Annoucements Season 3

Motivated Monday presents: Clap For Yourself

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Episode Transcript

Speaker 1 (00:29):
I don't know what I'm going to do. I'm drugging
hard not to hurt you.

Speaker 2 (00:43):
Because I I already wanted you.

Speaker 3 (00:47):
Why twice I.

Speaker 4 (00:50):
Asked you to leave her.

Speaker 3 (00:53):
Act like you don't understand.

Speaker 5 (00:56):
You're still trying to be her man, because the girl
is mine.

Speaker 3 (01:05):
Don't know why.

Speaker 6 (01:06):
You're wasting your time?

Speaker 2 (01:08):
Man, I've fought you now with thousand times.

Speaker 4 (01:13):
Let it go home and leave her alone before ride.

Speaker 3 (01:19):
And don't do in sometime.

Speaker 4 (01:27):
Why can't you live alone? I love them?

Speaker 7 (01:35):
Why CONTU liver alone?

Speaker 1 (01:41):
I never met no one as crazy as you.

Speaker 8 (01:45):
It's crazy.

Speaker 1 (01:49):
I don't want to fight, but what else cannot do?

Speaker 4 (01:55):
Because you you.

Speaker 9 (01:57):
Drive and buy your house three days three?

Speaker 3 (02:01):
If I was send candy.

Speaker 4 (02:03):
All out the way.

Speaker 10 (02:05):
You'd better try and listen to me.

Speaker 5 (02:08):
I'm trying to stopple that can task feet.

Speaker 4 (02:12):
Can't have because the girl is mine.

Speaker 1 (02:17):
Don't know why you're wasting your time.

Speaker 4 (02:20):
I told you not to cross that line.

Speaker 3 (02:25):
Better go on and leave her alone.

Speaker 2 (02:28):
Because she's mine and you're just wasting your time.

Speaker 4 (02:35):
You've been a labor out alone.

Speaker 3 (02:39):
Why can't you leave her alone?

Speaker 4 (02:43):
Can't you leave her alone?

Speaker 11 (02:47):
Why can't you lea.

Speaker 4 (02:50):
Who?

Speaker 3 (02:51):
Man?

Speaker 12 (02:51):
Bed hear me, she'll never believe the all should believe me.

Speaker 10 (03:23):
Shall fathering her fantasy.

Speaker 1 (03:28):
When you're fathering her, you're fathering me.

Speaker 4 (03:59):
Here.

Speaker 13 (04:00):
If I in the Sugar Ray rousing in GC from
r GtC Spirit, you're f'm out of San Francisco, California.
If we are rocket with multi award winner Most Lady
Radio Show eight D right DC, Yes, sir, Fame and.

Speaker 4 (04:30):
Money can make you do Sometimes. I was always busy.

Speaker 14 (04:43):
I ignored you every day, felt as though you were
in my way, even though you.

Speaker 4 (04:52):
Were right for me.

Speaker 2 (04:53):
I was just too loud to see because I know
how good is but an you.

Speaker 15 (05:08):
Excuse girl, I don't have a feel so bad, sheesus
because I realized only one.

Speaker 16 (05:23):
Love and trusted me. None of the mine in vain
is no more.

Speaker 3 (05:38):
So called crimson gold. I'm all alone, given the fam.

Speaker 4 (05:49):
I'm run.

Speaker 3 (05:50):
It's my time hurts.

Speaker 9 (05:54):
Understanding now it's because of drugs.

Speaker 3 (06:04):
Said no, no, God, That's what I've done.

Speaker 17 (06:09):
For me.

Speaker 4 (06:11):
It's just good.

Speaker 17 (06:12):
I don't have a long so bad.

Speaker 4 (06:17):
Because I was a realized and t mej S is

(06:41):
not something.

Speaker 18 (07:13):
Will you be.

Speaker 4 (07:16):
Inab lab?

Speaker 19 (07:21):
So bad?

Speaker 4 (07:22):
So bad? Email to bay.

Speaker 3 (07:30):
Lock the thin hows out how the scream and you're as.

Speaker 17 (07:45):
Baby want to.

Speaker 4 (07:49):
Forgive me?

Speaker 17 (07:53):
Say come, oh.

Speaker 4 (08:18):
They know nothing about me. They don't know. Oh they.

Speaker 3 (08:29):
They do nothing about me.

Speaker 4 (08:31):
They don't know. People telling you they know I love
home Lass. They don't know me now when they never
knew when anything about my past. You call your friends
anything that.

Speaker 18 (08:47):
You want to.

Speaker 4 (08:48):
But I call it jealousy in me. I sits between
that because they don't know that. They don't know. They
don't know that, they don't know about the husband. I'm
morning just on friends. They don't know, they don't know,
they don't know.

Speaker 5 (09:07):
They don't know about the brother time in brings being
here when anything. Oh, there's no nothing about me.

Speaker 4 (09:32):
They don't know when you call. They have so many
things to you. If you let your all around everything
they have the instrum.

Speaker 10 (09:46):
That's relieve.

Speaker 4 (09:47):
If they only news the only true, they will kill Bay.

Speaker 3 (09:52):
We have no.

Speaker 5 (09:53):
Job new shirts because they don't know, they don't know,
they don't know, they don't know about the father timesman,
I'm morning just time friends, they don't know, they don't know,
they don't know, they don't know about the brother time
and brings.

Speaker 4 (10:13):
I don't give you win me thing there's gonna know

(10:33):
about tream. They don't know. They don't know, they don't know.
They don't know about the father time. We's me. I'm
on in just a friend. They don't know. They don't know.

Speaker 3 (10:48):
They don't know.

Speaker 4 (10:50):
They don't know about the brother time and brings don't
give you win anything. I don't know. I know he'll
know about the time.

Speaker 3 (11:03):
I know you.

Speaker 4 (11:05):
I'll give you mething.

Speaker 20 (11:08):
Man, you don't know.

Speaker 4 (11:09):
I promise you give me plenty. Love me. I'll never
forgive you when. Don't know when I gonna.

Speaker 5 (11:21):
Queen, I'm gonna love me, love me, you love me,
love me.

Speaker 4 (11:28):
I don't know, Jo don't know. I don't know. You
don't know. I don't know. No, No, I don't know.
I don't know. You don't know.

Speaker 21 (11:49):
You don't know.

Speaker 4 (11:53):
Yall know you got new things on the way.

Speaker 11 (11:55):
You stay, I just stay.

Speaker 22 (11:56):
Interviews, social media Cabra Walkee and we got more moo
you was coming soon. Pay attention.

Speaker 11 (12:02):
Listen up, y'all know social media.

Speaker 23 (12:04):
Cat we on the move on what hey, yeah, what's adding?
This is George Truley, South Florida Finest g Daddy, the
Boss King, the Legend, Your First, I want to get
shots out to the amazing ward winning Queen Boux Lady
DJ d Ski know what I'm talking. My second off,

(12:26):
I want to get shots out to Drizzy Dras Radio
cap Faith, Dre's eight you know what I'm saying. Twenty
four seven Radio. Then I want to get shot shut
to my home what four one fourth?

Speaker 3 (12:37):
Thanks?

Speaker 23 (12:38):
You know what I'm saying. No, Rajaeger, the King, you
know what I'm saying. All amazing other artists out there.
Oh and I can't forget about you know what I'm saying.
Teresa Taylor Global Empire and you know the one that
know the customs. You know what I'm saying. Danny Joe
twenty five of Life Records. Let's get it strong, y'all

(13:00):
feel mean running?

Speaker 24 (13:03):
Hey?

Speaker 11 (13:03):
Yeah, what's handed?

Speaker 25 (13:06):
Yeah?

Speaker 6 (13:06):
We lords of drip Drip Gods.

Speaker 8 (13:10):
Yeah, see m TV, We'll off your music shot the radio.
Hey yeah, once you're smokeing on dog, You got that
good dream, that cushion, that croop, that loud what it is.

Speaker 11 (13:25):
They that premote and nigga letting me blow mon, stay
upploid cloud mon, stay.

Speaker 26 (13:36):
Up blowing clouding mon, stay up blidplid.

Speaker 11 (13:42):
I'm stay up blowing, blowing on that good cushion.

Speaker 8 (13:47):
Yeah, that good cush smell golood. Yeah, I'm still smoking
out by good. Yeah smoking, you're slow. I'm doing my things.
That is signing up my more.

Speaker 17 (14:01):
Yeah.

Speaker 11 (14:01):
Through the streets. Yeah, through the hood, you're better recognized it.
I'm still smoking good. Yeah, I'm still smoking.

Speaker 4 (14:10):
Yeah, still cheaping.

Speaker 26 (14:11):
I'm doing my thing there rain, can you see me.
I'm still plowing plowing. I'm still up blowing plowing. You
still up blowing plowing. You wanna stay up blowing.

Speaker 11 (14:29):
Flowing on that good crip, that good tripping.

Speaker 27 (14:33):
Yeah, don't just smell it. Yeah's the way I come
doing in healing. Yeah, if you know what I'm doing,
smoking real doing was the way I do it. I
ain't snoop bucca leto, I'll be smoking heaven. I'm doing
my thing. And there right I said it. Yeah, I

(14:54):
bring the weed down and yeah rish it up, and
I don't even fucking around put it in the least
and yeah, I'm don't smoke specials.

Speaker 11 (15:04):
You poting, No, the boy, I know joke.

Speaker 27 (15:07):
The way that I do me up in the strings
strung a real nice kind of strung a brilliant things.
I'll stay a plow and plow and the must stay
up powering powder.

Speaker 11 (15:21):
And must stay up plow and plow and must stay
are powering blowing on it loud. I'm blowing loud. No,
hell it in the clouds.

Speaker 3 (15:35):
They're right, I like, but.

Speaker 17 (15:37):
Now it's not putting crippy that because that good loud.

Speaker 11 (15:43):
Yeah, and I'm in it. Yeah, a chief reform, A
real smoker.

Speaker 17 (15:48):
I'm doing my.

Speaker 27 (15:49):
Dag head it's there, right. I don't be joking the
best lay oh no, my yeah, and I be poaching.
I'm like that God, I will leave your choking. Yeah,
believe it when I've been submitting this barking. I'm a
down South by the years old boys start. Yeah we
yeah again the what cheap or grit or what like?

(16:12):
Again like a dread. Yeah, I believe it because I'll
be blowing. Yeah, I'll be smoking. Yeah, I'm the best
thing smoking.

Speaker 4 (16:21):
I ain't yunking. Yeah, just save blood.

Speaker 11 (16:26):
Yeah, seeming blood, I say, I poud and cloud and
you still I'm blowing cloud.

Speaker 10 (16:46):
South Florida where I'm from, or I can do cho oh,
but I'm dunk and its dunce.

Speaker 11 (16:58):
What's the way you got a rock and little y'all,
don't we.

Speaker 3 (17:06):
All do it?

Speaker 28 (17:07):
Yeah, I'm going doing to the fullest watchman watt.

Speaker 11 (17:11):
I'm just trying to copy.

Speaker 10 (17:13):
I'm the best that never did it in the wheelshair.

Speaker 6 (17:16):
I call it my floy Yeah, still here here.

Speaker 29 (17:19):
Y'all shocking my designs than me instead of crapping a
grind and skin you know, als rimant to signified their
right to try to tire me.

Speaker 11 (17:30):
They can't because I'm alter the scale me. I have
the crowd not but yeah, call my name, call it.

Speaker 3 (17:39):
I hate it.

Speaker 10 (17:40):
Got y'all shure a rocket Gucci little?

Speaker 4 (17:45):
What the way that I do.

Speaker 17 (17:48):
Rock?

Speaker 4 (17:51):
Y'all know?

Speaker 6 (17:52):
True rock LOUI what's the way that I do.

Speaker 13 (17:59):
A rock and go?

Speaker 8 (18:05):
And if you know who I am, yell and the
jams change that make a gold make the boss.

Speaker 10 (18:14):
Damn I'm gonna keep her brill. There ain't no talking
about it, ain't no stop the here.

Speaker 3 (18:19):
No y'all hate the time, the yup the time to
leave me out. But I'm here the fast and that's
my deal.

Speaker 8 (18:25):
And look at show clip understead I'm tighten the last
tighten as I said, all night, you do it all
together when you check my style saying, and you know
I got a wow luck with men, a rocking.

Speaker 4 (18:40):
Little like the way that I do.

Speaker 30 (18:50):
Rock family with rocking with the Mouse Ladies radio show.

Speaker 18 (18:57):
You know what I'm saying and show right now.

Speaker 30 (19:02):
We always tuned in on speaker to listen to it.

Speaker 31 (19:05):
Y'all come check it out?

Speaker 3 (19:09):
Hey bro, no, hey.

Speaker 4 (19:17):
No oh.

Speaker 6 (19:23):
No, hey bro, No, you're bringing by what.

Speaker 3 (19:31):
I know your trick.

Speaker 10 (19:32):
I know I know your line, the line.

Speaker 6 (19:34):
Let me really find out.

Speaker 4 (19:36):
Find out.

Speaker 6 (19:36):
I'm gonna tell that dude with those doubts. This should
have never been touching. It's too brought.

Speaker 20 (19:42):
You're my baby.

Speaker 28 (19:42):
That dude was damn wrong. He's telling me I don't
know what I'm talking about. The come on girl and
see he turns you out, hurts you.

Speaker 6 (19:49):
What's the problem here? What's the reason I don't understand?

Speaker 17 (19:52):
Why go?

Speaker 6 (19:53):
And I called this tree and then I squeeze his
neck two ways? No more preason. I swell to God
what I'm doing now. I'm a Carnay Carna.

Speaker 17 (20:02):
Bro.

Speaker 6 (20:21):
Maybe don't be tripping.

Speaker 20 (20:23):
You're my daughter.

Speaker 6 (20:24):
I'm a daughter, I'm your father. Your fault, I mean,
you're not the feeling when you're calling one time and
hand kids on your own. I won't please this topic. No,
I want to do this dude.

Speaker 4 (20:35):
I won't stop.

Speaker 28 (20:36):
All I see is red. I'm going fag because I
want to put this gun tw his head. Can't believe
my baby mama.

Speaker 3 (20:42):
No on me.

Speaker 28 (20:43):
I guess that's what I get for working custantly. Now
I'm watching you all the time. Man, that's my problem.
I mean, I gotta work.

Speaker 4 (20:49):
Every day and it didn't sell.

Speaker 28 (20:51):
I don't want no drama. I don't want no problems.
I mean problems follow on me really often. I know
I really want this dude in the coffee.

Speaker 3 (20:59):
That's the piece.

Speaker 6 (21:00):
I can hear him talking.

Speaker 4 (21:03):
Hey bro bro bro yeah no he bro yeah.

Speaker 30 (21:22):
No ooh wee is the strange one and we're rocking
with the Boss Ladies Radio show.

Speaker 32 (21:32):
You know what?

Speaker 4 (21:33):
What's the world?

Speaker 33 (21:34):
Many?

Speaker 3 (21:35):
Shut what?

Speaker 20 (21:36):
Don want to see that?

Speaker 10 (21:37):
Let me say, you'll work.

Speaker 6 (21:38):
The sight, come out, listen to Let's go.

Speaker 3 (21:41):
I'll come shut you out, come out, let's go lightly
see your birth.

Speaker 28 (21:47):
Bring it out girl, yet work bring it out girl,
Bring it out girl.

Speaker 3 (21:53):
See you work the swork every place gonna go.

Speaker 6 (21:57):
You gotta get the place crook Oh yeah. I've been
doing this every day yet every month, y'all.

Speaker 3 (22:03):
But that's one thing.

Speaker 6 (22:04):
I gotta have the women doing it to.

Speaker 4 (22:05):
Not now.

Speaker 6 (22:06):
I don't want to shake your booties out, not for
me now, I.

Speaker 3 (22:09):
Ain't even right.

Speaker 28 (22:10):
I want to see you work. I want to see
you build up your body. I'm trying to carriage you well.
I'm trying to curage yourge. Everybody, even the man, can
get in this. I want you all to break down.
I want y'all to get down. So let me see
you break and swam out.

Speaker 4 (22:26):
Let's go.

Speaker 6 (22:28):
Get I'm so break it down there. Let me see
you break a swim.

Speaker 3 (22:34):
Yacht. Come out. We'll see you break a sweep.

Speaker 6 (22:41):
Every city that'll go to, every place that I'll touch.

Speaker 3 (22:45):
I'm the drunk king.

Speaker 6 (22:46):
They said, judge you too.

Speaker 3 (22:49):
Y'all said to den with me.

Speaker 6 (22:50):
Come over, y'all, better again with me, Come over, y'all.

Speaker 4 (22:53):
Bet again.

Speaker 6 (22:53):
Women, we'll see you.

Speaker 28 (22:56):
Oh yeah, the party if we go on the groove
and we ain't never gonna stop. Son lout telling my
brother in New York, the man playing it rock, I'm
gonna make you get down.

Speaker 25 (23:05):
Now.

Speaker 6 (23:06):
I've got that out of tude. I got the justments up,
make you.

Speaker 4 (23:10):
Move and make you groove.

Speaker 28 (23:12):
And if y'all don't understand what I'm doing, then it
slow it down for Ben, just so you can get
it and get the feeling.

Speaker 3 (23:18):
That you need to fit. Y'all get it in the girl.

Speaker 28 (23:21):
Yeah decision, world, swell a little for me yet, make
me see you break the swork.

Speaker 3 (23:28):
Yeah, come on, I said, make me see you break
the sweet. Come on swet, come out with sweat.

Speaker 28 (23:40):
Make me see you break a swat. Wow, and the
two that would gass. I'm still get down.

Speaker 6 (23:46):
We come to your city, on your town.

Speaker 3 (23:48):
See you break the sweat.

Speaker 4 (23:49):
Won.

Speaker 6 (23:50):
Let's got words, Let's go work, Let's up words, Let's
go work.

Speaker 4 (23:54):
Let's go with bad.

Speaker 6 (23:55):
Make me see you break it down. Now, I'm bad boy.
The oh buddy, I'm.

Speaker 4 (24:00):
Hot to touch.

Speaker 6 (24:02):
Everybody said in every place that I go.

Speaker 3 (24:04):
I know that too much sweets when yes, well yes,
when yes? When yes?

Speaker 4 (24:07):
When yes?

Speaker 34 (24:08):
Yes?

Speaker 4 (24:09):
Yes?

Speaker 3 (24:09):
When yes, when yes? When yeah? Come on, make me
see you break this swarm.

Speaker 6 (24:13):
Get up and dance, Get up and work out whatever
you want to do. I got the moment.

Speaker 4 (24:18):
Just try again.

Speaker 3 (24:19):
That's for you.

Speaker 6 (24:21):
Let's go, let's go, let's go let's go, let's go,
let's go.

Speaker 3 (24:27):
Wake Yes, I got the groom.

Speaker 28 (24:33):
I'm motivate, so let me see you right up, Yes,
come on, get down there, come on, get down on.

Speaker 4 (24:40):
Yeah, that's got you, w y d y.

Speaker 3 (24:45):
Let's go freeze for you, and I'm coming to you.

Speaker 28 (24:47):
See southing gonna turn it out then that I mean
seeing you wake us wid Yeah, let's go.

Speaker 4 (24:52):
Let's go, let's let's go. Let me see you.

Speaker 25 (25:00):
Twenty four to seven internet radio station designed with you
in mind, by being heard by one hundred and fifty
thousand listeners every month. What does that mean to you?
That means more than just going to YouTube morning, just
going to Google, more just having a SoundCloud up, more
than just having any of the other programs set up.

Speaker 11 (25:19):
All right, so check this out.

Speaker 25 (25:21):
What I want you to do is send your banging cuts,
your ads, anything that you have involved that you want
to get involved with to d r e Z e
y two one at yahoo dot com.

Speaker 3 (25:31):
That's dry to one at YO.

Speaker 11 (25:35):
Have you ever been to hang out before?

Speaker 3 (25:36):
It's Dre's Radio cab two seven radio.

Speaker 25 (25:39):
Radio designed with you in mind. Dre's Radio Cafe got
that going on every Monday night.

Speaker 35 (25:43):
From seven pm till nine sometimes a little bit of overtime,
but if we do overtime, it's always good for the love.

Speaker 11 (25:48):
You know what I'm saying.

Speaker 35 (25:49):
And also on Friday, Dre's eight, the funnest hour you
can have all day trying to determine what song's gonna
be Number one?

Speaker 6 (25:56):
Who can it be?

Speaker 17 (25:57):
Can it be your song?

Speaker 35 (25:59):
If you want to submit music to d r e
z e y two one of yaho dot com, then
vote at six one, five, five, four zero three nine
nine eight trese eight on Friday seventy nine pm, I
mean seven to eight pm. Excuse me, or just hang out.
Monday night, seventy nine, stay tuned to Boss Ladies Radio
Show presented by Boss Ladies Inc. The DSKE Diane, Let's

(26:22):
run them up.

Speaker 13 (26:23):
You know how we do trades Radio Cafe.

Speaker 36 (26:25):
We have What's Good the Sugar Hgs lyrical for Mimi Florida.
You're not on the ends of the Boss Lady Show.
I want you to tap ben with us on the
chat room, so go ahead download that speaker app mm hmm.

Speaker 10 (26:38):
You don't want to miss none of these vibes.

Speaker 18 (26:41):
Request lines are now open on Boss Lady Radio.

Speaker 10 (26:45):
Whoa whoa, whoa.

Speaker 37 (26:47):
First caller, Yeah, this is fredweedhead Man. I wanted to
hear something dope from Brother Rod the Poet Brown. He's
an awesome underground artist dude.

Speaker 38 (26:59):
Hopefully I can invite him over to my mom's basement
one day and we can do some bong hitsing later
on rally up at McDonald's.

Speaker 39 (27:07):
We'll see what we can do for you.

Speaker 13 (27:08):
Man.

Speaker 40 (27:09):
Next caller, this is the cause, and I just like
to hear something smoothie and groovy by Brother Rob the
Poet Brown while I sit here.

Speaker 3 (27:20):
It ain't me a great big mooll of the yellow hoddy.

Speaker 39 (27:25):
We'll see what we can do for you, mister Bell.

Speaker 32 (27:27):
Next carler, Well, I'll tell you, dude, ski, Me and
my whole comaniacs, we've been through a whole lot.

Speaker 10 (27:34):
Brother.

Speaker 38 (27:34):
But after sitting down and listening to the awesome rhymes
my brother Rob the Poet Brown, I don't know what
to say or do.

Speaker 3 (27:40):
Man and Brother Rob.

Speaker 18 (27:41):
He's always been an old school hook comoniac.

Speaker 39 (27:43):
He's down with the prayers.

Speaker 38 (27:44):
To fight him is the pull ups, the thrusts, the
whole nine yards, dude. Supplace something by Brother Rob and
until further notice what you're gonna do when Brother Rob
and the whole Maniacs run wild on you.

Speaker 39 (27:59):
Well, you heard them, be d D Ski. You gotta
give the people what they want, so let the beat
sit up.

Speaker 14 (28:09):
Yeah Yeah, it's your girl, Boss Lady aka Misfabulous aka.

Speaker 20 (28:14):
Dj d Ski.

Speaker 14 (28:17):
Tune in weekdays nine pm Central Sundays at six pm.

Speaker 10 (28:22):
Just check your local listings for real times.

Speaker 14 (28:24):
In real time, I'm talking about you know, got the
part time gigs, so it might not be every night,
but at least twice a week now.

Speaker 10 (28:32):
Boss Ades Radio Show.

Speaker 14 (28:33):
Download the speaker app search Boss Ladies Show for our entrepreneurs,
local entrepreneurs worldwide, nine pm weekdays Sundays at six Also
catch Bossades Radio Show weekdays at nine Sundays at six
pm Central nine pm Central for our local artists underground
artists worldwide. Yes we do support both worldwide. See you

(28:58):
in the chat room.

Speaker 41 (29:06):
You already know who it is when you hear that
roll up, it's your boy. Four one Folk Dank the
Soul of the Streets. October twelfth, Central Standard time, seven pm.
Check in with your boy and i'ma be discussing the
new US that got coming out of Love Games too.
The new singles I got coming up and the subject

(29:26):
matter will be social media. Capa lema be Locked in
with my own girl. Dj Dski, the world winning dj
Dski and the one handed producer doing what y'all can't
do with two hands. The boy know where y'all get
a kid once again October twelfth, seven pm Central Standard Time.

(29:48):
And if you need any interviews or commercials, get up
with dj D No more than twenty five dollars to
get you plugged this roll.

Speaker 4 (29:56):
Love need you wont my son you my drum? You
my drug?

Speaker 17 (30:09):
Say?

Speaker 3 (30:09):
Don't you?

Speaker 4 (30:10):
Brother?

Speaker 3 (30:10):
Daddy comes, Laddy comes.

Speaker 31 (30:13):
And roller problems on your mind? Just don't find gets
your time? Joe, you know your son like a vine.

Speaker 4 (30:27):
I can't lie.

Speaker 42 (30:30):
No if you had a building. You come to celebrate

(31:01):
a loved one's birthday to night, y'all. I want you
to hold your treats up many air, hold a many
are y'all. Hey, we come to celebrate tonight. Whoever you are, day,
Happy birthday to you tonight. Listen now the two weekend
is here. It's time to celebrate. And that's my favorite

(31:25):
time of year. It's called my birthday.

Speaker 3 (31:29):
Got all my people around.

Speaker 9 (31:31):
And the DJ's played some Southern soul in his speakers
to dance all day. I got that apple crown with
me and little champagne, and I'm feeling real good about
to do my day. You got my foot shine up,

(31:52):
and I'm feeling clean about to step up in the
club like a movie scene. Now the night it's just
as good as it can get. No stress or no
mess and not a single regret. That's a party in
the hood, and I think I'm cool with because that

(32:16):
bredbodies now they know that it's my birthday and I'm
feeling good.

Speaker 11 (32:23):
I'm gonna breaking the night, that's all.

Speaker 4 (32:28):
That's all right.

Speaker 3 (32:29):
I got my.

Speaker 9 (32:30):
Cool it and feeling good. I'm gonna set love bring
to die if that's so.

Speaker 3 (32:38):
That's all right.

Speaker 2 (32:39):
It's my birthday.

Speaker 4 (32:43):
And I'm feeling real good.

Speaker 9 (32:46):
Let's party a lie, if that's all right. All my
family is here and I'm so glad they can't. We
got laughter in the air and loves calling my name.
We've got food on the table and join in our bank,

(33:06):
and that sother soup music got us dancing again.

Speaker 4 (33:11):
Now are you here?

Speaker 3 (33:13):
Do you wanna party?

Speaker 4 (33:15):
H Do you see my tree?

Speaker 43 (33:18):
Now?

Speaker 4 (33:18):
Do you have some money on home.

Speaker 9 (33:21):
Then it's going down and him we gonna have a party.
We want good bade to here and nothing hey hearted.

Speaker 4 (33:31):
Not the night is still young and we want to party.

Speaker 9 (33:37):
So passed me my drink. I'm just getting started. That's
a party around town, and I think I'm gold with
because everybody's there. The ain't knowing that it's my birthday.
I'm feeling good, why June? So yeah, that's all I

(34:02):
get my cruel land.

Speaker 4 (34:04):
And don't feeling done? Say night, yeah, right to die,
soon die. That's all I.

Speaker 9 (34:12):
Gets my birthday, you know, feeling good and a filling
up tonight the die son, some yell. That's all I
get my cruel linkit the party go with a music
ring tone, soon night and sometime where.

Speaker 4 (34:32):
You drinks Aday birthday.

Speaker 9 (34:36):
If you hit the celebrating happy birthday, someone grabbed the
mic and sayday.

Speaker 3 (34:47):
And if you hit the celebrating happy birthday, sing you today.

Speaker 11 (35:01):
She's gonna do anything. Let's do.

Speaker 9 (35:14):
What you're gonna do.

Speaker 44 (35:17):
When the turn, lady, sobergend what you're gonna do, the

(35:42):
change starts applauding you on.

Speaker 21 (35:46):
What you gonna save it everything to Chad's gone away
what you gonna do? The change starts applauding you on.

Speaker 3 (35:56):
What you can save it?

Speaker 4 (35:57):
Everything start, Chad's gone away?

Speaker 44 (36:00):
Oh how you feeling?

Speaker 4 (36:15):
I'm good?

Speaker 45 (36:15):
How you feel good?

Speaker 21 (36:17):
Fuck you feelings? I got twenty twenty vish back get
backsmen due for him in Trust me, you don't want
to feel the baby back. I'm getting to the games
you play.

Speaker 4 (36:27):
You're playing for your rules.

Speaker 21 (36:28):
I'm gonna play in my way, my way. Brush up
on your phone and gave you Peter Boodle. Oh dogs,
i'd say you think you had your fune, wait till
I have my bone groot. You got to say this
something's going my way? What you're gonna do with the

(36:48):
teams too?

Speaker 3 (36:50):
You on you?

Speaker 17 (36:52):
What you're gonna say?

Speaker 10 (36:54):
The things thought you had it's gone away?

Speaker 17 (36:58):
What you're gonna do?

Speaker 4 (36:59):
The team start you on you? What you go sing?
If the thing thought you.

Speaker 10 (37:05):
Pad, it's gone away?

Speaker 46 (37:08):
Walk out on If new.

Speaker 4 (37:23):
Not happen me, it's gone happen.

Speaker 21 (37:27):
You can say you really lost your wife.

Speaker 44 (37:31):
You'll never get the same.

Speaker 21 (37:33):
Eat why if you only knew that nothing you can do?

Speaker 4 (37:39):
You think you had your fun?

Speaker 21 (37:42):
The way to get my back school, let you that
doosing it's something going away. What you're gonna do to
the jamesto you on you?

Speaker 4 (37:56):
What you go sing in the thing?

Speaker 24 (37:59):
You had?

Speaker 4 (38:00):
Gone away? What you do to the team starts up
pulling you on you?

Speaker 44 (38:07):
What you gonna sing anything to?

Speaker 17 (38:09):
You had?

Speaker 10 (38:10):
It's gone away?

Speaker 21 (38:26):
What you're gonna do with the tape starts upping you on?
What you're gonna say everything you can? It's gone away?

Speaker 3 (38:37):
Go away?

Speaker 4 (38:38):
Start what you go sing anything? Talk you dead? It's
gone away?

Speaker 1 (39:00):
What you're gonna do to the.

Speaker 47 (39:15):
I want to take this time to say a happy
heavenly birthday to a legend who is gone but never forgotten,
the one, the only poet extraordinaire singer songwriter, mister Laurie D.

(39:35):
Edwards continue to rest in peace, Brother, Massive.

Speaker 3 (39:43):
Destruction back at it again, bitch? Have you hit his
late wrecks? Five? A week.

Speaker 20 (39:55):
Full?

Speaker 3 (39:56):
Long more?

Speaker 48 (39:58):
You want hip hop?

Speaker 16 (39:59):
Bes eat?

Speaker 3 (40:00):
Just up?

Speaker 6 (40:02):
Gosh shit?

Speaker 3 (40:03):
Yes, sir, the gap I see that's between you and me,
so you will wrapper. I'm a roots of hip hop.
Liver Calempse, see that.

Speaker 49 (40:13):
Ryan Moss the Rappers in early two thousand, we're trying
to feat then realize the only thing they beat in
this pussy between the seats. I ain't pulling you nigga's legs.
Don't get pushy with the sheet because blood and gold
might drip. It gets mussy between these feets telling this.
Clowns trying to make a name in these streets got
me wondering how when they can't even remain on beat.

Speaker 3 (40:33):
Then get mad at us with a gift and put
the blame on me.

Speaker 49 (40:37):
So you think you got guts, but frogs don't speak
your upper body though, I rip it. If you don't
watch where you leap, you'll bleed out. If you can't
stand the paint, then take a seat.

Speaker 4 (40:47):
Nigga, get it.

Speaker 3 (40:49):
I bet that rye. I just said to ninety percent
of the world it went over your head. Hip hop
ain't dead.

Speaker 49 (40:56):
This is a reperf so let's celebrate to all these
huge beats. Yeah, I'm that's the main this for them.
Haters think they set in me straight. I'm a whizz
it mark shopping scissors.

Speaker 3 (41:07):
You just shop in the blade and this is bones,
thugs and harm many heavy hitters. The leak what it is,
dimonds all the way the fuck up?

Speaker 17 (41:23):
Get away that way, you know, man.

Speaker 3 (41:26):
Mass destruction structure Timbo slices, deserve the godship for the record.
Top mob in this bitch, and we the mob on top,
hate us, hop off our dick or keep talking that ship.
It's just gonna motivate us. Motor Ricus right.

Speaker 18 (41:46):
Out of his corn.

Speaker 49 (41:47):
Put a stop to your ship. What you say, don't
bring us stress, whiting off more than you can chew them.
When you do, most likely you leave a mess bunch
of stupid, whack, unintelligent, clueless cast But don't worry.

Speaker 3 (41:57):
When it comes to clean the messages. We got a
crew for that. Fixed eleminade is yeah, we executing.

Speaker 49 (42:01):
Rats on your knees, still against the top of your
dome like a Jewish hat and there from all it
takes is one shot, and that's what happens you try
to come for our number one spot, So better perceive
a caution before you get boxed in diamonds in the
sky from Cali all the way to Boston.

Speaker 3 (42:15):
It's set in stone that we the kings on the thrones.
And while you sit in a pile of shit, miserable
and a loan.

Speaker 49 (42:20):
Nigga on the record, your niggas talking reckless to a
relevant to stress us and whoever disrespected Maman's a sharp
blade and that's my favorite kind of weapon.

Speaker 50 (42:28):
We the mob best respect us. Hope you get the
fucking message.

Speaker 49 (42:31):
For the record, niggas talking reckless to a relevant to
stress us and whoever disrespected my Mom's a sharp blade and.

Speaker 50 (42:37):
That's my favorite kind of weapon. We the mob best
respect us. Hope you get the fucking message.

Speaker 19 (42:42):
Timber Win mess here to set the waking straight, trying
to convey the message through the trouble and base.

Speaker 3 (42:47):
Shit's got me got weight up the crime rate. If
you're waiting for.

Speaker 19 (42:51):
Us to fall off, you're in there, have to wait
seeing man topping marble. We're here to set the base
and if you can't keep up, then get out the race.
We run in the game like we was late and
it's the first day to speak mob shit until we
hit the gates. If Donand's up, going hard up in
the paint, Oh it's all love for me, still it ain't.

Speaker 3 (43:08):
I'm a rock for mind, die for mind. Can't stop
the shine.

Speaker 19 (43:12):
I'm dropping knowledge and you dropping dimes. You you ain't
got no spine. We a cut above. It is what
it is, nigga, Now what it was because.

Speaker 3 (43:20):
The mass destruction was mass destruction. It's just so toxic.
It's not for humans. Some full of record.

Speaker 49 (43:25):
Your nigga's talking reckless to a relevant to stress us,
and whoever disrespected my Mom's a sharp blade and that's
my favorite kind of weapon.

Speaker 50 (43:32):
We the mob best respect us. Hope you get the
fucking message.

Speaker 49 (43:35):
For the record, niggas talking reckless to a relevant to
stress us and whoever disrespected my Mom's a sharp blade and.

Speaker 3 (43:41):
That's my favorite kind of weapon. We the mob best
respect us. Hope you get the fucking message. Shop, what's up?

(44:09):
What's up?

Speaker 14 (44:10):
It's your girl boss Lady d aka mis Fabulous aka
dj Dskey. Check out our new talk show, underground talk
show called Social Media Cap Milwaukee Man. Last year, we
launched it in Chicago from the Mill Time to the
Shot and we pulled up on the pull up with

(44:31):
Teresa Taylor Global Empire Entertainment Media, and we'll be doing
more pull ups coming soon like Nashville, Florida or maybe
even California.

Speaker 3 (44:41):
But y'all make sure y'all.

Speaker 10 (44:42):
Stay tuned with that. You know what I'm saying, be
cause it's going down and.

Speaker 14 (44:46):
We could talk about what we want to talk about
we can say what we want to say because it's
freedom of speech radio. Check us out all digital platforms
including Spreaker Radio.

Speaker 3 (44:57):
Let's get it.

Speaker 10 (44:57):
We'll see you in the chat room with your thought
us and with what you want to say. Let's get it.
Join the Supporters Club now.

Speaker 14 (45:05):
For just ten dollars a monthly, musicians, you could get
unlimited spins, one interview per month, and a peer on
social media. Cap Milwaukee, let's go, y'all, and business people too,
you know what I'm saying. For just twenty four dollars
a month, you could definitely hit unlimited commercials and unlimited
spins if you are a musician as well, and one

(45:26):
interview a month.

Speaker 10 (45:27):
For social media, Cap Milwaukee. Wherever you're from, whatever you do,
we want to hear from you. Let's go. Oh woa, come.

Speaker 3 (45:51):
Join us to dine.

Speaker 7 (45:54):
Be Conferences the Bar, the Bar like Day Up Stop
Weekdays No pere stche In Sunday, Sis p Tretcho Dello
The Street a Rat episodes Postnati Bady of Show.

Speaker 3 (46:17):
Basis job Yeah, the past show.

Speaker 4 (46:24):
Yeah.

Speaker 3 (46:24):
Here I'm promoted doing what I do, don't know what
I do?

Speaker 7 (46:36):
Yes, the True bossdy Rety.

Speaker 3 (46:43):
Yeah, Hey, guys, how you doing?

Speaker 45 (46:50):
This is your boy?

Speaker 34 (46:51):
It's a Cola King line at Linehouse right now the
Lion scene give it a big, big shut out at
the Boss Lady Radio station.

Speaker 10 (46:59):
You already know what time it is.

Speaker 3 (47:00):
I just wanted to do this for her.

Speaker 21 (47:03):
I hope you enjoyed this intro.

Speaker 3 (47:04):
Love you, Boss Lady. Keep doing your thing.

Speaker 10 (47:06):
This is your boy to Coola Lion, Always be real, always.

Speaker 17 (47:10):
Keep it there.

Speaker 12 (47:10):
Love you guys.

Speaker 10 (47:30):
What's up?

Speaker 3 (47:30):
What's up?

Speaker 14 (47:32):
Welcome back to another Boss Lady's live radio show, More
Time or Win It Now Speaking studio sponsor bized Boss
Ladies eight and the War Within It Dre's Radio Cafe
AKA to hang Out a k A Dre's Height It
Up next on Then got impossible because you know your

(47:56):
girl t Ski gotta rock the house.

Speaker 4 (47:58):
Let's go.

Speaker 51 (48:20):
Although anything it season, Lee explained to you, there's.

Speaker 52 (48:24):
No show my emotions, I wrote to True.

Speaker 51 (48:28):
Although anything it season, Lee explained to you, there's.

Speaker 52 (48:32):
No show my emotions, I wrote to true. Everybody did
ask me what will hunbe?

Speaker 51 (48:40):
Everybody who wants to know it can wanty reason?

Speaker 52 (48:46):
Lee explained to you, did you ever know what it's
all about?

Speaker 51 (48:52):
Even when I'm down and think I'm going to lose
control music, so it shows that nothing is impossible.

Speaker 3 (49:08):
Yeah then.

Speaker 4 (49:11):
That like j do you know you know what?

Speaker 3 (49:16):
Yeah?

Speaker 4 (49:17):
Then oh.

Speaker 3 (49:27):
What does that mean?

Speaker 34 (49:28):
I mean, yo, yo, what's up? Milwaukee, Wisconsin? This is
voice Allen. You are now listening to the real One.
I want to give a shout out to Boss Lady Radio.
I really appreciate you for keeping the real one and
move different in rotation.

Speaker 3 (49:41):
Much love.

Speaker 10 (49:43):
Yeah, yeah, get going on, It's be divine here.

Speaker 53 (49:47):
You are now tuned in to the award winning Boss
Ladies Radio show.

Speaker 3 (49:52):
Let's go.

Speaker 54 (49:55):
Come bull look fulllight men down this up, step ant
and and come follow follow me down this, Come follow me,
Come follow me, Come follow me, Come follow me. This
isn't donational, this isn't down national.

Speaker 10 (50:37):
Wait you know.

Speaker 17 (50:44):
Uh uh.

Speaker 3 (50:55):
You bull look bullow it down.

Speaker 52 (51:36):
There's no show my moo and come follow anything.

Speaker 4 (51:41):
Season leaks drops.

Speaker 5 (51:44):
The unders, roll, come follow annything would on me down?

Speaker 52 (51:52):
There's no show my motions roll.

Speaker 55 (52:18):
Hey, but just one chance again, It's what I do
when an obstacle incitement just one way.

Speaker 4 (52:23):
To gain bro.

Speaker 55 (52:28):
No one on a specond space speculate only seconds late.
So I thought this present in my way. Mistick Glinda,
fame brush glinted. Question what I feel now? Answer fucking
Flandad Wharton. Here's a good one on a specond space.

Speaker 56 (52:37):
Speculate.

Speaker 3 (52:37):
I will never go to work again.

Speaker 55 (52:39):
I'll never fit in that be a man. Have the
syntax raps representatives with rap. Tell me how we have
if it got them. I'm here's a cliff god, o,
look got a splif I'm saying when.

Speaker 4 (52:46):
You're saying this, it not.

Speaker 3 (52:47):
I be keep is yipped.

Speaker 4 (52:48):
At times I talk shit, had times I am it.

Speaker 55 (52:50):
Other times I'm under one chance again. It's what I
do in an obstacle. Excitement just one way to get.

Speaker 4 (52:55):
Through human frames. Worth us.

Speaker 3 (53:00):
Is the thing God.

Speaker 55 (53:00):
Things are things worship, but things are things to make
the pain hurt, lets the aim the frame your fame
and fame wordless.

Speaker 57 (53:46):
Oh man, I can stop this because you are my soul.
May care SPEs. You are the only one.

Speaker 3 (54:00):
Because there's something special d my blood like it's been
a gold winder. I'm gonna switching for the summer.

Speaker 18 (54:06):
I ain't fucking but still stuck us home for cover.

Speaker 3 (54:08):
I mean, oh job to the.

Speaker 58 (54:39):
Said reset the mine really said the mine said reset
the mine really said them.

Speaker 50 (55:01):
Uh uh huh yeah, but they can't get enough mind limb.

Speaker 3 (55:07):
In addiction, quick Win, I hit them, sick win, I spread.

Speaker 53 (55:09):
Them and lyrics like thirty money bat but still killing rumors.

Speaker 3 (55:12):
They bad male spread this urban fiction and it's like
they can't get enough mind limb. In addiction quick Winner.

Speaker 17 (55:24):
Yeah.

Speaker 3 (55:26):
Huh um yep.

Speaker 49 (55:32):
Here plus I go from dust till don't it so
it closed my eyes work and stay yonings and.

Speaker 3 (55:37):
Must I go from dust till tie twenty seven three
six y five.

Speaker 4 (55:41):
But I'm a classic black.

Speaker 3 (55:42):
You're black, go seev paid with some black kicks and
a black shirt. You can call a lodge of mounds
that I'm counting.

Speaker 11 (55:48):
I'm supposed to shine.

Speaker 49 (55:49):
Look the music up, the windows down, screaming geez up,
riding in the top drop with and I'm all swept
up with a red and green.

Speaker 52 (55:55):
Street on the loose control music sign. It shows that
nothing is my name. Or even when I'm down and thin,
that's what she asks.

Speaker 20 (56:08):
It's luding and or I.

Speaker 51 (56:09):
Can get in the nice my name the veil, even
when I'm down and think I'm gone, Yo, it's your boy.

Speaker 25 (58:23):
Drazy CEO DJ and programmer for Dred's Radio Cafe. You
gotta banging cut that you want to be heard, Got
a show coming up, a gig, you want to sell,
some products?

Speaker 3 (58:35):
You name it, send it to Dre's Radio Cafe.

Speaker 25 (58:39):
Dre's Radio Cafe is a twenty four to seven Internet
radio station designed with you in mind. By being heard
by one hundred and fifty thousand listeners every month. What
does that mean to you? That means more than just
going to YouTube morning, just going to Google, more than
just having a SoundCloud up, more than just having any

(58:59):
of the other a program set up?

Speaker 11 (59:00):
All right, so check this out.

Speaker 25 (59:02):
What I want you to do is send your banging cuts,
through your ads, anything that you have involved that you
want to get involved with to d R e z
e y two one at yahoo dot com. That's d
R e z e y two one at yahoo dot com.
That's Dre's Radio Cafe, twenty four seven radio design with
you in mind. What y'all sipping on?

Speaker 4 (59:22):
Let's go?

Speaker 3 (59:29):
Yeah?

Speaker 10 (59:30):
First first half full of ladies with that on CD.
Body to body, the skeletons.

Speaker 59 (59:41):
Your dooj, How you lost my brood? Reading your boods?
Do your body labash.

Speaker 17 (59:58):
The sealess.

Speaker 59 (01:00:00):
Let's it's like a first kiss, very bad.

Speaker 4 (01:00:07):
I keep it using no emocious love that can exist.
Just stay my and let's try this, just staying my.

Speaker 20 (01:00:28):
And let's try it. Let's try it but with too.

Speaker 59 (01:00:34):
Body, Oh my vanguish body too body, ah my wish
oh my vanguish looking at us, never seeing some beauty exists.

(01:01:00):
Be control me, per is.

Speaker 45 (01:01:04):
You it to save your body?

Speaker 4 (01:01:09):
Got me want go? There's value love.

Speaker 20 (01:01:16):
How much war.

Speaker 4 (01:01:20):
See me in your art? Can't get you off? Batty somebody.

Speaker 59 (01:01:34):
Loveanguage, batty, tobody love, famish, batt it's somebody.

Speaker 4 (01:01:51):
Oh maaguish bady to body ah like.

Speaker 60 (01:02:08):
Like oh eavy.

Speaker 4 (01:02:17):
Body, God.

Speaker 14 (01:02:33):
You got that day viz feature in mister contagious with
all my needs, God.

Speaker 61 (01:02:43):
Go with all the things that's going on. And I'm
still trying to hold on. It's a lot of people
that's going a lot of people.

Speaker 4 (01:02:53):
I'm more.

Speaker 61 (01:02:53):
I'm pushing, trying to stay strong, trying to write all
my wrongs, trying to say you're live because this is
where high blow. I was broken, trying to heal the pain, trying.

Speaker 52 (01:03:02):
To purcel the hurt.

Speaker 61 (01:03:03):
Don't want to fill, hen't eat I'm skipping mills. I
swear this can't be real.

Speaker 4 (01:03:08):
It's like I'm.

Speaker 61 (01:03:08):
Losing my faith. I'm running like a track star, but
I ain't winning the race. I'm holding on by the
grace of God's mouth because I got my pride that
used to see him me strong. So I hold it
on inside. I can't quit and let the pain win
the race. I pray to God to give me strength,
so I find it in this grain. I navigating in
this cold, cold world, and it is a struggle surviving

(01:03:30):
every day. Now, that's my number one hustle. I feel it,
I breathe it, I live it, I speak it. I'm
trying to live right and find peace, so I speak it.

Speaker 4 (01:03:39):
Let's go.

Speaker 62 (01:03:40):
Oh, God is all I need, not just in my

(01:04:09):
time of need on bended knees.

Speaker 3 (01:04:11):
Pay your dues in my daily fees.

Speaker 63 (01:04:13):
Only God can judge me, so the chatter really doesn't
bug me.

Speaker 3 (01:04:16):
I ain't even when I'm wrong.

Speaker 4 (01:04:18):
I condition no.

Speaker 3 (01:04:18):
God always love me.

Speaker 63 (01:04:20):
And times are hurting pain on sad days when the
most is drained, the easy y'all is popping out, and
God is the easy one to blame. The questions always why,
The answer has always come up dry, try to seek
the preacher man, go find the church and pay your thighs.

Speaker 3 (01:04:33):
But God, it's never brow. It's meant to be.

Speaker 63 (01:04:35):
It's meant to be for you with the destined for
God is a prophecy, simply prophetic.

Speaker 3 (01:04:40):
God is still his words.

Speaker 63 (01:04:41):
Like for wedd x g Yo need don't make mistakes,
so there's no need to get record. All I need
is you when I'm down, and now that you always
come to it, I humbly ask for your help in
my time and need so I can blow in his
shadow succeed.

Speaker 10 (01:05:33):
Then, yeah, we got that for jesting when I am.

Speaker 21 (01:05:39):
Saying, oh I'm something, I'm alive and breathing.

Speaker 52 (01:05:42):
They can never take my mind.

Speaker 61 (01:05:46):
Keep roll overroll so long on and I am just
a baby.

Speaker 4 (01:05:53):
They can never play me.

Speaker 64 (01:05:54):
They can never play me saying you can talk out
on here. You make a friend of my m bitch,
and what would have been messing with me and my kids.
I'll tell you what's in and in this I see
you creeping a slow piece and your ship thing those
years you win't got nothing in the water. I gotta
been nonest for years. My ship was crazy as hell.
I'm talking aboutfore bringing spits what you know what beout
take your chances my life.

Speaker 4 (01:06:13):
There's a risk.

Speaker 3 (01:06:14):
I put the middle of my catalog in the piss
and the wind. My mom like taking losses but never
taking the wind.

Speaker 10 (01:06:19):
Contract the water, Keep and focused and pass on the head.

Speaker 3 (01:06:21):
Remember walking and catching.

Speaker 64 (01:06:22):
Buses and beggar for Listen whenever we texting.

Speaker 6 (01:06:25):
Your gent and you were still talking ship, I hear.

Speaker 65 (01:06:27):
Them talking talking talk. They keep talk and talk.

Speaker 66 (01:06:35):
Talk listen, say what they won't take a say what
they like, take a say stay safe, take it in
the shop.

Speaker 67 (01:06:42):
I'm alive and breathing, taking there to take Mama.

Speaker 10 (01:06:47):
To keep roll roll.

Speaker 4 (01:06:50):
So it's a baby.

Speaker 22 (01:06:54):
They can never play me.

Speaker 4 (01:06:56):
They can never play.

Speaker 64 (01:06:58):
And the handle is talking no more. I ignore it,
say my nickma and listen. Don't even mother to call
it at mama.

Speaker 3 (01:07:02):
Game.

Speaker 64 (01:07:03):
But this isn't the hockey isn't a sport. You might
get cut if you try to get in the way.
You're my soul can swing your pants. The weapons don't
make me when I got you won't taken deep enough
back and with them famili youself.

Speaker 18 (01:07:12):
You're given to her like the big the missus walk.

Speaker 4 (01:07:15):
I'm right it's like a lens.

Speaker 3 (01:07:16):
You can put that on. God, we can work. You'll
get to sleep in the mouth.

Speaker 20 (01:07:20):
You like machine.

Speaker 3 (01:07:21):
Every you can stay beneath them a boat. I hear
Ramona grown.

Speaker 64 (01:07:23):
And every time I'm speaking the cut, I hear speaking
his pipe dreams.

Speaker 11 (01:07:27):
I'm keeping it blood from.

Speaker 65 (01:07:28):
Out it talking talk and take.

Speaker 3 (01:07:33):
A tall.

Speaker 20 (01:07:37):
Listen.

Speaker 66 (01:07:38):
Say what they won't take a say what they like
they can say say say take it all my shot.

Speaker 67 (01:07:43):
I'm alive and breathing there to take mama, So lady,
they can never play me.

Speaker 4 (01:07:57):
They can never play.

Speaker 68 (01:08:05):
See whatever you go.

Speaker 3 (01:08:10):
He yo, you asked for it.

Speaker 25 (01:08:12):
So here it is this exclusive drazy feature, mis fabulous
and Lady Face is called over dramatic.

Speaker 4 (01:08:19):
Let's get it this track Let's go.

Speaker 3 (01:08:25):
Only gonna boss Ladies Radio.

Speaker 69 (01:08:27):
Sh another night wound, willows.

Speaker 70 (01:08:41):
Sexy chocolate, just sexy down to night and I'm want
be feeling like a woman's night. Vimit and voice you
know what I'm talking about, Miss fabulous lady face.

Speaker 71 (01:09:00):
Right, So, I don't know how many times I say
matic mony you hold in yougin a shot within a
side a father.

Speaker 4 (01:09:13):
Let me tell.

Speaker 71 (01:09:15):
I don't know how many times sign to say child
said gmtic holding you.

Speaker 10 (01:09:23):
Being a shot within aside the father. I'm not sure
we want you move with right now, but I'm here.

Speaker 4 (01:09:36):
It's the big real soul. Don't want to be down
south with your T shirt off and so dry, but
I don't know if that'll last. I one of the juve's.

Speaker 3 (01:09:53):
Hide a b your fall.

Speaker 72 (01:09:55):
I agreed with all I want of the A side.

Speaker 60 (01:10:02):
Standing norma up, waiting gone you would, petting you, waiting
you like you.

Speaker 4 (01:10:13):
For five the walking sun fell, drub you and congress you.

Speaker 71 (01:10:23):
Like a long So I don't know how many times
I say fell with your met mom in you only
you begin to shop within a slide a five.

Speaker 4 (01:10:37):
L. I don't know how many.

Speaker 10 (01:10:40):
Times side and sex I'll pay feel.

Speaker 4 (01:10:43):
For your medic mong in you on in you from then,
shot within a side of the f.

Speaker 73 (01:10:53):
Ass baby girl, thinking about the times I hate against the.

Speaker 74 (01:10:57):
Glass I got your in the room and ripping off
all my clothes, press against the head or need I
say more? Riding and take it in the back shots
filling me up, nothing nasty decks breaking while I'm up
in your gut down.

Speaker 3 (01:11:13):
Either way, Wick is sixty ninety.

Speaker 11 (01:11:16):
You know I got your back and throng it.

Speaker 3 (01:11:18):
I'm behind that one sixty eight.

Speaker 73 (01:11:21):
I'll be all in between, earthquaking the bedroom, shaking, the sea,
all crashing, making us.

Speaker 4 (01:11:29):
Nine men rowing down.

Speaker 73 (01:11:31):
I don't open that ground men or rideing city, come alive,
show me what you got. Get down, th baby, girl,
dump stop, drop it lower, drop it lower.

Speaker 3 (01:11:44):
I'm about to take you around the bird.

Speaker 4 (01:11:48):
Don't know how many times I come out, but your
man old begin shot again.

Speaker 20 (01:11:57):
I trying that a fly.

Speaker 4 (01:12:00):
Let me tell when we up. I don't know how many.

Speaker 71 (01:12:03):
Times trying to tax you say SI for you madic
in you all in him Ben shower in a side.

Speaker 72 (01:12:12):
Like let me tell me now the song up for
against the wall in the pool like we know, good Nick.

Speaker 48 (01:12:25):
It's our playing games tonight.

Speaker 4 (01:12:28):
That that's the same. It's fight that carry up. You're
talking that, Paul.

Speaker 72 (01:12:37):
But I ain't saying it, and I ain't hitting it
to tou here in my face right now.

Speaker 10 (01:12:46):
I ain't thinking about what you're doing.

Speaker 4 (01:12:50):
How you do.

Speaker 60 (01:12:51):
I need your body to satisfied, like to do every night.
So tell o, girl, don't up to see y'all to
night Tuesday. You're gonna be my mad you drive and
a well.

Speaker 71 (01:13:11):
Fan, I don't know how many times I say God
of sex you betic in ball in you in a
shop within a side a fives Louisa, I don't know
how many times sn sex sex j g matic by

(01:13:32):
all in you for then a shop within a si
fthers what wish.

Speaker 4 (01:13:48):
Yo, Yo, let's go.

Speaker 3 (01:13:51):
It's your girl, miss back that one else.

Speaker 41 (01:13:56):
Girl do.

Speaker 3 (01:13:58):
With ship.

Speaker 45 (01:14:00):
Just love met me, let's right from I don't want
you to love me, Jo, I want you to.

Speaker 20 (01:14:21):
Chan movie.

Speaker 4 (01:14:27):
I want you to me. I want you just wing me.

Speaker 17 (01:14:32):
I want your men that.

Speaker 20 (01:14:37):
I'm wait you tone you all.

Speaker 4 (01:14:40):
I'm telling me. I want you to love me.

Speaker 12 (01:14:50):
I want you to.

Speaker 4 (01:14:53):
Change.

Speaker 45 (01:14:58):
I want you to love me.

Speaker 4 (01:15:00):
I want you to need me Joge this guy's girl,
Miss Fritress with that.

Speaker 3 (01:15:15):
Me this guy, oh.

Speaker 4 (01:15:23):
Jo Joe.

Speaker 3 (01:15:36):
Meeting. I want you to know Age. I want you
to need me.

Speaker 4 (01:15:43):
Jo being the Jan and Joe.

Speaker 3 (01:15:59):
Fear them.

Speaker 4 (01:16:01):
We don't cry. I know, I know me, I know
you're me che Week.

Speaker 10 (01:16:20):
Just let's go, Miss fascious, she loves me.

Speaker 20 (01:16:34):
Mean, I'm.

Speaker 19 (01:16:54):
Cha.

Speaker 45 (01:17:00):
I want you.

Speaker 20 (01:17:14):
A mixed now you're.

Speaker 10 (01:17:16):
Not your face running back.

Speaker 4 (01:17:21):
I don't want from me back then then.

Speaker 75 (01:17:31):
Yeah, I can't take no issue to say you don't
know how to love, you don't know how to.

Speaker 3 (01:17:46):
Do from me back.

Speaker 31 (01:17:51):
Got the money that I spent.

Speaker 3 (01:17:56):
From the dark god of time.

Speaker 4 (01:17:58):
That I gave you. Run me back.

Speaker 3 (01:18:08):
I wanted it all back.

Speaker 76 (01:18:13):
Run me back, my love, run me back, my crush,
running back, just running back, running back. Put it back,
I said, running back.

Speaker 75 (01:18:34):
I said, run it bad.

Speaker 14 (01:19:17):
I've come to terms with the fact that my future
might not involve people I'm around now. I had a

(01:19:48):
check outside of check trying to get any check. But
you know what, I had to go back and get
the things that I did deserve. You know what I'm saying,
Life is change for the bet.

Speaker 10 (01:20:02):
Let's go, y'all.

Speaker 14 (01:20:23):
I might even mistakes in my life. I've learned from
my bad choices. I don't know better next time.

Speaker 10 (01:20:46):
Don't be the person down for past mistakes.

Speaker 14 (01:20:49):
You know, that's like throwing rocks at them when they're
struggling trying to climb a mountain.

Speaker 10 (01:21:02):
Yeah, let's talk about that, y'all.

Speaker 14 (01:21:04):
Stuff like leadership versus popularity and why you can't have both.
You know what I'm saying, You gotta pick one, you
know what I'm saying. And shout out in salute to
excuse me the strange one that was in the building
this Saturday, Superstar Saturday with why Artists can't advance. Make

(01:21:29):
sure y'all check that out social media, Cat Milwaukee.

Speaker 10 (01:21:34):
Let's get it in, y'all. Boss Ladies Live Radio Show.
Let's go y'all, yeah, yeah, let's get this thing started now,

(01:21:58):
right right right right now. Opening up the chat wrong.

Speaker 14 (01:22:02):
So we can get into the ed U and stuff
like that in a minute. But before I get to
all that, I do like to thank everybody for liking, downloading,
and sharing the show. We are live on Riverside FM,
Knoxmens Season three Boss Ladies Radio Show, which will be

(01:22:23):
on all digital platforms after ten p m Central eleven
pm Eastern Time. Have to switch it around because for
those of us that didn't know, Spreaker not live broadcast
no more. So I have to come to Riverside FM
so we can keep those lives. Come you know I'm
talking about and open Mike tonight super Slimming, super Dope.

(01:22:50):
We had dj aj Capon Will Let's celebrate the Lady Songbird,
Gender Tables, turn Massive Struction with Basement Files intro and
for the record, up and did I miss something else?
I don't think I did. Nah, I didn't. We had

(01:23:11):
to open up with v Mayo. You know what I'm saying,
social media cap It's freedom of speech ready up coming
soon twenty twenty six. If you're not there, will definitely
help you get there, you know what I'm saying. Man,
I'm so excited. Tonight Live is the chat room. Before

(01:23:37):
I get to that, though, I do gotta talk about
the artists of the month, which is the Strange One,
and Boss King, the legend all award winners, by the way,
and our GtC experience. So we got San Diego, California,

(01:24:00):
we got Austin, Texas, and we got Palm Beach, Florida.
And like I say, we always do the world wide thing.
So we stayed the state coast to coast, all over
the globe.

Speaker 10 (01:24:16):
We ain't just local, we really global.

Speaker 14 (01:24:19):
You know what I'm saying. We ain't just a local act,
We're a worldwide act. If we welcome you to the
multi award winning ball Sady's Radio Shop and so live
in the chap room, we got award winning OREEGA King
the building, shout up, salute. We got Dre's Radio Cafe,

(01:24:39):
and the building shut up in salute, and let's welcome lud.

Speaker 77 (01:24:45):
Jade Sobo to this show, y'all. Yeah, let's get it now,
all right now haha, live say that again. Just gonna
send some invites real quick.

Speaker 10 (01:25:15):
Yeah, it's hot.

Speaker 14 (01:25:17):
Nope, artists out here, man, a lot of them, don't
you know know about us.

Speaker 10 (01:25:22):
But we getting there, you know what I'm saying.

Speaker 14 (01:25:24):
Definitely, particularly tonight, and welcome again for those of us
that didn't get a chance to get in. And if
you're on YouTube and things like that, Facebook, it's gonna
be up later, so you know you gonna get it
cracking like it's at the same time for everybody.

Speaker 10 (01:25:45):
Things like that.

Speaker 14 (01:25:47):
This topic is hot tonight, y'all. We got leadership versus
popularity and why you can't have both. Have you ever
thought about leadership battling popularity or do you see leadership

(01:26:07):
versus popularity as a choice? Well, I speak for myself.
I looked at it as a choice because if there's
a wisdom out there that says why you can't have both,
they're sure it's take a good reason why we can't

(01:26:30):
have both. But when you think about it, leadership has
its own sector and processes and stages and steps, so
it's popularity. They're very similar in those ways, but I
think leadership sticks. Popularity is here nor there.

Speaker 10 (01:26:50):
It sticks around, but it goes around at the same time.

Speaker 14 (01:26:54):
I don't know about Chip I'm trying to hit his
tee tonight or why you can't have both because a
lot of people think they can.

Speaker 10 (01:27:01):
We gonna find out tonight, y'all.

Speaker 14 (01:27:03):
So without further ado, we definitely gonna get some ed
yet in our lives.

Speaker 3 (01:27:15):
Y'all, mm.

Speaker 14 (01:27:24):
Share and share, share, and then screwed it up. I'm
trying to get back into y'all. Hold on one second.

Speaker 19 (01:27:36):
That funny.

Speaker 10 (01:27:40):
Screaming Okay, now that's good.

Speaker 14 (01:27:44):
I'm playing with this, so I appreciate y'all, uh working
with me on this. Let me quit that and then
go back and do it again so I can see
what I'm doing.

Speaker 10 (01:27:57):
You feel me?

Speaker 14 (01:27:58):
Okays that do it like that? It's all I had
to do was shorten my screen, you know what I'm saying.
So we we well leadership versus popularity and why you
can't have both. We're gonna find that at Addicted to

(01:28:19):
success dot com slash success, Dash Advice slash Leadership versus popularity.

Speaker 10 (01:28:25):
Dash Why dash, you just can't dash have dash both.

Speaker 14 (01:28:32):
True leadership demand sacrifice, not applause or approval. Published about
one month ago on May sixteenth this year, mister Rayo.
In today's world, leadership is often mistaken for popularity, but

(01:28:54):
true leadership is.

Speaker 10 (01:28:56):
Not about being liked. It's about being respect accountable, and
results driven.

Speaker 14 (01:29:05):
While popularity seeks approval, leadership seeks progress, and more often
than not, that progress comes at a cost.

Speaker 10 (01:29:17):
The reality behind the role leadership is not glamorous.

Speaker 14 (01:29:23):
It demands sacrifices, tough decisions, and unwavering resilience. Leaders carry
the weight of responsibility, facing both praise and criticism, often.

Speaker 10 (01:29:36):
Receiving more of the latter.

Speaker 14 (01:29:39):
It's a role filled with challenges and rarely appreciated in
real time.

Speaker 10 (01:29:46):
As the saying goes uneasy lies the head that wears
a crown Freedom from Richmond.

Speaker 14 (01:29:54):
One set quote, people are more frightened of being lonely
than of being hungry, or being deprived of sleep, or
of having their sexual needs unfulfilled. That quote captures the
isolating nature of leadership. Leaders often find themselves alone, not

(01:30:16):
because they lack support, but because they cannot openly share
their doubts, weaknesses, or frustrations for fear of misinterpretation or misuse. So, basically,
in street terms, the reason why I can't open up
to you because I'll be judged as a leader and

(01:30:37):
still be a leader in your eyes. Now that's deep,
and that's a whole other conversation on a whole nother
podcast episode.

Speaker 10 (01:30:44):
I might go deep with that. Let me know in
the comments if that's something you want to see.

Speaker 14 (01:30:49):
They're caught in a paradox, bound to their oath of
office yet yearning to pursue ideas close to their hearts.
They must be cautious with relationship, as even friendly interactions
can lead to expectations that cannot ethically fulfill. Leadership versus popularity.

(01:31:11):
Leadership and popularity rarely coexists. While popular figure seeks validation,
leaders are focused on vision, values.

Speaker 10 (01:31:20):
And results.

Speaker 14 (01:31:22):
If a leader happens to become popular, it's a byproduct,
not the objective. When things go well, praise follows, but
when plans falter, criticism is swift and often harsh. Unlike
the average person, leaders don't enjoy the same level of
privacy or freedom. Every mood is watched, every word is weighed,

(01:31:45):
they give up a great deal of personal liberty for
the sake of public service.

Speaker 25 (01:31:49):
Quote.

Speaker 14 (01:31:50):
Criticism is something you can avoid easily by saying nothing,
doing nothing, and being nothing Aristotle, The cost of responsibility.

Speaker 18 (01:32:03):
John C.

Speaker 10 (01:32:04):
Maxwell puts it clearly. The price of leadership is criticism.

Speaker 14 (01:32:08):
No one pays much attention to the last place finishers,
but when you're in front, everything gets noticed.

Speaker 10 (01:32:15):
No leader can satisfy everyone.

Speaker 14 (01:32:18):
Their decisions may have good intentions, but the outcomes can
upset certain groups. The consequence backlash, disapproval, and sometimes even danger.
History has shown time and time again. Mahatma Gandhi, Abraham Lincoln, Martin,
Luther King Junior, and John F. Kennedy were all assassinated

(01:32:38):
not because they were ineffective, but because their vision challenged
the status quo. Leadership is about making tough choices, often
in the face of fierce opposition. It's about staying the
course even when critics are loud and the journey is lonely.
Leadership is about responsibility, not applause. Leadership is not a

(01:33:02):
quest for approval. It's a commitment to action. It's about
doing the right thing, not the easy thing. Leaders must
be willing to endure discomfort, stand in the line of fire,
and except that they cannot please everyone to lead us
to walk a path filled with both banquets and brick bats.

(01:33:23):
It's about conviction, clarity, encourage, not collaps and that is our.

Speaker 31 (01:33:31):
Edu for our lives.

Speaker 10 (01:33:35):
Ain't about the claps, I don't know. Definitely not that
un little saying.

Speaker 14 (01:33:47):
Second half of the Fellas, because we did the first
half with the ladies.

Speaker 10 (01:33:53):
So after that, Dres we dropp.

Speaker 14 (01:33:54):
We gonna get some realaxation, mixtaping and jamming up in here, So.

Speaker 10 (01:33:59):
Y'all make you gotta stay tuned.

Speaker 3 (01:34:00):
I'm gonna wear.

Speaker 30 (01:34:09):
Y'all.

Speaker 11 (01:34:09):
Have here been nhing out of the forty two hours
and nothing much.

Speaker 35 (01:34:13):
Drade Heat Dre's Radio Cafe, got that going on every
Monday night from seven pm till nine, sometimes a little
bit of overtime, but if we do overtime, it's always
good for the love, you know what I'm saying. And
also on Friday, Dre's eight, the funniest hour you can
have all day trying to determine what song gonna be
Number one?

Speaker 6 (01:34:30):
Who can it be?

Speaker 17 (01:34:31):
Can it be your song?

Speaker 35 (01:34:33):
If you want to submit music to d R e
Z e y two one at yahoo dot com. Then
vote at six one five, five, four zero three nine
nine eight Dre's eight on Friday seven to nine pm,
I mean seven to eight pm.

Speaker 11 (01:34:45):
Excuse me or just hang out.

Speaker 35 (01:34:48):
Monday nights seventy nine, stay tuned to Boss Ladies Radio
Show presented by Boss Ladies, Inc.

Speaker 17 (01:34:54):
Da Dzke Diane.

Speaker 35 (01:34:56):
Let's run them up.

Speaker 45 (01:34:57):
You know how we do.

Speaker 35 (01:34:58):
Trad's Radio Cafe.

Speaker 65 (01:34:59):
We out here.

Speaker 22 (01:35:03):
You're now listening to the Relaxation makes tests by Lord
Yaga King, call for decision by Danny Joe akn Ate customs, attention.

Speaker 10 (01:35:13):
Back and relate excition.

Speaker 22 (01:35:15):
It's official, norid Yagna came back on the beat on
what this is?

Speaker 3 (01:35:36):
It's official?

Speaker 8 (01:35:37):
Yeah, it's just.

Speaker 24 (01:35:40):
Got suficial name nineteen.

Speaker 3 (01:36:05):
This is the first.

Speaker 17 (01:36:18):
Attack the.

Speaker 43 (01:36:22):
Supicial when came a this is like one sash when

(01:36:47):
you came back. This is then.

Speaker 10 (01:37:07):
Supicially where you can elect.

Speaker 17 (01:37:10):
This is that can past.

Speaker 11 (01:37:35):
It's appreciate that.

Speaker 17 (01:37:39):
This is that.

Speaker 22 (01:37:53):
It's official. More you get it. Came back on the beat,
Oh wor this is that official?

Speaker 43 (01:37:58):
What canaster shot?

Speaker 14 (01:38:06):
What it is?

Speaker 19 (01:38:07):
Y'all know who it is?

Speaker 22 (01:38:08):
Yo?

Speaker 17 (01:38:09):
No?

Speaker 22 (01:38:09):
The realization mistape. I went a little farther back in
my career from like when I first started. So you know,
it's gonna get you hyped up, it's gonna get you
turned down, but it's also gonna give you a different
pot from my last two mixtapes, which were one of
the struggles in the one hand, produce your demo and instrument.

(01:38:31):
Second year walking with People, y'all pay eighteen, y'all know
what time it is.

Speaker 68 (01:38:36):
It's just a relaxation.

Speaker 22 (01:38:40):
First and foremost twenty five A life records than is
Joe Akaycus.

Speaker 4 (01:38:44):
Oh what.

Speaker 3 (01:38:48):
Yo?

Speaker 56 (01:38:48):
This is custin Sign of the King in twenty five
to last record. Just experience the relaxations five taking hip
hop until next time. It's what up?

Speaker 39 (01:39:13):
What Up?

Speaker 3 (01:39:14):
What up?

Speaker 33 (01:39:14):
Though, it's your boy Misery y GMG, and you are
now tuned in a Boss Lady Radio. You can also
find my clothing line at y GMG clothing Store dot
com on wixi dot com. Again, why GIMG is in
the building. It's your boy Misery Boss Lady Radio.

Speaker 3 (01:39:35):
Bow, Yeah, we got that misery with that. What you
know about that? Let's go hy gm G.

Speaker 10 (01:39:51):
Yeah, yos Brace Swift can't get.

Speaker 19 (01:39:53):
Against street sewing patient. Police come you're down, they will
street sewing patient niggas watch Okay the streets sewing patient,
better keep it on that fact streets sewing patient out
and lost your your fix streets sewing patience police cun
your down, will streets sewing patient niggas watching mouth came

(01:40:14):
the streets sowing patient. Better keep it on your fact streets.
So impatient now and lost love fix streets sowing patience
police cut you down, bill streets sewing patient niggas watching mouth.
Okain't the streets soe patience, better keep it on your
fight streets.

Speaker 3 (01:40:31):
So impatient, I the lost soul fix.

Speaker 19 (01:40:34):
I bet it all on music, hope I make it better,
catch one for it, in one for it. I still
choking past shook. My dog will take me in, but
it ain't no looking back nothing and boy still killing
time to shoot by back bye, Just trying to pick
my family. No, can't slay you noise catch on the
right and things. Some of that folks and the only

(01:40:54):
things were thinking money till the chuck them.

Speaker 4 (01:40:57):
Patient ass niggas might just go to check.

Speaker 19 (01:41:00):
Y'all stay focused when I move these niggas breaking rope noo.
Sure he only fifteen, didn't he take it to day?

Speaker 4 (01:41:07):
My niggas tied to.

Speaker 19 (01:41:07):
Be all ready and at the fool and fight ring the.

Speaker 3 (01:41:10):
Boat one in. You're down to make the nose.

Speaker 19 (01:41:13):
No, ain't going white the vote. Why your niggas new aaco.
They betting on the kid. They want to see me loot. No,
we'll get your money. Push it because up still banging,
poot on foot my black fist high it skidd.

Speaker 3 (01:41:25):
It pussy jet. Yeah.

Speaker 19 (01:41:26):
Yet streets sewing patient ponies cut you down, you will
streets so impatient niggas watching now o king the streets
sewing patient.

Speaker 4 (01:41:35):
Better and keep it on that fact.

Speaker 19 (01:41:37):
Streets so im patient down and lost some love? Fis
streets sewing patient police gun you down? You will Streets
sewing patient niggas watching now okank the streets sewing patient
bet and keep it on your fact. Streets sewing patient
down and lost some love. Fix the streets sewing patient
hoping nigga make me do. That's your beniteniary genus. While

(01:41:58):
yat niggas stay home. He thank the Lord.

Speaker 4 (01:42:00):
There ain't day.

Speaker 19 (01:42:01):
She's the fucking way a man hate to pray up
on my sins to hit the street ballad.

Speaker 3 (01:42:06):
Rdgeous Blessed one.

Speaker 19 (01:42:07):
You know I'm gonna win now, laying fast, Poky's playing savage.
They on that shit, a kid, just I feel just
like the Panthers, just in all play. You was ready
for that war. My cuse like MEXICANID hit that. Yeah,
So like Lady Davis did Jack, we ain't gonna say
ship lay y'all quick can put that came down?

Speaker 3 (01:42:28):
They read wrong shit and murder. Murder came though.

Speaker 19 (01:42:31):
That's all they talked to kid and face straight the
mass kidd lit, we about the burnest bitch like California
in the eighties. Bitches going down nor Siven men killed Tea.
He's still walking around this ship.

Speaker 3 (01:42:43):
Ain't chases dead hill him going down bitch streets.

Speaker 19 (01:42:47):
So impassion police come you're down, he will streets, So
impatient niggas watching now okay this streets, So impatient better
kid and all that fast streets, So impassion now and
lost love ways streets, so an impatient police come you
down real streets, So impatience thiggers washing out came the streets,
so impatient better came it off your fact streets, So.

Speaker 6 (01:43:10):
Impatient now and lost love fix.

Speaker 4 (01:43:27):
Why didn't you play for this.

Speaker 68 (01:43:46):
Got nothing?

Speaker 10 (01:43:47):
Watch m G Classic with Dad.

Speaker 3 (01:43:51):
Going on. Nigga who said I needed help with this rap?

Speaker 4 (01:43:58):
She you go hoo.

Speaker 3 (01:44:00):
Boy, you know I set the boar in the tread
boy who.

Speaker 19 (01:44:03):
Never asked one of you pussy for no hand house oo,
never paying for no pussy, looking at cheese and you
who said I needed help with this rad shit. Nigga boy,
you know I set the boar in the tread boy
who never asked one of you pussy for no hand
house boom, never paying for of the whizzy, looked at
cheese out, got my motherfucking name ma in they mouth

(01:44:24):
ain't truth and something great on my team?

Speaker 3 (01:44:27):
Ain't it is never laid. Let's kind of shark in
this bitch. They know miss ain't come to play.

Speaker 19 (01:44:32):
Gonna sucking nigga like a whole jailia now else kill text.

Speaker 3 (01:44:36):
That's how nigga protect this day.

Speaker 19 (01:44:38):
Let's get the scoodios working out and getting my thumb paid.
If you cross that line, Jesus no, I'm gonna have
my way with Daddy dig suck in this Nigga's talk
just the right away. I'm dripping hit your city, hit
your stage to get a bag. Tell me one fucking day,
why you bitches looking?

Speaker 4 (01:44:54):
Man?

Speaker 19 (01:44:54):
I got it a month, so it ain't no need
for looking saying this ain't no stuff.

Speaker 3 (01:44:58):
Just got your missions.

Speaker 25 (01:44:59):
Man.

Speaker 19 (01:45:00):
He said I needed help with this rap shitty nigga.
Home boy, you know I set the bar in the
trend boy who never ask one of you pussy for
no hand dowse oo, never paying for no pussy looking cheese, and.

Speaker 3 (01:45:13):
Said I needed help with this rap shit nigga.

Speaker 36 (01:45:16):
Boy.

Speaker 3 (01:45:17):
You know I set the boar in the tread boy.

Speaker 19 (01:45:20):
Never asked one of you pussy for no hand house,
never paying for the pussy.

Speaker 3 (01:45:24):
Look the cheese out. I'll shake it for y'all. Niggas.
Now y'all know the deal.

Speaker 19 (01:45:28):
Here is why she up and still hose down for real.
It's a black doubt party here. Ain't time I shoulder
steel the cheese in this bitch hose wanta copper feel
I ain't paying for no pussy. My name is not
dollar Bill and my name I.

Speaker 3 (01:45:42):
Get ship lit for real. Respect them this ship like
you talking to your mama. Niggah.

Speaker 19 (01:45:48):
You see real when they approaching. When you know it,
nigga who goes stop ship when I get the bond,
try being hits on these niggas like the whole school
sound solo do lo because the nigga go here.

Speaker 3 (01:46:00):
Ain't no extra iceing there. It's just the tails on
this ship. Let's can't nigger hoo said I needed help
with this rap?

Speaker 4 (01:46:06):
She nigga hoo.

Speaker 3 (01:46:08):
Boy, You know I set the boar in the drend
boy who.

Speaker 19 (01:46:11):
Never asked one of you pussy for no hand dowseol,
never paying for no pussy.

Speaker 3 (01:46:16):
Looking at cheese and you who said I needed help
with this rap.

Speaker 4 (01:46:19):
She ni gonna hoo.

Speaker 3 (01:46:20):
Boy, You know I set the boar in the drend
boy who.

Speaker 19 (01:46:24):
Never asked one of you pussy footing, no handouts, never
paying footing on the whizzy, looked at cheese out Jesus out.

Speaker 41 (01:46:53):
You already know what it is when you're hear that
roll up. It's your boy for one folk dang, the
soul of the streets. October twelfth, Central Standard time, seven pm.
Shake in with your boy, and i'ma be discussing the
new us that I got coming out of Love Games too,
the new singles I got coming up.

Speaker 3 (01:47:12):
And the subject matter would be social media capa.

Speaker 31 (01:47:17):
Lem'a be locked in.

Speaker 4 (01:47:18):
With my own girl.

Speaker 41 (01:47:19):
Dj Dsky, the world winning dj d Sky and the
one handed producer doing what y'all can't do with two hands.

Speaker 3 (01:47:26):
The boy know where y'all get a kid.

Speaker 41 (01:47:29):
Once again October twelfth, seven pm Central Standard Time. And
if you need any interviews or commercials, get up with
dj d No more than twenty.

Speaker 3 (01:47:40):
Five dollars to get you plugged this row Love, ned you.

Speaker 78 (01:47:49):
Wote my time, you my trug, you my drugady h.

Speaker 31 (01:48:02):
Roller problems on your mind? Just don't wid gets your time, Joe,
you know you sound like a vibe.

Speaker 4 (01:48:14):
I can't lie.

Speaker 10 (01:48:17):
Roller braw Love. We got that on one date with

(01:48:56):
that smoky mountains step.

Speaker 4 (01:49:03):
God roll.

Speaker 31 (01:49:10):
I didn't give you something you can smoke to. Gang
you and your friend You get rope. Put one in
the head like it SMOs suit Pop. Paddy, give you
something you can smoke too. That didn't get your something
you can sol to. Gang you and your friend You
get rope. Put one in the head like a slow suit.

Speaker 20 (01:49:33):
Hoddy, give you.

Speaker 31 (01:49:33):
Something you can smoke to. Paddy, get your something you
can smoke to. Riding in that old school money like
a old you running up a check got regretted to
think my old moving bounce or so too. I can
never owe you. I don't talk about it. Yeah they
now they have to show you, baby, I gave up
with you. They gonna bring up Low through five cocoa

(01:49:56):
reps rappers. That the road to my silver stressman in
that but speak.

Speaker 3 (01:50:00):
O where I go through Candy.

Speaker 31 (01:50:03):
Give you something you can smoke to, soup man, hang
you away, your friend. You give rob Roro my one
in man like a sposo up to me handy gig
or something you can smoke to, up to Hanny gig.
Something you can smoke to up to hang your way,
your friend. You give rock Room the one.

Speaker 4 (01:50:22):
In the hand like a soso up to handy gig.

Speaker 31 (01:50:26):
Something you can smoke to roll.

Speaker 23 (01:51:11):
And yeah, what's adding This is George Truley, South Florida
Finest g Daddy, the boss King, the Legend. Your first
I want to get shot shot to the amazing ward
winning Queen Boux Lady dj d Ski know I'm time.
My second off, I want to get shot shot to

(01:51:32):
Drizzy Dra's radio cap Feth Dre's eight you know what
I'm saying, twenty four seven radio.

Speaker 3 (01:51:38):
Then I want to get shot shot to my home?

Speaker 69 (01:51:41):
What four?

Speaker 6 (01:51:41):
One fourth?

Speaker 3 (01:51:42):
Thanks?

Speaker 23 (01:51:43):
You know what I'm saying. No, Rajega the King, you
know what I'm saying. All amazing other artists out there. Oh,
and I can't forget about you know what I'm saying.
Teresa Taylor Global Empire and you know the one that
know the customs. You know what I'm saying. Danny Joe
twenty five A life Ruckers. Let's get it strong, y'all,

(01:52:04):
film in running.

Speaker 4 (01:52:07):
Right next.

Speaker 10 (01:52:11):
False Ji, what I wanna do?

Speaker 17 (01:52:14):
What I do?

Speaker 10 (01:52:15):
I'm gonna say what I say, skiddy, come in to
the twenty five life. I'm gonna go, y'allnoun seize.

Speaker 26 (01:52:25):
It three when I say now right yet a palm
waiting like dogs.

Speaker 10 (01:52:31):
Rying and sem saying this heavy?

Speaker 11 (01:52:34):
Do you know y'all ain't ready the way I put
it down? And I can say and be quiet and.

Speaker 17 (01:52:41):
Let it be through.

Speaker 8 (01:52:42):
Yeah, and where I rob you gotta took the pullet
in the wrong girl, What No, don't you make put
it way?

Speaker 11 (01:52:49):
I'm lak it. Yeah, I gotta bake it.

Speaker 4 (01:52:52):
Ing at your.

Speaker 8 (01:52:52):
Figure, say what's yeah? And I'm gonna say what I say,
I will do And I like tell I represent yes
though belated way all that way he.

Speaker 17 (01:53:05):
Hit mellow to do what I can do.

Speaker 11 (01:53:07):
I'm gonna say what I say.

Speaker 8 (01:53:09):
You y'all know that g don't I don't love me
do what I'm I'm gonna say what I say, unto me?

Speaker 11 (01:53:17):
Wait where from w where I'm from the bottom, more the.

Speaker 17 (01:53:22):
Math, the whole mother good.

Speaker 8 (01:53:27):
Son, You don't shame like yeah do way, Brothers together,
we thank how the bucket that I made it. That
guy give and I can them that trade I told
you has being fag to love what I do.

Speaker 11 (01:53:44):
I'm saying what I say, m Yeah, way.

Speaker 3 (01:53:47):
Flood love say what I say.

Speaker 8 (01:53:50):
I'm gonna say what I do, y'all hit my will
live live it through. Yeah, don't get it twisted, don't
get it pixure s. I'm my brothers in food world?

Speaker 4 (01:54:00):
Why is it?

Speaker 8 (01:54:01):
And I told her my throng, you gotta messed up
and let the little Yeah, I got the juice.

Speaker 3 (01:54:08):
That's what I know.

Speaker 11 (01:54:09):
You want to come in too, like the.

Speaker 10 (01:54:10):
Time on my time to blow.

Speaker 8 (01:54:12):
Yeah, I tell your heads clot your pool and then
put the thoughts on your might get frozen.

Speaker 11 (01:54:18):
And the way I talk even do I don't talk.
You're gonna do my thing and your north so hard.
And what you're doing is what I'm saying.

Speaker 25 (01:54:28):
What I say.

Speaker 17 (01:54:30):
I'm gonna do what I do.

Speaker 11 (01:54:32):
I'm gonna say what I say.

Speaker 17 (01:54:33):
I'm gonna do it.

Speaker 11 (01:54:34):
Yeahaff wait flowing up.

Speaker 17 (01:54:36):
Yeah, we'll tell.

Speaker 30 (01:54:38):
Ma your music lords Drip drip, God's happened.

Speaker 3 (01:54:44):
Yeah, I hate those.

Speaker 17 (01:54:44):
I'm coming very hard.

Speaker 18 (01:54:50):
Request lines are now open on Boss Lady Radio. Whoa, whoa, whoa.

Speaker 37 (01:54:56):
First caller, Yeah, this is Fred the weedhead Man. I
wanted to hear something dope from Brother Rob the Poet Brown.
He's an awesome underground the artist dude.

Speaker 38 (01:55:08):
Hopefully I can invite him over to my mom's basement
one day and we can do some bong hitsing later
on rally up at McDonald's.

Speaker 4 (01:55:16):
We'll see what we can do for you man.

Speaker 40 (01:55:18):
Next caller, this is the Cause, and I just like
to hear something smoothie and groovy.

Speaker 6 (01:55:26):
By Brother Rob the Poet Brown while I sit here.

Speaker 3 (01:55:29):
It ain't the great bigmoll of the Yellow Hoddy.

Speaker 39 (01:55:33):
We'll see what we can do for you, mister Bell.

Speaker 32 (01:55:36):
Next caller, Well, I'll tell you, dude, he sk me
and my whole commedia Actus.

Speaker 38 (01:55:41):
We've been through a whole lot, brother, But after sitting
down and listening to the awesome rhymes by Brother Rob
the poet Brown, I don't know what to say or
do man and Brother Rob.

Speaker 18 (01:55:50):
He's always been an old school haol comania.

Speaker 38 (01:55:52):
He's down with the prayers, the vitamin is, the pull ups,
the thrust, the whole nine yards, Dude, supplace something by
Brother Rob and until Earth.

Speaker 18 (01:56:00):
Notice what you're gonna do when Brother Rob.

Speaker 3 (01:56:03):
And the whole maniacs run wild on you?

Speaker 39 (01:56:08):
Well you heard them, d d Ski. You gotta give
the people what they want.

Speaker 3 (01:56:12):
So let the beat.

Speaker 18 (01:56:14):
Ship from rash the riches, from Ashley to Classy.

Speaker 53 (01:56:19):
Y'all know the score, the food that fed money, especially
the poor country for project people, trailer park trash.

Speaker 18 (01:56:25):
Y'all want some free gas, Get yourself a canna. Homies
from the hood, know what I mean.

Speaker 53 (01:56:29):
Your yard band had a song about sardine, saying a
cannas more every milk come on, pull of protein, fool
your muscles in your heart.

Speaker 18 (01:56:45):
You know the story. The more you eat, the more
you fart.

Speaker 53 (01:56:48):
The more you fart, the more you feel. So baby,
eat those things for everem milk. Come on, how many
folks been down this road before? Two days to go
before you make it to the gruffery store. The food
supplies running lower your day, and they want to screen
get the baking between some oodles and noodles.

Speaker 39 (01:57:02):
And a cannon us.

Speaker 53 (01:57:03):
The noodles come in handy friends, But eating straight noods
is like eating a well seasoned nat can. Times like
this you want to get full, know what I mean?
Keep your noodles past, brother Robert Canna baked thing full
of protein, ful your muscles in your heart.

Speaker 3 (01:57:16):
You know the story.

Speaker 53 (01:57:16):
The more you eat, the more you fart, The more
your fart, the more you feel so bad. But eat
those beans for everyon. Come on, full of protein, full
your muscles in your heart.

Speaker 3 (01:57:26):
You know the story.

Speaker 18 (01:57:27):
The more you eat, the more you fart, the more
your fart, the more you feel so bad.

Speaker 53 (01:57:31):
But eat those beans for everyl Come on, great sauce
to boble, good and full of nutrition. Only one side
effect the Gasserius mission protein calcium, potassium and phosphate, some
salt and peppers and season and it tastes great enough
heart disease from coming to get your velvet beans.

Speaker 18 (01:57:47):
A good for sex, drive, beef pud my nigga.

Speaker 53 (01:57:49):
Some folks o d on beans that their hinds can't cope.
Give an off a smell that's worth a second hand smoke.

Speaker 3 (01:57:54):
You know that hot, folky.

Speaker 53 (01:57:55):
Smell that makes you wanna choke till you get that
nasty drip in the back of your top. Full of proteins,
full your muscles in your heart.

Speaker 18 (01:58:02):
You know the story. The more you eat, the more
you find, the more you find, the more you feel
some baby.

Speaker 53 (01:58:07):
Eat those things for every come on full of protein
for your muscles in your heart.

Speaker 3 (01:58:12):
You know the story.

Speaker 53 (01:58:13):
The more you eat, the more you find, the more
you find, the more you feel some baby, eat those
beings for every.

Speaker 18 (01:58:19):
Come on full of proteins, full your muscles in your heart.

Speaker 3 (01:58:22):
You know the story.

Speaker 18 (01:58:23):
The more you eat, the more you finn shouldn't shouldn't.

Speaker 68 (01:58:47):
Clean up my sinus, soler, your bet Jamal and Jamala.

Speaker 13 (01:59:04):
The hell like.

Speaker 3 (01:59:10):
Jacko pock.

Speaker 48 (01:59:14):
I in my meca, I am you you, Bye bye Joe,
the cheerfuon you because this larvae, yeah, they leave. He'd
be like a network. Now I have to you and
so Ohlsen me my Ba Betty car and not da

(01:59:41):
Ma sail as.

Speaker 79 (01:59:46):
Any data or lah meat oh jr to Lati.

Speaker 80 (01:59:52):
You know Andy Turnymu shinymm more dupa ah yeah, Nimo.

Speaker 48 (02:00:02):
See me now, I'm living happy nice line.

Speaker 79 (02:00:07):
If you call me no, if you like you know lie,
this is world got up his life for my whole life,

(02:00:28):
my way.

Speaker 3 (02:00:29):
I then live, you know, paying me.

Speaker 48 (02:00:32):
From Lego to Elugo song go it did you got
to make him a roundI wa, I know you who
I come from? No joy from my love. I pray

(02:00:53):
make you know die.

Speaker 80 (02:00:55):
You got to buy my dad and wani to you
and you want me to you and you want me
to you. I bahm my dad. You want me to you,
and you want me to you, and you wanted.

Speaker 17 (02:01:14):
To you.

Speaker 48 (02:01:17):
See me now, I'm living happiness.

Speaker 17 (02:01:20):
Lie.

Speaker 79 (02:01:22):
If you call me no time, if you like you
know lie, Lie, this is world got up desire from
my whole life. Any mobile game me Ryan gave me,
Ryan gave me run your came your issue auto solus

(02:01:52):
dingy beauty.

Speaker 11 (02:02:20):
Oh, let me tell you to this day.

Speaker 81 (02:02:32):
It's a lot of jealous spirits hid inside the people
we call relatives, friends.

Speaker 17 (02:02:38):
And family members.

Speaker 81 (02:02:39):
Girl, it's a lot of people that's envious of you
right now because you've got what you've got. It's a
lot of people that's jealous of you right now because
you've got what you've got.

Speaker 39 (02:02:48):
They want to.

Speaker 10 (02:02:49):
Kill your happiness.

Speaker 18 (02:02:51):
Still, you sure destroy your peace.

Speaker 3 (02:02:54):
And you gotta understand somebody in these reward. The last
three letters in the word family is.

Speaker 10 (02:02:59):
A he while that's stand for our love you, but
it ain't no love in the family. The girl has
three letters on.

Speaker 18 (02:03:05):
The word friend is in one day.

Speaker 10 (02:03:08):
It got to be over it eds. Let me tell
you something. Don't put too much trust in these people.

Speaker 81 (02:03:13):
It's another jealous spirits hit the side of people we
call relatives, friends and family members.

Speaker 10 (02:03:19):
That's why you gotta stay your distance. Let me tell
you something. They lie to us about the death.

Speaker 17 (02:03:25):
They the lie of the god.

Speaker 82 (02:03:27):
They had you thinking that the devil is a red
man with an ugly face, that with two horns on
his head the whole time.

Speaker 83 (02:03:36):
The devil is that beautiful woman name fig Booty Boqusha,
that's a kate resists the all time. The devil is
that can say no, but you can't stop counting that
it's coming upon that you can't It resists the whole time.

Speaker 82 (02:03:52):
The devilness, that alpha hall or that dope you can't
start using. That's the devil, that irresistant, the face.

Speaker 10 (02:04:00):
That you can't control.

Speaker 82 (02:04:01):
See, the devil is all about control. Meanwhile, they got
your food. You're looking for the ugly red man with
the two walls the whole time, that broke ass red man,
that living in your fad, always calling you the check
and see if your kids sleep, rather than asking you
did they eat?

Speaker 10 (02:04:20):
That's the depth. Let me let me tell you something.
Everybody think they friends really lord them.

Speaker 81 (02:04:26):
Everybody think they family really loved them, really a die
for them, really.

Speaker 10 (02:04:30):
A help them mouth.

Speaker 82 (02:04:32):
But you gonna find them out when you lose that job.
You gonna find them out when you go broke. You
gonna find them out when you ain't got that car
no more. You gonna go around and find out that
the people you thought that was your friends or.

Speaker 10 (02:04:47):
Your family methods was pretenders all the lord.

Speaker 82 (02:04:50):
When you lose them as sets, when you cut off
that access, they gonna show you how much they really
can't stand you.

Speaker 10 (02:04:58):
And it was all of the benefits. See, you gotta
start assing yourself.

Speaker 82 (02:05:03):
Two people really rock with me because I'm beneficial, because
I've been official.

Speaker 10 (02:05:09):
A lot of people rocking with you because you offer them.

Speaker 82 (02:05:12):
Start testing people, no no, no, no mony and lord,
don'ta pay bills.

Speaker 17 (02:05:17):
Don't be the new book.

Speaker 10 (02:05:19):
Let me tell you, I'm gonna show you the fastest
way to find it. Let me tell you something, as
you get older, you gotta have something to lose. Man.

Speaker 18 (02:05:26):
I'm talking about more than calls, clothes and shoes.

Speaker 45 (02:05:29):
Man.

Speaker 39 (02:05:30):
You gotta have like a business.

Speaker 10 (02:05:32):
You gotta have like a family. You gotta have something.

Speaker 17 (02:05:34):
You're working on.

Speaker 82 (02:05:35):
You should not be stuck on the sping that you
were doing when you was in high school or when
you was in the hood.

Speaker 10 (02:05:42):
You should be past there at this point in your life.

Speaker 17 (02:05:45):
Man.

Speaker 10 (02:05:45):
Now i'm talking about you're forty or fifty years old.
I'm talking about even if you thirty years old. At
this point, every move.

Speaker 84 (02:05:51):
Need to be making sense. You can't be talking about
old shit. Them old bands that you had they gone bro. Yeah,
you still talking about back in the days when you
sold the dope.

Speaker 10 (02:06:03):
Man, that dope gone bro.

Speaker 3 (02:06:05):
You get on great hair and the bed all on
your owness like that.

Speaker 17 (02:06:09):
Man.

Speaker 10 (02:06:09):
See, at this point, you're going to have something that
you scared to lose.

Speaker 17 (02:06:12):
Man.

Speaker 10 (02:06:13):
Yeah, when you get over.

Speaker 82 (02:06:14):
The main your mentality posed to change because your actual
adity is getting real.

Speaker 10 (02:06:21):
Let me tell you something as you, let me tell
you something, dude.

Speaker 48 (02:06:24):
You know what.

Speaker 82 (02:06:24):
Some people mad at you right now because you ain't miserable.

Speaker 10 (02:06:27):
They mad at you because you ain't lone. They mad
at you because you ain't lacking for nothing. Let me
tell you something.

Speaker 82 (02:06:33):
It's some people, man, that's so miserable at the fact
that you ain't going through misery that they hate that.

Speaker 10 (02:06:40):
They can't stand you. So every time they face you,
they face us full of discussion.

Speaker 81 (02:06:45):
You know why, because you the topic of discussion, and
they mad that you ain't keeping fighting and fussing.

Speaker 10 (02:06:50):
You ain't looking for nothing, You ain't hurting for nothing.
You got everything you need. You bless Let me tell
you something, man.

Speaker 82 (02:06:57):
When God blessing you man, the people that pray against you,
the people that wanted to see you fail, the people
that want to see your life and.

Speaker 10 (02:07:04):
Misery and pure hell, they gonna be lading at you.

Speaker 3 (02:07:07):
So that's part.

Speaker 82 (02:07:08):
When they come around you, they firing, they face they
never clop when you're wining.

Speaker 10 (02:07:12):
They don't want to see your ad or nothing. Let
me tell you something. You ain't suffering the way they
want you to suffer. Let me tell you something.

Speaker 17 (02:07:19):
Let me tell you something.

Speaker 10 (02:07:19):
Whatever you love, you gotta keep it off the internet.
You know, as a man or a woman that's grown.

Speaker 82 (02:07:25):
Policy its power, like get better when nobody know what
you're doing, where you wat who you're in.

Speaker 18 (02:07:31):
Love with, what your kids look like.

Speaker 82 (02:07:33):
Let me tell you something where you traveling to you
gotta keep all that private.

Speaker 10 (02:07:38):
Man, Let me tell you something. When people don't know
what you love, they can't win it. When people don't
know what you're working on, they can't pray against it.

Speaker 31 (02:07:45):
They can't stop here, they can't black bat it.

Speaker 82 (02:07:47):
Yeah, stop telling everybody everything, man, Keep stop keeping, Stop
posting your kids, stop posting your significant other.

Speaker 10 (02:07:56):
If you've lived on that vote, because I'm gonna tell
you something.

Speaker 82 (02:07:59):
When they they find out you have it, they gonna
do everything in their power. They're trying to steal your choice.
Let me tell you something about that devil that de
would come to kill.

Speaker 10 (02:08:08):
Still in this story, Poma see its power.

Speaker 82 (02:08:11):
Make don't tell nobody what you about to do and
what you up to. They'll see it once it's done.

Speaker 18 (02:08:16):
Let me ask you something to this Why is it when.

Speaker 82 (02:08:20):
You edit people out your life, when you hut somebody off,
when you ed a relationship, the first thing they do
when they tell the story is skipped to the bad
part that make you look like the bad guy.

Speaker 85 (02:08:34):
Why is it that they like to play the victim
when they could just sip this safe. I stole from
ilk and that's why he'll mess with be on Both.
I slitched on him, That's why he'll mess with be
on Both. Hey, I tried to sleep with that man,
old lady, and that's why.

Speaker 10 (02:08:51):
That man don't mess with be No vote.

Speaker 82 (02:08:52):
But why is it when you had the upper hand
in the relationship because you was getting to the money
you brought, the battle, you brought, the benefits.

Speaker 10 (02:09:01):
When you get rid of them.

Speaker 82 (02:09:03):
They played innocent and they turned into the victim and
make you into the busity.

Speaker 3 (02:09:07):
Why they do that? Somebody come make me know and
let me know.

Speaker 10 (02:09:11):
I need to understand.

Speaker 3 (02:09:12):
Let me ask you something to this.

Speaker 10 (02:09:14):
This is my favorite tary employer.

Speaker 3 (02:09:16):
Let me tell you something.

Speaker 82 (02:09:17):
I refuse to be thirty or forty years old and
don't got nothing show for I refuse to be forty
years old. That's still in the club. Celebrating failure. I
refuse to be getting old and still thinking I'm yours, still.

Speaker 31 (02:09:32):
Thinking I got time on the car, still.

Speaker 10 (02:09:34):
Thinking I got a ways to go.

Speaker 17 (02:09:36):
Let me call you something.

Speaker 10 (02:09:37):
That's how people end up playing catch up in life,
like I got to give it, not because see.

Speaker 82 (02:09:42):
I refuse to misuse my time in these streaks looking
for street credit.

Speaker 10 (02:09:47):
I don't want street credit. I want credit in the bank.
I refuse to be.

Speaker 82 (02:09:52):
Out here trying to be fool what everybody may looking
for cool points?

Speaker 10 (02:09:56):
I don't know to a cooler points.

Speaker 82 (02:09:58):
I want guessable.

Speaker 6 (02:10:00):
I would be so funny.

Speaker 82 (02:10:01):
I refuse to be giving doubts and hugs and looking
for props from people that ain't.

Speaker 10 (02:10:06):
Gosh, I'll know some property. Keep your props. Let me
tell you something.

Speaker 82 (02:10:11):
When you close a certain age ball of your mind,
you can't be out here wasting your turn.

Speaker 4 (02:10:16):
Let me tell you something. Yeah.

Speaker 10 (02:10:27):
Quote for the day, Yeah yeah, quote for the day.
Uh coote for the day.

Speaker 17 (02:10:34):
Yuh.

Speaker 10 (02:10:37):
I'm glad y'all came man tone. I just wanted to
see if I could play with this platform to night.
You know what I'm saying, No big deal?

Speaker 17 (02:10:46):
You know thing?

Speaker 45 (02:10:47):
Be up?

Speaker 10 (02:10:47):
Love about ten they let thirty by tomorrow. You should
see everything on stricker and YouTube and i'll digital platforms.

Speaker 14 (02:10:57):
So if you got music to be heard, things used
to be done, interviews to be had, and topics to discuss,
send me to Boss Lady nine five A nine to
five at gmail dot com.

Speaker 10 (02:11:12):
Oh, don't forget your sponsor Drazy d r e z
E y two one at yahoo dot com. Man, I'm
gonna get on a body him. And that's really all
I had to say.

Speaker 86 (02:11:25):
Good afternoon, morning, and you mean well zieson n show.

Speaker 3 (02:11:40):
We can hold the line and we will answer your
call at Thomas.

Speaker 13 (02:11:43):
Thank you for shooting.

Speaker 3 (02:11:45):
By the way, you're getting great THERVI if your call
maybe recorded or monitor