Episode Transcript
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Speaker 1 (00:01):
The Federal Communications Commission has determined the following content to
be emotionally harmful.
Speaker 2 (00:07):
Funny things that she thinks.
Speaker 3 (00:09):
Funny aren't funny.
Speaker 4 (00:10):
Jim me cockboll time do.
Speaker 5 (00:14):
All Cox Show kicks, flash Man, welcome you me what you.
Speaker 4 (00:19):
Yeah, I'm gonna see a lot of cocks on TV.
Allen Cox from the Allen Cox Show.
Speaker 6 (00:22):
I don't know what's about you, but I can't fader.
Speaker 7 (00:25):
Thank you.
Speaker 4 (00:26):
It will be a great So let's take a coffee
and you'll get eight with a nasty group. Okay, one, three,
three kicks? Kick it, Tom, put.
Speaker 2 (00:38):
You one time ticket.
Speaker 8 (00:42):
Allen Cox.
Speaker 1 (00:43):
Here we go, He'll add try.
Speaker 9 (00:44):
It's the Allen Cox Show on one hundred point seven
double U M M.
Speaker 10 (01:00):
One of our Denver bureau chiefs sent me the story
of a guy who is a Denver man who was
the victim of a cruel prank and when some tufts
came by and.
Speaker 11 (01:20):
Knocked his.
Speaker 4 (01:22):
Porta patio he was he was in a porta potty.
Speaker 11 (01:27):
It's one of the it's a legit fear for me
to use the porta potty and has somebody knock it over?
Grown up watching jackass. It's not outside the possibility of
something that could happen to you. Well, that's what this
guy contends.
Speaker 4 (01:43):
Chio Atto on his daily walk when it's very cold.
Speaker 11 (01:47):
I don't do it. I do something else. It's a
few miles round Trent and Stephanos says, sometimes nature calls.
Speaker 10 (01:55):
I saw the portable pot honeybucket. I love the names
that porta John companies have. We have all seen royal
flush or we we you know, this one's called honey bucket.
That's friggin gross, that's terrible.
Speaker 4 (02:11):
How did they imagine?
Speaker 11 (02:13):
You thought of this product and it's honey based, and
you're like, oh my god, I'm gonna call this the
honey bucket. I'm gonna copyright the name, and I'm gonna
put this out. And then you go to the patent
office and try and get this name, and they're like,
it's taken.
Speaker 10 (02:29):
Let me see any other companies call themselves honeybucket. I
shouldn't have any problems whatsoever. Oh, it's a porta John company,
so people can poop and pee in public honey, and
I wanted to use it.
Speaker 12 (02:44):
I felt the thing start to move, and I thought
that it was a truck picking it off and taking
it to a dump or or whatever, and I was
so freaking scared.
Speaker 13 (02:55):
You know.
Speaker 4 (02:55):
Moments later, Stefano felt the porta potties start to fall,
and I had no idea what was happening.
Speaker 12 (03:02):
I started shouting, hey, hey, and I'm empty.
Speaker 4 (03:12):
I'm a drop in the muddion soup. Yeah, I haven't
a head.
Speaker 12 (03:20):
It just kept on a pop fell to the side.
I uh fell on my back, and uh fortunately it
fell on the side and not on the front, because
if it had if it had fallen on the front,
I wouldn't have been able to open the door and
get out.
Speaker 11 (03:36):
Stephano says he found the door and crawled. Don't they
have skylights? Like, even if it was on the side,
can't you crawl up the top?
Speaker 10 (03:43):
I don't think so when you look up in a
porta potty like suns getting in because it's not clear.
Speaker 4 (03:48):
But it's like a plastic shade or something.
Speaker 11 (03:50):
Yeah, but I don't know if you can get that
off fixed to the top, otherwise they blow off all
the time.
Speaker 10 (03:56):
No, no, no, I mean what I'm saying is you
could probably if it's between me d in blue juice
and other people's poop and kicking that.
Speaker 4 (04:04):
But it's findly not the easiest thing to get off
as well.
Speaker 10 (04:06):
Well, you'd be amazed in situations where they see people
develop superhuman strength and like a mother's far off a
toddler and the me in an overturned porta potty, I
mean in the honey bug, no doubt. As a man
and his son ran over to help, and he.
Speaker 12 (04:24):
Said, yeah, I think it was a couple of teenagers.
Speaker 4 (04:26):
We saw them. They you know, they they.
Speaker 10 (04:32):
Were those damn teenagers and their porta potty high jinks right,
and then ran away.
Speaker 4 (04:39):
He thinks it was likely a prank. One he doesn't
find very funny.
Speaker 12 (04:44):
It's it may sound funny when you're a kid, it's
not if you're the guy inside.
Speaker 11 (04:49):
It's not funny at all.
Speaker 4 (04:50):
It's it's something that could have ended. You may think
is a funny, but it's not.
Speaker 11 (04:59):
Did a very unfunny way.
Speaker 4 (05:02):
Now.
Speaker 11 (05:02):
Stefano says he did hurt his back, but says he's
feeling better today. Denver police tell us officers did response
to the scene, but no suspects have been identified. They
say at this point they don't have any other reports
of this happening in this city.
Speaker 4 (05:17):
How does that make the news. This is a slow
news day.
Speaker 10 (05:21):
I mean it's Denver, all right, It's not like Paduca, Kentucky.
There's stuff going on that made the news. Uh, imagine
being that reporter, Frank. We need to get out to
the guy who got overturned in a porta potty.
Speaker 4 (05:37):
He called the news.
Speaker 10 (05:38):
I'm sure he did, That's what I'm saying. But are
there no gatekeepers anymore? You call the news and they go,
we'll send a crew out. Not even a crew anymore.
It's probably the reporter on his iPhone. You're the MMJ.
Now you're your own tripod, the multi media journalist.
Speaker 4 (05:54):
Uh. They're doing a three camera shoot off from the iPhone.
Speaker 10 (05:57):
But I like when they make people slightly recreate it,
like he walks into the porta potty and then turns
the handle from red to green, making him relive that
fateful and gooey day.
Speaker 4 (06:13):
Gooey I wasn't covered in other people as a poop.
You might say this was a hygiene hijinks.
Speaker 3 (06:25):
Let mean, yeah, you might.
Speaker 4 (06:30):
Yep.
Speaker 10 (06:31):
Sure, Toby Keith passes away, she's all tears. An Italian
guy gets knocked over in a porta john.
Speaker 4 (06:37):
She's laughing it up. Sham ha ha ha.
Speaker 11 (06:43):
Man.
Speaker 10 (06:46):
I thought there was quite honestly, I thought there was
more of that story. I thought they were like, I
know who they are and I'm finding a suit. Stefan
Occhietto talking about that prank where they're like police were
not able to find the culprits. Yeah, because they were
teenagers running, That's what I'm saying. They were running through
a park, saw a porta potty probably well, probably just
(07:11):
pushed and ran. Probably didn't even realize there was somebody
in there. Probably figured that, you think, So, yeah, they
didn't just think that. Perhaps it was heavy with poop.
Well you hear when when the guy starts yelling, what
are you doing? Well, I don't know that would be terrifying,
(07:33):
though they paw, let's get him. Yeah, because uh, I
mean conceivably those are not air tight, but you you'd
probably get some kind of potential methane poisoning or I
don't know what, tip the porta john forward onto the
door so they can't get well, yeah, that's what the
guy said. He was like, I was like, glad they
didn't whatever. He says, they have vents, no lids, right,
(07:57):
I'm just what, okay, whatever, the thing is at the top.
I bet you could kick it out. I mean I
doubt that it's like they're not carving the whole thing
out of one solid piece of plastic. That that vent
is probably a fixed in some way. But anyway he
got out. I thought that he was going to file
a lawsuit because he said he got kind of hurt
(08:20):
that his his I don't know, not his his sciatica
or something was acting up. Alan my brother was in
the Peace Corps in the early nineties and one of
the girls that was in with him they were stationed
in Africa, fell into the pit of an outhouse.
Speaker 4 (08:37):
She was stuck there for six hours. They sent her
back to the States with full pay.
Speaker 11 (08:42):
That sounds familiar.
Speaker 10 (08:42):
I wonder if that persons texted us that before, because
we've talked about, you know, intermittently you'll get these stories
of people falling into outhouses.
Speaker 4 (08:50):
I mean, like full on what are they called the latrines?
Speaker 11 (08:55):
Now?
Speaker 10 (08:55):
The sewer things that some people have, the sewer pits,
I forget whether septic tank.
Speaker 4 (09:01):
Thank you.
Speaker 10 (09:03):
People have giants live out in the sticks, have those
giant tanks, and you know, if you don't get out,
you can drown. Andy, Jenny with the boobs, Remember Jenny
with the booths were when we were in the old studio.
Speaker 4 (09:12):
She pushed them up on the window. H what's up.
Speaker 2 (09:16):
With booth with bos?
Speaker 14 (09:19):
Go ahead, my girlfriends, I love my Hopefully she's listening.
But she tracked one of their friends in a porta
potty and pulled their car up to the door of
the port of botty and locked her in.
Speaker 15 (09:31):
It was one of my favorite stories I ever heard, even.
Speaker 16 (09:33):
Though I wasn't a part of it.
Speaker 15 (09:34):
I just thought it was relevant.
Speaker 4 (09:36):
But they had to there was no danger of her
being locked in. Well, knowing them, yeah there was.
Speaker 15 (09:43):
They would probably I don't know how long it took them.
Speaker 4 (09:45):
To let her out. You just park the car and leave,
but she'd be stuck in the portage.
Speaker 8 (09:50):
They left her in there for a minute.
Speaker 17 (09:51):
Yeah, it was.
Speaker 14 (09:53):
My friends are kind of a holes, but I love
them and they actually you guys, well, Bill and Mary
signed a picture from me from you guys when I
missed Phill's taping of his show at the Agora this
past year because I had COVID.
Speaker 10 (10:06):
So I see, so your friend eventually gets out? Was
she kind of laughing because she knows there a holes
or was she super pissed.
Speaker 2 (10:16):
No, yeah, it was in between. We're all a holes,
so she was pissed.
Speaker 15 (10:21):
But if they laughed and we're also friends here fifteen.
Speaker 4 (10:24):
Years later, Okay, have they all seen your boobs? Of course? Yeah,
of course? All right? So was she saying it wasn't
special for us, Bills. I never thought it was.
Speaker 18 (10:36):
Like.
Speaker 4 (10:36):
I didn't think we were the only ones to ever
see her boobs, not ever. You know, you're right, it
was just you guys.
Speaker 10 (10:43):
Yeah, we finally got her ound to admit it. All right,
Thank you, Jenny. There's Jenny in olmstaid falls Jenny with
the boobs. She pressed him up against the window when
we were in the street side studio.
Speaker 11 (10:54):
They were good tape.
Speaker 4 (10:58):
What the hell you doing here?
Speaker 11 (11:00):
Allen Cox Show on one hundred point seven WMMS.
Speaker 4 (11:04):
This weekend, we moved my daughter into college.
Speaker 10 (11:06):
He's a freshman at Michigan State University, which is where
my son goes and h But this is the first time,
and I've been in Cleveland almost thirteen years.
Speaker 4 (11:15):
Hard to believe. They call that a baker's dozen of years.
Speaker 10 (11:19):
I found myself for the first time ever reflexively and
immediately defending Cleveland.
Speaker 4 (11:27):
It's not that I don't do it, it's that it
usually doesn't come up. It's finally one of us.
Speaker 10 (11:32):
Usually when people, when people will mention Cleveland, they usually
mention it out of town or some talking about they
usually mention it, and I'm sure you guys have experienced
this too. In surprisingly glowing tones, they'll go, you know what,
why does everybody give Cleveland a hard time?
Speaker 4 (11:50):
I was there, you know what we are, And my
question is always how long were you there? And they go,
we're over there about three days?
Speaker 10 (11:56):
I go, yes, A you can have a great weekend anyway,
b Cleveland has got a have a lot more going
on than it did when I moved here.
Speaker 4 (12:05):
And when you guys were growing up, it looked like
Thunderdome when I moved here.
Speaker 10 (12:08):
Anyway, So that's usually what it is, as people who
are already complimentary of you know, oh, we.
Speaker 4 (12:16):
Want a lot of fun, it's great. Why is everybody
get a hard time?
Speaker 10 (12:18):
So we're moving my daughter into her dorm room on Saturday.
Saturday was it was a twenty one hour day for me. Okay,
doing this whole thing. I leave Cleveland in a row,
in a row, you wouldn't believe this. Leave Cleveland at
five am. I didn't get back till two am. So AnyWho, uh,
(12:39):
we're moving her into her dorm room and her roommate
is a friend of hers from kindergarten. They've known each
other their whole lives. But I hadn't seen her roommate's
parents in a while, and so I'm catching up with.
Speaker 4 (12:51):
Them, Hey, how you doing whatever?
Speaker 10 (12:53):
And about halfway through the move in, the dad goes,
where are you now? And because he knows' ready on
to move around, and I said Cleveland and he goes, ah,
he goes uh. Man, I had a buddy who uh
uh bought a couple of pit bulls and had to
go to Cleveland, and he said that plays as a
crap hole.
Speaker 4 (13:11):
And I go, well, actually I went right into it.
Speaker 10 (13:14):
I go, well, actually, because I was like, well where,
I couldn't.
Speaker 4 (13:17):
Ask him where did the guy go? Because he didn't
know where the guy went.
Speaker 10 (13:20):
He's probably on the East side or something, but he
was picking up a couple of pit bulls. He wasn't
doing that in Gates Mills. So I'm I go, well, yeah,
you know, every city has got their problems.
Speaker 4 (13:28):
And I went right into it. I couldn't believe. I
was like a stand outside my body. I was doing
it for you, man, how's it feel? It felt pretty good?
There you go. Felt fine. Next thing you know, you're
can be eating Progi's with your hands at the beach.
Speaker 13 (13:40):
I will not do that.
Speaker 4 (13:41):
Then you're real Cleveland. Robi's in my life pre date Cleveland.
Speaker 11 (13:47):
How import are to her?
Speaker 4 (13:48):
Now you're crying at the West Side Market? Yeah, stupid
dumb traffic. Stad I loved was like, guys, I feel
like I'm a part of the community. It's me and
Bill reflect to be like you are not. No, I'm
not the time you set something on fire in public. Listen,
I've been.
Speaker 10 (14:06):
I've been part of this community for a dozen years.
What I'm saying is is that I basically work all
the time and then go home. So it's not like
that's why downtown. I'm surprising myself by how happy I
am that we're downtown because before I was working and
then going home. But between two independence right right. So
(14:28):
but yeah, it was funny because I immediately I was like.
Speaker 4 (14:30):
Well, you go, come on, chefs, world class play out
square s Williams is going to put right Browns. Hey, Brandon,
(14:52):
how you doing it? What's going on? Brandon? How are
you pretty good?
Speaker 16 (14:56):
Pretty good? So about the twenty one pilots, Columbus were
all in our twenty one pilots. I've been to about
three or four other concerts.
Speaker 4 (15:06):
Oh damn for you. Very epic, right, Yeah.
Speaker 16 (15:12):
So I've actually turned out like a day and a
half for one of our shows down in a few
years ago down in Columbus.
Speaker 4 (15:20):
They got to show to end their Blurry Face tour. Okay,
And what it is is that a.
Speaker 16 (15:28):
Lot I've been in a lot of concerts, but a
lot of twenty one pilots. You know, their fans are
so devoted. They're a different clientele.
Speaker 4 (15:37):
So to say.
Speaker 10 (15:38):
But well, they're young. I mean, when you're young, you're
whatever bands you like, you really like those bands. That's
true of anybody when they're like between you know, thirteen
and eighteen or.
Speaker 16 (15:47):
Well, this may be kind of embarrassing, but I'm forty
nine years old.
Speaker 4 (15:50):
That's very embarrassing. Brandon.
Speaker 10 (15:52):
You shouldn't have told me that you're two years younger
than I now. Listen, you like what you like, I mean,
and if you have the I guess my next question.
Speaker 4 (15:59):
Would be to you, how do you have the time
to tent out for twenty one pilots?
Speaker 16 (16:06):
You devote the time you know they give you well
in advance, so you take a couple of days off.
Speaker 4 (16:10):
I got it, okay, what it is? Right?
Speaker 16 (16:14):
And they're from the Ohio and that's what I love
about them. But other than that, I love their music,
I love their message and devoted stand. And basically when
I did camp out, I was with myself and one
other person. Either there's usually a lot of other parents
(16:35):
there or adults like myself. They aren't going into the
concert and they will just man and they'll stay outside
either in their car, and they'll watch.
Speaker 11 (16:46):
Other people's So it's a community type thing where everyone's
kind of working out for each other.
Speaker 4 (16:52):
Yet that's pretty cool. Is that their message? That's just
you said, they have a message?
Speaker 15 (16:58):
What are their message?
Speaker 4 (16:59):
Give us all this money? And also they probably started
investing in.
Speaker 10 (17:04):
Ten companies twenty one pilots, Brandon, I hate to break
it to you, twenty one pilots just another big shill
for big tent right right.
Speaker 11 (17:13):
Well, the circus wasn't paying the bills anymore.
Speaker 4 (17:16):
You hey, thank you, Brandon? Are you sorry, you're not
out there right? Are you going to the show tomorrow night? Yes,
I am, you are, but you're not tenting out now,
but you're pitching a tent in anticipation, aren't you?
Speaker 19 (17:29):
Oh?
Speaker 12 (17:29):
Weak?
Speaker 17 (17:32):
Right?
Speaker 4 (17:32):
Okay, thank you, Brandon, have fun tomorrow night. I remember
Bill talking about taking his daughter to these guys and
all the kids are singing about being stressed out. Yeah,
and he's like, what are you stressed out about?
Speaker 18 (17:44):
What?
Speaker 11 (17:45):
You didn't even have to park.
Speaker 4 (17:50):
You have to come downtown. I gave you money for
the tickets? Or stressed out?
Speaker 20 (17:56):
Oh?
Speaker 21 (17:56):
I love it?
Speaker 10 (17:57):
No, listen these guys they're not on my radar, but
like when I hear them, I go, oh, that's a
catchy song.
Speaker 4 (18:03):
Like I get why you know? The kids dig it?
Speaker 11 (18:05):
I mean a lot. But I haven't kept up with them.
But again, they were one of my son's favorite bands. Well,
my daughter is six and she loves them. That's it
tells me all.
Speaker 10 (18:15):
She thinks blurry face as a word is high hilarious.
She thinks that's a hoot. So let's recap. I have
come around to vigorously defending Cleveland. What need be again?
I'm happy to do it. You know as a prominent
public figure Mary for the better part of a dozen
years here, I have been welcomed with open arms and
(18:41):
sometimes clenched fists by people here. But it took me
by surprise. Unch something. That's right, Alan Cox Show after
hours line like to leave messages there.
Speaker 4 (18:54):
You still can.
Speaker 10 (18:55):
It is still operational, as they say, and you can
leave them, did you anytime? Two one six eighty nine
oh three.
Speaker 5 (19:04):
Now, back before Mary joined the show, you all got
her on the phone to ask and she'd be willing
to take pound cake so called virginity. Of course she
said no, but what if she said yes? Well, they
have changed the dynamic of the show we have now
af Jackie, I.
Speaker 11 (19:23):
Don't remember us, jack Yeah, Jackie are Yeah. Mary was
on the phone.
Speaker 4 (19:28):
Mary was on the phone call in the middle of
a bartending show. That's right.
Speaker 10 (19:32):
That's how dedicated her job. She was, Yes, her martinding job.
Speaker 22 (19:36):
I was dead and I think Bill text me or
something and was like answer your phone or calling this
number or something like that. And I just went out
on the patio and talk to you guys, and you
were like, so Cody's never been with a woman.
Speaker 23 (19:45):
What do you think?
Speaker 4 (19:46):
I remember this oh Man.
Speaker 10 (19:48):
Like can I The only person ever doesn't remember this
is apparently pound Cake.
Speaker 4 (19:51):
Yeah, I don't remember this. I mean we've discussed it
many times.
Speaker 24 (19:54):
I know that it has come up in conversation, but
I don't remember us specifically asking Mary, especially before.
Speaker 4 (19:59):
She was on the show.
Speaker 5 (20:00):
This one.
Speaker 22 (20:01):
I was still barchaining, so I had to be like
twenty eighteen because I think.
Speaker 4 (20:04):
I countered with asking. I had a counter offer, and.
Speaker 22 (20:08):
I said, if the station puts us up in a
really nice hotel and pays for our alcohol. I was
still drinking because I requested provided champagne and wine for
the night.
Speaker 4 (20:18):
She had a rider I did before she was the rider.
Speaker 22 (20:21):
I was like, listen, if this is going to happen,
we need a nice hotel room. We need a gift
card to a steakhouse, We need some alcohol.
Speaker 10 (20:28):
She wanted to basically dull her senses of the experience
as much as okay, as much as she could. She
wanted to black the fo what if you like put
it down and you fell in love with him, you wouldn't.
I went to, hey, you don't know that. I went
to corporate at the time, and they said, do you
know how much? Because they hurt luxury hotel room, and
I thought that's where they were going. They go, do
(20:48):
you know how much that woman drinks?
Speaker 18 (20:50):
Yeah?
Speaker 10 (20:51):
Oh no, it would be nine times nine times the
price of the luxury hotel room.
Speaker 23 (20:57):
That's right.
Speaker 22 (20:57):
I really make my money, that's right. And bar ah,
I need a room with three mini fridges. Aha, I
need all of them stocked with whatever I asked for
and they said no way, got fresh mazzarella cheese. Today,
I'm taking a stab at eggplant parmesan. Got an air fryer,
so I'm going to try to cook. See how it goes.
Speaker 4 (21:20):
Because you're cohabiting now, you're cooking for the boyfriend. Yeah,
but while we're on our cheese bit, are you getting
more domestic? What do you mean, Well, you're cooking dinner
for him. Well, I've I always cooked dinner for myself,
so it's just it's just more food.
Speaker 22 (21:34):
Now.
Speaker 4 (21:34):
If you screw it up, you go on, I screwed
it up. Well, you screwed up for him? Well, I
told him, I said, I've never made this partict.
Speaker 22 (21:39):
I don't eat a lot of vegetarian meals, so I
am trying to learn how to make more vegetarian meals
because for me, it's just meat, rice, vegetable.
Speaker 4 (21:48):
Is it a pretty basic meal? But we got an
air fryer, so I told him. I was like, hey,
this sucks. I mean it might suck.
Speaker 22 (21:54):
I've never made it before and I've never used an
air fryer, So if it sucks, well we're gonna have
pasta the sides, all right. But I do like a
fresh mozzarella over like a sliced Deli mozzarella.
Speaker 10 (22:07):
Yeah, when my wife will make like a praise salad
and stuff like that, pretty good, and that's all right.
Speaker 4 (22:11):
I don't I don't need eggplant parmesan. What are you
making eggplant parmes?
Speaker 19 (22:15):
Yeah?
Speaker 4 (22:15):
I don't need egg plant parmesan. Why you don't like
the breading?
Speaker 10 (22:17):
Don't care for the eggplant? Don't care for the breading? Yeah,
that's a a big egg plant cut. But then again,
I'm also not a vegetarian, so I can you know,
it's when I learned today that I've never bought an eggplant.
Speaker 4 (22:27):
I didn't know how.
Speaker 10 (22:29):
It's like any other piece of produce. You put it
in your hand, you put it in a bag, and
then you pay for it.
Speaker 4 (22:32):
Right, But there's certain produce produces.
Speaker 11 (22:36):
Produce pieces of produce, produce.
Speaker 22 (22:40):
That like you have to feel for certain things where
you want it to be a little more firm, or
like an avocado, you want to be a little more soft.
Speaker 4 (22:46):
I didn't know how to buy an eggplant. I didn't
know the rules of lighting. So what are the rules?
You know, I don't know.
Speaker 10 (22:54):
You're buying an eggplant. It can't be too mushy, and
it needs to be kind of firm.
Speaker 4 (22:58):
That's what I went with.
Speaker 22 (22:59):
I bought two that were a decent amount of firmness,
because too mushy threw me off.
Speaker 4 (23:04):
It made me feel like uncomfortable, like it was going
to be mushy and gross.
Speaker 10 (23:09):
What I like to do when I'm shopping for produce
is i will put my finger into the item and
then i'll pull it out, and if it looks good
in the inside, then I'll.
Speaker 4 (23:17):
Put that back produce. Yeah, yeah, any item, any item
that's got I bring a little hand drill with me.
Any item that's let's say, has a soft.
Speaker 10 (23:27):
Skin on it, right, I'll jam my finger into it
and then i'll peeer inside smell it. I'll smell, I'll
take a whiff and then if it looks good, I'll
put it back and I'll take the ones next to it,
because I assume the whole batch is good. And then
that way I've left it for the next person and
they can and I would always recommend this.
Speaker 4 (23:47):
They can use my.
Speaker 2 (23:49):
Hole.
Speaker 10 (23:50):
You can use my hole when you're looking for when
you're looking for produce. Right if you have the good
four in the shop where I shop, and you find
a piece of produce of a hole in it, don't
assume that's because it's bad or it's rotten. Is that
might be because AC produce puncher produce poker has been there.
(24:15):
What if ac cheese choker turns into a C produce
poker right quick?
Speaker 22 (24:20):
What if you're buying something like strawberries, do you poke
everyone in the box or do you just poke one?
Speaker 2 (24:26):
I do not.
Speaker 10 (24:27):
Strawberries are different. I'm more concerned about temperature with a strawberry. Okay,
So I'll put a couple down my pants and if
they feel appropriately cool to the skin, I go, this
is a good batch of strawberries.
Speaker 4 (24:39):
Tay, come out, put them back up there.
Speaker 10 (24:40):
That's right, because they're not always in season strawberries. Because
my daughter loves strawberries, so we usually have them in
the house. But man, you got to eat strawberries in
like twenty minutes. Yes, you have to get right to them.
Speaker 18 (24:52):
Yeah.
Speaker 10 (24:52):
That's not like a snack in all week fruit because
they're gone immediately.
Speaker 4 (24:57):
Yeah. God, I love a strawberry. They're great, but they
go so fast right now. But they are good right now.
Produce is plural dummy. I didn't know that.
Speaker 20 (25:08):
I thought it was.
Speaker 10 (25:11):
I thought it was what it was, product, the single.
I don't know those product pieces of produce. What we're
go Yeah, right, vegetables, vegetables, that's right. Not to give
away too many of the finer points of my shopping technique,
but when it comes to produce, holes sometimes holes. I
(25:34):
like to check things in a particular way.
Speaker 4 (25:36):
How do you Oh, you don't drink milk?
Speaker 23 (25:38):
Huh?
Speaker 4 (25:39):
I mean I'll have milk with cereal. How do you
check your milk? Also? Poke hole in it?
Speaker 6 (25:43):
No?
Speaker 4 (25:43):
No, I don't check my milk. Oh you trust it? Well,
it's not produce, is it. I mean, no, it's the tree.
Speaker 10 (25:49):
I trust that the pasteurization process has been you know
it's right on the thing. Yeah, pasteurized. Yeah, but I'm
not necessarily but I'm not buying it for me. Welcome
to Ace's Whole Foods, Foods, I get it. Uh yeah,
(26:10):
And everybody's got food hacks. Everybody's like, you use strawberries,
put them in a jar instead of a thing, patic holes.
None of it makes any difference whatsoever at all.
Speaker 4 (26:22):
It's good. They're going to degrade with the quickness. You
just gotta eat them.
Speaker 22 (26:26):
I love a green apple. Green apples are my favorite.
Granny Smith Smith green apples crunchy, love those. I hate
Amailely apple that's like a.
Speaker 10 (26:36):
Huge Nobody likes amilia apple. Red delicious are the most
poorly named piece of fruits. So gross, nothing about it.
Speaker 4 (26:44):
There's nothing delicious about them.
Speaker 22 (26:46):
So like a green apple. And but they do turn
brown quick. You cut up an apple and it oxidizes immediately.
It's like an avocado. And I was bitching about it
on Instagram a couple of weeks ago, and people like, oh,
just put lemon.
Speaker 9 (26:56):
Juice on it.
Speaker 4 (26:57):
I'm like, I don't want my apple to taste like
lemon fruit. He says the same thing, lemon juice, right, yeah,
I want food. Heck, I just want apples not to
turn browns quick. Put a in a jar. Tried that
done work? Either.
Speaker 10 (27:11):
They have these they try to sucker you, and I
fell into it because I go, yeah, okay, these like
plastic thing, these plastic containers with lids with the holes
in him. And then you put like this filter in
all this crap that these companies make. The gigs are
berries for weeks.
Speaker 4 (27:27):
It does not. I have a stack of these things
unused in my basement because they stink.
Speaker 2 (27:32):
Hey Mike, Hey, Alan, how's it going to hate the show?
Speaker 4 (27:36):
Mike is our caller from the West coast of Ohio.
Speaker 2 (27:39):
Hi, Mike, Hey, I just wanted a couple of things.
Some advice for Mary.
Speaker 25 (27:45):
When you text your boyfriend what you're cooking to.
Speaker 2 (27:46):
Night, make sure you text them the emojis for parmesan.
You probably want to use like just a couple of
white dots.
Speaker 4 (27:53):
And then the eggplant.
Speaker 2 (27:54):
Yeah yeah, yeah, you'll know exactly what it is.
Speaker 22 (27:56):
And I am going to wash the eggplant, so I
should probably put the water droplet.
Speaker 4 (28:01):
This is what's for dinner tonight.
Speaker 11 (28:03):
He comes home, he's gotta he's gotta singer on, nap
your eyes, neck, and no pants on.
Speaker 4 (28:09):
Perfect, Alan.
Speaker 2 (28:10):
I did want to back up a little bit with
the Yoko stuff. I don't know. I mean, I don't
know what kind of savage you are, but I mean
I love to just ride around in the car, throw
on a Yoko album and sing along with it. And
I think you should come along with me one day.
I think you'd really love it.
Speaker 10 (28:29):
I'll tell you what, how about baby Steps? How About
I'll imagine you doing it and imagine the fun you're having,
and then that probably will be enough for me.
Speaker 15 (28:40):
I'll work on I'll work on my my lyrics, and
I'll call in and I'll.
Speaker 2 (28:44):
Sing it for you on the air.
Speaker 4 (28:45):
I think I think great. Well, listen, I I would
be lying if I told you I was looking forward
to anything more than that. Mike.
Speaker 11 (28:53):
Oh, perfect, all.
Speaker 15 (28:54):
Right, Ellen, Well, I gotta go back to work.
Speaker 2 (28:56):
I just thought to call in have some fun with you.
Speaker 4 (28:57):
Okay, thanks Pal.
Speaker 6 (28:58):
There you go.
Speaker 10 (28:59):
There's my who checks in from the west coast of Ohio.
Here's the Plastic Ono band from nineteen seventy.
Speaker 4 (29:07):
Dosco on what was It? Disco on the what What's that?
Cardsco Oh, the de Soto de Soto Ono.
Speaker 10 (29:16):
Yeah, my Mummy's Dead is one of the songs John
Lennon and Eric Clapton was on these They kind of
had a rotating cast of characters. But yeah, my mom
had an album called Double Fantasy when I was a kid,
and it was John Lennon and it was Yoko Ono
and she because my mom was a huge Beatles fan,
and my mam would played Double Fantasy all the time.
(29:37):
So I remember Yoko like kind of singing. But boy,
he was sunk on Yoko Ono. God bless her. You know,
people go, oh, Mark, David Chapman, did John Lennon a favor? Listen?
That is an awful, awful, terrible thing. Why would anyone
(29:58):
ever express that publicly? Alan try the cosmic crisp apple.
I don't need these genetically modified fruits. I don't need
an apple. It tastes like a grape.
Speaker 4 (30:10):
I don't need. People are so pretty good honey crisp.
Speaker 10 (30:14):
I like honey crisp. I like Gala apples. I'm easy
Brandy Smith for me. But people are so bored that
they're like, I want fruit to tastes like other fruit, right, Like, okay,
it's your money, do whatever you want. But but yeah,
everybody's got their food hacks, and most of them are trash.
Speaker 4 (30:33):
Well, they might work.
Speaker 10 (30:34):
I think people convince themselves to something work excause because
you're not watching how quickly something degrades in your fridge,
so you go, oh, it's in a jar.
Speaker 4 (30:44):
It must last longer.
Speaker 10 (30:45):
Like anytime we buy salon, anytime we put by Cilantro,
which I will put in anything I possibly can't love Cilantro,
but that also goes very quickly. My wife goes, no, no,
fill a ball jar with water and then put it
in that and then cover it, and I go, okay,
So that's what I do. I don't see any appreciable
amount of time being added to the life of this
(31:06):
point a day or two.
Speaker 5 (31:07):
Man. Ah.
Speaker 10 (31:09):
So anybody who woke up this morning and thought, God,
I I really don't want to wait till this afternoon,
but I really do want to find out Alan Mary
and Powercake's thoughts.
Speaker 4 (31:18):
On fruit ac Produce Hour. You did it, the Produce Poker,
the Alan Cox Show.
Speaker 11 (31:24):
Sure you could listen to another show, but then how
would you find the puppies we buried in boxes around
the city.
Speaker 4 (31:33):
Point seven double mms. We'll have a point some a
double you have about the buzz and Briday's.
Speaker 10 (31:39):
Long here from Sabbath days, say a day of course,
(32:01):
a band from a long time ago. I named themselves
after that restaurant in Rocky River and a big old hit.
Speaker 4 (32:10):
What was this song? Fifties? Is it that old sixties?
And fifteen.
Speaker 20 (32:16):
Wow?
Speaker 10 (32:17):
So they were taking Yeah, they were just happening. They
were taking advantage of that retro vibe. Hold On I'm
Coming was a huge song for Salmon Dave. But Isaac
Hayes actually wrote the song and Trump has been using
it at his rallies and the estate of Isaac Hayes.
You might recall Isaac Hayes died. He died on the treadmill.
(32:39):
He found his body next to the treadmill. But Isaac
Hayes has been dead now, probably for about fifteen years.
But he wrote the song. I don't know if he
wrote it for Salmon Day, but they recorded it, big
old hit, and his estate has issued a cease and desist.
Speaker 4 (32:57):
Choosing the stuff that people like, they like, and I
think they're trying.
Speaker 10 (33:04):
I think they're trying to trol all these other bands
by using their stuff. But like to a band, right Fleetwood,
Mac and Abba and Jack White and Tom Petty and
you know all these people either their a state or
them if they're still alive.
Speaker 4 (33:18):
They go, hey, we don't want you to use any
of our music, blah blah blah. You don't have clearance
to use it.
Speaker 10 (33:24):
And so I don't know if it's Isaac Hayes's son
or whoever is in charge.
Speaker 4 (33:32):
Isaac Hayes. The third is what I'm seeing here, Isaac
Hayes's son.
Speaker 10 (33:38):
And they didn't receive a response from the Trump campaign,
but they join a big long list of artists who
has said please do.
Speaker 4 (33:47):
Not use my music. R E. M.
Speaker 10 (33:49):
Guns N' Roses, Pharrell, Rihanna, Adele, the Rolling Stones, the
Prince Estate, and I don't even know really what the
I don't know. You know, you can issue a season desist,
which is a legal thing, but I guess most people figure, well,
they're not gonna we're not gonna go to court over it,
(34:10):
and that's probably what they're But yeah, there's so many
artists who do like him, you think that they would
just stick to Lee Greenwood And was Late Greenwood part
of your air show soundtrack?
Speaker 11 (34:23):
No, I opted for the Bridge Springsteen. I thought that
was a little more rocket, a little party mood. But
I did forget to mention that when I was playing
Steve Miller fly like an eagle. There was literally a
bald eagle soaring by the building as the blue angels were.
(34:46):
I got a video of it. I got a video
of it. Well, it was I my story. I'll put
it back on my story. He's got video evidence. Mary.
Speaker 10 (34:56):
Now, why would you assume, because it's not like eagles
are rare around here, Why would you assume that he
was making that up?
Speaker 4 (35:02):
Because he's just a clue. I mean the timing of it.
He's a cloud chaser. He's just looking for eagle clout,
and I'm tired of it. Honestly, I'm very tired of it.
Speaker 10 (35:10):
Now, what if he were to switch and maybe grab
some other kind of bird clout, like what pigeon?
Speaker 11 (35:15):
I don't know.
Speaker 10 (35:16):
We just, uh, we were at the aviary in Pittsburgh.
You know, we did a little meeting with the penguin.
But I'll tell you what, bird people are very different
than other kinds of animal aficionados, birders. I think they
were fer to themselves as that when they're out in
the wild. But at the aviary, as the name implies,
it's all different kinds of birds. Those people who work there.
(35:40):
What am I hearing, I'm trying to post it.
Speaker 4 (35:42):
Okay, fake CGI Eagle video. Eagle video. Ye, it's a
drone probably between you, point between you and me. Mary.
He took video of a giant eagle supermarket and then
that's not Oh sure, it's like the crashing they've been.
(36:06):
Oh man, we did a nice sunset on uh. I
saw your timeline. How long you have to sit there
for that? For like half an hour?
Speaker 11 (36:15):
But I think the time laps was maybe like ten
minutes of it though. I had ice cream set out
there by Rocky River Park, very familiar.
Speaker 4 (36:22):
That's where park, that's where you don't live here anymore.
That lady, oh yo, the lady sat right in front
of your park. Yeah park, you don't live here anymore.
You're fond of telling us this.
Speaker 22 (36:36):
That's my park and you're not allowed to go there.
Wrote it went the bench. I wrote it on the bench.
Speaker 11 (36:41):
There's a lot of benches there. Mary's Park there. You
can't stop me from going there.
Speaker 4 (36:47):
I'm so tired of you. You're just tired in general.
That's why you're taking so many naps and you're that's
so the closest to Mitchells. And we went to Mitchell's unbelievable.
Speaker 22 (36:55):
Now you're stealing all my dating ideas. Did you also
get a Burger Burdens beforehand?
Speaker 11 (36:58):
No, we had dinner Attria and literally, boy, you really
crisscrossed the city.
Speaker 4 (37:05):
Didn't like this enjoying life?
Speaker 7 (37:07):
Mary?
Speaker 4 (37:08):
Why is he like what? You're just argumentative today by
your own admissions, killing all my ideas.
Speaker 20 (37:14):
Your idea to sit in the park, yess, nobody else
has ever done that.
Speaker 10 (37:20):
All right, let's settle this then, Bill. What flavor did
you get? I got banana cream pie?
Speaker 4 (37:27):
Mary? Exactly? What are you a communist? What kind do
you get? Mary? Well, I'm like tost so.
Speaker 22 (37:32):
I get either the res raspberry orbet or the vegan
chocolate with fresh.
Speaker 4 (37:37):
Strawberries on top. Go to all right?
Speaker 10 (37:40):
I wanted the banana cream pie. He wanted the banana
cre He's a big fan of cream pies. The record,
I know you are.
Speaker 4 (37:47):
I like cream pies. Guy, stealing my cream pies. The
emphasis is on the banana.
Speaker 22 (37:56):
Going to my park. I'm on record as liking cream
you you. I won't say you abandoned your park. I
didn't abandon it, but you.
Speaker 10 (38:07):
You divested yourself of control over your park. You abdicated
the park, you moved. You're there now. If you were
to go to a park in Astoria near you and
say this is my park now, sure you'd get some pushback.
But you are a resident, you're a taxpayer. It's your
park now, Rocky River Park, that's the park we're talking about.
(38:30):
Rocky River Park no longer your park.
Speaker 4 (38:33):
When my dad died, I went there and cried, that's
my park.
Speaker 10 (38:36):
There's a lot of people crying in Rocky River Park.
It's people go to break up. It's for people to go,
you know. I mean those sunsets. They put people in
their fields.
Speaker 22 (38:45):
Sunset You what I fell in love with Brian there?
Speaker 4 (38:48):
Fall in love with me there? Nope? And he was there,
and he was there with me.
Speaker 10 (38:55):
Would you have fallen in love with him elsewhere had
you not gone to Rocky River Park? Or was it
so location and centric that it really would have been
up in the air.
Speaker 4 (39:03):
It's pretty location centric, so we wouldn't be where we are.
Speaker 10 (39:07):
So it's really his park. No, it's my park, but
it's our. He was falling in love with there just
because of the location.
Speaker 4 (39:17):
He didn't know that was going to happen. You knew
he didn't know.
Speaker 22 (39:24):
So my proxy, that's his park. He can have some
of it, but it's mine all right. Well, either way,
I'm tired of the Bill's lies.
Speaker 9 (39:35):
His lies.
Speaker 22 (39:37):
You lied about the Bale Eagle, you lied about the
air show, you lied about the Lake Erie Waves.
Speaker 4 (39:41):
Now you're stealing my cream pies and my parks. I
like cream pies.
Speaker 10 (39:48):
Yeah, you know, a Texter had a pretty good idea. Bill,
you should take Brian to the park for ice cream
and sunset.
Speaker 11 (39:55):
We already did.
Speaker 4 (39:56):
Oh boy, I like creamies.
Speaker 22 (39:59):
He would never You would never cross me in that way,
you would, Bill, I would cross you.
Speaker 4 (40:06):
Bill would cross me in that way? Oh, Bill would
cross I'm doing what's best for Brian. You don't know him,
you've never even met him. What a grumpy lady. She
needs another lady.
Speaker 15 (40:19):
Now.
Speaker 4 (40:22):
I do take naps yep, more than I like to.
Speaker 10 (40:28):
Well, anyway, the estate of Isaac Hayes, oh yeah, has
asked the Trump campaign, hey, please stop doing that, and
they who knows, they haven't responded.
Speaker 4 (40:40):
Here's what I think.
Speaker 10 (40:41):
I think Kamala Harris should fully flex by coming out
to Isaac Hayes' music. That's what she should do. So
that's what I think she should walk out to. That
is a flex. When Isaac Hayes was f on South Park,
(41:01):
an entire generation of kids learned who Isaac Hay's was
from South Park. He eventually left because he was a
hardcore scientologist, which I realize is redundant, but he was
tired of them making fun of scientology, and so they
decided to amicably part ways over there at South Park.
But Isaac ky has been dead for a while now,
(41:23):
Ellen Mary has all of Central Park. What is she
complaining about, Well, the serial killers have most of Central
Park and RFK Junior, you know when he's throwing headless
bears into the brush.
Speaker 4 (41:39):
Park's my favorite park was was right? That's right, New Park,
not park. That's Sunset. You don't even need to go there.
What do you mean he doesn't need to go there?
Freaking window.
Speaker 11 (41:57):
We were Mitchell's and we won to make it in time.
If we went all the way back to my place,
we may.
Speaker 4 (42:03):
Have missed it. So we went to the park, Rocky
River Park, whatever, dude.
Speaker 22 (42:11):
And also all this talk about it is gonna make
other people go there now too, and it's gonna be crowded.
Speaker 4 (42:16):
There are already other people. But you're not there to
be part of the crowd. You're in New York City.
What do you care where? It is always crowded everywhere?
What do you that depends on what time of day
you're walking around? Neil Yah sits here.
Speaker 10 (42:33):
Yeah, you're not even here to deal with the crowds.
Last time you were there that you said that lady
sat right in front of you.
Speaker 4 (42:38):
I wanted to shove her off the rock. You were
trying to one of Bill's accomplices. Huh was she eating
ice cream when you saw her?
Speaker 10 (42:45):
No, she had a bike helmet on like an idiot.
Was she eating ice cream out of her bike helmet?
Speaker 4 (42:50):
By?
Speaker 11 (42:50):
Any where? Were you sitting.
Speaker 4 (42:54):
The main rock?
Speaker 22 (42:55):
The big rock at the point where the sun sets,
the corner rock right but under the tree?
Speaker 4 (43:01):
That's the spot. I don't know if I know that spot.
I'm not familiar with that park. The only spot there's
one tree, and then in front of it is rock.
Speaker 10 (43:10):
There's a millions Why would you take the Why would
you claim the so called only spot?
Speaker 4 (43:15):
It's the best spot in the park. But that if
it's the only spot, then that's where everybody will be going.
Speaker 22 (43:19):
There's other spots are not as good, all right, So
you're using the park incorrectly too.
Speaker 4 (43:26):
Now you're telling me not even using it. I don't
load a Rocky River Park. I use the goddamn thing.
Speaker 10 (43:31):
I'm not even in this. I don't even know what
the hell you're talking about. All I know is you
don't live here anymore. You don't know that you sacrificed
your usage of your park when you had to do
make yourself a pro and con list you having sole
ownership of Rocky River Park irrespective of the city of
(43:53):
Rocky River. You would have had to have added that
to your con list moving to Newark. It was when
you look you looked past it. You looked past it
and said, I'm still going to go. I'm going to
chase my dreams, which is absolutely the right decision. But
you can't lay claim to Rocky River Park anymore. It
(44:13):
has transferred ownership to Bill Squire and his banana cream pie.
Speaker 4 (44:19):
I hate that, and it might make me move home, honestly,
just so you can take your park back so you
don't have it. Wow a spike move relocate. Wow, you
loaded up the moving truck just to come back do it?
Speaker 20 (44:36):
There?
Speaker 4 (44:36):
You do it because you're too scared. I'm not scared.
Non do it. The cats are finally getting along. I
can't do that to them. Now they're friends. Now you
got to run your life based on what the cats
are doing. I've always run my life based on I
know that's what cat owners have to do.
Speaker 10 (44:53):
I get it, cat owners have you're at the mercy
of these goddamn creatures.
Speaker 4 (44:58):
Ever Dustin called from Georgia. He went to that high school.
Speaker 21 (45:03):
Oh wow, yeah, all that's Dustin down here in Georgia.
I tell you this school sheeting man, I tell you
hit close to home. I graduated from Mapallachi High School and.
Speaker 15 (45:15):
Three and uh, it definitely hit close to home.
Speaker 21 (45:19):
I got a couple of cousins that have kids to
go to that high school, and everyone's all right. But
uh old Winder, Georgia, that's my own thumping ground. And
h my daughter she goes to Jackson County Middle School
and they shut her school down as well, so she
got home. But you know, you never think it'll happen
(45:43):
in your backyard until it does. But everybody's all.
Speaker 15 (45:47):
Right in my neck of the woods. But pretty crazy stuff.
Speaker 11 (45:51):
We'll catch y'all later. That's wild.
Speaker 10 (45:56):
Dustin's down there in Pendergrass, Georgia. I think that's where
he lives. Thunder in Jackson County. That's where he went
to school.
Speaker 4 (46:04):
So he's got nieces and nephews.
Speaker 10 (46:05):
Yeah, in winder Appalachi High School grad class of OO three.
I wonder what the team is called, the Appalachie High
What are they called the Appalachi High Athletics? Oh old,
I'm sorry, I said watch.
Speaker 4 (46:31):
They were as well the Oakland Athletics.
Speaker 10 (46:36):
Or Vegas or Seattle or hell there the Appalachi Wildcats
down there in Georgia.
Speaker 21 (46:42):
So are.
Speaker 10 (46:44):
I was sending good vibes to them and Dustin and
his family down there too, Alan.
Speaker 1 (46:49):
Baby podcast listener. Hey, just here, and you're staying at
a Marriott property that's past weekend. And let's just say
I'm a Merriot member myself, Silver lead right here. It
feels pretty sweet when you show up to a place
like that and they give you a little bag of
baked Frido's and water and tell you that you're a
(47:09):
special guy. So don't tell Mary about all the splendors
that come with living and he's multi millionaire elitist lifestyles.
Speaker 2 (47:15):
But just say it's a little sweeter at.
Speaker 11 (47:18):
The top of the hill.
Speaker 19 (47:19):
I've really been hating the show alien like, terribly hating
the hell out of it. Yeah, I don't know what
the hell he's talking about. I didn't get no bag
of nothing when I checked into that hotel. I got
a whole bag of wait here and let me check
on your room for thirty minutes.
Speaker 4 (47:33):
You have to have a status, Allen, and you don't.
I don't know what he's I'm on the app, I
got points, but you don't have elites down now. I
don't know what level I am.
Speaker 10 (47:43):
All I'm saying is anybody, no matter what level you are,
anybody should be able to get in their room before
thirty minutes. Because nope, only elites.
Speaker 4 (47:54):
We stayed one night.
Speaker 10 (47:55):
If we had been there for a long weekend, I
would have raised Holy hell. But I can say anywhere
for one night. If it were just me, I genuinely
would not have cared. But it was the three of us.
When we were in Pittsburgh overnight for the Green Day
Pumpkins show their PNC Park, we stayed at a Marriotte
jointowntown called The Industrialist, and we'd never stayed there before.
Speaker 4 (48:14):
And it was just one long, colossal paint in the ass.
Speaker 10 (48:18):
Half the stuff in the room was broken and busted
in the showers, spraying water everywhere and blah blah blah.
Speaker 4 (48:23):
So no I didn't walk up and get no bag
of fre doos and water.
Speaker 22 (48:27):
Wow, sucks.
Speaker 4 (48:28):
I don't know what he's talking about. Well I do.
Speaker 10 (48:31):
There's hotels that will you know, Oh, thank you for
being a member in the hand you a bottle of water.
Speaker 4 (48:36):
I'm like, you're not doing anybody any favors. I don't
know what you know.
Speaker 10 (48:40):
You go to the Double Tree. When I used to
do the show from the VMAs every year in New York,
they would put us up. MTV would put us up
at the Double Tree right there in Times Square, and
the lobby was on the twelfth floor. So you'd get
out of the cab or whatever, you take your stuff
and you take the elevator of the twelfth floor and
you would the checking desk was right there. And I
don't know if they will do it, but they used
(49:01):
to give you the cookies. The Double Tree would give
you warm cookies, like to the point where people would
try to scan their way into extra cookies.
Speaker 4 (49:10):
They still do that.
Speaker 10 (49:11):
Do they still do the cookies? Yeah, I haven't seen it.
There's a Double Tree. There's a double Tree right by
where I live, but I haven't stayed.
Speaker 4 (49:17):
At once in a long time.
Speaker 11 (49:18):
Stay at that one by where you live, or just
go in there and get get a cookie. I uh,
stayed at double Tree back in December. Yeah, a little trip.
And yeah, they're like, don't forget to get your cookies.
Like they're like, like they got cookies and they're aggressive about.
Speaker 10 (49:33):
It, yeah, because they know, like that's a thing that
you're not bending over backwards. But it's a nice thing, right,
I mean it's very nice their chocolate chips, and it's
not dealing with nut allergies or anything.
Speaker 4 (49:44):
Like that, but it's nice. Yeah, cookie, I don't need
a bottle of water. I need my room.
Speaker 10 (49:53):
Before waiting for thirty minutes at the desk while you
pretend to call house keeping or whatever.
Speaker 4 (49:59):
So I I just a terrible, terrible experience. Cry about it.
But those are gonna happen.
Speaker 10 (50:10):
You know, invariably you're going to have an experience somewhere
that is not to your liking. I hope Mary knows
that when your cousins have kids that doesn't make them
your nieces and nephews.
Speaker 4 (50:27):
What does that mean? Second cousins? But whatever, callin whatever
you want.
Speaker 10 (50:31):
They're relatives, right, relatives Relatively speaking, Alan, listening to your
show smoking marijuana and remodeling a house, is it the
same person?
Speaker 4 (50:44):
Heavy machinery? Different persons?
Speaker 11 (50:47):
Opy rating they were opy raating heavy machinery readers, Alan,
is too good for bottled water?
Speaker 4 (50:57):
No, not too good for bottled water? Give it to
somebody else. Sounds you're too good for Give it to
someone else. I don't need it. I just sack pack.
You give waters above the age. Just give me my
room key, billionaire. I will buy my own. Yes, give
it to someone else. It's not feed you water. That's
(51:19):
for pezzants getting on my face. Dear pork. Alan Cox,
the man we used to describe school.
Speaker 23 (51:27):
It was a complete.
Speaker 4 (51:30):
The Cox shows.
Speaker 10 (51:34):
I'm playing the Stones because Brazil is blaming Brazil has
imploded by the way over there, staggering loss in the
World Cup. They are blaming the loss on the Mick
Jagger jinks, which I've never heard of before.
Speaker 11 (51:47):
I liken this too.
Speaker 10 (51:49):
You know when they'll have that octopus pick the balls
in years past, I think that octopus might be dead
now indeed, but they would have the octopus that would
place its arms on various balls and they'd go, oh
that is you know, and a lot of times it
would be right. The McJagger jinks, however, is going back
to the twenty ten World Cup where Mick Jagger cheered
(52:11):
on England home country, the US because he's smart, and
Brazil because I think that's where the bulk of his
bangable bitches comes from at various matches. And that year,
England to the US and Brazil all lost those matches.
So Brazilians blame him and the Brazilian shirt that he wore.
(52:33):
So this year when he cheered on England and then
they lost to Uruguay and then he said that Italy
would win, Italy also lost. Then he said that the
team that would win the whole thing was Portugal and
that ain't gonna happen. So when he went to the
Brazil Germany match, cheers on Brazil.
Speaker 4 (52:54):
Guess what that maybe they should have had the moves
like Jagger out there on the field said yeah, it
had to be, and then it was and then it
was Yeah.
Speaker 11 (53:11):
The best thing I saw is they put that game
up on pornhub and it said young Brazilians get ft
by Germany Germans. Pornhub's marketing director is tweeting, please stop
posting game highlights onto the headline.
Speaker 10 (53:22):
Watch Brazilians get banged or get bent over or whatever
they said. Our our public humiliation category is full. How'd
you like to be a grown woman and you're working
in an industry where you have to deal with the
public humiliation category?
Speaker 4 (53:39):
No, no, no, I work in anal.
Speaker 10 (53:40):
You're gonna want to shoot that email to the public
humiliation mailbox, which is the is full, as are most
of the girls on our sites. So yeah, people who've
been trying to get to just trolling people on porn sites,
watch Brazilians get ft.
Speaker 11 (54:00):
It is hilarious. It is funny great, as is the
pro wrestling interviews edited to only show the inhales and
exhales at allencockshow dot com.
Speaker 4 (54:08):
Hell yeah, hey Wendy, Hey Allen?
Speaker 26 (54:12):
Hi, Right, Okay, here's the thing I'm just I'm wondering
because yesterday Eric was talking about how she went to
putting Bay for fourth of July. Right, yeah, okay, how
come the commercial Oreo commercial just came up saying you
just threw your first summer barbecue over fourth of July,
serving Oreo cookies.
Speaker 20 (54:30):
Yes, because there's a whole weekend there, and I did
actually come.
Speaker 4 (54:33):
Home from Putting Down right. Well, I don't get your point, Wendy.
Speaker 26 (54:37):
Oh my point is it just didn't match.
Speaker 7 (54:39):
Our stories didn't match up.
Speaker 26 (54:40):
And I'm just wondering does she read those commercials live?
Speaker 12 (54:43):
Yes?
Speaker 20 (54:44):
I do, and in fact I was at Putting Bay
on fourth of July the day only.
Speaker 4 (54:48):
But how do they not match up?
Speaker 11 (54:50):
Wendy?
Speaker 4 (54:51):
You still haven't answered that.
Speaker 26 (54:52):
Question, because it's like, is she throwing a barbecue at
her house or fourth of July? Or is she ad
put In Bay fourth of July?
Speaker 11 (54:58):
Why couldn't she do both? I think you said over
fourth of July weekend, which comes to several days. Okay,
did you do one thing over the fourth of July, Wendy?
Speaker 18 (55:07):
No?
Speaker 7 (55:07):
But what did you do?
Speaker 4 (55:09):
What did you do, Wendy? What did you do, Wendy?
Speaker 26 (55:13):
What did I do?
Speaker 2 (55:13):
Yes, Wendy, I went camping.
Speaker 4 (55:15):
I went camping.
Speaker 10 (55:16):
You went to camping the whole time, hmm, the whole
time you went camping? What else did you do?
Speaker 26 (55:22):
I just went camp What did you do?
Speaker 4 (55:23):
While you were camping. Well, I did you eat smores?
Did you toast Wieners? No?
Speaker 6 (55:30):
I didn't you.
Speaker 4 (55:32):
Did you eat smores? Yes?
Speaker 2 (55:34):
I did, really good.
Speaker 10 (55:36):
Wendy, your stories don't match up. Were you camping or
were you eating'mores? Stories don't match.
Speaker 11 (55:41):
Up when Wendy is an oreos.
Speaker 26 (55:43):
Truther really quickly all the time, and I could care
less all the time.
Speaker 6 (55:46):
Yeah, that bothers me.
Speaker 4 (55:49):
I speak the truth.
Speaker 20 (55:49):
I had a barbecue, if you must know, I had
a barbecue at my house. On Sunday. I was at
Putting Bay. I was in Sandusky Thursday night. We went
to Putting Bay during the day. On Friday, I came
back Friday night. Saturday, I went to a friend's barbecue,
and then Sunday I had my own.
Speaker 10 (56:04):
Just to just to clarify this, Erica brought us in
a gorgeous plate of barbecued oreos and they were delicious.
Speaker 4 (56:12):
The smokiness of the barbecue.
Speaker 10 (56:15):
Yeah, I blew it off, Wendy. I guess, Wendy, My
question I guess is why do you care?
Speaker 26 (56:20):
Because I just don't like it.
Speaker 7 (56:22):
If people's like doing false advertisment, I cannot legally, I
cannot lie to you things like really quickly, and Wendy,
w but I why do you care, Wendy, because.
Speaker 26 (56:32):
It bothers me when a reading personality is speaking bad English.
Speaker 11 (56:39):
Wendy, you're not talking about Yeah, Wendy, you're not speaking,
You're not.
Speaker 10 (56:43):
Talking about English. You're talking about some scenario that doesn't jibe.
Speaker 4 (56:48):
In your head.
Speaker 22 (56:49):
You're not hearing me.
Speaker 26 (56:51):
She said, really quickly, really quickly, go and vote for me.
And she says things like I could care less.
Speaker 23 (56:57):
So this is about this wait time to themselves.
Speaker 26 (57:00):
And I said I couldn't care a question.
Speaker 20 (57:02):
This is this isn't about the fact that I did
that you were fact checking my weekend based on my library.
Speaker 4 (57:09):
This is about you think I don't have good grammar.
Speaker 26 (57:12):
Well, I don't know about your grammar. But as far
as speaking ability.
Speaker 10 (57:15):
Wendy, you seem to be very clear on someone's grammar.
I'm just not certain that it's yours. I still don't
understand why you.
Speaker 26 (57:22):
Care erectly, but why I told you why because when
I want to listen to a radio personality, I want
to hear them speaking.
Speaker 4 (57:30):
You just you just use the phrase speaking bad grammar
to me.
Speaker 23 (57:34):
I didn't know.
Speaker 26 (57:35):
I didn't use the word.
Speaker 4 (57:36):
Yeah, yes you did.
Speaker 10 (57:37):
I'll check the tape. You said speaking bad grammar. That's
why Bill laughed.
Speaker 26 (57:41):
Okay, why does there say things like really quickly?
Speaker 20 (57:45):
And because because I'm staying off the cuff A lot
of times when you're speaking off the cuff, you don't
have the exact grammar that you would put down in
a letter.
Speaker 4 (57:54):
You know what I'm saying.
Speaker 20 (57:55):
My mom's an English teacher. Certainly, if I typed out
a passage and I had time to think about everything
I was going to say, of course I would have
better grammar or better English speaking ability.
Speaker 26 (58:06):
However, when speaking on the coughing, I was just repeating
what you said when you said bad grammar, and I said,
I didn't say you have bad grammar. I said you
were speaking bad English.
Speaker 4 (58:18):
Think, okay, all right, thank you. What do you see
a cuff? I'm not going to think Wendy's having a
bad day or something.
Speaker 11 (58:25):
I don't.
Speaker 10 (58:25):
Yeah, hey, you know what you get, By the way,
when you have really good grammared vocabulary, you get made
fun of for about a year by the Morning Show
because I use more than single syllable words.
Speaker 11 (58:35):
That's what you get.
Speaker 4 (58:35):
A can you get her off the phone more quicker,
please appreciate it.
Speaker 10 (58:39):
So if somebody is a speaking proper grammar all the time,
it doesn't sound as off the cuff.
Speaker 4 (58:45):
I still am not clear what her issue was. This
had nothing to do with my oreo livery.
Speaker 20 (58:49):
This had everything to do with she tests doesn't like
the way I speak.
Speaker 10 (58:52):
Could you bring in more of those barbecue oreos? Those
were so good? Perhaps your idea, and I'm assuming it
was yours to dip them in barbecue sauce?
Speaker 4 (59:02):
Oh mone you feed ah bona petite? Hey?
Speaker 25 (59:08):
Noah, Yeah, Allen, what's up?
Speaker 23 (59:11):
Hey?
Speaker 25 (59:12):
I want to suggest have Wendy calling the rover and
she think critique Dougie. I think Eric is pretty well spoken.
I think she compared to do she's pretty intelligent.
Speaker 10 (59:22):
So I ain't got no idea what you're talking about, Noah.
The proper way to say it is, Eric is pretty
good spoken. Oh, good for you, thank you, Noah. All right,
we got time for erotic lit.
Speaker 18 (59:35):
Let's do it, okay, boys, pencils up. It's erotic lit
one oh one with Bill Squire.
Speaker 10 (59:43):
By the way, I really hope that Wendy is paying
attention to this, because this is literature and as such, fundamentally,
it's grammar and use of language beyond reproach.
Speaker 11 (59:57):
All right. This episode of the Adventures of her Snooch
Slumber by Charles Bonina is called the dump Scision. Every
time I go to Vegas, I like to hit up
one of the legal prostitution haciendas, the girls that are
always speculating we're I'll dump my talents. The dump scision
is never easy. There are a lot of factors at play.
There are a varieties of girls to choose from. There's
(01:00:19):
Mommy Sheets, a hot little number, but she shows up
late and when things aren't going well she'll leave early.
But we spent some great years together, our best years together.
And then there's Dad ass mav check. She's getting a
little long in the tooth and loosen the snooch. I'll
pass on her. The horse Stone Rockets there's loaded with talent,
(01:00:43):
but is less of a contender and more of a challenger,
like the spaceship Disaster. Then there's the cleavage vagil here.
She's the first I ever had. The cleavage vagelier. Okay,
she's the first I ever had. We got close to
the but couldn't make it happen. We had a messy
split and that left her sore as hell. She's built
(01:01:06):
herself back up with some promising young prospects, but she's
still coming off a bit desperate, and I'm not sure
I'm willing to come back to her and on her.
After a long, hard process, I decided to take my
talents to a rubbin tug wash out named Harlotte Hornyet
is it Charlotte Hornet's guy?
Speaker 4 (01:01:23):
Okay, oh good good? Her boss is the best there
ever was, and I was. I like the idea of her.
Speaker 11 (01:01:30):
Excuse me, her boss is the best there ever was,
and I like the idea of her strapping one on
and pegging me is the greatest of all time. That's
what I did with my dumb scision.
Speaker 6 (01:01:43):
Who I damn?
Speaker 4 (01:01:45):
That was so saggy.
Speaker 18 (01:01:48):
That was erotic lit pass bylsquires, a sweating.
Speaker 4 (01:01:55):
That almost tough to follow. Have you ever been on
any like rock stars tour bus over the years a
lot of times? Or backstage or whatever.
Speaker 24 (01:02:03):
Yeah, backstage is one thing, because that's not like your home,
Like you're just popping from you know, stadium to the
stadium or whatever whatever you you're at. I'm talking about
the tour bus is like where it all goes down.
That's where people live. I've never been on like some
A celebrities tour bus. I would like to see. I'm
just curious.
Speaker 10 (01:02:20):
Yeah, I mean I prefer the backstage because I don't
want to be on someone's rolling home.
Speaker 4 (01:02:25):
I know, but I would Literally that's how you get
the real stuff. That's how you get like it just
depends who it is too.
Speaker 24 (01:02:31):
You see someone's like Herbie's pills or something, or you
like see what stuff is in their medicine cabinet or you.
Speaker 4 (01:02:37):
See that's why you're so creepy, dude. What First of all,
you're never gonna get near their bathroom if you get
on someone's tour bus. If you get on someone's tour bus,
you are literally on the seat closest.
Speaker 11 (01:02:49):
To the door.
Speaker 4 (01:02:50):
I'm just like, can you please excuse me? I have
to go pee.
Speaker 10 (01:02:52):
They'd say, get out and go have a piss backstage.
I'm just not going to use my bathroom on my
tour bus. Hey, I don't know you. How'd you get
on here? Get the hell up? You got to drain
the lizard go elsewhere?
Speaker 11 (01:03:06):
And why do you think that's like an impressive thing
to have someone's herpye pill, herpie pill, like, oh guess
who has to take herpie pills? So and so, like
you think like, ooh, what a juicy bit of gossip.
What information? What are you gonna do with that information?
I saw some and solos herpes medication. They go, well, yeah,
they're in a band. Yeah, gross, okay, like pork and everything.
Speaker 10 (01:03:27):
I would I wouldn't even recognize herpes medication valtrex.
Speaker 4 (01:03:31):
Okay, is that what that is? Yeah, but it'll cally
be discreetly labeled.
Speaker 11 (01:03:35):
And I'm sure they want to just have it out
in the open and it might be sure not like
a medicine cabinet like it. I'm sure they have like
a bag that they keep all their stuff in, not
just out in a bout like, oh, there's my valtrex
in my add role and all.
Speaker 4 (01:03:48):
It's not like they have.
Speaker 10 (01:03:49):
It's not like a key party where they have like
a big sea through bowl. Careful some of those are
M and m's, but some of them are valtrex A M.
Speaker 24 (01:03:56):
I have like bottles of pills like they have like
bottles of alcohol like at a bar or something like that.
Speaker 4 (01:04:01):
I don't know.
Speaker 11 (01:04:01):
I don't know what.
Speaker 4 (01:04:02):
I don't know what it's, you know what.
Speaker 10 (01:04:04):
To his point, I would like you to get on
someone's tour bus just once so you can see how
utterly dull it is.
Speaker 4 (01:04:09):
Listen, if you're on Snoops tour bus. I'm sure it's
a blast.
Speaker 10 (01:04:13):
But back in, I mean, going backstage got real boring too,
because after a while, like people might have their kids
on the road, or going backstage ain't all it's cracked
up to be.
Speaker 11 (01:04:25):
Every year that I do reach the rain Doll, I'm
backstage and everybody hangs out in their rooms.
Speaker 4 (01:04:30):
Like in there they have the dressing rooms, their tour bus.
Speaker 11 (01:04:33):
So maybe there's stuff going on, but like some of
the other bands that are playing the side stages, like
they're running around their drinking, but it's just people staying
around having like conversations, Like there's no madness going on
back there. It's just food and some beer.
Speaker 4 (01:04:47):
And craft service. Maybe girlfriends walking around.
Speaker 10 (01:04:50):
I mean, you know, some of the bigger bands, each
member would have his own bus, right, so they would
just be on their bus.
Speaker 4 (01:04:56):
They're not gonna let you on. Yeah, I've been back.
Speaker 24 (01:05:00):
Before, so I know how that operates. Like usually I'm
occupied with the food and free booze. So I'm you know,
I'm cool with that, but.
Speaker 4 (01:05:06):
Food and free boost.
Speaker 10 (01:05:07):
He's the worst guest stage because you're like, oh, there's
a crafty table that's not even for you, and you
go for it.
Speaker 4 (01:05:16):
I can just see him putting shrimp in his pocket.
Speaker 24 (01:05:19):
But I've interviewed a number of like not even like
big name celebrities, but like when I was in college,
I would go to like, you know, not Blossom, but
House of Blues. I would get back there and I
would mingle with the celebrities. I would make good. I
would be pals just so I could go to their
snacking bar and just like I'm like, wow, they have
a nice bread for you.
Speaker 11 (01:05:37):
Back here, You're like, yeah, they treat me right. I'm like, mmm,
I'll take one of them. I've told this story before
years ago. I used to do the show when I
was on Pittsburgh. I would do the show every year
at the MTV Video Music Awards.
Speaker 10 (01:05:48):
They almost always had it at Radio City, so you
do your broadcast in the basement of Radio City. One year,
because there was a scheduling conflict, they had to do
the vimme VMA's at the MET at the Metropolitan Opera House,
So the broadcast area was a giant tent in the
park next to the Met and there were radio stations
(01:06:09):
around the country.
Speaker 4 (01:06:10):
And this little homeless.
Speaker 10 (01:06:12):
Guy walks in and he's got a plastic bag and
he's wearing a trench coat, and he's picking through the
craft's service table and he's putting stuff in his bag.
And I realize it's Gilbert Gottfried. It's not a homeless guy.
He's dressed like a homeless guy. I was the only
person who realized who it was. And so I told
(01:06:32):
my producer at the time, I go, I'm good. I
was in a break and I go, hold on, and
I walked over. I said Gilbert, and he kind of
looked up and I go, I'd love to throw you
on for a minute.
Speaker 4 (01:06:44):
He's like sure, but.
Speaker 10 (01:06:46):
He's putting food in his Like that's not the first
Gilbert be thes bag. Yeah, he notoriously cheap, but I
mean to come in. He probably just walked up. It
wasn't like he was doing people's shows, because they give
you a list of people who are going to be
coming through.
Speaker 4 (01:07:01):
Who do you want, And he wasn't on anyone's list.
Speaker 10 (01:07:05):
He was just walking around, stuck his head in a tent,
and he's like, fortunately for him, not a lot of
people were going to recognize him dressed as he was.
Speaker 4 (01:07:16):
That's how I think a pound cake. I'm not taking bags, though,
Like I eat it right here. If you, if you,
if you could, you would you have taken stuff when
you talked about it. I'm not from backstage. I've never
not from backstage.
Speaker 24 (01:07:31):
You never said anything from backstage, because I don't want
to have a reputation for that. Like all my friends
know I'm cheaping at cheaperson and all, like my coworker
is no, I'm cheaping at cheaperson. But I would never
think anyone that listens to the show. Yeah, but the
chances are the celebrities aren't listening to the show. The
celebrities that I'm gonna.
Speaker 4 (01:07:45):
Interview, lots of celebrities in the show.
Speaker 11 (01:07:47):
That's right.
Speaker 4 (01:07:48):
I hear from him all the time. I don't. I
don't think I've never taken a bag.
Speaker 11 (01:07:53):
I don't think.
Speaker 4 (01:07:53):
I can't remember. I can't recall a time. Well, you're
still young. Maybe there's a bag in your in your
future right there?
Speaker 24 (01:08:00):
To have the little I get really sick of those
little small plates because they don't want you to have
a big plate, because they don't want you to eat everything.
Speaker 11 (01:08:06):
So they give you this back and forth a bunch
of times.
Speaker 4 (01:08:09):
No, I just pack it. I have like a little US's.
Speaker 22 (01:08:13):
Plate.
Speaker 24 (01:08:13):
It's a snack pyramid with a nice talk cup of
whatever they happen you can have mine because I don't
eat in situations like that do.
Speaker 10 (01:08:19):
I feel very self conscious walking around with a tiny
plate and a plastic fork.
Speaker 4 (01:08:24):
I don't like that stuff.
Speaker 24 (01:08:25):
Every year I wait for when we do that the
comedy show. I'm backstage and wait, I'm like, okay, we're
in the dress room.
Speaker 4 (01:08:31):
I was like, how long do they.
Speaker 24 (01:08:32):
Bring you know, the sandwiches in the beer exactly, or
the fresh veggies from whatever veggie tray they have.
Speaker 10 (01:08:38):
I'm like, wow, fresh veggies. You react to those like
Dracula to sunlight. What are you talking Aboutcoli. He's like, oh,
it's it's it's celery.
Speaker 24 (01:08:49):
Every year I went birds like do you know when
they're bringing yes, like five minutes.
Speaker 4 (01:08:55):
Just wait.
Speaker 10 (01:08:56):
He's the only one asking. The rest of us are
trying to be cool. Hey, thank you so much, you know,
thanks for fordg of stock with beer, too many numbers
that aren't signed.
Speaker 11 (01:09:04):
God, Julian carrots for me these conditions or like you're
not even doing a set, I'm like, well, I mean
I'm back here, right.
Speaker 10 (01:09:15):
I'm part of the crew this year, I'm banning you
from backstage. Everybody will get all access except pound Cake.
Pound Cake will get the ex I will specifically make
a badge that says extraordinarily limited access hashtag block Poundcake.
That's right, That's what I'm gonna do. I'm gonna draw
it up myself. It'll just be handwritten but laminated. Get
(01:09:39):
the House of Blues logo on it. I'm gonna do
a hand drawing of his face.
Speaker 11 (01:09:43):
Yes, he's gonna look like that leprechaun that they saw
in the tree. Put signs all over the place, do
not admit him backstage.
Speaker 10 (01:09:50):
I'm gonna get photos of you like you're one of
the FBI's top ten most wanted at the post Office,
and I'm going to put it all around the House
of Blues for Night one.
Speaker 4 (01:10:00):
They do not admit this person. We've had to do
that on a couple of occasions.
Speaker 10 (01:10:06):
I'm not going to say, but we have had a
couple of occasions where we have distributed information. Do not
let this person in so you're there because I'm not
that type of person hurt. Well, No, no, I'm not
gonna I'm not. It's because it's not because you're a
danger to anyone. It's just because it would be funny.
Speaker 4 (01:10:26):
No, but I don't want it to be funny. That's
not funny.
Speaker 10 (01:10:29):
We'll say pound Cake is not admitted anywhere behind the
lip of the stage. He can be in an opera box,
he can be up with the people. He can be
in the lobby, but nowhere past the lip of the stage.
If you see this guy, feel free to tackle him,
trip him whatever.
Speaker 4 (01:10:49):
I bet you have pound Ka pound Cake come in
like a disguise.
Speaker 10 (01:10:53):
You know, he'd be getting back to that craft service table,
like the end of the terminator where the disemboweled, you know,
like the when Schwartzeker's arm is just crawling by itself.
Speaker 4 (01:11:04):
That would be pound Cake getting back to the craft services. No,
I can contact myself. I usually do. Yeah, it really
sounds like it. Hey, what do you bring in the sandwiches?
Speaker 11 (01:11:12):
It was just you know, eta when it might come.
You know, that's really what people care about when they're well,
if you're not performing, you do. None of us are
eating before we go on stage, because why would you
do that? But oh man, and then when we get
off stage with want of little something because we've had
some drinks, you're like, oh, it's all gone, pound Cake
(01:11:33):
ate it all.
Speaker 19 (01:11:33):
Yeah.
Speaker 10 (01:11:34):
Oh there's a couple of broccoli florettes. Yeah, that'll fill
me up.
Speaker 4 (01:11:39):
Hey Dan, Hey, what's happened?
Speaker 11 (01:11:41):
It's going on?
Speaker 6 (01:11:43):
Could you fire pound Cake?
Speaker 4 (01:11:46):
Why?
Speaker 11 (01:11:47):
He's annoying?
Speaker 1 (01:11:48):
His stereotypical gay voice pisses me off, and he's just
all around annoying.
Speaker 24 (01:11:55):
The fact that you think that all gay people have
a stereotypical voice. You know, you're perpetuating stereotypes. So that's
not cool either.
Speaker 27 (01:12:01):
Bro.
Speaker 4 (01:12:02):
They do though, Well, then you're aiding and a betting
a stereotype. So bye, Dan? Are you okay? In general,
it sounds like maybe you're having a bad day and
taking it out on poor pound Cake.
Speaker 11 (01:12:13):
What you're allowed to do?
Speaker 6 (01:12:14):
I listened to you every day after work, and the
guys that I drive home I always bitch and moan
about him, And I just figured that call and just
start a petition the fire pound Cake.
Speaker 4 (01:12:23):
We already tried that before. Well hashtag block pound cake.
We'll start there. That's been going on. Maybe maybe you
guys are leading a charmed life.
Speaker 10 (01:12:30):
If that's the topic of conversation among your friends, as
they should fire pound Cake from Allan's SHOWMMS.
Speaker 11 (01:12:38):
Cleveland Cleveland, they're damn proud of their city.
Speaker 4 (01:12:43):
Come on, you were born here, he moved here. This
is a man that has endured real torture in a
foreign setting. So who's the real hero? I would hope
people would listen to our heroes. Alan Cox on WMMS.
(01:13:09):
I am Alanan for the County. You know the song
boll Glenn Campbell and drive the name.
Speaker 2 (01:13:20):
In the suit Chan and the.
Speaker 26 (01:13:21):
Sun for of the.
Speaker 4 (01:13:27):
Glenn Campbell is there making it. I you singing And
I heard that song Rhyanstone Cowboy that was one of
his Lenstone cow Boy, Whichita Lineman I think was an
early hit for him.
Speaker 11 (01:13:40):
There was a witch Filipino parody of that song called
kawha Wan Cowboy, which meant like the like poor cowboy,
really kowaw.
Speaker 10 (01:13:50):
Cowboy because it was a huge song, a huge song anyway.
Glenn Campbell has died at a JD one. He has
been sick for a few years now with alzheim. He
did a documentary a few years ago kind of chronicling
what we're going to be his last years.
Speaker 6 (01:14:07):
Have you ever seen that?
Speaker 4 (01:14:07):
I've seen enough that it's called I'll Be Me. It
is intense, it's so so sad. Yeah, this was use he.
Speaker 11 (01:14:16):
Has to like read his lyrics off of like teleprompters
and stuff like. He can't but he still goes out
and performs, but it it's really tough to watch.
Speaker 10 (01:14:24):
It kind of catches him at the end of what's
going to be his career because he decides, why, I
can't perform anymore. So he retired from that, but he
put out a final album a couple of years ago,
and it had like Billy Corgan, tell you why boy,
When you know you're gonna die and you decide to
do a final album, everyone you've ever known comes out
of the woodwork to be on this thing. Warren Zevon
(01:14:45):
did it when he knew he was dying, and he
put out his last album a couple of months before
he died, and everybody came out of the woodwork to
be on. Epp Campbell's final album is called Audios so
you know when you know you're gonna go and married
four times. A drinker and a koke head back in
the day, and you know, but he was heavy duty
(01:15:05):
boy in the seventies. My Grammy used to watch like
there was like a Glenn Campbell a variety show. I
think he did by the time I get to Phoenix,
Rhyanstone cowboy was a big one.
Speaker 4 (01:15:17):
He used play with Merle Haggard.
Speaker 10 (01:15:19):
Back when country was country, back when country was country
and that pop crap yep. He used to guest host
The Smothers Brothers Show, and then he got his own
Glenn Campbell Good.
Speaker 11 (01:15:29):
Time Hour speaking of pop country that uh, I don't
like at all. I'll be performing at Country Jam in
two weeks. Are you really performing? You don't Erica performing
what well? They've never had a comedy tents.
Speaker 4 (01:15:42):
I had no idea. He's not a comedy ten. I'm
just gonna be on the main stage doing like a
few minutes of jokes. You didn't know that Bill had
a jug band. Honor and Bill Squire are gonna be
up there. Wow, all right, how did this come about?
Speaker 11 (01:15:59):
Charlie asked me.
Speaker 10 (01:16:00):
He said, Hey, you want to do some stand up yeah,
on stage. I've never like, Yeah, I love Sam.
Speaker 4 (01:16:07):
If you want me to, I will. I'll see how
it goes. You've never done a country show before.
Speaker 11 (01:16:11):
I've done country shows before, but I've never done like
something of this magnitude of good though.
Speaker 4 (01:16:16):
I'm excited about people.
Speaker 11 (01:16:19):
It's lots of thousands of people.
Speaker 4 (01:16:20):
Yeah, it's a big deal. It's chopping. I don't know
if it's ten or twenty, but it's it's a ton of.
Speaker 11 (01:16:26):
People, I know.
Speaker 4 (01:16:27):
So I'm excited about it. I think it's gonna be
a lot of fun.
Speaker 11 (01:16:30):
I like fifteen.
Speaker 20 (01:16:31):
I'm curious to see how comedy does there because this
is a rowdy type crowd.
Speaker 11 (01:16:37):
Yeah, and I'm just gonna do like greatest hits, plow through,
not acknowledge what's happening in the crowd at all.
Speaker 4 (01:16:42):
And just go for it. Yeah. I think that's the
best play there is. It just going to be you
for that set.
Speaker 11 (01:16:48):
Yeah.
Speaker 4 (01:16:48):
But they're gonna have other comics. No, it's just me,
That's what I mean. Just he just met comedian.
Speaker 11 (01:16:55):
Will come out well, Brian and Lean are doing like
all the in between stuff, so they'll bring me out.
They'll be like, hey, here's Bill Squire.
Speaker 18 (01:17:03):
I don't know.
Speaker 17 (01:17:03):
I just be like, how great is America right now? No,
I'm not gonna do that at all, clear of anything political.
Speaker 11 (01:17:15):
Yeah, I was playing around that. Yeah, although I might,
I don't know. I'm me so I will definitely put
my foot in my mouth a couple of times.
Speaker 4 (01:17:22):
Listen, gentlemen, Bill Squire.
Speaker 11 (01:17:26):
So, first of all, I'd just like to say I
don't really like today's country music. I think it's a
poppy and derivative and just really really just it's garbage
all around, not as bad as this country music does. Yeah,
(01:17:53):
I don't care what you guys think. You all have
terrible tastes of music. They gotta laugh on that one, though.
I like country music back when it meant something, back
when it was angry in outlaw country. That's my kind
of stuff. My kids used to My kids used to
dance around your red solo cup and they'd be like, Oh,
it's a good song. I'm like, no, that's not real
(01:18:14):
country music, Merle Haggard, that's real country music. Because anything
that what do you want?
Speaker 13 (01:18:20):
Trump?
Speaker 11 (01:18:23):
Trump anymore? Come on, let's be honest.
Speaker 24 (01:18:25):
Anything that laughs out of nowhere. Drink twisted tea what's it.
I said, you probably drink twisted tea.
Speaker 4 (01:18:35):
No, I havend twisted tea. I actually like twisted tea.
What are you talking about?
Speaker 11 (01:18:39):
Yeah, send your booze that way booze.
Speaker 4 (01:18:44):
Uh huh, you'd be oh yeah, I know. Okay, Well,
there you go. There's a little fun. I have a
I'll do a set that's that works for any situation.
Just mentioned like beer as often as you can, and
like I know how to tell jokes.
Speaker 11 (01:18:58):
I'll be good.
Speaker 4 (01:18:58):
I know you know how to tell jo I'm just
saying you haven't been in front of this crowd, are
you saying? Boo boos.
Speaker 11 (01:19:08):
I've actually been in front of this crowd more than
you think, just not at this level, not in this
like capacity, because most of the stuff that I was
doing when I was working the road was in front
of crowds that I would have to win over.
Speaker 10 (01:19:19):
Oh yeah, because I'm doing Broken off the gum Line
and yeah, a lot of shirtless men. I'm not that
a But here's the thing. They're great comedy crowds most
of the time because they are not PC. So like,
whatever you throw at them, they get that it's a
joke as long as you're not like attacking them directly
and like like you can make they like if you
(01:19:39):
take take a make a joke about them being like
a hillbilly or redneck redneck, they're like, yeah, that's fine.
Like they they can take jokes about themselves. But it's
just like if you are preachy or anything, they're not
going like that, which I don't.
Speaker 20 (01:19:53):
When's country gym the nineteenth, Yeah yeah, yeah, I normally
think national anthem, but I have my sister's bridal shower.
But talk about the pressure to sing a national anthem,
like that crowd they don't pay attention.
Speaker 4 (01:20:10):
By the way, half the people won't pay attention to
you say, I'm not worried about it.
Speaker 20 (01:20:14):
At all, but they won't pay attention to anything. Like
Brian LeAnn are up there like making stage announcements, like
saying all this like get trying to get people pumped
up for the next act, and everyone's drinking a beer
or going to get a beer or like punching their
sister or whatever.
Speaker 19 (01:20:27):
And then.
Speaker 11 (01:20:32):
Like punching their sister. But I go on it sounds
like a.
Speaker 6 (01:20:44):
That sounds bad.
Speaker 20 (01:20:44):
Actually, But I go out there as soon as I
start singing the national anthem. Literally everyone no matter where
they are, turns towards the stage in the flag and
starts singing and paying attention, like you see people down
by the food lines like taking their hat off and staring.
Speaker 11 (01:21:00):
So now I know how to get their attention. I'll
get a break out onto the national anthem. That's right,
(01:21:40):
M so bad.
Speaker 4 (01:21:42):
It'll be a lot of fun.
Speaker 24 (01:21:43):
The one and only time I worked Country Jam, it
was that was all I remember that, Yeah, I was.
I was working in promotions when I went to country Jam,
and that was the only time I ever uh went
to country Jam.
Speaker 4 (01:21:53):
And I remember I was working the autographed tent.
Speaker 24 (01:21:56):
And you will never see people fight more than their
waiting in line for hours for just a chance to
get like an autograph from some artists whoever they.
Speaker 4 (01:22:05):
Book, some up and comers. I've never even heard of
these people.
Speaker 24 (01:22:08):
And people were like falling all over there, like, hey man,
you know my sister, she's been having a really tough
time the past couple of weeks. I'm like, bro, I'm
just literally watching the gates like I have no authority whatsoever.
Speaker 4 (01:22:20):
You're asking the wrong person they get in. I'm not
gonna sneak you in and then like, my sister's been
having a really hard time and this would cheer her up.
Speaker 11 (01:22:28):
Yeah, and they're like way back in the line in
the face. My sisters started getting punched all and I
told her I'd.
Speaker 15 (01:22:36):
Get her out.
Speaker 24 (01:22:36):
And so the autograph signings were like fifteen to thirty minutes,
and if you did not get your autograph within that time,
the artists may go out there and you know, get
a picture or autograph with.
Speaker 4 (01:22:45):
You, but they may not.
Speaker 11 (01:22:46):
And people almost thought that they were gonna like have
their pitchforks and they're like torches ready when these artists
would like leave and go on the golf cart and
they're like, oh, well, they're just stuck up.
Speaker 10 (01:22:55):
Then you know, I went out here all day and
blah blah blah. I'm like, bro, he haul it out there.
Could you get behind some cornstocks and hey bales or something?
Speaker 4 (01:23:03):
Could you like so I can. I'll do that with him.
I'll get out there search the world over.
Speaker 21 (01:23:10):
I found.
Speaker 9 (01:23:13):
You was gone.
Speaker 6 (01:23:16):
For me.
Speaker 11 (01:23:16):
Yeah, there'll be a band out there, so like there's
gonna be drums.
Speaker 4 (01:23:19):
I might be a redneck joke, So that'll go over well.
Speaker 11 (01:23:24):
If you have a non working television under a working television.
Speaker 24 (01:23:29):
Yeah right, I will tell you Bill, it's gonna be
great like social media times during that day because when
you get there, go in by the entrance, it looks
like it's running out the bulls once when they opened
they open the doors, everyone starts running away.
Speaker 4 (01:23:44):
Where is it this year? It is at the fair grounds. Yeah,
it was at the fund.
Speaker 20 (01:23:50):
We moved it to that Black River landing or whatever.
But the Cyoga County Fairgrounds is like the perfect place
for that. It's going to be like borat at the road.
Speaker 11 (01:24:01):
You're gonna wear that shirt like an old Garth Brooks
American flag shirt.
Speaker 10 (01:24:05):
Yeah, you gotta wear one of those. But is it
like it's gotta be a good mix though, right, Is
it like there's a lot of girls in hats and
shorts or is it a lot of like no tea.
Speaker 4 (01:24:11):
Girls and hats and shorts. Okay, I'm not saying there's
it's like all no teeth. People. Know, it's a lot
of people that just like Country's.
Speaker 20 (01:24:18):
Like shirtless dudes like with with like tanned bodies, like
they're clearly roofers or like laborers of some kind, like
beer guys with the short daisy Dukes and the boots.
Speaker 11 (01:24:31):
Again those look, those are dudes that I have grown
up with my entire life. I lived in Medina, I
work the road, doing a bunch of gigs in the country.
Like I know how to handle those crowds.
Speaker 4 (01:24:41):
There's some, there's some you know your necks in there.
Speaker 11 (01:24:43):
But and I'm not going to go up there and
try and bash Trump or do anything political. I'm gonna
I'm gonna do my act, my active and it's gonna.
Speaker 4 (01:24:50):
Be a lot of fun. It's going to be exquisite.
Speaker 20 (01:24:54):
And always caters the vi P ten to get yourself
some of that. By the way, it's also drunk salespeople
you'll have content with as well.
Speaker 4 (01:25:01):
Oh yeah, literally, it's every event we do.
Speaker 20 (01:25:04):
It's a who's who of the salespeople and they get
lit because you get three hours of free drinking in
that vi P tent.
Speaker 4 (01:25:11):
How many people will bill yell at for being on
their phone. That's a little phone.
Speaker 11 (01:25:17):
I haven't I haven't.
Speaker 4 (01:25:17):
Worried about the phone thing in a long time. It's good, good, No,
it's been several years.
Speaker 18 (01:25:22):
You know that.
Speaker 4 (01:25:23):
Somebody last year for being on their phone in Kent
in Kent or House, the blues. I can't remember. No,
I didn't yell anybody for being on their phone. In
the past couple of years.
Speaker 11 (01:25:34):
There was a when I was on the show I
did that was that was shutting someone up, that was
ruining the show for everybody else. That's a different situation.
And this isn't a comedy show that people are going
to see, so like, if people are talking and stuff
like that, I'm just yeah, it's not the same as
someone that is specifically there to see us perform.
Speaker 4 (01:25:55):
Like Florentine in between Pantero's What if it's someone yelling
like obscenities at you, what do you do in that situation?
I ignore it or destroy them. Yeah, that's the fair
Browns for you. That's country jam. I'm not saying they will,
it's the Life's not fair. Pretty behaved there though, I sis,
but it was a joke. You got to like, you know,
(01:26:16):
have fun during the day. You can go throughout the park.
Speaker 24 (01:26:18):
I was working one area and people were rowdy and
people were drunk, people were hot.
Speaker 11 (01:26:23):
But I'm also going on, like, yeah, six o'clock, so
it's not going to be peak drunkness that.
Speaker 4 (01:26:28):
Well, no, it will be because they let them eleven
or noon. Who's playing?
Speaker 6 (01:26:35):
Like?
Speaker 4 (01:26:35):
Who are you going to be before?
Speaker 7 (01:26:36):
Who?
Speaker 11 (01:26:37):
According to the website here At and T is that
a country band? It's the Alabama Truckers and Tail.
Speaker 4 (01:26:47):
Like, let's see what's on it. I won't to see
if I know anybody this year?
Speaker 11 (01:26:50):
How much time are they giving you? How much time
to do?
Speaker 4 (01:26:53):
Fifteen minutes? So you go, lady Neil m Bill's squire
and then you go out there. And I told Charlie,
I'll do ten to fifty team. We'll see how it feels. Yeah,
I'm not gonna you know, I'll do my set and
if it goes well, I'll keep going. If it's good,
then I'll be the game. Well, but it'll be fun.
Speaker 10 (01:27:10):
But that's also one of those crowds where like, it's
not gonna be awesome. It's not gonna be awful, right,
it's just a beg fun. I'll be there and a
lot of people and you just do whatever.
Speaker 20 (01:27:18):
Oh h my friend will be playing there. My friend
Dustin Hook will probably be playing.
Speaker 23 (01:27:24):
Good for you.
Speaker 20 (01:27:25):
He plays for Dan and Shay, the band Dan and Shay.
They're called they're big, They're big in country right now.
Speaker 4 (01:27:31):
Dan and Shay.
Speaker 20 (01:27:31):
They're they're one of the headliners, and my friend plays
bass for them, so huh, I will be there, but
you tell my friend is at hive.
Speaker 4 (01:27:39):
Dan and those two people, Dan and Shay two people, Yes,
and then they have a backing.
Speaker 20 (01:27:44):
Band, Dan and Shay, Okay Thompson Square, Josh Turner who
I've heard of but never listened to, Dylan Scott Morgan
walland the Stickers and the Caliber Band.
Speaker 4 (01:27:56):
I only known of them. I only know of Dan
and Shay. Dan and She do not look like a
country band at all. Yeah, they're hot. Yeah, they have
two dudes. Yeah they look like uh you know that
they would be like a Jonas Brothers. Yeah, yeah, okay,
which is probably why they're really hot town.
Speaker 11 (01:28:14):
They'll crossover, they'll do pop well, They're going to be
the new big and rich.
Speaker 10 (01:28:19):
Every every generation needs a couple of guys talking about
saving horses and riding cowboys, and that's these guys that Charlie.
Speaker 11 (01:28:28):
Let's talk Charlie. Why am I not on this lineup?
Why is my picture not up here?
Speaker 7 (01:28:33):
Did?
Speaker 4 (01:28:33):
When did you get added?
Speaker 11 (01:28:34):
I don't know.
Speaker 4 (01:28:35):
You talked to me like a month ago. I might
have to go up there. And meet those guys. Now
wants to go. Yeah, I'm probably away a gig was
bitch in the mounting. Ma's a couple of hot guys.
I'm gonna call.
Speaker 11 (01:28:46):
I'll film Bill while he's on Stig's doing.
Speaker 4 (01:28:50):
I don't know. I think he's gonna be okay, just
be a nice little outing. Can I get pass from
our country?
Speaker 7 (01:28:58):
Damn?
Speaker 4 (01:28:58):
I guess being the background? Okay, in the.
Speaker 10 (01:29:02):
You'll be way in the background, and you'll be hiding
in the sink in their trailer.
Speaker 4 (01:29:07):
If there's one thing that pound Cake excels at, it's
being in the background. Yeah. He's really known for being
able to blend in very easily. You really can't. You'll
never find him front and center.
Speaker 11 (01:29:17):
Boy, I'll get a nice little beer, Yeah, a nice
little beer, yeah, which she won't do.
Speaker 4 (01:29:22):
He'll find a like a bud Light Line Marita or something.
Let's give him of a doubt. Those have a higher
alcohol percentage, so that's fine. Yeah, that'll be very drunk.
Pound Cake also known to be a huge wallflower. Yeah,
he just likes to sip seductively in the corner. Seductively. Yep,
Well there you go. That would be fun, though, I'm
(01:29:42):
sure you'll have a fun day. Is your friend playing
upright bass? No bass?
Speaker 20 (01:29:46):
Actual bass? I want to where the country bands had
bass players bass guitar. Well, maybe he does play guitar
for them. I don't know, but he is a bass player.
Speaker 4 (01:29:53):
So doom doom, doom doom.
Speaker 10 (01:29:55):
He is not playing the upright now like the wolves
in the old tex Savery cartoons, kind of.
Speaker 4 (01:30:00):
Like they're like like rock, country pop fusion situation.
Speaker 10 (01:30:05):
Well, you just rattled off a whole bunch of genres there,
so I hope that they are one of those.
Speaker 4 (01:30:09):
Yeah, I just feel like it's like, uh, I don't know,
house country, jazz, rock pop. But what I mean is
they're not like backwoods like dingddling. Well nobody does that
anymore bluegrass festivals, not at country festivals. Sometimes I seen
that had the dingd lings there. Country music is pop
(01:30:31):
music these days. Yeah, yeah, well it's like pop rock
country dingling. It's tex Avery, a good time. Everybody everybody
loves tex Avery and d I've seen a banded country
jam that had like the fiddles and like the whole
I don't.
Speaker 20 (01:30:49):
Know what it's called.
Speaker 11 (01:30:51):
Yeah, right, you know there's a guy that calls him
pretty regularly talking about his banjo.
Speaker 4 (01:30:57):
Is called it a million times think of it at
the time.
Speaker 11 (01:30:59):
Yeah, the Entering Dingdiddlings Society, they're very, very popular, a
bit south of us. H.
Speaker 4 (01:31:06):
I'm Erica, Lauren.
Speaker 20 (01:31:06):
Please welcome to ding Diddlings. Well, okay, good, Well that'll
be fun for you then, you know, I make sense.
Definitely make sure they hook you up with the VIP tickets.
Speaker 4 (01:31:18):
I need uh to be taking care of them.
Speaker 11 (01:31:21):
I'm like, if I'm gonna do this, I want to
be able to walk around there anywhere I want, do
whatever I want to take it.
Speaker 4 (01:31:27):
I don't know yet. Now, will you wear daisy dukes?
Speaker 11 (01:31:30):
Of course, just for a fact that okay, good, You
need some jorts, that's the uniform, right, yeah, check it,
one of those big old belt buckles. Wear a cowboy hat,
keep on trucking where it's got the leg way out. Yeah,
like a flannel shirt with no sleeves.
Speaker 4 (01:31:43):
Fun Bill shows up with a piece of wheat in
his mouth. Yeah, I think it'd be fun.
Speaker 11 (01:31:49):
Just kind of just just lean into it.
Speaker 4 (01:31:51):
Yeah, Hey Country Chris, Hey, what's going on?
Speaker 3 (01:31:56):
I was enjoying the.
Speaker 6 (01:32:00):
Yeah, I can't even say that I am.
Speaker 15 (01:32:05):
I got an old redneck joke.
Speaker 3 (01:32:07):
That my grandfather told me back in the day. I
don't know if he'll be able to use it as
a country fest, but I'll try to get to this
as painlessly as possible. A kid walked up on his
grandfather on the porch drinking some moonshine and said, hey, Grandpa,
can I have some of that? Grandpa asked him, well, son,
does your dog touch your bee hole? The son or
the grandson said no, it doesn't.
Speaker 15 (01:32:28):
He goes, well, you can't have any.
Speaker 3 (01:32:29):
So a few days later, he sees his grandfather again
chewing on some some tobacco. He said, can I have
some of that? And he goes, son, does your dog
touch your bee hole?
Speaker 4 (01:32:38):
He said no, it doesn't.
Speaker 3 (01:32:39):
He goes, well, you can't have none of it. So
fast forward, the grandfather sees the son with some or
the grandson with some fresh baked cookies. He says, hey, grandson,
give me some of them cookies. He said, well, does
your dog touch your beehole?
Speaker 6 (01:32:51):
He said, well sure does.
Speaker 2 (01:32:52):
He said, well, good, go after yourself.
Speaker 4 (01:33:00):
What a way to talk to a kid. Countryss. Some
things are never meant to be discussed. Impolite society Welcome
to Impolite.
Speaker 19 (01:33:13):
Society show on SEVENMMS.
Speaker 10 (01:33:19):
This guy stops my son in a bar at Michigan
State University and goes, hey, I listened to your dad,
and my son's like what because I never told my
son that I was on the radio.
Speaker 4 (01:33:29):
So he was very confused, very very confused. That's right.
He thought I was a couch salesman this whole time.
Speaker 10 (01:33:37):
But I hope that over the course of my life,
I am in a store while someone is angrily quitting
over the PA system.
Speaker 4 (01:33:45):
Oh yeah, I would love to be.
Speaker 10 (01:33:46):
In one of these stores when that happens, because he's
always go viral because obviously they're filming themselves. It's not
some bystanders like, oh my god, check this out. They're
always filming themselves. This is the Walmart, Walmart, Walmart. Yeah, yeah,
it's Jim Brewer and half baked. Now it's not Jim
Brewer is not the one that quits that way. It's
(01:34:07):
scarface there their one friend, Okay, Louisiana Walmart worker praised
on social media. That's the best case, the place to
get praised because everybody's got their head on straight on
(01:34:28):
after quitting job over I guess what they call a
Pennsylvania system there in Louisiana, Belle, it's called a Pennsylvania system.
I don't know what that means.
Speaker 4 (01:34:37):
I'm sorry.
Speaker 10 (01:34:39):
They called a Pennsylvan Louisiana so backward, you know, Pennsylvania system.
This is in corn Crow, Louisiana. Where she gets. We've
all seen these, We've seen somebody get on you. Suck
if you. This company treats people like crap.
Speaker 11 (01:34:57):
Where I go and quit a Walmart?
Speaker 10 (01:34:58):
I never worked there, guys, everybody, oh here it is
a woman named Beth used the pass.
Speaker 6 (01:35:05):
Attention Walmart shoppers and associates.
Speaker 4 (01:35:08):
My name is Beth from Electronics.
Speaker 6 (01:35:09):
I've been working at Walmart for almost five years, and
I can say that everyone here is overworked and underpaid.
Speaker 4 (01:35:15):
We're told that we're replaceable.
Speaker 20 (01:35:17):
This company treats their elderly associates like to Jared, our store.
Speaker 4 (01:35:21):
Manager, you're a pervert.
Speaker 20 (01:35:22):
Gretta and Kathy, I hope you should speak to your
families the way you speak to us.
Speaker 4 (01:35:27):
Manage it and this job. I quite have this job.
Take this job they and shove it. Hey, hey here,
no more. Why do they just think that it'd be
better somewhere else, especially after you do something like that.
Speaker 10 (01:35:42):
I don't know what she was making, but you can
go across the street and make fifteen bucks an hour,
maybe twenty bucks an hour taco bell.
Speaker 24 (01:35:47):
Yeah, but you're still going overworked. You're still gonna be understaffed, Like,
you're still gonna hate your job.
Speaker 4 (01:35:53):
Why do you you're making more money?
Speaker 22 (01:35:55):
Crap too though, Like just because it's Walmart, each management
team is different.
Speaker 4 (01:36:01):
I understand if you have a better management team, yeah
that's the assumption. But what if you don't and then
somewhere else? Listen?
Speaker 10 (01:36:08):
I saw an Amazon commercial where everybody in it was
talking about what an amazing place to work Amazon was.
They need to give those people more of a spotlight.
Where are those You don't see those people picking up
a phone? I saw a Walmart commercial. This girl just
quit a Walmart. I saw a Walmart commercial, the last
(01:36:28):
place you'd ever think that they'd get glowing reviews, right,
but a Walmart commercial where every associate in there was
talking about what an amazing place to work it was.
Speaker 4 (01:36:37):
So boy, I just don't know what to believe. It's
hard to figure out, but I want to be in
a store when this happens. So somebody start hanging out
in walmarts. This is on you, mate, What makes you
think I already don't marry? Yeah, that's why they call
me the Saltan of the Steelyard, all right, because I'm
always hanging out. Oh should Yeah, that's right under level
(01:37:00):
and took all the reasons I was working at falk.
You better not try stand.
Speaker 11 (01:37:08):
In my wings. I'm walking out the doors.
Speaker 9 (01:37:13):
Take this job and shove it. I ain't working in over.
I've been working in this fact for now fifteen years.
All this time I watched by woman drowning in Mooteers,
(01:37:36):
and I've.
Speaker 21 (01:37:36):
Seen lot of good food.
Speaker 11 (01:37:38):
Din had a lot of bills to make.
Speaker 9 (01:37:43):
I give the shirt to ride off of my back,
and I had the guts to shit.
Speaker 10 (01:37:50):
Take this job and shove it down down Johnny Paycheck.
Speaker 4 (01:37:55):
The Pride of Greenfield, Ohio.
Speaker 11 (01:37:57):
Walker Hayes did a cover of this song where he
says take this Applebee's two per twenty and shove it
in my mouth.
Speaker 4 (01:38:05):
He was at the iHeart Festival over the weekend. He
was singing that song. I like their chicken fried shrimp
and there oreo shakes and there whatever they do, chicken
fres shrimp, chicken City shrimp.
Speaker 10 (01:38:21):
Everybody's looking for a new foray into your fast casuals.
All right, Johnny Paycheck, who was born Donald Eugene Little.
Speaker 4 (01:38:30):
Waiting there.
Speaker 10 (01:38:31):
I was like, he's been dead for a while, but
he is from Greenfield, Ohio, and he is, of course
best known for that song take this job, man, showing
you know what.
Speaker 4 (01:38:41):
I'll tell you something.
Speaker 11 (01:38:42):
There's this.
Speaker 10 (01:38:42):
I was reading a book review because I'm cool. I
was reading a book review. Somebody just read the book yeah,
written cold, Well, this is how if I determined I
want to purchase the book. Right, Cleveland Scene did a
little dive on it's called Lost Restaurants of Downtown Cleveland,
and they opened the review by saying that they figured
it was just going to be another one of these
hey this used to be here books, but that it
(01:39:04):
was a really good book. And as I'm reading this
and they're going through the restaurants that used to be
not just in Cleveland, but specifically here, we need to
bring back some of these old timey restaurants ground round
no No, No.
Speaker 4 (01:39:20):
Eighteen hundred's type restaurants, right, Like I.
Speaker 11 (01:39:25):
Mean, like you know, everybody complains about so much homogeneity right,
like everything's the same. Nobody's complained about the homos.
Speaker 10 (01:39:35):
I bring back the hurricanes, bring back the old timey stuff.
Nostalgia's big business.
Speaker 11 (01:39:42):
It's gonna be that you were aware of though. She'd
just bring back something from the eighteen hundreds, be like, hey,
don't you guys. Didn't you guys miss this? Like we
didn't know it was think what dirty water?
Speaker 6 (01:39:53):
No?
Speaker 10 (01:39:53):
No, let me rattle off a couple of these for
you here, Kay, this book is going to be out.
It's going to be released on September the twenty seventh,
is called The Lost Restaurants of Downtown Cleveland, And just
a couple of the anecdotes here just really jumped out.
In the eighteen eighties, restaurants called beef steak dungeons were
all the rage throughout the country. Beef steak dungeons. While
(01:40:17):
you were there, men would have white butcher aprons on.
They'd sit on whiskey barrels, and they'd eat grilled steak
with their hands.
Speaker 4 (01:40:28):
The usual accompaniment was beer and celery stalks. You tell me, people.
Speaker 10 (01:40:32):
Wouldn't line up some hipster joint where you're sitting on
whiskey barrels in an apron eating a grilled steak with
your hand. Cleveland's version was called Finley's Philanstoi and it
was located at Huron at East Ninth, and it was
located in a basement Bring back the Beef Steak Dungeon.
Speaker 4 (01:40:52):
So I'd never even heard of that before, And now
that's all I can think about.
Speaker 11 (01:40:57):
More celery. Please a cup for our bottomless celeryed beer. Hey, everyone,
I eat a stega their hands. Well, come on.
Speaker 4 (01:41:08):
Down to Finley's Phalanstery. I don't even know what a
philanstery is. Yeah, I like using a knife and fourty
to steak.
Speaker 11 (01:41:16):
Then, especially, they aren't accounting for people using their phones
while they're eating dinner, so you go to keep wiping
your hands off.
Speaker 4 (01:41:24):
He's got steak all over right. You going to take
pictures and promote on social media if you get steak hands.
Speaker 11 (01:41:28):
And you're in a basement where there's no connection.
Speaker 10 (01:41:30):
Jeez, this is why Maybe I really haven't thought this through.
Maybe that doesn't scratch you where you're itch, Let me
throw this at you. A chain of Depression era cafeterias
called Blue Boar that popped up in Louisville and Little
Rock opened in Cleveland in nineteen thirty five.
Speaker 4 (01:41:46):
You get an orange, a piece of bread.
Speaker 10 (01:41:50):
The dining room seated six hundred people who enjoyed dishes
like crusty meat pie, creamed salmon with noodles and eggs,
roast leg of veal, which cost sixteen cents.
Speaker 11 (01:42:04):
All right, I like the price point.
Speaker 4 (01:42:06):
Yeah, but salmon, yeah, noodle snow taker. I'm more on
board with the hand steak places.
Speaker 11 (01:42:17):
Yeah, cream salmon, crusty meat pie.
Speaker 4 (01:42:20):
Joint, all right, just going to the gruel hall, Yeah.
Speaker 10 (01:42:28):
Captain Frank's Seafood House, which opened on East ninth in
nineteen fifty four. The restaurant opened without a liquor license
because the mayor at the time believed that it would
promote a honky tonk atmosphere, had a secret.
Speaker 4 (01:42:40):
Joint spree joint. We don't want no honky tonk atmosphere anyway.
Speaker 10 (01:42:47):
Suffice to say, I'm buying this book, The Lost Restaurants
of Downtown Cleveland, because I'm going to do a deep dive,
and I will be calling my my venture cap friends
and my circle of potential investors, and I'm going to
drop a prospectus to bring back the new age of Beefsteak,
(01:43:10):
Dungeons Wing you and I hope that you're all on
board with me. The Alan Cox. You know, that's how
you know you've made it in the local media. When
you're just not doing your media thing.
Speaker 11 (01:43:20):
You got some other dumb thing going on, right, Like
you got Hey, I got chicken and fish or whatever.
Speaker 4 (01:43:26):
Right, you open up a restaurant. What could go wrong
opening up a restaurant. Most of them just do great.
I'm going to open up Alan Cox Beefsteak, Dungeons ACBD.
Speaker 22 (01:43:38):
You walk in to your your your investors meeting, which
I'm assuming that you're like on a stage like Steve Jobs,
all black, little tiny microphone, you have your hands by
your face, many investors, and you walk in.
Speaker 4 (01:43:49):
And you say three words crusty meat, PI.
Speaker 10 (01:43:54):
Wet Ham discs some pound tail from over the break
as well.
Speaker 4 (01:44:01):
The best of Cobra Radio is up there. Did you
listen to it at all?
Speaker 18 (01:44:06):
No?
Speaker 4 (01:44:07):
The is should?
Speaker 24 (01:44:08):
I I mean, if you want to. I just thought
it would be fun. I would like everyone else has
like best ofs and some ups.
Speaker 4 (01:44:14):
I was like, I have plenty of tapes from back
in the day that I could play and it was
just so I just laughed and I just giggled because
the old antics I used to do, and I just
used to think I was just killing the game.
Speaker 11 (01:44:24):
So this is your old this is your college radio aircheck.
It's not even it's an old interview I had, do
you American Idol guy?
Speaker 23 (01:44:31):
Uh?
Speaker 20 (01:44:31):
Huh?
Speaker 4 (01:44:32):
Who Christ? The same guy he talks about all the time,
dude from American Idol.
Speaker 11 (01:44:37):
I never aired the interview. Wait, you did it in college,
but you didn't er it. No, I'm talking about i'd
never aired it. Like you guys never heard the interview.
Oh I talk about it, Say you still haven't aired it.
I talk crap about a lot of things, but I
just thought it would be fun.
Speaker 4 (01:44:52):
So this is your interview with an American Idol guy.
What year is that? Twenty fourteen? So it was like
right before I got on the show. Well that's up
there for you. Mm hm.
Speaker 10 (01:45:02):
He's driving me crazy esthetically, by the way he says,
I have the pound Take best of Cobra Radio. The
graphic is driving me nuts for some reason. The spacing
between the letters, who does that mean?
Speaker 4 (01:45:14):
Oh, it's weird. It's driving me nuts.
Speaker 11 (01:45:16):
I did it in haste because I forgot to put
it up.
Speaker 4 (01:45:22):
In haste. I've got to get this up. People cannot
get deprived of Co's College Show one second longer. Why
Because I was supposed to put it up on Thursday,
and I didn't put it up.
Speaker 11 (01:45:32):
Till last night.
Speaker 4 (01:45:33):
Oh that's why it says January third. It was Christmas Eve,
So I mean I didn't New Year's New Year's Sorry,
I didn't buck you. So yeah, I can see why
that would bother you. But I'm just gonna have to
let it bother you. Fine, you're right, just like drunk, sup,
I'm gonna it's on me, not you.
Speaker 11 (01:45:50):
I'm gonna change it up this week anyway, because it's
gonna be because he's been doing making the podcast and
the article coincide. I'm gonna make it all the same branding.
Speaker 4 (01:46:04):
So it's called the Best of Cobra Radio.
Speaker 10 (01:46:07):
For those of you who are new to the show,
Our little pound Cake was DJ Cobra when he was
doing college radio at the University of Akron, And so
he gives you a little bit of setup on that
and then he posts the best of Cobra Radio.
Speaker 4 (01:46:24):
This is the Is it just that interview? It's just
that interview. Oh, it's just that interview.
Speaker 11 (01:46:29):
Best.
Speaker 4 (01:46:31):
That was a question. I wasn't I wasn't sure if
it was if you if it was an air check,
or if it was just that it was just that interview.
Speaker 11 (01:46:37):
I have other tapes that are literally just like maybe
thirty seconds to two minutes long, and I those ones
would require I'm not just going to post those. Those
would require like explanation and context as to why I
would do those. And some of them I can't to
use it because it gives out like the station phone number,
and so who wants to hear that?
Speaker 4 (01:46:53):
So have you guys heard this? No, I'm not. Do
you want to?
Speaker 25 (01:46:57):
Yeah?
Speaker 10 (01:46:58):
I mean he's told us the story a lot of times.
I've never heard the interron. I'm not gonna obviously play
the whole like forty five minutes. So you you uh,
you interviewed a guy who he didn't Did he win
American Idol? They year he won a Maria or not
not that year? This was like after he already won.
Speaker 4 (01:47:13):
He won back again for five years after he won,
and he came to like has he still performing? He's
putting out singles and stuff.
Speaker 24 (01:47:20):
He was there on a tour like he was doing
like a college tour and just randomly my the secretary
that worked at w CIP at the time, she was like, hey,
you know, Chris Allen's going to be you know, at
e J Thomas Hall, and a rep from him for
his team like said he wanted to do an interview.
Speaker 4 (01:47:34):
I was like really, I was like, he's cute, so
so you knew who he was. You didn't just grab
him because he was on America.
Speaker 24 (01:47:40):
No, he contacted us and I was the DJ director
at the time, so I was like, I'll take the interview.
Speaker 11 (01:47:45):
Did he know that you guys were a college radio station.
I'm assuming so because he was performing on a college campus.
I see gotch I see yeah, he's trystele tickets.
Speaker 4 (01:47:54):
I got you. So the first part, if you're going
to play the like from the beginning, No.
Speaker 10 (01:47:58):
I'm not going to play the whole Are you asking
if I'm gonna play the whole forty five minutes? The
first is just me singing the audience at top speed.
Speaker 4 (01:48:10):
Don't already at radio Cody B and just let me
know what you think of Did they got into the arena? Yeah,
I mean the same kind of deal. What happened with me?
Speaker 11 (01:48:20):
You know I tried out for XP.
Speaker 10 (01:48:21):
Did you pull is this what it sounded like on
the show or did you pull this off of an
old cassette or something?
Speaker 11 (01:48:26):
That's how it sounded like on the show. This is
like back in the day. This is like twenty fourteen.
So you played some segments from twenty It's.
Speaker 4 (01:48:33):
Not one hundred years ago. This sounds like this sounds
like Marconi's first broadcast.
Speaker 11 (01:48:37):
But I manipulated it after I had already took it
off of our like taking our system, and that it
was on like a flask drive.
Speaker 4 (01:48:45):
So it's been like passed down, That's what I'm saying.
So you multiple generations? Yeah, so I'm once I condensed it.
It sounds a little weird, sounds a little fuzzy after all?
Speaker 23 (01:48:52):
What so?
Speaker 11 (01:48:53):
Yeah?
Speaker 4 (01:48:54):
Yeah? So are you a singer? Yeah, I'm gonna tell
you the story. Okay, why is it so echoey?
Speaker 10 (01:49:02):
I think that was part of it being condensed? No, no, no,
I mean I don't even by condensed, you mean compressed compressed.
Speaker 11 (01:49:08):
That's no.
Speaker 10 (01:49:09):
The source audio sounds really echoey, like was the studio
a big room?
Speaker 4 (01:49:13):
Very big room?
Speaker 23 (01:49:15):
Boy?
Speaker 4 (01:49:15):
What a great wait? Wait, wait this wasn't the air studio.
It was the air studio. But did they have like
foam on the walls? No, I don't really.
Speaker 10 (01:49:25):
What a great what a great room to have a
radio studio and a huge cinder block room with no
audio deadening whatsoever.
Speaker 4 (01:49:34):
We had a bunch of like cassette tapes and stuff
on the wall. So no, I don't think there's really but.
Speaker 10 (01:49:38):
Like how we have like carpet on the walls essentially
like deadening walls to go back.
Speaker 4 (01:49:42):
And look at pictures because I don't, I don't. I'm
sure we.
Speaker 24 (01:49:44):
Probably did, but probably not that much. And well it
sounds like not that much. Surprised the way that mix
was said. That was the original air studio. So usually
when we do interviews, they're not live, they're recorded, so
you can do that stuff.
Speaker 10 (01:49:54):
A hot minute that I did college radio, it was
literally like one semester and it was the main control
room was this time. It was a gouty thinking Terry
might call me back. It was a friggin closet, right,
And if you were going to interview anyone, which happened
very few and far between, they were on the other
side of the glass. They were in like a prod studio,
(01:50:16):
so you could see them, but you couldn't you know,
touch them or anything.
Speaker 4 (01:50:20):
So to be in like a big echoe, you have
to go back to looking pictures.
Speaker 24 (01:50:24):
I feel like there was just a bunch of cassette
taps on the wall and they probably had like little but.
Speaker 11 (01:50:28):
It's weird that they don't have because it's not like
this is what all your shows sounded like. It just
sounds very well.
Speaker 24 (01:50:33):
Like I said, we normally did not do live interviews.
Any interviews that we had, like were recorded, and then
we had a separate studio for that.
Speaker 11 (01:50:40):
It was way back from the mic.
Speaker 4 (01:50:42):
No, there was two mics, and I think one was
probably just not not the same level.
Speaker 11 (01:50:46):
Well, but it sounds like one of somebody's way off
their mic, because you can kind of get that, like
if I go way back off my mic, you could
hear the room a lot.
Speaker 4 (01:50:55):
Well, yeah, I was doing that was me because they
were they were filming it.
Speaker 10 (01:50:59):
I mean, listen, in all honesty, this room sucks acoustically
because one full wall is windows. I like radio when
all the studios I've worked in over my career, I
love it when you're in a friggin coffin where it's
a dead room.
Speaker 4 (01:51:13):
I do, man, I didn't get the same, like mid
panic attacks, Like I didn't get in this.
Speaker 10 (01:51:18):
So look out the window. You know you can't have
a dead room with glass on one full wall. No,
but my but why didn't you just record it like
they normally would do with guests in the prod room
and then er it.
Speaker 4 (01:51:30):
Later on because because they're filming it. Yeah, so he
came in during your live show. It wasn't even during
my show. I think I was going on later that.
No it Why didn't you pre record? Well, it was
during my show. Yeah, so you did pre record it. No,
it wasn't pre recorded. It was live. So this okay,
even actually happened. Well because it was a long time ago,
(01:51:53):
I was confused. Listen, I planned the interview and I
did not for some reason, I didn't want to record it.
He was going to be there live and because we
were making callers, that's what it was. So he was
giving away tickets. Okay, but he So you were not
on you you were live.
Speaker 10 (01:52:07):
I realize I'm asking nerdy questions, but I want to
figure this out in my brain. You were live, but
you were not on when you were normally on. No,
I was, but I so he did your show live,
he did my show live. And the reason why I
had it live was because we wanted to take callers.
I was giving fans opportunity to call in and ask
questions to Chris. And that's why I did not want
to record it now.
Speaker 4 (01:52:27):
And so there were no you couldn't do phones in
like the prodroom, no production room. Oh no, okay, my.
Speaker 28 (01:52:32):
Mom let me miss school. Love my mom let me
miss school. Was to go to the audition. Now, I
didn't realize that. I guess it was poorly organized. Nothing
against X Factor, but uh, I didn't realize that when
I went to the oh.
Speaker 10 (01:52:44):
Way I could Were you like a personal fan of his? Yes, okay,
I was beaming. I know, That's why I was gonna say.
Speaker 4 (01:52:51):
I didn't.
Speaker 10 (01:52:52):
I didn't know if like you were into him or
if he was just on America, like if Sanjaia had
come through, if you would have done the same thing.
Speaker 24 (01:52:58):
No, I was beaming, and I was super excited. He
was cute and he was really nice. So it was
just a win win for me.
Speaker 4 (01:53:02):
And I know him a gay dude. No, he was
married about him his wife was the person that like
booked him like on my show. So I talked to
his wife too for a little bit.
Speaker 11 (01:53:12):
You auditioned for X Factor.
Speaker 4 (01:53:13):
This was years ago. I actually did well. Listen to
the rest of the story. Audition people were there camping
out the night before.
Speaker 24 (01:53:22):
Yeah right, they were only letting like and this sounds
like a crazy number, but it's still like compared to
the people that were there, five thousand, people that were
like they were taking they were talking five thousand when.
Speaker 4 (01:53:33):
I got there, I like, how you don't hear the
guest at all?
Speaker 10 (01:53:37):
The American Idol guy can't get a word in edge
wise with DJ Cobra because he's telling this big, long
story and the guy's like.
Speaker 4 (01:53:44):
Yeah, uh oh boy, yep, you were on an American ale.
Speaker 11 (01:53:49):
Let me tell you all about me about how I
auditioned for.
Speaker 4 (01:53:52):
What was your audition? First of all, X Factor is
like a variety show.
Speaker 24 (01:53:57):
It was the I Guess Competition of American Idol, and
it came here years ago, and I didn't it was.
Speaker 4 (01:54:02):
It was a strictly singing show. Yeah, and you auditioned.
Speaker 11 (01:54:06):
No, I didn't get it was it was another Simon
Cowell show because it was the show that was on
in in England, England, and then they brought it over here.
When he left American Idol, Simon Cowell started X Factor here.
Speaker 4 (01:54:17):
But you auditioned to sing? No, I was going to
audition to sing. I did not know what I'm saying.
Speaker 10 (01:54:21):
You were you were planning to audition to sing yep,
and then and you can't sing. It was a dream, Allen,
all right, That's what I said.
Speaker 4 (01:54:31):
He keeps his emergency bug out bag in his trunk.
Speaker 13 (01:54:35):
Unfortunately, it contains only Pez comic books and moist.
Speaker 19 (01:54:39):
Tell Less the cock shown wmms.
Speaker 4 (01:54:46):
Hey, Nikki, Hey, what a.
Speaker 19 (01:54:50):
How are you?
Speaker 18 (01:54:51):
I'm good?
Speaker 4 (01:54:51):
Are good good?
Speaker 8 (01:54:54):
I was telling Poundcake about my.
Speaker 4 (01:54:57):
Previous profession, which was dominate.
Speaker 8 (01:55:01):
I was a phone dominatrix.
Speaker 4 (01:55:03):
Sweet.
Speaker 8 (01:55:05):
Yeah, So basically doing that, I learned that guys will
pay for anything.
Speaker 4 (01:55:09):
Yeah, of course, how much did you charge? How did
you get into it? And how much did you charge?
Speaker 8 (01:55:14):
I had a friend who worked for the company, and
so it was all I didn't have to deal with
the billing.
Speaker 2 (01:55:19):
I don't I'm an artist.
Speaker 8 (01:55:20):
I don't deal with the monetary I just uh, you
just you didn't get paid for it, understood. Oh no,
I definitely got paid, but I didn't have to deal
with like the per minute or whatever. Yeah, like I
didn't have to interact with them directly in that way.
Speaker 4 (01:55:33):
It was all right, but but you had to know
what the rate was. How do you know if you're
getting ripped off? Well, I mean, you know, I know.
Speaker 8 (01:55:40):
What they were charging per minute, and think, well, yeah,
that's what I mean, we were That's what I meant.
Speaker 4 (01:55:45):
What were they charging per minute?
Speaker 8 (01:55:46):
I think this per minute was something like three ninety
nine minute and wow, bill.
Speaker 4 (01:55:52):
Three ninety nine dollars a minute?
Speaker 11 (01:55:54):
No, three million, I'm.
Speaker 4 (01:55:55):
Sorry three million nine wow?
Speaker 10 (01:55:58):
So it really oper echelon. Okay, so so how'd you
get into this?
Speaker 8 (01:56:03):
One of my friends worked for the company, and she
was like, hey, you have a really cute voice.
Speaker 7 (01:56:07):
This is a line.
Speaker 8 (01:56:08):
It's typically it's like college girl stuff. Do you have
to act like you're this, you know, hot college girl.
But sometimes we have got.
Speaker 4 (01:56:16):
Are you are you? Are you attractive? Are you cute?
Speaker 8 (01:56:19):
I'm a cute girl?
Speaker 20 (01:56:20):
Yeah?
Speaker 8 (01:56:20):
Okay, yeah, but not everyone who does phone line.
Speaker 4 (01:56:24):
Stuff is I can tell you that.
Speaker 11 (01:56:26):
Oh no, I know that.
Speaker 10 (01:56:27):
You've known some girls that have done it, and they
were nothing to look at.
Speaker 8 (01:56:31):
Oh yeah, yeah, but but I'm but like, if you
knew me in real life, you would never suspect because
I'm just not outwardly that way. I guess.
Speaker 4 (01:56:39):
Okay, get to what he makes you do on the phone, right, Okay,
pound Cake, I'm talking to Nikki. Let me handle it.
Speaker 10 (01:56:46):
I'm discussing Nikki's area of expertise, all right, I'm building
the anticipation for people to hear why he couldn't be
a dominatrix because he just rush them through it.
Speaker 4 (01:57:01):
Come on, yeh would just spurt already and spanked you
a hundred times. Come on, get with them.
Speaker 27 (01:57:07):
I'm sorry.
Speaker 8 (01:57:08):
Part of the whole thing is like stretching it out
as long as possible.
Speaker 4 (01:57:11):
Yeah, that's part of my thing, too, Nicky.
Speaker 11 (01:57:15):
That's right.
Speaker 8 (01:57:18):
So one of my weirdest customers he liked to hear
hot girl's barker.
Speaker 18 (01:57:22):
Yeah, so.
Speaker 8 (01:57:25):
The most snarly burb you can muster. Yeah, so I
would just chug beers.
Speaker 3 (01:57:31):
Exactly.
Speaker 27 (01:57:32):
Yeah, rip horrible burbs.
Speaker 10 (01:57:34):
Chug beer and rip horrible burps. So you must have
so so you have to accommodate whatever. The guy and
the other you were just working the burp line. After
a while, you had to accommodate all the guys that
would call with their various peccadillos and go I like this,
but it was it had to be something you could
do over the phone, obviously.
Speaker 8 (01:57:53):
Exactly, and you have to be super descriptive and the
longer you can draw it out to the batter because
that's in the charge, you know at this moment.
Speaker 10 (01:58:00):
Course, right, that's why phone sex lines, you know, you
get them thirty seconds.
Speaker 4 (01:58:04):
You know they'd really lean you into it.
Speaker 10 (01:58:06):
I remember calling a phone sex line twenty five years ago,
and that's all there was, and you feel weird about it.
But then you're starting to go all right, well you're clearly,
you know, ramping me up and taking your time to
clock those minutes.
Speaker 11 (01:58:19):
Yeah, I did one time, and it was I think
I bailed before I even finished, because I was just
like this is I did too.
Speaker 4 (01:58:25):
Because you all you picture is as a housewife and
the other end doing her ironing while she's talking to you.
Speaker 10 (01:58:30):
I couldn't get into the fantasy of it. Yeah, burp
on the phone. Do you still do this, Nikki?
Speaker 8 (01:58:35):
I don't anymore, thankfully, I don't need to do it. Anymore.
But one of the other things that was really crazy
to me was that some guys are into financial domination.
Speaker 4 (01:58:46):
Are you aware of that?
Speaker 10 (01:58:47):
You know what? I just saw a thing on this
where they're like you, well, you could explain it, but
I just saw a thing that this is like a
fast growing sector of the dominatrix error.
Speaker 8 (01:58:57):
Right, Yeah, so the guy wants to give you all
his money, and you can just say things like, you know,
if I was supposed to be this hot college girl,
well I need new you know, money for books.
Speaker 2 (01:59:08):
So you're gonna have to get a second job to
support my whatever. You know, I need a new.
Speaker 8 (01:59:12):
Outfit, so you need to send me money. And they
would send money and all kinds of stuff.
Speaker 4 (01:59:17):
What a dreamy explain about being girls? It's so hard.
Well no, no, but this is Listen. I always say
this and it.
Speaker 10 (01:59:23):
Sounds sexist, but I'm quite serious that women have a
built in money maker, and however they decide to use
that or not use it. That's a great thing to have,
whether it's on the phone or whether you want to
hook whatever it is. You know, you have options available
to you that most guys don't. Yeah, there's gay sex
lines where guys can go, oh, yeah, you know, but
(01:59:45):
then you got to you gotta really get into that.
Speaker 4 (01:59:47):
And monetizing that's much more difficult. That's right.
Speaker 10 (01:59:50):
A lot of people that will do it for free.
Nobody is gonna listen. People might like this show, Nikki, right,
but if I start charging for it, they'd be like,
if you get the hell out of here. I'm they're
paying her to burp on the phone. But if you
would pay for it, let us know how much, NICKI,
can you start getting this that much? Can you give
me a pro bono?
Speaker 4 (02:00:09):
Belch?
Speaker 2 (02:00:11):
Gosh, well, I've been at work all day, so I
haven't been chugging beer. Yeah.
Speaker 4 (02:00:14):
I didn't know if you could do it on command.
Some people could do that.
Speaker 10 (02:00:17):
I thought maybe you might have gotten so good at
it that you didn't really need the beer anymore.
Speaker 2 (02:00:22):
I mean, if I was drinking kombucha or something, maybe,
but well then you'd just vomit.
Speaker 4 (02:00:29):
Right, Okay, thank you, Nikki? All right? You were the
sunshine baby.
Speaker 11 (02:00:45):
Whenever are you smile? But I call you start today.
Speaker 4 (02:01:01):
Spawned So Stormy Daniels is going to sue the President
(02:01:26):
because she said that he.
Speaker 10 (02:01:30):
The NDA that she had to sign to lie and
say that she didn't bang Donald Trump, that he didn't
sign it, did he leave no lawyer. It sounds like
she might be on thin ground here because she didn't
take the money. But she's not suing for money in
this situation. She's suing to get out of the gag order.
(02:01:51):
Her lawyer one on that Today Show and basically said, oh, yeah, no,
she's we're suing because she wants her.
Speaker 4 (02:01:58):
She wants the real story. Yeah, she wants to tell
her story.
Speaker 10 (02:02:02):
But if you already took the money, they say that
he they say that he didn't sign it, or he
signed it under an alias, so he could have plausible
deniability or whatever.
Speaker 4 (02:02:11):
Figure that out. But that she wants to tell her story.
Speaker 29 (02:02:15):
That's correct, and a lot of the amount of misinformation
that's out there, some of which has been disseminated by
mister Cohen and others. She believes it's important that the
public learned the truth about what happened.
Speaker 10 (02:02:25):
We now, right, we know what happened. I mean, you
got to you gotta be able to say, I guess
legally what happened. But who cares at this point is
that gonna change anything? We wanted it because it was juicy,
and they would be like, oh my gosh, but if
you took the money. But if you took the money,
if you're retroactively, I guess it is kind of even
if you're a former porn star.
Speaker 4 (02:02:46):
You don't want your name dragged through the mud.
Speaker 24 (02:02:49):
But gave her the money before you know, they gave
her the NDA because think about it. I mean, if
you have at least does your is your landlord? Does
your lord signed it before you do?
Speaker 7 (02:03:01):
No?
Speaker 24 (02:03:01):
Not really, they take it and they're like, Okay, we'll
take this and we'll fax it back to you, or
we'll email it to you whatever, And then you just
assume they will because why wouldn't they.
Speaker 4 (02:03:10):
I gotta tell you.
Speaker 10 (02:03:11):
We were watching something the other night and they were
talking about Jeremy Daniels and I said to Gwenna, go,
I still don't understand fundamentally why he would pay off
a porn star.
Speaker 4 (02:03:24):
I know they said his lawyer paid for it.
Speaker 10 (02:03:26):
Everybody knows that's not the case, because the guy has
since complained they he never got reimbursed.
Speaker 4 (02:03:31):
Listen, we all know what the actual story is. Okay, fine,
set that aside.
Speaker 10 (02:03:36):
Just with everything else, the campaign, all the crazy nonsense
that Trump was thrown out there publicly.
Speaker 4 (02:03:44):
I don't understand why he wanted to keep a porn
star quiet.
Speaker 11 (02:03:48):
I think it was more about his personal relationship than
anything public.
Speaker 4 (02:03:52):
With his wife. Yeah, she knew who he was. I mean, baron,
she was still like she was like pregnant and then
it was a baby like six.
Speaker 10 (02:04:00):
Weeks old or something like that, so she's still nursing
and everything. So it wasn't about that that he was
worried that. I know he didn't really want to be
president anyway, but he was worried that that. Not worried
that it was going to hurt his chances with the election.
He was worried about his wife finding out. I think
it was that, and then I also think it is
por porn stars left and right.
Speaker 11 (02:04:17):
I think it was also just at advice from other people,
like well, we got to cover this up, and he's like, fine,
give him, just cover it up, Okay.
Speaker 4 (02:04:24):
He was just trying to prevent anything from him.
Speaker 11 (02:04:28):
Make it go away.
Speaker 10 (02:04:29):
I see, yeah, because I was like, with everything else,
this guy seems to not care about. Why did he
care about that keeping a porn star quiet when no
one would be shocked if a month because they said
it was a month before the election. If on inauguration
day the story had come out, people would go, yeah,
that sounds about right. What you know, things weren't as
(02:04:51):
crazy as they are now. But even then, I just
couldn't fire out why he was the sle time it
really was. I couldn't figure out why he wanted to
pay money to keep up porn Star.
Speaker 24 (02:05:00):
Quiet, especially because I want to find the video the
porno that he introed, because I think they shot a
porn in one of Trump's hotels and he was like
in it, Like he wasn't in the actual porn video,
but like the whatever they call it, the pre the
pre amble, the intro, the intro.
Speaker 4 (02:05:18):
Yeah, he just intro to porno. I didn't know pornos
had intro. He did like a like a Playboy Boy.
Speaker 18 (02:05:25):
Yeah.
Speaker 4 (02:05:26):
It was like Red Shoe Diaries or something. It wasn't horn. Really,
if you like porn, you're not watching Playboy, right.
Speaker 10 (02:05:35):
Just a guy in Utah, by the way, some lawmaker
who wants to thank the president and he wants to
like rename some stretch of highway Donald Trump something. And
there's another guy that's like, all right, we do that,
then we want to call the rampway the Stormy Daniels Rampway,
the on ramp.
Speaker 11 (02:05:52):
We're going to rename it that. It's funny.
Speaker 10 (02:05:55):
Some guy tried to make a Stormy Daniel's joke on
CNN last night. He was part of this panel and
he's this Republican dude named Stephen Moore. He's a guy
makes the rounds. He's a smart dude, but he's a
right wing guy, and he tried to make a joke
that just do you see this laid there?
Speaker 11 (02:06:10):
I saw a post about it, but I bet Alan
found this. Yeah, I'm gonna wait to hear it live.
Speaker 30 (02:06:16):
Sort of pr effort here, But you know, there are
some very credible claims and and the fact that that
we're even having this conversation should be should you know,
probably register on the Richter scale that we're discussing a
sitting president being sued by a porn star. But we
we're having it, and it's it's part of almost like
(02:06:37):
the routine.
Speaker 4 (02:06:37):
Of today's news cycle, which is the interesting part of it.
Speaker 29 (02:06:40):
Kevin, Are you saying that a porn star would actually
try to call attention to herself?
Speaker 11 (02:06:44):
Shocking? Right, Ken.
Speaker 10 (02:06:51):
Nobody says anything. They've got the fore shot. There's two dudes,
a lady and then this Kevin Stephen Moore guy, and
they're like, nobody says anything. Like you know, we're talking
about the president of porn Star, right. It sounds it
and of itself. It sounds like a porno movie, the
President and the porn Star. It's like a porno movie.
(02:07:12):
Not one I'd want to watch, but it still sounds
like one, but Kennedy and I would.
Speaker 11 (02:07:16):
Stephen's that's your only response, Stephen, porn Star is trying
to call it a porn star with a very lengthy
complaint from California.
Speaker 4 (02:07:24):
I mean it's, you know, are very lengthy complaint as
it were. Hey Peyton, Hi, how are you?
Speaker 11 (02:07:31):
What's going on?
Speaker 4 (02:07:32):
Baby?
Speaker 27 (02:07:33):
How you guys?
Speaker 11 (02:07:33):
Does good? What's up?
Speaker 2 (02:07:35):
Oh?
Speaker 21 (02:07:35):
My job at home?
Speaker 6 (02:07:37):
Yeah?
Speaker 15 (02:07:38):
Okay, not my side job.
Speaker 4 (02:07:41):
What's your side job?
Speaker 27 (02:07:42):
I am dominatrix?
Speaker 15 (02:07:44):
Oh?
Speaker 5 (02:07:45):
Good for you?
Speaker 27 (02:07:46):
All right?
Speaker 4 (02:07:48):
And how's that going? How long you've been in the
dom game?
Speaker 26 (02:07:51):
Five?
Speaker 4 (02:07:52):
Five years?
Speaker 23 (02:07:53):
Are you?
Speaker 4 (02:07:53):
How old are you? Are you cute?
Speaker 26 (02:07:57):
Yes?
Speaker 4 (02:07:58):
So as soon as you got legal pretty much you're like,
I'm gonna start whipping.
Speaker 10 (02:08:01):
Dudes for money. Absolutely, good for you, and it's been lucrative.
I assume you're still doing it.
Speaker 27 (02:08:06):
Yeah, very lucrative. Yeah, you can surprised how many guys
who are in positions of power. I guess you say,
want to be like crap.
Speaker 10 (02:08:15):
Well, no, that doesn't surprise me at all. That's what
I assume guys people who want to like, not be
in charge of something. They want to be told here
a piece of crap.
Speaker 27 (02:08:23):
Yeah, yeah, majority like lawyers, all sorts, sergeants, all that
type of stuff.
Speaker 11 (02:08:31):
You want to blow up anybody spots right now?
Speaker 4 (02:08:37):
Do you have a do you have a what accouterments
do you have? Do you have a dungeon? You got
a cage? You just got a what do you got?
Speaker 2 (02:08:43):
Well?
Speaker 27 (02:08:44):
Most of my regulars are into like trampolines, which is
like wearing high heels.
Speaker 4 (02:08:49):
I love trampolines.
Speaker 11 (02:08:50):
The mill's not not trampolines, Bill trampling where she steps
on their nuts with her high heels. Oh, lessen to that.
Speaker 4 (02:09:00):
Trampolines sound like a lot of fun. Trampoline not so much, right,
But how do you listen?
Speaker 10 (02:09:07):
This is the question I've always asked because a few
years ago, like crushing videos were a big thing.
Speaker 11 (02:09:12):
Right, there's still I think crushing the videos. You were
made aware of them. They've always been around for a while.
Speaker 10 (02:09:18):
Right, But Peyton, I'll ask you because don't you have
to eat if some guys like, ah, step on my nuts?
I mean, you don't want to do like lifelong damage
to the guy, right, you want return customers? So yeah,
you so you have to you have to use your
expertise in knowing how much is too much?
Speaker 11 (02:09:40):
Tread lightly?
Speaker 27 (02:09:42):
Yeah, so you want to safe beforehand. You know, you
don't want to break your character, so you want to get.
Speaker 2 (02:09:51):
All that done before right.
Speaker 10 (02:09:53):
You know, mineus mine's pumper nickel. Just so if you
and I have a run into each other, pumpern pickle
is my safe word. Okay, mine's ouch my balls, That
doesn't work.
Speaker 13 (02:10:05):
All right.
Speaker 10 (02:10:06):
So so if the guy doesn't say his safe word,