Types of People You Dont Help

Freestyle Friday presents: Find A Way Not An Excuse

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Episode Transcript

Speaker 1 (00:24):
This is my new beginning, a new chance to show
you all the wonderful things that I am more than
just a woman. I'm a fessor, the embodiment of all
my experiences wrapped into a single, delicate source.

Speaker 2 (00:48):
I am not just what you see or what you think.

Speaker 1 (00:54):
I am what you feel. I am what you have,
perfection through sound. Call me chameleon. I adapt to change
as the seasons shift. I am a fine wine, sweet

(01:16):
God's greatest gift. You thought you knew me, but this
is just another side of me. Oh you thought you
knew me, But this is just another side of me.

Speaker 3 (01:37):
I'm not the side up. I'm not the side of me.
I'm not the side up.

Speaker 4 (02:29):
Can you go back?

Speaker 5 (02:30):
You kay? Yeah? Yeah? Second boy, yay week come out?

Speaker 6 (02:39):
Oh yeah, come on, bark.

Speaker 5 (02:41):
I got a world or sung in this house.

Speaker 7 (02:43):
Two women.

Speaker 8 (02:43):
You know what I'm saying.

Speaker 5 (02:44):
We don't bless of women like this. We got my
God right the mot talk to us right now that
this outlets.

Speaker 9 (02:50):
No mo confers don't know me, my mistakee and know it.

Speaker 4 (02:56):
All he wound is.

Speaker 9 (02:57):
Love and donkies and love and dundee.

Speaker 10 (03:02):
No beezer, no, it is with me worth all my
own this love and Dundee shouldn't know love and Dundee
shouldn't know.

Speaker 11 (03:14):
Lad.

Speaker 12 (03:14):
I know the first time you see me and I
saw you, you was a dominant, a rough to meet too,
But I know everything I could like bless you. I
had so much money in yall, I had to test
you to see if he was worthing what you came.
But I seen, lady, it turned out to be my
soul mate. Hang, yeah, I know everything that when we've
seen something, you give me all the support and that's

(03:35):
what I need and what for you. I've never let
you go. I gotta keep you in love you with mother.

Speaker 5 (03:42):
Yeah.

Speaker 12 (03:43):
I love when you brought me mins and everything you did.
I know when when this sits, y'all.

Speaker 8 (03:48):
I seen that I.

Speaker 5 (03:49):
Used to be love, used to be blacking. You know,
seem like you with me. There's nobody else that can test.

Speaker 8 (03:55):
I know you go with my boy, but.

Speaker 9 (03:57):
All yeah, I ve my mostache. No baby girl owns loving.

Speaker 13 (04:05):
This is going after you, baby loving. I'm feeling your girl.
Don't geezer.

Speaker 8 (04:12):
With the word.

Speaker 5 (04:13):
It wasn't for you.

Speaker 14 (04:14):
Hold out what I do, but check us out.

Speaker 8 (04:18):
I'm loving.

Speaker 13 (04:20):
Shouldn't know about your beauty. My body start to tremble.
It's rather potent. At the same time, chemical thoughts in
my mind got me blind to the fact that you mind.

Speaker 15 (04:30):
Yeah, I'm loving you, holding.

Speaker 13 (04:33):
You, squeezing You're touching you, kissing you, kissing you, feeling you,
You're feeling me.

Speaker 14 (04:37):
I'm feeling you. I'm feeling you, walk on you.

Speaker 2 (04:46):
Whoa, I just sta.

Speaker 8 (04:51):
Standing up?

Speaker 2 (04:54):
Who after?

Speaker 5 (04:59):
I just.

Speaker 16 (05:01):
I understanding talked.

Speaker 5 (05:05):
About baby baby. I love you so much. I love
you so much.

Speaker 12 (05:10):
So yeah, just just let my folks just you know
everything that you feel about me in the way I
do my things.

Speaker 5 (05:17):
I know, I mean that stuff is no, but I'm
probably some future is you know? Love?

Speaker 8 (05:23):
The looking around with.

Speaker 5 (05:24):
You is no come out like the music. Not the music.
Let's go.

Speaker 9 (05:29):
No, I'm not based you know, be my mistage and
know her.

Speaker 10 (05:36):
Oone is love and conish Yeah, love and I don't
deserve it.

Speaker 6 (05:43):
No, he with me word O.

Speaker 9 (05:47):
My own is love and corny love and COURENTI way
it's a beautiful thing. Yeah, yeah, it's beautifuny yea ask
him yeah someone, Yeah, I been here every summer.

Speaker 5 (06:07):
Tell and when they asked me, how me come up?

Speaker 17 (06:11):
Until he grind for thirty.

Speaker 12 (06:12):
One summers, Speak to Shine for thirty one, Solace yell Green,
grind for thirty one Small.

Speaker 5 (06:19):
When they asked me how to come up, I.

Speaker 18 (06:21):
Tell him die for thirty one summer.

Speaker 12 (06:23):
Yes, first off, I'm a god, God, God, I'm a
tar sis you never heard.

Speaker 5 (06:30):
I ain't got much to say.

Speaker 17 (06:31):
What say?

Speaker 5 (06:32):
I know was boring in the mass sing gonna be MYO.
I call that die go and now found no one
can't stop me. I wore back down. Y'all want to
come and play with men, play.

Speaker 12 (06:48):
With me and let's see what will happened. I mean
like a hawk to be incredible, and my attitude is so.

Speaker 5 (06:57):
Hot shot it ain't never gonna the.

Speaker 3 (07:00):
Third that it.

Speaker 5 (07:01):
You've been shut my light out. You better make your
hoard somehow.

Speaker 6 (07:06):
Wow.

Speaker 19 (07:07):
I was boring every summer, yach, I've been here Harry
Sommers up talk And when they asked me having to
come up, come on, I'm telling Grind for thirty was
supper speak and shine for Dodd he was summer grind
for THDT.

Speaker 5 (07:20):
He want Sommers, you don't yea.

Speaker 19 (07:22):
When they asked me how to come up, I tell
him down to thirty one summer.

Speaker 20 (07:27):
Yeah, I've been the blessed kid.

Speaker 12 (07:29):
Everybody want to see what I did death and you
know you you know that you never checked me. Yeah
years ago, damn hot light that grew brood man that
nothing next to come to me and talk to him.
And if you don't like the way y'all relate, who
caught up?

Speaker 20 (07:47):
Police?

Speaker 12 (07:48):
I'm sicking dum dump all the time when people ask me,
what's all my god?

Speaker 5 (07:54):
I do my dirt, I do my crime. I go hard, dan,
I gotta shine, and I let you wanna stumble talking
about Hell. Y'all ain't naked mount. I'm talking about him.

Speaker 6 (08:05):
Hot boy.

Speaker 5 (08:06):
Y'all gonna chart and watch how this jar rest do it.
It's only simple if you knew how to do it,
you are so doing.

Speaker 12 (08:13):
You knew it, But I knew how to do it
with That's why guy in there, and I got stupid
and I got into it.

Speaker 5 (08:19):
Yeah.

Speaker 12 (08:20):
Now I'm the hoighest thing on the whole blend. No
body can't even stop it. I they got my hall,
their rocks and they doing the rock.

Speaker 19 (08:31):
I was born in the summer. Yeah, I been here
every summer.

Speaker 5 (08:35):
Heydu And when they asked.

Speaker 6 (08:37):
Me how me come up.

Speaker 19 (08:38):
I tell you crime, I tell you what shopperself speak
and shine from thirty one summer.

Speaker 5 (08:44):
Ain't grind for thirty What when he asked me.

Speaker 12 (08:48):
How to colle I tell him for thirty what sommer
I been tell this on this blooding. It's not y'all
say y'all gonna stop the Oh yeah, y'all must just
stop it. I'm gonna stop.

Speaker 5 (09:00):
Me now, gonna stop my mondy. Nobody want to stop with.

Speaker 17 (09:06):
So play.

Speaker 5 (09:07):
It's out for me right here.

Speaker 21 (09:09):
I gonna say, do your thing, Boss Lady, do your thing.
The strange one is listening.

Speaker 22 (09:23):
Ooh wee key shout out to Boss Lady radio show.
It's twenty twenty five. We up here to elevate and
let's gidd it.

Speaker 23 (09:31):
On what.

Speaker 4 (09:34):
Boss Lady.

Speaker 20 (09:36):
Ooh we were in the Boss Lady Radio Show.

Speaker 7 (09:39):
Y'all know who it is.

Speaker 4 (09:40):
Ooh we it's the strange one.

Speaker 20 (09:42):
You know what I'm saying.

Speaker 24 (09:43):
I got my wife thunder beside me and yeah, yeah, yeah,
we're talking at the Boss.

Speaker 5 (09:47):
Lady Radio Show. Oh man, it's finna get ugly. Y'all
get ready for this man.

Speaker 20 (09:53):
Salute to your d Salute to your ooh we.

Speaker 25 (10:15):
You already know who it is when you hear that
roll up, it's your boy. Four one Folk Dank the
soul of the streets. October twelfth, Central Standard Time, seven pm.
Check in with your Boy and i'ma be discussing the
new use that got coming out of Love Games two,
the new singles I got coming up, and the subject

(10:35):
matter would be social media capa.

Speaker 4 (10:38):
Lema be locked in with my own girl.

Speaker 25 (10:40):
Dj DSKI the world winning dj d S and the
one handed producer doing what y'all can't do with two hands.

Speaker 4 (10:48):
The boy know where y'all get a kid once again,
October twelfth, seven.

Speaker 25 (10:53):
Pm Central Standard Time, And if you need any interviews
or commercials up with dj d no more than twenty
five dollars to get your club.

Speaker 2 (11:03):
This from Roll Love from a book.

Speaker 26 (11:07):
Yeah, did you want my son?

Speaker 27 (11:11):
You?

Speaker 5 (11:12):
My truther? You?

Speaker 8 (11:13):
My truther?

Speaker 5 (11:17):
Say you don't you?

Speaker 28 (11:18):
From Lady Come lady comes.

Speaker 8 (11:24):
Roll Love.

Speaker 29 (11:25):
Problems on your mind just so while it's your time. Yeah, Joe,
you know you something like a fine I can't die?

Speaker 5 (11:37):
Yeah so love.

Speaker 16 (11:44):
Yeah, Yeah, it's your girl.

Speaker 30 (11:45):
O lady ak a mis fabulous ak a d j
d k Son Now Weekday nine Central Sundays at six
p m. Just check your local listings for real times.
In real time. I'm talking about you know, got the
part time gigs. So it might not be every night,
but at least twice a week now. Boss Ades Radio

(12:08):
Show download the Spreaker app search Boss Ladies Show for
our entrepreneurs, local entrepreneurs worldwide, nine pm weekdays Sundays at
six Also catch boss Ades Radio Show weekdays at nine
Sundays at six pm Central, nine pm Central for our
local artists underground artists worldwide. Yes, we do support both worldwide.

Speaker 20 (12:32):
See you in the chat room.

Speaker 24 (12:34):
What it do?

Speaker 14 (12:34):
What it is, y'all?

Speaker 7 (12:35):
You know what it is?

Speaker 22 (12:36):
Season one Wall Sady Radio Show with them big old
hits on world.

Speaker 28 (13:00):
Still, come make good on your brown Man?

Speaker 5 (13:04):
Do it you want it? Still?

Speaker 28 (13:07):
Come make good on your brown Man. Not a whole
lot of love on man, Dade that you want to
come to love one man? My howest my love is free?
Show me love, show me page. You don't hold back
because you're allied to nay By. You got the kid
coming to meet Frede.

Speaker 2 (13:19):
I'm not trying to grow.

Speaker 17 (13:20):
Come and go with man, Show me love, show me man.

Speaker 16 (13:23):
I ain't no about to go for the family, to
do it for the fans, how to.

Speaker 4 (13:25):
Do it for myself.

Speaker 2 (13:27):
I'm just trying to go to well.

Speaker 16 (13:27):
I'm just trying to for the God, nobody else.

Speaker 5 (13:29):
I'm just trying to get bolder, trying to.

Speaker 17 (13:31):
Grow wise up.

Speaker 16 (13:31):
It's so long.

Speaker 2 (13:32):
I just go all night up?

Speaker 16 (13:33):
Did he gets strong? I just want to get lighter.
You just take a shame. I'm just thinking I might
have to say.

Speaker 2 (13:39):
Do it you want it still?

Speaker 28 (13:42):
Come make good on your brown man? Do it you
want it still? Come make good on your problems. I
don't even when you moved, like to get up thing?

Speaker 16 (13:53):
You could like that?

Speaker 2 (13:55):
Up with you like jack.

Speaker 31 (13:58):
Stud of seams like that?

Speaker 28 (14:00):
Can't upingt like that?

Speaker 20 (14:01):
Do it over you like that?

Speaker 15 (14:08):
You want it.

Speaker 32 (14:11):
From you want.

Speaker 5 (14:19):
Said do it?

Speaker 28 (14:22):
You want it to come make good on your problem?

Speaker 6 (14:27):
Don't you do it?

Speaker 28 (14:29):
You want to come make good your problem?

Speaker 17 (14:39):
Problems?

Speaker 33 (14:46):
Problem?

Speaker 14 (14:53):
Not rocking when you shout out the.

Speaker 20 (14:58):
Keeping taking h.

Speaker 5 (15:08):
Ya ya?

Speaker 2 (15:09):
How do you like me?

Speaker 5 (15:10):
Now? Yeah?

Speaker 34 (15:13):
Right right on you.

Speaker 2 (15:14):
Yeah, I'll go all right, I'm through. Yeah, Yeah, I'm
all bunny, be Brian pretty now.

Speaker 16 (15:31):
Let me leave my fuck?

Speaker 2 (15:32):
Is that shock?

Speaker 8 (15:33):
Yeah?

Speaker 5 (15:34):
You're not dirty?

Speaker 2 (15:35):
It's not where with that? Yeah, you're better O catch
your baby? Why you can?

Speaker 35 (15:40):
Yeah it before I get in another fucking minute.

Speaker 2 (15:43):
Yeah, let me leave my fuck is not shock? Yeah
you're so dirty. It's not where with that?

Speaker 5 (15:49):
Yeah?

Speaker 2 (15:50):
Yeah, you better O catch your baby?

Speaker 12 (15:52):
Why you can't?

Speaker 2 (15:53):
Yeah, it before I get in another fucking man. Yeah
for the motherfucker's not shock?

Speaker 5 (15:59):
Yeah, I just hit you with the snap chat.

Speaker 2 (16:03):
Yeah I didn't even know about that.

Speaker 36 (16:05):
Yeah, super wet with extra fo Yeah, yeah, I got
the phone.

Speaker 2 (16:13):
It's like you ha ha ha holy your feelings.

Speaker 5 (16:18):
Yeah, baby, you know I got you.

Speaker 2 (16:23):
Fuck a motherfucker snapshot. Fuck a motherfucking snapshot. I just
hit you with the snapchat. Fuck a motherfucking snapshot. Let
me leave my fucking snap shot. Yeah, you so thirsty,
it's not where is that?

Speaker 5 (16:42):
Yeah?

Speaker 2 (16:42):
You better catch your baby?

Speaker 7 (16:44):
Why you can't?

Speaker 2 (16:45):
Yeah, before I get another fucking matt. Yeah, let me
leave my fucker's nut shot.

Speaker 5 (16:51):
Yeah you so thirsty?

Speaker 2 (16:53):
It's not where is that?

Speaker 5 (16:55):
Yeah?

Speaker 2 (16:55):
You better catch your baby? Why you can?

Speaker 5 (16:58):
Yeah?

Speaker 2 (16:59):
Sorry said oh way, but I'm coming so all in
your mouth. I'll be coming so big.

Speaker 36 (17:05):
Homie boss clear ran out the road, draw our phones
and cameras too. If you like my prisons too, bless you,
so go ahead in starn out NDA if you really
want to come more around and play, and she'll again
best say her mar way.

Speaker 37 (17:24):
Listen to what the motherfucking song say.

Speaker 36 (17:31):
Let me tell leave my fucking's next shot.

Speaker 5 (17:34):
Yeah, you's so thirsty.

Speaker 16 (17:36):
It's not where with that?

Speaker 2 (17:37):
Yeah you bet at catch your baby? Why you can't yet.

Speaker 36 (17:41):
It before I getting another fucking minute yet?

Speaker 2 (17:44):
Let me tell leave my.

Speaker 36 (17:45):
Fucking's next shot? Yeah, you's not thirsty, it's not where
with that? Yeah you bet at catch your baby? Why
you can yet it before I get in another fucking minute?

Speaker 2 (17:57):
Yeah?

Speaker 26 (18:09):
Yeah, y'all know the time this specially you give cat.

Speaker 22 (18:11):
Yeah, get your host won't say deep the.

Speaker 26 (18:14):
Cause created key.

Speaker 22 (18:15):
Y'all know we got new things on the way and
stay out of state interviews with social media Cat Milwaukee,
and we got.

Speaker 20 (18:21):
Both food reviews coming soon.

Speaker 22 (18:23):
Pay attention. Listen, look y'all know social Media Cat we
on the move on.

Speaker 38 (18:29):
I just won't apartyyyy.

Speaker 39 (18:49):
No yet. Come you might be so bad you just

(19:13):
the same sidon scratcher, scratcher, Come on, you get.

Speaker 6 (19:31):
Scotty spot just to get Scotty Scott as Comet Sound Scatchers.

(20:01):
Goody oh, my spectators to turn itself, don't play the
whole time. Don't make their bodies no alcoholic, no do

(20:24):
somebody's too big and ninety up the radio. It's spotted, baby,
start come up to the turn my out now, Spotty,

(20:44):
don't come you know, change the supings.

Speaker 15 (20:50):
Baby a nine party spot Scott.

Speaker 6 (21:10):
Scott Last.

Speaker 5 (21:16):
Scotty Spotted.

Speaker 6 (21:23):
A Text Sounds six features Jacks beside the Cottimes, my

(22:35):
father by the.

Speaker 28 (22:40):
Union music, baby.

Speaker 40 (23:03):
L Joe lim yo law, you're sexy, kind of get
a job up, get.

Speaker 41 (23:12):
Damn got turn that around day.

Speaker 5 (23:19):
Joel, damn you kind of get a jump up, get down,
not turn that around.

Speaker 20 (23:35):
Out with the only hand, with the new gott of
New days. Easy the dude grabbed all your friends.

Speaker 17 (23:40):
Tell all your crew.

Speaker 5 (23:41):
I'm killing this dance.

Speaker 26 (23:42):
How about you my best life?

Speaker 4 (23:44):
You know I'm living in it all this night.

Speaker 5 (23:46):
You know I'm killing you would a guy.

Speaker 17 (23:48):
You know I'm giving it.

Speaker 8 (23:50):
Oh we watched me.

Speaker 7 (23:51):
I'm killing your nail.

Speaker 40 (23:52):
Joe lim' la fine, you're sexy, get no bub he down.

Speaker 41 (24:03):
Around child, damn stand side, step to the left, step

(24:25):
to the lift, step to the rock, step to the left, something.

Speaker 5 (24:29):
To the front, then get down, turn to the duck tea.

Speaker 16 (24:31):
Catch somewhere else.

Speaker 40 (24:32):
Stepping to the lip, step to the list, step to
the front, step to the left, talking to the front.

Speaker 17 (24:37):
The didn't get down, Turn to the yunk tea, catch
your bread.

Speaker 5 (24:41):
You can't do it like me.

Speaker 20 (24:42):
I'm killing.

Speaker 8 (24:43):
You can't do it like me.

Speaker 6 (24:44):
I'm killing.

Speaker 42 (24:44):
You can't do it like me.

Speaker 6 (24:46):
I'm killing.

Speaker 33 (24:46):
You can't do it like me.

Speaker 11 (24:48):
I'm chilling.

Speaker 5 (24:49):
You can't do it like hus killing. You can't do
it light hug killing. You can't do it like hull.
You can't do it light hug your nail.

Speaker 40 (24:57):
Joe, limb your laugh, your sex and keep Joe damn
damn day.

Speaker 5 (25:20):
And get a joke heard all day every day.

Speaker 20 (25:31):
I'm killing it all day every day.

Speaker 5 (25:33):
I'm killing it all.

Speaker 6 (25:34):
Day every day.

Speaker 7 (25:35):
I'm killing it all day every day.

Speaker 5 (25:37):
I'm killing it all day every day. I'm killing it
all day this day. I'm kidding all day every day.
I'm killing this all day this day.

Speaker 28 (25:45):
I'm kidding, yo.

Speaker 20 (25:47):
I see you, christmassel.

Speaker 7 (25:50):
Your mister groove.

Speaker 17 (25:52):
We got another one.

Speaker 24 (25:54):
M see move got me breezing keeping it easy you left.

Speaker 5 (25:58):
Don't left your nail right now?

Speaker 11 (26:03):
Time when.

Speaker 5 (26:31):
A game?

Speaker 42 (26:44):
Will you.

Speaker 11 (26:47):
Do?

Speaker 8 (26:52):
The time is gonna like.

Speaker 11 (26:57):
That?

Speaker 24 (26:58):
Fend do do?

Speaker 8 (27:05):
Don't want to say, come my friend, I do I
do not do not do.

Speaker 6 (27:19):
God seeh my god. Time repine with you.

Speaker 11 (27:32):
Do do.

Speaker 8 (27:47):
Said good bye?

Speaker 2 (27:59):
Good bye?

Speaker 6 (28:21):
Makes of the money yard we make it?

Speaker 8 (28:24):
Told have made.

Speaker 5 (28:31):
We make it to the money. We'll make it to
the condo.

Speaker 43 (28:39):
Who we're saying, we make it to the money money
your money.

Speaker 5 (28:44):
We're making to the caddle we recording.

Speaker 44 (28:50):
Yay, we make it to the many. No money, We'll
make it to the coonle. Yeah, well.

Speaker 17 (29:02):
We'll make it to the godoy willn't make a good
of money?

Speaker 5 (29:06):
Your here?

Speaker 17 (29:07):
When they lost being now we.

Speaker 8 (29:09):
Never to the streaming, never to the day. I mean
they were there for me back years.

Speaker 6 (29:17):
No medal.

Speaker 26 (29:18):
They say, we're gonna.

Speaker 8 (29:20):
Make it for the storm day to medal, the day.

Speaker 17 (29:24):
We're gonna take it to the learning and taken to
the true world.

Speaker 45 (29:28):
Tell me now you would it be here? Tell me
when they laugh it in me. I would never leave
my feet to go. I would never leave nobody Australia.
Y ain't tell me what in the day, Yaya when
they say recorded, some mean not do would it be here?

Speaker 5 (29:50):
I don't want to be your.

Speaker 46 (29:51):
No no no that that we won't make.

Speaker 5 (29:55):
Yeah make.

Speaker 43 (30:04):
No matter what they said, We're gonna a magic to
the money in the condle. We're gonna makean makes to

(30:24):
the money you know we're making he could have made
that old. We make it to the money you want.
We're making it to the condle.

Speaker 5 (30:41):
Whoa.

Speaker 43 (30:44):
We're saying, make of the money money money we're making
to the cordle.

Speaker 17 (30:50):
We recording, yay.

Speaker 44 (30:54):
We're making to the money no money, what made to
the condy.

Speaker 43 (31:05):
We're saying, makes of the money money money, what makes
the poud We recording.

Speaker 47 (31:14):
Yay.

Speaker 44 (31:16):
We may tell them marty no money mans of the crowd, Yeah, say.

Speaker 48 (31:27):
Two millions of no money? What makes a little car?
We ka so much and may very hard. You know,
don't want to hear nobody.

Speaker 46 (31:40):
But we've been trying all to be our best. We
can't be any try.

Speaker 2 (31:48):
I'm doing new lab.

Speaker 8 (31:50):
We're gonna get to.

Speaker 46 (31:58):
You means a little money even know they.

Speaker 8 (32:03):
We're never going to make it, but.

Speaker 11 (32:05):
We give that.

Speaker 46 (32:09):
Oh go money money, come.

Speaker 11 (32:24):
Come ho.

Speaker 46 (32:26):
We ain't gonna amaze.

Speaker 5 (32:29):
Money.

Speaker 7 (32:31):
Women is a.

Speaker 6 (32:38):
Women is a money.

Speaker 5 (32:50):
My money woman is.

Speaker 23 (33:00):
Said to say, I was kid into cool wording parts here,

(33:41):
so you take the space into.

Speaker 16 (33:43):
Wild to join us to dun.

Speaker 49 (33:53):
Because the part the Boss three days when he stop
weekdays see ninety Sadjo in Sundays, Sasty stjo dellout the
Spring and rat the search.

Speaker 8 (34:09):
Bos Nafties Ready of show.

Speaker 16 (34:15):
Bosatti's Job. It's the Basti Show.

Speaker 8 (34:22):
Yeah here what I'm promoted?

Speaker 17 (34:30):
Doing what I do?

Speaker 6 (34:31):
I don't know what I do?

Speaker 44 (34:34):
Yes, The True Bossandy Rety Show.

Speaker 14 (34:42):
Yeah, Hey guys, how you doing?

Speaker 4 (34:49):
This is your boy?

Speaker 5 (34:50):
It's Cola King Line at Linehouse right now in the
Lions scene.

Speaker 6 (34:53):
Give it a big, big shout out to the Boss
Lady radio station.

Speaker 50 (34:58):
You already know what time it is.

Speaker 4 (34:59):
I just want to to do this for her.

Speaker 7 (35:01):
I hope you enjoyed this intro.

Speaker 17 (35:03):
Love you, Boss Lady.

Speaker 7 (35:04):
Keep doing your thing.

Speaker 8 (35:05):
This is your voice of Colin Lauren.

Speaker 5 (35:07):
Always be real, always keep it there.

Speaker 42 (35:09):
Love you guys.

Speaker 20 (35:23):
Yeah, what's up? What's up?

Speaker 30 (35:27):
Welcome back to one of the Boss Ladies Live pretty
old show, MATAI War with Him Now.

Speaker 51 (35:33):
It's Creaking Studio sponsored by Boss Ladies, Inc. And The
War with it trays Britty Yo cafe ak A that
hangout AKA trees, Hey it up mixed up to now me,
we got impossible either your girl d Ski gotta rock the.

Speaker 26 (35:52):
House, let us go Superstar Saturday.

Speaker 52 (36:19):
Although anything in season, Lee explained to you, there's.

Speaker 53 (36:23):
No show my emotions, I wrote to true.

Speaker 52 (36:27):
Although anything in season, Lee explained to you, there's.

Speaker 53 (36:31):
No show my emotions. I wrote to truth. Everybody did
ask me what will humbe?

Speaker 52 (36:39):
Everybody day who wants to know it can way reason?

Speaker 53 (36:45):
Lee explained to you, did you ever know what it's
all about?

Speaker 52 (36:51):
Even when I'm down and think I'm going to lose
control music?

Speaker 53 (36:55):
So it shows that nothing is imparts of both.

Speaker 17 (37:06):
Yeah, the.

Speaker 26 (37:10):
The lad Jesus deal delos, Yeah, the.

Speaker 8 (37:16):
Like oh oh oh, there's day you know this.

Speaker 54 (37:27):
Me hello me BG, y'all.

Speaker 5 (37:32):
There's day.

Speaker 33 (37:33):
You know.

Speaker 8 (37:37):
The second your.

Speaker 55 (37:39):
Man, let's say, gether love, But the.

Speaker 5 (37:45):
Second you're.

Speaker 56 (37:54):
Come buller pollow me down this step step and the
and the and come follow follow me down this, come
follow me, Come follow me, Come follow me, come follow me.

Speaker 26 (38:13):
This isn't down national, This isn't down national?

Speaker 6 (38:36):
Where you do.

Speaker 13 (38:42):
Uh uh.

Speaker 4 (38:58):
I h.

Speaker 11 (39:31):
Bull?

Speaker 57 (39:31):
Look bull long it down there's no show my mo
and the come follow anything season leads dumpster under roll
and come follow annything down.

Speaker 53 (39:51):
There's no show my motions ro.

Speaker 35 (40:17):
Hey, But just one chance be again. It's what I
do in an obstacle incitement, just one way to get brow.

Speaker 42 (40:27):
Nor ONEm on a specond space speculate only seconds late.

Speaker 17 (40:29):
So I thought this present in my way.

Speaker 2 (40:30):
Mistick Glinda, fame brush Glintedd.

Speaker 17 (40:32):
Question what I feel now?

Speaker 42 (40:33):
Answer fucking Flandad Wharton. Here's a good room on a
specond space speculate.

Speaker 20 (40:36):
I will never go to work again.

Speaker 42 (40:37):
I'll never hit in that kore.

Speaker 16 (40:38):
A man could have the syntax raps represented.

Speaker 42 (40:40):
I is ret rap. Tell me how we have its God, Brom,
here's a cliff God O.

Speaker 8 (40:44):
Look gott a slip.

Speaker 2 (40:44):
I'm saying when you're saying it, not if Ben keep zipped.

Speaker 16 (40:46):
At times I talk shit, at.

Speaker 26 (40:48):
Times I am it.

Speaker 35 (40:48):
Other times I'm under one chanced again. It's what I
do in an obstacle incitement, just one way to get
through human fames.

Speaker 42 (40:56):
Word for us, praise the being God. Things I feel worship,
But things are things to make the pain hurt less.
To name the frame your fame and fame wordless, Oh.

Speaker 17 (41:45):
Mad, I can't stop this because you are my soul maid.
I can't ses you are the only one because there's
something special.

Speaker 8 (42:01):
Thank very my blood life.

Speaker 14 (42:02):
It's been a gold winner.

Speaker 5 (42:03):
I'm gonna switching for the summer.

Speaker 14 (42:04):
I ain't fucking but.

Speaker 33 (42:05):
Still stuck us up for cover a minute.

Speaker 8 (42:07):
Oh just weird.

Speaker 33 (42:22):
Drum basically.

Speaker 14 (42:29):
An instrument.

Speaker 17 (42:34):
Job to the baby said.

Speaker 58 (42:40):
We said the mine.

Speaker 53 (42:44):
Really said?

Speaker 46 (42:44):
The man said, re said the mine.

Speaker 20 (42:52):
Really said them.

Speaker 59 (42:59):
U uh huh.

Speaker 5 (43:03):
Yeah. But they can't get enough mind. In addiction, quick Win,
I hit them, sick win, I.

Speaker 24 (43:07):
Skin them and limcics like thirty money bat but still
killing rumors.

Speaker 45 (43:10):
They bad male spread this urban fiction and it's like
they can't get enough mind.

Speaker 5 (43:13):
No in addiction quick Win, h.

Speaker 60 (43:25):
Huh uh uh yep, yere must I go from dust
till don't it? So I close my eyes, work and
stay yoning. Some must I go from dust till type
when he's bout seven three sixty five. But I'm a classic,
like you're black go seev paid with some black kicks
and a black shirt.

Speaker 26 (43:44):
You can call a lodge of mounds that I'm counting.

Speaker 60 (43:46):
I'm supposed to shine with the music up, the windows down,
screaming geez up, riding in the top drop with them,
and I'm all swept up with a red and green.

Speaker 52 (43:54):
Street on the loose control music sign. It shows that
nothing is my nail want to be or even when
I'm down and think that's what she asks its word
and and or I can get in the nice my
nail and the veil even when I'm down and think
I'm gone.

Speaker 22 (46:19):
This is a public service announcement from Boss Lady's radio show.
Let's stop sending Boss Lady links and half songs to
her email and let's get in the chat room and participate.
You want your music played on the radio station, but
you will not get in the chat room to see
if your music is being played. Come on, y'all, if

(46:40):
you're serious about your career, let's do it. If you
not stop sending their emails, if you're not gonna participate
in the chat room, thank you very much. Public service
announcement from Boss Lady Radio show.

Speaker 61 (46:56):
This is your Girl Vmail aka mol thoughts and I
am tuned into the award winning Boss Lady Radio Show.
Also a public service announcement. February is Heart Health month
and I want to encourage you to take time to
take care of yourself and to take care of your hearts.

Speaker 17 (47:22):
Roll loop.

Speaker 4 (47:23):
It's your boy.

Speaker 25 (47:24):
Four one four Dank representing Milwaukee and I'm rocking with
the award winning Boss Lady Radio show. You can catch
me on the award winning Boss Lady Radio Show August sixth.
That's a Saturday. We're gonna be talking about my new album,
Love Games. A whole vibe, man, it's nothing like you
ain't heard for in a minute. It's got neo soul

(47:45):
on a hip hop R and B.

Speaker 4 (47:47):
Just a total vibe.

Speaker 62 (47:48):
Man.

Speaker 4 (47:48):
You're gonna love it.

Speaker 25 (47:50):
You can follow full one four Dank at Nate Dank
Strict on Facebook and on SoundCloud. Search Strict tv that's
s t r c K TV and you'll bring me
up to say Street TV presents for one Fold Dank.

Speaker 4 (48:04):
Sit back and enjoy.

Speaker 23 (48:05):
Man.

Speaker 4 (48:05):
It's a whole vibe, man.

Speaker 25 (48:06):
I'm telling you some different, something that you've been waiting on,
something that you need grown and sexy. Roll up and
in the background. That's the new single Mother. I can't
tell you the rest, but Mother.

Speaker 4 (48:18):
Check that out. That's on SoundCloud Soto Vibe. Something to
roll up.

Speaker 23 (48:22):
To your boy.

Speaker 14 (48:23):
Just different man.

Speaker 4 (48:25):
Check me on that award winning Boss Ladies radio show.
Much love.

Speaker 20 (48:37):
Up next with that waiting fab.

Speaker 24 (48:44):
Roll god, roll up. Gotta think the board when I

(49:09):
wake up. Put the lighted to my beat, then I
bake up. Gotta think the board when I wake up.
It's deeps out here to stay pry up. Everybody wanted
to kill a out put it on lie the block.
Hot sorties can't play outside when they killed Diverail last day,
y'all cried though my action sain't perfect. Lord knows I tried.

(49:33):
Jellous should be your first degree feather. They miss the
politician nine buying what you're selling me beg me, foe
before ain't a.

Speaker 4 (49:41):
Damn thing change.

Speaker 25 (49:42):
Democrat Republican should have saw the same, gang Land put
me again the box to get a job to maintain,
trying to raise your sun right, but he claiming gang
gas jump to hot the pad, but sometimes I feel
the trag rap a drink and smoke, think it ghost
like a little saying and put you win the bots
skin and dropping maintain trying to rape your sun right,

(50:03):
buddy claiming gang gas, think before revolt.

Speaker 4 (50:06):
Ain't a damn thing changed joke to hide the pain.
But sometimes I feel a dream. Bro Lod, thank the
Lord Whin I wake up, put the lighter to my weed.

Speaker 5 (50:16):
Then I bake up. Dream.

Speaker 4 (50:18):
Gotta thank the Lord.

Speaker 33 (50:19):
Whin I wake up.

Speaker 25 (50:21):
It's devil's out. He'll stayed prayed up. Gotta thank the Lord.
Whin I wake up, put the lighter to my weed.
Then I bake up. Bro, Gotta thank the Lord. Whin
I wake up. It's devil's out. He'll stayed prayed up.
Gotta thank the Lord. When I wake up. Put the
lighter to my weed. Then I bake up. Gotta thank

(50:44):
the Lord. When I wake up.

Speaker 24 (50:47):
It's devil's out. He has stayed prayed up. Gotta thank
the Lord. Whin I wake up, brom Love, Gotta thank
the Lord when I wake up.

Speaker 14 (51:02):
Roll up.

Speaker 63 (51:04):
Woo woo.

Speaker 6 (51:22):
Wow.

Speaker 25 (51:39):
You already know who it is when you hear that,
roll up, it's your boy. Four more Folk Day, The
Soul of the Streets. October twelveth Central Standard time, seven pm.
Check in with your boy and I'll be discussing the
new news guy got coming out of love games to
the new singles I got coming up in the subject matter.

Speaker 4 (52:00):
Be social media captain.

Speaker 25 (52:02):
Yeah, lem'a be locked in with my own girl, dj DS,
the warld winning dj DC and the one handed producer
doing what y'all can't do with two hands.

Speaker 4 (52:12):
The boy know y'all get a kid once again. October twelfth,
seven pm Central Standard Time.

Speaker 25 (52:21):
If you need any interviews or commercials, get up with
dj D no more than twenty five dollars to get
you plugged this roll love, Yeah, did you.

Speaker 5 (52:35):
Owe my tongue, you my trug, you my DRUGA.

Speaker 28 (52:42):
Same kid, don't you from lady, Come lady, come.

Speaker 29 (52:48):
Roll love problem soo mom, just so file, it's your time.

Speaker 7 (52:57):
Joe, you know your something like a five.

Speaker 6 (53:00):
I can't lie.

Speaker 20 (53:22):
A mixed steak out scoop.

Speaker 5 (53:32):
Roll uh.

Speaker 25 (53:44):
H, God damn been by this year Hard wrote by
name mister washing my paper like the sake gap the
trade gun, Take your pitch to my playhouse to make
out on the versus you get cash out a paid pal.

Speaker 4 (54:00):
Know abo, I got these niggas mad that don't.

Speaker 24 (54:02):
Play pay watch my people money stake gap, the trade gap,
Take your bitch to my play house to make out
on the purchase.

Speaker 14 (54:09):
You be cash out a paying pal.

Speaker 24 (54:11):
No, I got these niggas mad that don't play path
you fucking with a heavy.

Speaker 4 (54:15):
Weeight don't hesitate. You don't know the blood sweating.

Speaker 24 (54:18):
Jeez, I dedic kate fucking doctor bought a couple of
pounds antic cake got me so getting on that presentition, candidate,
many figures always running play, don't catch a.

Speaker 4 (54:28):
Straight that can't put me on my feet.

Speaker 54 (54:30):
Just let some jay's the.

Speaker 4 (54:31):
Streets is a rat race, a fucking maid this shoot.

Speaker 24 (54:34):
Never catch a fee. While I was raised, I can't
of no money to blow money. Had to turn my
little smoke money the dol money. These niggas gonna show
money for old money. Your bitch ain't got no finger
nail or so money.

Speaker 4 (54:48):
Man.

Speaker 38 (54:48):
I can't even of no money to blow money. Had
to turn my little smoke money to do money. These
niggas gonna show money for old money. Your bitch ain't
got no finger nail, but so money. Watch my people
like a snake got.

Speaker 24 (55:01):
The drake gup, Take your bitch to my playing house
the make out na.

Speaker 4 (55:05):
First you you can't.

Speaker 24 (55:06):
Shot a pay pad nothbo that These niggas bad that
don't play pay almost my big gon like the stak
gap the drake out take your bitch to my playing
house the make out Donna verse.

Speaker 14 (55:17):
You can't shot a pay pal Not about that.

Speaker 24 (55:20):
These niggas bad that don't play pair roll.

Speaker 14 (55:29):
Time Roll up.

Speaker 5 (55:48):
Request lines are now up and on Bosh Lady Radio. Whoa,
Whoa whoa first caller.

Speaker 64 (55:56):
Yeah, this is spread the weed that man. I wanted
to hear something dope from Brother Rob the Poet Brown.
He's an awesome underground the artist dude. Hopefully I can
invite him over to my mom's basement one day and
we can do some bong hitsing later on rally up
at McDonald's.

Speaker 14 (56:13):
We'll see what we can do for you, man, Next.

Speaker 65 (56:16):
Carler, this is the cause, and I just like to
hear something smoothie and groovy by Brother Rob the Poet
Brown while I sit here.

Speaker 5 (56:26):
It ain't being great, bigmole of the Yellow Hoddy.

Speaker 14 (56:31):
We'll see what we can do for you, mister Bell.

Speaker 66 (56:34):
Next Carler, Well, I'll tell you, dude, he ski me
and my whole commaniacs. We've been through a whole lot, brother.
But after sitting down and listening to the awesome rhymes
my brother Rob the Poet Brown, I don't know what
to say or do man and Brother Rob.

Speaker 5 (56:47):
He's always been an old school hawk comaniac. He's down
with the prayers. To fight him is the pull ups,
the thrust.

Speaker 64 (56:53):
The whole nine yards, dude, supplace something by Brother Rob
and until further notice, Well what you're gonna do when
Brother Rob and the whole maniacs run wild on you?

Speaker 5 (57:05):
Well you heard them, be d D s key. You
gotta give the people what they want. So let the
beat ye.

Speaker 67 (57:12):
Up piece and blessings Brother Rob, the poet Brown or
Brother Rob.

Speaker 4 (57:22):
If you don't feel like saying the whole thing.

Speaker 67 (57:24):
Brothers, y'all ever been to the barber chef and y'all
see a nigga sitting in the chair and he ain't
really got a whole lot of.

Speaker 5 (57:31):
Hair, buddy getting their haircut.

Speaker 67 (57:34):
Something ain't making sense. And I know you know saying
to yourself, man, just give that shit pup.

Speaker 17 (57:42):
Come on, nigga, this feast was not.

Speaker 5 (57:44):
Designed to disrespect the.

Speaker 32 (57:46):
Door two off fends, but people talking about you behind
your back and smiling in your face like your your
friends now been down this road before, and when the
truth came to me, Magga, I hate it. I don't
want you to go through the thing until I went
through celibacy. How should I say, next chance you get me,
take a look in the mirror with wisdom and understanding.
You don't number when you go to the barbershop for it,
shape up your full headed's fan.

Speaker 27 (58:06):
Cut it cut it cut it, cut it, cut it,
cut it cutting had cut it cut it, cut it,
cut it, cut it, cut it, cut it, cut it.

Speaker 32 (58:20):
Before you saying talking about you, g let me tell
you a little something something about your truly, I had
a bit of bull head. Then the rest of the
kids in my class, leaven in the elementary, y'all remember
the Jefferson Justina Before my brother said you got a
full head like George shrug My shoulders kept moving on
knew he was right to started pushing my hair for
it had waves talk. I was the man saw my
picture from a cookout and I say, God, damn, this
is what I looked like. Gee, how many people behind

(58:41):
my back talking about me? Gotta picture getting out of control?
No wonder when I thought the girls think, be like nigga,
you look, Oh.

Speaker 27 (58:47):
Cut it cut it cut it, cut it, cut it
cut it cutting head, cut it cut it cut it
cut it cut it, cut it cut it.

Speaker 32 (59:01):
Then let me see if I'm talking about you. Damn skippy.
If your head line look like a horse shoe, get
mad at yourself, think it's mad at me for farm way.
You enough like a wide screen TV. No one to
bring out on criminal charges off your hair line looking
like McDonald's as just.

Speaker 17 (59:12):
Cut them off.

Speaker 5 (59:12):
Son. You know you're really don't want it.

Speaker 14 (59:14):
Middle shots.

Speaker 32 (59:14):
Some white birds want to do the word and treat
it like a relationship gone bad.

Speaker 17 (59:17):
Fayton real fast.

Speaker 33 (59:18):
Don't get mad as sad.

Speaker 5 (59:19):
Whatever your hair cut, you experience small loss. Act like
a cheers on.

Speaker 32 (59:22):
You cut the balls on the club, so ball head
well be sporting black ice.

Speaker 26 (59:25):
George Foreman and you got some Michael Jordan.

Speaker 32 (59:27):
We making enough good and make them look easy with
the dry look good of moist and greasy. But then again,
you can let your hair hanging around like King James
Bonz or cursing the clowns.

Speaker 5 (59:34):
But if you don't want to look you play a
cold do yourself a player.

Speaker 26 (59:37):
Nigga cut the shit off.

Speaker 27 (59:38):
Cut it cut it, cut it, cut it, cut it,
cut it, cut it cut it cut it, cut it,
cut it, cut it, cut it cut it.

Speaker 5 (59:54):
Yeah, I think they get it.

Speaker 4 (01:00:08):
Captain's log seven inches nine and a half of sunrise.

Speaker 28 (01:00:13):
You're about to hear a peace there in near.

Speaker 7 (01:00:15):
And dear to me, and it's entitled life Life.

Speaker 20 (01:00:24):
Bitch, What the hell was you making?

Speaker 31 (01:00:26):
How you gonna carry me through all this bullshit physical
and mental?

Speaker 5 (01:00:30):
Knowing my love has always been untraditional.

Speaker 31 (01:00:32):
You don't just sit there smile and trying to hide
the fact that you're here.

Speaker 6 (01:00:35):
I mean running right.

Speaker 20 (01:00:36):
First thing. You know, I'm struggling to do right.

Speaker 6 (01:00:39):
You are there.

Speaker 31 (01:00:40):
I'm trying to come off right and exactly I take
a step forward. You got the three point steps back.
I mean, can a brother make a little partments in
here for a hot minute. I run into some extra money,
You find an extra way. That's been my ship, fucking bitch.
I just try to get any other redationship. I took
my time with you gradually moving forward. First sudd I'm
looking back. Yeah, I know I haven't.

Speaker 7 (01:01:00):
Always been a good husband.

Speaker 20 (01:01:01):
Hell I've been a questionable mother.

Speaker 31 (01:01:03):
But you really think I need you to remind me
of all that I've been so stretched out on You
won't want to grub a this on my own head,
ripping out the side of my head or me even
grab a fistful of ripping out the back or a
fistful of ripping out of stuff, but that stuff and
started batas shit put me along time.

Speaker 26 (01:01:22):
And I'm so glass did.

Speaker 31 (01:01:24):
Everything takes saul renewals, nothing ever stays the same. And
if anybody was wondering, yes, this bitch does have a name,
and that name it's light.

Speaker 4 (01:01:32):
Poor y'all just.

Speaker 7 (01:01:32):
Don't know that bitch ain't right.

Speaker 31 (01:01:36):
Way I met with her, and again I understand a
lot of pump man out stuff like me, But this
bitch is a product of misery, and everybody knows misery
loves company. It's along with that misery you've got mty, jealousy,
fitting this bread and cold.

Speaker 26 (01:01:49):
We've been gashing your teeth, paying in justice.

Speaker 12 (01:01:52):
Eyes And to see this bitch ain't just limited to
the fore leg his dog feeling over the speech.

Speaker 20 (01:01:57):
She's food.

Speaker 26 (01:01:58):
She can reap from your hands.

Speaker 7 (01:01:59):
Like a detective disease.

Speaker 20 (01:02:00):
You can be having a good dad, work everything cool
to the Chit may come that new.

Speaker 31 (01:02:05):
Supervisor whole house smier shot put the foot down may
kill snap you and the only thing you want to
do is back. And there is freaking fat times that
I ain't had a bitch. God be an ugly situation,
but that's just a small examine of the bitch is manifestation.
This bitch is a problem, and just like any other problem,

(01:02:26):
you've got to meet their head on g It's that
same bitch that makes some copstick. It's cool to shoot
down on our brothers on the street like they hedad
lions on the sereg gated. But that's a whole other
stuff you can tiey. This bitch will make you think
the wrong is right and the right is wrong.

Speaker 7 (01:02:41):
Af you listening to the average.

Speaker 31 (01:02:42):
Hip hop song was little to no rical content, and
the only thing you can say is your son that
Beata's kicking had you in the poetry been You've running
your mouth when you need to be shutting.

Speaker 26 (01:02:52):
A fuck up and listening this bitch.

Speaker 31 (01:02:54):
You'll make a non gamble a man, make a vagina wets,
make a venus erect, make a cooler brother, sweat You
start on life for hours, spending your last a little
bit of change.

Speaker 26 (01:03:03):
On a pair of sneakers, talking like your man man
got a nice sugar bag? Right is treacherous.

Speaker 17 (01:03:08):
You see what she did to me?

Speaker 6 (01:03:09):
Now me I.

Speaker 31 (01:03:10):
Consider myself a layd that metal type of brother.

Speaker 20 (01:03:13):
Very easy to get along with, but I have a
hard problem trying to.

Speaker 14 (01:03:16):
Figure out how fun they feel like I want to
be fucking with.

Speaker 26 (01:03:18):
I don't know when it started, but the Lord knows
I'm playing.

Speaker 31 (01:03:20):
It's not to have no idea how many times I
imagine busting spitching the back of the head with a fucking.

Speaker 17 (01:03:25):
Sto from day to day to life to the workplace.

Speaker 31 (01:03:28):
Man, I got stabbed in the back with a knife
and it ripped it to the left and yanked it
to the right and looked at me a few days
later and smiling like he's still like my sincerity is real.

Speaker 6 (01:03:37):
Man, this is what I come with.

Speaker 31 (01:03:39):
You hunt her, knock off of you for it, and
return you slam me a boat of shit. I'm very
slow to get angry. It starts off as a small trip.
Don't let it turn into a wave, because now the
drip is starting the triple. If life was a man,
I punch him in the dick. If it was a woman,
I checked her in the pussy. The only reason, I thought,
because I ain't trying to send nobody to the hospital.

Speaker 26 (01:03:57):
This piece was written out an anger.

Speaker 11 (01:03:59):
You damn.

Speaker 31 (01:04:01):
Niggas me suck attacked to the fosse mort over here
many goddamn nice.

Speaker 7 (01:04:07):
Of course I don't feel this way anymore.

Speaker 4 (01:04:11):
Let me tell you, don't make everything switch.

Speaker 7 (01:04:12):
What made my mind start to click.

Speaker 31 (01:04:14):
I took some good advice from a fellow poet, just
me the artist, and he said, brother, if life is
really a bit, maybe you need.

Speaker 26 (01:04:21):
To check your relationship.

Speaker 5 (01:04:23):
And I did.

Speaker 14 (01:04:24):
And now the light philosophy that roes through.

Speaker 31 (01:04:26):
My head is every day it's a good day, especially
when you're doing end up there.

Speaker 14 (01:04:31):
Listen what the business is?

Speaker 68 (01:04:41):
It is Zi South Florida finers ge Daddy the Boss King,
the Legend, saying salute to the amazing worldwide, global award
winning bous Lady radio show, saying salute to no Reaga King,

(01:05:02):
saying salute to ms V and all the rest of
the amazing artistists that's in heavy rotation on the amazing
Box Lady radio show.

Speaker 14 (01:05:12):
Let's get it fam strong you him and nine Yeah, yeah,
they told me to knock him out of the box.
Twenty twenty five. We here, We're gonna ride.

Speaker 24 (01:05:30):
I say, knock, knock, knock, knock, knocking about the bottle,
talking about the bottle, talking the bottle.

Speaker 58 (01:05:36):
Knock, knock, knock.

Speaker 33 (01:05:39):
He got that box.

Speaker 69 (01:05:48):
From the bottom one to the top. I'm one of
my things, like I'm playing.

Speaker 5 (01:05:52):
I shot here from.

Speaker 14 (01:05:54):
The bottom the bottom more than now part its tin.

Speaker 24 (01:05:58):
Guy's where we at. I told you I'm free to
come sit or that it left. I'm doing my thing,
damn right and lega hap it sat nah knock knock,
knock them out the bar talking about the bars. He
ain't talking about the boy knock talking about about.

Speaker 69 (01:06:16):
What I'm like a volcano. Bet hot LoVa. I'm doing
my day, telling hen to y'a't bother. Yeah, I'm doing
me so you bet a little son got your shoes
they gonna look screws, nigga. I'm the one that the
one all about. Knock you ass out are doing a
no doubt, want.

Speaker 24 (01:06:35):
Them in the boat. I told you I'm the truth.
Like I tell you I had the same God no screw.
I'm going to no no, no, no no about the
bold talking about the Barzi knocking about the bardi, Nah
nah nah, lock about.

Speaker 14 (01:06:49):
The bar, look at hell.

Speaker 5 (01:06:52):
Yeahn't have the man thing to tell you.

Speaker 4 (01:06:54):
Know, I'm cool.

Speaker 14 (01:06:55):
Put it in the fan. I'm from the old slow.
I told him I had to jim old to what
to do.

Speaker 24 (01:07:01):
I'm coming riding line.

Speaker 6 (01:07:02):
May you doing so?

Speaker 24 (01:07:04):
Yeah, I'm rubbing the seventy two. Yeah, I'm gonna go
hey to let you box said, yeah.

Speaker 14 (01:07:12):
The ring, I talk your ass out?

Speaker 6 (01:07:14):
Want to go on my thing?

Speaker 14 (01:07:16):
Yeah, I'm off to change. That is my name, and
I gonna tell you anything.

Speaker 24 (01:07:20):
Came to change the game, y'all.

Speaker 5 (01:07:22):
Don't what I'm saying.

Speaker 14 (01:07:23):
I'm going by play and I'm going n yeah. Yeah
the box.

Speaker 24 (01:07:29):
No, no knocking about the bar, talking about the bars.

Speaker 14 (01:07:33):
He talking about the body.

Speaker 24 (01:07:35):
No, no talking about the bar, talking about the bar.

Speaker 5 (01:07:39):
Talking about the bott.

Speaker 14 (01:07:41):
I knocked him out the box every time I wrapped around.
I'm on the beat. Yeah what I have I'll tell
you want to do a big y'all know? I snapped, yeah,
all right, what I half?

Speaker 5 (01:07:52):
Yeah?

Speaker 14 (01:07:52):
And the coolest y'all be the greatest. I know you
hate to say lie, yeah said hey.

Speaker 5 (01:07:58):
Y'all need to stop it.

Speaker 14 (01:07:59):
Stop rather later. I'm gonna knock your eye side. Yeah,
try to crazy. I'm going to knock knock him out.

Speaker 24 (01:08:06):
The bology talking come out in the bottle, talk, come
out in the bottle, knock, knock, not knock him out
the bottleg represent you don't need Yeah, you know I
gotten the beat, G.

Speaker 14 (01:08:18):
I know you headed this ship.

Speaker 4 (01:08:20):
Ain't sweet?

Speaker 14 (01:08:22):
Want to do a big winner represent on beef. I
so you want to pore this the way that.

Speaker 24 (01:08:27):
I I need a big he got to get before
I'm doing my things up, just like a boy knowing
what smoke yeah from a No, I'm doing my thing.
What am I boiler gold for the soul? I'm rap
being cold. I can't even knock your ass out. Yeah,
that's own role. I'm doing the what big just been with.

Speaker 14 (01:08:48):
I thought you're going to pour it there right after.

Speaker 24 (01:08:51):
Ship and say, geo, knock him out the blog, knock
him out the bar. G come out of the barn,
knocking about.

Speaker 14 (01:09:00):
The bar, talking about the bar, talking about the bar.

Speaker 24 (01:09:05):
Yeah, you know I'm colder in the cold that you know.
The boy's so gold seeing right, well put it down
yet in the boot Yeah y'all doing on the road.
And then al right, it's the way that I swag
and then a right ay even trying to brand and
I'm doing the yeah, real big yeah in the boot

(01:09:25):
y'all knowing the boy so bad and his a g
knocking about the boy, talking about the boy, the boy.

Speaker 14 (01:09:35):
Knocking about the boy.

Speaker 24 (01:09:37):
Talking about the boy talking about the boy like tyson,
you ain't the brain game. And I'm like to yet
all lame, you know right when you get me in
the mic. I'm doing my place till you know the
one nice night. Yeah, I'm so cold, damn so fly.
I'm doing real big, y'all game the line, win them

(01:09:57):
on the boot and got today the sup and y'all
doing seem like you know damn right and say non
knock knock them out, the boy talking about the boy,
knocking about the box, knock knocking about the body, talking
about the body, knocking about.

Speaker 14 (01:10:14):
The bottom d I'm like Bobi Field in the us
L and the right day, y'all borrow.

Speaker 24 (01:10:20):
Real swell and I I can't stop and see him
right y'alls, w I am a.

Speaker 5 (01:10:26):
R wrong see him right. I am a m mom
ying a one.

Speaker 14 (01:10:30):
B one to do one on the men, yell.

Speaker 5 (01:10:32):
Nott some food and like I.

Speaker 24 (01:10:34):
Said, jaknock the one shim back to see the game.
One you say, yeah, knock knock talking about about the talking.

Speaker 14 (01:10:42):
About the knocking about the bottom, knocking about the bottle.

Speaker 24 (01:10:49):
No, no, I'm knock a hard about the world.

Speaker 14 (01:10:57):
Why about the little SI want to find I like
want leaders. We don't know you knocking about the knocking
out the brother knocking about hold knock you play, I'm
no nigga, not the bar. That's why I put off

(01:11:19):
my loss t the five where it stops. We shoot
off like after lungs.

Speaker 4 (01:11:26):
Right, so you don't talk.

Speaker 68 (01:11:30):
Down there right say your blessing yet you.

Speaker 5 (01:11:32):
Feel my bread.

Speaker 14 (01:11:35):
Knowing mind playing time dresses and now my time.

Speaker 5 (01:11:39):
Yeut, I'm going another.

Speaker 6 (01:11:40):
Child my dam one problem?

Speaker 24 (01:11:44):
Yeah brother good?

Speaker 14 (01:11:45):
Yeah the buck want real big job though? Was letting
man dog talking about about the.

Speaker 7 (01:11:55):
Talking about about.

Speaker 5 (01:11:58):
About about, knocking about nuking.

Speaker 14 (01:12:02):
On head the way got dreads.

Speaker 24 (01:12:05):
Fighting joad do?

Speaker 5 (01:12:06):
I gave red clock.

Speaker 14 (01:12:08):
There right, get the head and out. Brat can't ain't
a paying any day.

Speaker 6 (01:12:12):
I John's man, damn.

Speaker 5 (01:12:14):
Right, jack out sudang the band.

Speaker 14 (01:12:17):
Heverybody can't dam the whole.

Speaker 6 (01:12:20):
Right that you got the.

Speaker 26 (01:12:21):
Count of side nobody, Look glad my pa playing.

Speaker 5 (01:12:25):
Ain't you doing dude?

Speaker 24 (01:12:26):
Non non knocking about the bottle, nothing about about knocking
about ZnO knock knock about the boy, knocking about the
bout talking, knock the mat.

Speaker 14 (01:12:38):
I got post, you got playing a post?

Speaker 6 (01:12:41):
I limp there for jail.

Speaker 14 (01:12:43):
Yeah, I'm seeing a rose may.

Speaker 5 (01:12:44):
I'm like a YoY p.

Speaker 14 (01:12:45):
The boys hell close the right to do.

Speaker 5 (01:12:48):
I got most saying right.

Speaker 14 (01:12:50):
That's the way that I talk. I don't even though
I'm here to jail.

Speaker 24 (01:12:54):
And I low got when out going the athentic Yeah,
old visional Honeycutt and Rob and mother do not not
not not knock about the bottom, knocking about about, knocking about.

Speaker 5 (01:13:08):
N n knock about the pot, not about not about
do your tell to talking about the bout do the
hood knock the.

Speaker 14 (01:13:19):
Bot talk right, I'm talk.

Speaker 5 (01:13:23):
Not about uh. They say no, no, no, no, knock
about the holiday, talking knock.

Speaker 14 (01:13:29):
About y talk not about about the their right revenue
on these.

Speaker 24 (01:13:36):
Beats to their r knock knock at red last knocking
knocking like that's the way we in these people, the beats.

Speaker 6 (01:13:48):
Yeah no, no, no, I'm knocking.

Speaker 26 (01:13:51):
About the body, not talking about z T talking about it.

Speaker 14 (01:13:56):
It's that real talking about the real boom buck.

Speaker 5 (01:13:59):
Id So from the ball club, y'all me in you world, I'm.

Speaker 24 (01:14:03):
Nking talking about jump socks, y'all, I'm gonna knock y'all
block so I can't.

Speaker 14 (01:14:14):
And when it would apply.

Speaker 4 (01:14:25):
A lot of things that day.

Speaker 14 (01:14:27):
Yeah, the posy'all know what isn't made. And I'm sitting
on my brong, big Dad, you gotta be.

Speaker 5 (01:14:37):
Numb.

Speaker 14 (01:14:38):
Do mat righting, y'all go in and your rid when
I'm gonna knock y'all bot.

Speaker 24 (01:14:45):
Go on my bag saying, John, dully them racking game
knock n not not talking about the box, talking about
the box, talking about the.

Speaker 5 (01:14:56):
Knocking about the bar. Just tracked by this ship back to.

Speaker 18 (01:15:11):
The sust Happy holidays to y'all. First off, I want
to get shot out to the Amazing award winning Boss
Lady Radio Show, Get shot out to Dre's Radio Cafe,
Get shot out to Madal Noriega.

Speaker 14 (01:15:33):
The King four one for a dank. You know what
I'm saying.

Speaker 70 (01:15:36):
All amazing artist is all over the globe Man twenty
five of Life Records, Danny Joey, you know what I'm saying.
Global Empire, Oh y'all, you know how we're doing and
were going up baby worldwide.

Speaker 71 (01:15:50):
Happy New Year, let's get it. You're feeling salute yeah,
I rite it down.

Speaker 14 (01:16:00):
In a bum when they say about always.

Speaker 24 (01:16:08):
Yeah peoples, the fresh a guy say go into the
ship of the list, I say, cry up the head
of the gap gets.

Speaker 6 (01:16:20):
Get about me.

Speaker 2 (01:16:22):
I want to give a.

Speaker 5 (01:16:22):
Fuck you say about it?

Speaker 35 (01:16:25):
I would save up.

Speaker 5 (01:16:26):
About by.

Speaker 26 (01:16:37):
Here about the man in the chair, I give a
fused by a.

Speaker 5 (01:16:41):
Pear on the steel lines. Can just broke it down.
Pay my ground the right myself right now, and I say, look.

Speaker 26 (01:16:52):
Perpetrated the training game up a boat player.

Speaker 5 (01:16:56):
The way I'm putting the way.

Speaker 24 (01:16:59):
Very late, and I'll take it to the bas Yeah,
like ares listen, Hey, I don't think about me.

Speaker 5 (01:17:10):
I don't think at what to.

Speaker 26 (01:17:11):
Say about it.

Speaker 72 (01:17:13):
I buy me.

Speaker 5 (01:17:19):
About me. I don't give a pot the thing about it.
I don't do to say what coming from what.

Speaker 24 (01:17:33):
I'm a mite and I'm a I'm gonna pay with
their own pope to see that you got. That's the
way I hope that w for a pot of blood
of turt.

Speaker 5 (01:17:45):
There's a better breaking down bringing first.

Speaker 26 (01:17:48):
Which I don't really give a pot at what to say.

Speaker 8 (01:17:51):
I a right put.

Speaker 24 (01:17:54):
The way I'm putting it down there the way I
found you have my pay yah going back.

Speaker 26 (01:18:01):
You gotta set of polling.

Speaker 7 (01:18:02):
You have my life colder?

Speaker 24 (01:18:04):
Yeah, right down yet again, homent because I don't be
a blood.

Speaker 26 (01:18:08):
I just feeling mind me.

Speaker 14 (01:18:10):
I don't give up blood what I said about me.
I don't give up flood.

Speaker 26 (01:18:14):
I just feeling about me by me.

Speaker 14 (01:18:18):
Right now, ya.

Speaker 24 (01:18:21):
Y'all better sit back, relent. I've learned the close your mind.
It's just watch man, you fat us.

Speaker 26 (01:18:29):
I am the PRIs, gotta have the pining in the chair.

Speaker 5 (01:18:33):
I'm doing it from the gym, my dear, I.

Speaker 26 (01:18:36):
Am, y'all do I am the dress?

Speaker 5 (01:18:38):
Why man? I have to play kill? I say, wait
from the ads going around? Ain't a pad y'all?

Speaker 26 (01:18:47):
Snap, y'all better.

Speaker 5 (01:18:48):
Knowld y'all keep it on the pre A fuck is
the way that I feel A I got put about me.
I don't tell you say about.

Speaker 4 (01:18:59):
Me what.

Speaker 6 (01:19:06):
I told you.

Speaker 24 (01:19:09):
I tell you that like you know, perfectly, like a nine.
And I'm riding a lot of fight. I get die trag.

Speaker 26 (01:19:19):
You Why the young or the yeah blushing in the field?

Speaker 5 (01:19:24):
Oh my god?

Speaker 26 (01:19:25):
What make myself here?

Speaker 31 (01:19:26):
A man?

Speaker 8 (01:19:28):
More to fight?

Speaker 14 (01:19:28):
A perfect right?

Speaker 5 (01:19:29):
I don't need a tuck.

Speaker 73 (01:19:31):
I can't pay a kind of grace ye so much?
Yeah anything, Yeah, say five, okay, yet to.

Speaker 23 (01:19:42):
Go?

Speaker 24 (01:19:43):
Any can't come and that at a fun if you're
filling one. I know the way that out prout the cold.

Speaker 14 (01:19:50):
You might think that I talk.

Speaker 5 (01:19:53):
About as I got about me. I don't say I
I can think about about me.

Speaker 6 (01:20:07):
I say I don't.

Speaker 5 (01:20:12):
I can think. I don't like I don't.

Speaker 26 (01:20:17):
I got a y'all kid with the looking number praise can.
I'm like, hey, I told you that a way sugar. Yeah,
y'all dang yeah yeah tell him my whole time.

Speaker 14 (01:20:29):
I don't help you, see k nigger, I don't stand me.
You know my fraiders on the g Yeah, like they
saying my number. But I think he's tell a fight
this liquor. I don't need fucking made the shield.

Speaker 27 (01:20:42):
You know.

Speaker 14 (01:20:42):
I can't get around that.

Speaker 26 (01:20:43):
I delive you better think quick and I got you old.

Speaker 14 (01:20:48):
Yeah I started twenty four.

Speaker 73 (01:20:50):
Yeah I didn't know to go and yeah, I guess
I say, I said, can that's what it sound. The
fact that's I play by dining sad.

Speaker 5 (01:21:02):
I'm not getting home so that amos green commer so clean.
I'm I'm playing Clint the side.

Speaker 26 (01:21:19):
Were looking anything us out of the book.

Speaker 5 (01:21:26):
You better go furt An, what.

Speaker 14 (01:21:48):
About what I think I do?

Speaker 24 (01:21:52):
I got to play claim cat is the fada my
stay like a man is on the planet, and you
sold the boy.

Speaker 5 (01:22:06):
I get sta, I say.

Speaker 26 (01:22:08):
She's there, boy murchan Murchant, Ye.

Speaker 5 (01:22:13):
Man, I got st play. Don't talk.

Speaker 73 (01:22:17):
I'm like some and I don't really get I don't
from my place and a flying as a chill.

Speaker 5 (01:22:23):
I called him to that. I said out, I don't
give a fuck right, I'm yeah. I got a kid's
rap it he happen today.

Speaker 26 (01:22:33):
Hailed twenty had. I got to hate the shop.

Speaker 5 (01:22:37):
I die don't sucking. I got to the shop. I
said about me. I don't I can't think about me.

Speaker 14 (01:22:46):
I don't give up what you think about it. I
don't give a say about me.

Speaker 20 (01:22:55):
I don't give a buck.

Speaker 14 (01:22:56):
I don't think about me.

Speaker 33 (01:22:58):
I don't give a book.

Speaker 26 (01:23:01):
I read better not be.

Speaker 14 (01:23:03):
Back saying I'm back, yeah, yeah, don't ever get my
young No, ain't important.

Speaker 5 (01:23:10):
Yeah.

Speaker 24 (01:23:10):
I came with us like God blessed me with this
sat he gave me this go on pis what's the
man you fell? And recommended their fright on the to
being a man I'm sad man, my black and I.

Speaker 5 (01:23:25):
Am trying to get to a man and everybody.

Speaker 24 (01:23:28):
I'm being jealoused beating my face here, everybody out of date.

Speaker 5 (01:23:34):
Yeah, I'm from Alasta man that read. I am my
club here. When I say, oh my food, I don't
have a plan.

Speaker 26 (01:23:42):
I'm going by y'all should take up.

Speaker 6 (01:23:45):
He ain't the piece.

Speaker 5 (01:23:46):
I ain't in the life. I'm going to my face.
My eyes had point. I pay a five piece. I
don't get up and say by what they take about me.
Let me say about me. I don't and then feel

(01:24:08):
about me. I don't give a let they think about me.

Speaker 11 (01:24:12):
And I'm not a live.

Speaker 5 (01:24:16):
Time in a life.

Speaker 14 (01:24:19):
Baby, I tell you're my fam.

Speaker 26 (01:24:21):
You don't be passing quite.

Speaker 5 (01:24:24):
I feel like bad face or my dotage.

Speaker 6 (01:24:26):
But they don't want me to place.

Speaker 5 (01:24:28):
They don't have meaning grace.

Speaker 73 (01:24:30):
They say, take care a lot.

Speaker 14 (01:24:33):
Of middle pock.

Speaker 5 (01:24:34):
I'm okay. I want to take it.

Speaker 26 (01:24:36):
Saporta say.

Speaker 5 (01:24:40):
I can think about I say about I don't let
it take back. I got I say about me and
I feel about.

Speaker 26 (01:25:01):
I don't claim Yeah, we donna away.

Speaker 24 (01:25:06):
Guy young you refers to say that the boy boy
don't Yeah, I give the boy.

Speaker 5 (01:25:16):
Yeah, I haven't, no yell, it's a baby in the
billion days.

Speaker 69 (01:25:21):
I don't give a when they say about it, men,
I don't give a fuck how they feel about me.

Speaker 33 (01:25:27):
I don't give up.

Speaker 20 (01:25:29):
I really don't.

Speaker 5 (01:25:30):
I don't.

Speaker 7 (01:25:31):
I really don't.

Speaker 14 (01:25:32):
God jumping out so I said, I never funk about y'all.

Speaker 5 (01:25:37):
Know we'll give me. No, I don't think it does.
God just know you know what I said. You come hall,
I don't. I can't pay back to me. I don't
give a up and they say up back.

Speaker 74 (01:25:59):
Want to give another shot to everybody on the syndicate
part one and part two doing a fucking amazing They're
doing the round, they're getting their flights.

Speaker 14 (01:26:09):
It's doing this job.

Speaker 74 (01:26:10):
I just want to give a huge salute to everybody again.
Let's fucking go twenty five to life.

Speaker 14 (01:26:16):
Salute baby bringing a.

Speaker 17 (01:26:28):
Book of your mark.

Speaker 14 (01:26:30):
What he said, let's go.

Speaker 75 (01:26:32):
Yeah, yeah, you got your delay, light creak most of
the night.

Speaker 8 (01:26:44):
Stuff.

Speaker 17 (01:26:45):
Give it to your friend less spirit.

Speaker 31 (01:26:47):
Everybody looking at me glancing a chair assuming it was
dancing a chat with this handsome chair, singing to go
like Cuba Cuba and I just played it.

Speaker 11 (01:26:55):
It's for the look.

Speaker 28 (01:26:56):
Out all wear them on the end, stay all you
it it up.

Speaker 33 (01:27:00):
If you make it feel like full players.

Speaker 62 (01:27:02):
You're my cardio was infinite, big Willie styles all in it.

Speaker 26 (01:27:07):
Didn't hig you with it?

Speaker 14 (01:27:12):
Can't you with it? Shig you with it?

Speaker 62 (01:27:18):
None?

Speaker 6 (01:27:22):
Can't you you with it?

Speaker 26 (01:27:27):
What you want to ball with the kid?

Speaker 62 (01:27:29):
What you step?

Speaker 17 (01:27:30):
You my fault trying to do what I did. Mama, Mama, Mama.
Come close out.

Speaker 28 (01:27:34):
In the middle of the club with the rubber dog.

Speaker 24 (01:27:37):
No love for the haters, the haters man cause I
got full seats at the Lakers.

Speaker 31 (01:27:41):
See me on the fifty yard line with the Raiders,
man a Leans only.

Speaker 4 (01:27:45):
I'm the greatest.

Speaker 53 (01:27:46):
I got the fever for the flavor of a crowd pleaser.

Speaker 76 (01:27:48):
DJ, play another from the Prince of this your highness,
fully bat Hicks.

Speaker 77 (01:27:53):
Ride in my works south to the west of the
east to the north on my heads.

Speaker 4 (01:27:57):
And once you go off for go off. Yes, yes,
y'are you don't stop?

Speaker 28 (01:28:00):
You don't nobody know about the summer time I makes
the hockey with him.

Speaker 6 (01:28:07):
Can't with it?

Speaker 33 (01:28:12):
Can't jiggy with it?

Speaker 14 (01:28:14):
No, No, can't jim with it?

Speaker 4 (01:28:19):
No?

Speaker 11 (01:28:20):
No?

Speaker 77 (01:28:23):
Eight fifty I yes, if you need a lyft who's
the kid in the drop? Who else will Smith living
their life so considerable? Myth rock from South Street to
one two fifth. Women used to tease me, give it
to me now, nice and easy.

Speaker 60 (01:28:36):
Since I moved up like George and Wheezy Creams in
a Max, I'll be asking.

Speaker 13 (01:28:41):
Them what you're like a bounce with the brother that's
platinum never seen we're attacking them.

Speaker 17 (01:28:46):
I'd rather play ball with shot and a flatinum psych
and you go. I took the spell, but I didn't
trust the lady in my life.

Speaker 13 (01:28:53):
She ain't hitting hit over the drop time with the
ribbon from my mom on the outskirts of Philly.

Speaker 14 (01:28:58):
You're trying to flex on me.

Speaker 33 (01:29:00):
Don't be silly.

Speaker 37 (01:29:01):
Can sure you with him?

Speaker 62 (01:29:06):
Call you with it, and Donna occasion you with it,
then occasion you with it.

Speaker 76 (01:29:17):
I know I'm Dynada nannnnnnna h.

Speaker 30 (01:30:11):
I've come to terms with the fact that my future
might not involve people I'm around now. I get tired
of doing this every time I try something new. Sometimes

(01:30:34):
I had to walk away from what I want to
find what I deserve.

Speaker 20 (01:31:17):
I made mistakes in my life.

Speaker 30 (01:31:19):
I learned from my bad choices I don't know better
Next time, don't mention a person's past mistakes when they're

(01:31:43):
trying to change. That's like going right to them while
they're struggling to climb a mountain. Yeah, let's talk about
that job Project seven, seven types of people you don't help.

(01:32:05):
It's a series going on, y'all. In to month's theme
for February find a way not an excuse. This is
project number one. Being ungrakeful is some people, some unbrightful
people in your life that you don't need to be helping.

Speaker 20 (01:32:22):
We're gonna talk about that right here. Fass sad Radio shut.
Let's go, y'all, all by your fire Superstar Saturday. Ya yay,

(01:32:49):
yay yay. Yeah, what's up, y'all?

Speaker 30 (01:32:54):
Welcome back to the Bosses Live radio show Montai war
winning now Spreaky Studios sponsored by Boss Sadie Senk Award
winning Dre's Radio Cafe. They Can't the Hangout, ay k
a Dre's eight. Welcome back, Welcome back to another show.
How this dope show in the world on the planet.

(01:33:17):
You know what I'm saying, got to say it like that,
gotta be liud about it and dropped Mike on that one.

Speaker 20 (01:33:29):
Yeah, y'all man.

Speaker 30 (01:33:32):
Open Michael super claiming super dope. So before I get
to the topic tonight, you know it's pre recording, pre recorded,
But what I did do I just uploaded last night show,
Oh my God, freestyle Friday. I did it different this time.

(01:33:53):
I used to come up with the hip hop you
know what I'm saying, But this time I wanted to
do something different. Some are being there for underground. No
I'm coming about was women. He was doing our thag
up and now and we got some new listeners. So
shout out to loud to all the people that were

(01:34:15):
in that chat room last night. It was cracking.

Speaker 20 (01:34:18):
I still think they uh tuning in.

Speaker 30 (01:34:20):
If you of them tuning in right now, you know
the replays are ways cracking. Have to excuse me, my
throat is a little dry. Been yelling all day about
this topic.

Speaker 20 (01:34:32):
I'll say all week. I ain't even gonna say, oh
damn gonna.

Speaker 30 (01:34:39):
Cause I noticed right a lot of people are helpers,
but they don't know if they're helping the right people.

Speaker 20 (01:34:45):
So before I get to the.

Speaker 30 (01:34:46):
Top of tonight, I do wanna talk about that open
mic tonight, super Slam is super dope.

Speaker 54 (01:34:53):
Lain't a lag just came out with a new one
called Promise.

Speaker 30 (01:34:57):
Make sure y'all checked out in the beginning to called
king Lyon brought to you back to Colled king Lyon.

Speaker 54 (01:35:03):
Snapcat by Majestic Willie Rich.

Speaker 30 (01:35:07):
This is my Jam brought to you by mister LANDA
shout out salute to her and Boogie Report for sitting
them hot Southern soul tracks. And then we had a
doc Mick Breezy featuring Chris Austin without killing it and
the Terce Lawrence.

Speaker 20 (01:35:25):
With that new one outro to her EP. You know
what I'm saying. It starts with me. You know what
I'm saying.

Speaker 30 (01:35:33):
And I also wanna thank you for liking, downloading and
sharing the show. You know what I'm saying, even though
sticking with me. But we're definitely gonna put their lives
up trying to do something with Riverside FM. If you
haven't heard yet, that's where Alive will be when I

(01:35:55):
decided to do one. And I'm looking through YouTube right now,
I'm check my channel. Let y'all know exactly where to
go at Boss Lady four one Folks six four one
Folk six Boss Slady four one Folks six.

Speaker 20 (01:36:12):
The last live was last.

Speaker 30 (01:36:14):
Night, you know what I'm saying, at around nine pm
Central ten pm Eastern time, which I usually upload everything,
get everything going for that day, you know, saying Superstar Saturday, y'all.
And we definitely talked about songs not release, you know
what I'm saying, and then uh, they cut off a

(01:36:36):
little bit, so it's splitting two shows. So we got
one that's twenty eight twenty seven, and then the other one,
the full one. The rest of it, I'll say, is
about one thirty twenty. So it's like that two hour
ram that we usually stay in if we don't put
in no over time, know what I'm saying Nectober.

Speaker 20 (01:36:55):
Time wait saying, so.

Speaker 30 (01:37:03):
Particularly tonight, I do want to talk about Project seven, right.
You know that Project twenty twenty five is floating around
some kind of way, and so I came up with
my own project. A lot of people need help, right,
A lot of people come to you for help. I'm
talking to the ones that I'm talking to, the ones

(01:37:25):
you feel me that you know they come up and
talk to you, don't even know you, and they ask
for advice. Sometimes sometimes they just want to get something
off their chest.

Speaker 20 (01:37:33):
And so you get to a point where you give
and give and give.

Speaker 30 (01:37:38):
It don't seem like it ain't no reciprocity, and reciprocity
for those that don't know, is kind of reciprocating back
what you put out there, you know, and the person
that you might be helping may not reciprocate nothing back.
And so it just seemed like they take it and
take it and taking, and so you kind of get

(01:37:59):
tired of it, you know, and you don't want to
really deal with the person. Start looking at the person before.
You don't want to deal with them no more. A
certain kind of way, and feelings and emotions of frustration
and some doubt there and some fear that something bad
might turn out or it just ain't working out.

Speaker 76 (01:38:17):
And so.

Speaker 54 (01:38:18):
There's seven types of people you don't help, it is.

Speaker 20 (01:38:23):
And I didn't understand this.

Speaker 30 (01:38:26):
I just woke up to it, kind of left the
laptop on and it was running, running, talking, talking talking.

Speaker 20 (01:38:32):
From the ads and stuff you know like that. You know,
I say you fifty dollars switch into you know this
car insurance and stuff like that.

Speaker 30 (01:38:39):
Then and then after that went off, it's a video
that said seven types of people you don't help one
of those was being ungrateful by being thankful. And I'm
talking about from our creator, I'm talking about from our
own thinking, how we deal with people all of that, right,

(01:39:02):
And sometimes you don't feel appreciated. You're doing what you
can and you're going through life struggles just like the
next person, and you might get thrown off a little
bit with that fear, that doubt and that frustration just
keeps to seat haunting you. And so I found some
answers of why this was happening to me, and that
was one of them. And they broke it into seven types.
I'm sitting up here like, you know, there're types of

(01:39:25):
people who don't need your help. Oh okay, right, And
it talked about how people who don't value your time,
like take advantage of you.

Speaker 20 (01:39:37):
Know, people like don't appreciate your help.

Speaker 30 (01:39:40):
You know, they think they're entitled to it, you know,
and people who don't want your help is the realization
of it all. You know, your value system has differences
from other peoples, whether they know it or not.

Speaker 54 (01:39:52):
And since you know, you see that they don't need it,
but they asks for it.

Speaker 30 (01:40:00):
So and then you got people expect too much, you know,
too much for you to give and then when you
say no, they don't understand that. So you're gonna be
talking about that's nice song. I'm learning just like you
and love. This is a new blog too.

Speaker 20 (01:40:17):
Let's get some eedyu in our lives.

Speaker 2 (01:40:20):
Job.

Speaker 30 (01:40:24):
Four types of people who don't need your help, and
we're gonna find that at David Wolf dot com Slash
four dash types DASH people that don't DASH need DASH
your or dash don't DASH need DASH help. We've always

(01:40:46):
been told that helping others makes us good people, and
it does. But the problem with helping the wrong kind
of people or the wrong kind of person is that
we could be taking advantage of which leads to feelings
of reject bitterness, and pain. Here are four types of
people you should never help. One people who don't value

(01:41:10):
your time. There are people out there who will try
to take advantage of you. They don't see you as
an individual, but rather as a means to an end,
a tool from which they can extract information or bend
to their will. Be wary of someone who asks you
to lunch only to end up asking you for something else,

(01:41:32):
something that otherwise wouldn't be given for free, like professional
advice or computer help. Or it could be someone who
calls during your once a month date night or even
a holiday. If it happens once, fine, If happens repeatedly,
chances are the person is not valuing your time and

(01:41:53):
you are allowing it to happen. Remember, your time is valuable.
Two people who don't appreciate your help. Have you ever
gone out of your way to help someone only to
have that someone throw it back in your face. Maybe
you offered to feed your neighbor's cats for free while

(01:42:15):
he was on vacation, Yet instead of your neighbor expressing
gratitude upon his return, he proceeds to criticize you for
leaving the bathroom light on not filling up the cat
ball just right.

Speaker 20 (01:42:28):
In good heavens, why didn't you think to turn the
ac down. If your neighbor.

Speaker 30 (01:42:33):
Doesn't value the favor you've done him or the money
you saved him by not having to hire a pet center,
then he does not appreciate your health.

Speaker 54 (01:42:44):
Three people who don't want your health.

Speaker 30 (01:42:49):
When we see someone in need, our instinct is to
help them, But some people just don't want to be helped.
If you offer a solution to someone else's problem and
they reject your advice, Your best bet is to leave
it at that. This person is likely stressed out and
persisting the matter will only make things worse. Another person

(01:43:09):
who may not want your help could be someone who
gauges in a hobby or activity of which you disapprove.
Chances are if you attempt to make the person see
the error of her ways, it will only push her
away further. She might see you as being nosy or
even judgmental. Remember, everyone lives by a different value system.

(01:43:30):
Just because someone is different than yours doesn't make it
wrong for people who expect too much. Say one of
your friends has a fight with her boyfriend. She shows
up at your house in tears and begs you for advice.
You are not a therapist or any kind of certified counselor.

(01:43:51):
Say this boyfriend said something demeaning to her.

Speaker 20 (01:43:55):
You tell her she needs to tell.

Speaker 30 (01:43:56):
Him that his behavior is unacceptable, that if he doesn't
change his attitude, she will leave him. Your friend agrees,
giving you a big hug, and goes on her way.
The next morning, your friend called you again, this time hysterics.
She took your advice and her boyfriend broke up with her.
She blamed you, namely for ruining her life because she

(01:44:16):
would never have given her boyfriend that autimatum. If you're
not fully qualified to be offering advice, or if there's
a possibility or words could affect the livelihoods and well
beings of others, chances are you shouldn't be offering it.
Preventive measures check it out. Sometimes being helpful is not

(01:44:37):
helpful at all. Check out this video to learn more.

Speaker 50 (01:44:44):
Hey everybody, Greg Benson here just out on the streets
of La telling people that I'm a customer service manager,
singing pain some help with stuff?

Speaker 7 (01:44:52):
Everybody finding everything?

Speaker 50 (01:44:53):
Okay, I'm the manager, so if you need anything, I'm
the customer service manager.

Speaker 7 (01:45:01):
No, No, I'm actually not. I don't really know anything
about the bus.

Speaker 5 (01:45:05):
Hi.

Speaker 7 (01:45:06):
You find everything you need today? Do you good?

Speaker 4 (01:45:09):
You find everything you need?

Speaker 7 (01:45:10):
Do you have any questions I can help you with.
My name is Greg.

Speaker 50 (01:45:13):
I'll be uh right there in the middle of the
street if you need me finding everything?

Speaker 7 (01:45:17):
Okay, sir?

Speaker 5 (01:45:20):
Great?

Speaker 7 (01:45:20):
If you need any help, I'm a manager, so I'm
right over here by the mattress. It's a great tad
break down to you.

Speaker 5 (01:45:29):
You want to break dance for you?

Speaker 27 (01:45:32):
Oh?

Speaker 4 (01:45:32):
Yeah, I'll try for you.

Speaker 50 (01:45:36):
May you're gonna help you find anything today? You share
on the managers if you had any questions. I'm happy
to help you, but I don't need the attitude.

Speaker 7 (01:45:47):
I'm just I'm just trying to help. Do you have
the other I'm just stationed.

Speaker 50 (01:45:50):
Over on the sidewalk all day today. Do you mean
to help you get this to your car or something?
I'm the manager, Greg, Greg customer service is number one.

Speaker 7 (01:45:59):
You don't number to iss poop. Well, I'm going to
run on errand think them back.

Speaker 26 (01:46:07):
Can you help me as.

Speaker 50 (01:46:08):
Long as I'm still here? They sometimes restation met. They
might be over the gas station in a little while.

Speaker 7 (01:46:14):
Beautiful a beautiful girlfriend. It's not really part of my
job description. I can pimp a little for you if
you like. Oh sorry you you forgot your mattress, sir,
your mattress on? Your mattress is here, sir. Well it's

(01:46:35):
a little uh skilled with.

Speaker 50 (01:46:39):
This video made possible by people like you support to
be a Patreon for his little as a dollar and.

Speaker 30 (01:46:45):
Excuse those are you for our lives? So David Wolves
dot com, y'all, this is dope.

Speaker 20 (01:47:05):
You know what I'm saying. We got that second half
going be that was awesome to you.

Speaker 4 (01:47:12):
Y'all.

Speaker 20 (01:47:13):
Think about that.

Speaker 30 (01:47:13):
Think about that when you start trying to look out
for people even in.

Speaker 20 (01:47:17):
This business, this industry, this music industry. Figure out who
you're gonna help and look at those things.

Speaker 30 (01:47:23):
Those four types of people who don't need your help,
they already strike. They tell you that they straight. Then
when they not, you know, they'll they'll come. Get that mattress,
you know what I'm saying. Okay, up that second half

(01:47:44):
for the ladies, because we started off the first half
with the fellas. After that drazy drop, we gonna get
some misfabulous up in here. LaTrece Lawrence are artist said
a month it's a lady missed.

Speaker 20 (01:47:57):
It may be in the building real soon. So y'all
make sure y'all stay tuned.

Speaker 24 (01:48:02):
Don't let over out.

Speaker 5 (01:48:16):
It's your boy.

Speaker 47 (01:48:16):
Dresy CEO DJ and programmer for Dred's Radio Cafe. You
got a banging cut that you want to be heard,
got a show coming up, a gig, you want to sell,
some products? You name it, send it to Dre's Radio Cafe.
Dre's Radio Cafe is a twenty four to seven internet
radio station designed with you in mind, by being curved

(01:48:40):
by one hundred and fifty thousand listeners every month.

Speaker 5 (01:48:43):
What does that mean to you?

Speaker 47 (01:48:45):
That means more than just going to YouTube, more than
just going to Google, more than just having a SoundCloud up,
more than just having any of another program set up.
All right, so check this out. What I want you
to do is send your banging cuts through your ads
A need to if you have involved that you want
to get involved with to d R e z e
y two one at yahoo dot com. That's d R

(01:49:07):
e z e y two one at yahoo dot com.
That's Dre's Radio Cafe twenty four seven Radio Design with
you in mind. What y'all sipping on?

Speaker 5 (01:49:16):
Let's go, yo yo, let's go.

Speaker 17 (01:49:23):
It's your girl Mien's back and let's that with.

Speaker 37 (01:49:28):
Your girl.

Speaker 17 (01:49:32):
Love me, Let's roll.

Speaker 2 (01:49:39):
Don't you love me?

Speaker 11 (01:49:44):
Jed shou to me?

Speaker 46 (01:50:02):
I want you to win.

Speaker 8 (01:50:04):
I want your man. I'm waiting for you all.

Speaker 16 (01:50:12):
I'll take me my wa.

Speaker 78 (01:50:19):
I want you to love me.

Speaker 42 (01:50:22):
I want you to need.

Speaker 2 (01:50:25):
Judge.

Speaker 8 (01:50:30):
I want your love me.

Speaker 7 (01:50:32):
I want you to need me.

Speaker 16 (01:50:35):
Joe, this guy's girl, Miss Friss with that.

Speaker 5 (01:50:47):
The guy, Oh.

Speaker 8 (01:50:56):
Leave me, oh.

Speaker 5 (01:51:05):
Jal Me.

Speaker 28 (01:51:10):
I want you to know the engage.

Speaker 42 (01:51:12):
I want you to need me.

Speaker 63 (01:51:15):
Jo being the J.

Speaker 34 (01:51:25):
And Jo.

Speaker 8 (01:51:30):
Feel about. We don't want to cry, Jo.

Speaker 5 (01:51:40):
I know you know me.

Speaker 11 (01:51:43):
I know you're not need me.

Speaker 5 (01:51:46):
Je.

Speaker 27 (01:51:49):
We just.

Speaker 5 (01:51:54):
Let's go.

Speaker 16 (01:51:56):
Miss fasciitious love.

Speaker 5 (01:52:00):
What is.

Speaker 6 (01:52:26):
Jee jee?

Speaker 24 (01:52:48):
Hi?

Speaker 72 (01:52:48):
My name is Literce Lawrence. Are from Los Angeles, California,
and my music is playing on award winning Boss Ladies
radio show. The latest episode that I was on was
being a powerful Communicator. My song My Secret Lies is

(01:53:10):
on all major digital platforms and I will be releasing
it starts with me before two thousand and twenty three ends,
and I will be playing Julia on a Lisa and Mahogany,
which is gonna be a TV series.

Speaker 8 (01:53:34):
Yeah, we have that the.

Speaker 20 (01:53:35):
Tree Florence with that congratulations. Three weeks.

Speaker 34 (01:53:41):
Ran on the street, she said, two days you're weading.

Speaker 5 (01:53:51):
My hut.

Speaker 8 (01:53:54):
The teas dream.

Speaker 59 (01:53:58):
So ass me Bay.

Speaker 34 (01:54:03):
I had to see you, baby. I never ran so
fast before. I rested inside the chapel door you were
waiting on alone.

Speaker 8 (01:54:18):
You turned around and hard the card.

Speaker 46 (01:54:24):
Congratulate Sha.

Speaker 6 (01:54:29):
I thought I would have envy.

Speaker 8 (01:54:33):
Standing in here with you and run alone. Sha.

Speaker 46 (01:54:41):
I hop you're happy.

Speaker 59 (01:54:47):
Because as long as sucking read, You'll always be the
world for me?

Speaker 8 (01:55:07):
Why was that last to know? I thought that we
were special.

Speaker 17 (01:55:18):
Muscles, shade.

Speaker 7 (01:55:21):
My heart bred.

Speaker 8 (01:55:25):
As a turn and walk away. I can't believe it's
so love.

Speaker 44 (01:55:36):
We rarely now said.

Speaker 8 (01:55:38):
By thought we get in one month Raze felt that
love was heirsday and now today your way.

Speaker 79 (01:55:51):
Man, I thought it would have been made. Congrat me
share have you had me?

Speaker 35 (01:56:14):
Cause as lung as I can read, you always be
the world fun.

Speaker 6 (01:56:44):
Can re shouldn't been me.

Speaker 5 (01:57:03):
Home?

Speaker 46 (01:57:04):
You're happy, yo.

Speaker 8 (01:57:08):
But it's a lovely sacond breed. You always be the
one funny boys, a lovely Sacon breed.

Speaker 20 (01:57:24):
You always be.

Speaker 6 (01:57:25):
The word.

Speaker 5 (01:57:28):
Fun.

Speaker 20 (01:57:47):
What's up?

Speaker 54 (01:57:48):
Well shod girl?

Speaker 37 (01:57:49):
Lady miss from the eight four five and New York
and you are listening to award winning Boss Lady Radio show.
Make sure y'all check out my latest compilation album under
various artists called Family Business, and don't forget to check
us out from the ground Up Productions. We got a podcast.
You could check us on YouTube, and you can check
us on our own network From the ground Up Productions

(01:58:11):
t V and last but not least, can't forget them
Boss Chips baby, that's right. I got my own potato
chips out called Boss Move Chips, and you could go
check it out, go purchase some and get at me
and find out how you could get your face on
the chips.

Speaker 24 (01:58:26):
Peace.

Speaker 80 (01:58:45):
Hello, Hello, damn, find you're not picking up. You said
that I could call you, that I could trust you,
So I put my trust in you. I stay loving you,
but I'm so confused. My feelings in your hands now
they feeling bruise. Gave you wanting me so wine you're.

Speaker 17 (01:59:08):
My feeling used.

Speaker 2 (01:59:09):
Oh my thought I had a window.

Speaker 17 (01:59:11):
So how did I lose?

Speaker 16 (01:59:12):
Gave you the best of me? Now I'm that to God.

Speaker 37 (01:59:15):
It be testing me because the pain you caused and
stressing me. And this a time to move on, for
a time.

Speaker 2 (01:59:20):
To be strong.

Speaker 16 (01:59:21):
My strength is being your test at y'all.

Speaker 37 (01:59:23):
But I'm trying to hang on. But if I stay
when I knew he was wrong, would I be your fool?
Because I caused my own storm. My soul is speaking,
so I gotta listen my heart.

Speaker 53 (01:59:33):
On my mind, y'all.

Speaker 2 (01:59:34):
That's a tough decision.

Speaker 53 (01:59:36):
Maybe choosing you was a bad decision.

Speaker 2 (01:59:38):
Believe in your words or my insuition, you.

Speaker 37 (01:59:42):
Got me wishing that I never met you, because the pain.

Speaker 17 (01:59:44):
You caused me made me regret you.

Speaker 37 (01:59:46):
Oh no, my soul is call him, but you ain't
reaching back. My soul is called him, but you ain't
reaching back.

Speaker 80 (01:59:53):
Maybe for my own protection, because when you pay governess
of waste deflection.

Speaker 37 (01:59:58):
Oh no, my soul is, Oh but you ain't reaching back.
My soul is calling, but you ain't reaching bad.

Speaker 80 (02:00:05):
Maybe for my own protection, because when you pick up.

Speaker 37 (02:00:08):
And so off waist to flection when I was down,
you wasn't holding me up, just a distraction, only slowing
me up.

Speaker 17 (02:00:15):
Ran out of love.

Speaker 37 (02:00:16):
But I'm about the real See, I deserve love. I
ain't gonna give up. You wanted a snack when I
was a mill, No second chances, no need of a
pill after everything that I seen in her, and you
ain't a man in your word, I'm wifey material.

Speaker 16 (02:00:31):
You're chasing them birds. I get approached by.

Speaker 37 (02:00:34):
Men with class, while you out here chasing at the
hood rats because they got a fat ass mean while
them over here trying to build you in the house
comfy come in the field. Now, I'm piss sending them
men in my bag. I was everything you wish you had,
but you treated me bad. You see, I deserve better,
ain't except the mediocre. I fought for this, but now

(02:00:54):
I'm glad it's sober. Now we're gonna win.

Speaker 2 (02:00:57):
My soul is calling, but you ain't reaching back.

Speaker 17 (02:01:00):
Soul is call him, but.

Speaker 46 (02:01:01):
You ain't reach your bad Jenny.

Speaker 37 (02:01:03):
Maybe for my own protection because when you picked gump
pisole waste deflection.

Speaker 5 (02:01:07):
Oh no, my soul, let's call him, but you ain't
reaching bad.

Speaker 2 (02:01:11):
My soul is call him, but you ain't reaching bad.
And maybe for my own protection because when you pick.

Speaker 26 (02:01:17):
Gum pisol waste deflection.

Speaker 58 (02:01:19):
Oh no, yeah, yeah, that's a girl making miz with that.

(02:01:48):
Call me a nix e Roosia and been up the games.

Speaker 27 (02:01:55):
You.

Speaker 8 (02:02:00):
Guys.

Speaker 55 (02:02:02):
Don't change your place. You know you were sweet to
catch her, to keep herkey in this style like in
the middle of the times. Don't change your place. You
know you work good to the left. Drop, don't stop styling,
give up a decent bed.

Speaker 17 (02:02:20):
Sometimes tell her this is men all in your mom, take.

Speaker 78 (02:02:24):
Out some well niceyeat, put a pre Jimmy shoes on
her feet.

Speaker 17 (02:02:28):
Stop bagging on him all the time. Start bragging on
him for.

Speaker 78 (02:02:32):
Sometimes case some presents that he wants to go and
make a face that he.

Speaker 17 (02:02:37):
Hunts the show. In the middle of the guys, don't
change your place. You know you were sweet to catch her.

Speaker 54 (02:02:45):
To keep herkey this style like in the middle of the.

Speaker 55 (02:02:49):
Past boom, don't change your place. You know you work
good to the lights drop, don't stop in the styling,
make suthing sky, send the car, give him money to
go to the spot.

Speaker 78 (02:03:02):
I shall have a funk out. Oh your arm, and
you'd be a superbuss star. When us try to watch
the sports in the den, get in the pitch and
whip them up something and even if you can't cook nothing,
have a little take out prope in the middle of
the games, whoa, don't change your plan.

Speaker 8 (02:03:20):
Don't change your play.

Speaker 16 (02:03:22):
You know you were sweet to catch her to keep
her key.

Speaker 55 (02:03:25):
And Miss Downway in the middle of the games, don't
change your place.

Speaker 17 (02:03:31):
You know you work good to the last drop.

Speaker 54 (02:03:34):
Don't stop keep doing.

Speaker 55 (02:03:36):
You better keep Miss Dollway, you out of even Miss Dollway,
you better keep you ought to keep cheep, Miss Dolway.
You better keep Miss down Away, you out even Miss Dollaway.
You better said come on and keep me out away wather.

Speaker 17 (02:03:57):
They always have to change when you wear that ring
and you're playing them games.

Speaker 5 (02:04:05):
Who now, I can't it stay when it was moved?

Speaker 17 (02:04:10):
Because if you deserved me, preserve me. How do y'all
that can beating you.

Speaker 6 (02:04:25):
In the middle of the game.

Speaker 17 (02:04:26):
Don't don't change your play.

Speaker 55 (02:04:29):
You know you were sweet to catch her, to keep
her keep in the middle of the game.

Speaker 17 (02:04:36):
Come on, don't change your play. Hey yeah?

Speaker 55 (02:04:39):
Or you want good to the light strop, don't stop,
keep miss nling, keep miss daling. You fell, I said,
you fetter you out of keep miss stall away?

Speaker 17 (02:04:54):
I said, now shave, don't take down now.

Speaker 59 (02:04:59):
Joe, come on, I sat now, don't change, don't go change,
don't change. So, don't change, don't change, don't don't change.

Speaker 8 (02:05:13):
Say don't change.

Speaker 59 (02:05:23):
That's so, don't change, don't change, don't tell, don't change,
don't don't change, don't don't change.

Speaker 8 (02:05:31):
Don't chet say.

Speaker 20 (02:05:37):
An nations So.

Speaker 17 (02:05:46):
The summer fold you need to roll them?

Speaker 6 (02:05:50):
Colley, do you give a jackag no to pay that
show the soul.

Speaker 2 (02:06:00):
You want to.

Speaker 5 (02:06:06):
Sather?

Speaker 20 (02:06:07):
Soul mis taken over.

Speaker 81 (02:06:09):
It's not a good day because we've got to directing times.

Speaker 2 (02:06:14):
We got a new faith.

Speaker 17 (02:06:17):
So we must come.

Speaker 53 (02:06:18):
Together and the negatives must go.

Speaker 5 (02:06:22):
Start all the hated and put on a good shole down.

Speaker 54 (02:06:27):
Give me your find to the music and it's a.

Speaker 81 (02:06:31):
Soulja so the soul you be told the body.

Speaker 17 (02:06:42):
You can let that pageon know to say that Southern
show you want.

Speaker 81 (02:06:50):
Yeah, request every tiger body you research your show, bading
you Karen prof.

Speaker 28 (02:07:01):
Castl TK sol O all right.

Speaker 17 (02:07:06):
And make you on the group.

Speaker 81 (02:07:09):
Lady Son Shad wrote this song, don't make you wanna move.

Speaker 31 (02:07:13):
So with your father to the music and good for
your soul.

Speaker 17 (02:07:20):
DJs no def a service.

Speaker 6 (02:07:25):
You need all the here.

Speaker 2 (02:07:29):
You kill and take you j no to pay that.

Speaker 17 (02:07:33):
Shove soul to move water here.

Speaker 6 (02:07:37):
Yeah STM a little.

Speaker 81 (02:07:41):
Easy and dissiscity Osa sleeve in Texas.

Speaker 28 (02:07:48):
They're puppeted in the car.

Speaker 15 (02:07:50):
All Obama, Carolina, Father.

Speaker 59 (02:07:54):
Joker to cancel the usually are the macon it to do.

Speaker 6 (02:08:02):
To the music and.

Speaker 81 (02:08:04):
It's gonna showing your soul after DJ so get finish
the soul you need you kill and tell t j
no ton't say that s the soul morning again. Yeah,

(02:08:27):
we got our music, get it too, Max stream The
DJ is playing our music.

Speaker 17 (02:08:35):
Do know their live streams.

Speaker 16 (02:08:40):
Covering a Fleet, Dreaming Team, the Belvig, Buddy Rock, the
b PJ.

Speaker 31 (02:08:46):
I want to stay if you're timing the middle tack
and listen.

Speaker 17 (02:08:51):
To your soul, that thirsty j.

Speaker 27 (02:08:56):
S.

Speaker 17 (02:08:57):
So you need to roll a body there, look ahead, y'all.

Speaker 81 (02:09:04):
I want you to call your radio stations and Sons
had a special shout out to the Blue Stuff, a
pioneer of Sun and other.

Speaker 5 (02:09:16):
So you need to roll abody here.

Speaker 8 (02:09:24):
You kill that.

Speaker 20 (02:09:27):
To play that other.

Speaker 27 (02:09:29):
Soul you.

Speaker 20 (02:10:03):
Okay, partner, I.

Speaker 30 (02:10:07):
Appreciate y'all tonight for you know how to let your
girl boss lady d all the ones it's gonna be
coming in the chat room.

Speaker 20 (02:10:15):
This show was definitely lick. You know what I'm saying,
I'm gonna put in.

Speaker 30 (02:10:23):
I'm finna type it in y'all cause I swear I
can't find and I was supposed to save it but
I didn't and so yeah, so.

Speaker 20 (02:10:30):
All I'm gonna do is get to the sh Okay,
he'll be good.

Speaker 33 (02:10:46):
Let me tell you something. Make people stand on that.

Speaker 82 (02:10:52):
If they disrespected you, make them stand on that, if
they called you out of your head, make them stand.

Speaker 33 (02:11:01):
Because what you allow will continue.

Speaker 83 (02:11:06):
So you gotta realize, Chosen Ones that people ain't gonna
never apologize to us. People ain't gonna never come up
to us and asks us for our forgiveness because they
don't respect us. So if you really won't respect Chosen Ones,
start respecting yourself.

Speaker 84 (02:11:23):
By removing yourself out of their lives. Because we don't
have time to be going back and forth with these comics.
We don't have time for our blood pressure to get
bountied up because we're too busy moving towards greater So people.

Speaker 85 (02:11:38):
Don't appreciate your presence, then they deserve your absence and
that's oh God, just good people with you.

Speaker 30 (02:11:50):
Gotta a tweet pain, Yeah, I like that one, though
there's one right here another one.

Speaker 33 (02:12:03):
Lenning Big is one thing clear. The chosen Ones are
extremely nice people. Oh we're real, genuine.

Speaker 84 (02:12:16):
We're one of the most nicest people you would ever
meet on planet Earth, no lives told. But we're not soft,
and that's where people tend to take our kindness for weakness.

(02:12:38):
That's where people have a tendency to try to bully us.

Speaker 33 (02:12:46):
But the Bible says, touch not myavoto.

Speaker 86 (02:12:48):
One, do my profit, no harm man And what people
further realize is we choose not to go seeking.

Speaker 14 (02:13:03):
Because we can go.

Speaker 33 (02:13:04):
Back and get even if we really really wanted to.

Speaker 84 (02:13:10):
We can go back and seek revenge in the worst
possible way until we find out that God hits harder
than we do. He hits way harder than what we do.
And this is why I guess what we say, Lord
forgive them, for they know not what they do. This
is why we already know that we're one prayer way

(02:13:32):
from our enemies receiving their karma.

Speaker 82 (02:13:37):
So if you ever thinking about crossing us, cushing us
to the edge, making us upset and angry, you better
think twice before you do it, because I promise you
if you do it, you will feel the wrath of God.

Speaker 87 (02:14:00):
So, Chosen Wins, don't nobody play you this year. Don't
nobody cross you this year. Don't nobody take your kindness
for weakness.

Speaker 88 (02:14:15):
I need you to stand on business all of twenty
twenty five, because if God is for you, Chosen Wins,
can nobody be against you.

Speaker 33 (02:14:30):
Now go ahead and try us if you want to,
and see what God would do.

Speaker 14 (02:14:45):
And then I've done.

Speaker 20 (02:14:46):
In the morning and evening, we'll see your own next show.

Speaker 48 (02:14:56):
We are now try for you.

Speaker 24 (02:14:59):
Who do you play the line?

Speaker 17 (02:15:00):
When we will antea hall at Queen Across.

Speaker 72 (02:15:02):
Thank you for chusing.

Speaker 62 (02:15:04):
By the way, you sure you're getting great cervid.

Speaker 4 (02:15:07):
Your call may be recorded or Monica