Top 20 Season 2

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:09):
To this jog out Florida.

Speaker 2 (00:11):
Fine, you gathered the boss King the legend, saying salute
to the amazing worldwide, global award winning Box Lady Radio Show,
saying salute to nor reator King saying salute to ms
V and all the rest of the amazing artists that's

(00:35):
in heavy rotation on.

Speaker 1 (00:37):
The amazing Box Lady Radio Show.

Speaker 3 (00:39):
Let's get it fam Strong you him and nine.

Speaker 1 (00:44):
Yeah, you know still.

Speaker 4 (00:55):
The flywe the.

Speaker 1 (01:00):
Make it shore. I see the stal getting right.

Speaker 4 (01:05):
I tell you hate the stump to like this look.

Speaker 5 (01:10):
I says, I say, happened?

Speaker 1 (01:26):
I said, back, pull.

Speaker 6 (01:32):
The fly like me want my get right.

Speaker 1 (01:36):
Thank you to the fuck you got to put into
your grill.

Speaker 6 (01:40):
Go it fut back and I said it in a fire,
I stay with it shot, but.

Speaker 7 (01:46):
I'm doing my thing.

Speaker 8 (01:47):
I feel what when it's said, what did you get
out of?

Speaker 1 (01:50):
Keep a real thing out of your man?

Speaker 8 (01:53):
Getting temping out of.

Speaker 1 (01:56):
In the field, in the field and put in the
pre right.

Speaker 8 (02:00):
Maybe they're not a kid. When I'm prest there, right,
I do I did there.

Speaker 3 (02:06):
Wing a dounco cold the president in the butter pot
from the house cold.

Speaker 4 (02:11):
Then run up the question on the W side makes that.

Speaker 1 (02:16):
The West happen, I say happened West.

Speaker 9 (02:38):
I can't see when they're looking at it on the book.

Speaker 6 (02:41):
When I'm prest there right got a motel waiting there.

Speaker 4 (02:48):
What you go do?

Speaker 6 (02:50):
Yeah you sed fund outside of you don't hear where
the inside? And when I throw home, break up there
right sold fro praying to.

Speaker 5 (03:10):
Just the way they got roll claim that you want
to buy toes there right down.

Speaker 1 (03:17):
Will I'll fly and fly and.

Speaker 10 (03:22):
I stay.

Speaker 11 (03:29):
In California. And my music is playing on award winning
Boss Ladies radio show. The latest episode that I was
on was be a Powerful Communicator. My song My Secret
Lies is on all major digital platforms and I will

(03:51):
be releasing it starts with Me before two thousand and
twenty three ends, and I will be playing Julia on
a Lisa and Mahogany, which.

Speaker 7 (04:03):
Is gonna be a TV series.

Speaker 12 (04:13):
This is my new beginning, a new chance to show
you all the wonderful things that I am.

Speaker 4 (04:26):
More than just a woman.

Speaker 13 (04:28):
I'm a vessel, the embodiment of all my experiences wrapped
into a single, delicate source.

Speaker 14 (04:37):
I am not just what you see or what you think.

Speaker 15 (04:43):
I am what you feel.

Speaker 16 (04:45):
I am what you hear.

Speaker 15 (04:47):
Perfecsion through sound. Call me Chameleon.

Speaker 13 (04:56):
I adapt to change as the seasons. I am a
fine wine, sweet God's greatest gift. You thought you knew me,
but this is just another side of me. M. You

(05:21):
thought you knew me, but this is just another side
of me.

Speaker 7 (05:26):
I love the side up. I don't know the side up.

Speaker 8 (05:43):
I know the side up.

Speaker 15 (05:51):
I know what's some of y'alls?

Speaker 17 (05:53):
Your girl Lady miss from the eight four or five
in New York and you are listening to award winning
Boss Lady radio show. Make sure y'all check out my
latest compilation album under various artists called Family Business, and
don't forget to check us out from the ground Up Productions.
We got a podcast. You can check us on YouTube,
and you can check us on our own network from

(06:15):
the Ground Up Productions t V. And last but not least,
can't forget them boss chips. Baby, that's right, I got
my own potato chips out called Boss Move Chips, and
you could go check it out, go purchase some and
get at me and find out how you could get
your face on the chips. With all the things that's

(06:59):
going on, and I'm still trying to hold on. It's
a lot of people that's gone, a lot of people.

Speaker 15 (07:04):
I'm more.

Speaker 17 (07:05):
I'm pushing, trying to stay strong, trying to write all
my wrongs, trying to say you alive because this is
where the long I was broken, Trying to heal the pain,
trying to pacial the hurt. Don't want to feel he
can't eat. I'm skipping mills. I swear this can't be real.
It's like I'm losing my face. I'm running like a
track star, but I ain't winning the race. I'm holding

(07:25):
on by the grace of God's smile because I got
my pride that used to seeing me strong. So I
hold it on inside. I can't quit and let the
pain wrin the race. I pray to God to give
me strength so I find it in this rain. I'm
navigating in this cold, cold world. It is a struggle
surviving every day now. That's my number one hustle. I
feel it, I breathe it, I live it, I speak it.

(07:48):
I'm trying to live right and find peace, so I
seek it.

Speaker 10 (07:51):
Let's go.

Speaker 18 (07:52):
Oh God, God is all I need, not just in

(08:20):
my time of need, on bended knees. Pay your dues,
in my daily fees whenly God can judge me, so
the chatter really doesn't bug me. I ain't even when
I'm wrong on condition No, God always love me.

Speaker 4 (08:31):
And times are hurting pain on sad days.

Speaker 18 (08:33):
When the most is drained, the easy y'all is popping down,
and God's the easy one to blame. The questions always
why he ANSWER's always come up dry.

Speaker 4 (08:41):
Try to seek the preacher.

Speaker 19 (08:42):
Man, go find the church and pay your times.

Speaker 4 (08:44):
But God has never brong. It's meant to be.

Speaker 18 (08:46):
It is meant to be for you with the destined
for God. It is a prophecy, simply prophetic. God is
still his words like for weddex GYO need don't make mistakes,
so there's no need to get rector.

Speaker 1 (08:58):
All I need is you went up down and now
that you always come through it.

Speaker 20 (09:04):
I hopefully ask for your help in my time and need.

Speaker 1 (09:06):
You already know who it is when you hear that
roll up, it's your boy.

Speaker 19 (09:09):
Four one both day, the soul of the streets. October
twelveth Central Standard time, seven pm.

Speaker 1 (09:18):
Check in with your boy, and I'm gonna discussing with you.

Speaker 10 (09:20):
You stuff.

Speaker 19 (09:21):
I come with out of love games to the new
singles I got coming up and.

Speaker 1 (09:26):
The subject matter would be social media cap.

Speaker 19 (09:30):
I'm'a be locked in with my umb Bill dj PI
s the WARLD winning dj DC one handed producer, knowing
what y'all can't do with two heads. The boy know
y'all get a kid once again October twelfth, seven pm
Central Standard Time, and if you need any interviews or commercials,

(09:51):
get up with dj D no more than twenty.

Speaker 1 (09:54):
Five dollars to get you plugged this roll Love? Did
you want my son?

Speaker 8 (10:03):
You m trum you my runa.

Speaker 1 (10:09):
Say, don't you bron Daddy comes, Lady comes.

Speaker 19 (10:15):
Roller problems on your brown Just don't fine get your time, Joe,
you tell you so like a vine, I can't lie.

Speaker 7 (10:30):
Don't love.

Speaker 1 (10:53):
Roll You the only.

Speaker 10 (11:07):
One that I.

Speaker 21 (11:10):
That I love.

Speaker 22 (11:14):
Looking like a blessing from a bird from a bird. Okay,
you the odie one that I.

Speaker 1 (11:25):
That I love.

Speaker 23 (11:29):
Feeling like a blessing from.

Speaker 1 (11:31):
A bird from a body.

Speaker 4 (11:36):
You ain't only one that.

Speaker 1 (11:40):
I love.

Speaker 22 (11:41):
Yeah, seas like a blessing from a book, from a book. Yeah,
need you want my tongue?

Speaker 10 (11:53):
You my drug?

Speaker 7 (11:55):
You my drug?

Speaker 1 (11:59):
Think you don't shoe?

Speaker 10 (12:00):
Brown?

Speaker 1 (12:00):
Lady comes, Letty comes, problems on your mind, just don't
find it.

Speaker 23 (12:10):
Show side.

Speaker 1 (12:14):
Joe, you know you something like a vibe.

Speaker 7 (12:17):
I can't lie.

Speaker 1 (12:20):
Rolla you the only one that I.

Speaker 22 (12:25):
That I know, looking like a bussing from a bird
from a body, roll.

Speaker 1 (12:45):
With a.

Speaker 10 (12:48):
Girl with all ham on.

Speaker 24 (12:50):
You reas on a lid Ma Shae s.

Speaker 7 (13:00):
Laving start.

Speaker 25 (13:06):
Listen one you deep and.

Speaker 26 (13:09):
Yes you don't have to read see you cry after
all the good things you've done.

Speaker 10 (13:20):
For me, I you can let me if you do.

Speaker 4 (13:30):
I love you.

Speaker 15 (13:32):
In your apart of me, you pirl.

Speaker 27 (13:38):
With almahamas on an you see.

Speaker 7 (13:49):
Shall start.

Speaker 27 (13:53):
There are some ladies who welcome to see you say
telling the lines, trying to make you feel bad, but
they're just jealous. Baby, be consciously they.

Speaker 10 (14:10):
Will stay with you.

Speaker 28 (14:12):
There Colla next to me, Da what you heard the
lovers mon caver.

Speaker 4 (14:22):
What's the can't you see Jane you and we re
live you.

Speaker 10 (14:36):
Baby?

Speaker 7 (14:36):
I want always stay with you.

Speaker 28 (14:40):
And you always being in bad.

Speaker 7 (14:45):
Consciously you're probab me.

Speaker 23 (14:52):
Have Probably you will come out.

Speaker 28 (14:54):
Oh my baby babies, you're all shining song Uran.

Speaker 4 (15:04):
Mas stand shine against.

Speaker 7 (15:09):
All let me love.

Speaker 10 (15:14):
You're a.

Speaker 4 (15:17):
You don't know anyb shine.

Speaker 10 (15:20):
Names a I a bird.

Speaker 29 (15:26):
There, sous, lady, D is the.

Speaker 7 (15:41):
Meex I are.

Speaker 4 (15:52):
That lady.

Speaker 30 (15:53):
Don't you see you're above?

Speaker 7 (15:58):
Love you with all a hard.

Speaker 16 (16:04):
You're the ever.

Speaker 30 (16:05):
Breed God is all Amaid. You're the shining star, Law's baby.

Speaker 7 (16:16):
Can't you see.

Speaker 16 (16:18):
You're a person.

Speaker 10 (16:19):
Maid?

Speaker 7 (16:20):
Love you with all my heart.

Speaker 30 (16:26):
You're the ever breed God.

Speaker 1 (16:29):
You.

Speaker 30 (16:29):
It's all Amaid. You're the shining star, Law's baby.

Speaker 7 (16:38):
Can't you see You're a person. Maid, Love you with
all my heart.

Speaker 30 (16:49):
You're the ever greed god. You, it's all Amaid. You're
the shining star.

Speaker 31 (17:02):
Do your thing about, lady, Do your things strange. Listen,
Do your thing about, lady, Do your thing strange ones listening.

Speaker 14 (17:19):
Oh he's coming back again.

Speaker 32 (17:42):
You will understand when the Holy Church said Amen, Amen,
he heard us called his name.

Speaker 14 (17:47):
He on the break of things. He never said no pain.
He said, you're going to sense just like his far pain.

Speaker 10 (17:53):
Pain.

Speaker 14 (17:53):
He let him once again, go on and buy his dance.

Speaker 8 (17:56):
Then return from all your.

Speaker 32 (17:57):
Ways, let him shat you. Then then you came that change,
and that's when you will know how this game is played.
Were on our last We're going to get it right.
We're gonna work it out. Yeah, we're gonna work on it.
Fleshly and mercy down guy to know it.

Speaker 33 (18:18):
On, hold on, maybe get him.

Speaker 34 (18:26):
Jesus More says, come getting there, come get toast, coming there,
got a three days, can't come getting there, coming to.

Speaker 10 (18:37):
Baby get him?

Speaker 7 (18:39):
Not More said, come getting there, come get toast, come in.

Speaker 4 (18:42):
There, get God three days like I can't come get.

Speaker 10 (18:48):
There.

Speaker 33 (18:51):
Hold on, Father, God forgives these people.

Speaker 32 (18:54):
That's on the sirs. So the sea full and evil.
Some of the passages are watched and it ain't even funny.
They passed the plate, but they still want more money.

Speaker 15 (19:03):
The day's a dark.

Speaker 14 (19:04):
It is no longer suny.

Speaker 1 (19:06):
The end.

Speaker 32 (19:07):
It's here, nobody is running. It's like the closest club.
But something that's coming.

Speaker 14 (19:12):
It's a revelation and his son going to judge.

Speaker 4 (19:15):
We on our last you're talking about.

Speaker 32 (19:18):
We're gonna get it right. We're gonna work it out. Yeah,
we're gonna work on it. Flesh needs a mercy nine God.

Speaker 33 (19:26):
Of nowhere, hold on, hold on, maybe get him.

Speaker 34 (19:38):
Jesus Boor says, coming there, come get toast, coming there
three days later, can't.

Speaker 32 (19:46):
Coming there, coming to the baby, get them said, coming
in there, come, get close, coming there.

Speaker 1 (19:55):
Get God.

Speaker 4 (19:56):
Three days I can't come.

Speaker 20 (20:00):
He was there, he was allowed, mylness, world was crazy artist.

Speaker 35 (20:07):
Y'all don't believe in God and the no scription your
wont no Brown, you don't know God take you now,
y'all tripping and.

Speaker 4 (20:17):
If you'll like to, y'all keep on biting.

Speaker 36 (20:20):
And if you like to, we gonna resist for Tuosi,
We're gonna do away.

Speaker 4 (20:26):
God's why.

Speaker 23 (20:31):
Yeah, you know what I'm saying.

Speaker 4 (20:32):
It's all about that. Oh R D T O G
you feel me?

Speaker 37 (20:38):
I gotta say that tickets early in the morning, I'm
feeling down in the checking my home might pass before
me like a path on selections. I can't understand what
attitude from passing to adresses I know anything to help
with things. Don't get worse by the second. And oh,
don't recognize the family sings on the prone. I'm still
not Then the devil slip in somehow y'all got caught

(20:58):
him in a way.

Speaker 23 (20:58):
But the machine is easy.

Speaker 4 (21:00):
I think I did.

Speaker 37 (21:01):
It was fighting to gods no right from wrong, sometimes wrong,
seeing some good?

Speaker 8 (21:06):
Ain't God know?

Speaker 37 (21:07):
Some moment said I'm misunderstood, and yet I don't understand
and I'm just there, man said my home figured I
was going.

Speaker 8 (21:14):
In to the saying you can't take that.

Speaker 19 (21:16):
In fact, I can taste this.

Speaker 8 (21:18):
Gota liver rights, this life, but be eternal leading.

Speaker 4 (21:21):
So found down on my knees and respect my.

Speaker 1 (21:23):
Pen to night.

Speaker 16 (21:24):
Lord.

Speaker 7 (21:25):
So I'm gonna give me.

Speaker 8 (21:25):
A time to do it again.

Speaker 4 (21:28):
You know what I need you?

Speaker 19 (21:29):
Love?

Speaker 10 (21:29):
What needs you? Lord?

Speaker 38 (21:31):
I feel you're right in my.

Speaker 10 (21:32):
Heart right now.

Speaker 4 (21:34):
Heard.

Speaker 29 (21:34):
Fuck it's official?

Speaker 38 (21:35):
At where yelling the king back on the beat on what?

Speaker 39 (21:38):
It's just that official?

Speaker 38 (21:40):
What kind of stuff? It's official? Where yell a king
back on the beat? Where ahead it's that deficient?

Speaker 40 (22:00):
What can I say?

Speaker 38 (22:20):
It's officient?

Speaker 41 (22:21):
Wid Yeah, geta came back on the beat on where
it's just that deficient?

Speaker 42 (22:25):
What can I say?

Speaker 40 (22:27):
Mm hmmm h m m h m hmmmm m m
hm m hmmm.

Speaker 41 (22:41):
It's official. No Yaga came back on the beat on
what this is deficient?

Speaker 15 (22:46):
What can I say?

Speaker 40 (22:52):
M m hm m hm m hmmm, mm hm hmmm
mmm mm hm.

Speaker 16 (23:00):
M m h m hm hm hm.

Speaker 38 (23:05):
It's official. More Yaga to king back on the beat
on wood it's just that official?

Speaker 10 (23:10):
What can I say?

Speaker 38 (23:26):
It's official? More Yeaga to king back on the beat
on wood. It's just that official.

Speaker 10 (23:31):
What can I say?

Speaker 38 (23:54):
It's official? More Yaga to King back on the beat
on wood, It's just that official.

Speaker 41 (24:00):
Cast up, It's official. More Yetta came back on the
beat on the way, It's just that official.

Speaker 7 (24:20):
What time stuff?

Speaker 15 (24:39):
It's official?

Speaker 38 (24:40):
You more you geta came back on the beat on
what this.

Speaker 43 (24:43):
Is that official?

Speaker 10 (24:44):
What can I say?

Speaker 38 (25:00):
It's sufficient you were yaked the King back on the
beat on What it is that official? What type staff?

Speaker 41 (25:17):
What it is is it's apecial when you were yaked
a king yack on the beat the realization tape this
house that little father black cost like when I'm Worst Garden.
So you know it's gonna get you hyped up, it's
gonna get you turned down.

Speaker 38 (25:31):
But it's also more give you just on fire from
my lass and.

Speaker 41 (25:35):
Two mixtapes, which were one of the struggles that the
once officials.

Speaker 38 (25:39):
Then yea the King that six years official, y'all taste,
y'all know what time it is. It's just a relaxation.

Speaker 41 (25:51):
First and foremost twenty five life records. Then is Joe
aka oh well sit back relas.

Speaker 44 (25:59):
You know is custom twenty four to Lave Records, Relaxation
Custom Hip Hop until Next Time.

Speaker 16 (26:16):
Twenty five to.

Speaker 1 (26:17):
Love It's Said to God.

Speaker 20 (26:26):
Yeah Yeah, it's your girl.

Speaker 24 (26:27):
Boss Lady a k A.

Speaker 45 (26:29):
Mis Fabulous a k A d j D sky tune
in weekdays nine pm Central Sundays at six p m.
Just check your local listings for real times.

Speaker 14 (26:41):
In real time.

Speaker 45 (26:42):
I'm talking about you know, got the part time gigs.
So it might not be every night, but at least
twice a week now Boss Ladies Radio Show. Download the
speaker app search Boss Lady Show for our entrepreneurs, local
entrepreneurs worldwide, nine pm weekdays Sundays at six So catch
Balls Sades Radio Show weekdays at nine Sundays at six

(27:05):
pm Central, nine pm Central for our local artists underground
artists worldwide.

Speaker 46 (27:11):
Yes, we do support both world wide.

Speaker 24 (27:14):
See in the chat.

Speaker 4 (27:15):
Room what it Do?

Speaker 10 (27:17):
What it is, y'all?

Speaker 1 (27:17):
You know what it is?

Speaker 41 (27:19):
Season one Watch Say Radio show with them big old hits.

Speaker 1 (27:22):
On what a Girl?

Speaker 25 (27:24):
I got something to say? Alright, I'm gonna get it
in a minute. I've been waiting to the am long.
I'm gonna get it in a minute. I've been waiting
two damn long. Girl got something to say. I'm gonna
get it in a minute, and I've been waiting too.
Damn long girl got something to say.

Speaker 47 (27:46):
I'm gonna get it in a minute, and I've been
waiting two damn long girl, I got something to say.

Speaker 25 (27:51):
She had them tight pants on with that big old booty.
I said, girl, that's your friend.

Speaker 48 (27:56):
Who won't you introduce me?

Speaker 25 (27:57):
We talk four minute?

Speaker 49 (27:58):
Then I ran my mouth. Next thing you know, I
was in their house. She started to dancing and I
was staring at that boody. She sat on my lap
and said, sinners or do it to me tough, and
then I did it like that. I said it like this,
and it was all good.

Speaker 25 (28:14):
I'm gonna get it in the minute. I've been waiting
who they am.

Speaker 16 (28:16):
A long time.

Speaker 25 (28:19):
I'm gonna get it in a minute. I'll be waiting too.

Speaker 47 (28:22):
Damn long Caurl got something to say. I'm gonna get
it in a minute, and I be waiting too. Damn
long Caurl got something to say. I'm gonna get it
in a minute, and I'll be waiting to damn long
curl got.

Speaker 25 (28:35):
Something to say. I'm trying to give me some loving,
but baby says he kind of scared.

Speaker 49 (28:39):
What's really going on? Nobody really cares. I figure baby,
but I need some loving baby. How long has it
been for a long time to let me rub you
down and give you what you need. It's me and you,
one on one till the.

Speaker 25 (28:53):
Sun come up. Let's do it. I'm gonna get it
in a minute. I've been waiting.

Speaker 10 (28:58):
Who they am a long kid.

Speaker 25 (29:01):
I'm gonna get it in a minute.

Speaker 47 (29:03):
I'll be waiting too. Damn long girl got something to say.
I'm gonna get it in a minute.

Speaker 25 (29:09):
I've been waiting too. Damn long girl got something to say.
I'm gonna get it in a minute. I'll been waiting
to Damn long girl got something to say. Askally what
she's doing?

Speaker 48 (29:20):
She said nothing, sittings on the cows, chusing on the phone,
done in hers damn pound on the phone on the fence.

Speaker 25 (29:26):
That I'm she can get. He's ay on the one.

Speaker 48 (29:28):
I had no good to support this down like I'm
supposed to. She be switching up, be switching there. She
wanted the coach to it. You wake up in the
morning and she cooking me some props.

Speaker 4 (29:36):
It's all good, like my.

Speaker 48 (29:37):
Kid, folks singing TECHNI and tell her with the deeper
and the majority your woman needed just to hit it.

Speaker 25 (29:42):
I'm gonna hit it in a minute. I'll be waiting
for damn long I'm gonna get it in a minute.
I'll be waiting too, Damn long girl, got something to say.
I'm gonna get it in a minute. I'll be waiting
to damn long girl. Got something to say. I'm gonna
get in a minute. I've been waiting to that Lord here,

(30:02):
I got something to say.

Speaker 50 (30:07):
Dear Lord, please continue to bless me and my family,
and Heavenly Father, please keep us away from all.

Speaker 7 (30:19):
Heard on in day time.

Speaker 51 (30:23):
We got trouble in so many places everywhere I send.

Speaker 4 (30:30):
Everybody's already saying that things ain't like they.

Speaker 7 (30:35):
Used to do. Things ain't that they used to me.

Speaker 4 (30:38):
And so much pain. Party ain't just changing us all.

Speaker 10 (30:43):
Even if my.

Speaker 4 (30:44):
Father don't mean to stop you, I don't mean to
stand you. But I had to make this call until
Lord please him my pea.

Speaker 51 (30:59):
Till and keep up angels all around me and my
father till the pleeze out of my request. And if
it's stand back, say lead them all be blessed.

Speaker 52 (31:22):
Now, there's a lot of things that's sown my mind
d and bed to say, before the end of my time,
the good the book.

Speaker 4 (31:31):
Toward us in and never lies out of seasons would
be changing right before our ride.

Speaker 51 (31:38):
We got so many children that's lost, lost, and the
parents are the blame. Instead of shuring them alow, we
just gave him video games.

Speaker 4 (31:53):
Shot my young folk out here passing away too quick,
too quick. Heavenly Father, please and help.

Speaker 1 (32:03):
Help me because our culture racing.

Speaker 51 (32:07):
Dear Lord, please him, I pea, please, I please keep
your angels.

Speaker 4 (32:20):
All around me and my family reason in my equals
till lend even stare by see lead them all he
lessen the dear Lord.

Speaker 53 (32:42):
Ship.

Speaker 4 (32:42):
We need you. We need you till Lord most precious
having my father. We want you so bad then our
lives and so much pain body and it's touching the
song touching. I don't the story. I had a break

(33:06):
this story.

Speaker 27 (33:12):
Ship.

Speaker 4 (33:12):
We want you, we want you.

Speaker 1 (33:21):
So bad.

Speaker 54 (33:24):
Yeah.

Speaker 55 (33:31):
D You are now listening to the Relaxation mixed testa
Goose by north yaka The King Concation by Damn Echo
ak Ate customs, pay attention, sit back and relay, Sit
back and excitation.

Speaker 41 (33:49):
You're not rocking with Nordeagata King shout out to Boss
City Radio show. It's twenty twenty five. We up here
to elevate and let's get it on what.

Speaker 56 (34:02):
This album is dedicated to all them shit talkers and
people that doubted me, and you started rumors all my
life about me. But look where you ended up and
look where I'm at. I'm sorry I can't see you
from all the way up here. Steady grinding on the block. Yeah, Hey,

(34:30):
this got me telling me I'm a flop. People portraying
me or something and I'm not. But still I remain
standing on top, steady grinding on the block.

Speaker 15 (34:43):
Hey, this got me telling me.

Speaker 56 (34:44):
I'm a flock people portraying me or something and I'm not.
But still I remain standing on top. Yeah fuck what
I hate? I gotta say on their downtime, I'm so up, yup,
like a village, this out street competition, like sorrows I
drown mine. When you reach the cloud, still got eight
more to climb to reach me. That's Cloud nine talking shit,

(35:07):
all misconstrued.

Speaker 16 (35:09):
That's just what hate is due.

Speaker 56 (35:10):
Should you like someone you not, no matter how many
times you show them proof. A bunch of dumb fucking
fools should.

Speaker 4 (35:16):
Have stayed in school.

Speaker 56 (35:17):
I run operations. You just a bunch of tools, bunch
of low lunch that be attacking just to get a reaction.
But I don't be giving y'all that power. Won't give
you that satisfaction. Y'all think what you want. Y'all don't
have a fucking clue what you're talking about now. You
just think you're cool. See you were blind to see it.
But I told y'all the truth, and you laughed at

(35:38):
me for a decade, But the.

Speaker 4 (35:40):
Jokes on you got through.

Speaker 56 (35:41):
PTSDB King's strongest can be while you still have no lives.
I'm making real strong moves. The niggas sucking shit, got
no balls. They need a bigger set, acting hard. But
only time they talk that shit was on the end
and net I'll be stomping through my city getting nothing.

Speaker 7 (35:56):
But big respect.

Speaker 56 (35:57):
Some of these losers to see me since, But won't
dare to come out the neck pitch mean talk behind
my back or you want clouds don't and you say
holds actual truth behind it. You ain't hurting no one
but yourself.

Speaker 1 (36:11):
Motherfucker.

Speaker 56 (36:15):
Welcome to cloud nine.

Speaker 19 (36:34):
You already know who it is when you hear that.
Roll up it's your boy four one Folk Dank the
soul of the streets. October twelfth, Central Standard Time, seven pm,
Shake in with your boy, and i'ma be discussing the
new us that got coming out of Love Games too,
the new singles I got coming up, and the subject

(36:55):
matter would be social media. Cata lem be Locked in
with My Own Girl, dj DS the warld winning dj
d S and I in the one handed producer, knowing
what y'all can't do with two hands.

Speaker 1 (37:07):
Do the boy know y'all get a kid.

Speaker 19 (37:10):
Once again. October twelfth, seven pm Central Standard Time. If
you need any interviews or commercials, get up with dj
D no more than twenty.

Speaker 1 (37:22):
Five dollars to get you plugged this Roll Love? Yeah,
did you ote my son?

Speaker 10 (37:31):
You my drug? You my drug? Say ye?

Speaker 1 (37:38):
Don't you from lady Come lady.

Speaker 19 (37:41):
Comes Roll Love problem? So your mom just don't wile
it's your time, Joe, you know you something like a five.

Speaker 16 (37:56):
I can't lie.

Speaker 7 (37:58):
So love.

Speaker 10 (38:33):
Oh my.

Speaker 25 (38:38):
When something is wrong.

Speaker 4 (38:42):
With my babyby something is wrong with me and it's
my norm.

Speaker 57 (38:58):
My baby, my baby's wearing. I won't all a new
I won't got a nod that I'm weary you.

Speaker 4 (39:12):
We been together.

Speaker 21 (39:16):
For fo.

Speaker 58 (39:20):
We left home at children. It is still it's still
strong with something and alone.

Speaker 20 (39:32):
With my baby, summing alone.

Speaker 7 (39:40):
Coming room and.

Speaker 8 (39:48):
Just what.

Speaker 59 (39:52):
He needs to me. Now, Oh you would, Oh you wouldn't.
You didn't understand. People can't say he ain't no google lit.

Speaker 15 (40:13):
I'm his woman.

Speaker 10 (40:17):
And he's teen.

Speaker 15 (40:18):
Mama got a problem.

Speaker 1 (40:30):
I don't know.

Speaker 60 (40:32):
I know I can't help him say when something is
wrong with my baby, something is wrong, when.

Speaker 61 (40:55):
Something is wrong with my babe, something in a room,
something room with me.

Speaker 25 (41:12):
Today it's our birthday and I want to say hapy
birthday to.

Speaker 21 (41:23):
That.

Speaker 10 (41:23):
I want you to know a long.

Speaker 8 (41:28):
Together.

Speaker 25 (41:30):
I want you to know that I love you, even though.

Speaker 16 (41:36):
If we have to s.

Speaker 25 (41:39):
Call each other. I want you to know that my heart,
in my mind will all.

Speaker 7 (41:46):
Be serve me long.

Speaker 4 (41:56):
Something in the road, s the room.

Speaker 20 (42:04):
When something well, my babe, shum, when something.

Speaker 10 (42:24):
When my.

Speaker 41 (42:32):
Public shuting monkey and boss yell where you're starting session,
when you're telling more welcome.

Speaker 38 (42:36):
We are not doing any editing for any interviews. Be
mindful of what you say.

Speaker 41 (42:41):
If we have to do editing editing, what we fifty
a redo of the show will cost you eighty dollars.
So remember this is freedom of speech radio. We say
what we want to say. Public service announcement. Boss Lady
radio show.

Speaker 4 (43:14):
I said, Hi, I'm so loo.

Speaker 62 (43:23):
Hey, mister b J, could you play one Mott?

Speaker 14 (43:34):
Wouldn't Musket don't stop?

Speaker 16 (43:35):
No show.

Speaker 4 (43:38):
Put on that TK so the ain't nothing like that d.

Speaker 16 (43:44):
But y'll.

Speaker 4 (43:47):
Put on Fyoda see you. Oh yeah. Somebody saying, damn
the Travis. She wanted sex and man, somebody.

Speaker 63 (43:57):
Said, face this food.

Speaker 15 (43:59):
She'll chick in the move.

Speaker 64 (44:01):
Play a little the Jiant tailor or some season. Hell
you can put on that Sir John's Jones. Is anybody lowland?
I said, I'm so look hey, mister DJ, did you

(44:24):
play one mot?

Speaker 4 (44:30):
I heard they playing that took.

Speaker 15 (44:34):
To the Sun.

Speaker 4 (44:35):
They want to heal mel waits the whole in the wall.

Speaker 65 (44:41):
They're telling you at money, somebody him and find my
drown They put in my sailors. They bumping Biggie. They
won't the West. They playing that Jeter Jones, pretty pound Pete.
Somebody pulled me up. Some mold said they won't meet you.

Speaker 4 (45:02):
They want to go set it stay the part boot is.

Speaker 9 (45:07):
What they hit it.

Speaker 64 (45:09):
I said, I'm so love Serven. So, hey, mister dij,
could you play one? Motie Ivens, I said, I'm so

(45:32):
loves even so.

Speaker 37 (45:38):
Hey, mister Diej, could you play one? Motie Ivens.

Speaker 23 (45:51):
Says, can you.

Speaker 6 (45:56):
Say?

Speaker 7 (45:56):
You get this speech to.

Speaker 36 (46:05):
Come join us?

Speaker 66 (46:06):
Today becomes me the part the Boss day Tready of
s Job Weekdays ninety Tatcho in Sunday sixty Tretcho, thellout
the string around the search past.

Speaker 15 (46:25):
Nineties Batty of show.

Speaker 67 (46:31):
Bass Job. It is the Busy Shop. Yeah, I'm promoted
to me what I do?

Speaker 10 (46:46):
Don't know what I do?

Speaker 67 (46:50):
Yes, the true past sty Rety Show.

Speaker 1 (46:57):
Yeah, Hey guys, how you doing?

Speaker 68 (47:04):
This?

Speaker 69 (47:04):
Is your boy Ticola King line at Linehouse right now
in the Lions and giving a big, big shout out
to the boss Lady radio station.

Speaker 19 (47:13):
You already know what time it is.

Speaker 1 (47:14):
I just wanted to do this for her.

Speaker 23 (47:17):
I hope you enjoyed this intro.

Speaker 4 (47:19):
Love you, Boss Lady.

Speaker 1 (47:20):
Keep doing your thing.

Speaker 56 (47:20):
This is your BOYE to Colon Lion, Always be real,
always keep it there.

Speaker 10 (47:24):
Love you guys.

Speaker 24 (47:38):
Yeah, what's up?

Speaker 70 (47:41):
What's up?

Speaker 71 (47:42):
Welcome back to another pol Eddy's live ridio show, moll
Time War with It Now Speaking Studio sponsor by Boss.

Speaker 24 (47:51):
Ladies and a War with It, Dre's Radio Cafe a
k A.

Speaker 72 (47:56):
I hang Out a k A dres Hey up next
off the Loudly app.

Speaker 24 (48:03):
You got tap in. You know your girl d Ski
you gotta rock the house. Let's go thriven third.

Speaker 73 (48:17):
M.

Speaker 24 (48:27):
Let me say that again. You know what I'm saying
because you know I'm live online on.

Speaker 71 (48:33):
YouTube channel which is Boss Lady four one four six.

Speaker 24 (48:38):
Jup be Bossed Lady four one four six. You know
what I'm saying.

Speaker 7 (48:44):
And then no.

Speaker 24 (48:46):
Top twenty Countdown season two. So slap your.

Speaker 45 (48:51):
Comed in the comment section right now and a push
that night button on there and share some love.

Speaker 24 (49:00):
You know what I'm saying and cheery, shaery, shrivy, smash,
smash and spashion.

Speaker 72 (49:03):
Subscribe, Subscribe, subscribe because we live right.

Speaker 1 (49:07):
Now, right here.

Speaker 71 (49:10):
Pausa's Prettio show Top twenty count Down season two, the hottest.

Speaker 24 (49:16):
Music show gets the world on the planet.

Speaker 7 (49:20):
Let's kid it.

Speaker 74 (50:08):
Son son Son son son son son son son Son

(50:48):
Son fun fun, fun, fun, fun, fun, fun.

Speaker 75 (51:29):
Of course, of course, of course, of course, of course.

Speaker 33 (52:50):
What's up y'all?

Speaker 17 (52:50):
Sure, girl, Lady miss from the eight four five in
New York and you are listening to award winning Boss
Lady radio show. Make sure y'all check out my latest
come pilation album under various artists called Family Business, and
don't forget to check us out from the ground Up Productions.
We got a podcast. You can check us on YouTube,
and you can check us on our own network from

(53:12):
the Ground Up Productions t V. And last but not least,
can't forget them boss chips. Baby, that's right. I got
my own potato chips out called Boss Move Chips, and
you could go check it out, go purchase some and
get at me and find out how you could get
your face on the chips.

Speaker 19 (53:29):
Peace.

Speaker 24 (53:36):
Yeah, we got that baby.

Speaker 9 (53:37):
V is with that?

Speaker 71 (53:38):
Call thee of that Family Business album listen artists a
month floor?

Speaker 63 (53:53):
Damn, why you're not picking up?

Speaker 10 (54:00):
Got questions?

Speaker 16 (54:02):
What's up?

Speaker 63 (54:02):
I put my trust in you, I stayed loving you,
but I'm so confused.

Speaker 17 (54:06):
My feelings in your hands now they feeling bruised. Gave
you wanting me so wine you are my feeling yous o.
I thought I had a window, So how did I lose?
Gave you the best of me? Now I'm back to
God it be testing me because the pain you.

Speaker 63 (54:19):
Caused and stressing me. Is this a time to move
on or a time to be strong? My strength is
being your test at y'all. But I'm trying to hang on.
But if I stay when I knew he was wrong,
would I be your fool? Because I caused my own storm.

Speaker 17 (54:33):
My soul is speaking, so I gotta listen my heart.

Speaker 15 (54:35):
On my mind, y'all.

Speaker 63 (54:36):
That's a tough decision. Maybe choosing you was a bad decision.
Believe in your worlds or my insuition, you.

Speaker 17 (54:44):
Got me wishing that I never met you because of
the pain.

Speaker 19 (54:47):
You caused me.

Speaker 63 (54:47):
Me regret you.

Speaker 17 (54:49):
Oh no, my soul is calling, but you ain't reaching back.
My soul is called him, but you ain't reaching back.
Maybe for my own protection, because when you pay goufas
off waste of Oh no, my soul is calling, but
you ain't reaching back. My soul is calling, but you
ain't reaching bad. Maybe for my own protection because when

(55:09):
you pick up the soft waist to flection when I
was sound, you wasn't holding me up, just a distraction,
only slowing me up.

Speaker 63 (55:17):
Ran out of love. But I'm about the rio. See
I deserve love. I ain't gonna give up.

Speaker 17 (55:23):
You wanted a snack when I was a mill No
second chances, no need of a pill after everything that
I seen in her, and you ain't a man in
your word, I'm wifey material.

Speaker 63 (55:33):
You're chasing them birds.

Speaker 17 (55:35):
I get approached by men with class, while you out
here chasing at the hood rats because they got a
fat ass mean while them over here trying to build
you in the house comfy, come in the field.

Speaker 63 (55:46):
Now I'm pis sending them men in my bag? How
was that everything you wish you had? But you treated
me bad?

Speaker 17 (55:52):
You see, I deserve better, ain't except the mediocre.

Speaker 63 (55:55):
I fought for this, but now I'm glad it's sober.
Now I'm gonna win. My soul is but you ain't
beat your bath.

Speaker 10 (56:02):
My soul.

Speaker 63 (56:02):
Let's call him, but you ain't beat your bad.

Speaker 17 (56:05):
Maybe for my own protection, because when you pick cum
pisole waste deflection.

Speaker 30 (56:09):
Oh no, my soul, Let's call him, but.

Speaker 63 (56:12):
You wait, reaching bath soul. Let's call him, but she
went reaching bad.

Speaker 17 (56:16):
Maybe for my own protection, because when you pick gupisol
waste deflection.

Speaker 42 (56:21):
Oh no, Ladies and gentlemen, music enthusiasts and visionaries of

(56:53):
the arts. Today. We gathered to celebrate not just a
record label, but a movement, a family, and a legacy.
I stand here representing twenty five to Life Records, a
label built on passion, perseverance, and a relentless love for music.
Founded in twenty seventeen by none other than Customs, also

(57:13):
known as Danny. This journey began in the heart of Adelaide,
South Australia. What started as a dream has blossomed into
a global phenomenon, an Australian born, globally grown, and internationally
acclaimed record label. In just a few years, we've transformed
into a powerhouse, proudly bearing the title of a global,

(57:34):
multi award winning record label at twenty five to Life Records.
We believe in unity through music, transcending borders, genres and backgrounds.
Our commitment is simple yet profound to bring people together,
foster creativity, and provide a platform for artists from all
corners of the world to shine. From rappers, singers, beat makers, producers,

(57:56):
to vocalists and songwriters and a lot more are see
Cultural collective celebrates the diversity of sound, culture and talent.
Our catalog is a testament to our dedication. With over
one thousand songs available for free on our official SoundCloud,
we invite fans and newcomers alike to dive into the
rich tapestry of music we've carefully crafted. Each song tells

(58:20):
a story, showcasing the raw emotion, technical mastery, and boundless
creativity of our artists. Our roster is nothing short of remarkable.
With over twenty signed artists like Customs to Cartoon Misfabulous
to Travis James, Menace MC to Killer MC, and many more.
Our lineup features some of the most dynamic and innovative

(58:43):
artists in the world. Each member of our family, from
the Crown Savages to the Lifers, brings something unique to
the table. Our artists are not just voices, they are pioneers,
pushing the boundaries of sound and storytelling. We are proud
to say that at twenty five to Life Record, everything
we do is ethical and organized. We either own the

(59:04):
music we release or we have explicit permission from the
artists or their representatives. We respect intellectual property, ensuring that
every beat, lyric, and melody is legally and ethically produced.
But beyond the music, we stand for something greater. We
believe in empowerment and opportunity. Our mission is to uplift

(59:24):
our artists, whether they're signed to our label or affiliated
with it, to help them expand their horizons, grow their
fan base, and access new opportunities within the industry through
album releases, solo and collaborative projects, podcasts, radio shows, and
promotional campaigns. We work tirelessly to ensure their voices are

(59:45):
heard around the globe. In the spirit of innovation, many
of our artists embrace cutting edge technology to enhance their craft,
from auto tune and vocal programs to the latest AI
tools and production software like Ableton Live and FI Studio.
We merge tradition with modernity, creating music that is both
timeless and forward thinking. But let's not forget what makes

(01:00:08):
us truly special our community. At twenty five to Life Records,
we pride ourselves on being inclusive and welcoming. It doesn't
matter where you come from, who you are, or what
genre moves your soul. If you're willing to work hard
and share our love for music, you have a place
with us. We don't just make music, We make connections.

(01:00:30):
We build dreams, We change lives. So to all the fans, supporters,
and collaborators. Thank you. Thank you for believing in us,
for streaming our music, for sharing our vision. Whether you're
a lifelong fan of the Hackham Hoodlums, mesmerized by the
beats of DJ vaults, vibing with the flows of Wisdoms,

(01:00:52):
or celebrating the artistry of Norega, the King Cartoon and
Menace MC, you are part of our story. As we
continue to grow, expand, and push the envelope. We invite
you to join us on this journey. Explore our SoundCloud,
discover the voices of the twenty five l clan, and
immerse yourself in the world of twenty five to Life Records. Together,

(01:01:13):
we'll keep creating, innovating, and inspiring for years to come.
Here's to music, Here's to unity. Here's to twenty five
to Life Records, a label that's not just shaping the industry,
but redefining it. Thank you, mad Dog, I.

Speaker 76 (01:01:29):
Hate that, mate, nobody's cosmo, mad Dog. That's really not
sum dood it up. Eggs sucking gutta trash.

Speaker 4 (01:01:45):
Customers, all right, this song customs.

Speaker 24 (01:01:50):
Crusty, Yeah, yeah, we got the customs. The Cowboy, Yeah,
just stay huge, the live the Cowboy his legs, swan.

Speaker 1 (01:02:09):
Litter.

Speaker 56 (01:02:09):
Did you know we have leaped with flat accustom to
cowboy a mass of braid.

Speaker 63 (01:02:16):
He ain't letting a gunfide in his life.

Speaker 77 (01:02:19):
He gave shot in the headbody never did bake.

Speaker 78 (01:02:24):
The noise of dudes stay so joab he roll his horses.

Speaker 4 (01:02:29):
They have a heartful of bart.

Speaker 63 (01:02:31):
The spared on change due by dark.

Speaker 16 (01:02:35):
But they had a plant and in his sight.

Speaker 14 (01:02:39):
A bullets and a scar on a painful night.

Speaker 66 (01:02:43):
Oh crusting the cowboy a man's afraid.

Speaker 77 (01:02:47):
He ate like from her gun, bite fire, piccake, shot
in the head.

Speaker 19 (01:02:52):
Why never did fall?

Speaker 63 (01:02:54):
They're noise of dudess den so tall?

Speaker 9 (01:02:58):
The scar is fahit.

Speaker 13 (01:03:00):
He walked through the town a living testrument to the
balls he found the ladies or swoon.

Speaker 4 (01:03:08):
At the rougon of pill but his manners.

Speaker 14 (01:03:11):
The crew, it was part of the deal.

Speaker 77 (01:03:14):
He sang his stories and of course lads of confusing
whiskeys and places.

Speaker 1 (01:03:20):
He goes.

Speaker 14 (01:03:21):
He's gear talk on his stage with a big grint, A.

Speaker 77 (01:03:25):
Cowboy so wild you were ball to singing across to.

Speaker 15 (01:03:30):
The cowboy your mass or break yeah, let.

Speaker 79 (01:03:34):
Me go facks.

Speaker 77 (01:03:35):
The gay shot in the head called levity bars, the
noise of dude stand so talk, so rage the glasses
crossing the cob a let he so bess.

Speaker 23 (01:03:50):
He brought he.

Speaker 77 (01:03:51):
Jars talking, his box was caught shot to put him
be known at the cowboy can well bosio to.

Speaker 63 (01:04:07):
You raise your glasses. The cousins, oh next.

Speaker 24 (01:04:14):
So you got that cold em see Nike stay day,
shout out to five records until five clean lady like
her the cold em.

Speaker 10 (01:04:27):
See.

Speaker 80 (01:04:28):
Let's get rock nak and you want to fly like
the hawk the goddess of Victor.

Speaker 7 (01:04:35):
And let the stopped.

Speaker 63 (01:04:39):
And we never stopped stoles and colors.

Speaker 78 (01:04:41):
We dropped the luck nake all.

Speaker 80 (01:04:44):
Day, every day beyond sid Hare's hip hop, Nake is rough.
Nikey's music is much every sport even morning with flowers Nikes,
no shock le bronches. We got the desk oversalt from
the course of the streets reflects nake.

Speaker 15 (01:04:58):
You're off face.

Speaker 80 (01:05:00):
The best different styles covers the express every step we.

Speaker 63 (01:05:04):
Take we impress and air force and the ducks.

Speaker 80 (01:05:08):
We got the kids that the punch mac's meaning that
to me in our clutch, we let them well fill
the bush.

Speaker 63 (01:05:17):
Here's hip hop.

Speaker 15 (01:05:19):
Nike is rough.

Speaker 80 (01:05:20):
Nikey's music is much as it's for even morning, the flowers, Nikes,
no shop lebronch If.

Speaker 14 (01:05:26):
We got the best moo.

Speaker 63 (01:05:26):
We're talking from the classics to the customs.

Speaker 36 (01:05:29):
We shine Nikes on our feet.

Speaker 80 (01:05:31):
We read the fine, the culture, the vibe that saw
des swine. Every parents halls a story one of the kind,
from the playground to the big leads. Nick He's got
the gear that everyone needs. We stepped out, we leave,
We succeed in our Nikes. We played the seeds. Here's
hip hop.

Speaker 15 (01:05:50):
Nike is rough.

Speaker 7 (01:05:51):
Nike's music as much as it's for even morning.

Speaker 80 (01:05:54):
The flowers, Nikes, no shop, Lebronchase, we got the best
mover talk.

Speaker 7 (01:05:59):
Nike's not shoes.

Speaker 63 (01:06:00):
It's a way of life. From the hustle to the
grind day unite.

Speaker 23 (01:06:04):
We wear the swoosh.

Speaker 63 (01:06:06):
We take flight in our Nikes. Everything feels right. From
the gym to the stage. We perform Nickie's on our feet.

Speaker 80 (01:06:13):
We transform every step, every move. We perform to the rhythm,
the beat. We swarm from the air shots to the
air mats. We got the keys that never left in
our nikes.

Speaker 16 (01:06:25):
We stay on track.

Speaker 63 (01:06:27):
Every pair of re memory.

Speaker 80 (01:06:28):
We look Back, n hand Up, Nicky rock N's music
is much in next foot even Barty mcflowers Nikes.

Speaker 30 (01:06:37):
No Shots, Lebron James, we got the best.

Speaker 1 (01:06:39):
Well We're talk from the streets.

Speaker 80 (01:06:41):
Of the LA to NYC. Nikei's on our Feet, We
the creek, the best in the game. Can't you see
in our nieth we feel so free from the classics
to the latest trend.

Speaker 63 (01:06:53):
Nickie Stout the style that never ends.

Speaker 10 (01:06:56):
We back them with ride.

Speaker 80 (01:06:57):
We confend in our niceeth, we transcend he hand hop,
n He's rock.

Speaker 7 (01:07:04):
Nikes rasic is much as sport.

Speaker 30 (01:07:07):
Even Marney mcflower's Nackies, No.

Speaker 80 (01:07:09):
Shops, Lebron Chains, we got the best lover talk from
the playground for the big stage.

Speaker 15 (01:07:14):
Nike's on a Feet.

Speaker 80 (01:07:15):
We engage every set, every move we gauge and i'm
NAE's we turned the page from.

Speaker 24 (01:07:22):
The air Force once the dumps.

Speaker 80 (01:07:24):
We got the kicks, the back, the bunch and our Nikeys.

Speaker 63 (01:07:28):
We m flock every care story.

Speaker 7 (01:07:31):
We deep book.

Speaker 80 (01:07:33):
It's not your shoes, It's a legacy from the past
of the future.

Speaker 36 (01:07:37):
REFORCEE and no.

Speaker 7 (01:07:41):
Hand Hop n is rock les music is much a
next floor.

Speaker 80 (01:07:46):
Even Morty mcflowers, Nikes, no shops, lebron Jains, we got
the best nover talk.

Speaker 4 (01:08:13):
What's good? It's your girl, Lena Lane.

Speaker 13 (01:08:15):
You are now tuned into Boss Ladies Radio with Miss Fabulous.

Speaker 24 (01:08:19):
Let's get it Hey.

Speaker 16 (01:08:26):
Saying do it?

Speaker 70 (01:08:28):
Flame a flame.

Speaker 24 (01:08:32):
Umber seven, He.

Speaker 1 (01:08:37):
Do it.

Speaker 8 (01:08:39):
You wanted to come make good on your brown man?

Speaker 21 (01:08:44):
Do it?

Speaker 7 (01:08:46):
You wanted to come make good on your brown man.

Speaker 15 (01:08:49):
But I'm not a whole lot.

Speaker 81 (01:08:50):
Of love on man.

Speaker 1 (01:08:50):
Dovide that you want to come to leave one man?
Don't how to be around? My love is fridge love
show me page.

Speaker 82 (01:08:56):
You don't hold back because you're only n bab got
the kid comes to meet Bridge the girl, come and
go with me, show me show men.

Speaker 4 (01:09:03):
Ain't no about to do it for the fan?

Speaker 7 (01:09:04):
To do it for the fan?

Speaker 19 (01:09:05):
How to do it for myself?

Speaker 54 (01:09:06):
So many that I try, I'm just trying to go
to well, I'm just trying to put to God nobody else.

Speaker 29 (01:09:09):
I'm just trying to get bolder, trying to grow wise up.

Speaker 15 (01:09:11):
It's so long.

Speaker 4 (01:09:12):
I just go all night of that.

Speaker 7 (01:09:13):
He gets strong, just wanted to getting lighter.

Speaker 15 (01:09:14):
You just think a sham.

Speaker 36 (01:09:15):
I'm just thinking I might have to.

Speaker 82 (01:09:19):
Do it you wanting stuff, Come make good on your problem.
Many do it?

Speaker 1 (01:09:27):
You want to stuff, Come make good your problem.

Speaker 8 (01:09:31):
I've even when you moved, like to get up in
your throat like that, rock with you like chat.

Speaker 7 (01:09:38):
To seem like that, get up in your proud like that.
Do it off of you like that?

Speaker 21 (01:09:51):
Man.

Speaker 82 (01:09:59):
Yeah, do it you want it, They'll come make good
on you, coun do it you wanted, They'll come the
good on your crowns.

Speaker 46 (01:10:30):
Its really rich. This my genail, YadA.

Speaker 4 (01:10:40):
YadA YadA, YadA ya, this my tail.

Speaker 46 (01:10:49):
It's my j that's gonna.

Speaker 8 (01:10:51):
Need babo the body No yusy.

Speaker 21 (01:10:56):
S I.

Speaker 10 (01:11:00):
Get spot Yeah you like somebody, don't.

Speaker 4 (01:11:18):
Si scratcher swatch, come on.

Speaker 8 (01:11:34):
You get spotted spotted spotted spotted.

Speaker 7 (01:11:48):
Spotted spot as come on.

Speaker 8 (01:11:55):
Son spachers got body spectators to the turn out to play.

Speaker 7 (01:12:23):
The whole time.

Speaker 83 (01:12:24):
Don't make their bodies of alcoholic noms. So it's too
big and ninja up Brady, it's spotted.

Speaker 8 (01:12:39):
Baby, come up, turning light out now to the spotty
to come you know, change these up and the baby all.

Speaker 84 (01:12:56):
Nights the party. Scott Scott Scott last.

Speaker 8 (01:13:20):
As Scottish Scott.

Speaker 7 (01:13:28):
A text sound.

Speaker 79 (01:13:52):
Thanks you can't mean the water body.

Speaker 8 (01:14:04):
Six ms beside diffend somewhere us.

Speaker 79 (01:14:38):
My son, somebody.

Speaker 1 (01:14:45):
Union music group, baby.

Speaker 24 (01:14:51):
Makes they can I know these cheap and I don't
that's what you said.

Speaker 36 (01:14:58):
That don't mean old man away.

Speaker 43 (01:15:01):
As long as he's paying a fields, you better keep
him and look the other way.

Speaker 10 (01:15:07):
All right?

Speaker 15 (01:15:10):
We fail love.

Speaker 36 (01:15:14):
Way back in eighty three, I thought you was the
one boy. You swept me up, me.

Speaker 15 (01:15:27):
The way I want you talk as you asked.

Speaker 52 (01:15:32):
To marry me.

Speaker 78 (01:15:36):
We big gay had a lot to get.

Speaker 15 (01:15:40):
And you just spoiled me.

Speaker 39 (01:15:43):
Man.

Speaker 4 (01:15:44):
But I know something wasn't right.

Speaker 78 (01:15:48):
But since he paying my bills out, I guess I'm
gonna be.

Speaker 81 (01:15:51):
Here all right.

Speaker 10 (01:15:52):
I know he's cheating.

Speaker 36 (01:15:54):
I know he cheating, but I don't really give a dam.

Speaker 10 (01:16:00):
Don't. I know he's you.

Speaker 4 (01:16:03):
Know, he g but I don't really give a damn.

Speaker 10 (01:16:08):
I don't.

Speaker 36 (01:16:11):
He came home the one night fell it was really sleep.

Speaker 85 (01:16:20):
He jumped in the shop, what y'all and jumped into
the sheets. I wrote my back and turned y'all, and
we're right off sleep.

Speaker 24 (01:16:35):
Yeah, I really.

Speaker 4 (01:16:38):
Ain't got time for your life.

Speaker 36 (01:16:41):
Well, I'm fining to catch a sheep man, but I
know who don't.

Speaker 8 (01:16:47):
Thing one right, But since he feeling my bills out.

Speaker 36 (01:16:51):
I guess I'm gonna be here all right. I know
he's che I know the cheating, but I don't really
give a day.

Speaker 4 (01:17:00):
No, I don't.

Speaker 7 (01:17:02):
I know he's shoes.

Speaker 65 (01:17:04):
I don't, but I don't really here that.

Speaker 15 (01:17:09):
I don't.

Speaker 30 (01:17:11):
I'm not gonna let him.

Speaker 36 (01:17:13):
I'm not gonna let him go.

Speaker 20 (01:17:15):
No, that's my man, and I love him for show.

Speaker 36 (01:17:20):

Speaker 57 (01:17:22):

Speaker 36 (01:17:23):
No, that's my man, and that's no joke.

Speaker 15 (01:17:29):

Speaker 4 (01:17:30):

Speaker 36 (01:17:32):
No, he's my provider and that's for show.

Speaker 63 (01:17:38):

Speaker 15 (01:17:39):

Speaker 21 (01:17:41):
No.

Speaker 19 (01:17:42):
I love my man, and.

Speaker 15 (01:17:44):
That's no joke.

Speaker 4 (01:17:45):
I know.

Speaker 30 (01:17:48):
You cheat, but I don't really kiss the damn don't don't.

Speaker 10 (01:17:54):
I know he's shoo.

Speaker 4 (01:17:57):
Know cheat, but I don't really kill with that.

Speaker 57 (01:18:00):
No, I don't.

Speaker 10 (01:18:03):
I know he's you.

Speaker 85 (01:18:05):
Cheat, oh me, but I don't really kill with damn
have him all shoot.

Speaker 4 (01:18:14):
Yes, I know he cheat, but I don't really.

Speaker 22 (01:18:17):
Get it with damn.

Speaker 15 (01:18:18):
No, I don't dollar see.

Speaker 4 (01:18:22):
That's inside.

Speaker 86 (01:18:26):
He's coming back because he's paying the bills. And I'm
gonna sit back and wait on because that's my man.
I ain't gonna let nobody hear see. So you want
to think about what you're doing, Let me think about.

Speaker 15 (01:18:40):
What you're saying.

Speaker 36 (01:18:42):
Let him come on back home so you can do your.

Speaker 87 (01:18:45):
Dam all right, And I know and I know he's
gonna come back, all right, alright, alright, alright.

Speaker 9 (01:18:58):
What up?

Speaker 10 (01:18:59):
What up? What up?

Speaker 88 (01:19:00):
Though it's your boy misery hy GMG, and you are
now tuning in a boss Lady radio. You can also
find my clothing line at y GMG Clothing Store dot
com on wixi dot com. Again, why GMG is in
the building and it's your boy Misery Boss Lady Radio.

Speaker 1 (01:19:21):
Bow up Nick.

Speaker 72 (01:19:28):
Or the movie misser a Hey, y gm G, Let's
get it twenty five life Records.

Speaker 89 (01:19:35):
Let's yo fast when I move now, because every day
like a movie, How meny something to me? Hey, Wellias
gonna show, Spike Lee, gott'am show Martin Lawren's making move.

Speaker 19 (01:19:50):
Moving fast when I move now?

Speaker 1 (01:19:52):
Because every day like a move?

Speaker 89 (01:19:53):
How many something to my people? To every nigga with
me show and turn your.

Speaker 1 (01:19:57):
Life into a movie.

Speaker 9 (01:20:00):
Sho Spike Lee got him.

Speaker 89 (01:20:01):
Shove Martin's lawrence, make a move moving fast?

Speaker 1 (01:20:04):
When I move, it's every day like a movie. Good
hand me something to my piece. So so every nigga
with me.

Speaker 89 (01:20:10):
Shoes until your life into a movie.

Speaker 1 (01:20:12):
Hey Will's got them shoes?

Speaker 23 (01:20:14):
Get Spike Lee got him.

Speaker 10 (01:20:15):
Shove Mar's lawrence, making.

Speaker 1 (01:20:17):
Move moving fast when I move?

Speaker 4 (01:20:19):
Now is every day like a move. Had me something
to my pee?

Speaker 89 (01:20:23):
You Every nigga with me shoes until your life into
a movie.

Speaker 1 (01:20:26):
Hey Will, you got a shoe?

Speaker 10 (01:20:28):
Spike Lee got them shoes.

Speaker 8 (01:20:29):
Get it, Martin Loran, make him moning front.

Speaker 89 (01:20:31):
He came from the bottom. I started winning nothing after Mond.
I say humble my niggas well.

Speaker 1 (01:20:36):
Other niggas got jam.

Speaker 89 (01:20:37):
They told when niggas ran out some glitches, they pros
it might see I stood ten toes in a track
with lines and fars hell a Gorillaz sitting there.

Speaker 4 (01:20:44):
It'll go ahead, show you niggas a real one.

Speaker 5 (01:20:46):
That listen through the test.

Speaker 89 (01:20:47):
Now pose at all when I'm gonna stay taking your
mouth off hen the streets say promise tomorrow. Ain't none
get so why nigga go harder? My gee ever want
to have a nigga daughter in this bitch, but I
ain't coming them starter, so I eat so you know
I'm a problem.

Speaker 4 (01:20:58):
Post rode ever in the city full speeding.

Speaker 1 (01:21:01):
No I'm coming forward.

Speaker 89 (01:21:02):
List to me, but I'm want the poor look come
on home and shunning Nell saying so no love any streets,
No bro, shit you I mean if you pick up
playing put my words like you saying ship the reason
why your.

Speaker 23 (01:21:11):
Niggas get it behind.

Speaker 89 (01:21:12):
So on moving fast when I move now, because every
day like a move. Had me something to my people
to every nigga with me.

Speaker 23 (01:21:18):
Shoe turn your life into a movie.

Speaker 89 (01:21:21):
Height Wizing's gonna show Spike Lee, got him show Martin Lawns.
Make a move, moving fast when I move now because
every day like a move, have me something to my
people to every nigga with me, show you turn your
life into a movie.

Speaker 9 (01:21:35):
Height Wis got them show Spike Lead got them.

Speaker 1 (01:21:37):
Shove Martin Lawrence.

Speaker 4 (01:21:39):
Make a move moving fast when I move now.

Speaker 23 (01:21:41):
It's every day like a movie.

Speaker 89 (01:21:43):
Haved me something to my piece to every nigga with
me shoes and turn your life into a move. Height
wizings gottam shoot Spike lead got them showing Mar's lawrence
make a move moving fast when I move now, because
every day like a move. Hand me something to my piece.
Show every nigga where you your your life into.

Speaker 4 (01:22:01):
A movie with fight leag Martin lord and make him
money fine, yeah.

Speaker 89 (01:22:08):
Like Dave Schappelle, y'all flay his fault. Sad that your
little last buck, but a real nigga go we help
you up for the faith with the worth of spend.
Little blissy nigga, youall time stuff me and here like
the prophet, came movie fast like a champlain to bring
a prophet bat like a boomerang.

Speaker 19 (01:22:22):
Half fast niggas job turke, y'all my hate on your
goals having ass niggas move fast on.

Speaker 4 (01:22:27):
Fuck with him, were too, ladies.

Speaker 7 (01:22:28):
It's a movie with them.

Speaker 1 (01:22:29):
I'm the main story and just flick here.

Speaker 4 (01:22:31):
Look, take a seat, this is my year.

Speaker 89 (01:22:32):
Oh good gush, I'm top tier house with it like
Roves dear when I show they say the truth in
here jail bars on and went through them.

Speaker 1 (01:22:39):
Wickie Street shot and lived. Then that's dealt with this.

Speaker 59 (01:22:42):
Jail pen come and catch you with his mind frame.

Speaker 4 (01:22:44):
Take the buses right up by my lane. Yeah, we
both rat, but we are not the same.

Speaker 1 (01:22:48):
We are not the same.

Speaker 4 (01:22:49):
We are not the same.

Speaker 23 (01:23:04):
No what, no burther.

Speaker 24 (01:23:14):
So no green with Please let's go.

Speaker 4 (01:23:20):
I know what's on the menu, but you don't want beef.

Speaker 1 (01:23:23):
We strapped up.

Speaker 56 (01:23:23):
If ship go wrong, throw your shot.

Speaker 23 (01:23:25):
Clipping my crumbs.

Speaker 29 (01:23:27):
Young niggas got a pocket full of bills.

Speaker 25 (01:23:29):
You don't want it from the shot because I'm stealing
this ship.

Speaker 4 (01:23:32):
Ain't hard, this ship act hard.

Speaker 8 (01:23:35):
Let the max park turn niggas into track stars.

Speaker 1 (01:23:38):
It's egin yam, I'm going and get it.

Speaker 3 (01:23:40):
Don't sneak this on that ego when we come through
with similar to heterhima you heard now you.

Speaker 90 (01:23:46):
See if you can stop me, I like to use
food in my rhyme scheme and all about the shotgun.

Speaker 8 (01:23:53):
Turn your kids knees into Dolly greens.

Speaker 90 (01:23:55):
Motherfucker, don't get you close. Don't get you close, don't
get to twisted more bus if we need to be
have the whole gang run through me like a motherfucking
a back of wolves.

Speaker 23 (01:24:07):
Don't get your closet, don't get your ghost, don't get.

Speaker 90 (01:24:10):
Twisted or BUSSI need to be have the whole gang
rug go here like move for back of Wolves, back of.

Speaker 52 (01:24:17):
Wooland talk mics in the night on the energy to
cross the street fighting.

Speaker 4 (01:24:21):
Knuckle up, baby, buckle up, it's danger. It's on the alf.

Speaker 52 (01:24:24):
They flame the guards, slinking crumbs and the seeing Jamison
downs something trouble, blood shot the discrob smirf coe Fruck
posting for the big and his first rug shotting a.

Speaker 1 (01:24:34):
Seven and a half.

Speaker 52 (01:24:34):
It is working, h that's your surfle me and Alam
cooking and took it intil it's closed curtains.

Speaker 4 (01:24:39):
A bust of shots after surfing for a purpose.

Speaker 52 (01:24:41):
The seven stars represent the seven churches entretroversial for mister
re relationship.

Speaker 23 (01:24:46):
Be called up like the listeners to call up on
my birth.

Speaker 52 (01:24:48):
Shit aside, something to play, jot your niggas fade, it's
some raps are on the stage.

Speaker 4 (01:24:52):
When you catch it. These today's you'll be your foster ones.
They really understand the gospel. L Choppo chop cheese.

Speaker 91 (01:24:59):
In the top.

Speaker 90 (01:25:00):
If you close, don't get you close, don't get in
twicted as if we need to be have the whole
game run through. Yeah, like a motherfucking pack of wolves.
Don't get you close, don't get you cloth, don't get
it twisted with bust. If need to be, have the
whole gang run through me like mother, a pack of wolves,
pack of wolves, the rip answers.

Speaker 36 (01:25:22):
A part post, a body in the museum.

Speaker 15 (01:25:24):
That's what I call a true work of art.

Speaker 92 (01:25:26):
Don't fuck with me because with the king my skills,
with this plan of so shops, have you running intoterror?

Speaker 63 (01:25:31):
Have you shook afraid of what comes.

Speaker 92 (01:25:33):
Next to the dog, So it's to come to my
powers again, run over.

Speaker 36 (01:25:36):
I got an addiction with this gun.

Speaker 92 (01:25:38):
I love to make bodies rides so high, So my gun,
it's never sober play life. Don't play with me, because
you do, it'll be game over high, a little flip,
but let me be fucked up, like drinking too much
lean giving you a bad hangover. I say, troops on
my word, will stay on my way unless you want
to get chewed up and spit out hooked like a
bad advertiser because I'm hooked up international like.

Speaker 9 (01:25:59):
Seeing in rasing.

Speaker 93 (01:26:01):
I'm here to make your life for a living hell
like you're gonna take it. Did the main count and
the first hell in itself, So trying me slim your
head up. The payment for mom of rates stay in
the length unless you want to become a next victim,
because I want a mission. Leave you the next one
to come up on the news mission. So take heed,
take heed the what I'm spinnings.

Speaker 4 (01:26:28):
Of money on your we make we make it to
no money.

Speaker 36 (01:26:47):
We're saying we make money money money.

Speaker 39 (01:26:51):
May mind when they lost me to know we never

(01:27:16):
to the streaming, never for the day. I mean they
were there for me by years.

Speaker 69 (01:27:24):
No medal, what they say we're making for the storm
day the medal, the day do we're gonna take into
the learning and taken to the true gold? Tell me
not you would it be here? Tell me when they
love it in me? I would never leave my feet
to gold. I would never leave nobody Australia. Hey, ain't

(01:27:46):
tell me you want in the day yaya when they
say record it, tell me would have bere.

Speaker 4 (01:27:56):
I don't want to be no no, know that I'm noting.

Speaker 7 (01:28:00):
W'll make.

Speaker 4 (01:28:02):
Yeah, make ya no matter what that said, we're.

Speaker 69 (01:28:12):
Gonna a magican to the money and the condle we're
gonna make.

Speaker 4 (01:28:30):
We make it at the money we're making.

Speaker 16 (01:28:35):
He could have made that ole y.

Speaker 4 (01:28:40):
We make it to the money money we're making. This
the condle.

Speaker 7 (01:28:48):
Whoa.

Speaker 81 (01:28:50):
We're saying, make it to the money, money money, We'll
make it.

Speaker 10 (01:28:54):
To the cordle.

Speaker 4 (01:28:56):
We recording.

Speaker 81 (01:28:59):
Yay, and we may I tell them harty money what
man sa the cow?

Speaker 69 (01:29:05):
Yeah hody, we're saying, makes of the money money your honey.

Speaker 1 (01:29:15):
We're making to the.

Speaker 7 (01:29:16):
Fo We recording.

Speaker 81 (01:29:21):
Yay, we make I tell them any money man say
the cow?

Speaker 7 (01:29:27):
Yeah silly honey?

Speaker 73 (01:29:30):
He who mans a no money? What man is a
little car? We kay so much and be very hard,
you know, don't want to hurt nobody.

Speaker 7 (01:29:46):
But we been trying all to beat last.

Speaker 10 (01:29:50):
We can't be any try.

Speaker 16 (01:29:54):
I'm doing new lab.

Speaker 24 (01:29:56):
We're gonna get to week.

Speaker 73 (01:30:04):
We may's a little money you mean, No, We're never
gonna make it.

Speaker 10 (01:30:11):
But we give that.

Speaker 7 (01:30:16):
Oh money is aney.

Speaker 73 (01:30:28):
Cocoa, Come holy, We ain't gonna amaze.

Speaker 4 (01:30:35):
Money.

Speaker 8 (01:30:37):
Women is a women is a money.

Speaker 79 (01:30:58):
Woman is.

Speaker 15 (01:31:01):
Good.

Speaker 4 (01:31:03):
Didn't make a sound a lot.

Speaker 8 (01:31:09):
Than the area.

Speaker 94 (01:31:39):
Admits as agree and mister sass, what's up about?

Speaker 15 (01:32:00):
Oh friend? I really need to talk to you.

Speaker 30 (01:32:07):
Home quite some time. Then he got me ready to
crush that head line.

Speaker 15 (01:32:13):
But you need to know that I got a man
at home.

Speaker 36 (01:32:20):
Here's my right, here's my can't he's my every damn thing.

Speaker 30 (01:32:24):
Can't he even about a damen rag?

Speaker 36 (01:32:28):
But that's feeling that I.

Speaker 10 (01:32:30):
Can't let go.

Speaker 15 (01:32:32):
It's so time. I mean, he a joke gold your god.

Speaker 36 (01:32:36):
But I got a question for your babe, Bay, and
I know that is wrong?

Speaker 7 (01:32:42):
We left? Can we look at me?

Speaker 36 (01:32:49):
Can we have been thinking about yoursel much shame?

Speaker 7 (01:32:55):
Can we hold up?

Speaker 4 (01:32:56):
Can we we go?

Speaker 15 (01:32:57):
Wanna feel your to shine?

Speaker 7 (01:33:04):
I know I got an.

Speaker 1 (01:33:09):
I know.

Speaker 4 (01:33:13):
What's up? Baby girl?

Speaker 15 (01:33:17):
Or stop high?

Speaker 21 (01:33:18):
You do we?

Speaker 95 (01:33:21):
I know who has been along long time, But the
love stays on mothery, mothery and some other love is strong.

Speaker 36 (01:33:32):
None of them don't quite like you.

Speaker 4 (01:33:35):
Rock like you, road like you, don't like you. They
can't put it on me and put it on me
like you. There's a feeling that I.

Speaker 15 (01:33:45):
Can't he.

Speaker 54 (01:33:47):
So time got me in auto cars. But I'm not
a question for your baby but the strong? Can Can
we be thinking about yourself?

Speaker 4 (01:34:06):
Bunch of it?

Speaker 79 (01:34:11):
Can we we got a video tongue?

Speaker 16 (01:34:17):
Can't we he?

Speaker 4 (01:34:19):
Can we?

Speaker 7 (01:34:19):
I know I got again.

Speaker 4 (01:34:23):
Stuffing.

Speaker 15 (01:34:24):
They won't leave me?

Speaker 10 (01:34:25):
I know call we me?

Speaker 36 (01:34:29):
I know it's wrong for me to want no mo
th won't go?

Speaker 15 (01:34:34):
Why Why can't we do?

Speaker 10 (01:34:37):
Why should we do?

Speaker 15 (01:34:39):
No matter what happens up seeing lobby, this is so wrong,
But then.

Speaker 4 (01:34:47):
You don't know about when it used to be so rang?

Speaker 15 (01:34:49):
Yeah, but no, but just see it man, get I
don't know, look up?

Speaker 10 (01:35:27):
Can we?

Speaker 15 (01:35:28):
Lincoln?

Speaker 1 (01:35:32):
Hi?

Speaker 96 (01:35:32):
This is your girl v Mayo a ka mold thoughts
and I'm chilling out listening to the award winning Boss
Lady radio show. I want to give a special shout
out salute to the one and only Boss Lady also
known as Miss Fabulous. Also want to say Happy Women's
History Month to Boss Lady as well as all the

(01:35:55):
amazing women artists that are making history every day that
are played on this platform.

Speaker 4 (01:36:05):
And yeah, what's adding?

Speaker 3 (01:36:06):
This is George Truley, South Florida Finest g Daddy, the
Boss King, the Legend.

Speaker 1 (01:36:14):
Your first.

Speaker 3 (01:36:14):
I want to get shots oot to the amazing ward
winning Queen Boux Lady dj.

Speaker 4 (01:36:21):
D Ski know I'm time.

Speaker 1 (01:36:23):
My second off.

Speaker 3 (01:36:24):
I want to get shotsot to Dridgy Drake's radio cap
Faith Dre's eight. You know what I'm saying, twenty four
seven radio. Then I want to get shot shot to
my home what four one fourth?

Speaker 4 (01:36:35):
Thanks?

Speaker 38 (01:36:36):
You know what I'm saying.

Speaker 4 (01:36:38):
No, Rajaeger, the King, you know what I'm saying.

Speaker 3 (01:36:41):
All amazing other artists out there. Oh, and I can't
forget about you know what I'm saying, Teresa Taylor Global
Empire and you know the one and know the customs.

Speaker 1 (01:36:52):
Know what I'm saying.

Speaker 3 (01:36:52):
Danny Joe twenty five of Life Records. Let's get it strong,
your filman run it.

Speaker 10 (01:37:01):
Yeah.

Speaker 4 (01:37:02):
They told to knock him out.

Speaker 1 (01:37:03):
Of the box.

Speaker 24 (01:37:08):
Knout, knock out, knock.

Speaker 1 (01:37:13):
Knock, knock, knocking about the bottle g talking about the
bottle g.

Speaker 6 (01:37:16):
Talking around the bottle gnom knock, knock, knock, talking about
the bottle g. Look, I knock him out in the box.
I'm talking about the socks. I'm doing my thing, and
I you know I'm coming hord here from the bottom one.

Speaker 19 (01:37:31):
To the top.

Speaker 6 (01:37:32):
I'm doing my things like I'm playing a hot Scott
here from the bottom the bottom more than now part
is padding. That's where me at. I told your girlfriend
to come sit day laft.

Speaker 1 (01:37:43):
I'm doing my things.

Speaker 9 (01:37:45):
Damn around a maga have this say.

Speaker 6 (01:37:48):
No, I'm knock knock him out at Barty talking about
the Barley's.

Speaker 9 (01:37:52):
Talking about the botty knock.

Speaker 1 (01:37:55):
Talking about about.

Speaker 9 (01:37:57):
What I'm like them all.

Speaker 6 (01:37:59):
Guy, don't bother. Yeah, I'm doing me so you better
little too. I got your shoes. They gonna look screws, nigga.
I'm the one that the one's all about.

Speaker 9 (01:38:13):
Knock your gas out. I'm doing a no doubt.

Speaker 1 (01:38:16):
Want them in the boat. I told you I'm the truth.

Speaker 9 (01:38:19):
Like I tell you, I had the same God, No screw,
I'm going to no Noah.

Speaker 6 (01:38:24):
Noah, Noah noahing about the bology, talking about the boy knocking.

Speaker 1 (01:38:28):
About the bar, nah nah nah. Looking I'm out the bar,
look at hell.

Speaker 9 (01:38:34):
Yeah, I have the man And to tell you know,
I'm cool it in the fan.

Speaker 1 (01:38:38):
I'm from the old school. I told him. I had
to give them go to what to do.

Speaker 6 (01:38:43):
I'm coming redly lie.

Speaker 9 (01:38:44):
Now you're doing sell too. Yeah, I'm robbing there, boy
seventy two.

Speaker 1 (01:38:49):
Yeah, I'm gonna go.

Speaker 9 (01:38:50):
I had to let them through the box, said, yeah
the ring, I got your gass out.

Speaker 8 (01:38:56):
When I'm doing my thing.

Speaker 9 (01:38:58):
Yeah, I'm out to change you. Gotta is my name.
Like I tell you, I came to change the game.
Y'all know what I'm saying. I'm doing about play and
I'm gonna knock.

Speaker 6 (01:39:08):
Yeah, yeah, the box you name, no, no, no, knock
him out the.

Speaker 9 (01:39:13):
Bar talking about the barity he's talking about in the bar.

Speaker 6 (01:39:17):
No no, no, knock about the bar, talking about the bar.

Speaker 9 (01:39:21):
Talking about the bottle. I knock him out the box
every time I wrapped around.

Speaker 1 (01:39:26):
I'm on the beat.

Speaker 9 (01:39:27):
Yeah what I have? I tell you want to do
a big y'all know I snapped, damn alright, what I
half y'all, I'm the coolest y'all. Beat the treasure. I
know you hate still lie dare saying that, Hey, y'all
need to stop it. Stop gradulated. I'm gonna knock your
eye side.

Speaker 1 (01:39:44):
Yeah, D is crazy.

Speaker 46 (01:39:45):
I'm going.

Speaker 9 (01:39:47):
Knock him out the bology talking about the matt talk
him out in the bottle, not not not knock him
out the bog represent you don't need. Yeah, you know
I got the beat. I thought you headed this ship.

Speaker 1 (01:40:02):
I ain't sweet wint to a big.

Speaker 9 (01:40:05):
Winner represt On Beach. I thought you want the bore
this the way.

Speaker 6 (01:40:08):
That I need a big place and got to get
the bore. I'm doing my thing gun fess like a
boy doing what's smoke. Yeah from a no I'm going
my thing. What am I builer gold for the soul?
My rock band cold? I can't even knock your ass
out yet that town rod. I'm doing the what's big

(01:40:29):
they'll spend wish. I thought you're going to pour them
right after ship they say, gee nah, knock him out
the blog, Knock him out the barog come out of
the bar, knock him out at the bottle, knocking them
out the book from out the bar. Yeah, you know,
I'm colder in the cold that you know the boy's

(01:40:50):
so gold sing right well by well winning.

Speaker 9 (01:40:58):
It's the way that I swear, and then.

Speaker 1 (01:41:01):
Right, ain't even trying to brand.

Speaker 6 (01:41:03):
And I'm doing the year real big, yeah in the boot,
y'all knowing the boy so bad anything, knocking out the bard,
knocking about the botz from out the barty, knocking about
the box, talking about the box, talking about the like
Tyson you in the ring game, and I'm fight to

(01:41:25):
get all the name. Yeah right when you get me
in the mic, I'm doing my thing, and you know
the boy nice nights, Yeah, so gold then so flying.
F'm doing real big y'alla the line swing them on
the boot and y'all pay soup, y'all doing team like.

Speaker 9 (01:41:43):
Day little their right and take no knock knock them out.

Speaker 6 (01:41:47):
The boy talking about the bar, talking about the barn
knock from out the party talking about the bark.

Speaker 1 (01:41:56):
About the bar. I'm like Bob the field in the
real yeah.

Speaker 9 (01:42:01):
Right head y'all well, and I I can't stop.

Speaker 1 (01:42:05):
And him right because I was where. I am a
yah yahn right, I am a ring mom and y'all
a one the one that one on and then.

Speaker 6 (01:42:14):
Yell not the po and I can say you knock
the one them back to see.

Speaker 1 (01:42:18):
The game one when you say.

Speaker 6 (01:42:20):
Yeah, knock knock, not talking about about the knocking, about
about the knocking about the bout, knocking about the bout. No, No,
I'm Tom knock knocking about the.

Speaker 8 (01:42:39):
World wide.

Speaker 6 (01:42:41):
Who to find out like leaders knowing about about the
knocking out the brother knocking about.

Speaker 1 (01:42:52):
Knocking. I'm I'm nigga that the bar that why got.

Speaker 7 (01:43:00):
Out my loss.

Speaker 23 (01:43:02):
The five which stocks we shoot.

Speaker 10 (01:43:05):
Off like a.

Speaker 6 (01:43:08):
Right, you don't let now there right say your blessing
that you feel.

Speaker 1 (01:43:14):
My presence and he doing my playing again, I'm blessing
and I'm gona time ye out. I'm going to nord child.

Speaker 8 (01:43:23):
Define damn one problem and.

Speaker 6 (01:43:26):
Yeah, brood down the bucks want a big.

Speaker 1 (01:43:30):
John, though with letting many dogs.

Speaker 97 (01:43:34):
About about, talking about about, talking about noting the way back.

Speaker 6 (01:43:46):
Dreads right, d yd frock.

Speaker 97 (01:43:50):
Then right getting mad about Brady to take a pin
any day that time, man.

Speaker 1 (01:43:55):
A damn right jack altitude game. I'm the band, then
righting can bring the whole man. Ain't a right at
Jack to count the side. I'm not gonna playing on
a play at the dude, n knock.

Speaker 9 (01:44:09):
Knock knocking about the bottom, knocking about about.

Speaker 6 (01:44:13):
Knocking about z knohn knock knocking about the body, knocking
about z knocking out. I got a post, you got
play a post. I lived there for jail and yeah,
I'm seeing a rose may. I'm like a guy on
the water still post a right to do.

Speaker 9 (01:44:29):
I down those set right. That's the way that I talk.

Speaker 6 (01:44:33):
I'm moping though, I'm into jail and I love up
when I was going the opmentic, Yeah, old vision of
money gun dare her rocks any woman, dude, knock knock, knock,
knock knocking out the bottom, knocking about the knocking about,
knock knock knock, knock about the bottom, not about knock

(01:44:54):
about your jell to throw among the box throwing, look though,
knock about them talking right, I'm nuking the body. Uh
they say, no, no, no, no, knocknall. I'm not about
I'm not about ye about. They are right repent on

(01:45:17):
these beats, they right knock the world, knock them along,
rest last knocking out, knocking out.

Speaker 4 (01:45:25):
Like that the way we in these steeple on the beats.

Speaker 1 (01:45:29):
Yeah and no, no, I'm not about.

Speaker 6 (01:45:33):
The bottle knock knocking loggy. I'm knocking logged and it's
not really come the boys, real boom buds from the
ball the club. Yeah, bet you world, I'm knocking the
motherfucker y'all socks. Yeah, wha knock y'all flocks off, knock
knock them.

Speaker 1 (01:45:54):
Hey yo, sure boy.

Speaker 98 (01:45:56):
Drazy ce O, d J and programming for Dre's Radio Cafe.
You got a banging cut that you want to be heard,
Got a show coming up, a gig, you want to
sell some products? You name it, Send it to Dre's
Radio Cafe. Dre's Radio Cafe is a twenty four to
seven internet radio station designed with you in mind. By

(01:46:18):
being heard by one hundred and fifty thousand listeners every month.

Speaker 4 (01:46:23):
What does that mean to you? That means more than
just going.

Speaker 98 (01:46:25):
To YouTube, more than just going to Google, more than
just having a SoundCloud up, more than just having any
of the other programs set up.

Speaker 4 (01:46:33):
All right, so check this out.

Speaker 98 (01:46:35):
What I want you to do is send your banging cuts,
your ads, anything that you have involved that you want
to get involved with to d R e zey two
to one at yahoo dot com. That's d R e
z y two one at yahoo dot com. That's Dre's
Radio Cafe twenty four to seven Radio Design with you
in mind.

Speaker 4 (01:46:54):
What y'all sipping on?

Speaker 9 (01:46:55):
Let's go.

Speaker 44 (01:46:57):
Hi.

Speaker 11 (01:46:58):
My name is Literce Lawrence from Los Angeles, California, and
my music is playing on award winning Boss Ladies radio show.
The latest episode that I was on was be a
Powerful Communicator. My song My Secret Lies is on all

(01:47:20):
major digital platforms and I will be releasing it starts
with Me before two thousand and twenty three ends, and
I will be playing Julia on Alisa and Mahogany, which
is gonna be a TV series.

Speaker 20 (01:47:54):
When to think about you, they my body starts to cheer.

Speaker 99 (01:48:03):
Oh yes, indeed, we got the tree soids with that
deep inside no birds, it.

Speaker 100 (01:48:21):
Felt so good side.

Speaker 15 (01:48:26):
There's a smell and of face when a grasson.

Speaker 7 (01:48:35):
I have at lady sent boo. Oh one needed it.

Speaker 10 (01:48:53):
Deep beside me?

Speaker 7 (01:49:06):
Ho miss feeling, I chan can hate.

Speaker 4 (01:49:15):
Nothing compares to your love.

Speaker 7 (01:49:19):
It's word than a million.

Speaker 15 (01:49:23):
It's a good to me. When you touch my body.

Speaker 10 (01:49:35):
I stopped to marchack o, it's aaching.

Speaker 36 (01:49:46):
As I reached my pay, I can hid speak.

Speaker 15 (01:49:54):
I feel restaurted.

Speaker 7 (01:49:58):
From within me.

Speaker 30 (01:50:00):
A boot is yearning.

Speaker 15 (01:50:07):
Ignite and it's burning.

Speaker 10 (01:50:12):
It begins to.

Speaker 7 (01:50:13):
Spread my good respe.

Speaker 10 (01:50:27):
Need you.

Speaker 7 (01:50:29):
So deep beside made?

Speaker 15 (01:50:34):
Oh how this.

Speaker 36 (01:50:43):
Feeling as he had.

Speaker 15 (01:51:10):
When you call me on the phone. You mount my heart.

Speaker 36 (01:51:18):
I can't wait till you get home.

Speaker 100 (01:51:23):
And then we'll start. My heart's beating so fast because
I can hear your keys opening the door.

Speaker 24 (01:52:06):
Yeah, yeah, what's up?

Speaker 46 (01:52:07):
What's up?

Speaker 19 (01:52:08):
Y'all?

Speaker 24 (01:52:08):
Welcome back to the Boss Sadies Live Radio Show.

Speaker 72 (01:52:12):
Multi War What It Now Speaking Studio sponsored by Boss Ladies, Inc.
And Award with It Dres Radio Cafe aka The Hangout
aka Dres eight. You know what, I'm a second and
welcome to Top twenty Season two.

Speaker 24 (01:52:31):
Y'all you got the best hottest.

Speaker 72 (01:52:33):
Underground show in the world on the planet on all
digital platforms including social media, from LinkedIn to Facebook to
Twitter to everywhere in Auto said, Apple podcast, Google Podcast,
Dezer podcast added, cast Box FM, Apple Podcast, No Saying

(01:52:56):
in the GEO seven know what I'm saying.

Speaker 24 (01:52:59):
That Amazon Music, you know what I'm saying.

Speaker 72 (01:53:01):
And we everywhere that you didn't hear about you, We're
getting there right here on Boss City's live radio show.

Speaker 24 (01:53:09):
And we got nine through a Let's go, y'all.

Speaker 4 (01:53:27):
Live in the chat bro.

Speaker 24 (01:53:28):
We got twenty five of life records in the building.

Speaker 72 (01:53:31):
We got Blunt Conversations Podcast aka Misery. When GMG shot
us a little in the building, we got no regular
king in the building.

Speaker 24 (01:53:41):
Shout out to a little and let's welcome to jet
us to the show, y'all, Let's go.

Speaker 20 (01:54:38):
Request lines are now open on Boss Lady Radio.

Speaker 4 (01:54:42):
Whoa, whoa whoa first caller.

Speaker 101 (01:54:47):
Yeah, this is Fred the weedhead Man. I wanted to
hear something dope from brother Rob the Poet Brown. He's
an awesome underground artist dude. Hopefully I can invite him
over to my mom's basement one day. We can do
some bong hitsing later on, rally up at McDonald's.

Speaker 4 (01:55:04):
We'll see what we can do for you.

Speaker 102 (01:55:05):
Man, Next Carler, this is the cause, and I just
like to hear something smoothie and groovy by Brother Rob
the Poet Brown while I sit here and eat the
great big mooll of the yellow Hoddy.

Speaker 4 (01:55:22):
We'll see what we can do for you, mister Bell.

Speaker 103 (01:55:24):
Next Carler, Well, I'll tell you d D Ski, Me
and my whole commediacs, we've been through a whole lot, brother,
But after sitting down and listening to the awesome rhymes
by Brother Rob the Poet Brown, I don't know what
to say or do.

Speaker 4 (01:55:37):
Man and Brother Rob he's always been an old school
halk Co maniac.

Speaker 68 (01:55:40):
He's down with the prayers, the vitamin is, the pull ups,
the thrusts, the whole nine yards dude, s play something
by Brother Rob and.

Speaker 4 (01:55:47):
Until further notice, Well what you're gonna do when Brother
Rob and the whole co maniacs run wild on you?
Why you heard him?

Speaker 25 (01:55:57):
Be d d Ski. You gotta give the people for
what they want.

Speaker 4 (01:56:01):
So let the beat ye.

Speaker 102 (01:56:05):
Captain's log seven inches nine and a half of Sunrise,
Brother Ride.

Speaker 23 (01:56:12):
The Poet Brown.

Speaker 24 (01:56:13):
With that song.

Speaker 23 (01:56:14):
Call right, bitch, what the hell was you making?

Speaker 53 (01:56:22):
How you gonna carry me through all this bullshit physical
and mental?

Speaker 23 (01:56:26):
Knowing my love has always been unconditional.

Speaker 53 (01:56:29):
You don't just sit there smile and trying to hide
the fact that you're scared.

Speaker 23 (01:56:32):
I mean, rights right fast thing.

Speaker 21 (01:56:33):
You know.

Speaker 23 (01:56:34):
I'm struggling to do right.

Speaker 10 (01:56:35):
You are there.

Speaker 53 (01:56:36):
I'm trying to come off right and exactly. I take
a step forward, You got the three four steps back.

Speaker 23 (01:56:41):
I mean, can a brother make a little partments in
here for a hot minute.

Speaker 8 (01:56:44):
I run into some extra money, you find an extra
way to.

Speaker 4 (01:56:47):
Spend my ship?

Speaker 53 (01:56:48):
Fucking bitch, I just try to get any other meation ship.
I took my time with you, gradually moving forward, very
sudden looking back. Yeah, I know I haven't always been
a good husband. Hell I've been a washful mother. Do
you really think I need you to remind me of
all that? I'm just so stressed out on you won't
want to grub a this one my own head ripping
out the side of my head, or mean even grab
a fist full of ripping out the black or bred

(01:57:11):
fist full of ripped out of stuff.

Speaker 23 (01:57:12):
But that stuff that started beating shit.

Speaker 8 (01:57:13):
Will be a long time hold on.

Speaker 53 (01:57:18):
And I'm so glad that everything takes soul renewals, nothing
ever stays the same. And if anybody was wondering, yes,
this bitch does have a name, and that name is light.
Poor y'all just don't know that bitch ain't right.

Speaker 4 (01:57:33):
Why I'm met her.

Speaker 23 (01:57:34):
And again I understand a lot of pumps may not.

Speaker 104 (01:57:36):
Think like me, but this bitch is a product of misery,
and everybody knows misery loves company because along with that
misery you got eny, jealousy, fitting this bread and cold,
weeping and gashing your teeth pain in justice eyes.

Speaker 53 (01:57:49):
And to see this bitch ain't just limited to the
four legged dog feeling over the speech.

Speaker 7 (01:57:53):
She's good.

Speaker 23 (01:57:54):
She can fleep up.

Speaker 53 (01:57:55):
From your hands, like if undetective disease don't you can
be having a good dad work everything cool to the chicken.

Speaker 23 (01:58:01):
They come that new supervisor whole house.

Speaker 53 (01:58:03):
Seen putting the foot down at kills not your and
the only thing you want to do.

Speaker 23 (01:58:09):
Is back and they're freaking fat times. That ain't that
a bitch?

Speaker 53 (01:58:16):
God be an ugly situation, but that's just the small
as abue. The bitch is a manifestation. This bitch is
a problem, and just like any other problem, you got
to meet their head on. GE's that same bitch that
makes some cops that it's cool to shoot down on
our brothers on the street.

Speaker 23 (01:58:29):
Like they hunt down lions on the seregate. But that's
a whole other stuff.

Speaker 10 (01:58:31):
You can tie me.

Speaker 53 (01:58:32):
This bitch will make you think the wrong is right
and the right is wrong. Now you're listening to the
average hip hop song was known to no local content,
and the only thing you can say is your son
that Beata's kicking.

Speaker 23 (01:58:44):
Have you in the poetry? Been you running your mouth
when you need to be shutting the fuck up and
listening this bitch?

Speaker 53 (01:58:50):
You'll make a non gambler man, make a vagina wet,
make a penis direct, make a few brother sweat. Then
you starting line for hours, spending your last little been
a change on a pair sneakers talking about your main
man got an sugar bag?

Speaker 23 (01:59:03):
Rightious, treacherous?

Speaker 8 (01:59:04):
You see what she did to me and me?

Speaker 23 (01:59:06):
I consider myself related that metal type of brother, very
easy to get along with. Would I have a hard
problem trying to figure out how fun is?

Speaker 21 (01:59:13):
I know?

Speaker 79 (01:59:13):
Want to be fucking with?

Speaker 74 (01:59:14):
Right?

Speaker 23 (01:59:15):
I don't know when it started, but Lord knows I'm
plan it's not. You have no idea how many times
I've imagine busting this switching the back of the head
with a fucking s from day to day life to
the workplace.

Speaker 53 (01:59:25):
Man, I got stabbed in the back with a knife
and then ripped it to the left and get it
to the right.

Speaker 23 (01:59:29):
And looked at me a few days later and smiling
like he's still all right. My sincerity is.

Speaker 4 (01:59:33):
Real, man, this is what I've come with you.

Speaker 53 (01:59:35):
Hump her out off of you, fight and return you
slam here a bowl of shit. I'm very slow to
get angry. It starts off as a small trip. Don't
let it turn into a wave, because now the drip
is starting the triple. If life was a man, I
punched him in the dicky fill was a woman, I.

Speaker 23 (01:59:49):
Check her in the pussy.

Speaker 53 (01:59:50):
The only reason, I thought, because I ain't trying to
send nobody to the hospital.

Speaker 23 (01:59:54):
This piece was ripping out an anger.

Speaker 15 (01:59:55):
You damn right, the diddy and.

Speaker 7 (01:59:57):
Your niggas meet, man.

Speaker 23 (01:59:59):
I got a sucker ta two false mouth, but here
many a god damn nice. Of course, I don't feel
this way anymore.

Speaker 8 (02:00:07):
Then, let me tell you what made.

Speaker 23 (02:00:08):
Everything switch, what made my mind start to click.

Speaker 53 (02:00:11):
I took some good advice from a fellow poet, just
me the artist, and he said, brother, if life is
really a bitching.

Speaker 23 (02:00:17):
They, you need to check your relationship.

Speaker 15 (02:00:19):
And I did.

Speaker 23 (02:00:20):
And now the life meloscope that goes through my.

Speaker 53 (02:00:23):
Head is every day it's a good day, especially when.

Speaker 1 (02:00:26):
You don't end up dead.

Speaker 77 (02:00:27):
That's it.

Speaker 71 (02:00:28):
You don't have a nice morse, lomits majestic, majesty.

Speaker 105 (02:00:38):
Delete my fucking s yes, and our bunny, they cry out.

Speaker 15 (02:01:01):
Let me de leive my fucking neck shack.

Speaker 10 (02:01:04):
Yeah, you's not thirsty.

Speaker 15 (02:01:06):
It's not where with that?

Speaker 16 (02:01:07):
Ye?

Speaker 15 (02:01:07):
Yeah, you better catch your baby? Why you can?

Speaker 7 (02:01:11):
Yeah?

Speaker 106 (02:01:11):
Before I get in another fucking man. Yeah, let me
delive my fucker's next shot.

Speaker 1 (02:01:17):
Yeah, you's not.

Speaker 15 (02:01:18):
Thirsty, it's not where with that?

Speaker 7 (02:01:20):
Yeah?

Speaker 106 (02:01:20):
Yeah, you better catch your baby why you can't?

Speaker 15 (02:01:24):
Yeah, it before I get in another fucking man.

Speaker 106 (02:01:27):
Yeah, for the motherfucker's nat shock.

Speaker 8 (02:01:30):
Yeah, I just hit you with the snap chat.

Speaker 15 (02:01:33):
Yeah I didn't even know about that. Yeah, super what
what straight fit?

Speaker 10 (02:01:39):
Yeah?

Speaker 15 (02:01:41):
Yeah, I got the phone. It's like you ha ha ha,
holy your feelings? Yeah, baby, you know where I.

Speaker 7 (02:01:52):
Got you.

Speaker 106 (02:01:54):
Fucking motherfucker snapshot? Fuck a motherfucker snapshot.

Speaker 15 (02:02:00):
I just hit you with the snapchat.

Speaker 106 (02:02:04):
Fuck on motherfucking snapshot.

Speaker 15 (02:02:07):
Let me leave my fucking snap shot. Yeah, you so thirsty,
it's not where is that?

Speaker 7 (02:02:13):
Ye?

Speaker 15 (02:02:13):
You better catch your baby? Why you can't?

Speaker 10 (02:02:16):
Yeah?

Speaker 106 (02:02:17):
Before I get in another fucking mat Yeah, let me
tell leave my fucker's next shot?

Speaker 10 (02:02:22):
Yeah, you so thirsty?

Speaker 15 (02:02:24):
It's not where it's that? Yeah, you better catch your baby?

Speaker 106 (02:02:28):
Why you can?

Speaker 1 (02:02:29):
Yeah?

Speaker 16 (02:02:29):
Sorry said, oh wait, but.

Speaker 15 (02:02:31):
I'm coming, so all in your mouth. I'll be coming so.

Speaker 7 (02:02:36):
Big homie boss clear ran out the road.

Speaker 107 (02:02:39):
Drop our phones and cameras too. If you like my
prisons too, bless you, so go ahead in sign that NDA.
If you really want to come more around and play
until again, best say her ma way, listen to what
the motherfucking song say.

Speaker 15 (02:03:02):
Let me telllive my buck is next shot.

Speaker 10 (02:03:05):
Yeah he's not.

Speaker 15 (02:03:06):
Thirsty, it's not where with that?

Speaker 106 (02:03:08):
Yeah, you better catch your baby why you can't? Yeah,
before we're getting another fucking minute.

Speaker 15 (02:03:15):
Yeah, let me telllive my buck is not shot.

Speaker 106 (02:03:18):
Yeah, he's not thirsty, it's not where with that? Yeah,
you better catch your baby?

Speaker 15 (02:03:23):
Why you can't.

Speaker 106 (02:03:24):
Yeah before I getting another fucking minute.

Speaker 20 (02:03:28):
Yeah okay, so little stunning.

Speaker 24 (02:03:40):
Er, let's get it out.

Speaker 16 (02:03:46):
Yeah, lets me go bad.

Speaker 36 (02:04:02):
So alost in the building.

Speaker 38 (02:04:04):
Yeah yeah, yeah, yeah yeah.

Speaker 36 (02:04:06):
Yeah, Ormi baby you.

Speaker 4 (02:04:11):
And me my jeh way you see that Helen.

Speaker 91 (02:04:14):
You married shower me blessing and then you managed shower
me messy and then you may shower me man Patty Plenty.

Speaker 36 (02:04:21):
Girls, they be like me.

Speaker 4 (02:04:24):
Rimi baby gave me.

Speaker 20 (02:04:28):
And dalim Jay. You see he let you married shower.

Speaker 15 (02:04:33):
Me blessing and then you.

Speaker 91 (02:04:34):
Managed shower me messy and then you marriage shower me.

Speaker 108 (02:04:37):
Man patty plenty. Girls then be like me or hum
plass fast me past go back to jac SAMs. Tell
me talt you like me like family friend we got
like me?

Speaker 91 (02:04:49):
Can you dat me ma no like battle said my
last mess like he like like you like me? I
want bell that.

Speaker 78 (02:05:06):
Say shall by orry me or.

Speaker 15 (02:05:12):
Claiming that you but I like it?

Speaker 91 (02:05:15):
Okay, m ball me you ada mem Jay. You see
he let you mary show me blessing. Helen, you managed
shower be messy and then you man.

Speaker 14 (02:05:29):
Show me man Patty plenty.

Speaker 36 (02:05:31):
Come let me like me.

Speaker 15 (02:05:34):
Hooray by me you.

Speaker 10 (02:05:38):
And me my jay.

Speaker 8 (02:05:39):
You see he let you.

Speaker 91 (02:05:42):
Marry show Me blessing, and then you married show I
be messy he then you married show.

Speaker 15 (02:05:47):
Me man Patty Plenty.

Speaker 91 (02:05:48):
Come THET me like me hold doctor to a media.

Speaker 36 (02:05:53):
For family, i'd meet you let me how am I am?

Speaker 4 (02:05:59):
Please?

Speaker 10 (02:06:00):
Way?

Speaker 14 (02:06:01):
I want to celebrate.

Speaker 15 (02:06:02):
I wanted to be late.

Speaker 109 (02:06:03):
I want to let my name in everybody and judge
over bless me and not go my way about so
many gig buts like come back in the bat masala
by jo as my pay yer timo badi, I go
ca love you all I know one some per normal

(02:06:23):
Oh bah bless my reiki right on, Ormi.

Speaker 91 (02:06:27):
Baby and me my Jeway. You see Helen, you married
shower Me blessing. He then you married shower Me messy
Helen you many.

Speaker 4 (02:06:39):
Shower me man Patty Plenty Cow.

Speaker 10 (02:06:41):
They be like me.

Speaker 7 (02:06:44):
Ormi bay me love me.

Speaker 8 (02:06:48):
And me my Jewy.

Speaker 78 (02:06:49):
You see Helen, you marther shower.

Speaker 15 (02:06:52):
Me bless you and then you married shower Me messy.
Helen you married shower.

Speaker 108 (02:06:57):
Me man Patty Plenty Cow THET me like me yeah yeah.

Speaker 91 (02:07:00):
Yet see that call me so last night, mister Jackson,
one love.

Speaker 15 (02:07:07):
One love to you on.

Speaker 1 (02:07:08):
Love with you, love you.

Speaker 110 (02:07:12):
They call me customs cause they talk soon me me
is twist and making such a scene, trying to put
me in a tiny box. But I keep dancing one.

Speaker 7 (02:07:26):
Let it stop.

Speaker 111 (02:07:29):
Words are flye. They kept the knee down, stepout, singing,
let's take back the crown, create a sys and false.
I thought, tho, my song's being clearing at the pace.

Speaker 28 (02:07:45):
Singing loud, sing it strong, faving love.

Speaker 30 (02:07:54):
Carvy, suck on behuse.

Speaker 4 (02:07:58):
A noiseless say, oh.

Speaker 110 (02:08:02):
Call me customs, that's my name.

Speaker 30 (02:08:06):
Through the storm we pay again.

Speaker 10 (02:08:12):
Mm hmmm mm hmm.

Speaker 94 (02:08:48):
It was like customs, customs and like micauly.

Speaker 36 (02:08:58):
And we all have about that, but you know we
always have that one.

Speaker 4 (02:09:06):
That we love spend our time. Am I right about it?

Speaker 7 (02:09:12):
That's rights.

Speaker 15 (02:09:18):
We just gotta say something like this.

Speaker 112 (02:09:23):
Tonight is the night I'm gonna change your life. Tonight
is an.

Speaker 36 (02:09:37):
We won't fuss and by.

Speaker 113 (02:09:40):
To night, like to night to night, go by me,
beside your bid.

Speaker 15 (02:09:49):
To night to night to night to night, go by me.

Speaker 113 (02:09:55):
I'll be between your legs to it right, give you
watch stew it, do it right, do it all night.

Speaker 63 (02:10:18):
Tonight is the night we're gonna have it to take.

Speaker 43 (02:10:27):
Tonight the night I'm gonna blow your mind to night
to night till night to night.

Speaker 4 (02:10:37):
You'll find me.

Speaker 36 (02:10:41):
Beside your BedHead.

Speaker 4 (02:10:44):
Two night to night till night to night, you'll find me.
I'll be between your legs.

Speaker 30 (02:10:54):
Do it, do it right, give you watch.

Speaker 10 (02:11:04):
It right.

Speaker 4 (02:11:08):
All night, do it, do it right, Give you what
you like?

Speaker 78 (02:11:21):
It right, do it all night.

Speaker 16 (02:11:31):
Well, you know what I found out.

Speaker 4 (02:11:35):
Anybody can do it, but you gotta know how to
do it.

Speaker 14 (02:11:41):
You see, it doesn't matter where you do it, and
it doesn't matter when you do it.

Speaker 4 (02:11:47):
Some people like to do it in the morning, some
people like.

Speaker 15 (02:11:50):
To do it at night.

Speaker 4 (02:11:52):
It doesn't matter to me when you do it, as
long as.

Speaker 2 (02:11:55):
You do it right.

Speaker 63 (02:11:56):
Because to night till night till.

Speaker 4 (02:11:59):
Night to night.

Speaker 10 (02:12:00):
You by me.

Speaker 63 (02:12:03):
Beside your bed.

Speaker 10 (02:12:07):
Till night till night.

Speaker 15 (02:12:08):
Till night to night, you'll find me. I'll be between
your legs.

Speaker 78 (02:12:16):
Do it, do it right, Give you what you like,
do it do it right, doing it all night, do
it doing it.

Speaker 4 (02:12:35):
Right, Give you what you like, do it.

Speaker 78 (02:12:44):
Do it right, doing it all night, do it doing
it right, do it right, give you what you like.

Speaker 1 (02:13:00):
You already know who it is when you hear that.

(02:13:28):
Roll up. It's your boy for one folk day, the
soul of the streets.

Speaker 19 (02:13:33):
October twelfth, Central Standard Time, seven pm. Check in with
your boy and i'ma be discussing the new news guy
got coming out, Love games too, the new singles I
got coming up, and the subject matter would be social media.
Captain Lema be locked in with my own girl, dj
D Ski, the world winning dj D SKI and the

(02:13:56):
one handed producer doing what y'all can't do with two hands,
The boy whe Yeah, get a kid.

Speaker 1 (02:14:02):
Once again. October twelfth, seven pm Central Standard Time.

Speaker 19 (02:14:08):
If you need any interviews or commercials, get up with
dj D No more than twenty five dollars to get
you plugged this roll.

Speaker 1 (02:14:17):
Love Yeah, beat you woe my son, you my trum
you my drug?

Speaker 7 (02:14:26):
Yeah?

Speaker 1 (02:14:29):
Say ye? Don't you from Bady come Daddy comes Roll
Love problem So yo, Mom, just don't mind. It's your time.

Speaker 77 (02:14:44):
Joe.

Speaker 7 (02:14:44):
You know you something like a five. I can't live
yeah love Yeah.

Speaker 24 (02:15:11):
We got Artists of the Month for one fun day
with that waking bad.

Speaker 38 (02:15:19):
God broh love.

Speaker 19 (02:15:25):
From gotta think of good when I wake up, put
the light of some of my beads.

Speaker 10 (02:15:39):
Then I wake up.

Speaker 19 (02:15:40):
You gotta think a boy. When I wake up, it's
steps out here.

Speaker 1 (02:15:45):
Say prayed up.

Speaker 19 (02:15:47):
Everybody wanting to kill our out put it on live
the block. Hot chorties can't play outside when they killed
Dive Reil last day, y'all cried. Though my action say't perfect.
Lord knows I try. I'm jealousy should be your first degree.
Felling me, mister politician nine buying what you're selling me.

Speaker 1 (02:16:07):
Beg me vote with folk.

Speaker 19 (02:16:08):
Ain't a damn thing change Democrat Republican shit that saw
the same gang Lena put again the box, again the
job and maintained, trying to RaSE your sun right buddy,
claiming gang gas, jump the hide the pang put Sometimes
I feel the track rap for drinking smoke. Think it
ghost like little sag put you when the box, get
the drop, and maintained, trying to RaSE your sun right buddy,

(02:16:31):
claiming gang gas.

Speaker 1 (02:16:32):
Beg me forre with vote.

Speaker 19 (02:16:33):
Ain't a damn thing changed, jump the hot the pain,
but sometimes I feel the drain, bro love.

Speaker 7 (02:16:39):
Thank the Lord.

Speaker 19 (02:16:40):
When I wake up, put the lighter to my weed.
Then I bake up, drink. Got to thank the Lord.
When I wake up, it's double's out here stayed prayed up.
Got to thank the Lord when I wake up. Put
the lighter to my weed.

Speaker 1 (02:16:56):
Then I bake up. Bro, Gotta thank the Lord.

Speaker 4 (02:16:59):
Win a way up.

Speaker 19 (02:17:01):
It's devil's out. He'll stayed prayed up. Got to thank
the Lord when I wake up. Put the lighter to
my weed. Then I wake up. Got to thank the
Lord when I wake up. It's devil's out. He has
stayed prayed up. Got to thank the Lord when I
wake up. From love God, to thank the Lord when

(02:17:25):
I wake up.

Speaker 1 (02:17:29):
Rod.

Speaker 24 (02:17:53):
Okay, second, Shi Ski, Let's go, Yo, Yo, let's go.

Speaker 16 (02:18:05):
It's your girl.

Speaker 36 (02:18:05):
Mien's backing this one day when that don't want anyone else.

Speaker 94 (02:18:09):
It's your girl ded with just loves mean, Let's run from.

Speaker 7 (02:18:26):
Joe. I want you to sleep.

Speaker 10 (02:18:37):
Movie.

Speaker 20 (02:18:41):
I want you mean me, I want you was wing me.

Speaker 7 (02:18:46):
I want your men.

Speaker 20 (02:18:51):
I'm waiting through you all night.

Speaker 7 (02:18:54):
I say me.

Speaker 10 (02:18:56):
Weak. I want you to love me.

Speaker 14 (02:19:04):
I want you to need.

Speaker 10 (02:19:07):
Jou.

Speaker 4 (02:19:11):
I want your love. I want your to need me, Joe.

Speaker 36 (02:19:22):
This guy's girl, Miss Friss.

Speaker 21 (02:19:25):
With that.

Speaker 10 (02:19:28):
Me this girl, Oh.

Speaker 7 (02:19:37):
Jo jealous.

Speaker 15 (02:19:52):
I want you to love me.

Speaker 10 (02:19:54):
I want you to need me.

Speaker 24 (02:19:57):
Jo feeling the energy.

Speaker 15 (02:20:07):
Then Jo.

Speaker 10 (02:20:12):
Feel about.

Speaker 7 (02:20:14):
We don't want be crying.

Speaker 24 (02:20:17):
Jo me, I know you know me, I know You're
not going.

Speaker 1 (02:20:26):
Me me je me just love.

Speaker 10 (02:20:35):
Let's go.

Speaker 15 (02:20:38):
Fast massicious love.

Speaker 10 (02:20:41):
You want.

Speaker 21 (02:20:47):
Me?

Speaker 20 (02:20:55):
Jo mean, I want your love you.

Speaker 4 (02:21:08):
Ja, I want your feeling.

Speaker 79 (02:21:16):
Want in mesens me.

Speaker 29 (02:21:28):
Now the trees sids?

Speaker 24 (02:21:32):
Are you listening?

Speaker 10 (02:21:44):
Yah?

Speaker 7 (02:21:47):
I are your listener?

Speaker 16 (02:21:51):
Do you do you?

Speaker 8 (02:21:53):
Do you?

Speaker 21 (02:21:54):
Do you?

Speaker 10 (02:21:55):
Do you like?

Speaker 21 (02:21:56):
What to?

Speaker 69 (02:22:00):
Buyer?

Speaker 10 (02:22:01):
Buyer? Does it?

Speaker 21 (02:22:06):
Does it?

Speaker 10 (02:22:07):
Does it?

Speaker 15 (02:22:07):
Does it? Does it make kill your bag?

Speaker 8 (02:22:14):
Buyer?

Speaker 10 (02:22:15):
Buyer?

Speaker 4 (02:22:16):
Buyer?

Speaker 36 (02:22:17):
Is it pleasant to your red?

Speaker 4 (02:22:22):
Do you do your?

Speaker 15 (02:22:24):
Do you hear me?

Speaker 10 (02:22:28):
Buyer?

Speaker 21 (02:22:29):
Buyer?

Speaker 15 (02:22:30):
Buyer?

Speaker 16 (02:22:31):
Is it pleasant?

Speaker 15 (02:22:32):
Toyah?

Speaker 10 (02:22:37):
Do you tell me?

Speaker 8 (02:22:38):
How does it feedawya?

Speaker 10 (02:22:43):
Buyer buyer?

Speaker 21 (02:22:46):
Do you like the sound?

Speaker 14 (02:22:49):
Do your your your love?

Speaker 21 (02:22:56):
Ah ya ah ya ah yah I are your listening
to your do your do you do your to your lie?

Speaker 4 (02:23:08):
What's sure?

Speaker 8 (02:23:09):
He a yeah a ya aya aya Are your.

Speaker 4 (02:23:15):
Listening to your do your do your do.

Speaker 15 (02:23:21):
Your to your lie?

Speaker 4 (02:23:23):
What you're here?

Speaker 39 (02:23:26):
Oh?

Speaker 10 (02:23:26):
Yeah?

Speaker 4 (02:23:26):
I yah ah yah I yah are your.

Speaker 15 (02:23:30):
Listening to your do your do your do your?

Speaker 10 (02:23:36):
Do you lie? Well? Sure?

Speaker 7 (02:23:38):
He ah yeah hi yah hia hi yah.

Speaker 15 (02:23:44):
Are your listening.

Speaker 79 (02:23:47):
To your Yeah you do your lie today?

Speaker 94 (02:23:59):
Oh my fuck artist son, what take your bad Put
your legs and that won't.

Speaker 23 (02:24:08):
You take you think?

Speaker 1 (02:24:11):
Oh don't ah mm hmm, don't be acting shout out,
broke up.

Speaker 21 (02:24:41):
M D.

Speaker 22 (02:24:49):
While you're legging that, put your legs and bare. You
ain't playing and fair trying to take. And there while
you're legging bare, put your legs and man, you ain't.

Speaker 4 (02:25:01):
Playing and fit trying to take it.

Speaker 27 (02:25:04):
But you lag and.

Speaker 4 (02:25:08):
Trying to take, trying to take the chill lags and
trying to take.

Speaker 1 (02:25:16):
Is that trying to take that? Bro noa she give
me shot it be slot.

Speaker 23 (02:25:21):
She don't want to not gonna.

Speaker 19 (02:25:23):
Win deep and that thing't be sweet like a donut
shot got me YadA spot posted it up like don't
want a block nd too.

Speaker 1 (02:25:31):
I ain't got no hope.

Speaker 19 (02:25:33):
She mon't eat that cream mother crop got that WoT.
I'm gonna need a mop pussy hot and my dick
gonna rop you gonna make it pop? She my pop,
she my little top head or on the yacht freeing
want the dick when out hit had to make a watch.

Speaker 1 (02:25:49):
When she give me chop it be slopped. She don't
want to knock go with deep man.

Speaker 19 (02:25:54):
That thing't be sweet like a donut shot got me.
You had a spot, posted it up like I'm on
a block, lied to what I ain't got no help.
You're my only die green mother crap got that pot.
I'm gonna need a map, pussy hot and my dick
gone crack. You gonna make your power see my path,
see my little top head. I'm gonna be got freeing

(02:26:15):
want to get when I hit had the magal bocky
s leg and man, put your legs and then you
ain't playing and fit trying to take and it when
you leg and that put your legs and dead.

Speaker 1 (02:26:29):
You ain't playing and fit trying to take it when
you leg and there trying to take?

Speaker 23 (02:26:37):
Is there trying to take?

Speaker 1 (02:26:39):
And then put your legs and trying to take trying
to take and.

Speaker 70 (02:26:47):
Then goos y'all retreated back for all time twenty years.

Speaker 7 (02:27:04):
Let's go have a great night on this prime.

Speaker 16 (02:28:05):
Co.

Speaker 114 (02:28:06):
Ma met a leaf, funo and me text doll face
uncle look at to kick us our damen damna com

(02:28:27):
met the leaf puno and Ma text doll face uncle
look at to kick us our damen damnapoo.

Speaker 68 (02:28:53):
Boo quick when I hit them, sick when I spend
them lyrics like dirty money bat but still illing. Career

(02:29:15):
is sturdy paper coming in Zio to.

Speaker 4 (02:29:17):
Whatever me broke, never rushed to death.

Speaker 68 (02:29:21):
We get it pupping because we Humma's hires, peeling popping
wheelies don't do kid yes yes, y'all freak freak yeses
and win them on this mike Yo.

Speaker 4 (02:29:28):
They like cheap glass, burning rubber renna.

Speaker 68 (02:29:31):
CERI filing nobody yokahamas tires, Peeling pupping wheelies don't do
Katti's humping the party crashing through the glass, hate us,
I grill and break them up like cheap glass.

Speaker 4 (02:29:40):
Do you win this game?

Speaker 68 (02:29:41):
Trying to keep pump hum in this Lambeau play out,
I'm smoked tough molding. Yes, Let the skills pay the bills,
hume up with mini skirts, big checks and cheap clever
Hands up, hands up, Honey's a little round and you'll
tell it Tobe. Yes, some men Yo town champion score
dirty posts on the floor from schoo.

Speaker 7 (02:30:03):
Am.

Speaker 4 (02:30:55):
You could never ever get on my level last time.
So I told you might beat this money. Honey, might
beat this slang.

Speaker 68 (02:31:02):
Might be the way I dropped that flow on this
Sang Prap World soldier and you could never ever get
on my level.

Speaker 4 (02:31:11):
Real, that's my essays. And when I'm on this mike Yo,
they shiver.

Speaker 68 (02:31:14):
Rip up sang Prap World Soldier and you read nobody
Yokohama's tires peeling, popping wheelies or Ducati's humping the party
crashing through the class. Hey us I grill and breaking.
Mommy broke, never hands.

Speaker 115 (02:31:26):
Ye sert blood may become a worker.

Speaker 7 (02:32:18):
Spit my chest you second, m h.

Speaker 9 (02:33:12):
We are now transferring you to a customer care rep.

Speaker 4 (02:33:15):
Please hold the line and we will answer your call
as soon as tom. Thank you for cheating. By the way,
to make sure you're getting great service, your call may
be recorded or monik

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