October 1, 2025 • 56 mins
From the Acme Studios in Mayville, Wisconsin. These days, darkness fall early. What better time than to bring out "The Songs That ONly Come Out At Night". Featuring deep tracks of Vintage Rock from The Eagles, Eric Clapton, Shooting Star, The Babys and more.
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Episode Transcript
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Speaker 1 (00:03):
The following program is brought to you in living color.
Speaker 2 (00:07):
You calling you the borrow It sounds.
Speaker 1 (00:16):
Please God, it's God.
Speaker 3 (00:23):
I see God.
Speaker 4 (00:25):
We will provide the grand design.
Speaker 5 (00:29):
We didn't say it'd be good.
Speaker 6 (00:35):
It's one hour of radio anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 7 (00:41):
Where the hell is Maybelle? Then it rocked.
Speaker 8 (00:43):
It's been bottled up way too long. Welcome to Don's basement.
Speaker 2 (01:01):
Have you had new like the rockets at midnight?
Speaker 7 (01:06):
Oh? Ho, my fat all?
Speaker 2 (01:09):
My night was one time we had that night?
Speaker 9 (01:13):
Hey, Hey, there's bucket midnight.
Speaker 7 (01:18):
And midnight.
Speaker 10 (01:25):
Home?
Speaker 2 (01:26):
Oh my mic was one time?
Speaker 9 (01:29):
Hey midnight.
Speaker 11 (01:37):
Sweet jumping bound, sweet look rain they got caught damonis
like Susie Sun, don't want it all got drugging her?
Speaker 2 (01:48):
Hey, hey, rock gets midnight? Where two times the murder?
Speaker 11 (02:30):
Since y'all now left me going, y'all got so high
I have taken home.
Speaker 2 (02:37):
You knew that, Ella fact, sil chic.
Speaker 7 (02:41):
Rather tell my.
Speaker 2 (02:44):
There's the fucking night counting got trying.
Speaker 12 (02:50):
We have me?
Speaker 2 (02:51):
She went now she last week, let around, she left,
she got.
Speaker 9 (02:56):
Sick, kept doing that man of glad, cris this good walking.
Speaker 10 (03:04):
Oh God out okay want to sell you about.
Speaker 2 (03:43):
That Deacons John, we got so high tatons.
Speaker 9 (03:48):
Using news about Ellen's Mary.
Speaker 2 (03:51):
Checks and rent out.
Speaker 7 (04:01):
Yeah, love.
Speaker 2 (04:08):
Cat Man, grab free cry, give.
Speaker 7 (04:23):
A no, don't.
Speaker 1 (05:39):
Have that.
Speaker 5 (06:26):
Oh yeah. I was always waiting for Volume two to
come out because Volume one was spectacular. Jimmy Page, Robert Plant,
Jeff Beck, Paul Schaeffer and a bunch of great studio
musicians getting together in forming the Honey Drippers in Volume
one and rock and at midnight and hello there, how
are you welcome back in? I'm Don Clark. Thank you
(06:48):
so much for coming down and hanging out with us
once again down here in Don's basement. Ah, yes, these
days darkness falls early and in a New York minute,
winter is going to be here. But let's at Russia.
But we do have some songs that only come out
at night. It was the night that hell froze over
when the Eagles took the stage to do help me
(07:09):
make it through the night. Welcome to Don's Baseman, comewhere along.
Speaker 7 (07:43):
The way and found me old up a long away.
The white seems the same when you win way and
(08:03):
make it up for the time.
Speaker 2 (08:06):
Sunday Pies do.
Speaker 7 (08:09):
And then they Victor dream may work and it just
stayed back.
Speaker 13 (08:21):
To help me through the night. Mama, help me Sunday,
tell me all right, help me the.
Speaker 14 (08:38):
Die once again. And that's the danger Bregent.
Speaker 13 (09:02):
Trying to advent jobs out from someone else in.
Speaker 7 (09:07):
War don't know, want to divide. No, they're just drunk, and.
Speaker 2 (09:34):
So helped me to see the light from go in again.
Speaker 13 (09:45):
Tell me it's all ray, help me through the night
was again?
Speaker 2 (10:06):
Oh you.
Speaker 8 (10:39):
Vintage drop with the warm sound of vinyl.
Speaker 15 (10:42):
A scratcher too, just to keep it real.
Speaker 8 (10:44):
This is Don's basement, and I'm bad to.
Speaker 7 (11:03):
Keep a mad.
Speaker 16 (11:06):
I'm gone wine all silver dollar, but I'm not gonna.
Speaker 3 (11:12):
Let him kits me.
Speaker 17 (11:14):
I'm gonna let him cats the Midnight Man.
Speaker 7 (11:26):
Not at all.
Speaker 16 (11:28):
The clothes are and the road goes home forever. I've
gone one more silver dollar.
Speaker 2 (11:41):
But I'm not a let him hence not gonna let
him cats mid.
Speaker 7 (11:47):
Named bad.
Speaker 16 (12:35):
Cold there oo also be said, and I've gone more
all s a dollar. I'm all pits man, I'm a
man kiss for midnight.
Speaker 5 (13:02):
Hen Spineau, The Aman Brothers and Midnight Rider and Don
(13:35):
Clark and Don's Basement. Back in the eighties, there was
a marketing concept that a certain beer company came up
with where they wanted to use classic rock songs in
their commercials. So they reached out to the artists and
they said, yeah, absolutely, we'd love to be a part
of that. One artist in particular said, you know what,
this is going to give me a chance to go
(13:55):
back into the studio and re record a song that
I did be a classic, but I want to record
it the way that I thought it should be done.
And he sold a lot of michelob in the process.
He's Eric Clapton After Midnight in Don's basement.
Speaker 7 (14:54):
We're going.
Speaker 18 (15:02):
At the midnight, I'm a shake, jump shot all the
postal hands.
Speaker 17 (15:13):
Suspicion, give an expecially by what it is.
Speaker 7 (15:20):
All about the midnight.
Speaker 17 (15:28):
Don't matter now the midnight I'm gonna shake.
Speaker 7 (15:39):
Don't tell the.
Speaker 17 (15:40):
Reason staff the mid.
Speaker 13 (15:49):
Some agreed, agreed, We're gonna stand them some excell.
Speaker 1 (15:59):
It's some set of what.
Speaker 17 (16:01):
Do woman as old?
Speaker 7 (16:09):
That's not.
Speaker 1 (16:12):
The woman.
Speaker 7 (17:03):
At the mid nonding.
Speaker 17 (17:06):
You don't let it hang.
Speaker 19 (17:07):
Out, Noma, shake it jump chill.
Speaker 17 (17:23):
The post man suspicion. You know, next special.
Speaker 15 (17:28):
Gonna find out what.
Speaker 7 (17:30):
It used all my rod.
Speaker 13 (17:36):
Mid nothing.
Speaker 17 (17:39):
Don't let it at all hang out, an don't let
hang out.
Speaker 3 (17:56):
At the midnight.
Speaker 2 (17:59):
A little.
Speaker 15 (18:52):
Deep cuts of ntage rocks.
Speaker 8 (18:53):
Some of it just as warped as we were. It's
all on vinyl, and it's all in Don's basement.
Speaker 7 (19:12):
My time is wasting.
Speaker 2 (19:13):
S feel I'm moving too small, gat my fatter to
the medal.
Speaker 20 (19:17):
But I'm ready to do life in the fast thing
this turn of the head.
Speaker 2 (19:23):
I'm fat to move over.
Speaker 21 (19:25):
You're a longtime I there.
Speaker 7 (19:27):
I'm seeing some.
Speaker 17 (19:28):
Rainbows and the tall out of day.
Speaker 20 (19:31):
It feels like I'm wastom, not lifetime, weak, breaking the.
Speaker 9 (19:36):
Limits, rending the horse can't stand stand and still speaking?
Speaker 4 (19:41):
Is my forms.
Speaker 7 (19:44):
Better in the night?
Speaker 2 (19:47):
I stop until the day, dollars stopping.
Speaker 20 (19:55):
I moved better in the night. The free win over
my face. I'm falling my mind, I'm waiting for days.
(20:17):
I'm over heating. I'm ready to firm, got down on
my wheels, but they're ready to turn fender the fender,
not to tail. No the matter, I just can't feel
that's going down.
Speaker 2 (20:34):
Give me some come.
Speaker 7 (20:37):
It's raw moon fatter in the night.
Speaker 2 (20:44):
I won't stop until the day lies.
Speaker 20 (20:49):
In the field, I move fatter in the night Fanner
(21:12):
Banner know what to tale? I know the man, worlds
can't fail.
Speaker 13 (21:20):
That's turning down, get me up, coming right, It's row.
Speaker 22 (21:28):
A move better from the night.
Speaker 4 (21:31):
I won't stop until the.
Speaker 7 (21:33):
Daylight stop.
Speaker 2 (21:36):
Makes me feel your right A move better from the night.
Don't stop until the daylight.
Speaker 4 (21:48):
Makes me feel your right A move.
Speaker 7 (21:52):
Better than the night.
Speaker 5 (22:38):
It's another track that sold an awful lot of Michelo
back in the day, Roger daltred the album under a
Raging Moon and moved Better in the Night with songs
that only come.
Speaker 7 (22:48):
Out at night.
Speaker 5 (22:49):
This next album, when the band put it together, first
of all, they were going through an awful lot of changes.
There were money problems, there were drug problems, and they
really did care for the album. But as years went
along and they went back and re listened to it,
they're like, you know what, this is actually one of
our better albums, and that's up next. I'm Don Clark.
(23:11):
Welcome to Don's basement.
Speaker 23 (23:13):
Maybe there's no such thing as the perfect gift, but
music certainly comes closed and music Land is the perfect
place to find that special gift of using walking after
a hard day's work, making little ones out of Big Ones.
Speaker 21 (23:31):
The boys from Aerosmith think you Need a Night in
the Ruts.
Speaker 23 (23:40):
Night in the Ruts a brand new Columbia album from
the hardest rocking band in show business, Arrowsmith. Twenty years
of working and they put you on the night Shire
Big Up Night in the Ruts on sale of music
Land only five ninety.
Speaker 15 (23:52):
Nine LP or tape.
Speaker 1 (23:55):
Music Land.
Speaker 21 (23:56):
We are usied until you are classic rock.
Speaker 7 (24:01):
Give it time.
Speaker 15 (24:04):
There's vintage rock. Then there's this place.
Speaker 11 (24:11):
She got the big ten bag on the Baboo, this series,
It's God's basement.
Speaker 7 (24:26):
I got.
Speaker 3 (24:33):
Down, don't really hell.
Speaker 23 (24:47):
She down?
Speaker 7 (24:59):
That's three?
Speaker 3 (25:00):
May have two fetal whis games? Job to getting this high?
Speaker 2 (25:13):
Well? My good no me?
Speaker 4 (25:15):
That woma?
Speaker 7 (25:19):
This show?
Speaker 4 (25:20):
Who went to tell? When a good old man? I woma?
Speaker 7 (25:33):
He is the show?
Speaker 13 (25:36):
When the t.
Speaker 7 (25:44):
Weir? When he was fitting with show?
Speaker 3 (25:50):
I should have had out fever.
Speaker 22 (26:44):
Listen so I know this guy, little reader say the album.
Speaker 2 (28:06):
Just a just a game.
Speaker 5 (28:17):
The song was originally done by Jazz Gillum back in
the nineteen forties, and they wanted to include it in
their new album, which they really didn't care for at first.
Then the band listened to it again and went you
know what that's not bad. The album was Night in
the Ruts. There's Reefer head Woman from Aerosmith and Don
Clark and Don Spaseman with songs that only come out
(28:37):
at night. It was their fifth studio album, the last
one to feature Gary West as their lead vocalist. This
is Shooting Star and Heat of the Night in Don Spaceman,
You Have the.
Speaker 17 (28:51):
S came different work.
Speaker 7 (28:56):
I read no none, no wooll wrong more. I used
to turn my heart wondering where it starts.
Speaker 20 (29:12):
If that just don't know where you hurt.
Speaker 17 (29:16):
Took so long it doesn't really matter anymore.
Speaker 7 (29:21):
No one knows what a man house. Oh No, see
the last in the Heat of the.
Speaker 10 (29:30):
Night, when Way Charge we will lost.
Speaker 24 (29:35):
Contrast to the King of the Night prim record us
No One just can't let gone.
Speaker 13 (29:53):
You have said the school evens in the age and
we Chad.
Speaker 17 (30:01):
Bes Fer the wos No.
Speaker 7 (30:06):
No, then we met, we overd.
Speaker 17 (30:14):
Did it and held its fat so nothing.
Speaker 7 (30:19):
No one would touch.
Speaker 24 (30:21):
Don't know why you'd say his love, don't know any
white was shot the Old and Love to Norms, Fly Charged,
The Woman's Good Show, The King.
Speaker 7 (30:42):
N Away, No Game, last guy.
Speaker 13 (30:49):
Stands in here at siden.
Speaker 25 (30:53):
Screen to start, so many changes and going to can
but feel about you.
Speaker 7 (31:24):
You are the sad.
Speaker 24 (31:28):
Loss, no regrets, no mass conscience is treamer where it's snow,
not a man of Osma spirits, not a long matiss fils.
Speaker 13 (31:45):
Scenes last.
Speaker 17 (31:50):
W research were no stressors.
Speaker 24 (31:55):
Looks why shows you know not just go.
Speaker 7 (32:05):
Night you know Scholl sound.
Speaker 25 (32:13):
Nights not just jo got.
Speaker 6 (32:36):
Any drock on vinyl with every beautiful scratch and skip
skip skip skip, this is don basement.
Speaker 2 (33:15):
Ruse and down the motorway, got back a ba my
sad book, a little anxious.
Speaker 9 (33:26):
We got the moona behind we had and to obey
for the buyer. On seven nine, wellwell you don't like
we saw those motel lines. We were back to the night,
(33:47):
brock handing to the Knight, gock Cande to the Knight,
back hand.
Speaker 2 (33:55):
Into the night, out on the back streets, taking up
where my cash found.
Speaker 7 (34:08):
The sweet madonna up.
Speaker 9 (34:11):
With a Bible in her heads, sweet head and dis
obain a well for someone to save.
Speaker 7 (34:20):
So will I need't no you.
Speaker 2 (34:23):
Masiga by the posting up rockets.
Speaker 7 (34:27):
Roll like we burn.
Speaker 9 (34:29):
Gone to the knight, bucket to the knife, got can
to the knight rocketed to the knife and it scool.
Then that's Don Waiters and just Abaya Dia Woos and
(35:10):
Will said were doing eight as when we saw those
motel lies.
Speaker 2 (35:18):
You lock got.
Speaker 9 (35:20):
Myck got into the.
Speaker 2 (35:22):
Die you dcast podcast and to the die.
Speaker 26 (35:33):
My God, my God, into the die d Lock guys
rockcast until there.
Speaker 5 (36:26):
Have a lot of great memories about that song. I'll
leave that right there. Thirty eight special and rock and
into the Night. We've got songs that only come out
at night. And John Waite said that when he wrote
this it was about forbidden love and the plan to escape.
Here are the babies in midnight rendezvous in Don's basement.
Speaker 11 (36:50):
Alight, I'm at the limit and there's no way back.
Speaker 2 (37:03):
You kind of luck at me on attack?
Speaker 7 (37:06):
All right?
Speaker 27 (37:10):
All right?
Speaker 7 (37:13):
Because baby, can't.
Speaker 2 (37:14):
You see papend some time ago?
Speaker 4 (37:18):
We need to see a shot training.
Speaker 11 (37:22):
How to feel me touching you read day all the
freeway with the fronts down, try me crazy? Yet you
drive around all right, all right, way up to merchant ants.
Speaker 4 (37:54):
Please trush your where in the sweet passes?
Speaker 7 (37:58):
All right, my.
Speaker 9 (38:05):
Man?
Speaker 7 (38:05):
I can't just say.
Speaker 2 (38:08):
Sometimes we need to.
Speaker 22 (38:11):
See some strange so I don't want to feel in
churching me.
Speaker 2 (38:18):
A minute night night n n night mo over my.
Speaker 7 (38:50):
Mad night.
Speaker 2 (38:53):
The night mon.
Speaker 1 (38:58):
Night.
Speaker 6 (39:51):
Your high school wardrobe was designed by Levi's and concert
t shirts that you you are our kind of people.
Speaker 15 (39:57):
Welcome to Down's basement.
Speaker 28 (40:07):
That's a little too song, Could he use a few browns,
tight pants points hollering a down.
Speaker 29 (40:15):
She was a black hat beauty with big dark eyes
and points all her own setting.
Speaker 7 (40:21):
Well up, high wall, firm and hide.
Speaker 2 (40:31):
Our danser Confield with the ones got heaven.
Speaker 28 (40:35):
Out in the back seat of my sixty shielding, working
on mispies without any clues.
Speaker 21 (40:46):
Well again on a nine moves, trying to make some
some page.
Speaker 7 (40:52):
Driving the news.
Speaker 17 (40:54):
Were again on a nine moves.
Speaker 7 (41:01):
In the summer time, in the sweet summer time. We
want to love, don't no fouther from We weren't searching for.
Speaker 2 (41:21):
Some time, the scot some.
Speaker 21 (41:24):
We were just young and the restless.
Speaker 13 (41:26):
And boy.
Speaker 7 (41:28):
Living by a soul and were still away. Have a
chance we could to the.
Speaker 21 (41:36):
Back room, to the alley or the trusted hood.
Speaker 13 (41:40):
I used her use me, but neither one cares, and
we were getting our ship.
Speaker 17 (41:47):
Well again on a now.
Speaker 14 (41:51):
Trying to lose on one teenage news, where again on
a nine.
Speaker 7 (42:01):
It was summer time, the sweet summer turned south.
Speaker 21 (42:24):
O wonder, shout of lightning, wearing.
Speaker 7 (42:38):
On the thunder, wearing all the thunder. I woke last
night to the sound of thunder. How far off I
(42:58):
sat in wonder started humbing.
Speaker 28 (43:01):
A song from nineteen sixty two, and a funny how
the nad moves.
Speaker 7 (43:13):
When you just don't seem to have as much to lose.
Speaker 28 (43:18):
Strange how the nid moves with autumn closing in Night Moves.
Speaker 4 (44:00):
Nine, Remember the night.
Speaker 7 (44:05):
Your Mother?
Speaker 30 (44:05):
If I remember, I remember, I remember, I remember, remember.
Speaker 7 (44:22):
Working the crack where at the practices, the night Yeah number.
Speaker 2 (44:45):
I remember, No.
Speaker 5 (45:09):
The Midwest Nights, Bob Seeker and the Silver Bullet Band
and Night Moves. We said this year, for the tenth
anniversary of Downs Basement Tapes, we would dig a little
bit deeper than normal on some of these tracks. Now,
at this particular cut, we didn't have to dig back
too far year wise, But I wanted to play this
for a couple of reasons. One, he was a great
acquaintance who we lost way too early. In two, it's
(45:30):
just a great song. It says, just another night in America,
Michael Stanley in Don's basement.
Speaker 7 (45:37):
Maddy's all moved tonight.
Speaker 12 (45:42):
Macan's way to the ole neighbor boom recent morning, Vegan Maddy.
Speaker 7 (45:50):
Shoe, Could you use a cold? One dy shore? Could
you some sleep?
Speaker 12 (45:56):
Wondering why the mamories that hall and other one June Never.
Speaker 1 (46:03):
Keep bacon sweet and dead and street, all the.
Speaker 12 (46:14):
Houses the same, and just see the fed and wanted
as the bacon to eat, And never houses got its.
Speaker 29 (46:24):
Story, and never stories got it started, ever started east
to hand, and they had more standings fall the palm.
Speaker 7 (46:39):
Just another night in America.
Speaker 2 (46:47):
Just another night of the.
Speaker 27 (46:48):
Lander among century, Just another night in America. You break
no day.
Speaker 7 (47:03):
Trying not to be waiting.
Speaker 1 (47:09):
Now He's wonder where they are gone? Both faces. He
knew that he watched as a group.
Speaker 7 (47:18):
They just need to move all along.
Speaker 13 (47:22):
The Chainey got.
Speaker 12 (47:24):
Remarried, took the kids and get the shore. The giants
ain't California. Don't think much about here no more.
Speaker 2 (47:40):
Just another night in.
Speaker 27 (47:41):
America, Just another night of Lando sentry, Just another night
in America.
Speaker 7 (48:00):
You loveday.
Speaker 1 (48:03):
Trying to let the by way. I don't want you
going up to the way.
Speaker 2 (48:15):
Hope heels just not a holdy.
Speaker 1 (48:20):
Where you going up to find another.
Speaker 7 (48:24):
Kind of manding.
Speaker 12 (48:28):
I don't want you going out tray doon't be just
not mistake.
Speaker 17 (48:36):
You ain't going to break.
Speaker 7 (48:38):
But you're so damn tired man, and.
Speaker 1 (48:58):
So you look for victories.
Speaker 2 (49:02):
So the night walks seem sorearm.
Speaker 1 (49:06):
But the dji will stop talking.
Speaker 7 (49:10):
Just shut up, man, play my son.
Speaker 27 (49:16):
Just not night in America, Just an night landa century,
justin nod night in America.
Speaker 7 (49:35):
You went to, no day.
Speaker 17 (49:39):
Trying to pay way.
Speaker 27 (49:50):
Just loud night in Perfa, Just not night in Mada.
Speaker 15 (50:18):
The music you grew up with, the music you threw
up with. This is Don's basement, Mad.
Speaker 2 (50:37):
I have to see my figs.
Speaker 15 (50:39):
I'm telling her.
Speaker 1 (50:40):
Wound the boy again.
Speaker 2 (50:42):
Down on a loop.
Speaker 1 (50:43):
Man, don't want to rob want to get.
Speaker 11 (50:46):
A batter foot off the bill, my man, I'll talk
a battle battleful of monkeys on my own head if
she don't care.
Speaker 4 (50:55):
I said, I look cute and I've read this news.
Speaker 3 (50:58):
I'm not able to freeze and I.
Speaker 31 (51:05):
Don't have a version.
Speaker 2 (51:07):
We had them bir sat.
Speaker 31 (51:11):
On that night, stop fight, got fight and can.
Speaker 32 (51:17):
Care about the dil pas?
Speaker 10 (51:21):
Time for night.
Speaker 31 (51:23):
The sign of the start night on the Night, sid
on the night, all my mom, well.
Speaker 9 (51:42):
The black water time you night.
Speaker 21 (51:45):
I'm looking more down out to seeing there writing.
Speaker 2 (51:48):
I can use a little muscle to get what I need.
Speaker 11 (51:52):
I can sing a little bringing shout out checking bag
now Alma sounds out of that lad of.
Speaker 2 (51:57):
Night Fama sounds almost play up a motor by, I
go you go, I brot up up the welding class.
Speaker 22 (52:04):
It's the friends post them a bottom bat.
Speaker 16 (52:06):
A class.
Speaker 2 (52:12):
I don't have as a bard.
Speaker 32 (52:15):
That's a brim sad night stop fine by By and
Gable by gone time, the man of the night time
nine Si the knights all bast said.
Speaker 31 (53:14):
The sad bad ball, but the.
Speaker 2 (53:24):
People funny got the bar.
Speaker 31 (53:29):
Sign stop by a sis all assay say sat.
Speaker 5 (54:56):
So many albums that came out in the seventies that
all under the category of essentials.
Speaker 22 (55:02):
That's one of them.
Speaker 5 (55:02):
From Goodbye Yellibrick Road, Elton John and Saturday Night It's
all Right for Fighting, putting the raps on the songs
that only come out at night edition of Don Spaceman Tapes.
First of all, we want to thank all the radio
stations up and down the dial that take the time
to run our show each week, including our flagship station
ninety nine point nine FM WYML and WYML dot us
(55:23):
in Chicago. Thank you, Jon, Jeff a great ninety eight
WMDC Maybel, Wisconsin. Beckwell is Mad and it started. Carl
and the crew at KZFX Rock in the High Desert
in Ridgecress, California, and all the stations. Big thanks to
Amazon Music and the iHeartRadio Network for getting the word
out about Don spasement tapes. Thanks to mister Lee Peak,
(55:43):
the voice of Don's Basement. Check out our website when
you get a chance, Don's Basement Productions dot com. And
a great big thank you to you for coming down
here each and every week and hanging with us in
the basement. We appreciate it. I Don Clark Peace,
The following program is brought to you in living color.
Speaker 2 (00:07):
You calling you the borrow It sounds.
Speaker 1 (00:16):
Please God, it's God.
Speaker 3 (00:23):
I see God.
Speaker 4 (00:25):
We will provide the grand design.
Speaker 5 (00:29):
We didn't say it'd be good.
Speaker 6 (00:35):
It's one hour of radio anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 7 (00:41):
Where the hell is Maybelle? Then it rocked.
Speaker 8 (00:43):
It's been bottled up way too long. Welcome to Don's basement.
Speaker 2 (01:01):
Have you had new like the rockets at midnight?
Speaker 7 (01:06):
Oh? Ho, my fat all?
Speaker 2 (01:09):
My night was one time we had that night?
Speaker 9 (01:13):
Hey, Hey, there's bucket midnight.
Speaker 7 (01:18):
And midnight.
Speaker 10 (01:25):
Home?
Speaker 2 (01:26):
Oh my mic was one time?
Speaker 9 (01:29):
Hey midnight.
Speaker 11 (01:37):
Sweet jumping bound, sweet look rain they got caught damonis
like Susie Sun, don't want it all got drugging her?
Speaker 2 (01:48):
Hey, hey, rock gets midnight? Where two times the murder?
Speaker 11 (02:30):
Since y'all now left me going, y'all got so high
I have taken home.
Speaker 2 (02:37):
You knew that, Ella fact, sil chic.
Speaker 7 (02:41):
Rather tell my.
Speaker 2 (02:44):
There's the fucking night counting got trying.
Speaker 12 (02:50):
We have me?
Speaker 2 (02:51):
She went now she last week, let around, she left,
she got.
Speaker 9 (02:56):
Sick, kept doing that man of glad, cris this good walking.
Speaker 10 (03:04):
Oh God out okay want to sell you about.
Speaker 2 (03:43):
That Deacons John, we got so high tatons.
Speaker 9 (03:48):
Using news about Ellen's Mary.
Speaker 2 (03:51):
Checks and rent out.
Speaker 7 (04:01):
Yeah, love.
Speaker 2 (04:08):
Cat Man, grab free cry, give.
Speaker 7 (04:23):
A no, don't.
Speaker 1 (05:39):
Have that.
Speaker 5 (06:26):
Oh yeah. I was always waiting for Volume two to
come out because Volume one was spectacular. Jimmy Page, Robert Plant,
Jeff Beck, Paul Schaeffer and a bunch of great studio
musicians getting together in forming the Honey Drippers in Volume
one and rock and at midnight and hello there, how
are you welcome back in? I'm Don Clark. Thank you
(06:48):
so much for coming down and hanging out with us
once again down here in Don's basement. Ah, yes, these
days darkness falls early and in a New York minute,
winter is going to be here. But let's at Russia.
But we do have some songs that only come out
at night. It was the night that hell froze over
when the Eagles took the stage to do help me
(07:09):
make it through the night. Welcome to Don's Baseman, comewhere along.
Speaker 7 (07:43):
The way and found me old up a long away.
The white seems the same when you win way and
(08:03):
make it up for the time.
Speaker 2 (08:06):
Sunday Pies do.
Speaker 7 (08:09):
And then they Victor dream may work and it just
stayed back.
Speaker 13 (08:21):
To help me through the night. Mama, help me Sunday,
tell me all right, help me the.
Speaker 14 (08:38):
Die once again. And that's the danger Bregent.
Speaker 13 (09:02):
Trying to advent jobs out from someone else in.
Speaker 7 (09:07):
War don't know, want to divide. No, they're just drunk, and.
Speaker 2 (09:34):
So helped me to see the light from go in again.
Speaker 13 (09:45):
Tell me it's all ray, help me through the night
was again?
Speaker 2 (10:06):
Oh you.
Speaker 8 (10:39):
Vintage drop with the warm sound of vinyl.
Speaker 15 (10:42):
A scratcher too, just to keep it real.
Speaker 8 (10:44):
This is Don's basement, and I'm bad to.
Speaker 7 (11:03):
Keep a mad.
Speaker 16 (11:06):
I'm gone wine all silver dollar, but I'm not gonna.
Speaker 3 (11:12):
Let him kits me.
Speaker 17 (11:14):
I'm gonna let him cats the Midnight Man.
Speaker 7 (11:26):
Not at all.
Speaker 16 (11:28):
The clothes are and the road goes home forever. I've
gone one more silver dollar.
Speaker 2 (11:41):
But I'm not a let him hence not gonna let
him cats mid.
Speaker 7 (11:47):
Named bad.
Speaker 16 (12:35):
Cold there oo also be said, and I've gone more
all s a dollar. I'm all pits man, I'm a
man kiss for midnight.
Speaker 5 (13:02):
Hen Spineau, The Aman Brothers and Midnight Rider and Don
(13:35):
Clark and Don's Basement. Back in the eighties, there was
a marketing concept that a certain beer company came up
with where they wanted to use classic rock songs in
their commercials. So they reached out to the artists and
they said, yeah, absolutely, we'd love to be a part
of that. One artist in particular said, you know what,
this is going to give me a chance to go
(13:55):
back into the studio and re record a song that
I did be a classic, but I want to record
it the way that I thought it should be done.
And he sold a lot of michelob in the process.
He's Eric Clapton After Midnight in Don's basement.
Speaker 7 (14:54):
We're going.
Speaker 18 (15:02):
At the midnight, I'm a shake, jump shot all the
postal hands.
Speaker 17 (15:13):
Suspicion, give an expecially by what it is.
Speaker 7 (15:20):
All about the midnight.
Speaker 17 (15:28):
Don't matter now the midnight I'm gonna shake.
Speaker 7 (15:39):
Don't tell the.
Speaker 17 (15:40):
Reason staff the mid.
Speaker 13 (15:49):
Some agreed, agreed, We're gonna stand them some excell.
Speaker 1 (15:59):
It's some set of what.
Speaker 17 (16:01):
Do woman as old?
Speaker 7 (16:09):
That's not.
Speaker 1 (16:12):
The woman.
Speaker 7 (17:03):
At the mid nonding.
Speaker 17 (17:06):
You don't let it hang.
Speaker 19 (17:07):
Out, Noma, shake it jump chill.
Speaker 17 (17:23):
The post man suspicion. You know, next special.
Speaker 15 (17:28):
Gonna find out what.
Speaker 7 (17:30):
It used all my rod.
Speaker 13 (17:36):
Mid nothing.
Speaker 17 (17:39):
Don't let it at all hang out, an don't let
hang out.
Speaker 3 (17:56):
At the midnight.
Speaker 2 (17:59):
A little.
Speaker 15 (18:52):
Deep cuts of ntage rocks.
Speaker 8 (18:53):
Some of it just as warped as we were. It's
all on vinyl, and it's all in Don's basement.
Speaker 7 (19:12):
My time is wasting.
Speaker 2 (19:13):
S feel I'm moving too small, gat my fatter to
the medal.
Speaker 20 (19:17):
But I'm ready to do life in the fast thing
this turn of the head.
Speaker 2 (19:23):
I'm fat to move over.
Speaker 21 (19:25):
You're a longtime I there.
Speaker 7 (19:27):
I'm seeing some.
Speaker 17 (19:28):
Rainbows and the tall out of day.
Speaker 20 (19:31):
It feels like I'm wastom, not lifetime, weak, breaking the.
Speaker 9 (19:36):
Limits, rending the horse can't stand stand and still speaking?
Speaker 4 (19:41):
Is my forms.
Speaker 7 (19:44):
Better in the night?
Speaker 2 (19:47):
I stop until the day, dollars stopping.
Speaker 20 (19:55):
I moved better in the night. The free win over
my face. I'm falling my mind, I'm waiting for days.
(20:17):
I'm over heating. I'm ready to firm, got down on
my wheels, but they're ready to turn fender the fender,
not to tail. No the matter, I just can't feel
that's going down.
Speaker 2 (20:34):
Give me some come.
Speaker 7 (20:37):
It's raw moon fatter in the night.
Speaker 2 (20:44):
I won't stop until the day lies.
Speaker 20 (20:49):
In the field, I move fatter in the night Fanner
(21:12):
Banner know what to tale? I know the man, worlds
can't fail.
Speaker 13 (21:20):
That's turning down, get me up, coming right, It's row.
Speaker 22 (21:28):
A move better from the night.
Speaker 4 (21:31):
I won't stop until the.
Speaker 7 (21:33):
Daylight stop.
Speaker 2 (21:36):
Makes me feel your right A move better from the night.
Don't stop until the daylight.
Speaker 4 (21:48):
Makes me feel your right A move.
Speaker 7 (21:52):
Better than the night.
Speaker 5 (22:38):
It's another track that sold an awful lot of Michelo
back in the day, Roger daltred the album under a
Raging Moon and moved Better in the Night with songs
that only come.
Speaker 7 (22:48):
Out at night.
Speaker 5 (22:49):
This next album, when the band put it together, first
of all, they were going through an awful lot of changes.
There were money problems, there were drug problems, and they
really did care for the album. But as years went
along and they went back and re listened to it,
they're like, you know what, this is actually one of
our better albums, and that's up next. I'm Don Clark.
(23:11):
Welcome to Don's basement.
Speaker 23 (23:13):
Maybe there's no such thing as the perfect gift, but
music certainly comes closed and music Land is the perfect
place to find that special gift of using walking after
a hard day's work, making little ones out of Big Ones.
Speaker 21 (23:31):
The boys from Aerosmith think you Need a Night in
the Ruts.
Speaker 23 (23:40):
Night in the Ruts a brand new Columbia album from
the hardest rocking band in show business, Arrowsmith. Twenty years
of working and they put you on the night Shire
Big Up Night in the Ruts on sale of music
Land only five ninety.
Speaker 15 (23:52):
Nine LP or tape.
Speaker 1 (23:55):
Music Land.
Speaker 21 (23:56):
We are usied until you are classic rock.
Speaker 7 (24:01):
Give it time.
Speaker 15 (24:04):
There's vintage rock. Then there's this place.
Speaker 11 (24:11):
She got the big ten bag on the Baboo, this series,
It's God's basement.
Speaker 7 (24:26):
I got.
Speaker 3 (24:33):
Down, don't really hell.
Speaker 23 (24:47):
She down?
Speaker 7 (24:59):
That's three?
Speaker 3 (25:00):
May have two fetal whis games? Job to getting this high?
Speaker 2 (25:13):
Well? My good no me?
Speaker 4 (25:15):
That woma?
Speaker 7 (25:19):
This show?
Speaker 4 (25:20):
Who went to tell? When a good old man? I woma?
Speaker 7 (25:33):
He is the show?
Speaker 13 (25:36):
When the t.
Speaker 7 (25:44):
Weir? When he was fitting with show?
Speaker 3 (25:50):
I should have had out fever.
Speaker 22 (26:44):
Listen so I know this guy, little reader say the album.
Speaker 2 (28:06):
Just a just a game.
Speaker 5 (28:17):
The song was originally done by Jazz Gillum back in
the nineteen forties, and they wanted to include it in
their new album, which they really didn't care for at first.
Then the band listened to it again and went you
know what that's not bad. The album was Night in
the Ruts. There's Reefer head Woman from Aerosmith and Don
Clark and Don Spaseman with songs that only come out
(28:37):
at night. It was their fifth studio album, the last
one to feature Gary West as their lead vocalist. This
is Shooting Star and Heat of the Night in Don Spaceman,
You Have the.
Speaker 17 (28:51):
S came different work.
Speaker 7 (28:56):
I read no none, no wooll wrong more. I used
to turn my heart wondering where it starts.
Speaker 20 (29:12):
If that just don't know where you hurt.
Speaker 17 (29:16):
Took so long it doesn't really matter anymore.
Speaker 7 (29:21):
No one knows what a man house. Oh No, see
the last in the Heat of the.
Speaker 10 (29:30):
Night, when Way Charge we will lost.
Speaker 24 (29:35):
Contrast to the King of the Night prim record us
No One just can't let gone.
Speaker 13 (29:53):
You have said the school evens in the age and
we Chad.
Speaker 17 (30:01):
Bes Fer the wos No.
Speaker 7 (30:06):
No, then we met, we overd.
Speaker 17 (30:14):
Did it and held its fat so nothing.
Speaker 7 (30:19):
No one would touch.
Speaker 24 (30:21):
Don't know why you'd say his love, don't know any
white was shot the Old and Love to Norms, Fly Charged,
The Woman's Good Show, The King.
Speaker 7 (30:42):
N Away, No Game, last guy.
Speaker 13 (30:49):
Stands in here at siden.
Speaker 25 (30:53):
Screen to start, so many changes and going to can
but feel about you.
Speaker 7 (31:24):
You are the sad.
Speaker 24 (31:28):
Loss, no regrets, no mass conscience is treamer where it's snow,
not a man of Osma spirits, not a long matiss fils.
Speaker 13 (31:45):
Scenes last.
Speaker 17 (31:50):
W research were no stressors.
Speaker 24 (31:55):
Looks why shows you know not just go.
Speaker 7 (32:05):
Night you know Scholl sound.
Speaker 25 (32:13):
Nights not just jo got.
Speaker 6 (32:36):
Any drock on vinyl with every beautiful scratch and skip
skip skip skip, this is don basement.
Speaker 2 (33:15):
Ruse and down the motorway, got back a ba my
sad book, a little anxious.
Speaker 9 (33:26):
We got the moona behind we had and to obey
for the buyer. On seven nine, wellwell you don't like
we saw those motel lines. We were back to the night,
(33:47):
brock handing to the Knight, gock Cande to the Knight,
back hand.
Speaker 2 (33:55):
Into the night, out on the back streets, taking up
where my cash found.
Speaker 7 (34:08):
The sweet madonna up.
Speaker 9 (34:11):
With a Bible in her heads, sweet head and dis
obain a well for someone to save.
Speaker 7 (34:20):
So will I need't no you.
Speaker 2 (34:23):
Masiga by the posting up rockets.
Speaker 7 (34:27):
Roll like we burn.
Speaker 9 (34:29):
Gone to the knight, bucket to the knife, got can
to the knight rocketed to the knife and it scool.
Then that's Don Waiters and just Abaya Dia Woos and
(35:10):
Will said were doing eight as when we saw those
motel lies.
Speaker 2 (35:18):
You lock got.
Speaker 9 (35:20):
Myck got into the.
Speaker 2 (35:22):
Die you dcast podcast and to the die.
Speaker 26 (35:33):
My God, my God, into the die d Lock guys
rockcast until there.
Speaker 5 (36:26):
Have a lot of great memories about that song. I'll
leave that right there. Thirty eight special and rock and
into the Night. We've got songs that only come out
at night. And John Waite said that when he wrote
this it was about forbidden love and the plan to escape.
Here are the babies in midnight rendezvous in Don's basement.
Speaker 11 (36:50):
Alight, I'm at the limit and there's no way back.
Speaker 2 (37:03):
You kind of luck at me on attack?
Speaker 7 (37:06):
All right?
Speaker 27 (37:10):
All right?
Speaker 7 (37:13):
Because baby, can't.
Speaker 2 (37:14):
You see papend some time ago?
Speaker 4 (37:18):
We need to see a shot training.
Speaker 11 (37:22):
How to feel me touching you read day all the
freeway with the fronts down, try me crazy? Yet you
drive around all right, all right, way up to merchant ants.
Speaker 4 (37:54):
Please trush your where in the sweet passes?
Speaker 7 (37:58):
All right, my.
Speaker 9 (38:05):
Man?
Speaker 7 (38:05):
I can't just say.
Speaker 2 (38:08):
Sometimes we need to.
Speaker 22 (38:11):
See some strange so I don't want to feel in
churching me.
Speaker 2 (38:18):
A minute night night n n night mo over my.
Speaker 7 (38:50):
Mad night.
Speaker 2 (38:53):
The night mon.
Speaker 1 (38:58):
Night.
Speaker 6 (39:51):
Your high school wardrobe was designed by Levi's and concert
t shirts that you you are our kind of people.
Speaker 15 (39:57):
Welcome to Down's basement.
Speaker 28 (40:07):
That's a little too song, Could he use a few browns,
tight pants points hollering a down.
Speaker 29 (40:15):
She was a black hat beauty with big dark eyes
and points all her own setting.
Speaker 7 (40:21):
Well up, high wall, firm and hide.
Speaker 2 (40:31):
Our danser Confield with the ones got heaven.
Speaker 28 (40:35):
Out in the back seat of my sixty shielding, working
on mispies without any clues.
Speaker 21 (40:46):
Well again on a nine moves, trying to make some
some page.
Speaker 7 (40:52):
Driving the news.
Speaker 17 (40:54):
Were again on a nine moves.
Speaker 7 (41:01):
In the summer time, in the sweet summer time. We
want to love, don't no fouther from We weren't searching for.
Speaker 2 (41:21):
Some time, the scot some.
Speaker 21 (41:24):
We were just young and the restless.
Speaker 13 (41:26):
And boy.
Speaker 7 (41:28):
Living by a soul and were still away. Have a
chance we could to the.
Speaker 21 (41:36):
Back room, to the alley or the trusted hood.
Speaker 13 (41:40):
I used her use me, but neither one cares, and
we were getting our ship.
Speaker 17 (41:47):
Well again on a now.
Speaker 14 (41:51):
Trying to lose on one teenage news, where again on
a nine.
Speaker 7 (42:01):
It was summer time, the sweet summer turned south.
Speaker 21 (42:24):
O wonder, shout of lightning, wearing.
Speaker 7 (42:38):
On the thunder, wearing all the thunder. I woke last
night to the sound of thunder. How far off I
(42:58):
sat in wonder started humbing.
Speaker 28 (43:01):
A song from nineteen sixty two, and a funny how
the nad moves.
Speaker 7 (43:13):
When you just don't seem to have as much to lose.
Speaker 28 (43:18):
Strange how the nid moves with autumn closing in Night Moves.
Speaker 4 (44:00):
Nine, Remember the night.
Speaker 7 (44:05):
Your Mother?
Speaker 30 (44:05):
If I remember, I remember, I remember, I remember, remember.
Speaker 7 (44:22):
Working the crack where at the practices, the night Yeah number.
Speaker 2 (44:45):
I remember, No.
Speaker 5 (45:09):
The Midwest Nights, Bob Seeker and the Silver Bullet Band
and Night Moves. We said this year, for the tenth
anniversary of Downs Basement Tapes, we would dig a little
bit deeper than normal on some of these tracks. Now,
at this particular cut, we didn't have to dig back
too far year wise, But I wanted to play this
for a couple of reasons. One, he was a great
acquaintance who we lost way too early. In two, it's
(45:30):
just a great song. It says, just another night in America,
Michael Stanley in Don's basement.
Speaker 7 (45:37):
Maddy's all moved tonight.
Speaker 12 (45:42):
Macan's way to the ole neighbor boom recent morning, Vegan Maddy.
Speaker 7 (45:50):
Shoe, Could you use a cold? One dy shore? Could
you some sleep?
Speaker 12 (45:56):
Wondering why the mamories that hall and other one June Never.
Speaker 1 (46:03):
Keep bacon sweet and dead and street, all the.
Speaker 12 (46:14):
Houses the same, and just see the fed and wanted
as the bacon to eat, And never houses got its.
Speaker 29 (46:24):
Story, and never stories got it started, ever started east
to hand, and they had more standings fall the palm.
Speaker 7 (46:39):
Just another night in America.
Speaker 2 (46:47):
Just another night of the.
Speaker 27 (46:48):
Lander among century, Just another night in America. You break
no day.
Speaker 7 (47:03):
Trying not to be waiting.
Speaker 1 (47:09):
Now He's wonder where they are gone? Both faces. He
knew that he watched as a group.
Speaker 7 (47:18):
They just need to move all along.
Speaker 13 (47:22):
The Chainey got.
Speaker 12 (47:24):
Remarried, took the kids and get the shore. The giants
ain't California. Don't think much about here no more.
Speaker 2 (47:40):
Just another night in.
Speaker 27 (47:41):
America, Just another night of Lando sentry, Just another night
in America.
Speaker 7 (48:00):
You loveday.
Speaker 1 (48:03):
Trying to let the by way. I don't want you
going up to the way.
Speaker 2 (48:15):
Hope heels just not a holdy.
Speaker 1 (48:20):
Where you going up to find another.
Speaker 7 (48:24):
Kind of manding.
Speaker 12 (48:28):
I don't want you going out tray doon't be just
not mistake.
Speaker 17 (48:36):
You ain't going to break.
Speaker 7 (48:38):
But you're so damn tired man, and.
Speaker 1 (48:58):
So you look for victories.
Speaker 2 (49:02):
So the night walks seem sorearm.
Speaker 1 (49:06):
But the dji will stop talking.
Speaker 7 (49:10):
Just shut up, man, play my son.
Speaker 27 (49:16):
Just not night in America, Just an night landa century,
justin nod night in America.
Speaker 7 (49:35):
You went to, no day.
Speaker 17 (49:39):
Trying to pay way.
Speaker 27 (49:50):
Just loud night in Perfa, Just not night in Mada.
Speaker 15 (50:18):
The music you grew up with, the music you threw
up with. This is Don's basement, Mad.
Speaker 2 (50:37):
I have to see my figs.
Speaker 15 (50:39):
I'm telling her.
Speaker 1 (50:40):
Wound the boy again.
Speaker 2 (50:42):
Down on a loop.
Speaker 1 (50:43):
Man, don't want to rob want to get.
Speaker 11 (50:46):
A batter foot off the bill, my man, I'll talk
a battle battleful of monkeys on my own head if
she don't care.
Speaker 4 (50:55):
I said, I look cute and I've read this news.
Speaker 3 (50:58):
I'm not able to freeze and I.
Speaker 31 (51:05):
Don't have a version.
Speaker 2 (51:07):
We had them bir sat.
Speaker 31 (51:11):
On that night, stop fight, got fight and can.
Speaker 32 (51:17):
Care about the dil pas?
Speaker 10 (51:21):
Time for night.
Speaker 31 (51:23):
The sign of the start night on the Night, sid
on the night, all my mom, well.
Speaker 9 (51:42):
The black water time you night.
Speaker 21 (51:45):
I'm looking more down out to seeing there writing.
Speaker 2 (51:48):
I can use a little muscle to get what I need.
Speaker 11 (51:52):
I can sing a little bringing shout out checking bag
now Alma sounds out of that lad of.
Speaker 2 (51:57):
Night Fama sounds almost play up a motor by, I
go you go, I brot up up the welding class.
Speaker 22 (52:04):
It's the friends post them a bottom bat.
Speaker 16 (52:06):
A class.
Speaker 2 (52:12):
I don't have as a bard.
Speaker 32 (52:15):
That's a brim sad night stop fine by By and
Gable by gone time, the man of the night time
nine Si the knights all bast said.
Speaker 31 (53:14):
The sad bad ball, but the.
Speaker 2 (53:24):
People funny got the bar.
Speaker 31 (53:29):
Sign stop by a sis all assay say sat.
Speaker 5 (54:56):
So many albums that came out in the seventies that
all under the category of essentials.
Speaker 22 (55:02):
That's one of them.
Speaker 5 (55:02):
From Goodbye Yellibrick Road, Elton John and Saturday Night It's
all Right for Fighting, putting the raps on the songs
that only come out at night edition of Don Spaceman Tapes.
First of all, we want to thank all the radio
stations up and down the dial that take the time
to run our show each week, including our flagship station
ninety nine point nine FM WYML and WYML dot us
(55:23):
in Chicago. Thank you, Jon, Jeff a great ninety eight
WMDC Maybel, Wisconsin. Beckwell is Mad and it started. Carl
and the crew at KZFX Rock in the High Desert
in Ridgecress, California, and all the stations. Big thanks to
Amazon Music and the iHeartRadio Network for getting the word
out about Don spasement tapes. Thanks to mister Lee Peak,
(55:43):
the voice of Don's Basement. Check out our website when
you get a chance, Don's Basement Productions dot com. And
a great big thank you to you for coming down
here each and every week and hanging with us in
the basement. We appreciate it. I Don Clark Peace,
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It’s 1996 in rural North Carolina, and an oddball crew makes history when they pull off America’s third largest cash heist. But it’s all downhill from there. Join host Johnny Knoxville as he unspools a wild and woolly tale about a group of regular ‘ol folks who risked it all for a chance at a better life. CrimeLess: Hillbilly Heist answers the question: what would you do with 17.3 million dollars? The answer includes diamond rings, mansions, velvet Elvis paintings, plus a run for the border, murder-for-hire-plots, and FBI busts.
Crime Junkie
Does hearing about a true crime case always leave you scouring the internet for the truth behind the story? Dive into your next mystery with Crime Junkie. Every Monday, join your host Ashley Flowers as she unravels all the details of infamous and underreported true crime cases with her best friend Brit Prawat. From cold cases to missing persons and heroes in our community who seek justice, Crime Junkie is your destination for theories and stories you won’t hear anywhere else. Whether you're a seasoned true crime enthusiast or new to the genre, you'll find yourself on the edge of your seat awaiting a new episode every Monday. If you can never get enough true crime... Congratulations, you’ve found your people. Follow to join a community of Crime Junkies! Crime Junkie is presented by audiochuck Media Company.
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.