September 17, 2025 • 56 mins
From the Acme Studios in Mayville, Wisconsin. Summer is coming to a close and we welcome Autumn with The Fall Festival. Featuring deep tracks of Vintage Rock from Aerosmith, Judas Priest, Joe Walsh, Queen and more.
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Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
The following program is brought to you in living color.
Speaker 2 (00:07):
Something called into the barrow e sound. Somebody tell me
that said.
Speaker 3 (00:16):
Please that son, my.
Speaker 4 (00:22):
God, it's gone.
Speaker 1 (00:23):
I see God.
Speaker 2 (00:25):
We will provide the grand design.
Speaker 5 (00:29):
We didn't say it'd be good.
Speaker 6 (00:35):
It's one hour of Radio Anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 1 (00:41):
Where the hell is Mayville?
Speaker 2 (00:43):
Then it rocked.
Speaker 4 (00:43):
It's been bottled up way too long.
Speaker 7 (00:48):
Welcome to Don's basement.
Speaker 8 (00:56):
Let some marvelous name for a mon dance with these
starve up above your eyes. Man Tabing is mad to
make romance. Need the cover of bout over the skies you.
All the leaves on the.
Speaker 2 (01:11):
Trees are falling to the sound of the reason that blow.
Speaker 8 (01:17):
You know, I'm trying to please, to the calling of
your heart strength to place off and low. You know
the night's magic seems to wears brown hate.
Speaker 9 (01:31):
You know all the sun up, monnight seems to shame.
Speaker 2 (01:36):
Is your pleasure?
Speaker 3 (01:38):
Channa just help one more more than with you.
Speaker 1 (01:43):
I'm out low.
Speaker 2 (01:45):
I cannot just make some more romance with you? Will?
Speaker 8 (01:53):
I want to be loved to you till I can't
wait till the morning has.
Speaker 4 (01:58):
Come and I know now the time is just ride
and straight and.
Speaker 2 (02:04):
Till my arms.
Speaker 10 (02:05):
You will run.
Speaker 2 (02:07):
When you come out art, we'll be waiting to mix.
Speaker 8 (02:11):
Sure that genever run they're in. Then all my dreams
will come true to there, and then.
Speaker 2 (02:18):
I will make in my own.
Speaker 8 (02:20):
And every time I touch you you just trable inside.
Then I know how, but you want me that you
can't hide?
Speaker 2 (02:35):
Can I just hand one more.
Speaker 1 (02:38):
More dance when you do, my love?
Speaker 2 (02:42):
I can't.
Speaker 10 (02:43):
I just make some more romance with me. You a mallow,
(03:46):
Let's marmous, not torrimon.
Speaker 7 (03:49):
Dance, good start up, Brobacue.
Speaker 10 (03:53):
As has apparent, tibble's not a making romance. The cover
of arms from the skies, allow the leaves, all.
Speaker 1 (04:04):
The trees are falling. So the sound off the bridge.
Speaker 2 (04:09):
Is that blow.
Speaker 4 (04:11):
And I'm trying to place to the calling of your heart.
Speaker 8 (04:14):
Strengthen that plays off low You know all the name lights, magic, sleeps.
Speaker 1 (04:22):
You, whisper and hush.
Speaker 8 (04:25):
You know the sound fun lads seems so shine in
your place?
Speaker 2 (04:31):
Can't the sound one more more dance with you? I'm out.
Speaker 10 (04:38):
I cannot just make something more romant with you.
Speaker 2 (04:44):
I'm about a low way Mormon.
Speaker 11 (04:46):
Dance with you. Innimal leg all the maagine, Hello, light.
Speaker 2 (05:04):
On a man jump just.
Speaker 7 (05:13):
Mallow all right.
Speaker 5 (05:16):
So it's not exactly October, but close enough for jazz
Moondance album title cut from Van Morrison. Hello there, how
are you welcome back in? I'm Don Clark. Thanks so
much for coming down and hanging out with us once
again down here in Don' Spaceman with the fall festival,
as we put the raps on summer, with some autumn
songs that haven't seen the light of day in a
long long time. From Judas Priest. This is the last
(05:39):
rose of summer. Welcome to Don's Spaceman, sold.
Speaker 2 (05:43):
To timeless days of.
Speaker 12 (05:49):
Now the shadows begin to grow much.
Speaker 2 (05:57):
Sunset and blood.
Speaker 13 (06:00):
Let give you this.
Speaker 14 (06:06):
Last rose of salmon, son of my really law, so
that would win a man steam.
Speaker 2 (06:30):
Around seems to be cold, this role ron school the time.
Speaker 15 (06:43):
The lit.
Speaker 2 (07:01):
Do not disperse other nature sery raised.
Speaker 1 (07:09):
Stream she has well.
Speaker 2 (07:17):
Till the day. What's so very farbrom now.
Speaker 1 (07:24):
With the opening of the first.
Speaker 2 (07:25):
Floor was pat a shall it turn.
Speaker 13 (07:35):
Lone? So that the wain a man steam.
Speaker 16 (07:49):
Around seems standing found this.
Speaker 13 (07:53):
Row all the time, when almost.
Speaker 2 (08:21):
The last use a sim.
Speaker 13 (08:29):
Last song, the last one.
Speaker 2 (08:39):
So the last one it was a sign.
Speaker 17 (08:53):
Last one, it was a sign.
Speaker 13 (09:01):
That's what your shadows.
Speaker 2 (09:09):
Let's go.
Speaker 13 (09:11):
So let's song.
Speaker 2 (09:25):
Let's go, let us go.
Speaker 13 (09:34):
Then let's sink.
Speaker 17 (09:48):
Let's s let's.
Speaker 6 (10:28):
It all began with him talking to himself in the basement.
Now he's talking to himself in the studio.
Speaker 4 (10:34):
That is literally in a basement. We're proud of the
progress DC.
Speaker 7 (10:39):
Way to go, Pal, Welcome to Don's basement.
Speaker 1 (10:47):
Calm a little bit closer.
Speaker 18 (10:51):
You wanna have.
Speaker 19 (11:04):
Just like children sleep in week a dream this night way,
but there's a fuller rise. Let's go dancing in live.
(11:37):
We know where the music explain. Let's go and field.
Speaker 1 (11:44):
Nice because I'm still in love with you.
Speaker 20 (11:59):
I honestly you dance again because I'm still in love
with you.
Speaker 2 (12:08):
All my hardest.
Speaker 18 (12:29):
When we were a strangers, I watched you from far, when.
Speaker 1 (12:46):
We were a lover, I loved you with all my heart.
Speaker 20 (13:02):
But now it's getting laid. Every mood is clime b
I Wall celearbry Sea is shine in your because I'm
(13:37):
still in love with you. I want to see you
dance again because I'm still in love with you.
Speaker 2 (13:50):
On this hardest.
Speaker 1 (14:43):
Because I'm still in in log with you.
Speaker 20 (14:48):
I want to see you dance again because I'm still in.
Speaker 2 (14:54):
Love with you.
Speaker 17 (14:57):
Ah.
Speaker 2 (14:58):
This harness.
Speaker 5 (15:17):
Shining on Neil Young and the Harvest Moon on the
Fall Festival with another example of an album that only
gets one song played on the radio. That's why we're
here to make sure these other ones do from But seriously, folks,
this is Indian Summer from Joe Walsh in Don's Basement.
Speaker 21 (15:34):
I was taken by some prime by the thumber, sid
stared out at the rain.
Speaker 2 (15:43):
Taken back. I was younger in the vacant love day, and.
Speaker 13 (15:50):
The fall brought in Indian summer.
Speaker 2 (15:54):
And many new places to play. I can still here,
I'm calling. I can hear a thunder.
Speaker 21 (16:11):
Fun well, the sellers are hunting, the winners getting cold.
Not a lotsmarter, but another year old. Sometimes I'm still
after fishing hole.
Speaker 2 (16:34):
And you never needed bait when we used to go
just a safety pin, books on a bambo boat.
Speaker 13 (16:42):
Take the big ones home and.
Speaker 2 (16:45):
The little ones go fun.
Speaker 1 (16:51):
I can hear thunder.
Speaker 2 (16:54):
Walking down the eye.
Speaker 13 (17:18):
Am it side.
Speaker 2 (17:19):
As easy as it used to be? Finding time to
let my mind wander. I can still you and calling.
Speaker 9 (17:46):
And then the sound.
Speaker 4 (18:15):
You know, we have people ask us all the time,
why don't you tell more stories about what happened in
the basement.
Speaker 6 (18:20):
The reason we don't is simple. Half of the world
wouldn't believe us. The other half would try to prosecute us.
We just still't need that headache again. Welcome to Don's basement.
Speaker 2 (18:39):
Leaves have fallen all around.
Speaker 5 (18:43):
Time.
Speaker 1 (18:44):
I was on my way.
Speaker 3 (18:49):
That's to you.
Speaker 2 (18:51):
I'm much obliged.
Speaker 7 (18:54):
It's such a pleasant stay.
Speaker 1 (18:59):
But it's time for.
Speaker 2 (19:01):
Me to go the autumn. That's my way. But now
I smell the way I'm when it turn and it.
Speaker 1 (19:13):
Said of my way.
Speaker 2 (19:21):
Sometimes I got so tired, but I know I saying
I got to new.
Speaker 3 (19:30):
And now I have to do this now, say myself.
Speaker 13 (19:37):
My way.
Speaker 1 (19:39):
Bill is waiting till the day.
Speaker 2 (19:44):
Got the queen all my dream got more time to spreading.
Speaker 22 (19:51):
The time has come to be gone, though I help
me dress about some time.
Speaker 2 (20:02):
I'll have to.
Speaker 13 (20:25):
Run nowhere now the town let's just coming now s.
Speaker 2 (20:32):
I gotta runing my way.
Speaker 7 (20:33):
I trying to find my ground.
Speaker 2 (20:37):
I been this way, maybe I gotta run now. I
gotta find us about my dream.
Speaker 18 (20:48):
Tells tell you I can't be told.
Speaker 22 (20:58):
My freedom, Oh dear, how years ago, in days of
old and magic fool the air, just give the darkest
steps of more.
Speaker 1 (21:18):
My med girl, so fair, but gonna at the vil wall.
Speaker 22 (21:26):
Crept up and slipped away with her, her, her, her y.
Speaker 2 (21:37):
I didn't not that happened. I guess I keep. I'm gonna.
Speaker 3 (21:46):
Sta found a place.
Speaker 17 (21:51):
I'm gonna.
Speaker 23 (21:53):
Down.
Speaker 2 (21:54):
Run Away, run away, dude.
Speaker 5 (22:21):
The autumn leaves are falling all around, getting the letout
Zeppelin and ramble on on the Fall Festival, grabbing some
of the songs with the colors of fall, and one
in particular, written in nineteen seventy two with lyrics that
are just as important today as they were back then.
That's next. I'm Don Clark. Welcome to Don's Basement.
Speaker 7 (22:42):
Two icons Shit stop fucking sto.
Speaker 6 (22:56):
October twenty nine, The North Charleston Coliseum Special Gas and
Night Racher Reserve to the Coliseum ticket Office, Ticketmaster, charge
my phone or ticketmaster.
Speaker 7 (23:06):
Dot com sticks r e O Speedwagon Special Gas. Like
Racher can't stop rocking.
Speaker 4 (23:12):
There's classic rock, there's vintage rock. Then there's this place.
Speaker 7 (23:29):
This is John's Basement, Golden Country.
Speaker 2 (24:07):
Your face is so red without your money of talk
and the faid.
Speaker 24 (24:16):
You start around and you firt with disaster, never relet caring,
just what comes after? Or your blats are dying, but
your back is tatarun when your freaks are frying in
but your back is dat.
Speaker 2 (24:36):
Your beds up, your hiding, your country.
Speaker 13 (24:40):
Whimber the times are you afraid.
Speaker 2 (24:52):
Of as mustard and.
Speaker 13 (24:57):
Falling must make.
Speaker 2 (25:00):
Stand buggage people, You.
Speaker 7 (25:12):
Crawl to your homes.
Speaker 24 (25:15):
Your security lives in your bed of white storm, your
act concerned, but then a water away.
Speaker 2 (25:25):
When a leader was a red on your doors. Stop
God damn, oh are your black Stop crying but your.
Speaker 13 (25:33):
Back is stilt.
Speaker 2 (25:36):
When your breaks are dying, but your back is stilter.
Speaker 1 (25:41):
Your matter.
Speaker 13 (25:41):
Stop y'all hiding or you're going to amber. The time
has calm.
Speaker 2 (25:52):
Are you my bed.
Speaker 13 (25:55):
To supper?
Speaker 15 (25:57):
So I must there.
Speaker 2 (26:03):
Most my golden country.
Speaker 7 (27:27):
Your face is so red.
Speaker 2 (27:30):
For your money, your parking be.
Speaker 24 (27:33):
Faed, start around and fertu disaster never.
Speaker 2 (27:41):
Ella came and just a what tims after?
Speaker 24 (27:46):
Oh, your backs are dying, but of back is tatar
and your freaks are ty, but your back is stiter.
Your ben stop don hide him?
Speaker 2 (27:58):
Oh you come true.
Speaker 13 (28:05):
One the time? May you my friend.
Speaker 2 (28:12):
Shop there, so it must be. So must make custard.
Speaker 13 (28:21):
Smart just ty you nothing.
Speaker 2 (28:33):
Shop, so it must not And you must make custard.
Speaker 13 (28:42):
Smiles smart.
Speaker 5 (29:15):
At Kevin Cronin put us pender that back in nineteen
(30:02):
seventy two for the Ario two album, the lyrics that
are just as important today as they were back then.
There's Golden Country, an Ario Speedwagon. We've got the Fall
Festival with the colors of fall, silver, blue and gold
is bad company in dance basement in.
Speaker 13 (30:17):
The beginning, I believe every word that you say.
Speaker 1 (30:28):
Now that you're gone, My wild is in streets.
Speaker 2 (30:35):
Love you, love me and love me. You took off
the thing that I needed, supermer I'm standing you and
and where is a love that.
Speaker 11 (30:56):
Give me?
Speaker 20 (30:57):
Souler and.
Speaker 1 (31:01):
The color of the sky turn.
Speaker 2 (31:05):
My rain years old you.
Speaker 25 (31:17):
In the beginning, there was something of love that was mine.
Now that it's gone, worm crying the time that it
takes my lef to grow cold is the one that
(31:40):
you mean. I'm walking down with my head hanging out.
Speaker 7 (31:47):
Tell me where is she?
Speaker 13 (31:56):
Give me sooner and go.
Speaker 26 (32:00):
The current pop sky turn Marae is overdue.
Speaker 13 (32:26):
Don't God save me? Goes o you.
Speaker 2 (32:34):
Don't save me because I.
Speaker 13 (32:42):
Give me simer.
Speaker 26 (32:44):
End the current pop Sko turn Marae is over Give
(33:37):
me silver.
Speaker 17 (33:39):
And gold.
Speaker 13 (33:41):
The color.
Speaker 2 (33:42):
Bosky told.
Speaker 9 (33:45):
Marie he's overdue.
Speaker 2 (33:57):
Now give me silver the current bob Sky to.
Speaker 17 (34:06):
My rain.
Speaker 13 (34:10):
Is overdue. Don't say anything because.
Speaker 7 (34:40):
I don't say thing because I.
Speaker 27 (35:00):
Man.
Speaker 4 (35:00):
We're always ready for another hit record. We're always ready
for another hit record. Welcome to Don's Basement.
Speaker 2 (35:09):
Time was drifting.
Speaker 12 (35:11):
This rock got the road. So I hit the road
and made my good away Restmas feel and really got
a hold. I started such a fall a battle way.
Speaker 15 (35:30):
And they couldn't done the goutside in the middle of
the night, but they couldn't see the line.
Speaker 2 (35:36):
I couldn't see the line. Get a way to take
me through the night.
Speaker 27 (35:43):
I couldn't get it y.
Speaker 2 (35:46):
I couldn't get it hi.
Speaker 17 (35:54):
Elly feever mean?
Speaker 2 (35:56):
I feel right, go my steady.
Speaker 1 (36:00):
It's got the best me.
Speaker 2 (36:03):
And so deep down and I can't get back the
way I used to be. I don't look sign in
the middle of the name, but I couldn't see the light. No,
can't see the life.
Speaker 1 (36:24):
Don't let the boat pay in time?
Speaker 2 (36:28):
Can you get it? Rod? Can you get it?
Speaker 13 (36:31):
Bron New York.
Speaker 23 (36:53):
Sity turn at the time, never lit time from husband, time,
let me stranded, took away my pride, just another thing,
no comfortality.
Speaker 1 (37:13):
Can both signed in the middle of the night.
Speaker 15 (37:17):
But I couldn't see the lie. No, I couldn't see
the diet.
Speaker 13 (37:23):
Don you love me?
Speaker 15 (37:24):
Take me.
Speaker 2 (37:26):
You can get it bye.
Speaker 15 (37:29):
You couldn't get it by sign the ny. You couldn't
see the lie. I couldn't see the lie.
Speaker 13 (37:41):
Do wait take you couldn't get it back, couldn't.
Speaker 2 (37:48):
Get it by sign't say the lie.
Speaker 5 (37:58):
From the album Gold did Climax blues band and couldn't
get it right. For the Works album, they wanted to
reach back, and they wanted to put together a song
that had the power of their early material. They did
it with this Here's Queen and hammered to fall in,
don spaceman, here we.
Speaker 28 (38:21):
Stay, here we fall Mister Reeve won't care, Lady Mercy,
don't hear the bell with us.
Speaker 2 (38:47):
We just waited a lot of falls.
Speaker 3 (38:59):
Every night.
Speaker 29 (39:00):
The prints a little peace of this part of the way,
John Bass, the musty mail lit don't know so.
Speaker 7 (39:11):
That your body is changing.
Speaker 13 (39:16):
Again?
Speaker 2 (39:18):
Left the static.
Speaker 13 (39:19):
Government all last day, young day. You know it's time
for the hem out the bars.
Speaker 17 (39:36):
It shows.
Speaker 13 (39:42):
Say I'm j don't my name is Moody.
Speaker 30 (39:58):
Stu you grew up T Brown in the shadow comest
(40:30):
cloud the stuff boss.
Speaker 2 (40:33):
Can't be.
Speaker 1 (40:35):
Did you how to speaking out her?
Speaker 13 (40:38):
What the hell we find it?
Speaker 2 (40:43):
Just a reader and they won't hurt at all?
Speaker 13 (40:46):
Just not time to say a friend.
Speaker 2 (40:50):
While you're waiting for a hammer, the ham, the.
Speaker 3 (40:53):
Ba hey, that's it's got away.
Speaker 13 (41:27):
Why you waited.
Speaker 2 (41:37):
One long time?
Speaker 6 (41:39):
He turned a song to so many great bands, Now
he's bringing him back, scratching vinylin all.
Speaker 4 (41:45):
Welcome to Don's Basement.
Speaker 2 (41:54):
The story.
Speaker 27 (41:57):
Of this man day, the clears and shames, the badgers
and lines and constant Lady.
Speaker 2 (42:06):
It's not a game.
Speaker 1 (42:09):
Balance the cost of the.
Speaker 13 (42:11):
Soul you lost, that dame you.
Speaker 2 (42:17):
Are you and the bird the.
Speaker 13 (42:39):
Latter and calls got you find the bones and barns and.
Speaker 27 (42:46):
The doctor remind you that I may hind you. You know,
the mattersday, the loser Mas you're wearing stand now and
the gay is.
Speaker 13 (42:58):
A last statstst the nest.
Speaker 17 (43:48):
Stop stop.
Speaker 2 (44:11):
You bitching my cons then I get damage.
Speaker 13 (44:15):
You can stand on the gar You can't lave to
annoy you snug in the guy, do the tenancy gain.
Speaker 1 (44:26):
To balance the cause.
Speaker 9 (44:28):
The song you Lost in the Day, nine, the.
Speaker 2 (44:36):
It's Your the growl people on the.
Speaker 5 (44:54):
St frequent visitors to the Basement. No, we reach back
(45:41):
and grab cuts off of that album quite a bit.
It's one of his finest works. Stan Fogelberg along with
Tim Weisberg from Twin Sons of Different Mothers and the
Power of Gold on the Fall Festival and a song
that wasn't necessarily inspired by the autumns in New England. No,
this was more of the winters in New England that
(46:02):
inspired Stephen Tyler to write this. For those of us
that have been through the winters in New England, we
know they're nasty. From get your wings. This is Aerosmith
and seasons of weather in down spacemen.
Speaker 2 (47:01):
We're all up one thousands.
Speaker 13 (47:10):
All do see.
Speaker 18 (47:15):
See to with the.
Speaker 9 (47:20):
O then.
Speaker 17 (47:28):
Wo is me?
Speaker 2 (47:31):
I'm you supid? They fall you m your supici, They
in foll you in town. I'm gonna put your mind.
(47:55):
They're all fall your town. They go then right out,
oh go.
Speaker 31 (48:00):
S five dance and Knight thousand dollars, A baby.
Speaker 3 (48:19):
My ship please, and man.
Speaker 13 (48:24):
Can say got me bout.
Speaker 2 (48:28):
So new weekend away back hand the fool We see
(48:49):
a thousand drawn to person see to with the uh.
Speaker 13 (49:01):
Oh, then.
Speaker 2 (49:09):
No one else you.
Speaker 3 (49:12):
Supid?
Speaker 2 (49:16):
Then about you know is made at the soup Si.
Speaker 1 (49:30):
They about the one.
Speaker 13 (49:32):
Time thout your mind.
Speaker 1 (49:36):
They're all the time.
Speaker 31 (49:38):
They go win right out.
Speaker 6 (49:40):
Of couple side, reliving the great days of vintage rock
(50:28):
without the Boonez Farm headache.
Speaker 7 (50:30):
Welcome to Don's basement.
Speaker 2 (50:51):
Did not hear your crib smoon him?
Speaker 1 (50:55):
Did not feel you week.
Speaker 32 (51:00):
Teardrops coming down on me, my versaty.
Speaker 2 (51:10):
In my dream of laugh you came creeping with your.
Speaker 32 (51:19):
Telling me your sorrow in the trade senters of your tire.
Speaker 2 (51:29):
That's a strange man to tell me of me when
you sallow? Is all I can see?
Speaker 33 (51:38):
If you're just all a proud of somebody got proud
of me, No.
Speaker 2 (51:47):
Don't proud of me. Didn't I you are for this morning?
Didn't you call my name?
Speaker 9 (52:08):
I had to ask my softly, but the words one
never playing.
Speaker 2 (52:17):
In your dream of darkness.
Speaker 32 (52:20):
I came shining like the sun, waiting for the laughter,
for the laughter never come.
Speaker 13 (52:36):
That's a strange way tell me.
Speaker 33 (52:39):
You love me when you're sol that's all I can
see if you're just all a crowd of somebody.
Speaker 2 (52:50):
Don't proud of me. No, don't crowd of me.
Speaker 32 (53:00):
You know.
Speaker 9 (53:07):
You didn't you feel smoking? Didn't you need are.
Speaker 1 (53:25):
In your talkings?
Speaker 2 (53:26):
Hour came rolling back game.
Speaker 33 (53:35):
That's a strange mana. Tell me you love me when
you saw I was all I can see.
Speaker 2 (53:44):
You feel?
Speaker 13 (53:45):
Just want a crowd of some money go cry, No,
don't crowd.
Speaker 16 (53:53):
Of me, don't proden me, don't follow me, don't matter.
Speaker 2 (54:10):
Yeah, that's a stay wad. Tell me love me. That's
(54:53):
a wada. Tell me love me, And that's the same
way tell me.
Speaker 5 (55:07):
Well, there's only so many songs about autumn. See you
gotta stretch it every once in a while from fire Fall.
There's a strange way putting the wraps on the Fall Festival.
We want to thank all the radio stations up and
down the dial to take the time to run our
show each week, including our flagship station ninety nine point
nine FMWYML and WYML dot us in Chicago. Thank you,
(55:27):
Joe and Jeff. We're going coast to coast. We've got
al and everybody at Rock Party Radio, New Jersey. Chuck
and his crew at KZFX Rock in the High Desert
in Ridgecrest, California. And right in the middle, we've got
Buddy Guy and everybody at Buddy Guy Radio in Chicago
and all the stations. Thanks to the iHeartRadio Network and
Amazon Music for getting the word out about down Spaceman tapes.
(55:47):
Thanks to mister Lee Peek, the voice of down Spacemen,
and thank you so much for coming down here each
and every week hanging out in the basement. I'm Don Clark.
Speaker 9 (55:57):
Peace,
The following program is brought to you in living color.
Speaker 2 (00:07):
Something called into the barrow e sound. Somebody tell me
that said.
Speaker 3 (00:16):
Please that son, my.
Speaker 4 (00:22):
God, it's gone.
Speaker 1 (00:23):
I see God.
Speaker 2 (00:25):
We will provide the grand design.
Speaker 5 (00:29):
We didn't say it'd be good.
Speaker 6 (00:35):
It's one hour of Radio Anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 1 (00:41):
Where the hell is Mayville?
Speaker 2 (00:43):
Then it rocked.
Speaker 4 (00:43):
It's been bottled up way too long.
Speaker 7 (00:48):
Welcome to Don's basement.
Speaker 8 (00:56):
Let some marvelous name for a mon dance with these
starve up above your eyes. Man Tabing is mad to
make romance. Need the cover of bout over the skies you.
All the leaves on the.
Speaker 2 (01:11):
Trees are falling to the sound of the reason that blow.
Speaker 8 (01:17):
You know, I'm trying to please, to the calling of
your heart strength to place off and low. You know
the night's magic seems to wears brown hate.
Speaker 9 (01:31):
You know all the sun up, monnight seems to shame.
Speaker 2 (01:36):
Is your pleasure?
Speaker 3 (01:38):
Channa just help one more more than with you.
Speaker 1 (01:43):
I'm out low.
Speaker 2 (01:45):
I cannot just make some more romance with you? Will?
Speaker 8 (01:53):
I want to be loved to you till I can't
wait till the morning has.
Speaker 4 (01:58):
Come and I know now the time is just ride
and straight and.
Speaker 2 (02:04):
Till my arms.
Speaker 10 (02:05):
You will run.
Speaker 2 (02:07):
When you come out art, we'll be waiting to mix.
Speaker 8 (02:11):
Sure that genever run they're in. Then all my dreams
will come true to there, and then.
Speaker 2 (02:18):
I will make in my own.
Speaker 8 (02:20):
And every time I touch you you just trable inside.
Then I know how, but you want me that you
can't hide?
Speaker 2 (02:35):
Can I just hand one more.
Speaker 1 (02:38):
More dance when you do, my love?
Speaker 2 (02:42):
I can't.
Speaker 10 (02:43):
I just make some more romance with me. You a mallow,
(03:46):
Let's marmous, not torrimon.
Speaker 7 (03:49):
Dance, good start up, Brobacue.
Speaker 10 (03:53):
As has apparent, tibble's not a making romance. The cover
of arms from the skies, allow the leaves, all.
Speaker 1 (04:04):
The trees are falling. So the sound off the bridge.
Speaker 2 (04:09):
Is that blow.
Speaker 4 (04:11):
And I'm trying to place to the calling of your heart.
Speaker 8 (04:14):
Strengthen that plays off low You know all the name lights, magic, sleeps.
Speaker 1 (04:22):
You, whisper and hush.
Speaker 8 (04:25):
You know the sound fun lads seems so shine in
your place?
Speaker 2 (04:31):
Can't the sound one more more dance with you? I'm out.
Speaker 10 (04:38):
I cannot just make something more romant with you.
Speaker 2 (04:44):
I'm about a low way Mormon.
Speaker 11 (04:46):
Dance with you. Innimal leg all the maagine, Hello, light.
Speaker 2 (05:04):
On a man jump just.
Speaker 7 (05:13):
Mallow all right.
Speaker 5 (05:16):
So it's not exactly October, but close enough for jazz
Moondance album title cut from Van Morrison. Hello there, how
are you welcome back in? I'm Don Clark. Thanks so
much for coming down and hanging out with us once
again down here in Don' Spaceman with the fall festival,
as we put the raps on summer, with some autumn
songs that haven't seen the light of day in a
long long time. From Judas Priest. This is the last
(05:39):
rose of summer. Welcome to Don's Spaceman, sold.
Speaker 2 (05:43):
To timeless days of.
Speaker 12 (05:49):
Now the shadows begin to grow much.
Speaker 2 (05:57):
Sunset and blood.
Speaker 13 (06:00):
Let give you this.
Speaker 14 (06:06):
Last rose of salmon, son of my really law, so
that would win a man steam.
Speaker 2 (06:30):
Around seems to be cold, this role ron school the time.
Speaker 15 (06:43):
The lit.
Speaker 2 (07:01):
Do not disperse other nature sery raised.
Speaker 1 (07:09):
Stream she has well.
Speaker 2 (07:17):
Till the day. What's so very farbrom now.
Speaker 1 (07:24):
With the opening of the first.
Speaker 2 (07:25):
Floor was pat a shall it turn.
Speaker 13 (07:35):
Lone? So that the wain a man steam.
Speaker 16 (07:49):
Around seems standing found this.
Speaker 13 (07:53):
Row all the time, when almost.
Speaker 2 (08:21):
The last use a sim.
Speaker 13 (08:29):
Last song, the last one.
Speaker 2 (08:39):
So the last one it was a sign.
Speaker 17 (08:53):
Last one, it was a sign.
Speaker 13 (09:01):
That's what your shadows.
Speaker 2 (09:09):
Let's go.
Speaker 13 (09:11):
So let's song.
Speaker 2 (09:25):
Let's go, let us go.
Speaker 13 (09:34):
Then let's sink.
Speaker 17 (09:48):
Let's s let's.
Speaker 6 (10:28):
It all began with him talking to himself in the basement.
Now he's talking to himself in the studio.
Speaker 4 (10:34):
That is literally in a basement. We're proud of the
progress DC.
Speaker 7 (10:39):
Way to go, Pal, Welcome to Don's basement.
Speaker 1 (10:47):
Calm a little bit closer.
Speaker 18 (10:51):
You wanna have.
Speaker 19 (11:04):
Just like children sleep in week a dream this night way,
but there's a fuller rise. Let's go dancing in live.
(11:37):
We know where the music explain. Let's go and field.
Speaker 1 (11:44):
Nice because I'm still in love with you.
Speaker 20 (11:59):
I honestly you dance again because I'm still in love
with you.
Speaker 2 (12:08):
All my hardest.
Speaker 18 (12:29):
When we were a strangers, I watched you from far, when.
Speaker 1 (12:46):
We were a lover, I loved you with all my heart.
Speaker 20 (13:02):
But now it's getting laid. Every mood is clime b
I Wall celearbry Sea is shine in your because I'm
(13:37):
still in love with you. I want to see you
dance again because I'm still in love with you.
Speaker 2 (13:50):
On this hardest.
Speaker 1 (14:43):
Because I'm still in in log with you.
Speaker 20 (14:48):
I want to see you dance again because I'm still in.
Speaker 2 (14:54):
Love with you.
Speaker 17 (14:57):
Ah.
Speaker 2 (14:58):
This harness.
Speaker 5 (15:17):
Shining on Neil Young and the Harvest Moon on the
Fall Festival with another example of an album that only
gets one song played on the radio. That's why we're
here to make sure these other ones do from But seriously, folks,
this is Indian Summer from Joe Walsh in Don's Basement.
Speaker 21 (15:34):
I was taken by some prime by the thumber, sid
stared out at the rain.
Speaker 2 (15:43):
Taken back. I was younger in the vacant love day, and.
Speaker 13 (15:50):
The fall brought in Indian summer.
Speaker 2 (15:54):
And many new places to play. I can still here,
I'm calling. I can hear a thunder.
Speaker 21 (16:11):
Fun well, the sellers are hunting, the winners getting cold.
Not a lotsmarter, but another year old. Sometimes I'm still
after fishing hole.
Speaker 2 (16:34):
And you never needed bait when we used to go
just a safety pin, books on a bambo boat.
Speaker 13 (16:42):
Take the big ones home and.
Speaker 2 (16:45):
The little ones go fun.
Speaker 1 (16:51):
I can hear thunder.
Speaker 2 (16:54):
Walking down the eye.
Speaker 13 (17:18):
Am it side.
Speaker 2 (17:19):
As easy as it used to be? Finding time to
let my mind wander. I can still you and calling.
Speaker 9 (17:46):
And then the sound.
Speaker 4 (18:15):
You know, we have people ask us all the time,
why don't you tell more stories about what happened in
the basement.
Speaker 6 (18:20):
The reason we don't is simple. Half of the world
wouldn't believe us. The other half would try to prosecute us.
We just still't need that headache again. Welcome to Don's basement.
Speaker 2 (18:39):
Leaves have fallen all around.
Speaker 5 (18:43):
Time.
Speaker 1 (18:44):
I was on my way.
Speaker 3 (18:49):
That's to you.
Speaker 2 (18:51):
I'm much obliged.
Speaker 7 (18:54):
It's such a pleasant stay.
Speaker 1 (18:59):
But it's time for.
Speaker 2 (19:01):
Me to go the autumn. That's my way. But now
I smell the way I'm when it turn and it.
Speaker 1 (19:13):
Said of my way.
Speaker 2 (19:21):
Sometimes I got so tired, but I know I saying
I got to new.
Speaker 3 (19:30):
And now I have to do this now, say myself.
Speaker 13 (19:37):
My way.
Speaker 1 (19:39):
Bill is waiting till the day.
Speaker 2 (19:44):
Got the queen all my dream got more time to spreading.
Speaker 22 (19:51):
The time has come to be gone, though I help
me dress about some time.
Speaker 2 (20:02):
I'll have to.
Speaker 13 (20:25):
Run nowhere now the town let's just coming now s.
Speaker 2 (20:32):
I gotta runing my way.
Speaker 7 (20:33):
I trying to find my ground.
Speaker 2 (20:37):
I been this way, maybe I gotta run now. I
gotta find us about my dream.
Speaker 18 (20:48):
Tells tell you I can't be told.
Speaker 22 (20:58):
My freedom, Oh dear, how years ago, in days of
old and magic fool the air, just give the darkest
steps of more.
Speaker 1 (21:18):
My med girl, so fair, but gonna at the vil wall.
Speaker 22 (21:26):
Crept up and slipped away with her, her, her, her y.
Speaker 2 (21:37):
I didn't not that happened. I guess I keep. I'm gonna.
Speaker 3 (21:46):
Sta found a place.
Speaker 17 (21:51):
I'm gonna.
Speaker 23 (21:53):
Down.
Speaker 2 (21:54):
Run Away, run away, dude.
Speaker 5 (22:21):
The autumn leaves are falling all around, getting the letout
Zeppelin and ramble on on the Fall Festival, grabbing some
of the songs with the colors of fall, and one
in particular, written in nineteen seventy two with lyrics that
are just as important today as they were back then.
That's next. I'm Don Clark. Welcome to Don's Basement.
Speaker 7 (22:42):
Two icons Shit stop fucking sto.
Speaker 6 (22:56):
October twenty nine, The North Charleston Coliseum Special Gas and
Night Racher Reserve to the Coliseum ticket Office, Ticketmaster, charge
my phone or ticketmaster.
Speaker 7 (23:06):
Dot com sticks r e O Speedwagon Special Gas. Like
Racher can't stop rocking.
Speaker 4 (23:12):
There's classic rock, there's vintage rock. Then there's this place.
Speaker 7 (23:29):
This is John's Basement, Golden Country.
Speaker 2 (24:07):
Your face is so red without your money of talk
and the faid.
Speaker 24 (24:16):
You start around and you firt with disaster, never relet caring,
just what comes after? Or your blats are dying, but
your back is tatarun when your freaks are frying in
but your back is dat.
Speaker 2 (24:36):
Your beds up, your hiding, your country.
Speaker 13 (24:40):
Whimber the times are you afraid.
Speaker 2 (24:52):
Of as mustard and.
Speaker 13 (24:57):
Falling must make.
Speaker 2 (25:00):
Stand buggage people, You.
Speaker 7 (25:12):
Crawl to your homes.
Speaker 24 (25:15):
Your security lives in your bed of white storm, your
act concerned, but then a water away.
Speaker 2 (25:25):
When a leader was a red on your doors. Stop
God damn, oh are your black Stop crying but your.
Speaker 13 (25:33):
Back is stilt.
Speaker 2 (25:36):
When your breaks are dying, but your back is stilter.
Speaker 1 (25:41):
Your matter.
Speaker 13 (25:41):
Stop y'all hiding or you're going to amber. The time
has calm.
Speaker 2 (25:52):
Are you my bed.
Speaker 13 (25:55):
To supper?
Speaker 15 (25:57):
So I must there.
Speaker 2 (26:03):
Most my golden country.
Speaker 7 (27:27):
Your face is so red.
Speaker 2 (27:30):
For your money, your parking be.
Speaker 24 (27:33):
Faed, start around and fertu disaster never.
Speaker 2 (27:41):
Ella came and just a what tims after?
Speaker 24 (27:46):
Oh, your backs are dying, but of back is tatar
and your freaks are ty, but your back is stiter.
Your ben stop don hide him?
Speaker 2 (27:58):
Oh you come true.
Speaker 13 (28:05):
One the time? May you my friend.
Speaker 2 (28:12):
Shop there, so it must be. So must make custard.
Speaker 13 (28:21):
Smart just ty you nothing.
Speaker 2 (28:33):
Shop, so it must not And you must make custard.
Speaker 13 (28:42):
Smiles smart.
Speaker 5 (29:15):
At Kevin Cronin put us pender that back in nineteen
(30:02):
seventy two for the Ario two album, the lyrics that
are just as important today as they were back then.
There's Golden Country, an Ario Speedwagon. We've got the Fall
Festival with the colors of fall, silver, blue and gold
is bad company in dance basement in.
Speaker 13 (30:17):
The beginning, I believe every word that you say.
Speaker 1 (30:28):
Now that you're gone, My wild is in streets.
Speaker 2 (30:35):
Love you, love me and love me. You took off
the thing that I needed, supermer I'm standing you and
and where is a love that.
Speaker 11 (30:56):
Give me?
Speaker 20 (30:57):
Souler and.
Speaker 1 (31:01):
The color of the sky turn.
Speaker 2 (31:05):
My rain years old you.
Speaker 25 (31:17):
In the beginning, there was something of love that was mine.
Now that it's gone, worm crying the time that it
takes my lef to grow cold is the one that
(31:40):
you mean. I'm walking down with my head hanging out.
Speaker 7 (31:47):
Tell me where is she?
Speaker 13 (31:56):
Give me sooner and go.
Speaker 26 (32:00):
The current pop sky turn Marae is overdue.
Speaker 13 (32:26):
Don't God save me? Goes o you.
Speaker 2 (32:34):
Don't save me because I.
Speaker 13 (32:42):
Give me simer.
Speaker 26 (32:44):
End the current pop Sko turn Marae is over Give
(33:37):
me silver.
Speaker 17 (33:39):
And gold.
Speaker 13 (33:41):
The color.
Speaker 2 (33:42):
Bosky told.
Speaker 9 (33:45):
Marie he's overdue.
Speaker 2 (33:57):
Now give me silver the current bob Sky to.
Speaker 17 (34:06):
My rain.
Speaker 13 (34:10):
Is overdue. Don't say anything because.
Speaker 7 (34:40):
I don't say thing because I.
Speaker 27 (35:00):
Man.
Speaker 4 (35:00):
We're always ready for another hit record. We're always ready
for another hit record. Welcome to Don's Basement.
Speaker 2 (35:09):
Time was drifting.
Speaker 12 (35:11):
This rock got the road. So I hit the road
and made my good away Restmas feel and really got
a hold. I started such a fall a battle way.
Speaker 15 (35:30):
And they couldn't done the goutside in the middle of
the night, but they couldn't see the line.
Speaker 2 (35:36):
I couldn't see the line. Get a way to take
me through the night.
Speaker 27 (35:43):
I couldn't get it y.
Speaker 2 (35:46):
I couldn't get it hi.
Speaker 17 (35:54):
Elly feever mean?
Speaker 2 (35:56):
I feel right, go my steady.
Speaker 1 (36:00):
It's got the best me.
Speaker 2 (36:03):
And so deep down and I can't get back the
way I used to be. I don't look sign in
the middle of the name, but I couldn't see the light. No,
can't see the life.
Speaker 1 (36:24):
Don't let the boat pay in time?
Speaker 2 (36:28):
Can you get it? Rod? Can you get it?
Speaker 13 (36:31):
Bron New York.
Speaker 23 (36:53):
Sity turn at the time, never lit time from husband, time,
let me stranded, took away my pride, just another thing,
no comfortality.
Speaker 1 (37:13):
Can both signed in the middle of the night.
Speaker 15 (37:17):
But I couldn't see the lie. No, I couldn't see
the diet.
Speaker 13 (37:23):
Don you love me?
Speaker 15 (37:24):
Take me.
Speaker 2 (37:26):
You can get it bye.
Speaker 15 (37:29):
You couldn't get it by sign the ny. You couldn't
see the lie. I couldn't see the lie.
Speaker 13 (37:41):
Do wait take you couldn't get it back, couldn't.
Speaker 2 (37:48):
Get it by sign't say the lie.
Speaker 5 (37:58):
From the album Gold did Climax blues band and couldn't
get it right. For the Works album, they wanted to
reach back, and they wanted to put together a song
that had the power of their early material. They did
it with this Here's Queen and hammered to fall in,
don spaceman, here we.
Speaker 28 (38:21):
Stay, here we fall Mister Reeve won't care, Lady Mercy,
don't hear the bell with us.
Speaker 2 (38:47):
We just waited a lot of falls.
Speaker 3 (38:59):
Every night.
Speaker 29 (39:00):
The prints a little peace of this part of the way,
John Bass, the musty mail lit don't know so.
Speaker 7 (39:11):
That your body is changing.
Speaker 13 (39:16):
Again?
Speaker 2 (39:18):
Left the static.
Speaker 13 (39:19):
Government all last day, young day. You know it's time
for the hem out the bars.
Speaker 17 (39:36):
It shows.
Speaker 13 (39:42):
Say I'm j don't my name is Moody.
Speaker 30 (39:58):
Stu you grew up T Brown in the shadow comest
(40:30):
cloud the stuff boss.
Speaker 2 (40:33):
Can't be.
Speaker 1 (40:35):
Did you how to speaking out her?
Speaker 13 (40:38):
What the hell we find it?
Speaker 2 (40:43):
Just a reader and they won't hurt at all?
Speaker 13 (40:46):
Just not time to say a friend.
Speaker 2 (40:50):
While you're waiting for a hammer, the ham, the.
Speaker 3 (40:53):
Ba hey, that's it's got away.
Speaker 13 (41:27):
Why you waited.
Speaker 2 (41:37):
One long time?
Speaker 6 (41:39):
He turned a song to so many great bands, Now
he's bringing him back, scratching vinylin all.
Speaker 4 (41:45):
Welcome to Don's Basement.
Speaker 2 (41:54):
The story.
Speaker 27 (41:57):
Of this man day, the clears and shames, the badgers
and lines and constant Lady.
Speaker 2 (42:06):
It's not a game.
Speaker 1 (42:09):
Balance the cost of the.
Speaker 13 (42:11):
Soul you lost, that dame you.
Speaker 2 (42:17):
Are you and the bird the.
Speaker 13 (42:39):
Latter and calls got you find the bones and barns and.
Speaker 27 (42:46):
The doctor remind you that I may hind you. You know,
the mattersday, the loser Mas you're wearing stand now and
the gay is.
Speaker 13 (42:58):
A last statstst the nest.
Speaker 17 (43:48):
Stop stop.
Speaker 2 (44:11):
You bitching my cons then I get damage.
Speaker 13 (44:15):
You can stand on the gar You can't lave to
annoy you snug in the guy, do the tenancy gain.
Speaker 1 (44:26):
To balance the cause.
Speaker 9 (44:28):
The song you Lost in the Day, nine, the.
Speaker 2 (44:36):
It's Your the growl people on the.
Speaker 5 (44:54):
St frequent visitors to the Basement. No, we reach back
(45:41):
and grab cuts off of that album quite a bit.
It's one of his finest works. Stan Fogelberg along with
Tim Weisberg from Twin Sons of Different Mothers and the
Power of Gold on the Fall Festival and a song
that wasn't necessarily inspired by the autumns in New England. No,
this was more of the winters in New England that
(46:02):
inspired Stephen Tyler to write this. For those of us
that have been through the winters in New England, we
know they're nasty. From get your wings. This is Aerosmith
and seasons of weather in down spacemen.
Speaker 2 (47:01):
We're all up one thousands.
Speaker 13 (47:10):
All do see.
Speaker 18 (47:15):
See to with the.
Speaker 9 (47:20):
O then.
Speaker 17 (47:28):
Wo is me?
Speaker 2 (47:31):
I'm you supid? They fall you m your supici, They
in foll you in town. I'm gonna put your mind.
(47:55):
They're all fall your town. They go then right out,
oh go.
Speaker 31 (48:00):
S five dance and Knight thousand dollars, A baby.
Speaker 3 (48:19):
My ship please, and man.
Speaker 13 (48:24):
Can say got me bout.
Speaker 2 (48:28):
So new weekend away back hand the fool We see
(48:49):
a thousand drawn to person see to with the uh.
Speaker 13 (49:01):
Oh, then.
Speaker 2 (49:09):
No one else you.
Speaker 3 (49:12):
Supid?
Speaker 2 (49:16):
Then about you know is made at the soup Si.
Speaker 1 (49:30):
They about the one.
Speaker 13 (49:32):
Time thout your mind.
Speaker 1 (49:36):
They're all the time.
Speaker 31 (49:38):
They go win right out.
Speaker 6 (49:40):
Of couple side, reliving the great days of vintage rock
(50:28):
without the Boonez Farm headache.
Speaker 7 (50:30):
Welcome to Don's basement.
Speaker 2 (50:51):
Did not hear your crib smoon him?
Speaker 1 (50:55):
Did not feel you week.
Speaker 32 (51:00):
Teardrops coming down on me, my versaty.
Speaker 2 (51:10):
In my dream of laugh you came creeping with your.
Speaker 32 (51:19):
Telling me your sorrow in the trade senters of your tire.
Speaker 2 (51:29):
That's a strange man to tell me of me when
you sallow? Is all I can see?
Speaker 33 (51:38):
If you're just all a proud of somebody got proud
of me, No.
Speaker 2 (51:47):
Don't proud of me. Didn't I you are for this morning?
Didn't you call my name?
Speaker 9 (52:08):
I had to ask my softly, but the words one
never playing.
Speaker 2 (52:17):
In your dream of darkness.
Speaker 32 (52:20):
I came shining like the sun, waiting for the laughter,
for the laughter never come.
Speaker 13 (52:36):
That's a strange way tell me.
Speaker 33 (52:39):
You love me when you're sol that's all I can
see if you're just all a crowd of somebody.
Speaker 2 (52:50):
Don't proud of me. No, don't crowd of me.
Speaker 32 (53:00):
You know.
Speaker 9 (53:07):
You didn't you feel smoking? Didn't you need are.
Speaker 1 (53:25):
In your talkings?
Speaker 2 (53:26):
Hour came rolling back game.
Speaker 33 (53:35):
That's a strange mana. Tell me you love me when
you saw I was all I can see.
Speaker 2 (53:44):
You feel?
Speaker 13 (53:45):
Just want a crowd of some money go cry, No,
don't crowd.
Speaker 16 (53:53):
Of me, don't proden me, don't follow me, don't matter.
Speaker 2 (54:10):
Yeah, that's a stay wad. Tell me love me. That's
(54:53):
a wada. Tell me love me, And that's the same
way tell me.
Speaker 5 (55:07):
Well, there's only so many songs about autumn. See you
gotta stretch it every once in a while from fire Fall.
There's a strange way putting the wraps on the Fall Festival.
We want to thank all the radio stations up and
down the dial to take the time to run our
show each week, including our flagship station ninety nine point
nine FMWYML and WYML dot us in Chicago. Thank you,
(55:27):
Joe and Jeff. We're going coast to coast. We've got
al and everybody at Rock Party Radio, New Jersey. Chuck
and his crew at KZFX Rock in the High Desert
in Ridgecrest, California. And right in the middle, we've got
Buddy Guy and everybody at Buddy Guy Radio in Chicago
and all the stations. Thanks to the iHeartRadio Network and
Amazon Music for getting the word out about down Spaceman tapes.
(55:47):
Thanks to mister Lee Peek, the voice of down Spacemen,
and thank you so much for coming down here each
and every week hanging out in the basement. I'm Don Clark.
Speaker 9 (55:57):
Peace,
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