Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
The following program has brought to you in living color.
Speaker 2 (00:07):
Some calling to the borrow.
Speaker 3 (00:10):
It sounds somebody tell me that you please that son.
Speaker 4 (00:20):
My God, it's gone.
Speaker 5 (00:23):
I see God, you will provide the grand design.
Speaker 6 (00:29):
We didn't say it'd be good.
Speaker 7 (00:35):
It's one hour of Radio Anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 8 (00:41):
Where the hell is Mayville?
Speaker 3 (00:43):
Then it rocked.
Speaker 4 (00:43):
It's been bottled up way too long. Welcome to Don's basement.
Speaker 9 (01:54):
By out.
Speaker 5 (02:09):
Time gets on slipping, slipping, sliven into a future. Time
(02:34):
keeps on slipping, slipping, seven into the future. Modified like
an eagle to the scene.
Speaker 2 (02:49):
Like you, my s every day.
Speaker 10 (02:52):
I want to fly like an e.
Speaker 11 (02:56):
To dream the day.
Speaker 3 (03:05):
You don't have enough to eat?
Speaker 2 (03:07):
Shoe children.
Speaker 3 (03:10):
With no shoes on the feet. How the people.
Speaker 5 (03:15):
Live in the street. There's a show.
Speaker 10 (03:21):
I want to fly. I can even.
Speaker 3 (03:25):
To the sea, I.
Speaker 10 (03:28):
Can hear, have my spirit carrying me. I want to fly.
I can do.
Speaker 12 (03:35):
To breed, sir.
Speaker 3 (03:41):
Time keeps on slipping.
Speaker 5 (03:43):
Slipping and slippings into the future. Time keeps on slip
and slipping, slipping into the future. Dive keeps on seven
seven sevens into the future. Dial keeps on seven seven
(04:12):
sevens into.
Speaker 13 (04:22):
Dead Dead Dead Dead.
Speaker 10 (04:38):
To Fly, I can go to the scene, stand.
Speaker 8 (05:17):
Ti tut tut t t.
Speaker 1 (05:26):
T t.
Speaker 2 (05:31):
T times on.
Speaker 3 (05:37):
Seven seven, set into the Future.
Speaker 10 (05:45):
Time.
Speaker 3 (05:46):
It's all set in seven seven into the Bag.
Speaker 6 (06:13):
I remember hearing that when it kicked off, that album,
and I was immediately hooked. And there's not a bad
cut on it. Steve Miller Band released in nineteen seventy
six and Fly like an Eagle And Hello there, how
are you? Welcome back in? I'm Don Clark. Thanks so
much for coming down and hanging out with us once
again down here in Don Spaceman celebrating the fifty sixth
anniversary of landing on the Moon with Apollo eleven. And
(06:37):
we've got some moon songs thanks to your suggestions that
haven't seen the light of day in a long long time.
From the Moondance album Van Morrison into the Mystic, Welcome
to Don Spaceman.
Speaker 3 (06:48):
We were born before the win.
Speaker 14 (06:54):
Ah so younger than the sun.
Speaker 3 (07:00):
Ere the bonny boat was one got me sail into
the Mystic.
Speaker 14 (07:10):
I can not hear the singer's cry, Smell the sea
and feel the sky.
Speaker 3 (07:23):
Let your soul and spirit fly into the misty.
Speaker 14 (07:34):
Where that full corn blue, I will be coming home.
It wear in the fal corners.
Speaker 12 (07:48):
I want to heave it.
Speaker 15 (07:52):
I don't have the fear in a after my.
Speaker 16 (07:56):
God jistle, Just like I went back in the day
to move, yeah magnificently we were food, Yeah to the
best thing.
Speaker 2 (08:41):
Where that far.
Speaker 3 (08:45):
You know I will be coming y'all When that far
call was a food, I gotta hear it. I don't
out the field stock goscept is just like went back
(09:09):
in the day the moon together we will move and
to the mistic I'm a dude, do the stop.
Speaker 4 (09:51):
You know that feeling when you hear a song you
haven't heard in years?
Speaker 2 (09:54):
Were dudes move?
Speaker 1 (09:57):
I so.
Speaker 3 (10:02):
You feel that way all the time.
Speaker 4 (10:04):
Vintage rock from Don's Basement.
Speaker 1 (10:21):
How many eyes?
Speaker 10 (10:23):
What did you second song?
Speaker 17 (10:25):
Sinking de bong ros the sign of your role? How
many lies you have the sung then you discover there's.
Speaker 10 (10:34):
No bon How many ros you have to do on?
Speaker 3 (10:40):
How many gathering dead streets?
Speaker 2 (10:44):
How many days?
Speaker 3 (10:46):
That's what you gotta smile dot.
Speaker 1 (10:52):
Shin on level to night.
Speaker 18 (10:56):
It's not a lucky styes side, just wishing all.
Speaker 19 (11:01):
The how many doors you have to the bed desperately
hose each.
Speaker 2 (11:17):
Once the last?
Speaker 17 (11:19):
How many all you love behind you fiver lyne to
the shadows you cast?
Speaker 3 (11:26):
How many of you have the fill? How many are
you were wills?
Speaker 15 (11:34):
How many say you have to swallow until you do?
Six s the chill, wishing a number till that snarer
luck east.
Speaker 2 (11:47):
Side, just wishing all the.
Speaker 8 (12:00):
Wishes?
Speaker 17 (12:39):
Many eyes you sent the song ro sinking to the ball,
society of your bone. How many lies you have to
sell her but then you discover nobody ball?
Speaker 3 (12:54):
How many are.
Speaker 8 (12:58):
Many?
Speaker 3 (12:59):
And the streets?
Speaker 2 (13:02):
How many you love?
Speaker 3 (13:04):
This my.
Speaker 2 (13:10):
Wishing?
Speaker 8 (13:11):
Not a lebel until the night.
Speaker 3 (13:14):
It's not a lucky star side.
Speaker 1 (13:18):
Just wishing out the bed, you wishing on lovel to night.
Speaker 2 (13:33):
It's not a lucky star outside, Just wishing on.
Speaker 1 (13:38):
Leable wishing.
Speaker 6 (14:16):
And Fogelberg from the Phoenix album and Wishing on the Moon.
Celebrating the fifty sixth anniversary of the Moon landing and
talking about Dark Side of the Moon, David Gilmore said,
it's all dark from their masterpiece. Here's Floyd in Don's basement.
Speaker 20 (14:50):
Is on the grass, is on the grass m hm,
remembering games and daisy chains and gloves.
Speaker 3 (15:09):
Got to keep the moon is on the path.
Speaker 21 (15:17):
The punitiu is in the hog. The unities are in
my home.
Speaker 1 (15:32):
The paper hogs that.
Speaker 21 (15:34):
Folded faces to the floor, and every day the paper
boy brings more.
Speaker 8 (15:50):
Unlive.
Speaker 3 (15:51):
The down wakes so many many years to see.
Speaker 2 (15:56):
It as a house.
Speaker 18 (16:04):
And if your head explodes, your dog for those too.
I see the side the moon.
Speaker 21 (16:22):
The teek is in my head.
Speaker 1 (16:29):
Good teek is.
Speaker 8 (16:31):
In my head.
Speaker 22 (16:36):
You raise the blade, do you make the change? You
rerange me till I'm saying.
Speaker 2 (16:50):
Do you lock?
Speaker 10 (16:51):
The dog.
Speaker 2 (16:54):
Got away?
Speaker 3 (16:55):
The keyd is someone in my head, but it's not me.
Speaker 18 (17:08):
I'm living the cloud, bass thundering your health.
Speaker 8 (17:15):
You shall No one seems stay.
Speaker 3 (17:22):
Und the bind you it stops playing different June.
Speaker 23 (17:29):
I'll see you on the dove side of the moon.
(18:34):
I let you touch, and now let you see.
Speaker 10 (18:39):
I let your taste how you feel.
Speaker 2 (18:45):
Now let your love and now that you hate?
Speaker 8 (18:50):
Are you distressed?
Speaker 3 (18:53):
Are you saying about like your idea?
Speaker 2 (18:57):
And now let your deal?
Speaker 1 (19:00):
I'm all lets ship.
Speaker 3 (19:04):
Still a stroke.
Speaker 8 (19:12):
Ship, and let's just say.
Speaker 24 (19:17):
Shoot and everyone their bats, let's dislike and every one that.
Speaker 8 (19:27):
All that's all, let's go and all let's star sound
is a ship the sound is a good spot.
Speaker 4 (19:50):
It all began with him talking to himself in the basement.
Now he's talking to himself in the studio that is
literally in a basement. Were of the progress, d you
see way to go Pal, Welcome to Don's basement.
Speaker 22 (20:25):
Wall.
Speaker 2 (20:26):
We had a lot, a lot happy. We always have
a ball women.
Speaker 3 (20:34):
The people we battle made chames a wrong. We can't
recob a following. God listening is.
Speaker 2 (20:45):
Tucking mell stof Hello, come out.
Speaker 3 (21:03):
My shunning a three member why b shut? I'm as
like the way we will do the ground bull stuff
and have mothers s.
Speaker 2 (21:21):
So sister displays.
Speaker 12 (21:24):
From the fir Store, Come Out, come Out, come out, and.
Speaker 2 (21:35):
Don't plays something.
Speaker 8 (21:36):
Come no, come out.
Speaker 25 (21:43):
Sucking the mother that Bolly but now father ship.
Speaker 2 (21:54):
A fra the friends.
Speaker 10 (21:58):
That severn.
Speaker 2 (22:07):
Laws span s.
Speaker 8 (22:19):
Come come.
Speaker 11 (22:22):
No no.
Speaker 24 (22:28):
No mo.
Speaker 1 (22:30):
No mo.
Speaker 24 (22:32):
S come out, come out, come out, come play, come out, come.
Speaker 2 (23:42):
Out, come out play from.
Speaker 6 (24:18):
It's the song that put the Raps on the machine.
Had album from nineteen seventy two, Deep Purple and Space Truck,
and we weren't sure about one through four, but we
knew number five rocked. That's next. I'm Don Clark welcome
to Don's basement.
Speaker 26 (24:32):
Today, the United States is engaged in a gigantic effort
to send men to the Moon. For this effort, Billsbury
has developed many special foods. Here is the first one
to be made available to the public, Space Foodsticks. To
meet the demands of a long spaceflight, Space Foodsticks had
to be a compact, nutritious, high energy food. That's why
(24:54):
they make the perfect between meal energy snack. Energy for
hard play, energy, hard work, lasting energy to feel alive.
Speaker 1 (25:04):
If that sounds better than some.
Speaker 26 (25:05):
Of the things your family fills up on between meals,
you should try Space Food Sticks for good nutrition and
lasting energy in a chewy, tasty snack food chocolate, caramel
and peanut butter about forty four calories. At your groceries
next to the instant breakfast section. Space food Sticks the
energy snack from US Aerospace Research and Pillsburg.
Speaker 4 (25:28):
This classic rock, this village rock. Then there's this plus
(25:52):
This is jock based.
Speaker 8 (26:27):
It is laid and lay the blue.
Speaker 3 (26:55):
When the sun times down and stop or.
Speaker 2 (27:11):
Spread that time.
Speaker 10 (27:13):
My God, oh.
Speaker 2 (27:19):
Give me the round. I am mistacks.
Speaker 8 (27:25):
Say the next time. Next time.
Speaker 2 (27:50):
As your wall outside.
Speaker 9 (27:53):
The baby.
Speaker 2 (27:55):
Came the sad me its name.
Speaker 3 (28:06):
It's time to god.
Speaker 2 (28:15):
Heven round, I stay said.
Speaker 3 (28:18):
Not not say next time.
Speaker 10 (28:21):
Un it where it was, we will know what.
Speaker 2 (28:40):
The negus will remain.
Speaker 8 (28:44):
It's big foo from a tree fist the se.
Speaker 13 (28:50):
No, no, we really live on the stands.
Speaker 2 (28:55):
Well, I've trading gird on.
Speaker 10 (28:58):
You can call.
Speaker 3 (29:02):
There's other places weekn me. If there are times that
you read believing to let having come.
Speaker 2 (29:16):
World wild yeah stop wait the sun.
Speaker 25 (29:45):
Happen you start is gone, spends the time May six
Next Time.
Speaker 6 (31:03):
From the debut album from Montrose and Space Station Number
five and Don Clark and Don Spaceman. We made a
promise this here for the tenth anniversary of Don Spaceman Tapes,
to dig just a little bit deeper than normal on
some of these albums. From their debut album, song that
was used to wake up the crew of Space Shuttle Discovery.
This is Spaceship Superstar from prism in Don Spaceman.
Speaker 27 (31:55):
A different last to a different gala. It soon down
shows well then I in the Road in My Starship Live,
you get so down child and uninspired.
Speaker 3 (32:09):
To do all these one night stands. It's a giant
me for Rocky Road. But it's gym just my day station,
silver Star, I'm gonna so the proba job sped Ship.
Speaker 2 (32:37):
Chops. I'm very sharp, silver Star.
Speaker 28 (33:00):
To be there, Crazy Goma Stella rocking the road, and
I always set out in advance of the Martian lestrobold.
Speaker 29 (33:13):
By Swan like Minia sure puts a song, should have.
Speaker 30 (33:20):
Seen a snack a gatto being a still na fair brats.
Spaceship Simper Star, you gotta stolen bout this job, Spaceship
(33:41):
Superston shots Speaker, Spaceship SUPERSTI.
Speaker 3 (35:00):
I'm in a corner basement.
Speaker 1 (35:01):
The situation must be right.
Speaker 4 (35:03):
Oh, if these walls could talk, they probably cough a lot.
Welcome to dance basement.
Speaker 2 (35:23):
When I passed you.
Speaker 3 (35:25):
In the doorway, well you took me with a glance.
I should have took that lastness home, but I asked
you for a dance. Now we go steady to the pictures.
I always get chocolate.
Speaker 2 (35:42):
Stains on my pants.
Speaker 3 (35:44):
And my father he's going crazy.
Speaker 25 (35:47):
He says, I'm living in a trance, but I'm dancing
in the moonlight.
Speaker 3 (35:53):
It's not me, it's my light.
Speaker 31 (35:55):
It's all about dance in the moonlight of this snow
had summer nights.
Speaker 32 (36:05):
It's three o'clock Inlumonium, and I'm on the streets again.
Speaker 3 (36:12):
I disobeyed another warning.
Speaker 2 (36:15):
I should have been in my tail.
Speaker 3 (36:18):
Now I won't get out till Sunday. I'll have to
say I stayed with friends.
Speaker 31 (36:25):
Oh but it's a heaven Worth woman if it means that,
Just to bother him.
Speaker 3 (36:31):
Dancing in the moonlight, it's kept me in. It's my light.
Speaker 31 (36:37):
It's all dance sitting in the moon light on this
slow had summer nights, and I'm walk.
Speaker 1 (36:59):
The least was the long.
Speaker 11 (37:08):
In the Moonlight's death in the moonlight.
Speaker 3 (37:43):
It's cut me and it's by light. It's a death
in the moonlight off this law had summer days.
Speaker 10 (37:53):
It's Dad in the moonlight in.
Speaker 3 (37:56):
The moon cut and it's spy lights cut me, and it's.
Speaker 10 (38:00):
Dance in the dance on this snow in the Moonlight.
Speaker 6 (38:25):
From nineteen seventy seven's Bad Reputation album, There's Thin Lizzie
and dancing in the moonlight. As we celebrate the fifty
sixth anniversary of the moon landing. This guy spends some
time playing keyboards for Rainbow, and in nineteen seventy seven
he left started putting together some solo materials. His first
project was called the Planet Pea Project. This is Tony
(38:47):
Carey and why me in Don's basement, sitting up here.
Speaker 3 (39:22):
Watching over letting down below?
Speaker 10 (39:25):
Feel this turn?
Speaker 3 (39:27):
And why does it go so slow? Thinking about the
girl I left behind? Shuston?
Speaker 8 (39:36):
Can you hear me?
Speaker 11 (39:37):
Or have I lost my mind? Why me?
Speaker 8 (39:44):
Why me?
Speaker 2 (39:49):
I was waiting on the bed of since comes we go?
Speaker 3 (39:54):
The man I've been the town was enjoying the show.
Speaker 2 (40:00):
I got this feeling that I.
Speaker 3 (40:02):
Never had before. Hey, letting me out again?
Speaker 1 (40:07):
What if I get a ball?
Speaker 10 (40:09):
What I mean?
Speaker 8 (40:13):
What I mean?
Speaker 2 (40:20):
There must be a.
Speaker 12 (40:21):
Thousand other guys?
Speaker 3 (40:24):
Must be some other way to.
Speaker 2 (40:26):
Look in your eyes? Why am I up here?
Speaker 11 (40:31):
Not do this?
Speaker 10 (40:32):
Seeing me?
Speaker 3 (40:34):
You must be one thousand of the blazes to me?
Speaker 8 (40:38):
Why I mean?
Speaker 3 (40:58):
That's not to read here?
Speaker 2 (41:00):
I wanta never heard from again.
Speaker 15 (41:03):
She won't be back this way until thousand and ten.
Now I'm riding on a found to the file in
my back to.
Speaker 10 (41:14):
There, I go high and fire?
Speaker 2 (41:17):
Well, how read you.
Speaker 8 (41:22):
Wi me?
Speaker 2 (41:28):
The must be a thousand.
Speaker 3 (41:31):
Other guys, must be some other way to little.
Speaker 8 (41:35):
Good in your eyes?
Speaker 2 (41:38):
Why am I up here? What dude?
Speaker 8 (41:40):
They see in me?
Speaker 3 (41:42):
You must be one thousand other places to be?
Speaker 11 (41:46):
Why me.
Speaker 10 (41:56):
While mean.
Speaker 4 (42:22):
Radio that specializes in flashbacks? Is that a great business model?
Speaker 20 (42:26):
Or what?
Speaker 3 (42:27):
Welcome to Don's basement. There was a small but I
(43:01):
could see the bagley a day, but not just a
poor one. But maybe it's the price you have to
pay if you're lack a dreams away. If you know
who wants to listen, what's the soul? I wish you'd
been a mid stroke. Just think of all the many
(43:25):
designer falls. I wish you be a gap.
Speaker 2 (43:34):
And maybe I could.
Speaker 33 (43:34):
Read the crystal ball because they're rounded bats walls.
Speaker 3 (43:38):
It just makes me feel an easy as a pay
system Shine, won't you send me a little sun?
Speaker 2 (43:50):
I said, pay.
Speaker 3 (43:53):
System one, Shine at the stranger to everywhere, make it's
all that Thanks not bright, think it's all good? Thanks
secret shout ald the music loud the sky.
Speaker 8 (44:46):
It was a lie.
Speaker 3 (44:50):
We're like to be the king of all the play
he wasn't ego. Maybe I could fly about the ring.
I'll fly about the Pain the novel for a passive head.
Speaker 33 (45:09):
System Shine, when you send me a little sign? I said,
System Unshine Street.
Speaker 3 (45:23):
Everyone mix a laugh stop mix. So welcome to see
Fred shows a lack.
Speaker 34 (45:39):
We'll strike up the music last, still.
Speaker 6 (47:30):
One of the greatest album covers of all time. Super
Tramp from Crisis, What Crisis and Sister Moonshine celebrating the
fifty sixth anniversary of the moon Landing. These guys go
back to nineteen seventy three when they were known as
the Golden Gate Rhythm Section. They were founded with a
couple members of Santana's band, Neil Shawan and Greg Rowie,
(47:53):
Who's got the vocal on this before Steve Perry joined
the band from their third album Next This is Journey
and Spaceman in Space.
Speaker 8 (48:03):
Don't be so nice.
Speaker 32 (48:05):
I was gong to fight, not out of place in
the wind, won't jot Cliff.
Speaker 3 (48:21):
They're not close eies.
Speaker 2 (48:29):
I'm not a sace.
Speaker 35 (48:31):
No no, I'm not a sace. Don't need no medas,
I don't need no train.
Speaker 3 (48:55):
I'm all together in my Boddy and miney not supernatural.
Speaker 10 (49:06):
Just then you not come by.
Speaker 11 (49:13):
I'm not a.
Speaker 3 (49:14):
Say sim no, no.
Speaker 8 (49:19):
No no.
Speaker 2 (49:21):
I'm not say.
Speaker 1 (49:25):
No no.
Speaker 2 (49:55):
Don't see a capsule.
Speaker 10 (49:57):
I don't need to stay.
Speaker 3 (50:03):
I'm bront my wings. I'm not today.
Speaker 29 (50:11):
I'm a cosmopolitan right down to Queen just man, No no,
I'm not a space.
Speaker 10 (50:22):
No no, no, no no, I'm not a space.
Speaker 2 (50:48):
I'm not a space.
Speaker 7 (51:12):
Out of all the shows on the radio, we're one
of them.
Speaker 4 (51:26):
Welcome to Down's basement.
Speaker 36 (51:41):
We're turning on the to the royal note check, don't
hold down the line, give.
Speaker 3 (51:49):
Me bad rolling, just in one mold chairs. Just tell
him one more time and to the.
Speaker 36 (51:56):
Version he was on this man Fi case the Junes,
Why woman and lie? He then a god ba bone
that you love that?
Speaker 11 (52:09):
I won't.
Speaker 2 (52:11):
It to love that of me?
Speaker 10 (52:14):
It you love?
Speaker 14 (52:15):
Got to hell.
Speaker 2 (52:18):
It you love?
Speaker 3 (52:23):
I lovebouty bank bass guy. So my mother is out
of town. Come the money kind to choose.
Speaker 2 (52:31):
Your jewel, got to know it down now, drop.
Speaker 36 (52:37):
Can of the boat, free ride and then don't matter
love a snae.
Speaker 8 (52:43):
It's a bird.
Speaker 11 (52:43):
It's a plain.
Speaker 3 (52:44):
It's a suicide and not to be shame.
Speaker 2 (52:49):
But you love that? I won't.
Speaker 11 (52:52):
You love?
Speaker 2 (52:53):
How to me.
Speaker 1 (52:55):
It?
Speaker 10 (52:56):
You love?
Speaker 2 (52:56):
Got to have.
Speaker 3 (52:59):
It's a love.
Speaker 2 (53:02):
But what's they do?
Speaker 8 (53:03):
The moon.
Speaker 3 (53:24):
That a little borrow bring God's print sign a final the.
Speaker 2 (53:29):
Serving food they me with the third degree.
Speaker 3 (53:34):
When then on the thumb spoof.
Speaker 25 (53:38):
How I'm the sor I can't face the fast coming facts.
Speaker 3 (53:45):
The nether Woman. They've known a lot of attacks. Let's
turn now that all out.
Speaker 2 (53:53):
It's a love that means.
Speaker 25 (53:57):
It's all I have.
Speaker 10 (54:00):
I love you, Love you.
Speaker 2 (54:11):
Love is.
Speaker 3 (54:17):
What's next?
Speaker 6 (54:50):
Bond Scott said. It's a song about taking risks from
the Power Rage album and what's next to the moon,
putting the raps on the till the Moon Outless edition
of Don's Basement Tape celebrating the fifty sixth anniversary of
the moon landing. If you believe it, If you don't,
I highly recommend you check out the movie Capricorn, one
great flick. We want to thank all the radio stations
(55:12):
up and down the dial to take the time to
run our show each week, including our flagship station ninety
nine point nine FMWYML and WYML dot us in Chicago.
Thank you, Joe and Jeff, Megan, greg In the Great
ninety eight WMDC maybel Wisconsin.
Speaker 11 (55:26):
Deck.
Speaker 6 (55:27):
We're all this madness started Carl and PJ WGFM, also Illinois.
Chuck and his crew KZFX Rock in the High Desert
in Ridgecress, California, Buddy Guy and everybody a Buddy Guy
Radio in Chicago and all the stations. Big thanks to
the iHeartRadio Network in Amazon Music for getting the word
out about down Spaceman tapes and taking it worldwide. Big
(55:48):
thanks to mister Lee Peak, the voice of Don's Basement,
and thank you so much for coming down here each
week and hanging out with us in the basement. We
appreciate it. I'm Don Clark.
Speaker 18 (55:57):
Peace,