October 15, 2025 • 56 mins
From the Acme Studios in Mayville, Wisconsin. The Wayback Machine is out and we've dialed up the year 1975. Featuring deep tracks of Vintage Rock from UFO, Queen, Foghat, Supertramp, and more.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
The following program is brought to you in living color.
Speaker 2 (00:08):
God to the borrow it sound.
Speaker 3 (00:16):
Please so.
Speaker 4 (00:21):
This God, it's God.
Speaker 5 (00:23):
I see God.
Speaker 4 (00:25):
We will provide the grand design.
Speaker 6 (00:29):
We didn't say it'd be goods.
Speaker 7 (00:35):
One hour of radio Anarchy broadcasting for the ACNE Studios
in Mayville, Wisconsin.
Speaker 8 (00:41):
Where the hell is Mayville?
Speaker 3 (00:43):
Then it rocked.
Speaker 9 (00:43):
It's been bottled up way too long.
Speaker 3 (00:48):
Welcome to Don's basement.
Speaker 10 (01:06):
Here the two beatsa coma weaver.
Speaker 11 (01:19):
Like a black cat, dude.
Speaker 10 (01:23):
The two bodies a lea and nigger aqueple.
Speaker 12 (01:27):
Thinking got nothing to do, so he presented to the
chill ship.
Speaker 10 (01:35):
Unlocks a door.
Speaker 13 (01:39):
It has a man's reason for his trousers, shoots.
Speaker 14 (01:44):
A pall of a furder.
Speaker 10 (01:47):
Mister Saturday Night Expecial.
Speaker 15 (01:51):
Gotta barrow the story.
Speaker 3 (01:55):
They ain't good for nothing.
Speaker 10 (01:59):
The bottom man six feet in a hole.
Speaker 13 (02:11):
They just didn't drink and fiskey. They're playing poder on
the lute tonight. The bird soon all jim stuff think again.
A sound rad had been cheating in a light speak.
Jump on minster fighting.
Speaker 10 (02:31):
I wouldn't tell you a line be jump on a pull.
This pistol shot a.
Speaker 16 (02:39):
Spinner right between the sides and missed the side of
the Night to Special.
Speaker 15 (02:46):
You gotta battle the spewing.
Speaker 3 (02:50):
They ain't good for nothing that.
Speaker 17 (02:54):
The bottle man's tea night.
Speaker 3 (03:04):
What one a don you to buy yourself?
Speaker 18 (03:07):
You would take all about.
Speaker 12 (04:25):
My hang on some met for killing the antal golf
nevers can every lateral treat for k a mighty even
the shoot yourself swa.
Speaker 10 (04:41):
Do we don't fall people to the thought moll see.
Speaker 19 (04:49):
The ball son o.
Speaker 15 (04:50):
Fools go around here want to.
Speaker 20 (04:53):
Shoot hither you rob me?
Speaker 10 (04:57):
Mister Saturday Night to spec, you've.
Speaker 3 (05:01):
Gotta battle a steel.
Speaker 19 (05:09):
Mask.
Speaker 21 (05:14):
This is Saturday Nights Special, and I'm going to tell
you what you've ben do with it.
Speaker 6 (05:32):
It was nothing fancy, just their third studio album, released
in March of nineteen seventy five, Skinner and Saturday Night
Special And Hello, how are you welcome back in? I'm
Don Clark. Thanks so much for coming down and hanging
out with us once again. Down here in down Spaceman,
we brought the way Back Machine out of the closet.
Dialed up nineteen seventy five. Hard to believe that these
albums are fifty years old, but thanks to your suggestions,
(05:56):
we've got some of these cuts that haven't seen the
light of day in a long long time. The greatest
album covers ever from their fourth studio album, released in
November of seventy five, Supertramp from Crisis, What Crisis Ain't
nobody but me? Welcome to Don's basement.
Speaker 5 (06:35):
Can you tell your story?
Speaker 22 (06:36):
A little nick change, I'll tell you what I'm gonna
be out of range.
Speaker 10 (06:42):
About the man's crooling me.
Speaker 5 (06:46):
Promise not.
Speaker 22 (06:49):
Heaven the ones you love, No one needs to start
the book.
Speaker 1 (06:59):
You know he'll find.
Speaker 22 (07:01):
You and you don't matter now Just look behind you
in the handy warning you knew themself.
Speaker 10 (07:09):
You gotta bry and that being warm.
Speaker 14 (07:13):
There was one hair.
Speaker 23 (07:14):
Between me and rough.
Speaker 4 (07:17):
An explanation was not enough.
Speaker 3 (07:22):
God by me. He's gonna lie?
Speaker 15 (07:28):
Are you gone die?
Speaker 4 (07:32):
Are you?
Speaker 3 (07:35):
And now?
Speaker 23 (07:37):
And you see.
Speaker 1 (07:41):
Gone aside.
Speaker 11 (07:44):
It's gone, And try about you gonna lie?
Speaker 24 (07:50):
You're gonna die? You see.
Speaker 5 (08:31):
I gotta keep this position.
Speaker 22 (08:34):
Sometimes, I mean sometimes I'm Fisher, I'm doctor ja mister
has only.
Speaker 10 (08:42):
If you want to stay alive, just give me all
you've got to beat and the hand, the hands a little.
Speaker 11 (08:54):
Bo gone for you.
Speaker 3 (09:01):
It's gonna.
Speaker 14 (09:04):
For you, And no fish in.
Speaker 11 (09:12):
It's gonna side for you. It's gonna try for you.
It's gonna lie you, it's gonna die for you.
Speaker 14 (09:26):
It's gonna side you.
Speaker 1 (09:30):
It's gonna try about you.
Speaker 3 (09:33):
It's gonna lie for you.
Speaker 25 (09:37):
It's gonna die you.
Speaker 23 (09:43):
Stop.
Speaker 19 (09:59):
I I saw that.
Speaker 26 (10:40):
Something, and.
Speaker 9 (11:01):
It's the kind of music that's great.
Speaker 7 (11:03):
Whenever you pair it with Boone's Farm, Strawberry Hill gives
me a headache just thinking about it. Welcome the Down's basement.
Speaker 27 (11:28):
It was Saturday night without a whole lot shaking it
Who by.
Speaker 15 (11:33):
Whom I was born?
Speaker 27 (11:36):
I have my best ans. It does a chance not
taking somehow, I will still ant longsome cyber shine lonely,
but it's okay. You need someone down to be my
water and on me. I wage a smile from a
(12:10):
flashy field.
Speaker 5 (12:12):
Who by who by?
Speaker 23 (12:14):
You look bad?
Speaker 15 (12:16):
She said, I like your style.
Speaker 1 (12:18):
I don't gonna like this silly.
Speaker 14 (12:20):
Ooh by whu?
Speaker 3 (12:21):
She got my head?
Speaker 27 (12:24):
Tell her the thought that I could shake and move
it now it.
Speaker 1 (12:30):
Isn't good.
Speaker 27 (12:32):
Talk about fleet because they could really move.
Speaker 28 (12:35):
It s a message acrossing me and her God kissing
(13:16):
who by.
Speaker 29 (13:17):
Whom I heaven for?
Speaker 10 (13:19):
I know that this is the thing that I've been
really missing.
Speaker 1 (13:24):
Oh, no, dance, it's just good.
Speaker 27 (13:28):
No more time for feeling shine long Lady, Now.
Speaker 23 (13:33):
That's in't for.
Speaker 19 (13:35):
All.
Speaker 1 (13:36):
So now to be my water and on the lady.
Speaker 23 (13:41):
That's in for.
Speaker 1 (13:43):
Into long since.
Speaker 14 (13:45):
Ivon shine lor Ladies.
Speaker 27 (13:47):
Now it isn't full of dancing for a dancer too
long since Saba Shine lone Lady.
Speaker 15 (13:55):
Now that's in full its Ornama desert.
Speaker 6 (14:07):
So back in the day, we had this guy Schmidy,
who was really good at introducing us to new bands,
but he was really good at digging back and finding
some cuts that we hadn't heard in a while. That's
one of them. I think that's who and dancing full
down Park and Don's Basement with a wayback machine set
for nineteen seventy five, the year we had a brand
new album from Paul McCartney and Wings from Venus and Mars.
(14:28):
This is Medicine Jarry Don's Basement.
Speaker 1 (14:33):
Ah you.
Speaker 14 (14:36):
You say, oh.
Speaker 23 (14:46):
Red tong.
Speaker 1 (15:00):
And there's a Magazon jobs.
Speaker 23 (15:08):
Now told you.
Speaker 3 (15:10):
Whatever you do you said the time, tell oh God's true.
Speaker 1 (15:22):
Conclude say I'm no iDeer man.
Speaker 23 (15:26):
Now you.
Speaker 30 (15:32):
Stay on to be too long, Get more ready Game by.
Speaker 3 (15:36):
Sending your head and a medicine jobs.
Speaker 14 (15:46):
Said that to be.
Speaker 23 (15:47):
Too long and long any big by.
Speaker 3 (15:50):
Second, then a madican jobs wm Ad, I.
Speaker 1 (16:29):
I can't let him go. You say time, there is
so so time things said it say.
Speaker 30 (16:45):
You made your time, Tad on the be long in
mon again by saying how many.
Speaker 19 (16:58):
Dogs.
Speaker 31 (17:37):
I'm gonna say.
Speaker 7 (17:38):
There was some funny stuff going on down there, But
every time we opened the basement door at the top
of the stairs, it looked like a new pulpe had
just been elected. Welcome to Dan's basement.
Speaker 4 (18:18):
I've just closed my eyes again, climbed aboard the dream
weave a dream.
Speaker 10 (18:33):
Try to take away my mother. Result today leave tomorrow.
Speaker 23 (18:42):
We have lived.
Speaker 14 (18:46):
Dream Weaver.
Speaker 4 (18:50):
I believe you.
Speaker 5 (18:51):
Can get me through.
Speaker 10 (19:00):
Gore Weaver.
Speaker 4 (19:04):
I believe we can reach them more.
Speaker 32 (19:06):
The lady high through the stars, goods.
Speaker 3 (19:18):
Maybe to an astro paen.
Speaker 33 (19:26):
Cross the highways, faith to see, help me to foggin Today's.
Speaker 4 (19:35):
Bad weaver, bab believe you can get me through.
Speaker 3 (19:44):
From the hun wore Weaver.
Speaker 33 (19:55):
I believe we can reach them more.
Speaker 32 (20:00):
Right through the dawn made me come and soon there
still may be sometime fly me away to the right
(20:20):
side of.
Speaker 4 (20:24):
Meet me on the land the side.
Speaker 33 (20:33):
Tream Weaver, I believe you can get me before the
night Boorea Weaver, I'll believe we can reach the board.
Speaker 6 (21:53):
After he left the band Spooky Tooth, he came out
with his first solo album, That's the title cut from
the dream Weaver album and Gary Wright Wayback Machine Diald.
After nineteen seventy five, the year that this song came
out as a single, only it wouldn't show up until
the Quick Is a Wink album in nineteen seventy six,
but these guys wanted to put it out early as
(22:14):
a cautionary tale for those thinking about getting into the
music industry. The band is sweet and this is action
in Don's base Beha.
Speaker 3 (22:37):
So you think you'd.
Speaker 23 (23:00):
You know your buy.
Speaker 14 (23:09):
And that's why.
Speaker 31 (23:10):
Asad Buddy whats up Bay Sunday action A breadbody's a pain.
Speaker 23 (23:18):
That's action.
Speaker 19 (23:20):
I don't want a.
Speaker 31 (23:21):
Breadbody say it's not just guarantee. Everybody whats up?
Speaker 23 (23:28):
Bay said, Oh, I'm.
Speaker 29 (23:43):
Suicidal because she was my idol.
Speaker 10 (23:45):
Babe, bathe babe, bring it to yourn?
Speaker 23 (23:51):
What the water?
Speaker 15 (23:53):
What you probably driving with your Insai.
Speaker 19 (23:56):
Ball guy, I.
Speaker 23 (24:03):
Know your body, Miles.
Speaker 1 (24:11):
And that's why a body wat Sunday Sunday act.
Speaker 31 (24:17):
Bread bat is exact nay.
Speaker 16 (24:19):
A sacred body as guarancy.
Speaker 23 (24:28):
By what Sunday Sunday action. What's rem.
Speaker 16 (25:04):
Sho.
Speaker 9 (25:33):
You know that feeling when you hear a song you
haven't heard in years?
Speaker 19 (25:37):
Dudes, I just.
Speaker 13 (25:44):
We heel that weight all the time.
Speaker 10 (25:46):
Vintage rock from Don's basement.
Speaker 15 (26:17):
Stasys O, my daughter's baidy n.
Speaker 23 (26:20):
I ain't seen the day license I saw of this
fand Don start bottle was going. Thought of the scene
was three.
Speaker 3 (26:34):
D grading genus gont to tell.
Speaker 5 (26:36):
Them not dreams, lock the do the jam.
Speaker 4 (26:49):
Then you raided.
Speaker 14 (26:50):
But some me that all the same, Yo, baby.
Speaker 8 (27:05):
Found my call start check back the latest cad of news.
Speaker 23 (27:18):
You know, I'm then you'll leave.
Speaker 19 (27:19):
I'm then You're son got the news, so.
Speaker 8 (27:28):
Sleep something by the latest seas sending little that starting.
Speaker 29 (27:34):
Out with young ms, scream about.
Speaker 19 (27:52):
Babe, dream.
Speaker 8 (27:56):
Bound, my hoss and cabs, holy ats other fother's calling the.
Speaker 3 (28:09):
Man a calling Basu b Soldat times I'm changing up.
Speaker 1 (28:14):
And never stand still.
Speaker 8 (28:16):
I'm I'm I'm changing riding the wheels to say the
storming down.
Speaker 19 (28:21):
I got a second chance snow I danced out the Babe, I'm.
Speaker 3 (28:32):
Found my horse and.
Speaker 19 (28:34):
Drill and check.
Speaker 6 (29:52):
As far as tours go, no more, no more, but
don't count him out. Pretty good chance you're gonna hear
some new music from Moose Guys soon Fromployees in the
attic Ari's Aerosmith and Don Clark in Don's Basement. The
Wayback Machine diald up from nineteen seventy five. If you
had to explain this next cut, you have to go
back to a couple of old TV shows. That's a
(30:13):
combination of the Twilight Zone and the Time Tunnel. And
that's up next. I'm Don Clark. Welcome to Don's Basement.
Speaker 15 (30:29):
The Queen of England is coming to Texas.
Speaker 25 (30:38):
Queen in their first headline Texas performance live at SMU's
Moody Coliseum Tomorrow Night.
Speaker 15 (30:49):
Queen with special guest Stars then Lizzie.
Speaker 3 (30:58):
Limited.
Speaker 16 (30:59):
Advanced tickets are Stellars and available at Rainbow Ticket Service
sixty two to twenty five Hill Crens across from SMU
All Metroplex, Help Goodbye Stores Dallas, Jones Junes.
Speaker 1 (31:08):
And Peaches Records.
Speaker 27 (31:13):
Queen Regne Supreme Tomorrow Night at Moody Colisseum.
Speaker 31 (31:18):
The Concerts West.
Speaker 1 (31:19):
Production there's classic rock.
Speaker 4 (31:32):
Rock.
Speaker 3 (31:42):
Then there's this bo.
Speaker 1 (31:47):
Yep, this Don's basement.
Speaker 34 (32:27):
In the year thirty nine, able year the volunteers in
the days when lud of you.
Speaker 1 (32:36):
Here the shell tell aunt the blue and sunny morn,
sweetest sign mercy.
Speaker 34 (32:46):
And the nightfall day, and the story tellers say that
the story.
Speaker 1 (32:52):
Rays dolls inside.
Speaker 34 (32:55):
More many lovely days sailed across the Milby Sea.
Speaker 4 (33:00):
Now look back.
Speaker 34 (33:01):
I can never fear, never cry, don't care you call
how many years away?
Speaker 1 (33:09):
Don't care here, Rachel letters in the sand.
Speaker 3 (33:16):
For the day I take your hands in the land.
Speaker 23 (33:20):
Of our grand children.
Speaker 34 (33:54):
In the year thirty nine, game a shifting from the blue,
the volunteers cal day, and they.
Speaker 4 (34:04):
Bring on news of the world, a newly born over their.
Speaker 14 (34:08):
Hearts, so healy away.
Speaker 29 (34:12):
For the earth is old gray, little.
Speaker 23 (34:15):
Doll will awave and my love is cannot be.
Speaker 34 (34:22):
Oh so many years ago the loder the gear, your.
Speaker 1 (34:27):
Brothers size from your eyes, cry to.
Speaker 23 (34:29):
Me doctor you and I call your pennys.
Speaker 3 (34:35):
Away rogers in the sand for the.
Speaker 1 (34:44):
Day I take your head in the land that our
grandchildren kill you Come on, do you?
Speaker 23 (35:00):
Oh?
Speaker 1 (35:00):
You cannot heal me like it's for my life still ahead.
Speaker 3 (35:07):
Didive me.
Speaker 6 (35:18):
Yeah, it's kind of a combination of the Twilight Zone
and the Time Tunnel. Google it. It's a great story.
And then what an album The Legendary Night of the
Opera and thirty nine from Queen and Don Clark and
Don Spaseman the Way Back Machine set for nineteen seventy five.
Hard to believe that these albums are fifty years old.
Off of the Fool for the City album, This Fog
(35:39):
Hat and My Babe in Don Spaceman, Baby, she's so fine.
Speaker 23 (36:04):
I'm talking to my mother.
Speaker 3 (36:05):
That all medicen my bab She's so fine. I love
to love my baby.
Speaker 19 (36:12):
I love to love all the.
Speaker 23 (36:14):
Time, love to do myself.
Speaker 19 (36:20):
You want to love herself? Do you have?
Speaker 23 (36:30):
I said my son?
Speaker 3 (36:32):
She asked the feet was bad.
Speaker 23 (36:36):
I love the way she wants.
Speaker 1 (36:39):
I love the way she talks.
Speaker 35 (36:43):
She made a few.
Speaker 15 (36:46):
Listen for your manage. She never a baby.
Speaker 6 (36:53):
She love me.
Speaker 23 (36:55):
She love me.
Speaker 16 (36:57):
Not the good batsy a slattern timebout.
Speaker 3 (37:04):
The girl battle, says Sladder.
Speaker 19 (37:08):
I said about the.
Speaker 3 (37:11):
Side a baby battagon.
Speaker 14 (37:14):
I said.
Speaker 19 (37:16):
An the way she wants, the way she talked, she
to do.
Speaker 3 (37:24):
Something, you know to.
Speaker 2 (37:30):
Amabe shea wam.
Speaker 23 (39:00):
Job may said, mom baby that Joe man.
Speaker 3 (39:02):
It's my babe.
Speaker 14 (39:03):
She's so.
Speaker 15 (39:10):
Not the way she would, the way she.
Speaker 30 (39:17):
Make a so.
Speaker 14 (39:19):
So never maybe not the way she would.
Speaker 9 (39:32):
She tell me, young man, sho, the more you listen,
(40:05):
the more we make shows.
Speaker 1 (40:07):
I mean we make more shows, not money.
Speaker 6 (40:10):
We're not making anything for this.
Speaker 1 (40:11):
Actually, welcome to Down's basement.
Speaker 16 (40:36):
Always now to show stop the bad ways playing around.
Speaker 20 (40:49):
Yet now yet us down hands ye two.
Speaker 1 (41:01):
I'll tell you first, it's hot.
Speaker 23 (41:03):
It looks it's a.
Speaker 14 (41:04):
Lone way to the top.
Speaker 23 (41:06):
Fift the wanna rocking ball.
Speaker 16 (41:11):
It's a long way to the Toplift the wada rocking ball.
Speaker 20 (41:20):
Long un stands, so.
Speaker 8 (41:24):
Le fan, it's a long way sun the topa you
wanna rocking ball?
Speaker 1 (42:49):
Counts of mountains, exam.
Speaker 23 (43:00):
So there he's a mine.
Speaker 3 (43:03):
Getting out, get the brain, get it rip.
Speaker 14 (43:08):
On the plain.
Speaker 15 (43:10):
Then it sound it's second hand that hid it.
Speaker 14 (43:15):
Don't pay.
Speaker 20 (43:17):
It's a long way to the top.
Speaker 16 (43:20):
Man the wan of rocking boat. It's a long way
to the top. The wanda rocking boat.
Speaker 20 (43:31):
Then of this says and screeze he's house.
Speaker 19 (43:37):
It's my bad name.
Speaker 23 (43:38):
It's a long way to the top.
Speaker 1 (43:41):
Make you want on Rocking Boat.
Speaker 16 (43:45):
It's a long ways some top man be fall by
the ball. It's a loud way, a loud way.
Speaker 6 (43:59):
So we found the album and the import Rock back
(44:51):
in seventy five. It wouldn't be released in the States
until seventy six. From a CDC's TNT album and the
Blueprint for Rock. It's a long Way to the top.
Let's see seventy five, gas was forty four cents a gallon.
It was a cheap fill up when you bought the
Oldsmobile Delta eighty eight for just over fifty six hundred.
Or take four ninety nine and pick up a new
album from UFO from force it. It's a shoot shoot
(45:15):
in don space.
Speaker 4 (45:16):
Basis you.
Speaker 36 (45:35):
Jesus shoot shoot shot shoot speed swell man never new
(46:02):
wanna s killed.
Speaker 17 (46:05):
Damn toot his FI through the tricks the fields.
Speaker 1 (46:12):
Yo, she's got a fence.
Speaker 15 (46:13):
Stuff leat it down me, she said, shoot shoot shoot
a for you.
Speaker 1 (46:21):
Gott shooting for me.
Speaker 16 (46:26):
I really got to games.
Speaker 15 (46:28):
Get a FASTI.
Speaker 37 (46:31):
He gotta get a fast pile out of Bill. Gotta
get a fast side out of Bill. You gotta get
a fast o hotail.
Speaker 32 (47:31):
Please say fires sprosecuse.
Speaker 14 (47:38):
My friends the moms come.
Speaker 1 (47:42):
No, she's got friends.
Speaker 23 (47:46):
Lay it down to me.
Speaker 17 (47:48):
She said, shoot shoot shoot, and got shoot it for me.
My frieze got cheese.
Speaker 7 (48:25):
No, we have people ask us all the time. Why
don't you tell more stories about what happened in the basement.
The reason we don't is simple. Half of the world
wouldn't believe us. The other half would try to prosecute us.
We just stin't need that headache again. Welcome to Don's basement, lucancy.
Speaker 23 (49:00):
What you mean?
Speaker 3 (49:03):
It just takes me longer.
Speaker 14 (49:10):
And I can feel you.
Speaker 1 (49:14):
Watch you feel.
Speaker 10 (49:17):
It just makes you stronger.
Speaker 22 (49:23):
Will you can take me for a little while? You
can't take me, you can make me smile me?
Speaker 1 (49:41):
Yes, you can't.
Speaker 23 (50:36):
Let me see.
Speaker 4 (50:39):
What you mean?
Speaker 15 (50:42):
She sides, No, look or feel? What's your feel?
Speaker 23 (50:53):
Just back your song? I'm no after.
Speaker 22 (51:07):
Wow?
Speaker 19 (51:07):
Will you let blow.
Speaker 1 (51:13):
See?
Speaker 15 (51:13):
I see, I see it's nothing?
Speaker 23 (51:21):
Whoa whoa?
Speaker 1 (51:25):
You know.
Speaker 4 (51:33):
You gonna do.
Speaker 5 (51:35):
What you do?
Speaker 23 (51:38):
You guys do a man laughing ride.
Speaker 15 (51:47):
Love your brier, just like me said.
Speaker 23 (51:58):
I'm no after.
Speaker 14 (52:03):
Wow.
Speaker 38 (52:09):
See it's coming? Whoa whoa?
Speaker 15 (53:14):
GONI Yi get back spin?
Speaker 23 (53:28):
Whoa yeah.
Speaker 35 (53:37):
Not gon show? Love your shot Jo back, No love you, Doug, Hello,
watch the Wow.
Speaker 15 (54:08):
Wow luck at see.
Speaker 20 (54:26):
What you mean?
Speaker 15 (54:29):
It just si longer?
Speaker 4 (54:35):
Look at me? What should be.
Speaker 3 (54:41):
Just Max the Stronger?
Speaker 23 (54:44):
Wow?
Speaker 15 (54:44):
Yeah yeah.
Speaker 14 (54:50):
Oh ye.
Speaker 6 (54:59):
Well by now you've heard the Boys are going back
on the road again as a tribute to Neil Peart
anaka Nielis will be behind the kit. And I've been
asked more than a few times are you planning on
going to the show? And my answer is still the same,
I'm not sure yet. Now I know it's going to
be a great show, but in the end, it's not Rush,
(55:23):
but it's gonna be good. Putting the wraps on the
way back Rachine nineteen seventy five. We want to thank
all the radio stations up and down the dial that
take the time to run our show each week, and
that includes our flagship station ninety nine point nine FMWYML
ANDWYML dot us in Chicago. Thank you, Joe and Jeff.
Thanks to the iHeartRadio Network and Amazon Music for getting
(55:44):
the word out about Don's Basement tapes. Big thanks to
my friend Lee Peek, the voice of Don's Basement, and
a big thank you to you for coming down here
reaching every week. And hanging out with us in the basement.
We appreciate it. I'm Don Clark, Peace
The following program is brought to you in living color.
Speaker 2 (00:08):
God to the borrow it sound.
Speaker 3 (00:16):
Please so.
Speaker 4 (00:21):
This God, it's God.
Speaker 5 (00:23):
I see God.
Speaker 4 (00:25):
We will provide the grand design.
Speaker 6 (00:29):
We didn't say it'd be goods.
Speaker 7 (00:35):
One hour of radio Anarchy broadcasting for the ACNE Studios
in Mayville, Wisconsin.
Speaker 8 (00:41):
Where the hell is Mayville?
Speaker 3 (00:43):
Then it rocked.
Speaker 9 (00:43):
It's been bottled up way too long.
Speaker 3 (00:48):
Welcome to Don's basement.
Speaker 10 (01:06):
Here the two beatsa coma weaver.
Speaker 11 (01:19):
Like a black cat, dude.
Speaker 10 (01:23):
The two bodies a lea and nigger aqueple.
Speaker 12 (01:27):
Thinking got nothing to do, so he presented to the
chill ship.
Speaker 10 (01:35):
Unlocks a door.
Speaker 13 (01:39):
It has a man's reason for his trousers, shoots.
Speaker 14 (01:44):
A pall of a furder.
Speaker 10 (01:47):
Mister Saturday Night Expecial.
Speaker 15 (01:51):
Gotta barrow the story.
Speaker 3 (01:55):
They ain't good for nothing.
Speaker 10 (01:59):
The bottom man six feet in a hole.
Speaker 13 (02:11):
They just didn't drink and fiskey. They're playing poder on
the lute tonight. The bird soon all jim stuff think again.
A sound rad had been cheating in a light speak.
Jump on minster fighting.
Speaker 10 (02:31):
I wouldn't tell you a line be jump on a pull.
This pistol shot a.
Speaker 16 (02:39):
Spinner right between the sides and missed the side of
the Night to Special.
Speaker 15 (02:46):
You gotta battle the spewing.
Speaker 3 (02:50):
They ain't good for nothing that.
Speaker 17 (02:54):
The bottle man's tea night.
Speaker 3 (03:04):
What one a don you to buy yourself?
Speaker 18 (03:07):
You would take all about.
Speaker 12 (04:25):
My hang on some met for killing the antal golf
nevers can every lateral treat for k a mighty even
the shoot yourself swa.
Speaker 10 (04:41):
Do we don't fall people to the thought moll see.
Speaker 19 (04:49):
The ball son o.
Speaker 15 (04:50):
Fools go around here want to.
Speaker 20 (04:53):
Shoot hither you rob me?
Speaker 10 (04:57):
Mister Saturday Night to spec, you've.
Speaker 3 (05:01):
Gotta battle a steel.
Speaker 19 (05:09):
Mask.
Speaker 21 (05:14):
This is Saturday Nights Special, and I'm going to tell
you what you've ben do with it.
Speaker 6 (05:32):
It was nothing fancy, just their third studio album, released
in March of nineteen seventy five, Skinner and Saturday Night
Special And Hello, how are you welcome back in? I'm
Don Clark. Thanks so much for coming down and hanging
out with us once again. Down here in down Spaceman,
we brought the way Back Machine out of the closet.
Dialed up nineteen seventy five. Hard to believe that these
albums are fifty years old, but thanks to your suggestions,
(05:56):
we've got some of these cuts that haven't seen the
light of day in a long long time. The greatest
album covers ever from their fourth studio album, released in
November of seventy five, Supertramp from Crisis, What Crisis Ain't
nobody but me? Welcome to Don's basement.
Speaker 5 (06:35):
Can you tell your story?
Speaker 22 (06:36):
A little nick change, I'll tell you what I'm gonna
be out of range.
Speaker 10 (06:42):
About the man's crooling me.
Speaker 5 (06:46):
Promise not.
Speaker 22 (06:49):
Heaven the ones you love, No one needs to start
the book.
Speaker 1 (06:59):
You know he'll find.
Speaker 22 (07:01):
You and you don't matter now Just look behind you
in the handy warning you knew themself.
Speaker 10 (07:09):
You gotta bry and that being warm.
Speaker 14 (07:13):
There was one hair.
Speaker 23 (07:14):
Between me and rough.
Speaker 4 (07:17):
An explanation was not enough.
Speaker 3 (07:22):
God by me. He's gonna lie?
Speaker 15 (07:28):
Are you gone die?
Speaker 4 (07:32):
Are you?
Speaker 3 (07:35):
And now?
Speaker 23 (07:37):
And you see.
Speaker 1 (07:41):
Gone aside.
Speaker 11 (07:44):
It's gone, And try about you gonna lie?
Speaker 24 (07:50):
You're gonna die? You see.
Speaker 5 (08:31):
I gotta keep this position.
Speaker 22 (08:34):
Sometimes, I mean sometimes I'm Fisher, I'm doctor ja mister
has only.
Speaker 10 (08:42):
If you want to stay alive, just give me all
you've got to beat and the hand, the hands a little.
Speaker 11 (08:54):
Bo gone for you.
Speaker 3 (09:01):
It's gonna.
Speaker 14 (09:04):
For you, And no fish in.
Speaker 11 (09:12):
It's gonna side for you. It's gonna try for you.
It's gonna lie you, it's gonna die for you.
Speaker 14 (09:26):
It's gonna side you.
Speaker 1 (09:30):
It's gonna try about you.
Speaker 3 (09:33):
It's gonna lie for you.
Speaker 25 (09:37):
It's gonna die you.
Speaker 23 (09:43):
Stop.
Speaker 19 (09:59):
I I saw that.
Speaker 26 (10:40):
Something, and.
Speaker 9 (11:01):
It's the kind of music that's great.
Speaker 7 (11:03):
Whenever you pair it with Boone's Farm, Strawberry Hill gives
me a headache just thinking about it. Welcome the Down's basement.
Speaker 27 (11:28):
It was Saturday night without a whole lot shaking it
Who by.
Speaker 15 (11:33):
Whom I was born?
Speaker 27 (11:36):
I have my best ans. It does a chance not
taking somehow, I will still ant longsome cyber shine lonely,
but it's okay. You need someone down to be my
water and on me. I wage a smile from a
(12:10):
flashy field.
Speaker 5 (12:12):
Who by who by?
Speaker 23 (12:14):
You look bad?
Speaker 15 (12:16):
She said, I like your style.
Speaker 1 (12:18):
I don't gonna like this silly.
Speaker 14 (12:20):
Ooh by whu?
Speaker 3 (12:21):
She got my head?
Speaker 27 (12:24):
Tell her the thought that I could shake and move
it now it.
Speaker 1 (12:30):
Isn't good.
Speaker 27 (12:32):
Talk about fleet because they could really move.
Speaker 28 (12:35):
It s a message acrossing me and her God kissing
(13:16):
who by.
Speaker 29 (13:17):
Whom I heaven for?
Speaker 10 (13:19):
I know that this is the thing that I've been
really missing.
Speaker 1 (13:24):
Oh, no, dance, it's just good.
Speaker 27 (13:28):
No more time for feeling shine long Lady, Now.
Speaker 23 (13:33):
That's in't for.
Speaker 19 (13:35):
All.
Speaker 1 (13:36):
So now to be my water and on the lady.
Speaker 23 (13:41):
That's in for.
Speaker 1 (13:43):
Into long since.
Speaker 14 (13:45):
Ivon shine lor Ladies.
Speaker 27 (13:47):
Now it isn't full of dancing for a dancer too
long since Saba Shine lone Lady.
Speaker 15 (13:55):
Now that's in full its Ornama desert.
Speaker 6 (14:07):
So back in the day, we had this guy Schmidy,
who was really good at introducing us to new bands,
but he was really good at digging back and finding
some cuts that we hadn't heard in a while. That's
one of them. I think that's who and dancing full
down Park and Don's Basement with a wayback machine set
for nineteen seventy five, the year we had a brand
new album from Paul McCartney and Wings from Venus and Mars.
(14:28):
This is Medicine Jarry Don's Basement.
Speaker 1 (14:33):
Ah you.
Speaker 14 (14:36):
You say, oh.
Speaker 23 (14:46):
Red tong.
Speaker 1 (15:00):
And there's a Magazon jobs.
Speaker 23 (15:08):
Now told you.
Speaker 3 (15:10):
Whatever you do you said the time, tell oh God's true.
Speaker 1 (15:22):
Conclude say I'm no iDeer man.
Speaker 23 (15:26):
Now you.
Speaker 30 (15:32):
Stay on to be too long, Get more ready Game by.
Speaker 3 (15:36):
Sending your head and a medicine jobs.
Speaker 14 (15:46):
Said that to be.
Speaker 23 (15:47):
Too long and long any big by.
Speaker 3 (15:50):
Second, then a madican jobs wm Ad, I.
Speaker 1 (16:29):
I can't let him go. You say time, there is
so so time things said it say.
Speaker 30 (16:45):
You made your time, Tad on the be long in
mon again by saying how many.
Speaker 19 (16:58):
Dogs.
Speaker 31 (17:37):
I'm gonna say.
Speaker 7 (17:38):
There was some funny stuff going on down there, But
every time we opened the basement door at the top
of the stairs, it looked like a new pulpe had
just been elected. Welcome to Dan's basement.
Speaker 4 (18:18):
I've just closed my eyes again, climbed aboard the dream
weave a dream.
Speaker 10 (18:33):
Try to take away my mother. Result today leave tomorrow.
Speaker 23 (18:42):
We have lived.
Speaker 14 (18:46):
Dream Weaver.
Speaker 4 (18:50):
I believe you.
Speaker 5 (18:51):
Can get me through.
Speaker 10 (19:00):
Gore Weaver.
Speaker 4 (19:04):
I believe we can reach them more.
Speaker 32 (19:06):
The lady high through the stars, goods.
Speaker 3 (19:18):
Maybe to an astro paen.
Speaker 33 (19:26):
Cross the highways, faith to see, help me to foggin Today's.
Speaker 4 (19:35):
Bad weaver, bab believe you can get me through.
Speaker 3 (19:44):
From the hun wore Weaver.
Speaker 33 (19:55):
I believe we can reach them more.
Speaker 32 (20:00):
Right through the dawn made me come and soon there
still may be sometime fly me away to the right
(20:20):
side of.
Speaker 4 (20:24):
Meet me on the land the side.
Speaker 33 (20:33):
Tream Weaver, I believe you can get me before the
night Boorea Weaver, I'll believe we can reach the board.
Speaker 6 (21:53):
After he left the band Spooky Tooth, he came out
with his first solo album, That's the title cut from
the dream Weaver album and Gary Wright Wayback Machine Diald.
After nineteen seventy five, the year that this song came
out as a single, only it wouldn't show up until
the Quick Is a Wink album in nineteen seventy six,
but these guys wanted to put it out early as
(22:14):
a cautionary tale for those thinking about getting into the
music industry. The band is sweet and this is action
in Don's base Beha.
Speaker 3 (22:37):
So you think you'd.
Speaker 23 (23:00):
You know your buy.
Speaker 14 (23:09):
And that's why.
Speaker 31 (23:10):
Asad Buddy whats up Bay Sunday action A breadbody's a pain.
Speaker 23 (23:18):
That's action.
Speaker 19 (23:20):
I don't want a.
Speaker 31 (23:21):
Breadbody say it's not just guarantee. Everybody whats up?
Speaker 23 (23:28):
Bay said, Oh, I'm.
Speaker 29 (23:43):
Suicidal because she was my idol.
Speaker 10 (23:45):
Babe, bathe babe, bring it to yourn?
Speaker 23 (23:51):
What the water?
Speaker 15 (23:53):
What you probably driving with your Insai.
Speaker 19 (23:56):
Ball guy, I.
Speaker 23 (24:03):
Know your body, Miles.
Speaker 1 (24:11):
And that's why a body wat Sunday Sunday act.
Speaker 31 (24:17):
Bread bat is exact nay.
Speaker 16 (24:19):
A sacred body as guarancy.
Speaker 23 (24:28):
By what Sunday Sunday action. What's rem.
Speaker 16 (25:04):
Sho.
Speaker 9 (25:33):
You know that feeling when you hear a song you
haven't heard in years?
Speaker 19 (25:37):
Dudes, I just.
Speaker 13 (25:44):
We heel that weight all the time.
Speaker 10 (25:46):
Vintage rock from Don's basement.
Speaker 15 (26:17):
Stasys O, my daughter's baidy n.
Speaker 23 (26:20):
I ain't seen the day license I saw of this
fand Don start bottle was going. Thought of the scene
was three.
Speaker 3 (26:34):
D grading genus gont to tell.
Speaker 5 (26:36):
Them not dreams, lock the do the jam.
Speaker 4 (26:49):
Then you raided.
Speaker 14 (26:50):
But some me that all the same, Yo, baby.
Speaker 8 (27:05):
Found my call start check back the latest cad of news.
Speaker 23 (27:18):
You know, I'm then you'll leave.
Speaker 19 (27:19):
I'm then You're son got the news, so.
Speaker 8 (27:28):
Sleep something by the latest seas sending little that starting.
Speaker 29 (27:34):
Out with young ms, scream about.
Speaker 19 (27:52):
Babe, dream.
Speaker 8 (27:56):
Bound, my hoss and cabs, holy ats other fother's calling the.
Speaker 3 (28:09):
Man a calling Basu b Soldat times I'm changing up.
Speaker 1 (28:14):
And never stand still.
Speaker 8 (28:16):
I'm I'm I'm changing riding the wheels to say the
storming down.
Speaker 19 (28:21):
I got a second chance snow I danced out the Babe, I'm.
Speaker 3 (28:32):
Found my horse and.
Speaker 19 (28:34):
Drill and check.
Speaker 6 (29:52):
As far as tours go, no more, no more, but
don't count him out. Pretty good chance you're gonna hear
some new music from Moose Guys soon Fromployees in the
attic Ari's Aerosmith and Don Clark in Don's Basement. The
Wayback Machine diald up from nineteen seventy five. If you
had to explain this next cut, you have to go
back to a couple of old TV shows. That's a
(30:13):
combination of the Twilight Zone and the Time Tunnel. And
that's up next. I'm Don Clark. Welcome to Don's Basement.
Speaker 15 (30:29):
The Queen of England is coming to Texas.
Speaker 25 (30:38):
Queen in their first headline Texas performance live at SMU's
Moody Coliseum Tomorrow Night.
Speaker 15 (30:49):
Queen with special guest Stars then Lizzie.
Speaker 3 (30:58):
Limited.
Speaker 16 (30:59):
Advanced tickets are Stellars and available at Rainbow Ticket Service
sixty two to twenty five Hill Crens across from SMU
All Metroplex, Help Goodbye Stores Dallas, Jones Junes.
Speaker 1 (31:08):
And Peaches Records.
Speaker 27 (31:13):
Queen Regne Supreme Tomorrow Night at Moody Colisseum.
Speaker 31 (31:18):
The Concerts West.
Speaker 1 (31:19):
Production there's classic rock.
Speaker 4 (31:32):
Rock.
Speaker 3 (31:42):
Then there's this bo.
Speaker 1 (31:47):
Yep, this Don's basement.
Speaker 34 (32:27):
In the year thirty nine, able year the volunteers in
the days when lud of you.
Speaker 1 (32:36):
Here the shell tell aunt the blue and sunny morn,
sweetest sign mercy.
Speaker 34 (32:46):
And the nightfall day, and the story tellers say that
the story.
Speaker 1 (32:52):
Rays dolls inside.
Speaker 34 (32:55):
More many lovely days sailed across the Milby Sea.
Speaker 4 (33:00):
Now look back.
Speaker 34 (33:01):
I can never fear, never cry, don't care you call
how many years away?
Speaker 1 (33:09):
Don't care here, Rachel letters in the sand.
Speaker 3 (33:16):
For the day I take your hands in the land.
Speaker 23 (33:20):
Of our grand children.
Speaker 34 (33:54):
In the year thirty nine, game a shifting from the blue,
the volunteers cal day, and they.
Speaker 4 (34:04):
Bring on news of the world, a newly born over their.
Speaker 14 (34:08):
Hearts, so healy away.
Speaker 29 (34:12):
For the earth is old gray, little.
Speaker 23 (34:15):
Doll will awave and my love is cannot be.
Speaker 34 (34:22):
Oh so many years ago the loder the gear, your.
Speaker 1 (34:27):
Brothers size from your eyes, cry to.
Speaker 23 (34:29):
Me doctor you and I call your pennys.
Speaker 3 (34:35):
Away rogers in the sand for the.
Speaker 1 (34:44):
Day I take your head in the land that our
grandchildren kill you Come on, do you?
Speaker 23 (35:00):
Oh?
Speaker 1 (35:00):
You cannot heal me like it's for my life still ahead.
Speaker 3 (35:07):
Didive me.
Speaker 6 (35:18):
Yeah, it's kind of a combination of the Twilight Zone
and the Time Tunnel. Google it. It's a great story.
And then what an album The Legendary Night of the
Opera and thirty nine from Queen and Don Clark and
Don Spaseman the Way Back Machine set for nineteen seventy five.
Hard to believe that these albums are fifty years old.
Off of the Fool for the City album, This Fog
(35:39):
Hat and My Babe in Don Spaceman, Baby, she's so fine.
Speaker 23 (36:04):
I'm talking to my mother.
Speaker 3 (36:05):
That all medicen my bab She's so fine. I love
to love my baby.
Speaker 19 (36:12):
I love to love all the.
Speaker 23 (36:14):
Time, love to do myself.
Speaker 19 (36:20):
You want to love herself? Do you have?
Speaker 23 (36:30):
I said my son?
Speaker 3 (36:32):
She asked the feet was bad.
Speaker 23 (36:36):
I love the way she wants.
Speaker 1 (36:39):
I love the way she talks.
Speaker 35 (36:43):
She made a few.
Speaker 15 (36:46):
Listen for your manage. She never a baby.
Speaker 6 (36:53):
She love me.
Speaker 23 (36:55):
She love me.
Speaker 16 (36:57):
Not the good batsy a slattern timebout.
Speaker 3 (37:04):
The girl battle, says Sladder.
Speaker 19 (37:08):
I said about the.
Speaker 3 (37:11):
Side a baby battagon.
Speaker 14 (37:14):
I said.
Speaker 19 (37:16):
An the way she wants, the way she talked, she
to do.
Speaker 3 (37:24):
Something, you know to.
Speaker 2 (37:30):
Amabe shea wam.
Speaker 23 (39:00):
Job may said, mom baby that Joe man.
Speaker 3 (39:02):
It's my babe.
Speaker 14 (39:03):
She's so.
Speaker 15 (39:10):
Not the way she would, the way she.
Speaker 30 (39:17):
Make a so.
Speaker 14 (39:19):
So never maybe not the way she would.
Speaker 9 (39:32):
She tell me, young man, sho, the more you listen,
(40:05):
the more we make shows.
Speaker 1 (40:07):
I mean we make more shows, not money.
Speaker 6 (40:10):
We're not making anything for this.
Speaker 1 (40:11):
Actually, welcome to Down's basement.
Speaker 16 (40:36):
Always now to show stop the bad ways playing around.
Speaker 20 (40:49):
Yet now yet us down hands ye two.
Speaker 1 (41:01):
I'll tell you first, it's hot.
Speaker 23 (41:03):
It looks it's a.
Speaker 14 (41:04):
Lone way to the top.
Speaker 23 (41:06):
Fift the wanna rocking ball.
Speaker 16 (41:11):
It's a long way to the Toplift the wada rocking ball.
Speaker 20 (41:20):
Long un stands, so.
Speaker 8 (41:24):
Le fan, it's a long way sun the topa you
wanna rocking ball?
Speaker 1 (42:49):
Counts of mountains, exam.
Speaker 23 (43:00):
So there he's a mine.
Speaker 3 (43:03):
Getting out, get the brain, get it rip.
Speaker 14 (43:08):
On the plain.
Speaker 15 (43:10):
Then it sound it's second hand that hid it.
Speaker 14 (43:15):
Don't pay.
Speaker 20 (43:17):
It's a long way to the top.
Speaker 16 (43:20):
Man the wan of rocking boat. It's a long way
to the top. The wanda rocking boat.
Speaker 20 (43:31):
Then of this says and screeze he's house.
Speaker 19 (43:37):
It's my bad name.
Speaker 23 (43:38):
It's a long way to the top.
Speaker 1 (43:41):
Make you want on Rocking Boat.
Speaker 16 (43:45):
It's a long ways some top man be fall by
the ball. It's a loud way, a loud way.
Speaker 6 (43:59):
So we found the album and the import Rock back
(44:51):
in seventy five. It wouldn't be released in the States
until seventy six. From a CDC's TNT album and the
Blueprint for Rock. It's a long Way to the top.
Let's see seventy five, gas was forty four cents a gallon.
It was a cheap fill up when you bought the
Oldsmobile Delta eighty eight for just over fifty six hundred.
Or take four ninety nine and pick up a new
album from UFO from force it. It's a shoot shoot
(45:15):
in don space.
Speaker 4 (45:16):
Basis you.
Speaker 36 (45:35):
Jesus shoot shoot shot shoot speed swell man never new
(46:02):
wanna s killed.
Speaker 17 (46:05):
Damn toot his FI through the tricks the fields.
Speaker 1 (46:12):
Yo, she's got a fence.
Speaker 15 (46:13):
Stuff leat it down me, she said, shoot shoot shoot
a for you.
Speaker 1 (46:21):
Gott shooting for me.
Speaker 16 (46:26):
I really got to games.
Speaker 15 (46:28):
Get a FASTI.
Speaker 37 (46:31):
He gotta get a fast pile out of Bill. Gotta
get a fast side out of Bill. You gotta get
a fast o hotail.
Speaker 32 (47:31):
Please say fires sprosecuse.
Speaker 14 (47:38):
My friends the moms come.
Speaker 1 (47:42):
No, she's got friends.
Speaker 23 (47:46):
Lay it down to me.
Speaker 17 (47:48):
She said, shoot shoot shoot, and got shoot it for me.
My frieze got cheese.
Speaker 7 (48:25):
No, we have people ask us all the time. Why
don't you tell more stories about what happened in the basement.
The reason we don't is simple. Half of the world
wouldn't believe us. The other half would try to prosecute us.
We just stin't need that headache again. Welcome to Don's basement, lucancy.
Speaker 23 (49:00):
What you mean?
Speaker 3 (49:03):
It just takes me longer.
Speaker 14 (49:10):
And I can feel you.
Speaker 1 (49:14):
Watch you feel.
Speaker 10 (49:17):
It just makes you stronger.
Speaker 22 (49:23):
Will you can take me for a little while? You
can't take me, you can make me smile me?
Speaker 1 (49:41):
Yes, you can't.
Speaker 23 (50:36):
Let me see.
Speaker 4 (50:39):
What you mean?
Speaker 15 (50:42):
She sides, No, look or feel? What's your feel?
Speaker 23 (50:53):
Just back your song? I'm no after.
Speaker 22 (51:07):
Wow?
Speaker 19 (51:07):
Will you let blow.
Speaker 1 (51:13):
See?
Speaker 15 (51:13):
I see, I see it's nothing?
Speaker 23 (51:21):
Whoa whoa?
Speaker 1 (51:25):
You know.
Speaker 4 (51:33):
You gonna do.
Speaker 5 (51:35):
What you do?
Speaker 23 (51:38):
You guys do a man laughing ride.
Speaker 15 (51:47):
Love your brier, just like me said.
Speaker 23 (51:58):
I'm no after.
Speaker 14 (52:03):
Wow.
Speaker 38 (52:09):
See it's coming? Whoa whoa?
Speaker 15 (53:14):
GONI Yi get back spin?
Speaker 23 (53:28):
Whoa yeah.
Speaker 35 (53:37):
Not gon show? Love your shot Jo back, No love you, Doug, Hello,
watch the Wow.
Speaker 15 (54:08):
Wow luck at see.
Speaker 20 (54:26):
What you mean?
Speaker 15 (54:29):
It just si longer?
Speaker 4 (54:35):
Look at me? What should be.
Speaker 3 (54:41):
Just Max the Stronger?
Speaker 23 (54:44):
Wow?
Speaker 15 (54:44):
Yeah yeah.
Speaker 14 (54:50):
Oh ye.
Speaker 6 (54:59):
Well by now you've heard the Boys are going back
on the road again as a tribute to Neil Peart
anaka Nielis will be behind the kit. And I've been
asked more than a few times are you planning on
going to the show? And my answer is still the same,
I'm not sure yet. Now I know it's going to
be a great show, but in the end, it's not Rush,
(55:23):
but it's gonna be good. Putting the wraps on the
way back Rachine nineteen seventy five. We want to thank
all the radio stations up and down the dial that
take the time to run our show each week, and
that includes our flagship station ninety nine point nine FMWYML
ANDWYML dot us in Chicago. Thank you, Joe and Jeff.
Thanks to the iHeartRadio Network and Amazon Music for getting
(55:44):
the word out about Don's Basement tapes. Big thanks to
my friend Lee Peek, the voice of Don's Basement, and
a big thank you to you for coming down here
reaching every week. And hanging out with us in the basement.
We appreciate it. I'm Don Clark, Peace
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