1062 - The Love Song Mystery (Boston Blackie)

Episode Transcript

Speaker 1 (00:02):
Another journey into the rail from the strain and tell
a by I hope you will enjoy the table that
it will tree you a little and kill you a little.

Speaker 2 (00:14):
So settle back, get a good grip on your nerve.

Speaker 3 (00:20):
Where are we going?

Speaker 2 (00:22):
You'll find out when we get there.

Speaker 4 (00:42):
Quiet you, guys, if you want to send them a
telegram that we're coming out from.

Speaker 3 (00:45):
Yes, sorry, sorry, Inspector Faraday. The stairs creaked.

Speaker 4 (00:49):
Your brain would be creaking if you had one of
those two months where after it kill us.

Speaker 3 (00:53):
Yeah, I know that, Inspector. I don't think they hurt us.

Speaker 4 (00:56):
I don't think so either, whether it be lid pouring
down on us by Now, okay, here's the landing, that's
the door. Get to work on it with your pass
key and don't make any noise.

Speaker 3 (01:08):
Yeah, all right, all right, Inspector. They're probably asleep anyhow
though it's three am, and you know they went upstairs
about midnight.

Speaker 5 (01:15):
Never mind what they are, Just get the door open.
Sure you've got the right yes, yes, yes, it'll work,
Inspector Farney. I tried it this afternoon while Dawson and
Murdoch were out. Yeah, this is the one, all right.

Speaker 4 (01:28):
Okay, Man not a sound now right, this is it.
As soon as the door is open, make a bee
line for that bed. Remember the two men in it
would shoot if they get a chance. Say that they
don't get the chance.

Speaker 3 (01:43):
Go to Weke Smith right there, the lock turned, inspector.
I'll open the door and get a look at those two. Yeah,
sleeping as if they didn't have a care in the world.

Speaker 4 (02:03):
Okay, boys, go get them.

Speaker 3 (02:05):
Come all right, we got them. Infect the Paraday, both
of them, handcuff.

Speaker 4 (02:12):
Drag them out of hand, down of the jail. Well,
Dawson finally got your hands. Oh what town isn't very
healthy for killers? Because you're gonna find out very soon.
Think you got me, don't you? Paraday disinterested observer might
say that Auson, you want your pal murdocer as good
as in the chair right now, that's what you think, Fletfoot.
Remember what I'm telling you. You haven't got a jail

(02:34):
in this town, in this country. Strong enough, the whole
Murdoc and me, we'll be out before you know it,
it says here, Come on, you guys, Drag them out
of this room. You boys did a good night's work.
I'm proud of him. Yeah, be proud of them, Paraday,
But don't be so proud of yourself. You won't be
when you remember what I'm telling you. There isn't a

(02:54):
jail in.

Speaker 6 (02:55):
This town strong enough the whole Murdoc and me, and
now meet Dick Calmer as Boston Blackie. Enemy to those
who make him an enemy, friend to those who have
no friends.

Speaker 7 (03:20):
Listen to this Blackie. M You know those two killers
inspected Faraday Court.

Speaker 8 (03:26):
Dawson Murdoch. Show what happened to them? And no matter
what it is, it isn't enough.

Speaker 7 (03:30):
You haven't seen the newspaper.

Speaker 8 (03:32):
No I have those matter of fying something about Dawson murder.

Speaker 3 (03:34):
They got away.

Speaker 7 (03:36):
It says here they were being held overnight in a
detention cell. They had a visitor this morning, and sometime
around noon they saw the bars off their selling escape.

Speaker 8 (03:45):
Oh they'll be beside. Whoever the visitor was probably smuggled
in the hacks. Too bad, they got away, the pretty
dangerous characters.

Speaker 7 (03:55):
Maybe you ought to stay in the season.

Speaker 8 (03:56):
Maybe I ought to go out and see if I
can find some trace of them for the good inspector.

Speaker 7 (04:00):
Oh no, you don't. Neveraday is a good friend of yours.
But You're a good friend of mine and I'm not
letting you go out after a couple of killers. Now,
who can that be?

Speaker 8 (04:11):
Mary?

Speaker 7 (04:12):
I'm sorry. I always say that when the phone rings, don't.

Speaker 8 (04:15):
I When the phone rings, I always say hello, Hello, Blackie.

Speaker 3 (04:21):
Yeah, this is Duke Collins, the radio singer. I need
your help. I've been threatened really by home and with what.
I don't know.

Speaker 9 (04:28):
The man he called me a little while ago and
said he was going to come up and see me.

Speaker 3 (04:32):
If I didn't do what he wanted, he'd see it
with it. I never sang again I called you, Blackie.
I was afraid to call the police. Where are you,
Cider apartment sweet nine to eight? If you're coming up here, Blackie,
please hurry it comes. What's going on there?

Speaker 8 (04:51):
Colin?

Speaker 3 (04:53):
What?

Speaker 8 (04:56):
Col Hin the crooner? Somebody's smacking him all over his apartment?

Speaker 7 (04:58):
My gosh, Blackie. Why would anybody want to.

Speaker 8 (05:00):
Beat up Color because he's a crooner. Maybe that's beside
the point, Mary. The point is that he wanted help,
but he asked for it a little too late.

Speaker 10 (05:16):
Okay, okay, Professor, run it over.

Speaker 9 (05:18):
I want to hear it.

Speaker 3 (05:20):
Must I to.

Speaker 9 (05:21):
Be vague about the answer.

Speaker 4 (05:23):
Yes, you must hurry up get over to that piano.

Speaker 3 (05:26):
But I'm very tired, young man.

Speaker 6 (05:30):
You know.

Speaker 3 (05:32):
You need to push me. I was going over.

Speaker 10 (05:37):
Yeah, these are the words of the song you wanted
worked out just the way you wanted it.

Speaker 9 (05:43):
Better be right, professor, It's all I got to tell you.

Speaker 3 (05:46):
Better be right.

Speaker 10 (05:47):
I followed your instructions. I'm sure I've followed them.

Speaker 9 (05:50):
Well, let's go on, plait a tone. I'm waiting just
a minute, flight a car? How far these words while
you're playing?

Speaker 3 (06:02):
That's what I'm about to do, Stutch, I can.

Speaker 9 (06:07):
Fate was feeling frisky when she made us to me.
She knocked you off the beam and knocked me right
off my feet. She made a careful creature when she
fashioned you, and I'll hold you in my arms. She

(06:32):
kept a special moon of waiting just for us tonight.
She built some special weather so our romance would be right.
She had a special reason, and the reason in the
main was to hold you in my arms.

Speaker 11 (06:55):
Lady, I'm telling you, I know what you wait.

Speaker 9 (07:03):
Paradise is quite nice now that it's right here a night.

Speaker 11 (07:12):
So, darling, if you can't wait, why just count up
to ten and I'll hold you in.

Speaker 3 (07:22):
My arms, a young man. You like it?

Speaker 4 (07:29):
I think it's thanks.

Speaker 10 (07:30):
It's rather difficult to compose. You wanted so many different
things in it. You said it had to sound like
a song. Sure, I said that it sounds like a song.
All right, that's all I can't say for it. You
know what this thing that sounds like a song is
gonna do?

Speaker 3 (07:46):
Of course not. I just followed your instructions. You've been
a good boy.

Speaker 9 (07:50):
You followed instructions, So maybe I won't clip you too hot?

Speaker 3 (07:55):
No, please, please, don't hit me.

Speaker 12 (07:57):
Talk please.

Speaker 3 (07:58):
I'm an old man.

Speaker 9 (07:59):
Don't worry. Pop Maybe aren't gonna be much older.

Speaker 3 (08:12):
This place is get me down, darn, it's get me
down here.

Speaker 4 (08:15):
Did you like jail better?

Speaker 3 (08:16):
Right?

Speaker 12 (08:16):
Ah, garry, I had the sauce smuggle in so you
and I could break out, go on and play solitaire
and stop bothering.

Speaker 13 (08:24):
All I'm saying is these four walls is driving me
a little out of my mind.

Speaker 3 (08:28):
It's only some way we could get out. Thro Every
cop in the city is looking for us. They're not
the radio. If you want something, I'm sick of the radio.
I'm sick of everything in this broken down row.

Speaker 4 (08:38):
You ought to be glad we have it.

Speaker 10 (08:40):
There ain't no green door at the end of this hall.

Speaker 3 (08:43):
Remember that.

Speaker 13 (08:44):
I don't know what's at the end of this hall.
All I know is I'm getting jittery. When is the
message going to come through? That's what I want to know.

Speaker 12 (08:50):
It doesn't come through when Sam and the boys are
ready to move us.

Speaker 13 (08:54):
I don't even know where we are.

Speaker 3 (08:56):
Well, let me phone them. That's right.

Speaker 12 (08:58):
Cops will be listening face the clause. They know our
boys lax safe. Yeah, yeah, the kids will get a
message to us. That radio is going to give it
to it. Sure, sure, you say, trans supposed to think
it's true.

Speaker 10 (09:11):
It's all arranged.

Speaker 12 (09:13):
That little radio over there is going to tell us
when Sam thinks it's okay for us to blow and where.

Speaker 4 (09:18):
Were to meet him so that we can get away nice.

Speaker 10 (09:20):
And clean and safe.

Speaker 14 (09:22):
But nobody know anything about it except us.

Speaker 4 (09:34):
Black, You do me one favor, just one Tell me
what I'm doing here with you.

Speaker 8 (09:38):
All right, parady, I'll tell you. You're on your way
to do colums apartment. He's a radio singer and he's
in trouble.

Speaker 4 (09:43):
You don't know what trouble is. I'm really in trouble.
Two killers Murdock and Dawson broke jail. Do you know that?

Speaker 3 (09:49):
Yes?

Speaker 8 (09:50):
I do, And if you're a good little boy, maybe
I'll help you find them. Right now.

Speaker 3 (09:54):
I asked you to meet me here because once you told.

Speaker 4 (09:56):
Me because of what I told you? What did I
tell you.

Speaker 8 (09:59):
Not to take police cases into my own hands? Do
Collins got smacked around while he was talking to me
on the telephone and go out to see him? And incidentally,
this is his claw?

Speaker 4 (10:08):
Go ahead, you have to go up and see him.

Speaker 3 (10:10):
So I asked you to come with me.

Speaker 4 (10:12):
I like, I don't met you some day, Blackie? What's
the use I'll ever do it? Colins?

Speaker 3 (10:19):
Yeah? You help me clean up this mystery and and
I'll help you with I can do us.

Speaker 4 (10:25):
You will help me? When did you ever help me?

Speaker 8 (10:27):
Let's take two or three days off sometime and I'll
list the cases for you. Yes, I'm Boston, Blackie. This
is inspected Paraday of the police. Are you Collins?

Speaker 10 (10:36):
Well?

Speaker 4 (10:38):
Well? Yes, where'd you get the shine of Collins? Oh? This?

Speaker 3 (10:41):
I I had an accent?

Speaker 8 (10:44):
Sure did the Colins? You called me and said you
needed help? What's going on?

Speaker 4 (10:47):
Oh?

Speaker 3 (10:48):
Nothing really, Blackie?

Speaker 4 (10:49):
I I thought I was going to have probleb but
it's all okay now, Sorry I put you any bother. Goodbye. Hey,
wait a minute, goodbye, inspector.

Speaker 3 (10:59):
Nice to have met you.

Speaker 4 (11:01):
Now, what was that all about? What don't we come
up here for?

Speaker 3 (11:04):
Colins?

Speaker 8 (11:04):
Seems to be a nice boy, nice and scared. Maybe
I stick around.

Speaker 4 (11:09):
Maybe you ought to do anything you want, but without me,
I'm going back to headquarters.

Speaker 3 (11:13):
How are they?

Speaker 8 (11:14):
I'd like to help you track down dust and murder.
Now that apparently I can't help, mister Collins. If I
only had a place to start.

Speaker 4 (11:21):
I'll tell you where to start in this city. Somewhere
the alarm went out for those two five minutes after
they got away. Every road, every railroad, every bus terminal,
every airport has been watched. There I never left this city.

Speaker 3 (11:34):
What if I were you, I'd watched their friends. They're
gonna need something, money, close a car. Maybe their friends
will be in touch with you.

Speaker 4 (11:40):
You No, No, Dawson. He's the cleverest crook that ever
hit this city. He knows we'll think of that first thing.
I guarantee none of his friends know where he is,
and even if they did, they'd be under roads to
keep away from wherever he's hiding on.

Speaker 8 (11:53):
In that case, you've got a top assignment, in this case, in.

Speaker 4 (11:55):
That case, in this case, listen, in case you're interested,
You've got friends in the underworld.

Speaker 8 (12:01):
Oh, I wouldn't say that exactly, old pal. I know
several characters who talked to me, even though I happen
to associate with the police inspector once in a while.

Speaker 3 (12:08):
Is that what you meant? Man?

Speaker 4 (12:10):
Who knows what I meant? All I know is that
I got to get a lead on those two guys.
Do you hear anything, Blackie?

Speaker 8 (12:17):
Let me know, assur Inspector only. I've got an idea
it isn't going to be as simple as all. That
those two mugs got out of jail pretty easily. Maybe
they'll get out of town just as easily.

Speaker 14 (12:39):
And now back to Boston, Blackie, Dawson and Murdoch, two
criminals have escaped from detention cells and are holding out
in the city. Inspector Faraday is certain that their gang
will try to get in touch with them, but so
far no attempt has been made. However, Duke Collins, a

(13:02):
radio singer, complains that he's been threatened and while there's
no apparent connection between that and the Escape Killers Boston.
Blackie has an idea that two might be tied up.
He and Mary Wesley are in his apartment listening to
the radio, just before it's time for Collins to sing.

Speaker 3 (13:21):
Way, Mary, I want to hit the end of this program.

Speaker 4 (13:24):
Hey, you got me, you got me?

Speaker 3 (13:27):
Holy I told you you never.

Speaker 8 (13:29):
Take me alive, and you didn't.

Speaker 4 (13:33):
Hey, Mike, you put fell out of his pocket.

Speaker 14 (13:36):
Two pennies ahead.

Speaker 4 (13:38):
I bet well. It only goes to prove that what
they say is true.

Speaker 10 (13:42):
Crime really doesn't.

Speaker 8 (13:46):
Oh, Mary accertainly wish it was as easy to catch
crooks in real life as it is a mystery story.

Speaker 4 (13:51):
Well, I don't know.

Speaker 7 (13:51):
You don't do so badly.

Speaker 3 (13:53):
Maybe, but it is easy. Time for that Duke Collins to.

Speaker 7 (13:57):
Sing, Oh yes it is, he's Blackie.

Speaker 3 (14:00):
Will you hear him? Baby, Your Bobby's socks are showing.

Speaker 7 (14:04):
Oh shut, It's time for Colin.

Speaker 3 (14:07):
Ladies and gentlemen, do you Colin sings? The program originally
scheduled for this time will not be heard. In its place,
we present a short interlude of piano music.

Speaker 12 (14:17):
Turn it off?

Speaker 3 (14:17):
Will you marry?

Speaker 8 (14:18):
Something funny is going on around here, and I've got
an idea that's all tied up with those two escape killers.

Speaker 7 (14:22):
Dawson and m made you say that, as if you
had to have any reasons.

Speaker 8 (14:26):
Well, Colin's called me to say he was threatened. He
didn't know why or who it was that threatened. Then
when I was talking to him, apparently somebody slugged us
singing friends. Later, when I went up to see him,
he practically told me to mind my own books.

Speaker 12 (14:38):
Now.

Speaker 7 (14:38):
Please pardon me for being logical. But what has that
to do with two escape killers?

Speaker 3 (14:43):
I don't know.

Speaker 7 (14:44):
I think, Oh dear, somebody says, I'll get it.

Speaker 3 (14:46):
Never mind, I'll go Mary on.

Speaker 4 (14:49):
Funy, Holy Michael, what fuck had you? Mary?

Speaker 8 (14:53):
Come up here quickly, pretty badly beating up guy. I'll
carry him over this couch pretty bad. He's beating pretty badly,
but I don't think it's serious.

Speaker 3 (15:08):
Okay, there we are held.

Speaker 7 (15:11):
I've never seen him before.

Speaker 8 (15:13):
Her the radio is saying it didn't go on the air.
He's joke, Collins. I take it easy, kid with friends.
Do you like telling me what happened to him?

Speaker 12 (15:24):
Yeah?

Speaker 10 (15:25):
Yeah, sure, Bladdy, I couldn't talk to you when you
were in Paraday came up to.

Speaker 4 (15:30):
My apartment, but.

Speaker 10 (15:32):
I wish I had.

Speaker 8 (15:33):
I see what you mean, say, Mary, you better get
some stuff from the drug stake. Now, let's stop from
the beginning, Collins.

Speaker 10 (15:41):
Well, I got a call threatening me unless I sang
a certain song in the air bad. So I called
you right away. Then when I was talking to you,
some mug came in and he planted one in my eye.

Speaker 8 (15:57):
Okay, Colins, I gathered what was happening over the phone,
and later I saw you eye.

Speaker 3 (16:05):
Then what?

Speaker 4 (16:06):
And then this smug said that what he did to
my eye was just a sample of what would happen
if I told anybody about it. And that's why I
didn't talk to you.

Speaker 3 (16:15):
In Verity, Well, how come you we got beating nothing?
You didn't talk no.

Speaker 10 (16:18):
But tonight this fellow got me just as I was
going into the broadcasting building.

Speaker 4 (16:22):
He gave me a song he wanted.

Speaker 10 (16:23):
Me to sing. I have it here. When I refused
to sing it, he let me have it.

Speaker 3 (16:27):
I see.

Speaker 8 (16:28):
Well, my girlfriend Mary Wesley is a nurse and she's
going down at drug store to get some stuff.

Speaker 3 (16:31):
To pixture up.

Speaker 8 (16:33):
He'll be all right as soon as she gets back. Now,
let me take a look at that song. Maybe I
can get something out of it that will make somebody
sing a different tune.

Speaker 4 (16:50):
I gotta get out doors, I tell you, I gotta
get out, shut out.

Speaker 13 (16:52):
I can't coop up in here, nothing happens.

Speaker 4 (16:54):
I gotta get out. You'll get out, that's what you say.

Speaker 13 (16:57):
How who's gonna.

Speaker 3 (16:58):
Get us out?

Speaker 4 (16:58):
The boys?

Speaker 3 (16:59):
Why?

Speaker 13 (16:59):
I don't even were we are there?

Speaker 4 (17:01):
Contact? Oh it's two days.

Speaker 13 (17:02):
I gotta get out of here.

Speaker 4 (17:03):
Shut you're blowing your topic.

Speaker 10 (17:09):
I'll try it out.

Speaker 3 (17:10):
I'll give you who got you.

Speaker 5 (17:14):
Don't get behind that door already?

Speaker 3 (17:18):
Is is going to get a reception?

Speaker 15 (17:19):
Believe me, behind that door when I opened, anything's cock
eye start shooting you?

Speaker 8 (17:24):
But I want.

Speaker 3 (17:27):
Oh?

Speaker 15 (17:27):
Is that.

Speaker 4 (17:29):
Eric?

Speaker 3 (17:30):
The guy who once assuming has this could be a gag?

Speaker 10 (17:33):
I told you you alone?

Speaker 4 (17:34):
Eric?

Speaker 10 (17:36):
Wait a minute, well what is it?

Speaker 3 (17:40):
Start with that? What is it? You and your friend?
You must get out of here. You said you would
stay on there one day and one night. Already days?

Speaker 4 (17:48):
Is that scrammy You're get in the real trouble.

Speaker 10 (17:53):
Well, let's stat it.

Speaker 3 (17:56):
I used to do with some excitement.

Speaker 13 (17:59):
I almost let guy just know what I don't know,
maybe just for something to do, maybe just to keep
in practice.

Speaker 8 (18:18):
Oh Mary, I give up all right.

Speaker 7 (18:20):
Only it might be nice if you told me what
it is you're giving us.

Speaker 8 (18:22):
Trying to find something in this song that mug want
to do Colins to sing. I thought it might have
a code of something in it, But if it has,
I can't find.

Speaker 7 (18:30):
All I know is it is an awful song.

Speaker 3 (18:33):
That much I know.

Speaker 8 (18:34):
Maybe it was a message of some kind, maybe a
message to Murderca Dawson, for all we know, be a
clever way of getting in touch with them and telling
them get away plans.

Speaker 3 (18:43):
If that's what it is.

Speaker 13 (18:44):
I mean.

Speaker 7 (18:44):
Murdoc and Dawson arranged with their gang to tune in
on Duke Colin's program every night, and then when a
certain song was sung, they'd have a way of finding
out what message.

Speaker 3 (18:51):
Was in it.

Speaker 8 (18:52):
That's right, Uh say the words over it again while
I play this sure go ahead.

Speaker 7 (19:00):
They was feeling frisky when she made us too meek.
She knocked you off the beams and knocked me right
off my feet. She made a careful creature when she
fashioned yule and I'll hold you in my arms.

Speaker 8 (19:18):
Hold second, Mary, I've got it. That song does have
a message, and I know what it is now. That
song is going on the air tonight.

Speaker 7 (19:26):
But you Colins is in no shape to sing it,
I know, but I can sing.

Speaker 8 (19:29):
It and make it sound like Colins. I guarantee that
tonight the song and dance night Mary. I'll do the song,
and it's going to make a couple of killers dance
right into Paradays.

Speaker 3 (19:39):
On coming out, Blackie. Five seconds nervous, anxious, anxious? Do
you announ? Yeah, that's right. You start to sing on
a cue from the control room. All set, now take
it away. I'm ready. Okay, we're on the air. Your

(20:03):
favorite station now brings you your favorite singer, Duke Collins
in a program of your favorite songs. For his first selection,
Duke sings a brand new song never heard on the
air before. Duke Colin sings and I'll hold you in
my arms. He was feeling christy when she made us

(20:24):
to me. She knocked you off of me.

Speaker 12 (20:27):
Man knocks me right off my fee.

Speaker 3 (20:32):
Cap will great you when she flashed.

Speaker 8 (20:38):
Nice voice.

Speaker 3 (20:39):
That guy's got inspected, Paraday.

Speaker 4 (20:41):
That's Blackie. You don't he's singing in Duke Colin's place.
You call that good?

Speaker 3 (20:46):
But yeah, it's sure as good as any of them, guys.

Speaker 4 (20:48):
I'd rather listen to the motor on this police card.

Speaker 3 (20:50):
Yeah, say, when do we get started after Murdoch and
Dawson inspector?

Speaker 4 (20:55):
We get started when Blackie gets finished. Get the door
for the finish.

Speaker 8 (21:11):
I don't want your word, Paraye is plenty nice now?

Speaker 4 (21:19):
That is fine.

Speaker 12 (21:22):
Hot So.

Speaker 3 (21:27):
Darling, if you can't please, why just coun't.

Speaker 4 (21:31):
Talk to time? And I.

Speaker 10 (21:45):
Okay, shut it off.

Speaker 3 (21:47):
What about the message, Dawson, What does it say?

Speaker 12 (21:50):
It makes us an appointment to meet the boys tonight
at Tennape, and believe me, we'll be there.

Speaker 3 (22:05):
Keep in the shadows. You want to get picked up
any cop now we're too close to payoff. I'll be careful.

Speaker 15 (22:11):
Every idea that's song doesn't He's smart guy, Colin's guy
didn't show in the air last time.

Speaker 3 (22:17):
I got panicking one night at the next. What's the difference.

Speaker 14 (22:20):
All we got to do now is make the corner
and there'll be a car parked there.

Speaker 4 (22:24):
Hey, there is a car.

Speaker 3 (22:25):
Yeah, I can see it from here. Yeah, that's our
boys Ape. They did a good job.

Speaker 4 (22:31):
Another minute our.

Speaker 3 (22:32):
Way West can hardly wait to us, and I can
hardly wait.

Speaker 10 (22:36):
You ain't got much patience ape you really anybody who said.

Speaker 4 (22:42):
No?

Speaker 15 (22:43):
Nobody boys, pick the right spot, all right, mad in
White Street, ten o'clock and nobody around.

Speaker 3 (22:51):
Let's go okay, but don't hurry. Just walk over to
the car easy like me?

Speaker 4 (22:57):
Really right ice working, Hey, he ain't but an Okay,
that's what I've been waiting for. All right, boys, I
want to shoot it up.

Speaker 15 (23:11):
Time he got my.

Speaker 8 (23:15):
I'm fired.

Speaker 4 (23:16):
I am proud of you. Boy. You didn't do bad Blacky.

Speaker 3 (23:19):
Thanks for your help, no trouble.

Speaker 8 (23:21):
Come on, let's go and see if my dock and
Dawson and knocked off the keeps.

Speaker 3 (23:25):
I'll get out of the conference. Go ahead, right back
up with you, fellas. I want to take a look.
Hum Dawson's done for. But this other guy you mean.

Speaker 10 (23:37):
You know Blackie Dawson.

Speaker 4 (23:39):
No, he said I was too impatient.

Speaker 13 (23:43):
Ollie, I ain't no hurry to die.

Speaker 4 (23:57):
Okay, Blackie, you did it, I know you did it.
Not tell me how? What was the code in that
song you sang over the radio?

Speaker 7 (24:02):
Wake it easy, inspector, you know I want to know
the answers to both of you will find out the
same time and that same time happens to be right now.

Speaker 8 (24:11):
The code of that song was the last word in
every other line of it. The complete message was meet
Hugh Tonight, Maine and Worth ten.

Speaker 7 (24:21):
And you knew that that was a message to Dawson
and Murdocks and their boys and that they would keep today.

Speaker 4 (24:26):
That's right. My boys took care of Dawson Murdoch's guys
before they showed up. When the two killers got there,
we took care of them too.

Speaker 8 (24:34):
You certainly didn't fire they congratulations. That's a funny thing.
Dawson Murdoch ordered a love song and it turned out
to be a funeral.

Speaker 3 (24:42):
March