June 11, 2025 • 56 mins
From the Acme Studios in Mayville, Wisconsin. Whether you called him Dad, Pops, or Father, we are celebrating him for Father's Day with The Man Show. Featuring deep tracks of Vintage Rock from The Rolling Stones, Emerson, Lake, and Palmer, REO Speedwagon, Van Halen and more.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
The following program is brought to you in living color.
Speaker 2 (00:08):
God to the borrow it sounds.
Speaker 3 (00:16):
Please how this God?
Speaker 4 (00:23):
It's God?
Speaker 5 (00:23):
I say God.
Speaker 1 (00:25):
Bill will provide the brand design.
Speaker 6 (00:29):
We didn't say it'd be good.
Speaker 7 (00:33):
It's one hour of radio anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 8 (00:41):
Where the hell is Mayville?
Speaker 7 (00:43):
Then it rocked, It's been bottled up way too long.
Welcome to Don's basement, and.
Speaker 6 (03:40):
I'd like Emerson Lincoln Palmer with the works, please the
fanfare for the common man. And hello there, how are
you Welcome back in? I'm Don Clark. Thanks so much
for coming down and hanging out with us once again
down here in Don' spasement. Whether you called him Pops
or Dad or father or just plaining Herbie, we are
here to celebrate father on Father's Day with the Man Show.
(04:02):
And we've got some manly songs that haven't seen the
light of day in a long long time. One of
the greatest live albums ever from Waiting for Columbus. This
is Little Feet and the Fat Man in the Bathtub,
and I welcome you to Don Spaceman.
Speaker 1 (04:34):
Check got down on us.
Speaker 9 (04:37):
Hey knees said, hey, ho, hey, let me check out.
Speaker 10 (04:43):
Ah alay.
Speaker 9 (04:44):
She said, no, no, not today, come back Monday, to
come back tuesday.
Speaker 11 (05:11):
S money, my sweet money, you have to bou I
see money, my sweet jockey, what you have to.
Speaker 9 (05:31):
B don't want nobody the world don't.
Speaker 3 (05:42):
See after the mad.
Speaker 12 (05:49):
Do that, but they're a fan in the battle.
Speaker 1 (05:57):
Little live your all long along, Moll.
Speaker 9 (07:08):
Renny got so sad to take your head to put
on a handstone on the run.
Speaker 1 (07:14):
Running down the street and yelling at the top of
a roll.
Speaker 12 (07:19):
All rolling is not my mind.
Speaker 13 (07:21):
So got clean by.
Speaker 1 (07:25):
All the roll and it's type of time, or so he.
Speaker 9 (07:41):
Said.
Speaker 10 (07:41):
Monnie, I see Monnie, You up.
Speaker 12 (07:47):
Ton, Lonnie, I said, Lonnie.
Speaker 1 (07:55):
Now see Jack, what are.
Speaker 9 (07:58):
You up to?
Speaker 5 (08:01):
One?
Speaker 13 (08:05):
Did you meet a baby swiman who run down?
Speaker 10 (08:09):
But you got me a squeeze? Play on the Cheeus
out of time.
Speaker 1 (08:23):
In the Bathtom with your moll, Moll, moll.
Speaker 14 (08:46):
He may be older, but he did see some great
bands and for less than ten bucks a ticket. This
is Don's basement, the chief three woman told my mother
(09:08):
Paul I was born, said you got a poor child's coming.
Speaker 10 (09:14):
I want to be a son of a.
Speaker 13 (09:15):
Gun, gonna make pretty vinings.
Speaker 10 (09:20):
John Banks show up.
Speaker 3 (09:23):
In the world on a nose. But you know that about.
Speaker 13 (09:33):
Everybody who who your man? Everybody in order.
Speaker 10 (09:46):
He got a black hat, bone.
Speaker 15 (09:55):
Got a bone, Joe too. I got to John mcconach.
I'm gonna mess with you. I'm gonna make you girl.
Leave it by my head.
Speaker 16 (10:10):
I need a webb no.
Speaker 1 (10:14):
Man all it.
Speaker 3 (10:20):
Ever.
Speaker 1 (10:20):
I know how I know your mind.
Speaker 17 (10:32):
Everybody knows that men on the seven divil on the
(12:29):
seventh day, on a seven month seven doctor see he
was born for good luck.
Speaker 1 (12:41):
That you see.
Speaker 13 (12:44):
I got seven hundred dollars.
Speaker 1 (12:47):
That mean your I have a note on it.
Speaker 6 (13:21):
No, no, thank you. Eric Clapton and Hucci Cucci Man.
It was originally on the Greetings from Asbury Park album
from Bruce Springsteen. Manfred Mann did the cover of it.
Speaker 16 (13:31):
This is for you in Don's Basement, Princess cad She
(13:54):
sends me.
Speaker 18 (13:56):
With the regards old our room, my shine, vacancy to
see her.
Speaker 3 (14:04):
You gotta look on.
Speaker 10 (14:07):
Would need be leaping battle.
Speaker 18 (14:10):
I stand stop like some soldier, run onto it to
her gitious smile.
Speaker 3 (14:16):
I'll stand on file.
Speaker 16 (14:18):
She's all I have a wanted.
Speaker 18 (14:23):
You let your blue wall scared and know where this
bag's honey, get your corvet bag and some of my
back go get me time to cover my traction.
Speaker 19 (14:35):
He should be rented ball and Jackson.
Speaker 10 (14:38):
And then on what I came for?
Speaker 1 (14:42):
Oh, I came so much more.
Speaker 3 (14:45):
And that knows you know that's too, in that you
know that's true.
Speaker 1 (14:56):
I came for you.
Speaker 13 (15:00):
I came for you.
Speaker 10 (15:04):
I came for you, for you, I came for you.
Crawl into my ambulance. The pauses getting weak.
Speaker 20 (15:19):
You feel yourself far to me now while you've got
the strength to speak, because.
Speaker 18 (15:26):
They're waiting for you with bellevue, with their oxygen masks.
Speaker 10 (15:33):
But I couldn't give it all to you now if
all could.
Speaker 18 (15:43):
Don't cover your surgeon even he says, it's me. It's
not your lungest time, but you hoddled your feet. Don't
give me my money that the water any more. It's
not that dusty mouth I came back for. It's not
the way it stretched out on the floor, bro curing
all your windows and a wrenching over your doors. You
(16:06):
would might ask you, I.
Speaker 3 (16:08):
Was you should do that? You should know that too.
I came for you.
Speaker 1 (16:23):
I came for you.
Speaker 3 (16:27):
I came for you. Thank you.
Speaker 10 (16:30):
I came for you, not your sergeant.
Speaker 18 (17:24):
Even he says it's me. It's not your longest time,
but you hollold your feet. Do give me my money
back the water anymore.
Speaker 19 (17:34):
It's not that nurst remember, give back born.
Speaker 3 (17:38):
It's not the way you stretched.
Speaker 20 (17:39):
Out on your ThM boking on your windows and a
brand to all your doors. You would better ask you
your about five walls. You should know that's true.
Speaker 3 (17:53):
You should know that to you, thank you, thank you.
Speaker 12 (18:07):
Gave for you.
Speaker 21 (18:14):
Okay, okay, dropping the needle on the artist. You remember
(18:57):
the song as you forgot. Welcome to Don's bass.
Speaker 1 (19:00):
My best night.
Speaker 12 (19:10):
So man can't be head put by somebody.
Speaker 22 (19:18):
It's some man got the bas and take God start
from side.
Speaker 12 (19:27):
M in a bad.
Speaker 2 (19:32):
Sea.
Speaker 1 (19:35):
Won't be shot.
Speaker 12 (19:36):
Man a fubody.
Speaker 19 (19:44):
Now so man got him open, can sleep nights, so can.
Speaker 10 (19:58):
Look inside. It's still.
Speaker 12 (20:08):
Just kidding.
Speaker 1 (20:11):
Old. Won't be a short man.
Speaker 3 (20:15):
Not bad now man the bad exact see you.
Speaker 12 (21:06):
The cost standing against the spot scape, the walks back
(21:30):
your last state. No one not.
Speaker 23 (21:37):
The pass a seat in the race, woods man, all
the press, the mad bad, the vision, naming.
Speaker 1 (21:52):
The backca.
Speaker 6 (22:05):
It is the tenth anniversary of Don's Basement tapes that
we did promise that we would dig just a little
bit deeper than normal for some of these cuts. From
Head East and the Man. I want to be on
the Man Show in honor of Father's Day, be him
rich or poor man. And that's up next. I'm Don Clark.
Welcome to Don's Basement.
Speaker 16 (22:25):
Two icons.
Speaker 13 (22:26):
Can't stop fucking sticks.
Speaker 20 (22:32):
Ario speed Wagon.
Speaker 24 (22:36):
To October twenty nine the North Charleston Coliseo, Special Gas
Night Racher. Reserve seat to the Coliseum ticket Office, Ticketmaster,
charge my phone or ticketmaster dot com. Sticks Rio Speedwagon
and Special Gas Night Racher can't.
Speaker 8 (22:53):
Stop rocking this classic rock.
Speaker 1 (23:00):
Ros.
Speaker 8 (23:01):
There's village Rock, then there's this place. This is John's basement.
Speaker 10 (23:34):
Won't you telling me.
Speaker 1 (23:37):
Leave for the city? Back to Head.
Speaker 25 (23:41):
She's body on the tray, head lest me looking for
the window. I saw her eyes were as red as mine.
I wave goodbye, but I can't believe she's leaving.
Speaker 12 (23:58):
Oh my mom, I.
Speaker 25 (23:59):
Can't fair high pass in a lone let farmer's town.
Speaker 10 (24:05):
And the son of a poor man man.
Speaker 1 (24:08):
I'm turning your head around.
Speaker 10 (24:12):
But if you can ever get lonely it just picked
up a tender phone and the son of a poor
man will.
Speaker 1 (24:20):
Be your home.
Speaker 25 (24:23):
Why we may soon as see her on some kindough
vision show painting them sent thing of singing in all
the world, a fashion plan for show that's about your
(24:47):
plastical world, call my young buck of care. But if not,
when I arn nor stand, because I'm don and alone,
I can't fare high.
Speaker 10 (24:58):
In a lone less farmer and the son of aforman man.
Speaker 1 (25:04):
I've turn your.
Speaker 25 (25:05):
Head around, but it's toil and get noling to just
picked up a tender phone, the son of a wamenting
your home.
Speaker 1 (25:19):
Yes you're aware?
Speaker 10 (25:58):
Who's to lady?
Speaker 3 (26:01):
Even for the seed?
Speaker 1 (26:02):
It back and hands his own the tray head.
Speaker 25 (26:10):
We get to look to the window, so las who
as red as mine? I bet the bibe, but I
can't believe she's leaving. Now my can's gonna gone.
Speaker 2 (26:23):
My can man high ask and a known.
Speaker 25 (26:26):
A farmer's tone and the son of a poor man man,
I've torn your head.
Speaker 13 (26:33):
A mile, but it's care or getting known it.
Speaker 25 (26:37):
You're just picking up my ten a five four and
the son number poor man will man the song number
four man will bring your heart.
Speaker 10 (26:48):
The son number five man's gonna bring your.
Speaker 12 (26:51):
Home for a hole over them.
Speaker 6 (26:57):
Riding the Storm Mountain album, Mario and Son of a
poor Man honoring Dan for Father's Day with the manly
show be him rich or poor, your survivor and the
poor Man's son in don Spaceman, love.
Speaker 4 (27:36):
You and better Una, stand.
Speaker 1 (27:41):
In your mocat.
Speaker 12 (27:44):
And no master of the mans, boner of you.
Speaker 10 (27:56):
When your money to Bret and.
Speaker 12 (28:00):
Man on the bos Son the long man long down
the back the top and.
Speaker 26 (28:07):
Suppose so don't tspens do what you done? Don't you
wear and then love the moments bone to a hustle
(28:29):
upon face.
Speaker 1 (28:32):
Your bother off a.
Speaker 13 (28:33):
Fan, don't you grow above stead?
Speaker 12 (28:40):
And then the bud of the money.
Speaker 1 (28:44):
The funnel on the bad.
Speaker 4 (28:48):
But too well into the chains on the ring, baton.
Speaker 12 (29:10):
My bobs ws battle Wiel Moment two Free.
Speaker 1 (29:18):
Joe, sign in.
Speaker 22 (29:22):
MoMA Son, Welcome nonin long goning back.
Speaker 4 (29:26):
To job that summer song.
Speaker 22 (29:29):
John rents Them's daughter, Joel writs Men's DNA com a
moment and simple sport domn Momas son, I'm a moment Sa.
Speaker 12 (29:47):
Son Noma and son moment Son No don do MoMA Son.
Speaker 8 (30:12):
All the neighbors became bad Company fans, whether they liked
it or not.
Speaker 21 (30:16):
Welcome to Don's Baseman.
Speaker 27 (30:32):
I am just a simple man. Welcome, lad, I am
just a simple man.
Speaker 10 (30:49):
Welcome to my hands. Believe all. Read's the name.
Speaker 1 (31:02):
Means a day to me? You can't fake it.
Speaker 10 (31:12):
Read a Man is the only song.
Speaker 1 (31:16):
Sing a song for me. We're gonna make it.
Speaker 10 (31:36):
I'm just a simple man trying to the mad. It
ain't easy.
Speaker 28 (31:50):
I'm just a simple man trying to me. For me,
Believe me, we don't miss the old thing me the
dare to me, you can't fake it.
Speaker 10 (32:16):
We don't miss the wiss.
Speaker 22 (32:19):
Sing a song for me.
Speaker 29 (32:25):
We're gonna make it. I'm just a superman working on
a lane.
Speaker 1 (32:48):
It ain't easy. Yeah, I'm just a superman working in mine. Ah.
Speaker 23 (33:19):
Where about the things a Day?
Speaker 16 (33:29):
What a Jam?
Speaker 6 (33:29):
From Run with the Pack, Bad Company and simple Man
Honoring Dad for Father's Day with a Man Show And
Out of all the songs in their catalog, only one
made it into the top forty year in the States,
This one from the Signals album Here's a Rush New
World Man in Don's Basement.
Speaker 19 (34:04):
He's a double had a runner, He's a signal term, and.
Speaker 1 (34:10):
He's a restless young romantic wants to.
Speaker 3 (34:12):
Run the big. He's got a problem with his poisons.
Speaker 19 (34:19):
Watch you know, I'll find a cube.
Speaker 30 (34:22):
He's cleaning up the systems to keep his nature pure, learning.
Speaker 19 (34:35):
To match the beat of the upper way Man, learning
to catch the beat of the verber Man.
Speaker 31 (34:52):
He's trying to make his own mistakes and to see
next seas over. No, try a young and choose it.
He's enough to win the world, the big enough to
use it.
Speaker 19 (35:11):
He's ad it's a radio receiver.
Speaker 1 (35:23):
Just a factory SSS A.
Speaker 19 (35:26):
Write rather range around a young boy very.
Speaker 32 (35:32):
He's got a noble with his power, the weapons on
the joke, he's got to one the pine and he
hisself on jo.
Speaker 31 (35:51):
Trying to save that day for the old man, trying
to paper, waiting for the man. He's not concerned yesterday,
(36:12):
those constant jake is it's all day.
Speaker 1 (36:14):
He's so long enough to know what's right.
Speaker 19 (36:18):
But Beacon, I'm not choosing. He's wise enough to win
the world, enough to loose him.
Speaker 3 (36:27):
He's a.
Speaker 32 (36:42):
Learning to match they don't you man, he's not learning
to catch the arty at the father man.
Speaker 12 (36:54):
He's not.
Speaker 8 (37:11):
The music you were told to turn down. Yeah, you
never listened either, Thenage rock from Gun's basement.
Speaker 33 (37:58):
I'm pad of flesh, that fiscal facts, then I fall
of that.
Speaker 1 (38:03):
I all the play away and come on top of
about it.
Speaker 22 (38:07):
The top about you, the sun and rough creating pull
through the time prom.
Speaker 1 (38:14):
Casio come to.
Speaker 33 (38:25):
Show if I had not talking about his later tell
the bos.
Speaker 3 (38:32):
And Candle doing mysel and the Lady to the.
Speaker 8 (38:37):
Fall of the Tempry.
Speaker 34 (38:39):
It was the.
Speaker 4 (38:41):
Politic restrict of.
Speaker 33 (38:44):
Yim now through the turn about Aculate.
Speaker 12 (39:10):
Problem is.
Speaker 6 (39:50):
Released in nineteen sixty seven with nineteen year old Steve Winwood.
Speaker 16 (39:53):
I'm a vocal.
Speaker 6 (39:54):
Spencer Davis Group, and I'm a man. Now here's the deal.
If you ever run into one of the original basement dwellers,
have them tell you a story or two about Herbie.
Herbie was a fixture down in the basement. He should
be he owned it. Celebrating Dad for Father's Day with
the Manly Show and reaching back to the Levitt Bleed album,
(40:15):
Here the Stones, This is monkey Man in Don's basement.
Speaker 2 (40:29):
I'm up fifteen mounted all my friends, I'm.
Speaker 10 (40:43):
Squeak and told around.
Speaker 3 (40:52):
She had in the.
Speaker 35 (40:59):
Child the moustail gradual of pocket by a bore.
Speaker 2 (41:10):
I was scout and I was gone.
Speaker 10 (41:17):
It is now Sacophoe is.
Speaker 3 (41:20):
Always kind of.
Speaker 35 (41:25):
June but at home were now to missayag all the time,
to attacked.
Speaker 19 (41:34):
Three out of Blue, when GM.
Speaker 35 (41:38):
Just the most avail graduate flocket long.
Speaker 12 (41:44):
Ju and and.
Speaker 14 (43:58):
We're always ready for another hit record, hit record, that's
what we're ready for.
Speaker 21 (44:03):
Welcome to Don Spaceman.
Speaker 34 (44:04):
He's a real no woman sitting in his no land
making all his no wormlands for nobody.
Speaker 3 (44:20):
He doesn't have a point of view, knows not where
he's going to.
Speaker 19 (44:28):
Isn't it like you and me?
Speaker 12 (44:35):
No wormanise?
Speaker 10 (44:38):
Listen you don't know of Joon Listen to Noweman the
world is that your command?
Speaker 1 (45:08):
He's as kind as he can be.
Speaker 10 (45:12):
Just sees what he wants to see.
Speaker 34 (45:16):
No way a man, can you see me?
Speaker 36 (45:23):
No woman?
Speaker 1 (45:26):
Take out time.
Speaker 10 (45:33):
Till somebody else says you.
Speaker 34 (45:39):
Doesn't have a points of view, knows not where he's
going to. He's a a bit like you and.
Speaker 12 (45:54):
The woman's listen you don't know.
Speaker 19 (46:00):
Joones a woman.
Speaker 10 (46:07):
That Joe comn.
Speaker 34 (46:11):
He's a real nowhere man sitting in his now lamb making.
Speaker 37 (46:20):
All his no plans for nobody, making all his now
plans for nobody, making all his nowhere plants for nobody.
Speaker 6 (46:41):
The Beatles from Rubber Soul and nowhere Man, and we
could use a couple of superheroes these days. Is Paul
McCartney and Wings in Don's basement.
Speaker 38 (46:57):
When I was talking last night, indeed a n stainy man,
we were talking about you made They said.
Speaker 2 (47:09):
You was loming robbery.
Speaker 1 (47:12):
That was just a laughing there.
Speaker 10 (47:14):
A corner the street hit Main Street.
Speaker 3 (47:20):
I didn't believe.
Speaker 1 (47:23):
I need a n stany Man.
Speaker 38 (47:26):
But when the Crimson Dynamo finally assured me, well, I
knew you was my ribberry.
Speaker 1 (47:34):
That was just lap corner street in Main Street.
Speaker 3 (47:41):
So we went out.
Speaker 1 (47:45):
And need a aunt stannyes Man.
Speaker 16 (47:49):
And the Crimson Dynamore came along with the ride.
Speaker 23 (47:53):
We went down with the library and we swung off
over that long time back.
Speaker 3 (47:59):
And made.
Speaker 36 (48:04):
That this is where the man his bath cheers, the farms,
don crt your doc, my dear s time it's come together.
Speaker 3 (48:22):
The rob horses a rock. Oh this can't be so.
Speaker 16 (48:30):
Did it come to me?
Speaker 4 (48:31):
You couldn't be mad.
Speaker 10 (48:32):
Marnado was mad.
Speaker 3 (48:34):
To turn you too?
Speaker 4 (48:40):
Just good, no word you would know.
Speaker 23 (48:59):
We went to tell Live and we swung all over
that monta backa main streak.
Speaker 3 (49:07):
You know the what I mean.
Speaker 1 (49:09):
Well, that's the where it's about.
Speaker 39 (49:12):
Don Jesus start bringing up your I need you don't
sat down a time that's gone to gather horses, run
boto this cantry so.
Speaker 1 (49:36):
Contant me. You couldn't be mad mag made over.
Speaker 3 (49:39):
Smarried to tell you to the greate Well the task
you USh.
Speaker 8 (49:54):
Visage drop with the warm sound of vinyl, scratch your
just to keep it this John's face.
Speaker 1 (50:05):
I'm gonna tell my tim come off.
Speaker 12 (50:09):
I come off.
Speaker 23 (50:13):
I can't remember because I was coming clowning every.
Speaker 22 (50:16):
Time I got the nether side now to spend function,
whiss and throw that.
Speaker 13 (50:22):
I was just thirty when I had a leave.
Speaker 10 (50:25):
Knew I couldn't stick around. I had a rope, ain't
couldn't looking.
Speaker 13 (50:31):
But you know I ain't shot. Ain't a bread of
looking girl.
Speaker 25 (50:35):
I can here there so in you need some luck
and you need her so away to pick a little
time out.
Speaker 3 (50:42):
And then I was sticking.
Speaker 12 (50:44):
But I got a real more rather come down more.
Speaker 40 (50:52):
N mother, Nay, you can say here, yeah, damn, I'm
bringing on con car You can don't snap fast m
(51:16):
because you're going need some can't go on I love Hey,
I'm gotta keep moving.
Speaker 13 (51:24):
You never go so you can have your fucking work.
Speaker 1 (51:28):
Can sleep around because I got around.
Speaker 12 (51:34):
Yam, gam down Ram, and the Gamo can cause Ram.
Speaker 10 (51:51):
Yeah, I'm a Gama.
Speaker 4 (51:54):
Come on the same.
Speaker 1 (51:56):
I'm around.
Speaker 23 (52:08):
Music.
Speaker 21 (52:08):
You grew up with the music you threw up with.
Speaker 4 (52:11):
This is Don's basement.
Speaker 3 (52:12):
Dedicate one of the ladies.
Speaker 5 (52:14):
Sometimes they're bait, need something to keep you cool, and
now summertimes they're babe need something to keep you cool.
Better look out now though, Dad's got something.
Speaker 1 (52:28):
You tell you what it is.
Speaker 5 (52:31):
I'm your ice remain and stymy wearing a passing by
on my mind. I'm your ice remained stymy wearing and
passing by. See no, all my flavors against he do satisfied.
Speaker 3 (52:45):
Hold on second, baby, I got from.
Speaker 5 (52:48):
Man hoton big Sea cops, all flavors and push ups
to either ice remain baby stymy wearing and passing by.
See now all my flavors a kenchi this satisfied. Hold
on one more well, I'm usually passing by just by
eleven o'cloud. I never stop. I'm usually passing by just
(53:12):
around eleven o'cloud. And if you let me cool, you
one time you be my regular style of bron bars
forne banana keixie cops.
Speaker 41 (53:24):
Don't believers here, buchanty have lasting man, start ahead a
bunching bye. She not all my famous kinchy satisfied. Is
love your high scream band, Stop me wearing a bassing by,
your hind scream band, stop.
Speaker 1 (53:44):
Me wearing a passing by.
Speaker 41 (53:48):
This is all my favors are guinchy to side a spy.
Speaker 1 (53:52):
White time.
Speaker 41 (54:29):
I made stop be wearing a passing by. We made
stop me wearing a passing ne Then see how my
flaver sll she satisfied.
Speaker 12 (54:44):
What times I'm hure mad I wud you madus a baby.
Speaker 13 (54:55):
Man my neighbor's I get route.
Speaker 34 (55:05):
To say it is so far.
Speaker 6 (55:25):
Van Halen and the ice cream man putting the wraps
on the Manly Show. We want to thank all the
radio stations up and down the dial. Let take the
time to run our show each week, including our flagship
station ninety nine point nine FMWYML and WYML dot us
in Chicago. Thank you, Joe and Jeff. Thanks to the
iHeartRadio Network in Amazon Music for taking down Spaceman tapes worldwide.
(55:47):
Thanks to mister Lee Peak, the voice of down spaceman,
and thank you so much for coming down here each
and every week and hanging out in the basement. Happy
Father's Day, Dad, We miss you. I'm Don Clark.
Speaker 16 (55:57):
Peace
The following program is brought to you in living color.
Speaker 2 (00:08):
God to the borrow it sounds.
Speaker 3 (00:16):
Please how this God?
Speaker 4 (00:23):
It's God?
Speaker 5 (00:23):
I say God.
Speaker 1 (00:25):
Bill will provide the brand design.
Speaker 6 (00:29):
We didn't say it'd be good.
Speaker 7 (00:33):
It's one hour of radio anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 8 (00:41):
Where the hell is Mayville?
Speaker 7 (00:43):
Then it rocked, It's been bottled up way too long.
Welcome to Don's basement, and.
Speaker 6 (03:40):
I'd like Emerson Lincoln Palmer with the works, please the
fanfare for the common man. And hello there, how are
you Welcome back in? I'm Don Clark. Thanks so much
for coming down and hanging out with us once again
down here in Don' spasement. Whether you called him Pops
or Dad or father or just plaining Herbie, we are
here to celebrate father on Father's Day with the Man Show.
(04:02):
And we've got some manly songs that haven't seen the
light of day in a long long time. One of
the greatest live albums ever from Waiting for Columbus. This
is Little Feet and the Fat Man in the Bathtub,
and I welcome you to Don Spaceman.
Speaker 1 (04:34):
Check got down on us.
Speaker 9 (04:37):
Hey knees said, hey, ho, hey, let me check out.
Speaker 10 (04:43):
Ah alay.
Speaker 9 (04:44):
She said, no, no, not today, come back Monday, to
come back tuesday.
Speaker 11 (05:11):
S money, my sweet money, you have to bou I
see money, my sweet jockey, what you have to.
Speaker 9 (05:31):
B don't want nobody the world don't.
Speaker 3 (05:42):
See after the mad.
Speaker 12 (05:49):
Do that, but they're a fan in the battle.
Speaker 1 (05:57):
Little live your all long along, Moll.
Speaker 9 (07:08):
Renny got so sad to take your head to put
on a handstone on the run.
Speaker 1 (07:14):
Running down the street and yelling at the top of
a roll.
Speaker 12 (07:19):
All rolling is not my mind.
Speaker 13 (07:21):
So got clean by.
Speaker 1 (07:25):
All the roll and it's type of time, or so he.
Speaker 9 (07:41):
Said.
Speaker 10 (07:41):
Monnie, I see Monnie, You up.
Speaker 12 (07:47):
Ton, Lonnie, I said, Lonnie.
Speaker 1 (07:55):
Now see Jack, what are.
Speaker 9 (07:58):
You up to?
Speaker 5 (08:01):
One?
Speaker 13 (08:05):
Did you meet a baby swiman who run down?
Speaker 10 (08:09):
But you got me a squeeze? Play on the Cheeus
out of time.
Speaker 1 (08:23):
In the Bathtom with your moll, Moll, moll.
Speaker 14 (08:46):
He may be older, but he did see some great
bands and for less than ten bucks a ticket. This
is Don's basement, the chief three woman told my mother
(09:08):
Paul I was born, said you got a poor child's coming.
Speaker 10 (09:14):
I want to be a son of a.
Speaker 13 (09:15):
Gun, gonna make pretty vinings.
Speaker 10 (09:20):
John Banks show up.
Speaker 3 (09:23):
In the world on a nose. But you know that about.
Speaker 13 (09:33):
Everybody who who your man? Everybody in order.
Speaker 10 (09:46):
He got a black hat, bone.
Speaker 15 (09:55):
Got a bone, Joe too. I got to John mcconach.
I'm gonna mess with you. I'm gonna make you girl.
Leave it by my head.
Speaker 16 (10:10):
I need a webb no.
Speaker 1 (10:14):
Man all it.
Speaker 3 (10:20):
Ever.
Speaker 1 (10:20):
I know how I know your mind.
Speaker 17 (10:32):
Everybody knows that men on the seven divil on the
(12:29):
seventh day, on a seven month seven doctor see he
was born for good luck.
Speaker 1 (12:41):
That you see.
Speaker 13 (12:44):
I got seven hundred dollars.
Speaker 1 (12:47):
That mean your I have a note on it.
Speaker 6 (13:21):
No, no, thank you. Eric Clapton and Hucci Cucci Man.
It was originally on the Greetings from Asbury Park album
from Bruce Springsteen. Manfred Mann did the cover of it.
Speaker 16 (13:31):
This is for you in Don's Basement, Princess cad She
(13:54):
sends me.
Speaker 18 (13:56):
With the regards old our room, my shine, vacancy to
see her.
Speaker 3 (14:04):
You gotta look on.
Speaker 10 (14:07):
Would need be leaping battle.
Speaker 18 (14:10):
I stand stop like some soldier, run onto it to
her gitious smile.
Speaker 3 (14:16):
I'll stand on file.
Speaker 16 (14:18):
She's all I have a wanted.
Speaker 18 (14:23):
You let your blue wall scared and know where this
bag's honey, get your corvet bag and some of my
back go get me time to cover my traction.
Speaker 19 (14:35):
He should be rented ball and Jackson.
Speaker 10 (14:38):
And then on what I came for?
Speaker 1 (14:42):
Oh, I came so much more.
Speaker 3 (14:45):
And that knows you know that's too, in that you
know that's true.
Speaker 1 (14:56):
I came for you.
Speaker 13 (15:00):
I came for you.
Speaker 10 (15:04):
I came for you, for you, I came for you.
Crawl into my ambulance. The pauses getting weak.
Speaker 20 (15:19):
You feel yourself far to me now while you've got
the strength to speak, because.
Speaker 18 (15:26):
They're waiting for you with bellevue, with their oxygen masks.
Speaker 10 (15:33):
But I couldn't give it all to you now if
all could.
Speaker 18 (15:43):
Don't cover your surgeon even he says, it's me. It's
not your lungest time, but you hoddled your feet. Don't
give me my money that the water any more. It's
not that dusty mouth I came back for. It's not
the way it stretched out on the floor, bro curing
all your windows and a wrenching over your doors. You
(16:06):
would might ask you, I.
Speaker 3 (16:08):
Was you should do that? You should know that too.
I came for you.
Speaker 1 (16:23):
I came for you.
Speaker 3 (16:27):
I came for you. Thank you.
Speaker 10 (16:30):
I came for you, not your sergeant.
Speaker 18 (17:24):
Even he says it's me. It's not your longest time,
but you hollold your feet. Do give me my money
back the water anymore.
Speaker 19 (17:34):
It's not that nurst remember, give back born.
Speaker 3 (17:38):
It's not the way you stretched.
Speaker 20 (17:39):
Out on your ThM boking on your windows and a
brand to all your doors. You would better ask you
your about five walls. You should know that's true.
Speaker 3 (17:53):
You should know that to you, thank you, thank you.
Speaker 12 (18:07):
Gave for you.
Speaker 21 (18:14):
Okay, okay, dropping the needle on the artist. You remember
(18:57):
the song as you forgot. Welcome to Don's bass.
Speaker 1 (19:00):
My best night.
Speaker 12 (19:10):
So man can't be head put by somebody.
Speaker 22 (19:18):
It's some man got the bas and take God start
from side.
Speaker 12 (19:27):
M in a bad.
Speaker 2 (19:32):
Sea.
Speaker 1 (19:35):
Won't be shot.
Speaker 12 (19:36):
Man a fubody.
Speaker 19 (19:44):
Now so man got him open, can sleep nights, so can.
Speaker 10 (19:58):
Look inside. It's still.
Speaker 12 (20:08):
Just kidding.
Speaker 1 (20:11):
Old. Won't be a short man.
Speaker 3 (20:15):
Not bad now man the bad exact see you.
Speaker 12 (21:06):
The cost standing against the spot scape, the walks back
(21:30):
your last state. No one not.
Speaker 23 (21:37):
The pass a seat in the race, woods man, all
the press, the mad bad, the vision, naming.
Speaker 1 (21:52):
The backca.
Speaker 6 (22:05):
It is the tenth anniversary of Don's Basement tapes that
we did promise that we would dig just a little
bit deeper than normal for some of these cuts. From
Head East and the Man. I want to be on
the Man Show in honor of Father's Day, be him
rich or poor man. And that's up next. I'm Don Clark.
Welcome to Don's Basement.
Speaker 16 (22:25):
Two icons.
Speaker 13 (22:26):
Can't stop fucking sticks.
Speaker 20 (22:32):
Ario speed Wagon.
Speaker 24 (22:36):
To October twenty nine the North Charleston Coliseo, Special Gas
Night Racher. Reserve seat to the Coliseum ticket Office, Ticketmaster,
charge my phone or ticketmaster dot com. Sticks Rio Speedwagon
and Special Gas Night Racher can't.
Speaker 8 (22:53):
Stop rocking this classic rock.
Speaker 1 (23:00):
Ros.
Speaker 8 (23:01):
There's village Rock, then there's this place. This is John's basement.
Speaker 10 (23:34):
Won't you telling me.
Speaker 1 (23:37):
Leave for the city? Back to Head.
Speaker 25 (23:41):
She's body on the tray, head lest me looking for
the window. I saw her eyes were as red as mine.
I wave goodbye, but I can't believe she's leaving.
Speaker 12 (23:58):
Oh my mom, I.
Speaker 25 (23:59):
Can't fair high pass in a lone let farmer's town.
Speaker 10 (24:05):
And the son of a poor man man.
Speaker 1 (24:08):
I'm turning your head around.
Speaker 10 (24:12):
But if you can ever get lonely it just picked
up a tender phone and the son of a poor
man will.
Speaker 1 (24:20):
Be your home.
Speaker 25 (24:23):
Why we may soon as see her on some kindough
vision show painting them sent thing of singing in all
the world, a fashion plan for show that's about your
(24:47):
plastical world, call my young buck of care. But if not,
when I arn nor stand, because I'm don and alone,
I can't fare high.
Speaker 10 (24:58):
In a lone less farmer and the son of aforman man.
Speaker 1 (25:04):
I've turn your.
Speaker 25 (25:05):
Head around, but it's toil and get noling to just
picked up a tender phone, the son of a wamenting
your home.
Speaker 1 (25:19):
Yes you're aware?
Speaker 10 (25:58):
Who's to lady?
Speaker 3 (26:01):
Even for the seed?
Speaker 1 (26:02):
It back and hands his own the tray head.
Speaker 25 (26:10):
We get to look to the window, so las who
as red as mine? I bet the bibe, but I
can't believe she's leaving. Now my can's gonna gone.
Speaker 2 (26:23):
My can man high ask and a known.
Speaker 25 (26:26):
A farmer's tone and the son of a poor man man,
I've torn your head.
Speaker 13 (26:33):
A mile, but it's care or getting known it.
Speaker 25 (26:37):
You're just picking up my ten a five four and
the son number poor man will man the song number
four man will bring your heart.
Speaker 10 (26:48):
The son number five man's gonna bring your.
Speaker 12 (26:51):
Home for a hole over them.
Speaker 6 (26:57):
Riding the Storm Mountain album, Mario and Son of a
poor Man honoring Dan for Father's Day with the manly
show be him rich or poor, your survivor and the
poor Man's son in don Spaceman, love.
Speaker 4 (27:36):
You and better Una, stand.
Speaker 1 (27:41):
In your mocat.
Speaker 12 (27:44):
And no master of the mans, boner of you.
Speaker 10 (27:56):
When your money to Bret and.
Speaker 12 (28:00):
Man on the bos Son the long man long down
the back the top and.
Speaker 26 (28:07):
Suppose so don't tspens do what you done? Don't you
wear and then love the moments bone to a hustle
(28:29):
upon face.
Speaker 1 (28:32):
Your bother off a.
Speaker 13 (28:33):
Fan, don't you grow above stead?
Speaker 12 (28:40):
And then the bud of the money.
Speaker 1 (28:44):
The funnel on the bad.
Speaker 4 (28:48):
But too well into the chains on the ring, baton.
Speaker 12 (29:10):
My bobs ws battle Wiel Moment two Free.
Speaker 1 (29:18):
Joe, sign in.
Speaker 22 (29:22):
MoMA Son, Welcome nonin long goning back.
Speaker 4 (29:26):
To job that summer song.
Speaker 22 (29:29):
John rents Them's daughter, Joel writs Men's DNA com a
moment and simple sport domn Momas son, I'm a moment Sa.
Speaker 12 (29:47):
Son Noma and son moment Son No don do MoMA Son.
Speaker 8 (30:12):
All the neighbors became bad Company fans, whether they liked
it or not.
Speaker 21 (30:16):
Welcome to Don's Baseman.
Speaker 27 (30:32):
I am just a simple man. Welcome, lad, I am
just a simple man.
Speaker 10 (30:49):
Welcome to my hands. Believe all. Read's the name.
Speaker 1 (31:02):
Means a day to me? You can't fake it.
Speaker 10 (31:12):
Read a Man is the only song.
Speaker 1 (31:16):
Sing a song for me. We're gonna make it.
Speaker 10 (31:36):
I'm just a simple man trying to the mad. It
ain't easy.
Speaker 28 (31:50):
I'm just a simple man trying to me. For me,
Believe me, we don't miss the old thing me the
dare to me, you can't fake it.
Speaker 10 (32:16):
We don't miss the wiss.
Speaker 22 (32:19):
Sing a song for me.
Speaker 29 (32:25):
We're gonna make it. I'm just a superman working on
a lane.
Speaker 1 (32:48):
It ain't easy. Yeah, I'm just a superman working in mine. Ah.
Speaker 23 (33:19):
Where about the things a Day?
Speaker 16 (33:29):
What a Jam?
Speaker 6 (33:29):
From Run with the Pack, Bad Company and simple Man
Honoring Dad for Father's Day with a Man Show And
Out of all the songs in their catalog, only one
made it into the top forty year in the States,
This one from the Signals album Here's a Rush New
World Man in Don's Basement.
Speaker 19 (34:04):
He's a double had a runner, He's a signal term, and.
Speaker 1 (34:10):
He's a restless young romantic wants to.
Speaker 3 (34:12):
Run the big. He's got a problem with his poisons.
Speaker 19 (34:19):
Watch you know, I'll find a cube.
Speaker 30 (34:22):
He's cleaning up the systems to keep his nature pure, learning.
Speaker 19 (34:35):
To match the beat of the upper way Man, learning
to catch the beat of the verber Man.
Speaker 31 (34:52):
He's trying to make his own mistakes and to see
next seas over. No, try a young and choose it.
He's enough to win the world, the big enough to
use it.
Speaker 19 (35:11):
He's ad it's a radio receiver.
Speaker 1 (35:23):
Just a factory SSS A.
Speaker 19 (35:26):
Write rather range around a young boy very.
Speaker 32 (35:32):
He's got a noble with his power, the weapons on
the joke, he's got to one the pine and he
hisself on jo.
Speaker 31 (35:51):
Trying to save that day for the old man, trying
to paper, waiting for the man. He's not concerned yesterday,
(36:12):
those constant jake is it's all day.
Speaker 1 (36:14):
He's so long enough to know what's right.
Speaker 19 (36:18):
But Beacon, I'm not choosing. He's wise enough to win
the world, enough to loose him.
Speaker 3 (36:27):
He's a.
Speaker 32 (36:42):
Learning to match they don't you man, he's not learning
to catch the arty at the father man.
Speaker 12 (36:54):
He's not.
Speaker 8 (37:11):
The music you were told to turn down. Yeah, you
never listened either, Thenage rock from Gun's basement.
Speaker 33 (37:58):
I'm pad of flesh, that fiscal facts, then I fall
of that.
Speaker 1 (38:03):
I all the play away and come on top of
about it.
Speaker 22 (38:07):
The top about you, the sun and rough creating pull
through the time prom.
Speaker 1 (38:14):
Casio come to.
Speaker 33 (38:25):
Show if I had not talking about his later tell
the bos.
Speaker 3 (38:32):
And Candle doing mysel and the Lady to the.
Speaker 8 (38:37):
Fall of the Tempry.
Speaker 34 (38:39):
It was the.
Speaker 4 (38:41):
Politic restrict of.
Speaker 33 (38:44):
Yim now through the turn about Aculate.
Speaker 12 (39:10):
Problem is.
Speaker 6 (39:50):
Released in nineteen sixty seven with nineteen year old Steve Winwood.
Speaker 16 (39:53):
I'm a vocal.
Speaker 6 (39:54):
Spencer Davis Group, and I'm a man. Now here's the deal.
If you ever run into one of the original basement dwellers,
have them tell you a story or two about Herbie.
Herbie was a fixture down in the basement. He should
be he owned it. Celebrating Dad for Father's Day with
the Manly Show and reaching back to the Levitt Bleed album,
(40:15):
Here the Stones, This is monkey Man in Don's basement.
Speaker 2 (40:29):
I'm up fifteen mounted all my friends, I'm.
Speaker 10 (40:43):
Squeak and told around.
Speaker 3 (40:52):
She had in the.
Speaker 35 (40:59):
Child the moustail gradual of pocket by a bore.
Speaker 2 (41:10):
I was scout and I was gone.
Speaker 10 (41:17):
It is now Sacophoe is.
Speaker 3 (41:20):
Always kind of.
Speaker 35 (41:25):
June but at home were now to missayag all the time,
to attacked.
Speaker 19 (41:34):
Three out of Blue, when GM.
Speaker 35 (41:38):
Just the most avail graduate flocket long.
Speaker 12 (41:44):
Ju and and.
Speaker 14 (43:58):
We're always ready for another hit record, hit record, that's
what we're ready for.
Speaker 21 (44:03):
Welcome to Don Spaceman.
Speaker 34 (44:04):
He's a real no woman sitting in his no land
making all his no wormlands for nobody.
Speaker 3 (44:20):
He doesn't have a point of view, knows not where
he's going to.
Speaker 19 (44:28):
Isn't it like you and me?
Speaker 12 (44:35):
No wormanise?
Speaker 10 (44:38):
Listen you don't know of Joon Listen to Noweman the
world is that your command?
Speaker 1 (45:08):
He's as kind as he can be.
Speaker 10 (45:12):
Just sees what he wants to see.
Speaker 34 (45:16):
No way a man, can you see me?
Speaker 36 (45:23):
No woman?
Speaker 1 (45:26):
Take out time.
Speaker 10 (45:33):
Till somebody else says you.
Speaker 34 (45:39):
Doesn't have a points of view, knows not where he's
going to. He's a a bit like you and.
Speaker 12 (45:54):
The woman's listen you don't know.
Speaker 19 (46:00):
Joones a woman.
Speaker 10 (46:07):
That Joe comn.
Speaker 34 (46:11):
He's a real nowhere man sitting in his now lamb making.
Speaker 37 (46:20):
All his no plans for nobody, making all his now
plans for nobody, making all his nowhere plants for nobody.
Speaker 6 (46:41):
The Beatles from Rubber Soul and nowhere Man, and we
could use a couple of superheroes these days. Is Paul
McCartney and Wings in Don's basement.
Speaker 38 (46:57):
When I was talking last night, indeed a n stainy man,
we were talking about you made They said.
Speaker 2 (47:09):
You was loming robbery.
Speaker 1 (47:12):
That was just a laughing there.
Speaker 10 (47:14):
A corner the street hit Main Street.
Speaker 3 (47:20):
I didn't believe.
Speaker 1 (47:23):
I need a n stany Man.
Speaker 38 (47:26):
But when the Crimson Dynamo finally assured me, well, I
knew you was my ribberry.
Speaker 1 (47:34):
That was just lap corner street in Main Street.
Speaker 3 (47:41):
So we went out.
Speaker 1 (47:45):
And need a aunt stannyes Man.
Speaker 16 (47:49):
And the Crimson Dynamore came along with the ride.
Speaker 23 (47:53):
We went down with the library and we swung off
over that long time back.
Speaker 3 (47:59):
And made.
Speaker 36 (48:04):
That this is where the man his bath cheers, the farms,
don crt your doc, my dear s time it's come together.
Speaker 3 (48:22):
The rob horses a rock. Oh this can't be so.
Speaker 16 (48:30):
Did it come to me?
Speaker 4 (48:31):
You couldn't be mad.
Speaker 10 (48:32):
Marnado was mad.
Speaker 3 (48:34):
To turn you too?
Speaker 4 (48:40):
Just good, no word you would know.
Speaker 23 (48:59):
We went to tell Live and we swung all over
that monta backa main streak.
Speaker 3 (49:07):
You know the what I mean.
Speaker 1 (49:09):
Well, that's the where it's about.
Speaker 39 (49:12):
Don Jesus start bringing up your I need you don't
sat down a time that's gone to gather horses, run
boto this cantry so.
Speaker 1 (49:36):
Contant me. You couldn't be mad mag made over.
Speaker 3 (49:39):
Smarried to tell you to the greate Well the task
you USh.
Speaker 8 (49:54):
Visage drop with the warm sound of vinyl, scratch your
just to keep it this John's face.
Speaker 1 (50:05):
I'm gonna tell my tim come off.
Speaker 12 (50:09):
I come off.
Speaker 23 (50:13):
I can't remember because I was coming clowning every.
Speaker 22 (50:16):
Time I got the nether side now to spend function,
whiss and throw that.
Speaker 13 (50:22):
I was just thirty when I had a leave.
Speaker 10 (50:25):
Knew I couldn't stick around. I had a rope, ain't
couldn't looking.
Speaker 13 (50:31):
But you know I ain't shot. Ain't a bread of
looking girl.
Speaker 25 (50:35):
I can here there so in you need some luck
and you need her so away to pick a little
time out.
Speaker 3 (50:42):
And then I was sticking.
Speaker 12 (50:44):
But I got a real more rather come down more.
Speaker 40 (50:52):
N mother, Nay, you can say here, yeah, damn, I'm
bringing on con car You can don't snap fast m
(51:16):
because you're going need some can't go on I love Hey,
I'm gotta keep moving.
Speaker 13 (51:24):
You never go so you can have your fucking work.
Speaker 1 (51:28):
Can sleep around because I got around.
Speaker 12 (51:34):
Yam, gam down Ram, and the Gamo can cause Ram.
Speaker 10 (51:51):
Yeah, I'm a Gama.
Speaker 4 (51:54):
Come on the same.
Speaker 1 (51:56):
I'm around.
Speaker 23 (52:08):
Music.
Speaker 21 (52:08):
You grew up with the music you threw up with.
Speaker 4 (52:11):
This is Don's basement.
Speaker 3 (52:12):
Dedicate one of the ladies.
Speaker 5 (52:14):
Sometimes they're bait, need something to keep you cool, and
now summertimes they're babe need something to keep you cool.
Better look out now though, Dad's got something.
Speaker 1 (52:28):
You tell you what it is.
Speaker 5 (52:31):
I'm your ice remain and stymy wearing a passing by
on my mind. I'm your ice remained stymy wearing and
passing by. See no, all my flavors against he do satisfied.
Speaker 3 (52:45):
Hold on second, baby, I got from.
Speaker 5 (52:48):
Man hoton big Sea cops, all flavors and push ups
to either ice remain baby stymy wearing and passing by.
See now all my flavors a kenchi this satisfied. Hold
on one more well, I'm usually passing by just by
eleven o'cloud. I never stop. I'm usually passing by just
(53:12):
around eleven o'cloud. And if you let me cool, you
one time you be my regular style of bron bars
forne banana keixie cops.
Speaker 41 (53:24):
Don't believers here, buchanty have lasting man, start ahead a
bunching bye. She not all my famous kinchy satisfied. Is
love your high scream band, Stop me wearing a bassing by,
your hind scream band, stop.
Speaker 1 (53:44):
Me wearing a passing by.
Speaker 41 (53:48):
This is all my favors are guinchy to side a spy.
Speaker 1 (53:52):
White time.
Speaker 41 (54:29):
I made stop be wearing a passing by. We made
stop me wearing a passing ne Then see how my
flaver sll she satisfied.
Speaker 12 (54:44):
What times I'm hure mad I wud you madus a baby.
Speaker 13 (54:55):
Man my neighbor's I get route.
Speaker 34 (55:05):
To say it is so far.
Speaker 6 (55:25):
Van Halen and the ice cream man putting the wraps
on the Manly Show. We want to thank all the
radio stations up and down the dial. Let take the
time to run our show each week, including our flagship
station ninety nine point nine FMWYML and WYML dot us
in Chicago. Thank you, Joe and Jeff. Thanks to the
iHeartRadio Network in Amazon Music for taking down Spaceman tapes worldwide.
(55:47):
Thanks to mister Lee Peak, the voice of down spaceman,
and thank you so much for coming down here each
and every week and hanging out in the basement. Happy
Father's Day, Dad, We miss you. I'm Don Clark.
Speaker 16 (55:57):
Peace
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