August 6, 2025 • 56 mins
From the Acme Studios in Mayville, Wisconsin.
What was the greatest year for Vintage Rock? Well, 1973 was the year that Pink Floyd's The Dark Side of the Moon, Alice Cooper's Billion Dollar Babies, and Led Zeppelin's Houses of the Holy were released, all of which are considered classics.
We're bring out The Wayback Machine and dialing up 1973, the year that many consider to be the best for music.
What was the greatest year for Vintage Rock? Well, 1973 was the year that Pink Floyd's The Dark Side of the Moon, Alice Cooper's Billion Dollar Babies, and Led Zeppelin's Houses of the Holy were released, all of which are considered classics.
We're bring out The Wayback Machine and dialing up 1973, the year that many consider to be the best for music.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
The following program is brought to you in living color.
Speaker 2 (00:07):
Something through the barrow exund somebody tell me that said, please.
Speaker 1 (00:20):
My father, God, it's gone. I see God. You will
provide the brand design.
Speaker 3 (00:29):
We didn't say it'd be good.
Speaker 4 (00:35):
It's one hour of radio anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 5 (00:41):
Where the hell is Mayville? Then it rocked.
Speaker 6 (00:43):
It's been bottled up way too long.
Speaker 7 (00:48):
Welcome to Don's basement.
Speaker 1 (01:13):
Hooray, show me again.
Speaker 5 (01:17):
I've been ready, no.
Speaker 1 (01:24):
Forry, let the lights go dim.
Speaker 8 (01:28):
I have been ready, ready as this audience that's cold
in the dream.
Speaker 9 (01:37):
I mean every second ever screamed, landsl singing soul.
Speaker 10 (01:53):
Land so long, come and make it so long, loved.
Speaker 5 (02:12):
With your American dream. And it's recruit salmon ready, roll.
Speaker 11 (02:19):
Out, row out with your circuit streaks and summon ready,
ready as the sonnience that's called janitree.
Speaker 12 (02:34):
When I g gray second moment, every screen waiting so long,
sing song, it so long for this thing to come on,
(02:57):
and the.
Speaker 5 (03:03):
I can stand guess from you, then I can laugh
with this thing.
Speaker 3 (03:10):
Beginn Nineteen seventy three was a very busy year for
(04:30):
that guy and his band two albums were released. Later
in the year, Muscle of Love came out, but it
was in February that he released Billion Dollar Babies. It's
Alas Cooper and Hello, hoor ray and Hi, how are
you welcome back in? I'm Don Clark. Thanks so much
for coming down and hanging out with us once again
down here in down space. And it's been said more
than a few times that nineteen seventy three could quite
(04:54):
possibly be one of the greatest years, if not the
greatest year in music. And when you take a look
at the albums that will release year, they might be right.
And we're gonna take a look at a lot of
them as we work our way through with the Wayback
Machine to nineteen seventy three from the Heartbreak aroulbum. This
is free and wishing well, and I welcome you to
Don Spaceman.
Speaker 5 (05:13):
Take up your head, tick up your shoes, and only.
Speaker 8 (05:17):
Angling anywhere, run around the town singing.
Speaker 13 (05:23):
Your blues and only angling anyway.
Speaker 14 (05:28):
You're a good friend of mine. But your saying farewell
and time that your set is back is with.
Speaker 8 (05:40):
Your face in the wishing way.
Speaker 15 (05:56):
Go down.
Speaker 5 (05:57):
You're gun.
Speaker 16 (05:58):
You might shoot yourself or is that what you're trying
to do.
Speaker 17 (06:04):
Put up a fight you believe.
Speaker 18 (06:06):
To be right.
Speaker 5 (06:08):
It sounded the sound and shine your boscot something.
Speaker 8 (06:14):
Becast something you just can't tell.
Speaker 19 (06:20):
The whole time, just s sades that you think can
the wishes from well.
Speaker 5 (06:35):
When I know what your wish for?
Speaker 20 (06:43):
Yeah, yeah, you're been a good friend of mine, but
(07:27):
your own says fat wild.
Speaker 21 (07:30):
In the holes.
Speaker 5 (07:32):
Your set of fast is when you're being.
Speaker 10 (07:35):
In the wish.
Speaker 13 (07:42):
Yes, official, never.
Speaker 8 (08:01):
Have a drink?
Speaker 13 (08:02):
Yeah yeah, hell what you have.
Speaker 22 (08:26):
Celebrating ten years of vintage rock from a vintage job.
Speaker 7 (08:31):
Welcome to Don's basement.
Speaker 23 (09:00):
Sam to the last.
Speaker 24 (09:33):
Face SMI of everyone. Yes, she is the whole joking Sho, Now.
Speaker 8 (09:41):
I feel.
Speaker 10 (09:44):
My woman. You tell Ko?
Speaker 5 (09:48):
She makes me say my woman to tell Ko.
Speaker 13 (09:56):
Sits Upga tell me.
Speaker 24 (10:00):
Talk about like dream dating Its creamy.
Speaker 16 (10:07):
Yeah, she needs me feel like a cow the gatty fill.
Speaker 5 (10:15):
The tutio.
Speaker 13 (10:18):
She makes me say.
Speaker 8 (10:22):
Wow kayo, sits something to me.
Speaker 5 (10:29):
But oh man, I just don't know.
Speaker 2 (10:40):
So fall.
Speaker 5 (10:43):
From God.
Speaker 25 (10:50):
She is move in the soul, so I should say
(11:12):
just not by one? Wait waitman was sitting.
Speaker 8 (12:16):
From me?
Speaker 13 (12:19):
Sho crazy?
Speaker 8 (12:23):
Yes, she tell me all.
Speaker 13 (12:27):
I get.
Speaker 21 (12:31):
To ky.
Speaker 5 (12:34):
She makes me say.
Speaker 13 (12:39):
Tokyo.
Speaker 5 (12:42):
She toucanza don car yo, she makes me say.
Speaker 10 (13:28):
Dounk up that.
Speaker 3 (14:13):
Back in nineteen seventy three, the band was doing an
interview and they said, we get a lot of fan mail,
but every once in a while, we get an angry one.
And one of them started off by saying, who do
Deep Purple think they are? And that was the inspiration
for their new album in seventy three, who do we
think we are? Deep Purple? And Woman from Tokyo got
(14:34):
the way back machine dialed up for the year nineteen
seventy three, And you know, you never forget your first
time and the first time you found out about this
album and everybody was talking about it. It was the
most amazing album that we had ever heard before, and
we rushed out to the storm, bought it, brought it home,
(14:55):
slid the vinyl out of the sleeve, put it on
the turntable, drop the tone arm down, started hearing the heartbeat,
and by the time we were done listening to this album,
we knew that this band had created a masterpiece. Let's
take a trip back to the dark side. This is
Breed Pink Floyd in Dance Basement.
Speaker 26 (16:37):
Be they air, don't be afraid to get. Don't believe me,
look a rod. Choose your own wrong.
Speaker 13 (17:04):
How you live, how you fly?
Speaker 19 (17:08):
Spies, You'll get your cry, all your time and all
you see, so all your life.
Speaker 8 (17:17):
Let me.
Speaker 5 (17:20):
Round, Rabbit, run.
Speaker 1 (17:27):
Jack that home, guest, let's up.
Speaker 26 (17:35):
Where flies, work is done, thows it down? Its time
dig another one.
Speaker 1 (17:49):
Are you live?
Speaker 8 (17:51):
How you fly?
Speaker 5 (17:53):
Don't live?
Speaker 19 (17:54):
If you ride the chip a let's start the biggest
wave raised too much.
Speaker 22 (18:07):
I'm gonna say there was some funny stuff going on
down there, but every time we opened the basement door
at the top of the stairs.
Speaker 1 (18:12):
It looked like a new pope had just been elected.
Speaker 7 (18:15):
Welcome to Dunn's basement. Hey lady, you got the lovey?
Speaker 6 (19:15):
Maybe worn that enough?
Speaker 5 (19:19):
Oh darling, Darling, Darland f wild me.
Speaker 16 (19:26):
You got so.
Speaker 13 (19:28):
Much, so much, so much.
Speaker 5 (19:51):
It's the love.
Speaker 8 (20:04):
Man.
Speaker 27 (20:04):
It turns up, lion, man, it turns up Listen, then
it turns up off.
Speaker 5 (20:11):
How much for rest in many dread sculture? Somehow silver lion?
Speaker 27 (20:28):
I love that dream and a pocket full of goo.
(21:33):
Man is a mile who knows what he's been missing. Man,
you'll see the whole follow.
Speaker 5 (21:53):
Many is a word.
Speaker 27 (21:55):
The man is a guest against.
Speaker 5 (22:00):
You really couldn't that flap?
Speaker 13 (22:07):
Really?
Speaker 5 (22:11):
I really?
Speaker 3 (23:01):
It was in March of seventy three that we found
that album up on the shelf houses of the Holy
led Zeppelin and over the hills and far away the
way back machine dialed up for the year nineteen seventy three,
the year that we were introduced to Well, they weren't
just another band out of Boston. They were the band
out of Boston. And they're up next. I'm Don Clark.
Welcome to down Spaceman.
Speaker 28 (23:23):
Maybe there's no such thing as the perfect gift, but
music certainly comes close, and Music Land there's the perfect
place to find that special gift.
Speaker 1 (23:30):
Of using walking.
Speaker 28 (23:34):
Walking after a hard day's work, making little ones out
of big ones, the boys from Arrowsmith that you need
a Night in the Ruts. Night in the Ruts, a
brand new Columbia album from the hardest rocking band in.
Speaker 1 (23:53):
Show business, Harrowsmith.
Speaker 7 (23:56):
Twenty years of working and they put.
Speaker 28 (23:57):
You on the night shift. Big up Night in the
Ruts on sale of Music Plan only five ninety nine
LP or tape.
Speaker 1 (24:06):
I'll come refound.
Speaker 28 (24:07):
That exchange policy means we don't talk about your satisfaction.
We guarantee it music plan.
Speaker 29 (24:12):
We are satisfied until you are.
Speaker 6 (24:17):
There's classic rock, there's vintage rock. Then there's this place.
Speaker 5 (24:31):
Began. I'm a bavor.
Speaker 6 (24:34):
This is God's basement.
Speaker 21 (25:19):
Marry Max ask him back see the mountains on lever.
I don't know, miss, He told her.
Speaker 16 (25:30):
She broke needle. Now she chants up Walking the Dog,
I just.
Speaker 21 (25:37):
Do walking, y'r nose. Well, I don't know how.
Speaker 13 (25:42):
To do it.
Speaker 1 (25:43):
I saw you how a ball and don't asking my boat.
Speaker 30 (25:51):
And he says, I see the hand a buntain jump
the fence, it jumps on hard, it jumps a style.
Speaker 10 (26:01):
Then jump back.
Speaker 16 (26:03):
You lie sucking at all.
Speaker 26 (26:07):
I'm just go.
Speaker 21 (26:08):
Walking you do, I'm sorry you'll fall.
Speaker 8 (26:48):
A crown from chair.
Speaker 26 (26:50):
Uh how does y'all?
Speaker 21 (26:52):
Guy doll world mettle wells to sell, then nails a
little bit of any of my chail.
Speaker 16 (26:59):
The mains out and well walking, yo knows.
Speaker 21 (27:09):
Don't knocking, don't go. I'll show you where I don't know.
Speaker 1 (27:27):
I'll show you don't know, show you how.
Speaker 3 (27:38):
From the debut album from Merrill Smith and Walking the Dog.
So many great albums came out in seventy three, including
a new one from the Doobie Brothers from the Captain
and me. This is dark eyed Cajun woman in space.
Speaker 31 (27:51):
Think back to the term with happens your name? You
were walking across the delta to your calling along ladies.
You know I'm to do a small girl.
Speaker 5 (28:15):
Better not what's seventeen?
Speaker 8 (28:20):
Where?
Speaker 5 (28:21):
Lord? But I was wrong?
Speaker 31 (28:23):
Also wrong. You're not a woman I've never seen doc
got kats and woman? Where are you coming from? Your
souls in the backwards? This you never had a arm,
(28:51):
But I'm gonna know you bed off if it takes on. Manday,
I got catch Marma, you never get away.
Speaker 5 (29:08):
I'll never get away.
Speaker 13 (29:12):
Got an evening peace.
Speaker 5 (29:13):
Go away, I hear it.
Speaker 18 (29:17):
Get my fat head of aware, your coat back.
Speaker 5 (29:23):
Eyes, make again.
Speaker 31 (29:24):
Some kid stuff that oh man, the cod get some
big fun. No I have said, I got catch marm
(29:45):
You never get away, never got away, the evening breeze
(30:31):
falling in. You don't put everywhere your full back hat.
It's its not that moment about him. If it's a
good MOUs nor say any coat. Would you never can away?
Speaker 4 (31:50):
Like fine wine, vintage rock that stands the test of time.
This is Don's basement, That swimming.
Speaker 21 (32:09):
Swimming spell, sweet.
Speaker 32 (32:27):
Sweat while the doll people sleeping with the shade on
the sliding, while the ball people sleeping.
Speaker 17 (32:36):
All the stars come out at night, while the doll people.
Speaker 10 (32:39):
Sleeping in the shade on the line, while.
Speaker 17 (32:42):
The ball people sleeping, all the stars come at.
Speaker 33 (32:45):
A night.
Speaker 21 (32:47):
Spo sweating.
Speaker 5 (32:54):
After closing time.
Speaker 34 (32:58):
At the gun's effeir Else, I detected the l supreme
from the room at the tample of the stairs.
Speaker 16 (33:10):
They're not being around the world.
Speaker 18 (33:14):
Ain't up beat in Washington food, ain't the norm not travels?
Speaker 17 (33:20):
Is the fat sunraveler Thomas to be true?
Speaker 32 (33:26):
While the door people sleeping in the shade on the slopping,
while the bar people sleeping, all the stars come out
at night, while the doll people sleeping with the shade.
Speaker 17 (33:37):
On the slide, and while the bar people sleeping, all
the stars come out at night.
Speaker 8 (33:58):
They got their house on all.
Speaker 5 (34:02):
We do all inside. They got the bolls, and then.
Speaker 35 (34:10):
All the money come by. They got the shapely bye.
They got to stealing Dane p shut.
Speaker 8 (34:22):
And b the coop, and they.
Speaker 13 (34:24):
Crack the rocks range and a holy let me.
Speaker 8 (34:30):
Tell you why.
Speaker 17 (34:31):
The ball people sleeping with the shade on the lighter, while.
Speaker 5 (34:35):
The ball people sleeping.
Speaker 8 (34:36):
All the stars come back at night.
Speaker 32 (34:38):
While the ball people sleeping with the shade on the lighter.
While the ball people sleeping, All the stars come back
at nine.
Speaker 36 (35:00):
Show business kids making movies on himself.
Speaker 5 (35:47):
You know they don't give us, not anybody else. You
know you're going.
Speaker 32 (35:55):
While you're doll people sleeping in the shade on the
Lady Alda. People people sleep, and all the stars come
out at night. The people sleep in the shade, all
the sliding. The people sleep from all those dolls come
out at nap.
Speaker 3 (36:47):
A friend of mine recommended that I read the book
Quantum Criminals, and I'm really glad I did. I recommended
to you too, because it really gives you some insight
into what Donald Fagan and Walter Becker were thinking about
when they put those songs together from Countdown, Ecstasy, Steely Dan,
and Show His Kids. In nineteen seventy three, each of
the Beatles came out with their own solo album from
George Harrison's offering, This Is Gimme Love in Don Spaceman Love.
Speaker 37 (37:12):
Bizy Love, Ki Man be Sona, Give Me Live, give
me Live, feed me bread First, give me help me go,
Wiss heavy Load.
Speaker 8 (37:31):
To scree.
Speaker 23 (37:34):
On so.
Speaker 8 (37:43):
Many go love that.
Speaker 33 (38:00):
That I.
Speaker 5 (38:03):
Understand won't be a.
Speaker 10 (38:07):
Long long and the son give me like him life.
Speaker 15 (38:17):
Keeping red birst give me, help me go with this
heavy load t to thug.
Speaker 2 (38:28):
Readjo with out won Lord, won't you please want you
(39:04):
get those give.
Speaker 38 (39:06):
LOGI Besona with me live Gami live, beet me free
but give me oh, help me cope with this heavy
load tangle, don't.
Speaker 8 (39:22):
Treat you.
Speaker 39 (39:25):
On so.
Speaker 40 (39:27):
Give love agains logave Psona with me live Gami life
given g Fritz.
Speaker 38 (39:38):
Bdagin of help me cope witness heavy load, night.
Speaker 5 (39:47):
Streak with all.
Speaker 22 (39:53):
O reliving the great days of Vintage Drop without the boons,
(40:20):
farm Headache, Welcome to Don's basement.
Speaker 5 (40:23):
I want to be an you want to be? I
wanna be some magical mikats.
Speaker 17 (40:31):
You want to be a poet. You want to be
my stream?
Speaker 5 (40:35):
You could be anything.
Speaker 19 (40:40):
Do you want to be the number of another undercover?
You could even be the man on the.
Speaker 8 (40:47):
Moon you wanna be.
Speaker 5 (40:54):
Do you want to be the stream? Let me tell
you a song something.
Speaker 26 (41:02):
It just don't need a thing.
Speaker 19 (41:05):
Seed really does matter when you're burried this, guys, find
the dark glass on your eyes.
Speaker 1 (41:18):
No lesshous crystal lines.
Speaker 23 (41:22):
Still it's.
Speaker 33 (41:29):
WoT, It's sent me, It sent me.
Speaker 41 (41:47):
I want to be the lower la Mad want to
be the father's lying in knocket. I want to be
calla does create a scene.
Speaker 10 (42:05):
Every day sadder.
Speaker 5 (42:08):
I'm gonna matter.
Speaker 16 (42:10):
Someone get me a lot of.
Speaker 5 (42:15):
I'm gonna be the singer.
Speaker 1 (42:19):
I wanna be the song.
Speaker 5 (42:23):
Let me tell you something.
Speaker 17 (42:27):
You just couldn't be wrong, you.
Speaker 19 (42:30):
See, I really have to tell you not at all
gets so intense from my experience, it just doesn't see.
Speaker 13 (42:45):
It don't make sense.
Speaker 33 (42:50):
That.
Speaker 3 (43:09):
You know, when you sit and look at all these
different albums and you put these cuts on, you can
definitely tell that that was the argument back in the day.
It still is a lot of people consider nineteen seventy
three to be the best year in music. That's a
perfect example from Brain Salad Surgery, Emerson Lake and Palmer.
Still You Turn Me On nineteen seventy three, we had
(43:30):
a brand new album from the Good Doctor, Doctor John.
This is the right place, wrong time in Don's basement.
Speaker 30 (43:38):
I've been in a right please, but it must have
been the wrong John. I have been the right thing
about to mother you the wrong line. I've been on
a right trio, butts use the wrong call. He is
in a bad please hand of one of what was good? Fuck,
I haven't in a right please.
Speaker 1 (44:00):
In the wrong time.
Speaker 30 (44:01):
My head is in a bad leaves a good time.
I've been a running Friday can hungue up in my mind.
This is gonna build myself.
Speaker 29 (44:13):
I could talk into this time doesn't need a little
brains now have in surgery.
Speaker 30 (44:21):
God trip cute of my inso charity that I've been
in the wrong blade, go the mother have been the
right time. I haven't interact blee go the mother been
a wrong song. I have been errate mate, but it
seeming that.
Speaker 1 (44:36):
Wrong on that I have been right word, but it
seeming that wrong, wrong.
Speaker 29 (44:42):
Wrong, wrong, had been diving. He've been hiding out down
(45:18):
the street.
Speaker 30 (45:20):
See my last chicken with ever at who I meet
refright confusion If I'm making that fifth clill.
Speaker 1 (45:29):
One of which wed go go to get on out
of you.
Speaker 16 (45:32):
But I've been in the right plan. Butt her mother
been a wrong time, and I don't in the right
dame put her mother you.
Speaker 30 (45:40):
The wrong line.
Speaker 16 (45:42):
I said the right roll.
Speaker 29 (45:44):
Butt a mother took the wrong joints.
Speaker 30 (45:46):
I deggar right and move butt him an at the
wrong time. I haven't in the right tram butt him
in in a wrong car.
Speaker 22 (45:55):
Right cuts a vintage rock hands selected by the basement dwellers.
Speaker 18 (45:59):
This is down to, basically, I don't touch the knobs,
can play.
Speaker 16 (46:12):
Yes, you got to give it to me.
Speaker 1 (46:20):
You got to give it to me.
Speaker 23 (46:25):
You got to give it to me.
Speaker 5 (46:29):
You got to give it to me. You're so slick,
but don't give a trick.
Speaker 8 (46:38):
You won't.
Speaker 5 (46:41):
I won't it so manly, I can't.
Speaker 39 (46:45):
Believe it's a cold baby, believe it.
Speaker 32 (46:51):
Give it.
Speaker 5 (46:54):
You got to give it to me. Got it to me.
Speaker 8 (47:03):
You got to give it to me.
Speaker 5 (47:08):
You've been bugging me.
Speaker 17 (47:10):
Never you say you won't it.
Speaker 5 (47:14):
You want it right now. I can't get through it.
I can't get to it.
Speaker 1 (47:21):
So call baby, bab you's got to.
Speaker 32 (47:27):
Come.
Speaker 8 (47:28):
You got to get it.
Speaker 5 (47:32):
You got to give it to me. You got to
give it to me.
Speaker 39 (47:42):
Wow, when it's so warm a sad, Come on, baby,
you love us to go to pad right ahead?
Speaker 23 (48:42):
You you got.
Speaker 3 (48:52):
What shots but Jay Giles band from nineteen seventy three,
and give it to me. I was wondering if this
guy was going to show up. We were always happy
when he came to town. The new writers of the
Purple Sage, this is Panama Red in Don's basement, Animal.
Speaker 1 (49:06):
Read, PanAm all read, it's still your woman.
Speaker 18 (49:12):
They didn't rob your head, PanAm allad, Phantom all read.
Speaker 42 (49:19):
All his white olds Mescalito because reason blue town.
Speaker 18 (49:23):
That's your woman is up in bed with old PanAm already.
Speaker 1 (49:28):
The judge don't know when Red's in town.
Speaker 42 (49:30):
If keeps well hidden underground. Everybody's acting lays head falling
out to hang it round.
Speaker 1 (49:37):
My woman said, hey, Pedro.
Speaker 5 (49:39):
You're acting crazy like a clown.
Speaker 42 (49:42):
Nobody it is like working, PanAm all read.
Speaker 18 (49:44):
It is back in the town, PanAm already, Phantom already,
it's still your woman. They didn't rob your head, PanAm
Phantom alread.
Speaker 28 (49:59):
Lone is riding, that's Alito.
Speaker 43 (50:01):
We go through the reasons town, bet you is up
in fast with old Phantom already.
Speaker 42 (50:30):
Everybody is looking out for him because they know Red satisfied.
Little girls like Theo listens to him sing tell sweet
like b when things get too confused.
Speaker 18 (50:40):
And honey, we're better off in fsh and office, searching
all the joints in town for Pandam already PanAm all
read Phantom.
Speaker 8 (50:49):
All read.
Speaker 14 (50:51):
Its kind woman.
Speaker 18 (50:52):
Then out of your head Phantom a head Phantom.
Speaker 42 (50:57):
Alid on his white horse mesalito.
Speaker 5 (51:01):
He talks to the reason downs Bet is up in
bed with.
Speaker 18 (51:06):
Old Phantom alread Phantom alread Phantom already this woman.
Speaker 1 (51:14):
Then then rob your head Phantom.
Speaker 18 (51:18):
Phantom alread.
Speaker 42 (51:21):
Gown his white horse mesalito.
Speaker 43 (51:23):
He got breathing town, Betsy up with.
Speaker 18 (51:27):
Old bandom alread PanAm alread Phantom alred.
Speaker 22 (51:39):
The bands that would record an album go on tour,
check in the rehab, and go back in the studio
and start it all over again.
Speaker 7 (51:46):
That's vintage rock. Here in Don's basement, shall we my troubles.
Speaker 1 (51:57):
Wash, where my food?
Speaker 8 (51:59):
Where the rain?
Speaker 13 (52:01):
And shop by up want you wei my sidle what
you wean my shame?
Speaker 1 (52:07):
Wear the rain shout by up.
Speaker 8 (52:16):
Ye gang.
Speaker 32 (52:26):
Every one is hereful if the one is kind, all
the load and shop.
Speaker 8 (52:32):
By left, everyone is lucky.
Speaker 5 (52:36):
Everyone is so kind the load and shot by left
g y n.
Speaker 8 (52:53):
Gang ga.
Speaker 1 (52:57):
God shine all that shout by love. There's a light
shine and all that shine by love.
Speaker 5 (53:19):
I can kill my sister mother flowers in the life.
All the gold and shout by die I can.
Speaker 8 (53:27):
Tell my brother mother bothers me that all.
Speaker 44 (53:31):
The gold and shout by lot, I will.
Speaker 45 (53:51):
It's a light shine in my hall. I shine by love.
That's a light shine in the loves of shine.
Speaker 1 (54:02):
Bah tell me.
Speaker 45 (54:06):
There's a light shine in the halls of shine back.
There's a light shine in the halls of shine. Bout juice, Shine, Shine,
(54:47):
juice Shine.
Speaker 3 (54:55):
Yeah, there were certain songs that you just knew that
eleven herbs and spices were involved in the writing and
recording of those songs, including that one about the mythical
kingdom of Shambala. Three Dog Nights putting the raps on
the Wayback Machine nineteen seventy three. Okay, we want to
thank all the radio stations up and down the dial
(55:15):
and take the time to run our show each week,
including our flagship station ninety nine point nine FMWYML and
WYML dot us in Chicago. Thank you, Jon Jeff the
Great ninety eight WMDC, Mayville, Wisconsin. Thank you to Meg
and Greg Chuck and his crew, CASEYFX Rock on the
High Desert in Ridgecress, California. Buddy Guy and everybody at
Buddy Guy Radio in Chicago, and all the stations big
(55:38):
thanks to the iHeartRadio Network in Amazon Music for taking
our little show worldwide. Check out our website when you
get a chance. Don's Basement Productions dot com. Thanks to
mister Lee Peak, the voice of Don's Basement, and thank
you so much for coming down here each week and
hanging out with us down in the basement. We do
appreciate it. My name is Don Clark. Peace
The following program is brought to you in living color.
Speaker 2 (00:07):
Something through the barrow exund somebody tell me that said, please.
Speaker 1 (00:20):
My father, God, it's gone. I see God. You will
provide the brand design.
Speaker 3 (00:29):
We didn't say it'd be good.
Speaker 4 (00:35):
It's one hour of radio anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 5 (00:41):
Where the hell is Mayville? Then it rocked.
Speaker 6 (00:43):
It's been bottled up way too long.
Speaker 7 (00:48):
Welcome to Don's basement.
Speaker 1 (01:13):
Hooray, show me again.
Speaker 5 (01:17):
I've been ready, no.
Speaker 1 (01:24):
Forry, let the lights go dim.
Speaker 8 (01:28):
I have been ready, ready as this audience that's cold
in the dream.
Speaker 9 (01:37):
I mean every second ever screamed, landsl singing soul.
Speaker 10 (01:53):
Land so long, come and make it so long, loved.
Speaker 5 (02:12):
With your American dream. And it's recruit salmon ready, roll.
Speaker 11 (02:19):
Out, row out with your circuit streaks and summon ready,
ready as the sonnience that's called janitree.
Speaker 12 (02:34):
When I g gray second moment, every screen waiting so long,
sing song, it so long for this thing to come on,
(02:57):
and the.
Speaker 5 (03:03):
I can stand guess from you, then I can laugh
with this thing.
Speaker 3 (03:10):
Beginn Nineteen seventy three was a very busy year for
(04:30):
that guy and his band two albums were released. Later
in the year, Muscle of Love came out, but it
was in February that he released Billion Dollar Babies. It's
Alas Cooper and Hello, hoor ray and Hi, how are
you welcome back in? I'm Don Clark. Thanks so much
for coming down and hanging out with us once again
down here in down space. And it's been said more
than a few times that nineteen seventy three could quite
(04:54):
possibly be one of the greatest years, if not the
greatest year in music. And when you take a look
at the albums that will release year, they might be right.
And we're gonna take a look at a lot of
them as we work our way through with the Wayback
Machine to nineteen seventy three from the Heartbreak aroulbum. This
is free and wishing well, and I welcome you to
Don Spaceman.
Speaker 5 (05:13):
Take up your head, tick up your shoes, and only.
Speaker 8 (05:17):
Angling anywhere, run around the town singing.
Speaker 13 (05:23):
Your blues and only angling anyway.
Speaker 14 (05:28):
You're a good friend of mine. But your saying farewell
and time that your set is back is with.
Speaker 8 (05:40):
Your face in the wishing way.
Speaker 15 (05:56):
Go down.
Speaker 5 (05:57):
You're gun.
Speaker 16 (05:58):
You might shoot yourself or is that what you're trying
to do.
Speaker 17 (06:04):
Put up a fight you believe.
Speaker 18 (06:06):
To be right.
Speaker 5 (06:08):
It sounded the sound and shine your boscot something.
Speaker 8 (06:14):
Becast something you just can't tell.
Speaker 19 (06:20):
The whole time, just s sades that you think can
the wishes from well.
Speaker 5 (06:35):
When I know what your wish for?
Speaker 20 (06:43):
Yeah, yeah, you're been a good friend of mine, but
(07:27):
your own says fat wild.
Speaker 21 (07:30):
In the holes.
Speaker 5 (07:32):
Your set of fast is when you're being.
Speaker 10 (07:35):
In the wish.
Speaker 13 (07:42):
Yes, official, never.
Speaker 8 (08:01):
Have a drink?
Speaker 13 (08:02):
Yeah yeah, hell what you have.
Speaker 22 (08:26):
Celebrating ten years of vintage rock from a vintage job.
Speaker 7 (08:31):
Welcome to Don's basement.
Speaker 23 (09:00):
Sam to the last.
Speaker 24 (09:33):
Face SMI of everyone. Yes, she is the whole joking Sho, Now.
Speaker 8 (09:41):
I feel.
Speaker 10 (09:44):
My woman. You tell Ko?
Speaker 5 (09:48):
She makes me say my woman to tell Ko.
Speaker 13 (09:56):
Sits Upga tell me.
Speaker 24 (10:00):
Talk about like dream dating Its creamy.
Speaker 16 (10:07):
Yeah, she needs me feel like a cow the gatty fill.
Speaker 5 (10:15):
The tutio.
Speaker 13 (10:18):
She makes me say.
Speaker 8 (10:22):
Wow kayo, sits something to me.
Speaker 5 (10:29):
But oh man, I just don't know.
Speaker 2 (10:40):
So fall.
Speaker 5 (10:43):
From God.
Speaker 25 (10:50):
She is move in the soul, so I should say
(11:12):
just not by one? Wait waitman was sitting.
Speaker 8 (12:16):
From me?
Speaker 13 (12:19):
Sho crazy?
Speaker 8 (12:23):
Yes, she tell me all.
Speaker 13 (12:27):
I get.
Speaker 21 (12:31):
To ky.
Speaker 5 (12:34):
She makes me say.
Speaker 13 (12:39):
Tokyo.
Speaker 5 (12:42):
She toucanza don car yo, she makes me say.
Speaker 10 (13:28):
Dounk up that.
Speaker 3 (14:13):
Back in nineteen seventy three, the band was doing an
interview and they said, we get a lot of fan mail,
but every once in a while, we get an angry one.
And one of them started off by saying, who do
Deep Purple think they are? And that was the inspiration
for their new album in seventy three, who do we
think we are? Deep Purple? And Woman from Tokyo got
(14:34):
the way back machine dialed up for the year nineteen
seventy three, And you know, you never forget your first
time and the first time you found out about this
album and everybody was talking about it. It was the
most amazing album that we had ever heard before, and
we rushed out to the storm, bought it, brought it home,
(14:55):
slid the vinyl out of the sleeve, put it on
the turntable, drop the tone arm down, started hearing the heartbeat,
and by the time we were done listening to this album,
we knew that this band had created a masterpiece. Let's
take a trip back to the dark side. This is
Breed Pink Floyd in Dance Basement.
Speaker 26 (16:37):
Be they air, don't be afraid to get. Don't believe me,
look a rod. Choose your own wrong.
Speaker 13 (17:04):
How you live, how you fly?
Speaker 19 (17:08):
Spies, You'll get your cry, all your time and all
you see, so all your life.
Speaker 8 (17:17):
Let me.
Speaker 5 (17:20):
Round, Rabbit, run.
Speaker 1 (17:27):
Jack that home, guest, let's up.
Speaker 26 (17:35):
Where flies, work is done, thows it down? Its time
dig another one.
Speaker 1 (17:49):
Are you live?
Speaker 8 (17:51):
How you fly?
Speaker 5 (17:53):
Don't live?
Speaker 19 (17:54):
If you ride the chip a let's start the biggest
wave raised too much.
Speaker 22 (18:07):
I'm gonna say there was some funny stuff going on
down there, but every time we opened the basement door
at the top of the stairs.
Speaker 1 (18:12):
It looked like a new pope had just been elected.
Speaker 7 (18:15):
Welcome to Dunn's basement. Hey lady, you got the lovey?
Speaker 6 (19:15):
Maybe worn that enough?
Speaker 5 (19:19):
Oh darling, Darling, Darland f wild me.
Speaker 16 (19:26):
You got so.
Speaker 13 (19:28):
Much, so much, so much.
Speaker 5 (19:51):
It's the love.
Speaker 8 (20:04):
Man.
Speaker 27 (20:04):
It turns up, lion, man, it turns up Listen, then
it turns up off.
Speaker 5 (20:11):
How much for rest in many dread sculture? Somehow silver lion?
Speaker 27 (20:28):
I love that dream and a pocket full of goo.
(21:33):
Man is a mile who knows what he's been missing. Man,
you'll see the whole follow.
Speaker 5 (21:53):
Many is a word.
Speaker 27 (21:55):
The man is a guest against.
Speaker 5 (22:00):
You really couldn't that flap?
Speaker 13 (22:07):
Really?
Speaker 5 (22:11):
I really?
Speaker 3 (23:01):
It was in March of seventy three that we found
that album up on the shelf houses of the Holy
led Zeppelin and over the hills and far away the
way back machine dialed up for the year nineteen seventy three,
the year that we were introduced to Well, they weren't
just another band out of Boston. They were the band
out of Boston. And they're up next. I'm Don Clark.
Welcome to down Spaceman.
Speaker 28 (23:23):
Maybe there's no such thing as the perfect gift, but
music certainly comes close, and Music Land there's the perfect
place to find that special gift.
Speaker 1 (23:30):
Of using walking.
Speaker 28 (23:34):
Walking after a hard day's work, making little ones out
of big ones, the boys from Arrowsmith that you need
a Night in the Ruts. Night in the Ruts, a
brand new Columbia album from the hardest rocking band in.
Speaker 1 (23:53):
Show business, Harrowsmith.
Speaker 7 (23:56):
Twenty years of working and they put.
Speaker 28 (23:57):
You on the night shift. Big up Night in the
Ruts on sale of Music Plan only five ninety nine
LP or tape.
Speaker 1 (24:06):
I'll come refound.
Speaker 28 (24:07):
That exchange policy means we don't talk about your satisfaction.
We guarantee it music plan.
Speaker 29 (24:12):
We are satisfied until you are.
Speaker 6 (24:17):
There's classic rock, there's vintage rock. Then there's this place.
Speaker 5 (24:31):
Began. I'm a bavor.
Speaker 6 (24:34):
This is God's basement.
Speaker 21 (25:19):
Marry Max ask him back see the mountains on lever.
I don't know, miss, He told her.
Speaker 16 (25:30):
She broke needle. Now she chants up Walking the Dog,
I just.
Speaker 21 (25:37):
Do walking, y'r nose. Well, I don't know how.
Speaker 13 (25:42):
To do it.
Speaker 1 (25:43):
I saw you how a ball and don't asking my boat.
Speaker 30 (25:51):
And he says, I see the hand a buntain jump
the fence, it jumps on hard, it jumps a style.
Speaker 10 (26:01):
Then jump back.
Speaker 16 (26:03):
You lie sucking at all.
Speaker 26 (26:07):
I'm just go.
Speaker 21 (26:08):
Walking you do, I'm sorry you'll fall.
Speaker 8 (26:48):
A crown from chair.
Speaker 26 (26:50):
Uh how does y'all?
Speaker 21 (26:52):
Guy doll world mettle wells to sell, then nails a
little bit of any of my chail.
Speaker 16 (26:59):
The mains out and well walking, yo knows.
Speaker 21 (27:09):
Don't knocking, don't go. I'll show you where I don't know.
Speaker 1 (27:27):
I'll show you don't know, show you how.
Speaker 3 (27:38):
From the debut album from Merrill Smith and Walking the Dog.
So many great albums came out in seventy three, including
a new one from the Doobie Brothers from the Captain
and me. This is dark eyed Cajun woman in space.
Speaker 31 (27:51):
Think back to the term with happens your name? You
were walking across the delta to your calling along ladies.
You know I'm to do a small girl.
Speaker 5 (28:15):
Better not what's seventeen?
Speaker 8 (28:20):
Where?
Speaker 5 (28:21):
Lord? But I was wrong?
Speaker 31 (28:23):
Also wrong. You're not a woman I've never seen doc
got kats and woman? Where are you coming from? Your
souls in the backwards? This you never had a arm,
(28:51):
But I'm gonna know you bed off if it takes on. Manday,
I got catch Marma, you never get away.
Speaker 5 (29:08):
I'll never get away.
Speaker 13 (29:12):
Got an evening peace.
Speaker 5 (29:13):
Go away, I hear it.
Speaker 18 (29:17):
Get my fat head of aware, your coat back.
Speaker 5 (29:23):
Eyes, make again.
Speaker 31 (29:24):
Some kid stuff that oh man, the cod get some
big fun. No I have said, I got catch marm
(29:45):
You never get away, never got away, the evening breeze
(30:31):
falling in. You don't put everywhere your full back hat.
It's its not that moment about him. If it's a
good MOUs nor say any coat. Would you never can away?
Speaker 4 (31:50):
Like fine wine, vintage rock that stands the test of time.
This is Don's basement, That swimming.
Speaker 21 (32:09):
Swimming spell, sweet.
Speaker 32 (32:27):
Sweat while the doll people sleeping with the shade on
the sliding, while the ball people sleeping.
Speaker 17 (32:36):
All the stars come out at night, while the doll people.
Speaker 10 (32:39):
Sleeping in the shade on the line, while.
Speaker 17 (32:42):
The ball people sleeping, all the stars come at.
Speaker 33 (32:45):
A night.
Speaker 21 (32:47):
Spo sweating.
Speaker 5 (32:54):
After closing time.
Speaker 34 (32:58):
At the gun's effeir Else, I detected the l supreme
from the room at the tample of the stairs.
Speaker 16 (33:10):
They're not being around the world.
Speaker 18 (33:14):
Ain't up beat in Washington food, ain't the norm not travels?
Speaker 17 (33:20):
Is the fat sunraveler Thomas to be true?
Speaker 32 (33:26):
While the door people sleeping in the shade on the slopping,
while the bar people sleeping, all the stars come out
at night, while the doll people sleeping with the shade.
Speaker 17 (33:37):
On the slide, and while the bar people sleeping, all
the stars come out at night.
Speaker 8 (33:58):
They got their house on all.
Speaker 5 (34:02):
We do all inside. They got the bolls, and then.
Speaker 35 (34:10):
All the money come by. They got the shapely bye.
They got to stealing Dane p shut.
Speaker 8 (34:22):
And b the coop, and they.
Speaker 13 (34:24):
Crack the rocks range and a holy let me.
Speaker 8 (34:30):
Tell you why.
Speaker 17 (34:31):
The ball people sleeping with the shade on the lighter, while.
Speaker 5 (34:35):
The ball people sleeping.
Speaker 8 (34:36):
All the stars come back at night.
Speaker 32 (34:38):
While the ball people sleeping with the shade on the lighter.
While the ball people sleeping, All the stars come back
at nine.
Speaker 36 (35:00):
Show business kids making movies on himself.
Speaker 5 (35:47):
You know they don't give us, not anybody else. You
know you're going.
Speaker 32 (35:55):
While you're doll people sleeping in the shade on the
Lady Alda. People people sleep, and all the stars come
out at night. The people sleep in the shade, all
the sliding. The people sleep from all those dolls come
out at nap.
Speaker 3 (36:47):
A friend of mine recommended that I read the book
Quantum Criminals, and I'm really glad I did. I recommended
to you too, because it really gives you some insight
into what Donald Fagan and Walter Becker were thinking about
when they put those songs together from Countdown, Ecstasy, Steely Dan,
and Show His Kids. In nineteen seventy three, each of
the Beatles came out with their own solo album from
George Harrison's offering, This Is Gimme Love in Don Spaceman Love.
Speaker 37 (37:12):
Bizy Love, Ki Man be Sona, Give Me Live, give
me Live, feed me bread First, give me help me go,
Wiss heavy Load.
Speaker 8 (37:31):
To scree.
Speaker 23 (37:34):
On so.
Speaker 8 (37:43):
Many go love that.
Speaker 33 (38:00):
That I.
Speaker 5 (38:03):
Understand won't be a.
Speaker 10 (38:07):
Long long and the son give me like him life.
Speaker 15 (38:17):
Keeping red birst give me, help me go with this
heavy load t to thug.
Speaker 2 (38:28):
Readjo with out won Lord, won't you please want you
(39:04):
get those give.
Speaker 38 (39:06):
LOGI Besona with me live Gami live, beet me free
but give me oh, help me cope with this heavy
load tangle, don't.
Speaker 8 (39:22):
Treat you.
Speaker 39 (39:25):
On so.
Speaker 40 (39:27):
Give love agains logave Psona with me live Gami life
given g Fritz.
Speaker 38 (39:38):
Bdagin of help me cope witness heavy load, night.
Speaker 5 (39:47):
Streak with all.
Speaker 22 (39:53):
O reliving the great days of Vintage Drop without the boons,
(40:20):
farm Headache, Welcome to Don's basement.
Speaker 5 (40:23):
I want to be an you want to be? I
wanna be some magical mikats.
Speaker 17 (40:31):
You want to be a poet. You want to be
my stream?
Speaker 5 (40:35):
You could be anything.
Speaker 19 (40:40):
Do you want to be the number of another undercover?
You could even be the man on the.
Speaker 8 (40:47):
Moon you wanna be.
Speaker 5 (40:54):
Do you want to be the stream? Let me tell
you a song something.
Speaker 26 (41:02):
It just don't need a thing.
Speaker 19 (41:05):
Seed really does matter when you're burried this, guys, find
the dark glass on your eyes.
Speaker 1 (41:18):
No lesshous crystal lines.
Speaker 23 (41:22):
Still it's.
Speaker 33 (41:29):
WoT, It's sent me, It sent me.
Speaker 41 (41:47):
I want to be the lower la Mad want to
be the father's lying in knocket. I want to be
calla does create a scene.
Speaker 10 (42:05):
Every day sadder.
Speaker 5 (42:08):
I'm gonna matter.
Speaker 16 (42:10):
Someone get me a lot of.
Speaker 5 (42:15):
I'm gonna be the singer.
Speaker 1 (42:19):
I wanna be the song.
Speaker 5 (42:23):
Let me tell you something.
Speaker 17 (42:27):
You just couldn't be wrong, you.
Speaker 19 (42:30):
See, I really have to tell you not at all
gets so intense from my experience, it just doesn't see.
Speaker 13 (42:45):
It don't make sense.
Speaker 33 (42:50):
That.
Speaker 3 (43:09):
You know, when you sit and look at all these
different albums and you put these cuts on, you can
definitely tell that that was the argument back in the day.
It still is a lot of people consider nineteen seventy
three to be the best year in music. That's a
perfect example from Brain Salad Surgery, Emerson Lake and Palmer.
Still You Turn Me On nineteen seventy three, we had
(43:30):
a brand new album from the Good Doctor, Doctor John.
This is the right place, wrong time in Don's basement.
Speaker 30 (43:38):
I've been in a right please, but it must have
been the wrong John. I have been the right thing
about to mother you the wrong line. I've been on
a right trio, butts use the wrong call. He is
in a bad please hand of one of what was good? Fuck,
I haven't in a right please.
Speaker 1 (44:00):
In the wrong time.
Speaker 30 (44:01):
My head is in a bad leaves a good time.
I've been a running Friday can hungue up in my mind.
This is gonna build myself.
Speaker 29 (44:13):
I could talk into this time doesn't need a little
brains now have in surgery.
Speaker 30 (44:21):
God trip cute of my inso charity that I've been
in the wrong blade, go the mother have been the
right time. I haven't interact blee go the mother been
a wrong song. I have been errate mate, but it
seeming that.
Speaker 1 (44:36):
Wrong on that I have been right word, but it
seeming that wrong, wrong.
Speaker 29 (44:42):
Wrong, wrong, had been diving. He've been hiding out down
(45:18):
the street.
Speaker 30 (45:20):
See my last chicken with ever at who I meet
refright confusion If I'm making that fifth clill.
Speaker 1 (45:29):
One of which wed go go to get on out
of you.
Speaker 16 (45:32):
But I've been in the right plan. Butt her mother
been a wrong time, and I don't in the right
dame put her mother you.
Speaker 30 (45:40):
The wrong line.
Speaker 16 (45:42):
I said the right roll.
Speaker 29 (45:44):
Butt a mother took the wrong joints.
Speaker 30 (45:46):
I deggar right and move butt him an at the
wrong time. I haven't in the right tram butt him
in in a wrong car.
Speaker 22 (45:55):
Right cuts a vintage rock hands selected by the basement dwellers.
Speaker 18 (45:59):
This is down to, basically, I don't touch the knobs,
can play.
Speaker 16 (46:12):
Yes, you got to give it to me.
Speaker 1 (46:20):
You got to give it to me.
Speaker 23 (46:25):
You got to give it to me.
Speaker 5 (46:29):
You got to give it to me. You're so slick,
but don't give a trick.
Speaker 8 (46:38):
You won't.
Speaker 5 (46:41):
I won't it so manly, I can't.
Speaker 39 (46:45):
Believe it's a cold baby, believe it.
Speaker 32 (46:51):
Give it.
Speaker 5 (46:54):
You got to give it to me. Got it to me.
Speaker 8 (47:03):
You got to give it to me.
Speaker 5 (47:08):
You've been bugging me.
Speaker 17 (47:10):
Never you say you won't it.
Speaker 5 (47:14):
You want it right now. I can't get through it.
I can't get to it.
Speaker 1 (47:21):
So call baby, bab you's got to.
Speaker 32 (47:27):
Come.
Speaker 8 (47:28):
You got to get it.
Speaker 5 (47:32):
You got to give it to me. You got to
give it to me.
Speaker 39 (47:42):
Wow, when it's so warm a sad, Come on, baby,
you love us to go to pad right ahead?
Speaker 23 (48:42):
You you got.
Speaker 3 (48:52):
What shots but Jay Giles band from nineteen seventy three,
and give it to me. I was wondering if this
guy was going to show up. We were always happy
when he came to town. The new writers of the
Purple Sage, this is Panama Red in Don's basement, Animal.
Speaker 1 (49:06):
Read, PanAm all read, it's still your woman.
Speaker 18 (49:12):
They didn't rob your head, PanAm allad, Phantom all read.
Speaker 42 (49:19):
All his white olds Mescalito because reason blue town.
Speaker 18 (49:23):
That's your woman is up in bed with old PanAm already.
Speaker 1 (49:28):
The judge don't know when Red's in town.
Speaker 42 (49:30):
If keeps well hidden underground. Everybody's acting lays head falling
out to hang it round.
Speaker 1 (49:37):
My woman said, hey, Pedro.
Speaker 5 (49:39):
You're acting crazy like a clown.
Speaker 42 (49:42):
Nobody it is like working, PanAm all read.
Speaker 18 (49:44):
It is back in the town, PanAm already, Phantom already,
it's still your woman. They didn't rob your head, PanAm
Phantom alread.
Speaker 28 (49:59):
Lone is riding, that's Alito.
Speaker 43 (50:01):
We go through the reasons town, bet you is up
in fast with old Phantom already.
Speaker 42 (50:30):
Everybody is looking out for him because they know Red satisfied.
Little girls like Theo listens to him sing tell sweet
like b when things get too confused.
Speaker 18 (50:40):
And honey, we're better off in fsh and office, searching
all the joints in town for Pandam already PanAm all
read Phantom.
Speaker 8 (50:49):
All read.
Speaker 14 (50:51):
Its kind woman.
Speaker 18 (50:52):
Then out of your head Phantom a head Phantom.
Speaker 42 (50:57):
Alid on his white horse mesalito.
Speaker 5 (51:01):
He talks to the reason downs Bet is up in
bed with.
Speaker 18 (51:06):
Old Phantom alread Phantom alread Phantom already this woman.
Speaker 1 (51:14):
Then then rob your head Phantom.
Speaker 18 (51:18):
Phantom alread.
Speaker 42 (51:21):
Gown his white horse mesalito.
Speaker 43 (51:23):
He got breathing town, Betsy up with.
Speaker 18 (51:27):
Old bandom alread PanAm alread Phantom alred.
Speaker 22 (51:39):
The bands that would record an album go on tour,
check in the rehab, and go back in the studio
and start it all over again.
Speaker 7 (51:46):
That's vintage rock. Here in Don's basement, shall we my troubles.
Speaker 1 (51:57):
Wash, where my food?
Speaker 8 (51:59):
Where the rain?
Speaker 13 (52:01):
And shop by up want you wei my sidle what
you wean my shame?
Speaker 1 (52:07):
Wear the rain shout by up.
Speaker 8 (52:16):
Ye gang.
Speaker 32 (52:26):
Every one is hereful if the one is kind, all
the load and shop.
Speaker 8 (52:32):
By left, everyone is lucky.
Speaker 5 (52:36):
Everyone is so kind the load and shot by left
g y n.
Speaker 8 (52:53):
Gang ga.
Speaker 1 (52:57):
God shine all that shout by love. There's a light
shine and all that shine by love.
Speaker 5 (53:19):
I can kill my sister mother flowers in the life.
All the gold and shout by die I can.
Speaker 8 (53:27):
Tell my brother mother bothers me that all.
Speaker 44 (53:31):
The gold and shout by lot, I will.
Speaker 45 (53:51):
It's a light shine in my hall. I shine by love.
That's a light shine in the loves of shine.
Speaker 1 (54:02):
Bah tell me.
Speaker 45 (54:06):
There's a light shine in the halls of shine back.
There's a light shine in the halls of shine. Bout juice, Shine, Shine,
(54:47):
juice Shine.
Speaker 3 (54:55):
Yeah, there were certain songs that you just knew that
eleven herbs and spices were involved in the writing and
recording of those songs, including that one about the mythical
kingdom of Shambala. Three Dog Nights putting the raps on
the Wayback Machine nineteen seventy three. Okay, we want to
thank all the radio stations up and down the dial
(55:15):
and take the time to run our show each week,
including our flagship station ninety nine point nine FMWYML and
WYML dot us in Chicago. Thank you, Jon Jeff the
Great ninety eight WMDC, Mayville, Wisconsin. Thank you to Meg
and Greg Chuck and his crew, CASEYFX Rock on the
High Desert in Ridgecress, California. Buddy Guy and everybody at
Buddy Guy Radio in Chicago, and all the stations big
(55:38):
thanks to the iHeartRadio Network in Amazon Music for taking
our little show worldwide. Check out our website when you
get a chance. Don's Basement Productions dot com. Thanks to
mister Lee Peak, the voice of Don's Basement, and thank
you so much for coming down here each week and
hanging out with us down in the basement. We do
appreciate it. My name is Don Clark. Peace
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