September 10, 2025 • 56 mins
From the Acme Studios in Mayville, Wisconsin. We brought out The Wayback Machine and dialed up the year 1978. Featuring deep tracks of Vintage Rock from Bob Seger and the Silver Bullet Band, AC/DC, April Wine, UFO and more.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
The following program is brought to you in living color.
Speaker 2 (00:08):
God to the borrow.
Speaker 3 (00:10):
It sounds.
Speaker 4 (00:16):
Please sons, So.
Speaker 5 (00:21):
This God, it's God.
Speaker 3 (00:23):
I see God.
Speaker 4 (00:25):
We will provide the grand design.
Speaker 6 (00:29):
We didn't say it'd be good.
Speaker 7 (00:33):
It's one hour of Radio Anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 5 (00:41):
Where the hell is Mayville? Then it rocked?
Speaker 7 (00:43):
It's been bottled up way too long. Welcome to Don's basements.
Speaker 8 (02:03):
Think the.
Speaker 9 (02:11):
Thing I think they think, the third, then.
Speaker 10 (02:39):
The the.
Speaker 11 (02:49):
The, the, What goes on must come down? What must
(03:19):
rice must fall?
Speaker 12 (03:20):
And what goes on in your life is waiting?
Speaker 8 (03:26):
Nondo?
Speaker 3 (03:28):
I all thanks Moscow.
Speaker 13 (03:31):
While if all things muscles, even fambles.
Speaker 11 (03:43):
Wave, what goes on must come down?
Speaker 8 (03:51):
What must stand alone?
Speaker 2 (03:54):
And what goes on in your mind?
Speaker 1 (03:59):
It's turning.
Speaker 3 (04:02):
All things must go on, all things must chance even not.
Speaker 9 (04:17):
Anything?
Speaker 14 (05:13):
Now can you be socire?
Speaker 3 (05:17):
How did you know what the ask will enjoy?
Speaker 14 (05:22):
How can you be social.
Speaker 9 (05:26):
That the one that you paid in your life.
Speaker 1 (05:30):
Will be seen by the million to.
Speaker 2 (05:35):
The tame?
Speaker 9 (05:51):
What GOsC.
Speaker 3 (06:00):
What's you know?
Speaker 6 (06:14):
You got to give the guy a lot of credit.
I know that he's put together some fabulous albums. The
music that he makes is incredible. Assistant engineer on Abbey Road,
producer of Al Stewart's Hear the Cat in Pink Floyd's
Dark Side of the Moon. But he is able to
take his material and reissue it so many times that
you just got to go out and buy another copy
(06:34):
of it. I think I bought that one three times.
Now he's getting ready to reissue I Robot from nineteen
seventy eight's Pyramid album, The Alan Parsons Project, and Voyager
and What Goes Up? And Hello there, how are you
Welcome back in? I'm Don Clark. Thanks so much for
coming down and hanging out with us once again. Down
here in don'spaseman, we brought the way back machine out
(06:55):
of the closet. We've dialed up the year nineteen seventy eight,
and thanks to your suggestions, we found some songs that
haven't seen the light of dang a long long time.
It's from his debut solo album, This is David Gilmour
and there's no way out of here. Welcome to Don's basement.
Speaker 1 (07:11):
There's no way out of here.
Speaker 12 (07:14):
When you come in, you're in fu good.
Speaker 15 (07:18):
There was no promise made. The parts you've played the chance,
you too.
Speaker 16 (07:27):
There are no bounds the time, and yet you waste
it still.
Speaker 15 (07:41):
So slops through your hands like grains of saying you
watch it go.
Speaker 12 (07:49):
There's no time to be lost.
Speaker 14 (07:51):
You'll pay the costs.
Speaker 1 (07:53):
So good right, there's.
Speaker 14 (07:57):
No way of you.
Speaker 12 (08:00):
When you comes, you're in focus, w.
Speaker 1 (08:17):
The answer the answer.
Speaker 16 (08:38):
Without lessen, without saying there, God nonces here. When you're
(09:00):
look holt, you don't see.
Speaker 15 (09:03):
The words about proms made the part you play to
charge you to it.
Speaker 14 (09:14):
If you're when you come in.
Speaker 12 (09:16):
Yar in focus.
Speaker 9 (09:38):
The less.
Speaker 1 (09:58):
Without see.
Speaker 2 (10:02):
Shops, there's no way out.
Speaker 8 (10:12):
If you're away.
Speaker 3 (10:13):
You come in yarn and.
Speaker 1 (10:16):
Fucking are on their see way.
Speaker 12 (10:21):
You look out, you don't see it.
Speaker 1 (10:26):
There was no prom This makes the podge you play
the choice.
Speaker 2 (10:33):
You too.
Speaker 9 (11:08):
Nothing so nothing died, not like just nothing die.
Speaker 5 (12:02):
Celebrating ten years of wasting your time one hour a week.
Speaker 7 (12:07):
Hell, you spend more time than that clearing your browser
history before your wife gets on the computer.
Speaker 17 (12:11):
Welcome to Don's basement.
Speaker 18 (12:21):
I picked up the paper this morning and read all
the day blessens the world is one of big tragedy.
I one of the water again, about all of pain
and injustice about all of the sorrow weving in a
(12:49):
day zone. The world goods.
Speaker 19 (12:55):
An had a bobble me tonight.
Speaker 8 (13:03):
Tomorrow.
Speaker 19 (13:04):
I'm might go as far as suicide, but I want
to lead to bother me tonight.
Speaker 18 (13:17):
Life on the streets is a jungle, the struggles a
keeper of face.
Speaker 19 (13:25):
I just can't be that old doney know the men's
keep win the redwace.
Speaker 9 (13:33):
But my dad and bother me tonight.
Speaker 8 (13:38):
The more the lad.
Speaker 2 (13:39):
Bob me tonight.
Speaker 3 (13:42):
The world was in another word, and I see in inside.
Speaker 8 (13:46):
But I want lead to follow me to night.
Speaker 14 (13:48):
No, I'm not gonna lad a bother me tonight Tomorrow.
Speaker 1 (13:55):
I'm like go as far as suicide, but I will not.
Speaker 2 (14:00):
Let a dollar me tonight, not to night.
Speaker 9 (14:22):
Lord b.
Speaker 12 (14:27):
We come now to trouve.
Speaker 9 (14:31):
And the lapping through the day.
Speaker 2 (14:34):
It's a bunch of more.
Speaker 9 (14:36):
Men right now.
Speaker 19 (14:38):
I'm never lad boy tonight. I never lad bother me tonight.
Speaker 8 (14:46):
The girl isn't.
Speaker 1 (14:47):
Another more than a selemon inside.
Speaker 19 (14:50):
But the one adam the mad mon. I'm going alad
dollar men.
Speaker 8 (14:58):
Don't go ahead.
Speaker 19 (15:03):
Welcome the sports, said.
Speaker 14 (15:14):
Boycott.
Speaker 6 (16:05):
It's amazing. Lyrics from a song from nineteen seventy eight.
Still Rings True Today from Champagne Jam the Atlanta Rhythm Section.
I'm not Gonna let her bother me Tonight. Nineteen seventy eight,
he released his tenth studio album, and within three weeks
he sold one million copies from Stranger in Town, spob Seeker,
Tilla Shines, and Don's Basement.
Speaker 20 (16:35):
Take Away My Inhibition, chake away my solitude, Find me up.
Speaker 6 (16:44):
With your resistance, Put me in the moon.
Speaker 1 (16:51):
Storm the walls around this prison.
Speaker 2 (16:55):
Leave the advance free the guards.
Speaker 20 (17:00):
Sie me up another future from some brand new deck
of cards. Take the chip off my shoulder, smooth out
all the lunds, Take me out among the rustling pods.
Speaker 2 (17:23):
Till the chat, till the shot licking that go down
the canyon, never coming back as clear.
Speaker 3 (17:40):
Lately, I just judge the distance, not the words I hear.
Speaker 10 (17:49):
I've been too long on these islands. I've been far
too long along. I've been too long without summer, this.
Speaker 2 (18:00):
Winter home.
Speaker 20 (18:05):
Still up weak, and make the effort. It wouldake the chi.
Maybe we can leave this much behind till the chase, till.
Speaker 9 (18:25):
The choice city.
Speaker 20 (18:46):
Richmond is lost and lonely, watching now as he does,
sitting there, just jesting all.
Speaker 17 (18:56):
The worse.
Speaker 3 (19:01):
To the shoe.
Speaker 2 (19:05):
Show shot.
Speaker 5 (19:17):
Sho You remember when you heard these cuts for the
(19:59):
first time. Neither does he Vintage rock from Don's Basement.
Speaker 21 (20:21):
As a prop to.
Speaker 8 (20:28):
You be friends a woman all.
Speaker 2 (20:32):
Seven alevel little god Chack.
Speaker 21 (20:37):
Yeah, she's a Rower, the baby she is.
Speaker 1 (20:45):
She's a Rower.
Speaker 9 (20:48):
Famite or whoam nothing.
Speaker 2 (21:02):
Save horses hot? That's the same shega, she love that.
Speaker 9 (21:17):
Mom, this is crazy.
Speaker 21 (23:10):
Doesn't even want to say he had the most reads
all the way. You'll see the road that banker, Yeah,
you see the rocker. Bank sious.
Speaker 9 (23:38):
Thank you.
Speaker 6 (23:45):
About April Wine and Roller. On Halloween, they will release
(24:23):
the super Deluxe edition of this album over seventy unreleased tracks,
the last album to feature Keith Moon, and there isn't
a bad cut on it from Who Are You? This
is the Who and music must change. In Don's Basement,
deep in the back of my mind.
Speaker 22 (24:41):
Is an unrealized sound. Every feeling I get from the
street says it's some good be found. When I hear
the cold laser, the pusha, I know it exists.
Speaker 1 (24:59):
It's confirmed them in.
Speaker 22 (25:00):
The eyes of the kids, emphasized with their fists.
Speaker 2 (25:06):
But the high has to.
Speaker 23 (25:07):
Rise from bole like polcanos and spoken with snow. The
mosquito sneaks breaks a dream, but the poisons derange.
Speaker 2 (25:18):
The music must change. Moment youing apart, we saw like.
Speaker 23 (25:27):
A spiral hawk food and jump like a stove, like
the tide, and the waves.
Speaker 2 (25:35):
Rolling slowly and rage, crossing mountains and orders the earth.
Speaker 3 (25:41):
So the music must change.
Speaker 9 (25:44):
Change.
Speaker 22 (26:00):
Sometimes at night I wake up and my body's like ice,
the sound of the running white stallion, the noise of
the mice. And I wondered it.
Speaker 2 (26:14):
Then I could hear into all.
Speaker 22 (26:16):
Of your dreams. I realize now it was really the
sound of your screens. But death always leads on through life.
The street by swallows the knife. Am I so crazy?
In the field that's empy ranged?
Speaker 2 (26:38):
The music must change.
Speaker 23 (26:41):
Pickets higher and higher, smaller like leaves in the sunny,
passes higher.
Speaker 2 (26:52):
It's with them, goes strong.
Speaker 24 (26:55):
It's on you, and so strange of music must change?
(27:20):
Oh is this song so different?
Speaker 3 (27:23):
Have I been reading it all again? It may have
been on before, But the music's are open door.
Speaker 22 (27:41):
M deep in the back of my mind is non
realize sound. Every fee thing I get from the street
(28:01):
says it soon could be found. When I hear the
cold lies of the pusher.
Speaker 3 (28:08):
I know it exists.
Speaker 22 (28:12):
It's confirmed in the eyes are the kids emphasize with
their fists, But the high has two rides.
Speaker 23 (28:20):
Don't go like volcanoes and sco through the snow. The
mosquito sting brings a gin, but the horses the rise.
The music must change. For chewing all we saw smar off.
Speaker 2 (28:42):
Like stone, like the time waves going slowly.
Speaker 9 (28:48):
Away, crossing pots.
Speaker 8 (28:52):
As all as the yard.
Speaker 3 (28:54):
The music must change.
Speaker 6 (28:57):
We are here to remind you on a constant basis
that there are so many other great cuts on that
album besides the title cut from who Are You Who?
And music must change. When ACDC in nineteen seventy eight
wrapped up their new album, their producer came into the studio.
I said, guys, we love the album, but there just
isn't anything on here that's radio friendly, and Bond Scott said,
(29:20):
here hold my whiskey. That cuts up next. I'm Don Clark.
Welcome to Don's basement.
Speaker 25 (29:26):
If it's relentless, cut, wrench and rock and roll you want,
then overload your circuits with ac DC and their new
album Power Rage.
Speaker 2 (29:33):
Right.
Speaker 25 (29:48):
This exciting new Atlantic release of ac DC is being
featured at street Side Records for only four ninety nine.
Stop in at street Side Records for your record tape
of ac DC's Power Rage. And remember street Head Records
(30:11):
has more new releases on shale than anyone in town.
That's Streetshead Records on Delmar and U City and an
old Orchard and Webster master Charge at Vita.
Speaker 17 (30:19):
Welcome this classic rock.
Speaker 26 (30:20):
Because then there's this class show.
Speaker 9 (30:34):
Take out shott.
Speaker 5 (30:38):
This is John's basement.
Speaker 27 (31:08):
The stain to point too loud, the babe that's tough.
Speaker 2 (31:16):
The stain took up too much. Cry to turn to
look out food.
Speaker 9 (31:27):
How bat al.
Speaker 27 (31:30):
Stop to by disease, shake the stove.
Speaker 9 (31:37):
So if I have roll live f.
Speaker 3 (31:40):
Shove my son, look that.
Speaker 9 (31:45):
Rocket, roll down fa Hi, take out chance?
Speaker 2 (31:50):
Why are still looking the choice?
Speaker 9 (31:59):
The stay to God.
Speaker 27 (32:00):
Respects pulling the wold, look at back.
Speaker 2 (32:07):
To don't thanks a lad?
Speaker 27 (32:13):
Look then i'les look at sit to mens what too
much chas.
Speaker 9 (32:22):
Ron things around? I can't.
Speaker 2 (32:27):
Do p soboy that roll down the show.
Speaker 9 (32:32):
Wow rock and roll down.
Speaker 28 (32:37):
Space shot take our.
Speaker 9 (32:39):
Chance wise, then a choice.
Speaker 22 (32:48):
It's a hard ship.
Speaker 9 (32:58):
Good bye on the stand the time, try to.
Speaker 11 (33:05):
Way rich, just not riding name to.
Speaker 9 (33:13):
That shows, drying show, take out.
Speaker 2 (33:22):
The chances, why stand a cho.
Speaker 28 (33:42):
Se show, take the time.
Speaker 29 (33:55):
You do.
Speaker 6 (34:14):
And with that Bond Scott said, there there's your radio
friendly song from Power A J C DC and rock
and roll Damnation. These guys were the inspiration from Motley Crew,
Twisted Sister, bon Jovi and so many other bands. They
rose out of the ashes from the band looking Glass,
Remember Brandy or a Fine Girl? They made a lot
(34:34):
of noise on a new jersey back in the day.
This was off of their final studio album, The Band
is Stars from the album Coliseum Rock. This is the
last night I wrote a letter in Don's basement.
Speaker 3 (35:01):
When I ain't no Shapesman got to.
Speaker 29 (35:03):
Try to more down into words, just why I'm doing
never work out? Maybe that start around Angelia's going on together.
(35:29):
I see you with your hope so high, gave.
Speaker 9 (35:32):
Men sat a person baby.
Speaker 8 (35:37):
Hurts me just knocking night.
Speaker 3 (35:41):
That's why I'm ben.
Speaker 8 (35:48):
I've got the moo.
Speaker 29 (35:57):
Rabble wind bus Son never stop shut.
Speaker 30 (36:03):
Time, girls, man, people get us. I'm wistly rockets my mouth.
Maybe last time.
Speaker 2 (36:21):
I'm told you that.
Speaker 9 (36:23):
Ever we had a good.
Speaker 30 (36:29):
Time, but the best be got the best of us.
Speaker 11 (36:35):
What's the dream start to get into days?
Speaker 8 (36:40):
I got the mood, I got the.
Speaker 9 (36:49):
Stools.
Speaker 8 (36:55):
Swell girls, we shit.
Speaker 11 (37:32):
I don't know why, but I just got straight.
Speaker 19 (37:39):
See nobody ever, ever, ever got through the stuff of
my own hall.
Speaker 9 (37:46):
Lady Tald bennylast Time and.
Speaker 30 (38:08):
Bennystyn Role, bennyas.
Speaker 31 (38:16):
Sty Budgie Priest, Ufo the Artist have made that little
(39:08):
room downstairs come alive.
Speaker 17 (39:10):
This is down's basement.
Speaker 3 (39:20):
He's taking to down.
Speaker 2 (39:22):
We'll take a shout out. Well the boys, We've got
nothing of it.
Speaker 32 (39:27):
I'm put enough, but see little stup Now you're a
wellstand he's just bad noon, Come on back now do it.
Speaker 2 (39:44):
Rock.
Speaker 4 (39:47):
He came out to stop bricade, Sweet sweet.
Speaker 2 (40:00):
Day scream sat straight.
Speaker 9 (40:06):
Down on the cut off.
Speaker 4 (40:10):
J was to way what we were up, just like
the two al shut in the night.
Speaker 9 (40:16):
She done so far.
Speaker 2 (40:19):
Straight lines.
Speaker 9 (40:22):
Can rock face coming back?
Speaker 2 (40:25):
Now?
Speaker 26 (40:26):
Do it?
Speaker 9 (40:26):
A camel rock.
Speaker 2 (40:32):
Getting out to start a bird.
Speaker 28 (40:38):
There's no.
Speaker 1 (40:41):
Keeping down.
Speaker 9 (40:49):
Just keep up till particlar.
Speaker 33 (41:28):
Dicta who's taking time out?
Speaker 32 (42:06):
We're taking shot out where the boys? We got nothing news?
Howard enough now speaking stuff? Now you ain't well the state.
It's just breaking news only.
Speaker 9 (42:20):
Your count man coming back now do it again?
Speaker 11 (42:27):
Only your cat mad to.
Speaker 13 (42:31):
Get enough to stop a bohun wa Jan way fer
you today?
Speaker 2 (42:39):
Sweet God? Something sweep.
Speaker 9 (42:43):
Here? There's no keep both come.
Speaker 1 (42:50):
John, wait and go you today?
Speaker 2 (42:54):
Who sweet God?
Speaker 9 (42:55):
Something sweep here and there's no.
Speaker 6 (43:09):
UFO gave us some new vinyl in nineteen seventy eight
from the album of Session and only You Can Rock Me.
Let's see nineteen seventy eight what happened? Space Invaders took
all of our quarters. Blues Brothers arrived on Saturday Night Live.
John's Tour was released a perfect example of fixing something
till it's broke, and Animal House was released that year,
(43:30):
as was a new album from the band Suite. The
album is Level Headed. This is Love is like oxygen
in Don's basement.
Speaker 11 (44:02):
Love is life, moscause.
Speaker 3 (44:06):
You get so much.
Speaker 9 (44:10):
No time, my s.
Speaker 34 (44:22):
I got it all.
Speaker 2 (44:28):
Always God.
Speaker 8 (44:31):
For a fall.
Speaker 12 (44:33):
There's a humo going around.
Speaker 2 (44:36):
The town.
Speaker 9 (44:39):
That you don't want me around.
Speaker 34 (44:42):
I can't shake up my city blues everywhere turn.
Speaker 9 (44:52):
Love this mo.
Speaker 1 (44:56):
You get somebody.
Speaker 2 (45:01):
Not enough.
Speaker 21 (45:05):
Love?
Speaker 8 (45:08):
Love is life, you get.
Speaker 9 (45:16):
Not enougher.
Speaker 10 (45:24):
Is no.
Speaker 34 (45:28):
If you're not there, sheet touch in the air. Some
things are better left unseat. I'm gonna spend my days
in bed.
Speaker 2 (45:48):
I'll walk the streets at night to.
Speaker 9 (45:52):
Be hidden by the city.
Speaker 2 (46:35):
No, No, that.
Speaker 5 (46:42):
Music he grew up with, the music he grew up with.
Speaker 17 (46:45):
This is Don's Basement, A boy so long, and this
(47:09):
rot about from my d I don't buy a.
Speaker 8 (47:16):
Ringing up.
Speaker 9 (47:20):
Sometimes, got h I'm not.
Speaker 35 (47:23):
A last and son jump in a set scaping that
you go upo dance reality.
Speaker 9 (47:39):
What say we take a chance? Chance, it's a shot.
Speaker 35 (47:51):
Side now I've been some monna standing, not the young.
Speaker 2 (48:05):
Roll that we see.
Speaker 35 (48:08):
Things that dying one dreamdom ouablity.
Speaker 21 (48:15):
Leave that still sat round me still, then take the
same ball, just one bar.
Speaker 4 (48:24):
You serchame Bard the world that ba.
Speaker 2 (48:35):
All the same.
Speaker 9 (48:36):
We take our chances and not my dime. Sad it's
a shot, we say a pasty the same S.
Speaker 28 (49:40):
S S S S S S.
Speaker 2 (49:49):
S.
Speaker 6 (50:09):
The new album from Russia in nineteen seventy eight was
Hemispheres and There's circumstances. Okay, this is a cautionary tale.
When you go to Jamaica, you need to listen to
(50:31):
the locals and listen to the advice that they will
give you. When it comes to the local agriculture. You
gotta be careful. You could find yourself being the victim
of a dreadlock holiday from bloody tourists. Here's ten CC
and Don's basement.
Speaker 36 (50:47):
I was walking down the street, concentrated in I'm trucking right.
Speaker 3 (50:56):
I heard a dog bushy side of me, and I look.
Speaker 36 (51:02):
Brown in the state of fright. I saw for pass
one that a brother from the girl, then look me
up and down.
Speaker 12 (51:12):
A deston term to each other.
Speaker 14 (51:23):
I say, I don't like cracket.
Speaker 2 (51:29):
I love it.
Speaker 1 (51:33):
I don't like cricketta.
Speaker 9 (51:36):
I love it.
Speaker 1 (51:42):
Don't you walk on my word? Don't you show some respect?
Speaker 8 (51:47):
Don't you walk on my word? You hate that?
Speaker 36 (52:01):
Will he looking down at myself the chain, he said,
I'll give you one dollar.
Speaker 1 (52:10):
I said, you've got to be joking, man.
Speaker 36 (52:14):
It was a present from the mother.
Speaker 13 (52:19):
He said, I like it.
Speaker 12 (52:21):
I want it.
Speaker 3 (52:22):
I'll take care of your head and you'll be sorry.
You cross me.
Speaker 1 (52:26):
You better understand that you're low.
Speaker 10 (52:37):
I don't like that.
Speaker 2 (52:40):
No, no, why that? I like that guy?
Speaker 1 (52:56):
Don't you wapid?
Speaker 12 (52:58):
Don't you quill?
Speaker 1 (53:00):
Don't you like our best?
Speaker 9 (53:03):
Don't you take it?
Speaker 1 (53:14):
I heard that vestman.
Speaker 3 (53:19):
Sinking peanut g lader.
Speaker 36 (53:23):
I heard that that voice beside me saying, did you
like something harder?
Speaker 14 (53:32):
She said, I've got it.
Speaker 3 (53:34):
You want it, my heart, this is the best time
to try it.
Speaker 8 (53:38):
You like it?
Speaker 3 (53:40):
Follow in the red lock HOLLI.
Speaker 37 (53:50):
Said, oh my jam me, oh, I love that. Not
to Makao, my love that. Don't you walk the words?
Speaker 1 (54:11):
Do you show some respect?
Speaker 2 (54:13):
Don't you walk to the words?
Speaker 8 (54:36):
I don't like my guest, I loved to.
Speaker 9 (54:43):
Day, I don't like ba.
Speaker 37 (54:50):
I love love Holiday, don't like Makeuday.
Speaker 2 (54:59):
I love.
Speaker 11 (55:12):
There.
Speaker 6 (55:13):
You've been warned from bloody tourists. It's ten CC and
dreadlock Holiday. Putting the wraps on the Wayback Machine nineteen
seventy eight. We want to thank all the radio stations
up and down the dial that take the time to
run this show each week, including our flagship station ninety
nine point nine FMWYML and WYML dot us in Chicago.
(55:34):
Thank you, Jon, Jeff the Grade, ninety eight WMDC, Maybel Wisconsin,
Buddy Guy and everybody at Buddy Guy Radio in Chicago,
and all the stations. Big thanks to Amazon Music and
iHeartRadio for getting the word out about Don Spaceman tapes.
Thanks to mister Lee Peek. He is the voice of
Don Spaceman. And thank you so much for coming down
here Reagion every week hanging out in the basement. We
(55:56):
appreciate it. I'm Don Clark.
Speaker 3 (55:58):
Peace
The following program is brought to you in living color.
Speaker 2 (00:08):
God to the borrow.
Speaker 3 (00:10):
It sounds.
Speaker 4 (00:16):
Please sons, So.
Speaker 5 (00:21):
This God, it's God.
Speaker 3 (00:23):
I see God.
Speaker 4 (00:25):
We will provide the grand design.
Speaker 6 (00:29):
We didn't say it'd be good.
Speaker 7 (00:33):
It's one hour of Radio Anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 5 (00:41):
Where the hell is Mayville? Then it rocked?
Speaker 7 (00:43):
It's been bottled up way too long. Welcome to Don's basements.
Speaker 8 (02:03):
Think the.
Speaker 9 (02:11):
Thing I think they think, the third, then.
Speaker 10 (02:39):
The the.
Speaker 11 (02:49):
The, the, What goes on must come down? What must
(03:19):
rice must fall?
Speaker 12 (03:20):
And what goes on in your life is waiting?
Speaker 8 (03:26):
Nondo?
Speaker 3 (03:28):
I all thanks Moscow.
Speaker 13 (03:31):
While if all things muscles, even fambles.
Speaker 11 (03:43):
Wave, what goes on must come down?
Speaker 8 (03:51):
What must stand alone?
Speaker 2 (03:54):
And what goes on in your mind?
Speaker 1 (03:59):
It's turning.
Speaker 3 (04:02):
All things must go on, all things must chance even not.
Speaker 9 (04:17):
Anything?
Speaker 14 (05:13):
Now can you be socire?
Speaker 3 (05:17):
How did you know what the ask will enjoy?
Speaker 14 (05:22):
How can you be social.
Speaker 9 (05:26):
That the one that you paid in your life.
Speaker 1 (05:30):
Will be seen by the million to.
Speaker 2 (05:35):
The tame?
Speaker 9 (05:51):
What GOsC.
Speaker 3 (06:00):
What's you know?
Speaker 6 (06:14):
You got to give the guy a lot of credit.
I know that he's put together some fabulous albums. The
music that he makes is incredible. Assistant engineer on Abbey Road,
producer of Al Stewart's Hear the Cat in Pink Floyd's
Dark Side of the Moon. But he is able to
take his material and reissue it so many times that
you just got to go out and buy another copy
(06:34):
of it. I think I bought that one three times.
Now he's getting ready to reissue I Robot from nineteen
seventy eight's Pyramid album, The Alan Parsons Project, and Voyager
and What Goes Up? And Hello there, how are you
Welcome back in? I'm Don Clark. Thanks so much for
coming down and hanging out with us once again. Down
here in don'spaseman, we brought the way back machine out
(06:55):
of the closet. We've dialed up the year nineteen seventy eight,
and thanks to your suggestions, we found some songs that
haven't seen the light of dang a long long time.
It's from his debut solo album, This is David Gilmour
and there's no way out of here. Welcome to Don's basement.
Speaker 1 (07:11):
There's no way out of here.
Speaker 12 (07:14):
When you come in, you're in fu good.
Speaker 15 (07:18):
There was no promise made. The parts you've played the chance,
you too.
Speaker 16 (07:27):
There are no bounds the time, and yet you waste
it still.
Speaker 15 (07:41):
So slops through your hands like grains of saying you
watch it go.
Speaker 12 (07:49):
There's no time to be lost.
Speaker 14 (07:51):
You'll pay the costs.
Speaker 1 (07:53):
So good right, there's.
Speaker 14 (07:57):
No way of you.
Speaker 12 (08:00):
When you comes, you're in focus, w.
Speaker 1 (08:17):
The answer the answer.
Speaker 16 (08:38):
Without lessen, without saying there, God nonces here. When you're
(09:00):
look holt, you don't see.
Speaker 15 (09:03):
The words about proms made the part you play to
charge you to it.
Speaker 14 (09:14):
If you're when you come in.
Speaker 12 (09:16):
Yar in focus.
Speaker 9 (09:38):
The less.
Speaker 1 (09:58):
Without see.
Speaker 2 (10:02):
Shops, there's no way out.
Speaker 8 (10:12):
If you're away.
Speaker 3 (10:13):
You come in yarn and.
Speaker 1 (10:16):
Fucking are on their see way.
Speaker 12 (10:21):
You look out, you don't see it.
Speaker 1 (10:26):
There was no prom This makes the podge you play
the choice.
Speaker 2 (10:33):
You too.
Speaker 9 (11:08):
Nothing so nothing died, not like just nothing die.
Speaker 5 (12:02):
Celebrating ten years of wasting your time one hour a week.
Speaker 7 (12:07):
Hell, you spend more time than that clearing your browser
history before your wife gets on the computer.
Speaker 17 (12:11):
Welcome to Don's basement.
Speaker 18 (12:21):
I picked up the paper this morning and read all
the day blessens the world is one of big tragedy.
I one of the water again, about all of pain
and injustice about all of the sorrow weving in a
(12:49):
day zone. The world goods.
Speaker 19 (12:55):
An had a bobble me tonight.
Speaker 8 (13:03):
Tomorrow.
Speaker 19 (13:04):
I'm might go as far as suicide, but I want
to lead to bother me tonight.
Speaker 18 (13:17):
Life on the streets is a jungle, the struggles a
keeper of face.
Speaker 19 (13:25):
I just can't be that old doney know the men's
keep win the redwace.
Speaker 9 (13:33):
But my dad and bother me tonight.
Speaker 8 (13:38):
The more the lad.
Speaker 2 (13:39):
Bob me tonight.
Speaker 3 (13:42):
The world was in another word, and I see in inside.
Speaker 8 (13:46):
But I want lead to follow me to night.
Speaker 14 (13:48):
No, I'm not gonna lad a bother me tonight Tomorrow.
Speaker 1 (13:55):
I'm like go as far as suicide, but I will not.
Speaker 2 (14:00):
Let a dollar me tonight, not to night.
Speaker 9 (14:22):
Lord b.
Speaker 12 (14:27):
We come now to trouve.
Speaker 9 (14:31):
And the lapping through the day.
Speaker 2 (14:34):
It's a bunch of more.
Speaker 9 (14:36):
Men right now.
Speaker 19 (14:38):
I'm never lad boy tonight. I never lad bother me tonight.
Speaker 8 (14:46):
The girl isn't.
Speaker 1 (14:47):
Another more than a selemon inside.
Speaker 19 (14:50):
But the one adam the mad mon. I'm going alad
dollar men.
Speaker 8 (14:58):
Don't go ahead.
Speaker 19 (15:03):
Welcome the sports, said.
Speaker 14 (15:14):
Boycott.
Speaker 6 (16:05):
It's amazing. Lyrics from a song from nineteen seventy eight.
Still Rings True Today from Champagne Jam the Atlanta Rhythm Section.
I'm not Gonna let her bother me Tonight. Nineteen seventy eight,
he released his tenth studio album, and within three weeks
he sold one million copies from Stranger in Town, spob Seeker,
Tilla Shines, and Don's Basement.
Speaker 20 (16:35):
Take Away My Inhibition, chake away my solitude, Find me up.
Speaker 6 (16:44):
With your resistance, Put me in the moon.
Speaker 1 (16:51):
Storm the walls around this prison.
Speaker 2 (16:55):
Leave the advance free the guards.
Speaker 20 (17:00):
Sie me up another future from some brand new deck
of cards. Take the chip off my shoulder, smooth out
all the lunds, Take me out among the rustling pods.
Speaker 2 (17:23):
Till the chat, till the shot licking that go down
the canyon, never coming back as clear.
Speaker 3 (17:40):
Lately, I just judge the distance, not the words I hear.
Speaker 10 (17:49):
I've been too long on these islands. I've been far
too long along. I've been too long without summer, this.
Speaker 2 (18:00):
Winter home.
Speaker 20 (18:05):
Still up weak, and make the effort. It wouldake the chi.
Maybe we can leave this much behind till the chase, till.
Speaker 9 (18:25):
The choice city.
Speaker 20 (18:46):
Richmond is lost and lonely, watching now as he does,
sitting there, just jesting all.
Speaker 17 (18:56):
The worse.
Speaker 3 (19:01):
To the shoe.
Speaker 2 (19:05):
Show shot.
Speaker 5 (19:17):
Sho You remember when you heard these cuts for the
(19:59):
first time. Neither does he Vintage rock from Don's Basement.
Speaker 21 (20:21):
As a prop to.
Speaker 8 (20:28):
You be friends a woman all.
Speaker 2 (20:32):
Seven alevel little god Chack.
Speaker 21 (20:37):
Yeah, she's a Rower, the baby she is.
Speaker 1 (20:45):
She's a Rower.
Speaker 9 (20:48):
Famite or whoam nothing.
Speaker 2 (21:02):
Save horses hot? That's the same shega, she love that.
Speaker 9 (21:17):
Mom, this is crazy.
Speaker 21 (23:10):
Doesn't even want to say he had the most reads
all the way. You'll see the road that banker, Yeah,
you see the rocker. Bank sious.
Speaker 9 (23:38):
Thank you.
Speaker 6 (23:45):
About April Wine and Roller. On Halloween, they will release
(24:23):
the super Deluxe edition of this album over seventy unreleased tracks,
the last album to feature Keith Moon, and there isn't
a bad cut on it from Who Are You? This
is the Who and music must change. In Don's Basement,
deep in the back of my mind.
Speaker 22 (24:41):
Is an unrealized sound. Every feeling I get from the
street says it's some good be found. When I hear
the cold laser, the pusha, I know it exists.
Speaker 1 (24:59):
It's confirmed them in.
Speaker 22 (25:00):
The eyes of the kids, emphasized with their fists.
Speaker 2 (25:06):
But the high has to.
Speaker 23 (25:07):
Rise from bole like polcanos and spoken with snow. The
mosquito sneaks breaks a dream, but the poisons derange.
Speaker 2 (25:18):
The music must change. Moment youing apart, we saw like.
Speaker 23 (25:27):
A spiral hawk food and jump like a stove, like
the tide, and the waves.
Speaker 2 (25:35):
Rolling slowly and rage, crossing mountains and orders the earth.
Speaker 3 (25:41):
So the music must change.
Speaker 9 (25:44):
Change.
Speaker 22 (26:00):
Sometimes at night I wake up and my body's like ice,
the sound of the running white stallion, the noise of
the mice. And I wondered it.
Speaker 2 (26:14):
Then I could hear into all.
Speaker 22 (26:16):
Of your dreams. I realize now it was really the
sound of your screens. But death always leads on through life.
The street by swallows the knife. Am I so crazy?
In the field that's empy ranged?
Speaker 2 (26:38):
The music must change.
Speaker 23 (26:41):
Pickets higher and higher, smaller like leaves in the sunny,
passes higher.
Speaker 2 (26:52):
It's with them, goes strong.
Speaker 24 (26:55):
It's on you, and so strange of music must change?
(27:20):
Oh is this song so different?
Speaker 3 (27:23):
Have I been reading it all again? It may have
been on before, But the music's are open door.
Speaker 22 (27:41):
M deep in the back of my mind is non
realize sound. Every fee thing I get from the street
(28:01):
says it soon could be found. When I hear the
cold lies of the pusher.
Speaker 3 (28:08):
I know it exists.
Speaker 22 (28:12):
It's confirmed in the eyes are the kids emphasize with
their fists, But the high has two rides.
Speaker 23 (28:20):
Don't go like volcanoes and sco through the snow. The
mosquito sting brings a gin, but the horses the rise.
The music must change. For chewing all we saw smar off.
Speaker 2 (28:42):
Like stone, like the time waves going slowly.
Speaker 9 (28:48):
Away, crossing pots.
Speaker 8 (28:52):
As all as the yard.
Speaker 3 (28:54):
The music must change.
Speaker 6 (28:57):
We are here to remind you on a constant basis
that there are so many other great cuts on that
album besides the title cut from who Are You Who?
And music must change. When ACDC in nineteen seventy eight
wrapped up their new album, their producer came into the studio.
I said, guys, we love the album, but there just
isn't anything on here that's radio friendly, and Bond Scott said,
(29:20):
here hold my whiskey. That cuts up next. I'm Don Clark.
Welcome to Don's basement.
Speaker 25 (29:26):
If it's relentless, cut, wrench and rock and roll you want,
then overload your circuits with ac DC and their new
album Power Rage.
Speaker 2 (29:33):
Right.
Speaker 25 (29:48):
This exciting new Atlantic release of ac DC is being
featured at street Side Records for only four ninety nine.
Stop in at street Side Records for your record tape
of ac DC's Power Rage. And remember street Head Records
(30:11):
has more new releases on shale than anyone in town.
That's Streetshead Records on Delmar and U City and an
old Orchard and Webster master Charge at Vita.
Speaker 17 (30:19):
Welcome this classic rock.
Speaker 26 (30:20):
Because then there's this class show.
Speaker 9 (30:34):
Take out shott.
Speaker 5 (30:38):
This is John's basement.
Speaker 27 (31:08):
The stain to point too loud, the babe that's tough.
Speaker 2 (31:16):
The stain took up too much. Cry to turn to
look out food.
Speaker 9 (31:27):
How bat al.
Speaker 27 (31:30):
Stop to by disease, shake the stove.
Speaker 9 (31:37):
So if I have roll live f.
Speaker 3 (31:40):
Shove my son, look that.
Speaker 9 (31:45):
Rocket, roll down fa Hi, take out chance?
Speaker 2 (31:50):
Why are still looking the choice?
Speaker 9 (31:59):
The stay to God.
Speaker 27 (32:00):
Respects pulling the wold, look at back.
Speaker 2 (32:07):
To don't thanks a lad?
Speaker 27 (32:13):
Look then i'les look at sit to mens what too
much chas.
Speaker 9 (32:22):
Ron things around? I can't.
Speaker 2 (32:27):
Do p soboy that roll down the show.
Speaker 9 (32:32):
Wow rock and roll down.
Speaker 28 (32:37):
Space shot take our.
Speaker 9 (32:39):
Chance wise, then a choice.
Speaker 22 (32:48):
It's a hard ship.
Speaker 9 (32:58):
Good bye on the stand the time, try to.
Speaker 11 (33:05):
Way rich, just not riding name to.
Speaker 9 (33:13):
That shows, drying show, take out.
Speaker 2 (33:22):
The chances, why stand a cho.
Speaker 28 (33:42):
Se show, take the time.
Speaker 29 (33:55):
You do.
Speaker 6 (34:14):
And with that Bond Scott said, there there's your radio
friendly song from Power A J C DC and rock
and roll Damnation. These guys were the inspiration from Motley Crew,
Twisted Sister, bon Jovi and so many other bands. They
rose out of the ashes from the band looking Glass,
Remember Brandy or a Fine Girl? They made a lot
(34:34):
of noise on a new jersey back in the day.
This was off of their final studio album, The Band
is Stars from the album Coliseum Rock. This is the
last night I wrote a letter in Don's basement.
Speaker 3 (35:01):
When I ain't no Shapesman got to.
Speaker 29 (35:03):
Try to more down into words, just why I'm doing
never work out? Maybe that start around Angelia's going on together.
(35:29):
I see you with your hope so high, gave.
Speaker 9 (35:32):
Men sat a person baby.
Speaker 8 (35:37):
Hurts me just knocking night.
Speaker 3 (35:41):
That's why I'm ben.
Speaker 8 (35:48):
I've got the moo.
Speaker 29 (35:57):
Rabble wind bus Son never stop shut.
Speaker 30 (36:03):
Time, girls, man, people get us. I'm wistly rockets my mouth.
Maybe last time.
Speaker 2 (36:21):
I'm told you that.
Speaker 9 (36:23):
Ever we had a good.
Speaker 30 (36:29):
Time, but the best be got the best of us.
Speaker 11 (36:35):
What's the dream start to get into days?
Speaker 8 (36:40):
I got the mood, I got the.
Speaker 9 (36:49):
Stools.
Speaker 8 (36:55):
Swell girls, we shit.
Speaker 11 (37:32):
I don't know why, but I just got straight.
Speaker 19 (37:39):
See nobody ever, ever, ever got through the stuff of
my own hall.
Speaker 9 (37:46):
Lady Tald bennylast Time and.
Speaker 30 (38:08):
Bennystyn Role, bennyas.
Speaker 31 (38:16):
Sty Budgie Priest, Ufo the Artist have made that little
(39:08):
room downstairs come alive.
Speaker 17 (39:10):
This is down's basement.
Speaker 3 (39:20):
He's taking to down.
Speaker 2 (39:22):
We'll take a shout out. Well the boys, We've got
nothing of it.
Speaker 32 (39:27):
I'm put enough, but see little stup Now you're a
wellstand he's just bad noon, Come on back now do it.
Speaker 2 (39:44):
Rock.
Speaker 4 (39:47):
He came out to stop bricade, Sweet sweet.
Speaker 2 (40:00):
Day scream sat straight.
Speaker 9 (40:06):
Down on the cut off.
Speaker 4 (40:10):
J was to way what we were up, just like
the two al shut in the night.
Speaker 9 (40:16):
She done so far.
Speaker 2 (40:19):
Straight lines.
Speaker 9 (40:22):
Can rock face coming back?
Speaker 2 (40:25):
Now?
Speaker 26 (40:26):
Do it?
Speaker 9 (40:26):
A camel rock.
Speaker 2 (40:32):
Getting out to start a bird.
Speaker 28 (40:38):
There's no.
Speaker 1 (40:41):
Keeping down.
Speaker 9 (40:49):
Just keep up till particlar.
Speaker 33 (41:28):
Dicta who's taking time out?
Speaker 32 (42:06):
We're taking shot out where the boys? We got nothing news?
Howard enough now speaking stuff? Now you ain't well the state.
It's just breaking news only.
Speaker 9 (42:20):
Your count man coming back now do it again?
Speaker 11 (42:27):
Only your cat mad to.
Speaker 13 (42:31):
Get enough to stop a bohun wa Jan way fer
you today?
Speaker 2 (42:39):
Sweet God? Something sweep.
Speaker 9 (42:43):
Here? There's no keep both come.
Speaker 1 (42:50):
John, wait and go you today?
Speaker 2 (42:54):
Who sweet God?
Speaker 9 (42:55):
Something sweep here and there's no.
Speaker 6 (43:09):
UFO gave us some new vinyl in nineteen seventy eight
from the album of Session and only You Can Rock Me.
Let's see nineteen seventy eight what happened? Space Invaders took
all of our quarters. Blues Brothers arrived on Saturday Night Live.
John's Tour was released a perfect example of fixing something
till it's broke, and Animal House was released that year,
(43:30):
as was a new album from the band Suite. The
album is Level Headed. This is Love is like oxygen
in Don's basement.
Speaker 11 (44:02):
Love is life, moscause.
Speaker 3 (44:06):
You get so much.
Speaker 9 (44:10):
No time, my s.
Speaker 34 (44:22):
I got it all.
Speaker 2 (44:28):
Always God.
Speaker 8 (44:31):
For a fall.
Speaker 12 (44:33):
There's a humo going around.
Speaker 2 (44:36):
The town.
Speaker 9 (44:39):
That you don't want me around.
Speaker 34 (44:42):
I can't shake up my city blues everywhere turn.
Speaker 9 (44:52):
Love this mo.
Speaker 1 (44:56):
You get somebody.
Speaker 2 (45:01):
Not enough.
Speaker 21 (45:05):
Love?
Speaker 8 (45:08):
Love is life, you get.
Speaker 9 (45:16):
Not enougher.
Speaker 10 (45:24):
Is no.
Speaker 34 (45:28):
If you're not there, sheet touch in the air. Some
things are better left unseat. I'm gonna spend my days
in bed.
Speaker 2 (45:48):
I'll walk the streets at night to.
Speaker 9 (45:52):
Be hidden by the city.
Speaker 2 (46:35):
No, No, that.
Speaker 5 (46:42):
Music he grew up with, the music he grew up with.
Speaker 17 (46:45):
This is Don's Basement, A boy so long, and this
(47:09):
rot about from my d I don't buy a.
Speaker 8 (47:16):
Ringing up.
Speaker 9 (47:20):
Sometimes, got h I'm not.
Speaker 35 (47:23):
A last and son jump in a set scaping that
you go upo dance reality.
Speaker 9 (47:39):
What say we take a chance? Chance, it's a shot.
Speaker 35 (47:51):
Side now I've been some monna standing, not the young.
Speaker 2 (48:05):
Roll that we see.
Speaker 35 (48:08):
Things that dying one dreamdom ouablity.
Speaker 21 (48:15):
Leave that still sat round me still, then take the
same ball, just one bar.
Speaker 4 (48:24):
You serchame Bard the world that ba.
Speaker 2 (48:35):
All the same.
Speaker 9 (48:36):
We take our chances and not my dime. Sad it's
a shot, we say a pasty the same S.
Speaker 28 (49:40):
S S S S S S.
Speaker 2 (49:49):
S.
Speaker 6 (50:09):
The new album from Russia in nineteen seventy eight was
Hemispheres and There's circumstances. Okay, this is a cautionary tale.
When you go to Jamaica, you need to listen to
(50:31):
the locals and listen to the advice that they will
give you. When it comes to the local agriculture. You
gotta be careful. You could find yourself being the victim
of a dreadlock holiday from bloody tourists. Here's ten CC
and Don's basement.
Speaker 36 (50:47):
I was walking down the street, concentrated in I'm trucking right.
Speaker 3 (50:56):
I heard a dog bushy side of me, and I look.
Speaker 36 (51:02):
Brown in the state of fright. I saw for pass
one that a brother from the girl, then look me
up and down.
Speaker 12 (51:12):
A deston term to each other.
Speaker 14 (51:23):
I say, I don't like cracket.
Speaker 2 (51:29):
I love it.
Speaker 1 (51:33):
I don't like cricketta.
Speaker 9 (51:36):
I love it.
Speaker 1 (51:42):
Don't you walk on my word? Don't you show some respect?
Speaker 8 (51:47):
Don't you walk on my word? You hate that?
Speaker 36 (52:01):
Will he looking down at myself the chain, he said,
I'll give you one dollar.
Speaker 1 (52:10):
I said, you've got to be joking, man.
Speaker 36 (52:14):
It was a present from the mother.
Speaker 13 (52:19):
He said, I like it.
Speaker 12 (52:21):
I want it.
Speaker 3 (52:22):
I'll take care of your head and you'll be sorry.
You cross me.
Speaker 1 (52:26):
You better understand that you're low.
Speaker 10 (52:37):
I don't like that.
Speaker 2 (52:40):
No, no, why that? I like that guy?
Speaker 1 (52:56):
Don't you wapid?
Speaker 12 (52:58):
Don't you quill?
Speaker 1 (53:00):
Don't you like our best?
Speaker 9 (53:03):
Don't you take it?
Speaker 1 (53:14):
I heard that vestman.
Speaker 3 (53:19):
Sinking peanut g lader.
Speaker 36 (53:23):
I heard that that voice beside me saying, did you
like something harder?
Speaker 14 (53:32):
She said, I've got it.
Speaker 3 (53:34):
You want it, my heart, this is the best time
to try it.
Speaker 8 (53:38):
You like it?
Speaker 3 (53:40):
Follow in the red lock HOLLI.
Speaker 37 (53:50):
Said, oh my jam me, oh, I love that. Not
to Makao, my love that. Don't you walk the words?
Speaker 1 (54:11):
Do you show some respect?
Speaker 2 (54:13):
Don't you walk to the words?
Speaker 8 (54:36):
I don't like my guest, I loved to.
Speaker 9 (54:43):
Day, I don't like ba.
Speaker 37 (54:50):
I love love Holiday, don't like Makeuday.
Speaker 2 (54:59):
I love.
Speaker 11 (55:12):
There.
Speaker 6 (55:13):
You've been warned from bloody tourists. It's ten CC and
dreadlock Holiday. Putting the wraps on the Wayback Machine nineteen
seventy eight. We want to thank all the radio stations
up and down the dial that take the time to
run this show each week, including our flagship station ninety
nine point nine FMWYML and WYML dot us in Chicago.
(55:34):
Thank you, Jon, Jeff the Grade, ninety eight WMDC, Maybel Wisconsin,
Buddy Guy and everybody at Buddy Guy Radio in Chicago,
and all the stations. Big thanks to Amazon Music and
iHeartRadio for getting the word out about Don Spaceman tapes.
Thanks to mister Lee Peek. He is the voice of
Don Spaceman. And thank you so much for coming down
here Reagion every week hanging out in the basement. We
(55:56):
appreciate it. I'm Don Clark.
Speaker 3 (55:58):
Peace
Popular Podcasts
CrimeLess: Hillbilly Heist
It’s 1996 in rural North Carolina, and an oddball crew makes history when they pull off America’s third largest cash heist. But it’s all downhill from there. Join host Johnny Knoxville as he unspools a wild and woolly tale about a group of regular ‘ol folks who risked it all for a chance at a better life. CrimeLess: Hillbilly Heist answers the question: what would you do with 17.3 million dollars? The answer includes diamond rings, mansions, velvet Elvis paintings, plus a run for the border, murder-for-hire-plots, and FBI busts.
Crime Junkie
Does hearing about a true crime case always leave you scouring the internet for the truth behind the story? Dive into your next mystery with Crime Junkie. Every Monday, join your host Ashley Flowers as she unravels all the details of infamous and underreported true crime cases with her best friend Brit Prawat. From cold cases to missing persons and heroes in our community who seek justice, Crime Junkie is your destination for theories and stories you won’t hear anywhere else. Whether you're a seasoned true crime enthusiast or new to the genre, you'll find yourself on the edge of your seat awaiting a new episode every Monday. If you can never get enough true crime... Congratulations, you’ve found your people. Follow to join a community of Crime Junkies! Crime Junkie is presented by audiochuck Media Company.
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.