Hardly keep my eyes of well close your eyes, my dear,
Oh that go.
Speaker 6 (23:48):
Relax, choke on, ma, come and fine sleep.
Speaker 4 (24:02):
We must turry, Wilf.
Speaker 3 (24:03):
I'll get things ready in the base.
Speaker 4 (24:05):
We don't have the time. I'll do it here, but
i'll do it here, Wilfa, Tuesday.
Speaker 3 (24:11):
She isn't dead.
Speaker 4 (24:12):
It doesn't matter. We haven't tied to waste.
Speaker 2 (24:15):
That wouldn't be right, Matilda. We've never done it while
they were still alive.
Speaker 4 (24:19):
The rest were different, don't you see, Wilfer. This one
is a spy from the police.
Speaker 3 (24:22):
If we can't do it to her, she's not dead.
Speaker 4 (24:25):
I can't do it, and I will.
Speaker 3 (24:27):
Children. Who's that? Don't answer it? Nothing, Matilda, don't answer it.
Somebody's coming in.
Speaker 4 (24:43):
Who is it?
Speaker 3 (24:47):
Who's laughing? Who is it? What do you want?
Speaker 1 (24:54):
That's all I want? Just weeks, oh beautifully cough, we
blonde and one brunette.
Speaker 4 (25:01):
We have no wigs here, no, Matilda.
Speaker 1 (25:05):
I not only want the weeks, but I want their
original owners.
Speaker 3 (25:10):
But they're rested in the basement. Well, cat, you see
the strict children.
Speaker 1 (25:15):
They never rest, Wilford. Listen, I hear them.
Speaker 3 (25:21):
I hear them coming.
Speaker 1 (25:21):
Wilford, be quiet, can't you hear them coming? Matilda?
Speaker 3 (25:26):
Yes, the girls. You hear them rest. You said the
would you said they would fire to fight.
Speaker 1 (25:34):
Wilford knows that dead never rests. Matilda.
Speaker 3 (25:37):
The girls that just outside the door, Machildren, they'll be
coming in.
Speaker 4 (25:43):
The cosey.
Speaker 1 (25:44):
Hey, godsey it, Matilda. They're here to claim your post
right now.
Speaker 2 (26:03):
I don't mind admitting you gave me a real fright
on this case, Margaret, I gave myself one too. I
came in that room and saw you out there on
that chair. I thought I was too late.
Speaker 6 (26:10):
The most reassuring feeling in the world was when I
felt your fingertipped on my close.
Speaker 2 (26:14):
I had to be sure you were all right. Minute
I was convinced you're only doped. I was ready to
go to work on them. How did you manage.
Speaker 6 (26:20):
I suspected the little old man wasn't what he pretended
to be, so when they offered me tea, I managed
to still most I did have to drink some enough
to knock me out.
Speaker 3 (26:29):
Thank Heaven, you had the foresight.
Speaker 4 (26:30):
How did you manage your bags?
Speaker 2 (26:32):
When I caught Simon Perrett, I got the truth out
of him. I called Western and headed for the chat fields.
Speaker 6 (26:39):
I'm certainly glad that case is over.
Speaker 2 (26:41):
So my Margaret, well, I think we'd better stop someone
and get something to.
Speaker 3 (26:45):
Pick you up a little fine.
Speaker 6 (26:47):
I'd love it anything but a couple of hot tea.
Speaker 2 (27:03):
At least a dozen times a day, you and I
ask the same question of every one We need, the question,
how are you? Yet we never seem to find time
to wait for the answer. Maybe we're afraid to wait
because we know it won't be too encouraging. In fact,
with some seven and a half million of our neighbors
suffering from the greatest scriptures of all times, arthritis and rheumatism,
(27:24):
it can't be true. They suffer in silence because science
as yet has not discovered any specific cure. They are
helpless and will remain so unless you and I and
every one within the sound of my voice does something
to help those who cannot help themselves. So send your
contribution to Arthritis Box one, two hundred, General Post Office,
(27:47):
New York one, New York. That's Arthritis Box one, two hundred,
General Post Office, New York one, New York. This story
(28:10):
is copyrighted by Street and Smith Publications, Incorporated. All names
and places are fictitious. Any similarity to persons living or
dead is purely coincidental. Listen again next week, same time,
the same station, when the Shadow will again demonstrate that
a weed.
Speaker 1 (28:27):
Of crime he Peter fruit, crime does not pay the Shadows.
Speaker 2 (28:48):
Next week, same time, same station, we bring you another
strange and thrilling adventure in the Shadow's daring battle against
the forces of evils. The part of Lamont Cramston was
played by Brett Morse margled by Grace Matthew.
Speaker 3 (29:00):
This program came to you from New York.
Speaker 2 (29:03):
Suppose you're driving along peacefully and suddenly one of those
extra loud horns is blasted at you by an impatient
driver who's in a hurry to get you round you
or make you hustle up. Well, don't let them rattle you,
let them blow their horns, let them pass you, let
them have the right of way if needs be, Let
him live and keep yourself alive. This is mutual don
Lee Broadcasting System.
Who knows what evil hurt in the hearts of men
a shuddown.
Speaker 2 (00:31):
No, have you ever thought about what happens within a
family overseas that knows only hunger? Day after day, parents
live in desperate frustration, knowing their children are not preceding
proper nourishment and are still unable to provide for them,
(00:52):
and the children find it hard to understand why they
should not perceive the food their bodies create. This frustration
is working today among the millions of hungry families and
war devastated areas. Care food packages going into these homes
bring more than just the hopes of food that gives
energy and health. They bring cheer and hope. They help
(01:14):
families in the important work of reconstruction of their lives
and countries. Send the Care food package today. Send ten
dollars to nonprofit Care New York. That's spelled c Are
Care fifty Broad Street, New York four, New York Again.
(01:35):
Care fifty Broad Street, New York four, New York Now.
The Shadow, the Shadow, Whigs, the forces of law and
Daughter is in reality. Lamont Clanston, wealthy young man about town.
(01:58):
Years ago in the Orient, Eton learned a strange and
mysterious secret, the hypnotic power to cloud men's minds so
they cannot see him. Cranston's friend and companion, the lovely Marboline,
is the only person who knows to whom the voice
of the Invisible Shadow belongs to day's drama, The wig
Makers of Doom Street. It is almost midnight, and in
(02:36):
the long, deserted theatrical.
Speaker 3 (02:37):
District of the city.
Speaker 2 (02:39):
The dim lights throw a yellow glow on the dark,
wet pavements. Two figures walk along the deserted street, one
a thin, gentle old man, the other a girl young, pretty,
but shabbily dressed.
Speaker 3 (02:55):
We're almost there.
Speaker 2 (02:57):
This is our street, right, dear, When not many people
live on Doom Street anymore.
Speaker 3 (03:04):
The old theaters and costumes shot closed up years ago. Alone,
my dear, But your wife won't.
Speaker 4 (03:11):
Will she object to your brain total.
Speaker 3 (03:13):
Stranger nonsense, until they will be delighted. She enjoys doing
things for night girls like you come alone.
Speaker 4 (03:22):
She must be a wonderful home.
Speaker 3 (03:24):
She is she is.
Speaker 2 (03:26):
But you'll see for yourself. Yes, God, I'll let her
know that we're here, will put Jack?
Speaker 4 (03:37):
You're where have you been? You've given me such a pride?
Who have we here, Wilford.
Speaker 3 (03:43):
This is freedom.
Speaker 2 (03:44):
The poor girl is a stranger and down has no frames,
no place to stay.
Speaker 3 (03:49):
Why are you, poor, dear?
Speaker 5 (03:51):
Come in, Come in, thank you?
Speaker 4 (03:55):
Oh what a nice little room. You must be tired
and cold. Well, but make freet of some tea and
may be a little friend. Thanks alone, I didn't know
there were people like you. I've been alone and kind
of present.
Speaker 5 (04:13):
I guess well you're not alone anymore, and you'll never
be frightened again.
Speaker 4 (04:19):
Take your head off there. Oh, what beautiful blonde hair,
and so long.
Speaker 3 (04:25):
Thank you.
Speaker 2 (04:27):
It reaches down to my way.
Speaker 3 (04:29):
It is nothing like a spot of tea to cheer
you up.
Speaker 4 (04:32):
I can use it careful now it's very hot.
Speaker 3 (04:36):
M good do you do this? Awesome? Take girls in
like this, honey.
Speaker 5 (04:45):
As often as we can, my dear, but that I
have no kin of our own.
Speaker 4 (04:50):
We like to help out people in trouble.
Speaker 5 (04:58):
I think you'll pard m hm, just because.
Speaker 3 (05:03):
We don't worry your little head about it.
Speaker 4 (05:05):
Here, lean back, be comfortable, Yeah.
Speaker 3 (05:12):
Wom so long ago warm anyone?
Speaker 4 (05:28):
Well, we'll let it get started.
Speaker 3 (05:31):
Perhaps you better see her puts to be sure.
Speaker 4 (05:35):
Yes, well she's dead splendid splendy.
Speaker 5 (05:42):
That new medicine is really wonderful, so quick and painless.
Speaker 4 (05:46):
Everything prepare in the basement.
Speaker 2 (05:48):
I made a place for her to rest this morning.
I think should be very comfortable.
Speaker 5 (05:52):
Fine, you take care of the things in the basement
and I.
Speaker 4 (05:54):
Get right to work.
Speaker 5 (05:57):
Oh, it's such beautiful hair, that beautiful long blonde hair.
Speaker 4 (06:03):
I'm sure it will.
Speaker 5 (06:04):
Be the very nicest week we ever made.
Speaker 2 (06:19):
Not too busy to talk to us, Commissioner, busy of
carsonim busy. I can always find time, beauty. What's on
your mind?
Speaker 3 (06:24):
Craton?
Speaker 4 (06:25):
The mon has another one of his hunches.
Speaker 3 (06:28):
I have known what is it this time?
Speaker 1 (06:29):
Cranston.
Speaker 2 (06:30):
I was reading in this morning's paper about the disappearance
of free early little blonde girl from Ead Street.
Speaker 3 (06:34):
I'm so exciting about that.
Speaker 2 (06:35):
Happens all the time, girls come on hoping for it
careered or make the greater two stubborn to go home
and ad met the feet.
Speaker 3 (06:41):
Yes, I know, Commissioner, but there's.
Speaker 2 (06:43):
Only one of several similar cases during the past month,
all blondes, all disappeared, all from the same section of
the city.
Speaker 3 (06:48):
Would be a coincidence, you know, And if it weren't coincidence.
Speaker 1 (06:51):
Oh, it could be a.
Speaker 2 (06:52):
Number of things. Suicide, for instance. Disappearances aren't necessarily connected,
and you.
Speaker 3 (06:57):
Have considered the possibility that they are.
Speaker 4 (06:59):
You're man, of course you think it's suicide, Commissioner.
Speaker 2 (07:02):
That's one of the possibilities, Margot. But just the same way,
checking several angles.
Speaker 3 (07:07):
Well, in that case, you won't need my help.
Speaker 2 (07:09):
We'll run along, okay, Carnson, come in any time. You're
too glad to see it? Well a month, No, neither,
his western Margot has more behind these disappearances than a
series of suicides.
Speaker 4 (07:22):
And what could it be? Robbery's out of the question.
Speaker 2 (07:25):
The girls were almost tendings, Lisa handicapped in the case
like this because they must stick to formal procedures.
Speaker 3 (07:31):
We don't have to what he intends to the.
Speaker 2 (07:34):
Intend to see our old underworld friend at office, Q Poindexter.
Speaker 3 (07:38):
Not that weird little old man.
Speaker 2 (07:40):
There's anything behind these disappearances. I have a feelings that
Poindexter will know about it.
Speaker 4 (07:58):
Man, how do you find these places? I've never seen
tres to dive and the characters.
Speaker 2 (08:03):
Why, Darling, you'll have to proprie this feelings. He thinks
he caters to an exclusive clientele.
Speaker 6 (08:08):
It's exclusive, all right, looks like you can't get in
unless you saved.
Speaker 4 (08:12):
Twenty years or more.
Speaker 7 (08:13):
Here's our friend himself. Hello, mister fine, extra very dear friend. Mister,
I'm a lovely miss Lane. How nice?
Speaker 3 (08:20):
How very nice?
Speaker 2 (08:21):
Hello?
Speaker 7 (08:23):
Well, and what's this.
Speaker 3 (08:25):
For my favorite refreshments? Oh?
Speaker 7 (08:27):
I didn't expect this, No, not at all.
Speaker 3 (08:30):
Yeah, ah, respressing.
Speaker 2 (08:34):
I need some help as to bind next man trying
to find some connection between a series of girls disappearances.
Speaker 3 (08:40):
You have heard about the wave of disappearances lately. Vague
le yes, vaguely classing the whole lesson lesson sings.
Speaker 4 (08:47):
Try mine, poor white, hot charming.
Speaker 3 (08:50):
Oh but I wouldn't think of it.
Speaker 7 (08:51):
But over the course, you want me to wear the
hell anything to Abidge?
Speaker 3 (08:57):
Ah m hmm. The missing girls, mister, Pine girls girl,
Oh yes, yes, yes, yes, of course, the ones that disappeared.
Speaker 2 (09:05):
We're all blods according to the paper, and all penniless.
Speaker 7 (09:09):
You've you've met Simon Ferrett and no, of course not
not a very nice person, Simon Parrett.
Speaker 2 (09:16):
But you should meet him. Do you think he's involved
in the girl's disappearances?
Speaker 7 (09:20):
Could you say and save Ray completely disreputable fellow. Oh,
pardon that dryness of the froach you.
Speaker 3 (09:27):
Now try mine. I haven't touched why, thank you?
Speaker 7 (09:32):
Ah, girls all disappeared in the same section of the city.
Speaker 3 (09:37):
Correct, that's right around the deserted theater district. That's right.
Speaker 7 (09:41):
And there's no theatrical warehouse near schumann La, hardly ever
used anymore. In the rear of the warehouse is an office.
Simon Ferrett lives in it. I think you'll find it
interesting to talk to Win, very interesting.
Speaker 2 (09:54):
That's all I wanted to know. Thank you, mister Poindexter.
Come Margot, you're quite welcome. Oh, mister Brianston, didn't you
forget something? Oh yes, yes, of course, our rains for
another round of throat moistener on my way out.
Speaker 4 (10:25):
Why if mister come in, come in? Will got it?
Put on some tea?
Speaker 3 (10:30):
Not the mind of tea. You was supposed to have
something for me tonight. You got it?
Speaker 4 (10:33):
Yes, and wait until you see it.
Speaker 5 (10:35):
It's the most beautiful thing you've ever seen. Wilt bring
me the way.
Speaker 2 (10:41):
That's another blond one. I told you I didn't want
any more blond ones.
Speaker 3 (10:44):
But isn't it beautiful?
Speaker 1 (10:46):
Yeah?
Speaker 2 (10:46):
Yeah, it's terrific. But from now on, I gotta be
redheads of brunettes. We got all kinds of out let's
see costumes, headdresses. They think it stops okay, best they've
ever seen. But you got to mix up the colors.
Speaker 3 (10:56):
Yes, all right, two hundred that's an awful lot to
pay for a week.
Speaker 5 (11:05):
But you make a little profit too, don't you, mister Ferris,
I do.
Speaker 3 (11:10):
All right, i'nother No more plants.
Speaker 5 (11:13):
We'll remember, won't.
Speaker 3 (11:15):
We will praps you get me the kind of merchandise
I want. Maybe I'll drop a few hints about you too, hint,
drop a few hints to whom the police? Maybe?
Speaker 4 (11:29):
What now?
Speaker 3 (11:30):
Will?
Speaker 5 (11:30):
But mister ted is right. From now on we'll make
a special effort to get what you want.
Speaker 2 (11:37):
I thought you'd see it my way. I'll be back
tomorrow night. Oh I'd hate to see you go back
on your word.
Speaker 3 (11:47):
Bye. Now what an unpleasant man. Why I should have
insisted that he leave when he adopted that tone with us?
Speaker 1 (11:55):
But you do now?
Speaker 3 (11:56):
Will? We must control our temper. And as for the police, quite,
that's ridiculous.
Speaker 5 (12:01):
When you're in commerce, you must deal with all kinds.
Speaker 4 (12:05):
Now.
Speaker 5 (12:05):
I think you better leave on your next to Sime
and don't forget Wilford Brunette, Marny.
Speaker 4 (12:22):
You're sure to do that idea this old warehouse.
Speaker 2 (12:27):
That's the only way we can meet our friend Perot Margo,
and I am very.
Speaker 3 (12:29):
Anxious to make his acquaintance. That was what do you what?
My name is Mont Pranston, my friend's name. What do
you want here? He's not nervous, mister Parrett.
Speaker 1 (12:47):
You needn't be.
Speaker 3 (12:48):
We're not police. Please, Why why should I be afraid
of the police.
Speaker 2 (12:53):
It's allowed to be operating a legitimate business in this
part of town, isn't it, mister Parrett.
Speaker 3 (12:57):
So the rent's cheap here, so what's it to you? Besides,
this is a good location for what I sell. What
kind of merchandise do you deal in this? Parent? Not friends?
I don't know what you want, but you're in the
wrong place, so you better get out. Fat Why were you.
Speaker 2 (13:10):
Aving a little more cooperative district the tourname.
Speaker 3 (13:13):
I'd like to know about some of your enterprises, your fishing.
This is your base show. I'm a legitimate operator.
Speaker 2 (13:20):
Yes, what's your interest in the three girls I have
disappeared in the past few weeks? Three blonde girls.
Speaker 3 (13:28):
What about a parrot?
Speaker 2 (13:29):
I don't know what you're talking about, but you do
have some connection with them. I look, mister, you better
get caught. I'm not going, and I got a permit
to you. How do you act, Martin flower to have?
Speaker 3 (13:41):
Okay, got a point there, We'll go. Don't come back.
We'll be seeing your parrot. Come on.
Speaker 2 (13:51):
Good.
Speaker 3 (13:52):
But we did, Margaret, We accomplished exactly what we said
out to do.
Speaker 2 (13:55):
We did the minute I mentioned the missing blondes. So
must be either tirer for their disappearance or he's working
for someone who is. And I think we scared him
enough to send him running to the real head. All
we have to do is follow. Okay, okay, you told
(14:24):
me there was a place I could sleep tonight.
Speaker 4 (14:25):
Where is it?
Speaker 3 (14:26):
My wife said, my home is right down in the
next corner, My dear, down this flat.
Speaker 4 (14:31):
What kind of a deal is this? Anyway?
Speaker 2 (14:33):
I chold you, my dear, My wife, Michilda runs a
little refuse for girls who've been unfortunate.
Speaker 4 (14:40):
Yeah that's me, all right. I had nothing but tough
luck since I hit this sound Ye, come on this way, Hey,
let's go on my arm?
Speaker 3 (14:50):
Who your I beg your pardon. I just don't like
to keep my deal wife waiting.
Speaker 7 (14:56):
I don't care.
Speaker 4 (14:58):
Why should you and your wife care about me? My kind?
Speaker 3 (15:01):
Yeah? Nothing, nothing, my dear, that's giving up. Now shall
we go in?
Speaker 4 (15:08):
I changed my mind that you mustn't you. You must get.
Speaker 5 (15:11):
Your hands off me.
Speaker 2 (15:15):
I don't raise your raise the rope, quiet.
Speaker 4 (15:25):
So.
Speaker 3 (15:29):
Ming, so loudly. That's matter.
Speaker 2 (15:37):
She must have painted. But she, well, what did she
struggled with my children? I didn't want her to be fair,
and I was just trying to keep up from.
Speaker 4 (15:47):
Screaming, will for the how I'm kind of you.
Speaker 5 (15:51):
I've told you so often you must be gentle with
these girls.
Speaker 4 (15:56):
Well look what you've done. This one is to day.
Speaker 3 (16:11):
We'll return to the shadow in just a minute.
Speaker 2 (16:15):
Nowadays, no one questions the fact that public education is
one of the cornerstone, perhaps the cornerstone of a successful democracy. Unfortunately,
it's also the cornerstone of a successful dictatorship. As far
back as sixteen forty seven, before the even Vase the
United States of America, the Massachusetts Colony began establishing a
(16:36):
public education system, but only fifty years later, over in France,
Louis the fourteenth, one of the greatest despots of all
times signed in ordinancy requiring regular attendance at school. Our
own Thomas Jefferson placed his hope for democracy in a
growing education.
Speaker 3 (16:52):
But Hitler too, knew there.
Speaker 2 (16:54):
Was no possible future for Nazi rule without compulsory education.
Which is just a reminder that the word education can
mean all things, and anything can lead to free thought
or captive thought. And whether you're a parent of school
children or not, it's up to you, as an American
citizen to keep our system of public education democratic and strong.
(17:18):
The schools belong to you and me. Let's be sure
they're good. And now back to the shadow. Lamont, Cranston
(17:39):
and Margot Lane are investigating a series of strange disappearances.
In each case, the girl has been blonde, penniless, and friendless.
Suddenly there's a strange break in the pattern, and Lamont
and Margo go to police headquarters and Commissioner Western. Well,
I see you've read of the newer disappearances in that
same district, Cranston.
Speaker 3 (18:00):
It's another girl, Commissioner, only this time of Brunette. Exactly
breaks the pattern, doesn't it.
Speaker 6 (18:06):
You still think they're suicide.
Speaker 2 (18:08):
I guess not, Margot. Too many coincidences involved.
Speaker 4 (18:12):
What's your plan to do, Chris?
Speaker 2 (18:14):
I'm thinking of throwing it court in a manner around
the district I've pulled around been o publicity, a fan fare.
Speaker 3 (18:19):
That way we won't.
Speaker 2 (18:20):
Scare off the real operators in there are any Commissioner,
I have a favored to ask, give me a couple
of hours on this case before you move in.
Speaker 3 (18:28):
What do you know about this Cransman? Nothing?
Speaker 2 (18:29):
But I do suspect a lot. If I'm right, I
think we can crack this racket tonight.
Speaker 3 (18:35):
He it cannot try.
Speaker 2 (18:36):
Our plan doesn't go into effectful midnight.
Speaker 3 (18:38):
That's all the time I need, Commissioner.
Speaker 6 (18:49):
No, how can you be so sure that Erret will
contact the real brains behind the racket tonight?
Speaker 3 (18:54):
What else can you do? Margol? He's don't scare himTo him,
he'll have to report it to the others. O't think so, Margo,
that think the shepherds there? He is setting up the street,
But let me follow. He turned the corner.
Speaker 2 (19:16):
Must have gone down as alley I've never noticed this
year due in Lockmongol parrot will have to come this
way when he leaves. When he does, we'll be here
to meet.
Speaker 4 (19:39):
Whister. You startled me by what's happened? You look okay?
Speaker 3 (19:45):
Why didn't about the ways?
Speaker 2 (19:48):
I got one toil a nice Oh it's beautiful.
Speaker 4 (19:53):
I need to be patient, my dear mister Pennant. We
must have time.
Speaker 2 (19:57):
We haven't got time. I just got an order for
another brunette. I'm gonna pull it and then I'm getting out,
giving out, going back to shovel hot cars or something.
This recket's getting too cozy cozy? What do you mean
the cops, private eyes? Somebody's wise. I need another wake?
Well for how long will it take? Look, we haven't
got that much time. I want that wake tomorrow.
Speaker 3 (20:14):
I never saw.
Speaker 2 (20:16):
Oh, I don't know how I ever got mixed up
with a couple of nuts like you. I looked as
a private eye called Lamont Cranston on my tail. He
and a girl named Lane were at my office. He's
got a line on those missing dames.
Speaker 4 (20:27):
But this is no time to argue.
Speaker 5 (20:30):
Mister gives us such good prices for our wigs, and
he needs one more.
Speaker 3 (20:34):
I can't do it, not by tomorrow, McGill.
Speaker 2 (20:36):
I'm getting that wake tomorrow. The police are getting tipped
off to you.
Speaker 3 (20:39):
Both of you. I'll be back. You better have the
merchandise waiting for me. I don't think fair. It will
be very long logo, he seemed. Maybe you know he
(21:00):
suspects you his follow He's parallel right backing in the shadows.
Why did I see this stopping?
Speaker 2 (21:09):
It's taking a break forth. I'll handle Margo up and
get a capital straight home. I'll call you as soon
as I can.
Speaker 4 (21:14):
Is he getting away?
Speaker 3 (21:14):
He won't, Margo. I think the shadow can out run
our friend.
Speaker 4 (21:28):
Exactly, exactly. Better start walking.
Speaker 3 (21:34):
That's the third tab with a fair in the last
ten minutes. You startled me. Are you miss laying mister
Criston spin Yes, I'm muggling. Mister Criston asked me to
find you. I will protect you. My wife and diar
oh friends and mister Crinston wanted. He wanted you to
(21:55):
wait at my home right down here. Where is the man?
He said? He was very busy. He called just a
second ago and asked me to look for you.
Speaker 4 (22:04):
I don't understand.
Speaker 2 (22:05):
Christon couldn't wait to explain. Emil Is said to tell
you that it would not be safe for you to
go home now.
Speaker 3 (22:11):
I see well, all right, where is your heart?
Speaker 2 (22:16):
Just a few steps more, There we are, miss Lane.
That yes, I had wonderful luck. I found mister Christon's friend,
Miss Lane.
Speaker 4 (22:28):
Come in, my dear, come in. Thank you mister.
Speaker 3 (22:32):
What a nice little room.
Speaker 5 (22:34):
I'm so glad you like it? Oh will what a
miss Laine think? Letting her stand here? Asked you bring
some tea and a spot of brand My dear miss lainey,
let me take your hat there?
Speaker 4 (22:49):
Oh my, what beautiful hair and brunette?
Speaker 6 (22:53):
Thank you did? Did amant say? Wenny be here right away,
my dear, it won't.
Speaker 3 (22:58):
Belong Jimmy pop. That's will chase the chills out of
your boat.
Speaker 4 (23:03):
Thank you Wilford, I pall from his name.
Speaker 5 (23:07):
Yeah, there you are.
Speaker 2 (23:09):
My dear.
Speaker 4 (23:09):
That will do the trick.
Speaker 3 (23:11):
Thank you.
Speaker 4 (23:13):
Nice and warm, just like the room.
Speaker 3 (23:18):
M it was wonderful. Doctor taxis famous.
Speaker 4 (23:23):
Name lucky for me.
Speaker 6 (23:26):
Oh, I thank your pardon.
Speaker 5 (23:31):
I don't know why should be so sweep here. You
must have had a trying day.
Speaker 3 (23:38):
I know it's unforgivable, but.
Speaker 5 (23:41):
Hardly keep my eyes of well close your eyes, my dear,
Oh that go.
Speaker 6 (23:48):
Relax, choke on, ma, come and fine sleep.
Speaker 4 (24:02):
We must turry, Wilf.
Speaker 3 (24:03):
I'll get things ready in the base.
Speaker 4 (24:05):
We don't have the time. I'll do it here, but
i'll do it here, Wilfa, Tuesday.
Speaker 3 (24:11):
She isn't dead.
Speaker 4 (24:12):
It doesn't matter. We haven't tied to waste.
Speaker 2 (24:15):
That wouldn't be right, Matilda. We've never done it while
they were still alive.
Speaker 4 (24:19):
The rest were different, don't you see, Wilfer. This one
is a spy from the police.
Speaker 3 (24:22):
If we can't do it to her, she's not dead.
Speaker 4 (24:25):
I can't do it, and I will.
Speaker 3 (24:27):
Children. Who's that? Don't answer it? Nothing, Matilda, don't answer it.
Somebody's coming in.
Speaker 4 (24:43):
Who is it?
Speaker 3 (24:47):
Who's laughing? Who is it? What do you want?
Speaker 1 (24:54):
That's all I want? Just weeks, oh beautifully cough, we
blonde and one brunette.
Speaker 4 (25:01):
We have no wigs here, no, Matilda.
Speaker 1 (25:05):
I not only want the weeks, but I want their
original owners.
Speaker 3 (25:10):
But they're rested in the basement. Well, cat, you see
the strict children.
Speaker 1 (25:15):
They never rest, Wilford. Listen, I hear them.
Speaker 3 (25:21):
I hear them coming.
Speaker 1 (25:21):
Wilford, be quiet, can't you hear them coming? Matilda?
Speaker 3 (25:26):
Yes, the girls. You hear them rest. You said the
would you said they would fire to fight.
Speaker 1 (25:34):
Wilford knows that dead never rests. Matilda.
Speaker 3 (25:37):
The girls that just outside the door, Machildren, they'll be
coming in.
Speaker 4 (25:43):
The cosey.
Speaker 1 (25:44):
Hey, godsey it, Matilda. They're here to claim your post
right now.
Speaker 2 (26:03):
I don't mind admitting you gave me a real fright
on this case, Margaret, I gave myself one too. I
came in that room and saw you out there on
that chair. I thought I was too late.
Speaker 6 (26:10):
The most reassuring feeling in the world was when I
felt your fingertipped on my close.
Speaker 2 (26:14):
I had to be sure you were all right. Minute
I was convinced you're only doped. I was ready to
go to work on them. How did you manage.
Speaker 6 (26:20):
I suspected the little old man wasn't what he pretended
to be, so when they offered me tea, I managed
to still most I did have to drink some enough
to knock me out.
Speaker 3 (26:29):
Thank Heaven, you had the foresight.
Speaker 4 (26:30):
How did you manage your bags?
Speaker 2 (26:32):
When I caught Simon Perrett, I got the truth out
of him. I called Western and headed for the chat fields.
Speaker 6 (26:39):
I'm certainly glad that case is over.
Speaker 2 (26:41):
So my Margaret, well, I think we'd better stop someone
and get something to.
Speaker 3 (26:45):
Pick you up a little fine.
Speaker 6 (26:47):
I'd love it anything but a couple of hot tea.
Speaker 2 (27:03):
At least a dozen times a day, you and I
ask the same question of every one We need, the question,
how are you? Yet we never seem to find time
to wait for the answer. Maybe we're afraid to wait
because we know it won't be too encouraging. In fact,
with some seven and a half million of our neighbors
suffering from the greatest scriptures of all times, arthritis and rheumatism,
(27:24):
it can't be true. They suffer in silence because science
as yet has not discovered any specific cure. They are
helpless and will remain so unless you and I and
every one within the sound of my voice does something
to help those who cannot help themselves. So send your
contribution to Arthritis Box one, two hundred, General Post Office,
(27:47):
New York one, New York. That's Arthritis Box one, two hundred,
General Post Office, New York one, New York. This story
(28:10):
is copyrighted by Street and Smith Publications, Incorporated. All names
and places are fictitious. Any similarity to persons living or
dead is purely coincidental. Listen again next week, same time,
the same station, when the Shadow will again demonstrate that
a weed.
Speaker 1 (28:27):
Of crime he Peter fruit, crime does not pay the Shadows.
Speaker 2 (28:48):
Next week, same time, same station, we bring you another
strange and thrilling adventure in the Shadow's daring battle against
the forces of evils. The part of Lamont Cramston was
played by Brett Morse margled by Grace Matthew.
Speaker 3 (29:00):
This program came to you from New York.
Speaker 2 (29:03):
Suppose you're driving along peacefully and suddenly one of those
extra loud horns is blasted at you by an impatient
driver who's in a hurry to get you round you
or make you hustle up. Well, don't let them rattle you,
let them blow their horns, let them pass you, let
them have the right of way if needs be, Let
him live and keep yourself alive. This is mutual don
Lee Broadcasting System.
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