1059 - Out Of Control (Suspense)

Episode Transcript

Speaker 1 (00:02):
Another journey into the realm of the strange, and tell
him by.

Speaker 2 (00:07):
I hope you will enjoy the chap, that it will
trill you a little and kill you a little. So
settle back, get a good grip on your nerve.

Speaker 1 (00:20):
Where are we going? You'll find out when we get there.

Speaker 2 (00:32):
Suspense Tonight, Bring Him to Brian Dunlevy, A Star of
Other Control, a suspense play produced, edited and directed for
Roma Wines by.

Speaker 1 (00:46):
William Spear.

Speaker 2 (00:52):
As Roma Wines, Bring You Brian Dunlevy Get a Remarkable
Tale of Us Spend.

Speaker 1 (01:03):
I arrived in Gatlenburg around ten in the morning. I
checked in at a hotel called the Mountain Inn and
went downstairs to breakfast. My dog, Schnuoki went with me,
as she always does. I gave my order to the waiter.
As I sat there, I looked the place over. It
was a good sized room. By the echo in it.

(01:25):
There was a log fire crackling in a fireplace on
the far side of the room, and a large view
window on my right. Glass has a special kind of echo.
There was only one person in the room when I entered.
It was a woman, apparently a wealthy and rather vain woman.
Judging from her perfume, she was sitting at the table

(01:45):
diagonally across from me. I looked in her direction, so
to speak. I heard a man's footsteps approaching across the
room and smelled fresh polish on riding boots. As he
went past me. He paused before her table.

Speaker 3 (02:01):
Well, if it isn't miss Jim Stillmore, Hello Martians. Well
the cray surprised to see me.

Speaker 1 (02:09):
What do you want? I here?

Speaker 3 (02:11):
Your husband is thinking of running for governor. So what well, Marsha,
I've got a newspaper cupping hill. I thought, it's my
interesting it's about your pal, the late Eddie Hassen.

Speaker 1 (02:22):
What about Eddie?

Speaker 3 (02:24):
I'll read you the headline, Eddie Hassen killed an auto crash.
Colorful reno figure plunges from mountain road. Car out of control,
say police.

Speaker 4 (02:34):
Dennis never knew Eddie Hasson.

Speaker 1 (02:36):
No, no he didn't, did it? You know, Marsha? Not?
Who many did? You? Knows?

Speaker 4 (02:44):
To?

Speaker 1 (02:44):
A pot has always been in the me and I
didn't mean to Eve's job. I never mean to. But
some people can read what's on the marquis of them
will be theater ten blocks away. The most intimate con
that some kind of inversation comes to me from across
the room, as it spoken in all microphone. This is

(03:04):
a bidious pleasure to me at most times. But well,
as Masha Fillmore and Walter Crane considered, my interest became
more than casual. He was reading again found the newspaper
clipping Well.

Speaker 3 (03:17):
Is beneficiary of an insurance policy. Miss Henley was the
late mister Hassen's companion and was to have been married
to him upon his divorced third degree becoming final.

Speaker 4 (03:27):
Well.

Speaker 3 (03:29):
I was wondering if your brand new, politically minded husband
would be interested in the fact that you were known
locally as a gangster's companion.

Speaker 4 (03:36):
You always were loose, Walter, but I never thought you'd.

Speaker 1 (03:40):
Stoop to blackmail. Look.

Speaker 3 (03:42):
I lost a good job because of you, Marsha. When
an insurance investigator gets fired because his employers think he's
too susceptible to beautiful dames, he never gets.

Speaker 1 (03:49):
Back in the racket.

Speaker 3 (03:51):
I've got to look elsewhere for a source of income.
And it so happens that there are some things about
Eddie Hassen's accident that my former employers might be interested in.

Speaker 4 (04:01):
Eddie's car got out of control and that's all there
is to it.

Speaker 3 (04:04):
Look, you seem to forget baby, that I investigated that
case for specific all risk before they paid off, and
I didn't tell all the things I know or all
the things I thought, because well, you were making life
very interesting for me in those days.

Speaker 4 (04:19):
Well, Masha, you're wasting your time, Walter. Oh am, I
get out and take your clipping with you.

Speaker 1 (04:28):
Well, you can't blame a man for trying. Oh wait there, yes, sir,
bring me a glass of water? Will you? Ice water?
Nothing wrong, man, No, nothing wrong?

Speaker 3 (04:40):
Get the water, yes, sir, right away.

Speaker 4 (04:43):
Why did you do that? What? Nothing skipped?

Speaker 3 (04:47):
Oh?

Speaker 1 (04:47):
The ice water? Well I'm thirsted and so on.

Speaker 4 (04:50):
You're sure that's all?

Speaker 1 (04:52):
What else would I want with ice water?

Speaker 4 (04:54):
Forget it? Look, Walter, I'll sell Dennis on the idea
of investing some money in a a company of yours.

Speaker 1 (05:01):
Well, that's more like it.

Speaker 2 (05:04):
When's he coming up here tomorrow?

Speaker 4 (05:05):
But you musn't see him til I've had a chance
to talk to him. Get out of town, right of way, tonight.

Speaker 1 (05:09):
Where do I go?

Speaker 4 (05:10):
I have a fishing lodge up in the mountains. I'll
give you the key to the place. Go up there
and stay until I've sold Dennison on the idea. When
the time's right, I'll come and get you.

Speaker 3 (05:19):
I'll get you in on the deal, Marsha, if you
sell them good enough.

Speaker 4 (05:22):
Women do things sometimes wlder that they don't want.

Speaker 1 (05:25):
To be paid for lonesome women.

Speaker 3 (05:28):
Maybe maybe, Oh, Masha, you're still the most beautiful woman
that ever.

Speaker 1 (05:34):
Let a man up a garden path.

Speaker 4 (05:36):
Let's drink to that walder.

Speaker 1 (05:39):
In ice water. In ice water, the man who had
come to blackmail Marsha Fillmore remained the whisper sweet nothings
in her ear. It didn't make sense at first, but
then I remembered I have been told that she was

(06:01):
a very beautiful woman. Beautiful to look at.

Speaker 4 (06:04):
That is.

Speaker 1 (06:06):
There are times when I am profoundly grateful that I
have no eyes to deceive me. It must have been
shortly after midnight that I heard it. I awoke with

(06:27):
a start and sat up in bed. Although I have
been blind for many years, I still reach out and
automatically turn on the light switch when I am awakened
in the night. When the light went on, the sound stopped.
I turned it off and waited, quiet, snooky quiet, quiet.

(06:55):
It started again. It seemed to be below my window,
somewhere down by the hotel garages. Through the years, I
have finally trained myself to identify almost any action by sound,
but this one stumped me at first. It continued for
perhaps ten seconds longer, and then it stopped for good,

(07:18):
and a car door slammed shut. I made a careful
mental note of the car's motorist started up. It was
a packard and one of the spark plugs was missing. Fire.
But it got away to a fast start and was
soon out of even my earshot. But one thing I

(07:39):
was certain. It turned off the main road onto gravel,
and there was only one such turn off within earshot
of the hotel, the private road to the Fillmore's Fishing Lodge.
Evidently mister Walter Crane was going to have a visitor
up there sooner than he had expected. As I dropped
off to sleep, the memory that sound came back to me.

(08:02):
There was something strained and altogether sister about it. It
was still ringing in my head when I dropped off
to sleep. Quiet a moment, Captain McLean, I'm duncan McLean?

Speaker 4 (08:32):
May I come in for a moment?

Speaker 1 (08:34):
Of course?

Speaker 4 (08:36):
I do hope you'll forgive me for bursting in here life.
But I saw you in the dining room yesterday morning.
When I heard who you were, I hope you won't
be angry with me, not at.

Speaker 1 (08:45):
All past my getting up time anyway. Must have been
the mountain there that made me oversleep. Won't you sit down?

Speaker 4 (08:51):
Thank you?

Speaker 1 (08:52):
Cigarette? Yes?

Speaker 4 (08:53):
Yes, thanks?

Speaker 1 (08:54):
Well here, I've got it.

Speaker 4 (08:58):
You now you're you're really amazing. One would never suspect
that you're blind.

Speaker 1 (09:05):
Well, missus Fillmore, we blind people can compensate to a
certain extent by developing other senses more acutely.

Speaker 4 (09:12):
You know my name.

Speaker 1 (09:13):
I took the liberty of asking the head waiter last
night who the lady was with the intoxicating.

Speaker 4 (09:18):
Turfil just as I asked who the man was with
the police dog.

Speaker 1 (09:22):
Oh no, Snooky Hair is not a police dog. She's
just an amiable old German shepherd. I have a police dog, though,
dryst Oh. I only take him along when I'm on
especially dangerous assignments.

Speaker 4 (09:36):
I get it you're not on one.

Speaker 1 (09:37):
Now, shall we get to the point, missus Filmore.

Speaker 4 (09:42):
Well, well, there's a man staying here in this hotel,
or rather he was. His name is Walter Crane. He's
a blackmailer. Yeah, well, there's no need going into it.
But he's got hold of something about my past. If
it were published, it would in my husband's career.

Speaker 1 (10:01):
There's only one thing to do with a blackmail and
missus silmore turn him over to the police.

Speaker 4 (10:06):
No, no, you don't understand the police here is Sheriff Blackmer.
He and my husband are political enemies. I'm afraid it
would be too good an opportunity for him to pass up.

Speaker 1 (10:15):
Yes, I see your point.

Speaker 4 (10:17):
My first instinct was to get Walter Crane away from here.
I told him to go up to our fishing lodge.
I even gave him the key. I even pretended to
renew an old interest which he wants fancied I had
in him personally.

Speaker 1 (10:30):
Always a mistake, yes, but if you don't know the
worst of it.

Speaker 4 (10:34):
My husband came in from Knoxville early this morning, without
even waking. We went straight on up to the fishing lodge.
That's a note asking me to join him there. My
husband is a violent and unreasonable man. When he's angry,
Captain McClean is, he finds Walter Crane saying there and
the lodge, he's likely to think that.

Speaker 1 (10:53):
What are you afraid of, Missus Filmore.

Speaker 4 (10:56):
I'm afraid that my husband. Heaven forgive me for such
a thought. I'm I'm afraid my husband will murder him.
There now I said it.

Speaker 1 (11:08):
Yes, now you've said it. Excuse me? Hello, yes, oh,
Missus Fillmore. Yes, she's right here. It's for you, Missus Fillmore.

Speaker 4 (11:19):
No, pease don't go. I'm afraid it.

Speaker 1 (11:22):
Hello.

Speaker 4 (11:24):
Oh yes, Sheriff Blackness, Oh, how dreadful. I know we
didn't know him well. I did speak to him for
a moment yester evening. But I of course I'd be
glad to help you in any way I can. I'll
be in my cottage.

Speaker 1 (11:44):
What is it?

Speaker 4 (11:46):
Walter Crane? They found him, his car plunged over the embankment.
He was killed instantly when some people in the cottage
down below saw it happened when just five minutes ago.

Speaker 1 (12:08):
On the way over to her cottage, I stopped at
the hotel desk and send a wire to the Seeing
Eye Kimmel in New Jersey. Send drist Air Express immediately.
Price is my police dog, the dog I use only
on very dangerous missions or suspense.

Speaker 2 (12:35):
Roma Wines are bringing you a star Bryan Don Levy
and out of Control from the novel by Baynard Kendrick,
Roma Winds Presentations and I in Radios Outstanding Theater of Thrills,
Suspense between the acts of suspense, Thissus Truman Bradley or

(12:56):
a Roma Winds and now Roma Wines bring Back Law
Hollywood Soundstage. Brian Dunlavey, who has Captain Duncan McLean and
out of Control, continues.

Speaker 1 (13:13):
The narrative, well calculated to keep you in husband, Sheriff
Blackmer was a big, professionally cheerful man, but I could
tell from his voice that he was plenty worried.

Speaker 2 (13:30):
Glad to have in on this, Captain McLean. We don't
have many cases of this kind of these bars.

Speaker 1 (13:35):
I'll be glad to do what I can, Tariff black Mare.

Speaker 2 (13:38):
I'd running on their Ceeni critics, but you know there's
no different many other poops for me. I thought those
seeing eye dogs were trained to be gentle.

Speaker 1 (13:49):
I trained this one myself for special jobs.

Speaker 2 (13:53):
What kind of job? I'm right, I don't know how
to explain. I think I know the answer to that one. Well,
now let's go down to business, mister Fillmore.

Speaker 4 (14:03):
I suppose you want some information about that road up
to the fishing lodge. It it's quite steep and hard
to negotiate if you don't know it.

Speaker 2 (14:10):
I know the road very well, missus Fillmore.

Speaker 1 (14:12):
But then what you said you didn't.

Speaker 2 (14:14):
Know this man, Walter Crane, sheriff.

Speaker 4 (14:18):
I was very foolish when I spoke to you on
the phone. As a matter of fact, he's a very
old friend of mine, or was. I think you'll understand
when I tell you my husband was very jealous.

Speaker 1 (14:29):
Jealous enough to have killed him.

Speaker 4 (14:31):
Killed him. I thought he died in an auto crash.

Speaker 3 (14:34):
He was murdered and thrown into the car just before
it crashed. He died with an ice pick through his art.

Speaker 1 (14:46):
Whatever she knew that she wasn't telling that part of
it came to her as a complete surprise. I know
that now I knew it at the time. Whatever Marcia
Fillmore had known about Walter Crane's day, she was innocent
of stabbing and through the heart with that ice pick.
As for the rest of it, her alibi was perfect.

(15:07):
I was her albi this time. She was in my
room when it happened, twenty miles from the scene of
the crime. But someone had driven up to that lodge
before Dennis Sillmour, someone who had made elaborate preparations for
that little drive. As I walked over to the hotel garage,

(15:28):
the memory of that sound came back to me. The
sound that I was convince held the key to the
mystery of Walter Crane's death and Eddie Hassen's as well.
I found a mechanic working on a car. What it's done? Hi,
looking for your car? No, I don't drive, Oh, missus

(15:50):
Silmour asked me to stop by a is her car readiot?

Speaker 2 (15:52):
Yeah?

Speaker 1 (15:53):
Sure, it was only one of the spots plugs. Oh
this car? Yeah, station wagon? Packet, isn't it. You've got
a good sense of touchments the thing you say? It's nice?
I post the real leather, isn't it? Yep, that's peculiar.
What is the floor is wet and cold? Oh?

Speaker 2 (16:11):
Maybe they want fishing this morning.

Speaker 3 (16:13):
They carry a chunk of ice sometimes when they got
trout fishing ice.

Speaker 1 (16:18):
Of course, that's what it was. Ice.

Speaker 4 (16:31):
Then you must believe me. I know that my husband
didn't do this terrible thing.

Speaker 1 (16:35):
And why did you come to me this morning and
tell me that you were afraid your husband would murder.

Speaker 4 (16:39):
Crane, don't you understand why I needed help? I knew
you only work on murder cases, and so I tried
to get you interested by making that story up.

Speaker 1 (16:48):
I think I can save your husband, Marsha, but only
if you tell me the absolute truth.

Speaker 4 (16:53):
I will, I swear I will.

Speaker 1 (16:55):
Did you go up there to that cabin last night
to see Walter Crane?

Speaker 4 (16:59):
No?

Speaker 1 (17:00):
Line Number one? You drove up there around twelve thirty?

Speaker 4 (17:04):
How did you know?

Speaker 1 (17:06):
I heard a car drive out about that time. It
was a packard with one dead spark plug. This morning,
your packard was in the garage getting a spark plug replaced.

Speaker 4 (17:15):
You don't know I went up there.

Speaker 1 (17:17):
I heard you turn off on a gravel road about
halfway up the mountain. Your road is the only one
up that way.

Speaker 4 (17:23):
All right, all right, I did go up there, but
I wasn't Derewin when it happened.

Speaker 1 (17:29):
Martia, have you ever seen this bottle before?

Speaker 4 (17:34):
Certainly it had berylin in his sleeping medicine. It's a
prescription of my husband.

Speaker 1 (17:40):
Have you any idea how it got in Crane's car?

Speaker 3 (17:44):
Well?

Speaker 4 (17:44):
I gave it to him. He said he couldn't sleep.

Speaker 1 (17:48):
How did you give it to him.

Speaker 4 (17:50):
In the bottle. Of course, are you intimating that I
drugged him?

Speaker 1 (17:55):
I am only trying to find out what Crane did
the last few hours of his life. Josey took an
overdose of sleeping medicine that might account for the accident.
He might have got up this morning, still woozy from
the effects of the drug, got in his car, released
the emergency break, blacked out for a split second that
sometimes happens in the reaction to an overdose of sleeping medicine,

(18:17):
lost control of the car and crashed over the embankment.
It might have been as easy as then, but.

Speaker 4 (18:22):
That wouldn't account for the ice stick to his heart.

Speaker 1 (18:25):
No, not unless you took a chunk of ice up
there last night, didn't you.

Speaker 4 (18:33):
I don't know how you knew. Yes, yes, he needed some,
especially if he was going to do some trout fishing,
and Walter was very fond of ice water.

Speaker 1 (18:44):
Yes, I know he ordered some last night at dinner.

Speaker 4 (18:48):
Is there anything you don't see with those sightless eyes
of yours?

Speaker 1 (18:52):
I still don't see the murderer of Walter Crane.

Speaker 4 (18:58):
I thought for a moment you suspected me.

Speaker 1 (19:02):
I'm perfectly capable of it. You had the motives, you
had the ice pick, but you weren't there when it happened.

Speaker 4 (19:09):
No, they can't prove that Dennis was, can they.

Speaker 1 (19:12):
Well, he's a pretty likely candidate, isn't he? Martian?

Speaker 4 (19:15):
Oh, I'm so worried about him. They have a posse
out for him. Where will we go?

Speaker 1 (19:19):
I wonder? I wonder. I knew where he'd go, and
so did she, and they both knew that matters would
have to come to a head that night. I didn't
tell Sheriff Blackmare everything, but he agreed to drive me
up there. About twenty minutes after the sheriff lent, a

(19:42):
man came into the lodge from the storeroom where I
was hidden. I could hear perfectly. He didn't turn on
any lights, but went out to the kitchen and started
some coffee. It could only have been Dennis Fillmore who
paced up and down in that darkened room. Then I
heard the door open and a woman's footsteps coming in.

Speaker 2 (20:00):
RuSHA Oh, Dennis, you shouldn't have come here.

Speaker 1 (20:02):
What are you trying to do? Leave them to me.

Speaker 4 (20:04):
I didn't tell the sheriff about you, Dennis, I swear
I didn't tell him what Dennis. I know you killed Crane.

Speaker 1 (20:11):
So you'll know I'm a murderer. And what are you doing?

Speaker 4 (20:14):
Dennis? I love you so much. I hated that man.
I'm glad you killed.

Speaker 1 (20:19):
What was Crane to you?

Speaker 4 (20:20):
I was trying to tell you, darling I used to
know him. He's a blackmailer. It was perfectly innocent before
I met you.

Speaker 1 (20:27):
But but what's your career that?

Speaker 4 (20:29):
I just didn't want you to get mixed up in
a death way? I told you to him.

Speaker 1 (20:34):
Sorry, Marcia, don't cry. I love you, Dennis. I made
some coffee. Would you like someone?

Speaker 3 (20:42):
Yes?

Speaker 1 (20:43):
You you're just still darling up.

Speaker 4 (20:46):
I'll get it, Jennis.

Speaker 1 (20:52):
What are we going to do?

Speaker 4 (20:54):
Have you thought about it?

Speaker 2 (20:56):
I'm thinking as hard as I can.

Speaker 4 (20:57):
Marsha, you can't confess to this terrible thing, Jennis. I
won't let you.

Speaker 1 (21:03):
I don't think the insurance company would pay if I
were electrocuted, wouldn't they?

Speaker 4 (21:07):
Oh, Dennis, don't say such things. Here, drink your coffee?

Speaker 1 (21:16):
Taste rough? Oh what's the matter with you?

Speaker 4 (21:20):
I don't know what I feel safe. I can't seem
to get my breast stuffee in here.

Speaker 1 (21:27):
It must be the wood smoke I had a terrible
time starting a fire. Come along outside, Darrol, but you yes,
that is better. Would you like to drive somewhere? No,
let's just sit in the car for a while.

Speaker 2 (21:45):
Air.

Speaker 1 (21:52):
They sat there in the car, perhaps ten minutes before
the car door slams shut. And then I heard it,
the sound that had been ringing in my ears since
that first night. But now I was hearing the real
thing for a second time. As calmly as the neighborhood
iceman chipping out a fifty pound chunk for a housewife,

(22:15):
the murderer was making preparations for a third experiment in
a method from Almost Perfect Crime. Hello, Marcia you how

(22:39):
did you get here? I'm afraid I was eavesdropping.

Speaker 4 (22:43):
Then you heard what Dennis said?

Speaker 1 (22:44):
Yes I did, Marcia.

Speaker 4 (22:46):
Captain mc crane, would you could you forgess that Dennis
said that Crane with a blackmailer? What does it matter?

Speaker 1 (22:53):
Don't come any close to marshals. This dog isn't schnooky.
This is Dreys, the dog I told you about, Remember the.

Speaker 4 (23:01):
One you take on dangerous mission.

Speaker 1 (23:05):
You've terrified me for two whole days. Marcia, You're the
most perfect killer I've ever met.

Speaker 4 (23:13):
You said yourself I couldn't have stabbed Walter Crane.

Speaker 1 (23:16):
Eddie Hassen wasn't stabbed your blossom.

Speaker 4 (23:20):
You can't prove the same.

Speaker 1 (23:21):
No, that's the beauty of your method. The ice melts
away before the accident happens. I that's your method, Marcia. First,
the victim is drugged with an overdose of sleeping medicine,
then lured into the car and kept early falls asleep.
The rest is simple. Put ice wedges under the front

(23:42):
wheels and release the emergency break. When the wedges melt away,
the car rolls over the embankment with the sleeping man
in it. You're miles away from the scene and the
evidence has vanished, literally melted away. Only this time it's
not going to work.

Speaker 4 (23:57):
What are you going to do?

Speaker 1 (23:58):
Ohone, Sheriff Blackmer. I want him to get here before
the ice melt. Stay where you are. It would be
a shame to have rice to mutilate your beauty. Your
beauty is your most powerful weapon, you know. I only
hope it won't free you and turn you loose to
start killing again.

Speaker 4 (24:15):
You what do you know about a woman?

Speaker 1 (24:17):
Say? I warn you, this dog is a killer.

Speaker 4 (24:21):
I'll kill you. And a mongrel with eyes skid you
from the moment I first saw you. What kind of
a man is that? It looks at the woman with
those cold, dead eyes. You'd better up there. I'm doing
you a favor.

Speaker 1 (24:31):
Favor she did all right. I'm sorry the dog. I
guess I'll have to have him put away.

Speaker 2 (24:52):
I don't be necessary, captain. She did that for you.
I have the ice picked square between his eyes. Coolly,
what I you can't figure out? How did she manage
to stab Crane and still keep her alibi?

Speaker 1 (25:05):
She didn't stab Crane?

Speaker 2 (25:07):
And who did?

Speaker 1 (25:08):
Nobody? Well?

Speaker 3 (25:08):
And howled?

Speaker 1 (25:09):
It was a freak accident, sheriff. The ice pick was
on the seat of the car when it crashed. I
knew that when you told me the angle at which
it ended the body there it was. She really thought
her husband had done it after she left Crane asleep
in the car, so much so that she even accused

(25:29):
him of doing it. By the way, is he all right?

Speaker 2 (25:32):
Oh sure, just a little dope from the sleeping pills.
I guess she's really pretty broken up about her. I
really loved her, the sap can't blame him though. He
really was a beautiful woman. Why when she looked at
you with those.

Speaker 1 (25:44):
Big blue eyes of hers.

Speaker 2 (25:46):
You could believe anything she wanted you to believe.

Speaker 1 (25:49):
So they told me, Yes, Serriff. Sometimes I'm very glad
I have no eyes to deceive me.

Speaker 2 (26:08):
Suspence.

Speaker 1 (26:11):
This is Brian dan Levy. I would like to particularly
thank Kathy Lewis for her wonderful performance. Tonight is Marsha Fillmore.
Mister Spear has been telling me about next Thursday suspense play.
Miss Agnes Moorehead will be the star in the show
concerning a fated leading lady, her cheerful second husband, and
a sweet Steaks ticket which turns out to have been

(26:33):
buried on the person of her not so cheerful first husband.
I know that I won't miss this one, and I'm
sure you won't. Thank you.

Speaker 2 (26:41):
Brian Dunlevy will soon be seen in the Paramount Techno
Color production The Virginian. Next Thursday, same time, Roma Wines
will bring Himss Agnes Moorehead.

Speaker 1 (26:50):
That's star of Suspense.

Speaker 2 (26:52):
Radio's up Standing Dear Her Thrill produced by William Spear
for the Roma Wine Company of Presno, California. This is
CBA to Columbia Broadcasting System