May 28, 2025 • 56 mins
From the Acme Studios in Mayville, Wisconsin. It is high praise indeed when a band mentions another band in their song. We're droppin' names, featuring deep tracks of Vintage Rock from Queen, Molly Hatchet, The Animals, The Who and more.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
The following program is brought to you in living color.
Speaker 2 (00:08):
God to the borrow.
Speaker 1 (00:10):
It sounds please So that's so, my God, it's God.
Speaker 3 (00:23):
I see God.
Speaker 1 (00:25):
We will provide the grand design.
Speaker 4 (00:29):
We didn't say it'd be good.
Speaker 5 (00:33):
It's one hour of radio anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 6 (00:41):
Where the hell is Mayville? Then it rocked. It's been
bottled up way too long. Welcome to Don's basement.
Speaker 7 (01:04):
Mother told me, she told me, had me girls dig you.
Speaker 1 (01:11):
She knows so, told me stay.
Speaker 8 (01:13):
Up with you, never know what you'll catch.
Speaker 1 (01:19):
Just the other day after someone just falling.
Speaker 9 (01:25):
Seven dontagious joke that go.
Speaker 1 (01:28):
With Mommy's all right, Daddy's all right.
Speaker 10 (01:36):
They don't say my off.
Speaker 1 (01:39):
Somed some, but do give up the sound the bay.
Speaker 11 (01:47):
And the session of Mother's tried.
Speaker 12 (02:09):
She's greed of fas in by the BAMBI served in
the West and up and up bas.
Speaker 13 (02:22):
Her the best.
Speaker 12 (02:23):
Recruited old baseball album.
Speaker 1 (02:28):
My Mommy isn't boat.
Speaker 10 (02:31):
I'm doing her all.
Speaker 8 (02:33):
These she dis Molly's unit. Daddy is all right, I.
Speaker 14 (02:39):
Just say that the base something, but down the sound
of whatever, and to all the seasons loser and sound
(03:14):
by game.
Speaker 1 (03:16):
Every time I die to thinking when.
Speaker 15 (03:20):
They is southing.
Speaker 12 (03:23):
Then I woke up, Mom, and I'm rolling on the
cat boat, rolling numbers, rocking, rolling in the matches slickers.
Speaker 8 (03:39):
Like that is they just sit on the way something something.
Speaker 15 (03:48):
But you got sound, the sound, the sound, the sounds, sound.
Speaker 1 (04:52):
The sound.
Speaker 16 (04:54):
It was a cautionary tale from the Heaven Tonight album.
Should listen to mom, Trick and Surrender and Hello there,
how are you welcome back in? I'm Don Clark. Thanks
so much for coming down and hanging out with us
once again down here in Don's basement. Well, it was
always so cool to be able to hear one band
singing about another band on one of their albums, and
(05:16):
it's been going on for a long time, but there
was one in particular that really stood out besides the
Kiss records. On that cut, when the Eagles were singing
about Hotel California and they said the Steely Knives, that
was actually a nod back to Steely Dan. At the time,
they had the same manager, Irving Azof, and on this
particular cut from the Royal Scam, they talked about how
(05:38):
they should turn up the Eagles. The neighbors are listening.
Here's steely Dan and everything.
Speaker 4 (05:44):
You did, and I welcome you to Don's baseman.
Speaker 1 (05:48):
When is the best stood? Run? Is he still around? Now?
You gotta tell me everything you didn't. Baby.
Speaker 17 (06:05):
I'm gonna get a gun shoot the love of down.
Are you gonna tell me everything.
Speaker 13 (06:19):
You didn't? Baby, traces are everywhere. You're a happy home.
Now you better tell me everything.
Speaker 1 (06:36):
You didn't. Baby. I jumped out of my keys a child.
It was not my honor.
Speaker 13 (06:48):
Now I want you about everything.
Speaker 8 (06:53):
You didn't.
Speaker 1 (06:54):
Baby, I never knew.
Speaker 18 (07:00):
You.
Speaker 1 (07:01):
You will reroll escaped.
Speaker 2 (07:05):
You gonna show me lad up doy not the mahers.
Speaker 1 (07:13):
You know how to talk. I wonder what that says.
I think you matter. Tell me you didn't made it?
(08:05):
I gotta do.
Speaker 18 (08:08):
You.
Speaker 15 (08:10):
You were a bove save.
Speaker 13 (08:14):
You gotta show me, b you never came to me.
Speaker 1 (08:43):
When you were sewing fast.
Speaker 13 (08:48):
Yes, you could soon me everything.
Speaker 1 (08:53):
You did, Babe. I know well thay you do that.
Speaker 13 (09:00):
I know you're filthy mine. Now you're going to give
me up.
Speaker 1 (09:10):
It didn't baby, it didn't. Baby. This is a soundtrack
to whatever the hell it was you were doing in
the seventies.
Speaker 6 (09:21):
This is Don's basement.
Speaker 19 (09:29):
That I'm not about suicide. I'll kick it in the head.
When he was twenty five, speed dive. Don't want to
say a live when you're twenty five. And when they're
stealing close from mountain spots and Bredy's got sparks from
red it.
Speaker 13 (09:46):
Up the side from his face, funky little rage.
Speaker 1 (09:53):
It's telling vision.
Speaker 19 (09:54):
Man, it's crazy Sam with juvenile in ink when racks,
Oh man, I need to mean when I got Jerez.
Speaker 13 (10:05):
Brother again, you hik no.
Speaker 1 (10:16):
Where I am.
Speaker 20 (10:18):
Not enough?
Speaker 1 (10:26):
I want to hear you.
Speaker 8 (10:30):
I want to see you.
Speaker 1 (10:33):
I want to charge you. How of you now?
Speaker 13 (10:39):
Swet God?
Speaker 1 (10:39):
You dress is like a queen and you can kick
like a mule. It's a real mean team, but we
can love.
Speaker 19 (10:46):
Oh yes, my brother's back at home. And there's beetles
in a stone. We never got enough on that revolution stone.
Speaker 1 (10:56):
You want to drag line snack.
Speaker 21 (11:02):
That took a lot of wine and I gotta read
some Captain bed Oh is that conried all around origins?
Speaker 8 (11:22):
Cabby?
Speaker 1 (11:24):
Allis stop? Cabby. I want to hit him.
Speaker 15 (11:39):
I want to see I want to his name can
wonders Cable's your news?
Speaker 1 (11:54):
Come?
Speaker 8 (11:56):
I want to hit you.
Speaker 1 (11:58):
Cap How you bringing bringing.
Speaker 16 (12:34):
Yes, it was a nod to t Rex and the
Beatles and the Stones, not the Hoople and all the
young dudes. We are dropping names this time around. And
this particular cut was on the B side. Yes, boys
and girls, there used to be these things called forty fives.
(12:55):
There was a song on one side, the A side,
another song on the other side, the B side. This
was on the other side, the B side of Radio Gaga,
and it was their nod to the Rolling Stones and
to themselves from the works album This is Queen and
I go crazy in Don's basement.
Speaker 1 (13:19):
Hey, let's go, let's go, let go steel heavy man.
Speaker 11 (13:34):
Sing about him.
Speaker 1 (13:37):
You didn't a lot of time into didn't want to
run off of the double door. WoT might to go
(14:01):
see if the biggest didn't noise.
Speaker 9 (14:05):
At the gas standing like a man a man fix
the car, have to let it go to bring me down,
fucking go b leave me let it stack a standing all.
Speaker 8 (14:16):
Out t to run out.
Speaker 10 (14:17):
W not about that store.
Speaker 8 (14:21):
You go ahead, fool.
Speaker 22 (14:22):
Hard, I gotta no thing about you he and not
that sad no hard, I gotta do it, my man,
not your glass happy, ain't gonna go.
Speaker 1 (14:48):
S go ma stf no home, no home, don't wanna go.
No no, I ain't gonna go. No Molly no, no ball,
no all, don't want to go see we no all.
(15:37):
I don't want to hurt you.
Speaker 23 (15:40):
You know what.
Speaker 8 (15:43):
They watching going on the phone.
Speaker 1 (15:45):
They come here on the TV.
Speaker 11 (15:48):
And don't forget tend to let you know.
Speaker 24 (15:49):
I'm sad to buy the bars were small brass.
Speaker 7 (15:53):
But think I gotta have to get away then out
there no way there Oh I got think, Oh.
Speaker 6 (16:04):
My god, you have that feeling when you hear a
(16:42):
song you haven't heard in years.
Speaker 1 (16:44):
Dude, I guess.
Speaker 6 (16:52):
We feel that way all the time. Vintage rock from
Don's Basement.
Speaker 1 (17:43):
I've been driving a night man's weight on the wheel.
There's a voice in my head that drives my.
Speaker 18 (17:50):
Heatther it's my baby callings that I need here, And
that's a half pastball in Iron Shifted can get it.
Speaker 1 (18:03):
When she is lonely, longing aso much, she.
Speaker 10 (18:08):
Says, a king of coming in.
Speaker 8 (18:11):
From the fellow. Don't need amount we've got singing.
Speaker 1 (18:20):
You away, really reader love.
Speaker 23 (18:44):
The radios thinks a forgotten song really coming on star.
Speaker 1 (18:53):
The rule has got me slipping the time. I'm spinning
a tune nude sunrise.
Speaker 24 (19:04):
When I can't know anything, I'm sure I had.
Speaker 12 (19:08):
She says, a comfort coming from We don't need a
letter at long's cold.
Speaker 8 (19:18):
When I know.
Speaker 1 (19:20):
We've got sky read I love.
Speaker 20 (20:22):
Who normal speed, I'm almost there.
Speaker 10 (21:54):
You gotta keep cool now, gotta.
Speaker 25 (21:55):
Take care of help.
Speaker 1 (21:59):
Let's car the passable. Here I go.
Speaker 23 (22:03):
Line of cars drove down to a slow walk. Radio
play that forgotten song. Brandon LEAs coming on stall and
the newsman sang, he SeeMe song.
Speaker 1 (22:22):
I want my radar lover God.
Speaker 10 (22:27):
When I get loaded and I say, she says.
Speaker 24 (22:32):
The comfort coming in from above when I need to
let her out.
Speaker 1 (22:40):
Let's go, Let's go, Let's go. Read Love.
Speaker 16 (23:16):
It was a song from nineteen sixty six from Brenda
Lee that's been referred to as a forgotten song. The
name of the song was coming on Strong, referenced in
Radar Love from Golden Earing. We're dropping names this time around.
Speaker 11 (23:30):
Now.
Speaker 16 (23:31):
It's one thing to be a band to include another
band's name on one of your songs. It's another to
include your own band's name and one of the songs.
But to drop the name of one of your albums
in a song, that's poetry. That's up next, I'm Don Clark.
Welcome to Don's Basement.
Speaker 26 (23:51):
From one of the greatest rock and roll bands ever,
comes one of the most eagerly awaited new albums of
a year, Who Are You, The explosive return of the Who.
Who Are You? New from the Who, the ultimate rock
(24:13):
and roll band on m c A Records and Tapes.
Speaker 5 (24:17):
This classic rock, there's village rock, there's this place. This
is John's basement.
Speaker 10 (25:07):
I call you want to turn anything? That boy's too
love to cigarettes.
Speaker 20 (25:17):
I said times me that she just go home, But
I feel it with the member reading never a cancy.
Speaker 27 (25:23):
I love to hear you saying my need, especially when
you say yes, I got your body right now on
mine mine.
Speaker 11 (25:32):
But I jumped myself pine to the sign of old.
Speaker 10 (25:35):
Tiras, to the side of old tv ras.
Speaker 1 (25:52):
And use days. When I say I love you, say
better better? Well, I said, are you saying you better?
Speaker 10 (26:06):
You benefitt your right?
Speaker 1 (26:14):
Let you?
Speaker 28 (26:15):
But you like.
Speaker 29 (26:20):
I want those steam on minded access on the throne,
not into your past caf picture.
Speaker 26 (26:29):
I just like your nose.
Speaker 1 (26:32):
You work on me with all burning arms and open ledge.
I know all only fools have needs, but this one
naper bes.
Speaker 8 (26:44):
I don't really mind.
Speaker 10 (26:45):
How much you love me?
Speaker 8 (26:48):
Who little is alright?
Speaker 10 (26:52):
When you say then.
Speaker 1 (26:54):
Spend the night to night. When I say love you,
you say you better? You better?
Speaker 10 (27:10):
When I say you say you better, you better.
Speaker 2 (27:18):
Bet your life? Oh got you sut you like your name?
I lay on the bed with you.
Speaker 1 (27:31):
We canna make some for good records.
Speaker 29 (27:34):
Your dog keeps licking my nose and chewing up mother's letters,
saying you better, you better bet your life.
Speaker 1 (27:49):
You better love me all the time? Now the better
Sunday an Now better love me all the time, now
that Sunday get a.
Speaker 29 (28:13):
I showed up lame one night with me all night
for he's us, knowing I'm so eager.
Speaker 10 (28:20):
To fight, can't make let him be getting any easier.
Speaker 27 (28:24):
I know I've been wearing crazy cols and I look
pretty crappy sometimes, but my mind it feels so good,
and I still see the raise.
Speaker 1 (28:34):
Alive every time.
Speaker 10 (28:38):
And when it troubles to all time living, I know
what I'm giving. I've got it all down to a tee.
Speaker 1 (28:53):
And it's free.
Speaker 27 (28:57):
When I say I love you, you say better where
I said I need you, say you better where I
say love and you say you better. When I say
needs and you scream you better. When I say Nony,
(29:22):
you say you better when I said need, you saying
you better? I when I say Nony, you say you
better when I said you screamed you back?
Speaker 10 (29:52):
You better vent your life?
Speaker 1 (29:57):
Love lo Cat you.
Speaker 18 (30:01):
Just like Him.
Speaker 16 (30:03):
It was their ninth studio album, the first one to
feature Kenny Jones on drums after the passing of Keith Moon,
in a song that gave a nod to t Rex
and to one of their own albums with Who's Next,
The Who from Face Dances and You Better You Bet
We're dropping names this time around. And when it came
to including band names in a song, nobody did it
(30:24):
better than the Great Eric Burden and the Animals. This
is Monterey in Don's basement.
Speaker 1 (30:30):
People came in listen. Some of them came and played,
others gave Frothers away. Yes it did. Do you got
(30:53):
smile upon the crowd the music and Bonafla.
Speaker 10 (31:03):
Children that starting.
Speaker 1 (31:05):
There brilliance, You must be a down in.
Speaker 30 (31:17):
The birds and the airplane did fly? Oh rather Shockglass
Music Make Me Cry.
Speaker 1 (31:31):
No exploded into Fighting Night.
Speaker 3 (31:38):
Sho Massive Game Loss Music was Black as Night, The Quick.
Speaker 1 (31:47):
Night, The Wind the money, Knight to me and makes
baby believe me, said the world on my out.
Speaker 10 (31:58):
Yeah it's not just the Prince.
Speaker 11 (32:02):
Jones smile at the proved them up the ground.
Speaker 30 (32:08):
Ten thousand electric guitars were groove andry loud.
Speaker 1 (32:17):
You want to find a trick in light the Beast
music by.
Speaker 5 (32:24):
And you know.
Speaker 1 (32:26):
I would not lie.
Speaker 4 (32:30):
No, I would not lie, No, I would not lie.
Speaker 3 (32:36):
Down't you mother?
Speaker 8 (32:41):
Alright?
Speaker 1 (33:19):
Three days of understanding.
Speaker 30 (33:24):
A movie with one another, given a hot stoquither fill.
Speaker 13 (33:35):
Don don.
Speaker 1 (33:41):
Don, mother, I think that maybe I'm dreaming.
Speaker 18 (33:54):
My the.
Speaker 6 (34:14):
This is the official radio show of the Maker's Mark Distillery.
They don't actually know that.
Speaker 5 (34:19):
We just kind of said that, but they would be
proud of that if they knew how much of the
stuff we were drinking.
Speaker 1 (34:24):
Welcome to Down's Basement. A line of.
Speaker 10 (34:40):
Scene scanner and saals.
Speaker 1 (34:42):
It's free, child is Dan, Let's seeds. I'm going Max
and the game start. The women.
Speaker 31 (35:04):
Make it.
Speaker 32 (35:28):
Over, backs, change to rambles man so he can't rambles
back to George's and I'm on the ustads little the
Spanish and Mouse cunning against stuff and a little.
Speaker 2 (35:41):
Bit Sliki his booth.
Speaker 33 (35:44):
I'm going match to the Gato Structory and give us
his helbom.
Speaker 31 (35:50):
Ships stubt big Auto.
Speaker 33 (36:09):
Yep, there's more of rad ras, no searching for the mist.
(36:36):
They can't take all the niggas outlaws down the jam jails.
Amount of pleas to me the guy named rast guy
I trying to show look.
Speaker 18 (36:49):
Still to me.
Speaker 25 (36:53):
That was sau study in those township.
Speaker 1 (37:17):
John John expands.
Speaker 15 (37:30):
Chist school schools, schools expand, Stott Studios, instants standards, stan Stosstus.
Speaker 16 (40:16):
It's kind of a reminder for me we haven't done
a Southern rock show in the wild and may have
to dig out some more of those that sounded good.
Molly Hatchett on the debut album, giving a salute to
Skinnard and Charlie Daniels on Gator Country and Don Clark
and Don's Basement. We're dropping names as time rounds. One
thing to drop your own name into a song. It's
another to tell everybody what you're going.
Speaker 26 (40:36):
To do with it.
Speaker 4 (40:37):
The title cut from Love Drive. Here are the scorpions
in Don's Basement, the music rocks.
Speaker 24 (41:01):
And stuff to where my hot wains. We take home
and I.
Speaker 1 (41:13):
Get to astonished.
Speaker 24 (41:15):
The night wave.
Speaker 8 (41:16):
Distance said for me at the stop and not want
to die.
Speaker 1 (41:33):
You got me please.
Speaker 8 (41:37):
Stats put me into stile.
Speaker 1 (41:45):
There stopt.
Speaker 34 (41:52):
Shut out the silly lights.
Speaker 2 (42:09):
I'm not a joke about twigs.
Speaker 1 (42:13):
My head is not stop the shot and she gets not.
I like to show what your kids go.
Speaker 35 (42:34):
If stop a week to stop last just one desire, she.
Speaker 15 (42:45):
Brit me crazy stops fast as stop stop.
Speaker 4 (42:55):
A week.
Speaker 1 (42:59):
Is out to change.
Speaker 8 (44:04):
D a week the fig.
Speaker 1 (44:07):
Rip just one desires you brob me play nast best
best fast.
Speaker 24 (44:22):
Rod a weak.
Speaker 8 (44:26):
Rip just one de dial.
Speaker 24 (44:32):
You rob me.
Speaker 1 (44:37):
Yeah you digressing, still wrong with it way said ye.
Speaker 9 (44:52):
Sho, you're dropping crazy.
Speaker 1 (45:01):
Wow.
Speaker 6 (45:16):
It was always the music that matter. We just needed
someone to bring it all back. Welcome to Don's basement.
Speaker 1 (45:28):
Say y'all a meadow a lot less bone of that.
Speaker 28 (45:35):
So used to shake him down, but die you stop
and think about your fig. It's on I fig sixteen
stunt ione to get the feeling, wear it when the
winday's done with gott doings, get up, then do your chick.
If y'all hit a fan, come man banging road that against.
Speaker 1 (46:05):
You're mad against.
Speaker 28 (46:06):
Yourself, a botto down to the concert off oo boo ball.
Speaker 11 (46:11):
Jack.
Speaker 1 (46:12):
The longer newspapers. Chances are you.
Speaker 13 (46:14):
Won't have to go to fall.
Speaker 1 (46:18):
That the reps there being a.
Speaker 28 (46:20):
Dozen meats of the strong round the swim and the
singing alone. And I ain't got to do is get
him into the b Did you need a fee? You
can come back men banging road that again? Oh the
(46:42):
best new man in live me.
Speaker 1 (46:45):
Listen to the guitar playing making the stream. All you
got to do, it's just make that scene.
Speaker 13 (46:51):
To night.
Speaker 8 (46:54):
Had night.
Speaker 1 (47:11):
N I sweep sixties that day one.
Speaker 28 (47:14):
Been a little time being under the gun with full
Chuck's children and have the way the snats.
Speaker 1 (47:23):
Get into your kids.
Speaker 8 (47:28):
Come back.
Speaker 1 (47:28):
The ring around At forgets.
Speaker 28 (47:34):
Said you'll get combat, then rag around and forgets my
comback Bena, ring around At forgets.
Speaker 1 (47:46):
Oh I have a bugul.
Speaker 16 (48:06):
Have Yeah, all the Chuck's children are out there playing
(48:58):
his licks and.
Speaker 4 (48:59):
Doing it well.
Speaker 16 (49:00):
I'm Seeker and the Silver Bullet Band and rock and
roll never forgets. As we drop names this time around.
It is the ultimate rock and roll dream song. If
you're gonna have a rock and roll dream, you better
include the Beatles in the lyrics.
Speaker 4 (49:14):
It's bad company. This is a shooting star in Don Spaceman.
Speaker 36 (49:18):
Johnny was a school boy when he heard his first
Beatles song, Love Me Dude, I think You're welcome from there.
Speaker 1 (49:26):
It didn't take him.
Speaker 36 (49:27):
A long, got himself with guitar, used to play ever name.
Now he's in a rock and roll outfit and never.
Speaker 1 (49:38):
Things all right, don't you know?
Speaker 36 (49:46):
Johnny told his mama, Hey, Mama, I'm gone.
Speaker 1 (49:52):
I'm gonna hit the big.
Speaker 8 (49:53):
Time, going to be a big star some day.
Speaker 10 (49:58):
Mama came to the door with the tears dropped her eye.
Speaker 1 (50:04):
Johnny said, don't cry. Mama smiled away the bye. Don't
you know, don't you know that you she'll think die
but don't know, don't know. Don't you know that you.
Speaker 4 (50:29):
She'll think.
Speaker 1 (50:32):
In all the world will love you just all alone?
Your home is you.
Speaker 36 (50:45):
Johnny made a record, went straight up to number one.
Speaker 33 (50:50):
Suddenly everyone allard to hear and singing a song.
Speaker 10 (50:56):
Watching the world go by, Surprising to go so fast.
Speaker 36 (51:02):
Johnny looked around him and said, will I mean it's
the big time at last, don't you know?
Speaker 1 (51:09):
Don't you know?
Speaker 8 (51:11):
Don't too, don't.
Speaker 1 (51:14):
Have to why you think star? Don't you know? Will
ye don't too? No have to list thinks and all
will love you, just hell don't know if you are yet?
(51:39):
He thinks that don't know at you, Celtia Stile, don't
(52:11):
you know? Don't you know that you sheltas time now
in all will I love you? Just downld hells you.
Speaker 10 (52:36):
Johnny died one night, died in his dead.
Speaker 1 (52:42):
Bottle of whiskey.
Speaker 10 (52:43):
Stephen tablet bys here.
Speaker 1 (52:47):
Johnny's life passing.
Speaker 36 (52:49):
Black a warm summer day.
Speaker 10 (52:53):
If you listen to the wind, you can steal your play.
Speaker 1 (52:58):
WHOA don't let you sho thinks Stop? Don't you know?
Don't you know? Don't to let you.
Speaker 10 (53:19):
Sho thinks stop, don't.
Speaker 1 (53:26):
Don't to no let you still taktop.
Speaker 8 (53:34):
Don't know, don't don't you know?
Speaker 1 (53:41):
You still say.
Speaker 12 (53:49):
No?
Speaker 15 (54:01):
Don't do don't know THAT'TI takes, don't don't know.
Speaker 9 (54:40):
Not.
Speaker 16 (55:06):
We started with a cautionary tale, and we end with
one bad company and they're shooting star. Putting the wraps
on the Droppin' names edition of Don's Basement Tapes. We
want to thank all the radio stations up and down
the dial to take the time to run our show
each week, including our flagship station ninety nine point nine
FMWYML and WYML dot US in Chicago.
Speaker 4 (55:28):
Thank you, Jon Jeff's a.
Speaker 16 (55:29):
Great ninety eight WMDC Mabel Wisconsin back were all this
craziness started. Chuck and his crew at KZFX Rock in
the High Desert in Ridgecress, California, Buddy Guy and everybody
a Buddy Guy Radio in Chicago and all the stations.
Check out our website, Don's Basement Productions dot Com. Thanks
to the iHeartRadio Network and Amazon Music. Thanks to mister
(55:51):
Lee Peak, the voice of Don's Basement, and thank you
for coming down and hanging out on the basement. I'm
Don Clark.
Speaker 4 (55:57):
Peace,
The following program is brought to you in living color.
Speaker 2 (00:08):
God to the borrow.
Speaker 1 (00:10):
It sounds please So that's so, my God, it's God.
Speaker 3 (00:23):
I see God.
Speaker 1 (00:25):
We will provide the grand design.
Speaker 4 (00:29):
We didn't say it'd be good.
Speaker 5 (00:33):
It's one hour of radio anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 6 (00:41):
Where the hell is Mayville? Then it rocked. It's been
bottled up way too long. Welcome to Don's basement.
Speaker 7 (01:04):
Mother told me, she told me, had me girls dig you.
Speaker 1 (01:11):
She knows so, told me stay.
Speaker 8 (01:13):
Up with you, never know what you'll catch.
Speaker 1 (01:19):
Just the other day after someone just falling.
Speaker 9 (01:25):
Seven dontagious joke that go.
Speaker 1 (01:28):
With Mommy's all right, Daddy's all right.
Speaker 10 (01:36):
They don't say my off.
Speaker 1 (01:39):
Somed some, but do give up the sound the bay.
Speaker 11 (01:47):
And the session of Mother's tried.
Speaker 12 (02:09):
She's greed of fas in by the BAMBI served in
the West and up and up bas.
Speaker 13 (02:22):
Her the best.
Speaker 12 (02:23):
Recruited old baseball album.
Speaker 1 (02:28):
My Mommy isn't boat.
Speaker 10 (02:31):
I'm doing her all.
Speaker 8 (02:33):
These she dis Molly's unit. Daddy is all right, I.
Speaker 14 (02:39):
Just say that the base something, but down the sound
of whatever, and to all the seasons loser and sound
(03:14):
by game.
Speaker 1 (03:16):
Every time I die to thinking when.
Speaker 15 (03:20):
They is southing.
Speaker 12 (03:23):
Then I woke up, Mom, and I'm rolling on the
cat boat, rolling numbers, rocking, rolling in the matches slickers.
Speaker 8 (03:39):
Like that is they just sit on the way something something.
Speaker 15 (03:48):
But you got sound, the sound, the sound, the sounds, sound.
Speaker 1 (04:52):
The sound.
Speaker 16 (04:54):
It was a cautionary tale from the Heaven Tonight album.
Should listen to mom, Trick and Surrender and Hello there,
how are you welcome back in? I'm Don Clark. Thanks
so much for coming down and hanging out with us
once again down here in Don's basement. Well, it was
always so cool to be able to hear one band
singing about another band on one of their albums, and
(05:16):
it's been going on for a long time, but there
was one in particular that really stood out besides the
Kiss records. On that cut, when the Eagles were singing
about Hotel California and they said the Steely Knives, that
was actually a nod back to Steely Dan. At the time,
they had the same manager, Irving Azof, and on this
particular cut from the Royal Scam, they talked about how
(05:38):
they should turn up the Eagles. The neighbors are listening.
Here's steely Dan and everything.
Speaker 4 (05:44):
You did, and I welcome you to Don's baseman.
Speaker 1 (05:48):
When is the best stood? Run? Is he still around? Now?
You gotta tell me everything you didn't. Baby.
Speaker 17 (06:05):
I'm gonna get a gun shoot the love of down.
Are you gonna tell me everything.
Speaker 13 (06:19):
You didn't? Baby, traces are everywhere. You're a happy home.
Now you better tell me everything.
Speaker 1 (06:36):
You didn't. Baby. I jumped out of my keys a child.
It was not my honor.
Speaker 13 (06:48):
Now I want you about everything.
Speaker 8 (06:53):
You didn't.
Speaker 1 (06:54):
Baby, I never knew.
Speaker 18 (07:00):
You.
Speaker 1 (07:01):
You will reroll escaped.
Speaker 2 (07:05):
You gonna show me lad up doy not the mahers.
Speaker 1 (07:13):
You know how to talk. I wonder what that says.
I think you matter. Tell me you didn't made it?
(08:05):
I gotta do.
Speaker 18 (08:08):
You.
Speaker 15 (08:10):
You were a bove save.
Speaker 13 (08:14):
You gotta show me, b you never came to me.
Speaker 1 (08:43):
When you were sewing fast.
Speaker 13 (08:48):
Yes, you could soon me everything.
Speaker 1 (08:53):
You did, Babe. I know well thay you do that.
Speaker 13 (09:00):
I know you're filthy mine. Now you're going to give
me up.
Speaker 1 (09:10):
It didn't baby, it didn't. Baby. This is a soundtrack
to whatever the hell it was you were doing in
the seventies.
Speaker 6 (09:21):
This is Don's basement.
Speaker 19 (09:29):
That I'm not about suicide. I'll kick it in the head.
When he was twenty five, speed dive. Don't want to
say a live when you're twenty five. And when they're
stealing close from mountain spots and Bredy's got sparks from
red it.
Speaker 13 (09:46):
Up the side from his face, funky little rage.
Speaker 1 (09:53):
It's telling vision.
Speaker 19 (09:54):
Man, it's crazy Sam with juvenile in ink when racks,
Oh man, I need to mean when I got Jerez.
Speaker 13 (10:05):
Brother again, you hik no.
Speaker 1 (10:16):
Where I am.
Speaker 20 (10:18):
Not enough?
Speaker 1 (10:26):
I want to hear you.
Speaker 8 (10:30):
I want to see you.
Speaker 1 (10:33):
I want to charge you. How of you now?
Speaker 13 (10:39):
Swet God?
Speaker 1 (10:39):
You dress is like a queen and you can kick
like a mule. It's a real mean team, but we
can love.
Speaker 19 (10:46):
Oh yes, my brother's back at home. And there's beetles
in a stone. We never got enough on that revolution stone.
Speaker 1 (10:56):
You want to drag line snack.
Speaker 21 (11:02):
That took a lot of wine and I gotta read
some Captain bed Oh is that conried all around origins?
Speaker 8 (11:22):
Cabby?
Speaker 1 (11:24):
Allis stop? Cabby. I want to hit him.
Speaker 15 (11:39):
I want to see I want to his name can
wonders Cable's your news?
Speaker 1 (11:54):
Come?
Speaker 8 (11:56):
I want to hit you.
Speaker 1 (11:58):
Cap How you bringing bringing.
Speaker 16 (12:34):
Yes, it was a nod to t Rex and the
Beatles and the Stones, not the Hoople and all the
young dudes. We are dropping names this time around. And
this particular cut was on the B side. Yes, boys
and girls, there used to be these things called forty fives.
(12:55):
There was a song on one side, the A side,
another song on the other side, the B side. This
was on the other side, the B side of Radio Gaga,
and it was their nod to the Rolling Stones and
to themselves from the works album This is Queen and
I go crazy in Don's basement.
Speaker 1 (13:19):
Hey, let's go, let's go, let go steel heavy man.
Speaker 11 (13:34):
Sing about him.
Speaker 1 (13:37):
You didn't a lot of time into didn't want to
run off of the double door. WoT might to go
(14:01):
see if the biggest didn't noise.
Speaker 9 (14:05):
At the gas standing like a man a man fix
the car, have to let it go to bring me down,
fucking go b leave me let it stack a standing all.
Speaker 8 (14:16):
Out t to run out.
Speaker 10 (14:17):
W not about that store.
Speaker 8 (14:21):
You go ahead, fool.
Speaker 22 (14:22):
Hard, I gotta no thing about you he and not
that sad no hard, I gotta do it, my man,
not your glass happy, ain't gonna go.
Speaker 1 (14:48):
S go ma stf no home, no home, don't wanna go.
No no, I ain't gonna go. No Molly no, no ball,
no all, don't want to go see we no all.
(15:37):
I don't want to hurt you.
Speaker 23 (15:40):
You know what.
Speaker 8 (15:43):
They watching going on the phone.
Speaker 1 (15:45):
They come here on the TV.
Speaker 11 (15:48):
And don't forget tend to let you know.
Speaker 24 (15:49):
I'm sad to buy the bars were small brass.
Speaker 7 (15:53):
But think I gotta have to get away then out
there no way there Oh I got think, Oh.
Speaker 6 (16:04):
My god, you have that feeling when you hear a
(16:42):
song you haven't heard in years.
Speaker 1 (16:44):
Dude, I guess.
Speaker 6 (16:52):
We feel that way all the time. Vintage rock from
Don's Basement.
Speaker 1 (17:43):
I've been driving a night man's weight on the wheel.
There's a voice in my head that drives my.
Speaker 18 (17:50):
Heatther it's my baby callings that I need here, And
that's a half pastball in Iron Shifted can get it.
Speaker 1 (18:03):
When she is lonely, longing aso much, she.
Speaker 10 (18:08):
Says, a king of coming in.
Speaker 8 (18:11):
From the fellow. Don't need amount we've got singing.
Speaker 1 (18:20):
You away, really reader love.
Speaker 23 (18:44):
The radios thinks a forgotten song really coming on star.
Speaker 1 (18:53):
The rule has got me slipping the time. I'm spinning
a tune nude sunrise.
Speaker 24 (19:04):
When I can't know anything, I'm sure I had.
Speaker 12 (19:08):
She says, a comfort coming from We don't need a
letter at long's cold.
Speaker 8 (19:18):
When I know.
Speaker 1 (19:20):
We've got sky read I love.
Speaker 20 (20:22):
Who normal speed, I'm almost there.
Speaker 10 (21:54):
You gotta keep cool now, gotta.
Speaker 25 (21:55):
Take care of help.
Speaker 1 (21:59):
Let's car the passable. Here I go.
Speaker 23 (22:03):
Line of cars drove down to a slow walk. Radio
play that forgotten song. Brandon LEAs coming on stall and
the newsman sang, he SeeMe song.
Speaker 1 (22:22):
I want my radar lover God.
Speaker 10 (22:27):
When I get loaded and I say, she says.
Speaker 24 (22:32):
The comfort coming in from above when I need to
let her out.
Speaker 1 (22:40):
Let's go, Let's go, Let's go. Read Love.
Speaker 16 (23:16):
It was a song from nineteen sixty six from Brenda
Lee that's been referred to as a forgotten song. The
name of the song was coming on Strong, referenced in
Radar Love from Golden Earing. We're dropping names this time around.
Speaker 11 (23:30):
Now.
Speaker 16 (23:31):
It's one thing to be a band to include another
band's name on one of your songs. It's another to
include your own band's name and one of the songs.
But to drop the name of one of your albums
in a song, that's poetry. That's up next, I'm Don Clark.
Welcome to Don's Basement.
Speaker 26 (23:51):
From one of the greatest rock and roll bands ever,
comes one of the most eagerly awaited new albums of
a year, Who Are You, The explosive return of the Who.
Who Are You? New from the Who, the ultimate rock
(24:13):
and roll band on m c A Records and Tapes.
Speaker 5 (24:17):
This classic rock, there's village rock, there's this place. This
is John's basement.
Speaker 10 (25:07):
I call you want to turn anything? That boy's too
love to cigarettes.
Speaker 20 (25:17):
I said times me that she just go home, But
I feel it with the member reading never a cancy.
Speaker 27 (25:23):
I love to hear you saying my need, especially when
you say yes, I got your body right now on
mine mine.
Speaker 11 (25:32):
But I jumped myself pine to the sign of old.
Speaker 10 (25:35):
Tiras, to the side of old tv ras.
Speaker 1 (25:52):
And use days. When I say I love you, say
better better? Well, I said, are you saying you better?
Speaker 10 (26:06):
You benefitt your right?
Speaker 1 (26:14):
Let you?
Speaker 28 (26:15):
But you like.
Speaker 29 (26:20):
I want those steam on minded access on the throne,
not into your past caf picture.
Speaker 26 (26:29):
I just like your nose.
Speaker 1 (26:32):
You work on me with all burning arms and open ledge.
I know all only fools have needs, but this one
naper bes.
Speaker 8 (26:44):
I don't really mind.
Speaker 10 (26:45):
How much you love me?
Speaker 8 (26:48):
Who little is alright?
Speaker 10 (26:52):
When you say then.
Speaker 1 (26:54):
Spend the night to night. When I say love you,
you say you better? You better?
Speaker 10 (27:10):
When I say you say you better, you better.
Speaker 2 (27:18):
Bet your life? Oh got you sut you like your name?
I lay on the bed with you.
Speaker 1 (27:31):
We canna make some for good records.
Speaker 29 (27:34):
Your dog keeps licking my nose and chewing up mother's letters,
saying you better, you better bet your life.
Speaker 1 (27:49):
You better love me all the time? Now the better
Sunday an Now better love me all the time, now
that Sunday get a.
Speaker 29 (28:13):
I showed up lame one night with me all night
for he's us, knowing I'm so eager.
Speaker 10 (28:20):
To fight, can't make let him be getting any easier.
Speaker 27 (28:24):
I know I've been wearing crazy cols and I look
pretty crappy sometimes, but my mind it feels so good,
and I still see the raise.
Speaker 1 (28:34):
Alive every time.
Speaker 10 (28:38):
And when it troubles to all time living, I know
what I'm giving. I've got it all down to a tee.
Speaker 1 (28:53):
And it's free.
Speaker 27 (28:57):
When I say I love you, you say better where
I said I need you, say you better where I
say love and you say you better. When I say
needs and you scream you better. When I say Nony,
(29:22):
you say you better when I said need, you saying
you better? I when I say Nony, you say you
better when I said you screamed you back?
Speaker 10 (29:52):
You better vent your life?
Speaker 1 (29:57):
Love lo Cat you.
Speaker 18 (30:01):
Just like Him.
Speaker 16 (30:03):
It was their ninth studio album, the first one to
feature Kenny Jones on drums after the passing of Keith Moon,
in a song that gave a nod to t Rex
and to one of their own albums with Who's Next,
The Who from Face Dances and You Better You Bet
We're dropping names this time around. And when it came
to including band names in a song, nobody did it
(30:24):
better than the Great Eric Burden and the Animals. This
is Monterey in Don's basement.
Speaker 1 (30:30):
People came in listen. Some of them came and played,
others gave Frothers away. Yes it did. Do you got
(30:53):
smile upon the crowd the music and Bonafla.
Speaker 10 (31:03):
Children that starting.
Speaker 1 (31:05):
There brilliance, You must be a down in.
Speaker 30 (31:17):
The birds and the airplane did fly? Oh rather Shockglass
Music Make Me Cry.
Speaker 1 (31:31):
No exploded into Fighting Night.
Speaker 3 (31:38):
Sho Massive Game Loss Music was Black as Night, The Quick.
Speaker 1 (31:47):
Night, The Wind the money, Knight to me and makes
baby believe me, said the world on my out.
Speaker 10 (31:58):
Yeah it's not just the Prince.
Speaker 11 (32:02):
Jones smile at the proved them up the ground.
Speaker 30 (32:08):
Ten thousand electric guitars were groove andry loud.
Speaker 1 (32:17):
You want to find a trick in light the Beast
music by.
Speaker 5 (32:24):
And you know.
Speaker 1 (32:26):
I would not lie.
Speaker 4 (32:30):
No, I would not lie, No, I would not lie.
Speaker 3 (32:36):
Down't you mother?
Speaker 8 (32:41):
Alright?
Speaker 1 (33:19):
Three days of understanding.
Speaker 30 (33:24):
A movie with one another, given a hot stoquither fill.
Speaker 13 (33:35):
Don don.
Speaker 1 (33:41):
Don, mother, I think that maybe I'm dreaming.
Speaker 18 (33:54):
My the.
Speaker 6 (34:14):
This is the official radio show of the Maker's Mark Distillery.
They don't actually know that.
Speaker 5 (34:19):
We just kind of said that, but they would be
proud of that if they knew how much of the
stuff we were drinking.
Speaker 1 (34:24):
Welcome to Down's Basement. A line of.
Speaker 10 (34:40):
Scene scanner and saals.
Speaker 1 (34:42):
It's free, child is Dan, Let's seeds. I'm going Max
and the game start. The women.
Speaker 31 (35:04):
Make it.
Speaker 32 (35:28):
Over, backs, change to rambles man so he can't rambles
back to George's and I'm on the ustads little the
Spanish and Mouse cunning against stuff and a little.
Speaker 2 (35:41):
Bit Sliki his booth.
Speaker 33 (35:44):
I'm going match to the Gato Structory and give us
his helbom.
Speaker 31 (35:50):
Ships stubt big Auto.
Speaker 33 (36:09):
Yep, there's more of rad ras, no searching for the mist.
(36:36):
They can't take all the niggas outlaws down the jam jails.
Amount of pleas to me the guy named rast guy
I trying to show look.
Speaker 18 (36:49):
Still to me.
Speaker 25 (36:53):
That was sau study in those township.
Speaker 1 (37:17):
John John expands.
Speaker 15 (37:30):
Chist school schools, schools expand, Stott Studios, instants standards, stan Stosstus.
Speaker 16 (40:16):
It's kind of a reminder for me we haven't done
a Southern rock show in the wild and may have
to dig out some more of those that sounded good.
Molly Hatchett on the debut album, giving a salute to
Skinnard and Charlie Daniels on Gator Country and Don Clark
and Don's Basement. We're dropping names as time rounds. One
thing to drop your own name into a song. It's
another to tell everybody what you're going.
Speaker 26 (40:36):
To do with it.
Speaker 4 (40:37):
The title cut from Love Drive. Here are the scorpions
in Don's Basement, the music rocks.
Speaker 24 (41:01):
And stuff to where my hot wains. We take home
and I.
Speaker 1 (41:13):
Get to astonished.
Speaker 24 (41:15):
The night wave.
Speaker 8 (41:16):
Distance said for me at the stop and not want
to die.
Speaker 1 (41:33):
You got me please.
Speaker 8 (41:37):
Stats put me into stile.
Speaker 1 (41:45):
There stopt.
Speaker 34 (41:52):
Shut out the silly lights.
Speaker 2 (42:09):
I'm not a joke about twigs.
Speaker 1 (42:13):
My head is not stop the shot and she gets not.
I like to show what your kids go.
Speaker 35 (42:34):
If stop a week to stop last just one desire, she.
Speaker 15 (42:45):
Brit me crazy stops fast as stop stop.
Speaker 4 (42:55):
A week.
Speaker 1 (42:59):
Is out to change.
Speaker 8 (44:04):
D a week the fig.
Speaker 1 (44:07):
Rip just one desires you brob me play nast best
best fast.
Speaker 24 (44:22):
Rod a weak.
Speaker 8 (44:26):
Rip just one de dial.
Speaker 24 (44:32):
You rob me.
Speaker 1 (44:37):
Yeah you digressing, still wrong with it way said ye.
Speaker 9 (44:52):
Sho, you're dropping crazy.
Speaker 1 (45:01):
Wow.
Speaker 6 (45:16):
It was always the music that matter. We just needed
someone to bring it all back. Welcome to Don's basement.
Speaker 1 (45:28):
Say y'all a meadow a lot less bone of that.
Speaker 28 (45:35):
So used to shake him down, but die you stop
and think about your fig. It's on I fig sixteen
stunt ione to get the feeling, wear it when the
winday's done with gott doings, get up, then do your chick.
If y'all hit a fan, come man banging road that against.
Speaker 1 (46:05):
You're mad against.
Speaker 28 (46:06):
Yourself, a botto down to the concert off oo boo ball.
Speaker 11 (46:11):
Jack.
Speaker 1 (46:12):
The longer newspapers. Chances are you.
Speaker 13 (46:14):
Won't have to go to fall.
Speaker 1 (46:18):
That the reps there being a.
Speaker 28 (46:20):
Dozen meats of the strong round the swim and the
singing alone. And I ain't got to do is get
him into the b Did you need a fee? You
can come back men banging road that again? Oh the
(46:42):
best new man in live me.
Speaker 1 (46:45):
Listen to the guitar playing making the stream. All you
got to do, it's just make that scene.
Speaker 13 (46:51):
To night.
Speaker 8 (46:54):
Had night.
Speaker 1 (47:11):
N I sweep sixties that day one.
Speaker 28 (47:14):
Been a little time being under the gun with full
Chuck's children and have the way the snats.
Speaker 1 (47:23):
Get into your kids.
Speaker 8 (47:28):
Come back.
Speaker 1 (47:28):
The ring around At forgets.
Speaker 28 (47:34):
Said you'll get combat, then rag around and forgets my
comback Bena, ring around At forgets.
Speaker 1 (47:46):
Oh I have a bugul.
Speaker 16 (48:06):
Have Yeah, all the Chuck's children are out there playing
(48:58):
his licks and.
Speaker 4 (48:59):
Doing it well.
Speaker 16 (49:00):
I'm Seeker and the Silver Bullet Band and rock and
roll never forgets. As we drop names this time around.
It is the ultimate rock and roll dream song. If
you're gonna have a rock and roll dream, you better
include the Beatles in the lyrics.
Speaker 4 (49:14):
It's bad company. This is a shooting star in Don Spaceman.
Speaker 36 (49:18):
Johnny was a school boy when he heard his first
Beatles song, Love Me Dude, I think You're welcome from there.
Speaker 1 (49:26):
It didn't take him.
Speaker 36 (49:27):
A long, got himself with guitar, used to play ever name.
Now he's in a rock and roll outfit and never.
Speaker 1 (49:38):
Things all right, don't you know?
Speaker 36 (49:46):
Johnny told his mama, Hey, Mama, I'm gone.
Speaker 1 (49:52):
I'm gonna hit the big.
Speaker 8 (49:53):
Time, going to be a big star some day.
Speaker 10 (49:58):
Mama came to the door with the tears dropped her eye.
Speaker 1 (50:04):
Johnny said, don't cry. Mama smiled away the bye. Don't
you know, don't you know that you she'll think die
but don't know, don't know. Don't you know that you.
Speaker 4 (50:29):
She'll think.
Speaker 1 (50:32):
In all the world will love you just all alone?
Your home is you.
Speaker 36 (50:45):
Johnny made a record, went straight up to number one.
Speaker 33 (50:50):
Suddenly everyone allard to hear and singing a song.
Speaker 10 (50:56):
Watching the world go by, Surprising to go so fast.
Speaker 36 (51:02):
Johnny looked around him and said, will I mean it's
the big time at last, don't you know?
Speaker 1 (51:09):
Don't you know?
Speaker 8 (51:11):
Don't too, don't.
Speaker 1 (51:14):
Have to why you think star? Don't you know? Will
ye don't too? No have to list thinks and all
will love you, just hell don't know if you are yet?
(51:39):
He thinks that don't know at you, Celtia Stile, don't
(52:11):
you know? Don't you know that you sheltas time now
in all will I love you? Just downld hells you.
Speaker 10 (52:36):
Johnny died one night, died in his dead.
Speaker 1 (52:42):
Bottle of whiskey.
Speaker 10 (52:43):
Stephen tablet bys here.
Speaker 1 (52:47):
Johnny's life passing.
Speaker 36 (52:49):
Black a warm summer day.
Speaker 10 (52:53):
If you listen to the wind, you can steal your play.
Speaker 1 (52:58):
WHOA don't let you sho thinks Stop? Don't you know?
Don't you know? Don't to let you.
Speaker 10 (53:19):
Sho thinks stop, don't.
Speaker 1 (53:26):
Don't to no let you still taktop.
Speaker 8 (53:34):
Don't know, don't don't you know?
Speaker 1 (53:41):
You still say.
Speaker 12 (53:49):
No?
Speaker 15 (54:01):
Don't do don't know THAT'TI takes, don't don't know.
Speaker 9 (54:40):
Not.
Speaker 16 (55:06):
We started with a cautionary tale, and we end with
one bad company and they're shooting star. Putting the wraps
on the Droppin' names edition of Don's Basement Tapes. We
want to thank all the radio stations up and down
the dial to take the time to run our show
each week, including our flagship station ninety nine point nine
FMWYML and WYML dot US in Chicago.
Speaker 4 (55:28):
Thank you, Jon Jeff's a.
Speaker 16 (55:29):
Great ninety eight WMDC Mabel Wisconsin back were all this
craziness started. Chuck and his crew at KZFX Rock in
the High Desert in Ridgecress, California, Buddy Guy and everybody
a Buddy Guy Radio in Chicago and all the stations.
Check out our website, Don's Basement Productions dot Com. Thanks
to the iHeartRadio Network and Amazon Music. Thanks to mister
(55:51):
Lee Peak, the voice of Don's Basement, and thank you
for coming down and hanging out on the basement. I'm
Don Clark.
Speaker 4 (55:57):
Peace,
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
New Heights with Jason & Travis Kelce
Football’s funniest family duo — Jason Kelce of the Philadelphia Eagles and Travis Kelce of the Kansas City Chiefs — team up to provide next-level access to life in the league as it unfolds. The two brothers and Super Bowl champions drop weekly insights about the weekly slate of games and share their INSIDE perspectives on trending NFL news and sports headlines. They also endlessly rag on each other as brothers do, chat the latest in pop culture and welcome some very popular and well-known friends to chat with them. Check out new episodes every Wednesday. Follow New Heights on the Wondery App, YouTube or wherever you get your podcasts. You can listen to new episodes early and ad-free, and get exclusive content on Wondery+. Join Wondery+ in the Wondery App, Apple Podcasts or Spotify. And join our new membership for a unique fan experience by going to the New Heights YouTube channel now!